Podcasts about Emily Dickinson

“And I was catching my breath, barefoot in the wildest winter…” What happens when a 21st-century American poet meets a 19th-century one? In this Show & Tell episode, we explore the literary lineage between Taylor Swift and Emily Dickinson. Each of us brings a favorite Dickinson poem paired with a Swift song that touch on shared motifs such as separation, isolation, and hope. Tune in to find out which modern-day Taylor tracks sound like 19th-century poetry—and why we think Emily might vibe with Evermore.   Two ways to get more of AP Taylor Swift: Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: aptaylorswift.substack.com/subscribe First 50 people to grab a Substack After School annual plan get 40% off: aptaylorswift.substack.com/wishlistmemberdiscount Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes   Mentioned in this episode:  The Letters of Emily Dickinson The Complete Poems of Emily Dickinson Hope is the Thing with Feathers They Put Us Far Apart (Poem 474) It Was Not Death, for I Stood Up (Poem 355) Message in a Bottle – Taylor Swift Evermore – Taylor Swift Karma – Taylor Swift Beauty and the Beast (live-action & Broadway versions) Hamilton Taylor Swift by the Book Ancestry.com – Taylor & Emily's distant cousin connection Emily Dickinson Museum Tikvah (Hebrew word for hope)   ***   Episode Highlights:  [6:26] “Message in a Bottle” + they put us far apart [16:03] “Evermore” + It was not death, for I stood up  [29:31] “Karma” + Hope is a thing with feathers Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.  

Amanda Holmes reads Emily Dickinson's “Wild Nights—Wild Nights!” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman.This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

Walt Whitman kallas USA:s nationalpoet, men fortsätter att provocera. Göran Sommardal reflekterar över Whitmans poesi och över varför han älskade sina medmänniskor mest när de sover. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Först sänd 2019-05-30.[Louis Armstrong: Nobody knows the trouble I've seen]Man borde inte börja en OBS-essä med sång och musik. Men skälet till att jag inte kan låta bli musik­en och sången är att mötet med de dikter som Walt Whitman har kallat Leaves of Grass, eller det urval som Gunnar Harding har kallat Jag hör Ame­ri­ka sjunga, får mig att höra, om jag skulle höra Amerika sjunga, inte alla de sånger som Walt Whitman radar upp redan i den inledande dikten – utan allra först det här.[Mahalia Jackson: Let my people go]Så här låter Whitmans sång:Jag hör Amerika sjunga, en mångfald av sånger hör jag/mekanikernas sånger, var och en sjunger sin muntert och/ starkt som sig bör,snickaren sjunger sin medan han mäter sin planka eller bjälke,[...]moderns underbara sång, eller den unga hustruns vid sina/ sysslor, eller flickans där hon syr eller tvättar,/var och en sjunger om vad som hör till honom eller henne/ och ingen annan,/dagen om vad som tillhör dagen – om natten en samling/ unga grabbar, robusta, vänliga/och de sjunger för full hals sina starka, melodiska sånger....I stället för att låta de ohörda kollektivens och de förvisade folkliga gemenskap­ernas sånger runga i sin dikt avlyssnar Whitman, alltså, de enskilda amerikanernas ton­arter och sångstilar. Och jag vet att denna invändning mot Walt Whitmans allomfattande och alltomfattande individualism kan förefalla historiskt orättvis. Han var ju emot slaveriet, om än tidvis en något vacklande abolitionist. Han uppmärk­sammade de amerikanska ursprungsinvån­ar­na, han såg till både män och kvinnor – alla den nya kontinentens själar ägde sam­ma hemortsrätt på Den stora landsvägen, som får sägas vara poetens favorittillhåll i dikten. Och riktningen i hans litterära politik var alltid demokratins. I sin essä om Whitman i sina Studier i klassisk amerikansk litteratur kallar D.H. Lawrence honom "den första vite infödingen".Om Dickinson lock­ar med sin gåtfulla precision och sin precisa gåtfullhet, så har Whitman förfört sina stora läsarskaror med sin generösa omåttlighet och välgör­ande brist på poetiska hyfsning.Det kan vara upplysande att jämföra Walt Whitmans poesi och plats i den ameri­kans­ka litteraturhistorien med den tolv år äldre Henry Wadsworth Longfellow, som vid tiden för Whitmans debut 1855 var den dittills överlägset mest kän­de ame­ri­kanske poeten, hyllad på båda sidor av Atlanten. Och på sin tid flitigt utgiven och översatt, också till svenska, och beundrad av europeiska stor­het­er som Dickens och Baudelaire. Longfellows hexameterepos Evangeline skildrar en romantisk-tragisk historia baserad på en historia om brittisk etnisk rens­ning av franska ättlingar i Nova Scotia. Hans mytologiska The Song of Hiawatha är en hyllning till "den ädle vilden" och hans valhänta och aldrig riktigt realistiska skildringar av slaveriet i Poems on slavery är helt i linje med hans starka enga­gemang för abolitionismen. Men trots att Longfellow på många vis intog en mer progressiv och klargörande ställning i frågor om slaveri och fördrivning och exploatering av Amerikas urinnevånare, så har tidens gång förvandlat hans euro­- peiskt de­signade humanism i kombination med hans akade­mis­ka välmenande vers till obligatorisk kurslitteratur, medan Walt Whitmans fria och orim­made verser, fräcka och förföriska, ofta skabrösa och frispråkiga, med kärlek så­väl mellan män och kvinnor som mellan män och män – den har blivit, och förblivit, också den obligatorisk kurslitteratur men i ett avgörande tillägg ett källsprång för läsare och efterföljare. "Whitman, den ende man som gått fram på helt oba­na­de stigar", så skriver D.H. Lawrence vidare om Whitman i sin essä. Och för vår europeiska räkning kunde han ha tillagt: US-amerikanska stigar. Och så är det. Walt Whitman, jämsides med Emily Dickinson, har kommit att utgöra den amerikanska poesins ojämförliga moderna källflöde. Om Dickinson lock­ar med sin gåtfulla precision och sin precisa gåtfullhet, så har Whitman förfört sina stora läsarskaror med sin generösa omåttlighet och välgör­ande brist på poetiska hyfsning. Och många, inte bara amerikanska, poeter har följt i hans fotspår.I denna generositet ingår en idé om mänsklig förbrödring, ty så får man ända karaktärisera ingivelsen hos en poet som gärna inledde sina dikter med ett Allons!, alltså det "Allons enfants...", som inleder Marseljäsen, den franska revolutionssång­en som mer än någon annan kommit att musikaliskt förkroppsliga Frihet, jämlikhet, broderskap.Jag föreställer mig gärna att hållbarheten och livaktigheten i arvet efter Whit­man till stor del också har göra med att han i någon mening förblivit kontro­versiell och aldrig riktigt enkelt kanoniserbar. Hade det bara varit för hans proklamerade världsmedborgarsolidaritet som Bror Hjort tolkade den i sin målning "Kärleken, freden, arbetet", med Whitman själv, "Jesus den härlige" och Sokrates, därtill bröder och systrar, svarta, röda, gula och vita tillsammans i fröjd och gamman, då hade hans verser kunnat pryda vilken som helst sön­dags­skola. Som det står i inledning till dikt 8 av sviten "De sovande":asiaten och afrikanen hand i hand, europén och amerikanen hand i hand/lärd och olärd hand i hand, och man och kvinna hand i handMen i botten av denna inlevelsefulla själarnas gemenskap som Whitman målar upp åter­finner vi, alltid, det Lawrence i sin Whitman-betraktelse hänvisar till som hans "obän­diga livskraft", och han citerar:Jag är den som anfäktas av köttslig lusta/Graviterar inte jorden, dras inte all materia till all annan, åtrår den?/Så dras min kropp till allt och alla som jag möter eller ser.Det är i diktsviten Children of Adam som Whitman mest oförblommerat och envetet ger uttryck för kropparnas sinnliga möten. Och i Calamus tillkommer det för tiden ännu mer "chockerande": homoerotik. Whitman bjöd på en frisprå­kighet som på sin tid något lättare fann fristad i Europa än i det ännu bigotta USA. Hos Whitman hålls ingen "Själarnas maskerad" som hos Pär Lagerkvist, sna­rare en kroppar­nas maskerad. Hos Whitman har Terentius urhumanistiska ”Intet mänskligt är mig främmande” transformerats till ”Allt kroppsligt är mig kärt”:stammaren, sjuklingen, den välbyggde, den anspråkslöse,/den kriminelle som stod inför skranket, domaren som satt och dömde honom,/de vältaliga advokaterna, juryn, åskådarna,/skrattaren och gråtaren, dansaren, änkan vid midnatt, den röda squawen,/den lungsiktige, den rosfeberdrabbade, idioten, han som förorättats,/ motsatserna, och var och en mellan det här och dem i mörkret,/jag svär att de är utjämnade nu – ingen förmer än den andra,/natten och sömnen har gjort dem jämlika och återupprättat dem.Individer, alla lika mycket mänskligt värda, men bara tillgängliga och insläppta En och En."Hans dikter", här citerar jag på nytt D.H. Lawrence, "Demokrati, En masse, Allenheten, är långa additions- och multiplikationstabeller, där slutsiffran alltid blir JAG SJÄLV."Sannolikt är det i denna allomfattande men enkelriktade individualism som Walt Whitman blir bäst definierad. Individer, alla lika mycket mänskligt värda, men bara tillgängliga och insläppta En och En. Inga klasser, inga kulturskillnader- och gemenskaper, inga fackföreningar, och inget behov av fackföreningar, ingen UNION. Därför älskar Whitman sina människor mest när de sover:De sovande är mycket vackra då de ligger avklädda,/de flyger hand i hand fram över hela jorden från öster till väster då de ligger/avkläddaHär skymtar Whitmans utopi, lika lockande än idag, och för alltid lika skrämmande. Vår tids ideologiska städmani: att göra rent hus: Ur vägen allt för själarnas framåtskridande, all religion, alla fasta föremål, konstarter, regeringar – allt det som var eller är synligt på detta klot eller något annat klot faller i nischer och vrår inför själarnas procession längs universums väldiga vägar.Göran SommardalLitteraturWalt Whitman: Jag hör Amerika sjunga, övers. Gunnar Harding, Ellerströms 2019.Walt Whitman: Leaves of Grass, Penguin Classics 2017.Longfellow: Poetical Works, London 1973Henry Wadsworth Longfellow: Hiawatha, övers. Helmer Linderholm, Tidens förlag 1978D.H. Lawrence: Studier i klassisk amerikansk litteratur, övers. Harry Järv, Cavefors 1964 Göran Sommardal

Guests: Jan Jekielek and Kelly Scott Franklin Host Scot Bertram talks with Jan Jekielek, senior editor at The Epoch Times and host of American Thought Leaders, about China's state-sanctioned harvesting of organs from living donors and his new book Killed to Order: China's Organ Harvesting Industry and the True Nature of America's Biggest Adversary. And Kelly Scott Franklin, associate professor of English at Hillsdale College, continues a series on the poems of Emily Dickinson. This week, he focuses on "Tell all the truth but tell it slant." See omnystudio.com/listener for privacy information.

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet's correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson's writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson's letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance. Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson's Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell. Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast. Playlist for listeners: The World She Edited: Katharine S White at the New Yorker Once Upon A Tome Your Art Will Save Your Life Wild Everything The Banned Book Becoming The Writer You Already Are Archival Etiquette What To Know Before You Go Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet's correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson's writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson's letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance. Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson's Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell. Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast. Playlist for listeners: The World She Edited: Katharine S White at the New Yorker Once Upon A Tome Your Art Will Save Your Life Wild Everything The Banned Book Becoming The Writer You Already Are Archival Etiquette What To Know Before You Go Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet's correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson's writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson's letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance. Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson's Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell. Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast. Playlist for listeners: The World She Edited: Katharine S White at the New Yorker Once Upon A Tome Your Art Will Save Your Life Wild Everything The Banned Book Becoming The Writer You Already Are Archival Etiquette What To Know Before You Go Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet's correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson's writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson's letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance. Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson's Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell. Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast. Playlist for listeners: The World She Edited: Katharine S White at the New Yorker Once Upon A Tome Your Art Will Save Your Life Wild Everything The Banned Book Becoming The Writer You Already Are Archival Etiquette What To Know Before You Go Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet's correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson's writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson's letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance. Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson's Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell. Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast. Playlist for listeners: The World She Edited: Katharine S White at the New Yorker Once Upon A Tome Your Art Will Save Your Life Wild Everything The Banned Book Becoming The Writer You Already Are Archival Etiquette What To Know Before You Go Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet's correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson's writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson's letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance. Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson's Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell. Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast. Playlist for listeners: The World She Edited: Katharine S White at the New Yorker Once Upon A Tome Your Art Will Save Your Life Wild Everything The Banned Book Becoming The Writer You Already Are Archival Etiquette What To Know Before You Go Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Send us Fan MailToday we have a very special spoiler free author interview episode for you with young adult Romantasy author Autumn Krause! Autumn is the author of four novels (so far): A Dress for the Wicked, Before the Devil Knows You're Here, Grave Flowers, and coming soon…her very timely and extremely important fourth novel The Gods Will Sing Our Song. Out everywhere (including Audible!) on September 1st, The Gods Will Sing Our Song is a magical and tragic story inspired by her own family's experiences in the World War 2 Japanese American Incarceration camps.We met the lovely and beautiful Autumn at Romantasycon LA where we had the privilege of interviewing her for the Gothica panel, chatting all things horror, dark fantasy, and gothic themes and just knew she was an instant bestie with a big message we can't wait to discuss with her, and share with you all today! This episode is here for us to get to know Autumn better and to find out what you'll be getting into when you pick up her new book The Gods Will Sing Our Song… which every single one of you needs to go pre-order immediately! We also talk in depth about what inspired her to write this book, and why conversations about the darkest parts of our history are still SO incredibly important to keep having. We'll also briefly discuss her previous releases so you guys know what to expect if you decide to deep dive into the backlog before we do OUR deep dive coverage of The Gods Will Sing Our Song, coming soon! Autumn Krause is a writer, young adult author, a gothic romantic at heart and loves spinning stories full of macabre magic. She was born and raised in Los Angeles, California, where her morbid imagination ran rampant—so much so that her parents became concerned and told her to stop writing stories where everyone dies at the end. Most often, she can be found in Orange County, California, wearing a black lace dress while spending time with her husband and three children. Other times, she can be found out with lanterns in the tradition of Emily Dickinson, searching for herself and stories.Recently an offering editor at auction described The Gods Will Sing Our Song as a book that changes the way we look at the world. They said that “Books like these have the power to break our hearts and remake them. They open our eyes to injustice and bring a sense of catharsis to those who've encountered its sharp edge. They shout to be seen and heard and remembered - just as we must remember those who came before us, whose joys and scars go on to guide our own life stories. In my opinion, The Gods Will Sing Our Song is exactly such a book.”Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Shop our Merch line | *  https://besties-and-the-books-shop.fourthwall.comCheck out these narrator interviews? ⬇️Anthony Palmini gives us the lowdown on what it's like to voice act Rhysand, Kingfisher, AND Slade Ravinger! https://youtu.be/zcCyrlZ5Jcc?si=2k7ULbRPgZl_5pUJCheck out these author interviews? ⬇️Penn Cole talks with us about Strong Female Characters, Feminist Themes, and her debut bestselling Spark of the Everflame Series! https://youtu.be/7ukNImyoObw?si=7C3Y9kOUMN4hfcKbWe interviewed Callie Hart all about her NYT Bestseller Quicksilver! Watch it here! https://youtu.be/CED5s7qDBdQ?si=8xtIRO1IzX6Rsld4Check the official Follow Up Author Interview with Lindsay Straube of the Split or Swallow Universe all about Between Two Kings! https://youtu.be/OW1cxXTVcTc?si=oOxVIzbIheET_bNENikki St. Crowe, the queen of spicy fairy tale retellings chats with us about diving into the land of Oz with West of Wicked! https://youtu.be/wwFYSDKcbtE?si=X6iNmUVAE6Xhmv7B____Shop Bookish Merch we are wearing:Ashley is wearing: a Twilight Vintage style t-shirt from LambComedy | *  https://www.tiktok.com/t/ZT9JWeP68q2yk-I0EzA/ Liz is Wearing our Besties and the books beanie: https://besties-and-the-books-shop.fourthwall.comAny link with an * is an affiliate link through the service Magic Links and is eligible for a commission to us with no extra cost to you. Thank you for helping support our podcast!Support the showYouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

Today, my guest is Brendan James Murray, an author and English teacher whose work explores education, childhood and imagination. In this episode, Brendan reflects on growing up in a working-class family, discovering a love of writing at an early age, and the unexpected journey that led him from being a child who struggled with school attendance to becoming a passionate teacher and published author. We explore Brendan's lifelong fascination with stories, monsters, mythology and literature, and how these early influences shaped both his writing and his teaching. Brendan shares insights into his creative process, including the role that walking, curiosity and sustained reflection play in developing ideas, as well as the research behind books such as The Drowned Man and his latest work, Childhood: A memoir of growing up, parenting, teaching, and discovering what children need most. Our conversation also examines some of the larger questions surrounding education and contemporary culture. Brendan discusses the distinction between imagination and creativity, discussing that while creativity often focuses on producing measurable outcomes, imagination is a way of thinking that deserves to be valued in its own right. We chat about the growing emphasis on measurement, data and achievement in modern life, and what may be lost when imagination, wonder and uncertainty are pushed aside. We enjoyably explore imitating the poetry of Emily Dickinson, ambiguity, a sense of wonder and the great unknown, writer's block, measurement and achievement, as well as infinite universes, the nature of reality, the ‘many-worlds' theory of quantum mechanics and metaphors and their role within a memoir. Throughout the conversation, Brendan offers reflections on childhood, growing up, imagination, learning, hope, storytelling, teaching, parenting and the importance of helping young people imagine possibilities for their future. Links: Childhood: https://www.panmacmillan.com.au/9781761779343/ Instagram: https://www.instagram.com/bjmurrayauthor/

¿La poesía te da flojera o sientes que es solo para intelectuales del siglo XVIII? En este episodio de Todo que ver, Fernando, Andrea y Chile Armando reciben a Poli, artista multidisciplinaria y filósofa, para derribar el mito de que la poesía es aburrida.Hablamos de todo: desde por qué le huimos a las clases de español, hasta el análisis de si las letras de Bad Bunny, Ricardo Arjona o los videos de Las Perdidas pueden considerarse arte poético. Además, debatimos sobre la serie de Emily Dickinson y Poli nos comparte su secreto para "entrenar la mirada" y encontrar poesía en la calle, en los memes y en lo cotidiano.¡Quítate el estigma, ponte los audífonos y acompáñanos en este viaje!Producido por Chez Audiovisual

Paola Tonussi"Emily Dickinson. Gemma oscura"Edizioni Areswww.edizioniares.itEmily Dickinson (Amherst, 1830-1886) è una delle voci più radicali della modernità poetica, per l'originalità della sua riflessione su vita e morte, tempo e natura: la sua scrittura fu un'esperienza totalizzante ed eversiva, nel silenzio della Homestead, casa-prigione volontaria.La libertà della sua poesia si respira anche nei versi frammentati, nella punteggiatura innovativa e in un'intensa introspezione. Questo libro è più di un saggio biografico: è un viaggio intimo e poetico che attraversa le poesie e le lettere della Dickinson che ricordano «una torta fatta in casa, un utensile intagliato, una coperta fatta a mano». Come suggerisce l'autrice, dopo aver letto la poetessa americana non è più possibile tornare a una parola pacificata o trasparente: lettori e versi, infatti, si misurano sullo stesso piano per restituire la forza perturbante e il fascino oscuro della sua parola, una poesia che interroga e trasforma chi legge.Paola Tonussi è studiosa di letteratura inglese e americana dell'Ottocento e del Novecento e collabora a riviste italiane e anglosassoni, tra cui “Brontë Studies”. Ha scritto tra l'altro su Byron, Dickens, Virginia Woolf, Eliot, Brodskij e i Brontë. La sua biografia Emily Brontë (Salerno, 2019), è stata finalista al Premio Comisso 2020 per la sezione dedicata. Per Ares ha curato War Poets. Nelle trincee della Prima guerra mondiale (2022), Rupert Brooke: lo splendore delle ombre (2024), prima biografia italiana del poeta britannico, di cui ha curato anche le Poesie (InternoPoesia 2025, postfazione di Silvio Raffo), ed Emily Dickinson. Gemma oscura (2026).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Today's poem uses an unrhymed line to make its point. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Producer/Host: R.W. Estela Hi, I'm RW Estela: Since 1991, I've been presenting A Word in Edgewise, WERU's longest-running short feature, a veritable almanac of worldly and heavenly happenings, a confluence of 21st-century life in its myriad manifestations, international and domestic, cosmopolitan and rural, often revealing, as the French say, the more things change, the more they stay the same — though not always! Sometimes in addressing issues affecting our day-to-day lives, in this age of vagary and ambiguity, when chronological time is punctuated elliptically, things can quickly turn edgy and controversial, as we search for understanding amid our dialectic. Tune in Monday mornings at 7:30 a.m. for an exciting journey through space and time with a few notable birthdays thrown in for good measure during A Word in Edgewise . . . About the host: RW Estela was raised as a first-generation American in Colorado by a German mother and a Corsican-Basque father who would become a three-war veteran for the US Army, so RW was naturally a military brat and later engaged in various Vietnam-era civil-service adventures before paying his way through college by skiing for the University of Colorado, playing Boulder coffeehouses, and teaching. He has climbed all of Colorado's Fourteeners; found work as an FAA-certificated commercial pilot, a California-licensed building contractor, a publishing editor, a practitioner of Aikido, and a college professor of English; among his many interdisciplinary pursuits are the design and building of Terrell Residence Library (recently renamed the Terrell House Permaculture Living & Learning Center at the University of Maine), writing Building It In Two Languages (a bilingual dictionary of construction terminology), aerial photo documentation of two dam removals (Great Works and Veazie) on the Penobscot River, and once a week since 1991 drafting an installment of A Word In Edgewise, his essay series addressing issues affecting our day-to-day lives — and WERU's oldest continuous short feature. When pandemics do not interfere, he does the Triple Crown of Maine open-water ocean swims (Peaks to Portland, Islesboro Crossing, and Nubble Light Challenge) and the Whitewater Downriver Point Series of the Maine Canoe and Kayak Racing Organization. RW is the father of two and the grandfather of three and lives with his partner Kathleen of 37 years and their two Maine Coons in Orono. The post A Word in Edgewise 7/27/26: Ron Billingsley, Emily Dickinson, & Kathleen Ellis . . . first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Mike Kelly delivered the 2026 NEH-SHARP Living American History in Primary Documents Lecture, "Indigenous Agency & Intervention in the Bibliographical Record," at the University of Virginia on 22 July, 2026. About the Talk: This talk draws from the past thirteen years that Mike Kelly has spent building the Native American Literature Collection in the Archives & Special Collections at Amherst College, as well as current work to incorporate Indigenous knowledge into library, archives, and museum practices. The history of the Indigenous people of North America engaging directly with printing technology extends from the first presses in seventeenth-century New England to the comics, games, and more produced by the Indigenous Imagination Workshop in the twenty-first century. Kelly will demonstrate how a deep knowledge of traditional bibliography coupled with an understanding of Indigenous history results in a rich and complex understanding of this aspect of book history. At the same time, there are many ways to incorporate Indigenous methodologies and perspectives into our curatorial practices, which Kelly and his colleagues have attempted to do at Amherst. About the Speaker: Mike Kelly has served as the Head of the Amherst College Archives & Special Collections since 2009; prior to that time he was Curator of Books at the Fales Library & Special Collections at New York University. He received his Master's in Library Science from the University of Texas at Austin where he spent two years as an intern at the Harry Ransom Center; he also holds an M.A. in English from the University of Virginia. In 2016, he was awarded the Reese Fellowship for American Bibliography and the History of the Book in the Americas by the Bibliographical Society of America for his work on the bibliography of Samson Occom, a member of the Mohegan tribe of Connecticut. He co-curated (with Carolyn Vega) the exhibition “I'm Nobody! Who Are You? The Life and Poetry of Emily Dickinson” at the Morgan Library & Museum in New York, which ran from January through May 2017. In the summer of 2018, Mike co-taught the course H-150: A History of Native American Books & Indigenous Sovereignty in Amherst for Rare Book School and he just completed teaching the online RBS course G-90v: Indigenous Agency and Intervention in the Bibliographical Record.

Maitreyabandhu draws out the deeper meaning and finer detail of five different poems, each around the theme of death with the final poem focusing on spiritual rebirth. By discussing the background of the poems and poets, the intricacies of their structure, and bringing in a Buddhist interpretation of the themes raised in the poems, Maitreyabandhu shows us the importance and profundity of poetry and how it can help us to explore Dharmic themes more deeply. Here he discusses the poem "I heard a Fly buzz – when I died - by Emily Dickinson. Excerpted from the talk entitled A New Knowledge of Reality-Buddhism and Poetry given at Padmaloka Retreat Centre, 2018. *** Help us keep FBA Podcasts free for everyone! Donate now Subscribe to the FBA podcast: A full, curated, quality Dharma talk, every week. Apple Podcasts | Spotify | YouTube

A wonderful thing about Emily Dickinson's large body of poetry is that there are always "new" poems to discover. Take this lesser-celebrated one for example: an ecstatic hymn to our present season, lengthy by Dickinson's standards, filled with her characteristic unusual word choices. As is the nature of this Project, I was drawn to sing it. The Parlando Project takes various words (mostly literary poetry) and combines them with original music in differing styles. We've done over 900 of these combinations, and you can hear any of them and read about our encounters with the words at our blog and archives located at frankhudson.org    

Producer/Host: R.W. Estela Hi, I'm RW Estela: Since 1991, I've been presenting A Word in Edgewise, WERU's longest-running short feature, a veritable almanac of worldly and heavenly happenings, a confluence of 21st-century life in its myriad manifestations, international and domestic, cosmopolitan and rural, often revealing, as the French say, the more things change, the more they stay the same — though not always! Sometimes in addressing issues affecting our day-to-day lives, in this age of vagary and ambiguity, when chronological time is punctuated elliptically, things can quickly turn edgy and controversial, as we search for understanding amid our dialectic. Tune in Monday mornings at 7:30 a.m. for an exciting journey through space and time with a few notable birthdays thrown in for good measure during A Word in Edgewise . . . About the host: RW Estela was raised as a first-generation American in Colorado by a German mother and a Corsican-Basque father who would become a three-war veteran for the US Army, so RW was naturally a military brat and later engaged in various Vietnam-era civil-service adventures before paying his way through college by skiing for the University of Colorado, playing Boulder coffeehouses, and teaching. He has climbed all of Colorado's Fourteeners; found work as an FAA-certificated commercial pilot, a California-licensed building contractor, a publishing editor, a practitioner of Aikido, and a college professor of English; among his many interdisciplinary pursuits are the design and building of Terrell Residence Library (recently renamed the Terrell House Permaculture Living & Learning Center at the University of Maine), writing Building It In Two Languages (a bilingual dictionary of construction terminology), aerial photo documentation of two dam removals (Great Works and Veazie) on the Penobscot River, and once a week since 1991 drafting an installment of A Word In Edgewise, his essay series addressing issues affecting our day-to-day lives — and WERU's oldest continuous short feature. When pandemics do not interfere, he does the Triple Crown of Maine open-water ocean swims (Peaks to Portland, Islesboro Crossing, and Nubble Light Challenge) and the Whitewater Downriver Point Series of the Maine Canoe and Kayak Racing Organization. RW is the father of two and the grandfather of three and lives with his partner Kathleen of 37 years and their two Maine Coons in Orono. The post A Word in Edgewise 7/13/26: Building Permits, Charles Olson, Emily Dickinson, & the New Moon . . . first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

In this rewind episode of The Autistic Culture Podcast, hosts Dr. Angela Kingdon and Matt Lowry, LPP uncover the Autistic traits and cultural legacy of 18th-century poet Emily Dickinson.

Carolina Bianchi retorna ao Festival de Avignon para apresentar a trilogia completa Cadela Força, considerada pela crítica europeia como uma das investigações mais radicais do teatro contemporâneo. Do inferno de A Noiva e o Boa Noite Cinderela ao enigma luminoso de Uma Luz Cordial, passando pelos pactos masculinos de The Brotherhood, a artista brasileira constrói um percurso que se recusa a estetizar a dor, abordando temas como violência, sexualidade e literatura. Márcia Bechara, enviada especial a Avignon A apresentação integral da trilogia Cadela Força na Opéra d'Avignon, em uma maratona de dez horas, consolida a posição singular de Carolina Bianchi na cena experimental contemporânea. A artista brasileira retorna ao festival, depois do sucesso estrondoso de A Noiva e o Boa Noite Cinderela, de 2023, com um percurso que confronta violência sexual, feminicídio, pactos masculinos e a própria tarefa da escrita. Sua obra nasce de uma experiência brasileira que não se deixa traduzir completamente, e é justamente essa força que redefine sua presença em Avignon 2026. A trilogia, afirma Bianchi, exigia tempo e densidade. “Cadela Força era uma coisa que foi se apresentando desde o começo também porque sinto que os assuntos, que as matérias que a gente estava movendo dentro dessa trilogia pediam esse lugar assim, de calma, de tempo para poder olhar para esses assuntos.” Para ela, não se tratava de buscar atalhos fáceis: “Acho que estava sempre, desde o começo, distante da gente querer encontrar soluções para coisas que são impossíveis.” No primeiro capítulo, A Noiva e o Boa Noite Cinderela, Bianchi articula histórias reais de feminicídio - dos assassinatos em série de Cidade Juárez ao caso da performer italiana Pippa Bacca, assassinada durante a execução de uma performance na Turquia, em 2008, - como eixo estrutural da obra. O corpo da performer opera como testemunho, instaurando um regime ético que desloca a cena da representação para a inscrição direta dessas narrativas. É o “inferno” da trilogia, uma geografia política da violência que se torna matéria de linguagem. Em The Brotherhood, a investigação se volta aos pactos masculinos que moldam a história da arte. A dramaturgia funciona como dispositivo analítico, expondo genealogias de poder que atravessam a própria autora, que surge como figura espectral. O capítulo evidencia a persistência dessas estruturas e a forma como organizam o campo artístico, mesmo quando examinadas criticamente. Leia tambémFestival de Avignon: 'A Noiva e o Boa Noite Cinderela', ou como explodir no próprio corpo as fronteiras do teatro A volta a Avignon O retorno ao festival, depois da estreia do primeiro capítulo em 2023, produz uma camada adicional de leitura. “Dá uma noção de temporalidade que, uau, é muito louca”, diz Bianchi. “Agora mesmo eu estou olhando para você e pensando quem éramos nós há três anos e éramos outras pessoas.” A volta com a trilogia completa, afirma, revela o percurso desses anos: “O quão imersa eu estive nesses anos nessa 'floresta escura da criação', como diz Dante Alighieri.” A referência à Divina Comédia atravessa sua fala e sua obra. “Essa entrada na criação, passando pelos infernos, pelos purgatórios, pelos paraísos que cada obra contém”, diz, descrevendo o processo como algo que transforma e reorganiza o trabalho. Voltar a Avignon, para ela, é também reconhecer lugares fundamentais da própria trajetória. A proposta da maratona reforça essa dimensão de experiência. “Ela tem uma coisa de ser de fato uma experiência e um convite para uma experiência teatral”, afirma. Bianchi cita o artista argentino Alberto Greco: “Ele dizia que acreditava na obra de arte como ‘aventura total'.” Sustentar dez horas de espetáculo envolve risco, e interessa à artista justamente por isso. “Tem um caminho selvagem. De risco. Tem um caminho tortuoso aí que também me interessa investigar.” O público, diz ela, é convocado a evocar essas perguntas junto com o grupo. “Vamos fazer uma coisa que não fizemos ainda antes e que tem os seus componentes de risco aqui, mas a gente quer sustentar juntos essas perguntas.” Uma luz cordial O terceiro capítulo, Uma Luz Cordial, desloca a violência para a tarefa da escrita. O título vem de um verso de Emily Dickinson, do poema My Life Has Stood a Loaded Gun. “Essa luz cordial que, na verdade, é essa arma disparando a luz de quando a arma explode”, explica. A imagem, para ela, está ligada ao ato de escrever: “O que a tarefa da escrita faz comigo, com o meu corpo.” O capítulo introduz alter egos e figuras literárias, num movimento que ecoa Dante. “Para eu seguir escrevendo, eu também vou me desfazendo, é uma trilogia também sobre um desaparecimento de um corpo que começa nesse Boa Noite Cinderela”, lembra. A violência se fricciona com a sexualidade e se catalisa no encontro com a imaginação. “A sexualidade é um tema muito importante que atravessa essa trilogia. A gente não tem como falar de violência sexual, a gente não tem como pensar o que acontece com essa violência, o que a gente faz depois dessa violência, se a gente também não pensar, não fizer as perguntas sobre a sexualidade.” A escrita, afirma, é o ponto de partida: “Eu sou escritora e essa é a minha primeira tarefa.” Escrever, para Bianchi, é também convocar o público à leitura. “O público vai vir aqui e vai ver dez horas de teatro, e vai ter que ler. Porque é isso, a gente está falando português, eu escrevo em português, essa é a minha língua.” A língua, diz ela, é o chão da obra: “Acredito no poder da linguagem, da língua, da nossa expressão, da escrita.” Teatro como passagem ao coletivo A escrita, porém, para ela, não se encerra na solidão. “Tem esse momento onde essa escrita vai passar ao coletivo. É aí que é o teatro. Eu sou uma escritora que precisa passar por esse lugar da solidão absoluta […] para essa coletividade do teatro, que eu acho impressionante”, conclui Bianchi. A trilogia Cadela Força será apresentada na Opéra de Avignon em três sessões consecutivas durante o Festival de 2026, reunindo os três capítulos em uma única maratona de dez horas. Depois de Avignon, o trabalho segue para Paris, onde integra o Festival de Outono: a trilogia será apresentada nos dias 14, 15 e 16 de novembro de 2026 na capital francesa, retomando a estrutura integral da obra e ampliando sua circulação no circuito europeu.

Tell all the truth but tell it slant—Success in Circuit liesToo bright for our infirm DelightThe Truth's superb surpriseAs Lightning to the Children easedWith explanation kindThe Truth must dazzle graduallyOr every man be blind—–Emily Dickinson

Bestselling fantasy authors Holly Black and Samantha Shannon on building believable magic systems, researching and constructing immersive worlds, and why the right book often only emerges once you've written the wrong one.   You'll learn Why the most convincing magic on the page often starts with something you once half-believed was real. How writing the wrong version of a book can be the only route to the right one. What the texture of a world quietly promises a reader before the plot even begins. Why putting a character through the worst is often the best thing you can do for a story. When the certainty that your draft is a disaster is just a normal part of the process. What early hype can do to a writer, and why other writers are the antidote. Where to draw the line between research that serves the book and a rabbit hole that doesn't. A method for plotting a long series when you know the destination but not the route. What happens when a character starts refusing what you try to make it do. Episode Links Holly Black — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/127-holly-black-crafting-bestselling-fantasy-world-building-character-development-and-the-prisoners-throne Samantha Shannon — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/068-samantha-shannon-the-art-of-writing-fantasy-fiction-plotting-mental-health About the Guests Holly Black is the #1 New York Times bestselling author of fantasy books, including the Novels of Elfhame, The Coldest Girl in Coldtown, the Spiderwick Chronicles, her adult debut, Book of Night, as well as an Arthurian picture book called Sir Morien. She has been a finalist for an Eisner Award and the Lodestar Award, and the recipient of the Mythopoeic Award, a Nebula, and a Newbery Honor. Her books have been translated into 32 languages worldwide and adapted for film. She currently lives in New England with her husband and son in a house with a secret library. She invites you to visit her online at blackholly.com or follow her @Hollyblack @blackholly. Samantha Shannon is a New York Times and Sunday Times bestselling author of The Bone Season and The Priory of the Orange Tree. Born in West London, she studied English Language and Literature at St Anne's College, Oxford, from 2010 to 2013, specialising in the poetry of Emily Dickinson and Principles of Film Criticism. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

The Author Events Series presents James Martin, SJ | Work in Progress  In Conversation with Tamala Edwards Work in Progress, set in the Philly suburbs, is a snapshot of several years-first as a boy, then as a teenager, and finally as a young adult--of being thrown into a series of jobs for which Martin had zero training. He had never set foot in a restaurant kitchen before working as a busboy and dishwasher; never stepped onto a golf course before working as a caddy; and had never seen a factory floor before working as an assembly-line worker. He almost always felt uncomfortable, unsettled, and uneasy. But, like many of us, he needed the money. This coming-of-age story is set in the 1960s and 1970s, a lighthearted tale for readers who enjoy personal narratives, and it's unlike anything Father Martin has written before. As he puts it, "This is a spiritual memoir from a different angle ... told 'slant' as Emily Dickinson might say." Each chapter features photos of memories and milestones throughout Father Martin's young life. If you're an aficionado of snafus, you won't be disappointed. He's not the hero of these stories, more a hapless teenager who learns in each job, even the ones he loathes, something about the value of work, about what it means to be an adult, about people, and about life overall. Rev. James Martin, SJ, born in Philadelphia and raised in the suburbs, is a Jesuit priest, editor at large of America magazine, consultor to the Vatican's Dicastery for Communication, and author of the New York Times bestsellers Learning to Pray, Jesus: A Pilgrimage, and The Jesuit Guide to (Almost) Everything. Father Martin is a frequent commentator in the national and international media, having appeared on all the major networks and outlets, like The Colbert Report, NPR's Fresh Air, The New York Times, and the Wall Street Journal. Tamala Edwards joined 6abc in January of 2005. She is the weekday co-anchor of Action News Mornings from 4 a.m to 7 a.m. and is a regular co-host of Inside Story, conducting probing interviews with newsmakers like Governor Tom Corbett, Senator Bob Casey, Mayor Michael Nutter and others, as well as moderating many election debates. Prior to joining 6abc, Tamala Edwards was the anchor of ABC's World News Now, and World News This Morning. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable.   (recorded 2/5/2026)

Richie Hofmann returns for a game that shows the queens that being well-versed can mean getting well-bred.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Visit Richie Hofmann's website here: https://www.richiehofmann.com/ which includes links to many of the poems Richie reads for us in the episode.Purchase The Bronze Arms Check out a reading Richie gave at LA's Hammer Museum in April 2022 here (~45 minutes)Poets we mention in this episode include:John AshberyElizabeth Barrett Browning was a Pisces. A portrait of EBB hung in Emily Dickinson's bedroom.Robert Browning, especially "My Last Duchess"Elizabeth BishopAnne Bronte, author of Agnes Grey and The Tenant of Wildfell HallCharlotte Bronte, author of  5 novels, including Villette, Jane Eyre, Shirley, Villette, and The Professor, which was published posthumously in 1857. Upon her death, she left two chapters of an unfinished narrative called Emma. Emily Bronte, author of Wuthering HeightsCatullus threatens two friends who have insulted him with both irrumatio and pedicatio in his "Carmen 16" Amy ClampittAllen GinsbergGerard Manley HopkinsRobert Lowell, particularly his poem "Skunk Hour." For more about Lowell's violence towards his wives, receipts are here and here.  J.D. McClatchyFrank O'Hara, particularly his manifesto "Personism"; his poem "Having a Coke with You,"; several poems titled "On Rachmaninoff's Birthday," like this one; and the 56 poems he titled simply "Poem," including "Poem [I will always love you]," "Poem [I live above a dyke bar and I'm happy.]," "Poem [Dee Dum, dee dum, dum dum, dee da]," and "Poem (Lana Turner has collapsed!)."Christina Rosetti, whose middle name is Georgina.Dante Gabriel Rosetti.The Rossetti children were quite artistic. There were two others in addition to Dante and Christina: Maria Rossetti, who published A Shadow of Dante (1871), and William Michael Rossetti, who became an editor, man of letters, and memoirist.Gertrude Stein  We also mention Susan M. Gilbert and Susan Gubar's landmark book, The Madwoman in the Attic: The Woman Writer and the Nineteenth Century Literary Imagination, published by Yale UP in 1979 and reissued in 2020. 

Benedetta Centovalli"Il cielo e la polvere"Visioni e universi di Flannery O'ConnorCon la collaborazione di Fernanda RossiniMimesis Edizioniwww.mimesisedizioni.itFlannery O'Connor (1925-1964) è la voce che ha fuso il gotico sudista con una teologia spietata, trasformando la violenza in un paradossale luogo di grazia. Nei suoi racconti e romanzi si muove un'umanità deformata e visionaria – profeti mancati, fanatici, anime alla deriva – che abita un mondo insieme sacro, degradato e feroce. In questo volume, alcuni tra i massimi studiosi italiani e internazionali (Luca Doninelli, Fernanda Rossini, Mark Bosco, Francesco Valenti, Bruce Gentry, Angela O'Donnell, Elisa Buzzi, Alessandro Matone), insieme a editori (Mario Andreose), editor (Marisa Caramella) e scrittori (Romana Petri, Sandra Petrignani, Andrea Fazioli, Giuseppe Zucco) rileggono l'opera di O'Connor illuminandone i nuclei tematici essenziali: fede, violenza, redenzione. Il primo ritratto critico a tutto campo in Italia di Flannery O'Connor e un invito alla lettura di una delle scrittrici più radicali del Novecento per comprendere meglio l'America di oggi e il nostro presente.Arricchiscono questa edizione due interviste alla scrittrice in prima traduzione italiana.Benedetta Centovalli ha lavorato con ruoli di responsabilità per quasi trent'anni in editoria. In ambito novecentesco si è occupata di Bilenchi, Bassani, Cancogni, Merini, Comisso, Romano, Campo, Lagorio, Sereni, Ortese, Morante e Corti. Nel 2025 è uscito il volume Nella stanza di Emily, dedicato a Emily Dickinson, per La Tartaruga. È docente alla Scuola di Scrittura Flannery O'Connor del Centro Culturale di Milano.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

"A letter is a joy of Earth — It is denied the Gods —," sez Emily Dickinson (#1672), and THE MAN WHO READ EVERYTHING: The Literary Letters of Harold Bloom (Yale University Press) proves it! Heather Cass White rejoins the show to talk about editing Harold Bloom's letters for the book, her history with him and what she learned about him over the course of the project, and how the letters revealed a less determined Bloom and how she empathized with the struggles he went through in his career. We get into the people whose correspondence she included — Alvin Feinman, Northrop Frye, AR Ammons, John Hollander, John Ashbery, James Merrill, Henri Cole, and Ursula K Le Guin — and all the writers and critics she wishes she could have included, the books and projects Bloom proposed but never completed (or started) over the years, the fun she had writing the footnotes, the one person Bloom was intimidated to meet, Bloom's role in the Canon Wars 30-40 years ago (and my practice of checking off books from The List at the end of The Western Canon), where he fell on Ashbery vs. Ammons, and whether marriage is the true subject of literature. We also discuss how her next book on the correspondence of Elizabeth Bishop and Marianne Moore is the opposite of this one, her go-to books to teach American fiction, why she dropped out of Knausgaard before the finish line, how students have & haven't changed over a quarter century of teaching, her late arrival to Surfjan Stevens' music, how I solved her long-standing question about a moment from Bloom's memorial, and a lot more. Follow Heather on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

6/12/26 (Host – Josh Silver) MTA President Max Page w/ Congressional Candidate Mariah Lancaster: running for an open seat for the 6th Congressional District, Primary in September Director Rose Schwietz Malla, Assistant Director Hia Ghosh, Actor Caleb Koval: Silverthorne Theater Company's Sanctuary City by Martyna Majok, Performances now through June 21 at Hampshire College Theater (Emily Dickinson Hall). Director Jen Polins: The School For Contemporary Dance & Thought presents Hatchery Dance Company's Asteroid B-612: A Love Story inspired by The Little Prince at The Workroom Theater in Northampton. June 12 (sold out) & June 13 2 & 730 pm Josh Silver: Easthampton Override & Easthampton's World Cup Watch Parties MTA President Max Page & Senator Ed Markey: Public Education, The Big Ugly Bill & Markey facing Seth Moulton for the Democratic nomination for U.S. Senate in the September 1 primary.

In Dante's Inferno, the lustful are not burned. They are swept, a great relentless wind moves them endlessly, helplessly, no footing, no direction, just the next gust carrying them where it will. This week's episode is a weekend reflection; slower, more meditative, less about publishing and craft and more about the soul-work questions underneath. Lust in its oldest, broadest sense—unrestrained wanting. The fire the Greeks understood. The Cyclops's single eye. Odysseus making himself Nobody to escape the cave. Emily Dickinson's delight in being Nobody too. And the difference between failure (which you can face) and self-abandonment (which is harder). This is from a nonfiction book I'm working on. If the reflection register resonates, stay close—these weekend episodes will keep coming.The Difficulty is the podcast of Crossroads Publishing Group, a new IBPA-pledged hybrid press based in Chattanooga, TN. We publish serious nonfiction in three lanes—Argument, Reflection, Witness.00:00 What this episode is — the weekend reflection lane01:00 Dante's lustful — swept endlessly by the wind02:30 The id, duende, and Heraclitus on fire03:30 The Cyclops — single eye, all surface, all appetite05:00 Odysseus calls himself “Nobody” — and it saves his life06:00 Emily Dickinson's “I'm Nobody. Who are you?”07:00 The American problem with being Somebody08:00 Personal — what got abandoned along the way09:00 Failure vs. self-abandonment10:00 Soul work, calling, and the descentCrossroads Publishing Group: crossroadspublishing.groupLearn more about two engagement opportunities happening right now: https://crossroadspublishing.group/start/ Get full access to The Descent at chadprevost.substack.com/subscribe

Kelli Russell Agodon is a poet, writer, editor, and book designer whose Dialogues with Rising Tides, was named a Finalist for the Washington State Book Awards. In today's episode, Kelli and Annmarie discuss texting Emily Dickinson, how to write a poem, and Kelli's latest book Accidental Devotions which Traci Brimhall describes as “the kind of beauty you wish to hold forever.” Episode Sponsors: Open Books: Poem Emporium – A poetry bookstore and community space located in historic Pioneer Square, in Seattle, Washington. Stop by our Seattle location or shop at open-books-a-poem-emporium.myshopify.com. Newtonville Books – An independent bookstore located at 10 Langley Rd, in Newton, Massachusetts -- in the old stone building at the north corner of the triangle parking lot. Come for the books. Stay for the books. And learn more and shop online at newtonvillebooks.com. Titles by Kelli Russell Agodon: Accidental Devotions Dialogues with Rising Tides Hourglass Museum Everything Is Writable, co-authored with Annette Spaulding-Convy The Daily Poet: Day-By-Day Prompts, co-authored with Martha Silano Demystifying the Manuscript: Essays and Interviews on Creating a Book of Poems, co-edited with Susan Rich Additional Titles and Authors Mentioned in This Episode: The New Economy, by Gabrielle Calvocoressi Blue Atlas, by Susan Rich Dear Selection Committee, by Melissa Studdard Glitter Road, by January Gill O'Neil Terminal Surreal, by Martha Silano Follow Kelli Russell Agodon: Facebook: @agodon Instagram: @kelliagodon Bluesky: @kelliagodon Threads: @kelliagodon Twitter/X: @kelliagodon Substack: Postcards from a Poet @kelliagodon YouTube: @PoemsYouNeed agodon.com twosylviaspress.com **Writing Workshops: If you liked this conversation and are interested in writing together, please consider the opportunities below. For women interested in an online Saturday morning writing circle, you can sign up here. For anyone interested in a May weekday accountability circle, you can sign up here. For anyone in search of an evening class to jumpstart their creative practice, you can sign up here. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:24:25 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Send us Fan MailIn this episode (the first of its kind that I've made in almost a year!), I explore some of the ideas presented in Marion Woodman's "Bone: Dying Into Life," which is a collection of journal entries that chronicle her experience with uterine cancer from 1993–1995. I mostly muse on a smattering of quotes that Woodman wrote in the margins of her journal, from the likes of Carl Jung, Emily Dickinson, and Rainer Maria Rilke. Topics include the fast pace of our society and the importance of slowing down (group can help with that!); how we see versions of ourselves in others (group, anyone?); how symptoms are an attempt at healing, and how physical travails can bring us to higher consciousness; the relentless demands of dinner; the value and necessity of mundane activities; the joy of dwelling in Possibility (group again!); and the impossibility of ever knowing someone completely, which means we should try all the more to do it, like good bodhisattvas (and group members!).

With the Missouri Chamber Music Festival's 16th season on the horizon, Nina Ferrigno, the festival's dynamic executive director and a talented pianist, takes center stage in this episode. The theme for this year, 'Hope is the Thing with Music,' reflects a beautiful synergy between music and the poetic words of Emily Dickinson. Ferrigno passionately discusses how the festival aims to weave together these two art forms, creating a rich tapestry of sound and meaning that will resonate with audiences.The episode dives into the nitty-gritty of the festival's planning process, with Nina sharing her excitement about new partnerships and the artistic direction she envisions. The collaboration with the Sheldon Concert Hall marks a significant milestone for the festival, providing a premier venue that enhances the concert experience. As she outlines the concert lineup, listeners are treated to a sneak peek of what to expect, from unique programming to premiering new works that promise to captivate and inspire.Listeners will also appreciate Nina's candid reflections on her journey through music and how it has shaped her life. Her insights into the rehearsal process and the collaborative nature of chamber music highlight the importance of connection and communication among musicians. This episode is not just an overview of the festival; it's a heartfelt celebration of the power of music to evoke emotion and foster community. So, whether you're a seasoned concert-goer or new to the world of chamber music, you'll want to tune in and get excited about the festival running from June 10th to 21st. Grab your tickets and join this musical adventure![00:00] World Premiere Teaser[00:28] Show Welcome and Quote[01:50] Theme Hope and Dickinson[03:49] Festival Turning Point[08:24] Tickets Dates and Venue[09:44] Concert 1 Enchanted Ground[11:59] Concert 2 Musicians Wrestle[16:33] Concert 3 Arianna Quartet[19:17] Concert 4 World Premiere[27:09] How Musicians Are Chosen[31:35] Sponsor Break[32:13] Nina's Musical Roots[38:55] Chamber Music Behind Scenes[43:26] Final Thanks and Sign OffTakeaways:Nina Ferrigno passionately connects music and poetry, highlighting Emily Dickinson's influence on this year's festival theme, "Hope is the Thing with Music."The Missouri Chamber Music Festival's 16th season promises a stellar lineup, featuring world-class musicians and unique performances from June 10th to 21st.Nina's new role as Artistic Director allows her to focus on artistic vision, freeing her from operational duties and bringing fresh energy to the festival.The festival will feature exciting collaborations with the renowned Sheldon Concert Hall, creating a vibrant new home for the concerts this year.Understanding the nuances of chamber music, Nina emphasizes the importance of collaboration, eye contact, and trust among musicians during performances.The premiere of a commissioned piece called "Memoria" by composer David Werfelman will explore the multifaceted nature of memory, adding depth to the festival's offerings.Home Page - Missouri Chamber Music (MOCM) & Festival InformationThe Sheldon - MOCM Single TicketsMetrotix - MOCM Season 16 TicketsFacebook - MOCMInstagram - MOCMMOCM - YouTube ChannelThis is Season 9! For more episodes, go to stlintune.com#mocm #chambermusic #calyxtrio #stlouischambermusic #worldpremiere #missourichambermusicfestival #thesheldon

Episode 2 of The Difficulty.The hardest thing about indie publishing isn't writing the book. It's giving up the fantasy that the book will market itself.In this one I get honest about the ego defenses we run as creators when it's time to put work into the marketplace — the survivorship bias of the "no marketing" success stories, the isolation that breeds false certainty, the asymmetric gap between making (which feels like magic) and marketing (which feels like math).Some of what comes up:— Howard Finster on his farm. Emily Dickinson and her response to Thomas Higginson. Fernando Pessoa's 200 heteronyms in a Lisbon trunk.— The German musician who poured everything into one album, got profoundly little response, and stopped.— My own Iris Blackwood cover that got 14 thumbs up and 38 thumbs down on NetGalley — and what to do with that.— "We haven't failed. We just haven't found our audience yet."The challenge at the end: pick one marketing lane, commit to it for 30–60 days, and report back.If the show is doing something for you, the easiest way to support it is to share this episode with one person you think it'd land for. Or restack the post. Or both.Episode mentions:— The Difficulty Field Guide (free PDF — eight difficulties every working writer faces): https://crossroadspublishing.group/assets/pdfs/The_Difficulty_Field_Guide.pdf— Iris Blackwood and the Curse of Hemlock Island, just out at IF/THEN Books — extras page (Decision Tree map + reading guide): https://crossroadspublishing.group/if-then-books/hemlock-island/New episodes Mondays (the why) and Thursdays (the how).The difficulty in life is the choice. Get full access to The Descent at chadprevost.substack.com/subscribe

While we are on a break, enjoy this episode from Season 2. Season 3 starts May 19!Week 39 of Ted Gioia's Immersive Humanities Course takes on nineteenth-century American literature. To my surprise, this became one of the most enjoyable weeks so far. I went in dreading familiar names and old high-school resentments, but came out newly energized. Mark Twain's The Adventures of Huckleberry Finn (chapters 1–6) was funny, humane, and immediately engaging. Edgar Allan Poe's The Fall of the House of Usher and “The Raven” used ornate language to heighten unease, while Emily Dickinson's poems felt weightless and startlingly modern. Henry David Thoreau's Walden was quotable and provocative, if ultimately grating, and Herman Melville surprised me most of all: Bartleby, the Scrivener lingered with quiet power, and the opening of Moby-Dick left me eager for more. This week revealed a real shift in voice and sensibility—and changed my mind about American literature. I'm looking forward to going back and reading more, but first we need to move on to Week 40 and Russian Literature!LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!) The complete list of Crack the Book Episodes (Amazon affiliate links): https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Episode 198 — Pre-Emily Check-In (On Our Way to the Arts Club)Welcome back to The Conner & Smith Show!This week, we're dropping in with a quick, real-time check-in — because tonight is a big one.After recently workshopping The House of Booth, we're now just hours away from presenting the very first material from our brand-new Emily Dickinson project, tentatively titled Emily. You can hear the excitement (and a little chaos) in our voices.Tonight, we're heading to the Arts Club of Washington, where Susan Derry performs selections from the piece. Stephen Gregory Smith joins her on stage, Matt Conner reads stage directions and explores the poetry with us, all accompanied by the brilliant pianist Alex Tang.We recorded this just hours before leaving — a quick moment to share where we are, what's coming, and how much this new work means to us.We'll be back next week with more regular episodes. For now, we're sending our love and taking you right to the edge of something new.⸻Support The Conner & Smith Show on Patreon:

Clint and longtime friend of MUYP Tom Kwei discuss everything from Metallica to Emily Dickinson. The Geese controversy, Ozzy and Sabbath, the best British guitar players, Getdown Services, the Oasis reunion, the Oscars, Paul Thomas Anderson, Metallica at The Sphere, Mark Knopfler and Bob Dylan, David Gilmour, landfill indie music, The Strokes, Witch Fever, Wolf Alice and a bunch of other stuff I can't remember. Enjoy!  Watch Punnit HERE. If you get value from Metal Up Your Podcast, the best way to support the show is to subscribe and leave a review on Apple Podcasts:https://podcasts.apple.com/us/podcast/metal-up-your-podcast-all-things-metallica/id1187775077Want more MUYP?You can support the show directly by becoming a Patron.Patrons at the $5 tier receive:Volumes 1–4 of our Cover Our World Blackened EPsInvitations to appear on the show to discuss Metallica concerts you've attended.The ability to submit questions to past guests including Ray Burton, Halestorm, Michael Wagener, Jay Weinberg, and members of Metallica's crew.Join us here:https://www.patreon.com/metalupyourpodcastJoin the MUYP Discord Server to continue the conversation:https://discord.gg/nBUSwR8tSupport Clint's music:Lunar Satan: https://distrokid.com/hyperfollow/lunarsatan/lunar-satanVAMPIRE: https://distrokid.com/hyperfollow/clintwells/vampireStream or purchase Cover Our World Blackened and Quarantine Covers:https://metalupyourpodcast.bandcamp.comFollow Metal Up Your Podcast on social media and write in anytime:metalupyourpodcastshow@gmail.com

Guests: Kelly Shackelford & Kelly Scott Franklin Host Scot Bertram talks with Kelly Shackelford, president and CEO of First Liberty Institute, about the current state of religious liberty in the United States and his work on President Trump’s Religious Liberty Commission. And Kelly Scott Franklin, associate professor of English at Hillsdale College, returns for a new series on the poems of Emily Dickinson. This week, he focuses on "Death sets a Thing significant." See omnystudio.com/listener for privacy information.

Get set for a poetry gabfest for the ages! The fabulous Joy Priest joins us for the Breaking Form Interview.Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books. Show Notes:Buy Joy's prizewinning collection of poems, Horsepower, from the University of Pittsburgh Press here or from Loyalty Books, a  Black, Queer, and Asian owned independent bookstore in DC.Visit Joy Priest's website: https://www.joypriest.comYou can see Joy reading from her work here, here, and here. Or read this interview with her here.Read Joy's ode to Whitney Houston, "When I See the Stars in the Night Sky"Nikky Finney won the 2011 National Book Award for her book Head Off and Split. Watch her iconic speech here. Read more about American Honey, a film by Andrea Arnold starring Sasha Lane We mention a few forms, including the Abecedarian and the Sestina. Click the links for more information about them. Poets we mention:Emily Dickinson and Poem 269 ("Wild nights!")Hear poet Jane Kenyon read her poem "Otherwise."Donald HallTerrance HayesRoss GayLouise Glück's "Anniversary"                

Episode 194 — Exploring EmilyWelcome back to The Conner & Smith Show!This week, we step inside the world of Emily Dickinson as we begin shaping our newest theatrical project — and prepare for our upcoming presentation at the Arts Club of Washington.Exploring Emily is our first public glimpse into a piece that has been quietly evolving behind the scenes, and in this episode, we pull back the curtain on how it's all coming together.We talk about: •

With fasting at an all-time high in popularity, here is an enlightening exploration into the history, science, and philosophy behind the practice—essential to many religions and wellness routines. Whether for philosophical, political, or health-related reasons, fasting marks a departure from daily routine. Based on extensive historical, scientific, and cultural research and reporting, John Oakes The Fast: The History, Science, Philosophy, and the Promise of Doing Without (Avid Reader Press, 2024) illuminates the numerous facets of this act of self-deprivation. John interviews doctors, spiritual leaders, activists, and others who guide him through this practice—and embarks on fasts of his own—to deliver a book that supplies anyone curious about fasting with profound new understanding, appreciation, and inspiration. In recent years, fasting has become increasingly popular for a variety of reasons—from weight loss to detoxing, to the faithful who fast in prayer, to seekers pursuing mindfulness, to activists using hunger strikes as protest. Notable fasters include Moses, Buddha, Jesus, Muhammad, Gandhi, George Washington, Abraham Lincoln, Emily Dickinson, Mark Twain, Cesar Chavez, and a long list of others who have drawn on its power over the ages and across borders and cultures. The Fast looks at the complex science behind the jaw-dropping biological changes that occur inside the body when we fast. Metabolic switching can prompt repair and renewal down to the molecular level, providing benefits for those suffering from obesity and diabetes, cancer, epilepsy, cardiovascular disease, neurodegenerative disorders, and more. Longer fasts can both reinvigorate the immune system and protect it against damage. Beyond the physical experience, fasting can be a great collective unifier, and it has been adopted by religions and political movements all over the world for millennia. Fasting is central to holy seasons and days such as Lent (Christianity), Ramadan (Islam), Yom Kippur (Judaism), Uposatha (Buddhism), and Ekadashi (Hinduism). On an individual level, devout ascetics who master self-deprivation to an extreme are believed to be closer to the divine, ascending to enlightenment or even sainthood. Fasting reminds us of the virtues of holding back, of not consuming all that we can. “Broad in scope and rich in insight” (Publishers Weekly, starred review), this book shows us that fasting is about much more than food: it is about taking control of your life in new and empowering ways and reconsidering your place in the world. John Oakes is the publisher of The Evergreen Review and the editor at large of OR Books. The Fast is his first book. Saman Nasser holds an M.A. in World History from James Madison University, where he currently works as an administrative staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the latest episode of ‘New Classical Tracks,' cellist Matt Haimovitz and pianist Christopher O'Riley collaborate on their lates album featuring period instruments and the music of J.S. Bach. Listen now with host Julie Amacher!

“March is a month for expectation,” said American poet Emily Dickinson. Sports fans understand this. As March begins, we see separation between the contenders and the pretenders. In college lacrosse, we begin to see the same hope of promise vs. reality, as teams and leagues jockey for RPI wins before the conference season kicks off. It's on.This week there are five fantastic Top 20 matchups to preview, and D-Fly & Dixie, with an assist from Inside Lacrosse's Kevin Brown, are here to get you primed.The show kicks off with a debate over whether March is the best month for sports fans, followed by Dixie's road show to Ivy League rivals Penn and Princeton. Kevin Brown, IL's managing editor, hops in to describe his fun role at Inside Lacrosse and talk First State lacrosse with D-Fly. Then they get straight to the scintillating slate. GAME PREVIEWSALL GAMES SATURDAYNo. 15 Rutgers (5-1) at No. 3 Princeton (3-1) | noon| ESPN+ | Tigers -5.5/21.5No. 13 Georgetown (1-2) at No. 2 Richmond (5-0) | noon | ESPN+ | Spiders -2.5/22.5No. 7 Cornell (3-1) at No. 14 Penn State (3-2) | 1 p.m. | B1G+ | Big Red -1.5/23.5No. 12 Syracuse (4-2) at No. 13 JHU (4-1) 1 p.m. | ESPN+/ESPNU | Orange -1.5/23.5No. 2 Notre Dame (4-0) at No. 10 Ohio State (6-0) | 2 p.m. | B1G+ | Irish -2.5/22.5GIVE & GOIn this week's Deli-themed Give & Go, the guys share their considerable expertise about the best hot and cold deli sandwich options. 

Daphne Olive returns for her THIRD legendaric appearance on Seaweed Brain!!! From subtly anti-olympian earrings to Emily Dickinson quotations to romance vs romance and everything in between- you know we had to ask all our most niche Sea of Monsters adaptation questions and you know sometimes Daphne had to sit there and smile and nod and say I CAN'T ANSWER THAT. You don't wanna miss this. Seriously. This is like... the really really good stuff. Imagine telling Erica and Carter 5 years ago this would be a regular ole Wednesday episode release. They would have been like HA yeah right. .. wait really??? Praise Artemis.You can find Daphne's jewelry and more about her many varied and glorious lives here: https://www.daphneolive.com/Like this content? Support our podcast on Patreon! There you'll find exclusive episodes, access to our exclusive Patron Discord server, episode outlines, live watch parties, and more!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't wanna subscribe? You can always buy us a coffee: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/seaweedbrainpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow our show:Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Seaweedbrainpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our merch shop! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Emily Dickinson and Charles Darwin both saw nature as alive with mystery – and treated wonder as a way of knowing. Literary scholar and science historian Renee Bergland, author of "Natural Magic," is our guide to the forgotten kinship between the reclusive poet and the celebrated naturalist. Dickinson and Darwin never met, but they had at least one close friend in common. Both were both fascinated by fossils. Both wandered the woods and swamps near their homes, studying insects and documenting rare plants. They shared a vision of the interconnectedness of all life. We know that Dickinson, with her background in botany, geology, astronomy and chemistry, was enthralled by Darwin's evolutionary theory. And it certainly seems possible that Darwin, with his degree in theology and his lifelong love of poetry and literature, might have admired the American poet whose close observations and delicate perceptions echoed his own. Bergland's dual biography, just out in paper, is vivid, sparkling intellectual history – a window onto a time when scientific thinking still embraced emotion and wonder as modes of perception. Could the belief in “natural magic” that infused Dickinson's and Darwin's ideas restore our own faith in a universe alive with meaning? Our conversation about the poet who studied natural history and the naturalist who loved poetry suggests a way forward – by reclaiming their shared ecological wonder. — Now out in paperback: "Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science" Previous books from Renee Bergland: "Maria Mitchell and the Sexing of Science: An Astronomer Among the American Romantics" and "The National Uncanny: Indian Ghosts and American Subjects"  —0:00 — Meeting Renee Bergland9:00 — What Is Natural Magic?20:00 — Beauty, Truth, and Evolution34:00 — Hope and the Garden of Change Wonder Cabinet is hosted by Anne Strainchamps and Steve Paulson. Find out more about the show at https://wondercabinetproductions.com, where you can subscribe to the podcast and our newsletter.

The queens read for filth another toxic masculinist article before we play a saucy game based on a gay novel. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books. Show Notes:Heather Christle's post sparked this episode's discussion and can be found here. Christle's most recent book of poetry is Paper Crown (Wesleyan UP, August 2025)While there isn't an out gay character in Dead Poets Society, there is some gay-coded stuff going on. Read Kaeya Merchant's fabulous essay on the topic: "Dead Poets Society is Queer; Here's Why" The Garth Greenwell essay on Andrew Holleran's Dancer from the Dance which Aaron references was also published in the Yale Review. Check out Garth's website at https://www.garthgreenwell.comAt the end of the show, we quote the line "What did you think, that joy was some slight thing?" which is from Mark Doty's "Visitation"Other poems or poets we reference are:Garret Hongo's "What For"e.e. cummings, "somewhere I have never travelled, gladly beyond"David Bottoms, "Sign for My Father, Who Stressed the Bunt"A.E. Stallings, "Sea Girls"Jorie Graham, "At Luca Signorelli's Resurrection of the Body"Emily Dickinson, Poem 591

Award-winning opera singer Joyce DiDonato and string trio Time for Three performs live portions of their song cycle, Emily — No Prisoner Be, based on the poetry of Emily Dickinson. The group will perform tonight at The Greene Space and on Thursday at Carnegie Hall.Image courtesy of Joyce DiDonato

Episode 2754- Vinnie Tortorich and Anna Vocino discuss how it's cheaper to get healthy while Anna whips up one of her most popular chicken entrees. https://vinnietortorich.com/2026/01/its-cheaper-to-get-healthy-episode-2754 PLEASE SUPPORT OUR SPONSORS Pure Vitamin Club Pure Coffee Club NSNG® Foods VILLA CAPPELLI EAT HAPPY KITCHEN YOU CAN WATCH THIS EPISODE ON YOUTUBE - @FitnessConfidential Podcast Vinnie's workout videos are available to purchase! Choose from a 2-day, 4-day, or 6-day workout–or buy all three at a discount! TO PURCHASE VINNIE'S WORKOUT VIDEOS, CLICK THIS LINK: workout videos It's Cheaper to Get Healthy Check out this episode on YouTube: Anna's cooking in the kitchen! (3:00) She is making her excellent chicken, artichoke, and cherry tomato dish from her first cookbook, "Eat Happy." She also calls it "Date Night Chicken." When is "Quitter's Day" really? (6:00) Vinnie has a new acronym. (14:00) FOGA: Fear Of Gym A**holes. Don't let the gym intimidate you. Vinnie's workout videos are now available! They are the same workouts he used to train celebrities. Some people think it's weird to quit eating sugar, but have no problem taking drugs. (22:00) It's cheaper to stay healthy, so get started on a plan! Don't become a part of Quitter's Day. (36:00) If you get off track, get right back on. Don't wait another week, day, month, or year. Vinnie shares a story about a gentleman he chatted with at the airport. (37:00) There's a quote from Emily Dickinson that Vinnie likes: "The possible slow fuse is lit by the imagination." (46:00) Anna encourages you to suspend the disbelief that you can achieve your goals. Visualization and taking the first steps are the only ways to get going. A New Sponsor Jaspr Air Scrubbers has a discount code, VINNIE, that gets you $300 off for a limited time. Jaspr offers a lifetime warranty. Go to Jaspr.co for more information or to purchase. (1:05:00) You can book a consultation with Vinnie to get guidance on your goals. https://vinnietortorich.com/phone-consultation-2/ More News Serena has added some of her clothing suggestions and beauty product suggestions to Vinnie's Amazon Recommended Products link. Self Care, Beauty, and Grooming Products that Actually Work! Don't forget to check out Serena Scott Thomas on Days of Our Lives on the Peacock channel. "Dirty Keto" is available on Amazon! You can purchase or rent it here.https://amzn.to/4d9agj1 Please make sure to watch, rate, and review it! Eat Happy Italian, Anna's next cookbook, is available! You can go to https://eathappyitalian.com You can order it from Vinnie's Book Club. https://amzn.to/3ucIXm Anna's recipes are in her cookbooks, on her website, and on Substack —they will spice up your day! https://annavocino.substack.com/ PURCHASE DIRTY KETO (2024) The documentary launched in August 2024! Order it TODAY! This is Vinnie's fourth documentary in just over five years. Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries Then, please share my fact-based, health-focused documentary series with your friends and family. Additionally, the more views it receives, the better it ranks, so please watch it again with a new friend! REVIEWS: Please submit your REVIEW after you watch my films. Your positive REVIEW does matter! PURCHASE BEYOND IMPOSSIBLE (2022) Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries REVIEWS: Please submit your REVIEW after you watch my films. Your positive REVIEW does matter! FAT: A DOCUMENTARY 2 (2021) Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries FAT: A DOCUMENTARY (2019) Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries

To celebrate Melvyn Bragg's 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Comedian Frank Skinner has picked the episode on the life and work of the poet Emily Dickinson and recorded an introduction to it. (This introduction will be available on BBC Sounds and the In Our Time webpage shortly after the broadcast and will be longer than the version broadcast on Radio 4). Emily Dickinson was arguably the most startling and original poet in America in the C19th. According to Thomas Wentworth Higginson, her correspondent and mentor, writing 15 years after her death, "Few events in American literary history have been more curious than the sudden rise of Emily Dickinson into a posthumous fame only more accentuated by the utterly recluse character of her life and by her aversion to even a literary publicity." That was in 1891 and, as more of Dickinson's poems were published, and more of her remaining letters, the more the interest in her and appreciation of her grew. With her distinctive voice, her abundance, and her exploration of her private world, she is now seen by many as one of the great lyric poets. With Fiona Green Senior Lecturer in English at the University of Cambridge and a Fellow of Jesus College Linda Freedman Lecturer in English and American Literature at University College London and Paraic Finnerty Reader in English and American Literature at the University of Portsmouth Producer: Simon Tillotson. Reading list: Christopher Benfey, A Summer of Hummingbirds: Love, Art and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade (Penguin Books, 2009) Jed Deppman, Marianne Noble and Gary Lee Stonum (eds.), Emily Dickinson and Philosophy (Cambridge University Press, 2013) Judith Farr, The Gardens of Emily Dickinson (Harvard University Press, 2005) Judith Farr, The Passion of Emily Dickinson (Harvard University Press, 1992) Paraic Finnerty, Emily Dickinson's Shakespeare (University of Massachusetts Press, 2006) Ralph William Franklin (ed.), The Master Letters of Emily Dickinson (University Massachusetts Press, 1998) Ralph William Franklin (ed.), The Poems of Emily Dickinson: Variorum Edition (Harvard University Press, 1998) Linda Freedman, Emily Dickinson and the Religious Imagination (Cambridge University Press, 2011) Gudrun Grabher, Roland Hagenbüchle and Cristanne Miller (eds.), The Emily Dickinson Handbook (University of Massachusetts Press, 1998) Alfred Habegger, My Wars are Laid Away in Books: The Early Life of Emily Dickinson (Random House, 2001) Ellen Louise Hart and Martha Nell Smith (eds.), Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson (Paris Press, 1998) Virginia Jackson, Dickinson's Misery: A Theory of Lyric Reading (Princeton University Press, 2013) Thomas H. Johnson (ed.), Emily Dickinson: Selected Letters (first published 1958; Harvard University Press, 1986) Thomas H. Johnson (ed.), Poems of Emily Dickinson (first published 1951; Faber & Faber, 1976) Thomas Herbert Johnson and Theodora Ward (eds.), The Letters of Emily Dickinson (Belknap Press, 1958) Benjamin Lease, Emily Dickinson's Readings of Men and Books (Palgrave Macmillan, 1990) Mary Loeffelholz, The Value of Emily Dickinson (Cambridge University Press, 2016) James McIntosh, Nimble Believing: Dickinson and the Unknown (University of Michigan Press, 2000) Marietta Messmer, A Vice for Voices: Reading Emily Dickinson's Correspondence (University of Massachusetts Press, 2001) Cristanne Miller (ed.), Emily Dickinson's Poems: As She Preserved (Harvard University Press, 2016) Cristanne Miller, Reading in Time: Emily Dickinson in the Nineteenth Century (University of Massachusetts Press, 2012) Elizabeth Phillips, Emily Dickinson: Personae and Performance (Pennsylvania State University Press, 1988) Eliza Richards (ed.), Emily Dickinson in Context (Cambridge University Press, 2013) Richard B. Sewall, The Life of Emily Dickinson (first published 1974; Harvard University Press, 1998) Marta L. Werner, Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing (University of Michigan Press, 1996) Brenda Wineapple, White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson (Anchor Books, 2009) Shira Wolosky, Emily Dickinson: A Voice of War (Yale University Press, 1984) This episode was first broadcast in May 2017. Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our world In Our Time is a BBC Studios production