American poet (1830-1886)
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Week 39 of Ted Gioia's Immersive Humanities Course takes on nineteenth-century American literature—and to my surprise, it became one of the most enjoyable weeks so far. I went in dreading familiar names and old high-school resentments, but came out newly energized. Mark Twain's The Adventures of Huckleberry Finn (chapters 1–6) was funny, humane, and immediately engaging. Edgar Allan Poe's The Fall of the House of Usher and “The Raven” used ornate language to heighten unease, while Emily Dickinson's poems felt weightless and startlingly modern. Henry David Thoreau's Walden was quotable and provocative, if ultimately grating, and Herman Melville surprised me most of all: Bartleby, the Scrivener lingered with quiet power, and the opening of Moby-Dick left me eager for more. This week revealed a real shift in voice and sensibility—and changed my mind about American literature. I'm looking forward to going back and reading more, but first we need to move on to Week 40 and Russian Literature!
There's a tradition among poets to write a poem to put inside the Christmas cards they send. So, the BBC World Service has commissioned one specially from the poet, dramatist and novelist, Michael Symmons Roberts whose Christian faith is important to his identity and work. But his art is not a direct expression of this, and instead he follows the poet Emily Dickinson's instruction to ‘Tell all the truth but tell it slant'.Michael has just become a grandfather, so feels keenly the happiness of the arrival of a cherished child, creating a parallel between his own life and the Christmas story of the birth of Jesus. For In the Studio Julian May follows Michael's creative process as he grapples huge spiritual and personal themes – distilling them to a length which can fit on a Christmas card: a daunting but joyful task.The programme begins with London's Oxford Street, where consumerism triggers preparations a full three months before Christmas - and ends with the sealing of the Christmas cards before they are popped into the post box.
Per Magnus Johansson talar med Mikaela Blomqvist, Claes Caldenby, Erica Lundqvist, Peter Missios, Ola Nilsson, Johannes Nordholm och Ola Sigurdson om senaste numret av Arche. Ulf Karl Olov Nilsson läser dikter av Emily Dickinson. Inspelat på Göteborgs Litteraturhus, Heurlins plats 1B, fredagen 12/12 . Läs mer om Arche – en tidskrift för psykoanalys, humaniora, arkitektur och konst på hemsidan arche.se/arche. Om nya numret:Arche 94–95 inleds med Ola Nilssons skönlitterära text om läsandet, skrivandet och transformeringen. Mats Leffler introducerar sin översättning av W.G. Sebalds ”Under vattnets spegel – Peter Handkes berättelse om målvaktens skräck”, som publiceras i föreliggande nummer och bland annat skildrar den psykiatriska patientens utsatthet. Johannes Nordholm knyter an till Göteborgs konstmuseums utställning "Apokalyps" och visar hur kraften att förstöra och förmågan att skapa kan leva sida vid sida. Pontus Kyander skriver om vattnet som omger oss och naturens och människans föränderlighet. I ”Om LAGUN”, bidrar Mikael Olofsson med en text född ur kärleken till Venedig, ackompanjerad av bilder. Claes Caldenby diskuterar stadsbyggnadens idéhistoria och riktar kritik mot projektet ”Göteborgs utvidgade innerstad”. Peter Missios skildrar arkitekten Uno Åhréns betydelse för bland annat Johanneberg. I anslutning till texterna om staden publicerar vi en översättning av Gilles Deleuzes ”Kontrollsamhällena”. Texten introduceras av översättaren Jon Arborelius. Ulf Karl Olov Nilsson och Jenny Tunedal introducerar Emily Dickinsons faskiklar och publicerar åtta dikter av den amerikanska poeten. Astrid von Rosen skriver om Robert Wilsons scenografiska originalitet och om uppsättningen "Motståndets melankoli". Jonas Gilbert analyserar Pier Paolo Pasolinis dramer. Per Magnus Johansson och Ola Sigurdson har under mer än ett decennium talat om frågor knutna till teologi, religions- och filosofihistoria, psykoanalys, universitetets förändrade roll och människans villkor i ett föränderligt samhällsklimat. Ett fragment av dessa samtal publiceras. I en efterföljande essä diskuterar Sigurdson förändringens utsatthet. Numret rymmer också ett samtal mellan Marguerite Duras och François Mitterrand om krig, död, mod och motstånd. Vi trycker också ett minne av Duras intime vän Yann Andréa liksom en kommentar av Mitterrands dotter, Mazarine Pingeot. Slutligen skriver Karin Brygger om förhållandet mellan bilden, kroppen och orden. Foto: Parinazz Wennerholm.
Katie Lehman brings Emily Dickingon to readers in a new light with her poems: "Emily Dickinson's Lexicon."
Creative Renaissance: Marcus Hummon's Artistic Journey & Emily Dickinson CollaborationIn this episode of the Curious Goldfish podcast, host Jason English engages in an enlightening conversation with Hall of Fame songwriter Marcus Hummon. Known for iconic country hits like 'Bless the Broken Road' and 'Cowboy Take Me Away,' Marcus delves deep into his latest project 'Songs for Emily,' where he sets the poetry of Emily Dickinson to music. Marcus discusses his creative process, his admiration for strong feminine figures like Emily Dickinson and his wife Becca, and his experiences writing both three-minute songs and full-scale operas and musicals. The conversation also touches on Marcus's collaborative works with artists like Mary Chapin Carpenter, Darrell Scott, and Sarah Evans, his fascination with transformative storytelling, and the inspirational journey behind his hit song 'Bless the Broken Road.' Tune in for an inspiring dive into the life and mind of a true musical Renaissance man.00:00 Introduction to Dickinson's Appeal01:03 Welcome to Curious Goldfish01:38 Meet Marcus Hummon: The Creative Powerhouse02:22 Marcus Hummon's Musical Journey02:36 The Magic of Songwriting03:10 Connections in the Music Industry03:46 Collaborations and Inspirations07:05 Emily Dickinson's Influence08:52 The Process of Setting Poetry to Music11:45 Exploring Emily Dickinson's Legacy25:17 Character Inspiration from High School25:35 Religious Influence in High School Sports26:37 Americana Fest and Lifetime Achievement Award26:58 Expanding the Dickinson Mojo29:46 The Process of Storytelling in Music33:48 The Magic of Songwriting39:40 The Journey of 'Bless the Broken Road'47:21 Curiosity and Artistic Exploration50:09 Conclusion and Final Thoughts
12/12/25: MTA Pres Max Page & Berkshire Comm Coll Pres Ellen Kennedy: big threats to higher ed but reasons for optimism Free Press Co-Pres Craig Aaron: Trumps' EO prohibiting regul AI regulation, media mergers' threat to 1st Am. Holyoke Mayor Joshua Garcia: Trump's DOE killing Sublime Systems' low-carbon cement production facility. Political Gold w/ Josh Silver: Trump's vulnerabilities, SCOTUS to kill the Voting Rights Act? redistricting & 2026. Donnabelle Casis w/ poet Matt Dunovan & artist Ligia Bouton on Emily Dickinson & “A Something Overtakes the Mind.”
12/12/25: MTA Pres Max Page & Berkshire Comm Coll Pres Ellen Kennedy: big threats to higher ed but reasons for optimism Free Press Co-Pres Craig Aaron: Trumps' EO prohibiting regul AI regulation, media mergers' threat to 1st Am. Holyoke Mayor Joshua Garcia: Trump's DOE killing Sublime Systems' low-carbon cement production facility. Political Gold w/ Josh Silver: Trump's vulnerabilities, SCOTUS to kill the Voting Rights Act? redistricting & 2026. Donnabelle Casis w/ poet Matt Dunovan & artist Ligia Bouton on Emily Dickinson & “A Something Overtakes the Mind.”
12/12/25: MTA Pres Max Page & Berkshire Comm Coll Pres Ellen Kennedy: big threats to higher ed but reasons for optimism Free Press Co-Pres Craig Aaron: Trumps' EO prohibiting regul AI regulation, media mergers' threat to 1st Am. Holyoke Mayor Joshua Garcia: Trump's DOE killing Sublime Systems' low-carbon cement production facility. Political Gold w/ Josh Silver: Trump's vulnerabilities, SCOTUS to kill the Voting Rights Act? redistricting & 2026. Donnabelle Casis w/ poet Matt Dunovan & artist Ligia Bouton on Emily Dickinson & “A Something Overtakes the Mind.”
12/12/25: MTA Pres Max Page & Berkshire Comm Coll Pres Ellen Kennedy: big threats to higher ed but reasons for optimism Free Press Co-Pres Craig Aaron: Trumps' EO prohibiting regul AI regulation, media mergers' threat to 1st Am. Holyoke Mayor Joshua Garcia: Trump's DOE killing Sublime Systems' low-carbon cement production facility. Political Gold w/ Josh Silver: Trump's vulnerabilities, SCOTUS to kill the Voting Rights Act? redistricting & 2026. Donnabelle Casis w/ poet Matt Dunovan & artist Ligia Bouton on Emily Dickinson & “A Something Overtakes the Mind.”
12/12/25: MTA Pres Max Page & Berkshire Comm Coll Pres Ellen Kennedy: big threats to higher ed but reasons for optimism Free Press Co-Pres Craig Aaron: Trumps' EO prohibiting regul AI regulation, media mergers' threat to 1st Am. Holyoke Mayor Joshua Garcia: Trump's DOE killing Sublime Systems' low-carbon cement production facility. Political Gold w/ Josh Silver: Trump's vulnerabilities, SCOTUS to kill the Voting Rights Act? redistricting & 2026. Donnabelle Casis w/ poet Matt Dunovan & artist Ligia Bouton on Emily Dickinson & “A Something Overtakes the Mind.”
Here a new-made song from the poetry of Emily Dickinson. The music is jaunty, and I think that fits the language of the poem as I read it, but best as I can determine this is a poem that fits into the genre my wife calls "Cozy Gothic." Gothic? What? There's sunsets, mornings, cottages in this little 8-line poem made into a tidy 2 minute song. Don't you mean Cottage-core? Nope. Listen to this poem, now song, again. I think the cottages are graves. I'll write more about this at our blog and archives later this week. The Parlando Project takes various words (mostly literary poetry) and combines them with original music in differing styles. We've done over 850 of these combinaitons, and you can hear any of them and read about our encounters with the words at our blog and archives located at frankhudson.org
Sie schreibt fast 1800 Gedichte, doch Ruhm will sie nicht – zumindest nicht zu Lebzeiten. Heute zählt Dickinson (geb. am 10.12.1830) zu den größten Lyrikerinnen der USA. Von Jana Fischer.
National lager day. Entertainment from 1978. 1st Nobel prizes were awarded, Englands King Edward VIII gave up his thrown for an American divorcee, Mississippi became 20th state. Todays birthdays - Emily Dickinson, Dan Blocker, Johnny Rodriguez, Susan Dey, Michael Clarke Duncan, Nia Peoples, Meg White, Raven-Seymone. Richard Pryor died.Def Leppard - God did good - Dianna Corcoran https://www.diannacorcoran.com/The beer song - Seamus KennedyLe Freak - ChickThe Gambler - Kenny Rogers Birthday - The BeatlesBirthdays - In da club - 50 Cent http://50cent.com/Just get up and close the door - Johnny RodriguezStreet of dreams - Nia PeeplesIcky Thump - The White StripesExit - Let it out - Darcy Kate https://www.darcykate.com/countryundergroundradio.com History & Factoids about today webpage
Möt Jenny Tunedal och UKON som besökte Kulturhuset den 5 november 2025 för att berätta om sin favoritförfattare och en av poesins mest älskade röster – Emily Dickinson. Jenny Tunedal är poet, översättare och förläggare, bosatt i Skärholmen. Hon har gett ut flera prisbelönta diktsamlingar, däribland "Rosor skador", som nominerades till Augustpriset, och "Dröm, baby, dröm". Tunedal har översatt verk av Sylvia Plath, Anne Sexton och Claudia Rankine, och arbetar nu tillsammans med UKON med en serie översättningar av Emily Dickinsons poesi. Ulf Karl Olov Nilsson, känd som UKON, är poet, psykoanalytiker och essäist. Han är författare till böcker som "Glömskans bibliotek" och "Jag är ingen mördare", där han rör sig mellan litteratur, psykologi och filosofi. Tillsammans med Tunedal är han aktuell med en serie översättningar av Emily Dickinsons poesi. Emily Dickinson (1830-1886) är en av den amerikanska litteraturens mest centrala poeter. Under sin livstid publicerades bara ett fåtal av hennes över 1700 dikter, men i efterhand har hon blivit en ikon för sin kompromisslösa form, sitt existentiella djup och sina texter om livet, kärlek, ensamhet och döden. Hennes diktning talar till generationer av läsare och har haft ett enormt inflytande på samtida poesi. Hör Jenny Tunedal och UKON berätta om Emily Dickinson, relationen till hennes dikter och hur de fortsatt engagerar läsare i vår tid. Från 5 november 2025 Jingel: Lucas Brar
On this week's Queer Cinema Catchup, Joe and Allison are once again joined by the excellent Nick and Joseph of Fish Jelly to delve into another Tennessee Williams' adaptation. This time it's the 1964 film 'The Night of the Iguana' directed by John Huston and starring Richard Burton, Ava Gardner, Deborah Kerr, and Sue Lyon. Together explore the complex themes of desire, spirituality, and salvation and share their thoughts on the performances, particularly praising Ava Gardner and Deborah Kerr, while critiquing some of the casting choices. They also touch on the queer subtext, Tennessee Williams' broader oeuvre, and how the film compares to other adaptations of his works. Closing thoughts include reflections on what could be improved and the lasting impact of the film.00:14 Introducing the Movie: The Night of the Iguana00:45 Plot Summary and Key Characters02:13 Initial Reactions and Movie Context04:38 In-depth Analysis and Comparisons07:03 Character Dynamics and Performances11:26 Symbolism and Themes17:03 Production Insights and Behind the Scenes36:39 Maxine's Jealousy and Misunderstandings37:22 Hannah's True Motives38:05 Shannon's Realism and Hustling38:33 Philosophical Reflections40:16 Maxine's Confrontation with Miss Judith40:47 Miss Judith's Obsession with Charlotte46:19 Hannah's Love Experiences48:44 The Iguana and Symbolism52:00 Differences Between the Play and the Movie54:38 Queer Themes and Interpretations57:26 Tennessee Williams' Legacy01:11:49 Behind the Scenes Drama01:12:39 Dysentery and Filming Anecdotes01:13:49 Emily Dickinson's Poem and Its Interpretation01:15:13 Themes of Death and Connection01:16:33 Reception and Oscar Nominations01:21:41 Potential for Remakes and Character Analysis01:29:39 Final Thoughts and Ratings01:32:08 Upcoming Reviews and Recommendations Hosted on Acast. See acast.com/privacy for more information.
Did you know that Emily Dickinson wrote 4 tributes to the dandelion? Join Food Sleuth Radio host and Registered Dietitian, Melinda Hemmelgarn for her conversation with John Cardina, PhD, Professor Emeritus in the Dept. of Horticulture and Crop Science at the Ohio State University, former USDA research agronomist and author of Lives of Weeds: Opportunism, Resistance, Folly. Cardina discusses man's largely futile fight against “weeds” on farms, lawns and gardens, the value of biodiversity and small holder farms, and why we should rethink our attempts to eradicate “invasives.” Related Websites: https://www.cornellpress.cornell.edu/book/9781501758980/lives-of-weeds/
Dust of Snow by Robert Frost was a terrific poem to perform for students in grades K-3, alongside other short poems like I'm Nobody by Emily Dickinson. Both poems work well for children; that said, both have serious adult themes, such as identity and loneliness, which thread through many lives today.
Welcome to provocative conversations from Twice 5 Miles Radio. I'm your host, James Navé. Today I'm going solo. In this hour-long wandering through memory, poetry, and place, I invite you into a journey that begins in Manila—fifteen million people, dense layers, and a heat that never quits—and circles outward into the deeper weather patterns of a poetic life. From Robert Frost's Dust of Snow to John Keats' On the Grasshopper and the Cricket, we explore how the natural world awakens our inherent poetic disposition, whether we realize it or not. I take you back to my early days, hitchhiking across America, discovering the cold, haunted power of the Pacific Ocean, and then finding my younger self mirrored in Robert Frost's "Once by the Pacific." I talk about what it was like to co-found Poetry Alive in the 1980s—performing poems in gymnasiums, bringing playfulness to classrooms, and teaching thousands of students that the little things matter just as much as the big ones. We dip into thought-beats, memorization, and why Emily Dickinson's "I'm Nobody! Who are you?" works for five-year-olds and grown-ups alike. And we venture into heavier terrain with Sharon Olds' The Food Thief, asking what poetry demands of us in a serious, complicated world. I also read new work generated during Imaginative Storm writing sessions—pieces like Rip Curled Edge and Ivory in the Night Sky—and reflect on time passing, aging, and the themes that keep returning. Enjoy this hour of poetry, memory, travel, performance, and the ever-present possibility that something is going to happen.
Today's poem is a little more (purposefully) enigmatic than most of Dickinson's verse. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
This week, Thom Francis introduces us to poet Nancy Byrne Iannucci. Nancy was one of the featured readers at the Eight Poets event at The Fish Market on Saturday, October 11, 2025. That day, Nancy was joined by poets from the Hudson Valley Writers Guild, online zines Trailer Park Quarterly and Hobo Camp Review, and Paper Moon. ——— The Hudson Valley Writers Guild, Paper Moon, and online zines Trailer Park Quarterly and Hobo Camp Review joined forces to present Eight Poets, an afternoon of poetry and spoken word at the Fish Market in Troy, NY on Saturday, October 11, 2025. One of the poets who shared their work on that beautiful fall afternoon was poet Nancy Byrne Iannucci. Nancy read her poems “Freedom,” “Granddad's Garden,” Just as They Were About to Bloom,” “Taking Back Eden,” and “We Tried to Fly” and discussed the inspiration behind them. Nancy Byrne Iannucci is a poet and librarian living with her cats, Nash and Emily Dickinson. Her work appears in journals such as THRUSH, Hobo Camp Review, San Pedro River Review, and Hole in the Head Review. She's the author of four chapbooks and is currently working on two new collections of poetry. Hobo Camp Review editor James H Duncan introduced Nancy to the audience.
In the second half of our series with Gregory Orr, the conversation turns to grief, tenderness, and the healing power of the lyric. We talk about Emily Dickinson's role and the role of the lyric in contemporary poetry. If part one asks what the lyric is, part two asks what it's for—and how it helps us endure what can't be said any other way.At the Table:Gregory OrrKatie DozierTimothy GreenDick WestheimerBrian O'SullivanJoe Barca
En este episodio de Paredro Podcast conversamos con Juan Gómez Bárcena sobre Mapa de soledades Seix Barrall), un ensayo narrativo que recorre los paisajes físicos y simbólicos de la soledad.Desde los versos de Emily Dickinson hasta los cuartos en penumbra de los hikikomori japoneses; desde la selva de Horacio Quiroga hasta el silencio de los monasterios, Bárcena traza una cartografía íntima y colectiva de lo que significa estar solos en pleno siglo XXI.Una reflexión sobre la soledad como síntoma de nuestra época, pero también como un espacio de libertad, resistencia y reencuentro con nosotros mismos.
Abre el pianista Brad Mehldau con 'Better be quiet now' de su nuevo disco 'Ride into the sun' dedicado a Eliott Smith. Inspirada por las primeras líneas de 24 poemas de su amada Emily Dickinson, la brasileña Luciana Souza ha creado una serie de viñetas musicales acompañada por el guitarrista Chico Pinheiro y el bajista Scott Colley para el disco 'Twenty-Four Short Musical Episodes'. Del disco homenaje de Goro Ito, Paula y Jaques Morelenbaum a Ryuichi Sakamoto 'Tree forests. A tribute to Ryuichi Sakamoto' las canciones 'Happy end', 'Tango', 'Bibo no aozora', 'M.A.Y in the backyard', 'Fotografia' y 'Sayonara'. Y escuchamos por primera vez al cantante y compositor Gustavo Cysne con 'Deep blue', disco publicado el año pasado: 'Chegou pra ficar', 'Dive into the deep blue' -canta Ithamara Koorax- y 'If you never come to me'. Escuchar audio
The ladies pair poets together that prove complementary--or contrarian!Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:Visit Gary Jackson's website.In this interview, Marie Howe talks a bit about Lucille Clifton and feminist poetry.You can listen here to Carl Phillips read and engage in conversation after with Lia Purpura at the Enoch Pratt Free Library in February 2021. Read this great, short essay by Carl Phillips on Linda Gregg.Read Irene McKinney's poem "The Only Portrait of Emily Dickinson"Visit Jehanne Dubrow online at https://jehannedubrow.comRebecca Lindenberg's website is https://www.rebeccalindenberg.com. Read "Catalogue of Ephemera."Visit Erika Meitner's website. And read her poem "Jesus is the Reason." You can watch Ange Minko read her villanelle "Escape Architecture" or read it here. Essex Hemphill's new and selected is called Love Is a Dangerous Word. Finally, Charlie Sheen does indeed identify as bisexual, and apparently there is a lot of ick in the new Netflix documentary about him.
Laura Nyro’s most famous compositions — “Stoned Soul Picnic,” “Stoney End,” “When I Die,” “Wedding Bell Blues,” “Eli’s Coming” — are jewels of mainstream music, and her covers of songs like “Jimmy Mack” and “Gonna Take a Miracle” are legendary. But she was uncomfortable under the spotlight and withdrew from it to become the Belle of Danbury, Connecticut. This hour: a night of singing, reflecting, and celebrating recorded in front of a live audience at Watkinson School in Hartford. GUESTS: Jim Chapdelaine: Guitar and vocals Latanya Farrell: Vocals and tambourine Steve Metcalf: Piano and vocals The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe contributed to this show, which originally aired February 21, 2020.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Episode 71: Becoming: Still Enough to Listen with Cherisse Hixson Episode Description Welcome back, sweet friends! After a three-month summer sabbatical, I'm so excited to be back with you as we launch our new fall series on BECOMING. In this heartfelt episode, I'm sharing about a transformative weekend Solo Retreat that shifted everything for me - from learning to rest "between His shoulders" to discovering that it's actually NOT all up to me. If you've been feeling weary from the constant pace and pull of life, if you're longing to know Jesus more deeply, or if you're curious about what it means to slow down enough to actually hear His voice - this episode is for you. What We'll Explore Together: ✨ The beautiful gift of being completely unknown and accepted just as you are ✨ Why "silence" with Jesus is actually full of rich conversation ✨ How to create sacred containers for encountering God in the everyday ✨ Breaking free from the "if it is to be, it is up to me" mentality ✨ Learning to measure our days by the fruit of the Spirit instead of accomplishments ✨ What it means to rest securely in God's sufficiency Soul-Stirring Quotes Featured: Henri Nouwen on solitude as the place of conversion Dallas Willard on solitude as primary spiritual formation Eugene Peterson on finding our quiet center Ruth Haley Barton on silence making solitude possible Jim Branch on discovering we're not alone Scripture Anchors: Psalm 139:1-6 (You have searched me, Lord, and you know me) Deuteronomy 33:12 (Rest between His shoulders) Psalm 91:1 (Living under His shelter) Beautiful Bonus: I close our time together by reading Emily Dickinson's powerful poem "Hope" - the same words that anchored my soul during that sacred Friday morning. Connect & Continue the Journey Your soul needs this, friend. If this episode stirred something in your heart, I'd love for you to: ⭐ Leave a 5-star review - Your words help other weary souls find hope and rest in Jesus
Clinical psychologist Alexis Abernethy explores burnout, Sabbath rest, and resilience—reframing rest as spiritual practice for individuals and communities.“For me, it's knowing that the Lord has made me as much to work as much to be and to be still and know that he is God.”On this episode, clinical psychologist Alexis Abernethy (Fuller Seminary) joins Macie Bridge to discuss burnout, Sabbath, worship, mental health, and resilience in the life of the church. Defining burnout through its dimensions of emotional exhaustion, depersonalization, and reduced sense of accomplishment, Abernethy reflects on how church life can intensify these dynamics even as it seeks to heal them. Drawing from scripture, theology, psychology, and her own experience in the Black church and academic worlds, she reorients us to Sabbath as more than self-care: a sacred practice of being still before God. Sabbath, she argues, is not a quick fix but a preventive rhythm that sustains resilience in leaders and congregations alike. Along the way, she points to the necessity of modeling rest, the impact of daily and weekly spiritual rhythms, and the communal posture that makes Sabbath transformative.Episode Highlights“For me, it's knowing that the Lord has made me as much to work as much to be and to be still and know that he is God.”“Often people have overextended themselves in face of crises, other circumstances over a period of time, and it's just not really sustainable, frankly, for anyone.”“We act as if working hard and excessively is dutiful and really what the Lord wants—but that's not what He wants.”“When you are still with the Lord, you look different when you're active.”“Sabbath rest allows you to literally catch your own breath, but also then be able to see what the congregation needs.”Helpful Links and ResourcesThat Their Work Will Be a Joy, Kurt Frederickson & Cameron LeeHoward Thurman, Meditations of the HeartEmily Dickinson, “Some Keep the Sabbath” (Poetry Foundation)About Alexis AbernethyAlexis Abernethy is a clinical psychologist and professor in the School of Psychology & Marriage and Family Therapy at Fuller Seminary. Her research explores the intersection of spirituality and health, with particular focus on Christian spirituality, church leadership, and group therapy models.Topics and ThemesBurnout in Church Leadership and Congregational LifeDefining Burnout: Emotional Exhaustion, Depersonalization, and Reduced AccomplishmentSpiritual Misconceptions of Work and DutySabbath as Sacred Rest, Not Just Self-CareSilence, Stillness, and the Presence of GodScriptural Foundations for Sabbath: Psalm 23, Psalm 46, John 15The Role of Pastors in Modeling RestPandemic Lessons for Church Rhythms and ParticipationEmily Dickinson and Creative Visions of SabbathResilience Through Sabbath: Lessons from New Orleans PastorsPractical Practices for Sabbath in Everyday LifeShow NotesExodus 20:8-11: 8 Remember the Sabbath day and keep it holy. 9 Six days you shall labor and do all your work. 10 But the seventh day is a Sabbath to the Lord your God; you shall not do any work—you, your son or your daughter, your male or female slave, your livestock, or the alien resident in your towns. 11 For in six days the Lord made heaven and earth, the sea, and all that is in them, but rested the seventh day; therefore the Lord blessed the Sabbath day and consecrated it.Opening framing on burnout, Sabbath, and confusion about self-careIntroduction of Alexis Abernethy, her background as psychologist and professorChildhood in a lineage of Methodist pastors and formative worship experiencesEarly academic path: Howard University, UC Berkeley, affirmation from her fatherDefining burnout: emotional exhaustion, depersonalization, reduced accomplishment“I'm just stuck. I used to enjoy my job.”The church as both source of fulfillment and site of burnoutMisconceptions of spirituality equating overwork with dutyReference: That Their Work Will Be a Joy (Frederickson & Lee)Scriptural reflections: Psalm 23, Psalm 46, John 15Stillness, quiet, and Howard Thurman on solitude“When you are still with the Lord, you look different when you're active.”Sabbath as sacred rest, not a quick fix or pillPastors modeling Sabbath for congregations, including personal family timeCOVID reshaping church rhythms and recalculating commitment costsEmily Dickinson's poem “Some Keep the Sabbath”Lessons from New Orleans pastors after Hurricane KatrinaSabbath as resilience for leaders and congregationsPractical steps: scripture meditation, playlists, Lectio Divina, cultivating quietClosing invitation: Sabbath as both individual discipline and community postureProduction NotesThis podcast featured Alexis AbernethyInterview by Macie BridgeEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Alexa Rollow and Emily BrookfieldA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
Have you ever been so passionate about a book that you needed to track down the author to their source? Antonio Michael Downing and Bridget Raymundo sit down to discuss literary pilgrimages. Antonio Michael recounts his journey to Dublin to walk in the shoes of James Joyce's Ulysses, and Bridget shares what it was like to visit the home of Emily Dickinson.Books discussed on this week's show include:Ulysses by James JoyceOne Sister have I in our house by Emily Dickinson
Leitura Bíblica Do Dia: FILIPENSES 3:4-14 Plano De Leitura Anual: SALMOS 148–150; 1 CORÍNTIOS 15:29-58 Já fez seu devocional hoje? Aproveite e marque um amigo para fazer junto com você! Confira: No poema de Emily Dickinson, ela desafia divertidamente o esforço das pessoas em querer ser “alguém”, defendendo a alegre liberdade do anonimato: “Não sou ninguém! Quem é você? / Que triste — ser— Alguém! / Que pública — a Fama — / Dizer seu nome — como a Rã — / Para as almas da Lama!…” (Ed. Unicamp, 2008). Encontrar liberdade ao renunciar ao desejo de ser “alguém” se assemelha ao testemunho do apóstolo Paulo. Antes de conhecer Jesus, Paulo tinha uma longa lista de credenciais religiosas, aparentes “razões para confiar na carne”. (FILIPENSES 3:4). No entanto, o seu encontro com Jesus mudou tudo. Quando Paulo reconheceu o quanto as suas realizações eram vazias à luz do amor sacrificial de Cristo, ele confessou: “as outras coisas são insignificantes comparadas ao ganho inestimável de conhecer a Cristo Jesus, meu Senhor […] as considero menos que lixo, a fim de poder ganhar a Cristo” (v.8). Sua única e remanescente ambição era “conhecer a Cristo […] o poder que o ressuscitou […] participando de sua morte […] para alcançar a ressurreição dos mortos!” (v.10). É triste, de fato tentarmos nos tornar “alguém” por conta própria. Mas, conhecer Jesus e nos envolvermos em Sua vida e amor sacrificial, significa nele sermos encontrados (v.9), finalmente livres e completos. Por: MONICA LA ROSE
Philosopher Thomas Nagel famously argued that it is impossible to know what it's like to be a bat. Dickinson, on the other hand, claims to know what caterpillars care (or don't care) about. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Daily QuoteI am not afraid of storms, for I am learning how to sail my ship. (Little Women by Louisa May Alcott)Poem of the DayAutumnEmily DickinsonBeauty of WordsThe Long ShadowJohn Hampson
Welcome to The Guest House, a commonweal meditation on the complexities and creative potential of being human in an era of radical change. In Season Two, cohosts Shawn Parell and David Keplinger are exploring what Emily Dickinson called "Gem Tactics," the practices by which we polish our creative engagement with life.These conversations and contemplative writings are offered freely, but subscriptions make our work possible. Bless us algorithmically by rating, reviewing, and sharing these episodes with friends—and please become a paid subscriber if you're able. Thank you!Poet David Keplinger joins The Guest House, and together we hold the doorway open to Gem Tactics—this season's title—a term borrowed from a lesser-known Dickinson poem that refers to those small, faceted moves of inner cultivation that reveal the shape of a life.In the first episode of our second season, we trace the filament between practice and mystery. Our talk initiates an exploration of how we live, why we listen, and what it means to accompany and be accompanied in a time when so much is unraveling. This is the scaffolding of what's to come: a season shaped less by expertise than by earnest inquiry, less by answers than by wholehearted questions.Episode Highlights:Introducing poet David Keplinger as this season's co-hostWe reflect on the shared sensibility that animates our every collaboration.Why Gem Tactics?We unpack the title phrase—borrowed from Dickinson—and explore how poetry, practice, and daily life offer luminous forms of inner cultivation.Translation as prayer; poetry as a mirrorDavid speaks to the devotional act of translating Rilke and how poetry can reveal, rather than conceal, our deeper motives and questions.Living the question: from mastery to mysteryWe examine what it means to surrender control in the pursuit of meaning and how the unknown can become a kind of wisdom.The medicine of showing upI share insights from my therapeutic work and personal practice on how to stay present without being undone by the intensity of the world.If you're longing for language that speaks to your inner life, the beauty and bewilderment of being in the world, this season is for you. We're delighted to welcome you back to The Guest House.Resource Links:• Check out David's meditation and essay on our season title - Gem Tactics: Why We Practice.• Davidkeplingerpoetry.com - Visit David's website for book releases, workshops, mindfulness talks, and upcoming events.• Stay connected with Shawn and David on Instagram - @ShawnParell and @DavidKeplingerPoetry.• Shawnparell.com - Check out Shawn's website to sign up for free audio meditations, learn more about upcoming events & retreats, and join her email list for monthly essays, yoga classes, and music alchemy.• Subscribe to The Guest House on Substack for regular essays, podcast episodes, and more.• Subscribe to Another Shore with David Keplinger on Substack for meditations, essays, writing prompts, and more.Together, we are making sense of being human in an era of radical change. Your presence here matters. Bless our work algorithmically with your hearts and comments, and by sharing this post with a loved one. Paid subscriptions make this work possible. Thank you! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shawnparell.substack.com/subscribe
Daniel Seifert is a journalist and editor who has written for the New York Times, National Geographic and BBC. His poems have appeared in Poetry Wales, Rattle and Terrain. He lives in Singapore, and tweets @DanSeifwrites. Larkin poems discussed:The Mower, The Trees, Two Guitar Pieces, Broadcast ,For Sidney Bechet, Reference Back, Days, If My DarlingPoets mentioned:Seamus Heaney, John Betjeman, Emily Dickinson, TS Eliot Selected Poems (Prufrock, The Wasteland, Rhapsody on a Windy Night)When You Are Levitated by Daniel SeifertAnthony Thwaite- Collected PoemsArchie Burnett- Complete PoemsJames Booth- Life, Art and LovePhilip Larkin- JillThe London MagazineFather Ted https://www.channel4.com/programmes/father-tedJohn Robins https://www.johnrobins.com/NW Rowe Philip Larkin:Art and Self Five (Palgrave Macmillan, 2011) Larkin and the CreepyMusic:Petit Fleur (Sidney Bechet) played by Monty SunshineTheme music:The Horns of the Morning by Wes Finch and the Mechanicals Bandhttps://themechanicalsband.bandcamp.com/album/the-righteous-jazzProduced by Lyn Lockwood and Gavin Hogg and PodmachinePlease email Lyn at plsdeputychair@gmail.com with any questions or commentsPLS Membership, events, merchandise and information: philiplarkin.com
This morning we explore why the blessing after we eat is longer and more detailed than the blessing we make before we eat. Based on a principle of Rabbi S. R. Hirsch, we look at the context of the commandment to bless after we eat in our Parsha, Eikev, and see this truth reflected in the writing of Emily Dickinson, R. Baruch Epstein, and George Santayana. Michael Whitman is the senior rabbi of ADATH Congregation in Hampstead, Quebec, and an adjunct professor at McGill University Faculty of Law. ADATH is a modern orthodox synagogue community in suburban Montreal, providing Judaism for the next generation. We take great pleasure in welcoming everyone with a warm smile, while sharing inspiration through prayer, study, and friendship. Rabbi Whitman shares his thoughts and inspirations through online lectures and shiurim, which are available on: YouTube: https://www.youtube.com/channel/UC5FLcsC6xz5TmkirT1qObkA Instagram: https://www.instagram.com/adathmichael/ Podcast - Mining the Riches of the Parsha: Apple Podcasts: https://podcasts.apple.com/ca/podcast/mining-the-riches-of-the-parsha/id1479615142?fbclid=IwAR1c6YygRR6pvAKFvEmMGCcs0Y6hpmK8tXzPinbum8drqw2zLIo7c9SR-jc Spotify: https://open.spotify.com/show/3hWYhCG5GR8zygw4ZNsSmO Please contact Rabbi Whitman (rabbi@adath.ca) with any questions or feedback, or to receive a daily email, "Study with Rabbi Whitman Today," with current and past insights for that day, video, and audio, all in one short email sent directly to your inbox.
In this first podcast from the new series The Favorite Poem Project, Mississippi Poet Laureate Ann Fisher-Wirth discusses the American poet Emily Dickinson, reads her poem "A Bird came down the Walk—", and talks about the poem. Hosted on Acast. See acast.com/privacy for more information.
Send us a textWelcome to celebrate Poe episode 417 - Why Dickens Still Matters, Part OneThis first quote is from a George Gissing in 1898 - he famously said -I suppose that for at least five and 20 years of his life, there was not an English speaking household in the world where his name was not as familiar as that of any personal acquaintance, and where an illusion to characters of his creating could fail to be understood.And that creative person was none other than Charles Dickens. So I felt that a a brief look into Charles Dickens might be a good place to start in an examination of major 19th century writers.Therefore I gave the following prompt to Gemini:I am doing a podcast about using AI, as well as writers from the 19th century - such as Edgar Allan Poe, Walt Whitman, and Emily Dickinson. But one author that I have failed to include is Charles Dickens. Could you write me an introduction of why Charles Dickens is important, especially to the concept of creativity.Why Charles Dickens Still Matters (Especially for Creativity)Thank you for experiencing Celebrate Creativity.
Send us a textWelcome to celebrate Poe episode 417 - Why Dickens Still Matters, Part OneThis first quote is from a George Gissing in 1898 - he famously said -I suppose that for at least five and 20 years of his life, there was not an English speaking household in the world where his name was not as familiar as that of any personal acquaintance, and where an illusion to characters of his creating could fail to be understood.And that creative person was none other than Charles Dickens. So I felt that a a brief look into Charles Dickens might be a good place to start in an examination of major 19th century writers.Therefore I gave the following prompt to Gemini:I am doing a podcast about using AI, as well as writers from the 19th century - such as Edgar Allan Poe, Walt Whitman, and Emily Dickinson. But one author that I have failed to include is Charles Dickens. Could you write me an introduction of why Charles Dickens is important, especially to the concept of creativity.Why Charles Dickens Still Matters (Especially for Creativity)Thank you for experiencing Celebrate Creativity.
Send us a textWelcome to Celebrate Creativity - This is Episode 413 - AI for a Heat StrokeNow I know that up til now - I have basically been giving you fanciful examples of what might go into a prompt for some imaginary purposes - Edgar Poe applying for a job at a pet rental company or Edgar Poe 6th and Emily Dickinson 6th writing a book - that was DEFINITELY role playing with imaginary characters - I don't know of any reliable source that said Poe had any children - not so sure about Emily Dickinson, but I doubt it - guess I need to check with Gemini. Anyway, today I would like to deal with an all too real story that illustrates the use of a prompt in a real-life, health situation - no imaginary characters.I am accustomed to being outside - used to be a Marathon runner, but yesterday I was walking the distance from the local McDonald's. (about a half a mile) to my apartment. When I got home, I was covered with sweat and was having what appears to be a heat stroke. I was not experienced at all with this kind of thing, and my other half suggested that I simply ask my AI about the situation. It might be a good idea before and if I go to a doctor to find out any immediate suggestions. Note the prompt that I gave Gemini. I admit that it is a bit wordy, but I wanted to give all the details because like any prompt the more information you give it, the better answer it can give you. And I apologize, if the prompt seems a bit crude, but I wanted to show the importance of being honest with an AI if you expect an appropriate answer. Besides this is a medical situation.So I started with:Thank you for experiencing Celebrate Creativity.
In Serendipity (Reaktion) Carol Mavor uses Anne Frank's journal, discovered in the Secret Annex after the Second World War, Emily Dickinson's poems, scribbled on salvaged envelopes hidden in a drawer, Lolita, rescued from incineration by Nabokov's wife Véra and her own memory of eating a frozen hot chocolate in New York's Serendipity 3, a dessert café favoured by Andy Warhol, to muse upon the serendipitous afterlives of objects. Mavor, Professor of Art History and Visual Culture at the University of Manchester and prolific author of books and articles about art and culture, was in conversation about fragments, remnants and what remains with novelist, essayist and translator Lauren Elkin.
An exploration of Emily Dickinson's poem "I heard a fly buzz when I died" by poet, storyteller and musician Jay Leeming. www.JayLeeming.com
Inbal Segev is a virtuoso Israeli-American cellist. She has been characterized as “a cellist with something to say”. She's performed with the Helsinki, Dallas and London orchestras among many others. She frequently commissions and champions new works. Her playing can be heard in the 2005 movie “Bee Season” starring Richard Gere and Juliette Binoche. One of her newest projects in “I'm Nobody! Who Are You?”, an Emily Dickinson setting for unaccompanied women's choir. And she's scoring a documentary film about a Holocaust survivor.My featured song is “Tree Of Life” from the album PGS 7 by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH INBAL:www.inbalsegev.com______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Johann Sebastian Bach and Emily Dickinson arrive to talk to us about music and words as transmission, not performance. They talk about the depth of meaning and purpose of your name. They also teach us that we each have a natural tone that we can sound and how this creates entaglement with each other and blossoms into something larger. To join the Foundations course starting June 30, click here Use coupon code "freefriend" or "50off" To book a 55-minute connect call with Gary, click here For more info about the new 7 Rays Activations program, please click here For retreat info, click here
Robert Pinsky is a Rock Star Poet! He's the 3x United States Poet Laureate. He's won many awards and was a Pulitzer Prize finalist. As Poet Laureate he created the “Favorite Poem Project” where everyday Americans would select and read poems they admired by the greats including Emily Dickinson and Langston Hughes. He's performed with Bruce Springsteen and performed poetry with world class jazz musicians. And he was featured on “The Simpsons”. My featured song is my version of Miles Davis' “All Blues”, sung by the late, great Jon Lucien, from my 1994 debut album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ROBERT:www.robertpinskypoet.com________________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Daily Quote人生天地之间,若白驹之过隙,忽然而已。(《庄子•知北游》)Poem of the DayI dwell in PossibilityEmily DickinsonBeauty of WordsAnd Then There Were NoneAgatha Christie
This is a little episode about how I think a one-of-a-kind whale is kind of like the 16th -17th century Mannerist artist El Greco, and also like us. It sounds a little far fetched but admit it, you like me when I'm weird, you weirdo'sEl Greco:Artworks mentioned: “The Vision of St John” 1608-14 and "View of Toledo" 1599-1600 (El Greco), “Les Desmoiselles D'Avignon" 1907 (Picasso), "Rocks at Fontainbleu" 1890's (Cézanne)Artists mentioned: Vincent Van Gogh, Paul Cézanne, Hilma Af Klint, Pablo Picasso, Eugène De la Croix, Salvador Dali, Michelangelo, Caravaggio, Diego Velázquez, Titian, Tintoretto, Ignacio ZuloagaWriters mentioned: Emily Dickinson, Franz Kafka, Roger FryLearn more about El Greco's figurine models with a fascinating lecture by Xavier Bray for the Frick Collection: https://youtu.be/_8xYkflNbU0?si=eCIL_P-tFdtPbDmOThe Whale:Watch the documentary: https://www.kanopy.com/en/product/loneliest-whale?frontend=kuiArticles:https://www.forbes.com/sites/scotttravers/2025/02/01/the-52-hertz-whale-is-the-loneliest-animal-in-the-world-heres-what-we-know/https://www.iflscience.com/fact-check-has-the-world-s-loneliest-whale-finally-found-a-friend-65797https://www.theguardian.com/environment/2021/jul/13https://www.scientificamerican.com/podcast/episode/inside-the-nail-biting-quest-to-find-the-loneliest-whale/Thanks for listening!Greek music "Greek Bouzouki Sentimental 13" by Omegamusic / Marios Georgiades / Nicosia, CyprusWhale songs courtesy of PMEL Pacific Marine Environmental Laboratory All other music and sound effects by Soundstripe----------------------------Pep Talks on IG: @peptalksforartistsPep Talks website: https://www.peptalksforartists.com/Amy, your beloved host, on IG: @tallutsPep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8sBuyMeACoffee Donations always appreciated!
Today is the second part of my Latin American orchestral song tribute. Last week we explored Villa-Lobos and Revueltas; today we devote ourselves to Argentina, and primarily two composers: Alberto Ginastera, and Osvaldo Golijov, in settings by writers as varied as Emily Dickinson, Rosalía de Castro, Manuel Mujica Lainez, David Grossman, Mercedes de Toro, Alejandro Casona, and Franz Kafka; performed by Hina Spani, Phyllis Curtin, Dawn Upshaw, Nadine Sierra, Virginia Tola, Mónica Ferracani, and Miriam Khalil, among others, alongside three artists (Rayanne Dupuis, Christopher Dylan Herbert, and Ilana Davidson) who happen to be friends and colleagues of mine. The episode begins with memorial tributes to iconic writer Edmund White and beloved French singer Nicole Croisille, both of whom died this week. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
Elizabeth Barrett (1806-1861) was one of the most prolific and accomplished poets of the Victorian age, an inspiration to Emily Dickinson, Oscar Wilde, Edgar Allan Poe, and countless others. And yet, her life was full of cloistered misery, as her father insisted that she should never marry. And then, the clouds lifted, and a letter arrived. It was from the poet Robert Browning (1812-1889), admiring her from afar, declaring his love. How did these two poets find each other? What kind of life did they share afterwards? And what dark secrets had led to her father's restrictions…and how might that have affected his daughter's poetry? Host Jacke Wilson takes a look at the story of the Brownings. This episode originally ran as episode 95 on May 29, 2017. It is presented here without commercial interruption. Additional listening: 415 "Goblin Market" by Christina Rossetti 130 The Poet and the Painter - The Great Love Affair of Anna Akhmatova and Amedeo Modigliani 138 Why Poetry? (with Matthew Zapruder) Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Monkeys Spinning Monkeys” and “Piano Between” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Learn more about your ad choices. Visit megaphone.fm/adchoices
Poetry, butterflies, and original music oh my! With some help from poets Emily Dickinson, Robert Frost, William Wordsworth, and John Keats, along with original music by composer Gabriel Ruiz-Bernal, Jacke tackles the topic of butterflies. Yes, yes, we all know that butterflies are symbols of beauty and transformation - but can great poets get beyond the clichés? Why did Keats imagine himself as a butterfly in his love letters? Did Robert Frost mansplain poetry to Emily Dickinson (and do we agree)? In this episode, we flit and float and fleetly flee and fly through literature, life, music, and poetry - like a butterfly, maybe? (Maybe so!) Additional listening: John Keats More John Keats 700 Butterflies at Rest The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com . "Two Butterflies" performed by Gabriel Ruiz-Bernal and Allison Hughes. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature . Learn more about your ad choices. Visit megaphone.fm/adchoices
The uniting, in today's poem, of Spring and sadness is not immediately intuitive. However, it makes more natural sense amidst the many partings and reminiscences of graduation season. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Erin & Wes continue their discussion of four of Dickinson's best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine.