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3 episodes with keir gogwilt
3 episodes with keir gogwilt
3 episodes with keir gogwilt
3 episodes with keir gogwilt
In this episode, Madison speaks with Johnny Chang and Keir GoGwilt about their album ‘hope lies fallow', which was released on Another Timbre. The conversation encompasses their recompositions of Orlando di Lasso and Hildegard von Bingen, the sociological resonances of chamber music, instant ramen as a metaphor for art making, amidst much more. hear the full album at: https://anothertimbre.bandcamp.com/album/hope-lies-fallow for more about Keir GoGwilt: https://kgogwilt.com/ for more about Johnny Chang and the Viola Torros project: https://soundcloud.com/johnnychchang to donate to TAK's year-end fundraising campaign: https://fundraising.fracturedatlas.org/tak for more about TAK ensemble: http://takensemble.com
Our first episode introduces us to our 2022 Music Director AMOC, the multidisciplinary collective which incorporates music, dance, poetry, theatre in all their work and their ambitious programming that begins on Thu June 9. Guests: Ara Guzelimian, Zack Winokur, and Keir Gogwilt Emily Praetorius, producer and host Louis Ng, sound engineer (lensonproductions.com) OJAICast theme by Thomas Kotcheff and Louis Weeks Music Excerpts in Episode 1: Craigie Hill, by Keir GoGwilt and Celeste Oram Performed by Keir GoGwilt Prelude to the Holy Presence of Joan d'Arc, by Julius Eastman Performed by Julius Eastman Rebonds B, by Iannis Xenakis Performed by Steven Schick Gretchen am spinnrade, by Eric Wubbels Performed by Eric Wubbels and Mariel Roberts
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Adventurous programming is a signature trait of La Jolla Symphony and this concert is no exception, featuring a newly commissioned work along with two popular favorites. Nee Commission recipient Celeste Oram's, "a loose affiliation of alleluias" is an ambitious concerto for violin and three voices. Robert Schumann's "Violin Concerto" features virtuoso violinist Keir GoGwilt in one of that composer's most adventurous and popular pieces. Finally there's John Adams' "Harmonium," the large-scale work for orchestra and chorus which signaled the arrival of a major new talent. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34847]
Adventurous programming is a signature trait of La Jolla Symphony and this concert is no exception, featuring a newly commissioned work along with two popular favorites. Nee Commission recipient Celeste Oram's, "a loose affiliation of alleluias" is an ambitious concerto for violin and three voices. Robert Schumann's "Violin Concerto" features virtuoso violinist Keir GoGwilt in one of that composer's most adventurous and popular pieces. Finally there's John Adams' "Harmonium," the large-scale work for orchestra and chorus which signaled the arrival of a major new talent. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34847]
Adventurous programming is a signature trait of La Jolla Symphony and this concert is no exception, featuring a newly commissioned work along with two popular favorites. Nee Commission recipient Celeste Oram's, "a loose affiliation of alleluias" is an ambitious concerto for violin and three voices. Robert Schumann's "Violin Concerto" features virtuoso violinist Keir GoGwilt in one of that composer's most adventurous and popular pieces. Finally there's John Adams' "Harmonium," the large-scale work for orchestra and chorus which signaled the arrival of a major new talent. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34847]
Adventurous programming is a signature trait of La Jolla Symphony and this concert is no exception, featuring a newly commissioned work along with two popular favorites. Nee Commission recipient Celeste Oram's, "a loose affiliation of alleluias" is an ambitious concerto for violin and three voices. Robert Schumann's "Violin Concerto" features virtuoso violinist Keir GoGwilt in one of that composer's most adventurous and popular pieces. Finally there's John Adams' "Harmonium," the large-scale work for orchestra and chorus which signaled the arrival of a major new talent. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34847]
Adventurous programming is a signature trait of La Jolla Symphony and this concert is no exception, featuring a newly commissioned work along with two popular favorites. Nee Commission recipient Celeste Oram's, "a loose affiliation of alleluias" is an ambitious concerto for violin and three voices. Robert Schumann's "Violin Concerto" features virtuoso violinist Keir GoGwilt in one of that composer's most adventurous and popular pieces. Finally there's John Adams' "Harmonium," the large-scale work for orchestra and chorus which signaled the arrival of a major new talent. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34847]
Adventurous programming is a signature trait of La Jolla Symphony and this concert is no exception, featuring a newly commissioned work along with two popular favorites. Nee Commission recipient Celeste Oram's, "a loose affiliation of alleluias" is an ambitious concerto for violin and three voices. Robert Schumann's "Violin Concerto" features virtuoso violinist Keir GoGwilt in one of that composer's most adventurous and popular pieces. Finally there's John Adams' "Harmonium," the large-scale work for orchestra and chorus which signaled the arrival of a major new talent. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34847]
Classe 1952, nato a Los Angeles, Mark Dresser è certamente uno dei più valenti contrabbassisti della sua generazione e del jazz di ricerca posteriore al free (per quasi dieci anni, fra gli ottanta e i novanta, è stato il bassista del quartetto di Anthony Braxton), ma è anche un compositore e leader di tutto rispetto, come, se ancora ce ne fosse bisogno, questo album intelligente e vivace testimonia. E' il secondo lavoro che Dresser incide in settetto per l'etichetta portoghese Clean Feed: il primo era stato nel 2016 il molto apprezzato Sedimental You. Con lui musicisti di generazioni diverse e di diversa notorietà, ma tutti di valore: Nicole Mitchell ai flauti, Marty Ehrlich alle ance, Michael Dessen al trombone, il giovane Keir GoGwilt al violino, Joshua White al piano e Jim Black alla batteria.
Classe 1952, nato a Los Angeles, Mark Dresser è certamente uno dei più valenti contrabbassisti della sua generazione e del jazz di ricerca posteriore al free (per quasi dieci anni, fra gli ottanta e i novanta, è stato il bassista del quartetto di Anthony Braxton), ma è anche un compositore e leader di tutto rispetto, come, se ancora ce ne fosse bisogno, questo album intelligente e vivace testimonia. E' il secondo lavoro che Dresser incide in settetto per l'etichetta portoghese Clean Feed: il primo era stato nel 2016 il molto apprezzato Sedimental You. Con lui musicisti di generazioni diverse e di diversa notorietà, ma tutti di valore: Nicole Mitchell ai flauti, Marty Ehrlich alle ance, Michael Dessen al trombone, il giovane Keir GoGwilt al violino, Joshua White al piano e Jim Black alla batteria.
Classe 1952, nato a Los Angeles, Mark Dresser è certamente uno dei più valenti contrabbassisti della sua generazione e del jazz di ricerca posteriore al free (per quasi dieci anni, fra gli ottanta e i novanta, è stato il bassista del quartetto di Anthony Braxton), ma è anche un compositore e leader di tutto rispetto, come, se ancora ce ne fosse bisogno, questo album intelligente e vivace testimonia. E' il secondo lavoro che Dresser incide in settetto per l'etichetta portoghese Clean Feed: il primo era stato nel 2016 il molto apprezzato Sedimental You. Con lui musicisti di generazioni diverse e di diversa notorietà, ma tutti di valore: Nicole Mitchell ai flauti, Marty Ehrlich alle ance, Michael Dessen al trombone, il giovane Keir GoGwilt al violino, Joshua White al piano e Jim Black alla batteria.
Lost Mountain came together during a two-week artist residency. Bobbi Jene Smith, formerly a dancer with Batsheva, created the piece with artists Asaf Avidan, Evan Copeland, Ariel Freedman, Keir GoGwilt, Coleman Itzkoff, Jesse Kovarsky, Yiannis Logothetis, Marta Miller, and Or Schraiber. UnSequenced is a podcast in which we discover the stories and emotions behind the movement. Each episode dives deep into the creative process with a choreographer, documenting what compels them as an artist, what drives their artistic decisions for a particular work, and what unexpected things come up along the way.
The Jazz Hole with Linus showcases some of the recently introduced new music today. Enjoy tracks from “Her Morning Waltz” by the Hyuna Park Trio, “New Year” by Curtis+Garabedian+Sperrazza (recently featured on The Jazz Hole Live), “Ain't Nothing But A Cyber Coup & You” by the Mark Dresser Seven, “Sanctuary” by Matt Slocum (featuring Gerald Clayton and Larry Grenadier) and “Our People” by Gerry Gibbs & Thrasher People. Hyuna Park Trio - “Her Morning Waltz” & “Flight of Migrants” Album: Her Morning Waltz Hyuna Park (p), Myles Sloniker (b) and Peter Traunmueller (d) Curtis+Garabedian+Sperrazza - “Vinnoa”, “Fred’s Hope” & “New Year” Album: New Year Caleb Wheeler Curtis (as), Noah Garabedian (b) and Vinnie Sperrazza (d) ------- Mark Dresser Seven - Black Arthur’s Bounce (In Memory of Arthur Blythe) Album: Ain't Nothing But A Cyber Coup & You Mark Dresser (b, McLagan tines), Nicole Mitchell (fl, alto fl, picc), Marty Ehrlich (cl, b-cl, as), Keir Gogwilt (vio), Michael Dessen (tb), Joshua White (p) and Jim Black (d, perc) Matt Slocum - “Consolation Prize” & “Aspen Island” Album: Sanctuary Matt Slocum (d), Gerald Clayton (p) and Larry Grenadier (b) ------- Gerry Gibbs & Trasher People - “The Calm Before The Storm” & “The Journey Begins” Album: Our People Gerry Gibbs (d, perc, syn, prog, elect soundscape, tp, ...), Alex Collins (all solos, p, kbds, syn, vib, as, ss, g, acc, perc, voc ...), Gianluca Renzi (b, e-b, sting section, perc, …), Mayu Saeki (picc, fl, alto fl, voc) and Kyeshie Gibbs (voc, perc, ...) 00:00 - The Jazz Hole with Linus 02:05 - Her Morning Waltz - Hyuna Park Trio 06:29 - Flight of Migrants - Hyuna Park Trio 12:14 - Vinnoa - Curtis+Garabedian+Sperrazza 16:08 - The Jazz Hole with Linus 17:38 - Fred’s Hop - Curtis+Garabedian+Sperrazza 22:38 - New Year - Curtis+Garabedian+Sperrazza 25:55 - Black Arthur’s Bounce (In Memory of Arthur Blythe) - Mark Dresser Seven 38:13 - The Jazz Hole with Linus 41:12 - Consolation Prize - Matt Slocum 46:18 - Aspen Island - Matt Slocum 52:18 - The Jazz Hole with Linus 53:38 - The Calm Before The Storm - Gerry Gibbs & Thrasher People 55:45 - The Journey Begins - Gerry Gibbs & Thrasher People 62:12 - Finish
This centuries-spanning concert takes its title from the violin concerto by English composer Thomas Ades, but it may just as well refer to the unexpected paths that link 20th-century French composer Francis Poulenc back to his medieval countryman Guillaume Machaut, and onward to Thomas Nee Commission recipient Tina Tallon's premiere work for orchestra & electronics. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33161]
In this episode of Houghton75, we speak with James Engell, Gurney Professor of English and Professor of Comparative Literature at Harvard, about Charles Eliot Norton and the expression of anti-war sentiment on the university campus. Find out more about the exhibition and Houghton Library’s 75th anniversary celebrations at http://houghton75.org/hist-75h Transcript and detailed music notes: http://wp.me/p7SlKy-nJ Music Matthew Aucoin (‘12), piano and Keir GoGwilt (‘13), violin Quatuor pour la fin du temps VIII. Louange à l'Immortalité de Jésus From “Seamus Heaney: A Memorial Celebration (Nov 7, 2013)” http://hcl.harvard.edu/poetryroom/listeningbooth/
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