Podcast appearances and mentions of David A Chang

Conversation with David A. Chang about his award-winning book "The World and All Things Upon It: Native Hawaiian Geographies of Exploration," published by the University of Minnesota Press in 2016. The Writing Westward Podcast is a production of the Charles Redd Center for Western Studies at Brigham Young University and hosted by Brenden W. Rensink. Follow the BYU Redd Center and the Writing Westward Podcast on Facebook or Twitter or get more information @ http://reddcenter.byu.edu/pages/writing-westward-podcast. Theme music by Micah Dahl Anderson @ www.micahdahlanderson.com

On this week of The Stacks we are joined by Sarah Fong, a PhD Candidate in American Studies. Sarah is currently writing her dissertation on U.S. practices of social welfare, particularly as they relate to histories of slavery and colonization. This week we talk about the writing process, reading for work vs. reading for pleasure, and the power of books to teach us new things, and allow us to make changes in the world. Get to know Sarah this week, before next week's The Stacks Book Club conversation on Jesmyn Ward's  Men We Reaped. Here is a list of all the books mentioned on this week's podcast: Black Skin, White Masks by Frantz Fanon The Wretched of the Earth by Frantz Fanon Living for Change by Grace Lee Boggs The Intimacies of Four Continents by Lisa Lowe Moby Dick by Herman Melville A Brief History of Seven Killings by Marlon James The Color of the Land by David A. Chang We Were Eight Years in Power by Ta-Nehisi Coates Stamped from the Beginning by Ibram X. Kendi Storyteller by Leslie Marmon Silko An Indigenous Peoples' History of the United States by Roxanne Dunbar-Ortiz Jesus Land by Julia Scheeres A Thousand Lives: The Untold Story of Jonestown by Julia Scheeres The Next American Revolution by Grace Lee Boggs Anna Karenina by Leo Tolstoy The Little House on the Prairie Book Series by Laura Ingalls Wilder Gone with the Wind by Margaret Mitchell Anne of Green Gables by L.M. Montgomery Kindred by Octavia E. Butler Seed Folks by Paul Fleischman Homegoing by Yaa Gyasi Black Reconstruction in America, 1860-1880 by W.E.B. Du Bois There Eyes Were Watching God by Zora Neale Hurston Women, Race, and Class by Angela Davis All Our Relations by Winona LaDuke Zeitoun by Dave Eggers From Unincorporated Territory by Craig Santos Perez Salvage the Bones by Jesmyn Ward Sing, Unburied, Sing by Jesmyn Ward   Here are some other things we talked about this week: 2015 Man Booker Prize Goodreads Gone with the Wind (MGM and Selznick International Pictures) Ava DuVernay 2011 National Book Award Winners 2017 National Book Award Winners Connect with The Stacks: iTunes| Website| Instagram| Facebook | Twitter | Goodreads |Traci's Instagram Connect with Sarah: Instagram To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you're able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod. The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here. 

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation's forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek's struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how.

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.” As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself. David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how. Learn more about your ad choices. Visit megaphone.fm/adchoices