Podcasts about Chang

A brief history of Mid-Autumn Festival, and the tale of Hou Yi the Archer & the Ten Suns, and Chang'e & the Moon In other words, please be trueIn other words, I love you. Sources:Barlett, Scarlett. The Mythology Bible: The Definitive Guide to Legendary Tales.Masaka, Mori. “Restoring the ‘Epic of Hou Yi'” in Asian Folklore Studies, vol. 52, no. 5.Yang, Lihui, Demin An, and Jessica Anderson Turner. Handbook of Chinese Mythology. (initially broadcast in 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices

Jade Chang is the author of the novel What a Time to Be Alive, available from Ecco Books.  Chang's debut novel, The Wangs vs. the World, won the VCU Cabell First Novelist Award and has been published in a dozen countries. Her journalism and essays have recently appeared in The Best American Food Writing, and in the New York Times and Los Angeles Times magazines. She also writes for film and TV. She lives in Los Angeles. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join me for episode 447 of the Mobile Tech Podcast with guests Siegfried Chang (MediaTek) and Rob Pegoraro (PCMag) -- brought to you by MediaTek. This episode comes in two parts. First, we dive into MediaTek's powerful (100 Tops!) new Dimensity 9500 flagship SoC. Second (20:10), we discuss Meta Ray-Ban Display and the state of AR smart glasses, Xiaomi's 17/17 Pro/17 Pro Max, the upcoming Sand Stone OnePlus 15, and Realme's leaked GT 8 Pro. Finally, we cover news, leaks, and rumors from Xiaomi, Realme, Moto, Nothing, and CMF. Phew...Episode Links- Support the podcast on Patreon: https://www.patreon.com/tnkgrl- Donate / buy me a coffee (PayPal): https://tnkgrl.com/tnkgrl/- MediaTek: http://www.poweredbymediatek.com/ (sponsor)- MediaTek Dimensity 9500: https://www.mediatek.com/products/smartphones/mediatek-dimensity-9500- Siegfried Chang: https://www.linkedin.com/in/siegfried-chang-549a404a/- Rob Pegoraro: https://bsky.app/profile/robpegoraro.com- Meta Ray-Ban Display: https://www.theverge.com/tech/779566/meta-ray-ban-display-hands-on-smart-glasses-price-battery-specs- Apple is going all in on AR smart glasses (rumor): https://www.gsmarena.com/bloomberg_apple_is_pausing_its_vision_air_and_going_allin_on_smart_glasses__-news-69766.php- Rob: Are AR smart glasses the future: https://robpegoraro.com/2025/09/27/im-not-sure-that-the-mass-market-shares-the-tech-industrys-vision-for-smart-glasses/- Why Meta Ray-Ban Display are taking smart glasses in the wrong direction: https://www.androidpolice.com/meta-ray-ban-display-are-not-the-future-of-wearable-tech/- Xiaomi 17 Pro and 17 Pro Max: https://www.gsmarena.com/xiaomi_17_pro_and_pro_max_pair_snapdragon_8_elite_gen_5_with_extra_screens_improved_cameras-news-69666.php- Xiaomi 17: https://www.gsmarena.com/xiaomi_17_pairs_snapdragon_8_elite_gen_5_with_7000_mah_battery__-news-69667.php- OnePlus 15 Sand Stone teased:

Billabong Presents... Smiv & Deadly feeling the love for the surf community as Longy sends off their favourite son Mercury Psillakis. There's a deep dive on the rank state of the Chang, what's going on with the latest coastal real estate crimes, Rio Waida's Red Shoe Diaries and all the usual shenanigans you've grown to love. UTFS BABY! Billabong Immortal Collection Here Sign up to UP here and use the code UTFS20 to score 20 skins straight in your new account! Putting the Up in UTFS! Protect Bali's Rivers HereSee omnystudio.com/listener for privacy information.

“Forget it, Jake. It's Chinatown,” were, of course, the closing words from Polanski's 1974 movie, Chinatown. But the point of Jeff Chang's new biography of Bruce Lee, Water Mirror Echo, is that by 1973, when Lee died, Asian America was more than just Chinatown. Lee made Asian America, Chang argues, by giving Asian Americans dignity. Chang shows how Lee's journey from segregated Seattle and San Francisco neighborhoods to global stardom paralleled the rise of Asian American political consciousness. His films weren't just action movies but anti-colonial spectacles - kicking down “No Chinese and Dogs” signs, fighting for workers against bosses, defending communities against gentrification. After Bruce Lee, chinatown became more, so much more, than just chinatown.1. Lee was an “anchor baby” who embodied the immigrant struggle Born in San Francisco in 1940 during Chinese Exclusion, Lee lived in segregated neighborhoods and learned firsthand what it meant to be a racialized minority - making him a powerful symbol for those Trump-era immigration debates Chang references.2. His movies were explicitly political, not just action films From labor solidarity in The Big Boss to anti-colonialism in Fist of Fury to fighting gentrification in Way of the Dragon, Lee's films consistently championed underdogs against oppressors.3. Lee's rise paralleled the birth of “Asian American” identity Just as the term “Asian American” emerged in Berkeley in 1968, Lee was transforming from Hollywood sidekick to global hero, giving form to a new political consciousness that refused second-class status.4. Hollywood's racism forced Lee to find stardom in Asia After losing the Kung Fu role to David Carradine in yellowface, Lee had to return to Hong Kong to be seen as a leading man - becoming Asia's biggest star in six months.5. Hip-hop embraced Lee through shared spaces of segregation Inner-city theaters showed both Blaxploitation and kung fu films to the same audiences, creating an unexpected solidarity between Black and Asian communities that continues through artists like Wu-Tang Clan.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

柚子 yòuzi – pomelo由來 yóulái – origin; source嫦娥奔月 Cháng'é bēn yuè – the legend of Chang'e flying to the moon英雄 yīngxióng – hero后羿 Hòu Yì – Hou Yi (hero in Chinese mythology who shot down nine suns)長生不老藥 chángshēng bùlǎo yào – elixir of immortality月亮 yuèliàng – moon賞月 shǎng yuè – to admire the moon祭拜 jìbài – to worship; to offer sacrifices to土地公 Tǔdìgōng – the Earth God in Chinese folk religion溫馨 wēnxīn – warm and pleasant (atmosphere or feeling)象徵 xiàngzhēng – to symbolize; symbol團圓 tuányuán – reunion (especially of family)綠豆椪 lǜdòupèng – mung bean mooncake蛋黃酥 dànhuáng sū – salted egg yolk pastry一家烤肉萬家香 yī jiā kǎoròu wàn jiā xiāng – “One family barbecues, the aroma spreads to ten thousand homes” (famous Taiwanese BBQ sauce advertisement slogan)Planning to travel or move to Taiwan? If you'd like to improve your Chinese before you go, feel free to book a one-on-one lesson with me.I'll help you improve your Chinese so you can settle in more comfortably when you arrive.Book a one-on-one trial lesson with me !

durée : 00:29:50 - Les Pieds sur terre - par : Sonia Kronlund, Manon Prigent - Lors du procès des viols de Mazan, les accusés se retrouvent au bar de Youssef, qui écope du nom de "Bar des violeurs", ce qui lui devient intolérable. Ce même procès fait effraction dans la vie de Noëlla, réveillant et réparant le traumatisme de violences sexuelles qu'elle a subies. - réalisation : Clémence Gross, Anne-Laure Chanel

En 'El Foco',  Alberto Herrera ha dado todas las claves en 'Herrera en COPE' del revolucionario invento desarrollado en China: un pegamento para huesos que permite unir fracturas en solo tres minutos. Este avance, inspirado en la naturaleza, podría cambiar para siempre el tratamiento de las lesiones óseas, eliminando la necesidad de cirugías invasivas con placas y tornillos o largos periodos de inmovilización con escayola.El descubrimiento surgió cuando un investigador chino se preguntó por la extraordinaria capacidad de las ostras para adherirse a las rocas bajo el agua. Según ha explicado Alberto Herrera, el secreto reside en unas proteínas adhesivas naturales que funcionan en ambientes húmedos, son biocompatibles, elásticas y muy resistentes. A partir de esta observación, un equipo de científicos logró crear en el laboratorio un adhesivo que imita estas propiedades y que, además, es biodegradable, lo que significa que el propio cuerpo lo reabsorbe a medida ...

Fluent Fiction - Mandarin Chinese: Balancing Budget and Joy: A Mid-Autumn Festival Tale Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2025-10-02-22-34-02-zh Story Transcript:Zh: 中秋节快到了，北京的市场充满了节日的气息。En: The Zhongqiujie is approaching, and the markets in Beijing are full of festive spirit.Zh: 秋风轻轻拂过，带来了丝丝凉意。En: The autumn breeze gently brushes by, bringing a hint of coolness.Zh: 市场上，摊位林立，红红的灯笼，香甜的月饼，精致的饰品，琳琅满目。En: The market is lined with stalls, filled with red lanterns, sweet yuebing, and exquisite ornaments, all dazzling to the eye.Zh: 美琳和她的弟弟常，在这样的市场中穿梭。En: Meilin and her younger brother, Chang, are weaving through such a market.Zh: 美琳是一位懂得节俭的姐姐，她希望在中秋节为家里添置一些传统的装饰，但不希望超出预算。En: Meilin is a sister who knows how to be frugal; she hopes to add some traditional decorations to their home for the Mid-Autumn Festival without going over budget.Zh: 常则兴高采烈，虽然年轻却充满了对节日的热情。En: Chang, on the other hand, is full of excitement—even though he's young, he is overflowing with enthusiasm for the holiday.Zh: 他对五光十色的装饰品总是流连忘返。En: He is always lingering over the colorful decorations.Zh: “姐姐，你看那个灯笼，好漂亮！买一个吧！”常指着一个巨大的红色灯笼兴奋地说。En: "Sis, look at that lantern; it's so beautiful! Let's buy one!" Chang said excitedly, pointing at a huge red lantern.Zh: 美琳看了看价签，略显犹豫：“这个太贵了，我们还要买其他东西。”En: Meilin glanced at the price tag, hesitating slightly, "It's too expensive, and we have other things to buy."Zh: 常满脸期待地说：“可是中秋节一年只有一次，我们应该好好庆祝啊。”En: Chang said eagerly, "But the Mid-Autumn Festival comes only once a year, and we should celebrate it well."Zh: 他们继续穿过熙熙攘攘的人群。En: They continued through the bustling crowd.Zh: 美琳紧盯着手中的购物清单，而常则不断被新奇的饰物吸引，嘴里不停地赞叹。En: Meilin kept her eyes on the shopping list in her hand, while Chang was constantly drawn to the fascinating ornaments, exclaiming with admiration.Zh: “常，听我说，我们要把钱用在刀刃上。”美琳轻声对弟弟说，希望能让他明白节俭的重要，但不希望他的热情被浇灭。En: "Chang, listen to me, we need to spend our money wisely," Meilin said softly to her brother, hoping to convey the importance of frugality without dampening his enthusiasm.Zh: “姐姐，我知道。但我们也可以买些特别的东西，让节日更快乐。”常认真地说道。En: "Sis, I understand. But we can also buy something special to make the festival more joyful," Chang replied earnestly.Zh: 终于，在一家摊位前，美琳停下了脚步。En: Finally, Meilin stopped in front of a stall.Zh: 那里有一些既传统又实惠的小灯笼和花灯，她挑了几样放进篮子里。En: There were some traditional yet affordable small lanterns and decorative lights; she picked a few and placed them into the basket.Zh: 然后，她看着常，微笑着说：“我们再选一样特别的装饰，好吗？”En: Then, she looked at Chang, smiling, "Shall we pick one special decoration together?"Zh: 常的眼睛一下子亮了起来，他挑选了一个精美的月亮形状的灯笼，上面还有梅花图案，象征着美好的团圆。En: Chang's eyes lit up immediately. He chose a beautiful moon-shaped lantern with plum blossom designs, symbolizing a wonderful reunion.Zh: “这个灯笼不但特别，而且不太贵。”美琳赞同地说。En: "This lantern is not only special but also not too expensive," Meilin agreed.Zh: 他们达成了共识，买到了适合两个人心意的装饰。En: They reached a consensus and bought decorations that suited both of their wishes.Zh: 市场上的欢笑声依旧不绝于耳，灯笼和月饼飘香四溢。En: The sound of laughter still echoed throughout the market, and the aroma of lanterns and mooncakes filled the air.Zh: 美琳和常一起默契地拎着装饰品，愉快地走在回家的路上。En: Meilin and Chang happily carried their decorations home in harmony.Zh: 通过这次购物，美琳意识到，有时候，适当地放下严格的预算，也能为节日带来意想不到的惊喜。En: Through this shopping trip, Meilin realized that sometimes relaxing a strict budget can bring unexpected surprises to the festival.Zh: 而常也学会了在热情和实际之间找到平衡。En: Meanwhile, Chang learned to find a balance between enthusiasm and practicality.Zh: 夕阳的余晖洒在他们身上，市场的热闹渐渐远去。En: The afterglow of the sunset cast upon them, and the hustle and bustle of the market gradually faded away.Zh: 这个中秋节，注定有着特别的温暖和欢笑。En: This Mid-Autumn Festival is destined to be filled with special warmth and laughter. Vocabulary Words:approaching: 快到了festive: 节日的spirit: 气息hint: 丝丝exquisite: 精致的ornaments: 饰品dazzling: 琳琅满目frugal: 节俭的enthusiasm: 热情lingering: 流连忘返hesitating: 略显犹豫admiration: 赞叹frugality: 节俭joyful: 快乐的affordable: 实惠的plum blossom: 梅花symbolizing: 象征着consensus: 共识harmony: 默契unexpected: 意想不到的surprises: 惊喜practicality: 实际afterglow: 余晖destined: 注定warmth: 温暖laughter: 欢笑breeze: 秋风brushed: 拂过bustling: 熙熙攘攘shopping list: 购物清单

Burn-out...c'est le tournant qui a tout changé dans la vie d'Adeline Blondieau. Beaucoup l'ont connue, dès les années 90, dans son rôle culte de Caroline dans Sous le soleil ou encore à travers ses mariages très médiatisés. Une vie publique à 20 ans à peine, avec tout ce que ça implique : les projecteurs, la presse, l'image qu'on vous colle à la peau... Une image qui cache pourtant des blessures, des points de rupture, des « planètes sombres » comme elle les appelle. Jusqu'à ce jour où tout bascule. Un burn-out, une remise en question radicale, et la décision de tout quitter pour devenir sophrologue. Désormais, c'est elle qui aide les autres à se reconstruire. Elle publie Cheminer vers soi aux éditions Albin Michel, un guide dans lequel elle partage sa méthode pour retrouver clarté, calme, ancrage et alignement dans le quotidien. Quelques citations du podcast avec Adeline Blondieau :"La vie veut danser avec chacun de nous à sa façon.""C'est à travers les émotions qu'on appréhende le monde.""La joie, c'est l'émotion reine, elle balaye tout sur son passage."Thèmes abordés lors du podcast avec Adeline Blondieau :00:00Introduction02:00Présentation de l'invitée02:54L'accouchement : la métamorphose d'une vie04:18La face cachée des projecteurs06:58Discipline : le corps comme outil10:21Le burn-out13:04Le déclic pour s'en sortir14:19Changer le regard sur son passé15:23Accepter ses blessures17:05L'aide de la sophrologie18:12Le choix de la sophrologie22:16Le corps pour savoir si on est à sa place26:12Le rituel du matin d'Adeline Blondieau28:00Le mariage et le choix de l'amour29:51L'adolescence de ses enfants30:49Accueillir ses cicatrices32:54Choisir qui peut nous blesser34:11L'empathie des chevaux38:06Joie et danse de la vie40:49Un message à l'Adeline d'il y a 15 ans43:20L'objet symbolique d'Adeline BlondieauAvant-propos et précautions à l'écoute du podcast Découvrez Objectif Métamorphose, notre programme en 12 étapes pour partir à la rencontre de soi-même.Recevez chaque semaine l'inspirante newsletter Métamorphose par Anne GhesquièreSuivez nos RS : Insta, Facebook & TikTokAbonnez-vous sur Apple Podcast / Spotify / Deezer / CastBox / YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In WATER MIRROR ECHO: Bruce Lee and the Making of Asian America (Mariner Books; on sale 9/23/2025), award-winning author Jeff Chang delivers a groundbreaking cultural biography of Bruce Lee, timed to Lee's 85th birthday year in 2025. Drawing on thousands of personal documents (including letters, diaries, and rare photos) and exclusive, in-depth interviews with Lee's inner circle (including his first love, close friends, and early fighting mentors), Chang offers a stunning dual portrait: the complex human story of Lee and the extraordinary, untold story of the creation of Asian America. Through Lee's experiences, Chang charts the rise of Asian America as a powerful political and cultural force that endures to this dayBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Chang' E6 Mission Reveals Moon's Secrets: China's Chang' E6 mission has unveiled surprising thermal asymmetry on the Moon's far side, showing it is approximately 180 degrees Fahrenheit (100 degrees Celsius) cooler than the near side. This discovery sheds light on the Moon's dual characteristics, suggesting that uneven distribution of heat-producing elements during its formation played a crucial role in its geological history.Galactic Wave of Stars: Data from the European Space Agency's Gaia space telescope has revealed a colossal "wave" of stars moving outward from the Milky Way's center. This structure, spanning tens of thousands of light years, is likely the result of a collision with a dwarf galaxy billions of years ago, illustrating the dynamic nature of our galaxy.SpaceX's Starship Flight 11 Update: Mark your calendars for October 13th as SpaceX prepares for the 11th flight of its Starship Mega Rocket. This mission aims to demonstrate the rocket's reliability and reusability, including testing the payload bay door with mock Starlink satellites, paving the way for future operational launches.Hidden Asteroids Near Venus: Astronomers warn of a potentially large population of undiscovered asteroids orbiting near Venus, which are difficult to detect due to their location in the Sun's glare. While not an immediate threat, these asteroids could pose a long-term risk to Earth as their orbits may become chaotic over time. Upcoming missions like the Vera Rubin Observatory and NASA's NEO Surveyor aim to address this observational blind spot.For more cosmic updates, visit our website at astronomydaily.io. Join our community on social media by searching for #AstroDailyPod on Facebook, X, YouTubeMusic, TikTok, and our new Instagram account! Don't forget to subscribe to the podcast on Apple Podcasts, Spotify, iHeartRadio, or wherever you get your podcasts.Thank you for tuning in. This is Anna and Avery signing off. Until next time, keep looking up and exploring the wonders of our universe.✍️ Episode ReferencesChang' E6 Mission Findings[CNSA](http://www.cnsa.gov.cn/)Gaia Space Telescope Discoveries[ESA](https://www.esa.int/)SpaceX Launch Details[SpaceX](https://www.spacex.com/)Asteroid Research and NEO Surveyor[NASA](https://www.nasa.gov/)Astronomy Daily[Astronomy Daily](http://www.astronomydaily.io/)Become a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-space-news-updates--5648921/support.Sponsor Details:Ensure your online privacy by using NordVPN. To get our special listener deal and save a lot of money, visit www.bitesz.com/nordvpn. You'll be glad you did!Become a supporter of Astronomy Daily by joining our Supporters Club. Commercial free episodes daily are only a click way... Click Here

Chang velar mellan Kina eller Texas. Omar uppskattar Gotland. Hanif ogillar mäns våld mot kvinnor. Mustafa jagar sabotörer. Ashkan är lugn. OBS. Det här är inte hela avsnittet. Vill du få tillgång till alla hela avsnitt? Bli medlem på Sista Måltiden. Som medlem får du tillgång till alla nya och gamla avsnitt i sin helhet och utan reklam. Lyssna i valfri podcast-app, inklusive Spotify. Enkelt att komma igång. Ingen bindningstid. Tryck här för att bli medlem eller gå in på https://sistamaltiden.se. Hosted on Acast. See acast.com/privacy for more information.

On en a tous connu un qui nous a laissé un souvenir indélébile... rdv avec Julie et Mag pour parler de ces profs qui ont changé nos vies !

Ils ont défié Nintendo... et ont changé le jeu vidéo à jamais. Bienvenue dans JV LEGENDS !Avant de collaborer avec Nintendo, les créateurs de Star Fox n'étaient qu'une bande de jeunes lycéens britanniques passionnés d'informatique. À travers leur studio Argonaut, ils vont repousser les limites techniques de l'époque, révolutionner la 3D sur Gameboy, puis travailler main dans la main avec les équipes de Kyoto pour concevoir le Super FX et le mythique Star Fox sur Super Nintendo. Ce JV Legends retrace leur aventure folle, de la banlieue de Londres aux bureaux de Nintendo, entre défis technologiques, coups de génie et reconnaissance mondiale.Retrouvez tous les JV LEGENDS sur Youtube ou sur JV ! Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Special thanks to Seraph for the amazing first ever Neto animation! (see on Youtube or Spotify for video only) Find them https://linktr.ee/SeraphImAnge   / seraph_is_an_angel  Season icon art by "Imabeebop" https://ko-fi.com/imabeebopSeries icon art by "Strawberry7" https://strawberry7.carrd.co/Chang by Stephen Chang  / changxberger  Brea by Isla Campbell   / islaacampbell  Boy by CosmoLaugh by Caroline Faber www.netovampire.com Music Candlepower by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/...Source: http://chriszabriskie.com/divider/Artist: http://chriszabriskie.com/Electro Dollars by Rondo BrothersA Face in a Cloud by Nathan MooreDreaming in 432Hz by Unicorn HeadsOumuamua by Alex HamlinGhost Story by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/...Source: http://incompetech.com/music/royalty-...Artist: http://incompetech.com/Virtues Inherited, Vices Passed On by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/...Source: http://chriszabriskie.com/reappear/Artist: http://chriszabriskie.com/For Granted by DyallaFX20160308_17.waterfall.flac by dobroide -- https://freesound.org/s/339793/ -- License: Attribution 4.0

Chang-hwan plays guitar in if it rains & No Modelhttps://www.instagram.com/ifitrainshc/

In WATER MIRROR ECHO: Bruce Lee and the Making of Asian America (Mariner Books; on sale 9/23/2025), award-winning author Jeff Chang delivers a groundbreaking cultural biography of Bruce Lee, timed to Lee's 85th birthday year in 2025. Drawing on thousands of personal documents (including letters, diaries, and rare photos) and exclusive, in-depth interviews with Lee's inner circle (including his first love, close friends, and early fighting mentors), Chang offers a stunning dual portrait: the complex human story of Lee and the extraordinary, untold story of the creation of Asian America. Through Lee's experiences, Chang charts the rise of Asian America as a powerful political and cultural force that endures to this dayBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Le lundi 22 septembre, Ousmane Dembélé, l'attaquant du Paris Saint Germain, a été sacré Ballon d'or 2025. Très aimé des supporters parisiens, il est seulement le sixième Français à recevoir cette prestigieuse récompense.Ses statistiques sont impressionnantes : 37 buts et 14 passes décisives la saison passée toutes compétitions confondues. Malgré ces résultats, le joueur de 28 ans est considéré comme réservé et plutôt modeste. Cet épisode de Code source est raconté par deux journalistes du service des sports, du Parisien, Benjamin Quarez et Romain Baheux.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert et Clara Garnier-Amouroux- Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : Canal+, L'équipe. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Tune in here to this Tuesday's edition of the Brett Winterble Show! We're joined by Gordon G. Chang from Gatestone Institute and a leading voice on U.S.–China relations to talk about escalating tensions with China and instability in the Asia-Pacific region. Brett kicks off the conversation with questions about whether former President Trump should travel to China to meet Xi Jinping. Chang strongly advises against it, explaining how Chinese diplomacy views such visits as a show of submission — a dangerous precedent. They also dive into the troubling political shift in South Korea, where newly elected President Yi Moon is showing clear favoritism toward China and North Korea, undermining democratic institutions and straining U.S. relations. Chang warns that Yi could drag South Korea into Beijing's orbit, threatening the U.S. defense posture in the region. Finally, they discuss the growing flashpoint at Scarborough Shoal, where China is using aggression to expand its control in the South China Sea, directly challenging U.S. treaty obligations with the Philippines. Listen here for all of this and more on The Brett Winterble Show! For more from Brett Winterble check out his YouTube channel. See omnystudio.com/listener for privacy information.

Tune in here to this Tuesday's edition of the Brett Winterble Show! Brett kicks off the program by talking about the recent appearance of the President of the United States at the United Nations and the technical glitches that occurred — namely, a broken escalator and a failed teleprompter. He uses this moment to highlight what he sees as strong leadership, expressing relief that neither Joe Biden nor Kamala Harris represented the U.S. on that stage. Brett praises the president's speech, calling it a firm defense of Western civilization and a moment of true leadership. We're joined by Gordon G. Chang from Gatestone Institute and a leading voice on U.S.–China relations to talk about escalating tensions with China and instability in the Asia-Pacific region. Brett kicks off the conversation with questions about whether former President Trump should travel to China to meet Xi Jinping. Chang strongly advises against it, explaining how Chinese diplomacy views such visits as a show of submission — a dangerous precedent. Beth Troutman from Good Morning BT is also here for this Tuesday's episode of Crossing the Streams. Brett and Beth talk about the breaking news surrounding the Ryan Ruth verdict and the importance of staying engaged with local justice issues. Beth, joining from the road, shares that she’s en route to emcee a powerful event supporting Fields of Hope—a Charlotte-based nonprofit that combats human trafficking across North and South Carolina. She highlights the organization’s work in rescuing and rehabilitating survivors, offering long-term housing, job training, education, and psychological and spiritual support, all without a time limit. Beth encourages listeners to learn more or donate at https://www.wearefieldsofhope.org/. The conversation takes a heartfelt turn as Brett praises Beth’s commitment to such a critical cause. Beth also gives a quick preview of what she and Bo Thompson have coming up Wednesday on Good Morning BT Listen here for all of this and more on The Brett Winterble Show! For more from Brett Winterble check out his YouTube channel. -- See omnystudio.com/listener for privacy information.

Jeremiah brings the fullness of emotion into his expression of grief. The prophet invites us into the spiritual work of grieving, both for our own experience of the broken world, but also on behalf of others.

Back to the 80s Radio is back with a powerful comeback episode that's more than nostalgia — it's the closest thing we have to a real time machine. For 30 minutes, step inside the sound of Los Angeles radio in the 1980s. Hear authentic broadcasts from Power 106 in 1987 and KIIS FM in 1989, complete with legendary personalities, commercials, traffic, and sports — exactly as they went out over the air.This special tribute is dedicated to the jocks who shaped the magic of 80s radio, the very voices that inspired Toscano and Chang to step behind the mic. And the biggest news? Back to the 80s Radio officially launches a brand-new 24/7 station this Halloween, featuring over 10,000 songs in rotation. The 80s are back — and so are we.Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.

Bienvenue dans les Fabuleux Destins. Nous allons vous raconter l'histoire d'un homme qui fait presque figure de légende. Et pourtant, il a bel et bien existé. Stratège de génie, tyran sanguinaire, conquérant humaniste et visionnaire, ce roi de l'Antiquité a changé la face du monde occidental à jamais. Son nom : Alexandre le Grand. De son enfance au palais de Macédoine jusqu'à son accession au trône, découvrez la première partie de son fabuleux destin.  Un podcast Bababam Originals Ecriture : Elie Olivennes Production : Bababam (montage Célia Brondeau) Voix : Andréa Brusque Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:02:25 - C'est mon boulot - La Cour de cassation a rendu deux décisions importantes début septembre, concernant le droit du travail et les congés payés. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

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277. Simple Mentoring with Ray Chang of simplementoring.org & Tenx10Join Zachary Garza and Ray Chang as they delve into the transformative power of mentorship. Discover how the TenX10 initiative is mobilizing faith communities to engage with young people, addressing the rapid disaffiliation from Christianity. Ray shares insights on relational discipleship, the importance of authenticity, and the impact of small acts in mentoring.Key Points:Introduction to TenX10: A collaborative effort to make faith matter for 10 million young people over 10 years. Challenges in Mentorship: Addressing stereotypes and the need for authentic connections. 3 Keys to Effective Mentoring: Small Acts > Big Gestures. Authenticity > Pretending. Questions > Answerssimplementoring.org offers free tools and resources for mentors. Upcoming Event: Join the TenX10 summit this October in Atlanta for collaboration and worship. https://www.tenx10.org/Quotes:"A future that looks very ancient." "Mentorship is about being present and meeting people where they are."

Jeff Chang, in his new biography "Water Mirror Echo," explores how the short of life of Bruce Lee helped make Asian America. Born in San Francisco's Chinatown, Lee was denied the lead role in Warner Bros.'s 1970s TV series "Kung Fu," which was given instead to David Carradine in yellowface. Lee's collision with Hollywood rejection became a catalyst for his rise at a time of emergent Asian American political consciousness. Chang discusses how Lee became a global symbol of Asian American dignity, and how his legend has only grown in the decades since his death.

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Journalist Jeff Chang contends that Bruce Lee, the famed actor and martial arts specialist, is the “most famous person in the world about whom so little is known.” In his new biography of Lee, “Water Mirror Echo,” Chang charts Lee's rise as an action star and his impact on the creation of Asian American culture. We'll talk to Chang about his book and about Bruce Lee's special history in the Bay Area. Guests: Jeff Chang, "Water Mirror Echo: Bruce Lee and the Making of Asian America" - Chang is also the author of "We Gon' Be Alright: Notes on Race and Resegregation," "Who We Be: The Colorization of America" and "Can't Stop Won't Stop: A History of the Hip-Hop Generation" Learn more about your ad choices. Visit megaphone.fm/adchoices

Alabama• Tuberville Says Liberals at Fault in Charlie Kirk's Assassination• Jefferson County DA Says There is Only One Video of the Jabari Peoples Shooting• P.F. Chang's Pays Man $80,000 in EEOC Ruling• WH Talks of Sending National Guard to Alabama Cities• Baldwin County GOP Taking Steps to Protect Candidates• Regions Bank Launches New Real Estate Banking Portal• Legal Fight Continues Over Police Footage Involving Orange Beach Mayor• Alabama “Idol” Hopefuls Can Sign Up for Virtual Auditions• Elmore Correctional Visitor Charged with Promoting Contraband• Third Suspect Charged in August Murder in BirminghamNational• Tuberville Blocks Measure to Deny Military Honors for Ashli Babbit• Fani Willis Permanently Sidelined from Trump Case in Georgia• Fed Expected to Announce First Rate Cut of 2025• House Republicans Announce Plan to Avert Shutdown• Legendary Actor Robert Redford Has Died

POUR SUIVRE LA PREMIERE FORMATION DE LA MATRESCENCE : CLIQUEZ ICI "LE TEMPS, VOTRE MEILLEUR POTE"Je suis devenue mère en 2017 et si j'ai vécu un choc identitaire qui s'appelle La Matrescence, je n'avais pas anticipé que mon rapport au temps changerait du tout au tout. J'avais la naïveté incroyable de croire que ma vie n'allait pas évoluer et surtout que ma liberté de choisir mon emploi du temps m'appartiendrait.AHAHAHA Je réalise à quel point je n'ai pas réfléchi aux conséquences d'avoir un enfant. Surement comme vous, j'ai dû apprendre à envisager mon rapport au temps différemment.Après l'arrivée de ma 3e fille, en 2022, j'ai vraiment plongé la tête la première dans ma relation au temps.Parce que je me suis prise un mur!3 enfants aussi rapprochés, pour moi c'était un très (trop) gros défi.J'étais arrivée un peu à bout de ce que je pouvais donner.Et pourtant j'avais pris 6 mois de congé maternité pour ma dernière. Mais à la reprise j'étais complètement désorganisée.Et puis, je me suis très rapidement retrouvée mère célibataire de 3 enfants à quasi temps complet et c'était devenu invivable, parce que je n'avais rien mis en place en amont pour me sécuriser, j'étais paniquée et dépassée.

Ōama, aka Temmu Tennō, ascended the throne in the Kiyomihara Palace--a rennovated version of his mother's Later Okamoto Palace.  Here he ruled with a tremendous amount of authority, continuing the leverage the Ritsuryo system to centralize power in the throne.  We'll look at the layout of the palace, and also talk a little bit about what life was like for the members of the court who were serving Oama, and the state at large. For photos, diagrams, and more, see our blog at: https://sengokudaimyo.com/episode-134 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 134: An Image of the Court at Kiyomihara Maro sat under the eaves of the hall to which he was assigned.  The journey from Mino hadn't been so hard, but he was still far from his family, back home.  He knew as much as they did that serving at the court of the Great Lord was a tremendous opportunity.  He would be at the heart of the court, in the presence of those running the country, and he could learn a lot from them.  After passing his internship, he would have a chance to prove himself.  If he worked hard, he could look forward to continued promotion, with the greater stipend and influence that came with it. Maro had no illusions that he would someday be at the top of the court hierarchy, but perhaps he could make some modest improvements in his station.  His elder brother was expected to inherit their father's position back in Mino, but the court provided a different opportunity.  Maro had always been a quick learner, and had learned to read and write at an early age, devouring whatever knowledge he could get his hands on – and that had helped make him that much more desirable to the court.  Now he was learning the ins and outs of how it worked, mostly by doing odd jobs while observing the various interactions, the politics, and the rhythm of it all.  Life at the Court really was something.  And yet he still felt homesick.  And so here Maro sat, looking out at the full moon in the sky, its light so bright that he barely needed any other illumination.  Maro wondered at the idea that his family might be looking up at the same moon at the very same time.  As that image took hold, he could feel in the experience a poetic verse.  He took out one of the wooden slips used for labels and notes, scraped off the previous writing, and began jotting down his composition. He only got through a couple of lines before he heard his name being called, and since he was on night duty he put down the brush and the wooden slip.  Poetry would have to wait.  With everything put back away, he rushed off to find out what new task awaited him. So here we are, the year is 673 and we are at the start of a new era.  Ohoama, aka Temmu Tennou, had defeated his enemies and was now in the process of taking the reins of power and officially ascending the throne.  In so doing he was moving the capital from Ohotsu, on the shores of Lake Biwa, back to Asuka.  Arriving back, he took up residence in what is called the Shima palace for a few days, presumably as they prepared the Okamoto Palace for him.  At the same time, we are told that a “palace” was erected for Ohoama south of the Okamoto Palace, and this was called the Kiyomihara Palace. I'd like to spend this episode talking about this Kiyomihara Palace, and what life was like there, not just for Ohoama but for his new court.  While we talked about some of the other palaces, this is perhaps one of the better known from the archaeological record, and it is the backdrop for so much that happens.  Ohoama is even known as the Sovereign from Kiyomihara.  So let's talk about what the palace consisted of, and what it was, and a little bit about what life was like there.  In addition to that, we've discussed in previous episodes how Ohoama's ascension to the throne kicked off a whole new era in the evolution of the Yamato state, with numerous innovations and new paradigms in the idea of the ruler and the court and their relationship – so it's worth taking a closer look at the setting where all of that was happening, so we can try and put ourselves in the shoes of those doing the work, and understand their daily grind, as it were. There is unfortunately plenty about the Kiyomihara Palace that we don't know - it isn't like there is a detailed account of the palace in the records - but its ruins are probably the most complete of all those found in Asuka.  This makes sense, given that it would have been built over the earlier palace sites.  In fact, for the most part, the Kiyomihara Palace is just the Later Okamoto Palace, in other words where Takara Hime, aka Saimei Tennou, ruled, but updated and expanded to fit Ohoama's and his court's needs.  Archeological work in Asuka has done some tremendous work to help us understand the Asuka Palace Site.  By studying the various post holes, ditches, and other evidence, along with occasionally discarded items, we have a general idea of the palace's shape, and when we combine this with what we know from other sites—the Naniwa Palace ruins in Ohosaka, the Fujiwara palace ruins in Kashihara, and the Heijo-kyo ruins in Nara, among others—along with an understanding of how palaces were being built on the continent, we are able to piece together what we think was going on.  Of course these interpretations aren't unanimous, and there are parts that scholars will no doubt quibble over—such as the use of the Ebinoko compound, which I'll talk about in a bit—but in general we have a picture of what things probably looked like, at least from a layout perspective, and how the site may have been used. To start, let's go back for a moment to the Toyosaki Palace in Naniwa, the first palace purpose built for the new governmental system being brought over from the continent.  This was the palace of Karu Ohokimi, aka Koutoku Tennou, uncle to Naka no Ohoye.  It was built in the aftermath of the Isshin Incident of 645, an architectural centerpiece of the Taika reforms.  As you may recall, this was a massive undertaking.  This palace was largely rectangular, and consisted of three compounds from south to north, ranging from most to least public. Most people would enter from the south gate, later known as the Suzaku-mon, the gate of the crimson bird of the south, a pattern that would generally hold true for other palaces.  Entering the compound, you would find yourself in the Choshuden, a space holding two pavilions with several rooms where officials could change into or out of their official robes.  The gates to the Choshuden would open at sunrise for the clerks and functionaries would enter.  At the northern end of the Choshuden was the Southern gate of the Chodoin, the main working area of the court.  There were 14 halls, or Chodo, each one dedicated to a different ministry.  The size of these halls varied, likely based on importance or at least the size of their government portfolio. Most of the middle area of the Chodoin was open, but at the northern end was the gate to the Dairi, the inner palace.  This gate was flanked by two octagonal buildings, and it led to an area between the Chodoin and the Dairi where there sat the building that would become the Daigokuden.  This was the main audience chamber for meetings with the sovereign, who would preside and make pronouncements in the early morning hours, at the start of the day. To the north of the Daigokuden was the rest of the Dairi, where the sovereign's personal quarters lay, including the quarters for his consorts and children, maintained by his personal servants.And there were other gates into and out of the Dairi—after all, the palace was so large you didn't want to have to go through the Choushuden and Choudouin just to get to the sovereign's quarters.  Those who lived in the Dairi and those who worked there would be able to have their own entrances and exits. Let's contrast all of this with the Okamoto Palace in Asuka.  More precisely the Later Okamoto Palace.  This was the successor palace to the Itabuki palace, both of which were built for Takara Hime, aka Kougyouku—and by this point Saimei—Tennou.  In fact, Itabuki palace burned down at the end of 654, just as Takara Hime came to the throne a second time.  This palace was, in total, maybe the size of the Chodoin of the Toyosaki Palace, if that.  For one thing, there wasn't as much flat land easily available in the valley, but for another, the builders maybe didn't think they needed quite that much space and that many buildings.  You see, while the Toyosaki palace in Naniwa was likely meant to model the kind of infrastructure necessary for the Tang court, in Chang'an, Yamato was still building up its fledgling bureaucracy.  It wasn't like there were a flood of reports and correspondences coming in from all over the archipelago that had to be handled by an army of clerks.  At least not yet. The Okamoto palace, from what we can tell, was also a rectangle, once again facing south , on the east side of the Asuka river.  This palace did not necessarily have the same kinds of dedicated spaces as the Toyosaki Palace. The main gate that we know of was in the south, leading to a courtyard with another building—possibly the Ohoandono, alternatively the Ohoyasumidono or the Daianden.  This may have been an audience hall for meeting with public officials.  The ground here was covered in gravel, a fairly common thing for palace compounds. Though we don't know exactly what the buildings looked like, we have some idea based on the size and number of post-holes.  We also haven't found any ceramic tiles in or around the ruins so far, which suggests that Okamoto Palace did not have ceramic tile roofs as were common on temple architecture, but instead were likely covered with wooden shingles, like the Itabuki Palace that used to be in relatively the same spot.  From an archeological perspective, any tiled building of this size leaves a lot of indications behind: over the years tiles fall off, break, get buried, etc.  Even if, as was common, the court meticulously dismantled the buildings down and reused as much as they could, we would still expect to see some tiles or tile fragments in the ground where the pillars are found, and yet we find nothing of the sort.  To the east and west of the Ohoandono were long, narrow structures, oriented north to south rather than east to west.  These are thought to have been the offices where government officials could do their work. Moving into the northern section of the palace, the ground was paved with river stones.  There were two large buildings with small wings, running east to west, lengthwise, and situated on the same line as the Ohoandono.  These may have been what have been called the To no Andono, or outer Hall, and the Uchi no Andono, the inner hall, and they would have been used for ceremonies for those of the appropriate rank. The middle hall it seems was modified from its original form.  While it was similar in size and footprint to the hall north of it, the western wing of the southern hall at some point was destroyed—whether on purpose or accidentally—and it was replaced with what appears to have been a pond. On each side of this central area we see more space for buildings, but only some of the post holes have so far been uncovered.  There were other buildings further in the northernmost third of the compound that were likely for the sovereign's private usage, as well as a well, and what may have been a building for some kind of semi-private religious ceremony. This palace, the Okamoto Palace, was essentially what Ohoama started from when he  relocated the capital back to Asuka – but when he ascended to the throne, he did make a few changes.  Most notable was the creation of something called the ebinoko-kuruwa, the Ebinoko enclosure.  This was to the southeast of the main palace, and had a rectangular wall surrounding one large building and two smaller ones.  Interestingly, the buildings would appear to be oriented in a symmetrical shape that would suggest a southern entrance, like the other palace compounds we've been discussing, and yet the gate was to the west, opening to the area between the Ebinoko enclosure and the main palace.  And based on postholes and other evidence, there appear to have been at least four other rectangular buildings stretching out to the south, outside of the walls.  Some have theorized that the large building in the Ebinoko  was an early form of the Daigokuden, a ceremonial hall where Ohoama held court, rather than reusing the facilities of the old Okamoto palace.  Alternately,  perhaps it was actually more like the buildings of the Chodoin in Naniwa, where the different departments of the court actually did business, but here with all of the officials working in one, single building.  A third idea that others have suggested that this was actually Ohoama's private residence—again, somewhat odd given the size and shape and the fact that there were the seemingly larger facilities of the Okamoto palace already right there for the taking. So which is it?  We do have a clue in the record of the 15th day of the 9th month of 672, and the lines following it.  According to the Aston translation of the Nihon shoki: He removed his residence from the Palace of Shima to the Palace of Okamoto. In this year a Palace was erected south of the Palace of Okamoto, and the Emperor removed his residence thither that same winter.  This was called the Palace of Kiyomibara in Asuka. So it does seem like something was built south of Okamoto and that is where Ohoama resided.  It is somewhat uncommon for a sovereign to reuse an old palace like this.  Traditionally, sovereigns had regularly moved to new palaces, seemingly because of the attempts to avoid ritual pollution associated with death.  Of course, it had been a while since Takara hime had passed away, and Naka no Ohoye had moved everything to Ohotsu, but nonetheless, is it possible that the Ebinoko kuruwa was built to, in some way, give Ohoama new quarters? We may never know for sure.  There are plenty of inconsistencies.  For one, if it was meant as a residence, I would expect more buildings for his consorts and others.  There are also some things to note about the account in the Nihon Shoki.  For one thing, although the initial account calls this the Kiyomihara Palace,  the Chronicles also suggest that it wouldn't actually get that name until the 20th day of the 7th month of 686, about 14 years later. That record describes how a new era name was also announced:  the Akamitori, or red bird, era.  I don't want to get too much into it right now, but suffice it to say that a red, three legged crow is often depicted as the symbol of the sun; and the important south gate of the palace, the Suzaku-mon, is named for the vermillion bird of the south, one of the four guardian animals.  When this era name—more commonly read as “Shucho”, today, since era names are commonly red in on'yomi reading rather than kun'yomi—well, when it was declared, we are told that the palace was titled the Palace of Kiyomihara of Asuka. What are we to make of this? Well, today, it is assumed that the Kiyomihara palace refers to the Okamoto Palace starting from the creation of the Ebinoko-kuruwa and its occupation during what is assumed to be Ohoama's rule.  Earlier in the Nihon Shoki we are told that Ohoama was known as the Kiyomihara sovereign, and so even though that name technically wasn't applied to the palace until later, it makes some sense just to assume it applied from the start of Ohoama's renovations. One more thing that I would point out.  While we talked about the original Okamoto Palace and the newly built Ebinoko enclosure, they were arranged as though around a large open area, like a courtyard.  The original palace stood at the north, where one could enter the south gate of the palace, and then the Ebinoko enclosure sat on the east side of the courtyard, with its western gate between the two.  The southern and western sides of the courtyard, on the other hand, followed the snaking flow of the Asuka River. From about 675 to 681, on or about the 17th day of the first month of the year, it's recorded that the court held an annual archery shoot in the court of either the West or South Gate—which would seem to refer to this large area.  This makes sense, as the space is large enough to accommodate plenty of room for the range and for others to watch The archery exhibition   was held here, in the space between the two compounds, like clockwork until 681, when we are just told that it was held in the “Courtyard”, which feels like it is referring to an area inside the main compound of Kiyomihara. There are no more mentions of the tradition after 681, though there is an archery shoot in front of the South Gate on the 5th day of the 5th month of 685, but that was probably done as part of the regular 5/5 celebrations—a holiday today known as Kodomo no Hi, or Children's Day, but more traditionally known as Tango no Sekku, the Iris festival.  Some form of celebration on this date seems to have occurred throughout East Asia up until the modern day. Whether the archery stopped or just became such a standard thing that it was no longer noteworthy in the record, I can't really say.  However, one can possibly imagine what it was like, with all of the courtiers out there watching as the arrows shot down the field.  The occasional twang of bows and the faint whistle as it sped towards its target, hitting the target with a sharp thwack.  Murmurs from the crowd regarding how well—or how poorly—any given person was doing. Beyond the courtyard and what we know of the two compounds—the Kiyomihara palace and the Ebinoko Enclosure—there is plenty still to discover.  There were likely other compounds around the palace, possibly as an extension of the palace.  And then there were the temples: west, across the river, was Kawaradera, and north of the palace and surrounding compounds was Houkouji, or Asukadera.  There is even some evidence on the northwest edge of the compounds, southwest from Asukadera, of an ancient garden surrounding several manmade ponds. And so, the entire valley appears to have been filled with buildings and official spaces , running up against and being constrained by the natural features of the valley itself.  As I mentioned above, there just isn't that much buildable space in the Asuka valley, compared to other places like Naniwa.  And this contributed to one of the other problems that the court would have experienced: according to tradition,  the front of the palace and other buildings were all oriented south, but for this location, this meant that they didn't face the expansive fields of the Nara basin, but instead they faced the mountains themselves.  All in all, there was not much room here to grow, and yet the government and the court had grown, at least by all accounts. Though, how much had the court grown? Maybe not as much as we might expect, despite Ohoama's ambitions.  First of all there had been the purge of the powerful ministers at the head of the Afumi court, but there are some startling omissions in the records from the beginning of Ohoama's reign.  There is no mention of the Daijin, or Great Minister.  There is no Minister of the Right or Minister of the Left.  There is no Inner Minister, and there is no Great Minister of State.  There are mentions of the “kugyou”, or “Ministers of State”, which traditionally includes the Daijin, but there is no mention of the Daijin, suggesting that the “kugyou” of this time may have only referenced the heads of the 8 ministries of the Dajokan, the Council of State.  What does this mean? Many scholars interpret this period as a time of extremely centralized power.  Coming off of his military victory, Ohoama seems to have ridden a wave of support and control.  Combine that with the continued absorption of Tang dynasty propaganda-slash-government theory that saw the sovereign—the emperor—as the central authority, and one can see how Ohoama may have been able to do something that few sovereigns in Japanese history were able to actually do, which is to wield real power.  This may seem odd for a position translated into English most commonly as  “Emperor,” but as we've seen, in glimpses through the way they are depicted in the Chronicles, or through the archaeological record, which shows different loci of power and authority across the archipelago in ancient times, the Ohokimi, later dubbed the Tennou or Sumera no Mikoto, was not necessarily all powerful.  Not only did they have to contend with rivals to the throne, but even various court nobles who made their way into the centers of power.  From figures like Takeuchi no Sukune, to the Ohotomo, the Mononobe, and more recently the Soga—in all of these cases various nobles often held considerable power, though often in tension with one another. Sources of authority also varied.  There were the individual religious centers through which families exercised some ritual authority, while there was also more secular authority in the various court positions.  The Ohokimi certainly were respected, from what we can tell, and had a powerful source of authority going back to at least the holy kami of Mt. Miwa.  They even spread that authority through their kannushi, their priests, which they sent out as an extension of the state.  But they weren't entirely independent, either. But Ohoama seems to have reached a point where he did hold a tremendous amount of authority.  Because there is another telling omission from the chronciles: we don't see any more Soga members.  With the death of Soga no Akaye, the Soga family's influence seems to have disappeared this reign.  We also don't see that much about other prominent families compared to earlier: we see the Mononobe as ambassadors, and we see the Nakatomi are still conducting rituals.  But we don't see any of them rising to the same positions as their forebears.  Instead, we see a lot of focus on the Princely class—those members who claim some descent from a previous sovereign, or even the current sovereign, and how they, themselves, are divided up with their own system of ranks that are outside the civil service ranking system. Speaking of civil service, it does always strike me that the ranking systems of various east Asian courts very much resemble the way that, even today, many modern bureaucracies create wage scales for their civil servants.  In the US the most common such scale is the GS or “General Schedule” pay system.  In that system, positions are associated with a particular grade, between 1 and 15, and federal employees are also referred to in terms of those grades.  Grade typically reflects some level of seniority and pay.  It isn't a one-for-one analogy, of course: the court ranks in Yamato were handed out by the sovereign, or at least through their authority, as were the various court positions, though I doubt that Ohoama was spending much personal time approving promotions for a low level clerk writing down inventories and suchlike—but who knows.  But it does emphasize that this system is built to be a centralized bureaucratic monarchy, based on the continental model, and it now seems to have come into its own.  The court seems to have bought into the idea, and now, intentionally or not, much of their own position in society was directly tied to the autocratic whims of the monarch, or Ohoama himself. Indeed, some of the first records from the year 673 are focused on the court and court system.  The very first thing this entailed:  a banquet on the 7th day of the first month of the new year.  We are told that it was a “drinking party” or “shuen”, and boy does that draw some parallels with modern Japanese companies.  We aren't exactly given the form of this party, but we do have later examples.  There was likely a formal start, with various nobles set out at assigned seats based on their rank.  It was an official event, so officials would have been expected to wear the appropriate clothing, including their caps of rank, letting everyone know exactly who's who, and reinforcing the social hierarchy imposed by the rank system in the first place.  I suspect that it started with ritual and formality.  Later, you would have the after party, where people might more freely mingle and drink and recite poetry.  This was both an official and social occasion, because there really wasn't much of a line drawn between the two.  As a ritual, it displayed Ohoama's power over the state through his ability to host them all.  As a social function it was an important time in the political life of the court, where everyone was together, and you could find your cliques and supporters. Drinking alcohol, while being something that many enjoy for its own sake, was also a kind of religious observance.  Sake was made to be offered to the kami, as well as to be used at parties.  It was made from rice, the staple on which the agricultural success of the archipelago was based, and which held a particularly sacred place in other rituals and ceremonies. And then there was the poetry.  As would be true for much of Japanese history, poetry infused all aspects of life at the court, and being able to compose good poetry was just as important to one's social standing as reading, writing, and other such skills. There were generally two kinds of poetry practiced at the court.  There was the traditional Japanese poetry, or waka, with alternating verses of 5 or 7 syllables—more properly morae, but no need to get into that.  Then there was poetry composed in the Sinitic style.  Known as “Kanshi”, which translates directly as “Han Poetry”, this mimics the poetic forms brought over in literature from the continent.  It required a certain amount of education to be able to compose and was based on the characters, or kanji, used.  Kanshi can generally be divided into at least two categories.  There is the Kotaishi, or the Old Style Poetry, which consists of poetic form used prior to the Tang dynasty.  Then there is Kintaishi, or Modern Style Poetry, which is based on the forms from the Tang dynasty and later.  Kintaishi is usually recognized for adhering to more rules of structure and composition, usually using lines of 5 or 7 characters, while Kotaishi is more fluid and less concerned with specific rules and rhythms. Poetry was also not necessarily a solo activity.  It was common in later eras to arrange poetry competition, where the court would divide itself, much like the bureaucracy, between the Left and the Right.  Each group would compose poetry, often on a set theme, and then  put up the poems they felt were the best against those of the other side and then the entire court would listen and judge.  The only tangible reward, assuming the sovereign was not so moved as to do something extraordinary, was bragging rights.  And yet, that social capital was important among the nobles of the court.  Image was extremely important to individuals, and embarrassment could be a political death sentence.  And so many would work hard at these poems to make sure that they were the best they could be. At this point, though, we are still in the early years of many of these traditions.  The poetry that we have appears to be less formulaic than we see in later eras, when there were so many precedents to which one was expected to adhere.  Poems could be about feeling and were not required to hearken back to previous poems and poetic allusions. By the way, official events like this are also one of the ways that we get compilations of poems, later on.  These events would get transcribed and then later those poems would be referenced, particularly if they were noteworthy or by noteworthy individuals.  This kind of event may have been where a lot of the poems from works like the Man'yoshu and the Kaifusou, the earliest compilations of Waka and Kanshi, respectively.  At some point I”d love to dig into the poetry more in depth, but for the moment, I think it is best to leave it there. Now besides one's skills at poetry there were other skills that the court was interested in.  The court system that they had lifted from the continent was based, at least theoretically, on the idea of a meritocracy.  The monarch, of course, was judged to be worthy to rule through the mandate of Heaven, which often demonstrated itself early in the regime through the Emperor's forces defeating their enemies, much as Ohoama had defeated his rivals in the Afumi court.  However, for the rest of the government, the sovereign needed to make sure that he had qualified individuals.  From an early point in history, people recognized that not everyone born into power and wealth was necessarily the best person to help run things.  If you could only find those of the greatest intellect, discernment, and moral compass, then those are the ones you would want to have running things, right?  And this is fine in theory. However, determining who has those qualifications can be a bit tricky.  We talked about this back in episodes 71 and 72 when we talked about the Han dynasty more generally.  In that case, while the civil service exam was open to any person, the reality was that only those with enough wealth and leisure time could afford to study to take the test.  And so while it did open up opportunities for some, it did not truly apply equally across all classes of people.  And this was likely fine with most of the ruling class at the time, since there were also still theories that there were different classes of people, and it simply reinforced their ideas that those in the lower classes just didn't have the same capabilities that they had.  In the Yamato court early in Ohoama's reign it isn't clear to me exactly how individuals were being chosen for service.  We know that rank was handed out as a reward for service, varying with the individual.  Ohoama handed out rank at the end of 672 to those who had helped him to come to power, and then, on the 29th day of the 2nd month of 673, just two days after he formally ascended the throne, we are told that he conferred cap-rank on those who had performed good service, each according to their situation. Of course, that is about how promotions were rewarded.  But what about how people entered into service in the first place?  How did you get introduced to a job in the bureaucracy in the first place?  Well for that we have Ohoama's pronouncement on the first day of the fifth month.  He addressed the court and set it up as follows: First, anyone who would take a government position would begin their career as an “ohotoneri”.  These were low level functionaries who supported the various bureaus as guards, messengers, and whatever else was needed.  Previously, this all would have fallen under the general term of “toneri”, who were those members of the nobility who had been sent to serve in the royal palace.  Aston translates this as a “chamberlain”, and thus equates oho-toneri—literally “great toneri”—as “high chamberlain”, though I'm not sure if that was actually the distinction or not.  It looks like the term “toneri” itself may pre-date the Ritsuryo system, but now was being more standardized, with expanded categories of “toneri” within the system itself.  Interestingly, there is only one other example I could find of Ohotoneri before the reign of Ohoama and that was in the account of Waketakeru no Ohokimi, aka Yuryaku Tennou, which makes me think that might be an anachronism.  We definitely see “toneri” used since just before that reign and continuously onward, and we see them in regards to not just the royal house, but as the functionaries and servants in various places and for other aristocratic families, but the “ohotoneri” seem to have been specifically connected to the royal family… and thus the state. Ohotoneri, despite being quote-unquote “great” toneri, were at the relative bottom of the hierarchy.  They were the night shift, the guards, the messengers, and the general go-fers.  They were essentially paid interns.  As they did their tasks, they were learning about how the various offices and ministries worked, and they were demonstrating their own aptitude.  Based on how they did, they would then be assigned to various offices as seemed most suitable. There were also offices that were staffed by women.  Though separate and distinct, women also had a role in the palace and thus the maintenance of the court and the state.   They were to be selected for service regardless of their age or even whether they were married or not, but they fell under a separate set of rules from the men, because, well, patriarchy. So that's what happened when people were selected to serve, but who was selected?  The chronicles don't say explicitly until a decree about three years later in the 4th month of 676, when it was decreed that all those from provinces outside of the Home Provinces could enter the service of the sovereign, no matter their family's rank, whether Omi, Muraji, Tomo no Miyatsuko, or Kuni no Miyatsuko.  They would also allow men of quote-unquote “distinguished ability” enter service, even though they were commoners. From that we can surmise that when they are talking about “all” people really they are talking about “all” the nobility—the only people for whom the Nihon Shoki was really intended, if you think about it.  Thus, logically it would seem that prior to this only members of the nobility were allowed to enter government service—but there is even more.  Because before this pronouncement in 676, only people in the Home Provinces were theoretically allowed to enter government service. The Home Provinces, or Kinai, are traditionally the five provinces of Yamato, Kawachi, Izumi, Yamashiro, and Settsu.  At this point, though, Izumi was still a part of Kawachi, so it would have just been the four.  These provinces were likely the first lands to really come under Yamato's direct control, and as such they all held a certain pride of place.  This is also where we assume that the powerful families of Yamato had their strongholds.  Certainly the Soga, the Mononobe, and the Ohotomo all had claim to traditional land in and around this region.  When the court had moved to Ohotsu it would have been the first time in many years that the capital was moved out of the Home Provinces, which was probably a large part of the dissent expressed at the time.  How would you like it if your job up and moved two states away and forced you to relocate with them, likely at your own expense? In 676, though, the court decreed that it would no longer restrict itself to noble families of the Home Provinces, but instead would open up service, and the lucrative stipends that came with it, to members of the nobility in the rest of the archipelago. This seems particularly intriguing given the two swords we have from the time of Waketakeru no Ohokimi, aka Yuryua Tennou, in the 5th century, where elites had served—or at least claimed to serve—at his court.  It is possible that during his day the influence of Yamato was more expansive, and that influence contracted after him. Or it could be that it was a different type of service that they had provided. And then there is the comment in Ohoama's decree that the court would also allow men of “distinguished ability” to also enter service, even if they were commoners.  How very progressive.  This seems clearly designed to suggest the meritocratic system that was the ideal, even if it was only truly observed in the breach. I can't help but think about how this symbolizes the court's expanded control across the archipelago, and the idea that all of the archipelago was truly under their control.  It also meant that they had opened up the candidate pool to a wider audience.  Does that mean that they were growing the size of the government, too?  I also can't help but wonder how the old guard took this—the traditional families from the Home Provinces who suddenly found themselves competing with people from the periphery.  Did they see them as equals, or the equivalent of upstart country bumpkins?  And let's not even get started on anyone who joined government service as a Commoner. On the other hand, I suspect these new functionaries would have owed their position even more directly to the sovereign and the court, and they might not have strong familial ties to the local area.  This is all just theory, but seems to follow with Ohoama's general efforts at centralization and accretion of power and authority to himself whilst further building out the structure that his brother, Naka no Ohoye, had set up.  Along those lines, at the same time that the sovereign opened up membership in the court to those outside of the Kinai region, he also meddled with the incomes of the various Princes and Ministers.  He insisted that those Princes and Ministers who were receiving taxes from fiefs in the West—by which I assume is meant western Honshu, Shikoku, and Kyushu—they should instead get their income from fiefs in the East.  So he was taking away the western fiefs and instead swapping them with eastern fiefs.  Those western taxes could then, presumably, come straight into the government coffers, and the princes and ministers would be connected with land in the east, which I suspect meant they would be expected to invest in those fiefs and encourage them to produce. This feels like it goes along with something from two years earlier, in 675, the third year of Ohoama's reign.  In the second month of that year he abolished the serfs granted to the various Uji back in 664, and he abolished any claims by Princes—Royal or otherwise—as well as Ministers and Temples to any mountains, marshes, islands, bays, woods, plains, and artificial ponds.  It seems clear that he claimed the right of eminent domain to himself and the state.  By extension, all land effectively belonged to Ohoama, and everyone else became, de facto, his tenants.  They paid taxes up to him, and he had the right to grant or take away the land as he saw fit. I can't imagine that went over well with those who had lost their rights to those lands, but either he compensated in them in some other way or his power had grown such that they didn't dare to oppose him.  Certainly not everyone was happy. In 677, Saita no Fubito no Nagura was banished to the island of Izu for apparently scoffing—or otherwise disrespecting—Ohoama.  Well, it says his vehicle, but Aston notes that this is probably just a polite euphemism for the sovereign himself. But that rebuke seems to have been pretty light compared to two years earlier when a man—we aren't even given his name, assuming it was known, hiked up the hill east of the palace, cursed Ohoama, and then cut his own throat.  How it was known that he had been cursing anyone isn't explained—though perhaps he had written it down or otherwise communicated his intentions.  Either way, it was certainly a rebuke. But if it phased Ohoama, we can't tell.  He did give those on duty that night a step in rank, presumably for the trauma they had experienced in dealing with everything. Possibly related—we are told that same month there was a great earthquake.  So was that thought to be the curse being fulfilled?  There is nothing to connect them except that the one immediately follows the other. And yet, Ohoama would continue to rule as he saw fit.  In fact, he would rule roughly 14 years, in total, right up to his death in 686.  A rather substantial reign compared to so many other sovereigns.  And he would continue to make his mark. Next episode we will continue our journey through the reign of Ohoama, aka Temmu Tenno. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

durée : 00:05:42 - Le Grand Reportage - par : Aurélie Kieffer - À Rennes, le bâtiment le plus visité aux Journées européennes du patrimoine est l'ex-maison d'arrêt Jacques-Cartier. C'est sur place, au contact de celles et ceux qui avaient vécu la prison de l'intérieur que les historiennes Gaïd Andro et Fanny Le Bonhomme ont conçu une recherche participative. - réalisation : Alison Vicrobeck

In this week’s episode, Dr. Jared Bumpers is joined by Dr. Geoff Chang as they discuss “The Spirituality of Charles Spurgeon.” Dr. Chang serves as Associate Professor of Church History The post The Spirituality of Charles Spurgeon appeared first on Preaching and Preachers Institute.

Dans l'épisode du jour, les Pachas réagissent à vos problèmes : tromperies, trahisons, changement de vie, études... Vous nous avez choqués et ça a donné lieu à quelques débats !

Howard “Quiggly” Chang—lead designer behind original TMNT toys and now creator of Ancientz—brings both design lore and a new faith-based creative vision! Listen in as Dave talks to Quiggly about his amazing journey! Find Ancientz online: Kickstarter page: https://www.kickstarter.com/projects/ancientz/ancientz Website: www.ancientz.com IG: @ancientz_official FB: facebook.com/ancientz.official "Procrastibate" by LeSexoflex.com Social Media: Needless Things on Instagram Needless Things on Bluesky

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC !

Merci à Michel !Pour écouter son premier épisode en 2022 → Michel : comment gérer l'élévation sociale (et l'argent qui va avec)À découvrir :

Gina Chang, AIA, EDAC, is a Principal at CO Architects, based in Los Angeles. A healthcare architect and medical planner who has successfully led large teams through ambitious project goals for more than 20 years, Gina believes that a deep understanding of the client's mission and culture is the key for successful healthcare facilities. She is an advocate for evidence-based design and biophilic design, and sees each project as an opportunity to create a unique environment for healing and wellness. Gina joined CO Architects in 2007 as a medical planner and project coordinator for the Palomar Medical Center project. She holds a Bachelor of Arts in Architecture from the University of California, Berkeley, and is EDAC certified. https://coarchitects.com/ https://www.linkedin.com/company/co-architects/ https://www.instagram.com/coarchitects/ https://www.facebook.com/COArchitects https://x.com/COArchitectsLA

What's the level of autism awareness in Ecuador? Our Global Autism Project partner from Ecuador, Mafer Chang, talks about how World Autism Awareness Day events in Ecuador have evolved to include more community participation and how she and her team keep parents engaged in services at Centro Enigma.  Welcome to Autism Tips & Tools, where we highlight the best practical guidance from previous episodes of Autism Knows No Borders. Whether you're a self-advocate, a family member, or a service provider, there's something here for you! This conversation with Mafer Chang was originally released on May 27, 2020. Would you like to hear more about Mafer and the work she does in Ecuador? Click the link below for the full conversation and be sure to subscribe to hear more from people connected to autism inspiring change and building community.  Parent Engagement in Ecuador, with Mafer Chang   Let's work together to transform how the world relates to autism. ----more---- We appreciate your time. If you enjoy this podcast and you'd like to support our mission, please take just a few seconds to share it with one person who you think will find value in it too. Follow us on Instagram: @autismpodcast Join our community on Mighty Networks: Global Autism Community Subscribe to our YouTube channel: Global Autism Project We would love to hear your feedback about the show. Please fill out this short survey to let us know your thoughts: Listener Survey

Water Mirror Echo is Dr. Jeff Chang's ambitous and deeply empathetic cultural biography of Bruce Lee that goes beyond myth, revealing the man behind the legend while tracing how Lee's life helped shape the emergence of Asian America. Chang's storytelling deftly intertwines Lee's personal narrative with broader social currents--highlighting Asian American student activism, racial solidarity, and cultural resistance. By drawing from in-depth interviews, newly released personal papaers, and rare family photographs, Chang is able to pierce the iconography and reveal Lee's complexity--his vulnerabilities, perseverance, and influence. And by humanizing Lee, Chang reframes him as a creator of cultural identity, not just an action hero. Chang delivers more than a portrait of Bruce Lee--he offers a meditation on identity, visibility, and the shaping of Asian American culture. Lee's life becomes a lens to explore how individuals and symbols can birth movements, challenge stereotypes, and redefine belonging. His book will be available for purchase on September 23, 2025.

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In this episode, Lisa welcomes back China expert Gordon Chang about Beijing’s massive military parade marking the 80th anniversary of the Chinese military. They discuss the alliance between China, Russia, and North Korea, and the parade’s message of strength. Chang exposes internal weaknesses within the Chinese military and leadership, warning that the U.S. must recognize China as an existential threat. The conversation highlights the need for a tougher American stance against Chinese aggression and the importance of strong alliances, especially as the Biden administration appears to underestimate the dangers posed by this authoritarian bloc. The Truth with Lisa Boothe is part of the Clay Travis & Buck Sexton Podcast Network - new episodes debut every Tuesday & Thursday. Follow Gordon on XSee omnystudio.com/listener for privacy information.

In this episode of the Be the Bridge Podcast, host Latasha Morrison engages with guests Kara Powell and Raymond Chang to discuss the book they co-authored with Jake Mulder, The Future-Focused Church. They explore the challenges facing the church today, particularly regarding youth engagement and diversity. The conversation emphasizes the need for churches to adapt and change, focusing on relational discipleship, modeling diversity, and loving neighbors. Ray and Kara share insights from their in-depth research and the work of Tenx10. This is a helpful discussion especially for those in church leadership but also for anyone who needs to feel hopeful about the church.Join in the conversation on our social media pages on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to let us know your thoughts on this episode!Executive Producer - Latasha MorrisonProducer  - Sarah ConnatserLinks:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a Donor of Be the Bridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Purchase The Future-Focused Church⁠⁠Learn More about Tenx10Learn More about the Asian American Christian CollaborativeConnect with Be the Bridge:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BTB YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the online community BTB Connect⁠⁠⁠⁠⁠⁠⁠⁠Connect with Raymond Chang:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠Website⁠⁠⁠⁠⁠⁠Connect with Kara Powell:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WebsiteConnect with Latasha Morrison:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Not all views expressed in this interview reflect the values and beliefs of Latasha Morrison or the Be the Bridge organization.

Tune in here to this Thursday's edition of the Brett Winterble Show! We’re joined by Gordon G. Chang, renowned author and foreign policy expert, to talk about the recent summit involving China, Russia, Iran, and North Korea, and its broader implications for global stability and U.S. foreign policy. Chang explains that China’s projection of strength is, in fact, a sign of weakness, referencing Sun Tzu’s strategy of appearing strong when vulnerable. He also highlights the deepening alliance between authoritarian regimes and the strategic positioning of nations like India, which showed hesitancy to fully align with anti-Western narratives. Chang warns about the dangerous missile cooperation between Iran and North Korea and raises serious concerns about China's ongoing practice of forced organ harvesting. He criticizes both the lack of U.S. response and the media’s overly sympathetic coverage of the summit, calling it a disservice to the American public. The conversation underscores the urgent need for a more informed, assertive U.S. stance on rising global threats. Listen here for all of this and more on The Brett Winterble Show! For more from Brett Winterble check out his YouTube channel. See omnystudio.com/listener for privacy information.

Tune in here to this Thursday's edition of the Brett Winterble Show! Brett kicks off the program by talking about serious commentary on RFK Jr.'s testimony before Congress, which he watched in full. Brett criticizes the conduct of several Democratic lawmakers during the hearing, describing their approach as combative and unproductive, with little interest in genuine dialogue. He expresses concern over what he sees as a troubling alliance between elected officials and pharmaceutical companies, suggesting that the hearing was more about protecting industry interests than pursuing public health reform. Citing the number of vaccinations children receive throughout their school years, he raises questions about medical transparency and informed consent. Brett concludes by urging listeners to pay attention to how power operates in Washington and to remain engaged in demanding accountability and meaningful reform from their elected leaders. We’re joined by Gordon G. Chang, renowned author and foreign policy expert, to talk about the recent summit involving China, Russia, Iran, and North Korea, and its broader implications for global stability and U.S. foreign policy. Chang explains that China’s projection of strength is, in fact, a sign of weakness, referencing Sun Tzu’s strategy of appearing strong when vulnerable. He also highlights the deepening alliance between authoritarian regimes and the strategic positioning of nations like India, which showed hesitancy to fully align with anti-Western narratives. Chang warns about the dangerous missile cooperation between Iran and North Korea and raises serious concerns about China's ongoing practice of forced organ harvesting. He criticizes both the lack of U.S. response and the media’s overly sympathetic coverage of the summit, calling it a disservice to the American public. The conversation underscores the urgent need for a more informed, assertive U.S. stance on rising global threats. Listen here for all of this and more on The Brett Winterble Show! For more from Brett Winterble check out his YouTube channel. See omnystudio.com/listener for privacy information.

Steve is joined by Gordon G. Chang, author of Plan Red: China's Project to Destroy America, The Coming Collapse of China, and China Is Going To War. They break down President Trump's bold trade pivot, welcoming 600,000 Chinese students into the U.S. education system even as tensions with Beijing remain high. While critics are in an uproar, Trump's strategy is sparking a major debate: Is this a smart move to outmaneuver China, or a dangerous opening for espionage and influence? Chang lays out the risks, the opportunities, and the hard truths about China's long-term project to undermine America.