Podcasts about Chang

Sid speaks with China expert Gordon Chang about the growing conflict with Iran and why the real long-term strategy may be aimed at China. Chang explains how Iran has acted as a proxy for Chinese interests, why Beijing has stayed quiet during the conflict, and why he believes China's military and leadership are weaker than many assume. The conversation also touches on Russia's limitations, the global oil market, and what President Trump's broader foreign policy strategy could mean for America and its allies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cet animal, c'est le renard qu'on appelait goupil jusqu'au XIIe siècle. "Goupil" que l'on disait "gulpil" au Moyen Âge, est une évolution de "vulpes", terme latin pour désigner justement un renard. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'atelier des médias reçoit l'historien Guillaume Pinson pour explorer la « révolution anthropologique » du journal papier, de son triomphe au XIXe siècle à sa disparition progressive face au numérique. Dans L'adieu au journal (CNRS éditions, 2026), cet universitaire québécois raconte comment l'ère médiatique, qui a précédé l'ère numérique, a radicalement changé nos émotions, nos sensibilités sonores et notre rapport au temps. L'ouvrage s'articule autour de quatre mouvements. Le premier explore les émotions. Pour Guillaume Pinson, la presse papier n'a pas seulement apporté de l'information, elle a agi comme le « premier système affectif de masse ». En lisant quotidiennement les mêmes nouvelles, « l'humanité a appris à ressentir le monde de manière synchronisée ». Ce « désir de connexion » de 1850 a tout d'un ancêtre direct de notre addiction aux notifications. Quand le papier faisait du bruit Le deuxième mouvement est plus surprenant : le journal était une « machine sonore ». Avant le gramophone, il était la « machine à enregistrer les sons la plus performante ». Par l'invention de l'interview (la parole vive) ou la publication de partitions musicales, le journal « sonorisait » le réel. Guillaume Pinson évoque ainsi le rôle des crieurs de rue qui « chantaient les titres en occupant l'espace sonore urbain ». Un empire de papier francophone L'auteur décrit ensuite un « empire de papier » francophone mondial. Au XIXe siècle, le français était la langue du luxe et de la diplomatie. « La dimension médiatique du territoire francophone s'étirait presque à l'infini », de Shanghai à Rio. Ce réseau fonctionnait déjà par un système de « copier-coller », créant une véritable toile mondiale bien avant l'avènement d'Internet. La fin de la respiration temporelle La rupture la plus vive concerne notre rapport au temps. Le journal imposait des pauses, un rythme marqué par le fameux « À suivre » des romans feuilletons. Selon Guillaume Pinson, « nous avons perdu un certain rapport à cette respiration temporelle un peu forcée que nous imposait le journal ». L'historien n'oublie pas la face sombre de cette industrie, rappelant le sort de ces enfants qui distribuaient le journal pour un maigre revenu. Et que l'on peut mettre en parallèle avec les enfants qui au XXIe siècle travaillent dans des mines pour extraire les métaux qui permettent de fabriquer nos appareils électroniques.

On Wednesday's Mark Levin Show, no more fan dancing around with Iran. They have no intention of honoring agreements and is reconstituting its nuclear program with help from allies like China, Russia, and North Korea.  There is overwhelming U.S. military superiority in the region. This is not about endless wars or interventionism but confronting a clear, existential threat. Leaving this weakened regime in place betrays future generations, as it will never abandon its nuclear ambitions aimed at America. Enough is enough—it is time to act decisively. The moment is now. Also, President Trump's State of the Union speech was suburb. He hit a lot of core, important topics for Americans. Democrats refused to stand when Trump asked – do you stand with Americans or illegal aliens? Later, Democrats are accusing Trump of trying to rig the election. How? Because he wants voter ID? Because he wants clean voter rolls? Afterward, Biden's FBI subpoenaed the phone records of Kash Patel and Susie Wiles in 2022 and 2023, when both were private citizens, as part of Special Counsel Jack Smith phony investigation into Trump.  This is outrageous and alarming. Finally, Gordon Chang calls in and discusses China's supply of advanced weaponry to Iran, including hypersonic anti-ship cruise missiles, advanced radars, integrated command systems, and anti-air missiles. He warns that these capabilities, particularly the untested hypersonic missiles, pose a grave threat to U.S. naval forces in the region currently deployed off Iran. Chang argues that the U.S. must strike and remove the Iranian regime quickly—before these missiles are fully deployed—to avoid potentially catastrophic losses. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Will Lisa & Eddie find love the second time around? Mo from Mo's Tropical Warehouse & Cafe in St. Paul joins us for our Restaurant Rescue Week daily feature See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Francesca Chang is a lawyer, former travel blogger, and entrepreneur who sued the U.S. Department of Education to discharge nearly $260,000 in student loan debt. In this episode, Francesca shares what it was like to declare bankruptcy, represent herself pro se, and fight for relief in a system with a historic 0.1 percent success rate.Lawyer Side HustlesBefore pursuing bankruptcy relief, Francesca built multiple careers outside traditional practice. From legal marketing to entrepreneurship to travel blogging in Taiwan, she consistently followed alignment over expectation.“Don't let the debt keep you strapped to something you don't want to do,” Francesca Chang expresses in Episode 233 of You Are a Lawyer.Her journey reflects the broader YAAL theme that a law degree is a tool, not a cage. Whether building businesses abroad or litigating pro se against the Department of Education, Francesca's path demonstrates that lawyers can redefine success on their own terms.This episode is produced by Skip the Boring Stuff, a podcast strategy company for business owners and creatives.

À l'approche des municipales 2026, les collectivités entrent dans un nouveau cycle politique et organisationnel. Avec le sociologue Jérôme Grolleau, cette série en quatre épisodes décrypte ce qui est réellement en train de changer pour les élus, les cadres et les administrations territoriales.Depuis plusieurs années, le profil des élus locaux évolue. Culture issue de l'entreprise, attentes accrues en matière de performance et de rapidité : ce premier épisode analyse le basculement en cours et ce qu'il annonce pour le prochain mandat.Lire la présentation complète de l'épisode sur www.fonctionpubliquemonamour.fr/0308Fonction Publique Mon Amour est un média indépendant créé par Linda Comito.Il explore les mutations du travail public, le management, l'engagement et les valeurs qui font vivre nos institutions.Suivre Fonction Publique Mon Amour sur LinkedIn : www.linkedin.com/company/fonction-publique-mon-amour/Suivre Fonction Publique Mon Amour sur Instagram : www.instagram.com/fpmapodcast/Jérôme Grolleau est sociologue consultant indépendant. Il travaille depuis de nombreuses années auprès des entreprises publiques et des collectivités territoriales, notamment dans le cadre d'études consacrées aux évolutions du travail, du management et des organisations publiques locales.#fonctionpublique #podcast #fpmapodcast #servicepublic #managementpublic #valeurspubliquesHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send a textWhen you think about masculinity and vulnerability, you may not think they work together, but they do! And in this episode of Dem Bois Podcast, denim chang tells us how. He also shares personal experiences with conventional femininity, healing from toxic patterns, and the role of spirituality in healing processes. Together we discuss the importance of community care, the significance of names and pronouns, and the journey of gender identity and transition. We talk:Chapters05:56 - The significance of names and pronouns18:04 - The role of spirituality in healing35:35 - Embracing vertical alignment and masculinity43:44 - Creating a space for learning and growth47:22 - The journey of self-discovery55:59 - Visibility equals possibilityEpisode References:bell hooks Ep. 106 - Extracting Closure From a Past Situation with Shawn AaronAudre Lorde: Uses of the Erotic: The Erotic as Power@tboyskr1pclubRead more about denim in his bio below:denim {d} chang is a somatic trauma resolution practitioner and erotic power enthusiast. In his work, he bridges body-based intelligence, the ancestral wisdom of his taoist lineage, and his love for relationship anarchy to support our healing work in feeling more vulnerability, intimacy and belonging. He is the creator of Somatics for the People, an emerging school for liberatory embodiment and identifies as a transmasculine nonbinary immigrant and survivor on the autism spectrum, and a love and sex addict in recovery. When not avoiding his writing practice, he's in muay thai or at the drums.d-chang.comIG - huesofdenimsomaticsforthepeople.com Celebrate 10 years of Dem Bois Inc.! 2026 marks ten years of Dem Bois Inc. To honor this milestone, we invite you to join our 10 for 10 campaign by giving $10 a month to help sustain the care, leadership, and visibility that trans men of color deserve. Your support helps build a future rooted in care, visibility, and possibility. Donate today! Donate today to support Transmasc Gender Affirming Grants and Community Wellness Packages for Trans Men of Color! The Visibility = Possibility™️ Merch is here! - Not just merch, but a movement! Dem Bois Community Voices Facebook Group is a safe, moderated sanctuary where trans men of color can connect authentically, discuss podcast episodes, share powerful experiences, and build support networks. Dem Bois YouTube Channel! - @demboisinc - Exclusive content you won't find anywhere else!

Ufanks Februar hat den Espace_Cultures vun der Uni Lëtzebuerg en neie Konferenzzyklus lancéiert, an zwar ënner dem Titel TASTE, als Ofkierung fir “Transforming through art, science, technology”. Elo geet en, am Casino Lëtzebuerg an déi zweet Ronn. Diskussiounssujet ass “On bodies and practices”, an zwar ënner anerem mat der Kënschtlerin Justine Blau. Vu datt den éischten Debat e grousse Succès war, wollt d'Kerstin Thalau Iech nach ee vun de Participante virstellen: de Filips Stanislavskis vum Design-a-Konscht-Kollektiv Nonhuman Nonsense.

Jung Chang's memoir Wild Swans, published in 1991, told the story of three generations of women in her family as they survived upheaval in 20th-century China. Now, Chang picks up her family's story in Fly, Wild Swans, which she was moved to write as her mother's health failed. In today's episode, Chang talks with Here & Now's Scott Tong about her inability to return to China, the biography of Mao she co-authored with her husband, and the Xi era.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In Episode 41, the guys chat with friend of the show, Paul Chang. Paul's journey in the game of golf is quite remarkable and has led him to the #1 team in NCAA Division I Men's Golf and to being a Top 40 ranked amateur in the world. Through determination, hard work and grit, Paul is an inspiration and we hope this conversation will reveal the same thing to you.

durée : 00:14:44 - Journal de 8 h - Quatre ans après l'invasion russe en Ukraine, le conflit a fait des centaines de milliers de morts et les soldats sont toujours sur le front. Il s'agit du conflit le plus sanglant en Europe depuis la fin de la Seconde Guerre mondiale.

La elección del próximo rector de la USAC entra en su fase más tensa: votaciones estudiantiles históricas, planillas que arrasan en algunas facultades y una serie de maniobras que ponen en duda la transparencia del proceso.En este episodio de Tan Gente, Daniel Haering conversa con Rodolfo Chan sobre lo que realmente está pasando dentro de la universidad: la participación masiva de estudiantes, las trampas para bloquear elecciones, la estrategia detrás de las segundas vueltas y el pulso político que definirá quién controla la San Carlos.También hablamos de algo más personal y político a la vez: la criminalización de autoridades universitarias, los días en prisión y cómo el miedo se convirtió en herramienta para disciplinar voces críticas dentro de la academia.Un episodio para entender por qué la elección de la USAC no es solo un proceso universitario, sino una disputa clave por el futuro institucional del país.

durée : 00:14:44 - Journal de 8 h - Quatre ans après l'invasion russe en Ukraine, le conflit a fait des centaines de milliers de morts et les soldats sont toujours sur le front. Il s'agit du conflit le plus sanglant en Europe depuis la fin de la Seconde Guerre mondiale.

durée : 00:14:44 - Journal de 8 h - Quatre ans après l'invasion russe en Ukraine, le conflit a fait des centaines de milliers de morts et les soldats sont toujours sur le front. Il s'agit du conflit le plus sanglant en Europe depuis la fin de la Seconde Guerre mondiale.

À New York, autre chantier : face à un Detroit accrocheur et sans complexe qui occupe le trône de la conférence Est, que doivent ajuster les Knicks pour reprendre le contrôle et battre à nouveau les Pistons dans une probable confrontation en Playoffs cette année ?Avec Chris Singleton et Baptiste Denis.Jacques Monclar, Rémi Reverchon, Mary Patrux, Xavier Vaution, Fred Weis et Chris Singleton décryptent l'actualité de la NBA dans le Podcast NBA Extra, présenté par Nicolas Sarnak et Baptiste Denis.En complément de l'émission lancée en 2012, beIN SPORTS a créé, avec ce podcast, un nouveau format pour revenir en profondeur sur la ligue nord-américaine de basketball. Chaque semaine, les membres de l'émission débattent autour de trois thèmes majeurs, qui font l'actualité de la NBA.Un podcast à retrouver aussi sur Youtube : https://tinyurl.com/y4sabkns Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Elles ne pensaient pas toutes être la cible. Bien que certaines ont traversé des tempêtes, d'autres allaient très bien. Mais une chose les rassemble : ce livre a changé quelque chose dans leur vie. Dans cet épisode spécial, je vous laisse entendre leurs voix, soit la voix de celles qui ont lu Avancer sans s'épuiser. Ce ne sont pas des citations écrites, ni des extraits choisis. Ce sont leurs vrais mots, leurs prises de conscience ainsi que leurs déclics. Vous découvrirez également que ce livre ne parle pas seulement de burnout. Au contraire. Il parle d'alignement, de vision, de permission et de performance. Il parle à celles qui avancent vite… et qui veulent continuer à avancer sans s'éteindre. Peut-être que vous l'avez déjà lu, et que ces témoignages vous donneront envie d'y revenir, différemment, selon la saison où vous êtes. Ou peut-être que vous hésitez encore, en croyant que ce message n'est peut-être pas pour vous. Peu importe où vous vous trouvez, je suis persuadée que ces voix ont quelque chose à vous apprendre. Un livre, c'est discret et ça ne fait pas de bruit… mais parfois, ça change une trajectoire entière. Bonne écoute ! Un merci tout spécial à ces magnifiques voix : Elise, Emily, Marianne, Joane, Karine, Marie, Monick et Sasha. >> Le résumé de cet épisode se trouve ici.   LIENS ET RESSOURCES PARTAGÉS DANS CET ÉPISODE Livre : Avancer sans s'épuiser  RESTONS EN CONTACT Infolettre éducative Instagram Facebook YouTube Pinterest TikTok

J'ai longtemps sous-estimé l'impact de mon lieu de vie sur ma santé mentale. Dans cet épisode, je vous raconte ma pire expérience d'appartement : un endroit qui, sans que je m'en rende compte, nourrissait ma fatigue, mon anxiété et ma charge mentale de jeune maman. On parle souvent de développement personnel, d'alimentation, de routines… mais beaucoup moins de l'espace dans lequel on vit chaque jour. Et pourtant notre lieu de vie influence notre énergie, notre clarté mentale, notre sommeil et même notre capacité à réussir. Je vous partage les 10 astuces concrètes qui ont transformé ma façon d'habiter.Si vous aimez l'épisode, partagez-le avec vos amis ou sur vos réseaux sociaux, laissez un commentaire sur Apple Podcast pour me donner de la force et me permettre de continuer. Un grand merci d'avance !

Vous aimez notre peau de caste ? Soutenez-nous ! https://www.lenouvelespritpublic.fr/abonnementUne émission de Philippe Meyer, enregistrée au studio l'Arrière-boutique le 20 février 2026.Avec cette semaine :Jean-Louis Bourlanges, essayiste, ancien président de la Commission des Affaires étrangères de l'Assemblée nationale.Matthias Fekl, avocat et ancien ministre de l'Intérieur.Antoine Foucher, président de la société de conseil Quintet, spécialiste des questions sociales.Nicole Gnesotto, vice-présidente de l'Institut Jacques Delors.APRÈS MUNICH, PEUT-ON DIRE QUE LA DOCTRINE INTERNATIONALE DE TRUMP A CHANGÉ ?Du 13 au 15 février, le gotha des chefs d'État, généraux et chefs des services de renseignement s'est retrouvé lors de la 62ème conférence de Munich sur la sécurité qui se tient tous les ans dans la ville allemande au mois de février. Un an après le discours agressif vis-à-vis de l'Europe du vice-président JD Vance, les États-Unis ont envoyé à Munich des figures jugées plus modérées : le secrétaire d'État Marco Rubio et le sous-secrétaire à la Défense Eldridge Colby. Récemment, en présentant sa nouvelle Stratégie de sécurité nationale, le président américain s'était livré à une attaque en règle contre les Européens, menacés selon lui d'un « effacement civilisationnel ».Dans la première partie de son discours, prononcé le 14 février, Marco Rubio a d'abord « rassuré », en affirmant la permanence d'un lien transatlantique façonné par l'histoire et l'héritage culturel. Le chef de la diplomatie américaine a préféré citer la bière allemande, Beethoven et les Beatles plutôt que les Lumières, mais il a dit ce que cette assemblée voulait entendre : « La fin de l'ère transatlantique n'est ni notre but ni notre souhait. Nous serons toujours des enfants de l'Europe. »Puis, dans une seconde partie Marco Rubio a repris les thèmes de l'idéologie MAGA (« Make America Great Again »). Tout en prônant la revitalisation du lien avec une Europe « forte », le secrétaire d'État américain n'a pas changé de cap sur la menace qui, selon son administration, plane sur l'Occident. Les États-Unis sont « prêts, si nécessaire, à agir seuls », mais « nous préférons et espérons agir avec vous, nos amis ici en Europe », a-t-il assuré. Reflet de l'idéologie MAGA, Marco Rubio a énuméré les maux qui selon Washington accablent l'Europe : l'« immigration de masse » qui « déstabilise les sociétés », la « désindustrialisation », le développement intempestif de « l'État providence » et le « culte du climat ». Il a invité les Européens à s'associer aux efforts de M. Trump de redressement de « la civilisation occidentale » et prononcé un éloge marqué de la chrétienté. Par ailleurs, le responsable américain a réitéré la position de l'administration Trump selon laquelle l'ONU n'a joué « pratiquement aucun rôle » dans la résolution des conflits et a appelé à une réforme des institutions mondiales.Pour la presse allemande et française, le message de Marco Rubio ne différait pas tellement de celui du vice-président J. D. Vance. Si le ton était plus courtois, le fond du discours des responsables américains en revanche n'a guère changé. D'ailleurs, après Munich, Marco Rubio est allé soutenir des partenaires plus réceptifs à l'idéologie MAGA et plus rétifs aux valeurs européennes, en Slovaquie puis en Hongrie.DÉCLASSEMENT ÉCONOMIQUE FRANÇAIS : RÉALITÉ, PERCEPTION, PERSPECTIVESPour la troisième année consécutive, selon l'Insee, le PIB par habitant de la France se situe en dessous de la moyenne de l'Union européenne, consacrant un déclassement économique progressif mais désormais tangible. La France se situe au 34ème rang mondial et est désormais inférieure de 7 % à la moyenne européenne. Elle est notamment en retrait de 25 % par rapport à celle du Danemark, de 20 % par rapport à celle de la Suède, de 15 % par rapport à celle de l'Allemagne, de 0,5 % par rapport à celle de l'Italie. Par ailleurs, l'écart favorable vis-à-vis de la Pologne a été réduit de 60 % à 20 % depuis 2000. En clair, le niveau de vie des Français est bien inférieur à celui des Irlandais, des Allemands, des Belges et à peine supérieur à celui des Italiens, des Tchèques ou des Slovènes.Des données qui corroborent le dernier sondage Ipsos-BVA sur les « Fractures françaises » publié en octobre dans lequel 90 % des personnes interrogées ont le sentiment que le pays est en déclin, 32 % estimant même que celui-ci est irréversible. Dans le sondage Odoxa pour Challenges-Agipi-BFM Business du 8 janvier, 82 % des Français se montrent « défiants » sur la situation économique du pays. Avec de tels résultats, « la peur du déclassement atteint un niveau record », note Odoxa. 6 Français sur 10 estiment que leur situation sociale est pire que celles de leurs parents et 70% des 1.005 sondés parient que leurs enfants vivront moins bien qu'eux. C'est 3 points de plus qu'il y a un an et 22 de plus qu'il y a 30 ans. Ces résultats rejoignent les dernières enquêtes de conjoncture de l'Insee, selon lesquelles 64 % des Français ont une vue négative de l'avenir économique du pays. Il y a quelques années, ils n'étaient « que » 38 %. Cependant, l'enquête de l'Insee révélait mi-décembre que 74 % de ces sondés jugent que leur situation personnelle s'améliorera ou se stabilisera. Un niveau qui n'a pas changé au fil des ans.Dans un document publié le 6 janvier, les économistes de BNP Paribas estiment que le PIB pourrait progresser de 1,1 % sur l'année 2026. Sur le plan intérieur, la faiblesse de l'inflation pourrait soutenir le pouvoir d'achat et la consommation. « Une croissance résiliente mais pas suffisante », juge le gouverneur de la Banque de France, François Villeroy de Galhau. Notre taux de chômage reste plus élevé que celui atteint en moyenne dans l'Union européenne (6 %), avec des taux d'emploi préoccupants pour les jeunes et les seniors. L'emploi devrait progresser très faiblement, et le chômage remonter à 7,8 % à la mi-2026. Cette année encore, la grande incertitude concerne le comportement des ménages. S'il n'y a pas un redémarrage de la consommation, qui représente plus de la moitié du PIB, il sera difficile de trouver une dynamique. Pour l'heure, les ménages n'ont toujours pas puisé dans leur épargne qui se maintient à un niveau historiquement élevé (18,4 % du revenu disponible au troisième trimestre 2025).Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.frHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This recomposition begins from a deep interest and curiosity towards the material life of the archival recording itself. The source comes from the sound collections of the Pitt Rivers Museum: wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang, and Sangtam) songs recorded between 1915 and 1919 by administrator and anthropologist John Hutton. Rather than treating the recording of a polyphonic song as a transparent document of the past, I approached it as a dense and opaque sonic field — one in which voice, noise, damage, and time are inseparably entangled.My primary impulse was to draw sound from within the crackles itself. The surface noise of the wax cylinder — its dense abrasions, hiss, fizz, and granular distortions — became a site of listening rather than an obstruction to clarity. Using filtering, time-stretching, modulation, reverberation, and layering, I created a series of tracks foregrounding the submerged voices and textures, amplifying tonalities already present within the recording rather than introducing external material. The duration of the piece remains close to the original, but the sound is folded back onto itself, allowing latent frequencies and resonances to emerge from the polyphonies. The recordings being done in colonial contexts.Conceptually, the work is informed by Mark Fisher's essay on the metaphysics of the crackle, and the persistence of the past as sonic residue, as well as Halim El-Dabh's pioneering experiments with wire recording and mystique concrete. El-Dabh's Wire Recorder piece in which he searches for an “inner sound” within the field recordings of the zaar ceremony offered a crucial precedent: the idea that recording technologies can open audio not just to preservation, but to transformation and speculative listening.The opacity of the recording is crucial to the work. Its moments of unintelligibility are not simply technical blockages but reminders of a colonial listening context or as Dylan Robinson frames it in settler colonial contexts as “hungry listening” in which certain meanings, affects, and knowledges may never have been available — or intended to be available — to the colonial ear. What resists comprehension here becomes a form of sonic refusal, insisting on limits to extraction, transcription, and understanding.The composition thus becomes less a restoration than a re-listening — an attempt to stay with the archive's fractures, and to hear how voice, history, and material decay co-produce one another across time."Kukimi Lakuhu 'Le" (Song of the Kuki War) reimagined by bloop.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

"Kukimi Lakuhu 'Le" (Song of the Kuki War): polyphonic song about Sümi Naga interpreter Kekheche, who was involved in the Anglo-Kuki War of 1917–19, performed by a group of Sümi Naga singers ("Kekheche, my father,/ Kekheche, my father").From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.Recorded by John Henry Hutton.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

"Lozorüü" (tune: "Hoiyi Olle"): an Angami Naga love song performed by two men and two young women ("Though the villages are separated the herds graze together./ Upon the ridge there is a great stone to sit on").From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.Recorded by John Henry Hutton.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

"Ishi no ghi sholu": an agricultural work song performed by a group of Sümi Naga male singers.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.Recorded by John Henry Hutton.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Bienvenue dans La Leçon, le podcast sur l'art d'échouer. Cette semaine, je suis ravie de recevoir un collègue, un compatriote, un camarade du podcast game : Yann Delplanque ! Avec son podcast Dans La Boite A Gants, il est devenu la référence du podcast auto/moto. Aujourd'hui il fait plus de 250 Millions de vues et d'écoutes, et m'a confié avoir du mal à sélectionner un seul échec tant il les a cumulé. Alors je me suis dit qu'il réunissait tous les critères pour faire un parfait invité !Bonne écoute

durée : 00:53:27 - Grand bien vous fasse ! - par : Ali Rebeihi - Comment la bougeotte, l'envie d'aller voir ailleurs a modifié le cours de notre histoire et changé nos vies… Qu'est-ce qui nous a poussé à explorer le monde ? Le pouvoir, la gloire, la curiosité, la soif de savoir, l'émulation et la guerre commerciale entre nations… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This week on the KPL podcast we spoke with author Janie Chang about her latest novel, The Fourth Princess.  This is a gothic mystery set in Shanghai China during the early 1900's about two woman, Lisan comes to work for Caroline.  Slowly, things begin to unravel as both women learn about the people in their lives. Author ReadsIthica by Claire NorthHouse of Odysseus by Claire NorthThe Last Song of Penelope by Claire North

Master Marc Zirogiannis reviews the new Well Go USA Theater please, Blades of the Guardians. BLADES OF THE GUARDIANS follows Dao Ma, the “second most wanted fugitive,” who is entrusted by his benefactor, the chief of Mo family clan, to take on a mysterious escort mission-escorting the “most wanted fugitive,” to Chang'an. Check out our review at: https://tkdlifemagazine.com/2026/02/17/dont-miss-blades-of-the-guardians-2026/ Director Yuen Woo-Ping Cast Jet Li, Wu Jing, Nicholas Tse, Yosh Yu, Chen Lijun, Sun Yizhou, Cisha, Li Yunxiao, Tony Leung Ka Fai, Max Zhang, Kara Wai, Zhang Yi Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Certains ont craint que le suicide de Kurt Cobain en 1994 en inspirerait d'autres... Ça n'a pas été le cas, et pour une bonne raison.Erratum : dans cet épisode je dis que l'autrice de l'article s'appelle Candace Owens mais c'est en réalité Candace Opper ! Candice Owens est une horrible éditorialiste d'extrême-droite sur laquelle j'ai écouté beaucoup trop de podcasts... Sources :"The Chemistry of an Echo", Candace Opper, Gernica (2014)"Kurt Cobain and Copycat Suicide", You're Wrong About (2018)Suivez Star System sur les réseaux :Instagram : @starsystempodTikTok : @starsystempodcastIllustration : Ines Basille. Musique : Naaha. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

February 19, 2026 ~ Author and Fox News Contributor Gordon Chang joins Rocky Raczkowski to discuss three major China‑related stories: Reports of Chinese bio labs operating in California, BYD shaking up the global auto market with $8,000 electric vehicles and a developing U.S.–China agreement impacting Taiwan's path toward independence. Chang offers analysis on how these developments could reshape geopolitics, national security, and even Detroit's own automotive landscape Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Aujourd'hui, dans cette nouvelle leçon du mercredi, je reçois Emilie Lagrange, fondatrice de Sikour.immo.Emilie a passé quinze ans dans l'immobilier. Elle connaît parfaitement les règles du jeu.Et pourtant, elle a décidé de les remettre en question.Avec Sikour, elle propose un modèle radicalement différent.Vendre sans agence. Mais jamais seul.Un accompagnement professionnel, au forfait, indépendant du prix du bien.Le projet est solide. L'expertise est là.Mais un obstacle majeur se dresse très vite : comment faire comprendre un modèle qui n'existe pas encore dans l'esprit du public ?Emilie créer du contenu. Elle explique. Elle vulgarise.Mais sur les réseaux sociaux, cela ne prend pas.Pas de traction réelle. Peu de leads. Beaucoup d'énergie investie.Dans cette leçon, je l'aide à faire un pas de côté.À comprendre pourquoi Instagram ne récompense plus la pédagogie brute.À distinguer visibilité, conversion et réassurance.Et surtout, à choisir une stratégie réaliste, alignée avec son modèle, son temps et ses ambitions.Une leçon précieuse pour tous ceux qui lancent un projet nouveau, et qui cherchent moins à faire du bruit qu'à bâtir quelque chose qui dure.Bonne écoute ✨CHAPITRAGE 00:00 – Introduction et contexte du projet03:00 – Présentation d'Emilie LAGRANGE et du modèle Sikour.immo07:00 – Pourquoi les réseaux sociaux ont profondément changé11:00 – Le mythe de la pédagogie qui suffit à émerger17:00 – Concept, codes des plateformes et limites d'Instagram25:00 – Se focaliser, prioriser et construire une stratégie à 6 mois#LeçonDuMercredi #Entrepreneuriat #CréerSonEntreprise #LancementDeProjet #StratégieBusiness #RéseauxSociaux #Immobilier #NouveauModèle #Priorités #Focus #VisionLongTerme #PaulineLaigneau #PodcastBusinessNotes et références de l'épisode Pour retrouver Emilie et Sikour.immo : Sur son site internetSur InstagramSur LinkedInPour retrouver le replay du Grand Live : Les nouveaux codes des réseaux sociaux en 2026Sur Demian.educationVous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

ชมวิดีโอ EP นี้ใน YouTube เพื่อประสบการณ์การรับชมที่ดีที่สุด https://youtu.be/5dfzQVphfng ฝึกฟังเรื่องสั้นภาษาอังกฤษ ‘เทพธิดาแห่งดวงจันทร์' Chang'e and the Moon ตำนานจีนฉบับย่อยง่าย . ‘คำนี้ดี Story' เอพิโสดนี้ต้อนรับตรุษจีนกับตำนานจีนๆ เกี่ยวกับเทพธิดา ‘ฉางเอ๋อ' ที่อยู่กับเราทุกคืนบนฟากฟ้า . ฝึกภาษาทักษะการฟังแบบสนุกๆ พร้อมเกร็ดความรู้ผ่านเรื่องสั้นน่าสนใจ บอกเล่าเป็นภาษาอังกฤษแบบเข้าใจง่าย พร้อมคำแปลไทย คำศัพท์น่ารู้ และคำถามทบทวนความเข้าใจ . ทุกวันพุธที่ YouTube | Spotify | Apple Podcasts

ชมวิดีโอ EP นี้ใน YouTube เพื่อประสบการณ์การรับชมที่ดีที่สุด https://youtu.be/5dfzQVphfng . ฝึกฟังเรื่องสั้นภาษาอังกฤษ ‘เทพธิดาแห่งดวงจันทร์' Chang'e and the Moon ตำนานจีนฉบับย่อยง่าย . ‘คำนี้ดี Story' เอพิโสดนี้ต้อนรับตรุษจีนกับตำนานจีนๆ เกี่ยวกับเทพธิดา ‘ฉางเอ๋อ' ที่อยู่กับเราทุกคืนบนฟากฟ้า ฝึกภาษาทักษะการฟังแบบสนุกๆ พร้อมเกร็ดความรู้ผ่านเรื่องสั้นน่าสนใจ บอกเล่าเป็นภาษาอังกฤษแบบเข้าใจง่าย พร้อมคำแปลไทย คำศัพท์น่ารู้ และคำถามทบทวนความเข้าใจ . ทุกวันพุธที่ YouTube | Spotify | Apple Podcasts

In this episode, Steven and Jenn kick off a new series on couples leading and discipling together! Through lessons learned from their own marriage, they share principles of why couples working together is both important and effective in multiplying disciples. This episode casts a vision of how thriving marriage AND ministry is not only possible, but something we can expect from God!  

This episode, we talk about two monumental projects that were started in this reign.  One was the historiographical project that likely led to the creation of the Kojiki and the Nihon Shoki.  And then there was the start of the first permanent capital city:  the Fujiwara Capital. Listen to the episode and find more on our website:  https://sengokudaimyo.com/podcast/episode-143   Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 143: Temmu's Monumental Projects     Ohoama sat astride his horse and looked out at the land in front of him.   He could still see the image of the rice fields, now long fallow, spreading out on the plain.  To the north, east, and west, he could see the mountains that would frame his vision.  As his ministers started to rattle off information about the next steps of the plan, Ohoama began to smile.  He thought of the reports his embassies to the Great Tang had brought back, about the great walled cities of the continent.  In his mind's eye, Ohoama envisioned something similar, rising up on the plain in front of him. There would be an earth and stone wall, surrounding the great city.  The gates would be grand, much like the temples, but on an even greater scale.  Houses would be packed in tight, each within their own walled compounds.  In the center painted red and white, with green accents, would be a palace to rival any other structure in the archipelago.  The people would stream in, and the city would be bustling with traffic. This was a new center, from which the power of Yamato would be projected across the islands and even to the continent.   Greetings everyone, and welcome back.  This episode we are still focused on the reign of Ohoama, aka Temmu Tennou, between the years 672 and 686. Last episode we talked about the Four Great Temples—or the Four National Temples.  Much of this episode was focused on the rise and spread of Buddhism as we see in the building of these national temples, but also on the changes that occurred as the relationship between Buddhism and the State evolved.  This was part of Ohoama's work to build up the State into something beyond what it had been in the past—or perhaps into something comparable to what they believed it to have been in the past.  After all, based on the size of the tomb mounds in the kofun period, it does seem that there was a peak of prosperity in the 5th century, around the time of Wakatakeru, aka Yuryaku Tennou, and then a decline, to the point that the lineage from Wohodo, aka Keitai Tennou, seemed to have come in during a time when they were rebuilding Yamato power and authority. This episode we are going to talk about two projects that Ohoama kicked off during his reign.  He wouldn't see the completion of either one, since both took multiple decades to complete, but both focused on linking the past and the future.  The first we'll talk about is a new attempt to gather historical documents and records—the last time that was done was in the time of Kashikiya Hime, over 50 years ago.  That was during the height of Soga power.  Since then a lot had changed, and presumably there were even more stories and records that had been written down.  Plus the tide had changed.  So they needed to update—and maybe even correct—the historical record. But beyond that, there was a greater goal: Ohoama and his court also needed to make sure that the past was something that they wanted to go back to, among other things. The other thing we are going to discuss is the start of a project to build a brand new capital city.  And when we talk a bout city, we really mean a city.  This was a massive undertaking, likely unlike anything that we've seen so far.  Sure, there had been monumental building projects, but this was something that was going to take a lot more work - how much more monumental could you get than a new city?  And it would create a physical environment that would be the embodiment of the new centralization of power and authority, and the new state that Ohoama was building, with his administration—and Yamato—at the center.   Let's start with the big ones.  First and foremost, we have the entry from the 17th day of the 3rd month of the 681.  Ohoama gave a decree from the Daigokuden to commit to writing a Chronicle of the sovereigns and various matters of high antiquity.  Bentley translates this as saying that they were to record and confirm the Teiki, which Aston translated as the Chronicle of the Sovereigns, and various accounts of ancient times.  This task was given out to a slew of individuals, including the Royal Princes Kawashima and Osakabe; the Princes Hirose, Takeda, Kuwada, and Mino; as well as Kamitsukenu no Kimi no Michichi, Imbe no Muraji no Kobito, Adzumi no Muraji no Inashiki, Naniwa no Muraji no Ohogata, Nakatomi no Muraji no Ohoshima, and Heguri no Omi no Kobito.  Ohoshima and Kobito were specifically chosen as the scribes for this effort.  We aren't told what work was started at this time.  Aston, in his translation of the Nihon Shoki, assumes that this is the start of the Kojiki.  Bentley notes that this is the first in a variety of records about gathering the various records, including gathering records from the various families, and eventually even records from the various provinces.  And I think we can see why.  Legitimizing a new state and a new way of doing things often means ensuring that you have control of the narrative.  Today, that often means doing what you can to control media and the stories that are in the national consciousness.  In Ohoama's day, I'd argue that narrative was more about the various written sources, and how they were presented.  After all, many of the rituals and evidence that we are looking at would rely on the past to understand the present.  The various family records would not only tell of how those families came to be, but would have important information about what else was going on, and how that was presented could determine whether something was going to be seen as auspicious, or otherwise.  Even without getting rid of those records, it would be important to have the official, State narrative conform to the Truth that the state was attempting to implement. Ultimately, there is no way to know, exactly, how everything happened.  If the Nihon Shoki had a preface, it has been lost.  The Kojiki, for its part, does have a preface, and it points to an origin in the reign of Ohoama—known as the sovereign of Kiyomihara.  In there we are told that the sovereign had a complaint—that the Teiki and Honji, that is the chronicles of the sovereigns and the various other stories and legends, that had been handed down by various houses had come to differ from the truth.  They said they had many falsehoods, which likely meant that they just didn't match the Truth that the State was trying to push.  Thus  they wanted to create a so-called "true" version to pass down. This task was given to 28 year old Hieda no Are.  It says they were intelligent and had an incredible memory.  They studied all of the sources, and the work continued beyond the reign of Ohoama.  Later, in 711 CE, during the reign of Abe, aka Genmei Tennou, Oho no Yasumaro was given the task of writing down everything that Hieda no Are had learned.  The astute amongst you may have noticed that this mentions none of the individuals mentioned in the Nihon Shoki.  Nor does the Nihon Shoki mention anything about Hieda no Are.  So was this a separate effort, or all part of the same thing?  Was Are using the materials collected by  the project? As you may recall, we left the Kojiki behind some time ago, since it formally ends with the reign of Kashikiya hime, aka Suiko Tennou, but realistically it ended with Wohodo, aka Keitai Tennou—after that point there are just lists of the various heirs.  As such, there is some speculation that this was originally built off of earlier histories, perhaps arranged during the Soga era. The general explanation for all of this is that Hieda no Are memorized the poems and stories, and then Yasumaro wrote them down.  Furthermore, though the language in the Kojiki does not express a particular gender, in the Edo period there was a theory that Hieda no Are was a woman, which is still a popular theory. Compare all of that to the Nihon Shoki.  Where the Kojiki was often light on details and ends with Suiko Tennou, the Nihon Shoki often includes different sources, specifically mentions some of them by name, and continues up through the year 697.  Furthermore, textual analysis of the Nihon Shoki suggests that it was a team effort, with multiple Chroniclers, and likely multiple teams of Chroniclers.   I have to admit, that sounds a lot more like the kind of thing that Ohoama was kicking off. We have an entry in the Shoku Nihongi, the work that follows the Nihon Shoki, that suggests 720 for the finished compilation of the Nihon Shoki.  So did it take from 681 to 720 to put together?  That is a really long project, with what were probably several generations of individuals working on it. Or should this be read in a broader sense?  Was this a historiographical project, as Bentley calls it, but one that did not, immediately, know the form it would take?  It isn't the first such project—we have histories of the royal lineage and other stories that were compiled previously—much of that attributed to Shotoku Taishi, but likely part of an earlier attempt by the court.  In fact, given that the Kojiki and Sendai Hongi both functionally end around the time of Kashikiya hime, that is probably because the official histories covered those periods.  Obviously, though, a lot had happened, and some of what was written might not fit the current narrative.  And so we see a project to gather and compile various sources.  While this project likely culminated in the projects of the Kojiki and the Nihon Shoki, I doubt that either work was necessarily part of the original vision.  Rather, it looks like the original vision was to collect what they could and then figure things out. It would have been after they started pulling the accounts together, reading them, and noticing the discrepancies that they would have needed to then edit them in such a way that they could tell a cohesive story.  That there are two separate compilations is definitely interesting.  I do suspect that Oho no Yasumaro was working from the efforts of Hieda no Are, either writing down something that had been largely captured in memory or perhaps finishing a project that Are had never completed.  The Nihon Shoki feels like it was a different set of teams, working together, but likely drawing from many of the same sources. And as to why we don't have the earlier sources?  I once heard it said that for books to be forgotten they didn't need to be banned—they just needed to fall out of circulation and no longer be copied anymore.  As new, presumably more detailed, works arose, it makes sense that older sources would not also be copied, as that information was presumably in the updated texts, and any information that wasn't brought over had been deemed counterfactual.  Even the Nihon Shoki risked falling into oblivion; the smaller and more digestible Kojiki was often more sought after.  The Kojiki generally presents a single story, and often uses characters phonetically, demonstrating how to read names and places.  And it just has a more story-like narrative to it.  The Nihon Shoki, comparatively, is dense, written in an old form of kanbun, often relying more on kanbun than on phonetic interpretations.  It was modeled on continental works, but as such it was never going to be as easy to read.  And so for a long time the Kojiki seems to have held pride of place for all but the most ardent scholars of history. Either way, I think that it is still fair to say that the record of 681 was key to the fact that we have this history, today, even if there was no way for Ohoama, at the time, to know just what form it would take. Another ambitious project that got started under Ohoama was the development of a new and permanent capital city. Up to this point we've talked about the various capitals of Yamato, but really it was more that we were talking about the palace compounds where the sovereign lived.  From the Makimuku Palace, where either Mimaki Iribiko or possibly even Himiko herself once held sway, to the latest palace, that of Kiyomihara, the sovereigns of Yamato were known by their palaces.  This is, in part, because for the longest time each successive sovereign would build a new palace after the previous sovereign passed away.  There are various reasons why this may have been the case, often connected to insular concepts of spiritual pollution brought on by the death of an individual, but also the practical consideration that the buildings, from what we can tell, were largely made of untreated wood.  That made them easier to erect, but also made them vulnerable to the elements, over time, and is probably one of the reasons that certain shrines, like the Shrine at Ise, similarly reconstitute themselves every 20 years or so. Furthermore, we talk about palaces, but we don't really talk about cities.  There were certainly large settlements—even going back to the Wei chronicles we see the mention of some 70 thousand households in the area of Yamateg.  It is likely that the Nara basin was filled with cultivated fields and many households.  Princes and noble households had their own compounds—remember that both Soga no Umako and Prince Umayado had compounds large enough that they could build temples on the compounds and have enough left over for their own palatial residences, as well.  However, these compounds were usually distributed in various areas, where those individuals presumably held some level of local control. It is unclear to me how exactly the early court functioned as far as housing individuals, and how often the court was "in session", as it were, with the noble houses.  Presumably they had local accommodations and weren't constantly traveling back and forth to the palace all the time.  We know that some houses sent individuals, men and women, to be palace attendants, even though they lived some distance away.  This was also likely a constraint on the Yamato court's influence in the early days. We do see the sovereign traveling, and various "temporary" palaces being provided.  I highly doubt that these were all built on the spot, and were likely conversions of existing residences, and similar lodging may have been available for elites when they traveled, though perhaps without such pomp and circumstance. What we don't really see in all of this, are anything resembling cities.  Now, the term "city" doesn't exactly have a single definition, but as I'm using it, I would note that we don't see large, permanent settlements of significant size that demonstrate the kind of larger civil planning that we would expect of such a settlement.  We certainly don't have cities in the way of the large settlements along the Yangzi and Yellow rivers. We talked some time back about the evolution of capital city layouts on the continent.  We mentioned that the early theoretical plan for a capital city was based on a square plan, itself divided into 9 square districts, with the central district constituting the palace.  This design works great on paper, but not so much in practice, especially with other considerations, such as the north-south orientation of most royal buildings.  And then there are geographic considerations.  In a place like Luoyang, this square concept was interrupted by the river and local topography.  Meanwhile, in Chang'an, they were able to attain a much more regular rectangular appearance.  Here, the court and the palace were placed in the center of the northernmost wall.  As such, most of the city was laid out to the south of the palace. In each case, however, these were large, planned cities with a grid of streets that defined the neighborhoods.  On each block were various private compounds, as well as the defined markets, temples, et cetera. The first possible attempt at anything like this may have been with the Toyosaki palace, in Naniwa.  There is some consideration that, given the size of the palace, there may have been streets and avenues that were built alongside it, with the intention of having a similar city layout.  If so, it isn't at all clear that it was ever implemented, and any evidence may have been destroyed by later construction on the site.  Then we have the Ohotsu palace, but that doesn't seem to be at the same scale as the Toyosaki palace—though it is possible that, again, we are missing some key evidence.  Nonetheless, the records don't really give us anything to suggest that these were large cities rather than just palaces. There is also the timeline.  While both the Toyosaki palace and the Ohotsu palace took years to build, they did not take the time and amount of manpower that would be needed to create a true capital city.  We can judge this based on what it took to build the new capital at Nihiki. This project gets kicked off in the 11th month of 676.  We are told that there was an intent to make the capital at Nihiki, so all of the rice-fields and gardens within the precincts, public and private property alike, were left fallow and became totally overgrown. This likely took some time.  The next time we see Nihiki is in the 3rd month of 682, when Prince Mino, a minister of the Household Department, and others, went there to examine the grounds.  At that point they apparently made the final decision to build the capital there.  Ohoama came out to visit later that same month. However, a year later, in the 12th month of 683, we are told that there was a decree for there to be multiple capitals and palaces in multiple sites, and they were going to make the Capital at Naniwa one of those places.  And so public functionaries were to go figure out places for houses.  So it wasn't just that they wanted to build one new, grand capital.  It sounds like they were planning to build two or three, so not just the one at Nihiki.  This is also where I have to wonder if the Toyosaki Palace was still being used as an administrative center, at the very least.  Or was it repurposed, as we saw that the Asuka palaces had been when the court moved to Ohotsu? This is further emphasized a few months later, when Prince Hirose and Ohotomo Yasumaro, at the head of a group of clerks, officials, artisans, and yin yang diviners were sent around the Home Provinces to try and divine sites suitable for a capital.  In addition, Prince Mino, Uneme no Oni no Tsukura, and others were sent to Shinano to see about setting up a capital there as well.  Perhaps this was inspired by the relationship between the two Tang capitals of Chang'an and Luoyang.  Or perhaps it was so that if one didn't work out another one might. Regardless, Nihiki seemed to be the primary target for this project, and in the third lunar month of 684 Ohoama visited the now barren grounds and decided on a place for the new palace.  A month later, Prince Mino and others returned with a map of Shinano, but there is no indication of where they might want to build another capital. After that, we don't hear anything more of Shinano or of a site in the Home Provinces.  We do hear one more thing about Naniwa, which we mentioned a couple of episodes back, and that is that in 686 there was a fire that burned down the palace at Naniwa, after which they seem to have abandoned that as a palace site.  And so we are left with the area of Nihiki. This project would take until the very end of 694 before it was ready.  In total, we are looking at a total of about 18 years—almost two decades, to build a new capital.  Some of this may have been the time spent researching other sites, but there also would have been significant time taken to clear and level.  This wasn't just fields—based on what we know, they were even taking down old kofun; we are later told about how they had to bury the bodies that were uncovered.  There was also probably a pause of some kind during the mourning period when Ohoama passed away.  And on top of it, this really was a big project.  It wasn't just building the palace, it was the roads, the infrastructure, and then all of the other construction—the city gates, the various private compounds, and more.  One can only imagine how much was being invested, especially if they were also looking at other sites and preparing them at the same time.  I suspect that they eventually abandoned the other sites when they realized just how big a project it really was that they were undertaking. Today we know that capital as Fujiwara-kyo, based on the name of the royal palace that was built there, and remarkably, we know where it was.  Excavations have revealed the site of the palace, and have given us an idea of the extent of the city:  It was designed as a square, roughly 5.3 kilometers, or 10 ri, on each side.  The square itself was interrupted by various terrain features, including the three holy mountains.  Based on archaeological evidence, the street grid was the first thing they laid out, and from what we can tell they were using the ideal Confucian layout as first dictated in the Zhouli, or Rites of Zhou.  This meant a square grid, with the palace in the center. Indeed, the palace was centered, due south of Mt. Miminashi, and you can still go and see the palace site, today.  When they went to build the palace, they actually had to effectively erase, or bury, the roads they had laid out.  They did the same thing for Yakushi-ji, or Yakushi-temple, when they built it as part of the city; one of the reasons we know it had to have been built after the roads were laid out.  We will definitely talk about this more when we get to that point of the Chronicles, but for now, know that the Fujiwara palace itself, based on excavations of the site, was massive.  The city itself would surpass both Heijo-kyo, at Nara, and Heian-kyo, in modern Kyoto.  And the palace was like the Toyosaki Naniwa palace on steroids.  It included all of the formal features of the Toyosaki Palace for running the government, but then enclosed that all in a larger compound with various buildings surrounding the court itself.  Overall, the entire site is massive.  This was meant as a capital to last for the ages. And yet, we have evidence that it was never completed.  For one thing, there is no evidence that a wall was ever erected around it—perhaps there was just no need, as relations with the mainland had calmed down, greatly.  But there is also evidence that parts of the palace, even, were not finished at the time that they abandoned it.  Fujiwara-kyo would only be occupied for about 16 years before a new capital was built—Heijo-kyo, in Nara.  There are various reasons as to why they abandoned what was clearly meant to be the first permanent capital city, and even with the move to a new city in Nara it would be clear that it was going to take the court a bit of time before they were ready to permanently settle down—at least a century or so. Based on all the evidence we have, and assuming this was the site of the eventual capital, Nihiki was the area of modern Kashihara just north of Asuka, between—and around—the mountains of Unebi, Miminashi, and Kagu.  If these mountains are familiar, they popped up several times much earlier in the Chronicles--Mostly in the Age of the Gods and in the reign of the mythical Iware-biko, aka Jimmu Tennou.  Yet these three mountains help to set out the boundaries of the capital city that was being built at this time. There is definitely some consideration that they were emphasized in the early parts  of the Chronicles—the mythical sections, which were bolstering the story of Amaterasu and the Heavenly Grandchild, setting up the founding myths for the dynasty.  Even though the Chronicles  were not completed until well after the court had moved out, the Fujiwara capital is the climax of the Nihon Shoki, which ends in 697, three years into life at the new palace.  And so we can assume that much of the early, critical editing of the Kojiki and Nihon Shoki were done with the idea that this would be the new capital, and so it was woven into the histories, and had it continued as the capital, the very landscape would have recalled the stories of the divine origins of the Royal family and the state of Yamato itself.  This was the stage on which Ohoama's state was built.  He, and his successors, didn't just change the future path of the Yamato government.  They rearranged the physical and temporal environment, creating a world that centered them and their government.  I suspect that Ohoama didn't originally consider that these wouldn't be finished during his reign.  That said, he came to power in his 40s, only slightly younger than his brother, who had just died.  He would live to be 56 years old—a respectable age for male sovereigns, around that time.  From a quick glance, Naka no Oe was about 45 or 46 years old, while Karu lived to about 57 or 58.  Tamura only made it to 48.  The female sovereigns seem to have lasted longer, with Ohoama's mother surviving until she was 66 or 67 years old, and Kashikiya Hime made it to the ripe old age of 74.  That said, it is quite likely that he thought he would make it longer.  After all, look at all the merit he was accruing!  Still, he passed away before he could see these projects fully accomplished.  That would have to be left for the next reign—and even that wasn't enough.  The Fujiwara Capital would only be occupied for a short time before being abandoned about two reigns later, and the histories as we know them wouldn't be complete for three more reigns.  So given all of this, let's take another quick look at Ohoama himself and where he stands at this pivotal moment of Yamato history.When we look at how he is portrayed, Ohoama is generally lionized for the work he is said to have accomplished.  I would argue that he is the last of three major figures to whom are attributed most of the changes that resulted in the sinification of the Yamato government.  The first is prince Umayado, aka Shotoku Taishi, who is said to have written the 17 article constitution, the first rank system, and the introduction of Buddhism.  To be fair, these things—which may not have been exactly as recorded in the Chronicles—were likely products of the court as a whole.  Many people attribute more to Kashikiya Hime, aka Suiko Tennou, as well as Soga no Umako.  Of course, Soga no Umako wasn't a sovereign, or even a member of the royal family, and Kashikiya Hime, aka Suiko Tennou, seems to have likewise been discounted, at least later, possibly due to the fact that she is thought to have come to power more as a compromise candidate than anything else—she was the wife of a previous sovereign and niece to Soga no Umako.  Many modern scholars seem to focus more on the agency of Kashikiya Hime and suggest that she had more say than people tend to give her credit for.  That said, Shotoku Taishi seems to have been the legendary figure that was just real enough to ascribe success to.  That he died before he could assume the throne just meant that he didn't have too many problematic decisions of his own to apparently work around. The next major figure seems to be Naka no Oe, aka Tenji Tennou.  Naka no Oe kicks off the period of Great Change, the Taika era, and is credited with a lot of the changes—though I can't help but notice that the formal sovereign, Naka no Oe's uncle, Karu, seems to have stuck with the new vision of the Toyosaki Palace and the administrative state while Naka no Oe and his mother moved back to the traditional capital.  And when Naka no Oe moved the capital to Ohotsu, he once again built a palace more closely aligned to what we see in Asuka than the one in Naniwa, which brings some questions about how the new court was operating.  But many of his reforms clearly were implemented, leveraging the new concepts of continental rulership to solidify the court's hegemony over the rest of the archipelago. Ohoama, as represented in the Chronicles, appears to be the culmination of these three.  He is building on top of what his brother had implemented through the last three reigns.  Some of what he did was consolidate what Naka no Oe had done, but there were also new creations, for which Ohoama is credited, even if most of the work was done outside of Ohoama's reign, but they were attributed to Ohoama, nonetheless.  Much of this was started later in Ohoama's reign, and even today there seem to be some questions about who did what.  Nonetheless, we can at least see how the Chroniclers were putting the story together. There are a lot of scholars that point to the fact that the bulk of the work of these projects would actually be laid out in the following reigns, and who suggest that individuals like the influential Uno no Sarara, who held the control of the government in Ohoama's final days, may have had a good deal more impact on how things turned out, ultimately.  In fact, they might even have been more properly termed her projects—there are some that wonder if some of the attributions to Ohoama were meant to bolster the authority of later decrees, but I don't really see a need for that, and it seems that there is enough evidence to suggest that these projects were begun in this period. All of this makes it somewhat ironic that by the time the narrative was consolidated and published to the court, things were in a much different place—literally.  The Fujiwara capital had been abandoned.  The court, temples, and the aristocracy had picked up stakes and moved north.  Fujiwara no Fuhito had come on the scene, and now his family was really taking off.  This was not the same world that the Chronicles had been designed around. And yet, that is what was produced.  Perhaps there is a reason that they ended where they did. From that point on, though, there were plenty of other projects to record what was happening.  Attempts to control the narrative would need to do a lot more.  We see things like the Sendai Kuji Hongi, with its alternative, and perhaps even subversive, focus on the Mononobe family.  And then later works like the Kogoshui, recording for all time the grievances of the Imbe against their rivals—for all the good that it would do.  With more people learning to write, it was no longer up to the State what did or did not get written down. But that has taken us well beyond the scope of this reign—and this episode, which we should probably be bringing to a close.  There are still some things here and there that I want to discuss about this reign—so the next episode may be more of a miscellany of various records that we haven't otherwise covered, so far.  Until then if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

durée : 00:24:58 - David Harrington, violoniste, membre fondateur du Kronos Quartet (3/5) - par : Laurent Vilarem - Dans ce troisième épisode, David Harrington évoque ses rencontres avec Morton Feldman, Astor Piazzolla et Witold Lutosławski. Il revient sur les projets audacieux des années 1980, comme Pieces of Africa, et la création révolutionnaire de Different Trains de Steve Reich. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:12 - David Harrington, violoniste, membre fondateur du Kronos Quartet (4/5) - par : Laurent Vilarem - Dans ce quatrième épisode, David Harrington revient sur un drame intime et sa résilience grâce à la musique. Il évoque les explorations du Kronos Quartet avec Nuevo et Caravan, et les retrouvailles avec Steve Reich pour l'émouvant WTC 9/11. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

a few idiots talk about anything that crosses their minds. all takes satirical, probably.     u+me=us   leave a review. for the streets. for the culture. take care of yourself. see you at the giant. inquiries nocompassmail@gmail.com

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Pour investir en SCPI et en assurance-vie ➡️ https://link.influxcrew.com/louveinvest-legend Merci à Clément Renault d'être venu sur Legend.Clément, 34 ans, est ingénieur en mathématiques. Après une expérience chez Rolls-Royce et des études à Stanford où il lance une startup de transport maritime autonome, il revient en France pour fonder Louve Invest, un courtier en ligne spécialisé en SCPI. Son positionnement innovant bouscule le marché immobilier et les codes du secteur de la SCPI.Merci aussi à Thierry Vignal de nous avoir fait visiter et découvrir les chambres de bonne qu'il a transformées en appartement de luxe. Retrouvez les informations concernant nos invités par ici ⬇️Le compte Instagram ➡️ https://www.instagram.com/louveinvest/Le compte TikTok ➡️ https://www.tiktok.com/@louve_investLe compte Twitter (X) ➡️ https://x.com/LouveInvestPour prendre vos billets pour le LEGEND TOUR c'est par ici ➡️ https://www.legend-tour.fr/ Retrouvez la boutique LEGEND ➡️ https://shop.legend-group.fr/ Retrouvez l'interview complète sur YouTube ➡️ https://youtu.be/g3kIS3O29AEPour toutes demandes de partenariats : legend@influxcrew.com Retrouvez-nous sur tous les réseaux LEGEND !Facebook : https://www.facebook.com/legendmediafr Instagram : https://www.instagram.com/legendmedia/ TikTok : https://www.tiktok.com/@legend Twitter : https://twitter.com/legendmediafr Snapchat : https://t.snapchat.com/CgEvsbWV Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send a textJoin our guest host, SRS Executive Director Ashtin Neushaefer, as she sits down with the SRS Asia Pacific Meeting co-chairs: Brian Hsu, MD; Kota Watanabe, MD, PhD; and Dong-Gune Chang, MD, PhD. *The Scoliosis Research Society (SRS) podcast is aimed at delivering the most current and trusted information to clinicians that care for patients with scoliosis and other spinal conditions. From news in the world of spinal conditions, to discussions with thought leaders in the field, we aim to provide up-to-date, quality information that will impact the daily practice of spinal conditions.

Hospitality Consultant, Futurist and Beverage Judge Kim Haasarud has helped national chains like Dutch Bros., Omni Hotels and P.F. Chang's create award-winning memorable beverages experiences. She shares her thoughts with us on how hospitality and brands need to evolve in today's world to provide value. From the economy to health and wellness and a new way of socializing, we cover how the landscape has changed and how businesses that have the right mindset will still be able to win.

Two young women living in a crumbling, once-grand Shanghai mansion face danger as secrets of their pasts come to light, even as the mansion's own secret threatens the present. Jenn chats with Janie Chang about THE FOURTH PRINCESS, a haunting Gothic novel set in 1911 China.

Si tu es freelance ou solopreneur et que tu cherches encore à vendre en ligne avec des pages de vente texte interminables, cet épisode va te secouer.En 2026, ChatGPT peut écrire n'importe quelle page de vente en 30 secondes.Ce qui reste ? La vidéo. Parce que la vidéo, c'est le seul format que l'IA ne sait pas encore parfaitement reproduire avec ton énergie, ton authenticité et ta personnalité.Dans ce nouvel épisode de Solo Nation, tu découvriras comment :

In this episode, Mark Burik and Brandon Joyner dive into the latest buzz surrounding beach volleyball partnerships and player dynamics. They kick off with a light-hearted introduction, teasing some 'dirty rumors' about who's playing with whom and the anticipated changes in the volleyball world. The conversation quickly shifts to upcoming training camps and events, highlighting the excitement for both players and fans alike. Mark shares details about various camps across the U.S., emphasizing the unique opportunities for players to enhance their skills and connect with top coaches. As the episode progresses, the duo delves into the shifting landscape of partnerships in beach volleyball, particularly on the women's side. They discuss notable changes, including Megan Kraft's new partnership with Kelly Chang and the return of Molly Turner with Tony Rodriguez. The hosts express their enthusiasm for these pairings, highlighting the potential for exciting performances in the upcoming season. They also touch on the importance of mentorship in the sport, especially regarding blocking techniques, and the evolving nature of women's beach volleyball, which is becoming increasingly aggressive and competitive. Overall, the episode is a blend of insider information, personal anecdotes, and a celebration of the sport's growth. In this episode, Mark Burik and Brandon Joyner delve into the evolving landscape of beach volleyball, discussing the pressures and challenges faced by athletes on the World Tour. They reflect on the importance of passion for the game, as exemplified by top players who balance their love for volleyball with the grind of travel and competition. The conversation shifts to the dynamics of team partnerships, highlighting the fluid nature of player relationships and the impact of personal choices on performance. They also touch on the potential changes within USA Volleyball's structure, debating the merits of a centralized coaching system versus a more free-market approach to partnerships. The episode wraps up with insights into the current state of men's and women's volleyball in the U.S., emphasizing the need for strategic changes to enhance competitiveness on the international stage. Chapters 00:00 Introduction to Beach Volleyball Rumors01:28 Upcoming Training Camps and Events06:02 Shifting Partnerships in Women's Volleyball10:01 Exciting New Pairings and Player Dynamics15:31 The Evolution of Women's Beach Volleyball20:00 Mentorship and Coaching in Volleyball24:03 The Passion for Volleyball25:30 The Grind of Travel and Competition27:54 Partnership Dynamics in Volleyball33:56 USA Volleyball's Future Direction40:38 The Need for Strategic Changes

Sponsor Links:This episode of SpaceTime is brought to you with the support of Squarespace....your first stop when you want to build a presence online. To check out our special offers, simply visit www.squarespace.com/spacetime for detailsSpaceTime with Stuart Gary Gary - Series 29 Episode 18In this episode of SpaceTime, we explore groundbreaking theories about the nature of dark matter, the thermal differences between the lunar far and near sides, and new revelations regarding Jupiter's dimensions.Dark Matter's Role in the Milky WayA new study suggests that dark matter could be the driving force behind the gravitational dynamics of our Milky Way galaxy. Researchers propose that a clump of fermionic dark matter might exert similar gravitational influence as the supermassive black hole at the galaxy's center, Sagittarius A. This theory challenges conventional understanding and is supported by data from the European Space Agency's Gaia mission, which mapped the galaxy's outer halo and rotational curve, indicating a potential new model for understanding galactic structures.Lunar Far Side's Cooler InteriorRecent findings published in Nature Geoscience indicate that the lunar far side may be significantly cooler than the near side. Analyzing samples collected by China's Chang'e 6 mission, scientists discovered that the far side's regolith formed from lava at temperatures approximately 100 degrees Celsius lower than those from the near side. This study provides insight into the Moon's geological history and the uneven distribution of heat-producing elements, which may have resulted from ancient impacts or tidal forces from Earth.Jupiter's Slimmer ProfileNew measurements from NASA's Juno mission reveal that Jupiter is actually slimmer than previously thought, being about 8 kilometers narrower at the equator and 24 kilometers flatter at the poles. These findings refine our understanding of the gas giant's shape and have implications for models of planetary formation and evolution. The data also sheds light on Jupiter's atmospheric dynamics, including its powerful winds and cyclones, enhancing our knowledge of gas giants both within our solar system and beyond.www.spacetimewithstuartgary.com✍️ Episode ReferencesMonthly Notices of the Royal Astronomical Society, Nature Geoscience, Nature AstronomyBecome a supporter of this podcast: https://www.spreaker.com/podcast/spacetime-with-stuart-gary--2458531/support.(00:00:00) New study claims that mysterious substance called dark matter could be powering our Milky Way(00:08:01) New study suggests lunar far side may be a little bit colder than near side(00:12:52) Space Time is brought to you by Squarespace. com spacetime(00:14:23) New measurements based on NASA's Juno mission reveal Jupiter is much smaller than previously thought(00:18:16) People with depressive personalities far more likely to have sexual fantasies, study finds(00:20:34) New test shows artificial intelligence chatbot admitting it would kill to save itself(00:27:09) Already we have security companies treating AI chatbots like humans

From the 2026 EFCA Theology Conference, Dr. Geoff Chang—professor of historical theology at Midwestern Baptist Theological Seminary—unpacks the doctrine of heaven and eternal blessedness by looking to the historical consensus of the Church.

From the 2026 EFCA Theology Conference Breakouts, Dr. Geoff Chang—professor of historical theology at Midwestern Baptist Theological Seminary—leads a session on "Judgment and Rewards for Believers, Judgment and Degrees of Punishment for Unbelievers."

Billabong presents… Smiv and Deadly get down and dirty in the seedy world of surfing’s drug testers who have no qualms demanding a public squirt from our nation’s finest at 2 in the fricken morning! Plus we reveal why Johnny Johnny Floz Floz is heading back over the horizon, take a look at how Our Sal will fare now she’s officially back on tour and we investigate just how much this whole penis doping scandal could rock surfing to it’s core. Usual stuff really. The Swellness Summit Presents…Power Up! The Ain’t That Swell podcast (aka The Swellians) is curating a day of hardcore wellness at the state of the art B3 facility in Brunswick Heads. The day will feature breathwork, meditation, movement, sauna, ice baths, live podcasts, music, films, and philosophy. Come in and power up with us! *Can’t afford the mandatory donation? Power up on us - pay what you can, or come for free. Up the financial revolution that's got young Aussies Backs Presents... (Sign up now for a $20 kick in from us using the code "UTFS20" Yeeeeeeew!)See omnystudio.com/listener for privacy information.

Send us a textIn this episode, Dr. Geoff Chang and I explore his new devotional book, Your Only Comfort: Devotions for Hope in Suffering, a powerful collection of reflections drawn from the sermons of Charles H. Spurgeon and thoughtfully edited by Dr. Chang. This conversation offers biblical encouragement for anyone walking through pain, grief, or prolonged hardship.We discuss:   •   Why suffering is not evidence of God's absence   •   How Spurgeon's own trials shaped his message of hope   •   The difference between emotional relief and gospel-rooted comfort   •   How this devotional can be used daily in hard seasons