Podcasts about black skin

Doctoral students Phoebe Gilpin, Martha Perez-Mugg, and Arham Kazi sit down with Cara and Derek to talk about the writings that drew them to philosophy in the first place, the books they've encountered through their studies, and the works that they find themselves drawing upon in their own writing, as well. As always, please use this form to recommend future topics and guests. Works we talked about in this episode: Plato's Euthyphro David Labaree, "Public Goods, Private Goods" bell hooks, Teaching to Transgress Michel Foucault, Discipline and Punish Bruno Latour, Laboratory Life Sara Ahmed, Living a Feminist Life Sara Ahmed, On Being Included Natasha Myers, Rendering Life Molecular José Medina Epistemology of Resistance Robert Pirsig, Zen and the Art of Motorcycle Maintenance Frantz Fanon, Black Skin, White Masks Frantz Fanon, The Wretched of the Earth Tithi Bhattacharya, ed. Social Reproduction Theory David Mitchell, Biopolitics of Ability Jess Calarco, Holding It Together Catherine Elgin, True Enough Naomi Oreskes, Why Trust Science? Savannah Shange, Progressive Dystopia

Greetings Glocal Citizens! We are nearing the end of our Writing As Activism series @ the 2024 Pa Gya! Literary Festival in Accra. This week, Ghanaian writer and editor winning acclaim as a children's author, poet, broadcaster and novelist, Nii Ayikwei Parkes joins the conversation. Winner of multiple international awards including the ACRAG (Arts Critics and Reviewers Association of Ghana) award, his novel Tail of the Blue Bird won France's two major prizes for translated fiction – Prix Baudelaire and Prix Laure Bataillon – in 2014. Nii Ayikwei is the founder of flipped eye publishing (https://flippedeye.net), a leading small press; serves on the boards of World Literature Today and the AKO Caine Prize; and was chair of judges for the 2020 Commonwealth Prize. Translated in multiple languages, he has also written for National Geographic, Financial Times, the Guardian and Lonely Planet. His most recent books are The Ga Picture Alphabet and Azúcar (https://www.peepaltreepress.com/books/azucar), a novel. Currently Producer of Literature and Talks at Brighton Festival, he is also author of two collections of poetry The Makings of You (2010) and The Geez (2020), both published by Peepal Tree Press. In this conversation, we journey with Nii Ayikwei through his works, his entreprenuership, his love for food and rum, and much more! See Nii in converation at Pa Gya! here (https://www.youtube.com/live/fEFByAZDgwo?si=Cp2R4hSp5XcNiOva). Where to find Nii Ayikwei? On LinkedIn (https://www.linkedin.com/in/niiayikwei/) On Instagram (https://www.instagram.com/niiayikweiparkes/) On Facebook (https://www.facebook.com/ayikweiparkes/) On X (https://x.com/BlueBirdTail) On YouTube (https://www.youtube.com/c/NiiParkes_A) On Tik Tok (https://www.tiktok.com/@niiayikweiparkes) On BlueSky (https://bsky.app/profile/niiayikwei.bsky.social/post/3kbj5pcnbso2l) What's Nii Ayikwei listening to? Gene Noble (https://www.youtube.com/channel/UCCRUMqB8CNGlFwJpwjALL-w) Blues Man Robert Cray (https://en.wikipedia.org/wiki/Robert_Cray) The Roots (https://en.wikipedia.org/wiki/The_Roots) Cody Chesnutt + The Roots (https://www.youtube.com/watch?v=rKw_umLS56A) and Headphone Masterpiece (https://en.wikipedia.org/wiki/The_Headphone_Masterpiece) Nii's Pan-African Activism essential reading list: Howard W. French, Born In Blackness (https://www.theguardian.com/books/2021/oct/26/born-in-blackness-howard-w-french-review-africa-africans-and-the-making-of-the-modern-world) Mongo Beti's (https://en.wikipedia.org/wiki/Mongo_Beti), The Poor Christ of Bomba (https://en.wikipedia.org/wiki/The_Poor_Christ_of_Bomba) Ama Atta Aidoo's, No Sweetness Here (https://www.feministpress.org/books-n-z/no-sweetness) Franz Fanon, Black Skin, White Mask (https://en.wikipedia.org/wiki/Black_Skin,_White_Masks) You Can't Get Lost in Cape Town (https://web.facebook.com/watch/?v=804875960113686), Zoë Wicomb Kofi Awoonor (https://en.wikipedia.org/wiki/Kofi_Awoonor), This Earth My Brother Other topics of interest: Historic Jamestown, Accra (https://en.wikipedia.org/wiki/Jamestown/Usshertown,_Accra) Oto Blohum, Old Accra (https://www.ghanaweb.com/GhanaHomePage/geography/old_accra.php#google_vignette) North Kaneshie (https://en.wikipedia.org/wiki/Kaneshie#:~:text=Kaneshie%20is%20a%20suburb%20in,beginnings%20as%20a%20night%20market.) Thornton Heath, UK (https://en.wikipedia.org/wiki/Thornton_Heath) About Courttia Newland (https://en.wikipedia.org/wiki/Courttia_Newland) Learn more about Nii's uncle Frank Kobina Parkes (https://en.wikipedia.org/wiki/Frank_Kobina_Parkes) Nkyinkyim (https://www.adinkrasymbols.org/symbols/nkyinkyim/#:~:text=Nkyinkyim%20is%20an%20Akan%20word,symbol%20of%20dedication%20to%20service.) in the Adinkra (https://www.adinkrasymbols.org) On Ghana's Chop Bars (https://en.wikipedia.org/wiki/Chop_bar) About Spanish-Caribbean Rum (https://www.gotostcroix.com/st-croix-blog/spirited-history-caribbean-rum/) About Rhum Agricole (https://en.wikipedia.org/wiki/Rhum_agricole) Special Guest: Nii Ayikwei Parkes.

Do you need black skin to be Black? How might concepts such as white privilege be limiting our understanding of how racism works? In Episode 117 of Overthink, Ellie and David chat with philosopher Lewis Gordon about his book, Fear of Black Consciousness. They talk through the history of anti-Black racism, the existential concept of bad faith, why Rachel Dolezal might have Black consciousness, and Frantz Fanon's experience of being called a racial slur by a white child on a train. From the American Blues to the Caribbean movement of Negritude, this episode is full of insight into Black liberation and White centeredness. In the bonus, Ellie and David go into greater detail about how Black liberation is connected to love.Check out the episode's extended cut here!Works Discussed: Steve Bantu Biko, I Write What I LikeW.E.B. Du Bois, The Souls of Black FolkFrantz Fanon, Black Skin, White MasksEdouard Glissant, Introduction à une Poétique du DiversJane Anna Gordon, “Legitimacy from Modernity's Underside: Potentiated Double Consciousness”Lewis Gordon, Bad Faith and Antiblack racismLewis Gordon, Fear of Black ConsciousnessRebecca Tuvel, “In Defense of Transracialism”Modem FuturaModem Futura is your guide to the bold frontiers of tomorrow, where technology,...Listen on: Apple Podcasts SpotifySupport the showPatreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcast

How can managers navigate the ever-changing diversity, equity, inclusion, and belonging landscape? While most people grasp the overall intention of DEIB—fair and equitable treatment for all workers—the specifics are nuanced and easily misunderstood, and they can be difficult to implement, especially in the face of recent pushback.Alida Miranda-Wolff is a DEIB practitioner, author, and podcast host driven by a deep passion for cultivating belonging. In 2019, she launched Ethos Talent, a full-service DEIB and employee advocacy firm that serves companies all around the world. In this episode, she leverages her decade of expertise to explain how support for this field has fluctuated over the years and what leaders—and first-time managers in particular—can do to facilitate the day-to-day integration of these practices, which are deeply intertwined with basic human rights.Elevate DEIB in your own leadership practice with these takeaways:How managers can be inclusive and equitable in their day-to-day leadership;How to navigate difficult interpersonal situations through a DEIB lens;Why the current political climate is such a challenge for DEIB practitioners and managers;The problem with the segmentation of DEIB within organizations.Related Links:The First-Time Manager: DEI by Alida Miranda-Wolff - https://alidamirandawolff.com/book/“Care Work with Alida Miranda-Wolff” podcast - https://alidamirandawolff.com/podcast/Connect with Alida on LinkedIn - https://www.linkedin.com/in/alidamw/Learn more about Alida and her work - https://alidamirandawolff.comWork with Ethos - https://www.ethostalent.com/Bias in Feedback Decision Tree - https://drive.google.com/file/d/1C-HMz4RFwQNuIzMgS0wCmafQX09N81lp/viewEpisode 388, How To Leverage Your Power and Push For More Diversity, Equity, & Inclusion - https://www.bossedup.org/podcast/episode388Episode 423, Being White and Latina - https://www.bossedup.org/podcast/episode423Ezra Klein affordability crisis article, “The Economic Theory That Explains Why Americans Are So Mad” - https://www.nytimes.com/2024/06/07/opinion/ezra-klein-podcast-annie-lowrey.htmlIntercept diversity and social justice article, “the Evolution of Union Busting” - https://theintercept.com/2022/06/07/union-busting-tactics-diversity/Alida's interview with Truthout “Here's How Workers Can Build Power Amid Corporate Co-optation of DEI Programs” - https://truthout.org/articles/heres-how-workers-can-build-power-amid-corporate-co-optation-of-dei-programs/Philosopher and psychiatrist Frantz Fanon's work “Black Skin, White Masks” - https://monoskop.org/images/a/a5/Fanon_Frantz_Black_Skin_White_Masks_1986.pdfFrantz Fanon's other work “the Wretched of the Earth” - https://monoskop.org/images/6/6b/Fanon_Frantz_The_Wretched_of_the_Earth_1963.pdfElite Capture: How the Powerful Took Over Identity Politics (And Everything Else) by Olúfẹ́mi O. Táíwò - https://bookshop.org/p/books/elite-capture-how-the-powerful-took-over-identity-politics-and-everything-else-oluf-7865-769-mi-o-taiwo/17984390?ean=9781642596885LEVEL UP: A Leadership Accelerator for Women on the Rise - https://www.bossedup.org/levelupBossed Up Courage Community - https://www.facebook.com/groups/927776673968737/Bossed Up LinkedIn Group - https://www.linkedin.com/groups/7071888/

David E. Kirkland is a trans-disciplinary scholar of English and urban education, who explores the intersections among urban youth culture, language and literacy, urban teacher preparation, and digital media. He analyzes culture, language, and texts, and has expertise in critical literary, ethnographic, and sociolinguistic research methods. He has received many awards for his work, including the 2008 AERA Division G Outstanding Dissertation Award and was a 2009-10 Ford Foundation Postdoctoral Fellow and is a former fellow of NCTE's Cultivating New Voices. Dr. Kirkland has published widely. His most recent articles include: ” Black Skin, White Masks': Normalizing Whiteness and the Trouble with the Achievement Gap” in urban contexts: Politics, Pluralism, and Possibilities” (English Education), and “We real cool: Examining Black males and literacy” (Reading Research Quarterly). He is currently completing his fourth book, A Search Past Silence, to be published through Teacher College Press s Language and Literacy Series. Dr. Kirkland believes that, in their language and literacies, youth take on new meanings beginning with a voice and verb, where words when spoken or written have the power to transform the world inside-out Support Latin Waves by becoming a member for as little as $1 per month. https://latinwavesmedia.com

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on."I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

For our snap episode on the snap elections in the UK and France, we're joined by eminent decolonial scholar activists, Françoise Vergès in France and Priyamvada Gopal in the UK.  Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures.  Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005),  After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The Indian English Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South. Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020). 

This lecture discusses key ideas from the 20th century philosopher, psychoanalyst, and social critic Frantz Fanon's work Black Skin, White Masks It focuses specifically on his comparative discussions of antisemitism directed at the figure of the Jew and anti-Black racism or negrophobia directed at the figure of the Black person. There are similarities and connections between the two dynamics but also some important differences that Fanon highlights To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Fanon's Black Skin, White Masks - amzn.to/3a6Hphs

This lecture discusses key ideas from the 20th century philosopher, psychoanalyst, and social critic Frantz Fanon's work Black Skin, White Masks It focuses specifically on his discussions bearing on what he calls "Negrophobia", which involves the reduction of black people to nature, to animals, and to their sexuality, on the part of the racist feeling fear, anxiety, or disgust towards them. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Fanon's Black Skin, White Masks - amzn.to/3a6Hphs

This lecture discusses key ideas from the 20th century philosopher, psychoanalyst, and social critic Frantz Fanon's work Black Skin, White Masks It focuses specifically on the discussions in the second and third chapters of the work, titled "The Woman of Color and the White Man," and "The Man of Color and the White Woman." Fanon examines what would need to be the case in order to have the possibility of "true, authentic love—wishing for others what one postulates for oneself, when that postulation unites the permanent values of human reality." His answer is that "mobilization of psychic drives basically freed of unconscious conflicts" would be needed. Since he "believe[s] in the possibility of love, he "endeavor[s] to trace its imperfections, its perversions in these two chapters. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Fanon's Black Skin, White Masks - amzn.to/3a6Hphs

In this episode, Anton and BC discuss the recent Octavia Butler symposium, the Black-owned water bottle company, SUPLMNT, and why the care of beautiful Black skin must be taken seriously.

Gary D. Hines, Music Director and Producer of the 3-time, Grammy Award-Winning Sounds of Blackness, stops by to discuss their latest single "Woke, featuring Quan Howell from the motion picture soundtrack ( Black Skin). Gary has recorded, performed, toured, written for and appeared with: Quincy Jones, Jimmy “Jam” Harris & Terry Lewis, Prince, Usher, Stevie Wonder, Michael Jackson, Luther Vandross, Aretha Franklin, Elton John, Johnny Gill, Patti LaBelle, Sting, Dolly Parton, Danny Glover and Jordin Sparks to name just a few.

In his new book The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon, Adam Shatz writes that, “The American poet Amiri Baraka described James Baldwin, who was born a year before Fanon, as ‘God's Black revolutionary mouth.' What Baldwin was for America, Fanon was for the world, especially the insurgent Third World, those subjects of European empires who had been denied what Edward Said called the ‘permission to narrate.'” Shatz's book explores, in lucid detail, the complex life and thought of the Martinican psychiatrist and anticolonial theorist,  whose life was tragically cut short in 1961. Fanon's epochal books Black Skin, White Mask and The Wretched of the Earth have long been a source of inspiration for politically minded filmmakers, including Med Hondo, Claire Denis, and many others. Film Comment Editors Devika Girish and Clinton Krute invited Adam on the podcast to talk about Fanon's interest in cinema, filmmakers who've engaged the theorist's works, and what exactly makes a movie “Fanonian.” In addition to films by Hondo and Denis, we talked about Ivan Dixon's The Spook Who Sat by the Door, Antonioni's The Passenger, Gillo Pontecorvo's The Battle of Algiers, Ousmane Sembène's Black Girl, and more.

Begun as a psychiatric dissertation, Frantz Fanon's Black Skin, White Masks (1952) became a genre-shattering study of antiblack racism and its effect on the psyche. At turns expressionistic, confessional, clinical, sharply satirical and politically charged, the book is dazzlingly multivocal, sometimes self-contradictory but always compelling. Judith Butler and Adam Shatz, whose biography of Fanon was released in January, chart a course through some of the most explosive and elusive chapters of the book, and show why Fanon is still essential reading.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsJudith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

My Black Skin by Chance by 826 Valencia

Adam Shatz speaks with Kate Wolf and Eric Newman about his latest book, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon. The book is both a biography of Fanon— one of the most important thinkers on race and colonialism of the last century— as well as an intellectual history that looks closely at his most seminal texts. Shatz uncovers the events that led to the writing of books such as Black Skin, White Masks and the Wretched of the Earth by following Fanon from his birth in Martinique (then a French colony), to his time serving in World War II, his studies in Lyon, his innovative work as a psychiatrist in France and Algeria, as well as his pivotal decision to join in the fight for Algerian independence and become a part of the FLN. Though Fanon died at only 36, in 1961, Shatz also explores the many afterlives of his work, from his embrace by the Black Panthers and his influence on filmmakers such as Claude Lanzmann and Ousmane Sembene to echoes of his thought in the continued movements for Black liberation and decolonization today. Also, E. J. Koh, author of The Liberators, returns to recommend The Twilight Zone by Nona Fernandez, translated by Natasha Wimmer.

Adam Shatz speaks with Kate Wolf and Eric Newman about his latest book, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon. The book is both a biography of Fanon— one of the most important thinkers on race and colonialism of the last century— as well as an intellectual history that looks closely at his most seminal texts. Shatz uncovers the events that led to the writing of books such as Black Skin, White Masks and the Wretched of the Earth by following Fanon from his birth in Martinique (then a French colony), to his time serving in World War II, his studies in Lyon, his innovative work as a psychiatrist in France and Algeria, as well as his pivotal decision to join in the fight for Algerian independence and become a part of the FLN. Though Fanon died at only 36, in 1961, Shatz also explores the many afterlives of his work, from his embrace by the Black Panthers and his influence on filmmakers such as Claude Lanzmann and Ousmane Sembene to echoes of his thought in the continued movements for Black liberation and decolonization today. Also, E. J. Koh, author of The Liberators, returns to recommend The Twilight Zone by Nona Fernandez, translated by Natasha Wimmer.

Trump's legal and financial crises are deepening, and Nikki Haley isn't quitting - his mental deterioration is becoming more evident, and she is making it a campaign issue. Harold Meyerson comments.Also: California moved one step closer to universal healthcare on January 1, when it expanded coverage to all low-income residents, regardless of immigration status. Sasha Abramsky will report.Plus: Adam Shatz will talk about Franz Fanon, whose books Wretched of the Earth and Black Skin, White Masks made him a huge figure on the left, not just in the '60s when they were published, but in the era of Black Lives Matter when “his shadow looms larger than ever.” Now he's the subject of Adam's new book, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon. Adam is the US editor of the London Review of Books.

On this episode of Start Making Sense, John Nichols has our analysis on the New Hampshire primary--Biden's big win, and Trump's furious victory speech.Also: Adam Shatz talks about Franz Fanon, whose books Wretched of the Earth and Black Skin, White Masks made him a huge figure on the left, not just in the '60s when they were published, but in the era of Black Lives Matter when “his shadow looms larger than ever.” Now he's the subject of Adam's new book, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon. Adam is the US editor of the London Review of Books, and former Literary Editor of The Nation.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tuesday's New Hampshire primary, first in the nation, was also the last chance for Republicans to move beyond Trump. And also the first chance for Democrats to pressure Biden to push for a cease-fire in Gaza. John Nichols has our analysis.Also: Adam Shatz talks about Franz Fanon, whose books Wretched of the Earth and Black Skin, White Masks made him a huge figure on the left, not just in the '60s when they were published, but in the era of Black Lives Matter when “his shadow looms larger than ever.” Now he's the subject of Adam's new book, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon. Adam is the US editor of the London Review of Books, and former Literary Editor of The Nation.

"A hermit in the middle of Los Angeles" is one way she described herself - born in 1947, Butler became a writer who wanted to "tell stories filled with facts. Make people touch and taste and know." Since her death in 2006, her writing has been widely taken up and praised for its foresight in suggesting developments such as big pharma and for its critique of American history. Shahidha Bari is joined by the author Irenosen Okojie and the scholar Gerry Canavan and Nisi Shawl, writer, editor, journalist – and long time friend of Octavia Butler.Irenosen Okojie's latest collection of short stories is called Nudibranch and she was winner of the 2020 AKO Caine Prize for Fiction for her story Grace Jones. You can hear her discussing her own writing life alongside Nadifa Mohamed in a previous Free Thinking episode https://www.bbc.co.uk/programmes/m000k8sz Gerry Canavan is co-editor of The Cambridge Companion to American Science Fiction. Nisi Shawl writes about books for The Seattle Times, and also contributes frequently to Ms. Magazine, The Cascadia Subduction Zone, The Washington Post.Producer: Luke MulhallYou might be interested in the Free Thinking episode Science fiction and ecological thinking https://www.bbc.co.uk/programmes/m000h6yw and on Ursula Le Guin's The Word for World is Forest https://www.bbc.co.uk/programmes/b0b6yb37 and a playlist exploring Landmarks of Culture including Frantz Fanon's Black Skin, White Masks and the writing of Audre Lorde, and of Wole Soyinka https://www.bbc.co.uk/programmes/p01jwn44

 Abundance of Melanin « Too Much Black (wordpress.com) CNN Confirms Human Organ Theft In Haiti, Who's Responsible? | (wordpress.com)  SciELO – Brazil – Melatonin and organ transplantation: what is the relationship? Melatonin and organ transplantation: what is the relationship? Here’s What All Your Organs And Parts Are Worth On The Black Market (ranker.com)  TOP PODCASTS […] The post Why do they steal Organs from Black Skin People? Earthquake & Cholera in Haiti was to STEAL Black Organs for transplants.  Blacks and Pineal Glands appeared first on Psychopath In Your Life.

David E. Kirkland is a trans-disciplinary scholar of English and urban education, who explores the intersections among urban youth culture, language and literacy, urban teacher preparation, and digital media. He analyzes culture, language, and texts, and has expertise in critical literary, ethnographic, and sociolinguistic research methods. He has received many awards for his work, including the 2008 AERA Division G Outstanding Dissertation Award and was a 2009-10 Ford Foundation Postdoctoral Fellow and is a former fellow of NCTE's Cultivating New Voices. Dr. Kirkland has published widely. His most recent articles include: ” Black Skin, White Masks': Normalizing Whiteness and the Trouble with the Achievement Gap” in urban contexts: Politics, Pluralism, and Possibilities” (English Education), and “We real cool: Examining Black males and literacy” (Reading Research Quarterly). He is currently completing his fourth book, A Search Past Silence, to be published through Teacher College Press s Language and Literacy Series. Dr. Kirkland believes that, in their language and literacies, youth take on new meanings beginning with a voice and verb, where words when spoken or written have the power to transform the world inside-out Support Latin Waves by becoming a member for as little as $1 per month. https://latinwavesmedia.com/wordpress/

Tyre Nichols believed he had a good looking future, but like many that we cover on this show, fate had other ideas. History repeats itself, only this time the damage is done by men, who should have known better. Different shade yet same horrors. Produced and Writen by: James HayesLead Producer: Carl Kevin Robinson Jr.Sound Engineering: Dori HollySound Editing, Sound Mixing, and Mastering by Carl Kevin Robinson Jr.Voiceover Narration by: Dori HollyShow Theme Music composed by: Liam Fox O'brienFor questions or show ideas reach us at anothershadeofcrime@gmail.com If interested in furthering your support you can find us on Patreon.Sources: Wikipedia CNN ABC NewsThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4108760/advertisement

On today's episode, we will be touching on myths and facts about skincare in the black community. Why are there so many skin myths, especially among the ethnic community? Let's talk about it! --- Send in a voice message: https://podcasters.spotify.com/pod/show/blackgirlaesthetics/message

That's a you problem.

In 1998, Curran Dandurand and a colleague from Mary Kay Cosmetics came up with an unorthodox idea: a premium skincare brand for men. Despite the prevailing wisdom that American men would never want to moisturize and exfoliate - and a total lack of interest from investors - Curran and Emily Dalton forged ahead, with the help of Curran's husband Jeff. Their brand, Jack Black, launched in 2000, and eventually landed in major department stores, with some unexpected boosts from the Dallas Cowboys and Matthew McConaughey. The brand became a leader in men's skincare, and eventually sold to Edgewell Personal Care for just under $100 million.This episode was produced by Casey Herman, with music by Ramtin Arablouei.Edited by Neva Grant with research help from Katherine Sypher.You can follow HIBT on Twitter & Instagram, and email us at hibt@id.wondery.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bart and Jenna are rarely afraid to dive headfirst into uncharted areas of cinema, but certain movies are just too important for them to toss around in their usual subjective way. Gillo Pontecorvo's The Battle of Algiers is one such landmark work that seems irresponsible to discuss without a maximum amount of context. That's why Cinema60 invited African Studies and Decolonization scholar Christopher J. Lee to the podcast to help them unpack the history and politics of the film and the events that it depicts.In addition, Chris wanted to talk about Ousmane Sembène's Black Girl, another film from 1966 with a very different, but equally harsh, perspective on French colonialism in Africa. The two films, taken together, give a well-rounded visualization of the revolutionary ideas of political philosopher Frantz Fanon, whose thoughts got to the heart much of the social upheaval of the era. Listen as Chris gives a global backdrop to the rebellious spirit that inspired the big changes in the way people governed themselves, and in the way they made movies, in the mid-20th century.The following films are discussed:• The Battle of Algiers (1966) La battaglia di Algeri Directed by Gillo Pontecorvo Starring Brahim Hadjadj, Jean Martin, Yacef Saadi• Black Girl (1966) La noire de... Directed by Ousmane Sembène Starring Mbissine Thérèse Diop, Anne-Marie Jelinek, Robert FontaineAlso mentioned:• The Birth of a Nation (1915) Directed by D.W. Griffith Starring Lillian Gish, Mae Marsh, Henry B. Walthall• De Voortrekkers (a.k.a. Winning a Continent) (1916) Directed by Harold M. Shaw Starring Dick Cruikshanks, Caroline Frances Cooke, Jackie Turnbull• Rome, Open City (1945) Roma città aperta Directed by Roberto Rossellini Starring Anna Magnani, Aldo Fabrizi, Marcello Pagliero• Paisan (1946) Paisà Directed by Roberto Rossellini Starring Carmela Sazio, Gar Moore, William Tubbs• Bicycle Thieves (1948) Ladri di biciclette Directed by Vittorio De Sica Starring Lamberto Maggiorani, Enzo Staiola, Lianella Carell• Cry, the Beloved Country (1951) Directed by Zoltan Korda Starring Canada Lee, Sidney Poitier, Charles Carson• Le petit soldat (1961) Directed by Jean-Luc Godard Starring Anna Karina, Michel Subor, Henri-Jacques Huet• Cléo from 5 to 7 (1963) Cléo de 5 à 7 Directed by Agnès Varda Starring Corinne Marchand, Antoine Bourseiller, Dominique Davray• The Umbrellas of Cherbourg (1964) Les parapluies de Cherbourg Directed by Jacques Demy Starring Catherine Deneuve, Nino Castelnuovo, Anne Vernon• Nanny (2022) Directed by Nikyatu Jusu Starring Anna Diop, Michelle Monaghan, Sinqua WallsBooks discussed:• The Stranger by Albert Camus (1942)• Prison Notebooks by Antonio Gramchi (1947)• Black Skin, White Masks by Frantz Fanon (1952)• God's Bits of Wood by Ousmane Sembène (1960)• The Wretched of the Earth by Frantz Fanon (1961)• Frantz Fanon: Toward A Revolutionary Humanism by Christopher J. Lee (2015)

This Morning's Baking Ingredients My favorite thing about Black women is their energy to transformDr. Neil deGrasse Tyson doesn't want to be Black and I kinda understand.A dude solution to AI makes me wonder why robots aren't slaves!Burning Question for the Roach; Who is we and why would we need AI slaves?Join the conversation Tuesday & Thursday, at 8 am-ish on Instagram Live, YouTube, and Twitter. Follow us on Instagram @WakeNBakeWithBeMo! Learn more about the host of Wake N Bake With BeMo on BeMoauthentic.com. The Wake N Bake With BeMo Podcast is proudly presented by the Bridge Podcast Network. For more information about the Washington Informer and The Bridge visit WIBridgeDC.comCheck Out Micah Robinson's ToneChe Music Video.This week's Jam of the Week is brought to us by Detroit Rivers' Black Boy JoyIf you are interested in being a sponsor for Wake N Bake with BeMo, visit our insights page and shoot us an email.

Abby and Patrick welcome political theorist Nica Siegel, author of a forthcoming manuscript on the politics of exhaustion, including a recently published chapter, “Fanon's Clinic: Revolutionary Therapeutics and the Politics of Exhaustion,” and a brand-new essay in Parapraxis. Nica tells our listeners about Frantz Fanon's life, situating both his personal journey and his writing within the context of his work as a clinician and clinical theorist. As Nica recounts, Fanon's clinical writings were only recently collected and translated in the 2018 volume Alienation and Freedom, which has ushered in a renaissance in Fanon studies in the Anglophone world. Tracking Fanon's story from Martinique to metropolitan France to Tunisia to Algeria, a focus on Fanon as a clinician helps us to rethink and recontextualize the major texts that bracket his life: Black Skin, White Masks and The Wretched of the Earth. Abby, Patrick, and Nica also discuss resistances to Fanon; distinctive clinical concepts like the “transferential constellation”; neurosis versus psychosis; syndromes as political resistance; political exhaustion and the exhaustion of the political; revolutionary subjectivity; the superego of the contemporary left; and much more. Nica's Parapraxis essay on Fanon as clinician, “Destiny to Be Set Free: Fanon Between Repair and Reparation” was, happily, released online earlier than we expected: https://www.parapraxismagazine.com/articles/destiny-to-be-set-freePrimary texts we discuss include:Frantz Fanon, Black Skin, White MasksFanon, The Wretched of the EarthThe volume of Fanon's clinical writings Nica is discussing is Alienation and Freedom, edited and compiled by Jean Khalfa and Robert J.C. Young, translated by Steven CorcoranSome of the other books that Nica invokes include:David Marriott, Whither Fanon? Studies in the Blackness of BeingCamille Robcis, Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar FranceFred Moten, The Universal Machine (consent not to be a single being)Hannah Zeavin, The Distance CureNigel Gibson and Roberto Beneduce, Frantz Fanon, Psychiatry and Politics (Creolizing the Canon)You can learn more about Nica's work and get in touch with her at nicasiegel.comHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Get ready for a captivating and laughter-filled episode of "Black Skin, White Mind: Debunking Stereotypes through Humor and Personal Experiences." Join us as we embark on a hilarious journey, challenging stereotypes and breaking down barriers through the power of humor. In this entertaining episode, we share our personal stories, uproarious anecdotes, and witty insights, using laughter as a tool to dismantle preconceived notions and celebrate our diverse experiences. From funny encounters to unexpected triumphs, we delve deep into the absurdities of societal expectations, proving that humor has the power to bridge gaps and foster understanding. Tune in for a refreshing and entertaining conversation that will leave you laughing, questioning assumptions, and embracing the beauty of our shared humanity. Get ready to laugh, learn, and embark on an unforgettable journey of debunking stereotypes through humor and personal experiences. Don't miss out on this crucial conversation! Click the link in our bio to listen now! ✨ Subscribe so you don't miss a single episode, every Thursday! Join us on Fanbase, for access to exclusive LIVE Recordings every Wednesday at 630 PM PST and 830 PM CST! FanBase! https://fanbase.app/share/saveitforthemic Facebook Page https://www.facebook.com/saveitforthemic/videos/?ref=page_internal Youtube Channel https://www.youtube.com/channel/UCl-lTfR66vktAx4pCa8rt9A Instagram https://www.instagram.com/saveitforthemic_thepodcast/ Anchor https://spotifyanchor-web.app.link/e/FkXFOLjEDub #saveitforthemic #siftm #podcast #BlackSkinWhiteMind #RacialIdentity #StereotypeDebunking #HumorAndRace #PersonalExperiences #CulturalDiversity #BreakingBarriers #LaughingTogether #ChallengingAssumptions #SocialExpectations #InclusiveHumor #DismantlingBias #SharedExperiences #UnityInDiversity #ComedyAndRace #CelebratingDifferences #LaughOutLoud #Intersectionality #EmbracingAuthenticity #PositiveChange --- Support this podcast: https://podcasters.spotify.com/pod/show/saveitforthemic/support

A common idea in academic theory and activism, as we start to move towards less unjust institutions, is that we need to decolonise things, from university curricula to museum collections. Following on from a brilliant event which took place last week at UCL, the UCL-Penn State Joint Conference on ‘Resisting Colonialism', we are discussing these ideas with the three organisers. The conference ranged from discussions what to do about unpaid reparations, museum collections, and the monuments of colonisers; to decolonial approaches to immigration and theories of resistance. Joining us today to talk about some of these important ideas are:Dr Shuk Ying Chan, Assistant Professor in Political Theory in the Department of Political Science at UCL, whose book in progress examines decolonisation as an unfinished project of global justice;Dr Desiree Lim, Catherine Shultz Rein Early Career Professor and Assistant Professor of Philosophy at Penn State, whose monograph “Immigration and Social Equality” is forthcoming at OUP;and Dr Chong-Ming Lim, Assistant Professor of Philosophy at Nanyang Technological University, whose published work examines, amongst other topics, uncivil political resistance, including the vandalising of commemorations. Mentioned in this episode:Vandalizing Tainted Commemorations. Chong-Ming Lim.Transforming problematic commemorations through vandalism. Chong-Ming Lim.Immigration and Social Equality. Desiree Lim.Black Skin, White Masks. Frantz Fanon.The Wretched of the Earth. Frantz Fanon.

Dr. Nashay Clemetson, Jamaican-born, board-certified dematlogist and entrepreneur, joins the conversation to discuss the complexity of dermatologic care for people of color. She is fellowship-trained in the new, growing and historically overlooked field of ethnic skin care. --- Support this podcast: https://podcasters.spotify.com/pod/show/rtconsult/support

THE RAW DOG FOOD TRUTH' PODCAST YOUR PET'S HEALTH IS OUR BUSINESS FRIENDS DON'T LET FRIENDS FEED KIBBLE Dr. Judy Jasek, DVM and DeDe talk about 1. Elevated calcium levels and what it can mean 2. Chronic Ear infection solutions 3. Black skn and loss of hair Get your dog healthier today! www.RawDogFoodandCompany.com

Kathy Barnette, is the Grassroots Director and Advisor to the Vivek Ramaswamy 2024 Presidential Campaign.  Don Lemon tells Vivek Ramaswamy he can't disagree with him because he doesn't have “black skin”

The German philosopher Hegel gives us a useful tool for understanding the history of ideas: thesis, antithesis, and synthesis. We can see this clearly in the movement from the Enlightenment to romanticism to modernism and postmodernism—each intellectual movement a reaction to its predecessor, integrating what works from the previous era with new solutions to meet the demands of new problems.  But, where does that leave us now? What comes next after postmodernism? Odds are, we're already in it this new intellectual movement.  A growing number of people have become worn out with deconstruction and the postmodernist impulse to doubt everything, to dismantle every concept and institution. It's become apparent this exercise which started out as emancipatory and liberating has congealed into its own set of dogmas and less-than-productive ways of being.  Eager to revitalize a more constructive mindset and free us from postmodernism's long shadow, as he calls it, Jason Ānanda Josephson Storm makes a case for what he hopes will come next. He argues this in his recent book Metamodernism: The Future of Theory (2021). Chair and professor of religion and chair of science and technology studies at Williams College, he aims to take us through postmodernism to metamodernism, to establish a new approach to producing what he calls “humble knowledge.” He's trying to create a paradigm shift, not just describe what is happening.  He believes metamodernism is about the future of all disciplines, especially the human sciences. Ultimately, metamodernism is about hope. It's a vision whose ethical and political goals are rooted in compassion and multispecies flourishing.  And here are a few things we consider during our conversation: How does metamodernism utilize skepticism without falling prey to either nihilism or a dogmatic doubting of everything? Why has postmodernism possibly, I say, possibly, reached a dead end? What is the relationship between metamodernism and Pragmatism? And what pressing political or social problems can metamodernism help us solve?   Show Notes: The Myth of Disenchantment: Magic, Modernity and the Birth of the Human Sciences by Jason Ānanda Josephson Storm (2017) “The Task of the Translator” in Illuminations: Essays and Reflections by Walter Benjamin (1968) “What Is a ‘Relevant' Translation?” by Jacques Derrida (2001) “An Interview with Moyo Okediji on Metamodernism” by Jason Ānanda Josephson Storm (2022) “Black Skin, White Kins: Metamodern Masks, Multiple Mimesis” in Diaspora and Visual Culture: Representing Africans and Jews by Moyo Okediji (1999) Metamodernism: The Future of Theory by Jason Ānanda Josephson Storm (2021) S1E07 Charles Peirce and Inquiry as an Act of Love w/ David O'Hara (2021) Philosophy and the Mirror of Nature by Richard Rorty (1979) S2E03 Literature Must Be an Unsettling Force for Democracy w/ Elin Danielsen Huckerby (2022) “Rortian Liberalism and the Problem of Truth” by Adrian Rutt (2021) “Truth as Pragmatism's Only Hope” by Jon Alan Schmidt (2022) “Why We Won't Ever Arrive at Truth” by Ian Cran (2022) “The Power of One Idea” by Jeffrey Howard (2020)   Music Credits: “Suspicious” by Nicolas Gasparini licensed under a Creative Commons License “Happy Americana” by ABCDmusic “Carmen – Habanera (Piano Version) Georges Bizet” by Nicolas Gasparini licensed under a Creative Commons License “Old Bossa” by Twin Musicom licensed under a Creative Commons License “Chill Wave” by Kevin MacLeod licensed under a Creative Commons License “Bet On It” by Silent Partner licensed under a Creative Commons License

What kind of authority do we appeal to when we invoke lived experience? Isn't all experience "lived"? Why does the *discourse* today so frequently refer to this concept, and what are its philosophical origins? In episode 74 of Overthink, Ellie and David discuss the phenomenology of lived experience, including its roots in Dilthey, who considered lived experience to be historical. They incorporate Fanon's work into the conversation to answer the question of if our lived experience of the world is something that varies along identity lines such as race.Patreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail |  Dearoverthink@gmail.comYouTube | Overthink podcastWorks Discussed Wilhelm Dilthey, Poetry and ExperienceFranz Fanon, Black Skin, White MasksMartin Jay, Songs of Experience Becca Longtin, “From Factical Life to Art: Reconsidering Heidegger's Appropriation of Dilthey”Pamela Paul, “The Limits of ‘Lived Experience'”Support the show

In this episode, we take a deep dive into Frantz Fanon's first book Black Skin, White Masks. We discuss his views on racism as a form of alienation and narcissism, assess that status of reason throughout his argument, and interrogate his emphasis on futurity over history. Throughout we defend his theory of social pathology and his embrace of reason and universal humanism. This episode should be a stimulating introduction to the anticolonial and revolutionary work of Fanon for both newcomers and experts!leftofphilosophy.com | @leftofphilReferences:Frantz Fanon, Black Skin, White Masks, trans. Richard Philcox (New York: Grove Press, 2008).Frantz Fanon, Œuvres (Paris: Éditions La Découverte, 2011).Frantz Fanon, “Racism and Culture,” in Toward the African Revolution, trans. Haakon Chevalier (New York: Grove Press, 1967).Liam Kofi Bright, “White Psychodrama,” The Journal of Political Philosophy, 2023. https://onlinelibrary.wiley.com/doi/full/10.1111/jopp.12290Music: Vintage Memories by Schematist | schematist.bandcamp.com

Frantz Fanon (1925-1961) was a Caribbean and African psychiatrist, philosopher and revolutionary whose works, including Black Skin, White Masks and The Wretched of the Earth are hugely influential in the fields of post-colonial studies, critical theory, and post-Marxism. His legacy remains with us today, having inspired movements in Palestine, Sri Lanka, the US and South Africa. Frantz Fanon: Philosopher of the Barricades (Pluto Press, 2015) is a critical biography of his extraordinary life. Peter Hudis draws on the expanse of his life and work - from his upbringing in Martinique and early intellectual influences to his mature efforts to fuse psychoanalysis and philosophy and contributions to the anti-colonial struggle in Algeria - to counter the monolithic assumption that Fanon's contribution to modern thought is defined by the advocacy of violence. Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome back to the Relatable Voice! On today's episode, the RV is going to Sweden because Isabel Cintra is joining us. Originally from Brazil, Isabel is a children's book author and her latest book is called The Sweetest Ladybug. Website: www.isabelcintra.com Instagram: isabelcintra_authorhttp://www.isabelcintra.com/ Facebook: isabel cintra   Learn more about your ad choices. Visit megaphone.fm/adchoices