Podcast appearances and mentions of iris rose

Our Bawdy Showcase night with The Cannibal Tudors, The Minstrel Rav'n, Menage A Moi, Iris & Rose and The Merry Wives of Windsor.

Sit back and listen to entrepreneur,  content creator and former Gary Vaynerchuk videographer, Iris Chen. She shares how her experience working with Gary V and how that transpired into her new personal branding agency,   Iris Rose & Co.,. is a modern-day personal branding agency that works to empower female entrepreneurs, executives, and influencers through impactful content and storytelling across social.

Black Leather Bands by Bedlam Bards from Take Out The Trash Before My Face by Iris & Rose from Two In The Bush Confession by Friar Finnegan from New Pub Songs Kitty Song by Belles of Bedlam from Little Pleasures Cockerel Song by The Merry Wives of Windsor from Happy Endings Captain's Wife's Lament by Chaste Tresure from Questionably Chaste Itches In My Britches by Better Than Nun from #nunlyfe FKBuddySong by 2 Merry Men from Bawdy, Drunken, Song-Filled Merriment Blow the candles out by Half Pint from Fair and Tender Ladies Chastity Belt by Axel the Sot from The Trouble with an Orgy   SPECIAL GUEST APPEARANCE Soundrels Inn   HOW TO CONTACT US Post it on Facebook Email us at renfestpodcast@gmail.com Call or text the castle at 478- castles that is (478) 227-8537  

Exciting new starlets Elsa Jean and Iris Rose will be joining host James Bartholet and co-host Lauren Phillips on Inside The Industry. The guests will be discussing their new projects, and they will be taking calls live from the listening audience. Inside The Industry is continuing their exciting and fun weekly on air contests. This week's contests also include a free signed DVD's, or a free promotional item from Pipedream Products.

Exciting new starlets Elsa Jean and Iris Rose will be joining host James Bartholet and cohost Lauren Phillips on Inside The Industry. The guests will be discussing their new projects, and they will be taking calls live from the listening audience. Inside The Industry is continuing their exciting and fun weekly on air contests. This week's contests also include a free signed DVD’s, or a free promotional item from Pipedream Products.

Exciting new starlets Elsa Jean and Iris Rose will be joining host James Bartholet and cohost Lauren Phillips on Inside The Industry. The guests will be discussing their new projects, and they will be taking calls live from the listening audience. Inside The Industry is continuing their exciting and fun weekly on air contests. This week's contests also include a free signed DVD’s, or a free promotional item from Pipedream Products.

Ave Maria by Malarky and Poppycock from A Drink to All Hills of Connemara by Blackjacks 'n Blarney from Bite Size Pump Shanty by The Shantyman from Pirate's Life On We Go by 3 Pints Gone from The Beaches Of St. Valery Fairy Story by Iris & Rose from The Bust of... Iris and Rose FEATURE - Interview with MooNiE the Magnif'Cent PROMO - Ren-Fest Experience Podcast River's Jig by Bedlam Bards from On the Drift (Music Inspired by Firefly and Serenity) Tom Bombadil's House/Tom's Morning Mocha" by The Bordercollies from Laird of the Rings Roll Me Over by In Our Cups from Foolish Pleasure Sir Eglamore by The Interpreters from Be Gentle Princess Royal by Gypsy Guerrilla Band from Ernie's Pot O' Gold II

http://radiowonderland.org/serendipity/index.phpRadio Wonderland "bio"RADIO WONDERLAND is me, Joshua Fried, performing solo live sound processing by drumming on old shoes (I'm a drummer) and manipulating a steering wheel (I'm a, er, wheel player). RADIO WONDERLAND turns live commercial FM radio into recombinant funk.All the sounds originate from an old boombox, playing radio LIVE. Nothing is pre-recorded; anything picked up during the performance is fair game until the end. All the processing is by custom software I wrote in the MaxMSP programming environment. But I hardly touch the laptop. My controllers really are a vintage Buick steering wheel, old shoes mounted on stands, and some gizmos. You'll hear me build grooves, step by step, out of recognizable radio, and even UN-wind my grooves back to the original radio source.I walk on with a boom box, playing FM radio LIVE. Once onstage, I plug it into my system and start slicing up radio. I arrange those slices both rhythmically, and, by playing them at different speeds, melodically as well, all according to what I hear. I call this process the RE-SHUFFLER. With another algorithm, which I call my RE-ESSER, (studio nerds will recognize this as a joke on de-esser), I isolate the sibilance, so I can compose on the spot with those S, T, K, Sh, etc. sounds, just like programming a drum machine. The ANYTHING-KICK morphs a bit of radio in the direction of a kick drum.The sum total is dance music. I ham it up like mad, using the theatricality of the objects. It's great fun, and more musical than the video suggests. Every show is rather different, naturally, because the source material is entirely different each time.So what's it all about? What is the art-speak that goes with RADIO WONDERLAND? I want to show that we ALL can interrupt and interrogate the never-ending flow of commercial media. So my transformations, taken individually, must be clear and simple?mostly framing, repeating and changing pitch?although when everything is put together the whole is indeed complex. My controllers are simple too: the wheel merely a knob to take things up and down (frequency, tempo) or play radio loops like a turntable, the shoes just pads I hit softer or louder. The surreal quality of using such ordinary objects underscores the absurd disconnect between digital controller and sound, as well as the congenial nature of the aural transformations themselves. So, too, my riffs must be vernacular and not elite. (We need the funk.)How did this all happen?I discovered dub, punk, and Eno in 1978 and by '79 I was making music. I soon realized that I wanted it to dance.1980s:Performed as my own-person--uh, that's one-person--dub band at clubs such as The Pyramid, Danceteria, Mudd Club, Irving Plaza, Limelight, Tunnel, Limbo Lounge, while still collaborating with choreographers and performance artists including the great Iris Rose and Watchface.Did remix work for Chaka Khan, Ofra Haza and They Might Be Giants.Had a record deal with Atlantic, releasing "Jimmy Because" produced by Joe Mardin and Arif Mardin (Chaka Kahn, Nora Jones, Bee Gees, David Bowie, Bette Midler, Aretha Franklin).1990s:Skewed meself towards the concert hall and theater, doing Bang On A Can, Lincoln Center, The Kitchen, etc. Did a big collaboration with the great choreographer Douglas Dunn. Had a 16 week run of a gibberish operatic suite, Headfone Follies at HERE Arts Center. Made this web site:Composer Joshua2000s:Radio Wonderland is (slowly) born! And is my way ofBringing It All Back Home.Posted by Joshua Fried in Bio at 08:22