Podcasts about Trouble

Jules and Effin Older were enjoying retirement in a beautiful rent-controlled apartment in San Francisco until COVID hit and the appeal of big-city life faded. Having lived in New Zealand before, they saw it was handling the pandemic better than most places. Soon they left their apartment, shed most of their belongings, and boarded a mostly empty airliner for New Zealand. Now in their 80s, they're loving life on an island south of the equator. Hear more about the Olders' adventures in Auckland, New Zealand on Episode 223 of Retire There with Gil & Gene. Jules and Effin Older's website is JulesOlder.com. Effin is the author of a children's trilogy: HELP! Santa is in Trouble, HELP! Easter Bunny is in Trouble, and HELP! Tooth Fairy is in Trouble. Jules also authored a children's trilogy: Special Ed and the White Force, Special Ed and the Megatroid, and Special Ed and the Hydra-Serpent.  #retirethere #retiretherepodcast #julesolder #effinolder #auckland #aucklandnewzealand #newzealand #retirewhere #retireabroad #retirehere #wheretoretire #retireearly #bestplacetoretire #retirement #retirementplanning #babyboomers #genxers  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the Jeremy Scott Fitness Podcast, Jeremy sits down with Heather Scott to talk about the real challenge of balancing career, kids, marriage, and staying healthy as busy parents.They share honest insights on time management, fitness for busy moms and dads, building a business while raising a family, and why taking care of your health matters even more after 35–40.If you're trying to build a career, raise great kids, stay fit, and keep life together, this episode will hit home.FREE Week Trial of My App ⁠⁠⁠⁠⁠HERE⁠⁠⁠⁠⁠Old Man Shredded 10 Week Program ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ code "SHREDZ49" save yourself $49 off Join our Built Difference Business Community ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks to our Sponsors:AG1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for a 1 year supply of vitamin D3 with free travel packs or want a FREE sample? Trouble with Sleep Try AGZ as well for free: Shoot us a DM and ask!NOBULL Electrolytes Fruit Punch ⁠⁠⁠⁠⁠HERE⁠⁠⁠⁠⁠My Current Fav NOBULL Kicks ⁠⁠⁠⁠⁠HERE⁠⁠⁠⁠⁠Jaylab Pro Our Protein, Turmeric, Collagen, Krill Oil - COE NY25 Save 25% now  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jeremyscottfitness.jaylabpro.com/products.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dry Farms Wine - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dryfarmwines.com/jeremyscottfitness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Each new member will earn an extra bottle for just a penny with their first order of wine when they use this link.

Hello Seekers! Ben here, today Jacques Hesse and I discuss Shia's continued crash out and how Jacques and I may have triggered it. Plus we take a listen to Bill and Hillary's Epstein Deposition, think about what we would do if we met Jesus, and Jacques comes up with a new prank involving a giant megaphone and roller skates. --- Check out this weeks Interior Motives with Hari Nef and Juliana Huxtable Subscribe to Hesse's new podcast Trouble in River City and Book Jacques at yayveryfun@gmail.com

Inspired by a true story of a kid who got stuck in a claw machine MULTIPLE times...

The Matt Slick Live (Live Broadcast of 03-06-2026) is a production of the Christian Apologetics Research Ministry (CARM). Matt answers questions on topics such as: The Bible, Apologetics, Theology, World Religions, Atheism, and other issues! You can also email questions to Matt using: info@carm.org, Put "Radio Show Question" in the Subject line! Answers will be discussed in a future show. Topics Include: What Does it Mean to Pray 'In Jesus' Name?/ A Missionary to The Oromo People of Ethiopia wants to Translate CARM Articles/ What is A Bloodline Curse?/ Is The Rapture Soon? What Does The Biblical Word "Knew" Mean?/The Sabbath, and How It Relates to Chritians/ Churches in Trouble, Are we Due for Another Reformation?/ What is a Non-Profit" Organization?/ What About The Doctrine of Hell?/God's Name/ March 6, 2026

Today on Black Dragon Biker TV: Fatal shooting at Hell's Lovers Clubhouse in Palm Springs—two dead, three wounded after altercation at motorcycle club event. Trouble at the Georgia Council Area meeting Sunday. Ketamine-addicted driver who killed biker in horror smash asked paramedics 'has there been a car crash?'And Nacogdoches ministry takes the gospel to bars, biker rallies, and prisons.Palm Springs Shooting — Two killed, three injured in late-night gunfire at private motorcycle club gathering (Feb 28, 2026). Ongoing investigation.Georgia Council Trouble — Reports of issues at Sunday's area meeting—details emerging.Ketamine Driver Crash — Driver high on ketamine killed biker, asked paramedics if there was a crash—sentenced for causing death by dangerous driving.Nacogdoches Ministry — Saved Savage Ministries brings the gospel to bars, rallies, prisons—real outreach to bikers and beyond.Join Black Dragon, Lavish T. Williams, and Tia Bunch for unfiltered talk.Watch live/replay on: Black Dragon Biker TV – /blackdragonbikertv Lavish T. Williams – /@lavishtwilliamsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-dragon-s-lair-motorcycle-chaos--3267493/support.Sponsor the channel by signing up for our channel memberships. You can also support us by signing up for our podcast channel membership for $9.99 per month, where 100% of the membership price goes directly to us at https://www.spreaker.com/podcast/the-.... Follow us on:Instagram: BlackDragonBikerTV TikTok: BlackDragonBikertv Twitter: jbunchiiFacebook: BlackDragonBikerBuy Black Dragon Merchandise, Mugs, Hats, T-Shirts Books: https://blackdragonsgear.comDonate to our cause:Cashapp: $BikerPrezPayPal: jbunchii Zelle: jbunchii@aol.com Patreon: https://www.patreon.com/BlackDragonNPSubscribe to our new discord server https://discord.gg/dshaTSTSubscribe to our online news magazine www.bikerliberty.comGet 20% off Gothic biker rings by using my special discount code: blackdragon go to http://gthic.com?aff=147Join my News Letter to get the latest in MC protocol, biker club content, and my best picks for every day carry. https://johns-newsletter-43af29.beehi... Get my Audio Book Prospect's Bible an Audible: https://adbl.co/3OBsfl5Help us get to 30,000 subscribers on www.instagram.com/BlackDragonBikerTV on Instagram. Thank you!We at Black Dragon Biker TV are dedicated to bringing you the latest news, updates, and analysis from the world of bikers and motorcycle clubs. Our content is created for news reporting, commentary, and discussion purposes. Under Section 107 of the Copyright

Send a textIn this week's episode of Music of the Mountains, we're featuring Emily Pennington, one half of the duo Trouble's Braids, who is coming to perform at Busey Brews on March 15th at 2 p.m.! Stay tuned to learn more!"Music is a relatively new adventure in Emily Pennington's life. For her, it's also one of the most unexpected, something she'd tried but never considered pursuing. 'To be totally honest, I played guitar a tiny bit in college and got really down on myself because it's really hard and it hurts your fingers,” recalls Pennington. “I kinda put the guitar down for 10 or 15 years and didn't even think about it very much.'" Support the showThank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.If you want to be involved in the podcast or paper, contact: Barbara Hardt, our editor-in-chief, at info@themountainear.com Tyler Hickman, podcast host, at tyler@themountainear.com Jamie Lammers, podcast host, at media@themountainear.com General inquiries: frontdesk@themountainear.com Head to our website for all of the latest news. Subscribe online and use the coupon code PODCAST for a 10% discount for all new subscribers. Submit local events to promote them in the paper and on our website. Find us on Facebook @mtnear and Instagram @mtn.ear Listen and watch on YouTube today. Share this podcast by scrolling to the bottom of our website home page or by heading to our main hub on Buzzsprout.Thank you for listening!

Go to http://factormeals.com/optic50off and use code optic50off to get 50% off and free breakfast for a year. Go to https://www.aspcapetinsurance.com/OPTIC to explore coverage. The ASPCA® is not an insurer and is not engaged in the business of insurance. Go to http://butcherbox.com/optic for $20 off. OpTic Gaming Merch: https://shop.opticgaming.com/ Check out the OpTic SCUF collection and use code “OpTic” for a discount: https://scuf.co/OpTic Check out the OpTic Podcast here: https://podcasts.apple.com/us/podcast/optic-podcast/id1542810047 https://open.spotify.com/show/25iPKftrl0akOZKqS0wHQG 00:00 - Intro 01:30 - HECZ x NiaC Mexico City 24:25 - International vs US Food 27:36 - Factor 28:40 - ASPCA 30:32 - Butcher Box 32:10 - The Boys Plan a Trip 35:13 - Huntsmen Update 37:24 - Capsidal Replaces Abe 38:11 - Is FaZe in Trouble? 46:00 - OpTic Texas 6-0 50:23 - Cloud9 Beat Gentle Mates 52:46 - Shotzzy's Big News 59:17 - Top 10 Video Games of All-Time 01:06:34 - The Future of Basketball 01:07:35 - OpTic x Dallas Stars 01:08:31 - Blackout Trailer Reaction 01:13:34 - Ultimate 1/1 Draft Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Daily Devotion with Pastor Balla for March 5, 2026, we reflect on Psalm 49:5–9 (ESV), “Why Should I Fear in Times of Trouble?” This Christian devotion addresses fear, injustice, wealth, mortality, and the biblical meaning of ransom. When the powerful trust in riches and boast in influence, believers may feel surrounded. Yet Scripture declares that no amount of money can ransom a soul or secure eternal life.This Lutheran devotion proclaims the Gospel clearly: what no man can pay, Jesus Christ has paid in full. The costly ransom was secured through His holy, precious blood and victorious resurrection. True security is not found in wealth, success, or earthly status, but in Christ alone.If you are searching for a daily Bible devotion, Psalm 49 Bible study, Christian encouragement, LCMS theology, or teaching on redemption and eternal life, this message will strengthen your faith.Support this ministry here: https://buymeacoffee.com/whitegandalphBuy Me a Coffee page: buymeacoffee.com/whitegandalphGod's peace and blessings. Please like, share, and subscribe.Hashtags#DailyDevotion #Psalm49 #ChristianEncouragement #LutheranTheology #RedemptionInChrist

S9E10 went out live from the TSORR Studio on Myoli Beach on 5 Mar 2026 at 19h00 on Bulldogs Radio.  Tough show, the music was great, but technically it was a nightmare.  I have fixed it and spliced it together; there may be a few blank places where the mic cut out. Hang in there, it will come back.  Some days are diamonds, some days are rocks.  We wrapped up the 2nd playoff for the Diabolical Challenge.  Over the last four weeks, we've been listening to the greatest live albums ever made, and the four finalists from those four weeks went through to this episode's Diabolical Challenge. You can hear how it plays out about two-thirds of the way through the show.     Check out the website: www.thestoryofrockandroll.com  all the video, interviews and bonus materials for the show are on the site.     If you want to be on the mailing list for all the weekly videos and documentaries of show-related material, send an email to:  thestoryofrockandroll1@gmail.comThank you all for the support. Artists featured: Accept, Judas Priest, Van Halen, Foo Fighters, Texas Hippie Coalition, All Them Witches, Hinder, Sophie Lloyd, Brave Rival, Star Circus, Thin Lizzy, Triumph, Rush, Boston, Pearl Jam, Nine Inch Nails, Soundgarden, Motörhead, Guns N' Roses, Black Sabbath, The Clash, John Frusciante, Metallica, ACDC, Peter Frampton, Bruce Springsteen, David Gilmour, Skid Row, Trouble, Michael schenker, The Halo EffectThe Story of Rock and Roll. TSORR - Your one-stop shop for Rock

Send a textWhat do first responders actually need from therapy to make it stick? We unpack fresh survey results from 46 clients and more than 30 first responders to surface what's working, what's missing, and the changes we're rolling out next. From session length and structure to real follow-up and safer groups, this is a candid look at the nuts and bolts of care that moves the needle.We dig into why 60 minutes often isn't enough and how a 90-minute option creates space to warm up, process, and land with a clear plan. We're honest about insurance friction and share practical paths forward, including an optional add-on that protects access without cutting depth. You'll also hear how our first responder group keeps trust high with two hard lines—strict confidentiality and a no-apologies norm—so people can speak plainly about trauma, hypervigilance, substance use, and family strain without fear of gossip or judgment.A big theme is momentum between sessions. Listeners asked for homework, short videos, book recs, and a single “action before next session” to keep progress alive on real shifts like sleep, sobriety, anger, or communication. We share how we're building lightweight follow-ups that fit busy schedules and how wellness visits, vetted resources, and culturally competent clinicians can make help easier to find and safer to use. We also preview more solo segments by request, upcoming presentations, and a growing network designed to connect police, fire, and EMS with trusted treatment options across Massachusetts.If you care about first responder mental health, you'll leave with clarity on what changes are coming—longer sessions, stronger follow-up, and a tighter, safer community of support. Listen, share your take, and help shape what rolls out next. Subscribe, leave a review, and tell us the one change you want to see first.Support the showYouTube Channel For The Podcast

What if perimenopause isn't a cliff, but a seven to ten year hormonal shift we were never properly taught about? Dr. Amy Shah returns to break down what's actually happening during the hormone “havoc” phase, from fatigue and brain fog to mood changes and body composition shifts. We dive into the 30-30-3 nutrition framework, why protein and fiber matter more than ever, how fermented foods support estrogen balance, and the 4-3-2-1 movement plan to build strength, resilience, and longevity. This conversation is about shifting from smaller to stronger, and taking control of what you can. → Leave Us A Voice Message!  Topics Discussed: → What is perimenopause really like?→ How much protein do women need?→ Does fiber help balance hormones?→ Is intermittent fasting bad midlife?→ How to prevent menopause weight gain? Sponsored By:  → Be Well By Kelly Protein Powder & Essentials | Get $10 off your order with PODCAST10 at https://bewellbykelly.com. → Shop Minnow's new apré-ski capsule collection at https://shopminnow.com and enter code MEETMINNOW15 at checkout to receive 15% off your first order. → Fatty 15 | Fatty15 is on a mission to replenish your C15 levels and restore your long-term health. You can get an additional 15% off their 90-day subscription Starter Kit by going to https://fatty15.com/KELLY15 and using code KELLY15 at checkout. Timestamps:  → 00:00:00 - Introduction → 00:01:36 - Writing Hormone Havoc → 00:05:51 - Favorite teachings → 00:06:52 - Early signs of perimenopause → 00:09:33 - Experiencing perimenopause → 00:14:00 - Trouble sleeping → 00:15:13 - Preparing for perimenopause → 00:18:21 - 30-30-3: Meal Prep → 00:21:45 - Midday snacks + probiotics → 00:28:14 - Protein + fiber → 00:31:52 - Breakfast recipes → 00:34:56 - Intermittent fasting → 00:38:55 - Estrogen + inflammation → 00:41:20 - Circadian rhythm + sun time → 00:47:58 - 4-3-2-1 Movement → 00:51:48 - Heat therapy → 00:53:35 - Infrared sauna → 00:55:18 - High intensity training Show Links: → 371: Perimenopause Explained: Sleep, Stress, + Hormone Shifts | Dr. Mariza Snyder Check Out Amy: → Website  → Instagram  → Hormone Havoc (Book) Check Out Kelly: → Instagram → Youtube → Facebook

British pedal steel guitar legend BJ Cole joins me on the show today. BJ is a masterful steel player - very inventive and textural but with incredible chops and skills as well. He's amassed an incredible body of solo work over the years, but has also been the top call steel session player in the UK for decades. He had a very solitary musical start, but got into country bands in England and eventually started gigging and playing sessions. Things changed for BJ when he got called to play steel on Elton John's “Tiny Dancer” in 1971. He laid down some very tasty and memorable steel parts on that hit, and the phone started ringing big time. BJ has played on records and toured with an incredible array of artists like Joan Armatrading, Marc Bolan, KD Lang, Beck, Bjork, Sting, John Cale, Brian Eno and many more.He's also always written and recorded his own music and collaborations, which have been all over the place musically and are a great way to delve into his musical brain. There's a new collab with cellist Emily Burridge - cello and steel duets that's really cool, and his solo albums like Transparent Music, The New Hovering Dog, Trouble in Paradise - all great albums well worth checking out. We get into all it, plus some seriously nerdy pedal steel talk.You can keep up to date on BJ's latest projects and tours at bjcole.co.ukEnjoy my conversation with BJ Cole!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Episode 77 of Music in the Minor League. This episode, we had a conversation with Emily Pennington and Oliver Franklin, who make up the creative centers of Trouble's Braids. Trouble's Braids is a four-piece band from Boulder, Colorado that creates dynamic folk rock with teeth. Trouble's Braids combines poignant lyricism, rich female and male harmonies, and great hooks with an unflinching curiosity about the dark and hidden corners of the human experience, all with a wink and a nod that invites the audience to come play.We had a blast getting to know them and think you'll really dig their music. Be sure to follow them where you can, maybe pick up a copy of their EP via Bandcamp and share the episode to help get the word out!See y'all soon!

Air Date: 3/3/2026 The Monthly-ish Mix™ is here to get you caught up on recent news without being overwhelming! This month we examine the multi-front struggle for control: military force and economic coercion seizing resources abroad, institutions weaponized to constrain bodies at home, platforms and propaganda capturing minds, and the democratic resistance proving that organized people can still win. Be part of the show! Leave a voice message, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com Full Show Notes Check out our new show, SOLVED! on YouTube! BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! PART 1: TAKING WHAT THEY WANT (00:02:31) #1762 - Trump's Imperialistic Shakedown of Venezuela 1: Trump Admits Venezuela Attacks Are All About Their Oil - The Majority Report W/ Sam Seder - Air Date 12-18-25 2: USA Is the Worst Pirate on Earth: Trump Boasts of Stealing Venezuela's Oil - Geopolitical Economy Report - Air Date 12-26-25 3: Trump's Piracy in the Caribbean - The Real News Podcast - Air Date 12-23-25 (00:29:28) #1768 - The End of an Era: The International Rules-Based Order Gives Way to Trump's Might-Makes-Right Plutocracy 4: Gaza, Venezuela, and Greenland Mark End of World Legal Order Set up in 1945 - Redeye - Air Date 1-19-26 5: "Empire in Decline": Historian Alfred McCoy on U.S. Aggression in Venezuela, Iran & Beyond - Democracy Now! - Air Date 1-13-26 6: Mark Carney and the New World Order - Front Burner - Air Date 1-20-26 (00:53:33) #1764 - Wealth Inequality is Bad for Society and There's No Good Counterargument 7: The Capitalist Mindset - The Market Exit - Air Date 12-9-25 8: Where Are Americas Leaders? - Robert Reich and Inequality Media Civic Action - Air Date 1-6-26 PART 2: CONTROLLING BODIES (01:04:42) #1766 - The Fragility of State Violence: The ICE Occupation, Renee Good, and the Minneapolis Uprising 9: Abolish ICE - Takes™ by Jamelle Bouie - Air Date 1-7-26 10: ICE Is a Way to Deal With Surplus Males - Therese - Air Date 1-9-25 11: ICE Can Hack Your Phone Without You Knowing - Taylor Lorenz - Air Date 9-5-25 (01:30:58) #1763 - It's Not a Health Care System, it's a Wealth Extraction System 12: 20M Americans Set to Lose Healthcare Coverage Jan. 1 After Congress Goes on Recess - Democracy Now! - Air Date 12-30-25 13: Agonizing Choices on ACA Deadline Day Part 1 - Brian Lehrer_ A Daily Podcast - Air Date 12-15-25 14: Medicare For All Non-Negotiable #3 Part 1 - UNFTR - Air Date 2-8-25 (01:57:14) #1767 - Wars Are Won By Teachers and Trump is Attacking Them Like a Foreign Adversary 15: 'Abandoning' Kids' Futures AFT Pres. Slams Trump Dept. of Education Changes - MS NOW - Air Date 11-19-25 16: How Trumps Agenda Hurts College Students - Right Now With Perry Bacon - Air Date 11-19-25 17: Trump Set to Garnish Wages for Student Loan Defaults - Democracy Now! - Air Date 12-30-25 PART 3: CONTROLLING MINDS (02:20:20) #1773 - How Big Tech Captured Attention, Kids, and Democracy 18: Trouble at TikTok Part 1 - Today, Explained - Air Date 2-4-26 19: Is Social Media Having Its Big Tobacco Moment Part 1 - The Global Story - Air Date 2-16-26 20: DMs! My Kingdom For DMs! - The Muckrake Political Podcast - Air Date 2-17-26 (02:46:22) #1765 - AI Capitalism Will Not Deliver an AI Utopia 21: The AI Bubble Part 1 - Today, Explained - Air Date 10-28-25 22: Desperate OpenAI Turns To Erotica - Novara Media - Air Date 10-16-25 23: Trump Considers Order to Override State Regulations on Artificial Intelligence - PBS NewsHour - Air Date 11-20-25 (03:09:13) #1772 - From Fragile to Fascist: How Broken Masculinity Feeds Authoritarianism 24: The Terrifying Rise of "Vice Signalling" - JimmyTheGiant - Air Date 1-28-26 25: The Incel to ICE Pipeline (with F.D Signifier and Caroline Kwan) Part 1 - Matt Bernstein - Air Date 2-6-26 26: The Rise of the Authoritarian-Curious - Then & Now - Air Date 2-9-26 (03:35:07) #1769 - Politics Beyond the Ballot Box: Elections and the Movements that Power Them 27: Donald Trump Wants to Cancel the Midterm Elections Part 1 - Takes™ by Jamelle Bouie - Air Date 1-16-26 28: The Next Socialist In Congress with Claire Valdez Part 1 - The Majority Report - Air Date 1-22-26 PART 4: THE PEOPLE PUSH BACK (03:48:36) #1770 - Getting in the Fight Against ICE and Authoritarianism 29: What I've Learned From Reading History - Takes™ by Jamelle Bouie - Air Date 1-28-26 30: Americans Flex Democratic Muscles to Show That, Together, They're Stronger Than Trump - The Rachel Maddow Show - Air Date 1-27-26 31: ICE Out of Minnesota: Unions & Churches Lead Economic Blackout in "Day of Truth and Freedom" - Democracy Now! - Air Date 1-23-26 (04:04:47) #1771 - They Need You in the Dark: Information, Journalism, and the Fight Against Fascism 32: AG Bondi Confirms FBI Executed Search Warrant at WaPo Reporter's Home - MS Now - Air Date 1-13-26 33: Why Trump Arresting Journalists Is a Sign of Weakness - Takes™ by Jamelle Bouie - Air Date 1-30-26 34: Humor Can Topple Dictators Part 1 - Why, America with Leeja Miller - Air Date 10-18-25   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere! Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com

There are about 90 million unique job titles in the U.S. labor market. Ninety million. If you are trying to negotiate a raise, switch companies or launch a side hustle, that number has consequences. If titles do not line up, you cannot easily compare pay, scope or seniority. You might be doing the same work as someone with a higher title and higher salary - and never see it. That problem is the focus of Part 2 of our conversation with Dr. Ben Zweig. Zweig is the CEO of Revelio Labs, a workforce data firm that analyzes millions of job postings and online profiles. He also teaches The Future of Work at NYU Stern School of Business and holds a PhD in economics from the CUNY Graduate Center. His work focuses on how jobs are structured and how they evolve. We talk about taxonomy - the systems used to categorize work. A title acts as shorthand for a bundle of tasks. Trouble starts when the shorthand breaks down. Two people with the same title may do very different work. Two people with different titles may perform nearly identical tasks. Zweig explains how large language models can group job descriptions based on actual responsibilities rather than labels. That approach could make it easier for workers to search accurately and for companies to organize teams. The conversation shifts to management. He argues that managers spend much of their time reconfiguring roles as business needs change. Technology accelerates that reconfiguration rather than replaces it. We close with stories about bank tellers and typists. Their titles remained familiar. Their tasks transformed over time. Resource: ⁠Job Architecture: Building a Language for Workforce Intelligence⁠ by Ben Zweig Learn more about your ad choices. Visit podcastchoices.com/adchoices

We all want the consequences of real family love, but are we ready to actually do what it takes to reap them? Join AMBrewster to learn what biblical love is and what we must do to enjoy it.Truth.Love.Parent. is a podcast of Truth.Love.Family., an Evermind Ministry.Action Steps Purchase “Quit: how to stop family strife for good.” https://amzn.to/40haxLz Support our 501(c)(3) by becoming a TLP Friend! https://www.truthloveparent.com/donate.html Download the Evermind App. https://evermind.passion.io/checkout/102683 Use the promo code EVERMIND at MyPillow.com. https://www.mypillow.com/evermind  Discover the following episodes by clicking the titles or navigating to the episode in your app: The Family Love Series https://www.truthloveparent.com/the-four-family-loves-series.html  Friends Series https://www.truthloveparent.com/friends-series.html  The Doctrine of Emotion https://evermind.passion.io/checkout/616692d1-7cae-4640-b6af-567d3ceb6054  Click here for Today's episode notes, resources, and transcript: https://www.truthloveparent.com/taking-back-the-family-blog/tlp-621-biblical-families-part-9-the-consequences-of-loveDownload the Evermind App! https://evermind.passion.io/checkout/102683Like us on Facebook: https://www.facebook.com/TruthLoveParent/Follow us on Instagram: https://www.instagram.com/truth.love.parent/Follow us on Twitter: https://twitter.com/TruthLoveParentFollow AMBrewster on Facebook: https://fb.me/TheAMBrewsterFollow AMBrewster on Instagram: https://www.instagram.com/thebrewsterhome/Follow AMBrewster on Twitter: https://twitter.com/AMBrewsterPin us on Pinterest: https://www.pinterest.com/TruthLoveParent/Subscribe to us on YouTube: https://www.youtube.com/channel/UCTHV-6sMt4p2KVSeLD-DbcwClick here for more of our social media accounts: https://www.truthloveparent.com/presskit.htmlNeed some help? Write to us at Counselor@TruthLoveParent.com.

In Sarah Orne Jewett's short story "The Landscape Chamber," a woman travelling alone, in search of adventure, finds herself off the beaten path. When her horse is injured, she seeks help at an old manor tucked away in the country, seemingly forgotten by time. There, she meets an old man and his lonely daughter. While they welcome her in, it seems that something in the home does not want her there.    STORY LINKED HERE: "The Landscape Chamber"    Recommended in this episode: Sam Raimi's Send Help and Jennifer McMahon's The Night Sister   NEWS: We have a Bookshop.org shop now! Find all of our favorite books at our shop–and help out small businesses.    UP NEXT: Play Nice by Rachel Harrison Buy our books here, including Monster, She Wrote and our newest Toil and Trouble.

This story is one from our archives, by Paul La Farge. Pay attention because the author delivers lots of little hints about what is happening behind the scenes—to the protagonist, and the peripheral characters, too. But it isn't clear until the very last moments of the story exactly what kind of a story we've been listening to. La Farge is the author of novels including Luminous Airplanes and The Night Ocean. He unfortunately died in 2023 when he was still in his early 50s; and while we never had the chance to host him on the show, he had a lot of friends in the literary world. Reading the story is actor and musician Josh Radnor. Radnor is best known for the series How I Met Your Mother, but he's always busy; recent credits include Fleishman Is in Trouble and Hunters. Aparna Nancherla hosts this episode. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How do you build a creative life that spans music, writing, film, and spiritual practice? Alicia Jo Rabins talks about weaving multiple creative strands into a sustainable career and why the best advice for any creator might simply be: just make the thing. In the intro, backlist promotion strategy [Written Word Media]; Successful author business [Novel Marketing Podcast]; Alliance of Independent Authors Indie Author Bookstore; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Building a sustainable multi-disciplinary creative career through teaching, performance, grants, and donations Trusting instinct in the early generative stages of creativity and separating generation from editing Adapting and reimagining religious and cultural source material through music, writing, and performance The challenges of transitioning from poetry to long-form prose memoir, including choosing a lens for your story Making an independent film on a shoestring budget without waiting for Hollywood's permission Finding your creative voice and building confidence by leaning into vulnerability and returning to the practice of making You can find Alicia at AliciaJo.com. Transcript of the interview with Alicia Jo Rabins Joanna: Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. So welcome to the show, Alicia. Alicia: Thank you so much. I'm delighted to be here. Joanna: There is so much we could talk about. But first up— Tell us a bit more about you and how you've woven so many strands of creativity into your life and career. Alicia: Yes, well, I am a maximalist. What happened in terms of my early life is that I started writing on my own, just extremely young. I'm one of those people who always loved writing, always processed the world and managed my emotions and came to understand myself through writing. So from a very young age, I felt really committed to writing. Then I had the good fortune that my mother saw a talk show about the Suzuki method of learning violin—when you start really young and learn by ear, which is modelled after language learning. It's so much less intellectual and much more instinctual, learning by copying. She was like, that looks like a cool thing. I was three years old at the time and she found out that there was a little local branch of our music conservatory that had a Suzuki violin programme. So when I was three and a half, getting close to four, she took me down and I started playing an extremely tiny violin. Joanna: Oh, cute! Alicia: Yes, and because it was part of this conservatory that was downtown, and we were just starting at the suburban branch where we lived, there was this path that I was able to follow. As I got more and more interested in violin, I could continue basically up through the conservatory level during high school. So I had a really fantastic music education without any pressure, without any expectations or professional goals. I just kept taking these classes and one thing led to another. I grew up being very immersed in both creative writing and music, and I think just having the gift of those two parts of my brain trained and stimulated and delighted so young really changed my brain in some ways. I'll always see the world through this creative lens, which I think I'm also just set up to do personally. Then the last step of my multi-practice career is that in college I got very interested in Jewish spirituality. I'm Jewish, but I didn't grow up very religious. I didn't grow up in a Jewish community really. So I knew some basics, but not a ton. In college I started to study it and also informally learned from other people I met. I ended up going on a pretty intense spiritual quest, going to Jerusalem and immersing myself after college for two years in traditional Jewish study and practice. So that became the third strand of the braid that had already been started with music and writing. Torah study, spiritual study, and teaching became the third, and they all interweave. The last thing I'll say is that because I work in both words and music, and naturally performance because of music, it began to branch a little bit into plays, theatre, and film, just because that's where the intersection of words, performance, and music is. So that's really what brought me into that, as opposed to any specific desire to work in film. It all happened very organically. Joanna: I love this. This is so cool. We are going to circle back to a lot of this, but I have to ask you— What about work for money at any point? How did this turn into more than just hobbies and lifestyle? Alicia: Yes, absolutely. Well, I'm very fortunate that I did not graduate college with loans because my parents were able to pay for college. That was a big privilege that I just want to name, because in the States that's often not the case. So that allowed me to need to support myself, but not also pay loans, which was a real gift. What happened was I went straight from college to that school in Jerusalem, and there I was on loans and scholarship, so I didn't have to worry yet about supporting myself. Then when I came back to the States, I actually found on Craigslist a job teaching remedial Hebrew. It was essentially teaching kids at a Jewish elementary school who either had learning differences or had just entered the school late and needed to be in a different Hebrew class than the other kids in their grade. That was my first experience of really teaching, and I just absolutely fell in love with it. Although in the end, my passion is much more for teaching the text and rituals and the wrestling with the concepts, as opposed to teaching language. So all these years, while doing performance and writing and all these things, I have been teaching Jewish studies. That has essentially supported me, I would say, between 50 and 70 per cent. Then the rest has been paid gigs as a musician, whether as a front person leading a project or as what we call a sideman, playing in someone else's band. Sometimes doing theatre performances, sometimes teaching workshops. That's how I've cobbled it together. I have not had a full-time job all these years and I have supported myself through both earned income and also grants and donations. I've really tried to cultivate a little bit of a donor base, and I took some workshops early on about how to welcome donations. So I definitely try to always welcome that as well. Joanna: That is so interesting that you took a workshop on how to welcome donations. Way back in, I think 2013, I said on this show, I just don't know if I can accept people giving to support the show. Then someone on the podcast challenged me and said, but people want to support creatives. That's when I started Patreon in 2014. It was when The Art of Asking by Amanda Palmer came out and— It was this realisation that people do want to support people. So I love that you said that. Alicia: It's not easy. It's still not easy for me, and I have to grit my teeth every time I even put in my end-of-year newsletter. I just say, just a reminder that part of what makes this possible is your generous donations, and I'm so grateful to you. It's not easy. I think some people enjoy fundraising. I certainly don't instinctively enjoy it, but I have learned to think of it exactly the way that you're saying. I mean, I love donating to support other people's projects. Sometimes it's the highlight of my day. If I'm having a bad day and someone asks for help, either to feed a family or to complete a creative project, I just feel like, okay, at least I can give $36 or $25 and feel like I did something positive in the last hour, even if my project is going terribly and I'm in a fight with my kid or something. So I have to keep in mind that it is actually a privilege to give as well as a privilege to receive. Joanna: Absolutely. So let's get back into your various creative projects. The first thing I wanted to ask you, because you do have so many different formats and forms of your creativity—how do you know when an idea that comes to you should be a song, or something you want to do as a performance, or written, or a film? Tell us a bit about your creative process. Because a lot of your projects are also longer-term. Alicia: Yes. It's funny, I love planning and in some ways I'm an extreme planner. I really drive people in my family bonkers with planning, like family vacations a year in advance. In terms of my creativity, I'm very planful towards goals, but in that early generative state, I am actually pure instinct. I don't think I ever sit down and say, “I have this idea, which genre would it match with?” It's more like I sit on my bed and pick up my guitar, which is where I love to do songwriting, just sitting on my bed cross-legged, and I pick up my guitar and something starts coming out. Then I just work with that kernel. So it's very nebulous at first, very innate, and I just follow that creative spirit. Often I don't even know what a project is, sometimes if it's a larger project, until a year or two in. Once things emerge and take shape, then my planning brain and my strategy brain can jump on it and say, “Okay, we need three more songs to fill out the album, and we need to plan the fundraising and the scheduling.” Then I might take more of an outside-in approach. At the beginning it's just all instinct. Joanna: So if you pick up your guitar, does that mean it always starts in music and then goes into writing? Or is that you only pick up a guitar if it's going to be musical? Alicia: I think I'm responding to what's inside me. It's almost like a need, as opposed to, “I'm going to sit down and work.” I mean, obviously I sit down and work a lot, but I think in that early stage of anything, it's more like my fingers are itching to play something, and so I sit down and pick up my guitar. Sometimes nothing comes out and sometimes the kernel of a song comes out. Or I'm at a café, and I often like to write when I'm feeling a little bit discombobulated, just to go into the complexity of things or use challenging emotions as fuel. I really do use it as a—I don't know if therapeutic is the word, but I think it maybe is. I write often, as I always have, as I said before, to understand what I'm thinking. Like Joan Didion said—to process difficult emotions, to let go of stuck places. So I think I create almost more out of a sense of just what I need in the moment. Sometimes it's just for fun. Sometimes picking up a guitar, I just have a moment so I sit down and mess around. Sometimes it's to help me struggle with something. It doesn't always start in music. That was a random example. I might sit down to write because I have an hour and I think, I haven't written in a while. Or I do have an informal daily writing thing where I'll try to generate one loose draft of something a day, even if it's only ten pages. I mean, sorry, ten words. Joanna: I was going to say! Alicia: No, no. Ten words. I'm sorry. It's often poetry, so it feels like a lot when it's ten words. I'll just sit down with no pressure, no goal, no intention to make anything specific. Just open the floodgates and see what comes out. That's where every single project of mine has started. Joanna: Yes, I do love that. Obviously, I'm a discovery writer and intuitive, same as you. I think very much this idea of, especially when you said you feel discombobulated, that's when you write. I almost feel like I need that. I'm not someone who writes every day. I don't do ten lines or whatever. It's that I'll feel that sense of pressure building up into “this is going to be something.” I will really only write or journal when that spills over into— “I now need to write and figure out what this is.” Alicia: Yes. It's almost a form of hunger. It feels to me similar to when you eat a great meal and then you're good for a while. You're not really thinking of it, and then it builds up, like you said, and then there's a need—at least the first half of creativity. I really separate my generation and my editing. So my generative practice is all openness, no critique, just this maybe therapeutic, maybe curious, wandering and seeing what happens. Then once I have a draft, my incisive editing mind is welcome back in, which has been shut out from that early process. So that's a really different experience. Those early stages of creativity are almost out of need more than obligation. Joanna: Well, just staying with that generative practice. Obviously you've mentioned your study of and practice of Jewish tradition and Jewish spirituality. Steven Pressfield in his books has talked about his prayer to the muse, and I've got on my wall here—I don't talk about this very often, actually — I have a muse picture, a painting of what I think of as a muse spirit in some form. So do you have any spiritual practices around your generative practice and that phase of coming up with ideas? Alicia: I love that question, and I wish I had a beautiful, intentional answer. My answer is no. I think I experience creativity as its own spiritual practice itself. I do love individual prayer and meditation and things like that, but for me those are more to address my specifically spiritual health and happiness and connectedness. I'm just a dive-in kind of person. As a musician, I have friends who have elaborate backstage rituals. I have to do certain things to take care of my voice, but even that, it's mostly vocal rest as opposed to actively doing things. There's a bit of an on/off switch for me. Joanna: That's interesting. Well, I do want to ask you about one of your projects, this collaboration with a high school on a musical performance, I Was a Desert: Songs of the Matriarchs, and also your Girls in Trouble songs about women in the Torah. On your website, I had a look at the school, the high school, and the musical performance. It was extraordinary. I was watching you in the school there and it's just such extraordinary work. It very much inspired me—not to do it myself, but it was just so wonderful. I do urge people to go to your website and just watch a few minutes of it. I'm inspired by elements of religion, Christian and Jewish, but I wondered if you've come up against any issues with adaptation—respecting your heritage but also reinventing it. How has this gone for you. Any advice for people who want to incorporate aspects of religion they love but are worried about responses? Alicia: Well, I have to say, coming from the Jewish tradition, that is a core practice of Judaism—reinterpreting our texts and traditions, wrestling with them, arguing with them, reimagining them. I don't know if you're familiar with Midrash, but just in case some of your listeners aren't sure I'll explain it. There's essentially an ancient form of fanfic called Midrash, which was the ancient rabbis, and we still do it today, taking a biblical story that seems to have some kind of gap or inconsistency or question in it and writing a story to fill that gap or recast the story in an interestingly different light. So we have this whole body of literature over thousands of years that are these alternate or added-on adventures, side quests of the biblical characters. What I'm doing from a Jewish perspective is very much in line with a traditional way of interacting with text. I've certainly never gotten any pushback, especially as I work in progressive Jewish communities. I think if I were in an extremely fundamentalist community, there would be a lot of different issues around gender and things like that. The interpretive process, even in those communities, is part of how we show respect for the text. When I was working with the high school—and I just want to call out the choir director, Ethan Chen, who has an incredible project where he brings in a different artist every two years to work with the choir, and they tend to have a different cultural focus each time. He invited me specifically to integrate my songwriting about biblical women with his amazing high school choir. I was really worried at first because most of them are not Jewish—very few of them, if any. I wanted to respect their spiritual paths and their religious heritages and not impose mine on them. So I spent a lot of time at the beginning saying, this project has religious source material, but essentially it is a creative reinterpretive project. I am not coming to you to bring the religious material to you. I'm coming to take the shared Hebrew Bible myths and then reinterpret those myths through a lens of how they might reflect our own personal struggles, because that's always my approach to these ancient stories. I wanted to really make that clear to the students. It was such a joy to work with them. Joanna: It's such an interesting project. Also, I find with musicians in general this idea of performance. You've written this thing—or this thing specifically with the school—and it doesn't exist again, right? You're not selling CDs of that, I presume. Whereas compared to a book, when we write a book, we can sell it forever. It doesn't exist as a performance generally for an author of a memoir or a novel. It carries on existing. So how does that feel, the performance idea versus the longer-lasting thing? I mean, I guess the video's there, but the performance itself happened. Alicia: I do know what you mean. Absolutely. We did, for that reason, record it professionally. We had the sound person record it and mix it, so it is available to stream. I'm not selling CDs, but it's out there on all the streaming services, if people want to listen. I do also have the scores, so if a choir wanted to sing it. The main point that you're making is so true. I think there's actually something very sacred about live performance—that we're all in the moment together and then the moment is over. I love the artefacts of the writing life. I love writing books. I love buying and reading books and having them around, and there's piles of them everywhere in this room I'm standing in. I feel like being on stage, or even teaching, is a very spiritual practice for me, because it's in some ways the most in-the-moment I ever am. The only thing that matters is what's happening right then in that room. It's fleeting as it goes. I'm working with the energy in the room while we're there. It's different every time because I'm different, the atmosphere is different, the people are different. There's no way to plan it. The kind of micro precision that we all try to bring to our editing—you can't do that. You can practice all you want and you should, but in the moment, who knows? A string breaks or there's loud sound coming from the other room. It is just one of those things. I love being reminded over and over again of the truth that we really don't control what happens. The best that we can do is ride it, surf it, be in it, appreciate it, and then let it go. Joanna: I think maybe I get a glimpse of that when I speak professionally, but I'm far more in control in that situation than I guess you were with—I don't know how many—was it a hundred kids in that choir? It looked pretty big. Alicia: It was amazing. It was 130 kids. Yes. Joanna: 130 kids! I mean, it was magic listening to it. And yes, of course, showing my age there with buying a CD, aren't I? Alicia: Well, I do still sell some CDs of Girls in Trouble on tour, because I have a bunch of them and people still buy them. I'm always so grateful because it was an easier life for touring musicians when we could just bring CDs. Now we have to be very creative about our merch. Joanna: Yes, that's a good point because people are like, “Oh yes, I'll scan your QR code and stream it,” but you might not get the money for that for ages, and it might just be five cents or whatever. Alicia: Streaming is terrible for live musicians. I mean, I don't know if you know the site Bandcamp, but it's essentially self-publishing for musicians. Bandcamp is a great way around that, and a lot of independent musicians use it because that's a place you can upload your music and people can pay $8 for an album. They can stream it on there if they want, or they can download it and have it. But, yes, it's hard out there for touring musicians. Joanna: Yes, for sure. Well, let's come to the book then. Your memoir, When We Are Born We Forget Everything. Tell us about some of the challenges of a book as opposed to these other types of performances. Alicia: Well, I come out of poetry, so that was my first love. That's what I majored in in college. That's what my MFA is in. Poetry is famously short, and I'm not one of those long-form poets. I have been trained for many years to think in terms of a one-page arc, if at all. Arc isn't even really a word that we use in poetry. So to write a full-length prose book was really an incredible education. Writing it basically took ten years from writing to publication, so probably seven years of writing and editing. I felt like there was an MFA-equivalent process in the number of classes I took, books I read, and work that went into it. So that was one of my main joys and challenges, really learning on the job to write long-form prose coming out of poetry. How to keep the engine going, how to think about ending one chapter in a way that leaves you with some torque or momentum so that you want to go into the next chapter. How many characters is too many? Who gets names and who doesn't? Some of these things that are probably pretty basic for fiction writers were all very new to me. That was a big part of my process. Then, of course, poets don't usually have agents. So once it was done, I began to query agents. It was the normal sort of 39 rejections and then one agent who really understood what I was trying to do. She's incredible, and she was able to sell the book. The longevity of just working on something for that long—I have a lot of joy in that longevity—but it does sometimes feel like, is this ever going to happen, or am I on a fool's errand? Joanna: I guess, again, the difference with performance is you have a date for the performance and it's done then. I suppose once you get a contract, then for sure it has to be done. But memoir in particular, you do have to set boundaries, because of course your life continues, doesn't it? So what were the challenges in curating what went into the book? Because many people listening know memoir is very challenging in terms of how personal it can be. Alicia: Yes, and one thing I think is so fascinating about memoir is choosing which lens to put on your story, on your own story. I heard early on that the difference between autobiography and memoir is that autobiography tries to give a really comprehensive view of a life, and memoir is choosing one lens and telling the story of a life through that lens, which is such a beautiful creative concept. I knew early on that I wanted this to be primarily a spiritual memoir, and also somewhat of an artistic memoir, because my creativity and my spirituality are so intertwined. It started off being spiritual, and also about my musical life, and also about my writing life. In the end, I edited out the part about my writing life, because writing about writing was just too navel-gazing. So there's nothing in there about me coming of age as a writer, which used to be in there, but that whole thing got taken out. Now it's spiritual and musical. For me, it really helped to start with those focuses, because I knew there may be things that were hugely important in my life, absolutely foundational, that were not really going to be either mentioned or gone deeply into in the book. For example, my husband teases me a lot about how few pages and words he gets. He's very important in my life, but I actually met him when I was 29, and this book really mainly takes place in the years leading up to that. There's a little bit of winding down in the first few years of my thirties, but this is not a book about my life with him. He is mentioned in it. That story is in there. Having those kinds of limitations around the canvas—there's a quote, I forget if it was Miranda July, but somebody said something like, basically when you put a limitation on your project, that's when it starts to be a work of art. Whatever it is, if you say, “I'm taking this canvas and I'm using these colours,” that's when it really begins, that initial limitation. That was very helpful. Joanna: It's also the beauty of memoir, because of course you can write different memoirs at different times. You can write something about your writing life. You can write something else about your marriage and your family later on. That doesn't all have to be in one book. I think that's actually something I found interesting. And I would also say in my memoir, Pilgrimage, my husband is barely mentioned either. Alicia: Does he tease you too? Joanna: No, I think he's grateful. He is grateful for the privacy. Alicia: That's why I keep saying, you should be grateful! Joanna: Yes. You really should. Like, maybe stop talking now. Alicia: Yes, exactly. I know. Marriage, memoir—those words should strike fear into his heart. Joanna: They definitely should. But let's just come back. When I look at your career— You just seem such an independent creative, and so I wondered why you decided to work with a traditional publisher instead of being an independent. How are you finding it as someone who's not in charge of everything? Alicia: It's a great question. The origin story for this memoir is that I was actually reading poetry at a writing conference called Bread Loaf in the States. This was 16 years ago or something. I was giving a poetry reading and afterwards an agent, not my agent, came up to me and said, you know, you have a voice. You should try writing nonfiction because you could probably sell it. Back to your question about how I support myself, I am always really hustling to make a living. It's not like I have some separate well-paying job and the writing has no pressure on it. So my ears kind of perked up. I thought, wait, getting paid for writing? Because poetry is literally not in the world. It's just not a concept for poets. That's not why we write and it's not a possibility. So a little light turned on in my brain. I thought, wow, that could be a really interesting element to add to my income stream, and it would be flexible and it would be meaningful. For a few years I thought, what nonfiction could I write? And I came up with the idea of writing a book about biblical women from a more scholarly perspective, because I teach that material and I've studied it. I went to speak to another agent and she said, well, you could do that, but if you actually want to sell a book, it's going to have to be more of a trade book. So if you don't want an academic press, which wouldn't pay very much, you would have to have some kind of memoir-like stories in there to just sweeten it so it doesn't feel academic. So then I began writing a little bit of spiritual memoir. I thought, okay, well, I'll write about a few moments. Then once I started writing, I couldn't stop. The floodgates really opened. That's how it ended up being a spiritual memoir with interwoven stories of biblical women. It became a hybrid in that sense. I knew from the beginning that this project—for all my saying earlier that I never plan anything and only work on instinct, I was thinking as I said that, that cannot be true. This time, I actually thought, what if, instead of coming from this pure, heart-focused place of poetry, I began writing with the intention of potentially selling a book? The way my fiction writer friends talked about selling their books. So that was always in my mind. I knew I would continue writing poetry, continue publishing with small presses, continue putting my own music out there independently, but this was a bit of an experiment. What if I try to interface with the publishing world, in part for financial sustainability? And because I had a full draft before I queried, I never felt like anyone was telling me what to write. I can't imagine personally selling a book on proposal, because I do need that full capacity to just swerve, change directions, be responsive to what the project is teaching me. I can't imagine promising that I'll write something, because I never know what I'll write. But writing at least a very solid draft first, I'm always delighted to get notes and make polish and rewrite and make things better. I took care of that freedom in the first seven years of writing and then I interfaced with the agent and publisher. Joanna: I was going to say, given that it's taken you seven to ten years to do this and I can't imagine that you're suddenly a multimillionaire from this book. It probably hasn't fulfilled the hourly rate that perhaps you were thinking of in terms of being paid for your work. I think some people think that everyone's going to end up with the massive book deal that pays for the rest of their life. I guess this book does just fit into the rest of your portfolio career. Alicia: Yes. One of the benefits of these long arcs that I like to work on is, one of them—and probably the primary one—is that the project gets to unfold on its own time. I don't think I could have rushed it if I wanted. The other is that it never really stopped me from doing any of my other work. Joanna: Mm-hmm. Alicia: So it's not like, oh, I gave up months of my life and all I got was this advance or something. It's like, I was living my life and then when I had a little bit of writing time—and I will say, it impacted my poetry. I haven't written as much poetry because I was working on this. So it wasn't like I just added it on top of everything I was already doing, but it was a pleasure to just switch to prose for a while. It was just woven into my life. I appreciated having this side project where no one was waiting for it. There were no deadlines, there was no stress around it, because I always have performances to promote and due dates for all kinds of work. It was just this really lovely arena of slow growth and play. When I wanted a reader, I could do a swap with a writer friend, but no one was ever waiting for it on deadline. So there's actually a lot of pleasure in that. Then I will say, I think I've made more from selling this than my poetry. Probably close to ten times more than I've ever made from any of my poetry. So on a poetry scale, it's certainly not going to pay for my life, but it actually does make a true financial difference in a way that much of my other work is a little more bit by bit by bit. It's actually a different scale. Joanna: Well, that's really good. I'm glad to hear that. I also want to ask you, because you've done so many things, and— I'm fascinated by your independent film, A Kaddish for Bernie Madoff. I have only watched the trailer. You are in it, you wrote it, directed it, and it's also obviously got other people in, and it's fascinating. It's about this particular point in history. I've written quite a lot of screenplay adaptations of my novels, and I've had some various amounts of interest, but the whole film industry to me is just a complete nightmare, far bigger nightmare than the book industry. So I wonder if you could maybe talk about this, because it just seems like you made a film, which is so cool. Alicia: Oh yes, thank you. Joanna: And it won awards, yes, we should say. Alicia: Did we win awards? Yes. It really, for an extremely low-budget indie film, went far further than my team and I could ever have imagined. I will say I never intended to make a film. Like most of the best things in my life, it really happened by accident. When I was living in New York— I lived there for many years—the 2008 financial collapse happened and I happened to have an arts grant that gave a bunch of artists workspace, studio space, in essentially an abandoned building in the financial district. It was an empty floor of a building. The floor had been left by the previous tenant, and there's a nonprofit that takes unused real estate in the financial district and lets artists work in it for a while. So I was on Wall Street, which was very rare for me, but for this year I was working on Wall Street. Even though I was working on poems, the financial collapse happened around me, and I did get inspired by that to create a one-woman show, which was more of a theatre show. That was already a huge leap for me because I had no real theatre experience, but it was experimental and growing out of my poetry practice and my music. It was a musical one-woman show about the financial collapse from a spiritual perspective, apparently. So I performed that. I documented it, and then a friend who lives in Portland, Oregon, where I now live, said, “I'm a theatre producer, I'd like to produce it here.” So then I rewrote it and did a run here in Portland of that show. Essentially, I started to tour it a little bit, but I got tired of it. It was too much work and it never really paid very much, and I thought, this is impacting my life negatively. I just want to do a really good documentation of the show. So I wanted to hire a theatre documentarian to just document the show so that it didn't disappear, like you were saying before about live performance. But one of the people I talked to actually ended up being an artistic filmmaker, as opposed to a documentarian. She watched the archival footage, just a single camera of the show, and said, “I don't think you should do this again and film it with three cameras. I think you should make it into a feature film. And in fact, I think maybe I should direct it, because there's all this music in it and I also direct music videos.” We had this kind of mind meld. Joanna: Mm. Alicia: I never intended to make a film, but she is a visionary director and I had this piece of IP essentially, and all the music and the writing. We adapted it together. We did it here in Portland. We did all the fundraising ourselves. We did not interface with Hollywood really. I think that would be, I just can't imagine. I love Hollywood, but I'm not really connected, and I can't imagine waiting for someone to give us permission or a green light to make this. It was experimental and indie, so we just really did it on the cheap. We had an amazing producer who helped us figure out how to do it with the budget that we had. We worked really hard fundraising, crowdfunding, asking for donations, having parties to raise money, and then we just did it and put it out there. I think my main advice—and I hear this a lot on screenwriting podcasts—is just make the thing. Make something, as opposed to trying to get permission to make something. Because unless you're already in that system, it's going to be really hard to get permission to make it. Once you make something, that leads to something else, which leads to something else. So even if it's a very short thing, or even if it's filmed on your phone, just actually make the thing. That turned out to be the right thing for us. Joanna: Yes, I mean, I feel like that is what underpins us as independent creatives in general. As an independent author, I feel the same way. I'm never asking permission to put a book in the world. No, thank you. Alicia: Exactly. We have a vision and we do it. It's harder in some ways, but that liberation of being able to really fully create our vision without having to compromise it or wait for permission, I think it's such a beautiful thing. Joanna: Well, we're almost out of time, but I do want to ask you about creative confidence. Alicia: Hmm. Joanna: I feel I'm getting a lot of sense about this at the moment, with all the AI stuff that's happening. When you've been creating a long time, like you and I have, we know our voice and we can lean into our voice. We are creatively confident. We'll fail a lot, but we'll just push on and try things and see what happens. Newer creators are struggling with this kind of confidence. How do I know what is my voice? How do I know what I like? How do I lean into this? So give us some thoughts about how to find your voice and how to find that creative confidence if you don't feel you have it. Alicia: I love that. One thing I will say is that I always think whatever is arising is powerful material to create from. So if a lack of confidence is arising, that's a really powerful feeling to directly explore and not just try to ignore. Although sometimes one has to just ignore those feelings. But to actually explore that feeling, because AI can't have that, right? AI can't really feel a crisis of confidence, and humans can. So that's a gift that we have, those kinds of sensitivities. I think to go really deep into whatever is arising, including the sense that we don't have the right to be creating, or we're not good enough, or whatever it is. Then I always do come back to a quote. I think it might have been John Berryman, but I'm forgetting which poet said it. A younger poet said, “How will I ever know if I'm any good?” And this famous poet said something like—I'm paraphrasing—”You'll never know if you're any good. If you have to know, don't write.” That has been really liberating to me, actually. It sounds a little harsh, but it's been really liberating to just let go of a sense of “good enough.” There is no good enough. The great writers never know if they're good enough. Coming back to this idea of just making without permission—the practice of doing the thing is being a writer. Caring and trying to improve our craft, that's the best that we can have. There's never going to be a moment where we're like, yes, I've nailed this. I am truly a hundred per cent a writer and I have found my voice. Everything's always changing anyway. I would say, either go into those feelings or let those feelings be there. Give them a little tea. Tell them, okay, you're welcome to be here, but you don't get to drive the boat. And then return to the practice of making. Joanna: Absolutely. Great. So where can people find you and your books and everything you do online? Alicia: Everything is on my website, which is AliciaJo.com, and also on Instagram at @ohaliciajo. I'd love to say hello to anyone who's interested in similar topics. Joanna: Brilliant. Well, thanks so much for your time, Alicia. That was great. Alicia: Thank you. I love your podcast. I'm so grateful for all that you've given the writing world, Jo.The post Creative Confidence, Portfolio Careers, And Making Without Permission with Alicia Jo Rabins first appeared on The Creative Penn.

Two Women Inspiring Real Life with Stephanie Coxon and Kathy Anderson-Martin – Ever receive a bill for a medical procedure or hospital stay and have no idea what you are paying for? Trouble getting an appointment with your medical provider – even when you're sick? When you did have an appointment, did you feel like you spent more time getting your parking pass validated than actually talking...

Send a textDoug is back from London and Drew gets to sit in the tower for a snow event.The ROTOR Act fails in CongressViolence in Mexico leads to flight chaos Trouble for Air New Zealand Update on Spirit's bankruptcy Listener feedback Join the Network!https://www.nexttripnetwork.com/

Fully & Completely: redux – Music @ Work Guest: Rob Johannes

In Part 3 of We Walk by Faith, Pastor Mike Stevens brings us back to a foundational truth: What has God actually said? Faith is not wishful thinking. It is standing on the Word of God. Pastor Mike walks through powerful promises about provision, freedom from temptation, joy and peace, healing, spiritual victory, and God working through difficulty. Each promise reveals a partnership. We seek His Kingdom. We submit to God and resist the devil. We pray and humble ourselves. Then God does what only He can do.Through personal stories and Scripture, Pastor Mike Stevens encourages us to believe God at His Word even when circumstances say otherwise. Trouble may come, but so does peace and overcoming power. God's promises are alive and active. When He speaks, it is settled. This message will strengthen your faith and remind you that every promise rests on the finished work of Christ.#WeWalkByFaith #FaithJourney #GoodHopeChurch #BelieveHisWord #VictoryInChrist #Provision #SpiritualGrowth #TrustThePromiseSermon Notes: https://link.goodhope.ag/faith-3-msGiving Information: https://goodhope.ag/givingSTAY CONNECTEDYoutube: https://youtube.com/GoodHopeChurchInstagram: http://instagram.com/goodhopemnFacebook: http://fb.com/goodhopemn 

►Patreon: http://www.patreon.com/McFixer  Resident Evil Requiem: We've played it, we've completed it - now we judge it! ►Please Subscribe www.youtube.com/@UCtBPt1KMIIHpHuqrCLwZJLg   ► BRAND NEW MXAM DISCORD - https://discord.gg/aQDSbAy8QH   ► Twitter: @MCFixer @Kreshnikplays @MattPVideo @PaulDespawn  ► Twitch: https://www.twitch.tv/McFixer   ► Twitch: https://www.twitch.tv/Kreshnik  ► Twitch: https://www.twitch.tv/PaulDespawn  Timecodes: 00:00 Intro 02:00 Resident Evil Requiem  51:30 Whats in our box? (Pokemon Legends ZA, Marathon, Alabaster Dawn Demo, Raibow Six Siege Mobile) 01:19:15 New Cloud Gaming Update 01:29:12 Is Skate. in Trouble? 01:36:23 Guess that game

Everything is Father filtered!

Murray and New Zealand's Prime Minister are developing New Zealand Town, complete with Gary the sheep, Maori warriors in their natural habitat, bungee jumping and a replica of the tooth brush fence! Bret and Jemaine can't help because they have been introduced to a very addictive substance that gives them all the confidence they need--hair gel! They discover they can actually be cool and maybe even get people to come to their gigs. Trouble comes when they wake up one morning to find the hair gel has run out and so has their confidence. Murray convinces them that they never needed the gel in the first place, so they play a gig all excited before discovering that they actually do need the hair gel to be cool...also blueberry pancakes.

Intimacy coordinators Casino Carlisle (Branson), George R.R. Word (Charles), and Fallyn Matcha-Dubai (Ty) share their expertise with some of Hollywood's leading actors. Subscribe to E1 on Patreon: https://www.patreon.com/c/e1podcast Ending song: https://www.youtube.com/watch?v=tBcgWQDKJhI Join the E1 Discord: https://discord.com/invite/xTBVk23 Listen to Charles' new show Trouble in River City: https://www.patreon.com/cw/TroubleInRiverCity

Feedback is all around us. From the customers, staff, and the business itself, we can only make great decisions for the coffee shop when we practice listening to understand. Trouble is we often avoid listening for fear of what we will hear, or because we falsely think we know what someone thinks or that their opinion cannot be helpful due to who they are or what position they hold. Today on Shift Break we will be talking about what we stand to lose personally and professionally when we do not pursue listening as a serious part of how our business will grow.  Please take time to listen to the episodes below to dive deeper into the subject of listening!   APPLICATIONS ARE OPEN!  KEY HOLDER COACHING GROUPS  Are you a coffee shop owner looking to join a community of other owners to help bring perspective, insight, encouragement, and accountability in a well curated setting?  Then you need to apply to join Key holder Coaching Groups!  Applications are now open for Spring 2026 Cohort: Click below to learn more:  APPLY TO KEY HOLDER COACHING GROUPS     KEYS TO THE SHOP®  1:1 CONSULTING AND COACHING If you are a cafe owner and want to work one on one with me to bring your shop to its next level and help bring you joy and freedom in the process then email  chris@keystothshop.com of book a free call now:  https://calendly.com/chrisdeferio/30min    Related Episodes:    415: The Best Lessons On How to Listen w/ Listening Expert, Oscar Trimboli   165 : The Art of Deep Listening w/ Oscar Trimboli 282 : How to Listen to your Customers 291 : What to do if Your Baristas Wont Listen to You

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It's TIME!Matty, Gareth and Liam head back to that rarely discussed year on GRAPPL of 1997, with a look at what was going on in February across the FOUR PILLARS OF LIFE.Join them as they chat….TV (The launch of Trouble, Paramount and Channel 5; The Simpsons on BBC and the big 3 soaps).MUSIC (The Top 10 and Feb album launches).SPORT (Lewis/McCall 2; Naseem/Johnson; UFC 12; FA Cup 4th round)FILM (Mars Attacks + some others that nobody cares about)Share your thoughts and memories below!Follow us: Matty @MattyEdwards86 Liam: @LFDOOM Gareth: @GRAPPLGareth Hosted on Acast. See acast.com/privacy for more information.

Most personal trainers aren't broke because they're bad coaches. They're broke because nobody ever taught them business. In this episode, I break down how I went from grinding nonstop and barely getting by… to building real income, real systems, and real freedom.If you're a trainer, coach, or gym owner who wants to stop trading time for money and start building something that lasts, this one's for you.FREE Week Trial of My App ⁠⁠⁠⁠HERE⁠⁠⁠⁠Old Man Shredded 10 Week Program ⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠ code "SHREDZ49" save yourself $49 off Join our Built Difference Business Community ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks to our Sponsors:AG1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for a 1 year supply of vitamin D3 with free travel packs or want a FREE sample? Trouble with Sleep Try AGZ as well for free: Shoot us a DM and ask!NOBULL Electrolytes Fruit Punch ⁠⁠⁠⁠HERE⁠⁠⁠⁠My Current Fav NOBULL Kicks ⁠⁠⁠⁠HERE⁠⁠⁠⁠Jaylab Pro Our Protein, Turmeric, Collagen, Krill Oil - COE NY25 Save 25% now  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jeremyscottfitness.jaylabpro.com/products.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dry Farms Wine - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dryfarmwines.com/jeremyscottfitness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Each new member will earn an extra bottle for just a penny with their first order of wine when they use this link.

3pm - I WAS THINKING:  The Trouble with a Libertarian Utopia // THIS DAY IN HISTORY: 1988 - Supreme Court defends right to satirize public figures // Dog abandoned at Las Vegas Airport is Adopted by Responding Officer

During the State of the Union address President Trump said the U.S. is experiencing "the golden age". Trouble is not many Americans believe it and that's where we start this evening. This is the Business News Headlines for Wednesday the 25th day of February and thanks for listening. In other news, The Warner Brothers/Paramount battle just got hotter. We've got pipeline news for you out of Wisconsin. A final World Trade Center tower in New York City is in the news and it is a celebration of sorts. Sioux Falls, South Dakota, Smithfield and a new facility is big news for the state and area farmers. We will check the numbers in The Wall Street Report and the latest report from Nvidia.  Meanwhile everybody is talking about economic development and data centers there is some sobering news out today.  Let's go! Thanks for listening! The award winning Insight on Business the News Hour with Michael Libbie is the only weekday business news podcast in the Midwest. The national, regional and some local business news along with long-form business interviews can be heard Monday - Friday. You can subscribe on  PlayerFM, Podbean, iTunes, Spotify, Stitcher or TuneIn Radio. And you can catch The Business News Hour Week in Review each Sunday Noon Central on News/Talk 1540 KXEL. The Business News Hour is a production of Insight Advertising, Marketing & Communications. You can follow us on Twitter @IoB_NewsHour...and on Threads @Insight_On_Business.

Mandrake the Magician was Lee Falk's first created hero and, to many, was their gateway into the Phantom, with some countries having a deeper relationship with the hypnotic magician than the purple-wearing jungle hero. Surprisingly, there have not been many comics or stories where the two heroes share equal billing. Frew in 2026 have tried to do this with their 2026 yearly annual. 228 pages in full colour featuring stories from both universes and a new story created for this annual.Join us for 80 minutes as we review each Phantom & Mandrake crossover story in finer detail, the annual as a whole, and much more.The following stories are reviewed and are time-stamped if you cannot listen to the whole podcast and want to listen to specific stories."Mandrake's Bon Voyage" by Tony DePaul and Terry Beatty: 15 Minutes"The Missing Aviatrix" by Fred Fredericks: 22 Minutes"Lights! Camera! Danger!" by Fred Fredericks: 29 Minutes & 30 Seconds"Trouble in the Twelve Nations" by Tony DePaul and Terry Beatty: 33 Minutes"Shadows on Devil Road" by Fred Fredericks: 39 Minutes"Still Lovely, Still Deadly" by Fred Fredericks: 46 Minutes"The Magician's Curse" by Jeff Dyer, Andrew Constant and Boris Kay: 54 MinutesIf you are wanting to read the final week of "Still Lovely, Still Deadly" by Fred Fredericks that was edited out, you can read that here.If you are wanting to read behind the scenes with "The Magician's Curse" story by Jeff Dyer, Andrew Constant and Boris Kay and find out about who Dryake is and how he is related to Mandrake, you can read that here.Finally, a heads up: we are aware we have not done a monthly wrap-up podcast of January or February yet; that'll be next.You can email us at chroniclechamber@gmail.com or chat with us via our social media profiles on Facebook, Twitter, and/or Instagram. We love comments and feedback from the Phantom phans from around the world. Make sure you stay with us, and do not forget to subscribe and leave a review on our podcast on our YouTube Channel. Support the show

Air Date: 2/23/2026 Today we examine how the platforms that monetize your attention are merging with state power. We'll hear how TikTok's new owners include Trump ally Larry Ellison, how DHS sent hundreds of subpoenas to unmask anonymous ICE critics, how Ring's Super Bowl ad cheerfully introduced AI-powered neighborhood surveillance, and how the social media addiction trials that are being likened to the Big Tobacco settlement of the 90s, are finally exposing what these companies knew about the harmful nature of their products all along. Be part of the show! Leave a voice message, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com Full Show Notes Check out our new show, SOLVED! on YouTube! BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! TOP TAKES KP 1: Chris Hayes in Conversation with Jonathan Haidt About The Sirens Call Part 1 - All In W Chris Hayes - Air Date 2-10-26 KP 2: Trouble at TikTok Part 1 - Today, Explained - Air Date 2-4-26 KP 3: Is Social Media Having Its Big Tobacco Moment Part 1 - The Global Story - Air Date 2-16-26 KP 4: The Social Media Addiction Trials Begin Part 1 - On The Media - Air Date 2-13-26 KP 5: Ring's Lost Pet Ad Fetching a Surveillance State - The Muckrake Political Podcast - Air Date 2-10-26 KP 6: DMs! My Kingdom For DMs! - The Muckrake Political Podcast - Air Date 2-17-26 (00:53:14) NOTE FROM THE EDITOR Big Tech is the New Big Tobacco - Here's what that means for our future DEEPER DIVES (01:01:11) SECTION A: LAWSUITS A1: Predatory Tech Silicon Valley on Trial in Landmark Youth Social Media Addiction Case Part 1 - Democracy Now! - Air Date 2-19-26 A2: Why New Mexico Is Taking Meta to Court - Here & Now Anytime - 2-5-26 A3: The Social Media Addiction Trials Begin Part 2 - On The Media- Air Date 2-13-26 A4: Is Social Media Having Its Big Tobacco Moment Part 2 - The Global Story - Air Date 2-16-26 A5: Trouble at TikTok Part 2 - Today, Explained - Air Date 2-4-26 A6: Predatory Tech Silicon Valley on Trial in Landmark Youth Social Media Addiction Case Part 2 - Democracy Now! - Air Date 2-19-26 (01:44:53) SECTION B: TIKTOK B1: TikTok, Gen Z's Move to Social Media and Elite Panic Over Unsanctioned News Part 1 - Citations Needed - Air Date 2-4-26 B2: TikTok's New Trump-Approved US Owners Part 1 - The Brian Lehrer Show - Air Date 1-28-26 B3: TikTok, Gen Z's Move to Social Media and Elite Panic Over Unsanctioned News Part 2 - Citations Needed - Air Date 2-4-26 B4: TikTok's New Trump-Approved US Owners Part 2 - The Brian Lehrer Show - Air Date 1-28-26 (02:19:50) SECTION C: PLATFORM POWER C1: Tech Giants Are Nothing But Middlemen, with Tim Wu Part 1 - Factually! with Adam Conover - Air Date 2-18-26 C2: The Plan Is to Make the Internet Worse Forever with Cory Doctorow Part 1 - Downstream - Air Date 12-8-25 C3: Let's Talk About Ring, Lost Dogs, and the Surveillance State - Decoder with Nilay Patel - Air Date 2-16-26 C4: Tech Giants Are Nothing But Middlemen, with Tim Wu Part 2 - Factually! with Adam Conover - Air Date 2-18-26 (02:56:37) SECTION D: ATTENTION HARMS D1: Chris Hayes in Conversation with Jonathan Haidt About The Sirens Call Part 2 - All In W Chris Hayes - Air Date 2-10-26 D2: AI Chatbots Upended Their Lives. Then They Turned to Each Other - Consider This - Air Date 2-4-26 D3: The Plan Is to Make the Internet Worse Forever with Cory Doctorow Part 2 - Downstream - Air Date 12-8-25 SHOW IMAGE CREDITS Description: Photo of a pre-teen girl leaning on a table holding a phone in her hands that she looks at so closely it covers her entire face. Credit:"teen iphone smartphone girl" by cyndidyoder83, Pixabay | Pixabay License   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere! Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com

Trouble for Trump and the GOP in a new national poll arriving just as Trump prepares for a major State of the Union moment. The numbers paint a complicated picture. While the administration frames strength and momentum, voters disapprove of the country's direction, economic realities, and leadership style. The disconnect between political messaging and public sentiment raises a critical question: is the speech meant to reassure voters — or to confront a growing warning sign for Republicans heading toward the midterms?We welcome Pulitzer Prize winning author and investigative Journalist David Cay Johnston to analyze it all. 

Being a biblical family is hard because it requires us to fight against our very natures. Join AMBrewster to learn more about the battle as well as the hope for victory.Truth.Love.Parent. is a podcast of Truth.Love.Family., an Evermind Ministry.Action Steps Purchase “Quit: how to stop family strife for good.” https://amzn.to/40haxLz Support our 501(c)(3) by becoming a TLP Friend! https://www.truthloveparent.com/donate.html Download the Evermind App. https://evermind.passion.io/checkout/102683 Use the promo code EVERMIND at MyPillow.com. https://www.mypillow.com/evermind  Discover the following episodes by clicking the titles or navigating to the episode in your app: The Spiritual Warfare in Your Home https://www.truthloveparent.com/spiritual-warfare-in-your-home.html  Communication https://www.truthloveparent.com/communication-topic.html  TLP 585: How Your Children May Respond to Sin, Part 11 | Repentance https://www.truthloveparent.com/taking-back-the-family-blog/tlp-585-how-your-children-may-respond-to-sin-part-11-repentance  Teach Your Children to Apologize https://www.truthloveparent.com/teach-your-children-to-apologize.html  TLP 602: Teach Your Children to Flee https://www.truthloveparent.com/taking-back-the-family-blog/tlp-602-teach-your-children-to-flee  Teach Your Children to Obey https://www.truthloveparent.com/teach-your-children-to-obey-series.html  Click here for Today's episode notes, resources, and transcript: https://www.truthloveparent.com/taking-back-the-family-blog/tlp-320-biblical-families-part-8-the-battleLike us on Facebook: https://www.facebook.com/TruthLoveParent/Follow us on Instagram: https://www.instagram.com/truth.love.parent/Follow us on Twitter: https://twitter.com/TruthLoveParentFollow AMBrewster on Facebook: https://fb.me/TheAMBrewsterFollow AMBrewster on Instagram: https://www.instagram.com/thebrewsterhome/Follow AMBrewster on Twitter: https://twitter.com/AMBrewsterPin us on Pinterest: https://www.pinterest.com/TruthLoveParent/Need some help? Write to us at Counselor@TruthLoveParent.com.

Trouble with bowel or bladder function? It might be time to partner with a specialist. In this episode of BackTable OBGYN, hosts Dr. Amy Park and Dr. Mark Hoffman are joined by Dr. Shannon Wallace and Dr. Anna Spivak, experts from the Cleveland Clinic specializing in pelvic floor disorders. They dive into the complex world of combined colorectal and urogynecological issues, discussing the importance of a multidisciplinary approach to treat conditions such as rectal prolapse, constipation, and incontinence. --- SYNPOSIS The conversation covers detailed diagnostic methods like manometry and defecography, various surgical options, and the crucial role of pelvic floor physical therapy in patient recovery. They also provide insights into setting up effective multidisciplinary clinics and emphasize the need for teamwork and administrative support in delivering optimal patient care. This episode is a valuable resource for both specialists and generalists aiming to enhance their understanding and treatment of pelvic floor dysfunctions. --- TIMESTAMPS 01:05 - Introduction05:40 - Multi-Compartment Prolapse & Second Opinions08:14 - Pelvic Floor Compartments Explained10:36 - When Internal Prolapse Becomes Surgical11:56 - Incomplete Emptying, Splinting, Fragmentation & Leakage16:55 - Fluoro vs MRI and When to Order It23:47 - Anorectal Manometry26:56 - Physical Therapy, Biofeedback, Meds, Injections, & Motility Workup29:08 - Robotic Mesh Repairs vs Vaginal/Perineal Approaches34:43 - When (and Why) to Consider Biologics36:46 - Resection Rectopexy38:10 - Treating Ehlers-Danlos syndromes (EDS) & Eating Disorders42:55 - Pelvic Floor PT After Surgery and Recovery Timelines47:29- Perineal Prolapse Repairs (Altemeier vs Delorme)49:53 - Symptom Improvement vs Retraining the 'New Normal'52:20 - Fecal Incontinence & Sacral Neuromodulation57:08 - Diarrhea-Driven Incontinence58:56 - Building a Multidisciplinary Pelvic Floor Program01:04:04 - Conclusion --- RESOURCES Pelvic Floor Disorders Consortium (American Society of Colon & Rectal Surgeons) https://fascrs.org/Web/Web/My-ASCRS/Education/Pelvic-Floor-Disorders-Consortium.aspx

Day 21 — Salvation Belongs to the Lord By Pastor Bryan Hudson, DMin LINK TO ALL LESSONS IN THE DEVOTIONAL   Psalm 37:39–40, “But the salvation of the righteous is from the Lord; He is their strength in the time of trouble. And the Lord shall help them and deliver them; He shall deliver them from the wicked, And save them, Because they trust in Him.” Key Thought: God is always our refuge and deliverer. Prayer: I trust You, Lord. As we conclude this 21-day devotional through Psalm 37, let us remember this is a wisdom psalm, not a lament. David is not “venting” or expressing frustrations. He contrasts the temporary flourishing of the wicked with God's plan and provision for the righteous. Verses 39–40 serve as a summary of the entire psalm. Some key themes we learned from Psalm 37: •  Do not fret because of evildoers (vv. 1–2) •  Trust in the Lord (v. 3) •  Delight in Him (v. 4) •  Commit your way to Him (v. 5) •  Wait patiently with expectation (v. 7) •  Meekness is not weakness (v. 11) •  The wicked will perish (vv. 9–22) •  God knows our days (vv. 18-19) •  Generosity Reveals the Heart (vv. 21-22) •  Our steps are ordered by the Lord (vv. 23–24) •  The righteous are upheld (vv. 23–24) •  God's justice prevails (vv. 27-29) David closes this psalm by reminding us who is in charge, what God will change, and where we are headed. Our identity and security are rooted in Christ. “Greater is He who is in you than he who is in the world.” (1 John 4:4) “The salvation of the righteous is from the Lord” David emphasizes the true source of salvation: It is “from the Lord.” Salvation does not originate: •  From personal strategy •  From retaliation •  From political advantage •  From accumulated power Systems, people, politicians, programs, and religions all promise some form of salvation—power to lift people to a better place in life. All of these may help in one way or another, but enduring salvation only comes from the Lord. The Hebrew word for “salvation” means deliverance, rescue, victory. God's salvation is both temporal and eternal, with benefits now and the blessing of a new reality after this life. We are not limited to only longing for the “sweet by and by." God can grant some earthly heaven before heaven in the afterlife. Do not underestimate God's ability to empower victorious living while we are still living among all the perils of the wicked. Consider the words of the Apostle Peter: Therefore, brethren, be even more diligent to make your call and election sure, for if you do these things you will never stumble; for so an entrance will be supplied to you abundantly into the everlasting kingdom of our Lord and Savior Jesus Christ. (2 Peter 1:10–11) The “entrance” is experiencing heaven on earth while on the way to God's heaven. Note the responsibility to “make your calling and election sure,” which simply means to lean into God and His kingdom. We read in Psalm 23:5, “You prepare a table before me in the presence of my enemies; You anoint my head with oil; My cup runs over.” New Testament Scriptures Confirm God's Delivering Nature: Romans 8:31,  “If God is for us, who can be against us?” 2 Timothy 4:18, “The Lord will deliver me from every evil work…” “He is their strength in the time of trouble” The Hebrew word for “strength” מmeans fortress, stronghold, and a place of protection. We don't only focus on what God does, but who God is. He is not merely a rescuer; He is a refuge. We don't have a transactional relationship with God by seeking “a blessing” when we need it. We live in a covenantal relationship with God, day by day. “He shall deliver them from the wicked, And save them, Because they trust in Him.” Remember: •  Salvation originates from God alone. •  God Himself is the refuge of the righteous. •  Trouble does not cancel covenant protection. •  Deliverance is certain, though timing may vary. •  Trust is the foundation of divine rescue and progress going forward. Psalm 37 ends where it started: “Trust in the Lord.” I trust that you were inspired, encouraged, and educated through this 21-day journey through Psalm 37! It was a joy preparing these lessons and having contributions from Patricia Hudson, Stacy Williams, and Pastor Lee Robb. “Every good thing happens on a Firm Foundation!” Pastor Bryan Hudson, D.Min. New Covenant Church   Reflection question: What are some takeaways from this devotional that have become foundational to your life going forward? Key insight I gained today: Today's action item based on insight:   LINK TO ALL LESSONS IN THE DEVOTIONAL

Our monthly exploration of news inside the Disney Company. In this episode: - Trouble for Star Wars - Is Thanos returning both to Disney Parks and the MCU films? - Mapping out the Future of Avatar Bandcamp subscriptions - dhipodcast.bandcamp.com

John 14:1-14 - Facing Turbulence  |  Series: Not Alone - Easter 2026  | Upper Room Discourse |  Sam Holm, Lead Pastor |  Preached 2-22-26 10:45am  Tag: Easter, Good Friday, Ash Wednesday, Lent, Fasting, Prayer, Last Supper, Jesus, Disciples, Teaching, Upper Room, Plane, Fly, Trouble, Airplane, Help, Pilot, Trust, Grace, Ask, Pray

Holistic Chef Shannon Woodruff of The Green Kitchen joins us to break down real-world nutrition, clean eating, whole foods, anti-inflammatory meals, and food as medicine. We dive into how organic, gluten-free, seed-oil-free nutrition can improve energy, support gut health, boost immunity, and simplify healthy living for busy adults.Learn practical strategies for sustainable wellness, meal prep, and optimizing your health through real food.Use code JSF to get $20 off meals on her website - Website: https://www.eatgreenkitchen.comInstagram: https://www.instagram.com/eatgreenkitchenInstagram (Shannon): https://www.instagram.com/holisticchefshannonFREE Week Trial of My App ⁠⁠⁠⁠HERE⁠⁠⁠⁠Old Man Shredded 10 Week Program ⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠ code "SHREDZ49" save yourself $49 off Join our Built Difference Business Community ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks to our Sponsors:AG1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for a 1 year supply of vitamin D3 with free travel packs or want a FREE sample? Trouble with Sleep Try AGZ as well for free: Shoot us a DM and ask!NOBULL Electrolytes Fruit Punch ⁠⁠⁠⁠HERE⁠⁠⁠⁠My Current Fav NOBULL Kicks ⁠⁠⁠⁠HERE⁠⁠⁠⁠Jaylab Pro Our Protein, Turmeric, Collagen, Krill Oil - COE NY25 Save 25% now  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jeremyscottfitness.jaylabpro.com/products.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dry Farms Wine - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dryfarmwines.com/jeremyscottfitness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Each new member will earn an extra bottle for just a penny with their first order of wine when they use this link.

Trouble seems to be constantly brewing among the nations of the Middle East. There are wars, bombings, and complete unrest. Is this a fulfillment of prophecy or only “birth pains”?

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Pitbull invents a new world record to break and Jelly Roll's wife writes a book about doing pills with ex-boyfriends who were too lazy to focus on their rap careers. Fortune Kit on Patreon: https://www.patreon.com/fortunekit Listen to Charles' new show Trouble in River City: https://www.patreon.com/cw/TroubleInRiverCity

The USS Lady sets off on its maiden voyage in 1917, and musicians Keister Treacle (Branson), Don Von Bonbon (Andrew), and Joss Loughlin (Charles) debate which songs to play for the passengers. Subscribe to E1 on Patreon: https://www.patreon.com/c/e1podcast Join the E1 Discord: https://discord.com/invite/xTBVk23 Listen to Charles' new show Trouble in River City: https://www.patreon.com/cw/TroubleInRiverCity

Jesse Smithers was just a teenager when a street fight turned fatal, forcing him to accept a 10-year plea deal in the Minnesota prison system. In this interview, Jesse breaks down how he survived a decade behind bars only to face a new battle upon release: a system that wouldn't hire him. Pushed back into selling drugs to survive, Jesse reveals how a miraculous case dismissal became the final wake-up call he needed to leave the life of crime behind forever. _____________________________________________ #ianbick #prisonstories #minnesota #prisonsurvival #lockedin #truecrime #inmate #survival #prisonlife #minneapolis _____________________________________________ Thank you to FACTOR & AVA for sponsoring this episode: FACTOR: Head to https://factormeals.com/lockedin50off and use code lockedin50off to get 50% off your first Factor box PLUS free breakfast for 1 year. Offer only valid for new Factor customers with code and qualifying auto-renewing subscription purchase. Make healthier eating easy with Factor. _____________________________________________ AVA: Take control of your credit today. Download the Ava app and when you join using my promo code LOCKEDIN, you'll get 20% off your first year—monthly or annual, your choice. _____________________________________________ Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ _____________________________________________ Shop Locked In Merch: http://www.ianbick.com/shop _____________________________________________ Timestamps: 00:00 The Fight That Got Me Locked Up 02:00 Jesse's Story Starts Here 04:40 Meeting My Dad & Family Truths 07:00 Growing Up Without a Father 10:00 Teen Sports, Trouble & Getting Put on Probation 13:20 When the Justice System Got Its Hooks in Me 16:20 First Time Locked Up: Juvenile Detention 20:20 Inside Elmore Academy: What Really Happens 27:40 Life Right Before Everything Went Wrong 32:00 The Night Everything Changed 36:00 After the Incident: Shock, Panic & Arrest 41:00 Tried as an Adult & Facing Serious Time 49:40 Courtroom Strategy: Lawyers, Bail & Playing the Game 01:00:00 The Case, Community Rumors & Hidden Plea Deal Pressure 01:10:00 Sentencing Day: Victim Statements & Walking Into Prison 01:18:00 First Time in State Prison 01:25:00 Prison Politics 101: How to Survive Inside 01:36:00 Fights, Gangs & the Real Rules of Prison 01:43:00 Stillwater Prison: Violence, Wars & Survival Stories 01:56:00 Getting Out of Prison & Starting Over from Nothing 02:05:00 Life After Release: Temptation of Fast Money 02:19:00 Back in the Game: Drug Dealing, Addiction & Another Arrest 02:30:00 New Case, New Charges & Choosing Sobriety 02:41:00 Turning Point: Recovery, Family & Real Success 02:50:00 What I'd Tell Any Kid Before They Ruin Their Life Learn more about your ad choices. Visit megaphone.fm/adchoices