Podcasts about Bee Gees

Maurice Gibb died. Neil plays Bee Gees music as a tribute

Today we take part in an age old practice, of which the internet is built on. Today we went through pain for internet points. Join us in this experimental episode where we listen to 10 tracks of an album and eat 10 wings using the HOT ONES season 19 package of hot sauces. There will be laughter. There will be tears. There will be long trips to the toilet... links: The Skolars/Telegraph - 10 Songs and More: https://youtu.be/xof0aBPgqfc MUSIC MOVIES TONIGHT episode 4 - Sergeant Pepper's Lonely Hearts Club Band (starring the Bee Gees and Peter Frampton - https://youtu.be/TCb9rwuQSGk OUR DISCORD: https://discord.gg/2stA2P7pTC Flyover State Hotline - 1 608 HIT-NERD (608-448-6373) EVERYTHING ELSE: https://linktr.ee/FlyoverStatePark --- Support this podcast: https://anchor.fm/albumconcepthour/support

Legendary Hollywood entertainment manager and publicist Ramon Hervey II shares insightful tales of his remarkable four-decade career plotting and overseeing fame, success, crisis and spinning for seminal talents at the top of their game, from Little Richard, Bette Midler, and the Bee Gees, to Aaliyah, Rick James, and Vanessa Williams—His new book "The Fame Game," juicy and addictive retrospective that also traces the origins of fame and how social media is changing the rules. Old friends, Christina and Ramon, banter, and Ramon shares his concerns about Christina making a film about pursuing a date with Jim Carrey that she passed up years ago.  Connect with Ramon on IG at @trichemon and order his book, "The Fame Game: An Insider's Playbook for Earning Your 15 Minutes," here. 

1. Talking Heads - Psycho Killer (DE SOFFER REMIX)2. Ed Sheeran - Shivers (Dillon Francis)3. Junior Senior - Move Your Feet (Heero Remix)4. Bad Bunny vs Steve Aoki & HRVY - Moscow Mule vs Save Me (Kastra Bootleg)5. Big Tymers vs Joe Stone - Still Fly vs Nothing Else (DJ Grant Bootleg)6. Steff Da Campo & SLVR - PAPASITO7. Swedish House Mafia vs. Tujamo - Don't You Worry Child vs Better Safe Then Sorry (SABER Bootleg)8. Bruno Mars Vs. Dillon Francis, ILLENIUM & EVAN GIIA - Locked Out Of Heaven vs Don't Let Me Go9. Afrika Bambaataa & The Soul Sonic Force - Planet Rock (Sammy Porter Remix)10. ABBA - Gimme! Gimme! Gimme! (A Man After Midnight) (HAWK Remix)11. Wuki - Edge of Seventeen12. Kim Carnes - Bette Davis Eyes (Xprience House Remix)13. Sam Smith & Kim Petras - Unholy (Nitti Gritti Remix)14. Cardi B ft Bad Bunny & J Balvin vs Axel Boy & Nubass - I Like It vs We House You (Fraze Bootleg)15. Skylin3 - Jumpin Jumpin16. Bee Gees vs Criminal Vibes - You Should Be Dancing It vs Do It (Patrice McBride Bootleg)17. Timbaland ft Nelly Furtado & Justin Timberlake - Give It To Me (Mason Flint & Willo Remix)18. Tim Berg (Avicii) vs Toby Green  - Seek Bromance (Fuseamania 2019 Bootleg)19. Shouse vs Dillon Francis, Valentino Khan - Love Tonight vs Real Love (WLDCT Bootleg)20. Michael Mind vs Tom & Jane - Ride Like The Wind (Mister Gray Bootleg)21. Katy Perry vs BYOR - I Kissed A Girl vs Keep On Dancin (Tiger Toast Mashup)22. Julian Jordan & Will K vs. 50 Cent - How We Do vs The Box23. Coldabank - Things U Said24. Chocolate Puma & Bingo Players - Touch Me  (Bart B More Remix)www.djroyski.comwww.patreon.com/royskiwww.mixcloud.com/djroyskiwww.facebook.com/djroyskiwww.twitter.com/djroyski

Llegó el fin de semana y nuetro programa extendido, hoy hablamos de las “autopistas” que tenían los antiguos Mayas, la noticia falsa de la semana, en entrevista, Sara Lasso de La Vega, Gerente de cuentas de Ciberseguridad, Motorola Solutions, para comentar sobre las recomendaciones para evitar ciberataques, música de los Bee Gees y mucho más.

There's a tale radio people tell about why they got into radio. Does it apply to me? Well... -------- A story I've heard about people in radio is that many of them share a similar childhood experience: They tried to get their parent's attention but their parents shushed them – told them to be quiet – they're trying to listen to the man on the radio. The children begin to think that whatever is coming through the radio speaker is more important than what they want to say and later, those children begin a career in radio to get their parents to listen to them. Is it true? I don't know. Regardless, when I heard the story, I had to assess if that's the reason I've begun these commentaries and the business talk show I have on other stations across Alabama. My earliest memories of the radio are as a young boy of about ten. My father would wake me early in the morning on Saturdays in the winter and we'd drive north out of Mobile for a hunting club in the small dirt-road town of Suggsville, Alabama deep in Clarke County. We left well before daylight and I lie across the bench seat in the old yellow Jeep Cherokee in my hunting clothes with my head on my father's leg trying to get back to sleep while he drove. This was long before using seatbelts was a thing. The radio dial was the only light in the car, and it shined in my eyes while the radio played country music. I remember hearing the piano in Crystal Gayle's song “Don't It May My Brown Eyes Blue” and thinking, “Wow. I really like that” and I still really like it to this day. After that the memories jumble. I remember the Top 40 radio stations of the late seventies and eighties and one time as a pre-teen calling a station over and over again to request a song. When the DJ finally answered and I told him I wanted to hear - “Emotions” by the Bee Gees  and I'm shocked that I can remember that – and he said “Well…It's playing right now.” I had become so focused on dialing and redialing I stopped noticing what was playing. Alone in my bedroom, my face burned bright red in embarrassment and hoped that DJ couldn't ever figure out who I was. And I remember hearing Paul Harvey. There are over 3000 episodes of his The Rest of the Story. 3000! He did six per week, all about four minutes long. You can find his catalog online. Today when I listen, I hear that remarkable voice, that remarkable control in his delivery. His word choice, his inflections, his tone, his variations in speed to perfectly sculpt the story he was telling. Today I recognize those as the tools of his craft. Back then though, I just listened. Probably impatiently. Sitting in the car with my father or my mother in a parking lot somewhere in the middle of running an errand. “Mom” or “Dad”, I very likely said. “Can we get out now? Can we go?” “No,” they said. “Not until this is over.” And, here I am. I'm Cam Marston and I'm just trying to Keep It Real. Oh, and welcome to my new listeners with public radio station KXCR in Florence, Oregon. I'm happy you're along for the ride.

Daniel Donato is one of the best guitar players in today's music scene. He's 27 years old and his musical style has been said to blend the best of Nashville honky-tonks with an improvisational spirit rooted in the ethos of the Grateful Dead. Daniel tours with his band playing cosmic country music to an ever-growing audience and plays with some of the world's most famous musicians, such as Bob Weir. One band that inspired Daniel is The Beatles - and that's what Jack and Daniel are going to talk about on this episode. How they inspired him, what they represent as creative forces, his favorite George Harrison songs, and how they made timeless music.   Check out Daniel's website: https://danieldonato.com/ Daniel's YouTube page: https://www.youtube.com/@danieldonato Follow Daniel on Instagram: https://www.instagram.com/thedanieldonato/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to. When people first meet Daniel Donato, they're not fully braced for this walking tornado of creative energy. “They think there's something that tips the scale in ways they don't understand,” says Donato about his over-the-top, slightly manic vibe. “But what actual-ly tips the scale is the amount of thought and analysis I put into my work and art, all of which is taken from the lessons of my life.” Donato, a 27-year-old Nashville native, has distilled those life lessons into his debut album, A Young Man's Country, his proper introduction to the general musical audience. Recorded at Nashville's Sound Emporium in a mere two days and produced by guitar-ace Robben Ford, the record weaves outlaw country, Grateful Dead-style Americana, and first-rate songwriting into a singular form Donato calls “21st-century cosmic country.” It might surprise some that the Telecaster-wielding wunderkind, who at 16 became the youngest musician to regularly play the iconic honky tonk Robert's Western World while gigging with the Don Kelley Band, began his musical journey in a purely millen-nial fashion. Before he ever picked up a guitar, he discovered he had an aptitude for music via the video game Guitar Hero. At the time, he didn't feel compelled to try his hand at the real thing until one day, about the age of 12, he heard the electric perfection of Guns ‘N' Roses' “Paradise City” blast from a set of speakers and his world was changed forever. “It was the first time I ever had a vision for my life,” says Donato, who was partly drawn to music because he sucked royally at skateboarding. “I then took one of my dad's old guitars . . . and I literally fell in love with it.” From then on, Donato lived and breathed music, practicing his chops around the clock. He'd play before school, during his lunch break, and in the evenings at home, sometimes falling asleep with the six-string in his hands. It wasn't long before he was busking on lower Broadway in Nashville, playing eight hours a day on weekends for tips. It was after one of those day's sessions that he got a wild hair and snuck into Robert's on a night when house act the Don Kelley Band was playing and his wig-dome was blown. “It was the first time I ever saw a band that was that good up close,” Donato said. “So I'm literally watching them play and I'm crying. I decided right then that I wanted to be the best guitar player in the world.” Donato continued busking outside arenas before John Mayer and Phish concerts and on the streets of Nashville and it was then, while playing on Broadway, that he'd give Don Kelley his business card every Saturday night, hoping for a chance to audition. One day, while still a junior in high school, he got the call to come play. Donato was more than ready, and he delivered the goods in spades. He was so good, in fact, that he became a regular member of the band, performing four nights a week for more than 450 shows with the group. Playing nightly with the Don Kelley Band was a formidable education for the young musician. Jamming regularly with Nashville's most seasoned players, stalwart pickers who may have played in Buck Owens' band, or Dolly Parton's, or Alan Jackson's, ex-panded his musical vocabulary while honing his stage presence. Along the way he was soaking up stories of adventures on the road and learning about the ups and downs of the music business. In short, he was gaining priceless life lessons and a mu-sical education from wells that run deep into the musical history of Nashville. Around the time he turned 18, one of Donato's high-school teachers, a serious music lover who had seen his student play at Robert's, gave him a Grateful Dead box set. It was another eureka moment for the guitarist. His love for the Dead may have been ig-nited much earlier by virtue of the fact that his mother was a bona fide Deadhead who followed the group on tour when she was pregnant with the future guitarist, but it was that collection that changed the way he looked at music. “It gave me a tie to all of the classic country gold I'd been working down at the honky-tonks each weekend,” he said. “Grateful Dead and Merle Haggard had always lived in my heart, but now, the link was made, and I had a vision on how to keep it alive for this generation that I am coming from.” During the days of his Robert's residency, Donato continued to busk at various locales, even playing the Grand Ole Opry, and it is the sum of all these gigs, experiences any teenage musician would kill for, that inform the sounds on A Young Man's Coun-try. “Ain't Living Long Like This,” one of three covers on the album, is a song by Waylon Jennings, who was recording at the Sound Emporium the day Donato was born. “Angel From Montgomery,” a song Donato learned on the fly while busking for tourists, pays tribute to the late John Prine. Donato recorded his unique take on the tune before Prine's death. The Grateful Dead's “Fire On The Mountain” is tacked on to “Meet Me In Dallas,” a tune Donato wrote while on the road with Paul Cauthen. The other seven songs, all originals, showcase the promise of a young songwriter coming into his own, one of the highlights being “Luck of the Draw.” The message of these songs contain the central tenet of Donato's “Cosmic Country” ethos, which is about finding the courage to blaze your own path. As such, it is an ethos the artist extends beyond music into the channels of social media, where he's built up a huge following of devoted “DD Heads,” as his fans call themselves. His pod-cast, “Daniel Donato's Lost Highway,” brings together like-minded creatives to get at the heart of what makes artists tick, for which he's interviewed Brothers Osborne, Brent Cobb, Orville Peck, and Garry Talent of Bruce Springsteen's E Street Band. Incubated to the sounds of the Dead, educated by some of Nashville's finest players, and having more than 2,000 shows under his belt and a social media presence, Dan-iel Donato is indeed a millennial whirligig of creative fire. He's been dabbling in pro-fessional music since the age of 14 and yet he's just getting started. A Young Man's Country is the portrait of a restless artist as a young man, one whose story is singular and is still in its exciting, early chapters — and as this effort shows, the future is indeed cosmic.  

I remember you was conflicted... Join us for one of the greatest hip hop, rap, and concept albums of all time. It's got sounds from across time and space and it's themes can be interpreted in a multitude of ways. Although it received seven Grammy nominations, it was infamously snubbed for the best rap album... which was probably just because the music industry was mad Kendrick called them out for pimping their artists. Go figure. links: MUSIC MOVIES TONIGHT episode 4 - Sergeant Pepper's Lonely Hearts Club Band (starring the Bee Gees and Peter Frampton - https://youtu.be/TCb9rwuQSGk OUR DISCORD: https://discord.gg/2stA2P7pTC Flyover State Hotline - 1 608 HIT-NERD (608-448-6373) EVERYTHING ELSE: https://linktr.ee/FlyoverStatePark --- Support this podcast: https://anchor.fm/albumconcepthour/support

Here in Episode 99 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about the difference between music that is pop-ular in the UK vs the USA.We discuss The Bee Gees, Elton John and the Kinks to name only a few.We also talk about 'Shoegaze' music, The Marquee Club and early viral hits!We also feature another local band of the week!https://www.facebook.com/NoNameMusicCast/And Follow us on Twitter!https://twitter.com/NoNameMusicCast

We interrupt this program... M&B sat in on an unscripted conversation with the super talented writer for GOLDMINE MAGAZINE, Ivor Levene and the iconic history maker Ernie Cefalu. We chat about the newly released Goldmine Magazine issue that consists of an unprecedented 20 page feature article, written by, Ivor Levene. The article consists of an annotated story on the history of California based ad agency Pacific Eye And Ear's Ernie Cefalu. Ernie is credited with thousands of corporate pieces as well as 250 music album covers including those of Alice Cooper, Cheech and Chong, The Bee Gees, Aerosmith and also credited with designing the original Rolling Stones Tongue. The article paints an incredible picture and gives the reader backed up facts that makes the article super interesting and easy to follow. This history and story must be preserved and told so future generations know the real backstories behind all of these works. This limited edition is a must have for your collection. The conversation even foreshadows big things to come. Listen to Musicians And Beyond Podcast's special multi-part series "Under The Covers" and hear the chronological documentary on Ernie's life, his works and the history he has made. These stories are told right from the man himself. Buckle up and enjoy this ride with the colorful Ernie Cefalu. #erniecefalu #erniescorner #goldmine #magazine #rollingstones #aerosmith #cheechchong #pacificeyeandear #ivorlevene #musiciansandbeyond #lawhornesurabian #art #cover #story --- Support this podcast: https://anchor.fm/musiciansandbeyond/support

La Grande Sophie était de retour dans #LeDriveRTL2, elle a parlé de son nouvel album "La vie moderne" qui sort ce vendredi 13 janvier avec Eric Jean-Jean et a interprété deux titres en direct des studios de RTL2, son nouveau single "La vie moderne" ainsi qu'une adaptation en français de "To Love Somebody" un titre des Bee Gees.

La Grande Sophie était de retour dans #LeDriveRTL2, elle a parlé de son nouvel album "La vie moderne" qui sort ce vendredi 13 janvier avec Eric Jean-Jean et a interprété deux titres en direct des studios de RTL2, son nouveau single "La vie moderne" ainsi qu'une adaptation en français de "To Love Somebody" un titre des Bee Gees.

La Grande Sophie était de retour dans #LeDriveRTL2, elle a parlé de son nouvel album "La vie moderne" qui sort ce vendredi 13 janvier avec Eric Jean-Jean et a interprété deux titres en direct des studios de RTL2, son nouveau single "La vie moderne" ainsi qu'une adaptation en français de "To Love Somebody" un titre des Bee Gees.

La Grande Sophie était de retour dans #LeDriveRTL2, elle a parlé de son nouvel album "La vie moderne" qui sort ce vendredi 13 janvier avec Eric Jean-Jean et a interprété deux titres en direct des studios de RTL2, son nouveau single "La vie moderne" ainsi qu'une adaptation en français de "To Love Somebody" un titre des Bee Gees. La nouveauté du jour : Temples "Gamma Rays" Trois choses à savoir sur le punk Britannique Le journal de la musique - Jeff Beck s'est éteint à 78 ans - John Lydon souhaite représenter l'Irlande à l'Eurovision avec - Le plus petit disque vinyle est à peine visible à l'oeil nu Le classique du jour : Jeff Beck "Cause We've Ended as Lovers"

Morgan Enos is a professional songwriter, journalist, essayist, and reporter currently working as a staff writer at Grammy.com. He makes music as Other Houses and has written for Fortune, Discogs, Jazztimes, Billboard, Tidal Magazine, Bandcamp Daily, Consequence and more. Morgan's life has been influenced by the Beatles in a fascinating way, and on today's podcast, Morgan and Jack talk about that, his favorite Beatles songs and albums, and the brand new remixes of Revolver.    Check out Morgan's website: https://www.morganenos.com/ Morgan's review of the 2022 "Revolver" remix: https://www.talkhouse.com/eleanor-rigby-remains-a-shocking-work-of-art-and-i-dont-care-if-youre-tired-of-it/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

De BRUNO MARS(2013) y BEE GEES (1979) a BILLO'S (1963) y WHITNEY HOUSTON (1993) De BACILOS (2003) y THE BEATLES (1966) a DADDY YANKEE (2006) a QUEEN (1976) De CHUBBY CHEQUER (1962) y CAROLE KING (1972) a DIANA ROSS (1982) y RICARDO MONTANER (1992) Es el recuento, las vivencias, de LOS MEJORES AÑOS DE NUESTRA VIDA! De colección! --- Support this podcast: https://anchor.fm/genteenambiente/support

"You see, she was gonna be an actress, I was gonna learn to flyShe took off to find the footlights, and I took off for the skyAnd here, she's acting happy inside her handsome homeAnd me, I'm flying in my taxi, taking tips, and getting stonedI go flying so high, when I'm stoned"Don't miss this week's "Red Eye" flight of Whole 'Nuther Thing. We depart from Gate 885 prpmptly at Midnight, check in is at 11:55PM with open boarding. Joining us tonight are Peter Himmelman, Mark - Almond Band, Buffalo Springfield, The Doobie Brothers, Al Kooper w Mike Bloomfield, Traffic, Rolling Stones, Beatles, Bee Gees, Yardbirds, Moody Blues, Simon & Garfunkel, John Lennon, James Gang, Chicago, Tears For Fears, Supertramp, Steve Erquiaga, Van Morrison and Harry Chapin.

Today Live! Steve Ferrone, most prominently known as the drummer in Tom Petty and the Heartbreakers, is also a former member of the Average White Band and has recorded and performed with Duran Duran, Stevie Nicks, Christine McVie, Slash, Chaka Khan, Eric Clapton, Bee Gees, Scritti Politti, and Johnny Cash. Steve's also appeared on recordings by Brian May, Anita Baker, George Benson, Jonathan Butler, Bryan Ferry, Eric Clapton, Christine McVie, Peter Frampton, Jeff Golub, Rick James, Whitney Houston, Chaka Khan, Freddie King, Tracy Chapman, Pat Metheny, Steve Winwood, Michael W. Smith, Paul Simon, and Jaco Pastorius, will be in the house! His house, but Zoomin' with us. Already a legend when I was booking rock clubs in New York back in the days, I was in a daze and don't think we ever spoke, but I was always aware whenever he was around by the admiring ruckus surrounding him. There were a number of near misses through the years, finally meeting him at one of Steve Postell's gigs some years ago, and then at Will Lee's a few years later. I pounced, as is my wont. We had a great time on here in 2019- and broken Thanksgiving bread of late, and so look forward to sitting down again with this man who has sat behind innumerable rock heroes, and, is one hisself. Stephen Ferrone Live on Game Changers With Vicki Abelson Wednesday, 12/28/22, 5 pm PT, 8 pm ET Streaming Live on my Facebook http://bit.ly/2y47ZCi

Stuart and Cristiano reach the end of their travels through the Bee Gees' formative years in Australia, and wrap up Season 2, by discussing the rest of the brothers' music and activities of 1966. Throughout the remainder of this year, the Bee Gees gave a large amount of material to other artists, and they recorded a collection of covers of musical standards remaining as productive and prolific as ever. All of this before they set sail for the UK in 1967, and the rest is history…Find us on Instagram and Facebook @wordsbeegeespodcast, and on Twitter @wordsbeegeespod. Email us: wordsbeegeespodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

It's not Dick Clark's Rockin' New Years Eve, but this ride will do well for anyone in a pinch, if you need some background for your Pre-New Years Eve party. All songs related to specific years this lap around the calendar with Hank and Dan. Included: A Darky from Emi SunShine, another history lesson from Al Stewart, The Bee Gees with one you didn't even know you knew, a cycnical-per-usual track from Louden Wainwright III and an ironic twist on a famous pop song that suddenly doesn't sound that bad once you find out it contains a well placed 'F' bomb.

Tomo Fujita is a professional guitarist and an esteemed professor at Berklee College of Music. As a professor, he's taught students, such as John Mayer, and has played with legendary musicians such as Steve Jordan, Susan Tedeschi, Phil Colins, and Steve Gadd. In this episode, Tomo and Jack discuss the intricacies of George Harrison's guitar solos, Tomo's favorite Beatles songs, and how The Beatles composed their songs - and how it makes their music timeless.   Check out Tomo's website: https://tomojustfunky.com/ Tomo's YouTube page: https://www.youtube.com/watch?v=5LklK7nlFYU   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.   Tomo Fujita has been a professional guitarist for over thirty years and a faculty member at Berklee College of Music since 1993.  Tomo's philosophy, distilled into a one-liner, is that music is not just about playing; it's about emotional expression.  He teaches students to inject emotion into every phrase, whether the style is blues, jazz, funk or rock. Although he has resided in the United States for three decades, Tomo remains closely connected with musicians and the music business in his native Japan. He visits for a quick tour two or three times each year. Japanese guitar players have bought more than 160,000 copies of his (Japanese language) instructional books and videos. Tomo has performed with some of the best, including Will Lee, Steve Gadd, Bernard Purdie, Steve Jordan, Susan Tedeschi, Phil Collins, John Mayer, James Gadson, Travis Carlton, James Genus, Kenwood Dennard, Darryl Jones, Lemar Carter, Paul Jackson and Janek Gwizdala. When he is not performing on his own, Tomo likes to sit in with others, like Ronnie Earl, Coco Montoya, Eric Gales, Josh Smith, Kirk Fletcher, and Matt Schofield. Tomo has been an instructor to many great players over the years. The most famous of his former students is John Mayer. Tomo and John stay in touch to this day. Pictured above is a guitar that John signed for Tomo, next to the factory signature. Check out the video of these guys playing together during John's 2008 visit to Berklee, in the sidebar. Tomo also taught Eric Krasno of “Soulive” and Adam (“Shmeeans”) Smirnoff of “Lettuce” at Berklee. And there are three entertaining videos in the sidebar on this page featuring another former Berklee student: Tyler Larson, a shredder who has become an impressive teacher of guitar and music theory.

De PINK FLOYD y POLICE a RUPERT HOLMES, STYX, BEE GEES, DAWN,... De GEORGE HARRISON, JOSE LUIS RODRIGUEZ, KENNY ROGERS, DONNA SUMMER a CARLOS SANTANA, EDGAR ALEXANDER, SINATRA,... De la "LAMBADA", DUKE ELLINGTON a "LA LEY Y EL ORDEN", "LA LEY DEL REVOLVER", "SOLZHENITSSYN, "BELLEZA AMERICANA", "G.I. BLUES", "HISTORIA DE AMOR', NAVEGANTES DEL MAGALLANES,... Y MUCHO MAS! --- Support this podcast: https://anchor.fm/genteenambiente/support

Appreciation!  Gratitude!! Thanks!!!  Love. Family. Friendship. KINDNESS!  I am truly a better man, a better person, because of YOU!  Lori, Chaz, & I wish you the merriest, the merriest…the happiest, the happiest.  Stay Warm…Be Blessed!  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 23, 2022, Friday, the end of the LIVE STREAM Line…for now…Mary Chapin Carpenter - Christmas CarolLibrarians With Hickeys - 02 Listen, The Snow Is Falling (Big Stir Records)@Twenty Cent Crush - 01 - On This Day [A Pop Garden Christmas]Halie Lauren - 08 Have Yourself a Merry Little ChristmasDear Stella - The Last Kiss [Time Machine - EP]Sandy McKnight & @Liv Cummins - On Christmas DayAlison Faith Levy & Karla Kane - 07 All I Want for Chanukah Is A Ukulele (Big Stir Records)@Kanjira - Good King Wenceslas [Christmastime In Syracuse] (Tamaralee Shutt) (Karl Sperber) (Carl Lovell)Coke Belda Music - Too Much Heaven [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)@The Pink Flamingos - The SnowLos Straightjackets - 27 Linus and Lucy [The Complete Christmas Songbook] (Yep Rock Records)Emily Zuzik - This Season Makes Me CryLisa Mychols & SUPER 8 - A Very Merry ChristmasThe Adam Brown - 05 - The Post [Scoops] (Ice Cream Man Power Pop and More)E.Z Tiger - 08 Last Hurrah [Big Stir Singles - the Eighth Wave] (Big Stir Records)Bob of the Pops - 04 Wonderful Things [Bob Of The Pops Volume 5] (Futureman Records)The Mylars – Magic [Pop Station]Gary Frenay - Christmas Without YouKimberley Rew & Lee Cave-Berry - Happy New Year

Gotta cover all the herbs and vegetable plants with this freeze warning in effect for our area.  Peppers have blooms as do the tomatoes!  Freeze warning Friday Night, Saturday, and Sunday morning!  Don't want to lose them before they have a chance to live!   The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 23, 2022, Friday, verse two…Joe Algeri & Herb Eimerman - 03 - Last Christmas [Pop Garden Radio Presents Last Christmas - An Adam A Waltemire Production]Aly and AJ - Let It SnowVince Guaraldi - Christmastime Is HereThe Cool Whips - 06 - Hey Mr. Shopkeeper [Scoops] (Ice Cream Man Power Pop and More)The Forty Nineteens - 01. Frosty The Snowmanthe aquadolls - Xmas WrappingMaple Mars - Christmastime In The CitySimone Berk - Gerald M. Lehane - 02_An Irishman For Christmas [Home Fires Burning] (Red on Red Records)Dear Stella - As a Child [Time Machine - EP]Terry Draper - Christmas Time Is Here AgainRob Clarke and The Wooltones - 02 Santa Claus [Bring Me Wooltones This Year]Vegas With Randolph - Lagavuun For Christmas [Above The Blue]Phil Matthews - Christmas SongCoke Belda Music - The Coalman [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)@The Eurythmics - Winter WonderlandDanny Henry - 05 Feel Like Christmas (demo) [The Granddaddy of Christmas (EP)]@The Carpenters - Sleigh Ride@Dropkick - 03 When Santa Comes Round [25th December EP]

Christmas Eve Eve…My last LIVE STREAM Show.  All shows are PODCASTS after today, when I return with new segments for the Podcast January 2…Shows for The KOR, Pop Radio UK, and Radio Candy Radio will all remain…just no LIVE STREAM.  Will the LIVE STREAM ever return?  Never say never!  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 23, 2022, Friday, act one…Orbis 2.0 - TMA SHOW OPEN THEMEBarry Holdship - Winter WonderlandLaurie Biagini Music - A Magical ChristmasStop Calling Me Frank - Some Kind Of Christmas (Rum Bar Records)Surf katz - Have Yourself A Merry Little ChristmasSurf School Dropouts - Another Christmas With YouCoke Belda Music - Harry Braff [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)Pamela Davis - Little Saint NickFernando Perdomo - 04 Santa Claus Is Coming To Town (Surf Version) [Present]The Dollyrots - 02 The Chipmunk Song (Christmas Don't Be Late)@The Muddpuppies - Silent Night, Lonely Night (Penny Jo Pullus)Vix20 - 08 - Try Again [Scoops] (Ice Cream Man Power Pop and More)Nick Frenay + Noah Kellman - 01 Bells Are Ringing [WINTER]@Quint - Beaus Of Holly [Soundtrack of the ION channel Movie “Beaus Of Holly”](Robbie Rist Oliver Martin)Tony Bennett - My Favorite ThingsDear Stella - Time Machine [Time Machine - EP]Mark Doyle - Christmas Time Is HereBruce Springsteen and the E Street Band - Santa Claus Is Coming To TownCirce Link & Christian Nesmith - Remember Christmas [Side Orders]

National cookie exchange day. Pop culture 2003. !st cloned cat, shoe bomber-Richard Reid, Perferrated toilet paper invented. Todays birthdays - Barbara Billingsly, Hackshaw Hawkins, Gene Rayburn, Hector Elizondo, Robin & Maurice Gibb, Luther Campbell, Ralph Fienes, Meghan Trainor. Joe Cocker died.

De FRANK SINATRA, PAT BOONE, JERRY LEE LEWIS y ELVIS PRESLEY a BEE GEES, GLADYS KNIGHT, BON JOVI y PAUL McCARNEY... De "EL DISCO RAYAO", los TEEN TOPS y CELIA CRUZ a THE MONKEES y QUEEN... De "EL ULTIMO EMPERADOR", "EL PUENTE SOBRE EL RIO KWAI" a "PEYTON PLACE" y VICENTE ALEIXANDRE,... Y MUCHO MAS!!! --- Support this podcast: https://anchor.fm/genteenambiente/support

Stay warm, stay well, stay safe.  Seems someone has angered Mother Nature!  Home is where Christmas will be for many, including Lori & I!  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 22, 2022, Thursday, paragraph three…Youth Chairs - Santa's On VacationThe Beach Boys - White ChristmasThe Popravinas - Where Are My Christmas Presents@Jewel - Silent NightThe Dollyrots - 06 The Dollyrots Do Christmas [A Very Dollyrots Christmas]The Junior League - 04 - You're Gonna Die Alone [Scoops] (Ice Cream Man Power Pop and More)Tommy Keyes Music - Christmas Time With YouHeatwaves ft. Freddie Dilevi - Music - What Will Santa Bring (Rum Bar Records)The Weeklings - Christmas Day (Jem Records)Brad Marino - Blue Christmas Dear Stella - Can't WaitCindy Lawson - Mr. Scrooge (Rum Bar Records)The Decibels - Christmas Wish [Kool Kat Christmas 3] (Futureman Records)The Courettes - Christmas... (I Can Hardly Wait) [A Christmas Gift For You] (Damaged Goods Records)Diana Krall - Old Mr. KringleCoke Belda Music - Let There Be Love [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)Danny Henry - 01 (Next Year) I'll Be Home for Christmas [The Granddaddy of Christmas – EP]Lisa Mychols Music - Ringing Bells On Christmas Day@Slady - Merry Christmas Everybody@SoulBird - 3 Thank You [Raven Kings]

So much to get done, and just not enough time to make it happen, but I will do my best to be better than I was yesterday and get done just what I can!  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 22, 2022, Thursday, page one…Orbis 2.0 - TMA SHOW OPEN THEMEKai Danzberg - Last ChristmasDwight Twilley - Christmas Night [Have A Twilley Christmas]The Va Va Voodoos - Rudolph The Red Nosed ReindeerJohn Howard - Christmas Was Made For The ChildrenDear Stella - Before You Die [Pop! Fights The Flames (benefit album) (Goldstar Recordings)Deadbeat Poets - Christmas Time In Painesville [A Deadbeat Christmas] (Pop Detective Records)Blake Jones & the Trike Shop - (Jingle Bells) Ringing In Your HeartJoe Kidd & Sheila Burke - 2000 Years After ChristmasCoke Belda Music - Marley Purt Drive [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)George Finizio - It Must Be ChristmasMark Doyle - December 21The Counteracts - 10 - Strange Girl In My Dreams [Scoops] (Ice Cream Man Power Pop and More)@Brian Setzer Orchestra - The Man With The Bag@The Carpenters - No Place Like Home For The HolidaysDavid Woodard - 01 Around the Power Pop TreeWendi Dunlap - 16 Christmas [Wonderful Christmastheme]

Just a reminder, as of January 2, 2023, The Music Authority will be downloadable PODCAST, MUSIC PODCAST ONLY.  LIVE STREAM going away after Friday's show!  The Music Authority Podcast... listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 22, 2022, Thursday, set two…Vince Guaraldi - SkatingBeebe Gallini - You Ain't Getting Nothin (Rum Bar Records)Jason Berk & Ellen Den Herder - 02 Baby It's Hanukkah [Low Elf-Esteem]Jamie Hoover - Sleigh Bells [Happy Hooverdays – EP] (Vandalay Records)Mannheim Steamroller - Stille Nacht (Silent Night)Coke Belda Music - All This Making Love [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)@Grupo Pagan - Deck The Halls [Christmastime In Syracuse]Sleeping At Last - White ChristmasJonny Lang - Santa Claus Is Back In TownRob Clarke and The Wooltones - 07  - Big Big Bad John [Scoops] (Ice Cream Man Power Pop and More)Johnathan Pushkar - Little Saint Nick (Jem Records)Los Straightjackets - 17 O Come All Ye Faithful [The Complete Christmas Songbook] (Yep Rock Records)The Tearaways - 09. Helluva Christmas [Anthems And Lullabies]Joey Ramone - Merry Christmas (I Don't Want To Fight Tonight)Dear Stella - Brighton Beach [Time Machine - EP]Ralphie's Red Ryders - 02 - Triple Dog Dare [It's Not Going in Our Yard] (Radiant Radish)Chris Isaak - Hey Santa!The Smithereens - Christmas Time All Over The WorldFrank Sinatra & Bing Crosby - We Wish You The MerriestDave Williamson - We Wish You a Merry ChristmasShake Some Action! - 08 Christmas In The Sun [Kool Kat Kristmas]

Se acerca la navidad, y a todos nos va a alegrarEl jibarito cantando aires de felicidad.Y en RCN Digital los acpmpañamos con información tecno sobre las expectativas de visitantes que tiene el famoso CES que está muy cerca de comenzar, además consejos para evitar fraudes en épocas navideñas, la Copello hoy nos cuenta sobre el 'Titanic': James Cameron ha hecho un estudio científico para probar que Leonardo DiCaprio tenía que morir, buena música y mucho más, bajo la dirección de Andrea Cardona.

Народились: 1949 Робін і Моріс Гібб (The Bee Gees).

Gonna go for ANOTHER three hours of Holiday fun & song tomorrow, Thursday!  When?  Once I know I'll post up and let you know.  Probably 12NOON ET, 9AM PT, 5PM GMT!    The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 21, 2022, Wednesday, the three-peat…The Emeralds - 03 Silver BellsThe Forty Nineteens - 09 It's Christmas Time Again [Big Stir Singles The Yuletide Wave] (Big Stir Records)The Glad Machine - Father Christmas [Big Blast Records All-Stars] (Big Blast Records)The Gunboat Diplomats - A Shot Of Christmas CheerThe Jigsaw Seen - What About Christmas [Hi-Fi Christmas Party]Coke Belda Music - Nights On Broadway [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)Lisa Mychols Music - 07 - Winter is Here [A Pop Garden Christmas – An Adam A Waltemire Production]The Kennedys – MistletoeLittle Murders - Christmas (All Over The World) [Power Chords, Harmonies And Mistletoe]David A Burdick - 02 - I Can't Sit Still [Scoops] (Ice Cream Man Power Pop and More)The Rumble Skulls - Shine In The Night@Alison Moyet - The Coventry CarolThe NEW Bardots - Never Too Much ChristmasThe Peppermint Kicks - It's A Peppermint Christmas (Rum Bar Records)Dear Stella - Take Care Out There [Time Machine - EP]@The Penguins - A Christmas Prayer@The Pink Flamingos - Hello ChristmasThe Weeklings - Revolution Wonderland (Jem Records)@Kaiser Chiefs - Thank You Very Much [Yours Truly, Angry Mob]

Are you ready to be a better you for The New Year?  That is the only resolution one needs to make, and easy to achieve.  I will be a better person than I was this last year!  Being KIND doesn't require membership to anything! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes!  Follow the show on TWITTER JimPrell@TMusicAuthority!  Please, are you listening? Please, are you sharing the podcast?  Please, has a podcast mention been placed into your social media?  How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  December 21, 2022, Wednesday, act one…Orbis 2.0 - TMA SHOW OPEN THEMEThe Decibels - 17 Angels We Have Heard On High [Big Stir Singles The Yuletide Wave] (Big Stir Records)Mimi Betinis - 01 - Last Christmas [Pop Garden Radio Presents Last Christmas An Adam A Waltemire Production]@The Swingtips - Hanukah Chag Ya'fe@Karen Bassett - Almost Christmas TimeSurf katz - Mele Kalikimaka@Atom and The Splits - 09 - Hold Fast [Scoops] (Ice Cream Man Power Pop and More)Gary Frenay - When Will It Be Christmas AgainPoppermost Songs - Merry Christmas@Quint & Robbie Rist & @The Wrong Dots - Christmas Without YouThe Smithereens - Santa Bring My Baby Back To MeDear Stella - As a Child [Time Machine - EP]@Somerdale – 15 Merry Christmas Time [Maggie Says It Again] (Jem Records)Sarah McLachlan - Song For A Winter's NightStarbelly - Dear Mother ChristmasCoke Belda Music - Islands In The Stream [Coke Belda 5- A Tribute to the Bee Gees vol 2] (koolkatmusik.com)Stephen Lawrenson - 01 Glad It's ChristmasStop Calling Me Frank - 01 Say It Ain't So Santa (Rum Bar Records)@Stupidity Feat Keith Streng - 01_Reindeer Twist [Home Fires Burning - A Holiday Compilation] (Red on Red Records)

Mick Foley is a legendary professional wrestler, who is widely regarded as one of the greatest wrestlers in the history of the WWE. One of the cornerstones of WWE's meteoric rise in the late 90's, Foley has wrestled under his real name and the personas: Cactus Jack, Mankind, and Dude Love. Foley is a four-time world champion, an 11-time world tag-team champion, a one-time TNA Legends Champion, and the inaugural WWF Hardcore Champion. In this episode, Jack and Mick talk about Mick's love for The Beatles, his favorite Beatles albums, thoughts on the "Get Back" documentary, and how Mick is connected to The Beatles' world.   Check out Mick's website: https://www.realmickfoley.com/ Mick's Cameo page: https://www.cameo.com/mickfoley   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.  

All live selections includes Intro You Should Be Dancing/Alone, To Love Somebody, Islands In The Stream, Our Love (Don't Throw It All Away), Night Fever/More Than A Woman, Lonely Days, Nights On Broadway, How Can You Mend A Broken Heart, Tragedy, Grease, Jive Talkin', How Deep Is Your Love, Stayin' Alive and You Should Be Dancing.

This is STAGES companion episode to our conversation with Entertainment Entrepreneur - Kevin Jacobsen. In part 1, we learned of Kevin's early days as a musician - forming and guiding bands that included the KJ Quintet and Col Joy and the Joy Boys. A triumphant career in music, that saw national acclaim for the band and many chart topping hits. In part 2 Kevin takes us on a journey through some of his trials and triumphs as a promoter of artists that include The Bee Gees, Evel Knievel, The Three Tenors, Barbra Streisand and Michael Jackson; and his success as a producer developing the home-grown musical - Shout! - The Legend of the Wild One - Johnny O'Keefe. It is a fascinating career and a conversation that reveals much of the negotiation, collaboration and frustration that goes into securing and presenting such iconic entertainment experiences. In 1985 Kevin received the Order of Australia Medal (OAM) in recognition of his services to the performing arts. He has also garnered numerous ARIA, Mo and Green Room Awards for his theatrical productions. In 2002 Live Performance Australia honoured his contribution to the industry with its James Cassius Williamson Award. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

It's 1966, a revolutionary year for the commercial music landscape, which has dramatically changed since the Gibb family arrived in Australia. The new studio space and endless time spent there allows the Bee Gees to let loose and produce a vast and eclectic amount of material over the course of this year. Maurice has his first compositions and collaborates with Nat Kipner, Robin also debuts his solo compositions and develops his unique style, and Barry continues to adapt to his musical surroundings. Stuart and Cristiano go through the first half of 1966, detailing the Bee Gees' second studio album ‘Spicks and Specks', as well as a collection of additional material. Find us on Instagram and Facebook @wordsbeegeespodcast, and on Twitter @wordsbeegeespod. Email us: wordsbeegeespodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Back in December 1977, a young actor named John Travolta (by then only known for his role as Vinnie Barbarino on the TV comedy "Welcome Back Kotter) strutted across the streets of New York to the funky beat of an English trio that reinvented themselves from Soft Rock gentlemen to the purveyors of the global Disco explosion. While The Bee Gees' music was the centerpiece of "Saturday Night Fever," the film's soundtrack gave a spotlight to notable pop performers like Yvonne Elliman, masterful musicians and arrangers like David Shire, Ralph McDonald, and R&B veterans like The Trammps and Tavares that were also heavily instrumental in creating the blueprint of Disco in the early 70s.Show Tracklisting:Jive Talkin' (Bee Gees)You Should Be Dancing (Bee Gees)I Don't Know How To Love Him (Yvonne Elliman)Love Me (Yvonne Elliman)How Deep Is Your Love (Bee Gees)If I Can't Have You (Yvonne Elliman)More Than A Woman (Bee Gees)More Than A Woman (Tavares)It Only Takes A Minute (Tavares)Boogie Shoes (KC & The Sunshine Band)Open Sesame (Kook & The Gang)K-Jee (MFSB)A Fifth Of Beethoven (Walter Murphy)Calypso Breakdown (Ralph McDonald)Night on Disco Mountain (David Shire)Zing! Went The Strings Of My Heart (The Trammps)Disco Inferno (The Trammps)Host and Producer: Diego MartinezExecutive Producer: Nicholas "NickFresh" PuzoAudio Engineer: Adam FogelFollow us on social media: @choonspodSubscribe to our PATREON: patreon.com/choonspod

Joel Cassady is a member of the band Walk off the Earth - well known for their covers of popular music on YouTube, as well as their original songs. WOTE's YouTube channel has over 4.35 million subscribers and their videos have over 1 billions views. In February of 2020, the band released a video of them performing a live medley of Beatles hits in chronological order, spanning from 1962-1970. In this episode, Jack and Joel discuss the magic of Ringo Starr's drumming, why George Harrison's songs were so special, and how a certain Beatle is interested in future NFT and Web3 projects.   Check out Joel and Walk off the Earth's YouTube channel: https://www.youtube.com/@walkofftheearth/featured Follow Joel on Twitter: @joel_cassady   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.