Podcast appearances and mentions of Monique M Ingalls

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference.  Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference.  Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference.  Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference.  Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference.  Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference.  Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference.  Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Join Monique M. Ingalls, Muriel Swijghuisen Reigersberg, and Zoe C. Sherinian in a conversation about their new edited collection: Making Congregational Music Local in Christian Communities Worldwide. Here's more information about the editors: Monique M. Ingalls, Muriel Swijghuisen Reigersberg, and Zoe C. Sherinian.More information on Making Congregational Music Local in Christian Communities Worldwide. Enjoying this podcast episode? Click here to find other Music and the Church episodes, or subscribe to the show wherever you listen to podcasts. Share This Podcast If you enjoy this podcast, please consider sharing it with your friends—it's the best way for them to find the show!

For the last few weeks, we’ve been talking about musical virtuosity. This week’s guest is Dr. Birgitta Johnson, Assistant Professor of Ethnomusicology and African American Studies at the University of South Carolina, and the President of the Southeast and Caribbean Chapter of the Society for Ethnomusicology. In this episode, Birgitta discusses being anointed for music ministry. In the African American churches that she’s studied as an ethnomusicologist, musical skill is important but not the be-all-end-all. Musicians should also be called to ministry. Here's the heart of what Birgitta is seeing between virtuosity and being anointed for music ministry: "You have some people who don't know anything about Jesus and who can play really, really well. If you give them enough tracks, or enough recordings, or enough guides—they can play it just like the most anointed musician on the pew. And so, when you start talking about how we identify what is anointing, often I've seen, it really comes down to the larger relationships that happen in music ministry." Musicians often spend the most time together of any group in the church. And people leading music ministry often spend more face-time with lay people than other ministers can. So, Birgitta says, the relationships that a minister of music has with other musicians in the church "reveal where the person's heart is for ministry." You can find Dr. Birgitta Johnson on Facebook, Twitter, and at her University of South Carolina faculty page. Enjoying this podcast episode? Click here to find other Music and the Church episodes, or subscribe to the show wherever you listen to podcasts. Other episodes in our virtuosity series: Ep. 18: Virtuosity, Amateurism, and Amateurishness in Evangelical Worship Music, with Joshua BusmanEp. 19: Showing Off or Glorifying God? Musical Virtuosity in Fundamentalist Christianity, with Sarah BerezaEp. 20: What IS Virtuosity? Musical Skill and Guitarist Tony Melendez, with David VanderHamm Resources Mentioned in This Episode Worship as a Lifestyle by Judith Christie McAllisterNo Gimmicks: Relevancy, Commitment, and Excellence in Worship Ministry by Leo DavisThe Seed of David: A Worshipper's Guide to Mend the Heart and Discipline the Flesh by Stephen HurdThe Spirit of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity, edited by Monique M. Ingalls and Amos Yong. This book includes Birgitta Johnson's chapter "'This Is Not the Warm-Up Act!': How Praise and Worship Reflects Expanding Musical Traditions and Theology in a Bapticostal Charismatic African American Megachurch." Share This Podcast If you enjoy this podcast, please consider sharing it with your friends who love church music. It's the best way for them to find the show!