Podcasts about Singing

Withhold that instant gratification and life will always be an adventure. -------- Thank you for listening! Your support of Joni and Friends helps make this show possible.     Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Country music superstar John Rich is taking on a cause close to home: the Tennessee Valley Authority (TVA). It's currently trying to seize property and homes outside of Nashville for a methane gas plant. He's even releasing a new song about it. Rich asks— Who's getting rich off this ‘scheme'? And can anyone stop what seems like an immovable, powerful force?Order Sharyl's bestseller “Slanted: How the News Media Taught Us to Love Censorship and Hate Journalism” at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Harper Collins⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barnes & Noble⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Books a Million⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IndieBound⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Subscribe to both of Sharyl's podcasts: “The Sharyl Attkisson Podcast” and “Full Measure After Hours.” Leave a great review, and share with your friends! Support independent journalism by visiting the new ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sharyl Attkisson store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠⁠Sharyl Attkisson's Free Substack⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SharylAttkisson.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.FullMeasure.news⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for original reporting. Do your own research. Make up your own mind. Think for yourself.

Big O talks Miami Dolphins 062625

Moving on in our liturgy series we are talking about the importance of corporate singing within the Lord's Day service.REFORMATORY SHIRTS: https://www.amazon.com/s?rh=n%3A7141123011%2Cp_4%3AThe+Reformatory+Podcast&ref=bl_sl_s_ap_web_7141123011JOIN THE PODLUCK: https://www.patreon.com/reformatorypodMukwano Coffee: https://www.mukwanocoffee.com (Use promo code "reformatory" for 20% off your order).Twitter: https://twitter.com/reformatorypod

www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.glass-flo.com Great Pipes for Sure Shout Out Dub, next week plans, Bronco, mostly the Unit, Edible intake, trashing the overly potent, Dumpster Hiding, Predator good movie, Sounds, Making it Great Again, Greatness, Milania Getting IT, pond sounds, Mike being Freaked Out, Flies, rewatchable, TV Shows, Wild Shows, Too Much Time, everybody has somebody, I'm the shit bitch, having confidence in me,. not the pursuit, Ratchet Bitches, the populous, most interesting season of America, Ju Jobs, Lisa Next Door, highway napping, Pollo Compero, the music of this episode@ https://open.spotify.com/playlist/3EjVXVr78EltnZFOPlnUlL?si=772fae08efd84a69 support the show@ www.patreon.com/MperfectEntertainment

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Guest, Rik Schnabel, Brain Untrainer, Author and Trainer. Life Beyond Limits Sounding Success: The Transformative Power of Speaking and Singing to Your Brains Speaking, singing, and vibrating in harmony—unlock your path to success and wellbeing. Get ready for an inspiring episode of Sound Pathways as we welcome R!k Schnabel, Australia's #1 Brain Untrainer—a transformational coach who went from financial ruin to multi-millionaire and has helped over 350,000 people break through barriers to emotional freedom, clarity, and prosperity. Together, we'll explore how the vibrational power of thoughts and words can reprogram the mind for success—communicating with the brain in ways similar to music. Rik will share how intention, word choices, tone, and silence engage the head, heart, and gut brains—unlocking new neural pathways that support wellbeing and abundance. ✨ Discover how your thoughts and voice can become powerful tools for shifting beliefs, elevating mood, and aligning with the frequency of success. You won't want to miss the life-changing guided meditation on Perception and Meaning, set to Heaven's Gate, a track created by Karen Olson and Crispin Barrymore. Don't miss this dynamic conversation about the deep connection between vibration, sound, language, and success.

Greta Morgan is a founding member of The Hush Sound, touring with Fallout Boy when she was still a teenager, releasing records via Fueled By Ramen, before moving on to being a touring member of Vampire Weekend and performing with Jenny Lewis. After contracting long Covid she developed spasmodic dysphonia - a neurological voice disorder characterized by involuntary spasms of the muscles in the voice box. I.E. it is nearly impossible to sing. After writing nearly 350,000 words in journals, she turned her work into a book - "The Lost Voice" (out now via Harper Collins). We talk with Greta about this life altering change, and it's effects on her creativity and creative practice, our evolving identity coming from self, not from others or our output, the worthiness shadow, acceptance, longevity, and more.Get more access and support this show by subscribing to our Patreon, right here.Links:Greta Morgan“The Lost Voice”Kahlil Gibran - “The Prophet”Ep 96 - Maggie SmithThe Hush SoundFallout BoyVampire Weekend Spasmodic DysphoniaMichelle Zoner - “Crying in H Mart”Suleika Jaouad - “Between Two Kingdoms”Harper CollinsEp 27 - Mary GauthierClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Hello to you listening in Fairbanks, Alaska!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds (and a bit more) for Wednesdays on Whidbey and your host, Diane Wyzga.Jack Kornfield, American Buddhist teacher and writer asked, “Where does enlightenment come from?” and proceeded to offer an answer in his book, After the Ecstacy, the Laundry.    For as many times as I've read his work I keep coming back to the title: first, we experience an overwhelming feeling of joyful excitement, and then we are back into the reality of day-to-day living.  Our Whidbey Island No Kings rally was my ecstacy, feeling great happiness joining with over 2,500 others waving flags, holding signs, standing together, singing and laughing.Click HERE to access our Whidbey Island No Kings rally Photo GalleryBut when it was over I realized there was still the very long game of piles and piles of democracy  laundry. I felt despair. Until I remembered the “We the People” are America's Power speech delivered by my hero, Reverend William Barber, founder Repairers of the Breach on June 14th to 100,000 people rallying peacefully in the Philadelphia rain.Click HERE to access Rev. Barber's speech.My very favorite FanGirl bit starts at minute 3:48 when Reverend Barber asks the rally goers to hold the hand of the person next to them and say in “call & response” fashion, the following:“I love your life!I hold your life dear!I will protect your life!I will embrace your life!I will hope the best for your life!I will stand up for your life because we are one humanity and we need each other to survive.”Now that's how we do the laundry!Question: How are you standing together to reconstruct democracy in your community?Thank you for listening and taking part. You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication & Story Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved. 

Singing to Leo 06/24/25

Leo and Jenn Singing Together 06/25/25

Do you remember “Tammy,” and “Aba Daba Honeymoon? How about “Tammy and the Bachelor” and “The Unsinkable Molly Brown?” I think all of us remember the movie “Singing in the Rain.” Today's podcast goes back to a woman who danced toe-to-toe with Gene Kelly, stole scenes with her wit and could probably out-sing out-joke and out-charm all of us combined. Debbie Reynolds has some gossip from the time and will give advice on how to stay fabulous 24/7. And I loved the sexy way she answered the phone.

Hear Joni sing one of her favorite hymns in this radio program. -------- Thank you for listening! Your support of Joni and Friends helps make this show possible.   Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org.   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

As a teenager performing on New York's streets and parks, Adam Met never imagined selling out arenas nationwide. Alongside his brothers Jack and Ryan, he formed the band AJR, playing for hours each summer while learning to capture the attention of indifferent passersby. A single tweet to Sia changed everything, launching their breakthrough. Balancing music with demanding academic work and nonprofit leadership, Adam mastered the art of building an engaged fan base that is driven to action. In this episode, Adam joins Ilana to share insights from his new book, Amplify, which blends his experiences in music and climate advocacy to inspire community building across various fields. Adam Met is a musician, climate advocate, educator, and member of the multiplatinum band AJR. He is the Executive Director of Planet Reimagined, a nonprofit leveraging media and strategic advocacy to mobilize climate action. In this episode, Ilana and Adam will discuss: (00:00) Introduction  (01:51) Early Musical Influences and Street Performances (04:04) Coping with Rejection as a Child Performer (05:52) Attracting an Audience While Embracing Nerves (09:30) How One Tweet to Sia Changed AJR's Career (13:01) Why “I'm Ready” Became a Smash Hit (16:58) Overcoming the Fear of Being a One-Hit Wonder (21:29) The Innovative Strategies Behind AJR's Success (26:56) Two Key Tactics to Build an Engaged Fan Base (28:48) The Birth of Adam's Debut Book, Amplify (31:28) How Adam Merges Music and Climate Advocacy (34:21) Adapting Quickly: The Drive-In Concert Pivot (39:21) Funding Climate Action Through Bipartisan Support Adam Met is a musician, climate advocate, educator, and member of the multiplatinum band AJR. He is the Executive Director of Planet Reimagined, a nonprofit using media and strategic advocacy to mobilize climate action. Adam works closely with Congress and the White House to promote renewable energy and serves as a sustainability advocate for the United Nations Development Programme. In recognition of his efforts, Adam received the 2024 TIME Earth Award and was named a New York Times Changemaker. Connect with Adam: Adam's Website: adammet.net  Adam's LinkedIn: linkedin.com/in/adam-met-38274379  Resources Mentioned: Adam's Book, Amplify: How to Use the Power of Connection to Engage, Take Action, and Build a Better World: https://www.amazon.com/Amplify-Connection-Engage-Action-Better/dp/0593735900  Planet Reimagined: planetreimagined.com  Leap Academy: Ready to make the LEAP in your career? There is a NEW way for professionals to Advance Their Careers & Make 5-6 figures of EXTRA INCOME in Record Time. Check out our free training today at leapacademy.com/training

The month of July is a very special month. July has many reasons to celebrate! Though not widely known, it was on July 2nd, not July 4th, that the Continental Congress passed the resolution declaring the independence from the colonies. We celebrate Independence Day on July 4. Are you a celebrator? Having lived several years in the Fourth of July city, Seward Nebraska, Independence Day has very special memories for me. Singing the Star Spangled Banner has inspired millions and moved many to tears. It has symbolized with the flag what it really does mean to be a loyal American. Are you aware that it was here in the state of South Dakota that the Star Spangled Banner received the first impetus, which eventually led to its adoption as our national anthem? I was very impressed when I first learned about the history of this stirring song. It all happened in 1892 when Colonel Calb H Carlton assumed command of the Eighth US Calvary Regiment at Fort Meade near Sturgis. Carlton writes in his memoirs that he and his wife discussed the fact that the United States had no official song. Mrs. Carlton suggested they do something about it. It was at Fort Meade that Colonel Carlton ordered his Calvary band to play the Star Spangled Banner at all parades and formations. He further states that all persons, including civilians, should rise respectfully, and all men not under arms would remove their hats. Colonel Carlton promoted the idea beyond his own South Dakota base, and consequently, the practice was adopted by other commanders. There was something patriotically contagious about the show of respect for the song and the flag it honored. It was a one sentence bill that passed on March 3, 1931 and signed by President Hoover that designated the Star Spangled Banner as the National Anthem of the United States of America. The patriotic custom began in the Black Hills, and so it gives our national anthem its roots in South Dakota. Patriotic Thoughts: Francis Scott Key, a lawyer, wrote the lyrics for our national anthem during the morning of September 14th, 1814, at the dawn's early light. He saw the American flag fly, and in a burst of patriotic fervor, He hurriedly penned the immortal words. We thank the father of our national anthem with renewed patriotism, let's celebrate Independence Day. Happy Independence Day!Warm Thoughts from the Little Home on the Prairie Over a Cup of Tea written by Dr. Luetta G WernerPublished in the Marion Record, June 25th, 1998Download the Found Photo Freebie and cherish your memories of the past.Enjoy flipping through the Vintage Photo Book on your coffee table.I hope you enjoyed this podcast episode! Please follow along on this journey by going to visualbenedictions.com or following me on Instagram, Facebook, and Pinterest. You can listen to the podcast on Apple Podcast,Spotify,Stitcher, and Overcast. And don't forget to rate and review so more people can tune in! I'd greatly appreciate it.Till next time,Trina

How do actors convincingly switch accents, and what happens when singing enters the mix? Voice teacher, researcher and spoken voice expert Louisa Morgan returns to explore the rich world of accents and dialects—from phonetics and oral posture to emotional authenticity and ethical considerations. Louisa dives into the challenges singers face when shifting from speech to song in character, how to manage biases, and why understanding your own “home” sounds is key.WHAT'S IN THIS PODCAST 2:35 What actually are accents and dialects?7:37 What makes an accent easier vs difficult to learn?15:05 How can we understand accent mapping?22:51 Speaking Vs Singing in an accent30:58 What are the challenges of teaching a singer who has a different accent to you?36:09 What ethical considerations are required?41:16 Getting to grips with IPA46:32 Louisa's favourite resources48:29 Live accent and dialect coachingAbout the presenter click HERERELEVANT MENTIONS & LINKS Singing Teachers Talk Podcast Ep.109 Mastering ‘Acting Through Song' Techniques to Elevate Musical Theatre PerformanceVoice Study CentreGuildford School of ActingIPASinging Teachers Talk Ep.151 How to Sing with TwangSinging Teachers Talk Ep.194 From Jersey to Bali: Relocating a Singing Teaching BusinessHow to Do Accents by Edda Sharpe and Jan Hayden RowlesKnight ThompsonPhonetics by J D O'ConnorThe Experiencing Accents Book Knight ThompsonPhonetics by Peter RoachAccents and Dialects for Stage and Screen by Paul MeierInternational Dialects of English ArchiveKilling EveEstillVASTA Conference ABOUT THE GUESTLouisa Morgan is a lecturer, voice teacher, and researcher specialising in spoken and sung emotion. She teaches with the Voice Study Centre (as Spoken Voice Lead) and she is also completing a PhD in emotion in Acting Through Song with Guildford School of Acting. Louisa has taught at institutions including Italia Conti and the Cygnet Training Theatre, alongside 15 years of private coaching. She holds an MA in Vocal Pedagogy, a diploma in Acting with Directing, and a BA in English and Literary Studies. Louisa is a Vocal Process accredited teacher and former editor of AOTOS. She has presented at PEVoC and will speak at the 2025 VASTA conference. SEE FULL BIO HERE WebsiteInstagram:Contact Louisa DirectlyBook a place on one of Louisa's courses BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Listen to Journal of Clinical Oncology's Art of Oncology poem, "Transcription: Phone Call, 2018” by Elane Kim, a student at Harvard College. The poem is followed by an interview with Kim and host Dr. Mikkael Sekeres. Kim shares her poem that lingers in the spaces between words; a mother and daughter navigating illness and memory. TRANSCRIPT Narrator: Transcription: Phone Call, 2018, by Elane Kim Spiculated mass, irregular contours. Can you come to translate these words? Something in the lung. Yes, I am eating well.   Birds, green ones, are nesting outside the window. Singing as if they aren't young but dying. Lately, I have been singing.   Since we last spoke, the snow has melted into pearls. Rare and pale, glittering like it's the last time you'll ever see it. Will you come see it?   In Korea, we say magpies bring good luck. I dreamt of one the last night I slept well. Though you are my daughter, I feel like   a child. In our language, the word for cancer comes from the character for mouth. The fruit you bought is too tough to swallow.   The cough is worse in the mornings and after rain. When you were younger, you loved the rain. If I could do anything,   I would like to see the snow. To see it for the first time again, the cold a shivering afterthought.   Time passes in pieces: one appointment, then the next. Monday, can you ask the doctor   about the prescription? Will it be stronger? Every new day is an empty one.   No appetite. No warmth. I hope I did not give you a rotten body, my body. Will I be stronger? I feel   a shattering inside. Hello? You are breaking up. Remember to eat well, daughter.   Remember to call home.   Dr. Mikkael Sekeres: Hello and welcome to JCO's Cancer Stories: The Art of Oncology, which features essays and personal reflections from authors exploring their experience in the oncology field. I'm your host, Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. Today we are joined by Elane Kim, a student at Harvard College. In this episode, we will be discussing her Art of Oncology poem, “Transcription: Phone Call 2018.” At the time of this recording, our guest has no disclosures. Elane, what a joy to have you on our podcast. Welcome and thank you for joining us. Elane Kim: Thank you so much for having me - very excited. Dr. Mikkael Sekeres: So am I actually. Elane, I was wondering, I think you may be one of the youngest authors we've accepted a piece from. You had an absolutely gorgeous poem that you submitted to us and we were so thrilled that you chose us for your submission and ultimately that we were able to publish it. Elane Kim: Oh, that's so exciting. Dr. Mikkael Sekeres: So, can we start out with just kind of some general questions about you? Can you tell us about yourself? Where are you from? And walk us through how you reached this point in your career. Elane Kim: I'm originally from California, but I moved to the East Coast for college and I'm also a writer. I love to write fiction and poetry. When I first started writing, I wrote for fun for a really long time, but I started to kind of take it seriously in middle school because I went to this one slam poetry event and I remember I went home and I told my mom, “I am going to be a poet.” And so ever since then, I've been writing poetry and it's been really awesome for me because it's my way of expressing myself and translating my world into words and having a space where I'm able to experiment fearlessly. So I love to write and it's been a journey for me because I started publishing little poems here and there. And now my debut full length is coming out early next year with a small and lovely press. So I'm very excited and also honored to be on this podcast with you. Dr. Mikkael Sekeres: Elane, I can tell you as a parent of a daughter who's a rising senior in college, it's every parent's dream when your child comes home and says, “I want to be a poet.” So the question I wanted to ask is, are you a writer who dipped her toe into medicine or are you an aspiring doctor who dipped her toe into writing? Elane Kim: Oh my gosh, it's hard to say. I really love science, but I also really love writing. So I think maybe it comes from a place of wanting to do both because I also think that, I don't know, I really, really admire doctors for everything they do because from everything I've seen, I feel like medicine is a place where I think you need to have very deep empathy in order to proceed. So I also think writing is a place where you need empathy and so I think maybe a little bit of both. It's sort of hard for me to see which angle. Dr. Mikkael Sekeres: That's okay. You still have a couple years in college and, of course, the rest of your life to figure that out. But I think you're right. We obviously meet a lot of doctors who are writers. That's probably the main phenotype of the sort of person who submits something to the Art of Oncology at JCO. But I've always felt there's a lot of overlap between the two because inherently medicine is about storytelling. A patient comes to us with a story of illness. We tell that story to ourselves, to our colleagues when we're getting consults, and eventually we're trying to find the denouement of that story, where we have an answer for the story of illness. So I think it's great that you're still open to both aspects of this, writing and medicine, and I completely agree with you. I do think there's a lot of overlap between the two. Elane Kim: I think that's really beautiful. Dr. Mikkael Sekeres: Tell us about your journey as a writer then. So you talked about going to a poetry slam, but of course, you had to have gone there with a piece of poetry to participate. So when did you start writing poetry? Elane Kim: I always wrote poetry for fun. I loved making cards and stuff for my parents and my family for every little event. So I was my own like Hallmark factory. So I used to write really silly things and so whenever like people wanted cards or anything, I always had a poem ready. But then I started taking it seriously after this slam poetry event. I feel like slam poetry is very rooted in emotion and performance. And so all the poets there are so awesome and they really like are able to get into character and share their story in a very like raw way, which I thought was so, so awesome. And it was sort of the first time I had seen poetry as less of a vehicle for like a Valentine's Day joke or something and more of an actual story with like a punchline with a lot of character and individuality. And so that was sort of a space where I saw all these poets who were so excited about what they were doing and able to tell a story about something bigger than themselves. And so I think that was kind of a turning point and little middle school me, I was like, “This is totally what I want to do and totally something I want to pursue.” And although I no longer am like strictly in the spoken word space, I still think every single poem should be read aloud and should be shared with people in a space where everyone's listening and everyone's able to gain something new from it. Dr. Mikkael Sekeres: It's beautifully stated. And you know, that notion of reading words aloud is so important and that's advice that I give to some of my mentees even in scientific writing. As they're moving along, I'll actually say to them, “Okay, now read that paragraph or those sentences out loud and tell me if they make sense.” And as they're reading them, they'll often realize, “Wait a second, it's constructed the wrong way. And I'm burying the lead or the grammar doesn't quite work out.” And they rewrite it. So I love the fact that you talk about writing as something that should be read out loud. I think that's true whether you're writing creatively with poems or narrative pieces or even in scientific writing. Can you tell us what prompted you to write “Transcription: Phone Call 2018?” Elane Kim: Kind of like the title suggests, I wrote this poem after I had a phone call with a loved one that really stayed with me because I think there were a lot of, I guess, distances that were traversed through that phone call and it was a little bit more about what was left unsaid as opposed to what was said. So the poem is- it kind of addresses this, but there are language barriers, generational gaps, and also like the weight of illness that's bearing on this conversation that sort of bleeds into everyday life. And so I was thinking a little bit about how people can often carry conversations across physical distance and also emotional distance, especially in immigrant families, for example, where a lot of the times communication is something more emotional or cultural rather than something that's, you know, said through sentences. And so I think that the poem is both like a literal transcription of a phone call that's like spliced up, but also maybe like an emotional transcription where we're trying to preserve this moment of love and tenderness between a mother and a daughter. Dr. Mikkael Sekeres: It's really a terrific piece. I keep saying this over and over again. You captured so much in so few words, which of course, is the goal of poetry. One of the things that I loved about your poem is how you captured the fractured nature of phone calls, particularly if you're hearing bits and pieces on either side of the phone call. You start the poem focusing on otherness. I mean, right out of the gates, on being an outsider. Your first line is “Spiculated mass, irregular contours,” which is some of our medical speak. And then the next line immediately says, “Can you translate these words?” You're already saying the person, the character who's speaking that line doesn't get it, right? It doesn't make sense to them. They need help in figuring it out. Can you talk about this from the perspective of coming from another country or culture and as a neophyte to medical terminology? Elane Kim: Definitely. It's so awesome that you're able to notice all these small details and everything. That's so awesome. Dr. Mikkael Sekeres: It's a testimony to your writing. You're a great writer. Elane Kim: That's so kind of you, but I'm very excited to get to talk about all this. Yeah, like you said, there's like an insider/outsider dynamic. I guess as somebody who might be new to this country, there's also somebody who's new to medicine and how there can be a lot of barriers there where if you don't have somebody who's acting as somebody who can be in both worlds at once and translate these things, then you're sort of left in the dark. And I think the role of translator is very important here because you're not totally in one world or the other. You're kind of this floating being who is in charge of traversing both worlds and bringing, in this case, the mother from one to the next. But because of this, I think that sort of suggests that the person who is receiving the phone call is not totally comfortable in one world or the other world. They're sort of playing this mediator role. And I think that also maybe speaks to belonging in this poem as well. Dr. Mikkael Sekeres: Yeah. It really emphasizes how critical it is, particularly with serious diagnoses in medicine like cancer, that people bring with them another set of ears, or sometimes we'll joke and we'll say they bring an ectopic brain with them, someone else who can listen because it's not only the medical terminology that people trip over, but like you say, it's the emotions of the diagnosis and how receptive people are to the information. So they need somebody else there as another source of truth and another advocate to ask the right questions and also make sure that what the patient is hearing is what's being said and vice versa. So, are there poets who've been particular influences on you and if I could ask, who and how? Elane Kim: When I was first starting out, I really appreciated slam poets and I still do. I love slam poets. I remember I would go home and watch YouTube videos like over and over of these poets performing their work. For example, I really love Sarah Kay. I also really love Hieu Minh Nguyen. Both of them, oh my gosh, so, so awesome. And I think they bring a lot of, especially Sarah Kay, she brings a lot of whimsy into her work and also a lot of naturalistic references and also like scientific references that you wouldn't necessarily expect. Like, she has this one poem about these birds called starlings and when they fly together, they fly in the big shape of another starling, which is really fascinating, but also very poetic. I listened to that. I was like, “Wait, that is so awesome that nature knows to do that.” So things like that, I think I take a lot of inspiration from whenever there's something I learn about in, say, like my bio class. I'm like, “Write that down, write that down.” Because I'm like, “Oh, that could be something I put in my next poem.” But I also really love a lot of Asian and Asian American writers who have been big inspirations to me. I really love Jenny Xie. She has a collection called Eye Level, which blows me away every time I see a poem from it. I also love Chen Chen. He has this one poem, “When I Grow Up I Want to Be a List of Further Possibilities,” and I love that poem. It was one of the first poems I really fell in love with. Dr. Mikkael Sekeres: You've given me and our listeners a list of people to look up and to read. It's great. I'm curious about your writing process. What triggers a poem and how do you face the dreaded blank page on your computer? Elane Kim: So the way you avoid that is you never have it for too long. My method of writing, tried and true, is I have this one document where I collect everything and it's like my scraps and even the most random, like, ‘this would never go in a poem' random like throwaway lines, I put them all in one ginormous document. I don't know what I'm going to do if I lose access to it, to be honest, because it's like many, many pages. Basically, I just collect everything there. Like I will be in class and I will hear someone say something that's like just in a conversation, but I'm like, “Wait, that's kind of poetic.” And I write it down or like walking down the street and I'm looking at the water. I'm like, “Huh, that water looks a lot like this.” And I write that down. And so I have this huge, huge running document that has all these random lines. And so for me, I think writing is less about going into a document and like just type, type, type, type. It's more about for me like, how can I take these fragments and put them into a story? Like these random fragments. How can I tell a story out of these pieces that seem disparate initially? For me, I don't have a blank page for too long. My issue is like, how can I make this random mess of words into something that actually tells a story? But I think that's the most fun part of writing also is like putting together this puzzle. Dr. Mikkael Sekeres: I have to say it's also the most fun part of medicine. We're handed chaos in oncology and we're asked to put it together into a story and hopefully a story with a happy ending. So that's great. Elane Kim: I love that. Dr. Mikkael Sekeres: So you're welcome to write that down in your scraps. Elane Kim: Oh my gosh, it's going in there. Dr. Mikkael Sekeres: So, I wanted to end by actually quoting the end of your poem, which was amazing. And the poem reads like this and one of the characters says, “I feel a shattering inside. Hello? You're breaking up. Remember to eat well, daughter. Remember to call home.” And it's a marvelous, marvelously unsettling ending where both the phone call and the character are breaking up, while the character maintains her concern for her daughter. Do you think she's retaining some control of a cancer that obviously has gone beyond her control by expressing her maternal concerns about her daughter's welfare? Elane Kim: Definitely. I think this poem is a lot about how the mother experiences this loss of control. I think there's a moment where the mother and daughter sort of switch roles during the process of her care. She talks about how she starts to feel like a child again or she starts to feel less like a mother and more like the daughter. But I think at the end of the day, the way she expresses her care for her daughter is the way that she always has through like these small gestures. No matter how sick she is, her first concern is always her daughter and whether, you know, she's getting her meals in and just hearing her voice over the phone is something that she looks forward to. And so I think being able to like put somebody else above yourself even when your body is at its most sick is something that, I don't know, I think I find it very sad, but also I think a lot of mothers would also relate to putting your child above other things in moments of illness. And so I think it's a very poignant moment, but also, yeah, one that kind of rings true. Dr. Mikkael Sekeres: It's a poignant moment in an extremely poignant poem and beautifully written. We've been talking to Elane Kim about her poem, “Transcription: Phone Call 2018.” Elane, I want to thank you so much for joining us today. You are so incredibly accomplished and I can't wait to read all of your future pieces as well. Elane Kim: Oh, thank you so much. Narrator: Until next time, thank you for listening to JCO's Cancer Stories, The Art of Oncology. Don't forget to give us a rating or review or follow us and be sure to subscribe so you never miss an episode. You can find all of ASCO's shows at asco.org/podcasts. Until next time, thanks for joining us. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Like, share and subscribe so you never miss an episode and leave a rating or review.  Guest Bio: Elane Kim is a student at Harvard College.  

Another summer has begun, and with it, another miniseries. This year, we’re kicking off our Summer of Unhinged Musicals with a movie that… might be arguably a musical, but kind of probably isn’t. As you might be able to guess, … Continue reading →

Psalm 27 The Lord is my light and my salvation;     whom shall I fear? The Lord is the stronghold of my life;     of whom shall I be afraid? 2 When evildoers assail me     to eat up my flesh, my adversaries and foes,     it is they who stumble and fall. 3 Though an army encamp against me,     my heart shall not fear; though war arise against me,     yet I will be confident. 4 One thing have I asked of the Lord,     that will I seek after: that I may dwell in the house of the Lord     all the days of my life, to gaze upon the beauty of the Lord     and to inquire in his temple. 5 For he will hide me in his shelter     in the day of trouble; he will conceal me under the cover of his tent;     he will lift me high upon a rock. 6 And now my head shall be lifted up     above my enemies all around me, and I will offer in his tent     sacrifices with shouts of joy; I will sing and make melody to the Lord. 7 Hear, O Lord, when I cry aloud;     be gracious to me and answer me! 8 You have said, “Seek my face.” My heart says to you,     “Your face, Lord, do I seek.” 9     Hide not your face from me. Turn not your servant away in anger,     O you who have been my help. Cast me not off; forsake me not,     O God of my salvation! 10 For my father and my mother have forsaken me,     but the Lord will take me in. 11 Teach me your way, O Lord,     and lead me on a level path     because of my enemies. 12 Give me not up to the will of my adversaries;     for false witnesses have risen against me,     and they breathe out violence. 13 I believe that I shall look upon the goodness of the Lord     in the land of the living! 14 Wait for the Lord;     be strong, and let your heart take courage;     wait for the Lord! Key Words: Lord, Light, Salvation, Confident, Dwell, House, Beauty, Joy, Sing, Seek, Goodness, Courage, Wait Keystone Verse: One thing have I asked of the Lord, that will I seek after: that I may dwell in the house of the Lord all the days of my life, to gaze upon the beauty of the Lord and to inquire in His temple. (Psalm 27:4) Download Bulletin

www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.glass-flo.com Great Pipes for Sure Hot Out, getting Hotter, Heat Index, R Kelly, State trying to kill R Kelly? Diddy. Getting OFF? Diddy Trial? Gas Prices? WW3?? Copper, hopefully ending, New War Now, come Up Stabbing, dark times, analog to Digital? tragedy, porta Rican Trench, something else out there!! Aliens here? Redoing movies? Harry Potter too, the Wire, Fitzhugh, THC drip, tincure hat, truck issues,. aggression problems, the music of this episode@ https://open.spotify.com/playlist/10WoPb8KAyn5wsH1Ghy844?si=b813b89e040b4fa8 support the show@ www.patreon.com/MperfectEntertainment

The Singing Word is a series created by Davey Calder, investigating what happens when poetry is set to music, becoming folk song. This is episode four.

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Hey Dude, my recent reconnection to music makes me travel back in time to 2004, where I was living in a basement apartment in "Eagle Rock" and working on a one person show called "Broken Hearts and Sad Country Songs."  QUOTE: "Whatever!" MUSICIANS: Stan Hillas, Kittens For Christian, Bruce Springsteen, Marilyn Monroe, Willie Nelson, Hank Williams, Bob Dylan VENUES: United Kingdom, Glassell Park, Eagle Rock, Sun Valley INSTRUMENTS: spoken word and music, podcasting, Karaoke  SONGS: "I'm So Lonesome I Could Cry"  "Dancing In The Dark" "Funny How Time Slips Away" SOUNDS: wind, birds, gravel, footsteps, "The 5 Freeway", planes,  Laguna Sawdust Cowbell Chimes   PHOTO: "Lonesome Lyrics" shot with my iPhone XS RECORDED: June 21, 2025 in "The Cafe"  under the flight path of the Hollywood Burbank Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 12:35 FILE SIZE: 8MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog, confessional  HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

Let yourself be transported by these Beninese women who sell all kinds of food from 3am on board their pirogues before setting off to fish on Lake Nokoué. Recorded by Pierre Costard.Singing, rowing, shouting selling | I took a brief sample of the sounds of the market & used the granular synth Kaivo to create a repetitive but ever-changing piece, which emulated the repetitive but ever changing nature of the market as captured by the field recording | Tim Coomb

"I took a brief sample of the sounds of the market & used the granular synth Kaivo to create a repetitive but ever-changing piece, which emulated the repetitive but ever changing nature of the market as captured by the field recording." Night market in Ganvier, Benin reimagined by Tim Coomb.

Chris Lane stopped by as the Friday Morning Conversation to talk about him touring this year with Rascal Flatts, his new album 'Shade Tree', and his wife being pregnant with their 3rd child and what they are doing differently this time around. Bobby also revisits one of his first interviews with Chris Lane that took place in Bobby's shower. Bobby also runs through voicemails including one that makes him feel insulted and complimented at the same time. Bobby also addressed how acupuncture has helped his sleep.See omnystudio.com/listener for privacy information.

In this episode I am joined by Johan Hausen, Taoist teacher, translator, Chinese medicine practitioner, and founder of Purple Cloud Press. Johan shares his life story from years of competitive Tae Kwon Do, through his travels and travails in China in search of a master, and to his eventual training and discipleship in the Wu Dang mountains. Johan reflects on his years learning Classical and spoken Chinese, considers the challenges of translating ancient literature for modern readers, and reveals the unique metaphors and analogies used in textual descriptions of Internal Alchemy. Johan also describes the Taoist quest for immortality, explains his research into the dantien and the mineralogy of cinnabar, and recounts stories of his own encounters with spiritually advanced beings. … Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. ... Topics Include: 00:00 - Intro 00:57 - Admiration for Mattias Daly 02:56 - Learning Chinese to better learn Taoism 04:53 - How Johan learned Classical vs Spoken Chinese 08:11 - Language is about communication 08:47 - Should we consult living masters about textual translation problems? 10:24 - Metaphors and analogies used in Internal Alchemy 12:53 - Why are there different ideas about the dantian? 14:12 - Is the dantian constructed or inherent? 16:12 - Elixir fields? 17:37 - Johan's research on the mineralogy of cinnabar using Chinese texts 18:04 - The old alchemists' surprisingly good understanding of organic chemistry 20:56 - Johan's childhood and training in Tae Kwon Do 22:47 - Johan's competitive Tae Kwon Do career of over 100 fights 25:18 - Injury and travel to China for healing 26:24 - Travelling to China at 20 years old to train Shaolin kung fu 28:48 0 Training methods of Shaolin kung fu 30:35 - Demystifying the myths of Shaolin training 33:08 - Recovery routine 34:26 - Illness and leaving China 36:15 - Returning to Germany and feelings of failure 37:47 - Leaving a film course in London to train in the Wu Dang mountains 40:32 - Meeting Li Shifu at the Five Immortals Temple 41:54 - Curriculum at the Five Immortals Temple 43:08 - Studying acupuncture and dedication to learning 44:19 - Years of study under Li Shifu and joining the lineage 47:26 - Struggles with being treated as a foreigner in China 50:50 - Growing resentment and leaving China 55:26 - Johan's Dragon Gate Lineage 56:28 - The quest for immortality 58:53 - Details about Taoist Immortals 01:00:34 - Difficulty of becoming an Immortal 01:02:10 - Consolation prize if you fail to achieve immortality 01:03:38 - Ethical rules of the Dragon Gate Lineage 01:04:59 - A typical daily practice routine 01:06:47 - Singing the scriptures to communicate to spirits 01:09:26 - Taoist patron spirit of Wudang 01:14:45 - The remarkable qualities of Li Shifu 01:15:52 - Praise is bad in traditional Chinese teaching 01:17:05 - Is Li Shifu an Immortal? 01:18:02 - Johan's reverence for his teacher 01:19:29 - Explaining culture clashes to Lif Shifu 01:20:33 - Is charisma and spiritual power inherent or cultivated? 01:24:45 - Li Shifu does not have attained disciples 01:26:05 - Is it really possible to achieve success in Taoism, or is it mostly just natural talent? 01:33:11 - Using gifted practitioners as inspiration 01:34:18 - Purple Cloud Press 01:35:56 - Johan's goal to create community and preserve texts 01:37:09 - Search for location and funds
 To find out more about Johan Hausen, visit: - https://purplecloudinstitute.com/about-us/who-we-are-2/ … For more interviews, videos, and more visit. - www.guruviking.com … Music ‘Deva Dasi' by Steve James

www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.glass-flo.com Great Pipes for Sure Fishing and kids, beautiful pics, loving his wife, rock throwers, big festival, good spot couple blocks down, ready for it, getting juiced up, banging it in, gear shifter model, similar look, name tat? wine spill, shifter fingering, fucks with somebody, body changing, 80/20 trashy, so trashy, wack wayne. pan of foil, she makes pans too, dangerous, fire danger, chasing another relationship, vs raise the child, dressed up weekend, the music of this episode@ https://open.spotify.com/playlist/7cP6Hf86naZtms0uRCgX2h?si=a482a12154044b11 support the show@ www.patreon.com/MperfectEntertainment

It's a very good bad joke, trust me!Here is Thursday's batch of Bad Jokes.

British advertising may have had more successful businessmen.More accomplished creative directors.Bigger award winners.But never a better Creative.No one has more ideas living in British people's heads than John Webster.They didn't gatecrash either – they were invited in.Singing and dancing their way past the barriers and into the national consciousness.One big, happy conga line; Smash Martians, Cresta Bear, Honey Monster, John Smith's Arkwright, the Prize Guys, the Humphreys, and on and on.Born across four different decades.Created, unlike other ads at the time – alone and using research.Occasionally John and a writer are credited, but primarily John was both the art director and writer.At the time, Bernbach's 1+1=3 was the law, so that was very rare.Rarer still, were Creatives who embraced research.Creatives viewed it as a killer of creativity and innovation.I thought I'd look into these aspects of John's process.First, by talking about how John created ideas.Fortunately, Dave Trott broke his anti-podcast rule, which is great, because I couldn't think of anyone better to talk to on the subject.Dave worked with John through the seventies and is obviously a brilliant Creative in his own right. (He's not just a blogger kids.)Next, I'll talk to planner Sarah Carter about how John used research to shape ideas, but first, here's Dave…

HATS HAVE BEEN RESTOCKED - NEW BEERS HAT Making sketches with Swag Schemes - Kayo update, tax write off and more The worst street interviews Weird singing influencers BRAIN ROT TOUR

Old friend of the show, musical comic Avery Pearson returns just to have Bobby butcher his introduction many times over. Avery is pre-diabetic like Bobby and currently on Ozempic like Big Jay. Bob pitches a product idea of a float/anchor for water fun and wants everyone to be seed investors. Avery wants in on the ground floor and agrees to write a theme song for this invention. Jay invents a similar product to the "Flanker" that turns out to be a bad idea. Avery's special "Give It Up, Avery Pearson" premieres on VEEPS on June 26th! *To hear the full show to go www.siriusxm.com/bonfire to learn more FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolfSubscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

In this heartfelt episode, I'm joined by the soulful folk duo Dan & Faith, partners in both music and life. Known for their evocative songwriting and powerful storytelling, they share how they use music as a tool for connection, reflection, and social change.We dive into their creative process and the stories behind their songs. They also open up about the importance of curiosity, a learner's mindset, and the beautiful dance of co-creating as a couple.What We Talk About:How Dan & Faith found their musical path togetherThe art of storytelling through lyricsEmbracing a learner's mindset in music and lifeWhat it means to create as a coupleUsing music to inspire awareness and changeStaying grounded while evolving as artistsEpisode Resources:⁠⁠⁠⁠Dan & Faith ⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠Dan & Faith Spotify

Send us a textThe podcast turns the big 2-0-0! The 200th episode is filled with memories, moments, and nostalgia that has been chosen by the listeners over on Patreon. It has been a whirlwind of nearly 5 years creating, recording, researching, and editing 200 shows. I am so grateful to all of you who have listened to and supported the podcast. There is no end in sight, so what's on Episode 200?The show kicks off with a deep dive into the show that changed MTV forever, The Real World. The popular reality show kick-started the 90s and ultimately changed the way MTV perceived itself as a television channel. Do you have grill skills? If not, you're in luck because we are going to look at a classically cheesy Wendy's employee training video from 1989 appropriately titled 'Grill Skill.' Singing burger patties, spatulas as guitars, dancing and rapping employees, and Dave Thomas! You will laugh, and maybe learn a new skill.Me v. AI Top 5 returns with a hotly contested debate. Which are the most hated cartoons ever? I have my picks and Chat GPT has its, which will be read of course by Bonzi Buddy.There is as always a brand new This Week In History and Time Capsule looking back at the very first rollercoaster. Become a supporter on Patreon! $5/mo. gets you access to bonus podcast episodes and more!Helpful Links from this EpisodePurchase My New Book Cape Cod Beyond the Beach!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogWebcam Weekly Wrapup PodcastCJSetterlundPhotos on EtsySerenading RomeroWendy's Grill SkillListen to Episode 199 hereVolleybird Subscription BoxesVolleybird.shop for curated pickleball subscription boxes delivered every 8 weeksSupport the show

Phillip Browne was born into a large and loving Windrush generation family in Birmingham. Church and singing were an important part of his upbringing, and when he struggled at school it was singing that gave him an escape and a status. But just as he was beginning to show signs of real potential, a devastating ear infection robbed him of his hearing completely in one ear - and Phillip was told by a doctor that a singing career was out of the question. Phillip's struggle in the aftermath of his illness and his need to find a job resulted in him becoming a London bus driver. He knew the security of employment was a relief to his father who had spent a lifetime working on the railways, but it seemed to be leading him further and further away from his dream. Until a chance meeting with an old college friend turned his life in an extraordinary new direction.Phillip tells Dr Sian Williams about that Life Changing moment - and his incredible journey to the bright lights of the West End stage. Producer: Tom Alban

God's Great Plan (1) (audio) David Eells 6/18/25 Many prophetic words are not understood in the day they are given. Just as the scriptures show, they come ahead so that warnings are taken and spiritual warfare done. Also, many more people can partake of them this way.   Now Is the Time of My Great Plan Glynda Lomax - 10/01/2012 Now is the time of My Great Plan for the people of the earth. For thousands of years, I have planned the victory of My people in great detail. Now it is time for My people to rise up and walk as I have called you to walk, talk as I have called you to talk, for I have much to accomplish through you, My people. Cast your burdens to Me and walk forth as I have called you to do. Those I have called to ministry will now be positioned to move forward as never before. A great and glorious destiny awaits you, My people, such as you cannot imagine. Great shall be the reward of all My people who serve Me in this time. Yes, there shall be many trials and much tribulation also, but My glory through My people will outshine the darkness in the final days. Look up, My people, your redemption draws near! Glynda gives these verses: Heb.12:1 Wherefore seeing we also are compassed about with so great a cloud of witnesses, let us lay aside every weight, and the sin which doth so easily beset us, and let us run with patience the race that is set before us, 1Pe.5:7 Casting all your care upon him; for he careth for you. 1Pe.4:12-13 Beloved, think it not strange concerning the fiery trial which is to try you, as though some strange thing happened unto you: 13 But rejoice, inasmuch as ye are partakers of Christ's sufferings; that, when his glory shall be revealed, ye may be glad also with exceeding joy. Rev.22:12 And, behold, I come quickly; and my reward is with me, to give every man according as his work shall be. Deu.4:29-31 But if from thence thou shalt seek the Lord thy God, thou shalt find him, if thou seek him with all thy heart and with all thy soul. 30 When thou art in tribulation, and all these things are come upon thee, even in the latter days, if thou turn to the Lord thy God, and shalt be obedient unto his voice; 31 (For the Lord thy God is a merciful God;) he will not forsake thee, neither destroy thee, nor forget the covenant of thy fathers which he sware unto them. Isa.60:1 Arise, shine; for thy light is come, and the glory of the LORD is risen upon thee. Luk.21:28 And when these things begin to come to pass, then look up, and lift up your heads; for your redemption draweth nigh.   Strategic Couplings Glynda Lomax - 09/26/2012 My children, the heat is being turned up in your lives and in your world. I will soon begin to place My devoted ones into position for battle as I have called them to stand. Some of you I will place in pairs - strategic couplings for the battles ahead. I have chosen mates for you that complement your weaknesses. They will be your rear guards on the earth as you march forth into all I have called you to do. Many of you I will pair with unlikely counterparts, of which the world around you will not approve, nor understand. Those near you cannot always see My mighty hand in all I am doing in your lives. Be careful, My children, of judging with your eyes or your hearts - judge only by My Spirit, for you walk in danger of calling My plans evil when you do this, and I do not consider lightly those who call My good evil, just as those who call evil good. Refrain your lips from speaking evil and seek Me only. Judge not what does not concern your own lives, for you shall see much around you in these end times you will not understand. The times approaching are perilous indeed, and I have a plan for each of your lives. You will not always understand what I am doing or the many ways I shall bless you through it. Many plans of the Evil One are being hatched behind the scenes, the horrors of which many are unaware. My children who have been watching and praying for My Son's soon return shall not be caught unawares. Rest now while you can, My children, for a fierce battle looms on the horizon of your lives and will soon be at your doors. Glynda gives these verses: Isa.58:8-10 (NIV) 8 and your healing will quickly appear; then your righteousness[a] will go before you, and the glory of the Lord will be your rear guard. 9 Then you will call, and the Lord will answer; you will cry for help, and he will say: Here am I. If you do away with the yoke of oppression, with the pointing finger and malicious talk, 10 and if you spend yourselves in behalf of the hungry and satisfy the needs of the oppressed, then your light will rise in the darkness, and your night will become like the noonday. Isa.55:9 For as the heavens are higher than the earth, so are my ways higher than your ways, and my thoughts than your thoughts. Isa.5:20-21 20 Woe unto them that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter! 21 Woe unto them that are wise in their own eyes, and prudent in their own sight! 2Ti.3:1 This know also, that in the last days perilous times shall come. Mat.7:1-5 1 Judge not, that ye be not judged. 2 For with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again. 3 And why beholdest thou the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye? 4 Or how wilt thou say to thy brother, Let me pull out the mote out of thine eye; and, behold, a beam is in thine own eye? 5 Thou hypocrite, first cast out the beam out of thine own eye; and then shalt thou see clearly to cast out the mote out of thy brother's eye. Rom.14:12-13 So then every one of us shall give account of himself to God. 13 Let us not therefore judge one another any more: but judge this rather, that no man put a stumblingblock or an occasion to fall in his brother's way.   The Master's Plan Is Given G. W. - 11/21/2010 (David's notes in red) Part 1: I went to pray on Saturday night for full reconciliation for someone who was falling away. I could not pray. As I tried, my prayer returned to me. The word came to me, “I'm moving him out of the way to make room for another from the West”. Part 2: I had a dream Sunday night. It took place in the future. David had just received this email from me, which I wrote above as Part 1. David responded to the email by handing me a master plan. (Note: The email was sent to me on Monday, 11/22/10. I responded by sharing this interpretation of the parable of the master plan. This is the David's/Man-child's mission to receive and give revelation from the throne of God's plan on earth. Moses went up the mount to receive this and came down with his face glowing. Jesus also received this master plan and gave it to the disciples.) G. W. - I knew this master plan was the work that needed to be done by the people in the ministry. The master plan appeared to me in a hologram in the shape of a square. As I looked at the square before me, I knew it to be the uncomely parts of the body. (Note: There are many, many uncomely parts now but they will change through the Word from heaven. Remember this started with a falling away in Part 1 and now we see a raising up in Part 2. Luk.2:34 ... Behold, this [child] is set for the falling and the rising of many in Israel; and for a sign which is spoken against... This is the master plan.) G. W.- The hologram began to change, like a slot machine changes its images as it goes around. Different numbers began flashing, and in my mind I knew them to be the different workings in the ministry. (Note: The falling of the old order and raising up of the new five-fold ministers, the deacons [ministries] and the gifts in the ministry.) G. W. - I also realized that the positions were growing into greater honor in the body and they started to become chess pieces. (Note: Those who are growing in the image of Christ.) G. W. - I was waiting for the hologram flashes to go up to the highest honors in God. But as I was watching it go up, it came to the Rook piece and I was taken out of the dream. That was the last thing I recall from this dream. (Note: The revelation didn't go up to the king, who is normally the highest honor, because in this dream, the King gives the highest honors to those “in God”, as the dream says. The game is centered around the King and He is never taken. The highest honor didn't go as high as the queen because the Man-child is the head of the Queen on earth, just as David was the head of Jerusalem, which is the Bride, according to Revelation 21:9,10. The Rook is the second most powerful piece on the chess board and has the highest honor, the revelation went to, and represents the Man-child. G. W. - Excerpt from Chess Rules for Movement of the Rook: The rook, shaped like a castle, is one of the more powerful pieces on the board. (Note: The rook is represented by the lookout portion of a castle. Where the “watchman” would stand and fight to protect the castle. A Man-child has power to defend the Castle of Zion.) G. W. - The rooks, grouped with the queen, are often thought of as the “major pieces”. (Note: A Man-child can be seen with the queen and has a major advantage against a foe.) G. W. - Rooks are worth a bishop or a knight plus two pawns. (Note: Man-childs are greater than bishops or overseers and knights or warriors.) G. W. - The rook can move any number of squares in a straight line along any column or row. (Note: Man-childs only move on a straight path that is not impeded.) G. W. - They CANNOT move diagonally. (Note: Never a crooked path.) G. W. - The rook can move or capture only on this straight line. (Note: One can only take leadership by walking on the straight path.) G. W. - The simplicity of the rook's movement is indeed what makes it powerful. (Note: Man-childs, like Jesus, have a simple life and walk with power.) G. W. - It can cover a significant area of the board, and there are no areas which an opponent's piece -- moving one square at a time -- can slip through. (Note: Man-childs can move supernaturally to far places. The enemy cannot deceive them or outmaneuver them.) G. W. - The rook may also make a move in conjunction with the king. (Note: Like Jesus said, “I do always those things I see of my Father”.)   Bride Prepares for Man-child Deborah Horton - 09/20/2010 (David's notes in red) As David has said, something wonderful is going to happen. :) (Looking forward to it.) In a dream, I was inside a large building, on the bottom floor, with people everywhere. They were all waiting for a Jewish man and while they were waiting, they were very busy all through the building. I have no idea what they were busy with -- can't remember. (The coming Jewish man is Jesus, Who will inhabit the Man-child as “Christ in you the hope of glory”. The building is the House of God, His people, which is being prepared for His coming habitation. I was just saying to several brethren that I hope we can prepare it ahead of time.) Then, as I looked around, I saw the Jewish man come in, along with a young woman/girl, who was his assistant somehow. I think she was setting up some audio equipment (speakers, etc.) (The Bride is making ready for the Man-child to reach many people.) Even though I saw him, no one else seemed able to do so. (He is coming in the heart of the true  House.) It wasn't that he was invisible; they could look at him and see him, but at the same time they didn't see him (this is hard to explain and doesn't make a whole lot of sense), and they kept on with whatever it was that they were doing. (We can see the body He will inhabit but many don't recognize Him to the extent He is in it now.) The next thing I can remember is that I walked over to him and he asked me to sing with him, but I told him that I couldn't because I didn't “know the language” or “speak Hebrew” (can't remember exactly how I worded it). (Singing with Him means to be in harmony with Him.) I think he was a little disappointed by that. (Reminds me of Miriam's song about Moses and the Israelites crossing the Red Sea into the wilderness tribulation and the destruction of the old man, or, as you say, the song only the 144,000 first-fruits could sing.) His assistant was still working on getting everything set up. As I looked at him, I absolutely had to give him a great big hug, which I did. I squeezed him like there was no tomorrow -- poor guy! And then I let go, although I didn't want to let go of him. He was completely ordinary-looking, about two inches taller than me, I think he was wearing a work shirt and jeans -- very informal. He was so ordinary that there was nothing you could say about him to describe him. (As Isaiah 53 says, the first individual body Jesus came in was unremarkable, so the corporate first-fruits body will be plain folks.) He had dark hair; I can't remember if he had a beard, but I don't think he did. He reminded me of a teddy bear and there was no way I could ever be afraid of him. He wasn't skinny or fat, just had a tiny bit of extra weight on his belly, so you could tell that he wasn't a very physical person. He radiated such confidence, such peace and such love! (The anointing of the latter rain is coming to manifest the attributes of Jesus in His first-fruits body, like Hosea 6:1-3 says.) The last scene I remember is that somehow pigeons were all around us and they kept landing on him. They didn't want to get off. He was petting them and let me pet them, too, and then he'd put them down where they would walk about and coo. There were three specific pigeons with beautiful markings, as gorgeous as any pigeon is ever going to get without being a specialty-breed show pigeon. He handed me one that had some dark black markings on its back and it felt like velour; it was so soft. (Maybe these are the overcomers, 30-, 60- and 100-fold. According to Romans 8, the whole creation is awaiting the manifestation of sonship or Christ in you because it too will be delivered.)   White Horse Prepared for Rider Linda L. Gray - 09/29/2016 (David's notes in red) I had this dream where I was inside my home when I noticed an unusual white cloud formation through one of my windows. To get a better look at the cloud formation, I went outside. It was a clear blue sky with no clouds elsewhere but this particular large formation in front of my house. (Nothing else will be more significant concerning changes in the world for God's people.) Within the formation of clouds, I saw a white horse. (The Bride who lives above this evil world in heavenly places by abiding IN Christ. Eph.2:4 but God, being rich in mercy, for his great love wherewith he loved us, 5 even when we were dead through our trespasses, made us alive together with Christ (by grace have ye been saved), 6 and raised us up with him, and made us to sit with him in the heavenly places, in Christ Jesus: 7 that in the ages to come he might show the exceeding riches of his grace in kindness toward us in Christ Jesus. The Bride as a cloud will water the earth with the Word of God. The rest of the Church has not arrived at this place and not chosen to be in the Bride.) There was no rider on the horse that I could see as the clouds kept going around the horse, making it difficult to get a clearer view. Psa.48:2 Beautiful for situation, the joy of the whole earth, is mount Zion, on the sides of the north, the city of the great King. (The white horse is the Bride or Zion, as John was told in Revelation. All of the horses in the seals of Revelation 6 are white (representing holiness conquering the Beast), red (war), black (famine and economic collapse) and pale (death and Hades). The hoses represent the flesh of men who serve the spirit and leadership that rides them and rules over them. All of these horses are people who bring these judgments to the world. When they are empowered, they will have riders upon them. The first rider is the Lord in His first-fruits Man-child body who will ride/rule the Bride white horse and through them the Church. At the time of this dream, this first rider is not anointed or set on the horse. When Jesus was anointed to lead the first of the disciples to recognize Him, John said, “He that hath the Bride is the Bridegroom”. But that rider is coming, according to this next verse Linda received.) Rev.1:7 Behold, he cometh with the clouds (notice, the white horse); and every eye shall see him, and they that pierced him; and all the tribes of the earth shall mourn over him. Even so, Amen. This verse has a more literal interpretation at the end of the tribulation, but it accurately describes in the spirit what will happen when the white horse rider, Jesus in the Man-child body, leads the other horse judgments in the earth, which is exactly what Moses the Man-child did. He brought the other judgments. “He cometh with clouds”. The Gematria for “clouds” here is 144 x 10. 144 is the number of the Man-child and 10 is the number of the Word or law he obeys and teaches. “Were purchased from among men to be first-fruits” is verse 14:4. Notice the verse number 144. Rev.14:1 And I saw, and behold, the Lamb standing on the mount Zion, and with him a hundred and forty and four thousand, having his name, and the name of his Father, written on their foreheads. 4 These are they that were not defiled with women (sects or denominations); for they are virgins (not having received the seed or word of man). These are they that follow the Lamb whithersoever he goeth. These were purchased from among men, to be the firstfruits unto God and unto the Lamb. Both Jesus and Jesus in the Man-child as a repeat of history fit this. Psa.118:22 The stone which the builders rejected Is become the head of the corner. Circling the outer perimeter of the cloud formation was a large plane, which apparently had seen this formation (surveillance) and was trying to get a better view. (Haman attempted to bring down the Bride before Mordecai came to leadership; before the Man-child was anointed to rule in the Book of Esther. The white horse rider is typed by Mordecai, Moses, Joseph, David, Jesus and many more. This was a judgment on Egypt, as a type of the world. Each of these men and many like them led the Bride, and through them the Church, to freedom and power. Each of these also brought judgment on the Beast body, as a type of the world Beast body of seven heads and 10 horns.) I was very excited and wanted a photo of the beautiful white horse, so I went inside my house to retrieve my cell phone. When I came back outside, the airspace was filled with war planes covering the entire field of vision, flying in a grid formation heading from south to north. It looked like a tic-tac-toe-type grid with the planes in perfect formation. Rev.12:7 And there was war in heaven: Michael and his angels going forth to war with the dragon; and the dragon warred and his angels; 8 And they prevailed not, neither was their place found any more in heaven. 9 And the great dragon was cast down, the old serpent, he that is called the Devil and Satan, the deceiver of the whole world; he was cast down to the earth, and his angels were cast down with him. 10 And I heard a great voice in heaven, saying, Now is come the salvation, and the power, and the kingdom of our God, and the authority of his Christ: for the accuser of our brethren is cast down, who accuseth them before our God day and night. 11 And they overcame him because of the blood of the Lamb, and because of the word of their testimony; and they loved not their life even unto death. And the Dragon or Satan was cast down to rule over his world body of seven heads and 10 horns, which is beaten by He who “came with the clouds”, the Man-child, and saints in whom the Lord lives. Jesus in the Man-child reformers will conquer the world beast. Dan.7:13 I saw in the night-visions, and, behold, there came with the clouds of heaven one like unto a son of man, and he came even to the ancient of days, and they brought him near before him. 14 And there was given him dominion, and glory, and a kingdom, that all the peoples, nations, and languages should serve him: his dominion is an everlasting dominion, which shall not pass away, and his kingdom that which shall not be destroyed. ... 22 until the ancient of days came, and judgment was given to the saints of the Most High, and the time came that the saints possessed the kingdom. The dream then ended. (Whatever was in the clouds, the powers that be didn't like, and they were ready to wage war against it.) (Yes, the powers that be are the head of the Dragon body on earth. They are Satanists whom we are casting down.) This preparation for the Bride to receive her head fits well with this next dream of the Wedding Feast.   Wedding and Temple Cakes M.L.- 09/22/2016 (David's notes in red) I woke up from a dream, and was taken back by it, but in a good way. I was in a huge room with many very sturdy tables. They were all square with white tablecloths. Each table had an extremely large wedding cake on it. (Time for the Wedding Feast to begin, the tribulation seven days before the bride is escorted by the virgins to the Groom's home in Heaven.) These cakes seemed to be about four feet tall and many inches round, coming to about two inches to the edge of the table all the way around. They were multi-tiered and in various designs and were all decorated white-on-white. Nothing stood out that would distract the eyes from one cake to another. Flowers in white in all sizes, small pillars of white, miniature fountains, white ribbon, white doves. Looking at all this, it was magnificent, all made according to their Creator's desire. After taking all this in, I looked to the right and saw the most magnificent of all cakes: a replica of the Temple. (The temple of God's presence is in the Jerusalem Bride, who is born from above.) It resembled light gray marble stone and was very smooth without a flaw in the icing! It stood about five feet high (representing grace), with the outside perimeters a square. And it was all cake. It was displayed on a very sturdy table with a white tablecloth draped to the floor. It had ornate gold trim work on top of the roof line. It reminded me of the points on a “king's crown”. (The Bride is a crown in Isa.62:1 For Zion's sake will I not hold my peace, and for Jerusalem's sake I will not rest, until her righteousness go forth as brightness, and her salvation as a lamp that burneth. 2 And the nations shall see thy righteousness, and all kings thy glory, and thou shalt be called by a new name, which the mouth of Jehovah shall name. 3 Thou shalt also be a crown of beauty in the hand of Jehovah, and a royal diadem in the hand of thy God. At the base of these points was a wide piece that looked like “crown molding”, the color of the building itself. In the same width of the molding above was a decorative, gold ornate area going around the top. On the two front corners were pillars, and a pillar on each side of the door. On top of each pillar were gold embellishments. Then I woke up. The wedding cakes are made ready. (For the Marriage Feast.) I didn't see any tables that were “set”. (Yet). The Bride has made herself ready. She is in fine linen, pure and white. Eph.5:27 that he might present the church to himself a glorious church, not having spot or wrinkle or any such thing; but that it should be holy and without blemish. These are the righteous acts of the saints. Obedience: Jas.1:22 But be ye doers of the word, and not hearers only, deluding your own selves. 4:17 To him therefore that knoweth to do good, and doeth it not, to him it is sin. Faith: Heb.11:6 And without faith it is impossible to be well-pleasing unto him; for he that cometh to God must believe that he is, and that he is a rewarder of them that seek after him. Fruit: Mat.7:20 Therefore by their fruits ye shall know them. Love: 1Jn.4:7 Beloved, let us love one another: for love is of God; and every one that loveth is begotten of God, and knoweth God. The temple cake: The temple is where God dwells. We are also God's temple, for He dwells in us. 1Co.3:16 Know ye not that ye are a temple of God, and that the Spirit of God dwelleth in you? If any man destroyeth the temple of God, him shall God destroy; 17 ... for the temple of God is holy, and such are ye ... 19) For the wisdom of this world is foolishness with God. For it is written, He that taketh the wise in their craftiness...   It's Not What They Thought Sandy Shaw - 09/21/2016 (David's notes in red) In a dream, I landed on my feet in a big city (Babylon/US), for I was translated there. Immediately, I felt the earth quake and I could tell by the surroundings that there had been others. (The time is the great earthquakes just before the tribulation; some will help others through translation, as happened to me.) I can see a road buckled, and the top half of a skyscraper had fallen to the ground. People were running and screaming, and I saw two little girls to the right. The five-year-old (five is grace) had long blond curly hair (1 Corinthians 11: submission to the sun/Son) and deep dimples and wore a blue dress (dressed up with heavenly works). The other little girl was black (representing walking in darkness) and seven years old. She wore a red dress and had dark pigtails with red ribbons (the color of the red Dragon body). I walked to them and asked them where their fathers were. (Fathers represent heads of churches.) They didn't know. The black-haired girl said that they were there for Daily Vacation Bible School. I asked, “Where are your mothers?” The seven-year-old black girl said, “She died a few months ago”. (The apostate Church mother is dead.) And the five-year-old very excitedly said, “Oh, my mom has already been with Jesus”. (Her mother is the early Church because she abides in Christ. 1Jn.2:24 As for you, let that abide in you which ye heard from the beginning. If that which ye heard from the beginning abide in you, ye also shall abide in the Son, and in the Father. 25 And this is the promise which he promised us, even the life eternal.) The ground started to shake some more and I knew that they were not safe. (At the time of the great earthquakes many will be helped to escape by the righteous.) So I grabbed the two little girl's wrists and started to fly over the city. (Although I have only done this instantaneously, I believe translation can happen slowly like flying. It is in the Spirit, though, and unseen by the world. It is without wings or propulsion, so it is not literally flying. Flying also represents overcoming the world and its law of sin and death, represented by gravity, to ascend into heavenly places in Christ by abiding in Jesus Who is the Word. Eph.2:4 but God, being rich in mercy, for his great love wherewith he loved us, 5 even when we were dead through our trespasses, made us alive together with Christ (by grace have ye been saved), 6 and raised us up with him, and made us to sit with him in the heavenly places, in Christ Jesus. The woman in the wilderness tribulation was given the overcoming wings of the eagle by the Man-child to escape the Dragon/serpent and his works. Rev.12:14 And there were given to the woman the two wings of the great eagle, that she might fly into the wilderness unto her place, where she is nourished for a time, and times, and half a time [by the Man-child body], from the face of the serpent.) The seven-year-old said, “I don't understand”. Then she asked, “What is this ...the tribulation?” We landed on a suspension bridge stretched out over the water. All of a sudden, the bridge became a slide (falling into the water) and before we got to the bottom, we started to fly again. (The way of escape is cut off as in Jer.25:35 And the shepherds shall have no way to flee, nor the principal of the flock to escape. But the righteous always have a way of escape, even if by flight. 1Co.10:13 There hath no temptation taken you but such as man can bear: but God is faithful, who will not suffer you to be tempted above that ye are able; but will with the temptation make also the way of escape, that ye may be able to endure it.) We flew over the city and into the country, where there was a huge red barn, and we landed. Cars were coming up on both sides of the barn. People were coming up to it because they knew it was a refuge and a safe place and all the people around were in a state of confusion. These people were Christians and yet confused. The seven-year-old said, “Hey, that looks like my church barn!” And she let go of my hand and started running. (Many of the Church are confused by their doctrines but if they have walked with the Lord in a righteous life, they will escape. Even those who are chosen to come to understanding and holiness later will escape like the seven-year-old who walks in darkness.) The blond girl said, “There's my daddy!” He was sitting down on a folding chair inside the barn, elbows on his knees and head in his hands, and he said, “I don't understand. I don't understand”. The five-year-old shook his arm and said, “Daddy! I'm here! I'm here!” He mumbled, “Yeah, yeah”. She said, “No, Daddy, she brought me here (pointing to me)! We flew! We were flying! And we were on a big slide (toward death)”. The dad reached out and touched my hand and said, “Thank you. Thank you for bringing her here”. Then he said, in a daze, “Lord, I thought my heart was right with You”. I said, “If you were waiting for the rapture, it's not going to happen now or in the way that you think”. (At the time of the great quakes, tsunamis, volcanic activity, economic collapse, chaos, many will see that they have not escaped tribulation and will repent of this deception.) I heard the seven-year-old say, “Daddy! Daddy!” And he hugged her. She asked, “This is tribulation?” She waited for him to respond and said, “Jesus didn't come yet”. He fell to his knees crying and asking the Lord, “I thought I was in right standing with You. I thought my heart was right with You. I have been preaching for 35 years”. I grabbed his hand and said, “This isn't the rapture you're waiting for. That's not happening”. I said, “You come with me”. And we walked over to the other preacher who was sitting down. (The great earthquakes are at the beginning of the tribulation, as in Rev.8:5 And the angel taketh the censer; and he filled it with the fire of the altar, and cast it upon the earth (meteors striking the earth): and there followed thunders, and voices, and lightnings, and an earthquake. Notice that this came just before the first trumpet of the tribulation. 6 And the seven angels that had the seven trumpets prepared themselves to sound.) I told the two little girls to stay in the barn. Then I took them to the corner of the barn. I reached to the floor, pulled open the door to a root cellar, and grabbed two bottles of water. There was food there also. Then I took the preacher's hands and we went up and through the roof of the barn! (Meaning not physical flight.) And we flew to Tennessee. David and Michael were standing outside. They saw that we had landed. The preachers were confused about what had just happened. Then I said, “Now these two men can answer any questions you have about the rapture or anything else you think you're going through”. Michael asked, “Sandy, where have you been? Where were you?” I said, “I don't know. I was translated.” Michael said, “I should have known that.” Then I went back and got the girls and brought them to Tennessee. Then I woke up. By faith at random I received Isa.49:1 Listen, O isles, unto me; and hearken, ye peoples, from far: JEHOVAH hath called me from the womb; from the bowels of my mother hath he made mention of my name: 2 and he hath made my mouth like a sharp sword; in the shadow of his hand hath he hid me: and he hath made me a polished shaft; in his quiver hath he kept me close: 3 and he said unto me, Thou art my servant; Israel, in whom I will be glorified. 4 But I said, I have labored in vain, I have spent my strength for nought and vanity; yet surely the justice due to me is with JEHOVAH, and my recompense with my God. The rest of this chapter tells the magnificent story of His people being used to restore those of God's people who have been in captivity to the nations. 5 And now saith Jehovah that formed me from the womb to be his servant, to bring Jacob again to him, and that Israel be gathered unto him (for I am honorable in the eyes of Jehovah, and my God is become my strength); 6 yea, he saith, It is too light a thing that thou shouldest be my servant to raise up the tribes of Jacob, and to restore the preserved of Israel: I will also give thee for a light to the Gentiles, that thou mayest be my salvation unto the end of the earth. 7 Thus saith Jehovah, the Redeemer of Israel, and his Holy One, to him whom man despiseth, to him whom the nation abhorreth, to a servant of rulers: Kings shall see and arise; princes, and they shall worship; because of Jehovah that is faithful, even the Holy One of Israel, who hath chosen thee. 8 Thus saith Jehovah, In an acceptable time have I answered thee, and in a day of salvation have I helped thee; and I will preserve thee, and give thee for a covenant of the people, to raise up the land, to make them inherit the desolate heritages: 9 saying to them that are bound, Go forth; to them that are in darkness, Show yourselves. They shall feed in the ways, and on all bare heights shall be their pasture. 10 They shall not hunger nor thirst; neither shall the heat nor sun smite them: for he that hath mercy on them will lead them, even by springs of water will he guide them. 11 And I will make all my mountains a way, and my highways shall be exalted. 12 Lo, these shall come from far; and, lo, these from the north and from the west; and these from the land of Sinim. 13 Sing, O heavens; and be joyful, O earth; and break forth into singing, O mountains: for Jehovah hath comforted his people, and will have compassion upon his afflicted. 14 But Zion said, Jehovah hath forsaken me, and the Lord hath forgotten me. 15 Can a woman forget her sucking child, that she should not have compassion on the son of her womb? yea, these may forget, yet will not I forget thee. 16 Behold, I have graven thee upon the palms of my hands; thy walls are continually before me. 17 Thy children make haste; thy destroyers and they that made thee waste shall go forth from thee. 18 Lift up thine eyes round about, and behold: all these gather themselves together, and come to thee. As I live, saith Jehovah, thou shalt surely clothe thee with them all as with an ornament, and gird thyself with them, like a bride. 19 For, as for thy waste and thy desolate places, and thy land that hath been destroyed, surely now shalt thou be too strait for the inhabitants, and they that swallowed thee up shall be far away. 20 The children of thy bereavement shall yet say in thine ears, The place is too strait for me; give place to me that I may dwell. 21 Then shalt thou say in thy heart, Who hath begotten me these, seeing I have been bereaved of my children, and am solitary, an exile, and wandering to and fro? and who hath brought up these? Behold, I was left alone; these, where were they? (Converts coming from all over the World!) 22 Thus saith the Lord Jehovah, Behold, I will lift up my hand to the nations, and set up my ensign to the peoples; and they shall bring thy sons in their bosom, and thy daughters shall be carried upon their shoulders. 23 And kings shall be thy nursing fathers, and their queens thy nursing mothers: they shall bow down to thee with their faces to the earth, and lick the dust of thy feet; and thou shalt know that I am Jehovah; and they that wait for me shall not be put to shame. 24 Shall the prey be taken from the mighty, or the lawful captives be delivered? 25 But thus saith Jehovah, Even the captives of the mighty shall be taken away, and the prey of the terrible shall be delivered; for I will contend with him that contendeth with thee, and I will save thy children. 26 And I will feed them that oppress thee with their own flesh; and they shall be drunken with their own blood, as with sweet wine: and all flesh shall know that I, Jehovah, am thy Saviour, and thy Redeemer, the Mighty One of Jacob.

On this episode of the BobbyCast, Bobby sits down with country star, Brett Young. Brett dove into his family being his main motivation behind his decision to quit drinking alcohol. Bobby asked Brett how famous he wants to be, and Brett talked about reaching a certain point to provide for his family is enough. Plus, Brett talked about meeting his wife, how an injury in baseball led to him being depressed and ultimately pursuing music. Brett then told the story about getting roasted singing the national anthem one time. Bobby also asked Brett what the hardest part is about putting out a new album without copying his past songs, and much more! Follow on Instagram: @TheBobbyCast Follow on TikTok: @TheBobbyCast Watch this Episode on Youtube See omnystudio.com/listener for privacy information.

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Vocal technique isn't everything.     Vocal warm ups and exercises and drills aren't everything.     Hitting all the right notes with the most beautiful tone quality and with the most well-coordinated breath support isn't everything.     Vocal technique is just one piece of the puzzle.  That's why in this episode, I'm going deep into why it's so important to nurture the WHOLE voice, the WHOLE instrument, and that includes YOU, dear artist, as the human being behind the voice.   Sure, I can teach you proper vocal technique.  I can show you how to improve your overall tone quality and manage your breath and navigate your full vocal range with resonance and beauty.   But I'd be neglecting the other parts of your instrument if I didn't address what makes you a human being, an artist, a creative, living, breathing soul with so many other moving pieces and parts.   You are not your voice.  You are so much more.   These are the 4 parts of YOU, the WHOLE artist, that are essential to finding your voice as a singer, a songwriter, and a creative human being.  

How Can I Keep from Singing - Rusty Springer by The Church of Christ Wheeler Area

Julia and Maddy offer the Sing to Thrive Method—a mother-daughter collaboration that blends music, meditation, voice science, and energetic healing to help people find freedom, purpose, and joy through their voice. https://singtothrive.com/ Free monthly global mantra meditation: https://singtothrive.com/global/ Julia Williamson Julia is the visionary founder of Sing to Thrive, with over 30 years of experience in music, voice work, and energy healing. She draws deeply from her own healing journey—overcoming trauma, performance anxiety, and burnout—and brings a unique approach that blends sound, neuroplasticity, and emotional clearing. She is a certified practitioner of Past Age Clearing and Healing (PACH), a modality that works with the subconscious to release stored patterns and emotional imprints. Julia founded her Singing and Healing School in 2006 and has since helped thousands reconnect with their voice, confidence, and authentic self. Her mission is to bring singing back into everyday life as a tool for joy, resilience, and transformation. Maddy Monacelli Maddy is a holistic vocal coach, singer, and certified PACH practitioner. As Julia's daughter and creative partner, she grew up immersed in a healing and musical environment and now co-leads Sing to Thrive with her own grounded, heart-centered voice. Maddy integrates singing, somatic practices, mantra, sound healing, and Past Age Clearing to help people move through fear, self-doubt, and emotional blocks. Her work centers around helping others reclaim their voice as a path to inner confidence, clarity, and healing. She offers workshops, programs, and mentoring with a focus on nervous system regulation, creative expression, and soul-aligned voice work. Episode of Sing to Thrive podcast with Natalie Brown as guest: https://www.youtube.com/watch?v=e7DMXPLhcnc Natalie Brown, host of Sounds Heal Podcast: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA

Postures of worship are an outward expression of our inner heart toward God. Singing, making joyful noise, lifting our hands and other postures are ways that we outwardly express what is happening inside of us when we worship.

In this episode, Alexa shares 10 game-changing resources that have transformed her own practice as a singing teacher. From essential books and pitch apps to surprising finds, this episode is packed with fresh inspiration for teachers at every stage of their journey.Which resource could become your new secret weapon? Tune in to find out. About the presenter click HERE RELEVANT MENTIONS & LINKS Anatomy of Voice by Blandine Calais-Germain & Francois Germain  Training Contemporary Commercial Singers by Elizabeth Ann Benson   The Voice Teacher's Cookbook, Creative Recipes for Teachers of Singing by Brian Winnie SpeechPlusLanguage Etsy  Canva Ultimate Guitar musicaltheatreresources.com Stage Door Unlocked  Dr Dan's Voice Essentials  Vocal Pitch Monitor   ABOUT THE GUEST Alexa runs a singing tuition practice in the South of England, and is a singing tutor at one of the UK's leading performing arts schools – Italia Conti, where she also regularly panels entry auditions and assessments. Alexa is the host of the BAST Training Singing Teachers Talk podcast, mentors for the BAST Training Level 5 qualification, and has presented on topics of Musical Theatre repertoire, authentic Musical Theatre performance, and imposter syndrome for Vocology in Practise and The Sing Space.   SEE FULL BIO HERE Website Instagram: @AlexaTerryVocalCoachingBAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Singer and actor Toby Sebastian joins Emily and Haley to discuss getting back into the recording studio, being a biopic pro, and how to handle rejection. Haley thinks she knows Toby's mom, Emily wonders if she should take up the drums, and we figure out how long it would take to walk across England. So record a song, call your mom, and crawl to Scotland as you listen to Chapter 25 of 'How To Make It.'Follow us on Instagram: @HowToMakeItPodcast

On this West Virginia Morning, we hear about grassroots opposition to an energy project in Tucker County, and dive into a unique form of Appalachian singing. The post Tucker County Microgrid Opposition And Shape Note Singing, This West Virginia Morning appeared first on West Virginia Public Broadcasting.

The Mindfulness and Wellbeing in the Law Committee returns to the airwaves to give you the lawyer's perspective on the healing power of music. Scott Mason, Nancy Batterman and Kathryn Schneider explore the mindfulness practices inherent to musical artistry, and the way that those practices can inform a life in the law. Nancy and Kathy share their personal journeys in the City Bar Chorus and the strong sense of community they have built there. The episode gives a new framing for some of the challenging aspects of the legal profession, like performing under pressure and navigating a proclivity for perfectionism. We close with a guided meditation and a poem by Rumi, emphasizing the spiritual and emotional dimensions of engaging with music. Kathryn Schneider is the Musical Director of the New York City Bar Chorus, which is giving two public concerts (with identical setlists) in June 2025 at the House of the Association showcasing musical theater and film selections, including from Sweeney Todd, Encanto, Kinky Boots, The Greatest Showman and Wicked, as well as inventive arrangements of songs by artists ranging from Billy Joel to Bruno Mars, Billie Eilish to Beyoncé, and more. Donations at the door will benefit the City Bar Fund and the Chorus. RSVP for the concerts at: June 26, 2025: https://services.nycbar.org/EventDetail?EventKey=CHOR062625 June 27, 2025: https://services.nycbar.org/EventDetail?EventKey=CHOR062725 02:29 Mindfulness and Music: The Connection 04:03 The Impact of Singing and Music on Wellbeing 08:13 The Role of Community in Music and Law 13:57 The New York City Bar Chorus: History and Personal Journeys 19:26 The Healing Power of Music and Performance 35:08 Upcoming Events and Final Thoughts 38:36 Guided Meditation for Performance Preparation

This week's podcast is presented by Stephen and Michelle. We hear from:· Nicola, who finds Harrison relentlessly irritating;· Witherspoon, who draws a contrast between two cousins, and makes a plot prediction; · Claire from Clapham, who loved Tuesday's episode but wonders what Justin's decision means for the House of Aldridge;· Richard B who has assorted thoughts about the funeral;· Love Jazzer's Singing, who wasn't impressed by Kate;· Globe-trotting Richard who is not sure that Susan is adopting the right strategy to save the village shop;· Jacqueline, who has thoughts about grandparenting,· And finally Jacquieline in New Zealand, who has been struck by various relationships in Ambridge this week.We also have emails from Heather, who may be a first-time emailer-innerer, and Chris in Indiana.Plus: we have the Week in Ambridge from Suey, a roundup of the Dumteedum Facebook group from Vicky and the Tweets of the Week from Theo.Please call into the show using this link:www.speakpipe.com/dumteedum Or send us a voicenote via WhatsApp on: +44 7770 764 896 (07770 764 896 if in the UK) – Open the WhatsApp app, key in the number and click on the microphone icon.Or email us at dumteedum@mail.comHow to leave a review on Apple podcasts: https://support.apple.com/en-gb/guide/podcasts/pod5facd9d70/mac*****The new Patreon feed for Dumteedum is at www.patreon.com/DumteedumPodcast and the subscription rate is £5.00 per calendar month plus VAT. And don't forget to cancel your existing Patreon subscription if you have one, as we will continue to put the podcast out on that feed through February to give Patreons time to transfer over.*****Also Sprach Zarathustra licenceCreative Commons ► Attribution 3.0 Unported ► CC BY 3.0https://creativecommons.org/licenses/..."You are free to use, remix, transform, and build upon the materialfor any purpose, even commercially. You must give appropriate credit."Conducted byPhilip Milman ► https://pmmusic.pro/Funded ByLudwig ► / ludwigahgren Schlatt ► / jschlattlive COMPOSED BY / @officialphilman Hosted on Acast. See acast.com/privacy for more information.

www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.glass-flo.com Great Pipes for Sure Father's Day, Role Models,. Think too Much, pragmatism, compensation, Harming them, awkward gauge, slow driving, dirty car, 395 traffic, driving, smokin tactics, over gambling? upset, too hot, early mornings, too high up, crazy high, job stress, accents, learn the language, the music of this episode@ https://open.spotify.com/playlist/0J7aje4QSAID9G3XSexz1d?si=9f655c0a3c2c4599 support the show@ www.patreon.com/MperfectEntertainment

This is our unabridged interview with Amy Grant.Five weeks before her 16th birthday in 1976, Amy Grant was offered her first record deal. Now, after tens of millions of record sales, six Grammy awards, a star on the Hollywood Walk of Fame, and a receipt of Kennedy Center Honors, she is widely recognized as the “Queen of Christian Pop.” From the outside, one might assume that Amy must be a character with a personality larger than life. But in this exclusive interview, Amy opens up about her career as a singer, her family life, and her faith, all against the backdrop of a troubling past few years which have included recovering from open-heart surgery and a severe bike accident. Through it all, she showcases what truly makes her an anomaly. In spite of her fame, she remains undoubtedly grounded to a life of quiet, peaceful fulfillment. Show Notes Resources: Amy Grant's Website Similar Episodes: “Does This Make My Butt Look Big?”: Ashley Cleveland Fighting Dragons and Singing at Loss: Drew Holcomb Actor and Activist: Martin Sheen Transcript Want more NSE? JOIN NSE+ Today! Our subscriber only community comes with bonus content, ad-free listening, and early access to tickets for our live shows. Great Feeling Studios, the team behind No Small Endeavor and other award-winning podcasts, helps nonprofits and brands tell stories that inspire action. Start your podcast at helpmemakeapodcast.com. Subscribe to episodes: Apple | Spotify | Amazon | Google | YouTubeFollow Us: Instagram | Twitter | Facebook | YouTubeFollow Lee: Instagram | TwitterJoin our Email List: nosmallendeavor.com See Privacy Policy: Privacy Policy Amazon Affiliate Disclosure: Tokens Media, LLC is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Learn about your ad choices: dovetail.prx.org/ad-choices