Podcasts about Singing

This wasn't just another Shabbat. This was the kind of Shabbat that reminds you history isn't something we read, it's something we walk into.At Chabad NDG in Montreal, a Persian-themed Shabbat table became something deeper: a meeting point between ancient Persia and modern Iran. Between the story of Haman and the voices of real Iranian activists fighting for freedom today. Between fear… and courage.Then came the moment no one planned.Walking to synagogue the next morning, before even hearing the news, the streets began to speak. Neighbors stopped, embraced, thanked. By the afternoon, the entire area around Chabad NDG filled with music, celebration, life. And suddenly, an ancient custom, making noise for Haman felt different.Because this isn't just about a villain from 2,500 years ago.From medieval children smashing stones with his name, to the teachings of the Rebbe, to a Midrash where noise literally drives away darkness—this episode explores a powerful idea:Sometimes holiness isn't quiet. Sometimes, the most spiritual thing you can do… is make noise. Not noise of chaos. Noise of clarity. Noise that says: Didan Natzach. We are still here.Key TakeawaysHaman is not just a character, he's a pattern. Every generation meets its version of Amalek. The question isn't if, it's how we respond.Noise can be holy. From ancient Jewish customs to Midrashic stories, making noise isn't childish, it's spiritual resistance. It's the soul refusing to be silent in the face of darkness.Joy is not denial, it's defiance. The celebrations outside weren't ignoring reality. They were transforming it. That's the deepest Purim energy: turning fear into song.The street became a synagogue. When neighbors hug you, when music fills the air, when gratitude replaces tension, you realize holiness doesn't only live inside walls.Children understand something we forget. They bang, they stomp, they erase Haman without overthinking it. There's a purity in that. A clarity adults sometimes lose.“Didan Natzach” is not just a phrase, it's a posture. It means: we don't wait for darkness to pass. We confront it. Together. Loudly. Joyfully.Available now:Paperback: https://www.amazon.com/Forgiveness-Experiment-What-Would-Your/dp/1069217638Kindle: https://www.amazon.com/dp/B0FR2QNJL6Audiobook: https://bit.ly/4tPFZhVSupport the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

video #comment #laugh #viralvideo #humor #meme #comedypodcast #funny #podcast #workout #trending #new #trendingshorts #trendingvideo #love #friends #friendship #friendshipgoals #youtube #reaction #reels www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.youtube.com/@SuperStationWJDL-TV5 A Ridiculous Fever Dream of Pro Wrestling Presented by J Dub https://www.glass-flo.com Great Pipes for Sure language, 69 worth the wait, 3years in April, compact style, going to bed? coke dick? lady Waxer, Ju's Famery, weird? wax candle? mean Mason, Stifler Style, Taint Love,. Fire Fest? Grow Store, Taint Needs, Sans That? the music of this episode@ https://open.spotify.com/playlist/386OqGqlbZ9c5QfXsOFCJV?si=715831e37d5c46c0 support the show@ www.patreon.com/MperfectEntertainment

Welcome back to the Disciple Hinson Podcast! This week, Mark Williams concludes our corporate worship class focused on the topic of Singing the Word. We hope this class encourages the congregation to continue encouraging and teaching one another by singing the word of Christ well together on Sundays.

Fr. Fessio reveals the dynamic movement that takes place in the second half of the Gloria that we sing at Mass.

A 23-year-old postal delivery worker was caught on doorbell camera singing and it's gone viral. That led to a GoFundMe and a new car! STORY: https://www.wdjx.com/singing-postal-carrier-gets-a-life-changing-gift/

Music and singing weave through everyday life across the Pacific, shaping our stories, celebrations and connections. For many, it's more than just an expression; it's a source of joy.  But what is it about lifting our voice in song that makes us feel so good?  On Sistas Let's Talk, Natasha Meten sits down with Papua New Guinean-Australian opera singer Heru Pinkasova and choir director and ethnomusicologist Rita Seumanutafa-Palala to explore the deep pleasures of singing: how it binds communities, lifts spirits and continues to evolve across generations. Listen to this episode on ABC Radio Australia. 

Featuring: Robbie Seay from The Worship Initiative If you have ever felt like the people you serve are treating Sunday morning more like a concert than a communal gathering, this episode is a must-listen. Robbie Seay from The Worship Initiative joins us to unpack the exact reasons why congregational singing is on the decline and what ministry leaders can do to reverse the trend. Whether you lead a massive team or are a volunteer in a small church of under 200 people, this conversation is packed with practical tools to elevate your worship ministry without needing a massive budget.

February 22, 2026., the Panhandle Singing Men of Texas are in concert at First Baptist Amarillo.

In this episode of Jrodconcerts The Podcast, Jamie sits down with Nashville's indie-pop sensations Jake & Shelby. From their shared roots in Hendersonville to gaining over a million followers and the attention of superstars like Michael Bublé, their journey feels like a "one in a million" miracle. We go behind the viral moments to discuss the duo's debut album, Learning To Love, and the soul-baring story behind their single, "Morning Light." Shelby opens up for the first time about her personal history in the foster care system, the "uncomfortable" necessity of vulnerable songwriting, and how music has served as a gentle tool for healing her inner child. Inside the Episode: The Long Odds: How two kids from the same hometown beat the statistics to build a global music career. Songwriting as a Superpower: Why being "shy" is actually an advantage when looking within for lyrics. The Viral Shift: Navigating the transition from social media snippets to being named one of NPR Music's best new albums. Backstage Moments: The story of singing with Michael Bublé at Bridgestone Arena. The Ryman Dream: Their ultimate goal for the future of their live show and the message they want listeners to take away. Support a Great Cause: A portion of the streaming proceeds from "Morning Light" is donated to the Cape Cod Foster Closet. Stream the track now to help support children in the foster care system. What's Coming in March: Stay tuned to Jrodconcerts! Next month, we're heading to Florida for Okeechobee Music Festival and staying busy in Nashville for CRS (Country Radio Seminar). Connect with the Artists: Instagram/TikTok: @jakeandshelbyofficial Website: https://jakeandshelby.com/ Follow Jrodconcerts: Instagram: @jrodconcertsmedia Web: www.jrodconcertsmedia.com __ Support The Show: Cheerios: Try Cheerios Protein! https://www.cheerios.com/shop-protein-bundle Learn more about your ad choices. Visit megaphone.fm/adchoices

SSSRMC react to Missioned Souls singing BONNIE TYLER's 'It's a Heartache'   We're back at it again, SupA Seyan Santi and Rogue MC, for a first-time watching experience! In this reaction, we dive deep into the world of Missioned Souls Family Band out of the Philippines. We're specifically reflecting on the instrumental skills of these talented children. Get ready for some genuine reactions!   For Business Inquiries & Podcast Consultation: santiago.consultant@gmail.com   For Podcast Inquiries: agnbpodcast@gmail.com    Click Here To Subscribe!      Instagram -  @agnbmarketing  Instagram - @agnbdmv CashApp   - $agnbpodcast Tik Tok - @agnbmarketing Facebook - All Gas No Breaks Podcast  X (Twitter) - @AGNBpodcast   Comment for more video ideas below!   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE

SSSRMC react to Missioned Souls singing BONNIE TYLER's 'It's a Heartache'   We're back at it again, SupA Seyan Santi and Rogue MC, for a first-time watching experience! In this reaction, we dive deep into the world of Missioned Souls Family Band out of the Philippines. We're specifically reflecting on the instrumental skills of these talented children. Get ready for some genuine reactions!   For Business Inquiries & Podcast Consultation: santiago.consultant@gmail.com   For Podcast Inquiries: agnbpodcast@gmail.com    Click Here To Subscribe!      Instagram -  @agnbmarketing  Instagram - @agnbdmv CashApp   - $agnbpodcast Tik Tok - @agnbmarketing Facebook - All Gas No Breaks Podcast  X (Twitter) - @AGNBpodcast   Comment for more video ideas below!   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE

Can your singing actually be prayer to God? In this teaching, Alex Rettman explores three powerful truths about worship: it changes us as we behold God's glory, it moves God's heart when we offer costly praise, and it shifts circumstances as we lay a target for His kingdom to come. He shows us how worship isn't just about singing songs: it's about expressing our delight in God in ways that complete our joy and partner with Him in pushing back darkness.Key Scripture Passages: Exodus 33v18-23; John 1v18; 2 Corinthians 3v16-18; Psalm 22v3; Isaiah 42v10-13This podcast and its episodes are paid for by The Circle, our community of monthly givers. Special thanks for this episode goes to: Matthew from Lexington, South Carolina; Mitchell from Lubbock, Texas; Courtney from Edmond, Oklahoma; Robert from Leander, Texas; and Mitch from Fort Collins, Colorado. Thank you all so much!If you'd like to pay it forward and contribute toward future resources, you can learn more at practicingtheway.org/give.

Exodus 15Message #10217

O que é um animal exótico? Um mesmo animal pode ser exótico em algum lugar mas noutro não? E o que seria um animal selvagem? E silvestre? Essa semana conversamos sobre essas definições todas e como esses animais podem estar presentes no nosso dia a dia. Além disso, quais os impactos de termos esses animais à disposição em nosso país? Como acontece o mercado e quais as consequências para os animais, para o meio ambiente e para nós, humanos? Patronato do SciCast: 1. Patreon SciCast 2. Apoia.se/Scicast 3. Nos ajude via Pix também, chave: contato@scicast.com.br ou acesse o QRcode: Sua pequena contribuição ajuda o Portal Deviante a continuar divulgando Ciência! Contatos: contato@scicast.com.br https://twitter.com/scicastpodcast https://www.facebook.com/scicastpodcast https://www.instagram.com/PortalDeviante/ Fale conosco! E não esqueça de deixar o seu comentário na postagem desse episódio! Expediente: Produção Geral: Tarik Fernandes e André Trapani Equipe de Gravação: Tarik Fernandes, Marcelo Pedraz, Rita Kujawski e Caio Ferreira Citação ABNT: Scicast #680: Animais Exóticos. Locução: Tarik Fernandes, Marcelo Pedraz, Rita Kujawski e Caio Ferreira. [S.l.] Portal Deviante, 23/02/2026. Podcast. Disponível em: https://www.deviante.com.br/podcasts/scicast-680 Imagem de capa: Unsplash Perguntas do Episódio Abdalla, A. V. D. (2007). A proteção da fauna e o tráfico de animais silvestres (Dissertação de mestrado). Universidade Metodista de Piracicaba. http://www.dominiopublico.gov.br/download/teste/arqs/cp055586.pdf Albuquerque, U. P., Araújo, E. L., Souto, A., Bezerra, B., Freire, E. M. X., Sampaio, E., Casas, F. L., Moura, G., Pereira, G., Melo, J. G., Alves, M., Rodal, M., Schiel, M., Neves, R. L., Alves, R. R. N., Azevedo-Júnior, S., & Telino Júnior, W. (2012). Caatinga revisited: Ecology and conservation of an important seasonal dry forest. The Scientific World Journal, 2012, 205182. https://doi.org/10.1100/2012/205182 Anderson, C. (2014). Wildlife poaching: Causes, consequences and solutions. Araújo, V. C. de. (2019). Um retrato do tráfico de animais silvestres em São Paulo e alternativas para combatê-lo. Segurança Ambiental On-line, 5(1), 1–10. https://www.policiamilitar.sp.gov.br/unidades/ambiental/SegAmb/ed5/ed5art6.pdf Araújo, V. C. de. (2021). O tráfico de animais silvestres no estado de São Paulo: aspectos legais, sociais e econômicos do traficante (Dissertação de mestrado). Universidade de São Paulo. https://www.teses.usp.br/teses/disponiveis/100/100136/tde-19112021-225828/pt-br.php Borges, R. C., Oliveira, A., Bernardo, N., & da Costa, R. (2006). Diagnóstico da fauna silvestre apreendida e recolhida pela Polícia Militar de Meio Ambiente de Juiz de Fora, MG (1998 e 1999). Revista Brasileira de Zoociências, 8(1), 23–33. Brasil. (1998). Portaria n° 93, de 7 de julho de 1998. Ministério do Meio Ambiente. http://www.ibama.gov.br Brasil. (2008). Decreto nº 6.514, de 22 de julho de 2008. Presidência da República. https://www.planalto.gov.br/ccivil_03/_ato2007-2010/2008/decreto/d6514.htm Brasil. Constituição da República Federativa do Brasil de 1988. https://www.planalto.gov.br/ccivil_03/constituicao/constituicao.htm Chavan, A. S., & Muley, E. D. (2023). Animal trafficking and poaching: A global concern. Journal of Entomology and Zoology Studies, 11(5), 45–49. https://www.entomoljournal.com/archives/2023/vol11issue5/PartA/11-5-45-197.pdf Cunha, G. B., et al. (2022). Fauna silvestre recebida pelo Centro de Triagem de Animais Silvestres e encaminhada para o hospital veterinário da Universidade de Brasília. Ciência Animal Brasileira, 23, e-72818. https://doi.org/10.1590/1809-6891v23e72818 Destro, G. F. G., et al. (2012). Efforts to combat wild animals trafficking in Brazil. In Biodiversity (Vol. 1, Cap. XX). ISBN 980-953-307-201-7. Duffus, A. L. J., Waltzek, T. B., Stöhr, A. C., Allender, M. C., Gotesman, M., Whittington, R. J., Hick, P., Hines, M. K., & Marschang, R. E. (2015). Distribution and host range of ranaviruses. In M. J. Gray & V. G. Chinchar (Eds.), Ranaviruses: Lethal pathogens of ectothermic vertebrates (pp. 9–57). Springer. https://doi.org/10.1007/978-3-319-20928-9_2 Doukakis, P., Pikitch, E. K., Rothschild, A., DeSalle, R., Amato, G., & Kolokotronis, S.-O. (2012). Testing the effectiveness of an international conservation agreement: Marketplace forensics and CITES caviar trade regulation. PLoS ONE, 7(7), e40907. https://doi.org/10.1371/journal.pone.0040907 Duffy, R. (2016). Security and conservation: The politics of the illegal wildlife trade. Routledge. Financial Action Task Force (FATF). (2020). Money laundering and the illegal wildlife trade. OECD Publishing. https://doi.org/10.1787/9789264313565-en Fischer, M. C., & Garner, T. W. J. (2007). The relationship between the introduction of the American bullfrog (Lithobates catesbeianus) and the decline of native amphibians in Brazil. Conservation Biology, 21(6), 1551–1560. https://doi.org/10.1111/j.1523-1739.2007.00759.x Freitas, V. P. de, & Freitas, G. P. de. (2006). Crimes contra a natureza: De acordo com a Lei 9.605/98 (8ª ed.). Revista dos Tribunais. Hernandez, E. F. T., & Carvalho, M. S. de. (2006). O tráfico de animais silvestres no Estado do Paraná. Acta Scientiarum: Human and Social Sciences, 28(2), 257–266. https://www.redalyc.org/pdf/3073/307324782008.pdf Lima, R. (2007). O tráfico de animais silvestres. In RENCTAS (Ed.), Vida silvestre: O estreito limiar entre preservação e destruição — Diagnóstico do tráfico de animais silvestres na Mata Atlântica: Corredores Central e Serra do Mar (pp. 1–79). Brasília: Dupligráfica. Machado, A. B. M., Drummond, G. M., & Paglia, A. P. (2008). Livro vermelho da fauna brasileira ameaçada de extinção (Vol. 1–2). Fundação Biodiversitas. Maximo, A. B., Lima, L. S., & Almeida, C. O. (2021). Exotic amphibians in the pet trade: Risks of invasion and disease transmission in Brazil. Biological Invasions, 23(6), 1825–1838. https://doi.org/10.1007/s10530-021-02462-4 Mittermeier, R. A., Fonseca, G. A. B., Rylands, A. B., & Brandon, K. (2005). Uma breve história da conservação da biodiversidade no Brasil. Megadiversidade, 1(1), 14–21. Nascimento, C. A. R., Alves, R. R. N., & Mourão, J. S. (2015). Trends in illegal trade of wild birds in Amazonas state, Brazil. Atualidades Ornitológicas, 126, 14. Oliveira, V. M., Matias, C. A., Rodrigues, D. P., & Siciliano, S. (2012). Wildlife trade in Brazil: A focus on birds. TRAFFIC Bulletin, 24(2), 85–88. Pagano, I. S. A., Sousa, A. E. B. A., Wagner, P. G. C., & Ramos, R. T. C. (2009). Aves depositadas no Centro de Triagem de Animais Silvestres do IBAMA na Paraíba: Uma amostra do tráfico de aves silvestres no estado. Ornithologia, 3, 132–144. Pereira, G. A., & Brito, M. T. (2005). Diversidade de aves silvestres brasileiras comercializadas nas feiras livres da Região Metropolitana do Recife, Pernambuco. Atualidades Ornitológicas, 126, 14. Rehbein, K. D. S. (2023). Tráfico de animais silvestres: Limites e possibilidades de atuação dos órgãos competentes (Dissertação de mestrado). Universidade de Passo Fundo. Rehbein, K. D. S., Martinez, G., & Prestes, N. C. (2023). O combate ao comércio ilegal de animais silvestres no Brasil. Planeta Amazônia: Revista Internacional de Direito Ambiental e Políticas Públicas, 15, 282–301. https://periodicos.unifap.br/index.php/planeta Ribeiro, L. B., & Silva, M. G. (2007). O comércio ilegal põe em risco a diversidade das aves no Brasil. Ciência e Cultura, 59(4), 20–23. http://cienciaecultura.bvs.br/scielo.php?script=sci_arttext&pid=S0009-67252007000400002 Ruggeri, J., Ribeiro, L. P., Pontes, M. R., Toffolo, C., Candido, M., Carriero, M. M., Zanella, N., Sousa, R. L. M., & Toledo, L. F. (2019). Discovery of wild amphibians infected with Ranavirus in Brazil. Journal of Wildlife Diseases, 55(4), 897–902. https://doi.org/10.7589/2018-10-276 Salati, E., Santos, A. A., & Klabin, I. (2007). Relevant environmental issues. Estudos Avançados, 21(60), 107–127. https://doi.org/10.1590/S0103-40142007000200008 Scheele, B. C., Pasmans, F., Skerratt, L. F., Berger, L., et al. (2019). Amphibian fungal panzootic causes catastrophic and ongoing loss of biodiversity. Science, 363(6434), 1459–1463. https://doi.org/10.1126/science.aav0379 Souto, W. M. S., Torres, M. A. R., Sousa, B. F. C. F., Lima, K. G. G. C., Vieira, L. T. S., Pereira, G. A., et al. (2017). Singing for cages: The use and trade of Passeriformes as wild pets in an economic center of the Amazon—NE Brazil route. Tropical Conservation Science, 10, 1–12. https://doi.org/10.1177/1940082917689895 TRAFFIC. (2014). TRAFFIC Bulletin, 26(2). https://traffic.org/publications/traffic-bulletin/ Zardo, E. L., Behrm, E. R., Macedo, A., Pereira, L. Q., & Lovato, M. (2014). Aves nativas e exóticas mantidas como animais de estimação em Santa Maria, RS, Brasil. Revista Acta Ambiental Catarinense, 11(1), 33–42.See omnystudio.com/listener for privacy information.

durée : 01:05:28 - Club Jazzafip - Chaque lundi, le club Jazzafip dévoile son album favori. Cette semaine nous mettons en lumière le retour au nonet du guitariste de Diana Krall, Charles Lloyd et Bobby Hutcherson. Une performance soignée enregistrée en live au Sam First de Los Angeles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

got your song - good singing all over the house by Beth McGinnis

O que é um animal exótico? Um mesmo animal pode ser exótico em algum lugar mas noutro não? E o que seria um animal selvagem? E silvestre? Essa semana conversamos sobre essas definições todas e como esses animais podem estar presentes no nosso dia a dia. Além disso, quais os impactos de termos esses animais à disposição em nosso país? Como acontece o mercado e quais as consequências para os animais, para o meio ambiente e para nós, humanos? Patronato do SciCast: 1. Patreon SciCast 2. Apoia.se/Scicast 3. Nos ajude via Pix também, chave: contato@scicast.com.br ou acesse o QRcode: Sua pequena contribuição ajuda o Portal Deviante a continuar divulgando Ciência! Contatos: contato@scicast.com.br https://twitter.com/scicastpodcast https://www.facebook.com/scicastpodcast https://www.instagram.com/PortalDeviante/ Fale conosco! E não esqueça de deixar o seu comentário na postagem desse episódio! Expediente: Produção Geral: Tarik Fernandes e André Trapani Equipe de Gravação: Tarik Fernandes, Marcelo Pedraz, Rita Kujawski e Caio Ferreira Citação ABNT: Scicast #680: Animais Exóticos. Locução: Tarik Fernandes, Marcelo Pedraz, Rita Kujawski e Caio Ferreira. [S.l.] Portal Deviante, 23/02/2026. Podcast. Disponível em: https://www.deviante.com.br/podcasts/scicast-680 Imagem de capa: Unsplash Perguntas do Episódio Abdalla, A. V. D. (2007). A proteção da fauna e o tráfico de animais silvestres (Dissertação de mestrado). Universidade Metodista de Piracicaba. http://www.dominiopublico.gov.br/download/teste/arqs/cp055586.pdf Albuquerque, U. P., Araújo, E. L., Souto, A., Bezerra, B., Freire, E. M. X., Sampaio, E., Casas, F. L., Moura, G., Pereira, G., Melo, J. G., Alves, M., Rodal, M., Schiel, M., Neves, R. L., Alves, R. R. N., Azevedo-Júnior, S., & Telino Júnior, W. (2012). Caatinga revisited: Ecology and conservation of an important seasonal dry forest. The Scientific World Journal, 2012, 205182. https://doi.org/10.1100/2012/205182 Anderson, C. (2014). Wildlife poaching: Causes, consequences and solutions.  Araújo, V. C. de. (2019). Um retrato do tráfico de animais silvestres em São Paulo e alternativas para combatê-lo. Segurança Ambiental On-line, 5(1), 1–10. https://www.policiamilitar.sp.gov.br/unidades/ambiental/SegAmb/ed5/ed5art6.pdf Araújo, V. C. de. (2021). O tráfico de animais silvestres no estado de São Paulo: aspectos legais, sociais e econômicos do traficante (Dissertação de mestrado). Universidade de São Paulo. https://www.teses.usp.br/teses/disponiveis/100/100136/tde-19112021-225828/pt-br.php Borges, R. C., Oliveira, A., Bernardo, N., & da Costa, R. (2006). Diagnóstico da fauna silvestre apreendida e recolhida pela Polícia Militar de Meio Ambiente de Juiz de Fora, MG (1998 e 1999). Revista Brasileira de Zoociências, 8(1), 23–33. Brasil. (1998). Portaria n° 93, de 7 de julho de 1998. Ministério do Meio Ambiente. http://www.ibama.gov.br Brasil. (2008). Decreto nº 6.514, de 22 de julho de 2008. Presidência da República. https://www.planalto.gov.br/ccivil_03/_ato2007-2010/2008/decreto/d6514.htm Brasil. Constituição da República Federativa do Brasil de 1988. https://www.planalto.gov.br/ccivil_03/constituicao/constituicao.htm Chavan, A. S., & Muley, E. D. (2023). Animal trafficking and poaching: A global concern. Journal of Entomology and Zoology Studies, 11(5), 45–49. https://www.entomoljournal.com/archives/2023/vol11issue5/PartA/11-5-45-197.pdf Cunha, G. B., et al. (2022). Fauna silvestre recebida pelo Centro de Triagem de Animais Silvestres e encaminhada para o hospital veterinário da Universidade de Brasília. Ciência Animal Brasileira, 23, e-72818. https://doi.org/10.1590/1809-6891v23e72818 Destro, G. F. G., et al. (2012). Efforts to combat wild animals trafficking in Brazil. In Biodiversity (Vol. 1, Cap. XX). ISBN 980-953-307-201-7. Duffus, A. L. J., Waltzek, T. B., Stöhr, A. C., Allender, M. C., Gotesman, M., Whittington, R. J., Hick, P., Hines, M. K., & Marschang, R. E. (2015). Distribution and host range of ranaviruses. In M. J. Gray & V. G. Chinchar (Eds.), Ranaviruses: Lethal pathogens of ectothermic vertebrates (pp. 9–57). Springer. https://doi.org/10.1007/978-3-319-20928-9_2 Doukakis, P., Pikitch, E. K., Rothschild, A., DeSalle, R., Amato, G., & Kolokotronis, S.-O. (2012). Testing the effectiveness of an international conservation agreement: Marketplace forensics and CITES caviar trade regulation. PLoS ONE, 7(7), e40907. https://doi.org/10.1371/journal.pone.0040907 Duffy, R. (2016). Security and conservation: The politics of the illegal wildlife trade. Routledge. Financial Action Task Force (FATF). (2020). Money laundering and the illegal wildlife trade. OECD Publishing. https://doi.org/10.1787/9789264313565-en Fischer, M. C., & Garner, T. W. J. (2007). The relationship between the introduction of the American bullfrog (Lithobates catesbeianus) and the decline of native amphibians in Brazil. Conservation Biology, 21(6), 1551–1560. https://doi.org/10.1111/j.1523-1739.2007.00759.x Freitas, V. P. de, & Freitas, G. P. de. (2006). Crimes contra a natureza: De acordo com a Lei 9.605/98 (8ª ed.). Revista dos Tribunais. Hernandez, E. F. T., & Carvalho, M. S. de. (2006). O tráfico de animais silvestres no Estado do Paraná. Acta Scientiarum: Human and Social Sciences, 28(2), 257–266. https://www.redalyc.org/pdf/3073/307324782008.pdf Lima, R. (2007). O tráfico de animais silvestres. In RENCTAS (Ed.), Vida silvestre: O estreito limiar entre preservação e destruição — Diagnóstico do tráfico de animais silvestres na Mata Atlântica: Corredores Central e Serra do Mar (pp. 1–79). Brasília: Dupligráfica. Machado, A. B. M., Drummond, G. M., & Paglia, A. P. (2008). Livro vermelho da fauna brasileira ameaçada de extinção (Vol. 1–2). Fundação Biodiversitas. Maximo, A. B., Lima, L. S., & Almeida, C. O. (2021). Exotic amphibians in the pet trade: Risks of invasion and disease transmission in Brazil. Biological Invasions, 23(6), 1825–1838. https://doi.org/10.1007/s10530-021-02462-4 Mittermeier, R. A., Fonseca, G. A. B., Rylands, A. B., & Brandon, K. (2005). Uma breve história da conservação da biodiversidade no Brasil. Megadiversidade, 1(1), 14–21. Nascimento, C. A. R., Alves, R. R. N., & Mourão, J. S. (2015). Trends in illegal trade of wild birds in Amazonas state, Brazil. Atualidades Ornitológicas, 126, 14. Oliveira, V. M., Matias, C. A., Rodrigues, D. P., & Siciliano, S. (2012). Wildlife trade in Brazil: A focus on birds. TRAFFIC Bulletin, 24(2), 85–88. Pagano, I. S. A., Sousa, A. E. B. A., Wagner, P. G. C., & Ramos, R. T. C. (2009). Aves depositadas no Centro de Triagem de Animais Silvestres do IBAMA na Paraíba: Uma amostra do tráfico de aves silvestres no estado. Ornithologia, 3, 132–144. Pereira, G. A., & Brito, M. T. (2005). Diversidade de aves silvestres brasileiras comercializadas nas feiras livres da Região Metropolitana do Recife, Pernambuco. Atualidades Ornitológicas, 126, 14. Rehbein, K. D. S. (2023). Tráfico de animais silvestres: Limites e possibilidades de atuação dos órgãos competentes (Dissertação de mestrado). Universidade de Passo Fundo. Rehbein, K. D. S., Martinez, G., & Prestes, N. C. (2023). O combate ao comércio ilegal de animais silvestres no Brasil. Planeta Amazônia: Revista Internacional de Direito Ambiental e Políticas Públicas, 15, 282–301. https://periodicos.unifap.br/index.php/planeta Ribeiro, L. B., & Silva, M. G. (2007). O comércio ilegal põe em risco a diversidade das aves no Brasil. Ciência e Cultura, 59(4), 20–23. http://cienciaecultura.bvs.br/scielo.php?script=sci_arttext&pid=S0009-67252007000400002 Ruggeri, J., Ribeiro, L. P., Pontes, M. R., Toffolo, C., Candido, M., Carriero, M. M., Zanella, N., Sousa, R. L. M., & Toledo, L. F. (2019). Discovery of wild amphibians infected with Ranavirus in Brazil. Journal of Wildlife Diseases, 55(4), 897–902. https://doi.org/10.7589/2018-10-276 Salati, E., Santos, A. A., & Klabin, I. (2007). Relevant environmental issues. Estudos Avançados, 21(60), 107–127. https://doi.org/10.1590/S0103-40142007000200008 Scheele, B. C., Pasmans, F., Skerratt, L. F., Berger, L., et al. (2019). Amphibian fungal panzootic causes catastrophic and ongoing loss of biodiversity. Science, 363(6434), 1459–1463. https://doi.org/10.1126/science.aav0379 Souto, W. M. S., Torres, M. A. R., Sousa, B. F. C. F., Lima, K. G. G. C., Vieira, L. T. S., Pereira, G. A., et al. (2017). Singing for cages: The use and trade of Passeriformes as wild pets in an economic center of the Amazon—NE Brazil route. Tropical Conservation Science, 10, 1–12. https://doi.org/10.1177/1940082917689895 TRAFFIC. (2014). TRAFFIC Bulletin, 26(2). https://traffic.org/publications/traffic-bulletin/ Zardo, E. L., Behrm, E. R., Macedo, A., Pereira, L. Q., & Lovato, M. (2014). Aves nativas e exóticas mantidas como animais de estimação em Santa Maria, RS, Brasil. Revista Acta Ambiental Catarinense, 11(1), 33–42.

Pastor Freddy T. continues the series in the Book of Zephaniah and delivers a message from (Zephaniah 1:7-18) Listen in as Freddy T. helps us understand God's judgement. Keep It Real. Keep It Jesus. To learn more, text "mission" to 97000 or visit https://www.reallifesango.com

February 8, 2026 - Sunday PM Service   Welcome to Cumberland Trace Church of Christ. In this episode we focus on the theme of prayer during a singing night, and a short sermon based on Luke 11:1-4 and other passages. Announcements open the episode — information about attendance cards, Pearls and Pizza Pastries review sessions, CYC meetings and fees, and a request for preachers to help at Becton Church of Christ. The service includes congregational singing (including "Sweet Hour of Prayer"), scripture readings, and a message on learning to pray like Jesus. The preacher outlines three practical marks of Jesus's prayer life that listeners are encouraged to develop in their own walk: praying faithfully (making prayer a regular, disciplined practice), praying frankly (being honest in asking for God's will while submitting to God's will), and praying fervently (pouring out passionate, earnest prayer). Passages referenced include Mark 1:35, Luke 11:1-4, Matthew 26:39, Luke 22:44, Hebrews 5:7, Psalm 63, Daniel 6:10, and other scriptures that illustrate prayer in the Bible. Listeners can expect personal application and encouragement to deepen their prayer life, reminders about responding to the gospel (and the role of Jesus in our access to God), and an invitation to seek baptism or prayer support if needed. The episode closes with communal prayer and worship, plus pastoral offers to help anyone who wants to respond to the gospel or receive prayer.   Duration 49:53

Laarim warrior singing to his favourite bull ("This bull is the whole of my love/ I will never say anything against it").From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.Recorded by Patti Langton.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a recent research project).Recorded by Anne Elizabeth Pennington.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.Recorded by Nicholas Justin Allen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Berber (Ait Haddidu) music and soundscapes made by members of the Oxford University Expedition to the Atlas Mountains of Southern Morocco in 1961.Recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

I decided to reimagine the recording of “Six Records of Gongs and Singing”: six phonograph records of drums and singing. Originally recorded in 1914 on Atchin Island in Vanuatu, these recordings were made using wax cylinders by anthropologist John Willoughby Layard. Later, in the late 1930s, they were transferred to 78rpm records, and in 1979, they were transferred to reel-to-reel tape.In my recording of “Aural Sunbeam (Six Records of Gongs and Singing),” I am reinterpreting these historical sounds to capture the essence of the museum's recording. My objective is to create a captivating narrative and sonic experience that may enhance a listener's engagement with this remarkable historical artifact through our shared cultural memory. I believe that culturally significant artifacts that hold historical narratives can be used to gain new insights into the past.My interest in preserving the music is equally important to me as the voice of anthropologist John Willoughby Layard in these recordings. For me, it deepens the connection between time and place, bringing history to life. I hope that my “Aural Sunbeam (Six Records of Gongs and Singing)” will create a new physical, emotional, and sensory connection to the original content.Six records of gongs and singing reimagined by Jeff Düngfelder.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.Recorded by Nicholas Justin Allen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

"Six Records of Gongs and Singing": six phonograph records of drums and singing from Vanuatu, originally recorded on wax cylinders by anthropologist John Layard, later transferred (here) to tape.From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a recent research project).Recorded by John Willoughby Layard.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.Recorded by Nicholas Justin Allen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a recent research project).Unknown recordist.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

YAZ is a vocal and electroacoustic composition built from a field recording of an Aït Haddidou market in Rabat, captured in 1961. What struck me immediately was the presence of a young boy's voice, cutting through the density of the market: a call. Not directed at anyone in particular, yet lingering. That voice became the starting point of the piece, an echo moving through time and memory.Research into Aït Haddidou and Amazigh musical culture revealed a relationship to voice that is inseparable from daily life. Singing is not performance. It belongs to work, ritual, gathering, and transmission. In Amazigh group singing, voices move in unison. A song exists because a community carries it, through repetition and collective presence, as an acknowledgement of life itself.The piece opens with my voice recorded as a soft lullaby, an intimate humming inspired by the singing women carry inside the home. I chose a wordless melody to allow the voice to transcend language, time, and place, reflecting how memory often survives beyond words - the peculiar way a melody, or even a scent, can instantly transport us through time.As the piece unfolds, the voice thickens and multiplies, gradually transforming into a collective chant. Intimacy expands into togetherness. Repetition becomes more insistent. The singing grows intense, almost like a march — not as a gesture of power, but as an act of persistence and the strength that lies within a community. As a nomadic people, I like to imagine these songs carrying a sense of home and belonging.The market recording functions as a living archive. Through spatialisation, spectral processing, and subtle glitch-like distortions, voices and noises stretch, fragment, and drift. The market shifts between reality and dream, familiar and haunted.My practice combines voice, field recording, and spatial sonic exploration. Coming from a multicultural background, partly Arabic, this piece resonates deeply with my ongoing exploration of memory, identity, exile, and the way we carry the voices of our ancestors across time.The title YAZ refers to the Amazigh symbol ⵣ, a sign of freedom, dignity, and resistance. The piece is conceived as a call across ages. A reminder that voices do not vanish. When we listen, they return.Market sounds, Morocco reimagined by Ilhem.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.Recorded by Sonja Lois Mitchison.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.Recorded by Nicholas Justin Allen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Bayaka women singing yeyi (polyphonic song) in the forest.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.Recorded by Louis Sarno.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.Recorded by David Mowat.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Researching this sound and the U'wa people gave me an opportunity to scratch the surface of their deeply complex seasonal customs, involving dance, storytelling and performance. Ann Osborn (the sound recordist) documents this in her study "The Four Seasons of the U'wa: A Chibcha Ritual Ecology in the Colombian Andes".What I learned inspired me to tell a new story. In this piece you hear about Ray Collective, a dance group who couldn't be more culturally, temporally or geographically removed from the U'wa, but for whom performative seasonal ritual is the connective tissue. Looking back on it, I can see how this piece subconsciously reflected my wrangling with the ethics of this project and concerns I had around cultural appropriation. It's interesting that even in Ray Collective, where members are drawing from and reworking a shared UK-based cultural/folk heritage, similar themes about what constitutes respectful reinterpretation and what is fair to use or repurpose came up a lot. It got me thinking about themes like rightfulness, ownership, permission and agency - and more specifically, how female and non-binary people relate to these within the context of a British cultural heritage that has for the most part, precluded their meaningful involvement. This may sound heady in retrospect, but ultimately, I set out to make peace that was fun, and in which the listener would get a sense of the real and present joy experienced within Ray Collective. I can see why it might feel problematic that I'm in any way drawing a line between the complex mythos of the U'wa culture and a group of women mucking about in Bournemouth, but my intent was purely to focus on commonality - the need to gather, dance and create rituals in harmony with the rhythm of the seasons. All of the instruments/sounds you are hearing in this piece have been created by sampling recordings from Ray collective sessions (usually people singing the word Sun) and mixing them with the U'wa sound (which from my research, I believe is a conch shell signalling the beginning of a ritual performance). I've never used this sampling technique, nor really made bits of bed music for a piece before, and it was a really tough but rewarding process. The voice you hear speaking is Lizzie Maries, founder of Ray collective. I cut so much nuanced and insightful discussion from our interview and hope she'll forgive me. I should also credit both Lorna Rees who composed the 'Singing for Sun' refrain that crops up a lot, and Billy Nomates, Ray Collective's composer- you hear a rough sample of her song at the close of this piece. And of course, all the wonderful Rays for humouring me and my recorder. U'wa drones reimagined by Laura Irving.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Berber (Ait Haddidu) music and soundscapes made by members of the Oxford University Expedition to the Atlas Mountains of Southern Morocco in 1961.Recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

For sorority girls, singing is a HUGE part of Greek life. During Rush, Monday night meetings, pledging, initiation and even with the Fraternity boys…singing is CRUCIAL! Why is this the case, you ask? Well, we’re answering that! Is a good voice required? You’ll find out! What ARE these Sorority Songs? Today we’re singing for you!See omnystudio.com/listener for privacy information.

When it comes to our health and well-being, something's missing from the checklist. Sure, we've got to get enough sleep, eat healthfully, exercise, and socialize. But one thing rarely makes the list – the arts. Singing. Dancing. Drawing. Visiting a museum. Going to a concert. Researchers are finding that these activities are not only entertaining, but they impact health and longevity in incredibly positive ways. One of the most important researchers behind this work is Daisy Fancourt, author of the book, Art Cure: The Science of How the Arts Save Lives. She shares powerful research findings, along with steps we can take to inject more of the arts into our lives. Daisy introduces us to a new frontier for improved health and longevity – the arts. For too long overlooked and underestimated. Episode Links Is 2026 the ‘Seatbelt Moment' for the Arts? Art Could Save Your Life! Five Creative Ways to Make 2026 Happier, Healthier and More Hopeful Interview with Julia Hotz, author of The Connection Cure The Team Learn more about host, Gayle Allen, and producer, Rob Mancabelli, here. Support the Podcast If you like the show, please rate and review it on iTunes or wherever you subscribe, and tell a friend or family member about the show. Subscribe Click here and then scroll down to see a sample of sites where you can subscribe.

For sorority girls, singing is a HUGE part of Greek life. During Rush, Monday night meetings, pledging, initiation and even with the Fraternity boys…singing is CRUCIAL! Why is this the case, you ask? Well, we’re answering that! Is a good voice required? You’ll find out! What ARE these Sorority Songs? Today we’re singing for you!See omnystudio.com/listener for privacy information.

Exodus 15Message #10217

The_Singing_Walls

If you're shocked by a few songs full of dirty words, try watching the news — that's the challenge laid out by Peaches on her first album in more than 10 years, No Lube So Rude. On the new record, the Canadian electro-punk legend uses her brand of raunchy wordplay and danceable beats to sound off on everything from the reversal of Roe v. Wade to Elon Musk's Starlink. Peaches joins guest host Talia Schlanger to talk about the spirit of joyful rebellion behind her confrontational lyrics, what she learned performing for kids, and how aging has transformed her as an artist.

HOUR 2- Ally Singing, The Dough-lympics and MORE full 1741 Thu, 19 Feb 2026 16:41:00 +0000 YNnQkJkwxDpYPirQPFiXYdNsOtf9Efdi society & culture Klein/Ally Show: The Podcast society & culture HOUR 2- Ally Singing, The Dough-lympics and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-

This week’s guest is Royden Johnson. Ron and Royden discussed the concept of a lean operating system talking versus singing, the different phases of the operating system, and more. An MP3 audio version of this episode is available for download here. In this episode you’ll learn:  The quote Royden likes (2:49) Royden’s background (4:08) Whether your lean operating system is talking or singing (12:53) Phase 1: Stabilize (16:27) Phase 2: Standardization (22:57) Phase 3: Continuous Improvement (28:44) A summary of the operating system (30:43) Royden’s final words of wisdom (35:48) Podcast Resources Right Click to Download this Podcast as an MP3 GA 524 | Connection Before Correction Royden on LinkedIn Get All the Latest News from Gemba Academy Our newsletter is a great way to receive updates on new courses, blog posts, and more. Sign up here. What Do You Think? What are your thoughts on the three phases?

Ser Arlan was singing in Dothraki? Is watching with subtitles a net negative? How will Maekar react to Baelor's death? Who were the two Dunk Defenders that died in the first charge? Enjoy 3 hotline calls from this week's Patreon exclusive podcast. For the full episode, subscribe on Patreon.com/OystersClamsCockles. Video Produced by Kade Orris Subscribe on YouTube:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/@OystersClamsCockles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Presented by Bolen Media:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BolenMedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

What sparks new worship songs? In this episode of Light + Truth, John Piper opens Psalm 98:1 to show how a renewed sight of God's glory gives rise to fresh praise.

Singing Your Loved One to Sleep full 527 Wed, 18 Feb 2026 16:24:00 +0000 EGABuNfkod0IXUc3jeHlMYb8TUkqjmOV society & culture Klein/Ally Show: The Podcast society & culture Singing Your Loved One to Sleep Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%

HOUR 1- Clear Coat Dating, Singing to Sleep and MORE full 1961 Wed, 18 Feb 2026 16:42:00 +0000 mf24yYatytUuluJULXSvfOCDxrALCWiL society & culture Klein/Ally Show: The Podcast society & culture HOUR 1- Clear Coat Dating, Singing to Sleep and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?f

If you watch HBO's The Pitt, you might have heard the gorgeous new song called “Need Someone” that Andrew Bird wrote for a recent episode. We've got that on this week's show along with reflections on fitting in by letting go, from Gia Margaret and Ratboys; shoegaze from Draag, the twitchy glitchy sounds of Mandy, Indiana and more.NPR Music's Dora Levite joins host Robin Hilton to share the best new songs they're obsessing over this week.Featured songs and artists:(00:00) Intro(02:18) Draag: “Finding Fear,” from ‘Miracle Drug'(09:35) Mandy, Indiana: “Try Saying,” from ‘Urgh'(14:59) Andrew Bird: “Need Someone” (single as featured in ‘The Pitt')(20:38) Ratboys: “Open Up,” from ‘Singin' To An Empty Chair'(28:49) Gia Margaret: “Everyone Around Me Dancing,” from ‘Singing'(35:30) By Storm: “Can I Have You For Myself,” from ‘My Ghost Go Ghost'Support the show with a review on Apple, Spotify, or wherever you listen to podcasts. And tell a friend!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Listen and Subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dawnn Lewis. Summary of the Interview On Money Making Conversations Masterclass, Rushion McDonald interviews Dawnn Lewis—iconic actress, singer, songwriter, voice actress, philanthropist, and founder of the A New Day Foundation. The conversation traces her extraordinary career, starting from her childhood as a singer, dancer, and actor, through her rise to fame on A Different World, her decades-long voiceover career (including The Simpsons, Futurama, Star Trek: Lower Decks), and her ongoing philanthropic work supporting youth nationwide. Dawnn discusses the challenges of being a multi-talented artist in an industry eager to box people into one lane, how A Different World both elevated and pigeonholed her, and how animation opened a vast new chapter for her that has lasted more than 30 years. She shares her philosophy on longevity, discipline, relationships, and the responsibility to give back. The interview also highlights her foundation’s programs supporting students, HBCUs, and underserved communities. Purpose of the Interview 1. Celebrate Dawnn Lewis’s multi-decade, multi-disciplinary career The interview showcases the depth of her talent—from singing and songwriting to acting, animation, and Broadway. 2. Highlight representation and legacy Dawnn discusses the cultural impact of A Different World and her groundbreaking role as a Black female captain in Star Trek: Lower Decks. 3. Inspire audiences with her journey from Bed-Stuy to global success Her story emphasizes perseverance, big dreaming, and ignoring limitations others impose. 4. Promote the A New Day Foundation Dawnn details programs empowering youth, HBCU students, and underserved communities. 5. Provide insight into surviving and thriving in entertainment She shares the importance of relationships, versatility, and constant self-improvement. Key Takeaways 1. She was a “triple threat” long before Hollywood discovered her Singing, dancing, and acting from age 7–11, she began performing professionally at 10 and even launched her own musical theatre degree program at the University of Miami. 2. A Different World brought fame but also typecasting While it launched her into global visibility, it also led people to underestimate her songwriting, music, and voiceover abilities. 3. Her voice acting career spans more than 30 years She has voiced characters on The Simpsons, Futurama, Star Trek: Lower Decks, Craig of the Creek, Fairly OddParents, Mortal Kombat, and many more.Her entry into animation came from imitating her young niece for a role. 4. Representation matters deeply to her Seeing Nichelle Nichols on Star Trek inspired her as a child; today, Dawnn is one of the very few Black captains in the Star Trek universe. 5. The industry rewards resilience and relationships Dawnn emphasizes that her longevity comes from consistently doing excellent work and nurturing her professional network. 6. She founded the A New Day Foundation to uplift youth Her programs serve teens, HBCU students, and communities nationwide, providing mentorship, laptops, scholarships, and life skills training. 7. Dawnn’s journey is one of intentional growth and constant reinvention She never stopped expanding—into Broadway, television, songwriting, animation, philanthropy, and leadership. Notable Quotes (All quotes from the uploaded transcript.) On talent and early training “I was singing, dancing at seven, acting at eleven… doing all three professionally since I was about ten years old.” “I thought I was going to be a recording artist… I had my own single out. I was charting on Billboard.” On being boxed in “I didn’t start getting pigeonholed until I did A Different World… now you’re just an actress.” On entering animation “There weren’t very many people of color in the animation world… the director said, ‘Who are you? How come I never met you before?’” “I get to voice characters they wouldn’t hire me visually to play.” On representation and Star Trek “In the legacy of Star Trek, it’s me and Avery Brooks as the Black captains.” “Seeing Nichelle Nichols made me hopeful… she was my hero.” On career longevity “You quiet the naysayers by just showing up and doing the work.” “God keeps opening doors and giving me what I need to walk through them successfully.” On giving back “I am my best investment.” (also used in her foundation’s mission) “Where you were yesterday is not where you have to end up today.” @#SHMS #STRAW #BESTSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Listen and Subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dawnn Lewis. Summary of the Interview On Money Making Conversations Masterclass, Rushion McDonald interviews Dawnn Lewis—iconic actress, singer, songwriter, voice actress, philanthropist, and founder of the A New Day Foundation. The conversation traces her extraordinary career, starting from her childhood as a singer, dancer, and actor, through her rise to fame on A Different World, her decades-long voiceover career (including The Simpsons, Futurama, Star Trek: Lower Decks), and her ongoing philanthropic work supporting youth nationwide. Dawnn discusses the challenges of being a multi-talented artist in an industry eager to box people into one lane, how A Different World both elevated and pigeonholed her, and how animation opened a vast new chapter for her that has lasted more than 30 years. She shares her philosophy on longevity, discipline, relationships, and the responsibility to give back. The interview also highlights her foundation’s programs supporting students, HBCUs, and underserved communities. Purpose of the Interview 1. Celebrate Dawnn Lewis’s multi-decade, multi-disciplinary career The interview showcases the depth of her talent—from singing and songwriting to acting, animation, and Broadway. 2. Highlight representation and legacy Dawnn discusses the cultural impact of A Different World and her groundbreaking role as a Black female captain in Star Trek: Lower Decks. 3. Inspire audiences with her journey from Bed-Stuy to global success Her story emphasizes perseverance, big dreaming, and ignoring limitations others impose. 4. Promote the A New Day Foundation Dawnn details programs empowering youth, HBCU students, and underserved communities. 5. Provide insight into surviving and thriving in entertainment She shares the importance of relationships, versatility, and constant self-improvement. Key Takeaways 1. She was a “triple threat” long before Hollywood discovered her Singing, dancing, and acting from age 7–11, she began performing professionally at 10 and even launched her own musical theatre degree program at the University of Miami. 2. A Different World brought fame but also typecasting While it launched her into global visibility, it also led people to underestimate her songwriting, music, and voiceover abilities. 3. Her voice acting career spans more than 30 years She has voiced characters on The Simpsons, Futurama, Star Trek: Lower Decks, Craig of the Creek, Fairly OddParents, Mortal Kombat, and many more.Her entry into animation came from imitating her young niece for a role. 4. Representation matters deeply to her Seeing Nichelle Nichols on Star Trek inspired her as a child; today, Dawnn is one of the very few Black captains in the Star Trek universe. 5. The industry rewards resilience and relationships Dawnn emphasizes that her longevity comes from consistently doing excellent work and nurturing her professional network. 6. She founded the A New Day Foundation to uplift youth Her programs serve teens, HBCU students, and communities nationwide, providing mentorship, laptops, scholarships, and life skills training. 7. Dawnn’s journey is one of intentional growth and constant reinvention She never stopped expanding—into Broadway, television, songwriting, animation, philanthropy, and leadership. Notable Quotes (All quotes from the uploaded transcript.) On talent and early training “I was singing, dancing at seven, acting at eleven… doing all three professionally since I was about ten years old.” “I thought I was going to be a recording artist… I had my own single out. I was charting on Billboard.” On being boxed in “I didn’t start getting pigeonholed until I did A Different World… now you’re just an actress.” On entering animation “There weren’t very many people of color in the animation world… the director said, ‘Who are you? How come I never met you before?’” “I get to voice characters they wouldn’t hire me visually to play.” On representation and Star Trek “In the legacy of Star Trek, it’s me and Avery Brooks as the Black captains.” “Seeing Nichelle Nichols made me hopeful… she was my hero.” On career longevity “You quiet the naysayers by just showing up and doing the work.” “God keeps opening doors and giving me what I need to walk through them successfully.” On giving back “I am my best investment.” (also used in her foundation’s mission) “Where you were yesterday is not where you have to end up today.” @#SHMS #STRAW #BESTSee omnystudio.com/listener for privacy information.