Podcasts about new potato caboose

We caught up with John Trupp about New Poatato Caboose who were part of the second wave of Jambands in the early 90s.  Ep 412 #ATJPod Catch them 04/13/24 Baltimore, MD More: https://www.newpotatocabooseband.com/ @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.

Keeping it weird! This week on the Help on the Way pod, our hosts FiG and Knob are heading out to Portland, and are joined by new friend of the show Gowanus Red! Together, they discuss the Grateful Dead's February 3rd, 1968 show at the Crystal Ballroom in Portland, Oregon. Discussions abound about New Potato Caboose, Dead cover bands at the Jersey Shore, and a baby picture of Dark Star. That's It For the Other One > New Potato Caboose It Hurts Me Too Born Cross-Eyed Good Morning Little Schoolgirl Dark Star > China Cat Sunflower > The Eleven

Discussing the Grateful Dead's primal, debut-filled show from January 17, 1968, at the Carousel Ballroom in San Francisco. This show marked the debut of Dark Star, China Cat Sunflower, The Eleven, and Spanish Jam! Plus, some early rarities, including New Potato Caboose and Born Cross Eyed.If you're enjoying the show, send us a note on Twitter, @workingmanspod, or Instagram, @workingmans_pod, and tell a friend about the show!Links:Show info, including concert posterOur first episode about 1968 - https://rss.com/podcasts/workingmans-pod/394562/

"As the second long-player by the Grateful Dead, Anthem of the Sun (1968) pushed the limits of both the music as well as the medium. General dissatisfaction with their self-titled debut necessitated the search for a methodology to seamlessly juxtapose the more inspired segments of their live performances with the necessary conventions of a single LP. Since issuing their first album, the Dead welcomed lyricist Robert Hunter into the fold -- freeing the performing members to focus on the execution and taking the music to the next level. Another addition was second percussionist Mickey Hart, whose methodical timekeeping would become a staple in the Dead's ability to stop on the proverbial rhythmic dime. Likewise, Tom Constanten (keyboards) added an avant-garde twist to the proceedings with various sonic enhancements that were more akin to John Cage and Karlheinz Stockhausen than anything else coming from the burgeoning Bay Area music scene. Their extended family also began to incorporate folks like Dan Healy -- whose non-musical contributions and innovations ranged from concert PA amplification to meeting the technical challenges that the band presented off the road as well. On this record Healy's involvement cannot be overstated, as the band were essentially given carte blanche and simultaneous on-the-job training with regards to the ins and outs of the still unfamiliar recording process. The idea to create an aural pastiche from numerous sources -- often running simultaneously -- was a radical concept that allowed consumers worldwide to experience a simulated Dead performance firsthand. One significant pattern which began developing saw the band continuing to refine the same material that they were concurrently playing live night after night prior to entering the studio. The extended "That's It for the Other One" suite is nothing short of a psychedelic roller coaster. The wild ride weaves what begins as a typical song into several divergent performances -- taken from tapes of live shows -- ultimately returning to the home base upon occasion, presumably as a built-in reality check. Lyrically, Bob Weir (guitar/vocals) includes references to their 1967 pot bust ("...the heat came 'round and busted me for smiling on a cloudy day") as well as the band's spiritual figurehead Neal Cassidy ("...there was Cowboy Neal at the wheel on a bus to never ever land"). Although this version smokes from tip to smouldering tail, the piece truly developed a persona all its own and became a rip-roaring monster in concert. The tracks "New Potato Caboose" and Weir's admittedly autobiographically titled "Born Cross-Eyed" are fascinatingly intricate side trips that had developed organically during the extended work's on-stage performance life. "Alligator" is a no-nonsense Ron "Pigpen" McKernan workout that motors the second extended sonic collage on Anthem of the Sun. His straight-ahead driving blues ethos careens headlong into the Dead's innate improvisational psychedelia. The results are uniformly brilliant as the band thrash and churn behind his rock-solid lead vocals. Musically, the Dead's instrumental excursions wind in and out of the primary theme, ultimately ending up in the equally frenetic "Caution (Do Not Stop on Tracks)." Although the uninitiated might find the album unnervingly difficult to follow, it obliterated the pretension of the post-Sgt. Pepper's "concept album" while reinventing the musical parameters of the 12" LP medium. [The expanded and remastered edition included in the Golden Road (1965-1973) (2001) box set contains a live performance from August 23, 1968, at the Shrine in Los Angeles. This miniset features an incendiary medley of "Alligator" and "Caution (Do Not Stop on Tracks)" concluding with over four minutes of electronic feedback.]" - Lindsay Planer, All MusicSupport this podcast at — https://redcircle.com/polyphonic-press1229/donations

In this week’s episode we jump back in time to February 1968 for a pair of shows - unheard prior to their Dick’s Picks Release - from the King’s Beach Bowl in King’s Beach, California. Primordial Dead. We hear the band working through a number of tunes that would find their way onto Anthem Of The Sun while experimenting with dynamic-less jamming. As Steve notes at the top, this show kicks off at 11 before ending up at 35. It’s a wild ride. Disc One opens with a near-20min jam off “Viola Lee Blues” and doesn’t look back. Both discs in this set flow with thematic precision & youthful vigor that defines the overall period for the dead. From there, we hear Pigpen croon on “Hurts Me Too” before segues take over in “Dark Star -> China Cat Sunflower -> The Eleven> Turn On Your Lovelight” and finally a wild “Born Crosseyed -> Spanish Jam.” In Disc Two we hear the early power of “Morning Dew” before Pigpen lets loose again in a massive “Good Morning Little School Girl.” From there we’re back into the segues, as we hear part of the band’s Anthem Of The Sun segment in “That’s It For The Other One -> New Potato Caboose -> Alligator -> China Cat Sunflower -> The Eleven -> Alligator> Caution -> Feedback.” The volume closes with noise & sonic energy as the visceral power of the Grateful Dead comes through with tape hiss, piss, and vinegar. We’re not yet at the foundation of The Dead, we’re somewhere just before the Live Dead/Workingman’s Dead/American Beauty era that would set the band up for their 25yr period of greatness. The sounds are weird, the jams are heavy, and the songs aren’t fully formed. We can hear The Dead in there, ready to break out of their shell. 36 from the Vault is production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to our Curveball Show in anticipation of our next episode, which will drop on Monday, May 17! See acast.com/privacy for privacy and opt-out information.

 It's a new year but I've decided to go *way* back for some primal Dead on this week's Deadpod.  This comes to us from January 17th, 1968 at the Carousel Ballroom in San Francisco. What a treasure of early/classic tunes we have here! Now I'll admit, the sound is sometimes muddy and the vocals are at times less than clear.. however give the age and provinance of this recording I thought it very worth listening to and hope you enjoy it as well.  Some of the highlights of course are Pigpen on the Lovelight, and check out the fast pacing throughout. Jerry sounds so different on China Cat! I always love hearing the old 'New Potato Caboose' and 'Born Cross-eyed', but what is probably the highlight is the great almost 16 minute 'Spanish Jam'.  The sound is psychedelic throughout, and if you can overlook the flaws I think you will enjoy this return to some of the roots of our favorite band!    Grateful Dead Carousel Ballroom San Francisco, CA 1/17/68 - Wednesday     One     Turn On Your Love Light [15:22] % Dark Star [#4:48] > China Cat Sunflower [4:04] > The Eleven [10:01] > New Potato Caboose [8:30] > Born Cross-Eyed [2:34] > Spanish Jam [15:47]   Two      Beat It On Down The Line [2:52] ; Morning Dew [7:43] ; Cryptical Envelopment > The Other One > Cryptical Envelopment [10:05] ; Good Morning Little Schoolgirl [13:49]    You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod012221.mp3   Thanks for your kind support of the Deadpod!  ... and leave it on!   

Set 1:TuningThat's It For The Other One ->New Potato CabooseDupree's Diamond BluesDoin' That RagSet 2:Dark StarTurn On Your Lovelight ->Drums

Episode 041 - July 2016 Set 2Estimated Prophet (1978-05-07)Playin' In The Band (1973-11-30)The Other One (1983-03-13)New Potato Caboose (1968-10-12)Lost Sailor-> Saint of Circumstance (1981-12-05)Looks Like Rain (1990-04-02)Weather Report Suite-> Let It Grow (1973-11-21)Feel Like A Stranger (1993-06-26)Hell In A Bucket (1983-10-17)I Need A Miracle (1989-10-16)The Music Never Stopped (1978-04-24)

Episode 018 - August 2015 Set 3The Main Ten -> Jam -> Dark Star Jam -> Other One JamJamRosemaryNew Potato CabooseThe Seven -> Death Don't Have No Mercy -> Jam

Episode 009 - April 2015 Set 2Weather Report Suite Prelude->Weather Report Suite Part 1->Let It Grow->Dark StarTruckin'New Potato Caboose->Born Cross-Eyed->Spanish JamHe's Gone->Gloria Jam->CC RiderNot Fade Away->Darkness Jam->China Cat Jam->Not Fade AwayGoin' Down The Road Feeling Bad

In casting about for a show to fit some recent requests, I came across this well-known yet astonishing work of unparalleled psychedelia. Unfortunately there is no Pigpen on this night (or the next) which is what my listener had requested, however I'm confident that the peerless jamming and enthusiasm present on this recording will allow me to be excused for that omission. This show starts with an excellent Dark Star (and its so nice to hear it in one of its earlier formations), then goes into a wonderful St. Stephen and The Eleven which is just wonderful - I'm especially fond of the ending jam in the Eleven - before going into a song which never should have left, Death Don't Have No Mercy.. The second set follows and while perhaps not as strong as the first, the Cryptical and the Other One features some great work by Phil, which is also noticeable in the New Potato Caboose (as sadly the lack of keyboards). The show ends with some intense and jamming and, the then popular Feedback..    Grateful Dead Avalon Ballroom, San Francisco CA 8/12/68 - Saturday    Set 1  Dark Star ->Saint Stephen ->The Eleven ->Death Don't Have No Mercy Set 2Cryptical Envelopment ->Drums ->The Other One ->Cryptical Envelopment ->New Potato Caboose ->Jam ->Drums ->Jam -> Feedback   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod102414.mp3   May your week be filled with kindness and enlightenment.  My most sincere thanks for your generous support of the Deadpod!   

This week I'd had a request for some '68 Dead, and just happened to have just gotten this remastered beauty. This is quite an amazing recording for a 40 year old show, even more amazing is how accomplished the band sounds when I think of how young they were. I think the power of this music, especially in the second set, is really amazing.. Grateful Dead Carousel Ballroom San Francisco, CADate 2/14/68 - Wednesday One Morning Dew [#6:24] % Good Morning Little Schoolgirl [#12:26] % Dark Star [#4:10] > China Cat Sunflower [4:06] > The Eleven [5:09] > Turn On Your Lovelight [9:01] ; (1) [0:05]Two (2) Cryptical Envelopment [1:42] > The Other One [3:06] > Cryptical Envelopment [3:58] > New Potato Caboose [8:37] > Born Cross-Eyed [2:46] > Spanish Jam [11:59]; [3:14]; Alligator [3:17] > Drums [2:27] > (3) Alligator [7:#56] > Caution (Do Not Stop On Tracks) [10:40] > Feedback [5:24]Encore (4) In The Midnight Hour [9:#51]As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod022208.mp3Thanks so much for your support during our pledge drive!! Hope you enjoy the show!

New L.A. Big Daddy's, New Potato Caboose, The Lumineers, Mamalarky, Money House, Shemekia Copeland + Curtis Salgado, Snarky Puppy, Jason Sinay, Izzy Spring, Scott Bradlee, John Shipe… Birthdays for George Cummings, Mike Bllomfield, Rick Wright…