Podcasts about mckernan

(00:00-7:19) Workshopping the Tim tribute tonight at the Blues game. Checking prices to get in the building for the game tonight. You remember the Sedin twins, don't ya? Do the players get nervous when Tim is in the arena?(7:28-38:06) Blues Hall of Famer, Bernie Federko joins us talking about the Blues going for a record setting win tonight against Pittsburgh. Jimmy Snuggerud's debut. Looking back on Bernie's debut against the Colorado Rockies. Feeling like they can beat anybody going into the playoffs. Crosby and Ovechkin. Who brought Jobu?(38:16-00:00) People are complaining that the 101 app has ruined the Surprise Guest. The first repeat surprise guest is Keith Tkachuk. Big Walt says Tim can go to the game tonight despite his bad luck streak. The Frozen Four. Walt's done with the Sox. Seeing some of these young Blues get a chance at the pro level. Seems a little edgy this morning. Kelly Chase's charity game tomorrow night. Big Walt doesn't like slow golfers. An Oakville tuxedo. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-7:19) Workshopping the Tim tribute tonight at the Blues game. Checking prices to get in the building for the game tonight. You remember the Sedin twins, don't ya? Do the players get nervous when Tim is in the arena? (7:28-38:06) Blues Hall of Famer, Bernie Federko joins us talking about the Blues going for a record setting win tonight against Pittsburgh. Jimmy Snuggerud's debut. Looking back on Bernie's debut against the Colorado Rockies. Feeling like they can beat anybody going into the playoffs. Crosby and Ovechkin. Who brought Jobu? (38:16-00:00) People are complaining that the 101 app has ruined the Surprise Guest. The first repeat surprise guest is Keith Tkachuk. Big Walt says Tim can go to the game tonight despite his bad luck streak. The Frozen Four. Walt's done with the Sox. Seeing some of these young Blues get a chance at the pro level. Seems a little edgy this morning. Kelly Chase's charity game tomorrow night. Big Walt doesn't like slow golfers. An Oakville tuxedo. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we will discuss some heavy hitters that are near and dear to my heart. Janis Joplin, Jim Morrison, and Pigpen are featured in this episode. Sources:https://neonmusic.co.uk/the-mystery-and-myth-of-the-27-clubhttps://www.rollingstone.com/culture/culture-lists/the-27-club-a-brief-history-17853/https://en.wikipedia.org/wiki/Ron_%22Pigpen%22_McKernanhttps://www.dclibrary.org/news/27-club-deeper-dive-tragic-phenomenon#:~:text=The%20%E2%80%9C27%20Club%E2%80%9D%20refers%20to,%2C%20Jimi%20Hendrix%2C%20and%20more.https://en.wikipedia.org/wiki/Janis_Joplinhttps://screenrant.com/27-club-music-singers-list/https://vocal.media/beat/the-curse-of-the-27-clubhttps://www.telegraph.co.uk/music/artists/27-club-amy-winehouse-kurt-cobain-jimi-hendrix/https://www.angelfire.com/music5/archives/curse27.htmlhttps://en.wikipedia.org/wiki/Jim_Morrison Become a member at https://plus.acast.com/s/lattes-and-legends-1. Hosted on Acast. See acast.com/privacy for more information.

Marty sits down with Dr. Jack Kruse to discuss SV40 and EMF mind control.Jack Kruse on Twitter: https://x.com/DrJackKrusehttps://jackkruse.com/0:00 - Intro0:36 - Rick Rubin pod4:12 - McKernan and SV408:07 - Cutter Event11:22- Fold & Bitkey13:05 - Links to JFK shooting 24:54 - EMF mind control41:23 - Unchained Announcement41:53 - Elon's role in the control system47:20 - Message to bitcoiners53:47- Limited hangouts59:44 - Self custody1:04:51 - Bitcoiners are the last line of defenseShoutout to our sponsors:Foldhttps://tftc.io/foldBitkeyhttps://bitkey.world/Unchainedhttps://unchained.com/tftc/Join the TFTC Movement:Main YT Channelhttps://www.youtube.com/c/TFTC21/videosClips YT Channelhttps://www.youtube.com/channel/UCUQcW3jxfQfEUS8kqR5pJtQWebsitehttps://tftc.io/Twitterhttps://twitter.com/tftc21Instagramhttps://www.instagram.com/tftc.io/Nostrhttps://primal.net/tftcFollow Marty Bent:Twitterhttps://twitter.com/martybentNostrhttps://primal.net/martybentNewsletterhttps://tftc.io/martys-bent/Podcasthttps://www.tftc.io/tag/podcasts/

Marty sits down with Ian Carroll to discuss the Argentinian crypto scam, Trump's second term, open source AI, and more.Ian on Twitter: https://x.com/Cancelcloco_Ian on Nostr: https://primal.net/IanCarroll0:00 - Intro0:36 - FTX and Milei's scam11:45 - Crypto's rep is now clear18:49 - Fold & Bitkey20:32 - How Bitcoin and Nostr change you30:13 - What's happening with gold36:54 - Unchained37:55 - Trump's 2nd term and disentangling the US45:35 - New generations bring better understanding50:48- Open source AI and immutable code58:49 - Tech oligarchy1:03:56 - McKernan and Japanese jab deaths1:08:28 - The challenge of digital ID1:18:19 - Moving to Austin1:21:42 - InfoWars1:28:22 - In person maximalismShoutout to our sponsors:Foldhttps://tftc.io/foldBitkeyhttps://bitkey.world/Unchainedhttps://unchained.com/tftc/Join the TFTC Movement:Main YT Channelhttps://www.youtube.com/c/TFTC21/videosClips YT Channelhttps://www.youtube.com/channel/UCUQcW3jxfQfEUS8kqR5pJtQWebsitehttps://tftc.io/Twitterhttps://twitter.com/tftc21Instagramhttps://www.instagram.com/tftc.io/Nostrhttps://primal.net/tftcFollow Marty Bent:Twitterhttps://twitter.com/martybentNostrhttps://primal.net/martybentNewsletterhttps://tftc.io/martys-bent/Podcasthttps://www.tftc.io/tag/podcasts/

In the debut episode, Rizzuto, McKernan, and Stalter break down their spreads, props, and future bets for this year's Big Game showdown between the Chiefs and the Eagles. Who's covering? What's the sharp play? And which one of these idiots is about to make the worst bet of the season? Spoiler alert: all of them. Plus, they'll argue over the dumbest novelty props and tell you exactly how to blow your bankroll before kickoff. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the debut episode, Rizzuto, McKernan, and Stalter break down their spreads, props, and future bets for this year's Big Game showdown between the Chiefs and the Eagles. Who's covering? What's the sharp play? And which one of these idiots is about to make the worst bet of the season? Spoiler alert: all of them. Plus, they'll argue over the dumbest novelty props and tell you exactly how to blow your bankroll before kickoff. Learn more about your ad choices. Visit podcastchoices.com/adchoices

(00:00-37:52) Doug doesn't want it today. Stretch Camp. Last show before TMA at Spring Training. Protein forward. Chairman isn't ready to land an HD1 plane. Doug's prop comedy. Cuck bull-watching. Chris is on the phone lines and he wants tradition back. Honeycomb slats. Welcome to the Michael Helman era. Soak SZN. Yellow diaper slander. Blues lose one in heartbreaking fashion last night. Caller number two is Pestus. Martin's answering the phone on his next telethon. (38:00-59:28) Jackson's doing his best, bless his heart. John Denton with some Nolan Arenado news. Which teams are most likely to land Bregman? Sargent Major Rose is on the phone lines for the first time since 2014. Doug is officiating Plowsy's wedding. Comrade Charles Marlow. (59:38-1:08:48) Robert Thomas checking in. Does Robert consider himself a listener? Big on the Joe Rogan podcast. Robert gives his thoughts on aliens and ghosts. Talty, McKernan, Kerber, & Rogan. Frustrated after missing out on at least one point last night against the Panthers. Doesn't talk with Matthew Tkachuk during the game. Plans for the break. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the debut episode, Rizzuto, McKernan, and Stalter break down their spreads, props, and future bets for this year's Big Game showdown between the Chiefs and the Eagles. Who's covering? What's the sharp play? And which one of these idiots is about to make the worst bet of the season? Spoiler alert: all of them. Plus, they'll argue over the dumbest novelty props and tell you exactly how to blow your bankroll before kickoff. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the debut episode, Rizzuto, McKernan, and Stalter break down their spreads, props, and future bets for this year's Big Game showdown between the Chiefs and the Eagles. Who's covering? What's the sharp play? And which one of these idiots is about to make the worst bet of the season? Spoiler alert: all of them. Plus, they'll argue over the dumbest novelty props and tell you exactly how to blow your bankroll before kickoff. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-37:52) Doug doesn't want it today. Stretch Camp. Last show before TMA at Spring Training. Protein forward. Chairman isn't ready to land an HD1 plane. Doug's prop comedy. Cuck bull-watching. Chris is on the phone lines and he wants tradition back. Honeycomb slats. Welcome to the Michael Helman era. Soak SZN. Yellow diaper slander. Blues lose one in heartbreaking fashion last night. Caller number two is Pestus. Martin's answering the phone on his next telethon. (38:00-59:28) Jackson's doing his best, bless his heart. John Denton with some Nolan Arenado news. Which teams are most likely to land Bregman? Sargent Major Rose is on the phone lines for the first time since 2014. Doug is officiating Plowsy's wedding. Comrade Charles Marlow. (59:38-1:08:48) Robert Thomas checking in. Does Robert consider himself a listener? Big on the Joe Rogan podcast. Robert gives his thoughts on aliens and ghosts. Talty, McKernan, Kerber, & Rogan. Frustrated after missing out on at least one point last night against the Panthers. Doesn't talk with Matthew Tkachuk during the game. Plans for the break. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the debut episode, Rizzuto, McKernan, and Stalter break down their spreads, props, and future bets for this year's Big Game showdown between the Chiefs and the Eagles. Who's covering? What's the sharp play? And which one of these idiots is about to make the worst bet of the season? Spoiler alert: all of them. Plus, they'll argue over the dumbest novelty props and tell you exactly how to blow your bankroll before kickoff. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the debut episode, Rizzuto, McKernan, and Stalter break down their spreads, props, and future bets for this year's Big Game showdown between the Chiefs and the Eagles. Who's covering? What's the sharp play? And which one of these idiots is about to make the worst bet of the season? Spoiler alert: all of them. Plus, they'll argue over the dumbest novelty props and tell you exactly how to blow your bankroll before kickoff. Learn more about your ad choices. Visit podcastchoices.com/adchoices

John Doe v. Jonathan McKernan

What you don't know about government and hospitals, can kill you.The strategy of tyrants has always involved bread and circuses. The masses are unruly and governments fear them. So the idea is to keep their bellies full and their minds occupied with intrigues and outrages of the day, enabling the ruling class to go about their business of amassing power and wealth.And while independent media has become dominated by the politics of the day, infused with great optimism about the Trump Administration and a unique opportunity to Make America Great & Healthy Again … we still have the messy business of the ongoing COVID democide in all of its forms, raging amidst the political discourse.Real people are getting sick and dying.They matter.And the numbers are getting WORSE, not better.No one knows the numbers BETTER than researcher and advocate John Beaudloin. Today we will discuss acute renal failure, which unbelievably now represents the biggest life loss in USA in 100 years. Also we discuss the hospital kill protocols, vaccine relation to cancer lymphoma and marrow specifically in blood forming organs and the indication of SV-40 promoters as discovered by McKernan et al.Knowledge is POWER. And it can save your life and the lives of loved ones.Let's learn together today with the GREAT John Beaudoin.Watch HERE ——>https://rumble.com/v5oognn-live-exclusive-with-john-beaudoin.htmlShannon's Top Headlines November 13, 2024What put TURBO in turbo cancer? By John Beaudoinhttps://therealcdc.substack.com/p/what-put-the-turbo-in-turbo-cancerWill the new Trump Administration use the immigration crisis to MANDATE Digital IDS for all Americans?https://www.stridentconservative.com/trump-will-use-border-security-to-make-biometric-digital-ids-mandatory/Deep dive on Peter Thiel - the technocrat closest to Trump:https://www.technocracy.news/arch-technocrat-the-strange-story-of-peter-thiel/Tesla and carbon credits - how the dystopian credit scheme is making Musk BILLIONS:https://carboncredits.com/tesla-hits-record-high-sales-from-carbon-credits-at-1-79b/SJ Show NotesJohn Beaudoin CVhttps://therealcdc.substack.com/p/curriculum-vitae-of-john-beaudoinPlease sign up for the Shannon Joy Newsletter HERE:https://theshannonjoy.comPlease support Shannon's independent network with your donation HERE:https://www.paypal.com/donate/?hosted_button_id=MHSMPXEBSLVT6Sign the petition to urge Trump to address vaccine safety issues:www.makeamericanhealthyagain.votePlease Support Our Sponsors:If you are invested in the markets and need financial advice you can TRUST. Please consider Dom Pullano of PCM & Associates! He has been Shannon's advisor for over a decade and would love to help you grow!Call his toll free number today: 1-800-536-1368Or visit his website at https://www.pcmpullano.comColonial Metals Group is the company Shannon trusts for all her metals purchases! Set up a SAFE & Secure IRA or 401k with a company who shares your value Extra special bonus from Field of Greens!!!!Plug in the promo code SHANNON for an additional 15% off your purchase!Go to www.fieldofgreens.com to shop and save! Support the showPlease Support Our Sponsors! Achieve financial independence with Colonial Metals Group!!! Set up a SAFE & Secure IRA or 401k with a company who shares your values and supports this show! Learn about your options HERE ——>https://colonialmetalsgroup.com/joy

Ok, WE'RE BACK! Sorry about the delay.We (like everybody else in this country with a pulse) are having a lot of feelings (of course, Pearce is especially worked up). Join us we reconnect- Growing Up Naked style- with another pithy sit down that includes (among other things) THE ELECTION!, roach clips, broken teeth, Mo moving back to NYC, THE ELECTION!, Sandusky, Ohio, giant spiders and punching praying mantises, THE ELECTION!, a tribute to Phil Lesh, and much much more, including... THE ELECTION!!!DON'T FORGET TO VOTE!Growing Up Naked theme composed, arranged and performed by Isaac DellMusic:Cold Cold Feeling, written and performed by Ry Cooder and Joachim Cooder  (from the album Election Special)He's Gone, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann)   live in Veneta, OR, 8/27/72 (from the album/soundtrack Long Strange Trip:      The Untold Story of the Grateful Dead)Brown Eyed Women, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Ron "Pigpen" McKernan, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann)   live in Copenhagen (from the album Europe '72)Bread Line Blues, written by Bernard Slim Smith, performed by Jorma Kaukonen,  Sam Bush, Jerry Douglas, Byron House and Bela Fleck   (from the album Blue Country Heart)   

Why should Fridays have all the fun? Go crazy on Mondays with Laura González on 'Lunatic Mondays'..... Anything can happen!!! From Lunatic Mondays' archives, we invite you to enjoy once again our interview with author Matthew Ash McKernan chatting with Laura González about his book “Wyrdcraft” Originally aired in June 2023

We are out and about across County Clare, experiencing some exciting adventures this summer. We have teamed up with Fáilte Ireland to help you experience the ‘Best Daycation Ever'. This week, we highlighted McKernan Woollen Mills and Craggaunowen. Photo (c): www.craggaunowen.ie

We held off recording for a day and look what happened! Big breaking news from the West. We discuss Adam Simpson and his legacy at the Eagles. Charlie begins to give Tim some advice on trusting your AFL team when they start getting better. The Suns deal with the perfect storm of can't win away and the Hardwick Dome curse. Shaun Mannagh has a huge day in Geelong. Heeney becomes a favorite for the McKernan medal, and are the Swans like the Blues of 1995??? All this and more! All this and more on this week's pod! If you enjoy our podcast, please give us a rating or leave a comment. Also, please refer us to friends and let other people know about what we do! We use a range of resources when working on our show, to see a list of this constantly growing list click on the following link www.kicktokick.podbean.com

Topics include: -Are sports even about winning anymore? -What's better? Blues playoff hockey, Cardinals playoff baseball, or a Mizzou playoff run in college football? -2024 Presidential election -"Brave" takes -Video games -"Meet the McKernan's" Please support our sponsors: Mark Hannah – Evergreen Wealth Strategies James Carlton Agency (State Farm) Design Aire Heating & Cooling Mungenast Longo Biggs Follow us on Social Media: @TMASTL on Twitter, @tma_stl on Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics include:-Are sports even about winning anymore?-What's better? Blues playoff hockey, Cardinals playoff baseball, or a Mizzou playoff run in college football?-2024 Presidential election-"Brave" takes-Video games-"Meet the McKernan's"Please support our sponsors:Mark Hannah – Evergreen Wealth StrategiesJames Carlton Agency (State Farm)Design Aire Heating & CoolingMungenastLongo BiggsFollow us on Social Media: @TMASTL on Twitter, @tma_stl on Instagram Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Topics include:-Are sports even about winning anymore?-What's better? Blues playoff hockey, Cardinals playoff baseball, or a Mizzou playoff run in college football?-2024 Presidential election-"Brave" takes-Video games-"Meet the McKernan's"Please support our sponsors:Mark Hannah – Evergreen Wealth StrategiesJames Carlton Agency (State Farm)Design Aire Heating & CoolingMungenastLongo BiggsFollow us on Social Media: @TMASTL on Twitter, @tma_stl on Instagram Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Topics include: -Are sports even about winning anymore? -What's better? Blues playoff hockey, Cardinals playoff baseball, or a Mizzou playoff run in college football? -2024 Presidential election -"Brave" takes -Video games -"Meet the McKernan's" Please support our sponsors: Mark Hannah – Evergreen Wealth Strategies James Carlton Agency (State Farm) Design Aire Heating & Cooling Mungenast Longo Biggs Follow us on Social Media: @TMASTL on Twitter, @tma_stl on Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

Patrick McKernan grew up in Norristown, PA. His grandfather, father and uncle were all police officers. His father was also a United States Marine who served in WWII. Upon high school graduation, Pat enlisted in the Marines much to his father's chagrin, as the War in Vietnam was underway. Pat soon shipped down to Parris Island and completed his infantry training and then flew off to Danang, where he served in an Intelligence capacity for 13 months. Upon returning home from Vietnam, Pat was honorably discharged from the service and would soon follow in his paternal footsteps, signing on as a Whitpain Police Officer and later, with the Lansdale PD. Pat is currently enjoying retirement but never strays far from service, as he keeps in touch with his fellow service personnel and plays a role with the Valley Forge Memorial and other veterans organizations. This is the service story of Pat McKernan. Semper Fi, Marine!

Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show.  He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys  INTRO:                      Hello Old Friend                                    Track # 1                                    0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert.   The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.”  SHOW No. 1:           Viola Lee Blues                                    Track # 2                                    31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997.  In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst:  March 19, 1966 at Carthay Studios, Los Angeles, CA,Last:  October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA  50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley”   SHOW No. 2:           Cosmic Charlie                                    Track #5                                    3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3:           Wolfman's Brother                                    Track # 6                                    1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music:  Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!!  STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock.  Wait until you get home before diving in.  No great if you are with a group of people who are looking for your active participation in whatever they are doing!  But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats.  Nice for daytime and early evening use.  Just have to be sure that whatever they are calling Blue Dream is really Blue Dream.  It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off.  Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show -  and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy”   SHOW No. 4:           Row Jimmy                                 Track #12                                   2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first.     It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune.  This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field).  And at this point, Phish had only covered one Dead tune in concert:  Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death.  Since that point, it is still the only time Phish has covered a Dead tune in concert.  Why only that one?  Who knows.  Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time.  One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds.   OUTRO:                    Mr. Tambourine Man                                    Track #18                                    0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in.  I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert.  Great way to close out night 1 of this 3 night return to the stage run for Phil.  Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst:  at this show!Most recent:  October 5, 2000 at Orpheum Theatre, Boston, MA, USA  (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with.  Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In the second hour of After Further Review, Matt extends his preview of the LSU Baseball team's upcoming series against Tennessee, delving deeper into the matchups and storylines to watch. As anticipation builds for the highly anticipated series, Matt provides further analysis and predictions, offering insights into the key factors that may determine the outcome of the games.Gordon McKernan makes a guest appearance on the show to discuss the topic of Name, Image, and Likeness (NIL) in college athletics. McKernan offers his perspective on the evolving landscape of NIL regulations and the impact on student-athletes, universities, and the broader sports industry. Matt engages in a thought-provoking conversation with McKernan, exploring the implications of NIL for LSU and the wider collegiate sports community.The focus then shifts to Darah Haidet and Carley Fuller, who join Gordon McKernan to discuss an upcoming Girls on the Run event. The segment highlights the importance of empowering young girls through sports and physical activity, promoting health, confidence, and self-esteem. Matt participates in the discussion, underscoring the significance of initiatives like Girls on the Run in fostering positive youth development and community engagement.As the hour nears its conclusion, Musso takes the spotlight to provide an update on LSU alumni competing in professional sports. Musso's segment, Tigers in the Pros, offers insights into the performances and achievements of former LSU athletes across various sports leagues. Matt and Musso engage in a lively exchange, discussing standout performances, noteworthy accomplishments, and the ongoing success of LSU's athletic alumni on the professional stage.Throughout the hour, After Further Review continues to deliver compelling content and engaging discussions on a diverse range of topics, from college baseball and NIL regulations to youth empowerment and professional sports updates. Matt and his guests provide valuable insights and perspectives, keeping listeners informed and entertained with their expert analysis and thoughtful commentary.

"From Europe 1972 to Las Vegas Residency: The Music World Buzz"On today's show Larry Mishkin discusses various topics related to music, particularly focusing on the Grateful Dead and their Europe 1972 tour. He shares personal anecdotes, insights, and analysis of specific songs from the tour, such as "Bertha" and "Mr. Charlie." Additionally, the he covers upcoming events in the music world, including Fish's residency in Las Vegas and an upcoming album honoring Stanley Mouse, a renowned psychedelic poster artist. He also mentions the charitable aspect of the album's release, aiming to provide preschool scholarships to underprivileged children. Larry concludes with a discussion of a specific performance of "Dark Star" from the Europe 1972 tour, highlighting Pigpen's rare involvement with the keyboard during the song.   Grateful DeadApril 8, 1972Wembley Empire PoolLondonGrateful Dead Live at Wembley Empire Pool on 1972-04-08 : Free Borrow & Streaming : Internet Archive Second show of Europe '72 tour  INTRO:                           Bertha                                         Track # 1                                         0:00 – 1:22 SHOW No. 1:               Mr. Charlie                                         Track # 3                                         :43 – 2:07 Pig/Hunter "Charlie: white men regarded as oppressors of blacks.--used contemptuously. Also Mr. Charlie, Boss Charlie. An article by John Cowley, "Shack Bullies and Levee Contractors: Bluesmen as Ethnographers," in The Journal of Folklore Research, vol. 28, nos. 2/3, pp. 135-162, recounts the story of the Lowrence family, a set of seven brothers, the oldest named Charley, who were notorious contractors of cheap labor, mostly African American, to build the levees alongside the Mississippi in the 1920's. A number of songs quoted in the article refer to "Mr Charley" specifically in this context, giving rise to speculation on the part of Alan Lomax that he may have "discovered the identity of the elusive "Mr. Charley." Cowley's article goes on, however, to quote a comment by Alan Dundes on Lomax' article that 'Mr. Charley' "would appear to date from antebellum times." But the repeated reference to a "Mr. Charley" by southern bluesmen was undoubtedly in reference to Charley Lowrence. OR  this is a song about heroin abuse. After McKernan died, the GD quit performing it. The "drums" apparently refer to a throbbing noise in the ears while in the throes of using heroin. The "shotgun" refers to a loaded syringe. Sad. Eurpoe '72 is, in my opinion, the quintessential GD album and McKernan really carries it. He died at the insanely early age of 23 or so. Does not appear on any Dead studio album.  Released on the original Europe '72 album in 1972 Played 51 times1st:  July 31, 1971 at the Yale Bowl in New Haven CTLast:  May 26, 1972 at Lyceum Ballroom, London, England  SHOW No. 2:             Dark Star                                         Track # 19                                         20:19 – 21:51 I love this clip.  A very famous Dark Star, first on the tour, exchanged with The Other One each night as the long spacey and trippy tune in the midst of the mostly Americana Dead.  Check out how pig's organ makes an appearance.  By that point, it was mostly Keith on the Grand piano, but this performance, and others on this tour, Pig jumps into the psychedelic mix with Keith.  Very cool to hear that.  After this tour, Pig was basically done. When it comes to the early years of the Grateful Dead, it cannot be overstated just how important Ronald Charles McKernan - known as Pigpen to his friends and fans - was to the band.In a perfect world, he would've been playing with them all the way up through the band's conclusion after the death of Jerry Garcia, but instead things went a different way, with Pigpen's unrelenting alcohol abuse resulting in hospitalization in August 1971, at which point doctors told him that he needed to stop touring, which he did...until he started again in December 1971. It didn't last: Pigpen's final show with the Grateful Dead took place on June 17, 1972 at the Hollywood Bowl in Los Angeles, after which he's quoted as having said, “I don't want you around when I die,” at which point he cut off all ties with his fellow band members. Unfortunately, he got his wish: his landlady was the one who found him dead on March 8, 1973, of a gastrointestinal hemorrhage.  SHOW No. 3:               Sugar Magnolia                                         Track # 20                                         1:18 – 2:52 SHOW No. 4:               Caution                                         Track #21                                         15:00 – 16:35 The lyrics, although simple, carry a profound message. The protagonist seeks guidance from a gypsy woman, hoping to find answers to their internal struggles. Asking, “What's wrong with me?”, they are seeking a solution or a way to alleviate their pain. The gypsy woman tells them that all they need is a “mojo hand,” implying that a physical object has the power to change their fortunes and bring about well-being. In African American folklore, a mojo hand refers to a magical charm or amulet believed to bring luck, protection, or power. By singing about a mojo hand, The Grateful Dead taps into the rich tapestry of blues and folk traditions, adding a touch of mysticism to the song. “Caution (Do Not Stop on Tracks)” is a timeless piece of music that captures the essence of The Grateful Dead's exploratory spirit. The song's meaning goes beyond its surface-level interpretation, delving into deeper human desires for guidance and personal transformation.For me, this song serves as a reminder that sometimes we must look beyond ourselves for answers or support. Whether it be through music, spirituality, or community, seeking solace in something greater can provide the strength and encouragement needed to navigate life's challenges.The Grateful Dead's live rendition of “Caution (Do Not Stop on Tracks)” is a testament to the band's unique ability to captivate and touch the souls of their listeners. It serves as a timeless reminder of the power of music to connect, inspire, and offer solace in all walks of life.Anthem of the Sun is the second album by rock band the Grateful Dead, released in 1968 on Warner Bros/Seven Arts. It is the first album to feature second drummer Mickey Hart. The band was also joined by Tom Constanten, who contributed avant-gardeinstrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. The album was assembled through a collage-like editing approach helmed by members Jerry Garcia and Phil Lesh (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. The band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental studio amalgam that is neither a pure studio album nor a live album.In 1972, a more commercial alternate mix of the album was officially released to capitalize on the band's recent success. A 2018 reissue on Rhino Records collects both the 1968 and 1972 mixes. The album was ranked number 288 on Rolling Stone magazine's list of the 500 greatest albums of all time, in both the 2003 and 2012 iterations of the list.[7][8] It was voted number 376 in Colin Larkin's All Time Top 1000 Albums.[9] Played 71 times1st: November 3, 1965 at Mother's, San Francisco, CA, USALast:  October 27, 1979 at Cape Cod Coliseum, South Yarmouth, MA, USA  OUTRO:                         Saturday Night                                         Track # 22                                         2:08 – 3:56 From ACE Ace is an album by Grateful Dead singer and guitarist Bob Weir. His first solo album, it was released in 1972. Weir's fellow bandmates in the Grateful Dead back him on the album, and all but one of the songs became staples of the band's live shows Great song.  In later years, only on Saturdays, but in the beginning, it would be played whenever Bob was in the mood. Usually an encore, but every now and then a second set closer or once as an opener.  Since we knew on a Saturday they would play the song, the game was to guess when. Encore was almost always the sure winner, except when it wasn't. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Catherine is a long time listener to the Strategy Sessions and good friend. It's an honour to hand over the reigns for this episode – the first I don't feature on! – to Catherine. In this episode we discuss the highlights from the episodes featuring Aleya Harris, Geraldine DeRuiter and Emma Mallett that made up the Women's History Month Mini Series. Catherine McKernan Catherine is an accomplished marketing professional with over 10 years' experience across the manufacturing, engineering and hospitality industries. She's currently the Marketing Manager for the Galgorm Collection – the premium hotel group from Northern Ireland. Catherine is highly strategic with a creative mind, who matches her marketing skills with empathy and a calm composure that gets the most out of her team. You'll often find Catherine with a book, writing, baking or at a gig. Find Catherine on LinkedIn. Andi Jarvis If you have any questions or want to talk about anything that was discussed in the show, the best place to get me is on LinkedIn or Instagram. Make sure you subscribe to get the podcast directly or sign up for it here to have it emailed when it's released. If you enjoyed the show, please give it a 5* rating.

This is an episode where Peter McKernan was interviewed and gave his background along talks real estate with one of his past guests on his podcast.

Today on the Real Estate Investor Podcast, we are joined by Peter McKernan, a friend of the show, an investor and real estate agent in Southern California, as well as a former firefighter. In this episode, we discuss the value of leveraging the experience of others, especially if you're nervous about jumping into your first deal, and highlight some of the key components of a successful partnership. We also take a look at California's accessory dwelling unit (ADU) regulations, how real estate investors can benefit, tips to bring risk-averse investors around, and Peter's retrospective advice for anyone starting their real estate journey today, plus so much more! For an informative discussion full of valuable insights, tune in today. Key Points From This Episode:How Peter went from firefighter to real estate investor.Insight into his first deal at 27 years old, which cash flowed from day one.The value of partnership to help mitigate the fear that often accompanies a first deal.Reasons that due diligence and legal advice are key for successful partnerships.Benefits for investors of California's ADU laws and regulations.Practical advice from Peter and Gary for dealing with risk-averse investors.Why Peter suggests starting your real estate journey as early as you can.Where you can connect with Peter online and listen to his podcast.Links Mentioned in Today's Episode:The McKernan GroupReal Estate Trends and Market Updates PodcastPFP RealtyPeter McKernan on LinkedInPeter McKernan on InstagramPeter McKernan on FacebookPeter McKernan on YouTubePeter McKernan on X‘Mastering Real Estate Investment Strategies with Gary Lipsky'Asset Management Mastery Facebook GroupBreak of Day Capital Break of Day Capital InstagramBreak of Day Capital YouTubeGary Lipsky on LinkedInJoseph Fang on LinkedIn

What would you do if you had a little more courage?What would you do if you overcame what other people thought of you?What would you do if you listened to your heart and intuition? This episode is all about finding greater CLARITY.Guest expert is Philip McKernan who has built a reputation for his unapologetic approach to working with Entrepreneurs, Leaders, and Athletes all over the world, who believe there is more for them, and in one form or another want to live a more courageous life. Philips' mastery is helping people connect - connect to the work they were put here to do. His pioneering philosophy SoulSet™, equips and empowers people to uncover their unique gifts (not talents) and use them to impact the world.Timestamps:00:11 What's the secret to success really? (Oprah says this)02:55 If you aren't happy with some part of your life: ask yourself this04:33 The cost of not living an authentic life10:52 Clarity comes from ACTION not THOUGHT18:33 If you've lost your JOY this is likely why27:20 What is perfectionism blocking for you?43:42 The pros and cons of having a Plan BWANT TO FIND THAT CLARITY? BOOK A DISCOVERY CALL WITH ME HERE If you've been a long standing listener of the show and would like to express your gratitude and support the continuation of high-quality weekly content, please pledge your support on Patreon. Lastly, come and say hello on socials! I love hearing from you. InstagramTikTokYouTubeWebsiteConnect with Phillip here:WebsiteMusic by: Flood (Instrumental) by RYYZN https://soundcloud.com/ryyznCreative Commons — Attribution 3.0 Unported — CC BY 3.0

Live head-to-head battles in the CrossFit Open began in 2013 with Dan Bailey and Scott Panchik facing off in Open Workout 13.1. Since then, the CrossFit community has witnessed a wealth of epic Open matchups:—A throwdown of CrossFit Games champions in Open Workout 14.5.—Rich Froning vs. Mat Fraser in 15.1.—A battle of the Dottirs in 18.5.—A clash of Canadians in 17.1. But there's one rivalry that is unmatched in CrossFit Open history — Ro vs. Boz. Rory McKernan and CrossFit Competition Director Adrian Bozman come together on the CrossFit Games Podcast to revisit their past Open duels in a trip down TeamRo vs. TeamBoz Memory Lane. Make memories of your own — sign up for the 2024 CrossFit Open today and tune in to the live announcement of Open Workout 24.1 on Feb. 29. More information → https://games.crossfit.com/article/how-watch-2024-crossfit-openLearn more and sign up for the CrossFit Open here → https://games.crossfit.com/open/overview

Where's the silver-throated McKernan? And where are Plowsy's headphones? Iggy's electric bill is up. What's the most expensive item in your home? Airlines weighing passengers. Doug had an ice cream debacle. Naming continents. Geography with Ken. Stephen A Smith audio on an animal deathmatch. You know who went on a safari? Michelle Smallmon. Tim is in the YouTube chat mixing it up with Don Pee Pee. We've hit 5K YouTube subscribers. Mr. Beast. John Candy. Cool Runnings. Lil Rascals. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Where's the silver-throated McKernan? And where are Plowsy's headphones? Iggy's electric bill is up. What's the most expensive item in your home? Airlines weighing passengers. Doug had an ice cream debacle. Naming continents. Geography with Ken. Stephen A Smith audio on an animal deathmatch. You know who went on a safari? Michelle Smallmon. Tim is in the YouTube chat mixing it up with Don Pee Pee. We've hit 5K YouTube subscribers. Mr. Beast. John Candy. Cool Runnings. Lil Rascals. Learn more about your ad choices. Visit megaphone.fm/adchoices

In hour three of After Further Review, Matt sits down with Gordon McKernan to discuss the state of NIL at LSU. Musso tries his hand at Pluckers Trivia. Otter Locks wraps the show.

"Marijuana Dispensaries and Predictive Football: A Quirky Comparison"Larry is excited about Michigan's win over Alabama and in tribute to their upcoming January 8th  college football championship game against Washington he features a Grateful Dead concert from January 8th, 1978. He detail the song "Jack Straw" and its history, especially focusing on the singer distribution due to Jerry Garcia's laryngitis during the San Diego show.The conversation veers into the significance of the songs "Lazy Lightning" and "Supplication" within the Grateful Dead's repertoire, reminiscing about experiencing these songs live. It briefly touches on personal events, birthdays, and music preferences.The host humorously correlates the predicted football game winner to the number of Grateful Dead performances and marijuana dispensaries in Michigan and Washington. They discuss cannabis-related legislation and the market dynamics in these states, concluding with light-hearted references to personal travels and cannabis availability across regions.Produced by PodConx Grateful DeadJanuary 8, 1978Golden Hall Community ConcourseSan Diego, CAGrateful Dead Live at Golden Hall, Community Concourse on 1978-01-08 : Free Borrow & Streaming : Internet Archive Jerry has laryngitis so he did not singDonna filled in for him  INTRO:                  Jack Straw                                Track #2                                0:07 – 1:38                 Not on any studio album.  Featured on Europe ‘72                First time played:  October 19, 1971, Minneapolis  (Keith Godchaux's first show)                Last played:  July 8, 1995, Soldier Field, Chicago                Total times played =  476 (No. 11 on list of all time songs played)  SHOW No. 1:      Lazy Lightning>Supplication                                Track #8:  3:00 – end and then straight intoTrack #9:  0:00 – 1:15                 DAVID DODD:    The pair of songs was recorded on the Kingfish album, with Bob Weir as a member of the band. Barlow notes that he wrote the song in Mill Valley in October 1975. The two tracks opened the album, which was released in March 1976.             The Grateful Dead first played the pair in concert on June 3, 1976, at the Paramount Theater in Portland, Oregon. That show also included the first performances of “Might As Well,” “Samson and Delilah,” and “The Wheel.” “Lazy Lightning” was always followed in concert by “Supplication,” and the final performance of the two songs took place on Halloween, 1984, at the Berkeley Community Theater.                                “Supplication” was played by itself, according to DeadBase X, on one occasion subsequently, although it was also played as an instrumental jam more frequently over the years. The final “Supplication” was played 597 shows after the last “Lazy Lightning>Supplication,” on May 22, 1993 at the Shoreline Amphitheatre in Mountain View, California. Interestingly, “Supplication” was played one other time separately from “Lazy Lightning,” on September 24, 1976, when it was sandwiched in the middle of a “Playing in the Band.”             a very strong case could be made that “Supplication” is no more a separate song from “Lazy Lightning” than “Sunshine Daydream” is from “Sugar Magnolia.” It's a coda, carrying forward the same themes—only the form of the verse has changed. Lazy Lightning – 111 total times playedSupplication – 123 total times played                  SHOW No. 2:      Estimated Prophet                                Track #14                                2:35 – 4:15                 Weir/BarlowReleased on Terrapin Station released on July 27, 1977 (first studio album released by the band after it returned to live touring after its 1975 hiatus.                               DAVID DODD:  “Estimated Prophet” was first performed by the Grateful Dead on February 26, 1977, at the Swing Auditorium in San Bernardino, California. The Dead also premiered “Terrapin Station” at that show. They played it 390 times in the years that followed, with the longest time between performances being 15 shows—mostly it stayed at the every third or fourth show rank. Its final performance was on June 28, 1995, at The Palace in Auburn Hills, Michigan. It appeared on Terrapin Station, released July 27, 1977.                Blair Jackson quotes Weir, discussing the song, in his biography of the band: “According to Weir, he and Barlow wrote the song from the perspective of a crazy, messianic zealot, a type which one invariably encounters in Deadhead crowds now and again. As Weir explains: ‘The basis of it is this guy I see at nearly every backstage door. There's always some guy who's taken a lot of dope and he's really bug-eyed, and he's having some kind of vision. He's got a rave he's got to deliver.' “                 This is one of those songs, and there are quite a number of them in the Dead's repertoire, in which a not-entirely-sympathetic character is brought to life, and, in the course of being brought to life, is made more sympathetic. I've always thought this was a big strong suit of theire songs, whether in “Wharf Rat” or in “Jack Straw”; whether in “Candyman” or “Friend of the Devil.” Not only is it a recurring trope in the lyrics, but I think it is key to understanding the whole body of the songs, and perhaps literature generally.    SHOW No. 3:      The Other One                                Track # 16                                13:30 – 15:07                 The imagery conjured up by Bob Weir, in his portion of the suite, “That's It for the Other One,” on Anthem of the Sun, is clearly and intentionally a psychedelic ode to the Pranksters and all that entailed. Whether the singer was “escapin' through the lily fields,” or “tripping through the lily fields,” or “skipping through the lily fields” (all versions of the line sung by Weir at various points, according to several extremely careful listeners), the fact is that it was akin to Alice's rabbit hole, because of where it led.     “The bus came by and I got on...that's when it all began.”That line captures so much, in so many different ways, in so few words, that it is a model of what poetry can do—over time, and in a wide variety of circumstances, the line takes on a wide spectrum of association and meaning.                The Dead, of course, were quite literally on THE bus, along with Cowboy Neal (see earlier blog entry on “Cassidy”) and Ken Kesey and Ken Babbs and Mountain Girl and many others whose names are legend among our tribe. What must that have been like? Surely, worthy of a song or two. And Weir came up with a couple of winners, between “The Other One” and “Cassidy.”                 There is something wonderfully cartoonish about the scenes described in the lyrics. A “Spanish lady” hands the singer a rose, which then starts swirling around and explodes—kind of like Yosemite Sam left holding a lit firecracker, leaving a smoking crater of his mind. The police arrest him for having a smile on his face despite the bad weather—clearly, this kid is doing something illegal. Weir's interview with David Gans (along with Phil Lesh) cited in The Complete Annotated Grateful Dead Lyrics refers to a particular incident:Gans: Now, I remember a version from a little bit earlier, maybe late in '67, you had a different set of lyrics; the first verse is “the heat come ‘round and busted me”...and then there was a second verse that was about “the heat in the jail weren't very smart,” or somethin' like that...Weir: Yeah, that was after my little...Lesh: Water balloon episode?Weir: I got him good. I was on the third floor of our place in the Haight-Ashbury. And there was this cop who was illegally searching a car belonging to a friend of ours, down on the street—the cops used to harass us every chance they got. They didn't care for the hippies back then. And so I had a water balloon, and what was I gonna do with this water balloon? Come on.Lesh: Just happened to have a water balloon, in his hand... Ladies and gentlemen...Weir: And so I got him right square on the head, and...Lesh: A prettier shot you never saw.Weir: ...and he couldn't tell where it was comin' from, but then I had to go and go downstairs and walk across the street and just grin at him...and sorta rub it in a little bit.Gans: Smilin' on a cloudy day. I understand now.Weir: And at that point, he decided to hell with due process of law, this kid's goin' to jail.                So, as to the debut. If we take Weir and Lesh at their word, that the first performance of the song as it now stands coincided with the night Neal Cassady died, in the early morning hours of February 4, 1968. And sure enough, there is a performance of “The Other One” on February 3, 1968, whose verses correspond to the verses as we all know them, for the first time, at the Crystal Ballroom in Portland, Oregon. The song was a fixture in the repertoire from then on, performed at least 586 times that we know of. The only year in which it was not listed as being performed was 1975, the hiatus year.             Part of the suite of songs, That's It For The Other One from Anthem of the Sun.  Made up of four sections:  "Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get" (the part everyone knows as “the other one”), and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product.            appears that way on Anthem of the Sun, bracketed by Garcia's “Cryptical Envelopment.” But it stands alone most of the time in performance—“Cryptical” was dropped completely from 1973 through 1984, reappeared for five performances in 1985 (the 20th anniversary period—it was broken out following a lapse of 791 shows at the June 16, 1985 Greek Theater show (I WAS THERE!!) in Berkeley), then disappeared again for the remainder of the band's careerI. "Cryptical Envelopment" (Garcia)[edit]"Cryptical Envelopment" is one of the few Grateful Dead songs with lyrics written by Garcia. It was performed from 1967 to 1971 (when it was then dropped), and brought back for a few performances in 1985. Post-Grateful Dead bands such as Dead & Company have returned to performing the song, sometimes as a standalone track separate from the rest of the suite.II. "Quadlibet for Tenderfeet" (Garcia, Kreutzmann, Lesh, McKernan, Weir)[edit]"Quadlibet for Tenderfeet" is a short jam section linking "Cryptical Envelopment" and "The Faster We Go, the Rounder We Get". Transitions between studio and live performances are very audible during this section.III. "The Faster We Go, the Rounder We Get" (Kreutzmann, Weir)[edit]One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day" refers to a time Weir was arrested for throwing a water balloon at a cop.[2] This section ends with a reprise of "Cryptical Envelopment".IV. "We Leave the Castle" (Constanten)[edit]The only Grateful Dead composition written by Tom Constanten, "We Leave the Castle" is an avant-garde piece featuring prepared piano and other studio trickery.[While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One").            The Other one– performed 549 times            First played:  Oct. 31, 1967 at Winterland, S.F.            Last played:  July 8, 1995, Soldier Field, Chicago             That's It For The Other One – performed 79 times            First played:  October 22, 1967 at Winterland, S.F.            Last played:             Cryptical Envelopment – performed 73 times            First played:     Oct. 21, 1967 at Winterland, S.F.            Last played:     Sept. 3, 1985 – Starlight Theater, K.C.              SHOW No. 4:      Truckin'                                Track # 17                                4:22 – 6:03                 The lyrics were written under pressure, in the studio, during the recording of American Beauty (Nov. 1970) (released as a single backed by Ripple in Jan. 1971), with Hunter running back and forth with hastily-written verses that somehow, despite the fact that were purpose-written on the spot, seem to have some pretty good staying power. There are rumors that he originally wrote “Garlands of neon and flashing marquees out on Main Street” as an intentionally hard-to-sing line, just to enjoy watching Weir try to wrap his mouth around them, eventually relenting and substituting “arrows of neon,” just to make it possible to sing.The music credit is shared by Jerry Garcia, Bob Weir, and Phil Lesh. Hunter gets the credit for the lyrics. And Hunter took the bare bones outline of some of the band's adventures and misadventures and fleshed them out with memorable features, highlighting their trips around the country with specific references to places and occurrences. In the process, he came up with a chorus consisting of a couple of phrases that are now, eternally, in the cultural psyche: “Sometimes the light's all shining on me / Other times I can barely see. Lately it occurs to me / What a long strange trip it's been.”At some point, Hunter was accused of using a cliché in that final phrase of the chorus. When something you make up becomes such a commonly-used turn of phrase that your own invention of it is accused of being cliché, that's some measure of wordsmithing success, I would say.                Truckin'” was first performed on August 18, 1970, at the Fillmore West. The show opened with an acoustic set, and “Truckin'” was the first song. Other firsts that night included “Ripple,” “Brokedown Palace,” and “Operator.” The song was performed 532 times, placing it at number 8 in the list of most-played songs, with the final performance on July 6, 1995, at Riverport Amphitheatre in Maryland Heights, Missouri.  OUTRO:                Johnny B. Goode                                Track #19                                1:10 – 2:51                 Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart.[1] The song remains a staple of early and later rock music."Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom",[2] it has been covered by various other artists and has received several honors and accolades. These include being ranked 33rd on Rolling Stones's 2021 version[3] and 7th on the 2004 version of the "500 Greatest Songs of All Time"[2][4] and included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as a record of humanity.Written by Berry in 1955, the song is about a semi-literate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights".[5] Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure radio play.[6] As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.[5]The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band,[7] but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums.[5][8] The session was produced by Leonard and Phil Chess.[8] The guitarist Keith Richards later suggested that the song's chords are more typical of compositions written for piano than for guitar.[9]The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl HoganA cover version is featured in the film Back to the Future (1985), when the lead character Marty McFly, played by actor Michael J. Fox, performs it at a high school dance.Played 283 times, almost always as an encore or show closer (back in the days where there were no encores)First played on Sept. 7, 1969 at Family Dog on the Great Highway, S.F.Last played on April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum in Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this week's episode, psychetherapist and author Matthew Ash McKernan joins me to discuss his book Wyrdcraft: Healing Self and Nature Through the Mysteries of the Fates. Ash explores the answer to the question “what is wyrd?” and discusses tricksters, unverified personal gnosis,  the wild and the wyrd, the importance of remembering our wholeness, and the necessity of feeding our inner fire. Support Rebel Spirit Radio https://patreon.com/rebelspirit https://paypal.me/rebelspiritradio   Matthew Ash McKernan https://www.wyrdwildweb.com/ Instagram: wyrdwildweb   Wyrdcraft Llewellyn https://www.llewellyn.com/product.php?ean=9780738771779   Bookshop.org https://bookshop.org/p/books/wyrdcraft-healing-self-nature-through-the-mysteries-of-the-fates-matthew-ash-mckernan/18528704?ean=9780738771779   Connect with Rebel Spirit on Social Media Facebook: https://www.facebook.com/rebelspiritradio X: @RebelSpiritRad Instagram: https://www.instagram.com/rebelspiritradio/ https://www.rebelspiritradio.com   #rebelspiritradio #wyrd #wyrdcraft #soultherapy #paganism #healing #ecotherapy #fates #destiny #innerfire

"Middle-Aged and Older Patients Report Improved Health with Medical Marijuana"Larry Mishkin discusses a recent study from the University of Florida which shows that medical marijuana use can lead to lower pain levels and reduced dependency on opioids and psychiatric prescriptions among middle-aged and older chronic pain patients. Participants in the study reported improved physical and mental functioning, better sleep quality, and reduced anxiety. The research adds to the growing body of evidence supporting the therapeutic benefits of medical cannabis for pain management..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast  Grateful Dead, October 16, 1989, Melk Weg Club, Amsterdam, the NetherlandsGrateful Dead Live at Club Melk Weg on 1981-10-16 : Free Borrow & Streaming : Internet Archive Second of two night stand at this famous hash bar that only held about 500 people in the room in which the Dead performed.  Very cool and famous club in Amsterdam, one of the best known hash bars.  Went there one time in 1988 with good buddies Mikey and H.  A highlight of our trip. Another good buddy, Freddie Burp, was spending the school year abroad in the fall of 1981 and was one of the lucky ones who were present for this show.  He's a tough guy to get a hold of, but maybe some day I can get him on the show to talk about this concert.  INTRO:                  The Race Is On                                Track No. 8                                1:10 – 2:24                 Show had an acoustic first set and an electric second set.  Many of the songs in the acoustic set we featured a few weeks ago from the September, 1980 show at the Warfield Theater in San Francisco as part of the recordings for the Dead's Reckoning album.  So I went with this one which has always been one of my favorites ever since my good buddy Mikey (who took me to three of my first four shows) used to play it for me as we drove through the northwoods of Wisconsin on nights out from the summer camp where we were spending the summer in 1981. "The Race Is On" is a song written by Don Rollins[1] (not to be confused with the Don Rollins who co-wrote "It's Five O'Clock Somewhere" for Alan Jackson and Jimmy Buffett) and made a hit on the country music charts by George Jones and on the pop and easy listening charts by the unrelated Jack Jones. George's version was the first single released from his 1965 album of the same name. Released as a single in September 1964, it peaked at number three on the BillboardHot Country Singles chart and at number 96 on the BillboardHot 100 in January 1965. Jack's version topped Billboard'sEasy Listening chart and reached number 15 on the Hot 100 the same year. The two recordings combined to reach number 12 on the Cashbox charts, which combined all covers of the same song in one listing and thus gave George Jones his only top-40 hit. The song uses thoroughbred horse racing as the metaphor for the singer's romantic relationships.                 Rockabilly artist Dave Edmunds, in collaboration with the Stray Cats, whose debut album Edmunds had recently produced, recorded a version for his 1981 album, Twangin.... Stray Cats drummer Slim Jim Phantom recalled Edmunds' affection for the song when he was courting the band to produce their debut album: "We met with Edmunds at his house. He had a little pub in his basement. He had a finished basement, outside of London. Edmunds had a jukebox, a little jukebox. He had 'The Race is On' and 'Rockabilly Boogie' by Johnny Burnette. He had those records in his jukebox. We all looked at each other and said, 'This is it.'"[3] Phantom also recalled that the song took "one or two takes" in the studio.[4]Thank you.                 Covered by:        Jack Jones                                                Loretta Lynn                                                Alvin and the Chipmunks for their 1965 album, “Chipmunks a Go Go”                                                Waylon Jennings                                                The Georgia Satellites from 1965 debut album, “Keep The Faith”                                                Elvis Costello                                                And others                                                 Dead played it 60times in concert                                                First:  December 31, 1969 at Boston Tea Party in Boston                                                Last:  May 20, 1995 at Sam Boyd Silver Bowl, Las Vegas  SHOW #1:                           Ripple                                                Track No. 9                                                1:50 – 3:06                                 We prominently featured this song form the Warfield show and talked about how it was last played ever on Sept. 3, 1988 at the Cap Center.  What makes this version we just listened to so special is that this was the last Ripple played by the Dead until the Cap Center show, a seven year gap, and that that was it, no more Ripple.  So this is the last accoustic Ripple ever played since the Cap Center was electric.  Maybe the most famous Dead tune ever, from American Beauty, Hunter's lyrics and Jerry's music mesh together in a way to make this tune not just one of the best Dead tunes ever, but one of the best tunes ever, IMHO!  SHOW #2:                           Hully Gully                                                Track No. 12                                                0:15 – 1:38                                 "(Baby) Hully Gully" is a song written by Fred Sledge Smith and Cliff Goldsmith and recorded by The Olympics, an American doo-wop group formed in 1957.  Released in 1959 on the album, “Doin' the Hully Gully”, it peaked at number 72 on the Billboard Hot 100 in February 1960[2] and sparked the Hully Gully dance craze.                         Covered by:     Buddy Guy                                                Chubby Checkers                                                The Ventures                                                The Beach Boys                                                Many others                                                Peter Pan Peanut Butter add jingle in the 1980's                                                 The Dead's version of this song from this show is the only time they played it in concert.  SHOW #3:                   Gloria                                    Track No. 15                                    2:15 – 3:45                         "Gloria" is a rock song written by Northern Irish singer-songwriter Van Morrison, and originally recorded by Morrison's band Them in 1964. It was released as the B-side of "Baby, Please Don't Go” on December 2, 1964.  The song became a garage rock staple and a part of many rock bands' repertoires.                         According to Morrison, he wrote "Gloria" while performing with the Monarchs in Germany in the summer of 1963, at just about the time he turned 18 years old.[6] He started to perform it at the Maritime Hotel when he returned to Belfast and joined up with the Gamblers to form the band Them. He would ad-lib lyrics as he performed, sometimes stretching the song to 15 or 20 minutes. After signing a contract with Dick Rowe and Decca, Them went to London for a recording session at Decca Three Studios in West Hampstead on 5 April 1964; "Gloria" was one of the seven songs recorded that day.                         Alan Henderson (guitar) contends that Them constituted the first rock group to use two drummers on a recording.[7] Although some sources claim that Jimmy Page played second guitar, other sources deny this.                         Covered by:                 The Doors –   The Doors performed the song several times in 1966 and 1967, with one recording released on Alive, She Cried (1983). It was also released as a single, which reached number 18 on Hot Mainstream Rock Tracks and number 71 on Billboard Hot 100 in 1983.[18] The song is included on Legacy: The Absolute Best (2003) and The Very Best of The Doors (2007).                                                             Patti Smith - Patti Smith recorded it for her album Horses in 1975. Based on the Van Morrison tune, the lyrics had been adapted from an early poem, 'Oath'.[5] Smith's band had started to play the song live and merged it with the poem by 1974, so the song contained half of Smith's own words.[5] For the recording of her debut album, Smith and her band recorded the song live and, after mixing, chose it as the album's opener.                                                            In 1993, Van Morrison recorded a version with John Lee Hooker, which reached the Top 40 in several countries.                                                                        For the Dead, this was the first time they played it live in concert.                                    They wound up playing it only a total of 14 times                                        Last played on June 30, 1995 at Three Rivers Stadium in Pittsburgh                                                   I was lucky enough to catch it on June 25, 1992 at Soldier Field.  SHOW #4:                   Turn On Your Lovelight                                    Track No. 16                                    1:03 – 2:33                                     "Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was both an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including the Grateful Dead, who made it part of their concert repertoire.  was written by band leader and arranger Joe Scott (with an additional credit given to Duke Records owner/producer Don Robey aka Deadric Malone). Scott's brass arrangement "upped the excitement ante"[2] with "the groove picking up momentum as the horns and percussion talk to each other" and Bland's vocal "riding on top".                                     In 1967, "Turn On Your Love Light" became a staple of Grateful Dead concerts, sung by Ron McKernan: a 15-minute rendition is on their 1969 double live album Live/Dead. McKernan's final performance of "Love Light" – complete with extended vocal raps – occurred at the Lyceum Theatre, London, during the Europe '72 tour. Versions with McKernan were often very long due to long vocal raps, instrumental jams, and drum solos throughout. A version performed at the 1969 Woodstock Festival lasted more than 45 minutes.[8] The Grateful Dead later revived the song in the early 1980s with Bob Weir singing.                                     Before this show at the Melk Weg, the last time the Dead had played it in concert was on May 24,1972 at the Lyceum Ballroom in London at the very end of the Europe '72 tour.  In other words, this was the Dead's first performance of the song without Pigpen on lead.  Dead went on to play it a lot after this show right up until the end.  Bobby played it well, but never even tried the rap that Pig made famous in his extended versions.  No Box Back Knitties when Bobby sang it.                         Dead played it 355 times in concert!  Originally part of the Dark Star>St. Stephen>The Eleven>Lovelight suite of songs that the Dead played constantly during the primal Dead years in the late ‘60's.                        First played on August 4, 1967 at the O'Keefe Center in Toronto                        Last played on June 19, 1975 at Giants Stadium in New Jersey                                     When my good buddy Marc started seeing the Dead in 1984, we joked that every time he went to a show they played Lovelight.  Not a bad thing to be associated with.  Always fun to hear it in concert even without Pig.  OUTRO:                      Sugar Magnolia                                    Track No. 20                                    6:30 – 8:05                                     One of the best Dead tunes of all time and the ultimate show closer.  Always nice to add a little Sunshine Daydream to your day! The boys jam the hell out of it here, a 10+ minute version to close out a remarkable one of a kind Dead show.  Either you were there or you missed it.  What being a Deadhead is all about. 

In February, Kevin McKernan, CSO of Medicinal Genomics, was deep sequencing Pfizer mRNA vaccines when he discovered that every sample he tested was contaminated with large quantities of plasmid DNA. A plasmid is a circular piece of DNA integral in the manufacturing process of mRNA vaccines, but it doesn't belong in the final shot going into arms, nor is it a listed component of either the Moderna or Pfizer mRNA vaccines. McKernan re-tested multiple different vaccine samples from multiple different lots using multiple different methods, but consistently got the same result: substantial plasmid DNA contamination in every Pfizer vaccine sample tested. McKernan published his findings but received no coverage by the MSM, nor was he contacted by Pfizer, the CDC, or the FDA. When I interviewed Kevin in April, no other lab in the US had confirmed McKernan's results. Now they have. McKernan's findings have been repeated and confirmed by Dr. Phillip Buckhaults, a cancer genomics expert from the University of South Carolina. On September 18th, Buckhaults testified before the South Carolina Senate Medical Affairs Ad-Hoc Committee on DHEC and presented his findings. There's no longer any doubt that substantial quantities of plasmid DNA contaminated the Pfizer mRNA vaccines injected into humans. The issue that needs to be addressed is: What are the human health effects of being injected with 200-billion plasmid DNA fragments per jab? The MSM, the FDA, the CDC, and Pfizer have been dismissive of the potential public health consequences of injecting hundreds of billions of DNA fragments contained in each jab into the arms of hundreds of millions of humans. Two potential problems identified by both McKernan and Buckhaults is the risk of cancer transformation and immune targeting of cells taking up the vaccine. Today, I cover highlights of that September 18th South Carolina Senate hearing featuring Dr. Phillip Buckhaults discussing the plasmid DNA contamination of the Pfizer vaccines, what it could mean, and what should be done about it.

"There was a case where Dr. He in China did some genome edits on two children—on two babies. He made two CRISPR babies. That guy went to jail, all right? Suddenly, fast forward to today: we're willing to take that risk on billions of people."Kevin McKernan worked at the Human Genome Project at MIT as manager of research and development. Today, he is the chief scientific officer and founder of Medicinal Genomics, and is researching DNA contamination in the COVID-19 genetic vaccines."There are limits on how much DNA can be in a vaccine precisely because of the concern over DNA integration," says Mr. McKernan. "What we do know is in both shots, there is residual DNA, and this DNA is either right above the regulatory limit or tenfold higher."How do the different mRNA vaccine components impact the body? What's really going on with the SB 40 monkey virus promoter that's in them? Why should we be concerned about lipid nanoparticles and DNA open reading frames? And how is synthetic mRNA fundamentally different from naturally-occurring mRNA?"Australia has different guidelines on what constitutes gene therapy, and it looks like these vaccines may, in fact, fall under that category, given the fact that there's DNA in them and they're using LNPs. And we now know that some of the DNA in there has been used and documented as a gene therapy tool," says Mr. McKernan.

This week I speak with fine artist and illustrator Kelly McKernan! We talk about a LOT of different topics including their schooling, photography, teaching, creating a comic book for Evanescence, their perspective on NFTs and especially: AI! Kelly McKernan is one of the three plaintiffs in a class-action lawsuit against Stability AI, Midjourney, and DeviantArt for copyright infringement. We also both complain a bit about how difficult it is to make a living as independent artists and a lot more! Really great and fun conversation! Also, a quick art life update. Our sponsor: The Skull Shoppe: SkullShoppe.com Kelly's website: https://www.kellymckernan.com/ The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: www.instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ DarkArtSociety.com Copyright Chet Zar LLC 2023

In this empowering episode of the Jake and Gino Show, we host clarity coach and author, Philip McKernan, for a deep dive into personal growth, entrepreneurship, and the journey to self-discovery. McKernan's book, 'One Last Talk', serves as a central focus, providing valuable insights into confronting internal issues and unlocking the gifts hidden in our pain. Join Jake and Gino as they discuss their own experiences with Philip's methods, illustrating the profound impact of these strategies on personal relationships, spiritual connection, and self-perception. Gino shares his personal transformation, emphasizing the importance of self-love, while Jake champions the practice of challenging conversations, valuing the growth it offers. Philip McKernan, as the guest of honor, reveals how his work aims to free people from psychological barriers and assist them in finding their true purpose. He welcomes pushbacks, appreciating them as opportunities for deep understanding and engagement. For those seeking personal growth, exploring motivations behind life decisions, or aspiring to live a life with more meaning and impact, this episode is a must-watch. Dive into a discussion that goes beyond conventional entrepreneurship talks and into the realm of inner transformation and purpose discovery. Don't forget to check out Philip McKernan's book, 'One Last Talk' on Amazon, and visit his website for more resources. For more enriching content like this, remember to subscribe to the Jake and Gino Show! Chapters: 00:00 - Intro 02:41 - Why is Philip McKernan coming to Jake and Gino's MM6? 04:28 - Philip McKernan on the Relationship with Yourself 11:03 - Gino Recaps his Emotional Trip to Ireland with Philip McKernan 17:52 - Why Is it Important to Look to Your Childhood and Past? 21:22 - Working Through Past Trauma with Philip McKernan 28:36 - The Soccer Player and Self Sabotage 38:38 - Judgement and It's Effect on You and Others 44:23 - Fitness and Self Care 47:41 - Where Can People Looking to Improve there Well Being Start? 51:08 - Philip McKernan's Book 52:39 - Wrap Up. We're here to help create multifamily entrepreneurs... Here's how: Brand New? Start Here: https://jakeandgino.mykajabi.com/free-wheelbarrowprofits Want To Get Into Multifamily Real Estate Or Scale Your Current Portfolio Faster? Apply to join our PREMIER MULTIFAMILY INVESTING COMMUNITY & MENTORSHIP PROGRAM. (*Note: Our community is not for beginner investors)

Whistleblower Report – “Plasmid-Gate” is the shocking discovery by experienced genomics scientist Kevin McKernan that the COVID shot vials from Pfizer and Moderna were contaminated with bacterial DNA foreign to humans. McKernan has two forms of foreign DNA: linearized and circular in the vaccine vials he analyzed. The presence of circular – or plasmid – DNA is the complete blueprint used to...

The Adventures of Pigpen, part 2The Deadcast concludes our tribute to Ron “Pigpen” McKernan, exploring his years with the Dead, featuring more documents from the McKernan family archives, his alleged firing, former housemate Tom Constanten, lost song lyrics, & last songs.GUESTS: Jim Sullivan, Tom Constanten, Denise Kaufman, Eric Thompson, Starfinder Stanley, David Lemieux, Kay Alexander, Mike DolgushkinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Adventures of Pigpen, part 1The Deadcast marks 50 years since the passing of original Grateful Dead frontman Ron “Pigpen” McKernan, in part 1 uncovering his mysterious pre-Dead years in the Palo Alto folk scene, featuring a visit to the McKernan archives, never-heard performances, & archival interviews.GUESTS: Jim Sullivan, Denise Kaufman, Eric Thompson, Ted Claire, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week's Deadpod features another fabulous show from 1973. This week's show comes shortly after the death of Ron 'Pigpen' McKernan on the 8th of February 1973, and is the 2nd night of a three night run at the Nassau Coliseum in Uniondale NY, on March 16, 1973.  Folks this is a massive 14 song first set, and the come out of the gate flying with a high energy 'China>Rider', complete with a great, perhaps the first, 'feelin' groovy' jam in the transition. The new 'Wave That Flag' follows with some nice keyboard work from Keith. A fine version of 'Looks Like Rain' follows, introduced with a nice intro from Phil. There are highlights throughout the rest of this set, including an early version of 'They Love Each Other' but the closing 'Playin' In the Band' is sure to bring some smiles....      Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 3/16/1973 - Friday One China Cat Sunflower [6:09] > Jam [1:51] > I Know You Rider [4:33] Jack Straw [4:32] Wave That Flag [5:35] Looks Like Rain [7:01] Ramble On Rose [6:23] Box Of Rain [4:43] Beat It On Down The Line [3:17] They Love Each Other [5:28] El Paso [4:34] Row Jimmy [7:58] Mexicali Blues [3:23] Bird Song Playing In The Band  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod030323.mp3  Keep on rollin' just a mile to go...