Podcasts about musically

Over the years, the legendary Motorhead has been one of the most covered artists in all of Metaldom. But as beloved and influential as they are, Lemmy and The Boys are music fans too. So Motorhead has done their fair share of covers as well. Recently, we celebrated Lemmy's Bday and mourned his passing on the 10th anniversary. So this week we decided to discuss our favorite Motorheaderized cover songs. There are some absolute bangers! In our News, Views and Tunes, we discuss some Henry Rollins spoken word albums and the recent Vinny Vincent craziness. Musically, we crank some Whiplash, Raw Power, Old Funeral, Dissection (Can), Executioner Steel and we introduce Winnipeg black metallers Primordial Serpent in our Indie Spotlight. Horns up!! 

It's that time again! 2025 is in the books. So around here that means it's time for our annual Rammy Awards! To our newer listeners hopping aboard this year, there are the Radioactive Metal version of the Grammy Awards. You know, R.A.M...Rammies...Grammies. We're so clever. To the winners, sorry, there's no trophy or place in Metaldom infamy. We basically kick back and share our faves of '25 in the categories that mean the most to Metalheads. Best Band, Album, Live a.o. Aswell, we make our inductions into the Radioactive Metal Hall of Fame. Play along with your picks! Musically, we crank some Sacrifice, Unholy Grave, Hellion, Exxecutioner and Antagonizer. Horns up and here's to an amazing 2026!  

Mark Rubin, Jew of Oklahoma is an Okie making music that’s mostly Americana and Bluegrass with a hint of Klezmer, Eastern European, and Middle Eastern flavors. His songs are often political, seeking to reach people’s hearts and minds with messages of conscience.  His new album is Dispatches: Songs from a World Gone Mad. Mark is a direct communicator.  Talking with him, listening to his music, one never has to wonder what he’s saying, he is as clear as a bell in his messaging.  His intentions shine brightly! Musically he’s about as down home as you’re going to find anywhere. • Mark Rubin on YouTube Music by: Mark Rubin The post Mark Rubin – “Dispatches: Songs from a World Gone Mad” appeared first on Paradigms Podcast.

In this episode, Paul Andrews digs deep into one of the most common questions beginner guitarists ask: “I know lots of scales, so why doesn't my lead playing or improvisation sound musical?” If you've ever felt overwhelmed by scales or are uncertain how to turn your knowledge into actual music, this episode is for you! Paul Andrews demonstrates how to sound more musical with only one scale and reveals why learning more scales isn't the secret to great jamming.Key Topics CoveredJamming January & PracticethonStart your year strong with Beginner Guitar Academy's January Practicethon! Practice daily, track your progress, and join a community aiming to improve together. There's also a charitable side: help raise money for Jesse's Fund, supporting children with complex needs through music. Myth Busting: Paul Andrews addresses the myth that learning more scales alone will make you a better guitarist. Instead, it's about how you use the scales you know.The Power of LimitationWhy sticking to just one scale (even a tiny section of it) can actually boost creativity, reduce overwhelm, and make your solos sound more intentional and musical.The Four Must-Have Musical Elements for Great Jamming:Repetition: Create memorable hooks by repeating phrases.Space: Let the music breathe; don't play constantly—leave room between notes.Rhythm: Change up the rhythmic feel of your phrases to add interest.Dynamics: Play with volume—soft, loud, or both—to add expression.Hands-On Example:Paul Andrews gives a practical, step-by-step demonstration of how to jam with just three notes from the A minor pentatonic scale over a backing track—creating musical phrases using only repetition, space, rhythm, and dynamics. He encourages students to keep it simple, repeat phrases, and experiment before ever moving on to more notes or scale shapes.Upcoming Events & Resources:There's a “First Steps Jam” happening live on Zoom for Beginner Guitar Academy members—perfect for those nervous to jam in public, as everyone will be muted!Backing tracks, scale diagrams, and a video of this episode are available on bgapodcast.com/268.Backing track used in the episode: https://youtu.be/bkMtp8vt6oE?si=n2G0fRXBNn5OCkJgA Minor Pentatonic Scale: https://www.dropbox.com/scl/fi/n6drxfruuf2yg4n1qi11w/A-Minor-Pentatonic.pdf?rlkey=evq8t819h1m7ak22qtq3qcck0&e=1&dl=0Action StepsJoin the Practicethon: Sign up at bgapodcast.com/january to track your practice, get motivational emails, and be part of the challenge.Support Jesse's Fund: Raise money with your own sponsorship page or donate directly at bgapodcast.com/charity.Practice Jamming: Use one part of a scale, focus on the four key elements, and try improvising over backing tracks for at least five minutes each session.Check Resources: For full lesson notes and backing...

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow. The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source. Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time. The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.

Obviously, we love doing this show. For so many awesome reasons. One of our negative duties we take upon ourselves is the announcements and dedications for those of our fallen Metal comrades. Now its Year's End and we decided we wanted to dedicate this episode saying "Horns Up" for those who left us. Its a tough listen but well worth it. In our "News, Views and Tunes", we discuss vinyl reissues and the Spotify "scrapping" incident. Musically, we crank some Blitzkrieg, Mortician, Necrophagia, Heavy Load, Ragnarok, Virus, Lawnmower Deth, Sudden Impact and we introduce Swedish metallers Blazon Stone in our "Indie Spotlight". Horns Up!    

DJing is a craft. It reveals itself over time rather than all at once, and few embody that better than OK Williams. Active since 2019, the London DJ has built a reputation through steady accumulation rather than acceleration, becoming one of the city's most trusted and widely admired selectors in the process. Williams has never been interested in narrowing her taste into a single calling card, and it's no coincidence that her roots lie at NTS Radio. She learned to DJ at the Hackney station, starting out as a volunteer producer in 2017. Musically, she moves easily between moods—sometimes cheeky, sometimes deep—and tempos, playing everything from 160 BPM jungle and amapiano to baile funk, deep house and dub techno. For her RA Mix, Williams offers up her "purist" side. Despite her background in radio, Williams doesn't share mixes often and RA.1019 arrives as a relatively rare studio document. Recorded at home on vinyl, the 90-minute session mostly leans into '90s and early '00s techno and prog house. "Ten years ago I tried learning how to play [vinyl] on a friend's 1210s and gave up after a couple of weeks,"Williams tells us below. "Those same decks were then gifted to me years later and were used to record this mix. It's quite nice to see how far I've come." In returning to vinyl, and to the decks that once marked a rocky start, Williams' RA Mix arrives as a fitting marker for the year's end. As 2026 approaches and new resolutions begin to crowd the horizon, RA.1019 serves as a welcome reminder that the best things seldom arrive in a hurry. Find the tracklist and inteview at https://ra.co/podcast/1038 @okwilliams

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber has been keeping a low profile over the holidays but made waves with a poignant Christmas message on identity and faith, declaring to Billboard via JubileeCast, "I'm not a product," as he reflected on industry pressures, healing through forgiveness, and hoping for a more compassionate music world that values artists as people. AOL reports he and Hailey cozied up for Christmas 2025, countering unverified rumors from less reliable outlets like emec.org.uk claiming he wanted a quiet holiday alone without her—no credible sources confirm any marital strain. In Tokyo earlier this month, Setlist.fm confirms Bieber performed a rare live set at the SKYLRK afterparty on December 5 at 1 OAK, tying into his fashion brand's five-day popup shop from December 4 to 8, which 3Dnatives and 3D Printing Industry hailed for debuting the innovative 3D-printed Earth Bender sneaker under his Skylrk label co-founded with Neima Khaila and design input from Hailey. The Hollywood Gossip notes he lost about 270,000 Instagram followers around December 3, prompting a defiant middle-finger selfie post with no explanation, while he vented frustration over Apple's iPhone dictation glitch interrupting his music, earning thousands of likes and an OpenAI invite. Business buzz persists from Hailey's Rhode sale to e.l.f. Beauty for one billion dollars in May, which Parade and AOL say boosted their combined net worth to around 500 million, with Justin publicly praising her hustle. Musically, The Honey Pop crowns his Swag album—his first in four years—a 2025 Spotify Wrapped triumph with R&B hits like Yukon and Devotion, signaling a mature comeback ahead of his confirmed Coachella 2026 headline slot, though no full tour is planned per insiders. These moves underscore Bieber's pivot to controlled ventures, health focus, and empire-building, far outweighing fleeting social media noise in biographical weight.Thanks for tuning in, come back next week for more. This has been a Quiet Please production, and for me check out Quiet Please Dot A I.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

2025 won't be remembered as the year for love, peace and harmony. War and military attacks were happening everywhere - from the Ukraine to the Middle East to Venezuela to Nigeria. Natural disasters like wildfires and floods swept the U.S. And not only did we lose beloved celebrities like Diane Keaton, Robert Redford and Ozzy Osbourne, other popular figures - from Rob and Michele Reiner to Charlie Kirk to Melissa and Mark Hortman - died in devastating ways that shocked the world. Political differences polarized Americans with increasing intensity, AI made us increasingly unsure what was even real, social media became a toxic wasteland, and millions were facing the loss of health insurance at year's end as a result of the expiration of ACA subsidies. We could go on and on, but we know you lived through it, too. So this week your hosts of "How We Heard It" decided to highlight some positive things about 2025 with lists of the year's best songs and albums and movies and TV shows. They were riveted by movies like "One Battle After Another," "Sinners" and "Weapons" and intrigued by films like "Nuremburg," "Companion" and "Good Boy." On the small screen, your hosts were thrilled by "IT: Welcome to Derry" and "Alien: Earth," challenged by "The Bear" and "White Lotus" and tickled by "The English Teacher" and a revived "South Park." Musically, Kendrick Lamar and SZA teamed up on a sizzling tribute to Luther Vandross, the U.K.'s Wet Leg brought back rowdy alt-rock excitement, and Taylor Swift may have saved us from the fate of Ophelia. It was almost enough to inspire them to do that little Swiftie dance. If they could dance.

Metal Forces magazine, the amazing UK tome, is a fave of ours from our teens. They covered all the great underground HM, Thrash/Death and Hardcore outfits. One of their awesome features was the "Penbangers" section. Basically, the pen pal section looking for communication with other readers via the written letter. Some of the ads were pretty entertaining themselves. So this week we figured we'd read some of them courtesy of the www.sendbackmystamps.com websites. You'll laugh, you'll cry. You take a trip down memory lane. In our "News, Views and Tunes", we discuss the death of Rob Reiner and the "1987 Metal Forces Readers Poll Results". Musically, we crank some Frank Blackfire (Sodom), Living Death, Iron Angel, Exorcist, Witchkiller, Zombie Ritual, Gammacide, House By The Cemetery and introduce Florida's Living Fast in our "Indie Spotlight" section. Horns Up! 

Explore 7 ancient Biblical prophecies that foretold the birth of Jesus Christ in astonishing detail. The Christmas story was not a random moment in history, but a carefully planned rescue mission revealed centuries in advance through the prophets of Israel and fulfilled with stunninging precision.  This teaching walks through key Messianic prophecies from Isaiah, Micah, Genesis, and the Gospels, showing how Jesus was born of a virgin, born in Bethlehem, called Immanuel, descended from Abraham, announced by a herald, and ultimately despised and rejected—exactly as Scripture foretold. These fulfilled prophecies provide powerful historical and biblical evidence that Jesus is the promised Saviour and that the Christmas story is grounded in truth. Musically backed by timeless Christmas carols such as O Come All Ye Faithful, Silent Night, O Come O Come Emmanuel, and Hark! The Herald Angels Sing, this episode invites reflection on the true meaning of Christmas. #christmasstory  #JesusChrist #BibleProphecy #fulfilledprophecy  #birthofjesus  #tchristmas  Illustrated Bible based lessons through the lens of God's eternal love for humanity and His desire to reconcile all things to Himself. 

+++ music only+++music only+++music only+++ Mit Ausgabe 51/25 der Club Business Radio Show präsentieren DJ Phil und Maik Pahlsmeyer die letzte Sendung vor Weihnachten. Musikalisch erwartet euch eine entspannte, zugleich groovige Reise – von ruhigem Deep House bis hin zu treibendem Tech House. Perfekt, um das Jahr langsam ausklingen zu lassen und dennoch den Club-Vibe nicht zu verlieren. Das Back-to-Back-Set verbindet atmosphärische Tiefen mit rhythmischer Energie und spiegelt die besondere Dynamik zwischen zwei Generationen hinter den Decks wider. Gespielt wurden u. a. Tracks von Nick Curly, Dropgun, Junior Sanchez und vielen weiteren Künstlern. Die Sendung wurde wie gewohnt am Freitag ab 21 Uhr auf Radio Bielefeld und Radio Gütersloh ausgestrahlt und steht jetzt auf SoundCloud zum Nachhören bereit.

Corrosion Of Conformity's second full lengther "Animosity" was a benchmark effort. The C.O.C. of today is very different from forty years ago. Along with contemporaries like D.R.I. and The Accused, the then trio helped spearhead the "crossover" scene fans take for granted today. This year this amazing record also turns forty (!). So this week we're featuring it in our "40th Anniversary Album Spotlight Series". We go over the Pushead artwork. Do a track by track deep dive. And share the importance this record had on our personal lives. In our "News, Views and Tunes', we discuss the 80s camp classic flick "Hollywood Chainsaw Hookers" (!!) and "Laurie Partridge"'s more *ahem* obscure movie role. Musically, we crank said C.O.C. record plus Cryptic Slaughter, Beyond Possession, Bratmobile, Warhead, Struck A Nerve, Sodomizer, Hounds and introduce Florida's trad metallers Midnight Vice in our "Indie Spotlight". Horns Up!!

Ep 173: We're refreshing Focus (or should that be re-Focusing?) for our many music marketing listeners – we'll now be publishing regular episodes that spotlights recent excellent music marketing work. We're calling it "Genius Steals", so get ready to be inspired as regular host Joe Sparrow asks the stupid questions to Music Ally's marketing expert Marlen Hüllbrock.She'll explain why a bunch of great campaigns caught her eye recently, including a Lily Allen USB stick that you might get behind, Sleep Token's colouring book, The Kinks' tea, and lots more. Also: is Marlen smug about her Spotify Wrapped Age? (Yes, she is.)It's ideal for anyone who wants to get up to speed quickly and be inspired by* good recent marketing ideas.=====Music Ally's team is constantly on the lookout for the latest and greatest music marketing campaigns. download - for free! - our huge Campaigns of the Year report for 2025 here: https://musically.com/best-music-marketing-campaigns-of-the-yearAnd dig into all our marketers' resources right here: https://musically.com/marketing-insight=======Here's a load of links to all the stuff Marlen mentioned:Lily Allen (https://www.instagram.com/p/DRzjmtIjOGF/?igsh=dGttbWc0bTdpYnRl)• Lily Allen (https://lilyallen.tmstor.es/product/west-end-girl-usb-nrd)• Fred again.. (https://www.reddit.com/r/fredagain/comments/1pdi19n/usb_necklace/)• TOMORA (https://www.instagram.com/tomora)• TOMORA (https://soundcloud.com/tomoraofficial/ring-the-alarm?si=6d087a14f2ca44bf9ef224a0fb000418&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing)• Sofi Merone (https://www.instagram.com/reel/DRzsZJYDZc1/?igsh=YTR2eGg0MW1zNmkx)• Sofi Merone (https://www.instagram.com/reel/DR78m79jdJV/?igsh=dGF4YjkwYzA1eHcy)• SAILORR (https://www.instagram.com/p/DR5k_JMASWs/?igsh=dW4waWV4eWxkc2R1)• The Kinks (https://thekinkstea.com/?srsltid=AfmBOopokPr8qjspz3-4VY96ARYCj5VpGMKLREN4_TeWaPYV2rW7k4Hg)• berlioz (https://krankbrother.seetickets.com/event/berlioz-presents-deep-in-it/finsbury-park/3560930?pre=pre&utm_source=substack&utm_medium=email)• JADE (https://www.reddit.com/r/popheads/comments/1peg1x8/jade_thats_showbiz_baby_the_encore/)• Sleep Token (https://www.billboard.com/music/music-news/sleep-token-coloring-book-even-in-arcadia-album-1236130093/)• Eli (https://vm.tiktok.com/ZNRLC713Y/)• Eli (https://vm.tiktok.com/ZNRLXJBuq/)• Eli (https://vm.tiktok.com/ZNRLXNhNQ/)• Gunna (https://www.instagram.com/p/DR2nl-eEZcC/?igsh=MTU4Yzk3M2kwcWp0ag==)• Katseye (https://www.instagram.com/p/DRiQpMvDyS8/?igsh=MW00dHQ4eWE3YXJoNQ%3D%3D)*genius steals, remember

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber's been making headlines this week less for music and more for his fashion venture and a viral rant about iPhones. According to AOL and Business Insider, Bieber took to social media Friday to vent about Apple's iPhone dictation button, calling it “annoying” and joking he'd “find everyone at Apple and put them in a rear naked choke hold” if it keeps interrupting his music. His post drew thousands of likes and even an invite to OpenAI's design critiques from their head of design, Ian Silber.On the business side, Bieber's co‑founded fashion label SKYLRK, launched with Neima Khaila of Pink Dolphin and supported by his wife Hailey Bieber, just dropped its first 3D‑printed sneaker, the Earth Bender. 3D Printing Industry reports the Earth Bender is a fully 3D‑printed performance sneaker developed in collaboration with a specialist footwear tech partner, and Bieber heavily promoted it across his platforms.Musically, there's been no new music or tour announcement, but there was a live appearance. Setlist.fm confirms Bieber performed at the SKYLRK official after‑party at 1 OAK Tokyo in Japan on December 5, 2025, giving fans a rare live set and keeping his stage presence alive with intimate shows.As for a 2026 tour, the news is that there is no news. Rob Shuter's Naughty But Nice newsletter, echoed by Reality Tea, PopCrush, and Z93.9 WLQZ, reports that all conversations around a Justin Bieber 2026 world tour have gone “radio silent” and “stopped cold.” Insiders say Bieber is taking his time, being careful about commitments, and wants control over when and how he returns to big stages. While he's still set to headline Coachella 2026, a full‑scale tour after that is not currently in active planning.So right now, Bieber's focus seems to be on SKYLRK, his health, and selective appearances, not a global tour. For fans, it's still very much “Bieber time.”Thanks for tuning in. Come back next week for more. This has been a Quiet Please production, and for me, check out Quiet Please Dot A I.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

KPFA Theatre Critic Richard Wolinsky reviews “Sunday in the Park with George” at Shotgun Players Ashby Stage extended through January 31, 2026.   Text of Review: The late great composer lyricist Stephen Sondheim tackled a variety of subjects in his work, from an examination of relationships in Company to obsession in Passion, to gun culture in Assassins But two shows seem a bit more autobiographical, Merrily We Roll Along, which incorporates elements of his own life, and Sunday in the Park with George, which examines the role of the artist, both as creator and promoter. Because of the large cast and the giant canvas of the show itself, pun intended, Stephen Sondheim and James Lapine's Sunday in the Park is usually presented in large venues. Now Shotgun Players has taken on the Pulitzer Prize winning musical in the moreintimate confines of the Ashby Stage in Berkeley, running through January 31st, 2026. Musically, lyrically, in most ways, Sunday in the Park is sui generis. Act One focuses in on the creation by Geroge Seurat of his room sized masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, while Act Two takes place a century later as another George, his great-grandson attempts to get funding for his own art exhibit. Critics, money, getting it right, painting the perfect hat. The songs themselves serve as musical counterparts to the pointillist art George Seurat is creating on stage. The late Steven Sondheim: (actuality) As with all Sondheim musicals, lyrical precision takes as much precedence as singing voice and acting. This particular show also requires harmonies that blend together into something gorgeous and almost unearthly. Here, the Shotgun production succeeds beautifully. It also succeeds with Kevin Singer in the lead role, who fully embodies both Georges with an almost innate sense of what the creators had intended. He is complemented by Mara Sotelo, whose voice enhances Sondheim's most exquisite music. The intimacy is a different matter. A relatively small space is made smaller by putting audience members on both sides of the set, and when the entire cast is performing at once, it all feels cluttered and chaotic, actors seemingly tripping over one another. The duets, with the stage now empty, feel static. But the glorious music, the brilliant lyrics, the harmonies, the actors in the leading roles, and of course, the play's focus on art and artists, make this Sunday in the Park with George well worth visiting. Sunday in the Park with George plays at Shotgun Players Ashby Stage through January 31, 2026. For more information, you can go to shotgunplayers.org. I'm Richard Wolinsky on Bay Area theatre for KPFA The post Review: “Sunday in the Park with George” at Shotgun Players Ashby Stage appeared first on KPFA.

Whenever you're on social media, you get bombarded with memes. A lot of them can be quite annoying. While others like to pose questions and make you think. So lately we've been gathering some questions related to our beloved genre and are taking this opportunity to share our thoughts. Makes for great conversation. Be sure to play along too. In our "News, Views and Tunes",  we discuss the (in)famous "WKRP in Cincinnati" Turkey Drop episode. And Sharon Osbourne's creative response to Roger Waters. Musically, we crank Bad Brains, SNFU, Bitch, Coffins, Untimely Demise, Brainfever, Overture and go into the vaults for Montreal bashers Lankhmar in our "Indie Spotlight". Horns Up!   

The Bull Pups are reviewing part one of Second Stain on Sherlock & Co., Watson and his Literary Agent probably don't meet, and colorful phrases from one of Watson's earlier cases can serve as fandom titles.

Justin Timberlake BioSnap a weekly updated Biography.Justin Timberlake has been in the spotlight recently following developments related to his ex-girlfriend Britney Spears and Kevin Federline's controversial memoir. According to multiple entertainment outlets including RadarOnline, Timberlake has come to Spears' defense after Federline made serious accusations against her in his book "You Thought You Knew." Sources close to the NSYNC alum reveal he views Federline's revelations as despicable, particularly given that Spears is currently at a vulnerable point in her life. An insider told RadarOnline that Timberlake "thinks it's despicable that Kevin's hitting her with all these terrible insults and sleazy revelations about their time together while she's at low ebb." The report indicates Timberlake still maintains a soft spot for Spears despite not being especially close these days, with sources claiming "seeing her suffer makes him sad." This sentiment comes as Federline's memoir has dredged up details about Spears' personal life, including allegations about her parenting and a controversial phone call she made to Timberlake the night before her wedding to Federline.On the professional front, Timberlake continues his entertainment ventures. He recently performed "Mirrors" live at the T-Mobile Arena in Las Vegas as part of his concert tour, and he's set to headline the 2025 Lollapalooza South American festivals alongside Olivia Rodrigo and Tool.In business news, Timberlake took a significant financial hit when he sold his hometown Mirimichi Golf Course in Memphis for just five hundred thousand dollars. The course, which he purchased with an investment group in 2007 for eight hundred eighty thousand dollars, required approximately sixteen million dollars in renovations to make it environmentally friendly and aesthetically superior. The course had been recognized by Golfweek as one of the best courses you can play in both 2013 and 2014, but ultimately failed to generate the return on investment Timberlake had anticipated.Musically, 2024 saw the release of his album "Everything I Thought It Was," which featured the single "Selfish" and marked a collaboration with his former NSYNC bandmates and producer Timbaland. The album demonstrated his continued relevance in the music industry nearly two decades into his solo career. His estimated net worth currently stands at one hundred seventy-five million dollars, making him significantly wealthier than his former bandmates.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

It's Black Friday! Around here we're really not to concerned about the whole rigamorole. Standing in line at 6am with a bunch of normies for a cheap toaster just isn't our idea of a good time. But Record Store Day is in on it. That's where we come in. It's tradition here at RAM that every RSD and RSD: Black Friday that we go over the list of special releases and share our Most Wanted list. Which records are you picking up? In our "News, Views and Tunes", we discuss the amazing "Good Boy" flick and Lemmy's appearance in the Ozzy "Last Rites" bio tome. Musically, we crank some Paradox, Ratos de Porao, Sarcofago, Bestial Mockery, Solicitor, Wick Leather, Overthrow and we introduce New Jersey hardcore bashers Anticitizen in our "Indie Spotlight". Horns Up!

John Connor is pissed! Now more than ever the use of A.I. is prevalent in today's society. And it's reared it's ugly head into Metaldom! This episode we do a deep dive in to in the whole situation and try to differentiate the real and the not-so-real. In our “News, Views and Tunes”, we discuss our recent trip to a Punk Rock Flea Market and new Megadeth tune. Musically, we... The post Radioactive Metal 858: John Connor Is Angry!!! appeared first on Shining Wizards Network.

John Connor is pissed! Now more than ever the use of A.I. is prevalent in today's society. And it's reared it's ugly head into Metaldom! This episode we do a deep dive in to in the whole situation and try to differentiate the real and the not-so-real. In our "News, Views and Tunes", we discuss our recent trip to a Punk Rock Flea Market and new Megadeth tune. Musically, we crank some Blood Feast, Deranged, Warrant (Ger), SA Slayer, Archaic Thorn, Frostshock and we introduce Tx' Spell Breaker in our "Indie Spotlight". Horns Up!!

We've all seen those "Spirit of Halloween" costume memes. Where the creators take a current event or public figure making headlines and create a mock costume. One of the most recent really hit close to home: The Record Collector. Along with a stereotypical picture, there are 5 points that traditionally make up a serious record collector. And some of these had us saying "Hey! That's us!" So if confession is good for the soul then we feel amazing this week. How many of these fit you? In our "News, Views and Tunes", we acknowledge "Godzilla Day" and discuss the new Megadeth "cover". Musically, we crank some Courtney Gaines ("Children Of The Corn" '84), Overdrive, Evil Survives, Oxygen Destroyer,  Predator, Traitor, Jim Jones And The Kool Aide Kids and we introduce Mexico's Nocturnal Dogs in our "Indie Spotlight". Horns Up!!

With every pop culture fandom, there are two kinds. You have the casual fan. and you have the "connoisseur". A connoisseur is defined as a person with expert knowledge and appreciation for a subject. And Metaldom has their share. As well, every more established band has these two "types" of fans. So this week we're choosing artists and which efforts from their discography Joe and Jane Average would choose. And which records the more discerning fans would choose i.e. The "Black" album or..."Kill 'Em All". You get the idea. In our "News. Views and Tunes", we discuss the Geezer bio tome and the Springsteen bio flick. Musically, we crank some new and used from Inhuman Condition, King Witch, Dead Heat, Insult, Black Lace and we introduce Indiana's Ice Howl in our "Indie Spotlight". Horns Up! 

Justin Timberlake BioSnap a weekly updated Biography.Justin Timberlake is making headlines again for business, family, music, and some fresh public intrigue. In one of the biggest developments, Timberlake and restaurateur Sam Fox jointly announced last week that The Twelve Thirty Club, their ambitious music-and-dining concept, will open a sprawling, multi-level location in downtown Austin by late 2027. Timberlake expressed excitement over restoring the historic building and crafting a live music space with Texas flavor, emphasizing how he intends to blend design and acoustics for a unique guest experience, a move that could position him as a major cultural player in Austin's evolving nightlife, as reported by Community Impact Austin.On social media, Timberlake and wife Jessica Biel have kept their marriage in the public eye, trading playful, loving messages that continue to endear them to fans. AOL featured their latest moment—a lighthearted compliment from Timberlake about Biel's curves, signaling ongoing harmony and media-driven interest in their celebrity romance.Financially, Timberlake retains impressive status. Multiple outlets, including JHU Innovations and Celebrity Net Worth, peg his net worth at somewhere between $250 million and $350 million thanks to a diversified portfolio spanning music, acting, investments, clothing lines, and restaurant ventures. However, he did reportedly take a substantial loss last week selling his Memphis golf course for just $500,000 after investing $16 million in eco-friendly renovations—an eye-catching business letdown with short-term sting but negligible long-term impact given his overall wealth and continued business successes, according to GolfWRX.Musically, Timberlake's influence remains as strong as ever. While no new music drop occurred this week, American Songwriter revisited his legendary 2015 CMA Awards duet with Chris Stapleton, underscoring his permanent stamp on genre-blending performances. Clips featuring “SexyBack” with Timbaland surfaced on TikTok and YouTube just days ago, continuing his run as a soundtrack staple among Gen Z and Millennial fans. Additionally, speculation is swirling about his next major entertainment move, with IMDb noting Timberlake's rumored appearance slated for a future Saturday Night Live, though official dates are not yet confirmed.Timberlake's reputation also remains subject to scrutiny, with Smart.dhgate and other outlets recapping legacy controversies that periodically resurface online. For now, the dominant narrative is about expansion—of his culinary empire, his happy home life, and his undimmed influence in music and entertainment. If this week's news is any indication, Justin Timberlake's icon status is not only secure but still growing.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Peso Pluma BioSnap a weekly updated Biography.Peso Pluma has continued his streak as one of the most watched and talked-about figures in music this fall, and this past week alone has delivered both spectacle and substance to his growing legend. LAist reports that earlier this week Peso Pluma performed two completely sold-out nights at the YouTube Theater in Inglewood, drawing fans from all over Southern California, including first-timers and die-hards equally thrilled to see the Jalisco-born star up close. The event was a celebration of the crossover appeal of his corridos tumbados and cemented his status as a generational talent whose sound speaks to both tradition and youth culture. Fans interviewed outside suggested the concerts were a source of cultural pride and a clear sign that regional Mexican music has fully erupted into the American mainstream, with Peso described as the new icon representing the Latino experience at the highest levels.On the business side, AOL details how Peso Pluma's upward trajectory continues to impact the industry, with what's being called the “Peso Pluma Effect.” Executives and analysts now point to him as a primary force behind the explosion of regional Mexican music outside its historical audience. The acknowledgment from Variety and music trade publications this week underscores how his influence is causing, as a major headline put it, “the biggest shakeup of Latin genre marketing in decades.”Socially, Peso Pluma dominated L.A. headlines this weekend for a different reason—a playful, community-powered lookalike contest at Echo Park Lake, as covered by LAist's Brian de los Santos. The contest drew around one hundred participants and was a trending moment across local social media, further cementing Peso's current cultural dominance in the city. One winner told reporters she felt “Peso enough” to represent all fans, reflecting the deep community bond the singer inspires.Musically, Peso Pluma ended the week with the surprise release of a new single called Gervonta, named after boxer Gervonta Davis. According to Rolling Stone and IMDB News, the track dropped Thursday evening, marking Peso's first new song since his album Exodo. On Instagram, even Gervonta Davis himself amplified the release by sharing its cover art to his story. Lyrically, the song keeps with Peso's luxury themes, boasting about private jets and shiny watches—a nod to his now-global celebrity status.Though Peso did not win a headline award at last week's Latin Grammy Awards—Bad Bunny took home the top trophies according to the Associated Press—his omnipresence at key events keeps speculation high about future collaborations and possible award sweeps in 2026. There are no major confirmed controversies or scandals at this time. Unconfirmed posts continue to swirl about his love life, particularly regarding his previous breakup with Nicki Nicole, but no new explosive revelations have surfaced in official media the past few days.In all, Peso Pluma remains not just a top musical act but a bona fide cultural mover, blending pop stardom with community roots and shaping Latin music's new trajectory as the year races toward its close.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber has kept headlines buzzing with a series of major career, business, and personal milestones over the past several days, each potentially pivotal for his long-term narrative. The biggest headline came from the business world as Justin's wife, Hailey Bieber, officially became a billionaire after elf Beauty agreed to acquire her skincare brand Rhode for a staggering one billion dollars. According to AOL Entertainment, Justin took to Instagram to celebrate Hailey, posting heartfelt photos of the two embracing and sharing a congratulatory message. The news was amplified by Hailey's own Vogue cover, where she dismissed persistent rumors about marriage troubles, emphasizing how strong and real their relationship is behind closed doors. This follows last weekend's buzzworthy moment when Justin surprised everyone with an unannounced performance alongside SZA at Kendrick Lamar's Grand National Tour in LA. Hailey, ever the supportive spouse, shared multiple Instagram clips of Justin serenading on stage and affectionately kissing SZA's hand, calling the artists her two favorites.On the business side, there's also been chatter about Justin's newest venture, the streetwear label SKYLRK, launched in July. India Today covered how Hailey has played an active role in design, with Justin maintaining full creative control and working alongside longtime collaborator Neima Khaila. Hailey, in a recent GQ interview, called the process “incredible and amazing,” noting that creative synergy is at the heart of their work—and their marriage. She also shared glimpses of their routine balancing family life with new parenthood, as the Biebers remain fiercely protective of their fifteen-month-old son Jack while navigating the realities of the public eye.Musically, Bieber made waves on November 13 with a livestream performance of “Purpose” featuring We The Band, as reported by numerous fan accounts and YouTube clips. While headlines haven't pointed to any brand-new releases, his continued presence onstage and participation in buzzy music nights—like the recent Justin Bieber Night in New York—show his enduring draw. There's also significant buzz ahead of a tribute concert to his catalog slated for November 22 in LA, reinforcing his impact on pop culture.On social, Justin has been trending for his show of support for Hailey, with followers praising his heartfelt messages for her business triumph. As for rumors, speculation about new music remains high but unconfirmed; none of the major outlets have reported definitive news on a Bieber album drop or tour plans. All told, the past week has been a blend of billion-dollar deals, intimate stage moments, and a united power couple publicly at ease with balancing fame, fashion, family, and future plans.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius The Dark Days Of Yesterday - Projekt Gemineye - the new album by our own Mark Anthony K! Mark says: "This is the 10th studio album! Wow…if you would have told me that id release 10 albums..I'm not sure if I would believe it.This is a rather personal album for me….lyrically speaking. Its talks about some of the darker times in my life….i dont get too specific about things..not only because they are difficult memories…but also so that they can be relatable other people as well.Musically and production wise.. I'm very pleased with it and i hope you enjoy it as well." https://projektgemineye.bandcamp.com/album/the-dark-days-of-yesterday From a tiny idea I had about Jon Anderson's use of instruments live with Yes, Mark and I managed to bang on for ages again this week. Hopefully, you will find the discussion as interesting as we did, particularly as I noticed some definite links between the band's sonic changes over the decades, Jon's development as a musician and the instruments he used. In order to create some kind of helpful structure to the conversation, I managed to find the earliest examples of each kind of instrument Jon uses live in the photos on the amazing Forgotten Yesterdays website and I have embedded them into the show notes here - do take a look at those and add a comment if you can think of any other Yeskit Jon used live with the band - or add a comment even if you can't. What are all the instruments Jon used live with Yes? When did he start playing tuned instruments? What can we glean about the band amd about Jon from his choice of instruments? See if you agree with us and then leave a comment below. All images from the wonderful Forgotten Yesterdays website: Screen capture from video 1969 Wiesbaden DE - Tambourine Screen capture from video11/23/1969 Le Kremlin-Bicêtre FR - Tambourine with skin 11/26/1969 Basel CHBenito De Juan Dolio - Claves 1971 Photo by Michael Putland - Dewtron Mr Bassman pedals Jill Furmanovsky 1971 - Cowbell 07/31/1971 London UK. Geoffrey Mason - Maracas 02/14/1974 Uniondale NYPhoto by RDZK - The ‘bus stop' percussion kit for Ritual 02/10/1974 Columbia SC - Benito De Juan Dolio - Acoustic guitar 05/10/1975 London UK Sound ChaserDaniel Potvin - Flute (or is it a piccolo?) 05/17/1975 Stoke UK Photo by Dick Barnatt - Electric guitar 06/18/1976 Boston MA Photo by Barry Rogoff - Large harp 08/20/1977 Buffalo NY Steve Wehner - 10-string Cuatro 06/18/1984 Berlin DE Thomas Holland-Cunz - Small keyboard 03/04/1996 San Luis Obispo CALaurel Renz - Small harp 03/03/1998 Bournemouth UKCengiz Varlik - Newer version of the ‘bus stop' 09/18/1999 San Pedro CR Carlos Chacón Cambronero - Keyboard 12/01/1999 Pittsburgh PABrian King - Percussion 'sticks' 08/18/2001 Atlanta GARick Glover -Martin Backpacker modified MIDI controller https://youtu.be/nx_GIji9EGw?si=7zsLEiDq0YiD6Puc Barry Plummer 2026 Calendar is now available! ORDER HERE YMP Listener discount code - KVKBKC8Z Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer. Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world's greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you'll agree that Barry Plummer is, indeed, the Master of Images! (A flat shipping fee will be added at checkout depending on your location.) ORDER HERE Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark ...

The fountain of youth could very well be located in a mandolin, or a fiddle. At least for Sam Bush, playing the mandolin, along with the occasional fiddle, seems to give him an energy level that many people several decades his junior would envy. There is a lot to be said for playing music, whatever the instrument, and its benefits for well being. Cognitively and psychologically, there is a lot of data that affirms we can benefit greatly from playing music, even from simply actively listening to music. A lot of this boils down to a fundamental truth that learning is the catalyst for positive change and growth, and we can all continue learning and picking up new skills throughout our lives. Sam Bush, like so many career music artists, embodies that spirit, and serves as a great example of the heights we can achieve when we devote our lives to reaching towards our full capabilities. Musically, Sam Bush draws from a wide spectrum of styles, ranging from bluegrass to newgrass (which he helped establish and define as a sub-genre with his former group New Grass Revival), to rock and blues with his former project Duck Butter, to having been in both Leon Russell and Emmylou Harris' bands, among many other projects. His stories are just as lively. From recounting his times with Earl Scruggs and Bill Monroe to his observations about young stars like Sierra Hull and Billy Strings, to his many performances at Green Acres Music Hall, Sam Bush has many a tale to tell. We get to all of that, and get a glimpse at what he has in store in the near future as well, in a spirited conversation from backstage at the 2025 Earl Scruggs Music Festival. Of course, there is much music to highlight in this episode too, including excerpts from Sam's solo catalog, as well as the festival's namesake. Sam Bush performs at the Earl Scruggs Music Festival, August 29, 2025 (photo: Eli Johnson) Songs heard in this episode:“Stingray” by Sam Bush, from Glamour & Grits“Brown's Ferry Blues” by Tony Trischka, from Earl Jam, excerpt“Big Mon” by Sam Bush, from Late As Usual, excerpt“Foggy Mountain Special” by Flatt & Scruggs, excerpt“Circles Around Me” by Sam Bush, from Circles Around MeWe are glad you are here! Could you can help spread awareness of what we are doing? It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now on Substack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick

Happy Halloween! Oct.31st is one of our fave daze of the year. So we want to do something special to celebrate All Hallow's Eve. 80s zombie flick "Return of The Living Dead" is the ultimate in entertainment. Lots blood, boobs and one helluva soundtrack! So this time out, we're going to take a page from those YouTube "10 Things..." type shows. And do our own audio treatment. Just when you thought you might have known everything about this cult classic, we're going to give you some info and trivia that will make you go "Wow! More Brains!!" Musically, we crank some Impetigo, Cauldron, Slasher Dave, Koffin Kats, Send More Paramedics (of course), VHS, Vincent Crowley, The Skirts, Split Dogs (well yeah) and Dracula. Horns Up and Send More Cops! 

"Our childhood is literally dying on us." Its an expression we've said all too often. Unfortunately, we have to say it again. We recently lost the great "Space" Ace Frehley of the legendary KISS. We've never hid our fandom so the news hit us pretty hard. So this time out we're talking all things Ace. All our Frehley faves, the highs and lows and the influence the Acer had on music in general. In our "News, Views and Tunes", we discuss the MTV shutdown (??) and The Fangoria Chainsaw Awards. Musically, we crank some DKs, Sigh, Faithful Breath, Zig Zags, Verdalack, Speedslut, Blades Of Steel and we introduce (again) Canadian horror rockers The Bloody Hell in our "Indie Spotlight".  Horns Up!!

Hola Mix(ed)tape listeners! Today we'll be listening to Bruca Maniguá, interpreted by Ibrahim Ferrer with Buena Vista Social Club. In Bruca Maniguá, Cuban composer Arsenio Rodríguez writes about the existential need of a black man for his freedom. We'll contextualize the song with the help of two incredible guests: Mel Semé, the artist who interprets Ibrahim Ferrer in the Buena Vista Social Club musical on Broadway, and professor David García, who has done extensive research on Arsenio.In Bruca Maniguá, Arsenio brilliantly uses the common practice of stereotyping black characters to flip the script and, instead, present a dignified black character proud of his ancestry, aware of his exploitation, and who demands his freedom. Musically, the song is characteristic of Arsenio's afro-cubanos, with an initial tango-congo section followed by a montuno, which Arsenio is the creator of. Were we listening?   We hope this track helps to add value to your listening and awareness in your dancing!Find all of our Were You Listening? episodes here.For more info and resources check our website  here and our YouTube channel here.Contact us at: themixedtapepodcast@gmail.comIf you like the music we use check our playlists here.Host/Director: Andrés Hincapié, PhDProducer/Sound Editor: Andrés Hincapié, PhDTranslation: Andrés Hincapié, PhD, Carlos Javier FélixVoice-over: Gerald Harrison 

Happy Bday to...us!! Hard to believe that a mere 17(!) years ago, RAM was just two guys goofing off talking about what we know best. OK, so not much as changed. But we wouldn't want it any other way. So to celebrate we figured we'd goof off some more. Forbes (!!) recently released their Top 30 Rock Artists Of All Time. We went over the list and scratched the outfits that didn't make the cut for us. And replaced them with the artists that would. C'mon, a list without Bathory = zero cred. In our "News, Views and Tunes", we talk some fave horror flicks and the imminent demise of Monroeville Mall (of "Dawn of the Dead '78" fame). Musically, we crank some Deceased, Castle Rat, Creatures and we introduce Japan's Kamikaze Suicide Attack in our "Indie Spotlight". Horns Up and have a drink for us.

https://michelleannowens.com/BioLos Angeles/Las Vegas artist Michelle Ann Owens releases her latest single, “Enough”, a funk-rock anthem of empowerment and self-worth. Released on October 16 to coincide with Purple Thursday for Domestic Violence Awareness Month, the song anchors her forthcoming EP of the same name and leads into her full-length album, Chapter Vegas, due later this year.“Enough” is about reclaiming personal power and breaking free from toxic situations. Musically, it fuses funk, rock, soul, and pop, with gritty guitar riffs, bold horns, and a retro-modern groove that highlights Owens' soulful, defiant vocals. The track was produced with Michael “Fish” Herring and features a powerhouse lineup of live musicians, while Owens handled her own vocal production.Her music blends influences from Earth, Wind & Fire, Kool & the Gang, Prince, and The Jacksons, creating a sound she describes as “funky.” The Enough music video, directed by Kenneth Williams, mirrors the song's journey from tension and pain to empowerment and release.Owens continues to perform live in both LA and Vegas, sharing her empowering message with fans of funk-rock, soulful pop, and bold female vocalists.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Text usA salty, claustrophobic ride set against the open water: this story leans into the ocean's ability to feel both endless and intimately threatening. Woundlicker's piece unspools as a series of escalating discoveries—small, uncanny details that accumulate until the sea itself starts to feel like an active, knowing presence. Expect tight pacing, sudden jolts, and an atmosphere that turns wide horizons into something dangerously narrow.Elle Green's debut narration gives the episode a clear, confident center; her delivery keeps the tension taut and the imagery immediate without overplaying the shock. Musically, the episode is underscored by original work that leans into low textures and slow-building swells, so listen for how the score punctuates the moments that matter.Credits:  Narration by Elle Green. Produced and edited by Spring Heeled Jack (Anthony Landis)  Production support from Mickie Eberz.Story by Woundlicker. Original music by Empress, with additional contributions from Ivan Khilko (Drugs of Faith).Closing track: The Devil Made Me Do It by Empress.Support the showDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43

Bad Bunny, known to his fans as Benito Antonio Martínez Ocasio, is at the center of a national conversation after being announced as the headliner for the 2026 Super Bowl halftime show, set to take place on February 8, 2026, at Levi's Stadium in Santa Clara, California. The NFL, in partnership with Apple Music, made the announcement in late September, setting the stage for what promises to be an explosive, globally watched performance. In his statement released by the NFL, Bad Bunny dedicated the honor to his community, his culture, and the legacy of those who paved the road for Latin artists, saying what he's experiencing “transcends my individual journey” and highlighting the broader impact for Puerto Rican and Latin American communities.Online and in mainstream outlets, the news immediately set off a firestorm of debate. Some critics, especially among right-wing media and political commentators, have reacted negatively to Bad Bunny's selection as Super Bowl headliner. The criticisms have focused on his use of Spanish in his music—with some arguing that a Super Bowl show in anything but English is un-American—as well as his outspoken criticism of certain U.S. administrations, particularly Donald Trump's. Outlets like The Benny Show and commentators such as Corey Lewandowski and Kristi Noem described Bad Bunny's performance as “shameful,” and Turning Point USA has announced a rival “All-American Halftime Show” as a form of protest. Meanwhile, a petition is circulating, mostly among country music fans, to replace Bad Bunny with George Strait—though it's not being taken seriously in music circles and is considered highly unlikely.Bad Bunny's fans and supporters are rallying behind him on social media, with many emphasizing that Puerto Rico is a U.S. territory and praising the way his music brings Latin culture to the global stage. For defenders, his selections as headliner is not just deserved, but overdue. Jay-Z, who is involved with NFL halftime show curation, stated he feels “privileged” to have Bad Bunny on “the largest platform in the world,” calling his achievements major for Puerto Rico and Latin music in general.Adding to the drama, Bad Bunny's decision not to perform tour dates in the United States this year has also garnered attention. According to USA Today, he made this choice to protect his largely Latin fanbase, expressing concern that Immigration and Customs Enforcement (ICE) activities at concerts could harm his fans. Rumors have even circulated online that ICE will be present at the Super Bowl, though media sources suggest these are little more than conspiracy talk designed to stoke controversy.Musically, Bad Bunny continues to dominate. His sixth studio album, “DeBÍ TiRAR MáS FOToS,” released earlier this year, is being hailed as one of 2025's best pop releases. With 17 tracks blending traditional Puerto Rican genres like plena and salsa with modern reggaeton and Latin pop, critics are celebrating the album's powerful nostalgia and social commentary. The song “DtMF” has hit over a billion streams on Spotify and spawned a viral TikTok trend centered on nostalgia and regret, with users posting cherished photos to the track's chorus. His recent performances in Puerto Rico have generated major economic boosts for the island, and his influence runs so deep that universities such as Emory and Yale have launched courses centered on his cultural impact.With only a few months left in 2025, Bad Bunny is more than a pop star—he is an evolving, influential force in music and culture. Listeners are connecting not just to his beats, but to his vision and message, and his reach has never been greater.Thank you for tuning in. Come back next week for more. This has been a Quiet Please production, and for more, check out QuietPlease dot AI.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Last episode we focused on the anniversary of the infamous P.M.R.C. Senate hearings. The Parents Music Resource Centre was a pro censorship organization and they had their own hit list - The Filthy 15. Songs that they decided were a no no for everyone else. The week we thought "Hey, I wonder what other songs post hearings that would've made Tipper Gore's list?" So we got our grey matter moving and came up with our own Filthier 15. Like some classics from Cannibal Corpse, Gwar and that WAP song. In our "News, Views and Tunes", we have a political discussion inspired by Living Color appearing on Jimmy Kimmel. Musically, we crank some Exhumed, Hellion, Agent Steel, The Crucifucks, Abominator, Axewitch, Evil Sinner, Blizzen and we introduce Columbia's Tyrants in our "Indie Spotlight". Horns Up!!

Believe it or not, it's been 40 years since the P.M.R.C. senate hearings. For the young 'ens, The Parent's Music Resource Center was an organization of Senator's wives that were all about censoring music they didn't like. The Senate hearings were a momentous occasion when Frank Zappa, Dee Snider and John Denver (!) stepped up for Freedom Of Speech. Recently it was the anniversary of this dark day for democracy. So we decided to do a deep dive into the hearings. As well, we go over ringleader Tipper Gore's "Filthy 15". A list of "controversial" songs that got Tipper in a tizzy. This is probably our most politically charged episode yet. In our "News, Views and Tunes", we acknowledge the anniversary of the loss of the late, great Cliff Burton. Musically, we crank some Impaler (one of Tipsy's faves), Piledriver, Black Death, Tipper's Gore, Victim and we introduce (Canada's answer to The Mentors??) Powerload in our "Indie Spotlight". Horns Up!!  

This summer was the 50th anniversary of a simple fishing movie that scared the Beejeesuz out of the nation. Steve Spielberg's "Jaws" was a groundbreaking film for a variety of reasons. To commemorate this momentous Bday, the flick hit the theatres and we had the best seats in the house. So this time out, we decided to have a "Geek Fix" discussion topic. We go over how we first discovered this classic, our theatre experience and, of course, the iconic theme music. In our "News, Views and Tunes", we attended a screening and QandA of the Harley Flanagan (Cro Mags) documentary "Wired For Chaos". Musically, we crank Desaster, Unholy Grave, Acheron, Diabolic, Squalus, Savage Death, the aforementioned Mr. Flanagan and we introduce Winnipeg rocker Omens in our "Indie Spotlight". Horns Up!!   

Text usTonight's episode drifts in on a slow, steady wind: The Haunted Trailer, a lean, precise story by Robert Arthur that refuses to do anything flashy. It's not about rattling chains or sudden shrieks so much as the patient, corrosive way a place can keep score. The trailer in this tale collects the small offenses of living—old arguments, unpaid debts, the way neighbors glance away—and over time those tiny things accrete into something that behaves like memory and then like malice. The horror here is domestic and stubborn; it sneaks through the floorboards and lingers in the pattern of a cracked windowpane. Listen close and the ordinary noises start to sound like evidence.I read it tonight with the kind of low, tired attention the story asks for: not because it needs to be shouted at you, but because the pressure works better that way. The story finds its power in accumulation—details piled on details until the house (or trailer, in this case) becomes not merely setting but actor. It's a reminder that the places we live in are not neutral, that architecture keeps grudges, and that sometimes what haunts you is simply what you left unfinished.Musically, this episode is underpinned by the new sound of the run: Empress, who signed on at the end of the summer and have already shaped the way these nights feel. Their compositions here are spare where they need to be spare, and insistent where the story tightens its grip. Producer Mickie Eberz is responsible for patching all of this together—booking, editing, and turning my chaos into something that sounds like a finished show. If you enjoyed tonight's mood, tip your hat to Mickie and to Empress; they're the reason this series sounds like anything at all.A reminder: the Halloween special is running every night at midnight for the month—at least thirty-one episodes. We're also running a raffle; the winner will be drawn from the email list of premium subscribers. If you want your name in the hat, sign up for premium and make sure your subscription registered correctly (and if you're having trouble on Spotify, check the sign-up email for alternate listening instructions).Credits for tonight: produced by Mickie Eberz; narrated by Spring Heeled Jack (Anthony Landis); story by Robert Arthur; all original music written and performed by Empress. Closing track for this episode is If I Were Dead by Empress.Thanks for listening. Turn the lights down, give the track a listen, and we'll meet back here tomorrow at midnight for the next story. Stay spooky.Support the showDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43

Bad Bunny—Benito Antonio Martínez Ocasio—is once again at the epicenter of music and pop culture headlines as his name electrifies both the music world and social media feeds this week. The big news: Bad Bunny is officially set to headline the Apple Music Super Bowl LX Halftime Show in Santa Clara, California, on February 8, 2026. Social platforms erupted after his announcement, with TikTok and Instagram instantly trending with clips from his new halftime promo, where he stands atop a football goal post, vibing to his own tracks. Press outlets explain that Bad Bunny has dedicated the upcoming performance not just to himself, but to his people, declaring, “This is for my people, my culture, and our history—let your abuela know, we will be the Halftime Show of the Super Bowl.”The choice of Bad Bunny, acclaimed for breaking language barriers and championing Latin and queer identity, sparked intense debate on platforms like X and YouTube. According to nss sports and The Shade Room, the artist's selection is seen by many as a cultural milestone for the Latin community, given that he'll likely perform in Spanish and infuse the show with Puerto Rican and broader Latino culture. However, conservative pundits and figures tied to the Trump campaign have publicly criticized the move, labeling Bad Bunny a political lightning rod due to his outspoken stances on immigration and social justice. MAGA-aligned voices like Corey Lewandowski and others described the NFL's decision as a “middle finger to MAGA,” emphasizing how contentious polarization remains around visible Latino public figures.Bad Bunny himself has recently chosen not to bring his current tour to the U.S., citing ongoing worries about harsh immigration enforcement under current federal policy. On TikTok, he explained that he and his team opted out of a stateside tour because of fears about potential ICE raids, directly referencing increased immigration actions targeting event venues. These issues intersect sharply with the news that ICE has just revealed plans for a substantial presence at the 2026 Super Bowl, which will heighten scrutiny and concern regarding how immigration policy plays out at high-profile cultural events.Musically, fans are still catching waves from his newly released album “Debí Tirar Más Fotos.” Dropped at the start of this year, the album blends reggaeton, electronic dance, and genres deeply rooted in Puerto Rican tradition. It's his most introspective record to date, exploring themes like nostalgia, community, and Puerto Rico's complex relationship with the U.S. Singles like “El Clúb” and “Pitorro de Coco” have generated millions of streams, with “DTMF” topping Billboard's Global 200 chart. Rolling Stone, Billboard, and Variety have all celebrated the project for its raw emotional power, cultural honesty, and inventive sound—a personal and political letter to the island and diaspora Bad Bunny loves.His massive San Juan residency wrapped up last month and drew half a million attendees, with the local economic impact estimated at $700 million. This summer's shows featured surprise appearances from global sports and music figures, reinforcing Bad Bunny's cross-cultural clout. His world tour is kicking off in Latin America, Europe, and Asia, with no current plans to revisit the U.S.—a move widely interpreted as both personal protection and pointed commentary.He's also racking up film and ad credits, including a comic cameo in Adam Sandler's “Happy Gilmore 2,” while his “Most Wanted Tour” ranked among the year's highest-grossing music events—over $210 million in receipts. For now, all eyes are turning toward the Super Bowl, where Bad Bunny's halftime show is already being called a defining moment for Latino music in American pop culture.Thank you for tuning in. Be sure to come back next week for more—this has been a Quiet Please production. For more, check out QuietPlease.AI.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Due to technical difficulties and schedules, we ended up taking an unforeseen sabbatical. But we're back!! Veteran RAMmers know that cohost Aaron is a killer musician. And his weapon of choice is the bass. So he's been gnawing at the bit to do an episode "all about the bass!" Our Rush correspondent Mr. Mark Buell is also pretty handy with said instrument. So we figured it's a good time to geek out, yacking about the four strings. We go over our discovery of the bass, our signatures and some of our fave bassists. In our "News, Views and Tunes", we discuss Kelly Osbourne and pro wrassler Beck Lynch buttin' heads and remember the short lived "That 80s Show" sitcom. Musically, we crank new and used from The Rods, Tank, Nuclear Assault, Violator, Sacramentum, Social Unrest, Liege Lord and introduce New Jersey bangers Condition Critical  in or "Indie Spotlight". Horns Up!  *Apologies for the sound of Snowy and Mark's voice. It was the result of the aforementioned technical difficulties. 

This week on the New Music Business podcast, Ari sits down with Tersha Willis, Co-founder and CEO of terrible*, a UK-based merch company known for its artist-first approach. With a background in private equity, financial services, and fashion, Tersha brings a fresh and progressive perspective to the merch game. She's been recognized on the AIM Altpower100 Music List and has spoken at events like BBC Introducing, SXSW, and AIM, as well as being featured in outlets including BBC, C4, Wallpaper Magazine, Vox, and MusicAlly for her innovative work in the music merch industry.Tersha and Ari discuss the challenges artists face in turning fan support into income—especially in an era dominated by streaming and large conglomerates taking cuts from merch sales. Tersha explains how terrible*'s unique approach, including a merch operating system, helps artists create sustainable income through high-quality, data-informed campaigns. The conversation also covers the nuances of live versus online sales, the power of pre-orders, and innovative direct-to-fan strategies that can turn merch into a vital piece of an artist's long-term success.https://www.instagram.com/terriblegrphttps://www.instagram.com/tersha_willis/03:40 – Introduction: Ari welcomes Tersha Willis.05:41 – The Digital Landscape: Streaming and social media metrics.09:11 – Terrible Merch: Tersha's company and approach to merch.13:41 – Merchandising Operations: How merch companies work.18:41 – Revenue Models: Ways artists profit from merch.23:41 – Tips and Merch Sellers: The tipping debate at merch tables.28:41 – Online and Live Operations: Blending online and live sales.33:41 – Pre-order Campaigns: Why pre-orders help artists.38:41 – Creative Merchandising: Engaging fans through merch.43:41 – Marketing Strategies: Selling artist merchandise.48:41 – Genre Differences: How genre impacts merch sales.53:41 – Final Thoughts: Tersha's view of success.58:41 – Closing Remarks: Ari wraps up the episode.Edited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.