Podcasts about musically

This week's Blues is the Truth is packed with soul, grit and powerful music from across the blues spectrum, hosted as always by Ian McHugh. There's a heartfelt tribute to the legendary Joe Louis Walker, who features heavily in the show, and Ian also brings news about two outstanding new blues films you won't want to miss. Musically, it's a journey through classics and new favourites, including the raw emotion of John Primer and the powerful collaboration between Kenny Wayne Shepherd and Bobby Rush. Katie Bradley and Chris Corcoran light up the speakers with their distinctive style, and we've got searing guitar work from the likes of Eric Clapton, Popa Chubby, Matt Schofield, Robin Bibi, Sean Chambers, and Eric Johansen. The iconic sounds of Muddy Waters, T-Bone Walker, Charlie Musselwhite, and the Vaughan Brothers sit comfortably alongside the soulful voices of Janiva Magness, Kyla Brox, Lou Pride, and Ally Venable. There's also music from Darcy Perry, Jordan Officer, and a brilliant track from Joe Louis Walker that reminds us just how much he's shaped the modern blues landscape. Don't miss this emotional, exciting and expertly curated episode. As always, like, follow, share, subscribe, and leave a review—it all helps spread the blues even further!

Whew!   We had a lot going on this week. And while most of it was outside the realm of Metal, we decided we still wanted to go over it. Considering Geekworld is good neighbors with Metaldom.   Simply enough, we're talking all our adventures with Free Comic Book Day, May The 4th (Be With You) and the 8th of May (International Motorhead Day). As well, we tackle the announcement from Propaghandi regarding their cancelled US dates for 2025.   Musically, we crank Cancer, Cirith Ungol, the aforementioned Prop., Jaguar, Fleshcrawl, Hexella, The Bloody Hell and we introduce Chile's Witchhunter in our "Indie Spotlight".   Horns up!

Musically inclined and well-known for spinning records and having a myriad of other talents, Daniel "DJ" Hargrove emphatically joins the podcast. He shares unique Biblical insight and thoughtfully expresses the immeasurable love he feels from his son and daughter. SUBSCRIBE, SHARE, COMMENT, LIKEIf you're interested in being a guest on For Fathers Podcast, email elliottquintonllc@gmail.com DJ HargroveFacebook: Daniel Hargrove & Doc JunyaInstagram: @docjunya & @djcp_llcYouTubehttps://youtu.be/En8G5v-mMyQSpotifyhttps://open.spotify.com/show/4O8uydPbNRnjlx9uhWXbPjApplehttps://podcasts.apple.com/us/podcast/for-fathers/id1514726925Elliott Quinton L.L.C“Passionately eloQuint”Facebook: Elliott QuintonInstagram: elliottquinton_TikTok: elliottquinton_YouTube: PassionatelyeloQuint#daughterdad #sondad #imperative #Bible #love #forfatherspodcast #eloQuint #podcast #fatherhood #baseball #menempowerment #proudfather #interview #Jesus #musician #pianist #minister

This show is more bat cave than conclave, more dope than Pope. Critics say Ruck 'n Roll is all the rage and they are right. Ken has been raging with ZZ Top and George Thorogood. Kev's raging about football commentary like patrons at a Tina Arena show and the jury is still deciding if Stephen J Peak was the victim or cause of four road rage incidents in one kilometre last Friday night as he scurried to his radio gig. Musically, it is another Peak inspired choice with U2 coming under the RnR microscope. One man's Bono is another man's Bonox as they say. Kevin Hillier, Stephen J Peak, Ken Francis Mark Fine (absent-had a better offer) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

When RAM was an interview show, we on occasion extended that to the "Indie Spotlight". Whenever an indie band impressed us above and beyond, we liked giving them a moment in the Hot Seat as well.   So since Aaron is going to be sharing a stage with symphonic metal band Eden On Fire this summer, we figured we'd do just that. We're stoked to speak to vocalist Amy Gould and introduce them to our listeners. Give them a listen.   In our "News, Views and Tunes", we discuss the Pope's playlist and review the new Alice Cooper (Band) reunion track.   Musically, we crank D.O.A., (Algy Ward's) Tank, Pentagram (Chile), Frantic Amber, The Anti-Queens and Witchspell.   Horns up!

It has come to the attention of the show's producers that certain members of the Ruck 'n Roll ensemble are NOT on drugs. How this was able to occur is the subject of an internal investigation and the findings will be made public - forthwith (whatever that means). As for the actual program, Finey is off this week but is basking in the glory of his best week in the tipping. Ken has been to the Gilbert O'Sullivan show and loved it. Stephen J is ingesting hemp oil gummies which clearly are not performance enhancing and gives his two bobs' worth on clash jumpers and other things. Musically, Kev relives his 3XY days with a chart from May 6th 1983 which is equal parts funk, junk, pop and slop. Kevin Hillier, Stephen J Peak, Ken Francis. Absent Mark Fine (gloating) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Musically there's a celebration of Boaldyn, the Maytide. William Gell's poem, Mannin Veg Veen, brings a focus on Maughold man, Sir Mark Cubbon, and his connection with Mysore in India. The Manx thread brings a translation into Manx of part of a fairy tale from the Brothers Grimm.

We are a soldier down as we wrap up the Anzac weekend of sport. In true St. Kilda style, Finey has been subbed out and Ken Francis joins Kev and Stephen J. Timely, as Ken was front row at The Shrine during the dawn service and gives some very interesting insights and observations into what happened during the ceremony. Some robust discussion follows about the protests, the protagonists and the whole Anzac Day commemorations. But wait, there's more with AFL, RSL, EPL and the usual helpings of OMG and FFS! Musically, it is a homegrown menu with the best and worst of Aussie Crawl/James Reyne sliced and diced. There will be a few bones to pick over afterwards. Kevin Hillier, Stephen J Peak, Ken Francis. Out Mark Fine (managed) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

In today's entry into the all:ambient GROW series, Kirk Smith (We Dream Of Eden) digs into being prolific, how we can advance it in our life, and what to look out for along the way. This is both an encouragement and a challenge for every creative out there – you don't want to miss this!Got any questions you want answered in an upcoming episode? Email us at podcast@all-ambient.com.The all:ambient podcast is a part of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠all-ambient.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ family – the best site to license ambient/cinematic music for your next film, video, or creative project. The⁠⁠⁠⁠⁠⁠⁠ all:ambient Discord server⁠⁠⁠⁠⁠⁠⁠ is now live! Come join the community & conversation with a bunch of like-minded artists & creators. ⁠⁠⁠⁠⁠⁠⁠Join us here⁠⁠⁠⁠⁠⁠⁠ – you'll need to create a Discord account if you've never done so – and welcome to the all:ambient family!the all:ambient podcast is an inside look at the incredible artists in ambient music, digging into creative processes, hearing untold stories, and following the rabbit trail to wherever that conversation may lead.Don't forget to leave a review and text a friend or fellow musician about the podcast. We really appreciate it!

Today more than ever touring is getting tougher and tougher on a lot of artists. Especially financially.   Pop artist Kate Nash has a huge following and her tour was packing 'em in. But she returned home in the red (!). But a couple bare behind pics on OnlyFans and that was that. So that got us thinking about the whole OF thingy and if it's a viable option for artists. What does it take to make it as a musician in today's economy? Have we returned to the days of Mozart when musicians and artists relied on wealthy patron for support?   In our "News, Views and Tunes", we talk Metal artists playing WrestleMania. Musically, we crank new Cadaver, Bikini Kill, Wolf (80s), Inepsy, Witch Vomit, Jivebomb, Demona, Revenge (Chile) and we introduce Mexico's Skeletorn  (love that moniker) in our "Indie Spotlight".   Horns Up!

Send us a textFrankie and Kelly Maxwell stop by the show to discuss how the band came together, their father and his love of music, their new EP, Red Shelter, sobriety, and more. *****Shurr Jr is a family power trio that consists of a guitarist/vocalist, Nick Maxwell,  Drums, Frankie Maxwell, and Kelly Maxwell on bass. The siblings' father, Frank Maxwell, was an Omaha music legend who played guitar in the band Fifth of May in the ‘80s and ‘90s. No doubt, the apples didn't fall far from the tree. They're a band made up of two brothers and a sister from Sioux Falls.  Their father was a well-known musician in Omaha, but he died a few years ago.  Since they were a very musical family, the kids decided to do a band as a tribute to their dad...  The name "Shurr Jr." is a takeoff on one of their dad's favorite sayings, "Sure, Junior" as a replacement for "Yep, okay."The name of the EP is also a nod to their father, too... He wanted to name a band or album "Red Shelter," but he passed away before he could make that happen, so the kids in Shurr Jr. decided to name that album as another tribute to him.Musically, they take elements of Pixies, Elliott Smith, Husker Du, Avett Brothers, the Replacements, and Title Fight.  This is the new single/video, "Ink": https://youtu.be/u1-p5WtdQ9o?si=lEal3FveTCWIiMcz*******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

Simone Simons is the lead singer for symphonic metal group, Epica, that just released their 9th studio album, Aspiral. The album title is derived from the eponymous bronze sculpture made by Polish sculptor and painter Stanisław Szukalski back in 1965. It stands for renewal and inspiration – keywords that define Epica in 2025. In Szukalski's work every detail is a piece of art on its own and there's always more to the story than you initially think. The band saw this as the perfect analogy for the creation of this album: each song stands on its own with a distinctive vibe and meaning, while together they enforce each other into a monumental effort. At the same time this symbolizes EPICA's group dynamic throughout this process: they have encouraged, inspired, and challenged each other repeatedly. Determined to achieve something that is greater than the sum of its parts, they left no stone unturned in their search for perfection. If it's up to creative people to push boundaries, then this sextet sure did just that. When the band was preparing to write a new album, they kept this in mind: to create, you must destroy. As mentioned earlier, this meant destroying the individual ego and create as a unity. You'll hear that this made the album even more personal and to the point. More alive and adventurous. But it also made EPICA destroy old underlying patterns to re-invent themselves and to create a bold new era for symphonic metal in general. The band felt the immense urge to focus on what really matters: emotions and melodies. In all capacities. As the new album is all about focus, the band asked contemporary sculptor Hedi Xandt (Rammstein, Ghost, Parkway Drive) to set all this into a stunning visual representation. It's a bold statement and a homage all in one. If the number 9 represents divinity, perfection, and spiritual growth, then this album is the modern interpretation of just that. Musically, lyrically, and visually. Breathe in, breathe out, 2025 belongs to EPICA.

In an episode oozing with the goodness of a glass and a half of fresh, full cream bulldust and more pertinent than any political press conference, Ruck 'n Roll again exaggerates its own importance. As the last morsels of Easter eggs and hot cross buns pass their lips, Kev, Finey and Stephen J regale all with their thoughts and views on a wide range of world topics. God knows what tripe fills the other 72 minutes of this 73 minute show! Musically, is it a magical trip to May of 1968 to visit the good, the bad and the ugly of a pop packed 3UZ Top 40 chart. Buckle up. Kevin Hillier, Mark Fine, Stephen J Peak Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Dr. Neta Kligler-Vilenchik and Dr. Ioana Literat share research from their new book Not Your Parent's Politics: Understanding Young People's Political Expression on Social Media.We discuss how young people use social media such as TikTok, Instagram, and YouTube to experiment with their political identity, even if they are too young to vote.  Examples from the 2016 US election, Black Lives Matter protests, and climate anxiety help illustrate the various ways that youth express their political opinions across social media platforms. We also discuss how to approach these expressions from a democratic and citizenship perspective. Dr. Kligler-Vilenchik is Associate Professor of Communication and Journalism at the Hebrew University of Jerusalem.Dr. Literat is an Associate Professor in the Communication, Media and Learning Technologies Design program at Teachers College, Columbia University.

The mid 80s were an interesting time for Canadian legends Rush.   Like so many of their contemporaries of the time, the trio seemingly openly embraced the era by developing a very "80s" look and sound. That was never more evident than their '85 album "Power Windows". The decisive album is 40 years young.   So as is tradition, we've chosen this album for our 40th Anniversary Deep Dive series. Since we're talking Rush, we once again got our "Rush Guy", Mr. Mark Buell on the horn to help dissect this record. We go track-by-track and discuss everything Rush in that era. What's your 411 on "Power Windows"?   In our "News, Views and Tunes", we share our Record Store Day haul and acknowledge Rex Manning Day.   Musically, we crank some Scowl, D.I., Sledgehammer, Shed The Skin, Krossfyre and introduce T.O. crossover thrashers The Slime in our "Indie Spotlight".   Horns Up!

InstagramSpotify BioDare to make a difference, be a leader in the crowd.” These words, lyrics from Lynn Houston's latest musical release, serve as a poetic call to action—an invitation to step forward with courage and create meaningful change. Though each person is a thread in the broader tapestry of society, it is often easy to forget the power and responsibility of the individual to uplift others and foster unity. Throughout history, society has seen cycles of oppression and privilege, progress and regression. In what Houston refers to as her “final frontier,” she is now using music as a platform to amplify unheard voices, promote social consciousness, and inspire compassion and courage in everyday life.For Houston, courage has been the throughline of her life. Raised by a family that instilled a strong sense of self, she quickly learned that success required both education and dedication. Even with a solid foundation, she knew she was different—an outlier who would need to carve her own path rather than conform to societal expectations. Leaving her hometown, she set out across the United States as a one-woman show, forging connections, expanding her creative expression, and discovering new artistic directions.Eventually settling in Santa Monica, she transitioned into still photography, capturing iconic figures such as Mick Jagger and Diana Ross. From there, she made an unconventional leap into aviation, defying industry norms to become a successful airline captain in a male-dominated field. After retiring, she founded A Different Point of View in 2011—a nonprofit dedicated to empowering youth within the juvenile justice system to believe in themselves and take control of their futures.In 2017, Houston embarked on yet another creative chapter, this time in music. She began performing at venues like SoHo in Santa Barbara, CA, and her artistic evolution accelerated through training at Berklee College of Music and the discovery of Digital Audio Workstations (DAWs). These tools became her creative laboratory, allowing her to experiment freely with sound, much like a scientist mixing and discovering new elements.Throughout all of these experiences, it was bravery and commitment that allowed her to realize her dreams, while compassion and empathy fueled her desire to uplift others. Now, music has become the vessel through which she shares this mission with the world. In Leader in the Crowd, Houston sings:“Time is ticking, life is moving fast,Who knows but today…Just might be your lastIs this the way you want it,Is this how it's gonna be?Gotta find the courageTo create the dreams that you see”These lyrics are powerfully underscored by the soulful echo of Diana Purim (daughter of Flora Purim), whose background vocals repeatedly urge, “You gotta wake up.” The song challenges listeners to reflect: Are they truly making their moments count? Or simply drifting in complacency? With time being finite, the message is clear—there is no waiting to become the person you were meant to be, or to step into your purpose.Layered with background chants and crowd sounds, the track sonically mirrors chaos, while spoken-word interludes cut through with precision and emotional clarity. Musically, it blends hip-hop, R&B, jazz, and orchestral elements, creating a spacious yet intense listening experience. These creative decisions were elevated by the mix of renowned LA producer and sound engineer Lynne Earls, and mastering by Jett Galindo. Houston also reflects on the joy of recording at the world-famous Village Studios in Los Angeles with an all-female production crew—a rare feat in the male-dominated music industry.For Houston, the culmination of these efforts—working with aligned, socially conscious collaborators and creating with courageous intention—made Leader in the Crowd a powerful artistic and personal milestone.But her journey doesn't end there. Houston believes that everyone has the potential to make a difference. Each of us faces a choice: remain complacent, or point our hearts toward our dreams, stand for unity and justice, and be unafraid to lead.Stay connected with Lynn Houston on social media for updates on her upcoming track, Get Up, slated for release this summer.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Steve and Stuart look at Spotify's response to Kate Nash's latest comments about streaming royalties, and discuss the news that Warner Music is in the final stages of testing its superfan app, with heavy involvement from Ed Sheeran.Send in your questions for Stuart and Steve on thepriceofmusicpodcast@gmail.comFollow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodSupport The Price of Music on Patreon:https://www.patreon.com/ThePriceofMusicFor sponsorship, email - joe@musically.comThe Price of Music is a Music Ally production:https://musically.com

There was a time when "physical product" was flying off the shelves.   There were some points when labels and stores couldn't keep up with demand.Through it all though there were some albums that should have sold by the bucket load. But they somehow fell short.   This week we go over some of these "can't miss" albums. That did. "Cold Lake" anyone? "Chinese Democracy". How about Crue's self titled album? Great albums that never got a fair shake?   In our "News, Views and Tunes", we discuss some past musical advancements and some geek talk. Musically, we crank some Conflict, -(16)-, Hobbs Angel of Death, Frightmare, Damien Throne, Hell Poison and we introduce Greek metallers Ringlorn in our "Indie Spotlight".   Horns Up!

HuDost's upcoming album, The Monkey in the Crown, is set for release in 2025. Their past albums have earned critical acclaim, reaching #4 on the Canadian National Folk/Roots Chart, #9 on the US Folk Radio Charts, and #24 on the Billboard Folk/Americana Sales Chart. They've also won an Independent Music Award for Social Action Song and received two Best of Nashville awards in 2020.  Whether performing as a duo or with a full band, HuDost brings in guest musicians from diverse backgrounds, often incorporating dance into their shows. Their instrumentation includes vocals, harmonium (Indian pump organ), live looping and beats, NORD keys, guitars, Dulcinet, percussion, and an array of ambient sonic effects. Musically, they bridge worlds—blending pop and rock with traditional Sufi influences, Eastern European folk traditions (Bulgarian, Croatian, Macedonian, and Balkan), and the rich sounds of Farsi, Turkish, and Arabic music. HuDost Website: https://www.hudost.com/     Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Steve and Stuart find out why AI music startup Suno is in hot water again, and discuss the news that South African artists have doubled their Spotify payouts over the last three years.Send in your questions for Stuart and Steve on thepriceofmusicpodcast@gmail.comFollow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodSupport The Price of Music on Patreon:https://www.patreon.com/ThePriceofMusicFor sponsorship, email - joe@musically.comThe Price of Music is a Music Ally production:https://musically.com

We would LOVE to hear what you think. Please drop a line. Celebrating Jazz Month & Music MilestonesIn this special bonus episode, we dive into the vibrant world of Jazz as we celebrate April, known for its rich history and cultural significance in the genre. Join us as we explore the roots of Jazz, its evolution, and the influences who have shaped its landscape.But that's not all! We also take a look back at some of the biggest attendance records in music shows, concerts, and tours. Discover which iconic performances drew in the largest crowds and what made those moments unforgettable.Plus, don't miss the debut of Donovan Clarke and Chainless's new track, "Breaking the Chains." We'll discuss the inspiration behind the song and what it means for the artists moving forward.Tune in for a jam-packed episode celebrating the magic of music, the power of live performances, and an exciting new release that you won't want to miss!Support the show

We've all seen the memes.   Pics of a dozen deceased artists with the caption "You can only bring one back for one more show". Unfortunately, Metaldom has lost their share of artists. And I know we'd all love to see them play their trade one more time. Lemmy? Ramones? Maybe RJD?   This episode we share our list of encore performances. In our "News, Views and Tunes", we talk the appropriate Juno winners and some Geddy Lee talk.   Musically, we crank some Necrophagia, The Great Kat, VHS, Nite, Maul, Antagonizor, Allies and we introduce hardcore bashers Fast Response in our "Indie Spotlight".   Horns Up!!!

Reuploading our episodes on David Cronenberg movies that were posted earlier Ashley and The Vern are joined by Daniel Lackey of Musically Ignorant to talk about the body horror masterpiece, Videodrome, Starring Debbie Harry and James Woods

Aaron is an accomplished musician. He's gifted on a number of instruments and frequently educates us with his Gear Talk. As for Snowy...not so much. He's never so much as owned an instrument. But that's not to say he doesn't appreciate a good axe.   Especially if it's a signature instrument played live by a fave artist. For instance, Micheal Schenker's Flying V. Or one of Lemmy's basses. How about one of the guitars Mantas used to record their classic debut? So this week Aaron has a laundry list of these special instruments to quiz Snowy on how much he'd pay to have these awesome artifacts hanging on the RAM office walls.   Musically, we crank some new and used from Haemorrhage, Slaughter (Can), Spazz, Massacra, Medieval Steel, Iron Curtain, Armoured Angel, Stainless and introduce Quebec bashers Vortex in our "Indie Spotlight".   This is the Ibanez Gem owned by Steve Tai that sparked this topic.   Horns up!! 

Ep. 166: Music Ally's Head of Insight, Stuart Dredge joins Joe Sparrow to discuss two of the most meaningful topics relating to music streaming today: the value of music on DSPs; and the big DSPs' upcoming superfan plans.This podcast connects to Music Ally's latest Insight Report called the State of Streaming in 2025 (https://musically.com/category/reports). In this podcast we discuss:The value of music on DSPs – not just the ongoing subscription price rises, but the ad-supported tiers, and the increasingly loud grumbles around them.The big DSPs' superfan plans – superfans need to be super-served: so will the streaming platforms give fans and artists what they really, really want?

On March 24, 2025, Daniel Hernandez, better known as Tekashi 6ix9ine, marked a significant milestone in his tumultuous career: he is officially off house arrest. The controversial Brooklyn rapper celebrated by cutting off his ankle monitor, a moment captured in a video snippet shared across social media platforms like X, where fans and detractors alike buzzed with anticipation. This development follows a rollercoaster of legal battles that have defined much of his public life since his 2018 arrest on federal racketeering and firearms charges tied to the Nine Trey Gangsta Bloods. After testifying against gang members in 2019, earning a reduced two-year sentence and the infamous “snitch” label, 6ix9ine was released early in April 2020 due to COVID-19 concerns, serving the remainder under home confinement. His latest stint on house arrest stemmed from probation violations in 2024—failed drug tests and unauthorized travel—resulting in a 45-day jail term, followed by 30 days of house incarceration, 30 days of home detention, and 30 days of home curfew, all completed by early 2025.Now free from the ankle monitor's constraints, 6ix9ine wasted no time signaling his return to music. Posts on X, including one from @JayyjaeOnHots23, show him previewing a new track, its bass-heavy beat and signature aggressive delivery hinting at a continuation of the sound that propelled hits like “Gummo” and “Fefe” to chart-topping status. The snippet, paired with visuals of him severing the monitor, underscores his flair for provocation—a trait that's kept him relevant despite years of legal and personal chaos. His last major release, “Blackballed” in 2024, featured collaborations with Kodak Black and others, but this upcoming drop promises a fresh chapter, unburdened by physical restrictions.6ix9ine's career has been a paradox: a meteoric rise fueled by rainbow hair, viral antics, and raw energy, juxtaposed against a backdrop of violence, betrayal, and incarceration. His 2018 debut album, “Dummy Boy,” hit number two on the Billboard 200 despite dropping days after his arrest, while 2020's “TattleTales,” recorded post-release, leaned into his polarizing persona. Critics often pan his substance-light lyrics, but his commercial pull—evidenced by “Trollz” with Nicki Minaj hitting number one—remains undeniable. This latest freedom comes after a March 13, 2025, raid on his Florida home, where feds seized guns and drugs, though he avoided new charges. Posts on X from outlets like @FulLCircLAfrica hailed the end of his house arrest as a “major celebration,” reflecting a fanbase eager for his next move.Musically, 6ix9ine's return could reignite his trap-punk hybrid, a style that's influenced a wave of SoundCloud-era rappers. The snippet suggests he's doubling down on bombast—think pounding 808s and shouted hooks—potentially targeting the rage-rap audience he helped shape. Yet, his offstage life looms large: feuds with peers like Lil Durk, legal woes in the Dominican Republic for battery and domestic violence, and a persona that thrives on controversy. As he teased on Instagram in 2020, “Picture the noise I'm gonna make when I'm outside,” this moment feels like that prophecy fulfilled. Whether this new music, expected soon, reclaims his throne as the “King of New York” or merely stokes more chaos, 6ix9ine's knack for staying in the spotlight—ankle monitor or not—ensures all eyes are on him.

“Bully,” the eleventh studio album by Kanye West, now known as Ye, marks a striking return to solo artistry for the controversial rapper and producer. Released on March 18, 2025, and officially uploaded to YouTube on March 21, 2025, this project arrives amid a whirlwind of personal and public turmoil, reflecting both Ye's creative evolution and his unapologetic defiance. The album's title draws inspiration from a personal anecdote involving his son, Saint West, who reportedly kicked another child for being “weak,” a story Ye shared with a mix of amusement and pride in a February 2025 interview with Justin LaBoy. This incident, paired with thematic nods to Larry Clark's 2001 film “Bully”—a tale of teens exacting revenge on an abusive peer—frames the album as a symbolic break from external control, notably Ye's tumultuous history with Adidas, whom he casts as his own metaphorical tormentor.Musically, “Bully” diverges from the collaborative chaos of Ye's recent “Vultures” series with Ty Dolla $ign, embracing a self-produced, introspective soundscape that critics have hailed as his strongest in over a decade. The album blends the soulful patience of his early work, like “The College Dropout,” with the experimental warmth of singles such as “Only One” (2014) and “FourFiveSeconds” (2015). Tracks like “Preacher Man” and “Beauty and the Beast,” previewed in September 2024 at a China listening event, showcase lush samples—from The Supremes' “You Can't Hurry Love” to Cortex's “Huit Octobre 1971”—chopped with a meticulous hand, evoking a nostalgic yet forward-thinking vibe. GQ praised its “rich, warm, even optimistic” tone, a stark contrast to Ye's public persona, suggesting a retreat from the internet's noise into a cloistered creative space.Yet, “Bully” is unmistakably a work in progress. Released initially as a 45-minute short film directed by Ye and edited by Hype Williams, it features Saint battling Japanese wrestlers with a plastic mallet—a surreal visual that mirrors the album's raw, unfinished state. Ye himself admitted on X that it's “not finished and half the vocals AI,” a choice that divides listeners. The AI-generated vocals, often mimicking his “808s & Heartbreak” style, serve as texture rather than substance, occasionally jarring against the otherwise masterful beats. Three versions—“Screening,” “Post Hype,” and “Post Post Hype”—circulated online, with the YouTube release, “BULLY V1,” trimming the tracklist to nine songs, notably dropping “Melrose” featuring Playboi Carti and Ty Dolla $ign amid reported feuds.The album's rollout was overshadowed by Ye's latest social media spiral, rife with antisemitic rants, swastika imagery, and attacks on peers like Jay-Z, Beyoncé, and Kendrick Lamar. An alternative cover featuring a red swastika underscored his provocative stance, aligning with previews like “World War 3,” where he doubles down on his polarizing views. This chaos contrasts sharply with the music's calm, almost serene quality—tracks that narrate betrayal and resilience with a soothing undercurrent, as one X user noted, calling it “the complete opposite of what its title suggests.”Despite the controversy, “Bully” has garnered acclaim for its production, with some fans and critics dubbing it a return to form, even in its rough state. Its unconventional release—bypassing streaming platforms for X and YouTube—reflects Ye's disdain for industry norms, as he decried “fake streams” and “French and Jewish record labels.” Whether it evolves into a polished final product or remains a snapshot of Ye's turbulent 2025, “Bully” stands as a testament to his enduring genius and unrelenting defiance, a paradox of beauty and unrest at the heart of his legacy.

Send us a textOn this week's episode, we take a listen to another Listener's Pick: Thin Lizzy's sixth studio album, Jailbreak from 1976. It took some time, but by the time they recorded Jailbreak, Thin Lizzy's had figured out their formula and Jailbreak became their breakout LP. Showcasing the tuneful songs of Phil Lynott and the expert twin guitar interplay of Scott Gorman and Brian Robertson, the album is the ultimate combination or power and melody.Lyrically,  Lynott tapped into mythos of both Irish folklore and the American west to create his own version of story songs written by the likes of Bruce Springsteen and Van Morrison. Musically, Jailbreak is an absolute blast to listen to, providing future inspiration for both punk bands and bands of the New Wave of British Heavy Metal.  Visit us at www.tappingvinyl.com.

"This is the first spoken piece I've done for Cities and Memory. I found listening to the bells at the Peter and Paul Fortress in St Petersburg made me think back to when I'd lived there in the mid-90s. It was a life changing time for me as a sheltered 22 year old student discovering the city during a time of massive economic and social upheaval.  "This piece is recounting the events of a single night where despondency turned into joy in the space of an hour. As I say in the piece, I have loved Russia for 30 years, but I don't know if I'll ever go back there now. It's changed too much. "Musically, I wanted the simplicity and warmth of bells to be met with simple, warm electronic sounds to make something wistful and slightly sad. But there's joy in there too. Same as my memories of the place." River Neva, St. Petersburg reimagined by Dermot Fitzsimons.  ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

"My wife and I traveled to Seville on my honeymoon and saw Flamenco. I even created field recordings of Flamenco while there. But I never did anything with the recording, though I've thought about it quite often. When it showed up on the list of possible sounds to remix for Sonic Heritage, it felt like that sound chose me. "Musically my goal was to keep the essence of the original piece intact while using a more traditional LoFi song structure. But rather than modernize the tune and strip away the history in the art form, I tried used atmospherics and subtle instrumentation to enhance the otherworldliness of the live sound captured by Stuart in the original recording." La Carboneria, Seville reimagined by Josh Silverman. IMAGE: Benjamín Núñez González, CC BY-SA 4.0 , via Wikimedia Commons ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Big feelings for big rooms with the Club Heart Broken founder. Club Heart Broken is perhaps a misnomer. The party and label, founded in Cologne by MALUGI, may take its name from one of life's tougher emotions, but the vibe is all about unfettered, unadulterated joy. It's a state of mind its founder fully embodies—he's called himself the "happiest man in dance music." (We tried fact-checking this, but watching him perform seems proof enough.) Club Heart Broken's motto is simple: a party should be fun. A "party for lovers, loners and losers," the crew also made up of ferrari rot, SURF 2 GLORY and fellow maximalist Marlon Hoffstadt, represent the sound of young Berlin in the 2020s, notorious as they are beloved. Since relocating from Cologne, the party has snapped the German's capital infamously serious techno stereotype with its anything-goes, unpretentious music policy. It's made him and Hoffstadt especially in-demand worldwide—queues used to extend out of the door of Watergate and across Oberbaumbrücke. Musically, MALUGI is the most eclectic in the crew. His metaphorical record bag carries a lot of label material, from zingy Eurodance to upbeat pumpers, but also plenty of steppy, tuff UK bass music. Releases from Main Phase and Interplanetary Criminal, the likes of dubplate label ec2a, and even the odd Big Ang record pepper his sets, much of which you'll hear here. MALUGI's RA Podcast is a window into the more house-y side of his sound. From bubbling garage to chunky chords, RA.981 is a testament to MALUGI's belief: the best parties should leave you grinning, not crying. @malugienergy Find the tracklist and interview at ra.co/podcast/981.

Rock n Roll has no rulz.   But I'm sure when we're consuming our fave artists, we all have our own guidelines. Especially when it comes to the all important vinyl. I know when we're digging in the shops we have our own "do's and don'ts". Where's our shopping preferences? What about pic discs and coloured vinyl? And what about Walmart? So this week we do a deep dive into our favourite pastime of digging through the record bins.   In our "News, Views and Tunes", we celebrate Thin Lizzy Day and share the fun of our recent golf trip (!). Musically, we crank new and used from Primordial, Savage Master, The Hanson Bros., Jawless, Teaser Sweet, Genocidal Rites, Phantom and introduce India's Sacrifix in our "Indie Spotlight".   Horns Up!!

Episode 228: "Lagos 2 Crazy"In this episode of Submarine and A Roach, Nigeria's funniest podcast and Nigeria's #1 comedy podcast, hosts Tmt and Koj are joined by the exceptionally talented Ua.x—a singer, songwriter, performer, dancer, producer, director, filmmaker, and one of Nigeria's top location scouts.The episode kicks off with a discussion on mental health, framed as a transactional process where individuals accumulate "mental health points" on good days to utilize during challenging times.Koj presents his "Premise of the Week," asserting that religion is inherently transactional and expressing fatigue over the pretense that it isn't. This leads to a conversation about how many perceive God's existence through answered prayers or explicit denials, noting that the silence accompanying unanswered prayers can challenge one's faith. Koj humorously mentions wishing he had witnessed King Belshazzar's feast, where a divine hand appeared, as such an event would have solidified his faith unequivocally.The discussion naturally transitions to the scorching Lagos heat, humorously likened to hell. Tmt shares an anecdote about narrowly avoiding an accident, only to realize he had swerved to miss a Rolls Royce, prompting immediate regret.The hosts then delve into a captivating conversation with the recently married Ua.x, who recently released a video for his single "Lagos2Crazy." Ua.x recounts how the song came to him during a serene walk in Abuja amidst the pandemic, contrasting with Lagos's typical chaos. He also directed Burna Boy's latest music video for "Update," leading to a discussion about his journey in the Nigerian music industry.Koj and Ua.x reminisce about their university days, recalling their early music collaborations. Koj fondly remembers providing Ua.x with a pirated version of Final Cut Pro just before Ua.x ventured into video production—a journey that has now led him to direct a video for Koj's personal G.O.A.T.Ua.x candidly discusses his directorial journey, acknowledging the on-the-job learning curve and the humble beginnings of his initial productions. Musically, he credits Styl-Plus for inspiring his desire to create music and P-Square's "Game Over" album for fueling his passion for dynamic performances.Tmt shares his experience attending a St. Patrick's Day celebration in Lagos, sparking a conversation about the similarities between the Nigerian, Irish, and Ivorian flags. This leads to a humorous debate about alcohol preferences, with Koj revealing his aversion to BIPOC (Black, Indigenous, and People of Color) liquors in favor of white liquors, prompting Tmt to quip, "He don't want no D.E.I. in his D.U.I."The trio explores what differentiates those who achieve significant success from equally talented peers, referencing Anthony Mackie's recent discussion about the pivotal role of being "hand-selected" in an artist's breakthrough.Koj reflects on the humbling experience of his best joke falling flat for the first time, and Ua.x concludes the episode by listing famous music videos he has directed for renowned artists.Tune in to this episode filled with insightful discussions, personal anecdotes, and the signature humor that defines Submarine and A Roach. Don't forget to check out Ua.x's latest album, "Love and Hustle": https://open.spotify.com/album/28UnTAsmLHRV708ogPuL4D

Footy finally gets a proper start and the boys have plenty to say about suspensions, media beat ups, the pitiful performances of Port and the Blues and the abyss facing Saints supporters. Stephen J Peak is struggling to find a footy winner but maybe he'll find a four legged beast of burden to salute the judge. The unique Lenny's Fine Foods Footy Tipping comp gets into full swings and roundabouts, claiming its first casualty. Musically, it is a deep dive into The Rolling Stones to uncover the best and worst of Mick and Keef. Kevin Hillier, Mark Fine, Stephen J Peak Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Welcome to #2 of our 40th Anniversary Deep Dive Album Spotlight. Last time we focused on Motley Crue's "Theatre of Pain", an album that epitomized 'Hair Metal'. This time we're going to the opposite end of the spectrum.   NY thrashers Anthrax' second effort "Spreading The Disease" was an important album. Not just for the band, but the Metal underground in general. Along with some of their Big 4 brethren's key releases, the album introduced a more mainstream audience to the  awesomeness that is Thrash Metal. It's also an old fave of ours that still gets turntable time. Was this your fave 'Thrax album?   In our "News, Views and Tunes", we go over the "Metal Massacre..." and "Sisters With Transistor" documentaries. Musically, we crank Sacrifice, C.O.C., Bitch, Living Death, S.S. Decontrol, Lady Beast, 7 Year Bitch, Direct Action, November's Grief and introduce Toronto's Villian in our "Indie Spotlight.   Horns Up!!

Let the games begin and they shall, as Kev, Finey and Stephen J roll out their thoughts on the AFL season opening, the first round of real AFL action, the mighty Melbourne Storm's insane first game plus darts, racing, squid wrestling and India's cricket win. One of those topics is not included? Bugger the Indians! Musically, we dial into the 4BC Top 40 chart from April 9th 1969 and it isn't all hippie beads, caftans and pot smoking pop. From the Are you there Tommy file there's Tommy James, Tommy Roe and Tommy Rot as well as some tomless classics. Kevin Hillier, Mark Fine, Stephen J Peak Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

The countdown's on!!   Record Store Day is generally a big f'n deal around the RAM offices. April 12 is when it all goes down and the first step is the release of the RSD Special Albums list. Another tradition is going over the list on the air. We scroll the list and make our picks for what we hope to find on The Big Day. So go to www.recordstoreday.com, find the list and join us.   As well, we discuss the "Only Girl in the Orchestra" documentary. Musically, we crank some Terrorizer, Omen, Christian Mistress, Chemicide, Traveler, Morbidity, Tomar Control and we introduce India's Air Raid Silence.   Horns up!

Send us your thoughts! An oft-repeated Chinese proverb states, “A journey of a thousand miles begins with a single step.” Looking back from a vantage point several steps along her own proverbial journey, British composer and pianist Claire Cope came to discover that no matter how daunting a venture may become, it's always taking that first step that requires the most courage. That realization provided the inspiration behind Every Journey, the gorgeous second album by Cope's Ensemble C.Every Journey will be released on March 7, 2025, to coincide with International Women's Day on March 8. The occasion is significant given the fount of inspiration that Cope found in the stories of intrepid women pioneers who undertook their own daring journeys. The books of writer and explorer Jacki Hill-Murphy were key resources – specifically Adventuresses, a compendium of stories of 18th and 19th-century female explorers, and The Extraordinary Tale of Kate Marsden, about a Victorian nurse who trekked across pre-Revolutionary Russia to find a possible cure for leprosy. Musically, the groundbreaking compositions of Maria Schneider provided a luminous north star for Cope's own writing.Arriving five years after Ensemble C's acclaimed debut, Small World, Cope's follow-up represents significant evolutions in both the composer's life and her musical vision. Where Small World offered Cope's introductory statement as a composer, a path she arrived at onlygradually, Every Journey is a remarkably assured expansion of that mindset. Significantly, Ensemble C has bloomed from a septet to an 11-piece group, allowing for a wealth of new colors and possibilities, of which Cope takes bold and vibrant advantage. The intricate music she's devised for the ensemble reflects her existence in both the jazz and contemporary classical music realms. Closer to home, Cope became a mother in the interval between albums, a development that can't help but deepen one's insight and empathy.Support the show

It is more off Broadway than an Oscar extravaganza as Kev, Finey and Stephen J Peak slip into the opening round of the AFL with their thoughts and selections. After a controversial inaugural season, Lenny's Fine Foods Footy Tipping returns. Musically this week it is sporting songs of varying persuasions that come under the watchful eye, critical tongue and tone deaf ears of the Ruck 'n Rollers. All this and less can be expected in this episode. Program's availability subject to natural disasters like bad hair days, over boiled cabbage and the odd cyclone. T's & C's apply. Kevin Hillier, Mark Fine, Stephen J Peak Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Every year the nominees for the Rock n Roll Hall of Fame always seem to raise eyebrows and get tongues wagging. Over the last couple years, the controversy generally is about what exactly constitutes inclusion. Semantics aside, we enjoy getting "The List" and this year we're taking a cue from "High Infidelity" and making our Top 5 list of choices. Who you got?   In our "News, Views and Tunes", we hit up the "Capt. Comics Expo" and go over the viral Taylor Swift fan divorce video. Musically, we crank some Blitzkrieg, Budgie, The Exploited, Razor, Sadistic Intent, Mean Mistreated, On Fire and introduce trad metallers Dragonrider in our "Indie Spotlight".   If you are curious about the "Whamola" Aaron mentioned, you can view it here.   Horns Up!

Announcing Season Six of Parenting Musically! Parenting Musically is supported by Case Western Reserve University. The podcast is hosted by Dr. Lisa Huisman Koops, professor of music education at Case Western Reserve University.

It's that time again. Our little longtime listeners know what the Juno Awards (Canada's answer to the Grammies) mean to us. At least the Metal category, being two time judges ourselves. So we're stoked for this year's nominees. Especially since four out of five are Radioactive Metal alum. So in the spirit of the Junos, we go over the list and "cast our vote" over the air. You'll find making a pick to be a Herculean task too.   In our "News, Views and Tunes", we go over the "Back To The Beginning" final Ozzy gig and announce the Manitoba Metalfest. Musically, we crank Deceased, Anciients, Striker, Warpig, Steel Inferno, Pupil Slicer, Drop Off Point, Malefaction and introduce Finland's Steel Machine in our "Indie Spotlight".   Horns Up!

What's up Bros? In this episode of The Traitors, we find out who was killed in the church. As the group comes together for breakfast, theories start to fly. Sam finally enters the game and his approach is very intelligent and a bit of a surprise coming from someone who has been mostly silent throughout the show. Although he loses us a bit when he goes back to the coffin theory. In our favorite mission yet, Sandoval proves his worth when he has to sing lullabies backwards. While the rest of the cast gave him crap about it, at the end of the day they would not have won that challenge without Tom. Against all odds it appears that Sandoval has made somewhat of a comeback with his appearance on this show. At the roundtable, Ciara fights for her life as the coffin theory just wont go away. After the banishment, the rest of the faithfuls are scrambling as once again they fail to get a traitor. Its chaos and the traitors are winning, but the vibe amongst the traitors is still tense as Danielle is fighting to save Britney while Carolyn is just trying to gain her footing in the turret and start making some decisions.. Learn more about your ad choices. Visit megaphone.fm/adchoices

Conform! Free will is overrated! Jump on the bandwagon! Another franchise! This week is all about Josie and the Pussycats, with a special focus on 2001's subversive comedy of the same name. Both of our hosts had such a blast revisiting this movie from our high school years. Spoiler alert: it holds up really well! Musically, we have a main course of pop-punk with a Motown appetizer and a side of cool art-pop thanks to Josie and the band's appearances in Riverdale. Plus: Alexandria Perez calls in with some Pussycats info!

As we move along in life we pick up (hopefully) little bits of information. It's mostly info that isn't too groundbreaking or Earth shattering.   But in the context of our beloved genre, these tidbits become downright interesting. Over the past little while we've been compiling out own list of musical trivialities and this week we're sharing a handful of them. We hope we informed as well as entertained.   In our "News, Views and Tunes", we have some gear talk and soundtrack speak courtesy of the great Akira Ifukybe. Musically, we crank some Dead Kennedys, MDC, Tokyo Blade, Meliah Rage, Holy Grail, Butcher, Lady Rage and introduce Canadian noise rockers Sweet Beast in our "Indie Spotlight".   Horns Up!

AmazonSpotifyYoutubeTiktokInstagram BioECHASL is a dynamic and emerging artist whose music blends Eastern and Western influences, creating a distinctive sound that transcends traditional genre boundaries. Hailing from China, she showcases the richness of her cultural heritage while merging it with contemporary Western styles. Her debut single, "I Know U Know," offers a captivating listening experience, driven by her powerful voice and unique fusion of instruments.This track serves as both a debut for ECHASL and a preview of her upcoming album, Little Black Sheep. It also acts as a protest song, addressing discrimination, including sexism and racism. The song is inspired by the true story of the first Chinese woman documented to have arrived in the United States. Tricked and sold to a circus, she became an exhibit for audiences, dehumanized and objectified. ECHASL's poignant lyrics and storytelling bring to life the emotional journey of this historical figure, while advocating for racial and gender equality.Musically, "I Know U Know" blends the ancient Chinese gu qin (a traditional stringed instrument) with Western double bass and a pop-infused drum beat, creating a rich tapestry of sounds that defy categorization. The result is a harmonious fusion of pop, electronic, and alternative music, enhanced by ECHASL's extraordinary vocal range. From a deep contralto to a soaring soprano, she effortlessly navigates multiple styles, including R&B, rock, and even country, showcasing her versatility as a vocalist.Lyrically, the song captures the emotional depth of a young Chinese girl's tragic story, while the accompanying video incorporates elements from both Eastern and Western cultures to further convey the theme of unity and acceptance. ECHASL's message is clear: despite our differences, we are all the same.Currently in her final semester at the Berklee College of Music, ECHASL is studying songwriting and musical theater performance. She relocated to the United States at the age of 13 and began her music career in 2024. Her artist name, ECHASL, is an acronym for "Every Cloud Has a Silver Lining," reflecting her optimistic approach to creating music. As a hands-on artist, she not only writes her own lyrics but also collaborates closely with producers to craft the sounds she envisions, often pushing the boundaries of conventional music production. The fusion of a gu qin with a double bass is a testament to her innovative approach.Her passion for experimentation extends to other tracks, such as "Butterfly on Fire," where she successfully incorporated bagpipes into her composition—a request she made to her producer, who initially doubted the combination.Eager to share her unique sound with the world, ECHASL is establishing herself in the global music scene. Her music is a powerful reflection of her cultural heritage, personal experiences, and dedication to using her platform to raise awareness about important social issues. Though she doesn't expect her music to change the world, she believes that, as an artist, her voice is a powerful tool for protest and advocacy. With "I Know U Know," she takes a bold step toward blending cultures and speaking out for those who have been silenced.As ECHASL continues to release music, her journey promises to be one of bold creativity and meaningful impact, as she seamlessly fuses Eastern and Western cultures, offering a musical experience unlike any other.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Amiga, if you love writing and are on a healing journey, you will LOVE this week's cafecito chat with Ellie Gonzalez Stone! She is here to share with us how writing can be powerful and important in our healing seasons. Whether you are a writer, a creative, or just love to journal, this will inspire you to go deeper with your words. Grab your cafecito and let's dive into this episode. You can find out more about Ellie and Lost Poet Lounge @LostPoetLounge Other Social Links for Ellie: @thedentonvibe @curveculturewithdivagirlellie @divagirlellie More About Ellie: Ellie is a Latina Poet, Artist/Creative, and Podcaster. She is the founder of Lost Poet Lounge, was established in January of 2014. Ellie produces events for her community in Denton and Dallas to provide a poetic platform for local poets and those who support the poetic arts. She strives to provide a safe environment where local poets can grow, shine, feel supported, encouraged, and celebrated but can find their true voice through poetry. Ellie also shares her personal poetry on her podcast, Lost Poet Lounge – found on all major podcast platforms. Ellie lives life colorfully and surrounds herself with people who enhance the colors of her world! Artistically, Creatively, Musically, Spiritually – inviting people and things that inspire, motivate, enhance, and bring joy into her life. Follow The Fearless Mujer Podcast on IG @fearlessmujerpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textNearly thirty-five years into their unrelenting career, San Diego's sludge metal veterans -(16)- return with Guides For The Misguided, a crushing new album set for release on February 7th via Relapse Records. Frontman Bobby Ferry, who now takes on lead vocal and rhythm guitar duties, describes the album as a natural progression following Into Dust. “It's all about harnessing creative momentum when it strikes,” Ferry states. “Thankfully, we're still driven to write and perform even after all these years.”Since their last full-length, the band has undergone a lineup shift, losing a singer and bringing in Alex Shuster on lead guitar and production duties. This evolution has also influenced their lyrical themes, which now tackle broader conflicts, including religious hypocrisy and psychological trauma. Tracks like “Blood Atonement Blues” explore the dark history of Ervil LeBaron, while “Proudly Damned” delves into the cyclical nature of addiction, using a witch-like character to represent the seductive and destructive force of opiates.Musically, -(16)- continues to craft punishing riffs with raw intensity, blending elements of noise, classic rock, hardcore, doom metal, and thrash. “We are well aware we are not reinventing the wheel but lovingly fashioning something from us and basically for us,” Ferry adds. Tracks like “Proudly Damned” showcase the band's signature fusion of heaviness and storytelling, with seething vocals, apocalyptic guitar tones, and thunderous drumming from Dion Thurman.Closing with the ominously titled “Kick Out The Chair,” Guides For The Misguided stands as a testament to -(16)-'s staying power. Despite the bleak road ahead, their trajectory remains unwavering, solidifying their legacy as one of North America's most enduring heavy acts.www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

The Stories: “Seeing people cope  through my songs and be able to let themselves feel with them, has been so beautiful and has also made me feel less alone.” “I'm so deeply empathetic. I feel everything around me, tenfold.” “The hard part of touring is when you get off the tour, because you've gone from one hundred miles an hour to zero.” “As an artist, you have to constantly evolve, you have to be ever-changing. You're almost a new character every year. It's weird, but also cool to figure out. “ The Backstory: Her first video posted to TikTok was created at age 11 using her grandparents old old keyboard. Wisdom Rains:  “The more you share, the more can be used against you.” “Something that has surprised me is how expansive my mind can be and how expansive creativity is.” On Inspo: “I have to feel some type of way for idea to come out of me. It's a way of getting things out of my brain, because if I don't, I suffer.” Singer-Songwriter Soundoff: Jelly Roll, Maren Morris, Teddy Swims, Diplo. On Coachella: “I'm coming into a new character and a new part of myself. Musically, I'll be leaning into my rap side of things.” Disover more + Shop The Podcast: jessiemurph.com Jessie Murph Ain't No Man Thats The Devil on vinyl Sundae Whipped Shower Foam Body Wash in Very Vanilla Loving Tan 2 Hr Express Self Tanning Mousse La Mer Crème de la Mer Moisturizing Cream Stanley Stainless Steel Valentine's Day Tumbler Victrola Empire Bluetooth Record Player