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We're sure everyone was quite pleased with the "Back To The Beginning" show. But you can't please everyone, all the time. With every festival, someone has said "I wish Band X was on the bill." The Ozzman's influence is so great they couldn't possibly have squeezed everyone onstage. That's not going to stop us from sharing who we would've loved to have seen paying tribute at The Big Event. We go over which artists, which songs and which Sabbath/Ozzy song we'd love to see them tear up. Our choices would make an awesome festival themselves. In our "News, Views and Tunes", we have some Gear Talk and and discuss the new "Superman" and "Jurassic World" flicks. Musically, we crank Wytch Hazel, Saint Vitus, Viogression, Day Glo Abortions, Witchcraft, Terrifier, St. Elmo's Fire (!) and introduce Nashville's (!!) Savage Attack in our "Indie Spotlight". Horns Up! 

Ed Sheeran BioSnap a weekly updated Biography.In a week filled with music, art, and hometown celebration, Ed Sheeran has once again demonstrated why he remains one of the most influential artists of his generation. The biggest headline is his much-anticipated homecoming—a three-night run of sold-out concerts at Ipswich's Portman Road Stadium, drawing 90,000 fans from across the globe. Fans queued overnight and the town transformed itself, turning pink in his honor with murals, banners, and even a fan zone featuring live entertainment and Ed-themed activities. Local businesses are set to gain from this influx, with Ipswich Borough Council estimating more than ten million pounds in economic benefit from the festivities. According to ITV News, the excitement is palpable, and the whole event is being hailed as a boost to both local spirits and commerce.On stage, Sheeran delivered energetic performances and delighted the crowd with a surprise appearance by Irish boyband Westlife, as reported by SuffolkNews. Support acts have included stars like Tori Kelly, James Blunt, and Maisie Peters, each show adding to the celebratory atmosphere embracing Sheeran's Suffolk roots.But it's not only music that's making headlines for Sheeran this week. The Guardian and Times of India highlight his new adventure into the world of art. Sheeran's Cosmic Carpark Paintings—expressionist, celestial-inspired works created during downtime between touring—are on exhibition at HENI Gallery in London until August 1. Half of all proceeds benefit the Ed Sheeran Foundation, supporting music education for children in the UK. Sheeran credits friends Damien Hirst and Joe Hage for encouraging this public showcase, and he's described the painting process as a long-standing passion influenced by his artistic parents.Meanwhile, on social media, Sheeran's official Instagram video generated significant buzz, as he announced the upcoming end of his global Mathematics Tour after more than three years on the road. He assured fans more dates will be announced for regions not yet visited, but confirmed that this chapter is drawing to a close. The tour itself is a commercial phenomenon, recently breaking records at New Jersey's MetLife Stadium with a box office gross of eighteen million dollars and massive crowds.Musically, Sheeran continues to explore global influences. His recent single Azizam debuted at number three in the UK, notable for its Persian flavors, while Sapphire has been praised for its Punjabi undertones—showcasing his willingness to evolve stylistically.No controversy or speculation has surfaced in major media recently, with all reports painting Sheeran as a hardworking artist and generous philanthropist. Ipswich's pink-tinged pride, packed stadiums, new creative ventures, and chart-topping singles all signal a high point in Ed Sheeran's remarkable career.Get the best deals https://amzn.to/3ODvOta

Realistically, there could only be one topic this week. Arguably, the most important event in all of Metaldom just went down in the form of the Back To The Beginning fest. The line up was a Who's Who in the genre. Most importantly, the world witnessed the final sets from Ozzy Osbourne and Black Sabbath. It was an all day PPV extravaganza that had us glued to the screen. So we do a deep dive into the whole event; set by set, highlight by highlight. What was your highlight? In our "News, Views and Tunes", we celebrate "Return of the Living Dead" Day and the National Day of Rock n Roll. Musically, we crank some Trouble, Lucifer's Friend, Nefarious, Pig Pen, serpent Rider and we introduce Australia's Thraxas in our "Indie Spotlight". Horns Up!!!  

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber has been making headlines for a whirlwind of reasons over the past few days. Striking a balance between public vulnerability and private retreat, Justin's recent Instagram activity has set the internet on fire—from cryptic music teases to personal admissions about his mental health. According to People, he's been sharing heartwarming moments with his 10-month-old son Jack, emphasizing his deepening role as a father and showing a softer, family-centered side in adorable videos and casual dad-life snapshots. This comes as he and wife Hailey Bieber remain under constant media scrutiny, with divorce rumors reaching a fever pitch. Reality Tea notes that Justin recently admitted to having anger issues, confessing on social media that he's struggling to “hold it together,” fueling speculation that these challenges are testing his marriage. Hailey has at times appeared in public without her wedding ring, which only intensified speculation, although she's publicly maintained happiness in their relationship.Despite the tabloid frenzy, the couple seemed intent on changing the narrative with a strategic escape to Mallorca, Spain. Hola reveals that Justin and Hailey were seen openly affectionate and relaxed at a $30,000-a-week detox villa, with Justin sharing a rare, loving post calling Hailey his “forever and always,” a move interpreted as a public declaration of unity. Simultaneously, his social media output has grown eccentric, with “detox” selfies prompting both concern and support from fans about his health, as documented by accounts like Voices of Gold on Instagram.Musically, Justin has ignited speculation about a comeback in 2025. IMDb and numerous fan accounts chronicled cryptic Instagram posts—most notably a studio photo captioned “17”—and a major username shift to @lilbieber. Insiders and analysts believe this hints at a foray into a trap or rap-influenced sound, marking a potential new era for one of pop's biggest stars. Meanwhile, his business moves continue to reverberate across the industry. As reported by Hipgnosis and widely picked up on business channels, Bieber's historic sale of his entire music catalog for $200 million remains one of the largest ever for an artist his age, cementing his financial and cultural legacy even as he shapes his next act.To sum up, in just a few days, Justin Bieber has managed to dominate conversation across music, business, and celebrity news. He's publicly wrestling with personal demons, affirming his family life, teasing fans with music news, and making sure that, love him or hate him, he remains absolutely unignorable.Get the best deals https://amzn.to/3ODvOta

Steve and Stuart are back in the new and - oh yes - improved The Price of Music!In this episode:The Velvet Sundown are a fully-AI-generated band that have over a million listeners on Spotify – is this a tipping point – and should human artists worry?Oasis are back – so how much money did each show make (and how much of it is VAT?The band Deerhoof have pulled their music from Spotify in protest at co-founder Daniel Ek's investments into a weapons startupThe proposed takeover of indie conglomerate Downtown Music by Universal Music is starting to get tetchy...Steve wonders: who owns your songs if your record label goes bust?and more!As ever, we welcome your feedback, emails and – in particular – any niggling questions you might have about how the music biz works that Steve and Stuart can answer.Email us: thepriceofmusicpodcast@gmail.comSteve and Stuart======Support The Price of Music on Patreon:https://www.patreon.com/ThePriceofMusicFollow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship, email - joe@musically.comThe Price of Music is a Music Ally production:https://musically.com

Want to request a song? Tell us your rating? Send us a Text Message right now! Matchbox Twenty – "Unwell" Atlantic; 2003 3.2By: Dax Mumberson, Pitchfork ContributorThere are songs that define an era, and then there's “Unwell” by Matchbox Twenty—a song that limply gestured at defining something before retreating back into a GAP sweater of its own design. Released in 2003, but spiritually 1998, “Unwell” is a murky broth of acoustic sincerity, radio-safe angst, and the sonic equivalent of a lukewarm Sprite left on the counter at your divorced dad's condo.Frontman Rob Thomas—America's reigning monarch of bland competence—delivers a performance that screams, “I'm sad, but like, in a relatable, post-TRL way.” His voice trembles with a vague vulnerability that makes you think, “This man has probably stared out a rainy window, but only during a sponsored VH1 special.” The lyrics read like therapy Mad Libs: “I'm not crazy, I'm just a little unwell” is the kind of line that makes your aunt nod solemnly and say, “That's deep,” while clipping coupons for gluten-free Oreos.Musically, the track is as adventurous as a mayonnaise sandwich. A plodding acoustic guitar trudges along next to a drumbeat that sounds like it was generated by a coffee machine having an existential crisis. The whole thing feels like it was designed by a focus group of 36-year-olds who just discovered feelings and are very tired.It's not that “Unwell” is bad in the way that, say, an active crime scene is bad—it's more that it's aggressively beige. It is the sonic equivalent of that one IKEA lamp you forget you own until it catches fire. It's a musical shrug. A warm sigh in cargo shorts. A song that says, “Hey, we might not be okay, but at least we're doing it in khaki.”And yet, somehow, this song slaps. But only if you're in a dentist's chair, high on nitrous, pondering every life choice that brought you to this point.TL;DR: If adult contemporary were a medical condition, “Unwell” would be the symptom, the diagnosis, and the follow-up email confirming your next appointment.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Do you want to play a game? For years, teens have been playing the classic "2 Lies and a Truth" party game. We here at the RAM offices have vast amounts of experiences in Metaldom. Be they as fans at live shows, working as a roadie/stagehand or just everything that goes into creating this very show for the last 17 years. So we though we would put each other to the test and play a few rounds. Hey, we're too old to grow up now. In our "News, Views and Tunes", Aaron shares stories from his recent road trip. Musically, we crank no less than 5 (!) for RAM alum including Crystal Viper, Kickaxe, Death Sentence, Cauldron, Nocturnal Departure, Speed Queen, November Grief and we introduce Greek metallers Drunkard in our "Indie Spotlight". Horns up!!

#Entertech Street 音楽プロデューサー山口哲一が世界のエンタメ×テクノロジーの最新ニュースをお届け⏩Billboard磯崎さんの特別講座、やりました！これからスタートするブックチャート、どうなる？◆山口ゼミ45期extended、最終回を迎えました◆Music Ally Japanのデジタルサミットと、Billboardのセミナーに行ってきました◆大原浩の逆説チャンネル『「日本ブランド」という追い風』に勇気をもらいました◆LAB、アーティストや音楽関係者向けの【多言語翻訳サービス】にオンライン発注フォームを追加

Want to request a song? Tell us your rating? Send us a Text Message right now! Divinyls – “I Touch Myself” (1990) ★ ★ ★ ★ ☆ Genre: Sexy Pop-Rock with a Side of Subtle ShoutingIf you've ever wanted to tell the entire world you're into yourself—like, really into yourself—but with an Aussie accent and a jangly guitar riff behind you, "I Touch Myself" is your anthem.Released in 1990, this song boldly launched a thousand awkward glances across car radios, shopping centre PAs, and family BBQs. It's essentially a public service announcement for private pleasure. The late, great Chrissy Amphlett croons with the kind of sultry conviction that makes you wonder whether she's flirting with you or challenging you to a fight. Possibly both.Musically, it's a classic pop-rock banger dressed in leather and smirking. The guitars chug along with a no-nonsense energy, while the chorus barrels in like a drunk confession that somehow made it onto Top of the Pops. It's catchy. Dangerously catchy. You'll find yourself humming it at work and immediately questioning your life choices.Lyrically, it's… well, it's not subtle. There's no poetic metaphor here—no “my flower blooms in solitude” kind of vibe. Just straight-up: “I touch myself.” A line that makes 13-year-olds giggle, adults pretend not to hear, and cool uncles nod in silent respect.What's genuinely impressive is how it flipped the script. At a time when most female-fronted pop-rock was still toeing the line between “empowered” and “palatable,” Amphlett smashed that line with a riding crop and lit a cigarette on its ashes. It's one of the few songs where the chorus feels like both a dare and a declaration.Final Verdict: "I Touch Myself" is a bold, brash, unashamed celebration of self-love with a riff you can strut to and a chorus you probably shouldn't sing in front of your boss—but will anyway. And honestly? That's kind of the point.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Accomplished Musical Artist Deshaymond joins me to discuss his life. From being blind, to all of the great things he has accomplished Musically. This isn't TEA, but it is powerful. Learn more about your ad choices. Visit megaphone.fm/adchoices

Five episodes ago we discussed artists that Metaldom discovered first before mainstream success. Arguably, we left Faith No More off the list. FNM dropped their debut record "We Care A Lot" in '85, well before their "epic" break thru. So that makes this album a great candidate for our on going "40th Anniversary Album Spotlight Series". We get into each track, discuss the impending influence this record would have and dive into the FNM camp. In our "News, Views and Tunes", we celebrate the 50th (!) anniversary of "Jaws" and discuss The Care Bears (!!). Musically, we crank some new Gruesome, God's Hate, First Jason, Slaughter Messiah, Harlot's Webb and introduce Poland's Witch Hound in our "Indie Spotlight". Horns Up!!   

Will Lindsay is a musician and storyteller who's spent the past decade chasing songs and dodging algorithms. He fronts the critically acclaimed Philadelphia indie-punk band Caracara, and before that, made noisy, joyful chaos as W.C. Lindsay. He's toured the world, lost sleep in vans, and somehow managed to make music that people actually felt. Now, he's pouring all of that into Buying Fireworks in Indiana—a solo project that blends indie electronic music, cinematic video essays, and longform writing into something you can't quite describe at parties. The project is a search—for feeling, for meaning, for stories that don't disappear into the void of infinite scroll. Shaped by years of DIY shows, overnight drives, and conversations in strange corners of the world, Buying Fireworks in Indiana is part travelogue, part love letter to subculture. It's a living archive of underground music, fleeting moments, and people chasing something just out of frame. Musically, the project lives between genres—in a space Lindsay calls “drum & bliss”—a blend of indie electronic, future garage, post-punk, and melodic drum & bass. It's emotionally charged and built for movement: dancing, driving, drifting, disappearing. The rest of the story unfolds in essays and videos—dispatches from the road, meditations on art and impermanence, and quiet glimpses of the collaborations that become the songs. Buying Fireworks in Indiana is a listener-reader-supported project. If the music hits, if the stories get under your skin—becoming a paid subscriber is how you keep it alive. Premium supporters help ensure the next chapter is not only possible, but honest, wild, and worth doing. In a digital landscape that can amplify and erase with the same swipe, Lindsay leans into the contradiction—making art that holds tension between nostalgia and progress, tradition and invention. Buying Fireworks in Indiana isn't just his journey; it's an open invitation to hop in and come along.website/writing:https://buyingfire.works youtube:https://youtube.com/@buyingfireworks music:https://open.spotify.com/artist/2fSit0fOVH1HGhF1u5cGSg?si=B10hTGPxT7-pUfChWW9pywListening in Columbus, Oh? Care about where your food comes from? Head to ⁠⁠⁠⁠⁠⁠⁠yellowbirdfs.com⁠⁠⁠⁠⁠⁠⁠ to start your order for farm fresh food, and enter NOPROOF30 for 30% off your cart.⁠⁠⁠⁠⁠⁠⁠Founded in 2016, the mission of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ben's Friends ⁠⁠⁠⁠⁠⁠⁠⁠⁠is to offer hope, fellowship, and a path forward to anyone who struggles with substance abuse or addiction. By coming together, starting a dialogue, and acknowledging that substance abuse cannot be overcome by isolation and willpower alone, Ben's Friends hopes to write a new chapter in the lives of food and beverage professionals across the country.

Where's Spearsy been lately? In the hospital, plotting an epic comeback. Listen to his health update and relive the "broken hearts" episode from Valentine's Day 2007. Our Sponsors The 2026 lineup of The 80s Cruise is here, along with our promo code. Royal Caribbean's Adventure of the Seas departs Port Canaveral on February 27 with stops in Nassau, Falmouth and Labadee. Artists include: Bret Michaels, Nile Rodgers & Chic, OMD, Billy Ocean, Gary Numan, Berlin, Taylor Dayne, Sugarhill Gang, Quiet Riot, Glass Tiger, Donnie Iris, Dazz Band, Heaven 17, Men Without Hats, Aldo Nova, Rob Base and Kool Moe Dee. Former MTV veejays Mark Goodman, Alan Hunter and Downtown Julie Brown will be there too. And now, if you're a first-time guest on the cruise, you can $250 in cabin credit when booking if you use the promo code STUCK. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the hosts of the podcast. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 19th year in 2024, at sit80s.com.

For diehard music connoisseurs a vast discography is always aces. But releasing a lot of albums doesn't always mean a banger every time out. Some artists do achieve that "sweet spot". An era of three or more fave albums in succession. So this week we go over our picks of the artists and albums throwing Three Strikes = Homerun! In our "News, Views and Tunes", we share our Friday The 13th and Father's Day experiences. Musically, we crank some Gwar, Cryptopsy, D.R.I., Indestroy, Oral (!), Lunatics Without Skateboards Inc., Riff Randells, Ascendancy and we introduce Australia's Sharpshooter in our "Indie Spotlight". Horns Up! 

rWotD Episode 2967: Port of Morrow (album) Welcome to Random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 18 June 2025, is Port of Morrow (album).Port of Morrow is the fourth studio album by American rock band The Shins. The album was released in the UK on March 19, 2012, and in the US on March 20, 2012, on Aural Apothecary and Columbia Records and was co-produced by Greg Kurstin and frontman James Mercer. The Shins' first studio album in five years, following the release of 2007's Wincing the Night Away, followed major lineup changes in the group: founding members Dave Hernandez (bass, guitar), Marty Crandall (keyboards) and Jesse Sandoval (drums) departed in 2009. Mercer deemed it an "aesthetic decision" to part ways with his bandmates, and in the interim, founded side project Broken Bells with Danger Mouse.Primarily a collaboration between Mercer and Kurstin, the album features contributions from former members: Dave Hernandez, Martin Crandall, Eric D. Johnson and Ron Lewis; alongside drummer Joe Plummer, and other studio contributors, including Janet Weiss and Nik Freitas. Mercer penned lyrics based around his newfound fatherhood, the love for his family, as well as nostalgic memories of his childhood in Germany and his rough adolescent transition to the United States. Musically, Port of Morrow is inspired by 1970s German pop and is melodic and heavily layered, while adding a greater emphasis on electronic instrumentation.The album debuted at number three on the Billboard 200 and received largely favorable reviews from contemporary critics, with some deeming it among the band's best, while others felt it disjointed following the departure of its principal members. The lead single "Simple Song" charted within the top ten on the Billboard alternative charts, representing the band's highest peak chart-wise in their home country. Upon release, independent record stores were exclusively given a bonus acoustic EP bundled with the record.This recording reflects the Wikipedia text as of 00:47 UTC on Wednesday, 18 June 2025.For the full current version of the article, see Port of Morrow (album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Danielle.

This week we're diving into the wonderfully gloomy world of Emma Ruth Rundle. Or more specifically, we're having a bit of a discussion whether she's actually goth or not, what goth even means, and how it may be broader than some think. Musically, Chris thinks most of her catalogue is a bit pants but she has artistic integreity. Mark reckons she's brilliant. Emma Ruth Rundle has spent her career shape-shifting between projects like some sort of musical chameleon with commitment issues. From her early folk-gaze days with The Nocturnes to her brief stint with post-rock titans Red Sparrows. From the overlooked Marriages project to her increasingly experimental solo work. She's never been one to stay in her lane. The question is: does all this reinvention actually work, or is it just restless artist syndrome? We get deep into the weeds of her entire discography. Our main focus is 2016's "Marked for Death", which Mark insists is her masterpiece and Chris... well, Chris has opinions. We also tackle the thorny question of what actually constitutes "goth" in 2025. Spoiler: it's probably not what you think. Plus we discuss her genuinely unnerving experimental albums. And try to work out why Sargent House thought it was a good idea to send a recovering alcoholic to record alone in the desert. With unlimited booze. Episode Highlights: 00:00 Introduction and Studio Setup at Variety Bar 05:21 The Great Goth Debate Begins 18:45 Emma Ruth Rundle's Project History 32:48 Electric Guitar One: Ambient Experiments 39:00 Some Heavy Ocean: The Proper Debut 44:14 On Dark Horses: Chris's Least Favourite 52:26 The Thou Collaboration: Overrated or Underrated? 59:48 Engine of Hell: Stripped Back and Boring? 1:04:06 Electric Guitar Two: Pure Horror Movie Soundtrack 1:13:28 Marked for Death: The Desert Sessions 1:26:00 Final Verdicts and Wrap-Up

One of the most important moments in Metaldom history is fast approaching. July 5th will be the legendary Ozzy Osbourne's last gig. To commemorate  this momentous event is the "Back To The Beginning" fest. Commencing out of Oz' hometown of Birmingham, some of the biggest names in our genre will be there to pay tribute. Metallica, Slayer, Alice In Chains, Anthrax and Ozzy himself will be doing double duty with Black Sabbath a.o. And it will be available on streaming. So this week we go through the line up and whatever else crosses our mind about this once in a lifetime event. In our "News, Views and Tunes", we reminisce about the days of overnight lining up for concert tix. Musically, we crank some Dead Kennedys, Dark Angel, Pentagram, Pagan Altar, Texas Toast Chainsaw Massacre, Iron Man, Temptress, Chernobyl Wolves and we introduce NY's Mykey Massacre in our "Indie Spotlight". Horns Up!   

Episode 169: This podcast is aligned with Music Ally's newest International Focus report, which pulls together the last year's worth of Country Profiles which we publish, plus some extra exclusive analysis. So, we're joined by Stuart Dredge, Music Ally's head of insight, to discuss some of the burning topics when we look at the international music market right now in summer 2025.Stu talks to Joe Sparrow about:- The new dominance of local talent and genres in markets around the globe.- What are the current export trends, especially for local music which are increasingly reaching global audiences. And what about English-language acts in this newly-polyglot paradigm?- Collaboration as a strategy - now seen as a standard strategy in gaining momentum and reaching wider audiences. But will we reach saturation point with all these feats – or is there still miles to go?Music Ally's Reports - including this newest one – are available here: https://musically.com/category/reports And if you've not looked at the Country Profiles for a while, we've recently doubled the size of them to include lots of vital, on-the-ground marketing and audience insight – so that you, our premium subscribers can get the latest info from leading industry figures in each market. https://musically.com/countries

Our 40th Anniversary Album Spotlight Series continues. This time we tapped one of the most important albums in 80s underground thrash. The amazing Megadeth debut "Killing Is My Business...And Business Is Good" introduced mainman Dave Mustaine's new project to a both curious and eager audience. Little did the underground know what a behemoth Dave and the (interchangeable) Boyz would become. Along with their contemporaries in the "Big 4". So this week we do a deep dive into this album that is still a fave today. We go into how it first hit our turntables and go into all the track by track goodness. Is this your fave 'Deth record? In our "News, Views and Tunes", we discuss the reborn "Heavy Metal" magazine and the "Back To The Future" guitar. Musically, we crank new and used from Dying Fetus, Laaz Rockitt, Conflict, Chris Poland, War//Plague, Tyran, Vomitor and we introduce Washington's Generation Decline in our "Indie Spotlight". Horns Up!  

Want to request a song? Tell us your rating? Send us a Text Message right now! Luke Bryan – “That's My Kind of Night” ⭐️ 1.9 / 10 Label: Cliché Hat Records, a Division of Bud Light SoundsIf a monster truck rally had sex with a Bass Pro Shops flyer during an Axe Body Spray commercial, the baby would be “That's My Kind of Night.” And that baby would grow up to wear cargo shorts year-round and call every woman “ma'am,” regardless of age.Luke Bryan, country music's reigning fratboy-in-chief, delivers this track like he's double-fisting a Natty Light and reading lyrics off the back of a hunting permit. It's less a song and more a checklist of things a 12-year-old thinks are cool: trucks, beer, girls in painted-on jeans, trucks again, the moonlight, catfish dinners, and did we mention trucks?Musically, it's a country song in the same way a microwave burrito is Mexican cuisine – technically accurate, deeply offensive, and likely to make you question your life choices. The beat is a Frankenstein's monster of pop-country gloss and trap-lite drum loops, which means it will either make you dance or commit a minor crime in a Walmart parking lot.Lyrically, Bryan sounds like he dared himself to cram every bro-country trope into a single three-minute yeehaw. "I got that real good feel good stuff up under the seat of my big black jacked-up truck" – which is exactly the kind of sentence you hear before someone revs an engine at a red light and then crashes into a Chili's.And don't worry, he rhymes “corn” with “horn” and “party” with… “party.” Twice. Shakespeare is shaking in his boots.You get the feeling that Luke Bryan wrote this on a napkin after doing shots of Fireball with the Duck Dynasty guys. And that napkin then somehow won a CMA award.Recommended if you like:Mud for recreational purposesSongs that think “fishing” is a personalityThe idea of consent, but not the practiceFinal thought: This isn't a song. It's a backwards hat doing donuts in your soul.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Jeff Pojanowski. Jeff is a professor at Notre Dame Law School, where he teaches and writes about philosophy of law and legal interpretation. He also writes occasional columns for The Pillar. He has been living happily in Northern Indiana after escaping Washington, D.C., 15 years ago.Jeff's Music Pick: Turnpike TroubadoursThis is a rarity for Political Beats, in which we present a show driven largely by our guest's preferences. Jeff Pojanowski joined us previously for Pavement and Crowded House and by now we trust his musical judgement. For quite a while, he's been selling us hard on taking up the career of Turnpike Troubadours for an episode. With the recent release of a new album, and additional endorsements of the band from others in our sphere, it seemed a good time to take him up on the offer.We're awfully glad we did.The Turnpike Troubadours, hailing from Oklahoma, have become one of the leading purveyors of Red Dirt country music, featuring songs that are masterclasses in storytelling, instrumentation, and authenticity. Look, if you don't like fiddle, you might be in the wrong place. Formed in 2005 by frontman Evan Felker and bassist R. C. Edwards, the band's early years were shaped by relentless touring. The first album, Bossier City, is almost more a collection of demos. The group wasn't quite fully formed yet. But on Diamonds & Gasoline (2010), everything began to click into place. As the band matured, their songwriting deepened without losing its raw immediacy. Albums like Goodbye Normal Street (2012) and The Turnpike Troubadours (2015) would be highlights of any band's career. Felker's songwriting stands out not just for its precision (though occasional lyrical duplicity can leave the listener wondering exactly what a song is about), but for its ability to evoke vivid rural landscapes. These are songs about places and towns that many Americans easily can picture in their mind. Musically, Kyle Nix's fiddle and Ryan Engleman's guitar work offered a dynamic counterpoint that always serves the song first.The band's career wasn't without turbulence, of course. After the 2017 release of A Long Way from Your Heart, the band entered a hiatus amid Felker's battle with alcoholism. Fans cheered the band's 2022 comeback, marked by the release of the Shooter Jennings-produced A Cat in the Rain. It's impossible to listen to songs on the record without putting them in the context of Felker's troubles. It's an album that likely had to be made, however, to bring the band to 2025's The Price of Admission, a release that all three of your hosts come to praise.There's probably still a lot of music left in the tank for Turnpike Troubadours, and there's no better time than now to jump on board to discover what you might have been missing.

Heavy Metal has always had it's share of misunderstood meaning in it's lyrics. Yes, some of the lyrics are quite clear: sex, old Beelzebub, and rock n roll. But there are a number of classic tunes that Joe and Jane Average lost the plot with. Tunes from Ozzy/Sabbath, Maiden and Twisted Sister have has their unjustified criticisms. Songs that got their panties in a bunch but all knew better. So this week we made a list and are "counting them down". In our "News, Tunes and Views", we examine the close connection between "Star Wars" and "Carrie" and perform an air drum solo over the air. Musically, we crank some Nuclear Assault, Razor, Mantas (pre Death), Quartz, Eviction, Crusader and we introduce Canuck metallers Cruzer in our "Indie Spotlight". Horns Up! 

Finey returns and he has come from the clouds in the footy tipping to be the clear leader at the halfway point of the season. Did Peak peak too early and is Kev's bias is costing him? Will he ever get over those prelim final losses of the eighties and nineties? There is plenty of footy news to discuss as well as F1, NRL, darts and racing. FYI - Stewards are currently investigating what type of darts Stephen J uses to come up with his weekly equine selections. More details soon. Musically, Eric Clapton is under the RnR spotlight. From The Yardbirds to Cream and his solo success, how does the man they called The Guitar God rate? Lock up your dachshunds, padlock the biscuit tin and man the lifeboats! Kevin Hillier, Mark Fine, Stephen J Peak. Absent Ken Francis (had a better offer) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

For music conisseurs discovering an act before they develop a wide(r) audience scores cool points. The citizens of Metaldom have been racking up the points for decades. There have been numerous bands that Joe and Jane Average picked up on well after the Metalheads/Punks were in on the ground floor i.e Metallica, Soundgarden, Green Day. Yep, we knew 'em first. This week we have a laundry list of such artists. In our "News, Views and Tunes", we "Wow!" over current day Go -Gos. Musically, we crank Lord Vigo, Day By Day, Gehennah, Game Over, Inferno, Demon Pact and we introduce Archdruid in our "Indie Spotlight". Horns Up!

My name is Marina A. Smirnova. I was born on Sakhalin Island (the Far East of Russia), and, well over twenty years ago, I made the U.S.A. my home. My journey has been enriched by earning a Bachelor degree in Music Education (Minsk State Pedagogical University, 1996), a Master of Arts degree in Counseling (Central Michigan University, 2003), and a PhD degree in Psychology, with Transpersonal Psychology Concentration (Sofia University, formerly Institute of Transpersonal Psychology, 2013). I started my teaching path at the age of 18 as a K-12 music teacher. In 2013, I began my contribution to Saybrook University. In 2016, I became an Assistant Program Director for the Department of Humanistic and Clinical Psychology; in 2017-an Interim Psychology Chair. Currently, as a core faculty member of the Department of Humanistic Psychology at Saybrook, I serve as a Full Professor of Psychology and Consciousness, Spirituality, and Integrative Health (CSIH) Specialization Director. I am a recipient of two recent Saybrook University awards: Presidential Award for Excellence (November 2021) and Exemplary Humanistic Educator Award (August 2024). My interests are deeply humanistic and transpersonal in nature. Outside of the halls of academia, I support adults' inner development by helping them to integrate fully their deeply evocative, Exceptional Human Experiences (EHEs). Such experiences often arise within and out of dreams, visions, visitations, spiritual practices, breathwork, visionary journeys, and reality-shattering UFO /ET /Alien /Non-Human Intelligences encounters. I support experiencers transpersonally in their quests for spiritual vitality, fulfillment, vibrant longevity, soulful sovereignty, wholeness, and ascension. I have a deep sense of appreciation for contemplative spirituality, mystical and esoteric traditions, and contemplative practices, and my current overarching focus is on exploring, potentiating, and integrating Exceptional Experiences (EEs) and Exceptional Human Experiences (EHEs), in general, and reality-shattering UFO /ET /Alien / Non-Human Intelligences encounters, in particular. My heart-centered art and interests include: (1) intuitive spiritual support and guidance; (2) transpersonal ways of knowing, embodiment, ascension mentoring, and spiritual consultation; (3) extreme, deeply evocative, and visionary transpersonal/holotropic states; (4) John E. Mack's transpersonal research on UFO / ET /Alien encounters and human transformation; (5) Stan Grof's expanded cartography of the psyche, holotropic states of consciousness, and GROF® Breathwork / Holotropic Breathwork®; (6) C.G. Jung's transpersonal legacy, Joe Campbell's heroic journey, and James Hillman's acorn theory; (7) psionics, remote viewing, mythology and personal mythology, dreamwork, guided imagery, clinical hypnosis, and alchemy of ascension; (8) consciousness calibration work by David R. Hawkins, (9) the biology of personal empowerment by Bruce H. Lipton; (10) Enneagram; (11) Gene Keys and Dream Arc (by Richard Rudd); (12) indigenous traditions and heart-centered spirituality; and (13) other embodied spiritual approaches that engage inner resources to optimize soulful sovereignty, fulfillment, vibrant longevity, joy, and ascension. My son is a decorated U.S. Army Veteran. I live and create in Sedona, Arizona. With Many Blessings and Joy of Joys, Marina Marina A. Smirnova, PhD https://earthsideacademy.substack.com/

"Spotify Fights Back" is a rather oxymoronic statement.   This is a recent headline from MusicRadar and it's got us in a tizzy. In said article, Spotify is basically saying their business model is fair ball. But musicians have a slightly different take.   So this week we go our round against the streaming giant. In our "News, Views and Tunes", we tackle A.I. in the music biz and go over the "Thunderbolts*" movie. Musically, we crank Midnight, Ghaal's Wyrd, White Wizard, Mindwars, Leftover Crack, Pupil Slicer, Iron Spell and we introduce Dream Heavy in our "Indie Spotlight".   Horns Up!

It's another Fine (less) mess you have gotten yourself into. Finey is still absent and it is working wonders with his footy tipping. We may suggest something similar for Stephen J Peak if his current form continues, both in footy and the sport of kings. It might be too late for Stephen to replicate his famous advertising chant about losing his shirt and pants, 'cause chances are he is about to lose again! In a startling development, Peaky does have a great idea to take some pressure of the AFL umpires. We don't get serious too often but this week the deathalyser is cause for some deeper discussion. Musically, attention turns to one of the most celebrated rock bands of any generation- The Who. It's a meaty, beaty, big and bouncy journey through their classics. Kevin Hillier, Stephen J Peak, Ken Francis Mark Fine (back soon) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Whew!   We had a lot going on this week. And while most of it was outside the realm of Metal, we decided we still wanted to go over it. Considering Geekworld is good neighbors with Metaldom.   Simply enough, we're talking all our adventures with Free Comic Book Day, May The 4th (Be With You) and the 8th of May (International Motorhead Day). As well, we tackle the announcement from Propaghandi regarding their cancelled US dates for 2025.   Musically, we crank Cancer, Cirith Ungol, the aforementioned Prop., Jaguar, Fleshcrawl, Hexella, The Bloody Hell and we introduce Chile's Witchhunter in our "Indie Spotlight".   Horns up!

Musically inclined and well-known for spinning records and having a myriad of other talents, Daniel "DJ" Hargrove emphatically joins the podcast. He shares unique Biblical insight and thoughtfully expresses the immeasurable love he feels from his son and daughter. SUBSCRIBE, SHARE, COMMENT, LIKEIf you're interested in being a guest on For Fathers Podcast, email elliottquintonllc@gmail.com DJ HargroveFacebook: Daniel Hargrove & Doc JunyaInstagram: @docjunya & @djcp_llcYouTubehttps://youtu.be/En8G5v-mMyQSpotifyhttps://open.spotify.com/show/4O8uydPbNRnjlx9uhWXbPjApplehttps://podcasts.apple.com/us/podcast/for-fathers/id1514726925Elliott Quinton L.L.C“Passionately eloQuint”Facebook: Elliott QuintonInstagram: elliottquinton_TikTok: elliottquinton_YouTube: PassionatelyeloQuint#daughterdad #sondad #imperative #Bible #love #forfatherspodcast #eloQuint #podcast #fatherhood #baseball #menempowerment #proudfather #interview #Jesus #musician #pianist #minister

This show is more bat cave than conclave, more dope than Pope. Critics say Ruck 'n Roll is all the rage and they are right. Ken has been raging with ZZ Top and George Thorogood. Kev's raging about football commentary like patrons at a Tina Arena show and the jury is still deciding if Stephen J Peak was the victim or cause of four road rage incidents in one kilometre last Friday night as he scurried to his radio gig. Musically, it is another Peak inspired choice with U2 coming under the RnR microscope. One man's Bono is another man's Bonox as they say. Kevin Hillier, Stephen J Peak, Ken Francis Mark Fine (absent-had a better offer) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

When RAM was an interview show, we on occasion extended that to the "Indie Spotlight". Whenever an indie band impressed us above and beyond, we liked giving them a moment in the Hot Seat as well.   So since Aaron is going to be sharing a stage with symphonic metal band Eden On Fire this summer, we figured we'd do just that. We're stoked to speak to vocalist Amy Gould and introduce them to our listeners. Give them a listen.   In our "News, Views and Tunes", we discuss the Pope's playlist and review the new Alice Cooper (Band) reunion track.   Musically, we crank D.O.A., (Algy Ward's) Tank, Pentagram (Chile), Frantic Amber, The Anti-Queens and Witchspell.   Horns up!

It has come to the attention of the show's producers that certain members of the Ruck 'n Roll ensemble are NOT on drugs. How this was able to occur is the subject of an internal investigation and the findings will be made public - forthwith (whatever that means). As for the actual program, Finey is off this week but is basking in the glory of his best week in the tipping. Ken has been to the Gilbert O'Sullivan show and loved it. Stephen J is ingesting hemp oil gummies which clearly are not performance enhancing and gives his two bobs' worth on clash jumpers and other things. Musically, Kev relives his 3XY days with a chart from May 6th 1983 which is equal parts funk, junk, pop and slop. Kevin Hillier, Stephen J Peak, Ken Francis. Absent Mark Fine (gloating) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

We are a soldier down as we wrap up the Anzac weekend of sport. In true St. Kilda style, Finey has been subbed out and Ken Francis joins Kev and Stephen J. Timely, as Ken was front row at The Shrine during the dawn service and gives some very interesting insights and observations into what happened during the ceremony. Some robust discussion follows about the protests, the protagonists and the whole Anzac Day commemorations. But wait, there's more with AFL, RSL, EPL and the usual helpings of OMG and FFS! Musically, it is a homegrown menu with the best and worst of Aussie Crawl/James Reyne sliced and diced. There will be a few bones to pick over afterwards. Kevin Hillier, Stephen J Peak, Ken Francis. Out Mark Fine (managed) Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

In today's entry into the all:ambient GROW series, Kirk Smith (We Dream Of Eden) digs into being prolific, how we can advance it in our life, and what to look out for along the way. This is both an encouragement and a challenge for every creative out there – you don't want to miss this!Got any questions you want answered in an upcoming episode? Email us at podcast@all-ambient.com.The all:ambient podcast is a part of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠all-ambient.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ family – the best site to license ambient/cinematic music for your next film, video, or creative project. The⁠⁠⁠⁠⁠⁠⁠ all:ambient Discord server⁠⁠⁠⁠⁠⁠⁠ is now live! Come join the community & conversation with a bunch of like-minded artists & creators. ⁠⁠⁠⁠⁠⁠⁠Join us here⁠⁠⁠⁠⁠⁠⁠ – you'll need to create a Discord account if you've never done so – and welcome to the all:ambient family!the all:ambient podcast is an inside look at the incredible artists in ambient music, digging into creative processes, hearing untold stories, and following the rabbit trail to wherever that conversation may lead.Don't forget to leave a review and text a friend or fellow musician about the podcast. We really appreciate it!

Today more than ever touring is getting tougher and tougher on a lot of artists. Especially financially.   Pop artist Kate Nash has a huge following and her tour was packing 'em in. But she returned home in the red (!). But a couple bare behind pics on OnlyFans and that was that. So that got us thinking about the whole OF thingy and if it's a viable option for artists. What does it take to make it as a musician in today's economy? Have we returned to the days of Mozart when musicians and artists relied on wealthy patron for support?   In our "News, Views and Tunes", we talk Metal artists playing WrestleMania. Musically, we crank new Cadaver, Bikini Kill, Wolf (80s), Inepsy, Witch Vomit, Jivebomb, Demona, Revenge (Chile) and we introduce Mexico's Skeletorn  (love that moniker) in our "Indie Spotlight".   Horns Up!

Send us a textFrankie and Kelly Maxwell stop by the show to discuss how the band came together, their father and his love of music, their new EP, Red Shelter, sobriety, and more. *****Shurr Jr is a family power trio that consists of a guitarist/vocalist, Nick Maxwell,  Drums, Frankie Maxwell, and Kelly Maxwell on bass. The siblings' father, Frank Maxwell, was an Omaha music legend who played guitar in the band Fifth of May in the ‘80s and ‘90s. No doubt, the apples didn't fall far from the tree. They're a band made up of two brothers and a sister from Sioux Falls.  Their father was a well-known musician in Omaha, but he died a few years ago.  Since they were a very musical family, the kids decided to do a band as a tribute to their dad...  The name "Shurr Jr." is a takeoff on one of their dad's favorite sayings, "Sure, Junior" as a replacement for "Yep, okay."The name of the EP is also a nod to their father, too... He wanted to name a band or album "Red Shelter," but he passed away before he could make that happen, so the kids in Shurr Jr. decided to name that album as another tribute to him.Musically, they take elements of Pixies, Elliott Smith, Husker Du, Avett Brothers, the Replacements, and Title Fight.  This is the new single/video, "Ink": https://youtu.be/u1-p5WtdQ9o?si=lEal3FveTCWIiMcz*******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

Simone Simons is the lead singer for symphonic metal group, Epica, that just released their 9th studio album, Aspiral. The album title is derived from the eponymous bronze sculpture made by Polish sculptor and painter Stanisław Szukalski back in 1965. It stands for renewal and inspiration – keywords that define Epica in 2025. In Szukalski's work every detail is a piece of art on its own and there's always more to the story than you initially think. The band saw this as the perfect analogy for the creation of this album: each song stands on its own with a distinctive vibe and meaning, while together they enforce each other into a monumental effort. At the same time this symbolizes EPICA's group dynamic throughout this process: they have encouraged, inspired, and challenged each other repeatedly. Determined to achieve something that is greater than the sum of its parts, they left no stone unturned in their search for perfection. If it's up to creative people to push boundaries, then this sextet sure did just that. When the band was preparing to write a new album, they kept this in mind: to create, you must destroy. As mentioned earlier, this meant destroying the individual ego and create as a unity. You'll hear that this made the album even more personal and to the point. More alive and adventurous. But it also made EPICA destroy old underlying patterns to re-invent themselves and to create a bold new era for symphonic metal in general. The band felt the immense urge to focus on what really matters: emotions and melodies. In all capacities. As the new album is all about focus, the band asked contemporary sculptor Hedi Xandt (Rammstein, Ghost, Parkway Drive) to set all this into a stunning visual representation. It's a bold statement and a homage all in one. If the number 9 represents divinity, perfection, and spiritual growth, then this album is the modern interpretation of just that. Musically, lyrically, and visually. Breathe in, breathe out, 2025 belongs to EPICA.

Dr. Neta Kligler-Vilenchik and Dr. Ioana Literat share research from their new book Not Your Parent's Politics: Understanding Young People's Political Expression on Social Media.We discuss how young people use social media such as TikTok, Instagram, and YouTube to experiment with their political identity, even if they are too young to vote.  Examples from the 2016 US election, Black Lives Matter protests, and climate anxiety help illustrate the various ways that youth express their political opinions across social media platforms. We also discuss how to approach these expressions from a democratic and citizenship perspective. Dr. Kligler-Vilenchik is Associate Professor of Communication and Journalism at the Hebrew University of Jerusalem.Dr. Literat is an Associate Professor in the Communication, Media and Learning Technologies Design program at Teachers College, Columbia University.

The mid 80s were an interesting time for Canadian legends Rush.   Like so many of their contemporaries of the time, the trio seemingly openly embraced the era by developing a very "80s" look and sound. That was never more evident than their '85 album "Power Windows". The decisive album is 40 years young.   So as is tradition, we've chosen this album for our 40th Anniversary Deep Dive series. Since we're talking Rush, we once again got our "Rush Guy", Mr. Mark Buell on the horn to help dissect this record. We go track-by-track and discuss everything Rush in that era. What's your 411 on "Power Windows"?   In our "News, Views and Tunes", we share our Record Store Day haul and acknowledge Rex Manning Day.   Musically, we crank some Scowl, D.I., Sledgehammer, Shed The Skin, Krossfyre and introduce T.O. crossover thrashers The Slime in our "Indie Spotlight".   Horns Up!

InstagramSpotify BioDare to make a difference, be a leader in the crowd.” These words, lyrics from Lynn Houston's latest musical release, serve as a poetic call to action—an invitation to step forward with courage and create meaningful change. Though each person is a thread in the broader tapestry of society, it is often easy to forget the power and responsibility of the individual to uplift others and foster unity. Throughout history, society has seen cycles of oppression and privilege, progress and regression. In what Houston refers to as her “final frontier,” she is now using music as a platform to amplify unheard voices, promote social consciousness, and inspire compassion and courage in everyday life.For Houston, courage has been the throughline of her life. Raised by a family that instilled a strong sense of self, she quickly learned that success required both education and dedication. Even with a solid foundation, she knew she was different—an outlier who would need to carve her own path rather than conform to societal expectations. Leaving her hometown, she set out across the United States as a one-woman show, forging connections, expanding her creative expression, and discovering new artistic directions.Eventually settling in Santa Monica, she transitioned into still photography, capturing iconic figures such as Mick Jagger and Diana Ross. From there, she made an unconventional leap into aviation, defying industry norms to become a successful airline captain in a male-dominated field. After retiring, she founded A Different Point of View in 2011—a nonprofit dedicated to empowering youth within the juvenile justice system to believe in themselves and take control of their futures.In 2017, Houston embarked on yet another creative chapter, this time in music. She began performing at venues like SoHo in Santa Barbara, CA, and her artistic evolution accelerated through training at Berklee College of Music and the discovery of Digital Audio Workstations (DAWs). These tools became her creative laboratory, allowing her to experiment freely with sound, much like a scientist mixing and discovering new elements.Throughout all of these experiences, it was bravery and commitment that allowed her to realize her dreams, while compassion and empathy fueled her desire to uplift others. Now, music has become the vessel through which she shares this mission with the world. In Leader in the Crowd, Houston sings:“Time is ticking, life is moving fast,Who knows but today…Just might be your lastIs this the way you want it,Is this how it's gonna be?Gotta find the courageTo create the dreams that you see”These lyrics are powerfully underscored by the soulful echo of Diana Purim (daughter of Flora Purim), whose background vocals repeatedly urge, “You gotta wake up.” The song challenges listeners to reflect: Are they truly making their moments count? Or simply drifting in complacency? With time being finite, the message is clear—there is no waiting to become the person you were meant to be, or to step into your purpose.Layered with background chants and crowd sounds, the track sonically mirrors chaos, while spoken-word interludes cut through with precision and emotional clarity. Musically, it blends hip-hop, R&B, jazz, and orchestral elements, creating a spacious yet intense listening experience. These creative decisions were elevated by the mix of renowned LA producer and sound engineer Lynne Earls, and mastering by Jett Galindo. Houston also reflects on the joy of recording at the world-famous Village Studios in Los Angeles with an all-female production crew—a rare feat in the male-dominated music industry.For Houston, the culmination of these efforts—working with aligned, socially conscious collaborators and creating with courageous intention—made Leader in the Crowd a powerful artistic and personal milestone.But her journey doesn't end there. Houston believes that everyone has the potential to make a difference. Each of us faces a choice: remain complacent, or point our hearts toward our dreams, stand for unity and justice, and be unafraid to lead.Stay connected with Lynn Houston on social media for updates on her upcoming track, Get Up, slated for release this summer.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Steve and Stuart look at Spotify's response to Kate Nash's latest comments about streaming royalties, and discuss the news that Warner Music is in the final stages of testing its superfan app, with heavy involvement from Ed Sheeran.Send in your questions for Stuart and Steve on thepriceofmusicpodcast@gmail.comFollow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodSupport The Price of Music on Patreon:https://www.patreon.com/ThePriceofMusicFor sponsorship, email - joe@musically.comThe Price of Music is a Music Ally production:https://musically.com

There was a time when "physical product" was flying off the shelves.   There were some points when labels and stores couldn't keep up with demand.Through it all though there were some albums that should have sold by the bucket load. But they somehow fell short.   This week we go over some of these "can't miss" albums. That did. "Cold Lake" anyone? "Chinese Democracy". How about Crue's self titled album? Great albums that never got a fair shake?   In our "News, Views and Tunes", we discuss some past musical advancements and some geek talk. Musically, we crank some Conflict, -(16)-, Hobbs Angel of Death, Frightmare, Damien Throne, Hell Poison and we introduce Greek metallers Ringlorn in our "Indie Spotlight".   Horns Up!

HuDost's upcoming album, The Monkey in the Crown, is set for release in 2025. Their past albums have earned critical acclaim, reaching #4 on the Canadian National Folk/Roots Chart, #9 on the US Folk Radio Charts, and #24 on the Billboard Folk/Americana Sales Chart. They've also won an Independent Music Award for Social Action Song and received two Best of Nashville awards in 2020.  Whether performing as a duo or with a full band, HuDost brings in guest musicians from diverse backgrounds, often incorporating dance into their shows. Their instrumentation includes vocals, harmonium (Indian pump organ), live looping and beats, NORD keys, guitars, Dulcinet, percussion, and an array of ambient sonic effects. Musically, they bridge worlds—blending pop and rock with traditional Sufi influences, Eastern European folk traditions (Bulgarian, Croatian, Macedonian, and Balkan), and the rich sounds of Farsi, Turkish, and Arabic music. HuDost Website: https://www.hudost.com/     Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

We've all seen the memes.   Pics of a dozen deceased artists with the caption "You can only bring one back for one more show". Unfortunately, Metaldom has lost their share of artists. And I know we'd all love to see them play their trade one more time. Lemmy? Ramones? Maybe RJD?   This episode we share our list of encore performances. In our "News, Views and Tunes", we talk the appropriate Juno winners and some Geddy Lee talk.   Musically, we crank some Necrophagia, The Great Kat, VHS, Nite, Maul, Antagonizor, Allies and we introduce hardcore bashers Fast Response in our "Indie Spotlight".   Horns Up!!!

Reuploading our episodes on David Cronenberg movies that were posted earlier Ashley and The Vern are joined by Daniel Lackey of Musically Ignorant to talk about the body horror masterpiece, Videodrome, Starring Debbie Harry and James Woods

On March 24, 2025, Daniel Hernandez, better known as Tekashi 6ix9ine, marked a significant milestone in his tumultuous career: he is officially off house arrest. The controversial Brooklyn rapper celebrated by cutting off his ankle monitor, a moment captured in a video snippet shared across social media platforms like X, where fans and detractors alike buzzed with anticipation. This development follows a rollercoaster of legal battles that have defined much of his public life since his 2018 arrest on federal racketeering and firearms charges tied to the Nine Trey Gangsta Bloods. After testifying against gang members in 2019, earning a reduced two-year sentence and the infamous “snitch” label, 6ix9ine was released early in April 2020 due to COVID-19 concerns, serving the remainder under home confinement. His latest stint on house arrest stemmed from probation violations in 2024—failed drug tests and unauthorized travel—resulting in a 45-day jail term, followed by 30 days of house incarceration, 30 days of home detention, and 30 days of home curfew, all completed by early 2025.Now free from the ankle monitor's constraints, 6ix9ine wasted no time signaling his return to music. Posts on X, including one from @JayyjaeOnHots23, show him previewing a new track, its bass-heavy beat and signature aggressive delivery hinting at a continuation of the sound that propelled hits like “Gummo” and “Fefe” to chart-topping status. The snippet, paired with visuals of him severing the monitor, underscores his flair for provocation—a trait that's kept him relevant despite years of legal and personal chaos. His last major release, “Blackballed” in 2024, featured collaborations with Kodak Black and others, but this upcoming drop promises a fresh chapter, unburdened by physical restrictions.6ix9ine's career has been a paradox: a meteoric rise fueled by rainbow hair, viral antics, and raw energy, juxtaposed against a backdrop of violence, betrayal, and incarceration. His 2018 debut album, “Dummy Boy,” hit number two on the Billboard 200 despite dropping days after his arrest, while 2020's “TattleTales,” recorded post-release, leaned into his polarizing persona. Critics often pan his substance-light lyrics, but his commercial pull—evidenced by “Trollz” with Nicki Minaj hitting number one—remains undeniable. This latest freedom comes after a March 13, 2025, raid on his Florida home, where feds seized guns and drugs, though he avoided new charges. Posts on X from outlets like @FulLCircLAfrica hailed the end of his house arrest as a “major celebration,” reflecting a fanbase eager for his next move.Musically, 6ix9ine's return could reignite his trap-punk hybrid, a style that's influenced a wave of SoundCloud-era rappers. The snippet suggests he's doubling down on bombast—think pounding 808s and shouted hooks—potentially targeting the rage-rap audience he helped shape. Yet, his offstage life looms large: feuds with peers like Lil Durk, legal woes in the Dominican Republic for battery and domestic violence, and a persona that thrives on controversy. As he teased on Instagram in 2020, “Picture the noise I'm gonna make when I'm outside,” this moment feels like that prophecy fulfilled. Whether this new music, expected soon, reclaims his throne as the “King of New York” or merely stokes more chaos, 6ix9ine's knack for staying in the spotlight—ankle monitor or not—ensures all eyes are on him.

“Bully,” the eleventh studio album by Kanye West, now known as Ye, marks a striking return to solo artistry for the controversial rapper and producer. Released on March 18, 2025, and officially uploaded to YouTube on March 21, 2025, this project arrives amid a whirlwind of personal and public turmoil, reflecting both Ye's creative evolution and his unapologetic defiance. The album's title draws inspiration from a personal anecdote involving his son, Saint West, who reportedly kicked another child for being “weak,” a story Ye shared with a mix of amusement and pride in a February 2025 interview with Justin LaBoy. This incident, paired with thematic nods to Larry Clark's 2001 film “Bully”—a tale of teens exacting revenge on an abusive peer—frames the album as a symbolic break from external control, notably Ye's tumultuous history with Adidas, whom he casts as his own metaphorical tormentor.Musically, “Bully” diverges from the collaborative chaos of Ye's recent “Vultures” series with Ty Dolla $ign, embracing a self-produced, introspective soundscape that critics have hailed as his strongest in over a decade. The album blends the soulful patience of his early work, like “The College Dropout,” with the experimental warmth of singles such as “Only One” (2014) and “FourFiveSeconds” (2015). Tracks like “Preacher Man” and “Beauty and the Beast,” previewed in September 2024 at a China listening event, showcase lush samples—from The Supremes' “You Can't Hurry Love” to Cortex's “Huit Octobre 1971”—chopped with a meticulous hand, evoking a nostalgic yet forward-thinking vibe. GQ praised its “rich, warm, even optimistic” tone, a stark contrast to Ye's public persona, suggesting a retreat from the internet's noise into a cloistered creative space.Yet, “Bully” is unmistakably a work in progress. Released initially as a 45-minute short film directed by Ye and edited by Hype Williams, it features Saint battling Japanese wrestlers with a plastic mallet—a surreal visual that mirrors the album's raw, unfinished state. Ye himself admitted on X that it's “not finished and half the vocals AI,” a choice that divides listeners. The AI-generated vocals, often mimicking his “808s & Heartbreak” style, serve as texture rather than substance, occasionally jarring against the otherwise masterful beats. Three versions—“Screening,” “Post Hype,” and “Post Post Hype”—circulated online, with the YouTube release, “BULLY V1,” trimming the tracklist to nine songs, notably dropping “Melrose” featuring Playboi Carti and Ty Dolla $ign amid reported feuds.The album's rollout was overshadowed by Ye's latest social media spiral, rife with antisemitic rants, swastika imagery, and attacks on peers like Jay-Z, Beyoncé, and Kendrick Lamar. An alternative cover featuring a red swastika underscored his provocative stance, aligning with previews like “World War 3,” where he doubles down on his polarizing views. This chaos contrasts sharply with the music's calm, almost serene quality—tracks that narrate betrayal and resilience with a soothing undercurrent, as one X user noted, calling it “the complete opposite of what its title suggests.”Despite the controversy, “Bully” has garnered acclaim for its production, with some fans and critics dubbing it a return to form, even in its rough state. Its unconventional release—bypassing streaming platforms for X and YouTube—reflects Ye's disdain for industry norms, as he decried “fake streams” and “French and Jewish record labels.” Whether it evolves into a polished final product or remains a snapshot of Ye's turbulent 2025, “Bully” stands as a testament to his enduring genius and unrelenting defiance, a paradox of beauty and unrest at the heart of his legacy.

Send us a textOn this week's episode, we take a listen to another Listener's Pick: Thin Lizzy's sixth studio album, Jailbreak from 1976. It took some time, but by the time they recorded Jailbreak, Thin Lizzy's had figured out their formula and Jailbreak became their breakout LP. Showcasing the tuneful songs of Phil Lynott and the expert twin guitar interplay of Scott Gorman and Brian Robertson, the album is the ultimate combination or power and melody.Lyrically,  Lynott tapped into mythos of both Irish folklore and the American west to create his own version of story songs written by the likes of Bruce Springsteen and Van Morrison. Musically, Jailbreak is an absolute blast to listen to, providing future inspiration for both punk bands and bands of the New Wave of British Heavy Metal.  Visit us at www.tappingvinyl.com.

Big feelings for big rooms with the Club Heart Broken founder. Club Heart Broken is perhaps a misnomer. The party and label, founded in Cologne by MALUGI, may take its name from one of life's tougher emotions, but the vibe is all about unfettered, unadulterated joy. It's a state of mind its founder fully embodies—he's called himself the "happiest man in dance music." (We tried fact-checking this, but watching him perform seems proof enough.) Club Heart Broken's motto is simple: a party should be fun. A "party for lovers, loners and losers," the crew also made up of ferrari rot, SURF 2 GLORY and fellow maximalist Marlon Hoffstadt, represent the sound of young Berlin in the 2020s, notorious as they are beloved. Since relocating from Cologne, the party has snapped the German's capital infamously serious techno stereotype with its anything-goes, unpretentious music policy. It's made him and Hoffstadt especially in-demand worldwide—queues used to extend out of the door of Watergate and across Oberbaumbrücke. Musically, MALUGI is the most eclectic in the crew. His metaphorical record bag carries a lot of label material, from zingy Eurodance to upbeat pumpers, but also plenty of steppy, tuff UK bass music. Releases from Main Phase and Interplanetary Criminal, the likes of dubplate label ec2a, and even the odd Big Ang record pepper his sets, much of which you'll hear here. MALUGI's RA Podcast is a window into the more house-y side of his sound. From bubbling garage to chunky chords, RA.981 is a testament to MALUGI's belief: the best parties should leave you grinning, not crying. @malugienergy Find the tracklist and interview at ra.co/podcast/981.