Podcasts about Let It Grow

Episode Description:In this episode, we break down a massive week on Wall Street, starting with the historic SpaceX IPO that shattered public market records. Then, we preview Micron's high-stakes fiscal Q3 earnings report as AI-driven memory demand pushes margins to historic levels. Plus, we look at Adobe's quiet rebound, why Celsius (CELH) is starting to regain traction, and the structural roadmap that could launch Marvell (MRVL) on a legitimate path toward a $1 trillion valuation.The Historic Debut: SpaceX formally went public on the Nasdaq at an initial valuation of $1.77 trillion, raising an unprecedented $75 billion in gross proceeds.Market Impact: Trading surged on day one to push its market cap over $2 trillion. We discuss the unique, multi-staged insider lock-up structure and how fast-tracked index rules are shifting the mechanics of passive ETF tracking.Pure Profit Growth: Ahead of its fiscal Q3 earnings call on June 24, Wall Street consensus is targeting a mind-boggling ~1,000% year-over-year increase in adjusted EPS.What to Watch: We break down the absolute dominance of their HBM3E/HBM4 product cycles, massive CapEx scaling across new fabs, and whether the memory cycle is turning into a permanent structural moat.ADBE: Creative Cloud is showing resilient enterprise retention as AI monetization begins to manifest in actual ARR.CELH: After a painful distribution and inventory rightsizing over the past few quarters, the stock is showing technical and fundamental signs of a text-book volume accumulation phase.The Trillion-Dollar Blueprint: Why optical DSPs and custom silicon partnerships position Marvell perfectly to capture the massive capital expenditure tailwinds from hyperscalers building out data centers. Is a $1T valuation realistic, or is it getting ahead of its fundamentals?

  This week's Deadpod comes from a listener request, as we head to Buffalo, New York, and the Grateful Dead's performance at Rich Stadium on June 6, 1992. It's firmly in the early '90s period, with Vince Welnick on keys and the band leaning into a more polished, modern sound while still drawing on their deep songbook. In this first set we get a very '90s opener with "Touch of Grey" into "Greatest Story Ever Told," followed by a focused "Althea" and a lively "It's All Over Now." The mood then shifts into a more acoustic‑flavored stretch with "Friend of the Devil" and "When I Paint My Masterpiece," before the set closes out with a sing‑along "Ramble On Rose" and a "Let It Grow" that brings some welcome late‑set energy and improvisation. This week we'll feature that opening set; we'll return to Buffalo next week for the second set and its high‑energy closing stretch. I hope you enjoy this listener‑selected trip back to June 6, 1992 in Buffalo. Grateful Dead Rich Stadium Orchard Park, NY 6/6/1992 - Saturday One     Touch Of Grey  Greatest Story Ever Told  Althea  It's All Over Now  Friend Of The Devil  When I Paint My Masterpiece  Ramble On Rose  Let It Grow You can listen to this week's Deadpod here:  https://traffic.libsyn.com/deadshow/deadpod060526.mp3  My thanks for your kind support!     

There's a version of transition we talk about — the before and after, the glow-up, the lesson learned. This episode isn't that one. This is about the middle. The part where the old thing is gone but the new thing hasn't arrived yet. The part where you don't quite know who you are on the other side, and growth doesn't always feel like growth. In this episode, Mechelle explores the real difference between change and transition — and why getting that distinction right changes everything. Drawing on the work of author and organizational consultant William Bridges, she walks through the three phases most transitions move through: the ending, the neutral zone, and the new beginning — and why the middle is the place we most need to stop rushing through. She also gets personal. About her own season of significant transition, about the pressure to have meaning before the wound is finished being a wound, and about the moment she realized she had built something beautiful — and also built it in a way that quietly skirted her own unfinished grief. This episode is for anyone in the disorienting in-between. You'll walk away with something real to practice — not a way to speed things up, but a way to finally let them move. In this episode: Why change and transition are not the same thing The three phases of transition (and the one we most want to skip) What it costs to rush into meaning before you've finished feeling Three practices for letting a transition actually grow you A personal story about mastermind groups, live events, old wounds, and a sound bath that changed everything LIVE Online Class https://www.thewholenessnetwork.com/difficult-people Explore The Wholeness Library App FREE! Apple: https://apps.apple.com/us/app/wholeness-library/id1545002697 ⁠ Android: https://play.google.com/store/apps/details?id=com.thewholenessnetwork.thewholenessnetwork On the web https://www.thewholenessnetwork.com/⁠ Follow us ⁠https://www.instagram.com/thewholenessnetwork/⁠ ⁠https://www.facebook.com/thewholenessnetwork⁠ Leave us a message! tel:646-883-3350 Information is intended for entertainment only Learn more about your ad choices. Visit megaphone.fm/adchoices

If you're enjoying the show:Follow and subscribe to Let It Grow InvestingShare this episode with someone navigating today's market volatilityStay patient, stay consistent, and keep growing

For this Memorial Day weekend edition of the Deadpod, we're traveling to Nassau Veterans Memorial Coliseum in Uniondale, New York, for the Grateful Dead's spring tour stop on May 8, 1981. This is early‑'80s Brent Mydland era, and the band sounds sharp and energized: Jerry's in good voice, Brent's keys add color and bounce, and the rhythm section keeps everything moving with plenty of drive and nuance. In this first installment we feature the opening set, a compact but very satisfying run that opens with "Jack Straw" and "Peggy‑O," moves through "Me and My Uncle," "Big River," "Loser," and "Althea," and builds to a strong "Let It Grow" before closing with "Don't Ease Me In." Next week we'll return to Nassau for the second set, highlighted by a big "Shakedown Street" opener, a deep "Terrapin Station" into "Playin' in the Band" sequence, and a powerful closing stretch that feels just right for the start of summer. I hope you enjoy this slice of May 1981 from Nassau.   Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/8/1981 - Friday One Jack Straw [5:38] ; Peggy-O [6:47] ; Me And My Uncle [2:59] > Big River [5:39] ; Loser [8:05] ; C C Rider [7:49] ; Althea [8:43] > Let It Grow[10:27] > Don't Ease Me In [3:12] You can listen to this week's Deadpod here:  https://traffic.libsyn.com/deadshow/deadpod052226.mp3 Have a safe and fun Memorial Day weekend..... 

The Dead have a long history of great Spring performances, and 1980 was no exception. This week we go to Nassau for the May 14, 1980 show at the Nassau Coliseum in Uniondale, New York. This was the first night of a three‑show run, with the last two nights later compiled on the 2002 "Go To Nassau" release, leaving this opening show as the odd one out from the official catalog. This show comes shortly after the "Go To Heaven" release, so they open with "Alabama Getaway." Jerry gives us a fine reading of "Candyman," and the arrangements on Weir's "country" tunes—"Mexicali Blues" and "El Paso"—are rockin'. "Tennessee Jed" follows, with Brent providing a lovely counterpoint to Garcia's leads. "Let It Grow" then leads into a still‑new "Althea." Another "Go To Heaven" tune follows, Brent's "Easy to Love You," which leads into a rocking, set‑closing "Music Never Stopped." Let's settle in at Nassau Coliseum, May 14, 1980, on this week's Deadpod. Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/14/1980 - Wednesday One     Alabama Getaway [4:10] > The Promised Land [4:08] ; Candyman [7:32] ; Mexicali Blues [4:33] > El Paso [4:22] ; Tennessee Jed [9:25] ; Let It Grow [9:00] > Althea [8:15] ; Easy To Love You [3:49] > The Music Never Stopped [7:38]  You can listen to this week's Deadpod here:  https://traffic.libsyn.com/deadshow/deadpod050826.mp3   As always my sincere thanks for your kind support.  

We're moving past the "software" hype to the physical reality of AI. The bottleneck has shifted from chip supply to megawatts. If you want to build generational wealth in this cycle, you have to look at the grid.The Trillion-Dollar Build: AI isn't just code; it's an industrial project. Over $2.9 trillion is being poured into data center infrastructure through 2028.The Power Wall: Global data centers will soon consume over 1,000 TWh annually. The biggest threat to AI growth isn't competition—it's grid capacity.Energy Independence: Hyperscalers are becoming their own utilities. We're seeing a massive shift toward on-site microgrids and modular power to bypass aging public infrastructure.Storage as a Strategic Asset: Modern AI workloads create massive power spikes. Specialized high-density battery storage is no longer optional—it's the backbone of the facility.Wealth Creation: The "Picks and Shovels" play for 2026 isn't just GPU stocks; it's the liquid cooling, electrical switchgear, and energy storage companies that make the chips possible.Keep an eye on AMD's Q1 earnings (May 5). Their upcoming "Venice" Zen 5 architecture is laser-focused on performance-per-watt, a direct response to the energy constraints currently capping the industry.In 2026, the winners won't just have the best algorithms—they'll have the most reliable power. That is where the generational wealth is being anchored.If you're enjoying the show:Follow & subscribe to Let It Grow InvestingShare with someone who needs to hear this during market volatilityStay patient, stay consistent, and keep growing

You're not stuck because you're doing too little—you're stuck because you're doing too much that doesn't matter. Most people do the hard work of getting clear… and then nothing changes. In this episode, I break down what to do after the pruning—and how to actually multiply what matters most so you don't drift back into the same patterns. If you've been clear but not seeing results… this one will challenge you.

Markets are pulling back—and investors are faced with a critical decision: panic and sit on the sidelines, or lean in and buy quality companies at a discount. In this episode, we break down why downturns create opportunity and why we're adding to positions in Salesforce, Amazon, and Advanced Micro Devices.Recent pullbacks creating fear across tech and growth stocksInvestors worried about rates, AI spending, and economic slowdownVolatility increasing = opportunity risingTrying to time the bottom rarely worksThe best market days often come right after the worstMissing just a few big rebound days can destroy long-term returns

The 2026 Dip: Buy Now or Wait?SummaryThe S&P 500 and Nasdaq are officially in the red for 2026. This episode breaks down why the market is sliding—from Middle East tensions to a weak jobs report—and whether you should grab the "discount" or stay on the sidelines.Key PointsThe State of Play: A look at the 1.5% to 3.1% YTD drop in major indices and the surprising resilience of small-cap stocks. [1.2, 1.3]The Drivers: Why surging oil prices ($90+) and AI valuation fatigue are spooking tech investors. [1.4, 1.5]The Strategy: Why "waiting for the settle" usually means missing the bounce. We discuss dollar-cost averaging as the ultimate hedge against fear. [1.3]Market Snapshot (YTD)The TakeawayDon't time the bottom; time your consistency.

USA vs Iran, Oil Surge Incoming, NVDA & Tech Dip — Buying ZscalerIn this episode, we break down the escalating tensions between the United States and Iran and what it could mean for markets — especially oil prices and tech stocks.With crude oil reacting sharply to geopolitical risk, investors are starting to price in supply disruption and a rising risk premium. If tensions continue, could we see $100+ oil?Meanwhile, the tech sector is under pressure. Even market leaders like NVIDIA are pulling back as investors rotate toward energy and defensive plays.But selloffs create opportunity.Today we discuss:Why geopolitical conflict typically drives oil higherHow higher energy prices impact inflation and Fed policyWhy tech stocks are dipping — and whether it's temporaryOur thoughts on buying Zscaler during weaknessRisk management strategies in volatile marketsCybersecurity remains a long-term secular growth trend, and we explain why Zscaler could benefit regardless of macro turbulence.• U.S.–Iran conflict impact on crude oil• Energy stocks vs. tech rotation• Inflation implications if oil spikes• NVDA pullback — warning sign or opportunity?• Buying high-quality growth stocks on fearNVIDIA (NVDA)Zscaler (ZS)Volatility creates headlines — but disciplined investors look for asymmetric opportunities.If you enjoy the episode, follow and share Let It Grow Investing.

In this episode of The Psychic and the Doc, psychic medium Mark Anthony and Dr. Pat take live calls and explore the life-changing power of letting go. Through heartfelt readings, psychological insight, and real-time guidance, they help callers release grief, emotional attachments, and limiting beliefs that keep them stuck. This episode invites listeners to loosen their grip on the past and make space for healing, peace, and forward momentum.

In this episode of The Psychic and the Doc, psychic medium Mark Anthony and Dr. Pat take live calls and explore the life-changing power of letting go. Through heartfelt readings, psychological insight, and real-time guidance, they help callers release grief, emotional attachments, and limiting beliefs that keep them stuck. This episode invites listeners to loosen their grip on the past and make space for healing, peace, and forward momentum.

  In this episode of The Psychic and the Doc, psychic medium Mark Anthony and Dr. Pat take live calls and explore the life-changing power of letting go. Through heartfelt readings, psychological insight, and real-time guidance, they help callers release grief, emotional attachments, and limiting beliefs that keep them stuck. This episode invites listeners to loosen their grip on the past and make space for healing, peace, and forward momentum.  

In this episode of The Psychic and the Doc, psychic medium Mark Anthony and Dr. Pat take live calls and explore the life-changing power of letting go. Through heartfelt readings, psychological insight, and real-time guidance, they help callers release grief, emotional attachments, and limiting beliefs that keep them stuck. This episode invites listeners to loosen their grip on the past and make space for healing, peace, and forward momentum.

  In this episode of The Psychic and the Doc, psychic medium Mark Anthony and Dr. Pat take live calls and explore the life-changing power of letting go. Through heartfelt readings, psychological insight, and real-time guidance, they help callers release grief, emotional attachments, and limiting beliefs that keep them stuck. This episode invites listeners to loosen their grip on the past and make space for healing, peace, and forward momentum.  

Costco Sales Surge | Google Passes Apple | Defense Boom | NVDA China | JPM–Apple DealMarkets are heating up across consumer, tech, defense, and financials. In this episode, we break down Costco's strong sales momentum, a major shake-up at the top of the market-cap leaderboard as Google overtakes Apple, rising global defense spending, new developments for Nvidia in China, and JPMorgan winning Apple's massive credit card business.

Recapping 2025 and planning ahead for 2026! Some stocks remain on the list for the new year!

In this episode, we break down how investors can avoid common Bitcoin scams while navigating a market full of mixed signals. We discuss why Nike, Oracle, and Broadcom are trading lower, why Micron continues its strong run, and whether Google (Alphabet) is now sitting in fair value territory after its recent rally. From crypto safety to stock-specific insights, this episode focuses on discipline, risk management, and long-term thinking.Why crypto scams are becoming more sophisticatedRed flags investors should always watch forWhy “guaranteed returns” and unsolicited messages are major warning signsThe importance of using regulated exchanges and protecting private keysNike (NKE)Ongoing pressure from weaker demand and margin concernsWhy investors are cautious despite the brand's long-term strengthOracle (ORCL)Volatility tied to AI spending expectations and infrastructure costsHow debt and capital investment concerns are impacting sentimentBroadcom (AVGO)Recent pullback following earningsBalancing near-term disappointment with long-term AI exposureStrong earnings and forward guidance driving momentumAI-driven demand for memory chipsWhy Micron stands out while other tech names struggleHow Alphabet's recent rally has changed the valuation storyWhat “fair value” really means for long-term investorsWhy Google may be more of a hold than a chase at current levelsRisk management matters as much as returns — especially in cryptoNot all tech stocks move togetherValuation discipline is critical when markets become selective

Let It Grow makes audiences squeal worldwide! We discuss ankle mobility, finding beef in the noise of veggies, mental illness, and perhaps the most intense tyrannical tuck in our history. Join The SwoleFam https://swolenormousx.com/membershipsDownload The Swolenormous App https://swolenormousx.com/swolenormousappMERCH - https://papaswolio.com/Watch the full episodes here: https://rumble.com/thedailyswoleSubmit A Question⁠ For The Show: https://swolenormousx.com/apsGet On Papa Swolio's Email List: https://swolenormousx.com/emailDownload The 7 Pillars Ebook: https://swolenormousx.com/7-Pillars-EbookTry A Swolega Class From Inside Swolenormous X: https://www.swolenormousx.com/swolegaGet Your Free $10 In Bitcoin: https://www.swanbitcoin.com/papaswolio/   Questions? Email Us: Support@Swolenormous.com

Selling UNH, Rotating Into High-Conviction Tech + Bitcoin Ahead of Fed Decision1. Portfolio MovesSelling out of UNHRotating capital away from slow-growth healthcareTaking profits / reallocating toward higher-upside opportunitiesUNH stability appreciated, but limited near-term catalysts2. New Buys / AddsCRM (Salesforce)Strong enterprise demandAI integration driving margin expansionAttractive valuation relative to growthMETAEarnings strength + ad revenue resilienceAI + Reels boosting engagementLong-term capex is high, but future returns look strongAMDBenefiting from AI demand and server competition with NVDAStrong product roadmap (MI300, etc.)NVDAStill the leader in AI hardwareStrong demand despite high expectationsWatching for supply constraints and margin trendsUPSRebounding volumesCost restructuring starting to show resultsPotential macro tailwinds if rates fall3. Crypto AllocationAdding BitcoinHedge against long-term monetary policy uncertaintyStill strong ETF inflowsHalving cycle tailwinds4. Macro to WatchFederal Reserve DecisionWill the Fed hint at cuts?Market volatility around dot plot expectationsHow guidance impacts tech valuations and risk assetsImpact on yields → which directly affects growth stocks and Bitcoin

Investing $30k right now into: Tesla, Costco, Broadcom, Meta, Bitcoin.Theme: Markets gearing up for a Fed rate cut next meeting → risk-on mood returning.Key Points:Rate cut = cheaper borrowing + more liquidity → typically boosts tech, growth stocks, and crypto.Tesla / Broadcom / Meta: High-growth names that usually benefit most from lower rates.Costco: Defensive consumer staple; steadier anchor in a volatile market.Bitcoin: Thrives in liquidity-heavy, risk-on environments; big upside but high volatility.Overall strategy: Balanced mix of stability + growth + speculative upside heading into a potentially more dovish Fed.

And we're back with another one -- this time from 1980.  It's Black Friday, its 1980, and you just bought a Rubik's cube (the toy of the year for 1980) and headed to a small town between Orlando and Tampa to see the Dead! Here how it sounds on this AUD!  Here's the setlist:   One Jack Straw [5:24] ; Peggy-O [6:30] ; Little Red Rooster [9:17] ; Tennessee Jed [8:33] ; Passenger [4:55] ; Deep Elem Blues [4:53] ; Looks Like Rain [7:55] ; Deal [6:37] Two Feel Like A Stranger [8:28] ; To Lay Me Down [9:11] > Let It Grow [11:24] > Terrapin Station [12:09] > Drums [9:32] > Space [5:43] > Not Fade Away [5:56] > Black Peter [9:34] > Sugar Magnolia [9:13] Encore U.S. Blues [5:15]   Remember, if you can, please donate to the Archive!      

⚡ Quick Show Notes: Tech, Bitcoin, and PortfolioTech Sell-Off: Sharp market pullback, led by tech, due to stretched valuations in AI stocks (NVDA, etc.) and fading expectations for a Federal Reserve rate cut in December.Bitcoin Plunge: BTC price dipped significantly, falling towards the $94,000 range, driven by broader risk-off sentiment and concerns over US financial system liquidity.AMZN (Amazon): Strong Buy consensus. Analysts cite continued dominance in AWS Cloud (20% YoY growth) and e-commerce, with a high average price target.META (Meta Platforms): A key player in the AI/Energy convergence, committing to new nuclear power to fuel data centers. Fundamental outlook remains strong.SMR (NuScale Power): Highly volatile small modular reactor stock. Plunged after recent earnings, but long-term interest remains due to massive data center energy demand (linked to AMZN/META). Valuation is a risk.

Contact Scott from Bonsai MatsuWith all this talk about pruning and managing the Spring growth, is there ever a time where you should just let them grow? Yes there definitely is. And if you do let them run when should you prune them? To improve the strength of your bonsai we can use selective pruning (or not) and help build resilience and improve vigour. Sacrifice branches are a tool we use when we talk about trunk development or primary branch development but there is another use for them. 'Short Term' sacrifice branches are great and really can give your bonsai a boost. Support the showBecome a podcast supporter and show the Bonsai Love (it's really appreciated) ❤️https://www.buzzsprout.com/263290/supportWhere to find Bonsai Matsu:InstagramFacebookYouTube Web

Let people express their thoughts and post their opinions in life while we apply love and wisdom to how we react. We need to show more kindness in this world, offline and online.All Rights Reserved, CBN Asia Inc.https://www.cbnasia.com/giveSupport the show

This week we join the Dead as they play the last show of a 3 show run in Texas during October 1977. This one takes place on the campus of SMU in Dallas Texas on October 15.  The first set opens with a spirited 'Bertha' into 'Good Lovin'. They move into a more laid back mood with 'They Love Each Other' then the 'Mama Tried' into 'Big River' ramps things bck up. A nice 'Ramble on Rose' is marred here with a nasty cut..sorry about that. The 'Peggy O' that follows 'Looks Like Rain' has some very nice vocals, and the set-closing 'Let It Grow' has some nice jamming to close the set.   Grateful Dead Moody Coliseum - Southern Methodist University Dallas, TX 10/15/1977 - Saturday One Bertha--> (7:19) Good Lovin' (7:55) They Love Each Other (8:32) Mama Tried--> (2:34) Big River (6:05) Ramble On Rose// (6:00) Looks Like Rain (9:17) Peggy-O (7:36) Let It Grow (11:27)   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod101725.mp3    I hope you enjoy the show..  btw - if you are on facebook you can join our discussion there at: the Deadpod group. I'm always looking for inspiration :)      

This week the Deadpod travels to London England, to the Rainbow Theater, where the band played eight wonderful shows during 1981. This was the next to last performance at the Rainbow, on October 4, 1981.  This recording really highlights Brent and Garcia.. its a bright and open recording I think you'll enjoy. Some of the highlights are the Jack-A-Roe, Beat It On Down the Line, and Brown Eyed Women that come in the middle of the set, but there are really no clunkers here in my opinion. The set closing Deal is a smoker as always...  Grateful Dead Rainbow Theatre London, England 10/4/1981 - Sunday One      Jack Straw [5:58]   Friend Of The Devil [8:57] >  El Paso [4:54]   Jack-A-Roe [4:30]   Beat It On Down The Line [2:56]   Brown Eyed Women[5:02]   New Minglewood Blues [5:#58]   Row Jimmy [10:57]   Let It Grow [11:59]>  Deal [8:42]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod100325.mp3  My thanks for your kind support, hope you enjoy the show! 

Planted (pt 2) | Let It Grow | Tim Bittle by TFH SF

In this episode, Sarah and Bruce welcome award-winning landscape designer Greg Lombardi, of Gregory Lombardi Design, who reflects on how design preferences have shifted over the past few decades - from formal, overproduced gardens to more relaxed, ecologically conscious landscapes. He shares insights on the rise of native plantings, climate resilience, and the beauty of “messy on purpose” gardens. Then, Greg shares his insight on cultural perceptions, generational change, and the evolving relationship between people and their outdoor spaces. Builder's Notebook is recorded and produced by JDCommunications, Inc.Theme music by Sean Ryan Peters

Mark 4:26-29

With the speed of information, we have constant opportunities to declare any individual or action as good or bad. We'll look at a parable from Jesus to learn how we discern faithfully in a landscape that is always changing. Join us as guest preacher Rev. Marianne Brown-Trigg brings us the message “Let It Grow.”

On today's episode, Tim and Tuesday reflect on the choices we make and what we release as we step into new chapters. They share their evolving connection with nature, the effects of climate change on that relationship, and the physiological benefits of time spent outdoors. The conversation weaves through themes of letting go, navigating transitions, and shifting from strategy to wisdom—both personally and professionally. They unpack the emotional challenges of handing off responsibilities, especially with age, and emphasize the value of embracing change, finding calm in urgency, and leading with integrity when leaving a legacy behind.For links and resources, please visit: https://www.findtheoutside.com/podcast Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Be Unmessablewith podcast,  Josselyne discusses the importance of letting go of control as a leader. She emphasizes that control can stifle growth and creativity within teams, and outlines actionable steps for effective delegation. By creating a culture of trust and empowerment, leaders can foster innovation and engagement, ultimately benefiting both their teams and their businesses.Download Our Free Guide to Free Instant Reset: A Simple Hack to Getting Unstuck and Into Actionhttps://beunmessablewith.com/instant-reset/Connect With MeWebsite: beunmessablewith.comInstagram: @beunmessablewithLinkedinFacebookEmailBook a FREE exploration call with Josselyne

El legendario Eric Clapton acaba de cumplir ochenta años y queremos celebrarlo regresando a un disco de un importancia capital para la carrera de nuestro querido Slowhand, el exitoso 461 Ocean Boulevard, su segundo álbum como solista, publicado en julio de 1974. Ricardo Portman nos cuenta su historia al detalle. Escucharemos Motherless Children, Give Me Strength, Willie and the Hand Jive, Get Ready, I Shot The Sheriff, I Can't Hold Out, Please Be With Me, Let It Grow, Steady Rollin' Man y Mainline Florida + Bonus track. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

The Black Keys spielen diesen Juli in Zürich und veröffentlichen passend zu unserer Ticketverlosung eine neue Single. Dazu: erste Appetizer aus den neuen Alben von Sharon van Etten oder Skeleten, sowie ein umfangreiches Wilco-Reissue. +++ PLAYLIST +++ · 21:55 – BRUSHCUTTER (SHORT VERSION) von DJ KOZE FEAT. MARLEY WATERS · 21:52 – KNOCK DOWN von BABY VOLCANO · 21:44 – ARE YOU TIRED? (KEEP ON SINGING) von DARKSIDE · 21:40 – S.N.C. von DARKSIDE · 21:37 – A ROOM von FACS · 21:32 – BUILDING 650 von SQUID · 21:29 – TODAY von THE SMASHING PUMPKINS · 21:26 – I AM A SCIENTIST von GUIDED BY VOICES · 21:24 – I WILL BE A MONK von GUIDED BY VOICES · 21:21 – LIFE IS BEAUTIFUL von LARRY JUNE & 2 CHAINZ & THE ALCHEMIST · 21:15 – KOMMI von BAZE · 21:12 – SOMETIMES IT'S HARD TO BREATHE von BONNIE 'PRINCE' BILLY · 21:07 – IS MY LIVING IN VAIN? von BONNIE 'PRINCE' BILLY · 21:04 – LOVE VS. THE WORLD von SIVERT HØYEM · 20:55 – RAMONA von THE PAINS OF BEING PURE AT HEART · 20:48 – MUZZLE OF BEES (7/15/03 SOMA-CHICAGO VERSION) von WILCO · 20:45 – FAVOURITE GIRL von BIIG PIIG · 20:42 – STAY HOME von BIIG PIIG · 20:38 – DEEP SCENE von SKELETEN · 20:33 – LET IT GROW von SKELETEN · 20:28 – ROAD TO NOWHERE von TALKING HEADS · 20:25 – TAKE ME BY THE HAND von OKLOU & BLADEE · 20:22 – THE NIGHT BEFORE von THE BLACK KEYS · 20:17 – FEVER von THE BLACK KEYS · 20:12 – SOMETHIN' AIN'T RIGHT von SHARON VAN ETTEN & THE ATTACHMENT THEORY · 20:08 – SEVENTEEN von SHARON VAN ETTEN · 20:04 – THEOLOGIANS von WILCO

Nachdem Chris Davids, zusammen mit Liam Ivory bekannt als Maribou State, von einer seltenen Gehirnerkrankung genesen ist, kommt das britische Produzenten-Duo nach sieben Jahren wieder mit einem Album. Dass «Hallucinating Love» etwas (zu) schöngefärbt ist, kann man ihnen kaum verübeln. Einerseits tanzten Maribou State schon immer auf der Grenze zum Kitsch. Andererseits darf man nach dem, was Chris Davids gesundheitlich durchgemacht hat, schon auch mal ordentlich Positivity verteilen. Und dass «Hallucinating Love» für ein sogenanntes «Producer-Album» erstaunlich facettenreich und organisch tönt, macht Freude! +++ PLAYLIST +++ 22:56 - TO LIVE FOREVER IN A SKYLIT ROOM von SUNDEN 22:52 - BLANKET von TIM & PUMA MIMI 22:48 - HARVEST SKY von OKLOU/UNDERSCORES 22:46 - ADORE von CHILD STAR 22:41 - DIAMOND (ON THE MOON) von WORRIES AND OTHER PLANTS 22:38 - CRUZ von MARINERO 22:33 - NUESTRA VICTORIA von MARINERO 22:30 - ME PASA von ASTROPICAL 22:26 - AFTERLIFE von SHARON VAN ETTEN AND THE ATTACHMENT THEORY 22:21 - LET IT GROW von SKELETEN 22:17 - BUILDING 650 von SQUID 22:14 - THE LADDER von THE VEILS 22:09 - LOW LAYS THE DEVIL von THE VEILS 21:56 - TONIGHT WITH THE DOGS I'M SLEEPING von BONNIE PRINCE BILLY 21:50 - I SEE A DARKNESS von BONNIE PRINCE BILLY 21:46 - SILVER LINING von MOUNT JACINTO 21:42 - RODEO von SOPHIA KENNEDY 21:39 - YOU HURT ME von PABLO NOUVELLE 21:35 - FEEL GOOD von MARIBOU STATE 21:27 - BLACKOAK von MARIBOU STATE 21:24 - BLOOM von MARIBOU STATE 21:17 - ALL I NEED von MARIBOU STATE FEAT. ANDREYA TRIANA 21:12 - PRAISE YOU von FATBOY SLIM 21:06 - SCARLETT GROOVE von MARIBOU STATE 21:04 - APPLE von CHARLI XCX FEAT. THE JAPANESE HOUSE 20:55 - TV OFF von KENDRICK LAMAR FEAT. LEFTY GUNPLAY 20:07 - SOUNDS! ZENTRALE 020: Super Bowl Halftime Show und warum man dort auftreten muss 20:03 - NOT LIKE US von KENDRICK LAMAR

Zumindest so stuft Franz Ferdinand-Frontmann Alex Kapranos das sechste (oder siebte?) Album seiner schottischen Indie-Kapelle im Sounds!-Interview ein. Weil: Hinter den Kulissen hat sich Line-up-technisch – mal wieder – einiges getan. Audrey Tait ersetzt Drummer Paul Thompson, der seit Beginn mit dabei war, und Dino Bardot ist zwar schon seit 2017 fester Teil der Band, bei den Aufnahmen zum letzten Franz Ferdinand-Album «Always Ascending» (2018) war er allerdings noch nicht Teil der Studiocrew. Aber genug von den Line-up-Kapriolen. Schliesslich haben wir uns heute hier versammelt, um alle Geheimnisse der neuen Franz Ferdinand-LP zu lüften! Und diesbezüglich lässt uns Kapranos nicht im Stich. In unserem Gespräch klären wir u. a., woher sein zweiter Vorname Paul kommt und warum seine Mutter lange ein riesiges Geheimnis daraus gemacht hat, welcher Song des neuen Albums man am ehesten als «Black Sabbath geremixt von Timbaland» umschreiben könnte und welche überraschende Rolle Kapranos' Ehefrau Clara Luciani auf dem neuen Album spielen durfte. +++ PLAYLIST +++ · 22:56 – ANKLES von LUCY DACUS · 22:51 – RIDDLES OF MY YOUTH von LAUREL BLOOM · 22:49 – SINGLE FILE LINE von BOLDY JAMES · 22:46 – SUNDAY GIRL von BLONDIE · 22:42 – NARCISSIST von THE TUBS · 22:38 – YOU WERE THE ONES I HAD TO BETRAY von DEAN WAREHAM · 22:35 – WE MUST HAVE BEEN ASLEEP von AINO SALTO · 22:31 – BANG BANG BANG von SPORTS TEAM · 22:28 – OCEAN STEPPIN' von JOHN GLACIER FEAT. SAMPHA · 22:23 – DISCO 2000 von PULP · 22:19 – SAD MAKEUP von YUKIMI · 22:15 – RITUAL UNION von LITTLE DRAGON · 22:12 – ALL I NEED von MARIBOU STATE FEAT. ANDREYA TRIANA · 21:56 – BOVINE EXCISION von SAMIA · 21:54 – TIME FOR ME von ZISKA STAUBLI · 21:51 – ONE MORE REASON von HOTWAX · 21:48 – SPECIAL DIFFERENT von LAMBRINI GIRLS · 21:43 – NOTHING TASTES AS GOOD AS IT FEELS von LAMBRINI GIRLS · 21:40 – IT'S A MIRROR von PERFUME GENIUS · 21:36 – VALLEY von PERFUME GENIUS · 21:32 – LIVE FOREVER von OASIS · 21:28 – DRIED UP von LUCE · 21:25 – SWITCH OVER von HORSEGIRL · 21:19 – MAHGEETAH von MY MORNING JACKET · 21:15 – TIME WAITED von MY MORNING JACKET · 21:12 – WISH YOU WOULD NOTICE (KNOW THIS) von ZZZAHARA · 21:08 – STRETCH THE STRUGGLE von BRIA SALMENA · 21:03 – LET IT GROW von SKELETEN · 20:57 – BUILD IT UP von FRANZ FERDINAND · 20:50 – IT'S TIME TO WAKE UP (2023) von LA FEMME · 20:45 – EVERYDAYDREAMER von FRANZ FERDINAND · 20:40 – HOOKED von FRANZ FERDINAND · 20:37 – LIVE AND LET DIE von WINGS · 20:30 – TELL ME I SHOULD STAY von FRANZ FERDINAND · 20:25 – LET'S GO CRAZY von PRINCE · 20:18 – AUDACIOUS von FRANZ FERDINAND · 20:15 – CATS von FRANZ FERDINAND · 20:04 – TAKE ME OUT von FRANZ FERDINAND

Bürokratie-Liebe und Excel-Exzess ist, wenn schon nach den ersten acht Tagen des Jahres abgerechnet wird. Tja, was soll man machen, Sounds! liebt Listen. Deshalb gibt es heute schon die erste Top 5 Bilanz des Jahres. +++ PLAYLIST +++ 22:56 JUNIOR von GREAT GRANDPA 22:51 DIAMOND (ON THE MOON) von WORRIES AND OTHER PLANTS 22:46 LOTUS FLOWER von RADIOHEAD 22:40 SHANDY IN THE GRAVEYARD von PANCHIKO FEAT. BILLY WOODS 22:35 FERRY LADY von PANDA BEAR 22:32 HOMIE DON'T SHAKE von FCUKERS 22:26 MI MUJER von NICOLAS JAAR 22:19 S.N.C. von DARKSIDE 22:16 INGO SWANN von FLYING LOTUS 22:12 SEA CHANGES von MARINERO 21:57 TAKE ME von MONOBLOC 21:54 RUST von WITCH POST 21:50 CHILL OUT von WITCH POST 21:46 SHIVER von COLDPLAY 21:40 GOOD GUY von JULIA JACKLIN FEAT. FAYE WEBSTER 21:35 SALT THROWERS OFF A TRUCK von GRIAN CHATTEN 21:32 THINK ABOUT IT von C DUNCAN 21:27 BOLOGNA von DESTROYER FEAT. FIVER 21:24 ONE FOOT von GREENTEA PENG 21:22 CHICKEN TERIYAKI von ROSALIA 21:18 WELTITA von BAD BUNNY/CHUWI 21:14 PITORRO DE COCO von BAD BUNNY 21:08 DTMF von BAD BUNNY 21:04 WIE SCHÖN DU BIST von DJ KOZE FEAT. ARNIM TEUTOBURG-WEISS/THE DÜSSELDORF DÜSTERBOYS 20:57 FRIEND OF A FRIEND von COOTIE CATCHER 20:54 LA SYMPHONIE DES ECLAIRS von ZAHO DE SAGAZAN 20:51 ORLANDO IN LOVE von JAPANESE BREAKFAST 20:48 HOOKED von FRANZ FERDINAND 20:44 TAKE ME OUT von FRANZ FERDINAND 20:40 SILVER von WAXAHATCHEE 20:36 BARN NURSERY von HEY, NOTHING 20:32 TIME von GLAS NOST 20:28 PARTY PEOPLE von ROSE GRAY 20:23 LET IT GROW von SKELETEN 20:18 COLOURBLIND von TOM MISCH FEAT. LOYLE CARNER 20:16 HELLO, HI von LITTLE SIMZ 20:11 THIS SIDE OF THE ISLAND von HAMILTON LEITHAUSER 20:06 JULIE von HORSEGIRL 20:04 PHARMACIST von ALVVAYS

Here's a bit of a Christmas present from the Deadpod - a great second set from December 12, 1973 at the Omni in Atlanta.  This features a fine combination of classic tunes and some unusual combos (see Mississipi Half-Step into Me & Bobby McGee, as well as Wharf Rat> Me & My Uncle>Eyes). All the songs here are first rate - the China >Rider is wonderful as is the GSET.. then we get a complete Weather Report Suite..Eyes of the World into Morning Dew is one for the ages..    Then, after this massive set, I've included the soundcheck for this show, which has some really fun versions and even some Holiday sounds! I hope you enjoy!     Grateful Dead The Omni Atlanta, GA 12/12/1973 Two      Mississippi Half-Step Uptown Toodeloo [7:23] > Me And Bobby McGee [5:06][0:12] China Cat Sunflower [6:48] > Jam [1:29] > I Know You Rider [4:57][2:01] Greatest Story Ever Told [5:10] Row Jimmy [9:05] % Weather Report Suite Prelude [1:21] > Weather Report Suite Part 1 [4:33] > Let It Grow [11:11] % Wharf Rat [9:05] > Me And My Uncle [2:48][0:18] Eyes Of The World [12:27] > Morning Dew [14:41] % Sugar Magnolia Encore      Casey Jones Soundcheck: Sleigh Ride Rip It Up Blue Suede Shoes Peggy-O Jack Straw Cumberland Blues Thirty Days You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122024.mp3  I wish you and yours a very Merry Christmas, Happy Hanukka, and Winter Solstice! thank you for all you kindness and support...   

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The purpose of trouble in life is to add to the fabric of our faith patient endurance - it is the testing of our faith through trial that allows it to grow. Invite and share this message with your family and friends and bless them with this great message. If you're new to Cornerstone and this is your first time watching us, we'd love to say “hello!” Just click on this url http://cornerstonesf.org/welcome to fill out our Welcome Card and one of our community members will follow up with you.  Also if you are in need of prayer, don't hesitate to put in a prayer request at http://cornerstonesf.org/prayer ---- Song Credits: Grow - Kolby Koloff Kolby Koloff © 2015  All music performed by the CornerstoneSF Worship Band under CCLI license No. 48786, CCS No. 8434 #cornerstonesf #liveitoutsf #TheFabricOfFaith

It's Friday and you're fitting the last patient's crown. It is completely shy of the bite - but it looks good. The patient says ‘it feels great! I can hardly feel anything!' Do you cement it (plant it low?) and let it grow? Is that acceptable? How about the 'GABS occlusal philosophy?' Is ‘centric relation' full of unicorns and rainbows? What is an efficient protocol in ‘checking the occlusion'? https://youtu.be/Nmx1C8WDSjA Watch PS010 on Youtube Join us in this episode where we discuss some key techniques to help ensure we are managing occlusion as a primary focus when dealing with restorative treatment. This episode is packed with essential tips that are perfect for dental students and professionals alike.  Don't miss the special notes on Occlusion, CR & All Things Confusing available exclusively in the Protrusive Guidance app! (Crush Your Exams section) This episode is not eligible for CPD/CE points, but never fear, there are hundreds of hours of CPD for Dentists waiting for you on the Protrusive App! For the full educational experience, our Ultimate Education Plan gives you access to all our courses, webinars, and exclusive monthly content. If you love this episode, be sure to recap PDP109 - Articulating Paper is Lying to Us

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In honor of the upcoming St. Patrick's Day I decided to bring you a St. Patrick's day Dead concert - this one is from March 17, 1988 at Oakland California.  The first set, which we will hear this week, features a nice opening 'Hell In A Bucket'  into a fine 'Sugaree'. Another highlight is the first 'Memphis Blues' without Bob Dylan. 'Row Jimmy' and a nice 'Let It Grow' finishes the first set. I'll bring you the second set next week..                                                                                                                                                                                                                      Grateful Dead Henry J. Kaiser Convention Center Oakland, CA 3/17/1988 - Thursday      One      Hell In A Bucket [5:57] > Sugaree [9:42]   New Minglewood Blues [1] [7:12]   Ramble On Rose [6:33]   Stuck Inside of Mobile With The Memphis Blues Again [8:23]   Row Jimmy [8:04]   Let It Grow  [10:51]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod031524.mp3   Have a safe and happy St. Patrick's Day!

Thursday 23rd November 2023 Ajahn Santutthi hosts this weeks session at the Roleystone Family Centre.  These weekly session are free and led by one of the Buddhist monks living in Roleystone at Kusala Hermitage.  These sessions are one hour in length and held at the Roleystone Family Centre. Please support the BSWA in making teachings available for free online via Patreon. To find and download more precious Dhamma teachings, visit the BSWA teachings page choose the teaching you want and click on the audio to open it up on Podbean. Teachings are available for downloading from the BSWA website the BSWA Youtube Channel, the BSWA Podcast, and Deeper Dhamma Podcast.