Podcasts about Weir

Sara Hart Weir Executive Director Kansas Council On Developmental Disabilities | 10-1-26See omnystudio.com/listener for privacy information.

The question we hear everywhere is simple: when is the milk price going up? The real answer is complicated, and that is exactly why we brought on Dr. Becca Weir, assistant professor of agricultural economics at Penn State, to translate the dairy pricing system into plain language you can actually use.We start with Becca's path from a Minnesota dairy farm to dairy economics, then compare Minnesota and Pennsylvania dairy production, from regional pockets of farms to the issues producers raise most often. From there we dive into how milk is priced under Federal Milk Marketing Orders, including the four milk classes and the idea of backward induction. Becca breaks down how surveyed wholesale prices for cheese, butter, dry whey, and nonfat dry milk become component prices like protein and butterfat, with make allowances and yield factors shaping the final numbers.Then we shift from price to profitability. Becca makes the case that risk management begins with strong records and a clear cost of production per hundredweight, not a perfect milk price forecast. We also cover two USDA programs that can help manage volatility: Dairy Margin Coverage (DMC), which protects margins using national milk and feed benchmarks, and Dairy Revenue Protection (DRP), which can set a revenue floor tied to your farm. Finally, we touch on her research on DMC participation and why Pennsylvania rates have lagged, plus her work linking net merit genetics to farm profitability.If this helped you think differently about milk pricing, farm financial management, or dairy risk tools, subscribe, share the show with another producer, and leave us a review.

Send us Fan MailEpisode 240 – Like a Bat Out of HellIt's been a week of technological disasters in the Barpaga household, so this episode starts with me having a bit of a rant about everything deciding to go wrong at once.Then it's over to Reddit for some relationship terminology, a debate about when giving people lifts turns into becoming their unpaid taxi service, and a very British complaint about the ridiculous price of pretty much everything these days.And, of course, there's Weird News — featuring two stories that are bizarre for VERY different reasons, including one hell of a way to wake up in the morning.All that, plus the usual ramblings, on Episode 240 of Crazy Little Thing Called Lovdev...Like a Bat Out of Hell.

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https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE Project Hail Mary is a 2026 science fiction film produced and directed by Phil Lord and Christopher Miller and written by Drew Goddard, based on the 2021 novel of the same name by Andy Weir. It stars Ryan Gosling, who also produced the film, as Ryland Grace, and Sandra Hüller, James Ortiz, and Lionel Boyce play supporting roles. The story follows Ryland Grace, a middle school teacher who awakens aboard an interstellar spacecraft with no memory of how he got there. Pre-production began in 2020, before Weir's novel was published. Filming took place throughout 2024 in the United Kingdom, both on location and on sets. All scenes aboard the spacecraft Hail Mary were filmed on a practical set that was constructed for the film. Project Hail Mary premiered in London on March 9, 2026, and was released in the United States by Amazon MGM Studios on March 20, with Sony Pictures Releasing International releasing in other territories. It received positive reviews, with praise for Lord and Miller's direction, Gosling's performance, the character of Rocky, as well as the humor, themes and visuals. It was a commercial success, grossing over $685 million worldwide and becoming the seventh-highest-grossing film of 2026. Plot In the near future, middle school teacher and former molecular biologist Ryland Grace wakes up from an induced coma on the interstellar spacecraft Hail Mary, suffering from amnesia. Grace learns that he is the sole survivor of a three-person crew that was traveling towards the Tau Ceti system, 11.9 light-years from Earth. In a series of flashbacks, Grace recalls that scientists discovered a "Petrova line" of infrared light stretching from the Sun to Venus; an alien microbe in the line, dubbed "astrophage", was proliferating on the Sun's surface, dimming the Sun at a rate that would cause catastrophic global cooling within thirty years. The head of the Petrova Taskforce, Eva Stratt, recruited Grace to study it due to his background in speculative astrobiology. Grace experimented on a sample and discovered that astrophage was composed of unicellular organisms that absorb electromagnetic radiation from the Sun and expel it for propulsion. Grace joined Stratt's Project Hail Mary, an international "long-shot" mission to send a crewed spacecraft to Tau Ceti, the only star in Earth's solar neighborhood not occluded by astrophage. The flight to Tau Ceti would be a suicide mission, as the ship could only carry enough fuel for a one-way trip; any findings would have to return to Earth in smaller space probes. In the present, Grace encounters an alien spacecraft that docks with the Hail Mary. It is made of a solid form of xenon, which Grace dubs "xenonite". The ship's occupant is a rock-like, five-legged alien from Erid, a planet in the 40 Eridani A system. Grace names the alien "Rocky", deduces that Eridians "see" via echolocation, and creates a machine translation system to interpret Rocky's musical language into English. Rocky is a mechanical engineer and the sole survivor of the Eridians' mission to save their own star from astrophage infection. Grace and Rocky agree to work together, and become close friends. As neither can survive in the other's atmosphere, Rocky works aboard the Hail Mary inside a pressurized ball of xenonite. Grace and Rocky study the Petrova line of the planet Tau Ceti e, which Grace names "Adrian",{{cite web |url=https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |title=''Project Hail Mary'' Ending Explained: What happens to Ryland Grace and Rocky, will there be a sequel, and more on Ryan Gosling's new sci-fi movie |last=Power |first=Tom |website=[[TechRadar]] |date=March 20, 2026 |access-date=May 26, 2026 |archive-date=March 21, 2026 |archive-url=https://web.archive.org/web/20260321104440/https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |url-status=live}}"}},"i":0}}]}">[a] and discovers that the line hosts an entire microbial biosphere. Rocky theorizes that microbial organisms in Adrian's atmosphere are consuming the astrophage, keeping the population in check. Learning that Grace cannot return home, Rocky offers to share some of his own ship's astrophage fuel with the Hail Mary. Grace remembers that an astrophage explosion killed the original crew's science officers. With no time to train replacements, Stratt asked Grace to join the mission. During a risky maneuver to gather the astrophage predator from Adrian's atmosphere, a fuel leak causes the Hail Mary to spin uncontrollably, rendering Grace unconscious. Rocky breaks out of his ball to save Grace but is severely injured. While Rocky recovers, Grace studies the captured astrophage predator, dubbing it "taumoeba"[b] and selectively breeding it to survive the nitrogen in Venus's atmosphere. Rocky revives, and the two celebrate their success; Grace recalls that he fearfully refused to join the Hail Mary crew, but Stratt had him drugged and put aboard the ship anyway, believing he was the only one capable of completing the mission. Rocky and Grace say their goodbyes and begin their journeys back home. Shortly thereafter, Grace discovers that the taumoeba has evolved to escape its xenonite breeding tanks and is starting to consume Hail Mary's astrophage fuel. Grace stops the taumoeba leak, but realizes that Rocky's ship, being entirely made of xenonite, will have no way to contain the taumoeba; it will eat all of Rocky's fuel, stranding him and dooming Erid. Grace decides to use his remaining fuel to rescue Rocky and the Eridians rather than return home, and sends his video logs and taumoeba samples to Earth via the probes. Stratt and her team receive the probes and use the taumoeba to cure the Sun's astrophage infection. Meanwhile, on Erid, Grace lives in an Earth-like biodome the Eridians have constructed for him. Rocky informs him that Eridian scientists can prepare the Hail Mary for the return voyage to Earth. Grace ponders the news before beginning another day of teaching science to eager Eridian children. Cast Ryan Gosling, who portrays Dr. Ryland Grace, also served as a producer on the film Ryan Gosling as Ryland Grace, a middle school science teacher and former molecular biologist on a mission to save humanity[7] Sandra Hüller as Eva Stratt, the head of the international task force behind Project Hail Mary[8] James Ortiz as Rocky, an alien Grace encounters on his journey.[9] The character was effected through a puppet controlled by a team of five puppeteers led by Ortiz, dubbed the "Rockyteers", with Ortiz also providing the artificial voice assigned to him[10] Ortiz also has an uncredited role as a television presenter[11] Lionel Boyce as Carl, a member of security personnel Ken Leung as Yao Li-Jie, the Chinese commander of the Hail Mary spacecraft Milana Vayntrub as Olesya Ilyukhina, a Russian engineer on board the Hail Mary Priya Kansara as the voice of Mary, the Hail Mary's onboard computer[9] Malachi Kirby as Martin Dubois, the original scientist of the Hail Mary[12] Liz Kingsman as Annie Shapiro, a backup scientist of the Hail Mary Mia Soteriou as Dr. Browne Orion Lee as Dr. Li Michelle Greenidge as Chimamanda Additionally, Eunice Huthart (the film's stunt coordinator), Damien de Froberville (co-president of Sony Pictures Animation), Ray Porter (the audiobook narrator), and Meryl Streep provided the rejected alternative voices for Rocky.[13][14] Production Development In March 2020, Metro-Goldwyn-Mayer was nearing a deal to acquire adaptation rights to the then-upcoming Andy Weir novel Project Hail Mary (2021), with Ryan Gosling set to star in and produce the film.[7] The rights for the novel were acquired for $3 million.[15] In May 2020, Phil Lord and Christopher Miller were hired to direct and produce the film.[16] Due to Lord and Miller being unable to work on the screenplay because of commitments to Spider-Man: Across the Spider-Verse (2023), Drew Goddard (who previously adapted Weir's 2011 novel The Martian into a 2015 film) was hired the following month to write the screenplay.[17][18] In April 2024, Amazon, which acquired Metro-Goldwyn-Mayer in 2022,[19] revealed a possible 2026 release window for the film.[20] In May 2024, Sandra Hüller joined the cast, with Greig Fraser hired as cinematographer.[8] Milana Vayntrub joined the cast the following month.[21] Filming The film's crew, actors Ryan Gosling and Sandra Hüller, writer Drew Goddard, author/producer Andy Weir, and directors Phil Lord and Christopher Miller visiting NASA's Jet Propulsion Laboratory on February 25, 2026 Principal photography began on June 3, 2024, in the United Kingdom and wrapped on October 26, 2024.[22][23] Filming took place at Shepperton Studios.[24] Location filming occurred at The Hemel Hempstead School, the South Parade Pier in Portsmouth,[25] the Mullard Radio Astronomy Observatory in Cambridge,[26] and Durdle Door and Man o' War Cove in Dorset.[27][28][29] The film was "filmed for IMAX" by using large-sensor Arri Alexa 65 cameras, which provide 6.5K (20 MP) of resolution, with an aspect ratio of 2.1:1,[30] utilizing the whole sensor with anamorphic lenses rotated by 90 degrees to achieve the IMAX standard 1.43:1 aspect ratio. For regular presentations, the common 2:1 format (Univisium) was derived by cropping the top and bottom of the IMAX image. The film switches between taller and wider aspect ratios. When a scene takes place in the present, a taller aspect ratio is used—1.43:1 for IMAX 15/70 mm or Dual Laser, 1.85:1 for Xenon or Single Laser, and 2.00:1 for non-IMAX presentations. For scenes in the past, an aspect ratio of 2.39:1, a standard ratio for anamorphic process cinematography, was achieved with the regular use of anamorphic lenses.[31] In an interview with The Hollywood Reporter, Miller mentioned that no chroma keying was used in the film, with the entire set being shot practically.[32] Fraser had previously collaborated with visual effects supervisor Paul Lambert on the Dune films; their disdain for green and blue screens, which impacts lighting and visuals through color spill, led them to use blackouts and grey screens on the film instead.[33] Miller had previously stated that VFX was used to depict the spaceship from the outside, while shots of Gosling in space were shot against a black or varying color backdrop.[34] NASA provided support through both the input of scientific experts and astronaut Kjell N. Lindgren visiting Gosling during filming to share insights on human spaceflight.[35] Post-production The visual effects were developed by Framestore (which also collaborated on the film adaptation of The Martian),[36] Industrial Light & Magic (ILM), Sony Pictures Imageworks, BUF and Wylie Co. VFX, with Mags Sarnowska serving as visual effects supervisor alongside Lambert.[37] While puppeteer Ortiz voiced Rocky during filming with Gosling, it was initially thought that a more high-profile actor would replace him. However, Lord and Miller felt that Ortiz's performance could not be improved upon during screenings of the film.[38] Lord praised the collaboration between practical and visual effects in the creation of the character Rocky's performance: Rocky was built and designed by the legendary Neal Scanlan and his creature shop and is performed by puppeteering legend James Ortiz and his team, who were on set with Ryan in every scene. Rocky's performance is a beautiful collaboration between James and the other Rockyteers on set and the wonderful animators at Framestore led by the funny soulful Arslan Elver.[39] Miller noted that by the end of the film shots with Rocky were about 50% VFX animation and 50% puppetry.[40] The digitally shot and produced film was transferred to film stock and then re-digitized to achieve the "warmth" of analog film.[31] The initial test screening of the film was 3 hours and 45 minutes long, and was cut down to the final length due to feedback from the screenings.[41] Joel Negron served as film editor.[42] Music Main article: Project Hail Mary (soundtrack) It was announced at San Diego Comic-Con that Daniel Pemberton would score the film. Pemberton worked with Lord and Miller on Spider-Man: Into the Spider-Verse (2018) and its 2023 sequel, which they produced. This is the first film directed by Lord and Miller to not be scored by Mark Mothersbaugh.[43] The score, consisting of 38 tracks, was released digitally on March 20, 2026.[44] The film also includes fourteen other songs, including "Sign of the Times" by Harry Styles, "Two of Us" by the Beatles, "Rainbows" by Dennis Wilson and "Gracias a la vida" sung by Mercedes Sosa.[45] Marketing The film's title on the marquee of Moreland Theater in Portland, Oregon in March 2026 The first trailer was released on June 30, 2025.[46] It was the most-viewed trailer for any original film in the first week of its release, accumulating 400 million views globally.[47] Lego released a model of the Hail Mary spacecraft on March 1, 2026, as part of the Lego Icons series.[48] Release Theatrical Project Hail Mary was released on March 20, 2026, in 4,007 theaters by Amazon MGM Studios in the United States and Canada, and Sony Pictures Releasing International in all other territories.[5] It was also released in select IMAX theaters, with a 1.43:1 aspect ratio.{{cite web |last=D'Alessandro |first=Anthony |title=Ryan Gosling, Lord & Miller Amazon MGM Studios Space Adventure ''Project Hail Mary'' Sets Launch for Spring 2026 |date=April 18, 2024 |website=[[Deadline Hollywood]] |url=https://deadline.com/2024/04/ryan-gosling-project-hail-mary-release-date-1235889844/ |access-date=April 18, 2024 |archive-date=April 19, 2024 |archive-url=https://web.archive.org/web/20240419002823/https://deadline.com/2024/04/ryan-gosling-project-hail-mary-release-date-1235889844/ |url-status=live}}{{cite web |last=D'Alessandro |first=Anthony |title=Amazon MGM Studios & Sony Pictures Ink Multi-Year International Theatrical Distribution Deal |date=June 27, 2025 |website=[[Deadline Hollywood]] |url=https://deadline.com/2025/06/amazon-mgm-studios-sony-international-distribution-1236444141/ |access-date=July 1, 2025 |archive-date=June 27, 2025 |archive-url=https://web.archive.org/web/20250627130223/https://deadline.com/2025/06/amazon-mgm-studios-sony-international-distribution-1236444141/ |url-status=live}}{{cite web |last=Gray |first=Jeremy |date=June 30, 2025 |title=''Project Hail Mary'' Film Adaptation Looks Like a Visual Feast |url=https://petapixel.com/2025/06/30/project-hail-mary-film-adaptation-looks-like-a-visual-feast/ |access-date=July 1, 2025 |website=[[PetaPixel]] |archive-date=July 12, 2025 |archive-url=https://web.archive.org/web/20250712225014/https://petapixel.com/2025/06/30/project-hail-mary-film-adaptation-looks-like-a-visual-feast/ |url-status=live |language=en-US}}{{cite web |last=Kim |first=Anny |date=December 16, 2025 |title=Everything to know about ''Project Hail Mary'', coming soon from Amazon MGM Studios |url=https://www.aboutamazon.com/news/entertainment/project-hail-mary-ryan-gosling-amazon-mgm-studios |access-date=December 31, 2025 |publisher=About Amazon |language=en-US}}"}},"i":0}}]}">[c] Home media The film was released on digital streaming platforms on May 12, 2026.[53] It began streaming on the MGM+ subscription streaming service and Prime Video on June 18 and July 3, respectively.[54][55][56] It was also released on 4K Ultra HD Blu-ray, Blu-ray, and DVD on August 11, 2026, by Alliance Entertainment.[57] Following the standard disc release will be an Amazon exclusive three-disc SteelBook gift set, scheduled for October 13.[57] It will include a third disc with the film in its full 1.43:1 IMAX ratio, plus additional bonus material and a collectible booklet.[citation needed] Reception Box office As of September 11, 2026 Project Hail Mary has grossed $344.1 million in the United States and Canada, and $341.2 million in other territories, for a worldwide total of $685.3 million.[4][5] In the United States and Canada, Project Hail Mary was released on March 20, 2026, and was projected to gross $63–65 million in North America from 4,007 theaters in its opening weekend.[58] Initially, publications estimated that the film would gross $45–55 million.[59] After grossing $31 million on opening day, including $12 million in previews, the film debuted to $80.6 million in the United States and Canada,[60] and $60.4 million overseas for a worldwide total of $141 million,[61] becoming Amazon MGM Studios' biggest debut to date.[60] In its second weekend, the film made $54.1 million (a drop of 32.8%), remaining in first.[62] It was surpassed by The Super Mario Galaxy Movie in its third weekend, grossing $31.7 million.[63] In Japan, the film became the highest-grossing foreign film of 2026 in terms of box office revenue attendance on its first day of release.[64] Critical response The performances of Ryan Gosling, Sandra Hüller, and James Ortiz were praised by critics On the review aggregator website Rotten Tomatoes, 95% of 430 critics' reviews are positive, with an average rating of 8.2/10. The website's consensus reads: "A visually dazzling space odyssey that's carried along effortlessly by the gravitational pull of Ryan Gosling at his most winning, Project Hail Mary is a near-miraculous fusion of smarts and heart."[65] Metacritic, which uses a weighted average, assigned the film a score of 77 out of 100, based on 60 critics, indicating "generally favorable" reviews.[66] Audiences polled by CinemaScore gave the film an "A" on an A+ to F scale.[67] The film received an average rating of 8 out of 10 from Cine21.[68] G. Allen Johnson of the San Francisco Chronicle deemed it "a masterpiece of a family popcorn movie, with eye-popping hand-crafted production design and outstanding creature design and puppetry work."[69] Randy Myers of The Mercury News gave the film a 3.5/4 rating, writing: "While you can't help but marvel at the visuals and applaud the commitment of Gosling's endearing performance, what also makes Project Hail Mary so gosh darn lovable is that it imbues us with child-like wonder from scenes that pay homage to such classics as E.T., Flight of the Navigator and, yes, Rocky."[70] Cosplay of Ryland Grace with a fan-created Rocky prop at NärCon 2026 Robbie Collin of The Telegraph concluded in his review: "Does it have many original ideas of its own? Perhaps not. But its greatest hits mixtape of other people's has been compiled with such flair – as well as a sound comprehension of why they worked so well the first time – that it's hard not to be swept up regardless."[71] Barry Hertz of The Globe and Mail shared a similar opinion, writing: "At almost every turn, Project Hail Mary attempts to convince you that it is groundbreaking, innovative filmmaking. But in actuality, the movie lands as a grand act of cinematic recycling – the fusing together of familiar, comforting bits and pieces into something determined to please crowds and warm hearts."[72] Amy Nicholson of the Los Angeles Times wrote: "While Stanley Kubrick's unsentimental 2001: A Space Odyssey inspired the iPad, Lord and Miller want to inspire a better version of us."[73] Brian Truitt of USA Today gave the film a four out of four rating, writing that "Project Hail Mary is one of those old-school popcorn movies with big ideas, the kind of film that Steven Spielberg and George Lucas would have made back in the day and kids of all ages would have obsessed over and bought the toys."[74] Ryan Cooper of The American Prospect wrote that the film portrayed a "shockingly realistic view of heroism" and was "one of the rare films that is quite a bit better than the book".[75] Peter Bradshaw of The Guardian wrote: "Gosling is an effortlessly charming screen player, and he keeps it watchable, though the film itself has moments of dullness and a sort of puppyish silliness [...] Perhaps refreshingly, the film doesn't aim for the stunned awe and rapture of, say, Christopher Nolan's Interstellar or even Jon Spaihts' underrated Passengers, but it does have the classic sci-fi spacecraft tropes: the huge, mysterious architecture with its vertiginous tunnels in which legacy pop music is played to soothe the inhabitants."[76] GVSU anthropology professor Deana L. Weibel praised Grace's intellectual humility in the film.[77] Nicholas Barber of the BBC declared it one of the best films of 2026, writing: Project Hail Mary is an unusual science-fiction blockbuster in that it's mostly about people using their brains to solve problems [...] Does that approach sound a bit dry and academic? If so, rest assured that Project Hail Mary is touching and inspiring – and surprisingly fun [...] it's directed by Phil Lord and Christopher Miller, who take a complicated, potentially bleak narrative and make it as fast-paced and cheerful as their animated hit The Lego Movie. Meanwhile, Ryan Gosling brings all of his goofball charm to the role of an amnesiac biologist who is trying to save the world.[78] Conversely, Owen Gleiberman of Variety called it "not a very good movie", adding that "it's baggy and incredibly derivative of movies you've seen before [...] More crucially, everything to do with the onboard alien is far too cute and formulaic".[79]

We set the scene at the Rabobank Good Deeds working bee at the Te Miro Settlers Hall, just outside of Cambridge. See omnystudio.com/listener for privacy information.

The UEFA Women's Champions League is BACK!

Coyote Copper Mines CEO Daniel Weir joined Steve Darling from Proactive to discuss a major advancement at the company's wholly owned Copper Springs Project, announcing that Coyote has received full approval for its Phase 1 drilling permits following the successful completion of its Plan of Operations. The approval represents an important milestone for the company as it moves from exploration and target generation into an active drilling phase aimed at unlocking the project's copper potential. Weir explained that regulators have authorized a total of 37 drill locations across the Copper Springs Project. Each location can accommodate multiple drill holes, providing the company with significant flexibility as it evaluates a range of priority targets. Under the permit terms, Coyote has three years to complete all drilling and reclamation activities associated with the approved program. The upcoming Phase 1 drilling campaign will target both near-surface oxide copper mineralization and deeper sulphide copper systems, giving the company an opportunity to test multiple styles of mineralization across the project area. These targets were developed through extensive exploration work that included geological mapping, surface sampling, and several generations of geophysical surveys designed to identify and prioritize prospective zones. To further enhance drill targeting, Coyote is continuing additional fieldwork that includes soil sampling, channel sampling and new geophysical surveys. The company believes the ongoing work will help refine target locations and maximize the effectiveness of the Phase 1 drill campaign. At the same time, management is already planning for the project's next stage of exploration. Weir confirmed that preparations for Phase 2 drilling permits will begin shortly, demonstrating the company's commitment to advancing Copper Springs through a systematic and multi-year exploration strategy. In another significant development, Coyote has expanded its land position around the project by staking 111 additional mineral claims, increasing the overall footprint of the Copper Springs Project to approximately 72.36 square kilometres. The company is also progressing a new 2D Induced Polarization (IP) geophysical survey, a key component of its exploration program. Phase 1 of the survey is currently underway and covers approximately 17 line kilometres across survey lines L1 through L7 in the central-eastern portion of the property. The survey is expected to be completed by mid-September. #proactiveinvestors #coyotecoppermines #tsxv #ccmm #CopperSprings #CopperMining #CopperExploration #MiningNews #CriticalMinerals #JuniorMining #DrillProgram #Geophysics #InducedPolarization #MineralExploration #ResourceStocks #CopperStocks #ProactiveInvestors #SteveDarling

On The Front Porch - John Weir [00:00:00] On The Front Porch - John Weir [00:11:02] John Weir - On the Front Porch 2 [00:22:05] John Weir - On the Front Porch 3 [00:33:07] John Weir - On the Front Porch 4See omnystudio.com/listener for privacy information.

There's a view changes to the fast-track system shouldn't be made carelessly. The amendments to the system working their way through Parliament will mean councils can claw back greater costs from developers. Independent urban planner and strategic development expert Bruce Weir says there probably is some room for developers to pay more. But he told Ryan Bridge the Government shouldn't be rash with changes. Weir says we don't want to put developers off as it can actually be quite difficult to get projects through. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Step inside the Tudor court with bestselling historian and novelist Alison Weir as she joins Blaine DeSantis to discuss her new historical novel, The Boleyn Secret. The story follows Catherine Carey, niece of Anne Boleyn, from the shadow of her aunt's execution through years of service, marriage, motherhood, religious upheaval, exile, and her complicated bond with her cousin, Elizabeth I. Weir explains how Catherine's life offers a fresh way to experience one of the most dramatic eras in English history.The conversation explores the research behind the novel and the thin line between documented history and informed imagination. Weir discusses the legend that Catherine attended Anne Boleyn in the Tower, the Knollys family Latin dictionary that records the births of Catherine's children, and the evidence behind a portrait believed to depict her. She also examines Elizabeth I's demanding friendship with Catherine, the Knollys family's Protestant exile under Mary I, and the court scandals surrounding Lettice Knollys and Robert Dudley.Weir also reflects on Anne Boleyn's enduring fascination, Henry VIII's relationship with Jane Seymour, the cultural influence of the Renaissance in Tudor England, and the books she is working on next. Rich with history, personality, and behind-the-scenes insight into how historical fiction is built, this episode is a lively conversation for readers who want to understand the people behind the famous Tudor names.

Some Ancient Technologies last until the present day and Weir Fishing is one of them. Fascinated by the dimensions of an archaeological find of a fishing weir, photographer and filmmaker Frank Wiersema decided to make a film about this phenomenon. Frank chats with host Noah Melton about the multi-pronged approach he took to making the film. Challenges he encountered ranged from the complexity of replicating a fishing weir as a museum display in Swifterkamp open-air museum to considerations regarding which type of actors to cast and diversity and inclusion in the reenactment community in general.This conversation was recorded on June 24th. The film has been released in the meantime.ContactAll episodes of The EXARC ShowEXARC on InstagramArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN StoreAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Some Ancient Technologies last until the present day and Weir Fishing is one of them. Fascinated by the dimensions of an archaeological find of a fishing weir, photographer and filmmaker Frank Wiersema decided to make a film about this phenomenon. Frank chats with host Noah Melton about the multi-pronged approach he took to making the film. Challenges he encountered ranged from the complexity of replicating a fishing weir as a museum display in Swifterkamp open-air museum, to considerations regarding the type of actors to cast and diversity and inclusion in the reenactment community in general. This conversation was recorded on June 24th. The film has been released in the meantime.Support the show

Charlotte Weir, the vice president of partnerships for Roo, an online veterinary staffing and careers platform, the founder and co-owner of a small animal hospital, and the winner of the 2026 AVMA Unsung Hero Award, is this week's guest. Char's career has taken her from veterinary technician to practice manager, entrepreneur, and leader, with each step deepening her interest in the people behind veterinary medicine. She shares how her hands-on experiences in practice inspired her to tackle bigger challenges around staffing, career growth, and creating a more sustainable profession. Along the way, Char shares practical advice for us from her leadership philosophy centered on trust, communication, and working shoulder to shoulder with the people around her.Thank you to our podcast partner, NVA General Practice. NVA helps great vets become even greater with multiple paths to build a career that's uniquely yours. Wherever you want to go next, NVA has a path to help you get there. Visit Careers.NVA.com to find your next role.

Come with us to a land down under this week as we head back to Australia for a look at Peter Weir's first feature film, The Cars That Ate Paris. Paris is a small town with a terrible secret. Cars roll off the road at an alarming rate. The drivers are often killed in the crashes or rendered brain damaged. What's going on there? Poor mild-mannered Arthur finds out the hard way when his brother crashes the car and he is the only survivor left to find his way in this town where the people lure drivers to their deaths and then loot what remains. Things were going so well but the youth are restless. They tear around town in cars cobbled together from bits and pieces, nightmare vehicles that threaten to consume the entire town in a demolition derby of mayhem if anyone in town tries to impose any kind of order on them. In many ways, Weir's movie is a forerunner for Mad Max, painting a picture of an Australia in crisis. Fuel is as hard to come by as work is. Everyone is on edge and the old order is desperate to hold onto its power. It's an odd movie that Dave loves and Bryan is conflicted over. Check out this episode to get all the info. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠ https://www.bonfire.com/store/bring-me-the-axe-podcast/

FICPA CEO Shelly Weir says the profession survived its most serious deregulation fight yet. The threat isn't confined to Florida. Full show notes hereGear Up for GrowthWith Jean CaragherFor CPA TrendlinesFlorida CPAs came closer than many realized to losing the regulatory structure behind the CPA license, as a sweeping deregulation drive threatened the state Board of Accountancy and raised the possibility of a credential weakened to the point that “anybody could put those letters behind their name,” according to Shelly Weir, president and CEO of the Florida Institute of CPAs.MORE Jean Caragher here | Get her best-selling handbook, The 90-Day Marketing Plan for CPA Firms, here | MORE Gear Up for Growth here | MORE CPA Trendlines Streaming Network here“The elimination of the CPA license altogether – or having a license so degraded and devalued that anybody could put those letters behind their name – I don't know what terrifies me more,” Weir tells Jean Caragher in this episode of Gear Up for Growth.READ MORE > > > 

What lies beyond the official narrative of the unexplained? In this episode of Twilight Tonic, host DeeDee Moonflyer sits down with documentary filmmaker, writer, and researcher Darcy Weir to dive deep into the frontiers of ufology, cryptids, and high strangeness. Darcy shares the personal encounters that launched his filmmaking career—from spotting a metallic sphere above the clouds to confronting shadowy bedroom visitors. Together, DeeDee and Darcy pull back the curtain on government disclosure, separating genuine whistleblowers from psychological operations, the rise of sentient AI in interstellar travel, and the ongoing debate between spiritual and nuts-and-bolts alien visitation. The conversation expands into the world of cryptids, examining global Bigfoot traditions, Mothman prophecies, and the unreleased footage that never made it to the screen. Grab your favorite tonic, settle into your best comfy chair, and join us for a grounded, thought-provoking journey into parts unknown.

'DARREN TILL NEXT..?' - BARE-KNUCKLE FIGHTER SEAN WEIR ON CONOR COOKE, LOSES IN LIFE & RISE IN BKFC Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 357 features author Rob Weir, who discusses his book 7 Swings at 7: Mickey Mantle — Legend and Victim of American Culture and takes us behind the myth of one of baseball's most iconic figures. We also revisit our memorable interview with barbecue legends Moe Cason and Bob Trudnak. Rob Weir holds a PhD in American social history and is a retired University of Massachusetts Amherst professor.  He is the author of the book, 7 Swings at 7: Mickey Mantle - Legend and Victim of American Culture.  Weir's lifelong fascination with Mantle began when he was five years old. That personal connection, combined with his academic training, provides the foundation for 7 Swings at 7 and his exploration of why Mickey Mantle continues to fascinate generations of baseball fans. Mickey Mantle remains one of the most fascinating and complicated figures in baseball history. He was a Yankees superstar, a three-time MVP, a seven-time World Series champion, and one of the most celebrated athletes of the 1950s and 1960s. But behind the legendary home runs, incredible speed, and larger-than-life image was a man whose life was shaped by injuries, expectations, personal struggles, and the enormous cultural forces surrounding him. Moe Cason AKA Big Moe is an award winning pitmaster who has toiled for many years creating his well respected brand, Moe Cason Barbeque and his instantly recognizable, Big Moe persona.  Moe is a television personality, cookbook author, and a Navy veteran.  He has been featured in national television segments, including Steve Harvey's and Harry Connick Jr.'s talk shows and had his own segment on NatGeo's World of Flavor.  For more information on Big Moe Cason and to purchase his products go to  https://moecasonbbq.com/ Bob Trudnak has loved barbecue since the age of seven, when his dad placed him "in charge" of putting charcoal in the grill and from that day forward he was hooked.  In 1999, Bob helped co-found the company, BBQ Guru.  He is an award winning competive pitmaster.  Beyond competitions, he is a renowned judge and instructor, having hosted hundreds of in-person and virtual barbecue classes.  He is the creator of BBQ Bob's Sauces and BobbyT's Pizza Products.  His latest accomplishment is winning season seven of BBQ Brawl on the Food Network to become the Master of 'Cue.  For more information on Bob Trudnak go to https://bobtrudnakbbq.com/ We recommend you go to Rogue Cookers website, https://roguecookers.com/ for award-winning rubs, Chef Ray Sheehan's website, https://www.raysheehan.com/ for award-winning saucess, rubs, and cookbooks, Baseball BBQ, https://baseballbbq.com for special grilling tools and accessories, Magnechef https://magnechef.com/ for excellent and unique barbecue gloves,  Mantis BBQ, https://mantisbbq.com/ to purchase their outstanding sauces with a portion of the proceeds being donated to the Kidney Project, and for exceptional sauces, Elda's Kitchen https://eldaskitchen.com/ To team up against prostate cancer go to https://fansforthecure.org/ for Fans for the Cure, and to subscribe to Bill Chuck's newsletter, Billy-Ball go to  https://billchuck.substack.com/    We conclude the show with the song, Baseball Always Brings You Home from the musician, Dave Dresser and the poet, Shel Krakofsky. If you would like to contact the show, we would love to hear from you. Call the show:  (516) 855-8214 Email:  baseballandbbq@gmail.com Twitter:  @baseballandbbq Instagram:  baseballandbarbecue YouTube:  baseball and bbq Website:  https//baseballandbbq.weebly.com Facebook:  baseball and bbq       Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Under the EU Nature restoration plan, Ireland must draw up an inventory of artificial barriers on its rivers and decide which of them will come out to restore at least 25,000 kilometers of free flowing rivers by 2030. One of these barriers is Annacotty weir in Limerick on the river Mulkear. Head of Inland Fisheries Ireland Hazel King joined us to tell us more. And some locals told Ella McSweeney their concerns.See omnystudio.com/listener for privacy information.

Ao navegar, o povo Añuu ensina que não há caminho pré-traçado pela frente: há apenas a bruma que as embarcações desenham sobre as águas e a memória ancestral que deixamos atrás de nós. O futuro não é o que vem, é o que resgatamos para sustentar o presente. No nono episódio da série especial Utopias Amazônicas: Conversas com os Autores, o LatitudeCast recebe o professor, escritor e pensador indígena José Ángel Quintero Weir, membro do povo Añuu — habitantes originários do Grande Lago de Maracaibo e seus afluentes, na Venezuela. Doutor em Estudos Latino-Americanos pela UNAM e docente aposentado da Universidade de Zulia, Quintero Weir impulsiona iniciativas de educação intercultural e autônoma na região. No livro Utopias Amazônicas, o professor assina o ensaio “Fazer Utopia: filosofia da chave da água para um novo horizonte ético”. A partir do sentir-pensar añuu, o texto desconstrói a utopia ocidental como um “não lugar” abstrato e propõe a potência do Fazertopia — a prática comunitária e cotidiana de produzir e reproduzir o território. Conversamos sobre o conceito de Eirare (o lugar de ver com a totalidade do corpo e do espírito), a força vital do Aryuu que brota do coração da Terra, a relacionalidade ensinada por Carlos Walter Porto-Gonçalves, e a experiência da Universidade Autônoma Indígena baseada no Wainjirawa (“o que fazemos com o nosso coração”). Utopia não é um sonho abstrato para o amanhã. É a certeza de que a vida se afirma no ato concreto de cuidar do território e manter a teia da vida de pé hoje.

It's week 2 of the podcast and its time to go around the FCS landscape as we talk with Craig Haley from Stats Perform and longtime voice of the EWU Eagles, Larry Weir.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We return to St. Paul this week for a wonderful second set from August 6, 1982. The set hangs together beautifully, with the band locked in from start to finish. The opening Scarlet > Fire features some fine interplay between Jerry and Bob, with Garcia's lines dancing around Weir's rhythm. That same energy carries into Lost Sailor > Saint of Circumstance, which spills into Space and an 11‑beat, "Eleven"-style jam that sets up some exuberant drumming. Truckin' is not your usual 1982 fare either, with Brent and Phil adding plenty of snap and color. Post‑drums, a rare all‑Weir vocal segment brings a different flavor, highlighted by a lovely Goin' Down the Road Feelin' Bad into a rare non‑encore Johnny B. Goode. Jerry closes the night with a tender Baby Blue encore that feels very much of a piece with the mood of the set. Grateful Dead St. Paul Civic Center Arena St. Paul, MN 8/6/1982 - Friday Two Scarlet Begonias [13:16] > Fire On The Mountain [11:23] ; Lost Sailor [7:13] > Saint Of Circumstance [7:21] > Space [4:04] > Drums > Space [11:51] > Truckin' [7:13] > Wharf Rat [9:31] > Around And Around [4:15] > Goin' Down The Road Feeling Bad [8:34] > Johnny B. Goode [4:04] Encore It's All Over Now, Baby Blue/pre> You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod081426.mp3

Young people today are surrounded by voices telling them to discover their own truth, define their own identity, and create their own purpose. But what happens when the foundation underneath those ideas keeps shifting? In this episode of BaseCamp Live, Davies Owens sits down with Joshua Weir, author of In Not Of: Firm Foundations for Life, to explore what it takes to raise a generation grounded in a biblical worldview. Joshua explains why the increasing individualism of our culture can leave young people searching for identity, truth, and belonging, and why Christian formation requires more than simply protecting children from competing ideas. Parents and educators must help students understand the world as it truly is, reason from biblical truth, and recognize the communities and influences that are shaping them. The conversation also gets practical. Joshua discusses why parents need to model the convictions they hope to pass on, why "because I said so" may not prepare older children to navigate competing worldviews, and how intentional conversations around the dinner table can help children develop the reasoning they will need when parents and teachers aren't there. For educators, Joshua emphasizes the extraordinary opportunity of the classroom. Great Christian education isn't merely about transferring information or attaching Bible verses to a lesson. It's about helping students see truth woven throughout history, literature, art, relationships, and the whole of life. In a culture of shifting identities and competing truths, how can we give the next generation something solid enough to stand on? This conversation offers encouragement and practical wisdom for parents and educators committed to building firm foundations that will last. Special Thanks to our partners who make BaseCamp Live possible: Wisdom and EloquenceThe Herzog FoundationLife ArchitectsWisephone by TechlessZipCast Stay tuned for more enlightening discussions on classical Christian education, and join us next time on BaseCamp Live! Remember to subscribe, leave us a review, and reach out to us at info@basecamplive.comDon't forget to visit basecamplive.com for more info and past episodes.

How do you know it is time to bring in a 401(k) advisor—and how do you choose the right one without just chasing the lowest fee? In this episode, you'll hear how Weir Group structured an objective, employee-focused advisor search that balanced fiduciary prudence with true loyalty to their workforce.In this episode, Eric, Becky, and Puneet discuss:Need for advisory support beyond recordkeepingDefining prudence vs. loyalty in fiduciary governanceBuilding objective evaluation criteria for advisor searchesCulture fit and long-term partnershipKey Takeaways:An advisor search doesn't have to be triggered by a problem with the recordkeeper; it can be driven by the desire to enhance governance and education for participants.Strong fiduciary governance means being intentional about both prudence (process) and loyalty (acting for employees' best interests), not just minimizing organizational risk.Cost should be evaluated only after rigorously assessing culture fit, capabilities, and alignment with the plan's priorities and participant needs.Treating an advisor as a long-term partner—rather than a vendor—helps committees design a structured, unbiased search and choose the firm best positioned to support participants over time.“The first thing we looked at before we got our three objectives was: is this a good culture fit for us?” - Becky Stealey“Once those objectives are set, go back to your vendors, talk to them. Are there any additional services they have that you can utilize, so you're not paying double to both parties?” -Puneet BrarAbout Becky Stealey: Becky Stealey is a Benefits Manager with over 15 years of experience designing, managing, and optimizing employee benefits programs. She has led major implementations of benefits systems, HR platforms, and portals to enhance operational efficiency, compliance, and employee experience, and serves on 401(k) plan committees to guide retirement strategy and fiduciary governance.About Puneet Brar: Puneet Brar is a Senior Benefits Partner at Weir, overseeing U.S. retirement, health, and welfare benefit programs. Working closely with the Retirement Plan Committee and external advisors, she manages 401(k) plan operations, fiduciary compliance, vendor relationships, regulatory audits, and strategic initiatives designed to optimize plan administration and improve employee retirement outcomes.Connect with Becky Stealey:LinkedIn: https://www.linkedin.com/in/becky-stealey-a99308109/ Connect with Puneet Brar:LinkedIn: https://www.linkedin.com/in/puneet-brar-147012a/ Connect with Eric Dyson: Website: https://90northllc.com/Phone: 940-248-4800Email: contact@90northllc.com LinkedIn: https://www.linkedin.com/in/401kguy/ The information and content of this podcast are general in nature and are provided solely for educational and informational purposes. It is believed to be accurate and reliable as of the posting date, but may be subject to change.It is not intended to provide a specific recommendation for any type of product or service discussed in this presentation or to provide any warranties, investment advice, financial advice, tax, plan design, or legal advice (unless otherwise specifically indicated). Please consult your own independent advisor as to any investment, tax, or legal statements made.The specific facts and circumstances of all qualified plans can vary, and the information contained in this podcast may or may not apply to your individual circumstances or to your plan or client plan-specific circumstances.The opinions expressed by guests on the Be More Than a Fiduciary podcast are not necessarily the same as the opinions held by 90 North Consulting or by Executive Director Eric Dyson.

On The Front Porch - John Weir [00:00:00] On The Front Porch - John Weir [00:11:02] John Weir - OSU - ON THE FRONT PORCH - PART TW [00:22:05] ON THE FRONT PORCH - PART THREE [00:33:07] John Weir - OSU - ON THE FRONT PORCH - PART FOSee omnystudio.com/listener for privacy information.

This week we are once again joined by librarian and über-geek Shauna to discuss Andy Weir's collection of short stories. As always, Weir gives us enthralling and relatable characters, plausible science fiction, and a few twists that make you immediately want to read the story again.Today's root beer is A&W's Root Beer Float-flavored soda.Intro and Outro music by Stockmusic331 on Pond5Send us Fan Mail

A company with “nothing broken” in its 401(k) plan decides it still wants to be better—so what happens next? In this episode, you'll hear how a benefits committee clarified its priorities, navigated the 3(21) vs 3(38) decision, and ran a disciplined advisor search that elevated both fiduciary governance and employee outcomes.In this episode, Eric and Jeremy Burroughs discuss:Background on ESCO, Weir, and committee chair responsibilitiesWhy a solid 401(k) plan still needed an advisorSetting clear priorities and using them as a “north star”3(21) vs 3(38) advisors and committee compositionRunning finalist presentations and empowering every committee voiceKey Takeaways:A retirement plan can be functioning well on the surface and still benefit greatly from more structure, rigor, and the addition of an outside advisor.Defining a small set of clear priorities early in an advisor search—and returning to them often—keeps every decision aligned and consistent.The choice between a 3(21) and 3(38) advisor should reflect the actual strengths, bandwidth, and investment expertise of the committee, not just past experience.Effective searches invite honest, value-adding presentations from finalists and encourage every committee member to ask direct, practical questions.Having the confidence to share opinions, concerns, and preferences is essential; silence in the room can prevent the committee from reaching the best decision for participants.“In business, the relationships that you develop over time are really important. And if you have trusted relationships, they're that much more important.” - Jeremy BurroughsJeremy C. Burroughs serves as the Weir Group Inc.'s President and Head of North American Tax. In his role, Mr. Jeremy oversees all Weir tax operations in North America as well as the global tax operations for the ESCO Division. Jeremy joined Weir as part of its acquisition of ESCO Corporation, where he served as the Company's Vice President, Tax and Treasurer. Mr. Burroughs has served as Chairperson of the ESCO Division's North America benefit plans for over ten years. Mr. Burroughs is a Certified Public Accountant and, prior to joining ESCO Corporation, spent 11 years at Grant Thornton LLP and KPMG LLP.Connect with Jeremy Burroughs:Website: https://www.global.weir/ LinkedIn: https://www.linkedin.com/in/jeremy-burroughs-tax-exec/ Connect with Eric Dyson: Website: https://90northllc.com/Phone: 940-248-4800Email: contact@90northllc.com LinkedIn: https://www.linkedin.com/in/401kguy/ The information and content of this podcast are general in nature and are provided solely for educational and informational purposes. It is believed to be accurate and reliable as of the posting date, but may be subject to change.It is not intended to provide a specific recommendation for any type of product or service discussed in this presentation or to provide any warranties, investment advice, financial advice, tax, plan design, or legal advice (unless otherwise specifically indicated). Please consult your own independent advisor as to any investment, tax, or legal statements made.The specific facts and circumstances of all qualified plans can vary, and the information contained in this podcast may or may not apply to your individual circumstances or to your plan or client plan-specific circumstances.The opinions expressed by guests on the Be More Than a Fiduciary podcast are not necessarily the same as the opinions held by 90 North Consulting or by Executive Director Eric Dyson.

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Take 241: Harrison Ford In Review — Episode 2The Peter Weir years. Jonathan and JP dig into the two-film stretch that makes the strongest case for Harrison Ford as a serious actor — and the one that proves audiences weren't ready to follow him there.First, Witness. The film every major studio passed on, that John Badham dismissed as "just another cop movie," that Sylvester Stallone turned down and later called one of the worst decisions of his career. The film that got Ford his only Oscar nomination, that Roger Ebert called a thriller Hitchcock would have been proud of, and that Peter Weir shot with the same cinematographer, composer, and editor he'd bring to the very next film. The barn-raising sequence. The dance to Wonderful World. The final porch scene with no dialogue at all. The big question: is this the best performance Ford ever gave?Then The Mosquito Coast. The film Weir had been trying to make since 1981, the one Jack Nicholson left over salary, the one Paul Schrader wrote, the one River Phoenix made at 15 years old before Stand By Me had even come out. Ford playing Allie Fox — brilliant, volatile, increasingly unhinged, dragging his family into the jungle on the conviction that America is finished and he can build something better from scratch. A character so far from Han Solo and John Book that audiences simply didn't show up. $14.3 million on a $25 million budget. Zero Oscar nominations. A genuine financial disaster.And underneath both films, the same question: Weir and Ford missed the Witness Oscar ceremony because they were already in Belize shooting Mosquito Coast. The film they skipped the ceremony for then flopped. Ford went back toward safer, more commercial roles. Indiana Jones. Patriot Games. The rest of the career we all know.Did the failure of Mosquito Coast close a door? And if audiences had embraced it — what kind of actor does Harrison Ford become?

Filmmaker Darcy Weir joins Martin Willis and UFO Jack for a candid conversation about psychic phenomena, remote viewing, UFO experiencers, whistleblowers, and separating credible evidence from compelling fiction. They explore Project Stargate, Phil Schneider, Travis Walton, Bob Lazar, government disinformation, secret technology, CE5, Jake Barber, and strange entities reported in cases such as Voronezh and Pascagoula. Visit PodcastUFO.com to explore hundreds of historical UFO articles by Charles Lear and support the show for an ad-free experience. SHOW NOTESCONTACT AND SUPPORT

Hayden and Kyndall have been brining in Lil' Weir all week and this year as Hayden got to celebrate his first Father's Day this beer was a present to himself. I Love It When You Call Me Big Poppa is a IPA that has no right being as huge and flavorful as it is. Get this one this weekend while it's on tap because Kyndall may never let him brew this beer again!

Leave it to Weir beer to meme on Sponge Bob for thier first anniversary. A beer that was only suppose to be for that party has become a regular tap room favorite, He Was #1 Pale Ale is another one of those beers that straddles the line between what is a IPA, Pale Ale, and a West Coast IPA.

In the celebration of pickles that will take place at Weir Beer this weekend, today's beer was an unexpected surprise! After the delicious pIckle bomb that was Tommy Pickles Hard Seltzer, Mr. Big Dill Pickle Lager uses that same Wier magic to deliever a crushable and easy drinking beer that still holds all the flavor and essence of that briney superstar.

Documentary filmmaker and occult researcher Darcy Weir joins the program to discuss his research into the UFO phenomenon. We discuss proven fake UFO stories that have taken the internet by storm, along with real but less flashy cases that deserve much closer scrutiny. Darcy claims many UFO and alien sightings are actually advanced government programs rather than extraterrestrial craft. He explains the extraordinary lengths governments have gone to conceal their advanced technology by making it appear to be alien in origin.See more at occultjourneys.com

It's the reason for the party this weekend at Weir Beer! Tommy Pickles Hard Seltzer was the cataylist for last years pickle party. Light, bubby and more on the cucumber/dill end of pickle goodness. This is the kinda of beverage that becomes an unexpected favorite and if you're a reall monster Weir offers it with a shot of pickle brine to either add to your beverage or just shoot.

Back with new episodes! It's been a long holiday break but we get back into it with hot weather and a Pickle party! Hayden and Kyndall drop in all week to talk about their 2nd Annual Pickle Party this weekend and what else they have been brewing like todays, It's A Beer! inspired by everyone's favorite video game plumber.

Bronwyn Weir, Managing Director of Weir Legal and Consulting and co-author of the Building Confidence Report and Associate Professor Dr Matthew Bell, Co-Director of Studies at the Melbourne Law School, join the conversation to unpack major reforms reshaping Victoria’s residential building system. Both bring deep expertise in construction law and regulatory design, with a focus on how building regulation impacts consumers, practitioners, and industry accountability. In this episode, Bronwyn and Matthew explore the drivers behind Victoria’s building reforms, including past system failures, combustible cladding, and weaknesses in regulatory oversight. They discuss the transition from the Victorian Building Authority to the new Building and Plumbing Commission, the introduction of first resort insurance, expanded rectification and enforcement powers, and the new building system objective focused on health and safety. The conversation also examines whether these reforms will meaningfully improve outcomes, shift industry behaviour, and rebuild trust in the construction sector. Resources and links: Bronwyn Weir on LinkedIn: https://www.linkedin.com/in/bronwyn-weir-3076671a/ Matthew Bell on LinkedIn: https://www.linkedin.com/in/matthew-bell-b69a2a7/ Connect: The Society of Construction Law Australia website: https://www.scl.org.au/ The Society of Construction Law Australia on LinkedIn: https://www.linkedin.com/company/society-of-construction-law-australia/ Disclaimer: The views and opinions expressed in this podcast series are those of the individual contributors and are not necessarily endorsed by the Society of Construction Law Australia (SoCLA). The content is provided for general informational purposes only and does not constitute legal, professional, or other advice. Listeners should consider their own circumstances and seek appropriate advice from qualified professionals before acting on any information contained in this podcast. This show is produced in collaboration with SoundCartel. Visit soundcartel.com.au for more information.See omnystudio.com/listener for privacy information.

Jayme and Weir have a problem with all these neighborhood fireworks full 2437 Mon, 06 Jul 2026 15:00:00 +0000 5oANA9yL7VJvRMp1YtCtMwpUpECtdYkG news MIDDAY with JAYME & WIER news Jayme and Weir have a problem with all these neighborhood fireworks From local news & politics, to what's trending, sports & personal stories...MIDDAY with JAYME & WIER will get you through the middle of your day! © 2025 Audacy, Inc. News https://player.amperwavepod

Filmmaker Darcy Weir joins the show for a wide-ranging conversation about fringe documentaries, Sasquatch evidence, UFO disclosure, hidden history, and the price that comes with challenging popular narratives. Darcy looks back on his early work covering Philip Schneider and the underground-base claims, then traces the path that led him into cryptids and Sasquatch through films like The Unwonted Sasquatch and Sasquatch Among Wild Men.The conversation explores Darcy's habit of tackling strange subjects before they break into the mainstream, from UFO secrecy to global “wild man” traditions and the possibility of surviving relic hominids. He and the host discuss the evidence that keeps serious researchers in the conversation, including the work of Grover Krantz and Dr. Jeffrey Meldrum, while also looking at why official acknowledgment of Sasquatch could create economic, legal, land-use, and public-safety problems for institutions that would rather leave the subject alone.They also get into the fractures inside the Bigfoot community itself, from hoaxers and sensational claims to the growing divide between researchers who focus on physical evidence and those who push paranormal, portal-based, or interdimensional explanations. The Patterson–Gimlin film comes up again as a flashpoint, along with renewed debate surrounding Capturing Bigfoot and the long shadow that famous footage still casts over the entire field.From there, the discussion widens into the overlap between Bigfoot culture and the UFO world, where serious questions are often buried under hype, ego, entertainment, and claims that outrun the evidence.Darcy shares his perspective on recent alien-related statements from lawmakers, the public's hunger for disclosure, and the way fringe communities punish anyone who questions the story they want to believe. That backlash, Darcy argues, is part of the “truth tax” paid by people who are willing to follow the evidence even when it costs them support, access, or popularity.Watch SECRET SPACE UFOs: Fastwalkers & Rise of the TR3BWatch DARK ALLIANCE: The Next GenerationWatch PUERTO RICO'S UAPEmail BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Send us Fan MailI tell you my favorite part of my Scotland Trip and tie it to a great story about Mary Queen of Scots and a severed head! The Tom Sandoval and Victoria Lee Robinson fire pit video just dropped and I have exclusive details that are NOT being reported anywhere else. I'm breaking down exactly what was really happening in that room before the cameras caught it, why Tom Sandoval pushed Victoria Lee Robinson's father Will Robinson into the lit fire pit, and the real reason this all exploded on June 3rd. I also walk you through Vanderpump Rules Alumni, Tom Sandoval's entire toxic relationship history with Kristen Doute, Ariana Madix, Rachel Leviss, and now Victoria Lee Robinson because once you see the pattern across every single relationship, you will never look at this Vanderpump Rules star the same way again. Was Tom Sandoval the victim here or is this the same playbook he always runs? I'm giving you the timeline, the receipts, and the tea that changes everything. I also got EXCLUSIVE TEA that no one else has about this story and most of that is in the Dishing Drama Dana Patreon! I'm dropping the bombshell detail about something Tom Sandoval allegedly forced Victoria Lee Robinson to do that caused her tremendous pain, the proof that could blow up his entire case, the real reason Ladies of London: The New Reign got cancelled and who I think is behind the rumor going around, a Caroline Manzo family member taking shots at Jacqueline Laurita, and Part 2 of my mind-blowing conversation with UAP filmmaker Darcy Weir exposing every single Cosmic Disclosure grifter on Gaia TV one by one — and trust me, you have never heard anything like it.

Are secret space programs real? What evidence actually exists, and where does legitimate research end and speculation begin?In this fascinating episode of Truth Be Told, host Tony Sweet welcomes award-winning filmmaker Darcy Weir to explore one of the most controversial subjects in UFO research. Darcy discusses decades of military secrecy, black budget aerospace projects, UAP investigations, NASA's hidden history, and why critical thinking has never been more important in today's era of "disclosure."Throughout the conversation, Darcy explains why he focuses on documented evidence rather than sensational claims, shares behind-the-scenes stories from his latest documentaries, discusses the growing misinformation surrounding the Secret Space Program narrative, and reveals what he's currently working on—including an upcoming documentary on time travel.Topics include:Secret Space ProgramsThe TR-3B MysteryFastwalkers & UAP EncountersNASA and UFO ReportsDisclosure vs. DisinformationDark Alliance: The Next GenerationPascagoula UFO AbductionPuerto Rico UAP IncidentsGovernment TransparencyMilitary Black ProjectsFuture Space ExplorationWhat's Next for UFO Disclosure?If you enjoy thoughtful conversations that separate evidence from speculation, this is an episode you won't want to miss.

This episode, Keepers Bridgett & Evan unpack the best ways to begin a scenario! We're going to define what the means, things to consider, best practices, worst practices, and even provide you with some recommendations on authors who truly stuck the landing on a strong opener! Patreon Plug & Update Hey listeners! Did you know that MUP has a Patreon? That's right! We do!  You can directly support the show, and our surrounding community, by becoming a Patreon! “Dr Weir’s Optometry and Travel Agency: Where you’re going, you won’t need eyes to see.” Submitted by iPwned Head over to patreon.com/MUP or click the patreon icon on the sidebar of our website. If you're able to support us, we'd appreciate it! Patreon, we offer everything from exclusive backer only bonus content, Patreon only episodes, backer only hangouts, access to our backer only portal on Discord, and more! The Discord Plug Our MUP Discord and we are all there! We invite all of our listeners to come and enjoy the community of horror gaming and cute pet pics. Link in the show notes: MU Discord server invite link: https://discord.gg/vNjEv9D  And thank you to our editor NATE for editing this episode.  Bridgett's Pet Pick Shout Out Tonight, I'd like to shout out friend of the show, GroucyLenny and their cats, Lily and Camille, who are captured here with the caption– nefarious plan is to absorb all of the sun's energy to destroy humankind. Wait. You guys are getting sun? I'm in Ohio. I haven't seen the sun since October 2025. Can I join this plan?? Thanks for sharing with us, GroucyLenny! Main Topic Hello, everyone, and welcome to the Main Topic! Tonight, we're going to unpack the best ways to begin a scenario! We're going to define what the means, things to consider, best practices, worst practices, and even provide you with some recommendations on authors who truly stuck the landing on a strong opener!  From a storytelling perspective and from a game design standpoint, this is such an important topic that I don't believe it is getting enough affection. It needs some love, so I'm happy that we're slowing down to really explore the impact that introductory scenes and onboarding have on the rest of your game and storytelling experience! What is the beginning of the scenario? Is this… a roundtable of character introductions? What do you look like, name, occupation? Is this an opening scene? Is this worldbuilding? Why do we care about this topic? Arguably, the introduction, climax, and conclusion are the most essential and vital points of storytelling Essential things to establish? The world The vibe/genre/tone/expectation Your PC's place and impact in the world Character connection Level of buy-in/care Good Examples: Sorrow in Tsvao by Bridgett Jeffries (begins with a team meeting) buff.ly/3AvlvAr Taken for Granite by Jade Griffin's (begins with a car crash) https://www.drivethrurpg.com/en/product/379700/taken-for-granite Graham Walmsley's Cosmic Dark  Opening scenes for a campaign: Two-Headed Serpent drops you right in the action and sprays your face with blood, while setting up the central mystery of the campaign. HotOE lets you fool around at a party with some characters who later become important but it doesn't do much to establish the plot. [As a counter-example, the start of The Haunting often flops because it's geared towards new players and doesn't immediately put them in the action.]  Homework Dear listener, tell us of your favorite scenario start!  

Send us Fan MailWith Steven Spielberg's new film Disclosure dropping and President Trump's UAP files being declassified in real time, this felt like the moment I had to bring you this story. I brought on UAP documentary filmmaker Darcy Weir to break down something that's going to blow your mind — a massive grift happening in the UAP and paranormal world that operates eerily similar to Scientology, and once you hear the parallels, you will never look at these "disclosure" influencers the same way again. We get into Corey Goode, David Wilcock, and the Gaia show Cosmic Disclosure — the secret space program mythology they built, the lawsuits, the money, and a mysterious death that's sparked a whole new conspiracy of its own. I even tie it back to Real Housewives of Beverly Hills and a cast member's own manifestation grift, so stick around for that twist. Then I'm getting into massive RHONJ tea — Milania Giudice has reportedly been sent somewhere very specific, and I'm telling you exactly what that means and why Bravo's version of events doesn't add up. I also have proof that someone very specific is still controlling her social media, and wait until you hear how I figured it out. Plus, there's a wild detail about what really happened the day the police were called that nobody's talking about, and a rumor about who might be stepping back from the show entirely this season. Then it's a full Summer House breakdown — the real reason behind West Wilson's alleged master plan to take over the show, what really went down between him, Amanda Batula, and the rest of the cast, plus Meija Moreno's side of the story that didn't make it to air and the explosive cut scene with Lindsay Hubbard that you need to hear to believe. FULL EPISODE IN THE https://www.patreon.com/cw/DishingDramaWithDanaWilkey

Weir is in a psychiatric hospital and told that the Stargate isn't real in The Real World.  This is not our favorite trope or scifi plot. We always know from the start that what the character is told is the truth isn't the truth and there's too much time spent there when we would much rather get to what's actually happening and spend the episode there. Rodney and Beckett are really fun together in this episode, though. Along with that older lady in the hospital who goes on about the cold-blooded aliens from one of Satrun's moons. INSTAGRAM: SG_Rewatch THREADS: SG_Rewatch DISCORD: https://discord.gg/65kMPzBuaN MERCH: https://showclub.redbubble.com/ EMAIL: woosgrewatch@gmail.com

Dr. Weir stays behind on the Asuran homeworld so Sheppard's team can get away with the ZPM in SGA S4E2. Lisa Jones, Jeff Haecker, and Victor Lams break down the heist, the farewell, and Samantha Carter's quiet arrival. The post Lifeline (SGA) appeared first on StarQuest Media.

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Dead have a long history of great Spring performances, and 1980 was no exception. This week we go to Nassau for the May 14, 1980 show at the Nassau Coliseum in Uniondale, New York. This was the first night of a three‑show run, with the last two nights later compiled on the 2002 "Go To Nassau" release, leaving this opening show as the odd one out from the official catalog. This show comes shortly after the "Go To Heaven" release, so they open with "Alabama Getaway." Jerry gives us a fine reading of "Candyman," and the arrangements on Weir's "country" tunes—"Mexicali Blues" and "El Paso"—are rockin'. "Tennessee Jed" follows, with Brent providing a lovely counterpoint to Garcia's leads. "Let It Grow" then leads into a still‑new "Althea." Another "Go To Heaven" tune follows, Brent's "Easy to Love You," which leads into a rocking, set‑closing "Music Never Stopped." Let's settle in at Nassau Coliseum, May 14, 1980, on this week's Deadpod. Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/14/1980 - Wednesday One     Alabama Getaway [4:10] > The Promised Land [4:08] ; Candyman [7:32] ; Mexicali Blues [4:33] > El Paso [4:22] ; Tennessee Jed [9:25] ; Let It Grow [9:00] > Althea [8:15] ; Easy To Love You [3:49] > The Music Never Stopped [7:38]  You can listen to this week's Deadpod here:  https://traffic.libsyn.com/deadshow/deadpod050826.mp3   As always my sincere thanks for your kind support.  

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We discuss the hard sci-fi film Project Hail Mary, which along with The Martian (2015) was based on a novel by Andy Weir and adapted by Drew Goddard. Mark, Lawrence, Sarahlyn and Al consider how hard we actually like our sci-fi, the directors of these films (by Lord/Miller and Ridley Scott respectively), how the books got adapted, Weir's other work (Artemis, some webcomics, etc.), and more. How does Weir make a series of scientific problems into an actual, enjoyable plot? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Visit squarespace.com/PRETTY (code PRETTY) for a free trial and 10% off your first website or domain.