Podcasts about other one

It's a bird, it's a plane it's a . . . FiGpod!  Enjoy this one from 4/9/82 where Bobby kind of forgets where he is.  Along the way FiG will discuss additional remembrances for Donna Jean and will give an update on the big Archive fundraiser, URL below:   https://donate.archive.org/team/776830   Here's the set (we'll be featuring set 1):   One Alabama Getaway [4:41] > Greatest Story Ever Told [3:58] ; Dire Wolf [3:12] > C C Rider [7:45] ; Bird Song [8:15] ; It's All Over Now [7:47] ; Loser [6:43] ; New Minglewood Blues [6:58] ; China Cat Sunflower [5:02] > I Know You Rider [5:23] Two Man Smart (Woman Smarter) [6:54] ; To Lay Me Down [9:00] ; Lost Sailor [6:21] > Saint Of Circumstance [7:19] > Drums [2:34#] > Space [7:28] > The Other One [7:08] > Stella Blue [7:32] > Goin' Down The Road Feeling Bad [6:11] > (I Can't Get No) Satisfaction [6:37] Encore Brokedown Palace [5:14] 

 We continue with the second set from the Uptown Theatre in Chicago on November 18, 1978.  This one starts with a fine Scarlet>Fire, perhaps a bit shorter than some, but with some nice Garcia intensity leading into Fire. Miracle follows leading into an excellent 'He's Gone' - there's an interesting jam here unlike most you'll hear in this song. The recording really brings this one home. Instead of going right into Drums, we get Bobby and Phil leading the band into a fine 'Other One'. Once they do go into Drums, they go into a unique Ollin Arageed space.. 'Wharf Rat' then 'Sugar Magnolia ' end the set, but surprise, they do a 'One More Saturday Night' encore...   Grateful Dead Uptown Theatre Chicago, IL 11/18/1978 - Saturday Two      Scarlet Begonias [11:35] > Fire On The Mountain [7:05] ; I Need A Miracle [7:52] > He's Gone [11:09] > The Other One [13:29] > Drums [6:34] > Space [2:34] > Wharf Rat [9:10] > Sugar Magnolia [8:44] Encore      One More Saturday Night [4:45]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod111425.mp3   My thanks for your very kind support of the Deadpod 

Doug Schmell joins us to discuss the best show of 1971...Freddy King tribute...Tennessee Jed hand grenade....A Bobby McGee gem...The Other One!!!...A marathon of Robert Hunter classics....

A routine bank delivery turns into a night of sinister secrets when a young clerk visits a wealthy recluse in the lonely hills of West Virginia. What he discovers in the cellar — and later inside a wine cask — reveals a decade-old revenge no one imagined. The Other One by A. H. Gibson. That's next on The Lost Sci-Fi Podcast.This story by A. H. Gibson delivers the kind of eerie, slow-building tension that early pulp fiction did best. There are no aliens or machines, just good old fashioned pulp fiction.We know very little about A. H. Gibson, whose story appeared in The Black Cat magazine in the late 1800s — a publication renowned for its strange, psychological, and macabre fiction. Though Gibson never achieved fame, The Other One proves why forgotten writers from the early pulp era deserve rediscovery. It stands as a perfect example of what “lost” truly means — a dark gem waiting to be found again.From the second issue of The Black Cat in November 1895, on page 34, The Other One by A. H. Gibson…Next on The Lost Sci-Fi Podcast, A screaming meteor tears out of the sky and leaves more than a crater in its wake—inside it lies a mystery that bends the laws of physics. When Charlie King steps into the blue haze surrounding the fallen stone, he discovers that rescuing the Meteor Girl may require a leap across space-time itself. The Meteor Girl by Jack Williamson.Newsletter - https://lostscifi.com/free/☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://x.com/LostSciFiPod❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$100 Tony from the Future$75 James Van Maanenberg$50 MizzBassie, Anonymous Listener$25 Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Every Month Someone$15 Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Every Month Eaten by a Grue$5 Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous ListenerPlease participate in our podcast survey https://podcastsurvey.typeform.com/to/gNLcxQlk Hosted on Acast. See acast.com/privacy for more information.

Two men cross into a mysterious fourth-dimensional world in search of a rare element that could save their own civilization — or destroy another. But the moment they arrive, they discover they are not the only ones with a hidden agenda… and not everyone plans to return alive. Shadow World by Ray Cummings. That's next on The Lost Sci-Fi Podcast.You may be wondering why I haven't mentioned Rise the wellness drink for some time. A listener gave us a scathing review and said I was shilling for a product of questionable origin. I thought, what if he's right? So I didn't take Rise for to see what would happen. Two weeks later in the middle of the night I woke up to horrific diabetic neuropathy pain and couldn't go back to sleep. Two nights later, same thing. So I started taking Rise again and I will never stop. No more pain! You can give us a 1 star review and you can think whatever you want to think even though you have never taken it. I take Rise, and I know, I don't think or hope it works, I know it works for me. No more pain, more energy, I feel better when I take Rise and I'm telling you about it because I know it works. I don't just recommend Rise, I depend on it to be pain free. Try it for yourself, there's a link in the description and on lostscifi.com.

A sad week on the pod as your hosts FiG and Knob remember the life and legacy of Donna Jean Godchaux, who was an official member of the band from 1972 to 1979 and whose work made an indelible impact. Along the way way we'll get an update on the fundraiser for the Archive and read some reddit comments about this week's show, 11/14/71, the first set of which follows our discussion.    Here's the set:    One        Bertha [5:54] ; Beat It On Down The Line [3:00] ; China Cat Sunflower [5:24] > I Know You Rider [5:18] ; El Paso [4:34] > Sugaree [6:27] ; Jack Straw [4:52] ; Big Railroad Blues [3:20] ; Me And Bobby McGee [5:31] ; Loser [6:24] ; Playing In The Band [5:59] ; Tennessee Jed [6:47] ; You Win Again [2:17] ; Mexicali Blues [3:18] ; Casey Jones [5:25] ; One More Saturday Night [4:30]   Two        Truckin' [10:30] > Drums [4:24] > The Other One [9:14] > Me And My Uncle [2:58] > The Other One [12:21] > Wharf Rat [9:43] > Sugar Magnolia [6:25] Encore     Johnny B. Goode [3:52] 

Happy Halloween!! In honor of the fact that this week's Deadpod falls on Halloween, I decided to go back and find an appropriate show that the band played on this date... I think this one from 1969 is certainly worthy of a listen.. The show starts out with a truly nasty recording of Casey Jones - I left it in for the sake of completeness, but I hope you will stick with it as the recording greatly improves after that. There is a fair bit of hiss throughout but nevertheless this is a wonderful artifact of the young Grateful Dead.. The Cryptical>Drums>OtherOne>Cryptical has a wild drum segment that is great fun, and the China>Rider has a very nice transition jam between them. The second set highlights include a Pigpen taking over at the end here, with the last three songs showcasing his blues delivery. 'Easy Wind' was still relatively new - this is the 7th time played, and the tape ends with a massive 30+minute Lovelight ;) Grateful Dead 10/31/69 San Jose State University San Jose, CA One: Casey Jones Yellow Dog Story Dire Wolf It Hurts Me Too Cryptical Envelopment> Drums> The Other One> Cryptical Envelopment> 2 China Cat Sunflower> Jam> I Know You Rider Two: High Time Sittin' On Top Of The World Next Time You See Me> Easy Wind Turn On Your Lovelight COMMENTS Casey Jones cuts in just after the first notes of the tune. Lovelight cuts off during the final flourishes. DeadBase IX lists a Mama Tried after I Know You Rider. You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod103125.mp3 Have a safe and fun Halloween !!!

I fell in love with a show from 73! Hear your hosts FiG and Game talk about this excellent show! Conversations abound about Bobby's birthday (and Johnny's), as well as an update to the subreddit's Archive.org fundraiser     Here's the set (we feature set 1):   One Bertha ; Mexicali Blues ; Deal ; Looks Like Rain ; Don't Ease Me In ; The Race Is On ; Loser ; Jack Straw ; China Cat Sunflower > I Know You Rider ; El Paso ; Tennessee Jed ; Big River ; Row Jimmy ; Weather Report Suite Prelude > Weather Report Suite Part 1 > Let It Grow Two Greatest Story Ever Told ; Sugaree ; Me And My Uncle ; He's Gone > Truckin' > The Other One > Space > Me And Bobby McGee ; Eyes Of The World ; Around And Around > Goin' Down The Road Feeling Bad > Casey Jones Encore Johnny B. Goode 

Boarding this week's giddy carousel of news, we ride the following ponies … … the Sliding Doors moment that made a ‘50s star a fortune … Soft Cell's Dave Ball and the art of being the Other One in a pop duo … Bohemian Rhapsody, O Superman, I Feel Fine: records that sounded like nothing before them … what links the Prodigy, Wet Leg, Daft Punk and Donna Summer? … how all bands need a bad patch to make you appreciate the good ones … “the concept album is a good servant but a bad master” … Expensive = Reassuringly valuable? Cheap = Worthless? … a new Taylor Swift album in ‘sweat and vanilla-perfumed orange glitter vinyl', anyone? … and the tricks singers use to disguise the fact that they can't hit the top notes anymore. … plus ‘the Siege and Investiture of Baron von Frankenstein's Castle at Weisseria' by Blue Öyster Cult and birthday guest Phil Hopwood on best and worst concept albums.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Boarding this week's giddy carousel of news, we ride the following ponies … … the Sliding Doors moment that made a ‘50s star a fortune … Soft Cell's Dave Ball and the art of being the Other One in a pop duo … Bohemian Rhapsody, O Superman, I Feel Fine: records that sounded like nothing before them … what links the Prodigy, Wet Leg, Daft Punk and Donna Summer? … how all bands need a bad patch to make you appreciate the good ones … “the concept album is a good servant but a bad master” … Expensive = Reassuringly valuable? Cheap = Worthless? … a new Taylor Swift album in ‘sweat and vanilla-perfumed orange glitter vinyl', anyone? … and the tricks singers use to disguise the fact that they can't hit the top notes anymore. … plus ‘the Siege and Investiture of Baron von Frankenstein's Castle at Weisseria' by Blue Öyster Cult and birthday guest Phil Hopwood on best and worst concept albums.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Boarding this week's giddy carousel of news, we ride the following ponies … … the Sliding Doors moment that made a ‘50s star a fortune … Soft Cell's Dave Ball and the art of being the Other One in a pop duo … Bohemian Rhapsody, O Superman, I Feel Fine: records that sounded like nothing before them … what links the Prodigy, Wet Leg, Daft Punk and Donna Summer? … how all bands need a bad patch to make you appreciate the good ones … “the concept album is a good servant but a bad master” … Expensive = Reassuringly valuable? Cheap = Worthless? … a new Taylor Swift album in ‘sweat and vanilla-perfumed orange glitter vinyl', anyone? … and the tricks singers use to disguise the fact that they can't hit the top notes anymore. … plus ‘the Siege and Investiture of Baron von Frankenstein's Castle at Weisseria' by Blue Öyster Cult and birthday guest Phil Hopwood on best and worst concept albums.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We're back for the second (?) European tour of 1981!  Your hosts Game and FiG will talk about this smoker of a show (including the last ever set 2 Sugaree) and wrap up the West LA Giveaway as well as introduce a new fundraising effort to help the Archive!  https://www.reddit.com/r/gratefuldead/comments/1o5tepa/lets_donate_to_archiveorg/   Here's the set:   Set 1: Shakedown Street > Bertha > Minglewood Blues , Friend Of The Devil > El Paso , Tennessee Jed , Me And My Uncle > Big River , Bird Song > Let It Grow > Deal Set 2: Man Smart (Woman Smarter) , Sugaree [1] , Lost Sailor > Saint Of Circumstance > Eyes Of The World > Drums > Space > Truckin' > The Other One > Wharf Rat > One More Saturday Night Encore: Casey Jones    

http://deadshow.blogspot.com This week here on the Deadpod is a fine second set from the band's show over in London England on October 4, 1981. I'm sure you'll agree that this is a fine performance by the boys.. Some of the highlights are a smokin' Samson and Delilah, the jam between Scarlet and Fire, and an interesting 'Lost Sailor'. Drums is notable for the 'Spanish Jam' leading into a fine 'Other One'. All this is captured in a fine recording..  Grateful Dead Rainbow Theatre London, England 10/4/1981 - Sunday Two      Cold Rain And Snow [6:25] > Samson And Delilah [7:#09]  Scarlet Begonias [12:20] > Fire On The Mountain [11:36]  Lost Sailor [7:52] > Saint Of Circumstance [7:#21] > Space [1:58] > Drums [4:36#] > Space [11:21] > The Other One [7:54] > Wharf Rat [9:47] > Sugar Magnolia [8:06] Encore      Don't Ease Me In [3:11]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod101025.mp3   Never miss a Sunday show!  

Special Guest Host tonight - Paul 'The Other One' BarlowTonight we have co-leader of te pati Māori, Debbie Ngarewa-Packer, LIVE at 9pm to wrap up our series of having the left leaders on to talk about this Government's decision to sit on the wrong side of history by not recognising the statehood of PalestinePodcasting FBI Director Kash Patel brought illegal guns into NZ and gave them as gifts to leaders he was meeting with. So one o the US' top lawmakers coming to NZ and breaking some pretty serious laws. It's either a sign of complete arrogance or ignorance...either way its not a good look.We'll catch up with Paul on his Red Flags series for the local body electionsAnd we might have a look at another shooting in the US that the Conservatives are being very quiet about, even though they have just drawn a line in the sand over violence around the Charlie Kirk assassination...which is strange...I wonder if there is a reason for that?=================================Come support the work we're doing by becoming a Patron of ⁠⁠#BHN⁠⁠ www.patreon.com/BigHairyNews⁠=================================Merch available at www.BHNShop.nz Like us on Facebookwww.facebook.com/BigHairyNews Follow us on Twitter.@patbrittenden @Chewie_NZFollow us on BlueskyPat @patbrittenden.bsky.socialChewie @chewienz.bsky.socialEmily @iamprettyawesome.bsky.socialMagenta @xkaosmagex.bsky.social

This week I have the pleasure of presenting this second set from the band's performance at the Greek Theater in Berkeley California on September 11, 1981. They are energized throughout.. the opening Stranger builds until they go into a unique 'Franklin's Tower'. Garcia is firing here. Things calm a bit with the 'Man Smart, Woman Smarter' but the 'He's Gone' that follows is first rate. Check out the jam at the end of 'Truckin' for some wonderful jamming into Drums. Post-drums is equally enjoyable with a fine 'Other One' leading into a great 'Morning Dew'. The 'Johnny B Goode' set closer seems appropriate..   Grateful Dead Greek Theatre - University of California Berkeley, CA 9/11/1981 - Friday Two      Feel Like A Stranger [7:15] > Franklin's Tower [13:33]  Man Smart (Woman Smarter) [5:34]  He's Gone [12:35] > Truckin' (1) [12:18] > Drums [8:09] > Space [5:29] > The Other One [11:09] > Morning Dew [10:55] > Johnny B. Goode [4:19] Encore      Don't Ease Me In [3:01] Comments     (1) {Truckin' [11:08] > Weir and Drummers Jam [1:10]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod091925.mp3   

We present our review of Babymetal - Metal Forth and more!Babymetal's Metal Forth, released August 8th, 2025, on Capitol Records. It's officially their fourth canonical album — they set The Other One aside as a concept project — and it's the first full record to feature Momometal as a permanent member alongside Su-metal and Moametal.The title is a play on words: “Metal Forth” as in moving forward, and “Metal Forth” as in pushing beyond the genre itself. And that's exactly what they try to do. This record is built almost entirely on collaborations. Only three of the ten tracks are just Babymetal. Everywhere else you've got guests: Poppy, Spiritbox, Polyphia, Electric Callboy, Slaughter to Prevail, Bloodywood, even Tom Morello dropping in with that unmistakable guitar attack.Clocking in at just over 35 minutes, it's lean, polished, and loud. You get flashes of nu-metal, deathcore, alt-metal, even EDM crossover, all stitched together by Babymetal's trademark pop-metal energy. It's maximalist by design — a chaos of styles colliding with choreography and gloss.Critics were split but mostly positive. Clash called it “unrelentingly maximalist” and gave it a 7 out of 10. Blabbermouth went higher with an 8, praising it as their snappiest record to date. Kerrang! and Dork both landed at 4 out of 5, while NME and Sputnikmusic were less impressed, arguing that some collabs drowned out the band's core identity. Louder Sound described it as “a high-stakes experiment in what heavy music could become if it stopped worrying about authenticity and genre loyalty.”And that's the big takeaway: Metal Forth isn't about purity, it's about possibility. Babymetal has always been divisive, but here they lean into that division as a statement. The album says metal can be pop, it can be global, it can be hybridized beyond recognition — and still be metal. Love it or hate it, Metal Forth proves that Babymetal aren't just survivors of their own gimmick. They've turned into disruptors, forcing the genre to ask what comes next.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Hey Now! Wasn't sure I could get this one out, but here goes :)  This is the second set from the band's performance on August 12, 1972 at Sacramento California.  I think you'll enjoy this set, there is some fine jamming here.. the opening GSET, does have the first frew notes cut.. Ramble on Rose, follows and Beat It Down the Line.. including some chatter :)  The heart of the set comes as the following He's Gone goes into Drums and then into a roaring 'Other One'.. this is a beautiful set culminating in a 'Black Peter' (the only time Black Peter appeared seg'd into an Other One). The 'Truckin' that follows is a highlight as well.  Hope you enjoy! Grateful Dead Sacramento Memorial Auditorium Sacramento, CA 8/12/1972 - Saturday Two      Greatest Story Ever Told [#5:10]  Ramble On Rose [5:51]  Beat It On Down The Line [3:07]  He's Gone [8:53] > Drums [2:48] > The Other One [16:45] > Black Peter [8:54] > The Other One [3:45]  Truckin' [11:44]  Mississippi Half-Step Uptown Toodeloo [6:05] > Sugar Magnolia [3:21#] Encore      One More Saturday Night   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod080825.mp3  The Days Between are almost over.. but our love is real and not fade away!   

The venue isn't named after Knob, but we still had a real good time. This week on Help on the Way, our hosts FiG and Knob are headed to Clarkston, Missouri. It's June 19th, 1991 and the Grateful Dead are playing Pine Knob Music Theatre. Discussions abound about Bruce Hornsby, the role of Victim or the Crime, and nepo hosts. Feel Like a Stranger They Love Each Other New Minglewood Blues Dire Wolf Queen Jane Approximately Ramble on Rose Promised Land Victim or the Crime >  Scarlet Begonias > Fire on the Mountain > Man Smart, Woman Smarter >  Drums >  Space >  Stella Blue > The Other One >  Johnny B. Goode The Mighty Quinn

This week we continue with the second set from the Grateful Dead's final show at the Fillmore West on July 2, 1971 This starts out with an unusual 'Sugar Magnolia' opener, going into a sweet 'Sing Me Back Home'.. after a short "Mama Tried' we are thrown into a whirlwind with a great 'Cryptical>Drums>Other One', with the Other One being dedicated to Owsley who was incarcerated at the time.. while this is perhaps the highlight of this set, the closing 'Not Fade Away>Going Down the Road>Not Fade Away' shows the band at their rocking best. Jerry prefaces the 'Johnny B Goode' encore with a 'Here's the one it's all about' :)      Grateful Dead Fillmore West San Francisco, CA 7/2/1971 - Friday Two      Sugar Magnolia [6:41]  Sing Me Back Home [9:48]  Mama Tried [2:47]  Cryptical Envelopment [2:02] > Drums [5:16] > The Other One [15:40]  Big Boss Man [5:18]  Casey Jones [5:36]  Not Fade Away [3:49] > Goin' Down The Road Feeling Bad [7:22] > Jam [1:09] > Not Fade Away [3:35] Encore      Johnny B. Goode [3:43]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod071125.mp3     I'm gong to be away for a few weeks as I'm having surgery on my arm this week. We'll try to be back asap. In the meantime be well and be kind...  thanks as alwyas for listening and your kind support.  

Doug Schmell joins us to discuss this four-hour spectacular from Vancouver...A smoking China Cat highlights a Never Ending opening set...A massive, distinctive, Truckin' Other One explores all possibilities...Sugar Magnolia is a creative master blaster to end set two...1973 Gold!

Run Rudolph Run! It's time for Christmas in… June. This week, our hosts FiG and Game are heading to New York City. It's December 4th, 1971, and the Grateful Dead are playing at the Felt Forum at Madison Square Garden. Conversations abounded about the West LA Giveaway, The Felt Forum, and a very "farty" kick drum. Truckin' Sugaree Mr. Charlie Beat It On Down The Line Tennessee Jed Jack Straw Run Rudolph Run You Win Again  Me and Bobby McGee Comes A Time El Paso  Smokestack Lightning One More Saturday Night Cumberland Blues Ramble On Rose Me and My Uncle > The Other One >  Mexicali Blues > The Other One > Wharf Rat Casey Jones

This week we're happy to present the second set from the band's performance back on March 22, 1973 at Utica New York. The set starts with a rockin' 'Big River' and then the early 'Wave That Flag' and 'Me & My Uncle' before getting down to business with a nice 'Here Comes Sunshine'. The heart of the set follows with long jazzy versions of  'Truckin', 'The Other One' and 'Eyes of the World'. 'China Doll' always offers a sweet soulful splashdown as they end the set with the 'Sugar Magnolia'  There were apparently 2 encores, but we only have one on tape, 'One More Saturday Night', nevertheless there is a heaping measure of prime Grateful Dead here, and I hope you enjoy..    Grateful Dead Utica Memorial Auditorium Utica, NY 3/22/1973 - Thursday Two      Big River [4:20] Wave That Flag [5:27] Me And My Uncle [2:54] Here Comes Sunshine [9:09] Truckin' [13:56] > The Other One [19:21] > Eyes Of The World [15:01] > China Doll [6:21] Sugar Magnolia Encore      One More Saturday Night Casey Jones (Missing)  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod032825.mp3   May March go out like a lamb for you :)   

Send us a textOk, You're going to love it. It's a great game. And, it's easy to play.First, Obtain a 20-sided polygonal artifact (hereafter referred to as the Orb of Random Fate), as well as a collection of various other polyhedral trinkets with sides numbering 4, 6, 8, 10, and 12. The Orb of Random Fate should be stored in an arcane pouch (or sock) when not in use. If you forget the sock, this is bad luck, and all rolls will be cursed unless you perform a dance of atonementNext, Select one of the following archetypes: The Sword-Wielder, The Sneaky One, The Magical Zappy Person, The Religious Healer, or The Other One. Name them something overly complicated like “El'thezarion Moonschard IV, Keeper of the Eternal Bagel” or just “Dave.” Roll a 7-sided die (which doesn't exist, so you must approximate this with a 20-sided die divided by π) to determine your alignment, but only if your favorite fruit is a citrus. If not, your alignment is Neutral Chaotic Nocturnal.The RoE will describe a scenario (probably involving a dragon, a dungeon, or a dragon in a dungeon). Respond in character using only interpretive dance, haikus, or mimed gestures. Verbal speech is allowed but must rhyme. If you fail to rhyme, your character takes existential damage.And, that's how you play D&D.Anyone who has ever decided to play a new game for the first time and has let their friends explain it to them has experienced this. The overly complicated and ridiculous rules description.And, if you've been playing this hobby for long enough your can really relate. Back in the day we didn't have the internet and Actual Play Podcasts to watch or listen to so that we could understand how this TTRPG thing worked. We had to read a set of rules, that often had pages numbered in the hundreds to try and figure it out.Seriously. TTRPG rulebooks make IKEA instructions seem easy.Convincing someone to take a big chunk of their day, sit down, and play a game, with tomes for rulebooks is a hard sell.So, how do we encourage new players to give this great and wonderful hobby a go? How do we get them excited about the game? How do we get them playing? And, how do we keep them after their first session?Encouraging new players isn't easy, but luckily, thanks to the internet we have the perfect introduction to roleplaying.I give you 4 minutes and 15 seconds of Debrah Ann Woll, the actress from Daredevil and True Blood, teaching John Bernthal, the actor from Walking Dead and Punisher how to play Dungeons and Dragons.That is what I call perfection and what we are going to be talking about on today's episode.https://youtu.be/JpVJZrabMQE?si=Rv_YyLQ1QNa89Pj0

Happy Valentine's Everyone!  This week on the Deadpod we conclude the band's performance from February 19, 1982 in San Diego CA.  Again, this comes from an audience tape so while the fidelity isn't quite up to soundboard levels, it does give you a great sense of being there..  The pre-drums portion of the set is well played, with the highlight being a sweet Lost Sailor>Saint of Circumstance. The killer portion of this set comes as Drums ends, the band goes into a great Other One -- Phil really seems to be enjoying this one as he leads the charge throughout.. A sweet Stella Blue follows then an unusual ending as instead of Around and Around we get Man Smart, Woman Smarter into Johnny B. Goode not as the encore but as the set closer. The US Blues encore is a snappy ending to the enening..    Grateful Dead Golden Hall - San Diego Community Concourse San Diego, CA 2/19/1982 - Friday Two      Alabama Getaway [5:41] > The Promised Land [4:09] Ship Of Fools [7:39] Lost Sailor [6:54] > Saint Of Circumstance [6:44] > Jam [5:13] > Drums [10:55] > Space [8:05] > The Other One [10:33] > Stella Blue [9:47] > Man Smart (Woman Smarter) [5:27] > Johnny B. Goode [3:34] Encore      U.S. Blues [5:06]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod021425.mp3 Thanks for the love! 

Doug Schmell joins the podcast to explore this iconic performance...Ripping renditions of T Jed, J Straw, and Music Never Stopped...The infamous Close Encounters jam is tucked between The Other One and St. Stephen...This is a show for the ages

A great show from an epic era of Grateful Dead, when every night was something new and very exciting... an era of amazing Dark Star's and other worldly Other One's... The Fall of 1972!  "Bob" brings in some Gregg Allman for halftime, and this months show is a sure-fire pleaser in any household!  Enjoy! GRATEFUL DEAD  September 24, 1972  Palace Theatre  Waterbury,, CT SOURCE:  Soundboard / Cass1 HALFTIME:  Gregg Allman  April 8, 1974

This week we continue with the second set from the band's performance at Shea's Theater in Buffalo, NY on January 20, 1979. This set picks up steam just before drums with a powerful 'Other One' which gets picked up again after drums and space and leads into a rare (for the period) 'Dark Star' which has some wild explorations. The band rocks it out afterwards with a 'Not Fade Away' into 'Sugar Magnolia'.     No Donna at this show. Grateful Dead Shea's Theatre Buffalo, NY 1/20/1979 - Saturday Two      I Need A Miracle [5:06] > Bertha [6:53] > Good Lovin' [7:07] Loser [7:22] Estimated Prophet [12:37] > The Other One [8:19] > Drums [10:#01] > Space [2:14] > The Other One [2:30] > Dark Star [9:17] > Not Fade Away [5:02] > Sugar Magnolia [8:17] Encore      One More Saturday Night [4:41]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod013125.mp3  There's a little more light every day :) thanks for your kind support! 

In this episode, Trace Blackmore and Mark T. Lewis, Certified Water Technologist of Southeastern Laboratories, Inc. dive into practical tips for managing your business effectively, particularly in the water treatment industry. They share eight essential strategies for mastering self-management, staying organized, adapting to challenges, and aligning personal goals with professional responsibilities. Mark highlights the importance of time management, account management, stress management, and personal development, offering actionable insights to help professionals navigate the challenges of managing their businesses while maintaining balance and efficiency.  Points to Highlight  Self-Management Skills: Learning to control your time, stress, and motivation is crucial for achieving business goals.  Account Management: Focus on building long-term relationships with clients instead of just acquiring new business.  Stress Management: Identifying and managing stress is key to maintaining productivity and motivation.  Adaptability: Flexibility is vital in handling unexpected changes and managing multiple priorities effectively.  Decision Making: Understand the long-term implications of your decisions before acting on them.  Goal Alignment: Make sure your daily tasks are aligned with your bigger business objectives for sustained growth.  Personal Development: Continuous learning and self-improvement are fundamental to business success.  Mentorship: Having a mentor or support system can help you grow personally and professionally.  Conclusion  Trace and Mark's insights in this episode give you the tools to tackle the complexities of business management head-on. Whether it's optimizing your time, managing client relationships, or staying motivated, these tips are designed to boost your efficiency and help you thrive. Stay engaged, keep learning, and continue scaling up your knowledge! Don't miss Part 2, where we'll dive deeper into additional strategies that will help you manage your business to new heights!  Timestamps  02:20 – Upcoming Events for Water Treatment Professionals  05:15 – Water You Know with James McDonald 07:05 – Interview with Mark T. Lewis, Certified Water Technologies of Southeastern Laboratories Inc about strategies and tips on managing a business 14:56 – Importance of Time Management and Self-Management 17:11 – Stress management and staying motivated through challenges  Quotes  “End each day knowing that it was an improvement upon the last.” - Trace Blackmore "One of the skills that we've got to have is take what we have and run with it.” - Mark T.  Lewis  “If you're not managing your time, that's the only thing that you are never going to get back.” - Trace Blackmore  Connect with Mark Lewis  Phone: 704.322.5406 Email: MLewis@SELaboratories.com Website: https://www.selaboratories.com/ LinkedIn: linkedin.com/in/mark-lewis-01a3b56 Click HERE to Download Episode's Discussion Guide Guest Resources Mentioned   Drop by Drop: Articles on Industrial Water Treatment by James McDonald The NALCO Water Handbook, Fourth Edition by an Ecolab Company NALCO Water  Scaling UP! H2O Resources Mentioned  Audible (free month with this link)  AWT (Association of Water Technologies) Scaling UP! H2O Academy video courses Submit a Show Idea The Rising Tide Mastermind 031 The One with Mark Lewis 034 The Other One With Mark Lewis, CWT 101 The One with Colin Frayne, CWT 102 The Other One with Colin Frayne, CWT 112 The One Where Trace Is Interviewed By Mark Lewis 149 The One About Some of the Lesser-Used Technologies The Speed of Trust by Stephen M.R. Covey   Water You Know with James McDonald  Question: What is the typical percent bed expansion during a water softener backwash?   2025 Events for Water Professionals  Check out our Scaling UP! H2O Events Calendar where we've listed every event Water Treaters should be aware of by clicking HERE. 

 This week's Deadpod features the second set from January 18, 1979 at Providence Rhode Island.  This is a rather unique second set as there is no drums/space segment here, unique since the band started introducing them as a matter of course back in the spring of 1978. It would be the last show without one for a long time. It's a solid show, in my opinion, the highlight being a raucous 'Trucking' that even includes Phil singing, and a solid 'Other One'.  Hope you enjoy it.. Grateful Dead Providence Civic Center Providence, RI  1/18/1979 - Thursday Two      I Need A Miracle [6:14] > Bertha [6:58] > Good Lovin' [6:41] > From The Heart Of Me [3:45] Ship Of Fools [8:04] He's Gone [12:33] > Truckin' [10:02] > The Other One [11:#13] > Wharf Rat [10:03] > Around And Around [7:13] Encore      U.S. Blues [5:16]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod011725.mp3  Thank you friends for your kind support of the Deadpod

   On this first Friday of 2025, we continue with the conclusion of the Grateful Dead's New Year's Eve concert from December 31, 1971 at Winterland in San Francisco.  A long, fun if somewhat sloppy at times show, the enjoyment the band was having is evident throughout.. After a Bill Graham intro they go into Truckin' then Billy really goes off as they go into a Other One jam, then quite interestingly enough into Me & My Uncle before going back into The Other One.. Some other highlights here include the first ever version of Big River, and the last Pigpen version of 'The Same Thing' which the band would not bring back for 20 years... There is some great high energy jamming in the 2nd half of the set, which apparently went on until 3:45 AM.   Grateful Dead Winterland Arena San Francisco, CA 12/31/1971 - Friday Two      Truckin' [8:45] > Drums [3:07] > The Other One Jam [6:01] > Me And My Uncle [2:50] > The Other One [10:19] Space [1:53] > Black Peter [8:38] Big River [3:32] The Same Thing [7:22] Ramble On Rose [5:45] Sugar Magnolia [6:42] Not Fade Away [6:09] > Goin' Down The Road Feeling Bad [7:08] > Not Fade Away [3:00] Encore      Casey Jones [5:24]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod010325.mp3  My sincere thanks for your kind support of the Deadpod!  Here's to a healthy and happy 2025!

For the final episode of 2024 we're joined by the formidable Pat Kane, who answers our questions about his dual career as a musician and writer with what co-host Martin Colyer describes as "an almost frightening eloquence". Commencing with the formative memories of his late father singing Frank Sinatra songs to him at bedtime — and his lifelong fixation with Ol' Blue Eyes — Pat talks about Hue and Cry, the R&B-infused pop group he formed with his brother Greg in 1983. Reflections on the success of singles such as 1987's 'Labour of Love' prompt a general discussion of '80s "Brit Soul", with significant input from fellow practitioners Mark Pringle and Martin Colyer. The two linchpins of Hot House recall the 1987 sessions they recorded in the Southern-soul oasis of Muscle Shoals, Alabama. After bringing the Hue and Cry story up to the present day, Jasper introduces clips from Daryl Easlea's 2001 audio interview with Chic's Nile Rodgers. As a tribute to the group's Alfa Anderson, who died two days before this episode was recorded, Daryl's splendid interview provides the perfect excuse to express our love for disco's greatest self-contained band. Finally, we ask our guest about his exceptional writing as a cultural and political journalist, focusing in particular on his brilliant pieces about Brian Eno (1995) and Michael Jackson (2009). Mark and Jasper then talk us out with quotes from (and remarks on) their favourite newly-added pieces in the RBP library. Many thanks to special guest Pat Kane. Subscribe to his Substack at patkane.substack.com. Pieces discussed: Frank Sinatra, Hue and Cry: "How Well Do You Know Your Brother?", Headin' South: Muscle Shoals '87, Brian Eno: Jingle the Other One, The Man in Our Mirror: Michael Jackson, Nile Rodgers audio, Have You Heard What They're Singing These Days?, Don Cherry, Alicia Bridges, Billy Fury, Rage Against The Machine.

Thanks to a listener poll, this week we are taking on the relatively obscure seventies sitcom The Other One. Richard Briers teams up once again with the writers Esmonde and Larbey in the immediate aftermath of their biggest hit, The Good Life. Michael Gambon makes a relatively rare sitcom appearance to make up the odd couple who meet and become friends on a package holiday to Spain. This is a fascinating show that has a weird second series so there's plenty to talk about!

Phil Lesh: A Tribute to a Musical IconIn this episode of the Deadhead Cannabis Show, Larry Mishkin discusses the significance of the Grateful Dead's concert on November 4, 1977, at Colgate University, along with various music news updates, tributes to Phil Lesh, and reflections on Quincy Jones's legacy. The conversation highlights the dynamics of the band during the concert, the impact of newer jam bands like Goose, and the importance of preserving musical legacies through releases like Dave's Picks. In this episode, Larry discusses the latest music news, particularly focusing on the Grateful Dead's legacy and their recent box set releases. He reflects on the band's unique performances and the significance of their music. The conversation then shifts to marijuana legalization efforts, particularly in Florida, where a recent ballot measure was rejected despite public support. Larry expresses disappointment in the political landscape surrounding marijuana and emphasizes the benefits of legalization. The episode concludes with a deep dive into a specific Grateful Dead performance, highlighting the band's improvisational style and the joy their music brings to fans.TakeawaysThis episode was recorded on Election Day, November 5th.The Grateful Dead's show on November 4, 1977, is a highlight.The Jones Gang incident showcased the band's playful dynamics.Goose represents the new generation of jam bands.Phil Lesh's influence on music and improvisation is profound.Quincy Jones's legacy in music is celebrated.Dave's Picks Volume 52 features a remarkable concert.The importance of preserving musical history through recordings.Larry reflects on his personal experiences with the Grateful Dead.The episode blends cannabis culture with music appreciation. Music brings joy and relaxation after a long day.The Grateful Dead's legacy continues to inspire new generations.Unique performances can redefine classic songs.Marijuana legalization faces political challenges despite public support.The benefits of marijuana legalization are well-documented.Music and cannabis culture often intersect in meaningful ways.The improvisational nature of the Grateful Dead's music is a hallmark of their performances.Public sentiment can sometimes clash with political decisions.The Grateful Dead's music remains timeless and relevant.Engaging with music and cannabis responsibly enhances the experience.Sound Bites"This is a special episode being taped on Election Day.""It's just a big love fest with all these guys.""Phil has changed my life.""Quincy was the man I won my first Grammy with.""It's a wonderful, wonderful show.""You just don't know what you're missing out on.""It's just cool to hear it.""This is a pretty amazing second set.""It's a very cool segue from one into the other.""It's a must hear.""It's a wonderful part of the show.""It's a very unfortunate thing that this happened.""People in Florida are gonna smoke marijuana anyway.""It's a great way to end this wonderful show."Chapters00:00Introduction and Context of the Episode03:45Exploring the Grateful Dead's November 4, 1977 Show11:34The Jones Gang Incident and Band Dynamics16:49Music News: Goose and Gen 3 Jam Bands20:51Tributes to Phil Lesh and Reflections on Legacy25:30Remembering Quincy Jones: A Musical Legend30:06Dave's Picks Volume 52: A Review36:30Celebrating Music and New Releases38:53Exploring the Grateful Dead's Legacy44:17Marijuana News and Legalization Efforts01:01:01Deep Dive into Grateful Dead Performances01:09:55Closing Thoughts and Reflections LARRY'S NOTES:Grateful Dead November 11, 1977 (47 years ago)Cotterrell GymnasiumColgate UniversityHamilton, NYGrateful Dead Live at Cotterrell Gym, Colgate U on 1977-11-04 : Free Download, Borrow, and Streaming : Internet Archive Dave's Picks #12 This show literally “popped up out of nowhere” during the very famous fall tour of the very famous 1977 year of touring.  On November 1st they played in Detroit's legendary Cobo Hall.  The next night up in Toronto.  They had Nov. 3 set for Utica, NY but the show fell through a few weeks before.  They were still set for Rochester on Nov. 5th (which was released as Dick's Picks #34) and Binghamton on Nov. 7th.  So less than 4 weeks before this show, while already hitting the road, negotiations began for this show which were only finalized the night before.  Cotterrell gym on the Colgate campus is a small venue.  Think large high school gym with pull out bleachers.  There were only 3,000 folks at the show.  But 2300 of them were held for Colgate students so only 700 were sold to the public or really the Deadheads.  A tough ticket as the Heads used to say.  But those who made it in had a ball and saw one of the best shows of the year. One of those shows that lots of Deadheads wished they had seen. This version of the show from Archive, is an audience tape and a great contrast to other episodes where we have featured Dead show clips from audience tapes.  This one was taped by Jerry Moore who was set up directly behind the soundboard.  Go to Archive and check  out the entire show. On a personal note, glad to see that Archive is back up and running after its hacking episode a few weeks ago.  INTRO:                     Dupree's Diamond Blues                                    Track #8                                    2:50 – 4:52 "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922.The song is the second track on the Grateful Dead's third album, Aoxomoxoa (1969). As with most of the songs on the album, Dead lyricist Robert Hunter wrote the words and Dead frontman Jerry Garcia wrote the music.Well when I get those jelly roll bluesThe term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. Debuted in January, 1969 and played a total of 17 times that year. Then dropped until Oct 2, 1977 at the Paramount Theater in Portland, OR, played 4 times that year, this version being the last one of the year. Played twice in 1978, then put back on the shelf until Aug. 28, 1982 at the Oregon County Fair in Veneta, OR (home to the famous show from August 27, 1972 to support the Creamery). From '82 to '90 played at least once a year, '85 was the outlier with 16 performances Only played two more times, both in 1994. This is a great version with Jerry's lyrics and playing both very strong. The 8th song of the first set following:  GO TO ARCHIVE LINK A beautiful Bertha opening but I have featured that song so much, and it is such a common opener, that I needed to go with something else today.  I love it from the 1969 Fillmore West shows where two of the nights the second set would start with DuPree's into Mountains of the Moon before jumping into the fabulous Dark Star/St. Stephen/11/Lovelight suite (in my humble opinion, the best suite of songs ever played by the Dead and certainly the one that best defines the band and the basic foundation that supports so much of their music. Played:         82 timesFirst:              January 24, 1969 at Avalon Ballroom, San Francisco, CA, USALast:              October 13, 1994 at Madison Square Garden, New York, NY, USA   SHOW No. 1:         Tuning (start of second set, stage banter re Jones Gang)                                    Track #10                                    :15 – End Why did Phil do this?  To kill time, he was dosed, adding a bit of levity to the evening's proceedings.  Or there is this:Two nights before the Dead played in Toronto at Seneca College's Field House.  The night before was at Cobo Hall in Detroit.  So they took the 3d off while traveling from Toronto to Hamilton, NY to play this show.  Apparently, the band could not or did not want to try to take their stash into Canada.  Keith Richards of the Stones had just been busted in Canada for possession and no one wanted to take any chances.  SO . . . . it seems they were “jonesing” from something, weed, acid, or whatever. Many of the Deadhead reports of the show in Archive and at the Dead Setlist Program note that the guys seemed very stoned or, more likely, dosed.  They were wearing sunglasses indoors in the evening. Good friend Henry was a student at Colgate in 1977 and attended the show.  In telling me about it, he basically began with the Jones Gang episode.  So it was cool to finally hear the show and hear Phil do his thing.  A great way to keep everybody entertained while waiting for some technical issues to be resolved.  And something that was sadly missing in their later years when basically none of them said anything while on stage, Bobby sporadically with a comment and Jerry I saw speak from the stage maybe 5 times out of 110 shows.  This is the kind of stuff that normalized them and separated them from the button down rock acts that showed up, played the same set list that they had played all tour and would keep playing  When they spoke it was all pre planned, “Thank you (insert name of city where they are playing). And then launched into a killer Samson (even though it was a Friday).  Just part of another great Dead experience and the kind of thing that makes it easy to remember the show even years later.  Everyone talks about the Jones Gang show, maybe more than they think of it as a Colgate show or Hamilton, NY show.  Sure took Henry back.  MUSIC NEWS:      Music Intro:                                    Cold Rain & Snow                                    Goose                                    10.25.2024                                    LJVM Coliseum                                    Winston-Salem, N.C.                                    Goose - “Cold Rain and Snow” (10/25/24 - LJVM Coliseum - Winston-Salem, NC) (youtube.com)                                    0:10 – 1:05 Another Phil tribute by one of the most promising Gen3 (Gen1 = Dead; Gen2=Phish) jam bands on the scene.  Not the first time they have covered the Dead, but it's a damn good cover of a tune that traces its Dead roots to their very first album and even before that.  Jerry loved it.  Phil made it happen and restarted his singing career on the closing chorus in 1982 at MSG.  And Goose nails it here.  They really bring it every time they play.  The jam band that I figure will outlast me! Mickey and Mike Gordon statements on Phil's passing: Quincy Jones dies: Quincy Delight Jones Jr. (March 14, 1933 – November 3, 2024 at 91) was an American record producer, songwriter, composer, arranger, and film and television producer.[1] Over his course of his career he received several accolades including 28 Grammy Awards, a Primetime Emmy Award and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards.[2] Jones came to prominence in the 1950s as a jazz arranger and conductor before producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie. Jones produced three of the most successful albums by pop star Michael Jackson: Off the Wall (1979), Thriller (1982), and Bad (1987). In 1985, Jones produced and conducted the charity song "We Are the World", which raised funds for victims of famine in Ethiopia.[3] Jones composed numerous films scores including for The Pawnbroker (1965), In the Heat of the Night (1967), In Cold Blood (1967), The Italian Job (1969), The Wiz (1978), and The Color Purple (1985). He won the Primetime Emmy Award for Outstanding Music Composition for a Series for the miniseries Roots (1977). He received a Tony Award for Best Revival of a Musical as a producer for the revival of The Color Purple (2016). Throughout career he was the recipient of numerous honorary awards including the Grammy Legend Award in 1992, the Jean Hersholt Humanitarian Award in 1995, the Kennedy Center Honors in 2001, the National Medal of the Arts in 2011, the Ordre des Arts et des Lettres in 2014, and the Academy Honorary Award in 2024. He was named one of the most influential jazz musicians of the 20th century by Time.[1] "I woke up today to the Terrible news that we lost Quincy Jones.. Genius is a description loosely used but Rarely deserved. Point blank, Quincy was the MAN. I won my 1st Grammy with Quincy and I live with his Wisdom daily," Ice-T on X. Dave's Picks, Volume 52 (The Downs At Santa Fe, Santa Fe, NM • 9/11/83)Time to order Dave's Picks 2025 subscription.  I say it every year.  SHOW No. 2:         Eyes of the World                                    Track #15                                    11:10 – END                                     INTO                                     Estimated Prophet                                    Track #16                                    Start - :20 The unique thing in this segment is that it is the first, and one of the only times, that the band played Eyes into Estimated as it was almost always played as Estimated>Eyes.  This is the end of Eyes jam and segue into Estimated.  Very cool to hear it played “backwards”.  This entire Eyes (all 13 minutes of it), is magnificent and a must hear if you are looking for some great Dead jamming to rock to.  On this night, the boys were apparently in a state of mind that let them do a bit of exploring away from the norm for them, if there even is a “Dead norm”.  It sure worked out well for the rest of us.  SHOW No. 3:         The Other One                                    Track #17                                    :52 – 3:00             We've featured this song so many times, discussed the whole That's It For The Other One suite and all of its subparts. This one is the opposite, a 4 minutes 20 seconds version, with the first 3+ minutes just a hard jam.  They only sing the first verse of the standard Other One and then head straight into Drums.  This clip just features the jam with Jerry leading the way.  So clean and powerful, if 1977 is the best year ever for the band, then this has to be one of its peaks.  Maybe not the best of '77 because Barton Hall, but still way up there for nights when the band was truly smoking hot and holding nothing back.  Some of the best post-1970 psychedelic Dead that you will ever hear.  Everyone in sync and making the magic that kept us all coming back for more until there was no more to come back to.  Just buckle in and enjoy the ride. Played:         550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago MJ NEWS:    SHOW No. 4:         Playin Reprise                                    Track #21                                    3:00 – 6:34 "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan). During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it".[ It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with 581 performances. In the Grateful Dead's live repertoire, all songs featured musical improvisation and many featured extended instrumental solos; but certain key songs were used as starting points for serious collective musical improvisation—the entire band creating spontaneously all at once. In this regard "Playing in the Band" was of major importance, second only to "Dark Star". During "Playing in the Band" the Grateful Dead would play the planned verses and choruses of the song itself; then they would improvise and explore brand new musical territory, sometimes for twenty minutes or more; and then the chorus would usually be reprised, to bring the song to its end. Sometimes during these extended "jams", the band would even perform other entire songs, before at last coming back around to the final chorus aka the “Reprise”. On some occasions, more early on than later, the band would play the main song, jam for some amount of time and slide back in for the reprise.  Its performance in this style on 21 May 1974 at the Hec Edmundson Pavilion in Seattle has been cited as the longest uninterrupted performance of a single song in the Grateful Dead's history, clocking in at 46 minutes and 32 seconds.[3][4] It was released in 2018 on the boxset Pacific Northwest '73–'74: The Complete Recordings and as its own LP.  Very cool – an entire album just for one song.  Like Phish' Ruby Waves at Alpine Valley in 2019 got its own album. Then later they might add a song or two in between the main portion and the reprise. Then later they might hold it for the encore the same night the main song had been performed. Then later, they might hold it until the night after the main song had been performed and then two nights later and sometimes 3.  Not uncommon for play the main song the first night of a multi-night run and then the reprise the last night.  Usually during the show, but as stated, sometimes in the encore. Then they might forget to ever get back to it, play the main song again and the whole process would repeat as everyone would wait to see if and when they would finally play the reprise. David Dodd:  To me, the unpredictability of a “Playin” jam was always a highlight of a show. It could get incredibly far out there—completely away from anything—and then, just like that, snap back in, quietly and cautiously or slam-bang, or later, after they'd played most of another song, or a whole set, into the “Playin Reprise.” Sometimes the reprise would never occur. While it usually ran 3 or 4 minutes, this show's reprise went almost 7 minutes with an extended jam before they every got to the reprise lyrics. For Phish fans, think Twe-pri.  For non Phish fans that's the song Tweezer and its “reprise” and that band takes all sorts of liberties with it.  Not so unlike the Dead's style as previously discussed but most famously, at least as far as I know as a still neophyte Phish head, during their 13 show Baker's Dozen run at MSG, Phish played Tweezer the very first night on July 21st to open the second set and then the Twi-Pri finally showed up on August 6th as the second song of the encore after On The Road Again to close out the entire 13 night run. Reprises are great! Played:  648 times (no separate breakdown for how may Reprises were played but I'm sure there were times they never got back to a reprise although one year April Fools 1985 at Cumberland County Civic Center in Portland MA – actually March 31st but called it their April Fools joke even though they did play again the next night, April 1, at the same venue - they played the reprise first and then the main song)First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  July 5, 1995 at the Riverport Amphitheater in Maryland Heights (St. Louis), MO  OUTRO                     Johnny B. Goode (Bob – “Happy Homecoming”)                                    Track #22                                    0:12 – 2:08 We've also featured this song quite a bit, a Chuck Berry classic covered by almost every rock n roll band that ever played a set of music and even some that never did.  Its guitar intro is as famous a song opening as any in the genre.  I love this version because of Bobby's greetings to the students wishing them a happy homecoming!  Imagine going to your high school or college homecoming dance and the band is the Grateful Dead.  Now that's a story to tell.  Not sure and I don't think it really matters whether that weekend was or was not Colgate's homecoming.  It just showed that stoned and all, Bobby knew he was on a college campus. Almost always played as an encore or show closer if no encore.  Unlike another Chuck Berry classic covered by the Dead, The Promised Land, which could be played as a show opener, set closer, second set opener, encore, it would pop up just about anywhere. Great way to end a great show.  The boys just blow the walls down on this one.  Or, as commenter RFKROX posted back in 2008 about this version, “Oh, and the Johnny B. Goode is the most incredible rockin' version I've ever heard this band play!! It's the fucking SHIT!!”  I couldn't have said it any better myself! Played:   283 timesFirst:  September 7, 1969 at Family Dog on the Great Highway, San Francisco, CA, USALast:  April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL, USA  - very interesting, not played at all on the final summer tour.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

A bomb-bastic tribute to Phil including many of his iconic signature bass licks...Featured highlights include Truckin, Spanish Jam, The Raven, The Other One, Passenger, and Box of Rain... RIP Phil Lesh

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

A fine second set awaits you on this week's Deadpod as we explore the second set from the band's performance at the Cumberland Coutny civic Center in Portland Maine on September 17, 1982. This is a matrix recording - but the first two songs are a mix of several audience sources as the soundboard for those doesn't seem to exist.. 'Touch of Grey' and 'Man Smart, Woman Smarter' are played uptempo and crisply..Their followed by a beautiful rendition of 'High Time'; Jerry's emotive vocals just hint at how expressive this set will be.  'Estimated' follows, then a delicate 'Eyes of the World'. Following drums and space Weir teases a Spanish Jam but they eventual let Phil take the helm and lead them into the powerful 'Other One' intro.. the crowd loves it and when they finish and go into 'Goin' Down the Road Feelin' Bad' there is a fair amount of sing along..  The highlight of the set in my opinion is the tremendous version of 'Morning Dew' that follows.. Jerry is at his most expressive here.. words won't do it justice.  A fine 'Sugar Magnolia' closes the set and a 'US Blues' encore caps the evening...     Grateful Dead Cumberland County Civic Center Portland, ME 9/17/1982 - Friday Two      Touch Of Grey [6:33] > Man Smart (Woman Smarter) [5:46] ; High Time [7:16] ; Estimated Prophet [12:27] > Eyes Of The World [8:53] > Drums > Space [3:58] > The Other One [10:56] > Goin' Down The Road Feeling Bad [5:37] > Morning Dew [8:52] > Sugar Magnolia [8:43] Encore      U.S. Blues [4:58]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod091324.mp3 May the music lift you up .. thanks for your kind support.

Chris Baker is executive director of The Other One's Foundation, a homeless service provider focusing on shelter and workforce services. Since graduating from the State University of New York at Oneonta in 2007, Chris has worked many different jobs in the field of homeless services and activism, but also as a musician, writer, and even paralegal. He started The Other Ones Foundation in the summer of 2017 to bring his innovative ideas for addressing homelessness to life.

 Holy Smokes! It's Labor Day weekend!  Hopefully this second set from the second Field Trip at the Oregon Country Fairgrounds can help you get in the mood for some fun and frolic as we celebrate the passing of another summer...  This one starts with the debut of 'Keep Your Day Job' -- and not in the encore slot!  Another debut - 'West LA Fadeaway' is also on the menu here. The pre-drums 'Playin In the Band' lifts things up while the post drums 'Wheel'>'Other One' is probably the highlight of this set..  Jerry pulls out a very unusual 'Dupree's Diamond Blues'  as the encore here which I'm sure delighted the faithful.. Grateful Dead Oregon Country Fairgrounds Veneta, OR 8/28/1982 - Saturday Two      Keep Your Day Job [5:06]* > Man Smart (Woman Smarter) [6:42] West L.A. Fadeaway [7:03]* Far From Me [3:34] > Playing In The Band [11:03] > Drums > Space [5:56] > The Wheel [5:50] > The Other One [8:04] > Truckin' [6:11] > Black Peter [8:23] > Playing In The Band [3:18] > One More Saturday Night [4:33] Encore      Dupree's Diamond Blues [5:48]      *First time played  You can listen to this week's Deadpod here; http://traffic.libsyn.com/deadshow/deadpod083024.mp3   On a very sad note, this one is dedicated to the memory of Steve Silberman who just passed .. sleep in the stars brother.... 

Hi Everybody, Welcome to 2ZQ Hot takes, where we discuss issues both big and small ; I am your host TVHTim Kirk and today I'll be talking about  You and your significant other and mildly obsessive compulsive behavior.Or One and The Other One.#twozeroq #theveryhandsometimkirk #pride #lgbt Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's second set from the August 6, 1971 at the Hollywood Paladium is a classic.  It opens with 'St. Stephan' - they'd only play this one five more times before 1976.. a nice 'Truckin' goes into drums, then they roar into 'The Other One' and segue flawlessly into 'Me & My Uncle' - the first time they tried this and it worked perfectly.. they then go back into the 'Other One' but if you listen you can hear a WRS prelude tease before they do... Things mellow a bit with 'Deal' but the rest of the set is just as intense with 'Sugar Magnolia' then a great 'Morning Dew' and Pigpen lets it loose with a 23 minute plus 'Lovelight'..      Grateful Dead Hollywood Palladium Hollywood, CA 8/6/1971 - Friday Two      Saint Stephen [6:16] Truckin' [6:50] > Drums [3:56] > The Other One [7:29] > Me And My Uncle [3:08] > The Other One [5:41] Deal [5:05] Sugar Magnolia [6:18] Morning Dew [10:42] Turn On Your Love Light [23:38]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod081624.mp3 Thank you for your kind support of the Deadpod!   

Subscribe to Know Your Enemy on Patreon to listen to this premium episode, and all of our bonus content: https://www.patreon.com/knowyourenemy We watched it, and you probably did too. Here is our analysis of the incredibly depressing, even shocking first presidential debate between Joe Biden and Donald Trump. While the topic of this episode is self-explanatory, it's worth making a few comments about our conversation. We recorded this on the afternoon of Friday, June 28, the day after the debate (thus, you'll often hear us refer to "last night"), and you can tell we're still somewhat processing what happened—in particular, we'd have a clearer sense of what could, and could not, be done in the weeks ahead to find an alternative to Biden if we were to record it now. Even more, in the past 24-36 hours new reporting has emerged that portrays Biden's capabilities in bleak terms, from the claim that Biden has about six "good" hours a day to damning portrayals of his confused, stumbling performances at key international meetings with foreign heads of state. Because that reporting largely confirms an off-the-record story shared with Matt, we thought, especially given the circumstances, it was worth including here. And because of the seriousness of Biden's apparent decline, your hosts' positions to continue to evolve. Matt, for example, has called for Biden to not just step aside from the campaign, but resign from office.Sources:Daniel Schlozman, "Elder Statesmen," Dissent, Spring 2024Alex Thompson, "Two Joe Biden's: The Night America Saw the Other One," Axios, June 29, 2024Annie Linskey, Laurence Norman, & Drew Hinshaw, "The World Saw Biden Deteriorating. Democrats Ignored the Warnings," WSJ, June 28, 2024Matthew Sitman, "The 'Weekend at Bernie's' Primary," Commonweal, March 3, 2020

 Adapting to the Grateful Dead Culture: Mark Karan discusses the welcoming yet challenging atmosphere stepping into a tight-knit group like the Grateful Dead.Larry Mishkin is joined by special guest, Mark Karan, a musician well known in Grateful Dead circles. They discuss Mark's experience playing with "The Other Ones" after Jerry Garcia's passing, as well as his time with Ratdog and reflections on the dynamics within these groups. They touch on topics such as the challenges of stepping into Jerry Garcia's shoes, the camaraderie among band members, and the influence of substances on musical performance. Additionally, they explore the enduring legacy of Grateful Dead music and fan reactions to different types of songs performed in concerts. Mark expresses his frustration with some Deadheads' reluctance to embrace non-Grateful Dead music, emphasizing the band's eclectic influences and the importance of openness to new sounds.https://markkaran.com/https://www.facebook.com/mark.karan.79/ The Other Ones, Alpine Valley Music Center, East Troy, WIThe Other Ones Live at Alpine Valley Music Center on 1998-07-11 : Free Download, Borrow, and Streaming : Internet ArchiveINTRO:                               Dark Star                                                Track #2                                                7:00  - 8:30SHOW No. 1:                 Sugaree                                                Track #4                                                0:40 – 2:193SHOW No. 2:                 Sugaree                                                Mark Karan and Robin Sylvester (RatDog bassist, passed away in 2022)                                                Terrapin Crossroads                                                San Rafael, CA                                                September 1, 2013                                                Grateful Dead - "Ship Of Fools" - by Mark Karan & Robin Sylvester (youtube.com)                                                0:30 – 2:00                                                                                 SHOW No. 3:                 The Other One                                                Mark Karan and Scott Guberman, et al                                                Cage Brewing                                                St. Petersburg, FL                                                November 16, 2023                                                Mark Karan, Scott Guberman, Other One~ Cage Brewing St Pete 11/16/23 - YouTube                                                3:50 – 5:20SHOW No. 4:                 The Eleven                                                Track #16 (Other One's Link at the top)                                                2:30 – 4:06OUTRO:                             OUTRO:                             Rodeo                                                Mark Karan                                                0:00 – 1:29 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Ready to uncover how to win RFPs, boost profits, and make a tangible positive impact – all while championing sustainability in your industry? Discover how to demystify sustainability and align your company's practices with environmental, social, and economic goals in the latest episode of Scaling UP! H2O. Host Trace Blackmore sits down with Andy Reimink, CEO of HOH Water Technology, Inc., to explore practical strategies for water professionals to embrace sustainability. Learn how small changes in energy efficiency, understanding sustainability scopes, and having sustainability data on hand can give your company a competitive edge in RFPs. Discover the economic benefits of environmental stewardship, including tax advantages and improved ROI. With insights from Andy's presentation at the AWT convention, uncover actionable tips for retaining younger employees by showcasing your company's positive impact on the world. Whether you're a seasoned professional or new to the industry, this episode offers valuable tools to enhance your company's sustainability outlook and drive long-term success. Join the conversation and discover how sustainability isn't just a buzzword—it's a pathway to a more resilient and prosperous future for your company and the planet. Tune in now to start making a difference!   Timestamps 01:00 - Earth Day 2024 and Upcoming Events for Water Treatment Professionals  9:00 - Interview with Andy Reimink, Chief Executive Officer at HOH Water Technology 01:03:45 - Drop by Drop With James McDonald    Quotes “Our clients, whether we know it or not, care about our sustainability because it affects their bottomline or reputation.” - Andy Reimink “Publicly traded companies have RFPs (Request for Proposal), but it's going to become commonplace for smaller water treatment companies. I expect it to grow in intensity.” - Andy Reimink “Data centers have a lot of pressure to be as sustainable as possible.” - Andy Reimink   Connect with Andy Reimink Phone: 616.901.9769 Email: areimink@hohwatertechnology.com Website: hohwatertechnology.com LinkedIn: linkedin.com/in/andy-reimink-a7711711/ linkedin.com/company/h-o-h-water-technology-inc-/   Links Mentioned EarthDay.org  What are Scopes 1, 2 and 3 of Carbon Emissions?  LEED Exam Preparation and Continuing Education Sense Energy Monitoring System TED TALK: (how to wash and dry your hands) How to use one paper towel | Joe Smith 122 The One with Reid Hutchison 123 The Other One with Reid Hutchison 127 The One With Tom Hutchison 236 The One Where We Talk About Waters Treaters Changing The World 287 The One About How To Create Aligned Employee Engagement 358 Safety First: Practical Tips, Big Results in Water Treatment The Rising Tide Mastermind Scaling UP! H2O Academy video courses AWT (Association of Water Technologies)   Books Mentioned Never Split The Difference by Chris Voss Greenlights by Matthew McConaughey The Dream Manager: Achieve Results Beyond Your Dreams by Helping Your Employees Fulfill Theirs by Matthew Kelly The Psychology of Money: Timeless lessons on wealth, greed, and happiness by Morgan Housel   Drop By Drop with James  In today's episode, we're asking ourself, “What If?” What if the acid feed stops working on a cooling tower? What happens if suddenly there is no acid being fed to a cooling tower on an acid-control program? Does something happen immediately? Does something happen gradually? Where within the system could this something happen? How long could this lack of acid feed occur before anyone would find out? How could you determine remotely that the acid feed had stopped working? What alarms could be setup? Once the problem has been determined, should the acid feed be turned back on immediately? Could turning the acid feed back on immediately cause any problems within the system? What should be communicated to the end user about this occurrence? What could be done to prevent it from happening again? Should blowdown be adjusted during the response to the lack of acid feed? How might the other water treatment chemicals be impacted due to the lack of acid?  A cooling tower's water treatment program is an expertly-balanced chemistry. If one part is negatively impacted, it may very well impact the other parts of the chemistry as well. There's a lot to think about when just one part goes wrong. Knowing the root cause will help prevent you from chasing your tail when trying to get the program back under control.    2024 Events for Water Professionals Check out our Scaling UP! H2O Events Calendar where we've listed every event Water Treaters should be aware of by clicking HERE or using the dropdown menu.  

Ep 414 - HipHopGamer is finally in the house for our longest episode ever, with no shortage of stories, as we talk about using cheat software, the new studios, Contra, Outcast, Pools, and more. (0:00) - Intro (2:05) - Get to Know HipHopGamer (39:19) - Is It Cheating If You're Alone? (1:17:17) - Triple A or Triple I? (1:52:42) - POOLS (1:58:14) - Contra: Operation Galuga Impressions (2:09:29) - Outcast - A New Beginning Impressions (2:36:09) - Also This Week (3:00:50) - L&R: Favorite Soundtracks (3:15:07) - L&R Game: And the Other One? (3:28:11) - L&R Game: Dragon Ball or Mixed Drink? (3:32:28) - Bets (3:39:05) - Closing

This week, Will and Steve discuss who is The One, and who is SO that Other One. Also: Dinner party traditions and duelling datebooks. 

  This week's Deadpod features a historic performance - it occurred on the night the band was 'busted down in New Orleans' - January 30, 1970 at The Warehouse in New Orleans, Louisiana. Also historic as it was the last show that Tom Constantin played in the Dead.. but aside from that this is a fine show and I think you'll enjoy hearing this very good tape..  The tape is missing part of the opening Casey Jones, nevertheless good vibes here and on the following 'Me & My Uncle'.. 'Black Peter' is wonderful.. I also think the 'High Time in this set is absolutely perfect. 'Cumberland Blues' is hot.. hotter than you think that song should be ;) and is there a better song to pull out here than 'Easy Wind'?  The 'Cryptical Envelopment>Other One>Cryptical' is hard driving Dead!  They do a sweet transition into 'Cosmic Charlie' - sadly this one is cut as well... .   Grateful Dead The Warehouse New Orleans, LA 1/30/1970 - Friday One - 1:33:00      Casey Jones [#1:27][0:47] Me And My Uncle [3:09][0:29] Black Peter [9:51][0:15] Hard To Handle [5:26][0:05]%[0:07] China Cat Sunflower [3:13] > Jam [2:34] > I Know You Rider [4:19] > High Time [6:25][0:15] Cumberland Blues [6:21][0:04]%[0:03] Easy Wind [10:13][0:12]%[0:10] Mama Tried [2:36] > Good Lovin' [1:49] > Drums [0:40] > Good Lovin' [5:26][0:16] Cryptical Envelopment [2:17] > Drums [5:22] > The Other One [9:41] > Cryptical Envelopment [9:10] > Cosmic Charlie [0:34#]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod012624.mp3  Thank you for your kind support!  The days are getting brighter!

We spend the vast majority of our time inside yet we actually know very little about what it means to live indoors. This is the case even though what happens indoors impacts us in nearly every way. Our comfort, health and overall well-being all are deeply impacted by what's in the air we breathe and what's happening in and on the surfaces all around us. Enter Corbett and Grace Lunsford. Knowing that what we don't know about our homes matters a lot, they took on the challenge of creating a TV show on home performance for mainstream audiences. Their show, now in it's third season makes it clear that a “good home” is far more than what it looks like and how much it will sell for in the market. In the process, Corbett and Grace have become leading voices in the role of educating us about the many and hidden dimensions of home performance. Join us in this episode as they unpack the why, the what, and they created the Home Diagnosis TV show on PBS.Corbett LunsfordCorbett began working in the realm of home performance expertise in 2008 with Grace. He quickly discovered the challenges within the construction industry—its inherent messiness, time constraints on professionals, and inadequate compensation, all of which adversely affect homeowners throughout their lives. Their shared objective is clear: to present building performance in an accessible manner for both professionals and consumers, contributing to the improvement of structures globally.In 2009, Corbett initiated the Building Performance Workshop. He has also been prolific in sharing knowledge through more than 500 YouTube videos, 80 interviews for the Building Performance Podcast, and the authorship of the book "Home Performance Diagnostics: the Guide to Advanced Testing." Additionally, he developed the APT Reports software tool.Not bound by conventional expectations, Corbett and Grace designed and constructed the world's highest performance tiny house on wheels, the #TinyLab, in 2016. They toured the U.S. and settled in Atlanta, Georgia, creating the groundbreaking TV series "Home Diagnosis," the first of its kind on public television across the U.S.Grace LunsfordGrace Lunsford is the powerhouse behind The Building Performance Workshop's videos and the Home Diagnosis TV series. She started the 'Home Performance' YouTube channel, and has produced over 500 videos to date, gaining 4 million views and 23k subscribers. Grace is the creator, co-host, and Executive Producer of 'Home Diagnosis', the first-ever TV series about measured home performance, which has aired on over 60% of the PBS stations across the U.S. Her short films and feature film, The Other One, have won awards at film festivals, and as a Hewlett-Packard sponsored artist, she presented workshops on her work methods at both Sundance and Cannes.She founded the media firm Sterling Rock Productions because the media she wanted to see was not being made. She has served on the Boards of Directors of the Screen Actors Guild Midwest and the Illinois Production Alliance (which lobbies for tax incentives in the film industry), where she spearheaded an initiative to bring the production of major motion pictures and television shows to Chicago. She also founded the 501c3 Chicago Acting in Film Meetup, a professional support group of over 150 screen actors.Grace's career in film and television and voiceover continues in Atlanta, GA, where she's represented by Stewart Talent.TeamHosted by Kristof IrwinEdited by Nico MignardiProduced by M. Walker

In this episode, for the first time ever, we answer questions submitted by our listeners! We answer questions like: How have we healed in our identity as mother, daughter, sister, and bride? How to handle the pressure of people relying on you for spiritual improvement? How to cultivate a life that reflects beauty? How to heal from childhood sexual trauma? How has our faith evolved over the different seasons in our lives? The difference between being too nice and choosing mercy? And more!    Heather's One Thing - Her daughter's art and the beauty of Catholic artists building each other up and rejoicing in the talent of others.  Heather's Other One thing - Tammy Peterson's Rosary Testimony  Sister Miriam's One Thing - Sausage, Potato, and Kale Soup Michelle's One Thing - All the Light We Cannot See by Anthony Doerr and the new Netflix series based on the book   Other Resources Mentioned:  Be Healed and Be Restored by Dr. Bob Schuchts The Wounded Heart by Dan Allender Restore the Glory Podcast The Forgiving Life by Dr. Robert Enright Forgiveness Meditation from Sr. Miriam Seeking Healing Through Forgiveness SEEK 2019 with Sr. Miriam and Fr. John Burns The Deepest Place: Suffering and the Formation of Hope by Curt Thompson Anatomy of a Soul by Curt Thompson The Midnight Library by Matt Haig Way of the Heart Podcast Wild at Heart Podcast   Journal Questions: What area of your identity (daughter, sister, mother, bride) has the Lord done the most healing in your life? Who do I feel unable to forgive? Who can I make myself more available to as a friend?   Discussion Questions: How can you intentionally bring beauty into your everyday life? How does God want to meet you with prayer that aligns with the rhythms of your current season? What boundaries do you sense a need to implement?

This week the Deadpod travels to the East Coast for a show that took place around 2 months after last week's show. This is the early show from the Fillmore East in NYC on January 2, 1970. This is quite a nice tape, don't let the few seconds at the beginning fool you.  The 'Mason's Children' opener is a good representation of this somewhat odd song. 'Black Peter' is quite extended, much more than usual for this song. 'Hard to Handle' is explosive as usual. The boys really hit their stride here with the 'Cryptical Envelopment>Drums>Other One'. I quite enjoy the 'Cosmic Charlie' that follows but that's a tune I thought they never played often enough :)  I hope you enjoy it..   Grateful Dead Fillmore East New York, NY 1/2/1970 - Friday Early - 59:51:00     Intro (1) [1:05] > Mason's Children [6:09][1:34] Casey Jones [4:17][0:12] Black Peter [10:41][1:18] Mama Tried [2:32] > Hard To Handle [4:43][0:15] Cumberland Blues [5:33][0:16] Cryptical Envelopment [1:57] > Drums [3:53] > The Other One [10:34] > Cryptical Envelopment [2:04] > Cosmic Charlie [6:46#]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod111723.mp3 Thanks for your kind support, we couldn't bring you the Deadpod without your help.  

This week's Deadpod contains part two of the band's performance at the Fillmore in San Francisco on November 7, 1969.  Hyper-energetic, this one contains loads of frantic jamming and amazing soaring guitar work by Garcia and Lesh. After a fairly short China>Rider, they go into a deep exploration with 'Dark Star' which goes into an unusual 'Uncle John's Jam', then back out with Lesh leading the charge into 'The Other One'. The highlight, for me, is the wonderful closing number, Pigpen in all his glory on a great 'Lovelight' rap.   Grateful Dead Fillmore Auditorium San Francisco, CA 11/7/1969 - Friday Part Two China Cat Sunflower [2:56] > Jam [2:30] > I Know You Rider [3:21] > Dark Star [18:33] > Uncle John's Jam [1:45#] > Dark Star [#5:47] > Cryptical Envelopment [1:46] > Drums [4:56] > The Other One [9:54] > Turn On Your Love Light [17:22#]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod111023.mp3  Thanks for your kind support!    and.. Leave It On! :)