Podcasts about lyrically

origin stories challenged dad jokes lyrically

Play Episode Listen Later Jan 30, 2026 64:55

We played a couple of fun rounds of Lyrically Challenged where you answer questions based on popular lyrics! Then you give us your name and age, and we'll make up your origin story! Plus #dadjokes and more!

Lyrically Challenged

Play Episode Listen Later Jan 30, 2026 6:01

Can YOU answer the question based on lyrics from classic pop songs??

Lyrically Challenged

Play Episode Listen Later Jan 30, 2026 5:04

Can YOU answer the question based on lyrics from classic pop songs??

Have You Ever Seen the Rain, CCR, Lyrically Speaking

All 4 Downs

Play Episode Listen Later Jan 24, 2026 5:11

In this episode of Lyrically Speaking, we explore “Have You Ever Seen the Rain” by Creedence Clearwater Revival. Through its simple lyrics and timeless imagery, the song reflects on emotional contradictions, quiet struggles, and the experience of facing storms during life's brightest moments. A reflective breakdown of a classic that continues to resonate across generations.

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Lyrically Challenged

Play Episode Listen Later Jan 23, 2026 5:48

Can YOU answer the question based on lyrics from classic pop songs??

Lyrically Challenged

Play Episode Listen Later Jan 16, 2026 6:14

Can YOU answer the question based on lyrics from classic pop songs??

01/16/2026 The One With The Disney Trauma Dump, Dad Jokes And Lyrically Challenged

disney trauma dump challenged dad jokes lyrically

Play Episode Listen Later Jan 16, 2026 66:44

We wrecked your morning going through some of the saddest moments in Disney movies, because Ben needed a coworker to understand a reference. LOL Plus, Lyrically Challenged, dad jokes and #dudeknowledge!

Three New Tracks Take Us From Party Energy, To Deep Longing, To Soft Romance

Music Elixir

Play Episode Listen Later Jan 14, 2026 40:13

Ever notice how a single week can hold a party, a storm, and a hush? We felt that whiplash too, so we lined up three December releases that trace the same arc: King & Prince's Theater, VERIVERY's RED (Beggin'), and Joohoney's Push featuring Rei. Each track opens a different door—neon lights, a crimson sky, and a candlelit room—and together they map a journey from release to yearning to restraint.We start with Theater, a clever opener that sounds like stepping through velvet curtains. The muffled crowd, the flicker of synths, the buoyant bassline—everything invites you to shed the suit-and-tie loop and join a brighter scene. As a duo, King & Prince blend their vocals with a regal ease. It's stage-ready pop that doesn't shout; it ushers you in.Then the floor tilts. RED (Beggin') arrives with strings that flare like signal fires and percussion that feels like a pulse at full sprint. VERIVERY stack harmonies and bass to build a sweeping plea—savior, revive, forget me not—translating a two-year gap into a cinematic comeback. It's passionate, urgent, and impossible to sit still through.Finally, we exhale with Push. Joohoney trades ferocity for a smoldering R&B cadence while Rei threads in with soft, crystalline lines. The beat is minimal, the synths are muted, and the chemistry is the point. Lyrically, it's a dance of patience: don't push, but don't look away. Their contrast—his textured warmth against her gentle clarity—turns a quiet track into a late-night replay.If you're building a playlist that tells a story, this trio is your scaffold: step into the lights, brave the surge, then stay for the whisper. Hit play, share your standout moment, and tell a friend who needs a soundtrack for January's mood swings. Subscribe for more deep-dives, drop a review if you enjoyed the ride, and let us know which song you're carrying into the week.King & Prince Instagram X YouTube TheaterVERIVERY Instagram X YouTube RED (Beggin')JOOHONEY Instagram Instagram(MONSTA X) X YouTube Push (ft REI)Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram BlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

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Lyrically Challenged

Play Episode Listen Later Jan 13, 2026 4:34

Can YOU answer the question based on lyrics from classic pop songs?

Lyrically Challenged with Amy

christmas challenged lyrically

Play Episode Listen Later Jan 13, 2026 5:44

Kelly got Ben this game for Christmas and he loves it. Can Amy answer the question based on lyrics from classic pop songs?

01/13/2026 The One With Bad Dogs, The L-Bomb and Lyrically Challenged

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Play Episode Listen Later Jan 13, 2026 61:51

In Group Therapy, "Lori" is wondering if her BF of 9 months can get to her level as she said "I love you" first...we play a couple of rounds of Lyrically Challenged and talk about more bad dogs. Because Dougle was again, a bad dog.

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Full Moon Fever by Tom Petty: From Label Rejections to Multi-Platinum Triumph

Polyphonic Press

Play Episode Listen Later Jan 13, 2026 42:14

Full Moon Fever (1989) is Tom Petty's first solo album, though it still carries the unmistakable spirit of the Heartbreakers and the sonic fingerprints of producer/collaborator Jeff Lynne. The record is bright, warm, and breezy—full of chiming guitars, stacked harmonies, and the kind of effortless hooks that feel like they've always existed. It's one of Petty's most accessible and immediately lovable works, striking a balance between rock-and-roll swagger and California-sunlight charm.Musically, the album blends jangly power-pop, roots rock, and a hint of Lynne's polished, Beatlesque production style. Lyrically, Petty is relaxed, humorous, and reflective. You get big-hearted optimism ("I Won't Back Down"), mythic wanderlust ("Runnin' Down a Dream"), and contemplative melancholy ("Free Fallin'"). There's also a playful looseness throughout the record—Petty didn't seem weighed down by expectations, and that freedom comes through in the songwriting.The result is an album that feels both intimate and huge, personal yet universal. It became one of Petty's defining works, not only because of its hit singles, but because it captures him at his most open, melodic, and confident. It's the sound of a great songwriter leaning fully into his strengths and delivering an album that still feels timeless.Website Support the show Contact

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Welcome to Lyrically Speaking

All 4 Downs

Play Episode Listen Later Dec 26, 2025 1:01

Lyrically Speaking is a conversation-driven podcast about lyrics that actually mean something. Across genres and eras, we talk about songs that bring memories back, set the mood, and hit differently as life changes.No breakdowns. No experts. Just real talk about music, moments, and the lines that stick with you.If lyrics have ever made you pause and reflect, this podcast is for you.Pull up. Press play. Let the lyrics speak.

Dee Fitz - Irish Artist Of The Week

Clare FM - Podcasts

Play Episode Listen Later Dec 5, 2025 7:04

Dee Fitz is an independent artist from Galway now living in Dublin. Only really got into music as covid hit. Released a song called 'Sweet Nothing', it's an indie pop song blending electric guitar, synth, bass guitar and drums. Lyrically it is all about falling short on your worth but finding your way back.

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Peso Pluma: The Unstoppable Force Reshaping Latin Music | Concerts, Culture, and New Single Gervonta

Peso Pluma

Play Episode Listen Later Nov 19, 2025 3:43 Transcription Available

Peso Pluma BioSnap a weekly updated Biography.Peso Pluma has continued his streak as one of the most watched and talked-about figures in music this fall, and this past week alone has delivered both spectacle and substance to his growing legend. LAist reports that earlier this week Peso Pluma performed two completely sold-out nights at the YouTube Theater in Inglewood, drawing fans from all over Southern California, including first-timers and die-hards equally thrilled to see the Jalisco-born star up close. The event was a celebration of the crossover appeal of his corridos tumbados and cemented his status as a generational talent whose sound speaks to both tradition and youth culture. Fans interviewed outside suggested the concerts were a source of cultural pride and a clear sign that regional Mexican music has fully erupted into the American mainstream, with Peso described as the new icon representing the Latino experience at the highest levels.On the business side, AOL details how Peso Pluma's upward trajectory continues to impact the industry, with what's being called the “Peso Pluma Effect.” Executives and analysts now point to him as a primary force behind the explosion of regional Mexican music outside its historical audience. The acknowledgment from Variety and music trade publications this week underscores how his influence is causing, as a major headline put it, “the biggest shakeup of Latin genre marketing in decades.”Socially, Peso Pluma dominated L.A. headlines this weekend for a different reason—a playful, community-powered lookalike contest at Echo Park Lake, as covered by LAist's Brian de los Santos. The contest drew around one hundred participants and was a trending moment across local social media, further cementing Peso's current cultural dominance in the city. One winner told reporters she felt “Peso enough” to represent all fans, reflecting the deep community bond the singer inspires.Musically, Peso Pluma ended the week with the surprise release of a new single called Gervonta, named after boxer Gervonta Davis. According to Rolling Stone and IMDB News, the track dropped Thursday evening, marking Peso's first new song since his album Exodo. On Instagram, even Gervonta Davis himself amplified the release by sharing its cover art to his story. Lyrically, the song keeps with Peso's luxury themes, boasting about private jets and shiny watches—a nod to his now-global celebrity status.Though Peso did not win a headline award at last week's Latin Grammy Awards—Bad Bunny took home the top trophies according to the Associated Press—his omnipresence at key events keeps speculation high about future collaborations and possible award sweeps in 2026. There are no major confirmed controversies or scandals at this time. Unconfirmed posts continue to swirl about his love life, particularly regarding his previous breakup with Nicki Nicole, but no new explosive revelations have surfaced in official media the past few days.In all, Peso Pluma remains not just a top musical act but a bona fide cultural mover, blending pop stardom with community roots and shaping Latin music's new trajectory as the year races toward its close.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Weird Al “Christmas At Ground Zero” (w/ Mike, Tim & Caleb)

Totally Rad Christmas!

Play Episode Listen Later Nov 13, 2025 75:35

What's up, dudes? Mike Westfall of Advent Calendar House and Tim Babb from Can't Wait for Christmas are with me to talk all about the genius that is Al Yankovic! Even Caleb Cote from Insert Reference Here pops in to dive into Weird Al “Christmas at Ground Zero!”The song is a throwback to the Phil Spector “wall of sound” era, full of bari sax and keyboard layers. Of course, in Al fashion, he copies the style to perfection. Harmonically, it's a simple I-vi-ii-V chord progression reminiscent of the 1960s.Lyrically, the song is awash in Cold War nuclear disaster tropes. Yankovic's label, Scotti Brothers Records, insisted that he record a Christmas album. However, after Yankovic presented the song to his label, they relented, because it was "a little different from what they were expecting." After the song was written and recorded, Yankovic wanted to release the song as a commercial single, but Scotti Bros. refused. Eventually, Scotti Bros. released the song as a promotional single and then commercially.Sleigh bells ringing? Check. Trimming the tree? Uh huh. Atom bombs dropping? Only if it creates new mutants! So load your gun and suck and cover to this episode on Weird Al “Christmas at Ground Zero!” Advent Calendar HouseFB: @adventcalendarhouseTwitter: @adventcalhouseIG: @adventcalendarhouseCan't Wait for Christmas FB: @CantWaitForChristmasPodIG: @cantwaitforchristmaspodTwitter: @ChristmasPodInsert Reference Here Bsky: @forgetfulfrasierGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

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Skylarking by XTC: Studio Perfection and Pastoral Pop Genius

Polyphonic Press

Play Episode Listen Later Nov 11, 2025 35:50 Transcription Available

Released in 1986, Skylarking stands as one of XTC's most celebrated and cohesive works—a shimmering, pastoral pop masterpiece that marries the band's sharp songwriting with lush, orchestral production. Produced by Todd Rundgren, the album was conceived as a conceptual song cycle tracing the arc of an English summer's day, paralleling the stages of life from youthful innocence to adult disillusionment and beyond.The music is a sun-dappled blend of baroque pop, psychedelia, and classic British songwriting, evoking the melodic sophistication of The Beatles, The Beach Boys, and The Kinks while remaining distinctly XTC in tone and wit. Songs like “Grass” and “Season Cycle” celebrate nature's rhythms and sensuality, while “Dear God” (originally a B-side, later a U.S. hit) offers biting social commentary and existential questioning.Lyrically, frontman Andy Partridge and bassist Colin Moulding explore themes of love, faith, time, and the bittersweet beauty of everyday life. Rundgren's layered arrangements give the album a continuous, almost cinematic flow—each track melting into the next like scenes in a pastoral dream.Over time, Skylarking has been reappraised as one of the finest British albums of the 1980s, and many fans regard it as XTC's crowning achievement—a radiant and wistful meditation on life, nature, and the passage of time.What did you think of this album? Send us a text!Support the showWebsite Contact

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Slug (song)

featured Wiki of the Day

Play Episode Listen Later Nov 7, 2025 2:02

fWotD Episode 3108: Slug (song) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 7 November 2025, is Slug (song)."Slug" is a song by Passengers, a side project of musician Brian Eno and rock band U2. It is the second track on Passengers' sole release, the 1995 experimental album Original Soundtracks 1. The track was originally titled "Seibu" and was almost left off the album before it was rediscovered later during the recording sessions. Though Eno made most of the creative decisions during the sessions, "Slug" was one of the few tracks that the members from U2 tried to craft themselves.Lyrically, it portrays the thoughts of a desolate soul with the confusion of romance and faith. As Eno and U2 were writing songs for fictional soundtracks, they tried to create a visual suggestion from the music that was more important than the story within the lyrics. In "Slug", the instrumentation is intended as visual music representing the lights turning on in a city at night. The group primarily drew inspiration for the song from U2's experiences in Tokyo at the conclusion of their Zoo TV Tour in 1993. "Slug" was praised as one of the best songs on the album by critics from various publications, both at the time of its release and in retrospective reviews.This recording reflects the Wikipedia text as of 00:31 UTC on Friday, 7 November 2025.For the full current version of the article, see Slug (song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Aria.

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Mute The TV - Irish Artist Of The Week

Clare FM - Podcasts

Play Episode Listen Later Oct 24, 2025 11:31

Mute The TV are a four piece indie-rock band from Greystones, Co. Wicklow. The band consists of brothers Elliot and Dylan Crampton, Oscar Hackett and David Heffernan. They are an independent band who record, produce and mix their music at home which gives them plenty of time to procrastinate and argue (Dylan and Elliot), but it also keeps their costs low which allows them to release music more regularly. The band most recently headlined a raucous night in The Harbour Bar in Bray to a full house for a night of headbanging, singing and questionable dancing. Elliot and Dylan both have their own solo careers and between them have supported acts such as Aslan, Cathy Davey and Hazel O'Connor. The brothers have also made appearances on the RTE Late Late Show. Elliot most recently fulfilled his childhood dream of playing Dublin's Olympia Theatre where he played the drums for his friend who was opening for The Stunning. Oscar hosts a monthly pop-punk/emo night in Dublin in The Workmans Cellar. Takeaway and Telly is a jangly, hook laden, don't bore us get to the chorus, straight up pop song, but sprinkled with FUZZ! Albeit an uplifting, upbeat tune, it has a darker undercurrent of feeling alone and yearning for company. Lyrically it addresses feeling isolated and depressed, something brothers Elliot and Dylan have both had their battles with. Earlier in the year the band released two singles, “DNA” and “Depression Session”. We All Want Someone To Shout For described “DNA” as ‘a chugging bit of anthemic garage rock with a blitzing punk spirit'. While Where The Music Meets had this to say about Depression Session - ‘It's equal parts reflection and revelation, tucked inside some of the most approachable alt-rock Ireland's cooked up lately'. Depression Session was added to Spotify's editorial Hot New Bands and Fresh Finds UK & IE playlists and was used in an episode of UK TV show ‘Made In Chelsea'.

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Interview: David and Jon of Hope Deferred

All Consuming Podcast

Play Episode Listen Later Oct 6, 2025 66:22

Gary and guest co-host Chris (from For The Rock) sit down with David Bunton and Jon Tooley of the Death Metal band "Hope Deferred". They dive into musical influences, how the band formed, the role their faith plays in writing music and the evolution of their sound from their previous bands (Embodiment, The Famine, and The Showdown). TakeawaysDavid's gateway band was MXPX, leading him to the heavy scene.Jon's introduction to heavy music was through Cannibal Corpse in Ace Ventura.Hope Deferred was formed from a desire to create music together.The band members have a rich history in the heavy music scene.Lyrically, the band aims to be bold and clear about their faith.The name 'Hope Deferred' is inspired by a biblical passage.The band embraces their Christian identity without apology.They aim to mix heavy music with meaningful lyrical content.The band is excited to perform live and share their music with audiences. The upcoming single 'Brethren of Blood' drops on October 15th.Balancing music with family and careers is a challenge for many musicians.The importance of supporting underground bands is emphasized.Future plans include potential live shows and more music releases.Family involvement in music can be a rewarding experience.The conversation highlights the joy of creating music for the love of it.

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Bad Bunny's Meteoric Rise: From Super Bowl Performer to Latin Music Trailblazer

Bad Bunny

Play Episode Listen Later Oct 5, 2025 3:58 Transcription Available

In the past week, Benito Antonio Martínez Ocasio, globally known as Bad Bunny, has been everywhere in the news and lighting up social media with major moves in both music and pop culture. Starting with the biggest headline, Bad Bunny has been officially named the Super Bowl LIX halftime performer for 2026 at Levi's Stadium in Santa Clara, a decision that's sparked lively debates and reactions online and across TV networks. The announcement was quickly followed by a viral appearance on Saturday Night Live this weekend, where Bad Bunny both hosted and addressed the controversy swirling around his halftime slot.On SNL, Bad Bunny took the stage in trademark style, using his opening monologue to directly respond to critics questioning his selection for the Super Bowl show. In English and Spanish, he reminded everyone that his performance is a victory not just for himself but for the entire Latino community in the U.S., saying, “Our footprints and our contribution to this country—no one will ever be able to take that away or erase it.” He addressed the possibility of the performance being entirely in Spanish, which sparked heated responses from a segment of the U.S. political spectrum, especially after Homeland Security Secretary Kristi Noem confirmed ICE officers would be present at the event, a move that many fans saw as politically charged. Social media erupted with support, memes, and the now-trending tag “Duolingo for the Gringos,” as people celebrated Bad Bunny's unapologetically Latino stance and infectious pride.While the Super Bowl news has dominated sports and entertainment commentary, Bad Bunny's musical influence remains just as strong. On January 5, he released his sixth studio album, “Debí Tirar Más Fotos” (“I Should Have Taken More Photos”). The project has been hailed by many outlets, including NME and Wikipedia, as his most personal yet, blending reggaeton and house with deep dives into traditional Puerto Rican roots—plena, salsa, bomba, and more. Lyrically, the album explores Puerto Rican political realities, cultural pride, and the nostalgia of capturing moments before they pass. The record has already gone to number one on the Billboard 200 and its tracks are dominating the Hot 100, making Bad Bunny the first Latin artist with more than 100 entries on the chart. TikTok has been buzzing as song after song from “Debí Tirar Más Fotos” finds viral life with dance challenges and heartfelt covers.In addition to his SNL appearance and musical achievements, Bad Bunny just wrapped up a historic concert residency in Puerto Rico and is preparing for his “Debí Tirar Más Fotos” World Tour, which kicks off in November. Notably, he's skipping the U.S. on this leg, explaining in interviews that concerns about immigration enforcement and ICE presence influenced his decision. According to i-D magazine, Bad Bunny expressed that safety and respect for his community are at the forefront of his decisions, drawing widespread empathy and praise from Latino and immigrant supporters on X and Instagram.Adding to his pop culture reach, Bad Bunny appeared in the much-watched trailer for Adam Sandler's “Happy Gilmore 2,” showing that his crossover appeal remains sky-high. Forbes and Billboard recently reported his Most Wanted Tour raked in over $210 million last year, cementing his status as a live performance giant.With the Super Bowl, a hit album, SNL, viral singles, chart records, and a blockbuster tour, Bad Bunny is more than just a superstar—he's a cultural force redefining global music and representation. Thank you for tuning in. Come back next week for more. This has been a Quiet Please production and for more from me, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Adrian Belew - Young Lions | 90s Album Review

Dig Me Out - The 90's rock podcast

Play Episode Listen Later Sep 23, 2025 51:48

Adrian Belew's 1990 album Young Lions blends his signature experimental guitar work with pop-friendly rock songwriting. Though it features David Bowie on two excellent tracks, “Pretty Pink Rose” and closer "Gunman," it does not take away from Belew's opportunities behind the mic, finding a balance between the croon of Roy Orbison and quirk of David Byrne. He balances quirky, textured arrangements with strong melodies, making the album both adventurous and approachable. Lyrically, it touches on themes of modern anxieties and cultural shifts, filtered through Belew's surreal perspective on UFOs, government helicopters, and more, without being preachy or on the nose. Songs In This Episode Intro - Young Lions 22:17 - Pretty Pink Rose 29:30 - Looking For A UFO 38:44 - Heartbeat Outro - Gunman Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

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Cry for You - September

Play Episode Listen Later Sep 21, 2025 48:20 Transcription Available

Want to request a song? Tell us your rating? Send us a Text Message right now! Cry for You – SeptemberScore: 8.1In 2006, Petra Marklund, better known by her Europop nom de guerre September, released Cry for You, a track that felt less like a song and more like a government-mandated vaccination against sadness. Somewhere between a breakup anthem and an IKEA flat-pack instruction manual for melancholy, the Swedish queen of cry-while-dancing gifted the world a chorus that managed to be both nihilistic and euphoric, like Robyn if she'd been trapped inside a Ministry of Sound compilation CD for three months.“Cry for You” is built on a trance-lite backbone that sounds like it was engineered specifically for provincial nightclubs where the carpet is sticky and the smoking area is just a bench. Lyrically, September delivers existential devastation with all the emotion of someone reading out loud from a bus timetable — and that's exactly why it works. Her stoicism turns heartache into a communal ritual: we're not crying for him, we're crying for ourselves, for 2000s fashion, for the tragic return of shutter shades.Pitchfork has long maintained that pop music is at its best when it convinces you that your heartbreak is part of a collective European experience. Cry for You achieves this in under four minutes, which is more than you can say for most PhD theses on postmodern ennui.Is it high art? No. But like all essential dancefloor classics, it turns personal despair into a group hug where everyone smells vaguely of Jägerbombs.Best moment: the chorus, which sounds like the soundtrack to every MySpace breakup ever. Worst moment: realising you actually did cry for him.Final verdict: September gave us the perfect reminder that tears and glitter coexist. And sometimes, that's enough.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

One Too Many - Keith Urban and Pink

Play Episode Listen Later Sep 14, 2025 61:20 Transcription Available

Want to request a song? Tell us your rating? Send us a Text Message right now! Keith Urban & Pink – One Too ManyScore: 3.4It takes a certain kind of courage to title your duet One Too Many when the song itself sounds like it was written after exactly that number of beers. Keith Urban and Pink, two pop-country-adjacent titans, come together here not so much in harmony as in a musical custody battle over who can out-melodramatise the other. Spoiler: nobody wins.On paper, the song is about drinking too much and dialling up an ex—a theme as old as both Nashville and karaoke machines. In practice, it's a chorus so sticky it could double as the lining of a barroom coaster. Urban strums an acoustic that sounds like it was fished out of a Spotify “Acoustic Coffeehouse” playlist, while Pink delivers vocals with the intensity of someone who thought she was cutting a demo for a Now That's What I Call Country 2030 compilation.The production is its own beast: a Frankenstein's monster of Top 40 gloss, faux-folk earnestness, and something that might be steel guitar if you squint hard enough. It's as if Max Martin got locked in a room with a Nashville songwriter and the only way out was to produce something that would make both Walmart shoppers and wine-aunt Facebook groups nod in approval.Lyrically, One Too Many is a Hallmark card taped to a whiskey bottle. “I've had one too many,” they sing, a phrase repeated so often it feels less like confession and more like the Terms & Conditions you're forced to accept before entering Keith Urban's radio rotation. It's supposed to be messy and relatable, but instead it lands with the authenticity of a corporate brand tweeting about “getting lit on Taco Tuesday.”That's not to say it isn't catchy—it is, in the same way a car alarm is catchy when it's been going off for an hour. It will lodge itself in your brain, make you hum it against your will, and then leave you wondering why you suddenly have the urge to buy boxed rosé and an Urban Outfitters cowboy hat.In the end, One Too Many isn't a disaster so much as it is aggressively fine: the sonic equivalent of warm domestic beer. It won't ruin your night, but you'll definitely wish you had something better in your hand.Best moment: When it ends and you realise Spotify auto-play has queued up literally anything else. Worst moment: Realising you'll still be humming it tomorrow.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEDUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Blessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Beautiful Things - Benson Boone

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Play Episode Listen Later Aug 31, 2025 45:28 Transcription Available

Want to request a song? Tell us your rating? Send us a Text Message right now! Benson Boone — “Beautiful Things” Pitchfork Score: 6.4Benson Boone's “Beautiful Things” is the kind of song that sounds like it was carefully engineered to play during the end credits of a Netflix teen drama—specifically the episode where the main character finally kisses their crush, only for it to start raining in cinematic slow motion. Boone's voice trembles with the sincerity of someone who just discovered his first heartbreak on Tumblr circa 2012, and the production swells like an Imagine Dragons B-side that got baptized in holy water.Lyrically, Boone circles around the idea of cherishing love before it slips away, which is both touching and about as revolutionary as finding out water is wet. Every line sounds like it was workshopped by a support group for people who cried too hard at The Notebook. “Please don't take these beautiful things that I've got” could be poignant if it didn't also sound like a panicked plea to a landlord.The song itself builds toward a dramatic chorus that is supposed to soar, but mostly just floats politely, like a balloon that refuses to fully commit to either rising or popping. It's polished, safe, and inoffensive—Spotify playlist glue for people who still write Instagram captions about “living in the moment.”Still, Boone knows his audience, and in that lane, “Beautiful Things” works. It's heartfelt enough to make teenagers clutch their pillows at 2 a.m., but slick enough to slide onto Top 40 radio without scaring off your mom. Is it groundbreaking? No. But if you need a soundtrack for your next PG-13 existential crisis, Boone has you covered.Best Fit For: crying in your car after an argument where you definitely weren't wrong.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Waking Up In Vegas - Katy Perry

Play Episode Listen Later Aug 27, 2025 39:01 Transcription Available

Want to request a song? Tell us your rating? Send us a Text Message right now! Pitchfork Review – Katy Perry: Waking Up in Vegas Score: 7.9 (Best New Hangover)If Hunter S. Thompson had written Fear and Loathing in Las Vegas as a sugar-coated rom-com, Waking Up in Vegas would be the soundtrack. Katy Perry delivers a glitter-fuelled ode to bad decisions, late-stage capitalism, and the kind of hangover that makes you question both your life choices and whether you're wearing someone else's pants.The production is a strange hybrid of ‘80s arena rock bombast and Disney Channel pep rally — Max Martin and co. essentially weaponise cymbal crashes and four-on-the-floor drums until you feel like you've just mainlined a slot machine jackpot. Perry's vocals bounce between faux-indignant girlfriend and motivational speaker who's had three vodka Red Bulls for breakfast.Lyrically, it's a manifesto for the YOLO generation before YOLO was a thing. Lines like "Why are these lights so bright?” and "That's what you get for waking up in Vegas" feel less like pop hooks and more like your friend's drunken Instagram captions from 2010. This is not a song about Vegas so much as it's a song about waking up anywhere with glitter in your teeth and an inexplicable hotel charge.When Perry shouts “Shut up and put your money where your mouth is”, it's not just a chorus — it's a philosophy. The song is basically a musical dare, telling you to make the bad choice, own the bad choice, and then write a three-minute pop banger about it.By the end, you're not sure if you've listened to a breakup song, a pro-gambling PSA, or a piece of subtle anti-tourism propaganda from the Nevada Health Department. But like a $4.99 all-you-can-eat shrimp buffet, it's cheap, loud, and will haunt you for days.Verdict: The perfect soundtrack to putting $50 on black at 3am, losing, and telling yourself it was “part of the experience.”DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Shaddap You Face - Joe Dolce

Play Episode Listen Later Aug 24, 2025 43:33 Transcription Available

Want to request a song? Tell us your rating? Send us a Text Message right now! Pitchfork Review – Joe Dolce: Shaddap You Face Score: 8.7 (Best New Meme)Joe Dolce's Shaddap You Face is the kind of song that makes you question not only the nature of music, but the nature of civilisation itself. In 1980, while the rest of the world was contemplating the looming nuclear winter, Joe Dolce decided to weaponise a mandolin and a catchphrase to wage war on taste.Dolce's delivery—equal parts comedy uncle, regional theatre understudy, and man who's just been told “the karaoke machine's broken, can you sing it a cappella?”—is the song's driving force. The accordion wheezes like a pensioner after walking up three steps, while the rhythm plods along with all the swagger of a Fiat Panda in second gear. It's not music you dance to so much as music you gesticulate wildly to, preferably while wearing a checked tablecloth as a cape.Lyrically, it's a work of minimalist genius. Dolce doesn't waste time with metaphors or subtext—every line is a conversation between him, his mama, and an imagined chorus of Australian radio listeners in 1981 who were too polite to turn it off. The repeated hook, “What's-a matter you?” isn't just a question—it's an existential howl, a postmodern critique of the immigrant experience, or maybe just a man yelling at a cloud.When it was released, Shaddap You Face dethroned John Lennon's Woman on the UK charts. Yes, Joe Dolce beat a Beatle. That's like if Subway released a tuna melt that outsold the Mona Lisa. It's a reminder that sometimes, the masses don't want enlightenment—they want an accordion, a bad accent, and a chorus that gets funnier the more you sing it.In the end, Shaddap You Face is not a song you listen to because you want to—it's a song you listen to because it will find you. In the supermarket. In a taxi. In your brain at 3am. And you will sing along, because resistance is futile.Verdict: A masterpiece of cultural persistence. Like herpes, but with a mandolin.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Shut Up! - Simple Plan

Play Episode Listen Later Aug 20, 2025 42:39 Transcription Available

Want to request a song? Tell us your rating? Send us a Text Message right now! Simple Plan – “Shut Up!” Lava Records; 2004 2.1/10If teen angst were a currency, Simple Plan would be Canada's largest export. And “Shut Up!” is perhaps their most shrill, sugar-coated contribution to the pop-punk economy: a three-minute tantrum in skinny jeans, flung onto CD like a Hot Topic receipt someone refused to recycle.Released in 2004, a golden era when every mall had at least one screaming adolescent with gelled hair and an authority complex, “Shut Up!” captures the essence of adolescent rage with all the nuance of a fire alarm taped to a skateboard. It's not a song—it's an eye roll set to power chords.Frontman Pierre Bouvier delivers each line like he's been grounded for the weekend and just discovered Linkin Park exists. “Don't tell me who to be!” he cries, in the tone of someone who just got told to take their shoes off in the house. It's an anthem for misunderstood kids everywhere—by which we mean, mostly kids who got a B in maths and think that counts as oppression.Musically, it's the equivalent of punching drywall after being asked to do the dishes. The guitars chug dutifully, the drums go “boom-boom-tap,” and somewhere in the background, the ghost of Green Day sheds a single tear. There's an attempt at a bridge that sounds like it was written in the back of a maths book, and it ends—mercifully—with more shouting. It's unclear whether the listener is supposed to feel empowered or just relieved it's over.Lyrically, it's as if every line was workshopped in an MSN chat room. “Just shut your mouth / Who do you think you are?” asks Pierre, clearly directing his ire at a very rude parent, teacher, or perhaps the concept of adulthood itself. It's emotional depth, brought to you by a packet of Sour Skittles and a half-watched episode of Degrassi.Still, “Shut Up!” did serve a noble purpose: it was the soundtrack to at least a dozen bedroom door slams per suburban household. And in that sense, it's historically significant—if only to warn future generations of what happens when you give a Fender and a recording budget to five dudes who just really hate being told what to do.Best Lyric: “There you go / You never ask why” — bold of them to claim introspection in a song called “Shut Up!” Worst Lyric: “Don't tell me how to live!” — accidentally sums up the entire album. File Next To: Broken skateboards, discarded diary entries, and that hoodie you wore every day in Year 10. RIYL: Thinking the world doesn't understand you (it probably does, and it's fine).— Chaz Voxworthy, November DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

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Shut Up - Black Eyed Peas