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Today's guest on the podcast is Michael Smyth, talking about his brilliant new solo project Silk!Also the guitarist/songwriter in Belfast shoegaze band Virgins, Michael leans into the heavier end of shoegaze spectrum than his main project.The primary focus of this episode will be Silk's latest single, 'but then, yes', which was released on June 26th.On 'but then, yes', Michael further expands his sound, as the song dovetails between almost impenetrable vast walls of fuzz, to shimmering dreamy passages building to a devastating crescendo. The track also features vocals from AJ Das of Dublin shoegazers, Picture Postcard. Lyrically the song delves into the evolution of connection between people over time, from plutonic to romantic and into something deeper, capturing the electricity as emotions experience that slow but seismic shift. Written, performed and recorded by Michael, when it came time to mix the song he turned to long time collaborator Jonny Woods (1980 Something Studios, Wynona Bleach) and Jon Moorehead of Moosetronix to master the track. The impetus for the project is described by Michael, “I constantly feel like I am rushing towards the inevitable infinite oblivion. Further exacerbated by the marking of years spent circling the sun. To that end, it's important that I fill the time remaining with joyous, creative acts. The sharing of ideas is an essential part of that, which brings us to Silk.” The single is released ahead of the first live dates for Silk, which will see members of Broncos, Ferals and Wynona Bleach take up position in the live band.Silk on LinktreeOld Crow Promotions on LinktreeHorrenda + Their Last Stop + Fear Gorta live at Sin ESacred Noose + Grave Sermon + Their Last Stop + Lymphoedema live at Sin E Hosted on Acast. See acast.com/privacy for more information.
Send us a textSt. Louis-based metalcore act dead7 is poised to break through in a major way with the release of their highly anticipated debut album, LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE, arriving July 11, 2025 via SharpTone Records. Known for their emotionally charged blend of heavy grooves, ambient textures, and bold vulnerability, the five-piece continues to turn heads with a sound that fuses brutal honesty and melodic hooks in equal measure.Composed of Jason Kozik (vocals), Dexter Greer (guitar), Tim Quinn (guitar), Stephen Salyer (bass), and Zach Guinn (drums), dead7 crafts music that leans into both atmospheric metal and alternative rock, while unafraid to explore the depths of love, loss, and internal conflict. Their debut album captures that duality perfectly—one moment it's a crushing wall of sound, the next a moment of haunting introspection.“We keep people guessing,” frontman Jason Kozik shared. “The new material is heavy, but we emphasized the hooks. We tried to make sure our songs resonate. In terms of the content, we focused on love, relationships, and things that are often tough to say.”After gaining traction through powerful singles like “tape mouth” and “heaven only knows” (featuring Nathan Johnson of Fox Lake), dead7 began to find their footing on the live circuit, including festival slots at POINTFEST alongside acts like Bad Omens, The Pretty Reckless, and Coheed and Cambria. The momentum caught the attention of SharpTone Records, who signed the band in late 2024.Heading back into the studio with trusted collaborators Caleb Freihaut and Ben McGuiness, dead7 shaped a record that reflects not only their evolution as a band but their refusal to be boxed in. Touchstones like Loathe, Bring Me The Horizon, and Three Days Grace inspire the record's push-and-pull between chaotic energy and accessible melody.Tracks like “BLUR” showcase that duality immediately, with its vocoder-drenched verses giving way to explosive choruses. “It incorporates a lot of what dead7 is,” Kozik explained. “Lyrically, it's a view of trying to navigate life with everything going on... in our relationships, in our families, and in ourselves. It feels like a blur, and you're trying to survive.”Other album standouts include “HOLE,” a raw depiction of tension in a fractured relationship, and “PLEASE,” a cheeky-yet-intense track featuring Marcus Vik, where soaring melodies meet lusty lyricism and thunderous riffs. Kozik remarked, “We were making a joke about being kind of horny, and we tried to encapsulate it… It has www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn
Released in 1995, the waning years of grunge and riding the big wave of the alternative rock explosion, That's What Love Songs Often Do by Fig Dish was a punchy major label debut from Chicago quartet Fig Dish. Lyrically, Fig Dish steers away from overwrought introspection in favor of sly, observational jabs at love and life, delivered with rasp and grit. Raw yet clear production allows the interplay between all the instruments shine, with just enough hooks and attitude to keep you interested. Songs In This Episode Intro - Weak and Mean 25:17 - Bury Me 29:29 - Seeds 35:29 - Going Gone Outro - Chew Toy Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Released in 1995, the waning years of grunge and riding the big wave of the alternative rock explosion, That's What Love Songs Often Do by Fig Dish was a punchy major label debut from Chicago quartet Fig Dish. Lyrically, Fig Dish steers away from overwrought introspection in favor of sly, observational jabs at love and life, delivered with rasp and grit. Raw yet clear production allows the interplay between all the instruments shine, with just enough hooks and attitude to keep you interested. Songs In This Episode Intro - Weak and Mean 25:17 - Bury Me 29:29 - Seeds 35:29 - Going Gone Outro - Chew Toy Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Want to request a song? Tell us your rating? Send us a Text Message right now! Divinyls – “I Touch Myself” (1990) ★ ★ ★ ★ ☆ Genre: Sexy Pop-Rock with a Side of Subtle ShoutingIf you've ever wanted to tell the entire world you're into yourself—like, really into yourself—but with an Aussie accent and a jangly guitar riff behind you, "I Touch Myself" is your anthem.Released in 1990, this song boldly launched a thousand awkward glances across car radios, shopping centre PAs, and family BBQs. It's essentially a public service announcement for private pleasure. The late, great Chrissy Amphlett croons with the kind of sultry conviction that makes you wonder whether she's flirting with you or challenging you to a fight. Possibly both.Musically, it's a classic pop-rock banger dressed in leather and smirking. The guitars chug along with a no-nonsense energy, while the chorus barrels in like a drunk confession that somehow made it onto Top of the Pops. It's catchy. Dangerously catchy. You'll find yourself humming it at work and immediately questioning your life choices.Lyrically, it's… well, it's not subtle. There's no poetic metaphor here—no “my flower blooms in solitude” kind of vibe. Just straight-up: “I touch myself.” A line that makes 13-year-olds giggle, adults pretend not to hear, and cool uncles nod in silent respect.What's genuinely impressive is how it flipped the script. At a time when most female-fronted pop-rock was still toeing the line between “empowered” and “palatable,” Amphlett smashed that line with a riding crop and lit a cigarette on its ashes. It's one of the few songs where the chorus feels like both a dare and a declaration.Final Verdict: "I Touch Myself" is a bold, brash, unashamed celebration of self-love with a riff you can strut to and a chorus you probably shouldn't sing in front of your boss—but will anyway. And honestly? That's kind of the point.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew
Want to request a song? Tell us your rating? Send us a Text Message right now! Flo Rida – “In the Ayer” [feat. will.i.am] Atlantic; 2008 2.1If you've ever stared into a lava lamp and thought, “What if this could somehow be a song?”—well, congrats, your dream was made flesh in In the Ayer, the auditory equivalent of bedazzled cargo shorts and Axe body spray. Flo Rida, not known for subtlety or, say, substance, teams up with the ghost of will.i.am's interest in music to bring us a track so hollow, it could be used as a teaching tool in physics classes on resonance chambers.“In the Ayer” (yes, ayer, because why not butcher a vowel for swag?) is essentially a three-minute motivational poster shouting “PARTY!” at you in all caps. The beat is what you might hear if someone fed a Casio keyboard nothing but Red Bull and positive affirmations. will.i.am contributes the kind of hook that makes you question whether he was even in the studio or just texted it in from a pool float somewhere in Ibiza.Lyrically, Flo Rida invites you to "throw your hands up" roughly every five seconds, suggesting he might be confused and think he's leading a hostage negotiation. Every verse feels like an inspirational quote with a concussion. The only thing more repetitive than the chorus is the sinking feeling that this song was engineered in a lab to sell energy drinks.And yet, for all its sins, “In the Ayer” is weirdly indestructible—like glitter, or Guy Fieri. It's not a song so much as a vibe you regret catching. Somewhere, right now, it's still echoing in the background of a nightclub bathroom, and you know what? That's exactly where it belongs.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew
Alisa and Keren host a Lyric battle of the minds pitting four teams in a test of knowledge about their new stage spouses. Teams: EllEmmet - Aleah Curtis, Brandon Nichols ItsGotToBeSerious - Christopher Freeland, Shannon Dennis KylEtte - Drex Holt, Martee Blanton, and Kyle The Rents - Tracy Brandon Tucker, Forrest Blanton Legally Blonde (the bubbly, pink musical based on the beloved movie is performing on the Lyric stage June 27-July 13) https://lyricperformingartscompany.thundertix.com/events/238176 Bygone Brown new locally produced podcast (Relive those thrilling days of yesteryear with this extensively researched and entertainingly told - using the voices of Lyric Players - this series brings to life American and Texas history in the 19th century from the perspective of Brown County, Texas) Our Presenting Sponsor for this episode is E3 Studios of Brownwood, from 3d prints to commercial paper products, shirts, hats and more! Visit them on Facebook at E3 Studios!
Want to request a song? Tell us your rating? Send us a Text Message right now! Luke Bryan – “That's My Kind of Night” ⭐️ 1.9 / 10 Label: Cliché Hat Records, a Division of Bud Light SoundsIf a monster truck rally had sex with a Bass Pro Shops flyer during an Axe Body Spray commercial, the baby would be “That's My Kind of Night.” And that baby would grow up to wear cargo shorts year-round and call every woman “ma'am,” regardless of age.Luke Bryan, country music's reigning fratboy-in-chief, delivers this track like he's double-fisting a Natty Light and reading lyrics off the back of a hunting permit. It's less a song and more a checklist of things a 12-year-old thinks are cool: trucks, beer, girls in painted-on jeans, trucks again, the moonlight, catfish dinners, and did we mention trucks?Musically, it's a country song in the same way a microwave burrito is Mexican cuisine – technically accurate, deeply offensive, and likely to make you question your life choices. The beat is a Frankenstein's monster of pop-country gloss and trap-lite drum loops, which means it will either make you dance or commit a minor crime in a Walmart parking lot.Lyrically, Bryan sounds like he dared himself to cram every bro-country trope into a single three-minute yeehaw. "I got that real good feel good stuff up under the seat of my big black jacked-up truck" – which is exactly the kind of sentence you hear before someone revs an engine at a red light and then crashes into a Chili's.And don't worry, he rhymes “corn” with “horn” and “party” with… “party.” Twice. Shakespeare is shaking in his boots.You get the feeling that Luke Bryan wrote this on a napkin after doing shots of Fireball with the Duck Dynasty guys. And that napkin then somehow won a CMA award.Recommended if you like:Mud for recreational purposesSongs that think “fishing” is a personalityThe idea of consent, but not the practiceFinal thought: This isn't a song. It's a backwards hat doing donuts in your soul.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew
Want to request a song? Tell us your rating? Send us a Text Message right now! Fergie – “Fergalicious” ⭐️ 2.1 / 10 Label: A Delicious Flop Pastry RecordsAh yes, “Fergalicious” – the 2006 cultural artifact that dared to ask: what if a spelling bee had a sugar crash during a rave at Claire's Accessories?Fergie, freshly emancipated from the Black Eyed Peas' deeply important catalog of "My Humps" and "Let's Get Retarded," decided it was time to define her solo artistry by shouting her name over a beat that sounds like a Fisher-Price drum machine possessed by Satan's annoying little cousin.There's a beat, technically. There are lyrics, allegedly. Will.i.am, never one to skip a paycheck or a confusing production decision, blesses the track with all the subtlety of a jackhammer in a porcelain museum. Together, they craft a song that's somehow both aggressively confident and terminally insecure – like if Regina George had access to FruityLoops and unresolved trauma.Lyrically, it's a feminist manifesto if feminism were exclusively about making boys drool while you “be up in the gym just workin' on your fitness.” Fergie is your witness. We know this because she tells us. Over. And over. And over.To its credit, “Fergalicious” is deeply committed to being what it is: a chaotic, hyper-glossed sugar rush of ego and electroclash. It is the sonic equivalent of chewing 14 pieces of Hubba Bubba while being screamed at by your older cousin who just discovered ringtones.You don't listen to “Fergalicious.” You survive it. You emerge on the other side a little dumber, a little gayer, and a lot more appreciative of silence.Recommended if you like:Spelling your name in publicThe scent of pink glitterThe phrase “tasty, tasty” shouted at 120 bpmFinal thought: It's not so much a song as it is a personality disorder set to a ringtone.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew
"Peace Sells... but Who's Buying?" is the second studio album by American thrash metal band Megadeth, released on September 19, 1986, through Capitol Records. Widely regarded as one of the most influential albums in thrash metal, it solidified Megadeth's position as one of the genre's “Big Four” alongside Metallica, Slayer, and Anthrax.The album showcases the band's growing technical prowess, especially the intricate guitar work of Dave Mustaine and Chris Poland, and the tight rhythm section of David Ellefson on bass and Gar Samuelson on drums. Lyrically, the album deals with themes of political corruption, war, and social commentary—reflected in its iconic title track, "Peace Sells", which became a signature song for the band and a defining statement of 1980s metal's more rebellious and critical voice.Produced by Dave Mustaine and Randy Burns, Peace Sells... but Who's Buying? was a major step up in production from their debut, Killing Is My Business... and Business Is Good!, and became a benchmark for thrash metal's musical and thematic potential.Would you like a track-by-track breakdown or a summary of its critical reception and legacy?Listen to the album on Apple MusicListen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.
Drexel Morgan Holt IV and Alisa sit down with Laira Card to embark on a thoughtful, scene-by-scene review of the iconic cinematic triumph Legally Blonde, unraveling its layers of charm, empowerment, and unexpected brilliance with the reverence it so rightfully deserves. Bygone Brown new locally produced podcast (Relive those thrilling days of yesteryear with this extensively researched and entertainingly told - using the voices of Lyric Players - this series brings to life American and Texas history in the 19th century from the perspective of Brown County, Texas) Legally Blonde (the bubbly, pink musical based on the beloved movie is performing on the Lyric stage June 27-July 13) https://lyricperformingartscompany.thundertix.com/events/238176 Our Presenting Sponsor for this episode is E3 Studios of Brownwood, from 3d prints to commercial paper products, shirts, hats and more! Visit them on Facebook at E3 Studios!
Fresh from last night's Ivor Novello Awards in London Orla joined us to tell us all about winning the ‘Best Song Musically and Lyrically' award for her track Mine. She also shared behnd the scenes gossip from the hugely prestigious awards ceremony.
In this episode, Tate chats with Marcus Nuccio and Evan Weiss, the driving forces behind the band, Pet Symmetry, about their latest album Big Symmetry, released on May 2. Since August 2023, the record label, Storm Chaser, has been releasing one album every month, but Big Symmetry stands out as the label's most significant release yet. Marcus and Evan discuss the power of self-releasing music, as owning their own label allows them to make all the decisions and maintain complete control over their music. They also reflect on the incredible freedom this gives them, from writing and recording to collaborating with friends in the industry, such as Mike from Asian Man Records, who contributed to this release. The duo opens up about the unique writing process for Big Symmetry, which took place in a cabin in Southern Illinois. Over the course of just seven days, the band wrote 17 songs and immediately tracked the drums, marking a departure from their usual, more spread-out approach to songwriting. Lyrically, the band challenged themselves to write 12 love songs, a task that proved difficult for some members, but ultimately resulted in a more refined, confident sound. Marcus and Evan also discuss the evolution of their music, explaining how the process and the music itself reflect their growth as musicians since they first started playing together in 2012. With Pet Symmetry marking their fourth LP, the band finds themselves at a point where they can confidently call themselves veterans in the indie music scene. Their newfound confidence, along with their years of experience, has led to a tight, like-minded group of musicians who know exactly what they want out of their music careers. The episode offers an inside look at the band's journey, their creative process, and how their decisions along the way has allowed them to achieve everything they ever wanted in music. Whether you're a fan of the band or new to their music, this conversation provides valuable insights into the world of independent music and the freedom that comes with owning your art.
For our 50th we have a special Mother's Day episode that contains shout outs to and from our Lyric moms and a few interviews with moms and their children. Bygone Brown new locally produced podcast (Relive those thrilling days of yesteryear with this extensively researched and entertainingly told - using the voices of Lyric Players - this series brings to life American and Texas history in the 19th century from the perspective of Brown County, Texas) Legally Blonde (the bubbly, pink musical based on the beloved movie is performing on the Lyric stage June 27-July 13) https://lyricperformingartscompany.thundertix.com/events/238176 Our Presenting Sponsor for this episode is E3 Studios of Brownwood, from 3d prints to commercial paper products, shirts, hats and more! Visit them on Facebook at E3 Studios!
New York, NY – Latvian-born singer/songwriter and fashion model Keeana Kee is set to release her boldest and most soul-stirring single yet, “Small Fragile Woman,” along with a powerful music video that drops on April 27.Produced by Arturo Brambilla Cabrera and penned by Keeana herself, “Small Fragile Woman” is a cinematic-pop ballad that radiates vulnerability, courage, and quiet defiance.This emotionally charged track reveals a new depth to the NYC-based artist — one that speaks truth to power, tenderness to pain, and strength to silence.From soft, haunting beginnings to a sweeping, emotionally potent climax, the track moves with live strings and cinematic weight. The production is both intimate and grand — building from raw, confessional verses to an anthemic chorus that echoes strength through fragility.The final vocal arrangement delivers a soaring, unforgettable close, reinforcing the song's core message: true power is often found in the most delicate places.“This song comes from a deeply personal place,” says Keeana Kee. “It's about standing tall even in your most vulnerable moments. I wrote it for everyone who's ever been made to feel small yet found the courage to rise. I wanted to create something that would give voice to the quiet fighters — those who don't shout but endure.”Lyrically, “Small Fragile Woman” tackles the emotional impact of bullying and societal judgment, offering a moving portrayal of what it means to fight for dignity, belief, and self-worth. Keeana's poetic imagery and stirring vocals transform the song into an anthem for anyone who's ever felt silenced, underestimated, or dismissed — particularly women and members of the LGBTQ+ community.One standout lyric encapsulates the heart of the song: “See me fall on my knees, holding head high full of beliefs.”It's a declaration of resilience — a refusal to be broken.The accompanying music video extends that message with striking visuals. Raw, expressive, and deeply symbolic, it features a powerful dance narrative performed by women. The choreography becomes a poetic dialogue — a fierce push and pull between pain and perseverance, softness and strength. It pays tribute to those who fight their battles in silence and rise with grace in the face of adversity.More than just a song, “Small Fragile Woman” is a movement — a statement of defiance wrapped in elegance. It's a love letter to every woman who's ever been told she was too soft to survive, too emotional to lead, too fragile to fight.Keeana Kee, long known for using her platform to elevate conversations around women's empowerment and LGBTQ+ visibility, continues her mission to create music that resonates on both emotional and social levels.With “Small Fragile Woman,” she reminds us:Small is not weak. Fragile is not broken. And silence can roar.Watch the “Small Fragile Woman” Official Music Video on YouTube/VEVO: https://www.youtube.com/watch?v=FszwLDWTfKwStream “Small Fragile Woman” everywhere: https://hypeddit.com/t82t7k
Hello Listeners!In this episode, we had the opportunity to have a conversation with Greta Kline from Frankie Cosmos.Greta Kline as a Lead vocalist, guitarist, and songwriter Frankie Cosmos, has long been regarded as one of the most insightful and significant lyricists in contemporary indie music. Yet in “Different Talking”, her lyrics soften the sharp cynicism found in previous albums is replaced with an acknowledgment of the brain's and heart's profound and inevitable vulnerabilities.“Different Talking”, the sixth and arguably finest album by New York City indie-rock band Frankie Cosmos, feels as though it arrives through space and time just like all of us. It's a collection of fragments and memories, remembered places, and reinterpreted feelings, woven together into a bright, vibrating whole: a grounded and powerful indie-rock record about growing up and the passage of time that remains wholly relevant today.The current lineup of Frankie Cosmos consists of Greta Kline, Alex Bailey, Katie Von Schleicher, and Hugo Stanley. Lyrically, “Different Talking” may be Kline's most introspective work, while musically, it's Frankie Cosmos's most diverse and textured album yet—featuring country-style guitar work, glistening synths, and impressive walls of sound. Kline has been part of the American indie scene since her teenage years, when her prolific Bandcamp releases and her 2014 indie label debut “Zentropy” earned her the nickname “the poet laureate of NYC's DIY scene.” That's a heavy title for a teenager, but her unique influence on contemporary pop music is hard to dispute. If it now seems normal to see a young girl playing synths in her bedroom, uploading songs to the internet, and quickly gaining a following—it's thanks to Kline and a few other artists and writers who celebrated and normalized the idea of DIY (especially female) genius long before it became a marketing trend for major labels.Listen full episode on Bingkai Suara with Lusiana and don't forget to follow our podcast on any podcast platforms, our Instagram Bingkai Karya, and stay updated with our recent news on www.bingkaikarya.com
Welcome back, headbangers! This week on Heavy Metal Tones, we're diving into the crushing debut from one of thrash metal's most underrated pioneers - Metal Church's self-titled 1984 album.Emerging from the fertile metal scene of Aberdeen, Washington, Metal Church burst onto the scene with a raw intensity that bridged the gap between traditional heavy metal and the emerging thrash movement. The powerful vocals of David Wayne, whose distinctive high-pitched screams became a hallmark of their sound.The album's nine tracks showcase a band already confident in their musical vision - from the epic opener "Beyond the Black" to the menacing "Merciless Onslaught." Lyrically, Metal Church tackled themes of apocalyptic destruction, societal collapse, and religious hypocrisy - perfectly complementing their aggressive instrumental attack.What sets this debut apart is its technical precision coupled with an unrelenting heaviness. Dual guitarists Craig Wells and Kurdt Vanderhoof delivered intricate riffs and blistering solos while the rhythm section of bassist Duke Erickson and drummer Kirk Arrington maintained a thunderous foundation throughout.Often overshadowed by their more commercially successful peers, Metal Church's debut remains a testament to the raw power and innovation of early American metal. Join us as we celebrate this thrash classic, track by track, and explore how it influenced generations of metal acts to follow.www.patron.com/heavymetaltones Hosted on Acast. See acast.com/privacy for more information.
Lyrically, we get this short story, in typical Tom fashion where he's just giving us the outlines and parts of a narrative. We start out standing by the highway in boots and silver spurs. And we end on the interstate across the Georgia line, which is maybe a teeny nod back to Tweeter and the Monkey Man. In fact, here's an idea, maybe the protagonist of this song is actually Jan! I can imagine her heading south after the fiasco in Jersey, but it sounds like she found trouble again in Nevada and headed back east! It's an incredible lyric to come up with on the spot, as I say and it's obviously gone on to be a lesser known single that is adored by Pettyheads. It's a song that lends itself well to themes of not going down without a fight while at the same time depicting a somewhat desperate character who is going down anyway! Fabulous writing. Or in this case, ad-libbing!Song: https://youtu.be/ew6Cg6pUApE Official Video: https://youtu.be/I4vJM4L2D2ULinks mentioned: Red Hot Chili Peppers - A Face In The Crowd (Live) : https://youtu.be/qD37E7rtxbs Sammy Davis Jr drums : https://youtu.be/i3FqyPeUaDERefugee (album version) : https://youtu.be/YbWDV72oQlo?t=50Refugee (live version, 2012) : https://youtu.be/2sW4msX2q_E?t=114Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show.Facebook: https://www.facebook.com/thetompettyprojectBluesky: https://bsky.app/profile/tompettyproject.bsky.socialInstagram: https://www.instagram.com/thetompettyprojectYouTube: https://www.youtube.com/@thetompettyprojectThreads: https://www.threads.net/@thetompettyprojectAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comThe Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research. And further thanks to Warren Zanes for his outstanding book "Petty, the Biography".Producer: Kevin BrownExecutive Producer: Paul RobertsSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style. Songs In This Episode Intro - Neologic Spasm 33:47 - Condemned 40:12 - Modus Operandi 50:29 - Infra Rec Combat 1:01:52 - Circuitry Outro - Barcode Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style. Songs In This Episode Intro - Neologic Spasm 33:47 - Condemned 40:12 - Modus Operandi 50:29 - Infra Rec Combat 1:01:52 - Circuitry Outro - Barcode Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Hailing from Nottingham, Those Once Loyal have been on quite the journey since last releasing music. One of the reasons being due to a revolving door of bassists, but this has now led to them finally having a solid line up. Since the release of their 2023 EP 'Relentless Cycle' they have played many shows around the Midlands area, something that has helped get their name out there and seem them play higher profile shows such as with Atreyu, Heart of a Coward, Attila, Rxptrs, High on Fire, Cane Hill and Kill the Lights. If all of this wasn't enough, they also landed a spot at the prestigious festival, Bloodstock Open Air, playing the Jägermeister stage in 2023. Now, they're back, and ready to unleash new music. Starting with a new single called ‘Glass Hands', out on April 11th, 2025, alongside a video. Glass Hands is a song that perfectly encapsulates the combination of modern hardcore bands with the driving aggressive riffs of 00's metalcore to create a song with a driving rhythm that blends both eras of metal together and shows how evolution and history can be one! Lyrically, the song uses themes of control and manipulation, to which lines such as "One day your influence will lose its hold. You'll never ever have control" Pertaining to the idea that egocentric control will lose its grasp in time. Pre-Save it on Spotify here: https://distrokid.com/hyperfollow/thoseonceloyal/glass-hands We spoke to guitarist and backing vocalist, Oscar Gutkowski about the new single, and the journey that Those Once Loyal have been on to get to this point. We look at the past, but focus on the future, what makes it so exciting, while having some fun along the way. Find out more here: https://linktr.ee/thoseonceloyal Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.com Threads: https://www.threads.net/@gbhbl Twitter: https://twitter.com/GBHBL_Official Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio
It's WTF Wednesday on Season 19, Episode 37 of The Adventures of Pipeman. Tune in at 1PM ET on 4/9/25 for the live show on W4CY Radio at www.w4cy.com. Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/supportSteve Postell, new album March 14, 2025, via Quarto Valley Records, ‘Walking Through These Blues'. The following day, a record release party will be held at McCabe's in Santa Monica, with an all-star band backing him up, and a springtime tour to follow with OUR HOUSE: The Music of CSNY). Glen Phillips, Leland Sklar, Danny Kortchmar, Steve Ferrone, Bekka Bramlett, Russ Kunkel, and the late David Crosby, among many other contributors.Standout tracks features Phillips on vocals, “How Far We've Come,” which Postell described as: “Glen Phillips is the lead singer and primary writer for the alternative band, Toad the Wet Sprocket. Got Tom Petty's Heartbreaker bandmate Steve Ferrone to play drums on the track, along with my Immediate Family bandmate Leland Sklar on bass, for an iconic rhythm section.Title track, Steve stated: “[‘Walking Through These Blues'] originated from a right-hand guitar exercise that I was showing a student. Lyrically, it's a reminder to keep going forward in life even when things are challenging. For the recording, I was able to grab Jackson Browne band members Bob Glaub and the late Jeff Young when they were on a tour break. Iain Matthews (Fairport Convention, Matthews Southern Comfort) was in town playing with me on a duo tour and he sang background vocals on this track.”Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at www.linktr.ee/pipemanradio, www.theadventuresofpipeman.com and www.pipemanradio.com. Download The Pipeman Radio APP. The Adventures of Pipeman is broadcast live Mondays, Tuesdays, Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com). #pipemanradio #pipemanradiotour #theadventuresofpipeman #kingofallfestivals #positivelypipeman #pipemaninthepit #motivationalmonday #whosaidlifedoesntcomewithanownersmanual #selfhelp #deankpiper
It's WTF Wednesday on Season 19, Episode 37 of The Adventures of Pipeman. Tune in at 1PM ET on 4/9/25 for the live show on W4CY Radio at www.w4cy.com. Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/supportSteve Postell, new album March 14, 2025, via Quarto Valley Records, ‘Walking Through These Blues'. The following day, a record release party will be held at McCabe's in Santa Monica, with an all-star band backing him up, and a springtime tour to follow with OUR HOUSE: The Music of CSNY). Glen Phillips, Leland Sklar, Danny Kortchmar, Steve Ferrone, Bekka Bramlett, Russ Kunkel, and the late David Crosby, among many other contributors.Standout tracks features Phillips on vocals, “How Far We've Come,” which Postell described as: “Glen Phillips is the lead singer and primary writer for the alternative band, Toad the Wet Sprocket. Got Tom Petty's Heartbreaker bandmate Steve Ferrone to play drums on the track, along with my Immediate Family bandmate Leland Sklar on bass, for an iconic rhythm section.Title track, Steve stated: “[‘Walking Through These Blues'] originated from a right-hand guitar exercise that I was showing a student. Lyrically, it's a reminder to keep going forward in life even when things are challenging. For the recording, I was able to grab Jackson Browne band members Bob Glaub and the late Jeff Young when they were on a tour break. Iain Matthews (Fairport Convention, Matthews Southern Comfort) was in town playing with me on a duo tour and he sang background vocals on this track.”Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at www.linktr.ee/pipemanradio, www.theadventuresofpipeman.com and www.pipemanradio.com. Download The Pipeman Radio APP. The Adventures of Pipeman is broadcast live Mondays, Tuesdays, Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com). #pipemanradio #pipemanradiotour #theadventuresofpipeman #kingofallfestivals #positivelypipeman #pipemaninthepit #motivationalmonday #whosaidlifedoesntcomewithanownersmanual #selfhelp #deankpiper
Send us a textOn this week's episode, we take a listen to another Listener's Pick: Thin Lizzy's sixth studio album, Jailbreak from 1976. It took some time, but by the time they recorded Jailbreak, Thin Lizzy's had figured out their formula and Jailbreak became their breakout LP. Showcasing the tuneful songs of Phil Lynott and the expert twin guitar interplay of Scott Gorman and Brian Robertson, the album is the ultimate combination or power and melody.Lyrically, Lynott tapped into mythos of both Irish folklore and the American west to create his own version of story songs written by the likes of Bruce Springsteen and Van Morrison. Musically, Jailbreak is an absolute blast to listen to, providing future inspiration for both punk bands and bands of the New Wave of British Heavy Metal. Visit us at www.tappingvinyl.com.
fWotD Episode 2877: All-American Bitch Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 21 March 2025 is All-American Bitch."All-American Bitch" (stylized in all lowercase) is a 2023 song by American singer Olivia Rodrigo from her second studio album, Guts. Rodrigo wrote the song with its producer, Dan Nigro. It became available as the album's first track on September 8, 2023, when the album was released by Geffen Records. "All-American Bitch" begins as a folk and folk-pop song and transitions into pop-punk during the chorus, incorporating influences of punk, rock, grunge, and pop rock. Lyrically, it is a satirical song and explores Rodrigo's concerns about society's double standards and contradictory expectations for women.Music critics believe "All-American Bitch" was a successful opening track and appealed to Generation Z. They described Rodrigo's vocal performance in the verses as angelic and compared the song to the work of other rock artists. In the United States, "All-American Bitch" debuted at number 13 on the Billboard Hot 100. The song reached the top 10 in Australia, Ireland, and New Zealand, receiving a platinum certification in Australia and Brazil and gold in Canada and New Zealand."All-American Bitch" was promoted with a rehearsal video and a Vevo Live performance in an abandoned theater. Rodrigo also performed the song on Saturday Night Live, where she stabbed a red-colored cake at a tea party and splattered a white-colored cake on her face; the performance received positive reviews from critics. She included the song on the set list of her 2024–2025 concert tour, the Guts World Tour.This recording reflects the Wikipedia text as of 00:55 UTC on Friday, 21 March 2025.For the full current version of the article, see All-American Bitch on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Kajal.
Interview by Kris PetersNew York trio SANHEDRIN released their long-awaited new full-length, Heat Lightning, last Friday via Metal Blade Records.SANHEDRIN has spent the last decade at the forefront of the American heavy metal scene blending traditional metal and hard rock sounds with a fresh modern energy and perspective. With 2022's critically lauded Lights On full-length, the band had created their most complete work to date. With their follow-up, Heat Lightning, the band delivers a diverse collection of songs that wholly captures their wide array of influences with an elevated level of production.“Sonically, there's no comparison,” notes drummer Nathan Honor when asked how Heat Lightning compares to the band's previous efforts. “Heat Lightning is the fullest representation of the power of this band. When you take three seasoned musicians with their favourite handpicked instruments, put them in front of two brilliant producer/engineers in a studio stacked with incredible equipment and no outside distractions, this is what you get.”Unlike the previous three albums, which were all tracked and mixed by ColinMarston, for Heat Lightning SANHEDRIN opted to work with a fresh set of ears in a new environment. In doing so, the band landed at the legendary Utopia Bearsville studio in Woodstock, New York. At the helm for recording and co-producing were Matt Brown (Life of Agony, A Pale Horse Named Death) and Jerry Farley (Sick Of It All, Madball).Heat Lightning gets its title from the second track of the same name. “Heat lightning is a flash of lightning from very far away, sometimes seen in a clear sky,” says vocalist/bassist Erica Stoltz. “It is used as a metaphor for where we see ourselves at the moment in relation to climate change. Collectively, we have moved further away from our direct relationship to nature and have adopted a paternal relationship with the natural world, as if we have control. It was one of the first songs written for the album, and one of the most dynamic tracks the band has ever written."Elsewhere, The Fight Of Your Life is a tribute to those we call “lifers” in the music business. “It's about the compulsion to play music no matter what. When you get the bug, and you have it for life, it is your north star, your reason to be,” says Stoltz. Franklin County Line is the fastest song on the record, and inspired guitarist Jeremy Sosville's hometown and surrounding area in northern New York state. Sosville recounts, “Erica and Nathan came up to visit me and work on new music. In the process, we wrote a song inspired by the local Amish population but with a naughty twist.”The record commences with Blind Wolf, a hard-rocking, heavy metal stomper and the record's lead single. Lyrically, the song is inspired by the band's shared fascination with cults. According to Stoltz, “The blind wolf symbolizes losing your animal instincts as a result of adopting someone else's belief system.” The song is straightforward, pounding, and delivered with ill intent. “We knew as soon as the song was complete that it should open the record,” says Sosville. “It really sets the tone for the journey the listener is about to take with this album.”HEAVY caught up with Sosville to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
One of the most iconic and influential albums of all time, The Dark Side of the Moon by Pink Floyd is a progressive rock masterpiece that explores themes of time, mental illness, greed, death, and the human experience. Released in 1973, the album is known for its seamless flow, with each track blending into the next, creating an immersive sonic journey.Musically, it features lush synthesizers, soaring guitar solos, ethereal vocal harmonies, and groundbreaking use of studio effects. Tracks like “Time,” “Money,” and “Us and Them” have become timeless classics, while the haunting beauty of “The Great Gig in the Sky” and the hypnotic pulse of “Breathe” showcase the band's sonic experimentation.Lyrically and thematically profound, The Dark Side of the Moon resonates with listeners on an emotional and philosophical level. Its iconic prism cover art, designed by Storm Thorgerson, has become one of the most recognizable images in music history. The album spent over 900 weeks on the Billboard charts, cementing its legacy as one of the best-selling and most enduring records ever made.Listen to the album on Apple Music Listen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.
“I wanted to create something different and I hope listeners hear that. Lyrically and emotionally I hope it empowers them and they can see themselves in the characters and stories I sing about. We all go through dark times and hardships, but there's always a way out. I think that's what being a human being is about.I feel like Earth is a test and we’re here to prove ourselves, go through things and come out better on the other side. “’Mind Control’is part of a larger story than I’m telling on this record and in the graphic novel that goes along with it. We’re following this character Devaren as he’s talking about his disdain for the population and how he can’t stand them, but at the end of the song he has this reflective moment where he actually regrets everything he’s been doing. The interesting thing about the characters in this story is that they represent a different part of my neurodivergence and mental health journey. In ‘Mind Control’ Devaren represents the depression that has crept into my life over the years that I didn’t see coming. I just had to personify that in a character so in‘Mind Control’ it has taken over, but ultimately in our story it will be defeated.”See omnystudio.com/listener for privacy information.
AmazonSpotifyYoutubeTiktokInstagram BioECHASL is a dynamic and emerging artist whose music blends Eastern and Western influences, creating a distinctive sound that transcends traditional genre boundaries. Hailing from China, she showcases the richness of her cultural heritage while merging it with contemporary Western styles. Her debut single, "I Know U Know," offers a captivating listening experience, driven by her powerful voice and unique fusion of instruments.This track serves as both a debut for ECHASL and a preview of her upcoming album, Little Black Sheep. It also acts as a protest song, addressing discrimination, including sexism and racism. The song is inspired by the true story of the first Chinese woman documented to have arrived in the United States. Tricked and sold to a circus, she became an exhibit for audiences, dehumanized and objectified. ECHASL's poignant lyrics and storytelling bring to life the emotional journey of this historical figure, while advocating for racial and gender equality.Musically, "I Know U Know" blends the ancient Chinese gu qin (a traditional stringed instrument) with Western double bass and a pop-infused drum beat, creating a rich tapestry of sounds that defy categorization. The result is a harmonious fusion of pop, electronic, and alternative music, enhanced by ECHASL's extraordinary vocal range. From a deep contralto to a soaring soprano, she effortlessly navigates multiple styles, including R&B, rock, and even country, showcasing her versatility as a vocalist.Lyrically, the song captures the emotional depth of a young Chinese girl's tragic story, while the accompanying video incorporates elements from both Eastern and Western cultures to further convey the theme of unity and acceptance. ECHASL's message is clear: despite our differences, we are all the same.Currently in her final semester at the Berklee College of Music, ECHASL is studying songwriting and musical theater performance. She relocated to the United States at the age of 13 and began her music career in 2024. Her artist name, ECHASL, is an acronym for "Every Cloud Has a Silver Lining," reflecting her optimistic approach to creating music. As a hands-on artist, she not only writes her own lyrics but also collaborates closely with producers to craft the sounds she envisions, often pushing the boundaries of conventional music production. The fusion of a gu qin with a double bass is a testament to her innovative approach.Her passion for experimentation extends to other tracks, such as "Butterfly on Fire," where she successfully incorporated bagpipes into her composition—a request she made to her producer, who initially doubted the combination.Eager to share her unique sound with the world, ECHASL is establishing herself in the global music scene. Her music is a powerful reflection of her cultural heritage, personal experiences, and dedication to using her platform to raise awareness about important social issues. Though she doesn't expect her music to change the world, she believes that, as an artist, her voice is a powerful tool for protest and advocacy. With "I Know U Know," she takes a bold step toward blending cultures and speaking out for those who have been silenced.As ECHASL continues to release music, her journey promises to be one of bold creativity and meaningful impact, as she seamlessly fuses Eastern and Western cultures, offering a musical experience unlike any other.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
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Colm Gavin has always been hugely inspired by the great American Songbook – particularly: Jerome Kern, Harold Arlen, Hoagy Carmichael and their brilliant love ballads. Lyrically, Colm wanted this to be playful and honest. “While I'm someone of simple means, goes wild for the finer things, a Paris balcony with a view, I'm more an …
On Part 2 of our track x track review of Physical Graffiti as it turns 50, we review the 2nd LP/CD. While there is little in the world of rock music that can stand up to the first LP/CD, the second is more eclectic and shows the real breadth of all Led Zeppelin could do vs. more one dimensional bands at the time. In The Light is an epic that builds to joyous uplift. Sick Again shows Jimmy's slide skills were among the best of his generation while Bron-Yr-Aur shows the quieter acoustic side of Jimmy and great change of pace which leads to a bittersweet Down By The Seaside. Lyrically the boys get a little political with Night Flight, remember relationships from their youth Ten Years Gone and illuminate the LA groupie scene on Sick Again. Because they needed at least 25 minutes of material after their 1974 recording session at Headley Grange (where they recorded part Led Zeppelin IV), they dusted off and cleaned up some songs from previous recording sessions. Some were acoustic numbers that Jimmy electrified like Down By The Seaside and Ten Years Gone. All the songs give all four members of the band a chance to shine and they even enjoy a roadhouse jam with Ian Stewart on Boogie With Stu. The second disc on Physical Graffiti may not be the best. Many of the tracks would never make it on a single album. But double albums have deep tracks and the ones where the boys get away from their heavy riffs and blues based badassery are cool outliers in the Zeppelin catalog. And the heavy riffs from Jimmy Page are amazing. We love it! HAPPY 50TH PHYSICAL GRAFFITI! #physicalgraffiti50 Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Enjoy the most popular episode of Bless Their Hearts over the last two years! If the Lord's willing and the creek don't rise, the guys will be back with new stuff next week.In this "Best Of" episode, Jamie and John take turns trying to guess songs from lyrics read in monotone.
On Part 2 of our track x track review of Physical Graffiti as it turns 50, we review the 2nd LP/CD. While there is little in the world of rock music that can stand up to the first LP/CD, the second is more eclectic and shows the real breadth of all Led Zeppelin could do vs. more one dimensional bands at the time. In The Light is an epic that builds to joyous uplift. Sick Again shows Jimmy's slide skills were among the best of his generation while Bron-Yr-Aur shows the quieter acoustic side of Jimmy and great change of pace which leads to a bittersweet Down By The Seaside. Lyrically the boys get a little political with Night Flight, remember relationships from their youth Ten Years Gone and illuminate the LA groupie scene on Sick Again. Because they needed at least 25 minutes of material after their 1974 recording session at Headley Grange (where they recorded part Led Zeppelin IV), they dusted off and cleaned up some songs from previous recording sessions. Some were acoustic numbers that Jimmy electrified like Down By The Seaside and Ten Years Gone. All the songs give all four members of the band a chance to shine and they even enjoy a roadhouse jam with Ian Stewart on Boogie With Stu. The second disc on Physical Graffiti may not be the best. Many of the tracks would never make it on a single album. But double albums have deep tracks and the ones where the boys get away from their heavy riffs and blues based badassery are cool outliers in the Zeppelin catalog. And the heavy riffs from Jimmy Page are amazing. We love it! HAPPY 50TH PHYSICAL GRAFFITI! #physicalgraffiti50 Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz breaks down Zach Bryan's latest single 'Blue Jean Baby'. Released on January 27, 2025, via Belting Bronco Records and Warner Records, this track was penned and produced by Bryan himself during a session in Philadelphia. With a runtime of just 2 minutes and 12 seconds, 'Blue Jean Baby' was born out of a promise made after the Philadelphia Eagles clinched a victory in the NFC Championship. Originally teased in 2023 but left off his 2024 album 'The Great American Bar Scene', Bryan described it as a "demo turned into a half song," setting modest expectations.The song's energetic and anthemic sound harks back to the style of 'Revival', offering a stark contrast to his more recent introspective work. Lyrically, 'Blue Jean Baby' captures the essence of a fleeting romance in a barroom setting, exploring themes of longing, farewells, and emotional detachment, with the 4 AM reference serving as a poignant symbol of both physical and emotional distance. Analytic Dreamz also discusses Bryan's future plans, including the potential release of his sixth studio album, possibly titled 'Motorbreath'. This might be his last under Warner Records as he hints at pursuing an independent path. Additionally, a documentary film titled 'Motorbreath', narrated by Matthew McConaughey, will explore a motorcycle road trip and the recording process of this final major-label project. Fans can also look forward to a duet version of Jack Van Cleaf's “Rattlesnake” set for release on January 29, 2025. This segment promises a comprehensive look at Zach Bryan's evolving musical journey and his impact on country music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Either/Or is Elliott Smith's third studio album, released on February 25, 1997. Widely considered a seminal work in his discography, it bridges the intimate lo-fi charm of his earlier albums with the more polished, orchestral sound of his later works. The album's title references Søren Kierkegaard's philosophical text of the same name, reflecting themes of existential struggle and duality.Musically, Either/Or combines Smith's fingerpicked acoustic guitar, whispery vocals, and understated melodies with occasional flourishes of electric guitar, layered instrumentation, and subtle percussion. The production maintains a raw, home-recorded feel, which complements the album's introspective tone.Lyrically, the record delves into themes of alienation, addiction, love, and self-doubt, encapsulating the melancholy and poetic lyricism for which Smith is known. Tracks like “Between the Bars,” “Angeles,” and “Say Yes” are among its most celebrated, showcasing his ability to craft emotionally resonant and hauntingly beautiful songs.Either/Or earned critical acclaim upon its release and has since been hailed as a masterpiece of 1990s indie rock. Its enduring influence is evident in its role in shaping the sound of lo-fi and singer-songwriter music in the decades following its release.Listen to the album on SpotifyListen to the album on Apple MusicWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press SubredditFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.
rWotD Episode 2813: Menor Que Yo Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Wednesday, 15 January 2025 is Menor Que Yo."Menor Que Yo" (English: Younger Than Me) is a song by Puerto Rican reggaetón recording artist Ivy Queen, from the platinum edition of her sixth studio album, Sentimiento (2007). It was composed by Queen, produced by Escobar & Zoprano and released as the lead single from the album on March 8, 2008. Lyrically, it talks about how age shouldn't matter if you're in love with someone. The lyrics are about what happens when an older women falls in love with a younger man. The song is also considered the answer to Luny Tunes's smash-hit "Mayor Que Yo". The song's accompanying music video was filmed in Panamá in January 2008. It was directed by Marlon Peña and produced by Alvis González. The song was able to peak at number twenty-five on the Billboard Latin Rhythm Airply chart.This recording reflects the Wikipedia text as of 00:24 UTC on Wednesday, 15 January 2025.For the full current version of the article, see Menor Que Yo on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Matthew.
Chicago psych-rock band Spun Out have just released their second LP Dream Noise, out October 25th via Shuga Records, and shared the lead single/video “Paranoia.” Consisting of former NE-HI members Michael Wells (guitar, vocals) and James Weir (keys), plus the addition of Sean Page (synths), Joshua Wells (drums, recording, mixing), and Chris Sutter (bass), Spun Out create melancholic psych-pop bliss full of lush mesmerizing grooves, with a keen ear for studio experimentation. Lead single “Paranoia” furthers that. Inspired by a time when Wells was taken out by a rip tide in the Pacific, the song is about the feeling of trying to remain calm physically despite not being able to control what's around you. “Lyrically, I was trying to convey how dreams overlap into real life and vice versa,” explains Wells. “I got taken out by a rip tide in the Pacific a few years back and that feeling of trying to remain calm physically while not being in control of your surroundings definitely informed the psychology of the tune, as well as the twists and turns of the production style.” The video was directed by Tim Nagle, and shows Wells watching grainy VHS footage that gets increasingly unsettling, creating an atmosphere that lives up to the track's title. Dream Noise is an intentionally more honed and curated collection of songs than Spun Out's debut, Touch the Sound (2020, Shuga). It takes the band's collaborative spirit and sense of maximalist experimentation established in their debut and vacuum seals these ideas into tightly arranged, hooky pop gems. Sonically, the production style of the record remains refreshing, surprising and unto themselves compared to other indie music contemporaries. Lyrically, Spun Out finds new depth of emotion in directness, spruced up by memorable double entendres and turns of phrase. The hooks are smart and poetic, but never boring. Dream Noise emphasizes the performance and character of the band as live performers more than the exploratory studio templates of the debut, bringing a new element of warmth and naturalness to their sound. SPUN OUT ONLINE Instagram | X | Facebook This Episode is brought to you by..Go to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. A weekly release on Tuesdays .https://www.youtube.com/@simonhead666 Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop
It's time for the Comic Talk Headlines with Generally Nerdy! Grok 2 for free?MORE As I Lay Dying news...Kidpool Coming to Marvel Comics from the movie.Fallout TV show castingDenzel Washington announces his involvement with the MCU...And so much more...Plus, don't forget to subscribe for more fresh content. MusicFollow-ups/CorrectionsGrammys - Metallica, Judas Priest, Gojira, Spiritbox, Knocked Loose, all nominated for metal performance. https://blabbermouth.net/news/grammy-awards-2025-metallica-judas-priest-and-gojira-among-best-metal-performance-nominees As I Lay Dying - Tim Lambesis is committing to festival dates in 2025 already. The band has taken a spot on the Friday bill for next year's Welcome to Rockville festival.New Music/VideoDax - Soldier Feat Tom Macdonald https://youtu.be/PYQqe27R2L0 appropriately released on Veteran's Day.All That Remains - Forever Cold https://youtu.be/U8D_WWkYDEw?si=oMSDvdx6g8KPSHAF still no release date for the new album release date. This is almost as good as Divine.Butcher Babies - Sincerity https://youtu.be/2t0clgPkJeg First single since Carla Harvey left. Instrumentally it seems that they are maturing.Malevolence - Trenches https://youtu.be/C4VDAkyfBK8 OLD SCHOOL hardcore style. Lyrically and stylistically.Tours/FestivalsDownload Festival 2025 - Green Day, Sleep Token, and Korn set to headline the 3 days. Sex Pistols, Orbit Culture, Kim Dracula, Filter, Spiritbox, Machine Head - support from In Flames, Lacuna Coil, and Unearth. Starts April 5 in Oakland CA, runs through May 10 in Kelowna BC.Papa Roach and Rise Against - Rise of the Roach Tour. support from Underoath. Mar 20 Houston TX through Oct 5 West Palm Beach FLKing Diamond - 2 of their Canadian Tour dates have been canceled “due to unforeseen circumstances.” Refunds are available forEdmonton Alberta and Saskatoon, Saskatchewan, on Nov 20th and 21st respectively.https://blabbermouth.net/news/king-diamonds-shows-in-edmonton-and-saskatoon-canceled-due-to-unforeseen-circumstances Unto Others - Make up tour. Nov 15 in Spokane WA through Dec 13 in LA. Band says that there are MORE touring plans through 2025.https://www.stubhub.com/unto-others-tickets/performer/101881175 Cattle Decapitation - Shadow of Intent, Revocation, Vulvodynia. EU tour Jan 23 in Nuremberg Germany though Feb 23 in Tilburg Netherlands.https://www.stubhub.com/cattle-decapitation-tickets/performer/100271093 Reg ‘ol NewsGuns N Roses - Greatest hits compilation album has officially spent 700 weeks on the billboard top 100. Only the 8th band to ever do that.https://loudwire.com/guns-n-roses-eighth-700-week-album-chart-record/ Heilung - The band are scheduling a hiatus after their August 17 2025 show. No location for the final show has been given but they will be touring until then. The Hiatus is not permanent, but there is no scheduled end yet either.https://www.stubhub.com/heilung-tickets/performer/100279596 Gaming/TechFollow-ups/CorrectionsNew Steam Deck - Well yes and no. No there is not going to be new hardware. It IS going to be the same hardware in a white shell. DON'T BELIEVE THE HYPE. https://comicbook.com/gaming/news/new-steam-deck-white-oled-announced-valve/ Nintendo Switch 2 - WILL be backward compatible. BUT the question remains, will it be FULL back-compat, or will it be only for digital purchases? https://comicbook.com/gaming/news/nintendo-switch-2-news-confirmed/ Halo 2 - PC Players now have access to the E3 2003 demo on MCC. With help from Halo Studios, modding group Digsite are celebrating 20 years of Halo 2 in style. https://steamcommunity.com/workshop/filedetails/?id=3360515088 Palworld - The Pokemon lawsuit got an update. The patents are directly related to the mechanics of catching and riding the creatures. Technically the filing was not completed until months AFTER Palworld's release last year, the process was started in 2021 before Arceus' release. BIG strange note, the Pokemon Company and Nintendo are suing for 5M Yen, or about $65.000 US in TOTAL.https://www.pocketpair.jp/news/20241108 Dead Rising Deluxe Remaster - Free Demo up on the big 3 (Steam, Xbox, PS5) Game proper still costs $50.https://comicbook.com/gaming/news/xbox-360-classic-game-free-download/ TrailersKnock Off - https://youtu.be/aDyHc6aEyTg toy fighting game. This looks like it could be pretty damn cool. Demo out now https://knockoffthegame.com Mortal Kombat 1 - Ghostface kombat kast happens after I film.Reg ‘ol NewsNvidia GeForce Now - The tech GIANT is changing things up on their cloud gaming service. Most notably a 100-hour playcap for users, which comes out to about 3.5 hours a day. According to Nvidia this should only effect about 4% of their player-base. HOWEVER, this will only take effect for CURRENT players (whose accounts are active and in good standing before Dec 31 2024) in January of 2026. Assuming the accounts stay in good standing.https://www.pcgamer.com/hardware/graphics-cards/nvidias-upgrading-geforce-nows-usd10-tier-with-1440p-and-ultrawide-resolutions-but-the-only-extra-ultimate-users-get-is-a-new-100-hour-play-limit/ https://blogs.nvidia.com/blog/geforce-now-thursday-performance-membership/ SEGA - Following last week's BIG L from the US Copyright Office, denying access to historical games for researchers, SEGA has just announced that they will be delisting over 70 games from digital storefronts. To include; Crazy Taxi, NiGHTS Into Dreams, Jet Set Radiohttps://boundingintocomics.com/video-games/video-game-news/in-a-blow-to-retro-video-game-access-sega-to-delist-dozens-of-classic-titles-from-virtual-storefronts-including-crazy-taxi-nights-into-dreams-and-jet-set-radio/ Death Stranding - Director's Cut secretly released on the Xbox on the 7th. Kojima Productions now officially holds ALL the rights to the game and can do whatever they want with it! $20 for a short time in the game shop.https://comicbook.com/gaming/news/death-stranding-directors-cut-xbox-series-x/ Freevee - The free streamer will be sunset, in favor of moving all the content onto Prime video, on the 15$ subscription tier.https://www.engadget.com/entertainment/streaming/amazon-sunsets-freevee-platform-for-ad-supported-streaming-video-000614080.html XA - Grok might be free on X soon, with limitations. 10 Grok2 questions and 20 Grok2-mini questions every 2 hours.https://techcrunch.com/2024/11/10/x-is-testing-a-free-version-of-ai-chatbot-grok/ WB Games Troubles - There have NOT been any proper Batman games, or MK games, or anything like that. They are simply FOCUSING on franchises that make them money. David Zaslav said that they would be focusing on proven franchises in a recent earnings call.Comic Books/BooksReg ‘ol NewsKidpool & Spider-Boy - New book (W) Christopher Yost and (A) Nathan Stockman, Chris Campana, and Jed Dougherty are bringing Ryan Reynolds daughter to the comics. Now there are 2 Kidpools in the Marvel Comics universe. The original Xavier misfit, and Wanda Wilson, who joined the Deadpool Corps in the Void. On sale Dec 25.https://comicbook.com/marvel/news/deadpool-wolverine-kidpool-joins-marvel-universe-spider-boy/ Heavy Metal - Heavy Metal magazine is relaunching with a fresh start under new ownership and management. Issue 1 is set to feature nearly 200 pages of iconic Heavy Metal content, kicking off with a Kickstarter campaign that will offer exclusive rewards like limited edition covers, art prints, and merch. The new team aims to restore Heavy Metal's legendary status after a hiatus that left many fans and creators feeling disappointed. To make amends, they've settled debts with past creators and are addressing missed subscriptions and orders. The website and store are being revamped, and subscribers will soon receive updates about their accounts. Fans are invited to reach out for support, and the team expresses gratitude for their patience and excitement for the upcoming issue.https://www.kickstarter.com/projects/heavymetal/heavy-metal-magazine-1 Boxing - TidalWave Comics is launching a new comic series focused on legendary boxers, kicking off with FAME: Mike Tyson ahead of the Tyson vs. Jake Paul fight. This comic delves into Tyson's colorful life, from being hypnotized to suppress empathy in the ring to his love for pet tigers and his iconic face tattoo. Upcoming releases include Tribute: Muhammad Ali on January 17, celebrating Ali's birthday, and FAME: Manny Pacquiao on December 11. Publisher Darren G. Davis noted the success of TidalWave's sports comics, highlighting recent biographies of icons like Michael Jordan and Kobe Bryant. Fans can access these comics both in stores and digitally on platforms like Kindle, ComiXology, and iTunes.https://www.firstcomicsnews.com/mike-tyson-and-muhammad-ali-life-stories-gets-the-comic-book-treatment/ TV ShowsFollow-ups/CorrectionsFallout - Season 2 just added Macaulay Culkin to its cast. https://comicbook.com/gaming/news/fallout-season-2-home-alone-star-macaulay-culkin/ TrailersMayfair Witches - https://youtu.be/3MNwkfKwNwY season 2 Jan 5 2025 on AMC. Forgot to mention last week.Marvel's What If… - https://youtu.be/umiKiW4En9g season 3 Dec 22MoviesFollow-ups/CorrectionsCaptain America: Brave New World - Giancarlo Esposito has revealed that the movie is going back for another round of reshoots.Black Panther 3 - Denzel Washington has revealed that he is involved with the project… Also he revealed that there IS GOING to be a third Black Panther movie. No official announcement from Marvel yet, but this seems pretty definitive. Claims that Ryan Coogler is writing whatever his role is just for Denzel.https://comicbook.com/marvel/news/black-panther-3-marvel-denzel-washington-role/ TrailersCaptain America: Brave New World - https://youtu.be/1pHDWnXmK7Y Feb 14. RED HULK ACTION!Mission Impossible Final Reckoning - https://youtu.be/NOhDyUmT9z0 May 23 2025. Conclude Ethan Hunt's storyNutcrackers - https://youtu.be/5iBuf0Sq-cw New Ben Stiller comedy on Hulu. Nov 29.Little Mermaid - https://youtu.be/O1dfTzpfXdo Lionsgate Horror movie.Reg ‘ol NewsTony Todd - Candyman has passed at age 69. Cause not given yet.https://deadline.com/2024/11/tony-todd-dead-candyman-1236171521/ Wicked - New Mattel toys print the WRONG web address on the box for Barbie dolls promoting the new musical in theaters this Thanksgiving.Rumor MillConfirmations/RefutationsREFUTATION:Joker - New Batman spinoff series in the works due to the success of Penguin. Said to take place between the second and third Batman movies in Matt Reeves' universe. Gunn has unequivocally denied even DISCUSSIONS concerning such a series.CONFIRMATION: Game of thrones - Movie really in the works. https://variety.com/2024/tv/news/hbo-boss-game-of-thrones-movie-george-rr-martin-dragon-criticisms-1236207916/ New RumorsThunderbolts VS Dark Avengers - That infamous asterisk on the release slate rears its ugly head. Now being rumored to be there because they are considering calling the movie Dark Avengers instead of Thunderbolts.Deadpool & Wolverine - Now there is a rumor about a SECOND movie??Star Wars - Proper episodes 10, 11, 12 supposedly in the works. But no details as to their association with the Skywalker Saga. Simon Kinberg said to be spearheading the trilogy.~ALSO~Daisy Ridley said to be reprising Rey in MULTIPLE new Star Wars movies coming up.Superman - Gunn's new Superman movie rumored to feature Bizzarro to some degree. Reports of seeing his suit on set. Unable to confirm.Sonic the Hedgehog - Shadow now rumored to be getting a live-action feature film.Legend of Zelda: Wind Waker - Remake headed to the Switch? According to a leak from a Russian retailer.Idle Hands - Sony rumored to be making a remake.You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.
It's time for the Comic Talk Headlines with Generally Nerdy! Grok 2 for free?MORE As I Lay Dying news...Kidpool Coming to Marvel Comics from the movie.Fallout TV show castingDenzel Washington announces his involvement with the MCU...And so much more...Plus, don't forget to subscribe for more fresh content. MusicFollow-ups/CorrectionsGrammys - Metallica, Judas Priest, Gojira, Spiritbox, Knocked Loose, all nominated for metal performance. https://blabbermouth.net/news/grammy-awards-2025-metallica-judas-priest-and-gojira-among-best-metal-performance-nominees As I Lay Dying - Tim Lambesis is committing to festival dates in 2025 already. The band has taken a spot on the Friday bill for next year's Welcome to Rockville festival.New Music/VideoDax - Soldier Feat Tom Macdonald https://youtu.be/PYQqe27R2L0 appropriately released on Veteran's Day.All That Remains - Forever Cold https://youtu.be/U8D_WWkYDEw?si=oMSDvdx6g8KPSHAF still no release date for the new album release date. This is almost as good as Divine.Butcher Babies - Sincerity https://youtu.be/2t0clgPkJeg First single since Carla Harvey left. Instrumentally it seems that they are maturing.Malevolence - Trenches https://youtu.be/C4VDAkyfBK8 OLD SCHOOL hardcore style. Lyrically and stylistically.Tours/FestivalsDownload Festival 2025 - Green Day, Sleep Token, and Korn set to headline the 3 days. Sex Pistols, Orbit Culture, Kim Dracula, Filter, Spiritbox, Machine Head - support from In Flames, Lacuna Coil, and Unearth. Starts April 5 in Oakland CA, runs through May 10 in Kelowna BC.Papa Roach and Rise Against - Rise of the Roach Tour. support from Underoath. Mar 20 Houston TX through Oct 5 West Palm Beach FLKing Diamond - 2 of their Canadian Tour dates have been canceled “due to unforeseen circumstances.” Refunds are available forEdmonton Alberta and Saskatoon, Saskatchewan, on Nov 20th and 21st respectively.https://blabbermouth.net/news/king-diamonds-shows-in-edmonton-and-saskatoon-canceled-due-to-unforeseen-circumstances Unto Others - Make up tour. Nov 15 in Spokane WA through Dec 13 in LA. Band says that there are MORE touring plans through 2025.https://www.stubhub.com/unto-others-tickets/performer/101881175 Cattle Decapitation - Shadow of Intent, Revocation, Vulvodynia. EU tour Jan 23 in Nuremberg Germany though Feb 23 in Tilburg Netherlands.https://www.stubhub.com/cattle-decapitation-tickets/performer/100271093 Reg ‘ol NewsGuns N Roses - Greatest hits compilation album has officially spent 700 weeks on the billboard top 100. Only the 8th band to ever do that.https://loudwire.com/guns-n-roses-eighth-700-week-album-chart-record/ Heilung - The band are scheduling a hiatus after their August 17 2025 show. No location for the final show has been given but they will be touring until then. The Hiatus is not permanent, but there is no scheduled end yet either.https://www.stubhub.com/heilung-tickets/performer/100279596 Gaming/TechFollow-ups/CorrectionsNew Steam Deck - Well yes and no. No there is not going to be new hardware. It IS going to be the same hardware in a white shell. DON'T BELIEVE THE HYPE. https://comicbook.com/gaming/news/new-steam-deck-white-oled-announced-valve/ Nintendo Switch 2 - WILL be backward compatible. BUT the question remains, will it be FULL back-compat, or will it be only for digital purchases? https://comicbook.com/gaming/news/nintendo-switch-2-news-confirmed/ Halo 2 - PC Players now have access to the E3 2003 demo on MCC. With help from Halo Studios, modding group Digsite are celebrating 20 years of Halo 2 in style. https://steamcommunity.com/workshop/filedetails/?id=3360515088 Palworld - The Pokemon lawsuit got an update. The patents are directly related to the mechanics of catching and riding the creatures. Technically the filing was not completed until months AFTER Palworld's release last year, the process was started in 2021 before Arceus' release. BIG strange note, the Pokemon Company and Nintendo are suing for 5M Yen, or about $65.000 US in TOTAL.https://www.pocketpair.jp/news/20241108 Dead Rising Deluxe Remaster - Free Demo up on the big 3 (Steam, Xbox, PS5) Game proper still costs $50.https://comicbook.com/gaming/news/xbox-360-classic-game-free-download/ TrailersKnock Off - https://youtu.be/aDyHc6aEyTg toy fighting game. This looks like it could be pretty damn cool. Demo out now https://knockoffthegame.com Mortal Kombat 1 - Ghostface kombat kast happens after I film.Reg ‘ol NewsNvidia GeForce Now - The tech GIANT is changing things up on their cloud gaming service. Most notably a 100-hour playcap for users, which comes out to about 3.5 hours a day. According to Nvidia this should only effect about 4% of their player-base. HOWEVER, this will only take effect for CURRENT players (whose accounts are active and in good standing before Dec 31 2024) in January of 2026. Assuming the accounts stay in good standing.https://www.pcgamer.com/hardware/graphics-cards/nvidias-upgrading-geforce-nows-usd10-tier-with-1440p-and-ultrawide-resolutions-but-the-only-extra-ultimate-users-get-is-a-new-100-hour-play-limit/ https://blogs.nvidia.com/blog/geforce-now-thursday-performance-membership/ SEGA - Following last week's BIG L from the US Copyright Office, denying access to historical games for researchers, SEGA has just announced that they will be delisting over 70 games from digital storefronts. To include; Crazy Taxi, NiGHTS Into Dreams, Jet Set Radiohttps://boundingintocomics.com/video-games/video-game-news/in-a-blow-to-retro-video-game-access-sega-to-delist-dozens-of-classic-titles-from-virtual-storefronts-including-crazy-taxi-nights-into-dreams-and-jet-set-radio/ Death Stranding - Director's Cut secretly released on the Xbox on the 7th. Kojima Productions now officially holds ALL the rights to the game and can do whatever they want with it! $20 for a short time in the game shop.https://comicbook.com/gaming/news/death-stranding-directors-cut-xbox-series-x/ Freevee - The free streamer will be sunset, in favor of moving all the content onto Prime video, on the 15$ subscription tier.https://www.engadget.com/entertainment/streaming/amazon-sunsets-freevee-platform-for-ad-supported-streaming-video-000614080.html XA - Grok might be free on X soon, with limitations. 10 Grok2 questions and 20 Grok2-mini questions every 2 hours.https://techcrunch.com/2024/11/10/x-is-testing-a-free-version-of-ai-chatbot-grok/ WB Games Troubles - There have NOT been any proper Batman games, or MK games, or anything like that. They are simply FOCUSING on franchises that make them money. David Zaslav said that they would be focusing on proven franchises in a recent earnings call.Comic Books/BooksReg ‘ol NewsKidpool & Spider-Boy - New book (W) Christopher Yost and (A) Nathan Stockman, Chris Campana, and Jed Dougherty are bringing Ryan Reynolds daughter to the comics. Now there are 2 Kidpools in the Marvel Comics universe. The original Xavier misfit, and Wanda Wilson, who joined the Deadpool Corps in the Void. On sale Dec 25.https://comicbook.com/marvel/news/deadpool-wolverine-kidpool-joins-marvel-universe-spider-boy/ Heavy Metal - Heavy Metal magazine is relaunching with a fresh start under new ownership and management. Issue 1 is set to feature nearly 200 pages of iconic Heavy Metal content, kicking off with a Kickstarter campaign that will offer exclusive rewards like limited edition covers, art prints, and merch. The new team aims to restore Heavy Metal's legendary status after a hiatus that left many fans and creators feeling disappointed. To make amends, they've settled debts with past creators and are addressing missed subscriptions and orders. The website and store are being revamped, and subscribers will soon receive updates about their accounts. Fans are invited to reach out for support, and the team expresses gratitude for their patience and excitement for the upcoming issue.https://www.kickstarter.com/projects/heavymetal/heavy-metal-magazine-1 Boxing - TidalWave Comics is launching a new comic series focused on legendary boxers, kicking off with FAME: Mike Tyson ahead of the Tyson vs. Jake Paul fight. This comic delves into Tyson's colorful life, from being hypnotized to suppress empathy in the ring to his love for pet tigers and his iconic face tattoo. Upcoming releases include Tribute: Muhammad Ali on January 17, celebrating Ali's birthday, and FAME: Manny Pacquiao on December 11. Publisher Darren G. Davis noted the success of TidalWave's sports comics, highlighting recent biographies of icons like Michael Jordan and Kobe Bryant. Fans can access these comics both in stores and digitally on platforms like Kindle, ComiXology, and iTunes.https://www.firstcomicsnews.com/mike-tyson-and-muhammad-ali-life-stories-gets-the-comic-book-treatment/ TV ShowsFollow-ups/CorrectionsFallout - Season 2 just added Macaulay Culkin to its cast. https://comicbook.com/gaming/news/fallout-season-2-home-alone-star-macaulay-culkin/ TrailersMayfair Witches - https://youtu.be/3MNwkfKwNwY season 2 Jan 5 2025 on AMC. Forgot to mention last week.Marvel's What If… - https://youtu.be/umiKiW4En9g season 3 Dec 22MoviesFollow-ups/CorrectionsCaptain America: Brave New World - Giancarlo Esposito has revealed that the movie is going back for another round of reshoots.Black Panther 3 - Denzel Washington has revealed that he is involved with the project… Also he revealed that there IS GOING to be a third Black Panther movie. No official announcement from Marvel yet, but this seems pretty definitive. Claims that Ryan Coogler is writing whatever his role is just for Denzel.https://comicbook.com/marvel/news/black-panther-3-marvel-denzel-washington-role/ TrailersCaptain America: Brave New World - https://youtu.be/1pHDWnXmK7Y Feb 14. RED HULK ACTION!Mission Impossible Final Reckoning - https://youtu.be/NOhDyUmT9z0 May 23 2025. Conclude Ethan Hunt's storyNutcrackers - https://youtu.be/5iBuf0Sq-cw New Ben Stiller comedy on Hulu. Nov 29.Little Mermaid - https://youtu.be/O1dfTzpfXdo Lionsgate Horror movie.Reg ‘ol NewsTony Todd - Candyman has passed at age 69. Cause not given yet.https://deadline.com/2024/11/tony-todd-dead-candyman-1236171521/ Wicked - New Mattel toys print the WRONG web address on the box for Barbie dolls promoting the new musical in theaters this Thanksgiving.Rumor MillConfirmations/RefutationsREFUTATION:Joker - New Batman spinoff series in the works due to the success of Penguin. Said to take place between the second and third Batman movies in Matt Reeves' universe. Gunn has unequivocally denied even DISCUSSIONS concerning such a series.CONFIRMATION: Game of thrones - Movie really in the works. https://variety.com/2024/tv/news/hbo-boss-game-of-thrones-movie-george-rr-martin-dragon-criticisms-1236207916/ New RumorsThunderbolts VS Dark Avengers - That infamous asterisk on the release slate rears its ugly head. Now being rumored to be there because they are considering calling the movie Dark Avengers instead of Thunderbolts.Deadpool & Wolverine - Now there is a rumor about a SECOND movie??Star Wars - Proper episodes 10, 11, 12 supposedly in the works. But no details as to their association with the Skywalker Saga. Simon Kinberg said to be spearheading the trilogy.~ALSO~Daisy Ridley said to be reprising Rey in MULTIPLE new Star Wars movies coming up.Superman - Gunn's new Superman movie rumored to feature Bizzarro to some degree. Reports of seeing his suit on set. Unable to confirm.Sonic the Hedgehog - Shadow now rumored to be getting a live-action feature film.Legend of Zelda: Wind Waker - Remake headed to the Switch? According to a leak from a Russian retailer.Idle Hands - Sony rumored to be making a remake.You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.
There are some song lyrics that just make you say, "what?!" They're not necessarily innappropriate, they just don't make sense. But as long as there's a catchy beat, apparently it doesn't matter. This week, the Gab Gals break down song lyrics. They get to the bottom of some of them, others they speculate, and the rest....still don't make sense.
Naomi Cohn joins Let's Talk Memoir becoming legally blind in mid-life and how that changed her writing process, going from poetry to lyric essay, falling in love with Braille, being sure something is done and also realizing there's more, reading our work aloud, privacy and what's ours to tell, the perceptual richness of having altered sight, tapping into our senses, Liz Lerman's Critical Response Process, nonlinear logic, writing in small chunks, being curious, trusted readers, and her new book The Braille Encyclopedia. Also in this episode: -prose poems -tapping into the nonlinear -ableism Books mentioned in this episode: What It Is by Lynda Barry Pain Woman Takes Your Keys by Sonya Huber Safekeeping by Abigail Thomas In the Dream House by Carmen Maria Machado The Periodic Table by Primo Levi Naomi Cohn, author of the debut memoir THE BRAILLE ENCYCLOPEDIA, is a writer and teaching artist who works with older adults and people living with disabilities. Her past includes a childhood among Chicago academics; art-making: editing Disclosure, a national publication on community organizing; involvement in a guerrilla feminist art collective; and work as an encyclopedia copy editor, community organizer, fundraiser, nonprofit consultant, and therapist. Red Dragonfly Press published her chapbook, Between Nectar & Eternity, in 2013. Her poetry and essays have also appeared in Baltimore Review, Hippocampus, Nimrod, Poetry and, Terrain, among other places. She makes her home in Saint Paul, Minnesota. Connect with Naomi: https://naomi-cohn.com/ Order Naomi's Book: https://rosemetalpress.com/books/the-braille-encyclopedia/ Attend Naomi's Reading Events: https://rosemetalpress.com/readings-events/ – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd Substack: https://substack.com/@ronitplank Newsletter sign-up: https://ronitplank.com/#signup Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
This week Démar and Adriel discuss Yeat's debut album 'Lyfestylë ', how his production has become a playground, whether his lyrics matter in anyway and if Yeat's music is something you need to 'get' to like.Timecodes 1:58 What's a Yeat? 4:34 Is he building a world again / trailer?8:39 How many songs saved from this artist?10:13 Demar has 92 Yeat songs saved 11:30 You are watching a master at work11:37 If you are a producer and Yeat calls it's the best day of your life/push all the buttons 13:07 problem with the production on this album / squeaky sound15:23 You can't say you don't like it/you don't get it16:35 Love is blind comparison17:20 muddy vocals19:54 if I didn't read the lyrics I couldn't tell you what he is saying25:12 1/18th hip-hop/production to rage to/ different production that hip-hop fans are used to26:11 White passing artist with hip-hop tropes in his language / what he is wearing27:10 Not trying to divorce himself from hip-hop / pushing it away but still being a part if it28:56 The bell is back / lifestyle he pulls out every trick32:14 Song sound more like music33:25 No party Adriel has been to where yeat will get played and people will34:40 Tech n9ne fanbase comparison36:00 Can yeat make a #1 song?36:56 Lyrically rough38:16 Eminem test41:21 American Idol test47:00 Is this good rapping?54:33 Makes a lot of A- B+ songs 56:30 AI cover?59:03 The ScoresListen to our Audio Podcast on Spotify: https://spoti.fi/40aOnbHListen to our Audio Podcast on Apple Podcasts: https://apple.co/3KYpUSyFollow us: TikTok:Album Mode: https://www.tiktok.com/@albummodepodAdriel: https://www.tiktok.com/@adrielsmileydotcomDémar: https://www.tiktok.com/@godkingdemiInstagram: Album Mode: https://www.instagram.com/albummodepod/Adriel: https://www.instagram.com/adrielsmileydotcom/Démar: https://www.instagram.com/demarjgrant/Twitter: Album Mode: https://twitter.com/AlbumModepodAdriel: https://twitter.com/AdrielSmiley_Démar: https://twitter.com/DemarJGrant ===================================Démar's rating: 9.5 / 10Adriel's rating: 4 / 10The Love List: GEEK TIME, LYING 5 FUN, SO WHAT, GOD TALKIN SHHH, THEY TELL ME, NEW HIGHYeat - Lyfestylë / 2024 / hip hop, electronic, rage, trap
fWotD Episode 2724: Bad Romance Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Saturday, 19 October 2024 is Bad Romance."Bad Romance" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Gaga wrote and produced the song with RedOne. Following an unauthorized demo leak, Gaga premiered the song's final version during the finale of Alexander McQueen's 2010 Paris Fashion Week show in October 2009 and released it as the lead single from The Fame Monster later that month. Musically, it is an electropop and dance-pop song with a spoken bridge. Inspired by German house and techno, the song was developed as an experimental pop record. Lyrically, Gaga drew from the paranoia she experienced while on tour and wrote about her attraction to unhealthy romantic relationships."Bad Romance" was acclaimed by music critics for its chorus, beat and hook. Retrospective reviewers called it Gaga's best song. It topped the charts in more than 20 countries and sold 12 million copies worldwide, becoming one of the best-selling singles of all time. In the US, the song peaked at number two on the Billboard Hot 100 chart and was certified eleven times Platinum by the Recording Industry Association of America, having sold 5.9 million digital downloads as of 2019. "Bad Romance" won a Grammy Award for Best Female Pop Vocal Performance, and was included in annual "best-of" lists of the media outlets Rolling Stone and Pitchfork; the former named it one of the 100 Greatest Songs of the 21st Century and 500 Greatest Songs of All Time. In a 2017 journal, which studied structural patterns in melodies of earworm songs, the American Psychological Association called "Bad Romance" the catchiest in the world.The music video for "Bad Romance", directed by Francis Lawrence, features Gaga inside a surreal white bathhouse where she is kidnapped and drugged by supermodels who sell her to the Russian mafia for sexual slavery. The video ends as Gaga immolates the man who bought her. It garnered acclaim from critics for its fashion, choreography, costumes and symbolism. Briefly becoming the most-viewed YouTube video in 2010, it received a record ten nominations at the MTV Video Music Awards, winning seven, including Video of the Year. It received the Grammy Award for Best Music Video and was named the best music video of the 21st century by Billboard. Gaga has performed "Bad Romance" at television shows, award ceremonies, her concert tours and residency shows, and the Super Bowl LI halftime show.This recording reflects the Wikipedia text as of 00:44 UTC on Saturday, 19 October 2024.For the full current version of the article, see Bad Romance on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Stephen.
https://edenhillmusic.me/https://www.youtube.com/@edenhillmusicSpotifyEmerging Christian rap artist Eden Hill intentionally chose Friday, the 13th to debut his new single “Afraid,” a powerful track featuring orchestral elements, gritty trap beats, and a deep spiritual message. “It felt right to drop a song about letting go of fear and overcoming darkness in this season,” he shares on the decision on the release date. “I'm a big fan of irony. I thought it would be really ironic to drop a Christian rap song that's about letting go of fear on a day that represents evil. I thought it would contrast what that day represents—and, therefore, bring light into a dark space.” “Afraid” came together quickly—with Eden Hill finishing the beat a few days before recording the lyrics and completing the whole track within days. Lyrically, “Afraid” follows a journey from fear to faith with Eden Hill, whose name offers a reminder that “Paradise is on the horizon,” touching on personal struggles and transformation. “It's about where I was before God met me and pulled me out of the darkness,” he explains. Powerful, raw lyrics, such as the intro, “Look I don't even know where to begin. Probably I should start looking within. And find the broken bits of me that hide discretely underneath my skin. I need the light to start revealing all of them (When). I'm broken really I need to be fixed and patched together maybe tighten up all of the stitches. I used to think that God was just a genie I could call on really easy. Only use him just to grant me all my wish list. Maybe I could get a bit of this. Maybe I could get a bit of that. Come on God I'm doing what you're asking. But I'm masking what's inside my heart. It's nothing but a selfish plead and act (facts). I don't really know how to react” resonate throughout the song. As for the sound, “Afraid” features cinematic instrumentation, including cello, violin, drums, and piano. Regarding the style, Eden Hill says, “It has a lot of impact. I would say that it's a slower-tempo song with double-time lyrics. So, it's something that people would be impressed if they could rap along with; it's got a quick and bouncy flow throughout the song.” "Afraid" is the first single from the upcoming album “Fear No Evil,” set for release on October 4, 2024. The album will feature ten tracks, each exploring themes of moving from fear and darkness to joy and peace. The work culminates a dynamic journey for Eden Hill, who began rapping and creating secular music as a teenager. However, it wasn't until he recently rediscovered his faith that he fully committed to Christian rap music—independently producing all his tracks, creating the beats and lyrics, and mastering them himself. With “Afraid,” Eden Hill invites listeners to reflect on their journeys of fear and faith and enjoy an exciting preview into his forthcoming album Fear No Evil, which also features an accompanying video. Find out more about Eden Hill, “Afraid,” and his other music by visiting his website and following him on Instagram, YouTube, TikTok, and Spotify. Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
Barry and Abigail discuss Cloud Eleven by Cloud Eleven and sample Margarita Sour, Mai Tai - Tiki Easy Collab, and Hi-Pitch Mosaic IPA from Hi-Wire Brewing in Asheville, North Carolina. Barry discovered this album while looking for music to use in a family video and discovering the song Tokyo Aquarium. You can check out the video Tokyo Aquarium on our YouTube channel. Abigail compared the opening of Look of Sky to the opening of Iris by The Goo Goo Dolls. Barry played a bit of Blackbird by The Beatles for the comparison of the bird sounds and guitar (we have officially gone zero episodes without mentioning the White Album!). Barry compared Didn't Wanna Have to Do It to Twin Peaks Theme - Instrumental by Angelo Badalamenti. Lyrically, he compared the song to See You In September by The Happenings. Abigail compared Hole to Glass Onion by The Beatles and Wish I to Kiss Me by Sixpence None the Richer. Up next… GUTS by Olivia Rodrigo Jingles are by our friend Pete Coe. Visit Anosmia Awareness for more information on Barry's condition. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Leave us a rating or a review on Apple Podcasts or Spotify! Facebook | Instagram | X | YouTube | Website | Email us | Virtual Jukebox
https://facebook.com/miaragomusic/https://www.youtube.com/channel/UC0qPjJewS6IkwKhD3oJAZKQhttps://music.apple.com/us/artist/mia-rago/1431625028https://miarago.com/https://music.apple.com/us/artist/mia-rago/1431625028With bass, bongo, snare and guitar, indie pop singer-songwriter Mia Rago pulls you intoher trippy, boppin' little alt-pop love-gone-wrong song “The Shower.”And, it has a touch of the operatic, as Mia plays with her classically trained voice andinvites the listener to come play with her in the debris left from a breakup.“The Shower” releases on August 9.“It is playful,” she said. “Lyrically, it feels like one big run-on sentence, just the thoughtsgoing through your head, like, ‘What happened? What did I do? What did he do? Whatdid they do wrong?' All this stuff that makes you feel absolutely crazy with a breakup.”From the start of this affair we were 25 years young And now I'm starting to regret what I said when I thought You're the one who always calledThe only man of the hourAnd I still just can't believe I think about youIt will be the second song to be released from her upcoming album — her debut —Wishing We Could Dream. More singles from the album are coming. The finishedproject, with 11 tracks, will drop early next year.The music video for “The Shower” will be released August 19.“I had some fun with the music video, too, like, stuff you do post breakup. You know,eating ice cream. Or just crying. But making it kind of fun instead of depressing and sad.I wanted it to be upbeat, musically, and I feel like we did, me and my producer, MeganMcCormick.”With the two singles from the album out this year, she is resuming a career path shestarted with the release of a five-track EP, A Sea of Darkness, in 2020. The pandemicand completing her degree in music interrupted.“The pandemic did hit right as I was releasing my EP, and then I was in school up until2022 getting my bachelor's in music for vocal performance. That was my degree foropera.”Her post-college work as an operatic soprano includes performances of Puccini andVerdi in Italy and singing in master classes and coaching work. She has sung baroque-,classical-, romantic- and modern-era roles.But her road to 2024 and the beginnings of a serious music career began with adiagnosis of scoliosis at age 9 and surgery to correct it at 10. The titanium rodspermanently in her back and a long, painful recovery ruled out the sports and physicalactivity she had loved.Music became, as she says in her bio, the only thing she could rely on.And, in another twist, she grew up in the funeral home owned by her parents, who alsoowned a cemetery.“Although some people might think it's very depressing to grow up around that, I feellike I have tried to appreciate life because I understand how short life is. And although Ido like the darkness of some of my songs, I try to highlight a lightness or a playfulness,like in ‘The Shower.'”Then there is the fact that, around the house, Papa sang Frank Sinatra and Mama lovedElvis.“I think of myself as an old soul,” she said. “I really love the older music, and I try toincorporate some of that stuff and some of that writing into my songs.”If some darkness is inevitable in her music, it comes in music that is beautiful andversatile. The five songs on her EP, for instance, have country, “Rose,” a song with anorchestral vibe, “Tension,” a rockish entry in “Alive,” and the very slow, moody,contemplative “Serendipity.”“Gone” is an upbeat tempo track that tells a story that is mysterious, ambiguous andchilling. Did she disappear or was she disappeared?All are beautiful listening. Mia Rago has a gorgeous voice, which she knows how to useand clearly loves to play with.The first track she released this year, “All of My Scars,” a song about her scoliosis, is analt-pop ballad of catharsis.All of my scars, all of my tearsGave me my pain and brought me hereThe stronger my spine, my body and soulMade up of bones with metal I'm whole“I think ‘All of My Scars' was very therapeutic for me,” she said. “I got diagnosed withscoliosis at the age of 9, and to try to process that as a 9-year-old and then having thesurgery when I was 10 — it was not really possible for me to do, and I ended upprocessing it years later.”The years since A Sea of Darkness has been like a period of “research anddevelopment.”Going forward, she wants to develop — as long as I can — both her career in opera andin alt-pop.“My ultimate goal is to bridge the gap between my more indie-pop, alternative stuff andopera. They're more closely related than we think. I incorporate opera in some of myperformances, and I feel that, especially on ‘The Shower,' in the chorus, I was able tohighlight some of my vocal training.”Still, she says “indie music is a lot more freeing than classical.”“There's more rules in classical, and it's more of a challenge, which is what I like aboutit, but it is fun to be able to experiment.”Fans can only benefit from following her as she creates her bridge.Connect to Mia Rago on all platforms for new music, videos, and social posts.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
Let's breakdown loml lyrics while having a breakdown! Exquisite and Hannah take on this devastating song line by line as we Taylor writing the blended muses as her songwriting skill is at its highest level. See her vulnerability, sadness, and anger as she hits rock bottom. explore the anger of this wild and spooky track in the latest episode of "The Taylor Seminars. Join the co-hosts as they discuss track 12 of The Tortured Poets Department, "loml," and how they interpret what it means. Press play and join the discussion on Twitter with #ttpdseminars. Follow us on Twitter: @taylorseminars @sippingaugust - Hannah @exquisitewill - Exquisite Art by Alef Vernon: @alefvernon Alef's Patreon
This week on the pod we wrap up Gord's discography with the Bob Rock collaboration, Lustre Parfait.Transcript:[0:00] Long Slice Brewery presents a live event celebration of Gord Downie, July 19th, at the Rec Room in Toronto. Join the hosts of the podcast, Discovering Downie, as they record their finale with special guest, Patrick Downie. A silent auction with items from the hip and many others will take place, along with live entertainment from the almost hip. All proceeds will benefit the Gord Downie Fund for Brain Cancer Research. For more information and tickets, please visit discoveringdowney.com. Clutched clipboard and staring out past the end of her first day into tonight and all the way across oceans of August to September. It makes for a beautifully vacant gaze.[1:08] Music.[1:42] Hey, it's J.D. here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The enigmatic frontman of the Tragically Hip, Gord gave to the world an extensive solo discography on top of the vocal acrobatics in the hip that awed us for years. Gord released five albums while he was alive and three more posthumously.[2:09] Now listen, you might think you're the biggest fan of the Tragically Hip out there. However, why is it that so few of us have experience with this solo catalog? Have you really listened to those solo records? My friends Craig, Justin, and Kirk, giant fans of the hip in their own right, fell into that camp. So I invited them to Discover Downey with me, JD, as their host. Every week, we get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by fucking song. This week, we wrap up Gord's discography with an album attributed to both Bob Rock and Gord, Luster Parfait. Craig, how goes it this week? week things are okay a bit of a break tomorrow going off on a little family trip for a couple days meeting my parents and sisters uh you've never met your parents before this is big news dude yeah yeah i think they're gonna like you man congratulations and then yeah and then shortly after that head off to toronto for for an event with you guys whoop whoop yeah How are you doing, Kirk?[3:30] You know, guys, I'm doing pretty good. It was 107 out here in Boise, Idaho, where I'm on show site. As we mentioned, I was in Europe last week, so I'm not quite sure time zone, temperate zone, what zone I'm in. I just – somebody point me in the right direction and I go. So I'm doing good, though. We had such a great time. But more importantly, I'm just really excited about next week and just hanging with you, you lads and checking out all the stuff that we have planned and, and, you know, especially that the event. So I'm that energy will get me through whatever jet lag, whatever heat stroke, whatever heck I encounter over the next seven days. So, and what about that new item? The hip gave us today to go towards our silent auction. Someone's going to get some major bragging rights. Man, we can't say what it is, but-[4:27] We might be fighting internally for this. We'll be revealing what it is, I guess, Friday. And some other great prize stuff, too. JD, you just told me and Kirk about this ridiculous prize that we got. Craig's got it memorized. Yeah. Two tickets to the Toronto Raptors. $500 in arena gift cards. and two customized or personalized jerseys and a shoot around. Man. Are you ready for this? Come on. That's great. Jadon. Yeah. You're in, you're not in Kansas. Tornado Alley. Tornado Alley. But there's twisters about. Yeah, we just had a...[5:51] And then 20 minutes later, there's a video on Facebook of a frigging tornado a half a mile up the street. What the hell? So we're fine. Yeah, that is freaky. If you look out your window and you see somebody riding a bike in the air, you're in big trouble. With a dog in the basket. That's right. Cow. Yeah. Yeah. Yeah. Yeah, but dude, I'm, I'm good. Otherwise without the weather or with the weather, I'm good. And I'm psyched for next week, man. Ooh. Yeah. Let's go. Justin. I tasted the podcast. Pilsner officially tasted it now. I had four of them at home. I gave two of them to my father-in-law and I drank two of them and they were very crisp. Delicious. Yeah. So it's going to be a lot of fun. Yeah. Awesome.[6:47] When word broke that we'd be getting a third posthumous record from Gord, there was a hush and a wait and see approach. You see, Gord had partnered with Bob Rock back in the 2010s, shortly after Rock had produced probably two of the most divisive records in the Hips catalog. I enjoy both these records a lot, but your mileage may vary. In any case, it was an uneasy feeling for fans. What would this album be? As it turns out, it's a whole lot of everything. There are songs that are reminiscent of the hip, like North Shore. There are horns on the title track, which we got to sample about six months before Lester Parfait dropped. And it relieved us.[7:41] There's even something resembling rack time? Suffice to say, as we've gotten used to saying around these parts, this album is altogether, folks, unlike anything Gord has produced before. It's been said that Bob Rock has a tendency to overstuff the records he produces. It's as though he's just been given access to a 48-track board and he feels compelled to use every last fucking track. rack. On this record, however, his hand seems firmly on the rudder. The songs come across as overly polished, of course, but never too indulgent. If there's one complaint I have, it's that there's too many goddamn songs. On a record as varied as Luster Parfait, you're almost overstimulated by the end. You've been through so many different styles and sounds. If I had it my way, this would be a tight 10-song record, and with the right tracks removed, I dare say this is a collection of songs I would put head-to-head against virtually any other record in Gord's oeuvre.[8:59] Yeah, I think it's that good. There are highs and there are lows on this record, as there have been on each of the albums, but on Luster Parfait, the highs seem higher to me. Have we ever heard Gord sing like he does on The Moment is a Wild Place? Or something more? Have we ever heard a chorus as striking as Is There Nowhere? By the way, big hat tip to Shea Dorval for providing those gorgeous backing vocals. At the end of the day, has Bob Rock redeemed himself with this effort to the haters out there? I would offer a resounding yes. Yes, this is a record that should be listened to loud and on a good pair of headphones. There is so much going on, but it all seems to have a purpose. That's what I think of Lester Parfait.[9:52] Tell me what your experience with the record is, Kirk. Yeah. So the first real listen I had to this album, because I'd been pretty busy with travel and whatnot, we were on our family vacation in Madrid. And beautiful little up on the top of the hotel looking over the city and just enjoying the wonderful atmosphere. And, um, I was actually listening to that kind of rough cut of our, um, rough cut of our interview with, uh, Niles and Kevin. And he had referenced like that. He thought that, you know, the, the, the moment is a wild places is, was his favorite song. And I'm just like, I can't hold off anymore. I need to jump in. So that was my first experience was listening to it, um, on, on the roof in Spain. And since then, it's just been a pretty incredible journey. I spent a lot of time like listening to Bob Rock interviews and, you know, just really understanding where it's coming from. And as you mentioned, JD, like, you know, I understand the divisiveness and whatnot, but oh my gosh, I, I was already in love when I listened to it the first couple of times at this point, you know, I'm, I'm firm in my, my commitment to, to in Gord, we trust, you know, And to see that...[11:17] That friendship. I mean, he, he, he makes the statement. We were like two teenagers that were in the studio, just making music together. And, um, you know, to hear how the whole process went and I know we'll get into it and everybody, you know, obviously we'll provide their input. Um, I fell in love with it even more, you know, and, and the variety on this, this album i mean guys we got reggae we got we got west coast punk we got 70s glam we got 80s synth pop we've got you know it it just every even within certain songs you'll have a jump from one friggin genre to another and then you you know you start looking at all the studios they recorded in, the process that it took, the number of years, the people that are involved.[12:13] And especially after we've discussed with the last three albums, like it was just fun to, I felt like, I felt like I got a warm hug from Gord. I really did. Just like, I just was all that, that we went through. It was like, Hey, this is just when it's fun. And this is, this This is for you, music lovers. That's what I felt. That's what I felt. I love that. I haven't watched much with Bob Rock, but I did read that one of the reasons why it took until 2023 to rear its head was because it was too painful for him to, like, he was really emotional following the death of Gordani in 2017. Absolutely. Because they had gotten lungs. Yeah. They had become such close friends and, you know, they reference, you know.[13:09] Uh, Gord flew out to talk about world container and they'd figured that out in 15 minutes. And then they spent the rest, the rest of the conversation talking about being dads, being Canadians, being hockey lovers. And, and then that just continued. And I think those guys, you know, with the level that they were at, I think they kind of found it was a peer to peer relationship.[13:32] And I really felt like they found refuge in each other. And then I think they sought it out because it was a long relationship. I mean, was it 06 when World Container was being made or coming out? Up until the very end. And that's when they first met is when he came out, or at least per what I had listened to. You know, they flew out to Maui, to his studio in Maui, Gord did, and then, you know, like I said, Discuss World Container. And then they didn't really do much as it was described until after the second album, We Are The Same, that they did. And then that's when the, you know, that relationship in the music for Luster Parfait started. So yeah, I mean, I recommend everyone to check into this. And Bob rock doesn't seem like, you know, like you.[14:25] You just, he didn't, didn't do a lot of, I mean, of course he gets on the documentaries, he gets a lot of airtime and whatnot, but beyond that, you know, there's not a ton, I guess, but the stuff specific to this is well worth, you can just hear the genuineness all these years after, like last year was a lot of the interviews that were going on and he's still breaking up. Like you're still oh yeah um and he's just he's like you go bob rock and you like you think the guy's flying you know coming in on the learjet all the time and he's like most of these interviews he's like just got done feeding his horses craig what was your first experience like i was also traveling uh down to seattle for a ball game and i was on on the amtrak train taking my notes and i I actually wrote, I'm going to read this and don't get mad at me. But I said, hate to be negative on this last album, but there's a lot to pick apart.[15:25] Two days ago, we were supposed to record this episode, and we had to postpone. And that evening, at 10.30 at night, I texted you guys a photo. A package arrived, and the CD was dropped off by Amazon. So I got the CD, and I started looking at the lyrics. And then the next day, I popped it in the car. And it's been in there for a couple days now, and I've been listening to it quite a lot. And my opinion has totally changed. Changed it's like some of this and i think it's what you said jd it's it's a very long album and so some of my favorite songs come at the end and what i what i've been doing is hitting shuffle and that's when it really started to um pick up for me is when i started listening on shuffle before getting the cd that i liked hearing just random songs come on and then and i thought it it was a problem with the sequencing at first but then i realized it's probably more because when the album came out i did listen a couple times when it first came out but i think i only got through the first four songs and so now i'm getting to know and love these later songs and then when i got the cd it just all kind of started working for me and i'm like wow some of the things that i was going to be nitpicking on today's episode i think i've I've grown to appreciate Justin, my man. Yeah.[16:51] Talk to me about your relationship with this release and has it changed since your first listen? So I pre-ordered this last year and yeah, this, this CD was in heavy rotation for me until, um, until you asked us to be part of the podcast. So I've been cold Turkey since January or whenever it was and waiting for for this week to get back into it. Yeah. I love this album, and I wish that Gord had done a Broadway show.[17:27] Um, could you imagine after hearing how strong his vocal is? Um, and especially during this time period. And it's funny, Craig, that you mentioned that you did not like this album. And then today you changed your mind. I took a break from this cause I've been over listening and I went back to the grand bounce and I love that freaking album as of today. And everybody knows I did not love that album when we were doing the podcast. Yay![18:00] Yeah. I love this news. It grew on me big time today. And Justin, one of the interviews that I watched, they actually said that the lyrics were almost like a screenplay on Luster Parfait and that there is a movie inside this album. It's just no one has brought it forth. So I like that. Broadway play. Movie i think i saw some of the same interviews you did um the one with uh terry mulligan was i actually listened to it a few times um to pick that apart but um yeah it would be it would be fantastic if that film was to get made or some sort of video component to this um but you know this was at gourd's you got to remember this the vocals recorded a decade ago and this was at gourd's busiest period and i would say his strongest period um vocally um and seems that way but you know bob also said in the in the interviews that he intentionally um potted gourd's mic up so that it was more on the forefront you know with the hip gourd's voice was an instrument um with this album it is the show and that absolutely rings true and you know jd the the songs that you mentioned just...[19:24] Kick my ass every time i hear it and i've heard them i've heard them 50 times at this point you know without exaggerating um yeah it's it's a very cool album a very confusing album uh stylistically um and it's very long but i can palette that um and i had the same issues craig um with stopping and starting and you hear you've you know you've heard the first six songs on this album probably twice as many times as the final seven or eight um and it's just it takes a commitment to get through it um and every song is long in addition to them there being so many of them um you know there's several songs that are five or six minutes um yeah seven and a half right it's for the moment is a wild place and i'm really interested in in your guys's uh mvp, yeah tracks for this like more than any other album we've done yeah because i think it's going to be all over the place i i've got mine and i i think this was like the easiest choice i've had to make and this is the first time i don't i quite literally don't have an mvp i'm i'm pulling the trigger when we talk every other album first three listens i had it down i mean i'm usually the first one to chime up i i can't i i just haven't been able to pick one it's strange that that it's It's opposite.[20:48] Should we try and untangle this web that Justin just spoke of, this mystery of a record, and go track by track? We start with, Greyboy says.[20:59] Music.[24:42] I mean, from the first note, it's like, what the hell are we listening to? And in the best way, you know, I just had no idea that this is where we were going. You know, and I love World Container and I love We Are The Same. And we all know everything else that Bob Rock has done. And this is not any of those things. It's bizarrely different. Um, and who the hell is gray boy, right? Like I've spent a year now trying to figure that out. And I thought I'd read something that it was a DJ. Um, yeah, I read that too. I'm not sure if it's true or not, but there's a DJ out of San Diego, uh, named gray boy. Um, sort of like an acid jazz DJ I read and it could be him he's referencing, but I'm not sure if that's no idea. Yeah. Um, but yeah, it's just a, a total, it's a mind fuck right from the beginning. And, and I was really like, okay, I'm turning this up. Um, you know, I remember listening to it in my car, um, the first time that I, that I put it on. However, I wanted to ask, um, JD and Craig, if, if you guys had any of this, um, on air in Canada, did, were any of these songs played on terrestrial radio? Yeah.[26:05] I don't recall hearing it on the radio i don't listen to a lot of uh local radio i'm usually, you know serious yeah xm listener but um but no i didn't hear it i did see the video though and so this song is a song i heard right away when it came out because of the the video which uh if you've seen it it has um some of the guys from offspring dexter nude and yeah and And when I look at the track listing, they don't actually, they don't play on the track. So they were just kind of there for the video and having fun filming the video. And Bob Rock's got James Hetfield's ESP that he's playing in it. And so it's a pretty cool video.[26:49] Did you guys recognize the drummer? I did, yeah. So Abe- Abe Laborio Jr. That's Paul McCartney's drummer. Yeah, really quick connection. When I was in my original band back in the 90s, we had a drummer who filled in for us fairly often when we were down a drummer. And he was roommates at Berklee with Abe. Really? And I didn't meet Abe, But one time he was in town for either sting or McCartney and our singer slash, you know, front front man got to jam with Abe and he came back and told me that he has never felt anything like it being in the room with him. He said when the, when the kick drum hit one, it was unlike anything he's ever experienced as a musician. So it was just that tight. And you can hear that tightness in his playing. Yeah. I mean, you don't get picked up as Paul McCartney's drummer, unless you know what the F you're doing. 20 years.[28:17] Video and, and, And he even plays and he's like, he's a beast of a man, right? He's, he's, he's, he's a big guy, but he's just sweet. I've had opportunity. There's a show called ma'am national associate music merchants. If you're a musician, you should know about it. It's every year in Anaheim. So it's pretty close. So I've been going for years and years and he's there quite a bit. And so, you know, had few little interactions and he's just, yeah, he's a, he's a sweetheart just, and, and an incredible musician. Oh, wow. Incredible musician. Well, they did it weird, right? Because they released Lester Parfait, and then they released a three-song EP, or maybe that was the time they released Lester Parfait. And then they released a six-song EP. And it had The Moment is a Wild Place, Camaro, Lester Parfait, Grey Boy Says, I think. So they did that But I'm not sure about, I'm not sure whether Lester Parfait Was considered the lead single or not Hold on I have it open here So that's why I asked you guys If you'd heard it on the air because Again the station that I talk about all the time Here WBQX played Lester Parfait Over and over last year Wow And I think that I heard Grey Boy Says as well On the radio.[29:45] Damn So we were talking earlier about sequencing. I believe it was Craig that was talking about it. So we'll start with him here because when I first heard the next track, which is the Raven and the Red-Tailed Hawk, I remember thinking, what the fuck kind of sequencing is this? We go from, you know, this crazy rock song to like a kid's song. And then all of a sudden that chorus hits and you're just like, wow. I would love to be next to a fucking stack listening to that, feeling my pant legs whistle in the wind. Fucking right. That would be just fantastic. Craig, what do you think of The Raven and the Red-Tailed Hawk? I really love this song. I think there's a lot of things that really stuck out. The lyrics were great. The chorus, like you mentioned, is powerful. There's the nod to the east wind, I think, in the lyrics of the chorus.[30:47] And it's just a strongly written song. There's a very unique melody. And there's a really cool descending tremolo guitar that I thought was effective. And some nice piano. piano there's a really wild synth solo which was really cool followed by an acoustic guitar solo which you know to to the opposite of what i said last song i loved i thought bob rock killed that solo an acoustic guitar solo is very hard to pull yes agreed to make it sound you have to be spot on and not only does the tone of the guitar have to be good but you have to have the feel.[31:28] And because you hear every slide you hear every nuance you're every bend you hear every chord configuration if you're if you're throwing that in so i agree 100 craig yeah you have to be kyle gas and when you're playing a playing an acoustic soloing you don't have that sustain when you're bending a note so it's just a so someone who tries to play you know just take electric solo and played on acoustic it's not going to sound the same so i thought he did a great job of crafting a solo that worked um there was some really cool like compositional tricks with you know like you know leading tones passing tones and just lots of lots of things to love in this um and also one quick thing at the end the vocal jumps up an octave going into that last chorus just a great great trick yeah and yeah the lyrics i just you know pulled out the lyric booklet two days ago and really wild stuff what do you think justin yeah it's the same exactly the same it's a kid's song and then it's not right um and it's the the storytelling and the.[32:40] You know i can see that helmet the imagery that he tells the story um and one of these interviews um um, that Gord had done, um, which nobody knew it at the time, but it was during these sessions.[32:58] Um, he had mentioned that Bob had asked him to speak more clearly. Don't be so vague with your lyrics. Tell, tell a story that people can understand without having to pull out an encyclopedia and boy, you got it right in this one. Um, you know, this is, it's very cut and dried. Um, it's, it's nothing to figure out. I, I just love how, how clear and concise it is. And some days I just can't do it, you know? Um.[33:28] I think we've all had that. Fuck yeah. Kirk, what do you think? Well, being the elder of the group and someone who really grew up in the 80s, I heard this song. I was joking before when we first started talking on, you can't see me, folks, but I'm doing the 80s dance. When I heard that song the first time, I got that new wave post. I just felt like a kid again in high school. And when you'd hear those, we were in the heart of new wave. It was like true post-punk, like Sex Pistols, late 70s, early 80s, punk, post-punk, where it's now you're getting the precursors to, you know, what becomes Green Day and Blink-182 and everything. But there's, I mean, fuck, there's five keyboards parts on this song, five separate keyboard, you know, credits listed and you can hear it. Um, so, you know, I would say, I know I'd mentioned at the beginning, like I couldn't pick an MVP. This was one that just always stood out. I wouldn't again say MVP, but loved it. It made me feel good every time I listened to it. And then Kirk's going to roll into his second criticism of the entire, uh, series. And I believe it was, is it Tim? I was just going to say, who are you, Tim?[34:47] Like i don't necessarily have an issue with fade outs but i struggled with the fade out on this one i really did i i was like i don't come on just like end it it's a long fade out too it's a long very long fade out very long fade out so um so you know i uh i i again if you guys know i really don't care but odds it's it's all good matthew good he was also strippers union so you know yeah he did the drums on that he was also like the house drummer for the kids in the hall so oh yeah yeah so like how cool is that that you got you go from paul mccartney's drummer to you know brian adams matthew good all the stuff that that pat did so um yeah uh great song uh just uh really helping the love affair uh with the album and uh you know outside of the i could have done without the fade out um friggin loved.[35:56] It friggin loved it it's a 20 second fade out though like it's it's long it's much sort of it's much i'm usually okay with it but this was you know the one thing though the reason why i brought it up is because i kept having to look at my phone going did my phone die um because i'm like the song was the next song wasn't coming he's got late and i couldn't tell if it was going out or if it was the intro but it's yeah it's a 20 second long outro insane justin how about you buddy yeah i i knew somebody was going to mention the fade out. I didn't hate it because the song is kind of long and it's like, alright, it kind of feels appropriate.[36:38] But yeah, no, I just love the song and I don't know, how many times are you going to say the sonic sounds like nothing else you know and i i understand you know he really wasn't necessarily involved in much of the the writing of the parts, um but i don't know it's just so freaking cool yeah it is it's very cool, so luster parfait what do you think of that track that's the one song that my daughter has grabbed a hold of because of the hey hey hey um you know i don't i don't know what the song is about but i picture it as gourd's love letter to music um and you know performing live we gather in the dark um you know we can only connect um that's that may be the only way that some people connect that's how we all connected right is through music and specifically gourd's music um i just this this uh this song you can't help but feel good listening to um it's such a fun freaking song and there's horns and there's that little you know half step.[37:58] Kind of thing in the chorus and it's it's really really interesting and it's very fun and it's funny almost um just the the energy that that gourd has and that the entire i want to say band but you know the people playing in the song it just sounds like every i can picture every single person in there playing with a smile on their face you know and and just enjoying the shit out of this whole process it's a luster parfait baby would you dig into the yeah because it starts off with horns and you we haven't had horns per se um on i mean i guess is this what it sounded with davis manning like i i i'll put my cards out there and i haven't heard a lot of it so i don't really know what the hip sounded like with him, but like you've got a full on sack. So what's that, Justin? Not like this. Davis Manning did not sound like this.[39:02] Ah no he sounded like uh and i he sounded like an 80s you know bar band saxophonist that's because that's exactly what it was who can it be now i'm in at work right but the horns just hit you right up front um and uh the the sax solo like in the middle and then And, you know, a really cool, as we talked about, you know, it's got a hard ending, which is great. But in the end, that little vamp with the B3 and the piano, like Justin said, the music all around, you just, you can't listen to it and not smile and not feel like that was the energy when it was being recorded.[39:51] So the one note that I wrote here too that I think is really cool. Um and it kind of speaks to what you guys were saying is like a like a a letter to music but he described the bridge bob did uh as being essentially the sensational alex harvey band and if you don't know anything about the sensational alex harvey band just look it up just youtube it and i'll leave that there um you know i guess i'll call it like the canadian david Bowie during the Ziggy Stardust years is, is probably a good way to describe it. So, um, but how cool is that? That like throwing that right in, right in after you get these two rockers and now he's going glam and, um, yeah, this just brilliant, uh, brilliant, brilliant, uh, title track song.[40:47] I really liked the, speaking of the bridge, the sort of chromatics and the bridge. And then at the very end, it blends into the final chorus.[40:59] So, you know, luster parfait, hey, hey, which I thought was very cool. Um yeah and speaking of the lyrics at the at the start it says isn't it funny how little we can do how much we are like a scene from the deluge and i looked up a scene from the deluge because it was capitalized and i found a painting called scene from a deluge from 1806, and it's a pretty wild painting i'll just read the description really quickly the man perched on a rock hangs from a from a tree that is beginning to break he tries to pull up his wife and two children all while supporting on his back an old man who carries a purse in his hand the sky is streaked with lightning like justin right now and a cadaver floats in the agitated water it's a pretty i'll just hold my screen it's pretty wild um anyways uh pretty wild so i'm not sure what he's getting at but uh but yeah definitely what's the lyric yeah it's the it's the intro isn't it funny how little we can do how much we are like a scene from the deluge, which as you describe it, it was pretty, uh, pretty stark. Yeah. Like, yeah.[42:26] Yeah. Like he's hanging on to like his wife and two kids with one arm, like by her one arm. So I guess there's not too much he can do.[42:35] Other quick notes. I just want to mention the horns. So the horns, the saxophone is played by Tom Keenleyside, who is a local Vancouver-based saxophone flautist. And he has been all over. He has played with so many different artists. and actually the very first cassette i ever bought back in grade seven i think i just finished grade seven and i was in the kitchen i can still i remember exactly where i was and on the radio came, rag doll by aerosmith 1987 and i was drawn in by the horns because i i'm i started playing saxophone in grade six so i was drawn in by that and steve tyler's voice and that song grabbed me right away I took my money from my piggy bank and I bought a Walkman and a cassette tape you know the next day and that's really where my journey with rock music started and so Bob Rock was the engineer on that album Permanent Vacation and Tom Cunley side played the saxophone so I thought there's a cool kind of full circle for for me personally um you know seeing that he was the one And because as soon as I heard horns, I knew it was him. Listen, I don't know where you would put a showcase track on a record from a sequencing standpoint.[44:02] Music.[50:44] The vocals uh that are going on in this um you got and then going back to bob and all the guitars like you've got acoustic guitars you got two lead guitars you've got what sounds almost like what i know as like a slack hawaiian slack guitar it sounds like a pedal steel but there's nothing in the liner the the the pedal steel song is not this song um it's got that kind of a you know of acoustic and slide in the beginning and and then you've got this the chorus that just uh you know it's uh it it it's like a dump truck of love coming down with this massive gourd here i am and and you understand why many people call it their favorite and uh a song that is seven minutes in 26 seconds and sounds like it's maybe a couple minutes so when you know that a song that's that long can just like you get lost in and you don't even think that it's that long you know you know it's it's obviously very very well written craig what were your thoughts i thought the.[52:02] Yeah the chorus was was what made it and the moment is a wild place reminded me of you know like a theme throughout his work about living in the moment where whether it's the dance and its disappearance or never ending ending present and i'm sure there are many others i know we've discussed them on this podcast so that was really really a great tie-in um the hawaiian guitar i loved as well at the start and you know you have to think that it is bob rock playing that so it you know he lives in maui much of you know much of the year from what i've heard and And, you know, he's soaking up all that Island music and, and yeah, my only other real note was, um, like a couple of quick things. Sean Nelson is the drummer on this track and the last one who I had to look up and he's actually, um.[52:54] Not someone who's played on a ton of high profile albums or anything. He's a drum instructor out of, I believe, San Francisco, I read. And, you know, very cool that he had that opportunity to work on this album. And one last thing, the piano flourishes at the end, reminded me of Dr. P from the country of miracles, which was very cool. Nice callback. Wow. Yeah. That's a great. Yeah. Justin, how about you? The moment is a wild place. Well, you know, I keep referencing my love of Prague and this sounds like a pink board. I can see that.[53:38] I love that it's long. I love that it's got, they use all 88 keys. You know, from low to high, it's It's really just a beautiful song, and the lyrics remind me of Secret Path. Heal. I don't know. There's definitely some tie-ins in my brain to Channing and his story. I don't believe that. Wow. Because this was probably written before secret path was even in chords around the same time around the same time it was birthed.[54:24] Yeah. But you know, I just, yeah, I think this is one of the songs that Bob said that Gordon heard completed before he passed.[54:36] Oh, that's nice to hear. Yeah. Uh, and, but Jesus Christ, the range that this guy has, right? Like, uh, I don't know. It, it, I fall apart whenever I hear the song. It's it's in in the best of ways you hear this song and it's almost like has he not been trying all these years you know because he's like he's got this in his fucking back pocket holy shit you have this in your back pocket and you're 50 years old time gourd god the other thing that i think is is uh something i just want to comment on really quickly is somebody who deals with mental wellness and is uh working on his mental health i look at this song almost the same way i look at the darkest one in that it's got this sort of clever twist right it's like the wild are strong, and the strong are the darkest ones and you're the darkest one so it's like starts out as almost this great compliment but it turns into something else and in this song it's like hey everybody you got to be in the moment you got to be in the moment but sometimes the moment is a wild fucking place that you don't want to be in so i'm going to put a bow in this jd and you guys.[56:04] So yeah i had mentioned earlier i was you know on the rooftop in madrid and i'm listening to the I'm listening to the Kevin Drew Niles interview, and you'd put this song in, sorry, Inside Baseball.[56:23] This song comes on, and it turns midnight in Madrid, and frigging fireworks start going off everywhere around the city. And I don't know if it was the transition from June to July. I don't know if it was the Spain had just won their Euro cup game earlier in the day, or if it was just, you know.[56:52] Tuesday in Spain at midnight, we like to put off fireworks, but I'm, I'm, you know, up there. Like I said, I've had a few glasses. I'm feeling wonderful. I'm jet lagged. I'm listening to that brilliant, brilliant, brilliant interview. The song comes on and fireworks start shooting off quite literally in the middle of it. So the moment is a wild place. Yeah, sure fucking is. Boy. Well, let's move to track five and something more. Craig, how do you feel something more lives up to its role as a follow-up song for The Moment is a Wild Place? This is a tour de force song and a showcase piece. Is this the right sequencing order? I'm just curious what you think. Yeah, that's a good question. I'll need to think about that some more, but I do think the song was quite good. It reminded me, vocally reminded me of like earlier Gord.[57:58] And it's the first song on Lester Parfait that did sound like a previous version of Gord. The horns are great, which is what makes it sound so it doesn't just sound like a copy of something that he did earlier. There were some great dissonant guitar shots that were very cool and a little horn part. And of course, we have to shout out the drummer on this song because it is none other than Johnny Faye, who makes an appearance a number of times on this album. And you can tell. He just has such a great... He's playing on an album with Pat Stewart, with Abe, and he fits right in there because he's just such a musical player.[58:46] He has such a great tone to his drums always, and it was just a treat to hear him again. He's also listed as backing vocals. I think that's on a later track. I think track number 11, I think, for some reason. Oh, okay. All right. Right. But speaking of vocals, I have in my notes that Johnny Faye said this was Gord's best vocal ever recorded, hip or otherwise. I've never heard – I've been listening to him since 1989, and I've never heard anything like this. Right, right. There's a lot of strong, strong Gord vocals. And he's also got a very powerful voice. We know that because watching a special video of his later performances where he's more guttural and screaming but holding the microphone down at his belly button. And you can still hear just how powerful his voice is. That's really wild that Johnny Faye would say that. This is the first one that, at least for the album version.[59:58] This song is actually towards the end. So kind of wild. Or at least from a lyrical standpoint, it goes something more in the field, and then there goes the sun. So it's one of the last three songs on the album. you've got an error your album's on that skirt my album is a wild place i'm not i'm not even lying guys i'm not lying look at it right there it's third from the end odd odd that that you know as we talk about the sequencing that's the listed you know outside of the comment from johnny i just you know gothic synths driving drums bright horns really amazing solo um uh just I like it actually in the spot that we're talking about it from a sequencing standpoint, as opposed to towards the end. Because it is one of those that, I guess they're all in the MVP category opportunity, but this to me might have been in the upper quarter of MVP opportunities.[1:01:04] What do you think, Justin? um i spent a fair amount of time on the lyrics on this one and trying to there's a lot of stuff that's in quotes um and i tried to figure out what he was referencing by a lot of stuff and the only thing this is the silliest thing that i think could have come out of this was the cool hand of a girl all i found for that was a mexican restaurant in toronto jd have you been there it's It's called The Cool Hand of a Girl.[1:01:39] Hand of a Girl. That's the only thing that I found on the internet with those words in hand. No, I've not heard of that restaurant. No. And I did some research on the restaurant, and it's been open since before this was recorded. So was he talking about a Mexican restaurant? It's an MO, man.[1:01:59] Yeah um i i did love the uh the line i legalize criminality and criminalize dissent i love that because i american who is fucking terrified right now and um that's where i live is where criminality is legal and dissent is criminal uh quite fucking literally, um i don't know the um you know you guys had referenced that this is this is sort of old gourd and the thing that really stuck out for me because i felt the same way it was yeah he said fuck you in this song and this album to that point feels too clean to have those lyrics, to have him say that. And the way that he says it is really live-gored, you know, the ranting voice, almost. He drags the F out in that word.[1:03:09] I like this song. It's not my favorite. I don't know why it's not my favorite i don't know why it's not not my favorite but um yeah this song is is fine and it the the as far as the sequencing goes you know the moment is a wild place is such a deep valley um that this just gets us right back up in the air and and we're on to our next stop and And, um, I, I liked the energy of it, um, to follow, um, yeah, in a wild place. But, um, other than that, I don't know. I think it's got another showcase vocal, uh, toward the end, the latter third of the song when he goes up high. Yeah, for sure. I don't know if you guys, uh, like, I'm not going to try and sing it, but do you know the part I'm talking about where he goes up very high? Yeah. Again, that's not something we've heard from him before. Him going into a place like that.[1:04:15] I could see the classic Gord sweat in this song. He worked hard in this one. And you know what? Moving on to Camaro, I sort of get a sweaty kind of vibe from this one, too. What do you think about this one, Justin? My first thought was, is Gord a secret car guy? like that would be amazing for you oh, No, I mean, this, this is, uh, this is, you know, you're in high school and this is the first car you can afford. Um, this is not a nice Camaro, by the way, the, I had, this is a, this is a 72 that nobody wanted and I found it for 400 bucks in the classifieds and let's go, you know, um, uh, I don't know. It's got no floor on the passenger side but everything else is cool you can see the lines on the road through the friggin' drin you can Barney Rubble it, it's a piece of shit but it's my car, it's my wheels and I love it, I actually went back and listened to other Camaro related songs.[1:05:33] Kings of Leon and Dead Milkmen Bitchin' Camaro You know, just, just, I went back to that for some reason. I don't know. It was, it was cool to just kind of revisit that. Bitching Camaro. Did you see Justin on this particular song and this actually brings up a question for me. The song is Bob said was written because that's his wife's favorite car was a Camaro and then he gave it to Gord and Gord was like, I don't want to write about a Camaro. I'm going to write about a girl named Camaro. So the lyrics are about a girl named Camaro but the title Camaro came from bob's um and this is again this is just what bob mentioned about it um his wife's favorite car so apologies yeah and isn't that crazy isn't that totally crazy and and.[1:06:36] Yeah. You know, a great song. Um, I have, uh, I have like talking heads listed as kind of a vibe in, in, in a lot of them actually have a real, you know, kind of eccentric talking heads, kind of odd jazzed influence horns, um, as well. So, yeah, but anyway, love that. It's a girl named Camaro. Great. I love the line of the chorus, Camaro, the name means just what you think the car can do, go. Just the way he phrases it is just very odd. Until I read it, I didn't realize what he was trying to say at the end.[1:07:16] And yeah, just very cool phrasing. it reminded me of um i couldn't get the simpsons out of my head the canyonero canyonero, but that's just where my mind went but my also my dad had he's currently rebuilding a uh a 1980 camaro in silver so i'm uh i actually just texted him to see if he could text me a picture of it but he's uh he's a car guy and yeah he's working on one as we speak so So it did bring back a memory that I had repressed from high school where I got a ride with a buddy's sister's boyfriend who had a Trans Am, you know, like a Burt Reynolds Smokey and the Bandit vintage. And we went 140 miles an hour on the way home. That's the only time I was certain that I was going to die was in the backseat of that car. And it's a Trans Am, not a Camaro, but same thing. Yeah. Yeah. Night.[1:08:15] Music.[1:12:50] The North Shore is the first track on the record to me that sounds like vintage hip. It could be at home on Day for Night, a different production version of it could have been on Fully Completely, maybe even Hen House. It's of that sort of vintage. Am I totally crazy, or am I barking up the right tree, Kurt? Yeah i mean i have i have written uh alt rock style um kind of ballad so you know that's i think that hip would fall into that that uh realm but the song sounded big to me it got big you know it starts off with that kind of acoustic piano in intro and um and and the cool thing like most scored lyrics is like is he talking about the north shore of maui is he talking about the north shore of you know lake ontario everyone because like everyone kind of has a north shore, and um i i uh i i i just appreciate again the his ability to um.[1:14:05] Keep you guessing and keep us talking for many more episodes of podcasts to dissect Accord's lyrics. Yeah. And I recall seeing an interview with Bob Rock where he kind of mentioned the same thing. He talked about the North shore in Maui. There's a North shore in Vancouver where, you know, Bob Rock would, would know about the North shore that I actually spent the first four years of my life on the North shore in North Vancouver. And, um, I'm I'm thinking he's probably talking about the lake only because he mentions, I think it swallows, which there wouldn't be, I don't think in Maui on the North shore there. It's much too windy. There's little sparrows, I think, but I could be wrong.[1:14:46] But, but yeah, it's meant to be for wherever your North shore is. And it really is a great song. It could be, could have been a radio hit is that, that type of song I did. This is one of those songs that earlier on I had a critique about the chorus being too generic. So the chord structure is one we've heard a million times. But then the more I listened to it, I started thinking, well, there's a reason this chord structure has been used a million times. It's powerful. And when Gord is added to this mix, it does sound original. And it sounds great. I really love the harmonies at the end in the guitar. There's some sort of like Boston seventies via seventies, like guitar rock vibe on the, on the harmonies, which I dug or like, or like almost like a thin Lizzie or something. So yeah, solid song all around.[1:15:39] Justin, your thoughts. Yeah. I actually, um, view this as a followup to the last recluse. Um, like, yep. That's all that to me lyrically. Um, I also went back to Summer's Killing Us from In Between Evolution, because I really do love the lyrics about one more breeze and summer's complete. And then at the end, he goes back to summer lowers its flag now. And obviously the word is summer. And so that is my tie in. But, you know, the the uptempo of summer is killing us and summer exists at the fair. Right you know like this is yeah summer kicks ass and then this is the end of it like we're going back to school now and uh the leaves are falling off of the trees and you know it just um i also really loved the line we occurred to each other 48 hours a day how fucking amazing is that line um when you're in love holy hell that's that's all you think about and um.[1:16:52] Fingers and toes 40 things we share you know uh yeah or fireworks um yeah believing in the country of me and you that's what it was yeah yeah yeah i agree with the last recluse reference though and the way he sings it is actually very similar to we held hands between our bikes it's very and if you've seen the video for the last recluse as well they actually show that with you know these two kids with their yeah well um track number eight is this nowhere kirk this song like i even have i told you about my nights at the ihop i would go after work here over the last couple days and and it's the right next to the hotel and it's simple and so i wrote this on a little napkin holder and my note says it's the same phrasing as one from.[1:17:42] You too i'm sure you guys all that's right yes yeah so and then all of a sudden what's that justin reference to it too midway through the song oh yeah it it's not getting better like he's bull right he is ripping this song he's admitting yep that's a great pick up justin yeah good friend right and then you have one more coffee in the bill which is gonna come up later as one of the lyrics and the backing that the chorus just boom shade shade of all now is that someone that you guys were familiar with ahead of this because I didn't know anything about her until I did the research Justin yeah No, Craig has a story. So Che, Amy Dorval is someone I had to look up because I heard the vocals on this song and I was so blown away by the backing vocals that I had to look her up. And she's from here. She's from Vancouver.[1:18:49] And I think she may be based out of Toronto now. I'm not quite sure. She has a couple of dates coming up in Portland and Seattle, I believe, but nothing here. So I was hoping to go check her out. But yeah, it turns out she worked with Devin Townsend on a project called Casualties of Cool. And so I went onto YouTube and looked that up. And it's very, very cool. Kind of like ambient stuff with just beautiful vocals. And yeah, Devin Townsend is a local musician who, yeah, I remember playing back in 95, sharing a bill with him when he played in a band called Strapping Young Lad. And now he's like a, you know, worldwide world, you know, renowned, uh, musician. And, uh, yeah, we have a, yeah, we have a bit of a band connection with him too. That I won't get into on, on air, but yeah. I want to love you.[1:19:45] That's so cool and then just my last two things on this song um, bob wrote five songs on her solo album and i don't know that he helped with the production he may have been the producer on it but he he wrote five songs with her very in a similar style that um he did with gourd but this is the part that gutted me gourd didn't hear the vocal, It was added after he passed.[1:20:43] I mean you know there's so many haters out there you know he the guy produced the the biggest album of the 90s like the the biggest decade for music um you know i'm pretty sure sales wise yeah i'm pretty sure the 90s as far as like you know you know actual physical product i gotta say this about bob he gives two fucks yep and it's just good for good for him to work with two he just he's living in maui with his wife and his horses and spending time with his kids and you know try you know yeah oh yeah i got to deal with this bon jovi album or this you know offspring album whatever else and then i'm gonna go and wake up and pick one of my 700 guitars and he's got he's got like just he's got he's got music for days but he doesn't sing so i mean he does a little backup vocals or whatever else but i love that about because you know i'm kind of teetering on this i love the bob rock hip albums and of course i am loving this album and and i appreciate the other stuff that i mean metallica that you know that i think that especially if you're a musician like i think i know every main riff from the black album i can't play it all but i know all the riffs of you know sandman and and um and i loved watching that documentary you know almost swore out the VHS. So I'm telling you how old I am again.[1:22:08] Yeah. Another thing about that song, I love the part after the chorus. There's that melody, the da-na, da-na, just at first it kind of throws you, but it's a really great choice.[1:22:20] And I'm going to give a little critique here. This guitar solo kind of kills me. It, it, it's just so generic and kind of boring. And actually now that you bring up the videotape of the, the Metallica, I think it's called day in the life of, I used to have a video VHS copy of that too. And there's a, there's a time on that when he's giving Kirk Hammett such a hard time about the solo. I think it was the unforgiven maybe. And he's just like, no, do it again. Do it. Gotta do your homework. Gotta do your homework. You don't do your fucking homework. So I was picturing like Kirk Hammett being in there, like giving him a hard, like hard time. And, you know, he needed, he needed Bob rock and needed a Bob rock on this song. I think.[1:23:07] Well, again, I think it comes, it comes from the fact though, too, that we've been listening to, you know, these bands and, and these records that have such a feel to them, you know, a cohesive feel. Feel and this record doesn't have that same sort of cohesive feel it's it's all over the place right 14 songs 14 songs that's in in in all the things you read he he gave him 14 songs and he got 14 songs back there was no added there was no cut it was 14 14 straight across and and at no point did i see anything that said like okay this this track was written in 1985 this track was It was written in 2010. It just was part of his cadre of music that he's had lying around. And again, I'd really be interested to know if the titles are Bob's or Gord's. I'd be really interested to know. I guess ultimately it would have come down to Bob in the end. But I'm sure he would have respected it. I think Gord, in their discussions, they would have had. I'm sure. But you're right. I mean, they are co-producers.[1:24:23] Co-writers of the of the record yeah craig i'll put a bow on your statement this was sorry i'm i'm getting a little too flowery with the bob rock quotes and everything else but his statement was budget wise i was the only guitar player available, so there's your answer to the solo okay okay sorry bob i i really i should say i i'm a bob rock fan i love both of the hip albums he did and and like i already mentioned my permanent vacation story and also sonic temple was a big one for me when i was young and that was his yeah me and my buddy found that cassette tape on the side of the road by my dad's work someone had thrown it out the window or something and we found it no no case just the tape and took that home and And yeah, so I'm a big, big Bob rock fan. So sorry, Justin. Yeah. I mean, apart from the backing vocals, I don't love this song. Um, and I think it's kind of the reasons why you guys said it's just not something musically doesn't do it for me. Um, and that's no disrespect to anybody, but the, you know, the background vocals are just so freaking stellar that it's it props the song up probably higher than it should rank for me.[1:25:48] Um yeah and i really you know i didn't care for the youtube the youtube riff and and it just it's just strange right it pulls you out it almost pulls you out of the song because you're like thrust into another song but like i said i do i do appreciate that gourd references the u2 song yes and says it's not getting better that's very cool okay all right well then we know what we're doing at least yeah good on him for for recognizing that and i'm guessing it was just an accident then he he either he noticed it or someone else pointed it out and then yeah know, I'll just add a lyric in here and it's all good. I think it's better than one personally. The next song is To Catch the Truth. Kurt, we'll start with you. Yeah, man. So here we go. We got a ska song, a frigging ska song, in my opinion. No doubt, Mighty Mighty Boston's, whatever your flavor is. But.[1:26:51] I love ska. I love ska. My wife loves ska and we grew up in Orange County. I used to go see No Doubt, play at colleges and play at local bars and crap like that.[1:27:07] And Mighty Mighty Boston is probably the – not even probably, by far the loudest concert I've ever been to, leaps and bounds. But gorge's doing a ska tune um west coast punk was uh was mentioned in a couple of the reviews that i saw vancouver's scene dug in the slugs um it's just a fun great song you know the beauty of ska at least from my standpoint so um loved it absolutely loved the tune jay dog yeah i uh remember very fondly uh watching real big fish in a very small room and um river city rebels were a big ska band horn band here in burlington and i used to you know sneak into shows underage and and love it um it's a fun song it's just fun and um gourd packs a lot into this song um it's i don't really have any any critiques yay or nay other than man i remember being 15 16 years old and going to these shows and having a hell of a good time when i first heard this song the the amount of compression bothered me it's just like.[1:28:31] You know squished and also i found it strange i was thinking in the realm of like goldfinger or something like that and in what in one channel you've got the guitar the other side you've got the piano and i found the way the piano was so clean was a bit bothers bothersome at first, and i had a note i wish it was almost like rag timed up a bit like or you know a bit like maybe even a bit out of tune or just something to give it a little bit of personality that would be my one see this is the song that i felt was like the the mouth i did yeah i think it was the piano a melody but what i mean is is the actual sound yeah no but not the sound i i hear what you're saying craig it was too clean it needed to be like someone had a mic in the room of a saloon with some out of tune piano and then that would have been the that would have been the flavor that would have been the added that well because i like my note west coast punk like you don't tune up when you're playing punk songs you play what's on the friggin guitar that's exactly what So I hear that. I think that's a very fair, very fair criticism.[1:29:37] After listening to it on the CD last night, though, I found that it wouldn't have worked if it was done as a more sort of raw punk or like, if it wasn't compressed in that way, the vocals would not have popped in the same way. And so I think it was probably the right choice in hindsight. But like I said, if it could be just dirtied up a bit in some way, I think I would have enjoyed it a little bit more. I did like the beginning. It's kind of like a strange introduction. There's also those hard stops at the end. What's real? What's fake? There's not a dirty song on this record. You know, this record is not, it's not got, it is like that Camaro. Somebody's out polishing it with a shammy. It's pristine and clean. Let me howl.[1:30:29] Music.[1:36:30] This was one of my favorites. Really enjoyed this song. Really strong melodies. It's unlike any other song in style. And again, we keep coming back to this, but it does not sound like any other Gord song. Doesn't sound like any other song on this album. Very much like an 80s vibe musically. There's a, you know, because I've criticized some solos, I will say I did enjoy the clean guitar solo on this song. And then there's a sax solo that comes in over top of that and i like how that how the tempo goes into halftime and then it kicks back in at the end yeah solid song so i got i got big money from rush in the intro that's what it felt like to me okay so just think of that synth you know.[1:37:21] Big money when before it comes in so but you're right man that that breakdown with the guitar and the sax i just kept repeating that i freaking loved that like and you know you guys you know i i'm i like the dead and and one of the reasons why i think i like the tragically hit because they are jam band no matter what you say they are jam band and they're not going to go off into crazy solos well they did go off into crazy gourd vocal solos you could say right but you know rob's not ripping it for 25 minutes and and you know breaking out the wall and making sure you're you know timing your dose just right but um it it i i love that part to this is that um that that that breakdown. Cause you just, and again, and I'm also a big rush fan. So that intro, so yeah, yeah, this is one of those, like I said, I didn't have my MVP, but this was definitely like a strong, strong candidate. And then my final note on this, this was the last vocal recorded before he was diagnosed is some research that I did. So this was the last vocal was let me before, before he was diagnosed entirely for me.[1:38:41] Not necessarily the meaning, but just context. Wow. Been hitting the head with the shovel here. Who else needs to talk about Let Me Howl? I think it's just Justin, right? Who, me? Yeah. Yeah, the sax makes me feel like I'm driving a cab in Manhattan in 1986.[1:39:06] And it's raining out. you know uh it's so freaking cool and it's a long song and it does weird things i remember the first time that i heard it i thought that we were going to have a fade out on the on that half you know the the slower beat um or the half time whatever you want to call it and, and then out of nowhere this massive film and and we're back and we're faster than we were before, right like it there there's a sense of urgency at the end of the song like let me howl here like i'm i gotta get this out and um it's really really fun like again it's, you can slow dance to this song and you can boogie to this song and you can, i don't know it's it's really really fun and um it's up there for mvp for me it's not my mvp but it's top three or four. I also like how the chorus, let me howl. And on the word howl, he has this like glissando up, like a slow glissando up along with the harmony, which is what a wolf does. Like, um, he's not going clean from one note to another. He's got, he's, he's like slurring up to it. Okay. And like, like a wolf would do when they howl.[1:40:30] And also there's some very slight changes to the way he sings it, I believe, if I'm remembering, if this is the song I'm thinking of, where the chorus slightly changes like the notes he's singing different times or the harmony changes. Something changes a little bit that I thought was really cool. I didn't listen to it today, so.[1:40:52] Justin, hell breaks loose. What do you think? I immediately, before I knew it, I knew that this was Johnny Faye playing drums. Um yeah and uh it's it's a it's a really cool again and like i just referenced new york city um and it's in the first line of this song like and he paints the picture of walking into a bar and it's kirk watching a soccer game right uh fireworks on the roof elbow one of the very first dates with, with my, with my wife, we watched a world cup game in a, in a bar that was shoulder to shoulder and it was two teams I didn't give a shit about and everybody was cheering and everybody was drinking and it was, you know, and then one guy got pissed off, bigger screens, bigger feelings. Right. And it's, it's cool.
Frequent bass contributor Louis Ortega returns to model and explain the hooks behind Buzzards of Green Hill, Frankie's favorite track from the album, and perhaps his top Claypool track. This one seems to be the backwoods hick Claypool that had shone through with some Primus material, but takes the wheel here for a (sober, we hope) drive out in the county. Lyrically, we contrast drunk driving and nursery rhyme motifs; the latter likely a result of Claypool having toddlers at the time, and the former from Les observing the world around him. Some killer live cuts accompany this episode!Find Louis on InstragramGet involved:InstagramFacebookEmailBurn your money
The KVB - "Labyrinths," a 2024 single on Invada Records UK Manchester coldwave duo The KVB share the lead single off their forthcoming full-length, Tremors, to be released April 5th via Invada Records. Band members Nicholas Wood and Kat Day describe today's Song of the Day as "the most aggressive track on the album and a nod to some of our early releases." They add, "Lyrically, it was inspired by the collection of short stories by Jorge Luis Borges and its references to historical subjectivity; the flexibility of truth and construction of narratives." They describe the new album as "dystopian pop," noting that they've "expanded on previous album themes of dystopia, apocalypse, and the human condition, but with a more pessimistic outlook and deeper distrust than before. It also touches on themes of loss, and the resistance, lament and acceptance of inevitable change.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
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