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In Episode 105 of Hidden Forces, Demetri Kofinas speaks with Jake Hanrahan about the crisis unfolding in the border region between Syria and Turkey following the US withdrawal of forces from northern Syria. This withdrawal precipitated the subsequent assault by Turkish Armed Forces on the Kurdish YPG-controlled region of Rojava. Jake Hanrahan is an independent journalist and documentary filmmaker based in the UK. He has reported from Syria, Iraq, southeast Turkey, and other conflict zones for HBO, Vice News, PBS Newshour, and BBC News, to name a few.  Turkish President Erdogan, after obtaining the consent of President Trump, began his invasion into the Kurdish YPG controlled region of Syria known as Rojava this past Wednesday. During Sunday’s “Face the Nation,” Secretary of Defense Mark Esper confirmed to Margaret Brennan that roughly 1,000 U.S. troops would be evacuated from northern Syria following Trump’s troop withdrawal announcement. There are also multiple reports of ISIS families and fighters previously captured and held by Kurdish forces starting to escape after Tukey’s bombardments. Also, Lebanese broadcaster al-Mayadeen reported Sunday that the Syrian army would enter Manbij and Kobani in the next 48 hours, based on an agreement with the Syrian Democratic Forces (the latter, according to Mohammed Shaheen, the deputy chairman of Euphrates region told North-Press).  It seems that what we are seeing transpire in the Middle East is the disintegration of artificially constructed national borders around sectarian lines. The forces being unleashed have thus far remain contained within the Greater Middle East, but Turkey’s involvement creates the further potential for spillover into the Balkans and southern Europe at some indeterminate future date. Additionally, Turkey has been flexing its geopolitical muscles where Greece is concerned in recent years, and it is no longer inconceivable to imagine that its troubled relationship to the EU and its membership in NATO will prove insufficient as deterrents for curbing Turkish military aggression or the expansionary ideas of Erdoğan in the Aegean.  This conversation is meant to help Hidden Forces listeners develop some context for what has transpired over the past week, the significance of Trump’s decision, and the implications moving forward.  Hidden Forces is listener funded. We rely on you to help us keep the program free of corporate advertising. You can help us do that by subscribing to one of our three content tiers through the Hidden Forces Patreon Page. All subscribers also gain access to our overtime feed, which can be easily be added to your favorite podcast application. Your support is deeply appreciated. Producer & Host: Demetri Kofinas Editor & Engineer: Stylianos Nicolaou Subscribe & Support the Podcast at http://patreon.com/hiddenforces Join the conversation on Facebook, Instagram, and Twitter at @hiddenforcespod

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices