Podcasts about qmf

Tipsy Session 210 - QMF, The Tipsy Connection - NatBlack (U.S.A.) by Shamul Sharma

Tipsy Session 195 - QMF, The Tipsy Connection - Electron C (U.S.A.) by Shamul Sharma

Tipsy Session 175 - QMF, The Tipsy Connection - Malius Elaine (U.S.A.) by Shamul Sharma

Follow Nick on instagram: https://www.instagram.com/dunwichdoomphd In this week's episode I had the opportunity to chat with Nick Williams, the former owner and founder of Dunwich Amplification.  We discuss how Nick got into building pedals through to his days as Dunwich Amps, his reasons for closing up the Dunwich shop, his recent consulting work and new QMF pedal brand, and more.  

Tipsy Session 167 - QMF, The Tipsy Connection - Finian (U.A.E.) by Shamul Sharma

Tipsy Session 163 - QMF, The Tipsy Connection - SwagT (U.A.E.) by Shamul Sharma

Tipsy Session 160 - QMF, The Tipsy Connection - G - Cord (U.S.A.) by Shamul Sharma

Tipsy Session 157 - QMF,The Tipsy Connection - Van Burleson (U.S.A.) by Shamul Sharma

Tipsy Session 154 - QMF, The Tipsy Connect - PHAT RABBIT (U.S.A.) by Shamul Sharma

Tipsy Session 153 - QMF, The Tipsy Connect - Anpleasant (Italy) by Shamul Sharma

Tipsy Session 150 - QMF, The Tipsy Connection - Marcho (Canada) by Shamul Sharma

Shannon the Dude from KRS and 95.7 QMF tells us about completing the JFK Challenge (walking 50 miles in less than 20 hours) this afternoon. He said his legs feel fine, but his back is a different story, probably from carrying all of that cash he he took off of Matt Jones from getting the job done...The photo attached courtesy of Drew Franklin and Kentucky Sports Radio

Shannon the Dude from KRS and 95.7 QMF tells us about completing the JFK Challenge (walking 50 miles in less than 20 hours) this afternoon. He said his legs feel fine, but his back is a different story, probably from carrying all of that cash he he took off of Matt Jones from getting the job done...The photo attached courtesy of Drew Franklin and Kentucky Sports Radio

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Women don't build roads."What are the benefits to working alongside family? How can mentors change your life? How much does a bridge move once it's finished?? Working in construction has its own challenges, but can be even more complicated when you're a woman. Sherrill Lester, president and CEO of QMF Steel in Campbell, TX, has carved out a space in a heavily male-dominated industry.Learn more about Chanel Christoff Davis at www.ddhtax.com or on social media @SalesTaxHelp

"Women don't build roads."What are the benefits to working alongside family? How can mentors change your life? How much does a bridge move once it's finished?? Working in construction has its own challenges, but can be even more complicated when you're a woman. Sherrill Lester, president and CEO of QMF Steel in Campbell, TX, has carved out a space in a heavily male-dominated industry.Learn more about Chanel Christoff Davis at www.ddhtax.com or on social media @SalesTaxHelp