Podcasts about schwi

Send us a Question!PATREON LET'S TALK:In response to his disgust with No Game No Life: Zero, Melvin interviews his friends Isabella, David, and Melanie about Anime, PDF-File/incest material, and the broader disappointment with male-produced fetishistic content.Song Credits:InMyHeadBGM by ceethewhite -- https://freesound.org/s/795402/ -- License: Attribution 4.0Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/aaron-paul-low/lemon-merengueLicense code: WDB4IXI2UDO4TBO8Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/albert-behar/puzzle-piecesLicense code: 977UJ2MEOOJXANGW Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Substack Instagram Facebook Group

No game no life: zero is a 2017 film that is a pre-sequel to the anime series. The story begins about 6,000 years before Sora and Shiro are introduced. The film is about the apocalypse world where gods and beasts fight to become the old true god. Humanity is the weakest species among the sixteen as humans do not produce magic or have any extreme physical skills. Humans hide in caves as there is in the brink of extinction as they barley survive it is Riku the leader of the last humanity clan that is trying to find clues to end the war between gods. Riku eventually finds Schwi who is an ex-machina who is extremely smart and physically advanced. They team up to try to stop and save humanity by ending the eternal war by grabbing the suniaster to claim to be the true god of the world. --- Support this podcast: https://anchor.fm/spielanime/support

This week's choice was recommended to us by Cat from our discord server! Unlike the series this movie is serious and it does not waste time on pulling them heartstrings. It is a great origination story about the world that we like and how Teto became the "one true god" for that world. It also can be assumed that Sora and Shiro are the reincarnations of Riku and Schwi just showing you that you even in another life and another world the 2 of them are meant to be together and they always will be together. Producers: Frontier Works, Movic, AT-X, Kadokawa Studio: MadHouse Aired: July 2017 Genres: Game, Supernatural, Drama, Romance, Fantasy Duration: 1 hour 46 minutes Jack's score: 9 / 10 Rick's score: 9 / 10 Next week's choice is a series called Knight's & Magic. Have you seen next week's choice or one of the previous ones? Let us know what you thought of them or give us a recommendation on what we should watch next! Email: FeaturedAnimePodcast@gmail.com Twitter: @ThoseAnimeGuys Facebook: https://www.facebook.com/featuredanimepodcast/ Discord: https://discord.gg/DZRKTAN --- Send in a voice message: https://anchor.fm/featured-anime-podcast/message

Análise completa do Filme No Game No Life Zero, COM SPOILERS. Neste episodio Vini, Jay, Brendon e o Editor, discutem o maravilhoso mundo de No Game No Life, no novo filme No Game No LIfe Zero. Shiro e sora ou Schwi e Riku ? venha descobri oque achamos dessa maravilhosa obra.

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Simon Neal is back with us this week discussing the text "The Vagabond". We go through the text, focusing on the problem with Ls and Rs in English, dealing with pianissimi and why we should sing pure Italianate vowels in every language. I'll also talk about a phonetic concept for unstressed I (between the closed [i] and open [I] sounds) that Jan & Catherine McDaniel (English diction teachers at the Bass School of Music, Oklahoma City University) sent me, the SCHWI. "The Vagabond" is the first poem in Robert Louis Stevenson's Songs of Travel, and the first song in Ralph Vaughan Williams' song cycle of the same name. I found some interesting youtube clips of this song, Thomas Allen with Simon Rattle and the Birmingham Symphony Orchestra and a very early recording of Peter Dawson in 1923 (pianist isn't listed), with lots of rrrrrolled Rs. The Bryn Terfel CD is also quite good but I couldn't find a youtube with that version. The previous entries that I talk about are Episodes 48 and 49 for tongue exercises, and Jason Nedecky's Treatment of R and Pronunciation Shifts for the HAND and ASK words. Please feel free to contact me here, at the Facebook Page, on Twitter @dictionpolice or directly at ellen@ellenrissinger.com

Eric Armstrong and Phil Thompson whistle a happy tune: this week, we’re exploring the vowel sound found at the end of words like "happy."Show Notes: • for some this is perceived as being an /i/ sound, for others an /ɪ/ sound, and for many (especially around where I live) a sound that is neither of those. What's going on here? • FORMATION: Weak Close-ish Front-ish Unrounded Vowel • SPELLING: Group A "y" (itchy, angry, silly etc.), "ie" (sortie, boogie, movie), "i" ( Fettucini, linguine, martini, bikini). Historical (especially in verse) price [əi]; Group B "-ee", "-ey", "-ea" Historical face, [e] • HISTORY: Group A (sunny, taxi, prairie) was [əi] or [e] (coffee, honey, Chelsea) in Middle English. More recent load words are spelled 'i'. ‣ -y endings and -ie and -ies endings ‣ -ier (happier), -iest (happiest), -ying (hurrying) ‣ prefixes before a vowel re- (react), pre- (preoccupied), de- (deactivate), semi/demi- (demigod) ‣ -iate and -ious when they have 2 syllables (appreciate, hilarious) ‣ weak form "he, she, we, me, be," (and archaic "thee"?) • Some people argue that it's heard in weak "-ing" (gerund/present participle) endings [we disagree, generally] • In some dialects, days of the week (e.g. "Monday, Tuesday, etc.), though this is now becoming at best "conservative" speech. • Piers Messum at UCL coined the term "Schwi" (for happy) and "Schwu" (for inflUence) which, I believe, he's no longer advocating. • 3 way contrast: ‣ Rosa's, roses, Rosie's ‣ [ɹoʊzəz, ɹoʊzɪz, ɹoʊziz](schwa, weak /ɪ/, happY) • Note that there are weak final /i/ vowels that aren't reduced, e.g. "manatee" • Distribution: both Checked and Free syllables — apart from schwa, only Free weak vowel in English (which may be why some people use [i] ) • Review: checked? free?PHONETIC NOTATION: It Depends. Either represented "as it's said" (narrow phonetic transcription, so i & ɪ are used with diacritic marks), or with lower case i without a length mark (a phonemic transcription, like one finds in LPD); sometimes represented with barred-i [ɨ], though that's not canonical. So it doesn't have a cardinal number, really. (If one used barred-i, I suppose you could argue that it's Cardinal 17 http://en.wikipedia.org/wiki/Close_central_unrounded_vowel )Quite a lot of variation (in accents): Onglides fairly common [əi] or [əɪ]; more conservative (English and US Southern) accents use /ɪ/ , parts of Scotland use [e], Nottingham goes all the way to [ɛ] though this appears to be changing toward [i]. When this change towards [i] occurs, linguists say that the phoneme is getting more "tense" , so it's a case of “happy-tensing”. • Happy-Tensing http://en.wikipedia.org/wiki/Phonological_history_of_English_high_front_vowels#Happy_tensingQueen's speech is undergoing happy tensing, though a study of her Xmas broadcasts (1957 » 2009) shows that her kit vowel has changed more significantly than her happy vowel, though most people don't seem to notice the difference in her kit sound!