Podcasts about cartoons

How much of a successful comics career depends on being temporarily delusional? Brad and Dave suspect it may be more than anyone wants to admit.Then, a listener asks about creating a style guide for a comic. Brad and Dave discuss the small decisions that help lettering remain clear, consistent, and easy to read — from spelling out numerals and avoiding hyphenated line breaks to shaping word balloons, using all-caps lettering, and deciding whether “livestream” is one word or two.Finally, they look back at the pivotal “sliding doors” moments that could have sent their careers in entirely different directions. Dave talks about leaving Mattel, choosing webcomics over syndication, and the friendships that helped him become a better cartoonist. Brad remembers the collapsed newspaper job offer that sent him back to comics, the syndicate pitch that deserved to fail, and the leap that finally made cartooning his full-time career.ON THIS WEEK'S SHOW...Why every creative career requires a little temporary delusionWhat belongs in a comic-specific style guideWhy Brad spells out numbers in Evil IncPunctuation, abbreviations, and the Oxford commaWhy hyphenating words inside balloons hurts readabilityHow line breaks affect the shape and flow of a word balloonAll caps versus sentence-case letteringUsing colloquial spellings without making dialogue difficult to readThe pivotal decisions that changed Brad and Dave's careersLeaving a secure job to become a full-time cartoonistChoosing webcomics over newspaper syndicationHow a community of fellow cartoonists can accelerate your growthComicLab is made possible through the support of our Patreon members. Join us at Patreon.com/ComicLab for more than 200 hours of bonus episodes, including our exclusive Pro Tips podcast, and access to the ComicLab Discord community.Share your thoughts on the ComicLab Confab Line: 1-609-379-3520. We may play your message on a future episode! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Shane Portman is an Emmy nominated writer who has had a distinguished career working in the animation industry. Recently, Shane turned his talents toward making comic books. When he decided to create a sequential art series he knew he wanted it to reach a bit deeper than your average funny book tale. Shane reached inside […]

On a Signal chat in August, a user called “Sponge Jobb” advertised a contract killing with a SpongeBob SquarePants avatar and a cryptocurrency fee. A Danish undercover officer answered as the hitman and walked straight into an alleged cross-border plot aimed at twin brothers holidaying in Cyprus. Cash drops, target photos, and talk of Turkish pistols followed before the twins left the island and police moved in. Eight people from Ireland, Norway, and Sweden have been arrested as investigators piece together a “violence-as-a-service” network that still will not name its motive.

It's another episode of Double Coverage, covering all the biggest stories across sports and the trading card hobby!

Jason Neulander is a performer, writer, producer, and director. His latest project is a graphic novel update of the classic Robert Louis Stevenson book Treasure Island called Treasure Island Reimagined: Jane Hawkins and the Pirate’s Gold. The original novel is a book that is that is very near to his heart as he used to […]

This week we talk about the cartoons that included main character deaths that changed how we looked at animation forever.

Opie and Tony P panic about the AI apocalypse, then immediately decide they'd rather become Bugs Bunny. Football gets skipped for Hoobastank, a woman with a foot-long finger steals the show, and a guy eating Chinese buffet until he drops becomes the real hero. OH! Why New York bike helmets look like a bad Ben Stiller movie. Chaotic, filthy, and exactly what Monday needed.Support the Show:https://www.paypal.com/ncp/payment/PRULKVNHUMQVAAbout Opie Unfiltered:Hosted by Gregg "Opie" Hughes—co-creator of the legendary Opie and Anthony show—Opie Unfiltered brings raw, unscripted commentary, classic radio lore, and unfiltered comedy featuring Ron the Waiter and regular guests.For fans of classic New York talk radio, unedited comedy, satellite broadcast history, and the original Opie and Anthony era.

In the mid-80s, when no acclaimed film director would deign to enter the world of broadcast television, Steven Spielberg used his immense clout to create Amazing Stories. This big-budget anthology show mostly underwhelmed viewers during its two seasons, but its one animated experiment remains the series' greatest achievement. The brainchild of Brad Bird, "Family Dog" brought theatrical-level animation to the small screen in a particularly dire era for the medium, and presaged creations like The Simpsons—which Bird would later work on. This month on What A Cartoon, join us as we examine this highly influential piece of late '80s animation and desperately try to forget the one-season disaster it spawned many years later. Support this podcast and get over 200 ad-free bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod, not to mention Bluesky and Instagram!

Step into the midnight hour where real history, late-night callers, and bizarre digital realities collide.Host Walter Sterling leads an unpredictable journey through the obscure and the uncanny on The Other Side of Midnight. In this episode, a doctor of metaphysics explains why men are falling in love with pixelated AI girlfriends, while an NYPD detective and Air Force veteran share harrowing, forgotten firsthand accounts from 9/11. Plus, Walter investigates why 19th-century insane asylums were built like sprawling European castles and unravels a conspiracy surrounding hidden free energy from atmospheric ether.

Send us Fan Mail Moviezyng Affiliate LinkThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon and Moviezyng Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  info@theextras.tv

The Anime Addicts do a drinking game to Most Dangerous Geist, the legendary OVA from the late 1980s. We drink and die with Geist! We also review the second season of the ball washing festival, Wistoria Wind and Sword! You can support the podcast in the following ways: Patreon: www.patreon.com/AAAPodcast Discord: www.AAADiscord.com Subscribe: www.aaapodcast.com/join Donations: www.aaapodcast.com/donate Thank you for your generosity and kindness

In this Margin Notes episode of the #amwriting podcast, host Jennie Nash talks with book coach and author Stuart Wakefield about approaching marketing as a creative project by making joyful “artifacts” that expand a story world rather than simply asking readers to buy a book. Wakefield shares his creative background, a past period when his creative practice stopped, and how he now immerses himself in projects tied to his latest novel, All Hands on Dick, set in 1956 aboard the cruise ship SS Celestial. Stuart describes the book's comedic, queer, mid-century influences and its characters, explains creating items like a 3D-printed ocean liner and a hand-cut 10-inch vinyl record featuring AI-assisted big band songs, and discusses building an animated music video. Nash also previews upcoming episodes with Wakefield on using the Blueprint method to develop a series, as he launches his trilogy A Gay Odysea.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Connect with Stuart* Visit his book coaching site* Read his books* Watch his music videoTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Hi, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work or creative lives.I'm here today to talk with Stuart Wakefield about making marketing a creative project. And you've heard from Stuart before. He has coached on the podcast, and we'll link to that episode in the show notes. He also will be in episodes to come, which we'll talk about in a moment, and Stuart is a fascinating individual who's had a long career in all kinds of things, including TV writing, playwriting, a long stint in IT.What? [00:01:00] And, and now Stuart works with me at Author Accelerator, and he runs his own book coaching business at thebookcoach.co. Welcome, Stuart.Stuart: Thank you for having me, Jennie. I'm really excited to talk to you today.Jennie: I'm excited too. This is such a, such a interesting topic. So the reason this came up is that Stuart launched a new book, which he'll tell you about in a moment, which is part of a series, which he'll tell you about in a moment, and I started seeing out on social media just all this really fun content that he was producing.And obviously then I would get to talk to him at work, and I- he just would have so much joy, and then he would say, “Oh, let me show you this other thing.” And when I talk about fun content, I'm talking about, like, music videos, cartoons, animated [00:02:00] little shorts. He wrote a song. He, he's writing a music video. He 3D printed a ship.He printed a vinyl record. I mean, it's bonkers. And so I just wanted to dig into this about what are you doing, and why is it creating so much joy, and what can we learn from it? So that's what we're here to talk about.Stuart: Oh, oh, oh. Right. Okay. So, so in, in my creative practice, I have always enjoyed... You know, I started acting when I was five, um, so I've always been in kind of around the theater, even when my kind of IT career and project management career was all kind of going on.So I've always enjoyed that. I, um, started a, a- A degree in fashion design. Um, after a year at art college, I, you know, carried on acting and then had a break in 2003. Uh, if I'm really honest with you, I had a breakdown and- Yeah ... m- [00:03:00] my creative practice just stopped. And about six years later in 2009, I started writing.And you know, I've always been a creative person, and I've always been a storyteller, and I tend, but I tend to do it in a very short, concise way. So the shortest piece of fiction I've sold was 50 words.Jennie: That's short.Stuart: Right. Okay. So I, um- Have had like a, a side art project. It's called The Queer Historian of Emotional Truths.Um, and there is a website that sits with that, and the idea is that the queer historian has found artifacts, um, and he is curating those and sharing those on the website, and they might be voicemails, they might be found photos, found objects. And when I got my... So I really love that kind of very small to- storytelling, those, those really poignant moments, [00:04:00] as opposed to great big, long stories.Um, I recently s- sold a story to Divine Femins- Feminine Publishing as well, um, which is again, it's cozy sci-fi, but it's very much the small kind of human moments.Jennie: Right.Stuart: And I found that after writing this book, I became so invested in the world that I wanted to do small art projects that kind of lived within that world.So that's where this has come from. I, I don't see it as marketing. I see it as telling those smaller stories within that wider world that really convey the joy that not only have I got from writing that, that work, but I think lives on after the reader closes and reads that last, that last page and then closes the book.Jennie: Well, this is why it's so exciting and inspiring to me, because so often when writers talk about marketing or think about marketing, they're thinking [00:05:00] about, “Buy my book. Buy my book. Buy my book,” and that's not at all where you're coming from. I suspect... Well, with this current project, it's, it's brand new, but I suspect that that's where it's gonna go, right?That it's impossible to imagine sh- that you're gonna share all these creative acts and artifacts and not get people... I was gonna say on board, but that's gonna be like- The, it's a- ItStuart: is set follow... It's set on board a, a ocean liner. Right. So on, on board is great.Jennie: Right? Like the, how could those two things not happen?That, I guess what I'm getting at is I, I often think that the results people want don't usually come from the path that they think is gonna get them there. Right. The results come from doing the work you love, writing the story you want, and in your case, making this a creative project. Do you- Yes ... do you think that's [00:06:00] true?Stuart: Yeah. You know, very much so, and I was discussing this with a marketing book coach, uh, Rebecca Grogan.Jennie: Mm-hmm.Stuart: Highly recommend her to any romance writer. So that's beckythebookcoach.com, and, you know, we got talking about creative projects and how much I don't really like marketing. I always thought it was a very British thing not to like marketing, but the more and more US writers I, I meet and fellow coaches, again, you know, marketing can feel like something unsavory.Jennie: RightStuart: And what I really want to do is show people these cool things I've made and invite them very much into the world. Because what I do in any of my creative writing projects, I have objects that represent what I'm writing on my desk. So, um, I have a book that's set in 1907, so I got [00:07:00] artifacts from, from that time.I have a book that's set, well hopefully coming out in a few months, which is, uh, set in Madrid in 1958, and one of the characters works in a print shop. So I have wooden blocks, wooden printing blocks that spell out this character's names. So-Jennie: Oh,Stuart: that'sJennie: so cool.Stuart: So as I switch from project to project, I bring those things and put those onto my desk, and I just find it helps me get into that head space-Jennie: YeahStuart: and that emotional connection.Jennie: Yeah.Stuart: So because I still have a, a very strong emotional connection to what it is that I've just published, and I know there are two more books coming, I really wanted to sit and kind of immerse myself in that world. And the first object I created was this 3D printed ocean liner, because that has what has been sitting on my desk while I've been writing this first book.Jennie: So when you say you 3D printed it, how did you go about [00:08:00] that?Stuart: Okay, so I-Jennie: Oh, and, and let's just describe, since people can't see it. It's, it's about like eight inches, 10 inches? Uh, yeah, yeah. So- And it's... Is it made of plastic?Stuart: Yeah. So it's 3D printed, uh, so it's kind of a, a resinous kind of plastic that's- Yeahjust melted as it comes through the head. And yeah, so I found, uh, a model online, and then I... My comput- my computer modeling is not great. It's one of the few things that I'd see that I don't really, you know, have a skill at. So I contacted a friend and said, you know, “Can you modify this for me? Um, can you change the name on the side of the ship?”‘Cause the model that was already there, um, had a different name. And yeah, you know, we, we worked on the look and the feel, and then when we were ready, we found someone else to, to actually print it up. So for me, it's just a lovely object, and I know I'm going to be able to take it to book fairs. There's one coming up at the end of September- So I have little [00:09:00] wooden life rings, we have ship's rope, I have a reception bell.Um, so all of these artifacts, again, when s- if somebody comes to my stand at the book fair, they will be walking into the world of the SS Celestial.Jennie: That's so fun. Okay, so let's, let's talk about the, this, the ship and what happens on the ship and the story and the whole thing, ‘cause it's just too much fun.So it's, um, set in 1956 on a cruise ship. The name of the book is called All Hands on Dick, and it is currently out. So why don't you tell us about first All Hands on Dick, and then the series that it, um, begins?Stuart: Okay. So All Hands on Dick follows cruise director Dick Dockery, and Dick is one of those people that puts the passengers' needs before his own.So, and he is very good at his job But on the voyage from New York to Bermuda, [00:10:00] a slightly seedy kind of underground guy with a reputation called Van Valentine boards the ship. And Van very quickly identifies that what Dick is doing, that he's fulfilling everybody's needs but his own. So throughout a...It's very much a comedy of manners. So throughout that and some farcical moments and lots of beautiful sub-stories, um, Dick eventually learns that being needed is not the same as being loved.Jennie: Very, very, uh, profound message in a very fun setting. So some of the other characters, tell us about some of these other characters.Stuart: Okay. So we have, uh, newlyweds, uh, Buck and Kitty Devereaux. And Buck seems very nervous in his marriage, so one of the kind of mysteries is what is Buck hiding? And then eventually we start to learn that actually Kitty might be hiding some- something as well. We have [00:11:00] Aurelia Cashmere, who is a sort of a, a grande dame, I guess.She, she's first class. Um, she has come on board with a secret that she's going to reveal something when they get to Bermuda. We have, uh, Tony's sidekick, uh, Bunny Marlowe. We have a steward who seems to know everything called Tony Two Towels. We have a light-fingered magician called Pip Larkin. Um, and- ThisJennie: is just so great.And you s-Stuart: And then lounge singer... Sorry, then we have a l- a lounge singer called Rex Devereaux. Uh, and he has a on-off affair with his piano player, Joey Lamplight.Jennie: Okay. So you shared with me that, um, you loved The Love Boat, the, the TV show, right? Oh,Stuart: it's one of my... It, it's just fantastic. And I, I tell you what happened, I love the movie An Affair to Remember-Jennie: Mm-hmmStuart: with Deborah Kerr and Cary Grant. [00:12:00] And you know, I was... My mom loved kind of ‘40s, ‘50s movies. So she kind of introduced me to those when I was growing up, ‘cause I was born in the early ‘70s. So you know, sh- I was kind of weaned on, on movies by watching those. And I loved watching The Love Boat, and more recently...I say recently, it's a few years old now, but the movie Down with Love, uh, with Renee Zellweger.Jennie: Yeah.Stuart: And I watched that and it reminded me of the Doris Day, Rock Hudson kind of sex comedies.Jennie: Yeah.Stuart: So the vision for All Hands on Dick and the series that it fits into, um, very much came from those, those influences, and the love of, of the, all of those things.Jennie: Well, and it has that, and has that feel. So we'll talk about the whole series in a minute, but some of the other things that you made artifacts that you made, uh, well, there was a song and then there was a record, [00:13:00] and then there was a music video. So how much time have you spent making all these things?Stuart: I, I, I think, I think that wh- what, what happened was, I, I, I'd finished the book and I w- I was, I, something had happened.I think, I think an old Drifters song came up on my, um, Irene's, uh, list, and I'd been listening to... We have a, a TV, um, advert that's on in the UK that, uh, has the song, um, Beyond the Sea.Jennie: Oh, sure, sure.Stuart: It's Bobby... Yeah, yeah, yeah. Yeah. And I was, “Oh, okay.” So I knew that Rex, the lounge singer, one of his storylines is that there's a song that he can't sing.Jennie: Oh.Stuart: It is too emotional for him, and he's desperately trying to get his career back on track and, but there's this one song that he just cannot sing, but it's one of the most powerful songs that could potentially bring his [00:14:00] career back. And I'd been thinking about songs and, you know, again, my mom was just a very, very funny wom- woman and, you know, we would make songs up together.And I wrote some jokey lyrics, uh, called, for a big band number sung by Bunny, called Everybody Needs Dick. And, and, you know, uh, you, the lyrics are, are, you know, a bit silly here and there, but, uh, I just had fun with it.Jennie: Yeah.Stuart: You know? So none of this was planned. Um, now I know some people are gonna be really anti-AI, and I, I totally get that, but this was for my personal consumption.So I put those lyrics into an, a, an AI and said like, “Can you write a big band, you know, backing track to go with this?” Just as an experiment, and what came out just really took me by surprise. So-Jennie: It's amazing. I mean, it sounds like a fully produced Andrews Sister song.Stuart: Yes, yes. Love The [00:15:00] Andrews Sisters.Yeah. And then I got thinking about Rex's song, and I thought, “What kind of avoidant thing would Rex sing?” So I wrote some lyrics for that and, um, again, put it into the same AI, AI, and it came out with a couple of versions, and one of them immediately made me start to cry. Oh, no. And I thought, “Okay, if I have an emotional connection to this song, then I need to do something with these tracks.”So I'd been kind of living in the world of the SS Celestial, which is the, the ship that the story is set on, and got to thinking about kind of souvenirs and, and would the ship sell souvenirs, and what kind of things might they sell? And I thought, “Okay, if I'm gonna have an object that's all my own, then as my kind of reward for finishing the book,” I thought, “wouldn't it be great to have a vinyl record?”So then I get into researching how much music can you get on, you know, a seven-inch, a 10-inch, [00:16:00] 12-inch record. Settled on a 10-inch record because, um, Rex's song is six minutes. It won't sit on the seven-inch. Then I had to do my research. You know, were 10-inch singles available in the US in the 1950s? Turns out they still were.Um, then I got to designing the record covers and the labels. I found a company in, uh, the, in London who handcraft. So rather than press a record, they hand-cut it.Jennie: Oh,Stuart: wow. Um, found a company to do that. And yeah, you know, a week later I had in my hands a, a, a 10-inch record, and that is just for my personal consumption, but, you know, I will share that on,um, you know,uh, social media. I will play parts of the record on social media. And yeah, that's where I kind of got to in there, and I just wanted to share with people like, “Oh, look, I made this cool thing.”Jennie: Yeah, yeah.Stuart: And-Jennie: I mean, it's so cool, and [00:17:00] when... We'll share, hopefully, uh, uh, cover a picture of the, um, m- the, uh, record so, in the show notes so people can see.But when, when you share it and talk about it, again, you're just filled with so much joy, like a kid. Yeah. Like, “Look at this.” Yeah. “Look at what I made.” And that has to feel really good, right?Stuart: It, it really, really does. And, and, you know, my family, immediate and wider, are going through some really difficult times at the moment.We started kind of March last year, and, um, I won a, a, a grant from the Arts Council here in the UK to, to really help me kind of zone in on my playwriting.Jennie: Right.Stuart: And a full-length play that I've written is, it's very dark, and it deals with some very dark kind of, uh, themes and issues. And a friend of mine had said to me, she said, “There's something wrong with you.There's, [00:18:00] there's, like, this little light that has gone out.”Jennie: Oh.Stuart: And she said, “I think you should get back to writing comedy.” Um, when I wrote for TV, that was comedy. Um, my last full-length novel, you know, had lots of comedic stuff going on. Um, and she's like, “Why don't you, you consider going back to comedy?”She'd read a lot of my writing when I was doing my master's degree, and she said, “I, I really think you need that, that kind of lift.” So when I was thinking about what to write, I was like, “Okay, I need to do something that, that just really sits with me.” I'm not... You know, writing a novel is a big commitment, and you need to be around people that you kind of really love.Jennie: Yeah.Stuart: And I wanted these people to- So many queer stories I think are written from a place of trauma.Jennie: Mm-hmm.Stuart: And I really wanted a group of people who had relatively low stakes threat, but [00:19:00] could really live and breathe in their environment and find joy. And that's exactly as passengers are disembarking at the end of this, this book, that's, you know, there is hope and there is joyJennie: And I imagine that's what you want your reader to feel.Stuart: Um, uh, a- absolutely. I've absolutely written it for people who, you know, to take on a take on a cruise- Right ... or read on the beach. And, you know, I think it's fair to say that, you know, politically and, um, literally the world is on fire, right?Jennie: Yeah.Stuart: Yeah. You know, we're seeing huge fires all over, you know, we're seeing political, just appalling political stuff.And I, and I just thought I, I need this story and I need these people, and I think other people out there need just some fun and some joy and some lightness.Jennie: So tell me about, um, right before we r- started [00:20:00] recording, you said you were almost finished with the music video. Tell me about that.Stuart: Right. Okay. So, uh, Everybody Needs Dick is a huge, joyous, big band number, and I was creating a little short animation to go on, um, social media, and also I wanted the challenge of learning something new from an IT point of view.Jennie: Mm-hmm.Stuart: And it kind of grew, ‘cause I was putting some music to the, the reel on Inst- on Instagram, and I just thought, “Hmm, this could... Like, I really like the results of what I've been able to animate here. Like, maybe this could be something bigger.” And I used to work for Turner Broadcasting Systems, which is now, like, part of Warner Brothers Discovery.Was there for about three years working mainly on the Cartoon network side, and I did some work with the animators of The Amazing World of Gumball, which is a very [00:21:00] popular show, um, in the US, and I kind of thought, like, maybe there's something in this. Maybe I could put all of the Everybody Needs Dick story into, like, an MGM musical number.Jennie: Right.Stuart: And like, so again, it, it captures the look and the feel and the tone of the joy of the book as well. So I'm 40 seconds away from finishing. It takes about an hour to get 14 kind of decent seconds. And I... But I'm, I'm exhausted, but what's keeping me going is watching it over and over again and feeling emotional, feeling that emotional connection to the relationships that are developing, even just through the video i- itself.Jennie: Right. AndStuart: what- So again, for me, it's just immersive.Jennie: What, um... When you approach Something like that, and you, you know, obviously we're all, uh, learning, if any of us listening use AI for [00:22:00] various things, we're all learning as we go d- because it's so new. How do you approach the technology side of it? Like, in addition to the creative part, you have to figure things out, right?Figure out how to do it.Stuart: Yeah. I mean, you know, I spend a lot of time engineering prompts for all different sorts of things. So for my own writing, um, I have a prompt that runs through my chapters and looks at all of the nasty habits that I have.Jennie: Yeah.Stuart: And I was talking to another coach the other day, and I was like, “Let me, let me just do a quick word count.”And that search, that, um, AI prompt, is 9,510 words.Jennie: Wow.Stuart: So I might have spent a long time working on that, that prompt, but it really helps me sit back, look at my chapters, really understand what's working and what's not working, and then from my past mistakes and patterns of writing, it helps me see those and that I've fallen back into to some of those [00:23:00] habits.Jennie: Yeah.Stuart: So, you know, I, I like to think I'm relatively good. Um, but again, some of the graphics that I was using on Instagram were... They were by real people.Jennie: Yeah.Stuart: And I thought, “Well, that's not really the kind of look I'm after. I'm kind of after that... For the, for the video, I'm after that mid-century American illustrated look that is somewhere between J.C.Leyendecker's illustrations of the sort of ‘20s, and the illustrations that you would expect to see in an American magazine in the mid-'50s.”Outro: Right.Stuart: So I worked and worked and worked, you know, with an AI tool on getting the look right, and then locking that look in. Then I was able to take the images from Instagram and say, “Okay, what would those character models look like if they were in dr- had been drawn in this style?”So again, we worked through those looks, um, you know, how smooth their skin was, what the kind of folds in their clothes should look like. [00:24:00] You know, we did a lot of work on that, and then it was really down to the things that I kind of learned at Warner Brothers and watching the extras on DVDs about storyboarding, um, the animations, and then really teaching myself the best way to use, um, the AI that I was using to get the best kind of effects out of it.And I- So it sound- You know... Hmm.Jennie: It, it sort of sounds like play.Stuart: It is. It really is. And I, you know, I, I love learning. I loved learning to be a book coach. I'm always doing some kind of course, whether it be creative or, you know, to do with writing. And, you know, I like a challenge, and teaching- Yeah ... me this new technology, I mean, I'm 54, and, you know, there's always that risk that the kids are gonna com- going to kind of overtake you.Jennie: Sure. Uh,Stuart: but I'm very curious about the world. You know, I l- I like my K-pop. I'm very excited today ‘cause Hatsize, you know, new EP is out. Um, I've had many a conversation with a 13-year-old who's just shocked that I know anything about K-pop- ... [00:25:00] let alone I'm kind of into different bands. So, you know, I'm interested in, in pop culture and learning new technologies and, you know, it has been a huge, huge challenge for me to do this.But again, it's playing in this world, and I've also noticed as I'm doing these other creative projects, because I'm still mentally in the world, some of the stories for the later books are, are coming to me.Jennie: Yeah. Yeah. So let's talk about the series. At what point did you decide that All Hands on Dick was going to be a series?Stuart: Pretty much from the beginning. I-Jennie: Okay ...Stuart: I, I... So the series is called A Gay Odyssey, and that's- AndJennie: it's, I have to spell it. It's- Yeah ... O-D-Y-S-E-A.Stuart: Yes. So it- it's A Gay Odyssey, and I call it, like, a naughty cal adventure. So- So, you know, I, I very much saw this as the ship as a [00:26:00] container.Jennie: Mm-hmm.Stuart: Okay? Quite literally.Right. But also like a story engine.Jennie: Right.Stuart: So I thought this is, this is a world in miniature, and I wanted to have one overarching love story that covers all three books. But like The Love Boat, I wanted that episodic nature to it as well, because I knew I wanted to bring in different characters and different crew.So A Gay Odyssey is, it's a trilogy of mid-century American queer romantic novels that also examine, uh, the life we live as performance as well as the life we live in private.Jennie: Mm-hmm. So that's where the, the lounge singer and the piano player, the literal- Yeah ... performers and the magician, as well as the just regular people who are performing different roles and things.Ab-Stuart: a- absolutely. You know, Buck is, is performing kind of the dutiful husband, and that's clearly not what's going [00:27:00] under, on under the surface. And, you know, Kitty is very much wanting to go out, you know, understand what's w- I want to say in quotes, “wrong with him.”Jennie: Right.Stuart: And yet Kitty starts to believe that actually she might not entirely be the person she thinks she is.So again, it's, some of it's around self-discovery, um, and some of it is just how you move in the world when the world is telling you you shouldn't be who you are. I mean, it's coming off the back of the Lavender Scare- Mm-hmm ... in the US, um, that Eisenhower signed in 1953 where queerJennie: people-Stuart: I'm not familiar withJennie: that.Stuart: Oh, okay. So I think it was Order 105410or s- or, or something. But Eisenhower signed it, signed it in 1953, and it basically meant that nobody, no gay man or lesbian could work in a federal job.Jennie: Oh, I, I was not aware of that.Stuart: So, you know, thousands and thousands of people were put [00:28:00] out of employment in the US. Wow. So it's coming off the back of that Lavender Scare, um, and it was very much treated like they were a security risk.Jennie: Wow. Um, I'm not gonna get really deep into the series because you and I are gonna do a deep dive on, uh, series development. Um, and for our listeners, Stuart is obviously, um, I would say one of the world's foremost experts on my blueprint method. H- how's that for a title?Stuart: That's very kind of you.Jennie: Um, he teaches it, he coaches it, he holds the high bar for certification that we have at Author Accelerator around the blueprint and other things.But one of the things that he has really done is, is to do a very deep dive on understanding how to use the blueprint [00:29:00] to develop a series, and how you think about one book, how you think about the whole series, the, the order of things, the, the way this tool can be used in this way, and his work on this is, uh, blew me away truly.So I've asked Stuart to come back onto the podcast, and we're going to do a series of two, uh, podcasts, where in one we're gonna talk about the overview of how to use the blueprint to develop a series, and it can be any genre, uh, any- Mm-hmm ... fictional genre, and then we're gonna do a second podcast on ... Now I can't remember what it was, but I think it wasOh, the story engine, and you, and you referenced that with, for your series, the, the ship and, and this container and how to develop a story engine. [00:30:00] And this will also all lead to a special offer to work directly with Stuart on a series, so, um, using the blueprint. So all of that, I'm making all these big promises.I hope they all come true.Stuart: They will. They will.Jennie: Um, all of this is just, uh, laying the groundwork for, for folks who are interested in designing, developing, building a series, and, um, doing it with somebody who has this incredible creative and playful mind, and you can get a sense of the way Stuart thinks and, and works and, um, of the things that he makes.Uh, can you tell us, Stuart, w- if people wanna read All Hands on Deck right now, where can they go? If people wanna find you, and how on earth can they see and hear all this cool stuff you've made? Tell us all the things.Stuart: Okay. [00:31:00] So, uh, in terms of, obviously you can find me at thebookcoach.co. On Instagram, I'm Mr.S Wakefield. Um, so that's where you'll be able to see where I share the cool things that I've made. Um, and then in terms of buying, I mean, all good bookstores. I've already had some, some podcast listeners of mine send me pictures of them holding their, uh, books in, you know, American bookstores, which is fantastic to see.Uh, so yeah, you know, everywhere that you can buy a book. It's not just Amazon, boo, hiss. Um, you know, you should be able to get it in all, all, you know, good, good bookstores.Jennie: Excellent. So, uh, say your, say that Instagram again, just so people can hear.Stuart: Uh, it's Mr. S Wakefield.Jennie: Okay, great. Well, um, we have much more to talk about, and we, and we will be talking about, but this was just so fun to hear your process and this, um, this sense of marketing as a [00:32:00] creative project.And it'll be really fun to follow along and check in with you in our next episodes about where all of this stands as well.Stuart: Great. Thank you.Jennie: Thanks for joining us, Stuart.Stuart: Okay. Take care, Jennie. Bye.Jennie: And for our listeners, thanks for listening. Now let's get back to work and finish what matters mostOutro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their [00:33:00] work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Send us Fan MailIn this episode of the Hodge Pack Sports Life & Everything in Betweem podcast Hodge, Josh and Misti take time to remember the tragic day of September 11, 2001.Abilene FD Jeff Waggoner and former US Senate staff member Shea Hall join us in studio to share their story of 9/11.Week one produced some embarssing moments for two power four schools. Clemson does not perform well at all against LSU. Lane Kiffin is the Ric Flair of CFB.This week Misti's question takes everyone back to their cartoon watching days, which leads to a cereal discussion.Dallas Cowboys win lost record and Super Bowl predictions, plus mcuh more. Support the show

Cartoons x Matthew 25:40Your daily crossover of faith and fandom! Experience daily Biblical encouragement from nerdy Christian podcasters, bloggers, and content creators. Join the Nerd of Godcast community at www.NOGSquad.com

Dave and Brad return from the 80th Annual National Cartoonists Society Conference and Reuben Awards with stories to tell! They look back on ComicLab LIVE and a private tour of the newly redesigned Billy Ireland Cartoon Library & Museum! Then it's on to the Reuben Awards, where Mark Tatulli finally won the Reuben Award after years of nominations. But some of the best moments happened between the scheduled events. Brad gets the chance to sit down with 95-year-old cartooning legend Mort Gerberg and hear stories about the golden age of magazine cartooning — including an incredible story about a newly arrived Sergio Aragonés taking Manhattan by storm. Jim Davis shares the story behind Garfield's famous suction-cup dolls, along with his surprisingly strict 25-word rule for writing the strip. And the farewell brunch turns into an exchange of sketches, original art, and some wonderful reminders of why cartoonists come back to this event year after year. Finally, an old collection of America's “best college cartoonists” offers an unexpected lesson about making a career in comics: You don't have to start out at the front of the pack. You just have to keep going. ON THIS WEEK'S SHOW... • ComicLab LIVE at the NCS Conference • The newly redesigned Billy Ireland Cartoon Library & Museum • Which original would you save from a museum fire? • The Reuben Awards • Katie Cook and Mark Tatulli take home awards • Lunch with Dave and Eileen Blazek • Brad's conversation with Mort Gerberg • Mort's stories about Sergio Aragonés • Jim Davis on writing Garfield • The accidental origin of the Garfield suction-cup doll • Rick Kirkman and Jerry Scott • Original art at the farewell brunch • ComicLab listeners at the NCS • The NCS Cartoonist Showcase • Why persistence matters more than being the best You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

We discuss our wind calling formula, and show how to easily make wind call that work. :)  And... Is the Savage Axis 2 Compact a "jewel in the rough"??  (Probably)... all of this and more on tonight's bonus show. :) We hope you'll check it out...

Welcome back!  Host Infinite and Brick are bringing Bird of 13 Five back into the spotlight—right from Season One, Episode 38—for a fresh update on everything he's been up to since then.In this episode, Bird of 13 Five dives into one of his biggest ventures yet, sharing the vision behind it and the momentum that's been building. We'll hear how his work has evolved through music, animation, and digital storytelling, what's next for him and 13 Five, and what listeners can expect from the new era ahead.Get ready for real talk, creative sparks, and a glimpse into what Bird is cooking next—plus the future of 13 Five you won't want to miss!We would LOVE to hear what you think. Please drop a line.Support the show

Fred Schwartz is a writer who’s had a bit of a difficult past. Schwartz is an alcoholic and at one point in his life his addiction became so consuming that he ended up in a coma with severe kidney damage. Luckily, he was able to recover as his body miraculously healed from the harm that […]

TVNZ takes Stuff exec for next news chief - next year, the legacy of a long-serving cartoonist, mascots make a marketing comeback, Sky TV offside again with fans again for live foul-up Go to this episode on rnz.co.nz for more details

Hosts Ben Pruitt & Michael Pace are ready to kick things off with the Premiere of their New Series, Beyond The Fireside. We Hope You Enjoy :) Follow : @bnb_pod & @thearkofenetwork on Instagram Music By nARK Produced By Noah Blanchard Released By The ARK of E Network Send Feedback : thearkofe@gmail.com

This is the most magical pod... Wha.. what do you mean I can't finish that sentence? We'll get sued?! Oh.. ok.Hey Nostalgia Nerds! This week we are talking about our favorite Disney characters, and even play a game of "Answers!" ya know the one! The one where it's a little like Jeopardy... Kind of...?We talk disney, play games and have a lot more laughs on this episode of Notable Nostalgia! Grab your favorite blanket, warm up a hot cup of apple cider and get Nostalgic with us!Make sure to leave us a 5 star review, and tell a friend about the show. If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds! of apple cider and get Nostalgic with us!Make sure to leave us a 5 star review, and tell a friend about the show. If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds!

Who among us hasn't been?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Another month has passed at the Talking Simpsons Network, and that means we've got another awesome podcast about an animated feature film! This month, our $10 Patreon subscribers get to hear us talk about 2014's Big Hero 6! Listen now to this free extended preview, and then subscribe at the $10 level (or up your current pledge to $10) to hear the whole thing and all of our previous What A Cartoon Movie podcasts. Sign up today!

As Michael, Rob, and Pax travel the slow and gentle road to 2028's Fast Forever, we use the next entry in the series, Fast & Furious Spy Racers, to have a broader discussion about the trend of turning live action movies and TV shows into animated series. We talk about our favorites, then ride for a few episodes specifically with the Spy Racers show, and finish by pitching our own cartoon series based on live action movies.

Grab a bowl of cereal because we're heading back to Saturday morning!

The Anime Addicts take two similar-ish shows that came out around the same time and debate which one is superior! Then the Addicts do a review on the greatest anime of all time, Frieren Season 2! You can support the podcast in the following ways: Patreon: www.patreon.com/AAAPodcast Discord: www.AAADiscord.com Subscribe: www.aaapodcast.com/join Donations: www.aaapodcast.com/donate Thank you for your generosity and kindness

4:17:57 – Frank in New Jersey, plus the Other Side. Topics include: Cartoon lion family mystery, novelty theory, I Ching, AI hallucinations, Snooper And Blabber, Timewave Zero, daily life across the decades, what pleases the observer, HUMANITY.TXT, The Million Dollar Homepage, Saturday Evening Post to end print edition, reading old issues of The Saturday Evening Post, Minus […]

Texans receiver Tank Dell contract renegotiated in final year of deal: due $1.704 million, including $500,000 signing bonus, $1 million total guaranteed, salary cap figure $1.988 million, salary $1.145 million.

Once again, Dave and Brad brought their podcast to the stage at the annual National Cartoonists Society Conference and Reuben Awards. They were joined by Dee Fish, Terri Libenson, and Jamar Nicholas — three cartoonists with very different creative paths and a wealth of hard-earned advice to share. Dee Fish Dee Fish is a cartoonist, illustrator, and writer best known for Finding Dee, her semi-autobiographical webcomic about navigating life after coming out as a transgender woman. Dee was nominated for a Reuben Award in the Best Online Shortform category. Terri Libenson Terri Libenson is the cartoonist and author behind the New York Times bestselling Emmie & Friends graphic-novel series. Before moving into graphic novels, she created the syndicated comic strip The Pajama Diaries and worked as a writer and illustrator for greeting cards. Her tenth Emmie & Friends book, Seriously, Celia?, arrives in September 2026. Jamar Nicholas Jamar Nicholas is an award-winning cartoonist, graphic novelist, and educator whose work includes the Leon series from Scholastic Graphix, beginning with Leon the Extraordinary. He also adapted Geoffrey Canada's memoir Fist Stick Knife Gun into a graphic novel and has spent much of his career teaching and encouraging young people to tell stories through comics. The third Leon graphic novel, Leon and the Big, Big Problem, is scheduled for January 2027. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

This week's text is an essay about something i've been calling CARTOON LOGIC -- when things are flattened, exaggerated, amplified, shifting through forms and suspended in constant motion without resolution. read it here: thewhitepube.co.uk/cartoon-logicI also speak about a film called The Laws of Motion in a Cartoon Landscape, by an artist called Andy Holden. If you want to watch it, Andy has kindly made it public, but watch quick because i think it'll only be up for around a month (watch it here)Andy also has a monograph coming out 17th September, published by HENI and written by Jennifer Higgie (link to it here), and there's a launch event at Camden Arts Centre on 17th Sept also -- Andy will be performing and also in conversation with Jarvis Cocker (link to tickets here) [I BELIEVE THIS IS NOW SOLD OUT!]Andy's website is (here)

On September 8th, Star Trek celebrates its 60th anniversary. To commemorate the occasion, Kristian decided to gather some of the biggest Trek nerds he knew to talk about the Star Trek films featuring the original cast of actors. This week, PTF welcomes Trekker and Kristian’s brother-in-law, Dan Twohig, to the bridge of the Starship Part-Time […]

Bending Not Breaking Host Ben Pruitt introduces YOU to an All New Series Expanding The BNB Universe to a whole new World... Follow : @bnb_pod & @thearkofenetwork on Instagram Music : "Star Hunting" by nARK Produced By Noah Blanchard Released By The ARK of E Network Send Feedback : thearkofe@gmail.com

In this second episode rerunning Carlin Trammel and Michael May's old Dragonfly Ripple podcast that they hosted with their kids, it's the highest of fantasy as Michael and David delve into the animated Hobbit and Lord of the Rings movies while Carlin and Annaliese play some Dungeons & Dragons. This episode also features the debut of Carlin and Dashiell's "Jetpack Tiger" segment with discussion about the Lilo & Stitch movies.

In this minisode, we dive into the infamous Rambo Cartoons and Comics Books:   *Was it more infamous than both the Robocop and Toxic Avenger cartoons?   *Why did the Rambo toys do even worse than the cartoons and games themselves?   *Why haven't the recent Conan the Barbarian comic book writers & illustrators helped out these lackluster Rambo cartoons?   *Will we ever get a good Rambo game?   *And despite these two new comic books having some promise, why did they choose to distribute thru ComicsGate?   All that and more headscratchingly amusingly bad findings!       GUESTS: Oreo Brewer, Cliff Stevenson & Josh Hansen       SONGS USED: "The Map" and "Preparations" by Jerry Goldsmith (First Blood II OST)  

… and O'Shea Jackson Jr. + Mason Thames join the show to promote their new movie ‘IDIOTS'! Also on the episode, reviews of Ridley Scott's ‘THE DOG STARS' and the long-awaited ‘COYOTE VS. ACME'. And if that wasn't enough — Robbie Fox stops by to join us for today's ranking — the most OVERRATED cartoon characters of all time… Who would be your #1 pick? As always, make sure to like and subscribe wherever you watch and listen! Watch on Youtube: https://youtu.be/TuoRSvNUROA Timecodes: || Intro - (0:00) || Dog Stars Review - (0:44) || Coyote Vs. Acme Review - (18:48) || Ad - (35:18) || Rest In Peace - (36:13) || Covenant Sequel - (37:54) || Hansen v Primetime - (40:36) || Fjord Trailer - (42:21) || Hooters Movie - (44:42) || What We're Watching - (46:23) || O'Shea Jackson Jr. & Mason Thames Interview - (58:36) || Ad - (1:26:19) || Top 10 Most Overrated Cartoon Characters - (1:27:23) Follow us on Social Media: barstool.link/pbs X | Twitter | Letterboxd: @ProjBigScreen IG | Tik Tok: @ProjectBigScreen Our Personal Letterboxds: Jeff: @JeffDLowe Gooch: @BobGoochman Kenjac: @Kenjac Robbie: @RobbieFox37 SUPPORT THE SHOW! BlueChew: Visit https://BlueChew.com for more details and important safety information DraftKings: Gambling problem? Call 1-800-GAMBLER (MI/NJ/PA/WV). Help is available for problem gambling. Call (888) 789-7777 or visit ccpg.org (CT). 21+. Physically present in CT/MI/NJ/PA/WV. Void in CAN. Eligibility restrictions apply. 1 per new DraftKings Casino customer. Opt-in req. Min. $5 in wagers req. Max. 1,000 Flex Spins issued for choice of Select Games. Spins issued as 50 Spins/day upon login for 20 days. Spins are non-withdrawable and expire 24 hours after choosing Select Game. Spin values vary. Game availability may vary. Terms: casino.draftkings.com/promos. Ends 11/22/26 at 11:59 PM ET. Sponsored by DK. Education Hub: dkng.co/HowToPlayYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

Ausdrücke mit „Gott" werden immer seltener verwendet – mit einer Ausnahme. Wir erklären euch, wie das Wort „gottlos" vor allem in der Jugendsprache benutzt wird. Danach beantworten wir eure Fragen: Ist künstliche Intelligenz schon eine Art Gott? Werden uns bald Roboter im Alltag begleiten? Außerdem geht es um das Mettbrötchen, die Cartoons unserer Kindheit und die Frage, worauf man beim Fahrradkauf achten sollte.   Transkript und Vokabelhilfe Werde ein Easy German Mitglied und du bekommst unsere Vokabelhilfe, ein interaktives Transkript und Bonusmaterial zu jeder Episode: easygerman.org/membership   Sponsoren Hier findet ihr unsere Sponsoren und exklusive Angebote: easygerman.org/sponsors   Ausdruck der Woche: gottlos gottlos (Wiktionary)   Eure Fragen Fielding aus den USA fragt: Ist KI schon Gott? Die Welt in 100 Jahren (Easy German Podcast 8) CNET: Wildest Highlights From China's Humanoid Robot Olympics (YouTube) Lana aus Lettland fragt: Was haltet ihr von Mettbrötchen? Mett (Wikipedia) Natalya fragt: Welche Cartoons habt ihr als Kind geguckt? Und welche könnt ihr Menschen empfehlen, die gerade anfangen, Deutsch zu lernen? Micky Maus (Wikipedia) Donald Duck (Wikipedia) Darkwing Duck (Wikipedia) Die Sendung mit der Maus (Wikipedia) Disneys Gummibärenbande (Wikipedia) Teenage Mutant Ninja Turtles (Wikipedia) Die Dinos (Wikipedia) Die Schlümpfe (Wikipedia) Tom und Jerry (Wikipedia) Bugs Bunny (Wikipedia) Scooby-Doo (Wikipedia) Alfred J. Kwak (Wikipedia) Käpt'n Blaubär (Wikipedia) Peppa Wutz (Wikipedia) Die Simpsons (Wikipedia) Chip und Chap – Die Ritter des Rechts (Wikipedia) Daniela aus Mexiko fragt: Worauf sollte man achten, wenn man sich ein Fahrrad kauft? Hast du eine Frage an uns? Auf easygerman.fm kannst du uns eine Sprachnachricht schicken.   Support Easy German and get interactive transcripts, live vocabulary and bonus content: easygerman.org/membership

MMD and MD3 talk about Classic Cartoons for the modern age, Trans-Atlantic Accents, The joy of original stories, And so much more ( BEGONIA; COYOTE vs ACME; MINIONS & MONSTERS; CRAZY STUPID LOVE; MOTU; THE FLINTSTONES; X-MEN '97)

This week it's another edition of Cartoon 1st, it's one of our favourites, we're checking out Garfield and Friends! "Garfield and Friends mixes Garfield's laid-back world with the wacky adventures of a group of farm animals. Get ready for short stories full of goofy characters and ridiculous adventures. The simple, easy going, but well thought out humour will have you coming back for more! Garfield and Friends is the epitome of Saturday morning Cartooning."  We hope you enjoy this review of Garfield and Friends! If you'd like to unlock bonus episodes from Talking Back every month, then check out our page on Patreon! Check out Tim's Youtube Channel Demo Dash! You can also support Talking Back by sending us a Coffee at Buy Us a Coffee!  Please consider leaving a 5 star rating and review on Apple Podcasts! This helps make our Podcast easier for listeners to find.  Feel free to drop us a line on Social Media at Instagram, and Facebook. Or drop us an email us at talkbackpod@gmail.com. This podcast is part of the BFOP Network 

Let's talk about steam boat Willie , Mickey Mouse's first cartoon 

We talk about chipmunks and gateway drugs. Next Week: Ulysses 31 https://archive.org/download/ulysses-31_complete_restored_series Original Artwork by Bernadette Meeker Theme music by Miles Morkri

It's time for another Saturday Morning Cartoons!

The final hour of Friday's 3 Man Front featured Kyle Parmley previewing tonight's high school football action across the state, some bizarre, yet believable, cartoon theories & more of your texts! See omnystudio.com/listener for privacy information.

The Anime Addicts assemble to disuss how most of the studios in the anime industry are actually losing money! Includig some big ones such as Wit Studio. We also do an impression on the magical anime that saved anime, Witch Hat Atelier. You can support the podcast in the following ways: Patreon: www.patreon.com/AAAPodcast Discord: www.AAADiscord.com Subscribe: www.aaapodcast.com/join Donations: www.aaapodcast.com/donate Thank you for your generosity and kindness

Today's show is brought to you by Hogan's Alley, the fantastic magazine devoted to comics history, cartoonists, and the art form we love. Visit HoganMag.com and use the discount code COMICLAB10 for 10% off. Dave Kellett is back from San Diego Comic-Con 2026, and he brought receipts! After 27 years of exhibiting at the show, Dave just had his best Comic-Con ever — including an absolutely bonkers $6,000 Sunday. But a big gross number doesn't necessarily mean a big payday. Brad and Dave dig into the actual economics of exhibiting at one of the world's biggest conventions: booth fees, sales tax, travel, merchandise, lost studio time, and the advantages Dave has because he lives within driving distance of San Diego. After roughly $19,600 in gross sales, Dave estimates his actual profit at about $11,000. Then, they get into the stuff you can actually use at your next convention: Track your sales throughout the day When sales slow down, get active Use drawing as theater Pay attention to your product mix Think about revenue per square inch Let the market prune your merchandise Your merchandise should say something about the buyer — not about you SPONSORED BY HOGAN'S ALLEY This week's episode is sponsored by Hogan's Alley, the fantastic magazine devoted to comics history, cartoonists, and the art form we love. Visit HoganMag.com and use the discount code COMICLAB10 for 10% off. MORE COMIC-CON ADVICE ON PRO TIPS Dave had another 15–20 Comic-Con topics he wanted to cover, so we're continuing the conversation on ComicLab Pro Tips with a deeper dive into conventions, exhibiting, merchandising, and Dave's approach to making a convention financially worthwhile. To hear those episodes, join us at Patreon.com/ComicLab. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Ben Pruitt is back with a Brand New Season of Bending Not Breaking Featuring Co-Hosts from Across the BNB Patreon Community! This Week : Ben is joined by returning Patrons Kelly, Maggie, & Rahul to discuss The Legend of Korra S1E10 : Turning the Tides, through the Lens of YIELDING. Follow : @bnb_pod & @thearkofenetwork on Instagram Music : "Skyline" by nARK Produced By Noah Blanchard Released By The ARK of E Network Send Feedback : thearkofe@gmail.com

Send us Fan MailWe walk through Warner Archive's September 29 releases with George Feltenstein, digging into what makes each title special and what the new transfers reveal. We also explain the real-world hurdles behind restorations, from missing footage and lost elements to music rights that kept a beloved cartoon off shelves for decades. All Moviezyng pre-order LinksAmazon Pre-order links:THE QUICK DRAW McGRAW SHOW (1959-60) Blu-raySKYSCRAPER SOULS (1932) Blu-rayMARKED WOMAN (1937) Blu-rayPLEASE DON'T EAT THE DAISIES (1960) Blu-rayNot yet available for pre-order: RYAN'S DAUGHTER (1970) 4K + Blu-ray & RYAN'S DAUGHTER (1970) Blu-rayIf you haven't yet had a chance to listen to the podcast for the September 22nd releases, be sure and look for that, both on audio podcast and on YouTube.  Moviezyng Affiliate LinkThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon and Moviezyng Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  info@theextras.tv

On the podcast this week the hosts discuss anime that would be great for 70mm IMAX! What movies and series would you like to see in IMAX? Then, we finish up our Summer 2026 impressions with: --Mahou Shoujo Lyrical Nanoha EXCEEDS --Ushiro no Shoumen Kamui-san --The Cat and the Dragon --Tomb Raider King --Smoking Behind the Supermarket --I Want to Love You Til Your Dying Day --Sparks of Tomorrow You can support the podcast in the following ways: Patreon: www.patreon.com/AAAPodcast Discord: www.AAADiscord.com Subscribe: www.aaapodcast.com/join Donations: www.aaapodcast.com/donate Thank you for your generosity and kindness

Coyote vs. Acme is finally here after one of the most turbulent production processes in Hollywood history. Stars of the film Lana Condor and Will Forte join Ryan Cortero of Agents of Fandom to discuss Director Dave Green and the incredible team behind the film, and why the surprisingly emotional story will resonate with fans.Check out https://www.agentsoffandom.com for the latest TV and Movie reviews!

The crew breakdown another pile of anime from the Summer 2026 season and make their selections for reviews! You can support the podcast in the following ways: Patreon: www.patreon.com/AAAPodcast Discord: www.AAADiscord.com Subscribe: www.aaapodcast.com/join Donations: www.aaapodcast.com/donate Thank you for your generosity and kindness

Cartoonist Fran Sundblad, creator of Tiff & Eve, joins Brad for a wide-ranging conversation about creating character-driven comics, finding an audience on Reddit, and learning when not to chase the algorithm. Fran traces Tiff & Eve from its beginnings in her sketchbook to a comic that regularly reaches thousands of readers. She explains how Tiff and Eve represent two very different impulses — Tiff as the superego and Eve as the id — and shares a terrific character-development exercise: Lock your character in a room and ask what they do next. If you don't know the answer, you probably don't know the character well enough yet. Fran and Brad also talk about finding humor in the characters themselves rather than building every strip around a traditional punchline. That approach has helped Tiff & Eve explore Fran's experiences as a trans woman while remaining first and foremost a funny comic about two friends. In this episode: How Tiff & Eve grew out of Fran's sketchbook Writing two characters as opposing parts of your own personality Fran's “locked room” test for determining whether a character is fully developed Character-driven humor vs. setup/punchline comedy Using comedy to make personal experiences relatable What happens when readers interpret your comics differently than you intended Why Fran refuses to explain a joke Surviving hostile comments, Reddit Cares abuse, and the stranger side of online audiences Why cartoonists should post comics to their Reddit profile, not only to individual subreddits Learning the culture of each subreddit instead of treating Reddit as one giant audience Formatting comics differently for different communities — including designing images so Reddit's mobile crop doesn't hide important information Why fewer clicks usually means more readers The danger of chasing trends, politics, and viral Reddit “meta” events simply for upvotes Why a huge viral hit may produce surprisingly few new followers or Patreon supporters Why effort and artistic complexity don't necessarily translate into social-media success The value of clarity, brevity, and consistency on Reddit Knowing when a topical comic is nevertheless necessary because it's true to the characters Sunday Comix, a webcomic collective and email newsletter designed to help cartoonists reach readers without depending entirely on social-media algorithms Fran's experience offers an especially useful reminder for cartoonists trying to build an audience online: don't confuse attention with audience growth. A trendy comic might earn tens of thousands of upvotes, but the work that builds a lasting readership is the work that gives people a reason to come back for your characters. Find Fran Sundblad and Tiff & Eve: Website: FranSundblad.com Bluesky / Instagram: @TiffAndEveComics Reddit: u/CrazyGnomenclature Sunday Comix: https://sundaycomix.com/ You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.