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On this episode, Tony Brueski digs into the enigmatic history of Reno's Lake Mansion. Built in 1877, this Italianate-style home has witnessed a tapestry of events, from its construction by Washington J. Marsh to its association with Myron C. Lake, a founder of Reno. The mansion's journey through time includes multiple relocations and a transformation into a cultural center, all while tales of hauntings persist. Tony delves into the reported paranormal activities, including sightings of Jane Lake's apparition and unexplained phenomena experienced by visitors. By examining both historical records and eyewitness accounts, this episode seeks to uncover the truths and myths surrounding one of Reno's most storied residences.
On this episode, Tony Brueski digs into the enigmatic history of Reno's Lake Mansion. Built in 1877, this Italianate-style home has witnessed a tapestry of events, from its construction by Washington J. Marsh to its association with Myron C. Lake, a founder of Reno. The mansion's journey through time includes multiple relocations and a transformation into a cultural center, all while tales of hauntings persist. Tony delves into the reported paranormal activities, including sightings of Jane Lake's apparition and unexplained phenomena experienced by visitors. By examining both historical records and eyewitness accounts, this episode seeks to uncover the truths and myths surrounding one of Reno's most storied residences.
Send us a textIn this engaging conversation, jazz singer Vanessa Racci shares her journey of exploring her Italian heritage and how it intertwines with her passion for jazz music. From her family's roots in Puglia to her experiences growing up in New York, Vanessa reflects on the rich history of Italian Americans in jazz and the importance of preserving this cultural legacy. She discusses her musical projects that aim to revive Italian classics through jazz arrangements and highlights the significance of family traditions and food in shaping her identity. The conversation also touches on the broader context of Italian American culture and the unique experiences of Italian immigrants in the United States.https://vanessaracci.com/Sound Bites"I had family from Puglia.""I wanted to keep his memory alive.""I wanted to reinvent the Italian classics.""There's such a rich history.""I love it. I'm able to do what I love.""I think it's deeper than that.""I think it's magical."Turnkey. The only thing you'll lift are your spirits.Italian Marketplace LLCOnline tee shirts, hoodies and more for ItaliansJazzy ItalianVanessa's vocals combine a tart, brassy sound with Italianate ardor, flair, and swing. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showPurchase my book "Farmers and Nobles" here or at Amazon.
Pinterest Reference Imagery Here Discover the top 15 interior design trends set to shape 2025 with Loui Burke! From the Art Nouveau revival and the rugged charm of Western masculinity to bold ceiling designs and the return of plush velvets, Loui dives into the themes redefining interiors this year. These trends go beyond homewares, focusing on architecture, materials, and timeless influences like 90s romcom aesthetics and Italianate elegance. Plus, Loui shares exclusive Pinterest boards packed with inspiration to help you visualise each trend. Stick around for practical tips to bring these ideas to life and a sneak peek at an upcoming episode on the "ins and outs" of interior design trends. Tune in now!
Celebrities aren't typically huge fans of Modernist architecture. Most prefer a 1930's mansion or an Italianate villa. But there are a few, like Jennifer Aniston, Holland Taylor, Scott Caan, Kelly Lynch, Leonardo DiCaprio, and others who keep Modernist houses in the spotlight. Today we'll talk with Alison Martino, producer, historian, and preservationist, the Godmother of Old Hollywood and Los Angeles. Next up, Frank Sinatra expert Bill Boggs, and later, we'll learn about the Modernist town of Columbus Indiana from author Matt Shaw, with a new book.
Send us a textA Psychic's Story welcomes back Cherise Williams, an intuitive empath who first appeared on the podcast in Episode 41: Practical Magic where she discussed magical tips and dispelled misconceptions about witchcraft.This week, Cherise and Nichole discuss the myth that a haunted house means lost or trapped spirits in a specific location. It can also entail residual or fragmented energy that causes things to go bump in the night.Cherise talks about how she uses tarot cards to do a house reading and the two discuss the place Nichole recently moved into. Nichole announces how the 1860s Italianate will soon host spiritual workshops and retreats and also shares that she has been having a variety of experiences and sensing different types of energy in the home. Together, they both uncover potential answers to some puzzling things that have been making themselves known.To learn more about Cherise and her work or to book a reading, visit her website, follow her on Instagram, YouTube, and TikTok, or visit her Esty Shop.To follow Nichole's home journey, how things are progressing (energetically or renovation wise), and what she uncovers while living there, follow @theitalianate on Instagram.A Psychic's Story wouldn't be possible without your support so THANK YOU for listening. If you'd like to support the podcast, please:FOLLOW the podcast in your favorite podcast player.FOLLOW @apsychicsstory on Instagram.BOOK a session with Nichole.SIGN-UP to receive emails, news, alerts and more from A Psychic's Story.WRITE A PODCAST REVIEW on Amazon Music or Audible, Apple Podcasts or iTunes, Castbox, Podchaser, Podurama or Spotify.GET THE BOOK Looking for Angels online or at your local bookstore.This podcast is intended to inspire you on your personal journey toward inner peace. The podcast host, co-hosts or guests are not psychologists or medical doctors and do not offer any professional health or medical advice. If you are suffering from any psychological or medical conditions, please seek help from a qualified health professional. Support the show
Built in the mid-1800's, the Renwick Mansion is probably the best example of Italianate architecture in the Quad Cities. In short, it's a really cool-looking house. But over the years, many people have claimed to have strange experiences there: footsteps, moving objects, and even apparitions. But is it true? Is the Renwick Mansion really haunted?
Unholy Distractions - Defending Commandment ViolationsWebsite: http://www.battle4freedom.com/studio/?unholy-distractionsNetwork: https://www.mojo50.comStreaming: https://www.rumble.com/Battle4Freedomhttps://www.biblegateway.com/passage/?search=Exodus+20%3A3-4&version=CJBExodus 20:3-4You are to have no other gods before me. You are not to make for yourselves a carved image or any kind of representation of anything in heaven above, on the earth beneath or in the water below the shoreline.https://x.com/Cobratate/status/1817614047988380045Andrew TateI am protesting outside of the French embassy for mocking Jesus during the Olympic ceremony.The police are threatening to arrest me for unlawful assembly.https://rumble.com/v58xbyd-twisi-ron-phillips-olympics-2024-open-ceremony-last-supper.htmlTWISI - Ron Phillips - Olympics 2024 - Open Ceremony Last Supperhttps://www.britannica.com/topic/Last-Supper-fresco-by-Leonardo-da-VinciLast Supperpainting by Leonardo da VinciLast Supper, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1495 and 1498 for the Dominican monastery Santa Maria delle Grazie in Milan. It depicts the dramatic scene described in several closely connected moments in the Gospels, including Matthew 26:21–28, in which Jesus declares that one of the Apostles will betray him and later institutes the Eucharist.https://www.britannica.com/topic/Great-DionysiaGreat Dionysiaancient Greek festivalGreat Dionysia, ancient dramatic festival in which tragedy, comedy, and satyric drama originated; it was held in Athens in March in honour of Dionysus, the god of wine. Tragedy of some form, probably chiefly the chanting of choral lyrics, was introduced by the tyrant Peisistratus when he refounded the festival (534/531 bc), but the earliest tragedy that survives, Aeschylus' Persai, dates from 472.https://www.bridgemanimages.com/en-US/explore/artist/Bellosio-Carlo-1801-1849-/gallery'Carlo Bellosio (1801-1849) ' images and/or videos resultshttps://www.royalacademy.org.uk/art-artists/work-of-art/banquet-of-the-godsBanquet of the Gods, 1719-20William Kent (1685 - 1748)This is one of three ceiling paintings that Kent created for Burlington House, following his return to England in 1719. They featured as part of the 3rd Earl of Burlington's major renovations, which championed a revival of Palladian architecture and Italianate interior design in Britain.The feast taking place on the ceiling may represent the wedding banquet of Cupid and Psyche. Having endured numerous trials, the god of love and his mortal bride have finally attained Jupiter's permission to marry. Kent probably drew inspiration from Raphael's famous depiction of the same subject at the Villa Farnesina, which he likely saw while studying in Italy during the previous decade.Surprise twist after woman, 24, tracks down bio parents with DNA testhttps://mol.im/a/13673577https://www.dailymail.co.uk/sport/olympics/article-13686845/Mens-triathlon-Paris-Olympics-POSTPONED-Seines-water-quality.htmlMen's triathlon at the Paris Olympics is POSTPONED because of Seine's water qualityhttps://www.cnn.com/2024/07/27/us/sean-grayson-misconduct-sonya-massey-death/index.htmlDeputy who killed Sonya Massey was removed from the Army, had DUIs and needed ‘high stress decision' classes, records showhttps://www.dailymail.co.uk/news/article-13686749/Terrifying-video-shows-zombie-drug-addicts-sheltering-Alberta-Edmonton-bus-station.htmlTerrifying video shows 'zombie' drug addicts sheltering in Alberta bus station just hours before school children arrive in scenes hauntingly similar to The Walking Dead
In 1846, two years before Wisconsin achieved statehood, Pliny and Valeria Clark, along with their children, arrived in the Wisconsin Territory from Vermont and became some of the earliest settlers in the newly established Town of Montrose. Pliny purchased land from the US Government, including the present farm and much of what now comprises Paoli. In 1849, he brought the first Spanish Merino sheep to Wisconsin, followed by the first Morgan stallion in 1851. He built the enduring Italianate limestone house in 1853. After Valeria's death in 1899, one of the Clark children sold the farm to Frederick Gafke, who later passed it to his brother, William. William's daughter, Julia, and her husband, Wayne Palmer, bought the farm and moved their family into the historic house in 1928. The Palmers raised livestock and crops, with Les Palmer continuing the family tradition until health issues led to selling the dairy herd in 1988. Despite development pressures, the Palmer family wishes to maintain the farm, now planning to sell it to Prairieland Dairy, LLC, to continue its agricultural legacy.See omnystudio.com/listener for privacy information.
Amanda Whitehead, tour guide and Portmeirion expert, talks with Olivia Living of Insider Travel Report about the unique history of Portmeirion, a village in North Wales designed by architect Cliff Williams in the 1920s to blend architecture with nature. Whitehead discusses the village's Italianate architecture, quirky English architectural features, and its continuing fame as the filming location for "The Prisoner" TV series. For more information, visit www.Portmeirion.com or www.VisitWales.com. If interested, the original video of this podcast can be found on the Insider Travel Report Youtube channel or by searching for the podcast's title on Youtube.
Olga de Meyer: a woman of maddening ambiguity. We hear of her as artist's muse, fencer, writer, possible illegitimate child of King Edward VII, and drug addict chasing her youth to the grave. We hear stories of her from others' lips, but do we have anything of her from her own? Sources (Used/Consulted/Read Along theContinue reading "Italianate Ambiguity – Ep.41"
November is a very important month in the Catholic calendar. It's the month when we pause on many occasions to remember our friends and loved ones who have died - the Holy Souls. We also remember those killed in the world's conflicts, especially on Armistice Day and Remembrance Sunday. For this podcast, produced in partnership with the Centre for the Art of Dying Well, we head over to South Kensington in central London to speak to Father George Bowen, a priest of the Congregation of the Oratory of St Philip Neri. The community has a most beautiful church. Built between 1880 and 1884, the Church of the Immaculate Heart of Mary - the London Oratory - is sometimes incorrectly called the 'Brompton Oratory' and is the second-largest Catholic church in London, with a nave exceeding in width that of St Paul's Cathedral. The architectural style and the atmosphere of the church were deliberately Italianate, in order to bring St Philip's romanità to nineteenth century London. So why are we here? Well, partly for the person and partly for this stunning place of worship. Fr George Bowen has vast experience as a hospital chaplain and has accompanied many people on their way to the Lord - Catholics and non-Catholics. As a priest and Oratorian, his stock-and-trade extends beyond what happens in the here and now - beyond this world to the eternal kingdom. "St Paul, in his letter to the Corinthians, talks about our experience in life as if we're living in a tent," says Fr George. "We're living in a temporary place and we need to fold up that tent because there's going to be a house built for us in heaven. And in a way, when we walk into a church like this, what it reminds us of is the house which is prepared for us in the next world. It's meant to do that, really. It's meant to put this world into a different perspective." This podcast is a walk-and-talk tour of the London Oratory's memorials, statues, confessionals, altars, beautiful works of art, and prayerful side chapels - all gateways to a life beyond this world. Prayerful places where we can focus our minds on the Holy Souls and pray for those who have gone before us. Images Although we do our best to paint word pictures in your minds, we have an album of images on Flickr that accompany this podcast. Click here to look through the photos as you listen. The Centre for the Art of Dying Well The Centre for the Art of Dying Well is based at St Mary's University. It's founding aim is to rethink the art of accompaniment at the end of life. It focuses on public engagement, policy, and research on the subjects of death, dying and bereavement. Subscribe You can subscribe to our Catholic News podcasts via Apple Podcasts, Amazon/Audible or Spotify.
Jim Meadows, MSW, is the executive director of New Orleans Advocates for LGBTQ+ Elders (NOAGE). In addition to his work with NOAGE, he is the secretary for the LGBT Archives Project of Louisiana, and he serves on the board of directors for A Home Among Friends, which aims to provide affordable housing to low-income LGBT seniors in New Orleans.He is vice president of the New Orleans Steamboat Club, one of the oldest gay social clubs in America. He is particularly interested in providing support to LGBT elders, and in preserving the history and legacy of the New Orleans LGBT community.Joe Fay is the founder of A Home Among Friends, a 501(c)(3) created to provide affordable housing for very low-income LGBTQ seniors. We believe communities that are modest in scope work best to create not just housing, but homes for older folks who deserve as much as anyone to enjoy their golden years in safe, welcoming environments.Joe spent 30 years in the non-profit sector in senior management and leadership. He is a graduate of Boston College and Columbia University's Graduate School of Business. He served as a U.S. Navy Supply Corps Officer between college and graduate school. He and his long-time partner were recently married in New Orleans. They live in the Irish Channel in a restored Italianate home dating from the 1880s. New OrleansNew Orleans is a Louisiana city on the Mississippi River, near the Gulf of Mexico. Nicknamed the "Big Easy," it's known for its round-the-clock nightlife, vibrant live music scene, and spicy, singular cuisine reflecting its history as a melting pot of French, African, and American cultures. Embodying its festive spirit is Mardi Gras, the late-winter carnival famed for raucous costumed parades and street parties. Support the showIf you enjoy these podcasts, please make a donation by clicking the coffee cup on any page of our website www.wheredogaysretire.com. Each cup of coffee costs $5 and goes towards bringing you these podcasts in the future.If you or you know someone who is interested in being a guest on the podcast, please contact me at mark@wheredogaysretire.com. Please join our Where Do Gays Retire Facebook group at Where Do Gays Retire? | FacebookThank you so much for listening!
Jim Meadows, MSW, is the executive director of New Orleans Advocates for LGBTQ+ Elders (NOAGE). In addition to his work with NOAGE, he is the secretary for the LGBT Archives Project of Louisiana, and he serves on the board of directors for A Home Among Friends, which aims to provide affordable housing to low-income LGBT seniors in New Orleans.He is vice president of the New Orleans Steamboat Club, one of the oldest gay social clubs in America. He is particularly interested in providing support to LGBT elders, and in preserving the history and legacy of the New Orleans LGBT community.Joe Fay is the founder of A Home Among Friends, a 501(c)(3) created to provide affordable housing for very low-income LGBTQ seniors. We believe communities that are modest in scope work best to create not just housing, but homes for older folks who deserve as much as anyone to enjoy their golden years in safe, welcoming environments.Joe spent 30 years in the non-profit sector in senior management and leadership. He is a graduate of Boston College and Columbia University's Graduate School of Business. He served as a U.S. Navy Supply Corps Officer between college and graduate school. He and his long-time partner were recently married in New Orleans. They live in the Irish Channel in a restored Italianate home dating from the 1880s. New OrleansNew Orleans is a Louisiana city on the Mississippi River, near the Gulf of Mexico. Nicknamed the "Big Easy," it's known for its round-the-clock nightlife, vibrant live music scene, and spicy, singular cuisine reflecting its history as a melting pot of French, African, and American cultures. Embodying its festive spirit is Mardi Gras, the late-winter carnival famed for raucous costumed parades and street parties. Support the showIf you enjoy these podcasts, please make a donation by clicking the coffee cup on any page of our website www.wheredogaysretire.com. Each cup of coffee costs $5 and goes towards bringing you these podcasts in the future.If you or you know someone who is interested in being a guest on the podcast, please contact me at mark@wheredogaysretire.com. Please join our Where Do Gays Retire Facebook group at Where Do Gays Retire? | FacebookThank you so much for listening!
205 BCE – 161 BCE“The sword of justice has no scabbard.” Antione De Riveral Invaders are rarely liked and often forgotten. But the 44 year reign of the Tamil king, Ellalan, merits much more than a modest footnote in the island's story. Unlike almost all other conquerors before or since, Ellalan cherished his kingdom as much as any man might his own home. He came to rule – not rape and pillage.In the northern Tamil city of Jaffa stands a curious white clock tower, with Italianate windows, Roman pillars, and a little minaret. Built by subscription to honour the 1875 visit of Prince of Wales, it was damaged in the civil war and repaired, partly with the help of a later Prince of Wales, Charles, in 2002. Before it, as if leading a charge, is a golden elephant, ridden by a golden king – Elara, or in Tamil, Ellalan.Ellalan (205 BCE – 161 BCE) is a strange figure, his Tamilness eliciting not even a scintilla of condemnation in The Mahavamsa, which notes instead “a Damila of noble descent, named Elara, who came hither from the Cola-country to seize on the kingdom, ruled when he had overpowered king Asela, forty-four years, with even justice toward friend and foe, on occasions of disputes at law.,”The ancient text then goes onto illuminate Ellalan's many acts of justice and generosity. Just, to the point of terrifying, he even executed his own son for transgressing the law. Virtuous though he was, Ellalan was, all the same, a footnote for the Vijayans were not yet finished with their rule. The main line of succession had been destroyed, but a cadet branch existed in the southern Kingdom of Ruhuna, a Vijayan redoubt ruled over by the descendants of King Devanampiya Tissa's brother, Mahanaga.The Kingdom of Ruhuna had never really been part of the Anuradhapura domain. Indeed, since at least the reign of King Surathissa the Anuradhapura Kingdom itself had begun to fracture, The Mahavamsa pointing out the presence of 32 semi-independent Tamil states coexisting alongside King Ellalan's Anuradhapura.Ruhana at this time was fortunate enough to be ruled by the Vijayan King, Kavantissa, who pursued a focused and implacable strategy of soaking up the little would-be challenging kingships the boarded his land. By the time of his death he had created a powerful southern state, one that was perfectly poised to help the family regain control of Anuradhapura itself.The death of King Kavantissa let loose a predictable sibling spat, carried out by his two sons, Dutugemunu and Tissa. In a series of trials involving elephants, the kidnapping of the dowager queen, and set-piece battles, Dutugemunu emerged victorious. His victory in his home kingdom was to have a profound impact on the island as a whole for it was in his reign that the Vijayans were to finally assert their dominance across the entire island.A notable adherent of Walt Disney's modus operandi (“Around here, however, we don't look backwards for very long”), Dutugemunu, throne secure, set off for the north with an army of chariots, monks, horses, a lucky spear, his favourite elephant (Kandula) and, states The Mahavamsa, Ten Giant Warriors (Nandhimitra, Suranimala, Mahasena, Theraputtabhya, Gotaimbara, Bharana, Vasabha, Khanjadeva, Velusamanna, and Phussadeva). Composed, as was normal of four units – elephants, horses, chariots, and infantry – the army was spectacularly successful.Having learnt much from his sagacious father, Dutugemunu began by first mopping up the splintered Tamil statelets in the north. The campaigns reached their climax outside the walls of Anuradhapura.The old king Ellalan, mounted on his elephant Mahapabbata, faced his younger rival, mounted on his elephant, Kandula. Did he tremble when he heard Dutugemunu call out 'none shall kill Ellalan but myself'? We can but guess. The ancient texts report that the deadly combat was honourable but decisive, a spear thrust finally ending Ellalan's life in 161 BCE. The records state that "the water in the tank there was dyed red with the blood of the slain'. And perhaps in acknowledgment of Ellalan's fine reputation, the king had his victim cremated properly and a stupa constructed over the pyre. “Even to this day,” comments The Mahavamsa, “the princes of Lanka, when they draw near to this place, are wont to silence their music'.The illustration is from a painting by Rajni Perera, one of Sri Lanka's leading contemporary artists; based in Canada.The recording is read by David Swarbrick; and all disappointing, inexact and incomplete renderings of Sinhala and Tamil names are entirely of this own unintentional and apologetic making, for which your forgiveness is asked.The Ceylon Press currently produces three podcast shows.1. The Jungle Diaries (www.theceylonpress.com/thejunglediariespodcast)2. The History of Sri Lanka (www.theceylonpress.com/thehistoryofsrilankapodcast)3. Poetry from the Jungle (www.theceylonpress.com/poetryfromthejunglepodcast)
We revisited episode 62 this week, 2 years later. High Performance Architect Emily Mottram joins me in this episode to talk about the renovation she is undertaking at her home in Maine. She calls her renovation a pretty good renovation which is in keeping with the principles of the pretty good house (https://www.prettygoodhouse.org) which is building better than required by code until it doesn't make financial sense. Like all of us, she encountered scope creep and has some advice based on her experience. About our guest: Emily is the founder and principal of Mottram Architecture, a boutique practice specializing in new homes and renovations that are beautiful, functional, comfortable, healthy, and durable. Emily received her Bachelor of Architecture degree from Penn State University and is a Registered Architect in Maine, New Hampshire and Pennsylvania; she has also previously been registered in New York and Texas. Emily is a member of the National Council of Architectural Registration Boards (NCARB), the Maine Indoor Air Quality Council (MIAQC), and the Natural Resources Council of Maine (NRCM), the state's leading organization working to protect and preserve the environment.An educator at heart, Emily also teaches building science and sustainable design at a local community college and has served as a consultant for projects in a secondary school trade program. She hosts the weekly podcast E3: Energy and Efficiency with Emily and co-hosts the live-streamed BS* + Beer Show, a weekly building science show for professionals and “civilians” alike. *********************************************************Laura Parrish is my guest this week, talking about her historic Massachusetts properties. She bought her 1855 Italianate mansion in New Bedford about 10 years ago, and is now working on her third property, the oldest house in Bourne, MA. She loves to share her houses with others through AirBnB rentals. Laura shared what she has learned about working on historic houses and the hospitality world.Instagram: @_thewhalehouse_@theminnowfalmouth@oldcrowellfarmWebsites:The Whale House- https://www.thewhalehousenb.comThe Minnow on AirBNB- https://www.airbnb.com/rooms/679531034866064071?source_impression_id=p3_1689127039_bF0lO4%2FyWyOBYj3xThanks so much for being with us this week. Please see the episode enhancement for this and other episodes at talkinghomerenovations.comDo you have feedback you would like to share? Would you like to be a guest on the podcast? Email me at thehousemaven@talkinghomerenovations.comIf you enjoyed this episode, please share it with your friendsDon't forget to subscribe to the show and get automatic updates every Wednesday morning with the latest episode of Talking Home Renovations with the House Maven. Click here to get the episode enhancements sent directly to your inbox every week.Reviews and ratings help my show gain traction and credibility. Please leave a review here-...
Welcome to the new moon in cancer meditation. Through the watery emotions of the cancer new moon we will set forth and initiate newness and create new revenue streams and align with new ways of being. This is a great time to use the spark of the new moon with the deep wisdom of this sign - what shifts must you make to create your desires? For this new moon in cancer we will be traveling to a gorgeous Italianate house near Venice Italy, using the surrounding gorgeous waters to bring forth the new ways to create.www.topangamoon.com@topanga_moon
Laura Parrish is my guest this week, talking about her historic Massachusetts properties. She bought her 1855 Italianate mansion in New Bedford about 10 years ago, and is now working on her third property, the oldest house in Bourne, MA. She loves to share her houses with others through AirBnB rentals. Laura shared what she has learned about working on historic houses and the hospitality world.Instagram: @_thewhalehouse_@theminnowfalmouth@oldcrowellfarmWebsites:The Whale House- https://www.thewhalehousenb.comThe Minnow on AirBNB- https://www.airbnb.com/rooms/679531034866064071?source_impression_id=p3_1689127039_bF0lO4%2FyWyOBYj3xThanks so much for being with us this week. Please see the episode enhancement for this and other episodes at talkinghomerenovations.comDo you have feedback you would like to share? Would you like to be a guest on the podcast? Email me at thehousemaven@talkinghomerenovations.comIf you enjoyed this episode, please share it with your friendsDon't forget to subscribe to the show and get automatic updates every Wednesday morning with the latest episode of Talking Home Renovations with the House Maven. Click here to get the episode enhancements sent directly to your inbox every week.Reviews and ratings help my show gain traction and credibility. Please leave a review here- https://podcasts.apple.com/us/podcast/talking-home-renovations-with-the-house-maven/id1481716218Follow me on instagram: @talkinghomerenovationsJoin me on Facebook: Talking Home RenovationsFollow me on Twitter: @talkinghomerenoJoin me on TikTok: @The House MavenTalking Home Renovations with the House Maven is part of Gabl Media, the largest, most engaged AEC network on the planet. Visit www.Gablmedia.com for great content. Sign up for the weekly newsletter- I send out the episode enhancements every Wednesday morning, sign up hereMusic at the beginning and end of the episode is The House Maven's Jig, written and performed by Neil Pearlman, www.neilpearlman.comShow Cover Art by Sam White www.samowhite.comThis podcast is a production of dEmios Architects. www.demiosarchitects.com
The last episode of season 5 is a new renovation story. Sarah and Kevin unexpectedly fell in love with an Italianate house a few hours from Toronto, which started their sustainable old house journey. They are now on their second house project and deep into considering sustainable restorations. Check out their blog at www.readmorehouse.cominstagram- @readmorehouseThanks so much for being with us this week. Please see the episode enhancement for this and other episodes at talkinghomerenovations.comDo you have feedback you would like to share? Would you like to be a guest on the podcast? Email me at thehousemaven@talkinghomerenovations.comIf you enjoyed this episode, please share it with your friendsDon't forget to subscribe to the show and get automatic updates every Wednesday morning with the latest episode of Talking Home Renovations with the House Maven. Click here to get the episode enhancements sent directly to your inbox every week.Reviews and ratings help my show gain traction and credibility. Please leave a review here- https://podcasts.apple.com/us/podcast/talking-home-renovations-with-the-house-maven/id1481716218Follow me on instagram: @talkinghomerenovationsJoin me on Facebook: Talking Home RenovationsFollow me on Twitter: @talkinghomerenoJoin me on TikTok: @The House MavenTalking Home Renovations with the House Maven is part of Gabl Media, the largest, most engaged AEC network on the planet. Visit www.Gablmedia.com for great content. Sign up for the weekly newsletter- I send out the episode enhancements every Wednesday morning, sign up hereMusic at the beginning and end of the episode is The House Maven's Jig, written and performed by Neil Pearlman, www.neilpearlman.comShow Cover Art by Sam White www.samowhite.comThis podcast is a production of dEmios Architects. www.demiosarchitects.com
Today's episode celebrates the Italian tenore di grazia Cesare Valletti (18 December 1923 – 13 May 2000), perhaps the last in a lineage of Italian lyric tenors. Valletti studied under his illustrious predecessor Tito Schipa and rapidly conquered first the Italian opera houses, and then the world stages, with his small-scale but superbly produced voice and his spontaneous yet exacting musicianship. From 1953 through 1960 he was a mainstay of the Metropolitan Opera and also performed at opera houses and festivals worldwide under some of the greatest conductors and at the side of the greatest singers of his day. We hear a sampling of his greatest operatic roles, including duets with Eleanor Steber, Rosanna Carteri, and Maria Callas, as well as the repertoire in which – nearly unique for an Italian singer – he excelled: art song. The combination of his Italianate timbre with his scrupulous and imaginative musicianship makes for an ineffable and deeply satisfying artistic experience. He made five LPs of recital repertoire, including two live recitals from the stage of Town Hall in New York City, excerpts of which are all offered here. The episode begins with a tribute to the beloved Queen of Rock ‘n' Roll: Tina Turner, who died on Tuesday at the age of 83. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
In this podcast, we discuss issues surrounding race and the experiences of people of color in the opera world. Our two guests are Marsha Thompson and The Reverend Kenneth A. Pettigrew Ms. Thompson began her musical studies as a violinist. During her time as a violinist, she played in regional symphony orchestras in Louisiana and Texas including, Galveston Symphony, The Woodlands Symphony Orchestra, Southeast Louisiana Symphony and Texas Music Festival Symphony Orchestra. Ms.Thompson decided to sing full-time after receiving a full scholarship to the prestigious Music Academy of the West in Santa Barbara, CA to study with Marilyn Horne. Since then, she has sung the roles of Tosca, AIDA, Abigaille, Sieglinde, Violetta, and several other leading ladies. The New York Times describes her voice in the role of Violetta as “a warm agile soprano with a secure technique,” Opera News stated of her “Pace, pace, mio Dio” that “[she sang] with a cascade of refined yet plush Italianate sound; …an expertly introspective performance.” Ms. Thompson has performed with Teatro Municipal de São Paulo, Union Avenue Opera, New York City Opera, New York Grand Opera, Opera Carolina, and Mississippi Opera, to name a few. SOURCE: marshathompson.com Reverend Kenneth A. Pettigrew - Executive Director, Winston Lake Family YMCA and REACH Center Preacher, liturgist, and community organizer, Kenneth is a native of Winston-Salem and an emerging voice in progressive Christianity. He has served as pastor of Shouse Temple CME Church in Winston-Salem and currently oversees operations and worship services at St. John CME Church under the leadership of Dr. Regina L. Reese-Young. Kenneth is also the Executive Director at the Winston Lake YMCA, having previously served with the Winston-Salem Urban League, the United Way of Forsyth County with Faith-Based Community Engagement and the Place Matters Initiative. His work is dedicated to building relationships with faith communities, bridging the gap between sacred and secular for intentional partnerships for the building of strong communities. He holds both the Bachelor of Music in Vocal Performance from the University of North Carolina School of the Arts and the Master of Divinity from the Wake Forest University School of Divinity. At the 2016 Connectional Youth and Young Adult Conference in Memphis, Tennessee, Minister Pettigrew was elected as Chaplain of the Connectional Young Adult Ministry of the Christian Methodist Episcopal Church. He is the founder and principal consultant of Sanctuary Consulting, LLC—a firm dedicated to equipping faith communities and nonprofits with the tools for transformative and impactful community engagement. The Triad Podcast Network is presented by The Ginther Group Real Estate, Ashley McKenzie-Sharpe with Highlands Residential Mortgage and Three Magnolias Financial Advisors See omnystudio.com/listener for privacy information.
MAPS shares their paranormal investigation of the Maglaga Inn. The Malaga Inn in downtown Mobile offers some of the most unique lodging in the state. Not only was the boutique hotel made from combining side-by-side twin mansions built in 1862, but it also features Civil War-era tunnels running beneath it. The inn, pronounced MAL-uh-guh, was created by combining the Italianate homes by Isaac Goldsmith and William Frohlichstein, who were brothers-in-law and business partners. Construction on the townhomes began shortly after the State of Alabama passed its secession ordinance in 1861. The townhouses remained in the Goldsmith and Frohlichstein families for many years, but as happens to many historic homes, they were eventually sold out of the family. They changed owners several times in the early 1900s until finally being purchased by the current owners' family in the mid-1960s.” The original homes were restored and upper floors were added so that the inn now has 39 private rooms and suites, including rooms with the original Civil War-era hardwood floors. The owners say: “Some of the secrets we still hide within in our walls are the tunnels under the West house which the owners believe used to be a hiding place by Confederate soldiers during the Civil War. We are happy to offer complimentary tours of our Historic Mobile, Ala., hotel to our guests upon availability.” The original carriage house was also restored and serves as an event space. Additionally, guests report lamps becoming unplugged and unusual swaying of the chandelier that hangs in the lobby. Most notably, though, is the Lady in White. Originally spotted walking the veranda of Room 007, the mysterious figure comes and goes with no apparent rhyme or reason. Her visage has been reported through the years by hotel staff and guests, and a sighting her is sure to be a highlight for ghost-seeking visitors. (Taken from MAPS website) Website: Https://maps-paranormal.com Facebook: https://www.facebook.com/251MAPS I nstagram: https://www.instagram.com/maps_paranormal/ Twitter: https://twitter.com/MapsMobile YT: https://www.youtube.com/channel/UCnBuQ3qUSkWQIjt9Xrtk_uQ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/jtunsolved/message Support this podcast: https://anchor.fm/jtunsolved/support
Italians have been a force in jazz almost since the music was born, and this week's guest is no exception! Vanessa Racci has dedicated her career to being an ambassador not only for her Italian heritage but also for the heritage of jazz music. Vanessa grew up in Westchester County, New York amid an Italian American family that steeped her in Italian song, theater music, and jazz, which allowed her to develop a vocal style drawn from all three, combining a tart, brassy, catch-in-the-throat sound with Italianate ardor, dramatic flair, and swing. This week, Vanessa joins us to celebrate the release of her latest album, “Jazzy Italian,” which launches on October 21. Vanessa tells us about how Italian Americans have always been connected to jazz music, from the Sicilian community of New Orleans who lived and worked alongside African Americans, to its influences throughout the pantheon of great Italian American singers. Vanessa also tells us about her plans to do three more albums, following the example of Harry Warren, John Pizzarelli, and Henry Mancini, all of whom were Italian Americans who made their mark on the music industry. And Vanessa talks about her upcoming album launch party on Sunday, October 23, at Birdland Jazz Club, and how it's not just a celebration of her music, but of all Italian American music in general. Join us as we discover the world of Italian American jazz music!
Annette Kirk was kind enough to sit down with me to talk on a recent visit to Piety Hill in Mecosta, Michigan in the brick Italianate home that she and Russell Kirk built a half century ago. Annette talks about growing up on Long Island, her activist mother, being present in the early days of the conservative movement at William F. Buckley's home, and later meeting Russell Kirk. We discuss the culture shock of moving to rural Michigan, how their home became a magnet for refugees from around the world, and the work of the Kirk Center over the past 27 years. Plus, Annette tells the story of being kidnapped in her own car. Cultural Debris Patreon - Support the podcast! The Russell Kirk Center For Cultural Renewal
In this new episode on the Ideal Spaces Podcast, Flora and Ulrich talk to the acclaimed artist and master sculptor Romolo Del Deo about how to make art that stands the test of time. Taking a stand against the fast, momentary and disposable 'now' culture of the present, Romolo instead focuses on creating enduring, sustainable, 'long art' for the 21st century. He tells us how his sculpture is preoccupied with two major aesthetic sources of inspiration; a fascination with the artefacts washed up upon the ocean shores of his native Provincetown and a natural affinity with the archeological ruins of his Italianate background and training.
Kirkwood is one of St Louis County's oldest and best-preserved suburbs. It was born as a planned community, laid out in a grid spreading from the Pacific Railroad tracks placed in the 1850s and envisioned as a city escape. Its passion for historic preservation makes nearly every neighborhood a joy to walk through, and https://www.reedypress.com/shop/kirkwood-a-walk-through-history/ (Kirkwood: A Walk through History) provides the quintessential guide to maximize a stroll through its most interesting spots. Explore Kirkwood's preserved rail stations, Italianate mansions, works of famous architects, and more. Some of the walks in this book even allow the curious history buff to learn unvarnished tales of the not-so-rosy past as well. Find little-known facts and unexpected stories in Kirkwood's busiest neighborhoods like downtown and the streets around Kirkwood Park. Walk alongside local author https://www.kathyschrenk.com/home (Kathy Schrenk) as she shows off the best way to explore her hometown of Kirkwood. This is Season 5! For more episodes, go to https://stlintune.com/ (stlintune.com) #kirkwood #railroad #architecture #franklloydwright #meachumpark #trainstation #meramechighlands
Synopsis A decidedly UN-politically correct opera had its premiere at London's Covent Garden on today's date in 1905. It was entitled “L'Oracolo” or “The Oracle” by the Italian composer Franco Leoni. Here's a witty one-sentence précis of the opera prepared by Nicolas Slonimsky for his chronology “Music Since 1900”: “L'Oracolo, an opera in one long act, dealing with multiplex villainy in San Francisco's Chinatown, wherein a wily opium-den keeper kidnaps the child of the uncle of a girl he covets, kills her young lover, and is in the end strangled by the latter's father, with a local astrologer delivering remarkably accurate oracles; an Italianate score tinkling with tiny bells, booming with deep gongs, and bubbling with orientalistic pentatonicisms.” Another wag described “L'Oracolo” as “Puccini-and-water,” suggesting that if Puccini were whisky, Leoni music was definitely a less potent brew. But when a touring Italian opera company announced a performance of “L'Oracolo” in San Francisco in 1937, the city's Asian residents protested, demanding they cut the most racially offensive scenes or, better yet, stage a different opera altogether. A compromise was reached, whereby the House manager preceded the performance with a speech assuring the capacity audience that the opera's locale and action were pure fiction, and bore no resemblance to San Francisco's Chinatown past or present. Music Played in Today's Program Franco Leoni (1864 – 1937) –L'Oracolo (Tito Gobbi, baritone; National Philharmonic; Richard Bonynge, cond.) London OSA-12107 (LP)
Draghi ha chiamato Putin per provare a risolvere la crisi del grano ucraino, ma si è detto pessimista, ha poi detto che pagheremo meno tasse quest'anno, e Silvio Berlusconi forse dovrà risarcire le istituzioni italiane a causa delle brutte figure che gli ha fatto fare in giro per il mondo. In Texas forse i poliziotti avrebbero potuto evitare la strage se avessero agìto prima e vi do tre nomi che non vi piacerà sentire. Buon weekend! --- Send in a voice message: https://podcasters.spotify.com/pod/show/vitamine-factanza/message
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1669 Birth of Sébastien Vaillant ("Vy-yaw"), French botanist. Appointed to the King's garden in Paris, Sebastien loved organizing and cataloging plants. Biographical accounts say Sebastian showed a passion for plants from the age of five. His masterpiece, forty years in the making, Botanicon Parisienne, was a book about the flora of Paris. It wasn't published until five years after his death. Sebastian's work on plant sexuality inspired generations of botanists and set the stage for Linneaus to develop his sexual system of plant classification. Linnaeus used the male stamens to determine the class and the female pistils to determine the order. And like Sebastion, Linnaeus often compared plant sexuality to that of humans. Linnaeus wrote, Love even seizes... plants... both [males and females], even the hermaphrodites, hold their nuptials, which is what I now intend to discuss. Sebastian caused a sensation at the Royal Garden in Paris on June 10, 1717. On that day, he presented a lecture titled, Lecture on the Structure of the Flowers: Their Differences and the Use of Their Parts. He began by reinforcing the idea that the flower is the most essential part of a plant - essential to reproduction - and then he began to lead his scientific colleagues into a deep dive on plant sexuality - at six in the morning, no less. Before Sebastian's lecture, the topic of sex in the plant world had only been touched on lightly, allowing flowers and blossoms to maintain their reputation as pure, sweet, and innocent. Today, we can imagine the reaction of his 600-person audience as he began using fairly explicit language and the lens of human sexuality to describe the sex lives of plants. A 2002 translation of Sebastian's speech was presented in the Huntia - a Journal of Botanical History. Sebastian started his lecture with these words, Perhaps the language I am going to use for this purpose will seem a little novel for botany, but since it will be filled with terminology that is perfectly proper for the use of the parts ... I intend to expose, I believe it will be more comprehensible than the old fashioned terminology, which — being crammed with incorrect and ambiguous terms [is] better suited for confusing the subject than for shedding light on it. Sebastian's discussion of the plant embryos was rather poetic: Who can imagine that a prism with four faces becomes a Pansy; a narrow roll, the Borage; a kidney, the Daffodil; that a cross can metamorphose into a maple; two crystal balls intimately glued to each other, [Comfrey], etc.? These are nevertheless the shapes favored in these diverse plants by their lowly little embryos. 1742 On this day, Horace Walpole wrote to Horace Mann, in part describing his visit to Ranelagh ("Ron-ah-lay") Gardens in Chelsea. Ranelagh had opened just two days prior, and it was one of several pleasure gardens opened around this time. Horace wrote, Today calls itself May the 26th, as you perceive by the date; but I am writing to you by the fireside, instead of going to Vauxhall. If we have one warm day in seven, "we bless our stars, and think it luxury." And yet we have as much waterworks and fresco diversions, as if we lay ten degrees nearer warmth. Two nights ago Ranelagh-gardens were opened at Chelsea; the Prince, Princess, Duke, much nobility, and much mob besides, were there. There is a vast amphitheatre, finely gilt, painted, and illuminated, into which everybody that loves eating, drinking, staring, or crowding, is admitted for twelvepence. The building and... gardens cost sixteen thousand pounds. Twice a-week there are to be ridottos... [entertainment] for which you are to have a supper and music. I was there last night, but did not find the joy of it. Vauxhall is a little better; the garden is pleasanter, and [you arrive] by water... Horace must have come to prefer Ranelagh. He later wrote, It has totally beat Vauxhall... You can't set your foot without treading on a Prince, or Duke of Cumberland. Finally, it was Horace Walpole who wrote, When people will not weed their own minds, they are apt to be overrun by nettles. 1811 On this day, Thomas Jefferson wrote to his granddaughter, Anne, who was visiting her in-laws: Nothing new has happened in our neighborhood since you left us. The houses and trees stand where they did. The flowers come forth like the belles of the day, have their short reign of beauty and splendor, and retire like them to the more interesting office of reproducing their like. The hyacinths and tulips are off the stage, the irises are giving place to the belladonnas, as this will to the tuberoses etc. Thomas was not able to garden much during the summer of 1811. His arthritis had flared, and he found himself almost entirely bedridden. 1921 On this day, Kate Lancaster Brewster resigned as editor of the bulletin she funded and started for The Garden Club of America for its first six years. At the time of her resignation, Kate reported, Cost of Publishing the Bulletin (including postage) between July, 1920 and May, 1921 totaled $4038. Number of paid subscribers... 55 Number of lapsed subscribers... 21 2 Paid subscribers have become Members-at-Large. I Paid subscriber has become a member of the GARDEN CLUB OF AMERICA. As for Kate Lancaster Brewster, she had a beautiful Italianate garden in Lake Forest, Illinois. She was friends with most of the prominent gardeners and garden writers of her time, including Mrs. Francis King (Louisa Yeomans King). When Louisa published The Little Garden Series, Kate wrote one of the books called The Little Garden for Little Money. Kate and her husband Walter were ardent art collectors and loved to travel. The couple helped establish the Chicago Art Institute. During WWI, Kate left her service work in Chicago, California, and New York to go to France. There, she assisted her friend, the indefatigable Mabel Boardman of the American Red Cross, with hospital work. Grow That Garden Library™ Book Recommendation The Thoughtful Gardener by Jinny Blom This book came out in 2017, and the subtitle is An Intelligent Approach to Garden Design. Well, Piet Oudolf has high praise for Jinny Blom. He writes, The most romantic, creative person in garden design I know. So that's high praise right there from one of our top modern garden designers. Like Piet Oudolf, Jinny Blom is a force all her own. She's designed well over 200 gardens, and they represent a diverse range of garden styles - proving that Jinny Blom really is The Thoughtful Gardener. Now, one of Jinny's superpowers is to take a look at the current landscape, look at the setting, look at the surrounding ecosystems and communities, and then determine what vision best fits that landscape. And, of course, she has to throw in client desires and other challenges that might come up in the creation of that garden. And whether it's topography challenges or resource constraints, Jinny has indeed seen it all. Through her myriad experiences, she's come up with six different steps to help you become a thoughtful gardener too. Now I think one of the things that Jinny does almost unconsciously at this stage in her career is that she really thinks through what she's trying to accomplish in any given landscape. And I don't care what you're trying to accomplish; you will definitely do a better job of reaching your anticipated goals if you take the time to do your homework and truly think things through. The six different sections in Jinny's book are understanding, structuring, harmonizing, rooting, and liberating. Jinny also has another superpower that I think really helps her when it comes to her garden design skills, and that is that she can see gardens as they will look when they are mature, and that's a particular skill for garden designers. I remember the first time I interviewed the Renegade Gardener, and he said the same thing to me. He said that he was a successful garden designer because he could imagine what a plant would look like at maturity or in any particular setting in the future. And so he knew what to plant where - and how it would look when it was all grown up. And so his goal as a designer was not to make sure that the garden would look good immediately - although that was a temporary concern and a nice to have - he was more concerned with his ultimate goal, which was to be able to drive by these properties that he had designed, especially early in his career and see their mature beauty in the fullness of time. Jinny also has that ability. Now Paula Deitz, Editor of The Hudson Review, wrote the forward to Jinny's book. And here's what she wrote, Rare is the garden book, like this one, that makes the reader feel personally included as a friend in a long conversation with the writer. Like Lancelot 'Capability' Brown, whom she lauds for his estate management in the 18th century, Blom is herself a cultural geographer who scopes out the historical features of paths, gates and antiquated farm buildings on a given property prior to drawing up a plan that proceeds almost instantaneously, a process fascinating to follow. Whether in town or country, with either single or multiple garden areas, Blom establishes architectural enclosures, like Cotswold drystone walls, prior to the overlay of her signature, beautifying horticulture, thus creating what she calls environments for intimate experiences'. And that is the quintessentialJinny Blom landscape. Now, this is how Jinny herself describes this book. She writes, So this book is about how I've developed my way of working over the last twenty years in progression from apprentice to journeyman to master craftsman. It takes a long time and I've learned at the elbow of countless masters, not in a schoolroom. I choose plants with compatibility in mind, appropriate materials arise from their locale, and I consider the people who will live in the garden, the wildlife, the weather. I'd like to share some of what I think about when designing, in the hope that it kindles the fires of excitement in others. I've climbed a big mountain to get to this point and hope there's a view worth sharing. From the reviews of this book, the Amazon ratings, and the commentary by her peers, I can tell you that Jinny Blom definitely has a view worth sharing. She's hit it out of the park - out of the garden - with this beautiful book called The Thoughtful Gardener. You'll get to see images from so many of Jinny's gardens. You'll see her thoughtfulness and creativity in action certainly. But most of all, you'll get to know Jinny. She is funny and intelligent, and she thinks about plants and gardens and landscapes on a level that very few garden designers do. It feels like she's always one step ahead, and I think that's because Jinny does such a thorough job of researching and thinking about her garden designs - so that by the time you see the final product, it just seems so effortless. But I suppose that is Jinny's method behind the madness at the end of the day. This book is 256 pages of learning garden design with one of our modern masters, Jinny Blom. You can get a copy of The Thoughtful Gardener by Jinny Blom and support the show using the Amazon link in today's show notes for around $16. Botanic Spark 1847 Birth of Edgar Fawcett, American poet. Edgar wrote some famous garden verses. He wrote, [A]ll life budding like a rose and sparkling like its dew. And Come rambling awhile through this exquisite weather Of days that are fleet to pass, When the stem of the willow shoots out a green feather, And buttercups burn in the grass! Edgar's poems often remind us of the value of all green living things. We say of the oak "How grand of girth!" Of the willow we say, "How slender!" And yet to the soft grass clothing the earth How slight is the praise we render. My favorite Edgar Fawcett verses feature trees. Here's one about lovers speaking to each other using the language of birds: Hark, love, while...we walk, Beneath melodious trees… You'd speak to me in Redbreast; I would answer you in Wren! Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1805 Birth of Hugo von Mohl, German botanist. One newspaper called him the "greatest botanist of his day." He coined the word protoplasm. He discovered Mitosis and chloroplasts - describing them as discrete bodies within the green plant cell in 1837. In 1846 he described the sap in plant cells as "the living substance of the cell" and created the word "protoplasm." 1859 On this day, the Ohio Legislature named Alliance, Ohio, the "Carnation City," saying "truly it is the home of Ohio's State flower," thanks to the work of the amateur horticulturist Levi L. Lamborn (books by this author). In 1876, Levi ran against his friend William McKinley for congress. Before every debate, Levi gave William a "Lamborn Red" Carnation to wear on his lapel. Levi had propagated and named the Lamborn Red Carnation from seedlings he had received from France. After William won the election, he considered the Lamborn Red Carnation his good luck charm - his lucky flower - and he wore a Lamborn Red Carnation during his successful campaigns for Governor of Ohio and President of the United States. William wore a Lamborn Red Carnation when he was sworn into office. He was also wearing one when he attended the Pan-American Exposition in Buffalo, New York, in 1901. At that event, he removed the Carnation and gave it to a 12-year-old girl named Myrtle Ledger, saying, I must give this flower to another little flower. Minutes later, in the receiving line, he greeted his assassin, Leon Czolgosz. President McKinley lingered for eight days after being shot twice before finally succumbing to infection. When McKinley's funeral train passed through Alliance, Ohio, the train tracks were covered in Lamborn Red Carnations. The Ohio General Assembly named the scarlet Carnation the official Ohio floral emblem three years later. The resolution reads: Even though the first mention of the Dianthus genus of plant... is traced to some four hundred years before the birth of Christ, it was not until a native son of Alliance, Ohio, (Levi L. Lamborn) worked his floricultural magic that it blossomed as the matchless symbol of life and love that is today. Representative Elijah W. Hill, from Columbiana County, said, England has the rose, France has the lily; Ireland, the shamrock; Scotland, the thistle. ...To these ends, we seek to adopt the scarlet Carnation as Ohio's floral emblem. Fifty-five years later, on this day, April 8, 1959, Alliance, Ohio, became the "Carnation City" thanks to the work of Levi L. Lamborn. Every year since 1960, Alliance has held a Carnation festival. In 2022, the 10-day festival takes place between August 4 - August 14. 1892 Birth of Mary Pickford (books about this person), born Gladys Marie Smith, became known as America's sweetheart and a Hollywood legend. Mary was also a lover of trees. If you jump on Twitter, search for "Mary Pickford Tree," and you'll see images of Douglas Fairbanks and Mary Pickford planting a tree at their PickFair estate. #ArborDay Mary Pickford was the first to plant a Japanese cedar tree in the Forest of Fame at the California Botanic Garden. And Trivia/Folklore says that Mary Pickford used to eat flowers - especially roses. Katie Melua sang about Mary in a song that goes: Mary Pickford Used to eat roses Thinking they'd make her Beautiful, and they did- One supposes. In real life, Mary did indeed eat roses. Mary Pickford revealed in her autobiography, Sunshine and Shadow that as a young girl living in Toronto, she would buy a single rose and eat the petals, believing the beauty, color, and perfume would somehow get inside her. Mary starred in Madame Butterfly (1915). The movie was shot in the Japanese garden of Charles Pfizer's Bernardsville, New Jersey estate called Yademos, the word "someday" spelled backward. The elaborate three-and-a-half-acre Japanese garden - complete with a lake filled with Japanese goldfish, a tea house, and a hooped and arched bridge - looked like it had been there forever - but in reality, the garden was only nine years old. 1918 Birth of First Lady Betty Ford (books about this person). As a woman, Betty Ford consistently defied the odds. She was an incredible trailblazer and very open about her struggles with alcohol and breast cancer. She revolutionized addiction treatment and opened her center for treatment while she was in the middle of working on her own recovery. Today' the Betty Ford Alpine Gardens is a fitting living tribute to this remarkable woman. Known as Vail's Alpine Treasure, the garden was founded in 1985 by the Vail Alpine Garden Foundation and renamed in honor of Betty three years later in 1988. This special place is located in Ford Park right next to the Gerald R. Ford Amphitheater–named in honor of her husband, the 38th president of the United States. Over the years, the Betty Ford Alpine Garden has evolved to comprise four distinct sections; Mountain Perennial Garden (1989), Mountain Meditation Garden (1991), Alpine Rock Garden (1999), & the Children's Garden (2002.) Today, over 3,000 species of high-altitude plants play host to children's programs, horticultural therapy activities, and numerous partnerships and conservation initiatives. In 1991, Betty said, When I was a little girl, I spent many cherished hours with my mother in her garden. She wisely marked off an area for my very own plants. As we worked together, she nurtured me as she nurtured my love of gardening. This nurturing mother-daughter relationship, with its love growing strong in a garden, has been passed along to my daughter, Susan, and her two girls. Grow That Garden Library™ Book Recommendation Immersion by Nola Anderson This book came out on April 13, 2021 - (so we're almost at the year anniversary) - and the subtitle is Living and Learning in an Olmsted Garden. This book came about because Nola Anderson and her husband purchased a property called The Chimneys in 1991. The Chimneys was an old estate, and Frederick Law Olmsted Jr. designed the gardens for the original owners. Sadly, the property had fallen into ruin by the time Nola and her husband got ahold of it. The Chimneys story reminds me so much of Sissinghurst. I love when people revive old spaces like this. One of the things that I appreciate about Nola is her courage and curiosity. When Nola walked onto The Chimneys property, she had not a lick of garden experience, which always reminds me of the saying, "Ignorance is bliss." Perhaps if Nola had been a gardener, she might've looked at the property and felt daunted by the task of restoration. But instead, Nola and her husband committed to renewing this incredible seaside garden. After three decades of hard work and research, The Chimneys was a sight to behold. Originally, The Chimneys was created at the turn of the century, between 1902 and 1914. The Chimneys was home to a wealthy Boston finance guy named Gardiner Martin Lane and his wife, Emma. They hired Frederick Law Olmsted Jr. to create an Italianate garden for them. The seaside garden is perched on a bluff and comprises a series of garden terraces that gradually taper down with the natural topography. The very top terrace is called the water terrace and features a rose-covered pergola and a shelter that boasts a stunning view of the terraces below and the ocean. Then there is the most incredible water feature (on the book cover), inspired by a 16th-century country estate in Italy called Villa Lante. In the Facebook group for the show, I shared a video of Monte Don walking through the incredible garden at Villa Lante. Monte says that this garden, Villa Lante, is the prime example of an Italianate Garden and the inspiration for Frederick Law Olmsted Jr. when working for the Lane family. The other terraces at The Chimneys are also stunning. They include the overlook terrace, the lavender terrace, the all-white tea terrace, the vegetable garden, the crab apple allee, and finally, the luxuriant rose garden. So how lucky are Nola and her husband to stumble on The Chimney's estate and then bring it back to life? It really was the chance of a lifetime. And, don't you just love stories like this? The people who take on these forgotten gems - these gardens from our past - usher them through a transformation to reclaim their former glory. Before I forget, I wanted to mention that Clint Clemens is the photographer for this book, and he did a truly magnificent job. The photography is absolutely stunning. This book is 293 pages of The Chimneys - a garden on my bucket list. You can get a copy of Immersion by Nola Anderson and support the show using the Amazon link in today's show notes for about $50. Botanic Spark 1955 Birth of Barbara Kingsolver (books by this author), American writer and poet. A daughter of Kentucky, Barbara graduated from DePauw University and the University of Arizona. She worked as a freelance writer before writing novels. Since 1993, her books have made the New York Times Best Seller list. The Poisonwood Bible (1998) brought critical acclaim and told the tale of a missionary family in the Congo - a place Barbara knew briefly as a child when her parents worked in public health in the Congo. In 2007 Barbara shared her family's quest to eat locally in Animal, Vegetable, Miracle, where she wrote, Spring is made of solid, fourteen-karat gratitude, the reward for the long wait. Every religious tradition from the northern hemisphere honors some form of April hallelujah, for this is the season of exquisite redemption, a slam-bang return to joy after a season of cold second thoughts. She also mused, I have seen women looking at jewelry ads with a misty eye and one hand resting on the heart, and I only know what they're feeling because that's how I read the seed catalogs in January. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Architect Wendy Brown talks about her 1894 Italianate house in Western Massachusetts that she and her husband have been working on for 24 years. Should we remove vinyl siding from these old houses once they've been covered and what are the challenges in doing so? What is Passive Survivability? About our guest: Wendy Brown is an architect located in western Massachusetts, licensed in Massachusetts and Vermont. She graduated from RPI with a Bachelor of Architecture degree, and a B.S. in Building Sciences. She got her first job drafting for a construction company during high school, and later worked for that same company after college. As a result, she prefers to use the Design-Build method for projects. Her work is focused on Passive Survivability, making decisions and choosing materials that enable buildings and communities to be more resilient in the face of climate change. Wendy and her family live in an 1874 house that was originally built for the owner of the local woolen mill. They have been renovating it since they moved in 24 years ago. When she has time, she also makes improvements to the other properties that her and her husband own, including her mom's old house which her daughter now lives in. ******************************************* Thanks so much for being with us this week. Please see the episode enhancement for this and other episodes athttps://www.talkinghomerenovations.com/ ( talkinghomerenovations.com) Do you have feedback you would like to share? Would you like to be a guest on the podcast? Email me at thehousemaven@talkinghomerenovations.com If you enjoyed this episode, please share it with your friends Don't forget to subscribe to the show and get automatic updates every Wednesday morning with the latest episode of Talking Home Renovations with the House Maven. Clickhttp://eepurl.com/gFJLlT ( here) to get the episode enhancements sent directly to your inbox every week. Reviews and ratings help my show gain traction and credibility. Please leave a review here-https://podcasts.apple.com/us/podcast/talking-home-renovations-with-the-house-maven/id1481716218 ( https://podcasts.apple.com/us/podcast/talking-home-renovations-with-the-house-maven/id1481716218) Visithttps://my.captivate.fm/www.Talkinghomerenovations.com ( Talkinghomerenovations.com) for episode enhancements, containing photos and more information about the episodes as well as transcripts. There you can leave a voice message through speak pipe that could be included in a future episode. Follow me on instagram: @talkinghomerenovations Join me on Facebook: Talking Home Renovations Follow me on Twitter: @talkinghomereno Join me on TikTok: @The House Maven Talking Home Renovations with the House Maven is part of Gabl Media, the largest, most engaged AEC network on the planet. Visit http://www.gablmedia.com/ (www.Gablmedia.com) for great content. Sign up for the weekly newsletter- I send out the episode enhancements every Wednesday morning, http://eepurl.com/gFJLlT ( sign up here) Thanks to Ray Bernoff, the editor of the show.http://www.raybernoff.com/ ( www.RayBernoff.com) Music at the beginning and end of the episode is The House Maven's Jig, written and performed by Neil Pearlman, https://neilpearlman.com/ (www.neilpearlman.com) Show Cover Art by Sam Whitehttp://www.samowhite.com/ ( www.samowhite.com) This podcast is a production of dEmios Architects.http://www.demiosarchitects.com/ ( www.demiosarchitects.com)
We have shifted gears at the PPPP and let a couple of phenomenal writers into the mix. After all, there is one poem in this book "We the House." About the book: Mrs. Peale has been dead for 38 years and Ambleside is a new Italianate house on the Kansas prairie when her existential yelp sparks the beginning of an unforgettable relationship. We, the House begins in 1878 in a frontier town on the Kansas prairie where a battered Civil War Union veteran builds his new wife her dream house, an Italianate glory she names Ambleside. Soon an early American portrait of Mrs. Simon Peale arrives from Hartford, Connecticut to dignify the dining room wall. When the portrait's existential yelp causes house and painting to discover each other, Ambleside is a perfect ‘tabula rasa,' almost literally born yesterday, and Mrs. Peale a devastated young widow, a starchy professor of Latin, who has been dead since 1841. Together, through the lives and generations of ‘their' family, this disarming odd couple witness and try to comprehend the panorama of American social history–from women's suffrage, three wars, the ice box, photography, and the invention of the twoby-four, to indoor plumbing and electrification, the Dust Bowl, the Depression, and Dachau, foxglove, the Love That Dare Not Speak its Name, the song of the catbird, and Little Women. Over the decades, a most unusual love develops between them and quietly deepens, until one day in 2010 an art historian from New York happens to see the portrait of Mrs. Peale and, abruptly, everything changes. About the Authors https://wethehousebook.com/about-the-authors/ More information is at available at www.WeTheHouseBook.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lisa-tomey/message
Hadley takes listeners to the Spanish moss-veiled city of Savannah, Georgia, as she details the storied past and present of the Mercer-Williams House. Designed in 1860 and restored in 1969 by preservationist Jim Williams after years of abandonment, the Italianate revival that inspired Midnight in the Garden of Good and Evil played host to a world famous antiques collection, and, more notably, at least three untimely deaths. It's also supposedly built right on top of unmarked graves, like much of the city is. The house witnessed some of the city's liveliest parties as well as some of its darkest secrets, and while it was the scene of the crime in a scandalous murder trial, it's unclear whether it's haunted by the spirits of those who died there, or simply by its reputation. To get a better understanding of the region and the hauntings that unfold in it, Hadley and Alyssa sit down with Ghost Brothers co-star and Georgia native Marcus Harvey (42:31). Having been on several paranormal investigations in Savannah, Harvey shares his insights on the energy of the city (49:30), as well as his thoughts on antiques being possessed (56:12), and how dealing with the paranormal has allowed him to be more spiritual (1:01:48). TW: Domestic abuseCONTRIBUTORSHost/Producer: Alyssa FiorentinoHost/Producer: Hadley MendelsohnProducer: May TsehaySound Engineer: Josh Caldwell
Chaz Palminiteri Bronx tale actor. writer, talks about life #ChazzPalminteri #BronxTale #Wiseguys #actor #NYPD #RealcrimestoriesChazz Palminteri Show: https://www.youtube.com/channel/UC9-sgcuDI-X9lbYt9PC3Bag https://dees-designs-107.myshopify.com Bronx-born and raised Chazz Palminteri was a natural choice to continue the Italianate torch in film. In the tradition set forth in the 1970s by such icons as director Martin Scorsese and actors Robert De Niro, Al Pacino, John Cazale and Joe Pesci, Palminteri has brought grit, muscle and an evocative realism to the sidewalks of his New York neighborhood, violent as they are and were. Chazz was born Calogero Lorenzo Palminteri in 1952 in the Bronx, New York, the son of Rose, a homemaker, and Lorenzo Palminteri, a bus driver. He grew up in a tough area of the Bronx, giving him the life lessons that would later prove very useful to his career. He graduated from Theodore Roosevelt High School and started out pursuing his craft in 1973 studying at the Actor's Studio. He appeared off-Broadway in the early 1980s while paying his dues as a bouncer and doorman in nightclubs, among other jobs. In 1986 he headed west and found that his ethnic qualifications was well-suited for getting tough-talker parts. Slick attorneys, unflinching hoods and hard-nosed cops were all part of his ethnic streetwise persona in such TV shows as Wiseguy (1987), Matlock (1986) and Hill Street Blues (1981). In films he started off playing a 1930s-style gangster in Sylvester Stallone's Oscar (1991). Although his roles were sharp, well-acted and with a distinct edge to them, there was nothing in them to show that he was capable of stronger leading parts. In 1988 he wrote for himself a play entitled "A Bronx Tale," a powerful one-man stage commentary in which he depicted his bruising childhood in great detail, which included witnessing gangland slayings. Palminteri brought each and every character to life (18 in all) in this autobiographical piece -- his friends, enemies, even his own family. He showcased for years in both Los Angeles and New York, finally sparking the interest of his film idol, Robert De Niro. DeNiro, wanting to direct for the first time, saw the potential of this project and brought both it and the actor/writer to the screen. Palminteri played one of the flashier roles, Sonny, a gangster, in the movie version. An unknown film commodity at the time, Chazz had stubbornly refused to sell his stage property (the offers went into the seven figures) unless he was part of the package as both actor and screenwriter. DeNiro, who became his mentor, backed him up all the way, and the rest is history. A Bronx Tale (1993), which featured his actress/producer/wife Gianna Palminteri, earned strong reviews. --- Support this podcast: https://anchor.fm/otcpod1/support
Today in botanical history, we celebrate an English novelist and travel writer who loved the pleasure gardens he created at a cemetery, an English writer and friend of Charlotte Bronte, and a beloved and humorous garden author. We'll hear an excerpt from Ali Smith's Autumn. It's perfect for this time of year. We Grow That Garden Library™ with a book about a species among the most ancient of Earth's inhabitants. And then we'll wrap things up with the birthday of an American garden writer. Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy. The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf. Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there's no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you'd search for a friend... and request to join. I'd love to meet you in the group. Curated News Vegetable Garden Design: DIY Bean Trellis - Gardenista| Gardenista | Michelle Slatalla Important Events September 29, 1760 Birth of William Beckford, English novelist, travel writer, and architect. His family's enormous wealth stemmed from the enslavement of Jamaicans. Reclusive and eccentric, William is best known for his romance novel, The History of the Caliph Vathek (1782). William was fascinated with Italianate gardens. He especially enjoyed the landscape at Lansdown Cemetery after he installed a pleasure garden. He designed a large tower there and hoped to be buried in its shade near one of his favorite dogs. But it was not to be. The ground was considered unconsecrated, and the dog only made the situation even more untenable. And so, William's sarcophagus was moved to Abbey Cemetery in Bath. William once wrote, Flowers are the sweetest things God ever made and forgot to put a soul to. September 29, 1810 Birth of Elizabeth Gaskell, English writer. She married a Unitarian minister named William Gaskell, and his work led them both to help and advocate for the poor. In 1850, she met Charlotte Brontë at the summer home of a mutual acquaintance, and the two became instant friends. Once when Charlotte visited her, her shyness got the best of her, and Charlotte hid behind some curtains rather than meeting other visitors who had stopped by the Gaskell's Manchester home. After Charlotte died in 1855, her father, Patrick, asked Elizabeth to write her biography, which resulted in The Life of Charlotte Brontë (1857). Elizabeth's work included the novels Mary Barton (1848), Cranford (1851–53), and North and South (1854–55). She once told her daughter, Marianne, It is hard work writing a novel all morning, spudding up dandelions all afternoon, and writing again at night. Elizabeth was a gardener, and she loved flowers - especially roses. Gardens, flowers, fragrances, and country life permeate her writing. In Ruth (1853), she wrote, With a bound, the sun of a molten fiery red came above the horizon, and immediately thousands of little birds sang out for joy, and a soft chorus of mysterious, glad murmurs came forth from the earth...waking the flower-buds to the life of another day. In Wives and Daughters (1865), she wrote, I would far rather have two or three lilies of the valley gathered for me by a person I like than the most expensive bouquet that could be bought! September 29, 1920 Birth of Geoffry B. Charlesworth, garden author. Regarding the Devil's Claw or Tufted Horned Rampion (Physoplexis comosa), he wrote, We like people not just because they are good, kind, and pretty but for some indefinable spark, usually called "chemistry," that draws us to them and begs not to be analyzed too closely. Just so with plants. In that case, my favorite has to be Physoplexis comosa. This is not merely because I am writing at the beginning of July when the plant approaches maximum attractiveness. In A Gardener Obsessed (1994), he wrote, A garden is a Gymnasium; an outlet for energy, a place where accidents occur, where muscles develop, and fat is shed. — Uneventful living takes up most of our time. Gardening is part of it, possibly a trivial part to the rest of the world, but by no means less important to the gardener than the big events. In The Opinionated Gardener (1988), he wrote, Every gardener knows this greed. I heard a man looking at a group of plants say, “I have all the plants I need.” Ridiculous. He said it because he was leaving for South America the next day, and he didn't have his checkbook, and it was December, and he didn't have a cold frame. Unearthed Words A minute ago, it was June. Now the weather is September. The crops are high, about to be cut, bright, golden, November? Unimaginable. Just a month away. The days are still warm, the air in the shadows sharper. The nights are sooner, chillier, the light a little less each time. Dark at half-past seven. Dark at quarter past seven, dark at seven. The greens of the trees have been duller since August since July really. But the flowers are still coming. The hedgerows are still humming. The shed is already full of apples, and the tree's still covered in them. The birds are on the powerlines. The swifts left a week ago. They're hundreds of miles from here by now, somewhere over the ocean. ― Ali Smith, Autumn Grow That Garden Library Moths by David Lees and Alberto Zilli This book came out in 2019, and the subtitle is A Complete Guide to Biology and Behavior. In this book, David and Alberto give us an expert reference to the vital insect group of moths. In many cases, moths rely on their ability to camouflage to survive and reproduce. Gardeners are attracted to brightly covered butterflies, but the work of moths in the environment is equally important. Now, of course, you can't have a practical guide to moths without spectacular illustrations, and this book has that in spades. Readers come away with an incredible appreciation for the diversity of these winged insects and their miraculous lifecycle - from egg to larva to cocoon to airborne adult. This book is 208 pages of the marvelous world of moths - and our world would be the lesser without them. You can get a copy of Moths by David Lees and Alberto Zilli and support the show using the Amazon Link in today's Show Notes for around $20 Today's Botanic Spark Reviving the little botanic spark in your heart September 29, 1902 Birth of Jean Hersey, American garden writer and magazine feature writer. She lived in Westport, Connecticut, with a meadow instead of a front lawn and woodland and stream for a back yard. She wrote over a dozen books. Her first book was called I Like Gardening (1941), which one reviewer said: "makes one fairly itch to start a garden (bugs and insects included)." Jean is probably best known for The Shape of a Year (1967), a year-long almanac of her garden life. In her chapter on September, she wrote, September is a sweep of dusky, purple asters, a sumac branch swinging a fringe of scarlet leaves, and the bittersweet scent of wild grapes when I walk down the lane to the mailbox. September is a golden month of mellow sunlight and still, clear days. The ground grows cool to the touch, but the sun is still warm. A hint of crisp freshness lies in the early hours of these mornings. Small creatures in the grass, as if realizing their days are numbered, cram the night air with sound. Everywhere goldenrod is full out. One of the excitements of the month is the Organic Garden Club show. Bob and I were prowling around the night before, considering what I might enter and studying all our tomatoes. The large ones seemed pretty good, but all had the common scars on the top that don't make a bit of difference in the eating but aren't good for a show. There was a special charm to some smaller ones, volunteers, that grew out of the midst of the chard. Each one was perfect, not a blemish. These were larger than the cherry tomatoes. "They're about the size of ping-pong balls,” Bob said. "They must be a cross between the ordinary large ones and the cherry ones. Say – why not enter them as Ping-pong Tomatoes? So I did, selecting three perfect ones, and they won first prize overall tomatoes. Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."
Block Island, south of the Rhode Island coast and east of the entrance to Long Island Sound, lies in the middle of major shipping lanes. A lighthouse was established at the island's northernmost point in 1829, but it did nothing to aid vessels heading past the south side of the island. Congress appropriated $75,000 for a first-order light and fog signal in 1872, and a brick dwelling and attached 67-foot-tall brick tower were built. The light went into operation on February 1, 1875. Early postcard of Block Island Southeast Lighthouse, Rhode Island. (U.S. Lighthouse Society) The architecture of the lighthouse has been classified as the High Victorian Gothic style, with Italianate influences. The building is an architectural showcase that's totally unlike any other lighthouse ever built in the New England region. It was also a technological showcase and was regarded as one of the best-equipped stations on the coast, with a huge first-order Fresnel lens from France. Block Island Southeast Lighthouse, photo by Jeremy D'Entremont. Block Island Southeast Light Station was one of the last in the country to be automated and de-staffed. In December 1989, the navigational light was relocated to a steel skeleton tower. At that time, the lighthouse building was severely endangered by erosion of the bluff. Funding was secured for a move of the lighthouse to safer ground, and the move took place in 1993. The lighthouse was returned to service as an aid to navigation following the move. The first-order Fresnel lensThe lens remains in use Restoration has been ongoing, and most recently the interior of the building has been renovated and new exhibits have been installed. Lisa Nolan is the executive director of the Southeast Lighthouse Foundation, and Dr. Gerald Abbott is the president. Lisa Nolan and Dr. Gerald Abbott Listen to the podcast using this player:
Ukrainian baritone Yuriy Yurchuk is the Royal Opera House principal artist, described by The Times as "the finest voice on stage ...with the immaculate Italianate line" and "rich, deep voice capable of great versatility" by Bachtrack. Born in Kyiv, Ukraine, he discovered his passion for Opera after coming to Chicago and meeting professor Marc Alon Embree. Yuriy studied Vocal Performance at DePaul University School of Music. He also holds Bachelor's and Masters's degrees in finance and accounting from Kyiv National Economic University. Before embarking on a career as a singer he was an M&A financial advisor with PwC for eight years. FIND YURIY ON SOCIAL MEDIA LinkedIn | Instagram | Facebook | YouTube | Twitter ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 Den of Rich. All rights reserved.
Ukrainian baritone Yuriy Yurchuk is the Royal Opera House principal artist, described by The Times as "the finest voice on stage ...with the immaculate Italianate line" and "rich, deep voice capable of great versatility" by Bachtrack. In 2020/21 his planned engagement include Sharpless in Madama Butterfly (Glyndebourne Festival), Robert in Iolanthe (National Theater Tokyo), Rodrigo Posa in Don Carlos (Kyiv National Opera), Marcello in La Boheme (Royal Opera House). His past engagements include Marcello La bohème and Lescaut Manon (Opernhaus Zürich), Il Conte di Luna Il trovatore (Opéra de Baugé), Escamillo Carmen (Savonlinna Festival), Marcello (Opera North), Count Rodolfo in Margherita (Wexford Festival Opera), Eugene Onegin (Ukraine National Opera), Ping (Zurich Opera). Yuriy is a prize winner in Queen Sonja International Singing Competition (Norway), Montserrat Caballe International Singing Competition (Spain), Ottavio Ziino International Singing Competition (Rome), Monastero Foundation Bel Canto competition (USA), Fritz and Lavinia Jensen competition (USA) and Chicago NATS vocal competition. His other appearances include the King of Egypt in Verdi's Aida excerpt in tribute to Martina Arroyo at 36th Kennedy Center Honors Awards in Washington DC, concerts for the Royal family at the Buckingham and Windsor palaces, appearances for BBC TV series and BBC radio 3 Sean Rafferty's In Tune. Together with Anush Hovanissyan and Sergei Rybin, Yuriy has recorded the collection of Rimsky-Korsakov romances for Stone Records where his "wonderful legato and superb Russian delivery that make this collection irresistible" according to the Sunday Times.In 2016/2017 season at Royal Opera House he sang Schlemil (Les Contes d'Hoffmann), Baron Douphol (La Traviata), Prince Yamadori (Madama Butterfly), Flemish Deputy (Don Carlo), Mandarin (Turandot), various roles in The Nose, and covered Giorgio Germont (La Traviata) and Rodrigo Posa (Don Carlo). He was a member of Royal Opera young artist program in 2014/2016 seasons where he sang Eugene Onegin (Onegin), Blazes (Lighthouse), Germano (La Scala di Setta), Angelotti (Tosca), Michonet (Adriana Lecouvrer), Dumas (Andrea Chénier), Prince Yamadori (Madama Butterfly), and Johann (Werther), while covering Sharpless (Madama Butterfly), Alfio (Cavaleria Rusticana), Shekalov (Boris Godunov), Creon (Oedipe) and Shaunard (La Boheme). His other engagements include Ford in Verdi's Falstaff (Chicago). His baritone was marked as “sonorous, with menacing demeanor” by The New York Times impersonating Four Villains in Offenbach's Les Contes D'Hofmann with Prelude to Performance program in New York. Yuriy made his operatic debut in 2013 as Marcello in Puccini's La Bohème, followed by Constable and Narrator in Kurt Weill's Threepenny Opera with DePaul Opera Theatre. Born in Kiev, Ukraine, he discovered his passion for Opera after coming to Chicago and meeting professor Marc Alon Embree. Yuriy studied Vocal Performance at DePaul University School of Music. He also holds Bachelor and Masters degrees in finance and accounting from Kyiv National Economic University. Before embarking on a career as a singer he was a M&A financial advisor with PwC for eight years.FIND YURIY ON SOCIAL MEDIALinkedIn | Instagram | Facebook | YouTube | Twitter================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://www.instagram.com/denofrich/Instagram: https://www.instagram.com/denofrich/Facebook: https://www.facebook.com/denofrich
Bronx-born and raised Chazz Palminteri was a natural choice to continue the Italianate torch in film. In the tradition set forth in the 1970s by such icons as director Martin Scorsese and actors Robert De Niro, Al Pacino, John Cazale, and Joe Pesci, Palminteri has brought grit, muscle, and an evocative realism to the sidewalks of his New York neighborhood, violent as they are and were. Chazz was born Calogero Lorenzo Palminteri in 1952 in the Bronx, New York, the son of Rose, a homemaker, and Lorenzo Palminteri, a bus driver. He grew up in a tough area of the Bronx, giving him the life lessons that would later prove very useful to his career. He graduated from Theodore Roosevelt High School and started out pursuing his craft in 1973 studying at the Actor's Studio. He appeared off-Broadway in the early 1980s while paying his dues as a bouncer and doorman in nightclubs, among other jobs. In 1986 he headed west and found that his ethnic qualifications were well-suited for getting tough-talker parts. Slick attorneys, unflinching hoods, and hard-nosed cops were all part of his ethnic streetwise persona in such TV shows as Wiseguy (1987), Matlock (1986), and Hill Street Blues (1981). In films, he started off playing a 1930s-style gangster in Sylvester Stallone's Oscar (1991). Although his roles were sharp, well-acted, and with a distinct edge to them, there was nothing in them to show that he was capable of stronger leading parts.In 1988 he wrote for himself a play entitled "A Bronx Tale," a powerful one-man stage commentary in which he depicted his bruising childhood in great detail, which included witnessing gangland slayings. Palminteri brought each and every character to life (18 in all) in this autobiographical piece -- his friends, enemies, even his own family. He showcased for years in both Los Angeles and New York, finally sparking the interest of his film idol, Robert De Niro. DeNiro, wanting to direct for the first time, saw the potential of this project and brought both it and the actor/writer to the screen. Palminteri played one of the flashier roles, Sonny, a gangster, in the movie version. An unknown film commodity at the time, Chazz had stubbornly refused to sell his stage property (the offers went into the seven figures) unless he was part of the package as both actor and screenwriter. DeNiro, who became his mentor, backed him up all the way, and the rest is history. A Bronx Tale (1993), which featured his actress/producer/wife Gianna Palminteri, earned strong reviews.At age 41 Palminteri had become an "overnight" star. Other important projects quickly fell his way. He received a well-deserved Oscar nomination the following year for his portrayal of a Runyonesque hitman in Woody Allen's hilarious jazz-era comedy Bullets Over Broadway (1994). He was on the right side of the law in both The Perez Family (1995), his first romantic lead, and then the classic crimer The Usual Suspects (1995). He played the ill-fated brute in Diabolique (1996) and wrote a second screenplay, Faithful (1996), in which he again plays a hitman, terrorizing both Cher and Ryan O'Neal.Though Palminteri was invariably drawn into a rather tight-fitting, often violent typecast, it has been a secure and flashy one that continues to run strong into the millennium. Surprisingly, the one obvious show he missed out on was HBO's The Sopranos (1999). True to form his trademark flesh-lipped snarl was spotted in gritty urban settings playing a "Hell's Kitchen" cop in One-Eyed King (2001) starring actor/producer Armand Assante; a pool hustler and mentor in Poolhall Junkies (2002); a mob boss in In the Fix (2005); a dirty cop in Running Scared (2006); the titular scam artist as Yonkers Joe (2008); a karaoke-loving Italian psychiatrist in Once More with Feeling (2009); and an abusive husband and father in Mighty Fine (2012).Other millennium filming includes starring presences in Body Armour (2007), The Dukes (2007), the title conman as Yonkers Joe (2008), Once More with Feeling (2009), and Mighty Fine (2012), as well as prime, supports in Running Scared (2006), A Guide to Recognizing Your Saints (2006), Push (2006), Jolene (2008), Once Upon a Time in Queens (2013), Legend (2015), Vault (2019), Clover (2020). TV crime continues to occupy his time as well, clocking in such series' credits as Kojak (2005), Rizzoli & Isles (2010), and Godfather of Harlem (2019). Occasionally he will lighten up -- as in his recurring role as Shorty on the popular sitcom Modern Family (2009).CONNECT WITH CHAZZ & LISTEN TO HIS PODCAST: Instagram: https://www.instagram.com/chazzpalminteri/ Facebook: https://www.facebook.com/profile.php?id=100044149433522 YouTube: https://www.youtube.com/channel/UC9-sgcuDI-X9lbYt9PC3Bag Podcast: http://hyperurl.co/ChazzPalminteriShow Website: https://chazzpalminteri.net/pages/podcast Twitter: https://twitter.com/chazzpalminteri Follow The Story Box on Social MediaINSTAGRAM ► - https://www.instagram.com/thestoryboxpodcast/ TWITTER ► - https://twitter.com/jay_fantom FACEBOOK ► - https://www.facebook.com/thestoryboxpodcast WEBSITE ► - https://thestoryboxpodcast.com/SUBSCRIBE FOR MORE! Apple Podcast ► - https://podcasts.apple.com/au/podcast/the-story-box/id1486295252 Spotify ► - https://open.spotify.com/show/7h8Qv3r2ZV29f7ktJOwmgM?si=FXxYC1JFSHesBv7_d1WtNQ WATCH HERE:YouTube ► - https://www.youtube.com/c/TheStoryBox If you enjoyed this episode please subscribe to YouTube & Apple Podcasts, and leave a 5-star positive rating and review over on Apple Podcasts. Share it around with your friends and family.Support this show http://supporter.acast.com/thestorybox. See acast.com/privacy for privacy and opt-out information.
English in Brazil Podcasts - sua dose de inglês a qualquer momento
Today I talk about the most dangerous garden in the world, in the UK! Are you deadly curious? So check it out! Words: deadly, toxicity, Italianate, yew topiary, turned over, disrepair, Duchess, knowledgeable, gruesome Fonte: https://www.thevintagenews.com/2016/07/10/the-plants-will-kill-you-the-alnwick-poison-garden-is-the-most-dangerous-garden-in-the-world-2/
The Buford Tower conceals three secrets. The graceful, six-story Italianate structure poised above Lady Bird Lake is a fire tower without any fires to fight and a bell tower without any real bells. See omnystudio.com/listener for privacy information.
In this special BONUS episode, the Histories of the Unexpected duo, James and Sam, return to the high street of history and navigate their way around the boutiques and emporia of the historical archives to rampage once again like a bi, in a china shop for more frenzied discussion of the expected history of SHOPPING! Which is all about early modern gloves, his and hers consumption, sixteenth-century Italianate gentlemen, it's about proxy shopping, the haptic experience of retail, and the underbelly of Roman society (via dishonest shop keepers, predatory peddlars, dodgy Roman bars, and the dregs of society). Did we also mention that it's also all about.... buying and selling early modern gloves? Who knew! See acast.com/privacy for privacy and opt-out information.
In this special BONUS episode, the Histories of the Unexpected duo, James and Sam, return to the high street of history and navigate their way around the boutiques and emporia of the historical archives to rampage once again like a bull in a china shop for more frenzied discussion of the expected history of SHOPPING! Which is all about early modern gloves, his and hers consumption, sixteenth-century Italianate gentlemen, it's about proxy shopping, the haptic experience of retail, and the underbelly of Roman society (via dishonest shop keepers, predatory peddlars, dodgy Roman bars, and the dregs of society). Did we also mention that it's also all about.... buying and selling early modern gloves? Who knew! See acast.com/privacy for privacy and opt-out information.
This episode shares the recipe for the newly elected President's favorite pasta. Mr. Biden has a passion for Italian food, specifically pasta. He really cannot resist the smell of fresh tomato sauce. He certainly owes the Italianate to his wife Jill, an Italian American with roots in the province of Messina, Sicily. Jill cooks several foods based on Italian traditions, and President-elect Joe has no other choice but to eat them. Also, it seems that he enjoys Mozzarella Caprese salad with basil and extra virgin and occasionally splurge on some good-quality brick-oven pizza. In a column published recently, I wrote on Mr. Biden's passion for ice cream. Follow the recipe and cook along with Chef Walter. Flavors + Knowledge Podcast is available on ten mainstream platforms (Host Chef Walter Potenza) Complete show notes available on Substack Flavors + Knowledge Newsletter Subscribe to News you can eat 24 Video-Cast on YouTube Support Chef Walters Children's Diabetes Foundation For recipes, visit the chef blog. Share CHEF WALTERS NEWS YOU CAN EAT NEWSLETTER Chefwalter.com for all our related businesses Flavors + Knowledge Podcast sponsored by Chef Walters Cooking School, Providence RI, USA Disclaimer: The views and opinions expressed in Flavors and Knowledge are those of the authors and do not necessarily reflect the official policy or position of News you can eat 24. Our bloggers or authors are of their opinion and not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone. Any general advice posted on our blog, website, authors' content, and the app is only for informational purposes and not intended to replace any medical or other advice. --- Send in a voice message: https://anchor.fm/walter-potenza/message Support this podcast: https://anchor.fm/walter-potenza/support
On the shores of Lake Michigan at the Indiana Dunes, five distinctive houses - including the legendary House of Tomorrow - are the focus of nearly as much public interest as the famous sand dunes. They also are the focus of this encore show originally broadcast in 2018. Designed as showplace homes for the 1933 Chicago World's Fair, the houses were brought by barge to the resort town of Beverly Shores, Ind., after the fair closed. During the 80-plus years since arriving at their permanent location, the former exhibit houses - which include residences known as the Florida House and the Cyprus House - have had their share of ups and downs. That's particularly true for the House of Tomorrow, which was built to embody futurists' ideas about how Americans would live during the 21st century. With floor-to-ceiling glass walls, the 12-sided house had the world's first General Electric dishwasher, an automatic garage-door opener and central air conditioning. Its first-floor service area even included a small airplane hangar, on the assumption that personal air travel would be common in the years ahead. "In the midst of the Great Depression, the House of Tomorrow ... offered millions a hopeful vision of a brighter, easier future," noted Indiana Preservation, a publication of Indiana Landmarks. Perched on the Dunes, the five former exhibit houses are the only remaining structures from the 1933 Chicago World's Fair, which had a "Century of Progress" theme. Since the mid-1960s, the houses have been part of the Indiana Dunes National Lakeshore. Owned by the National Park Service, the houses are leased to Indiana Landmarks, the historic preservation organization. Landmarks, in turn, subleases them to tenants who agree to maintain them. Four of the houses - including the pink Florida House, which has patios with sweeping views of Lake Michigan - are in good shape. But not the House of Tomorrow, which fell into shocking disrepair during the 1990s and is currently unoccupied. A fund-raising campaign is underway by Indiana Landmarks to finance a $3 million restoration, with the house leased upon completion. It no longer has an airplane hangar. Some of the restoration has been done, but no work is currently underway. Todd Zeiger, director of Indiana Landmarks' northern regional office in South Bend, is Nelson's studio guest to describe the colorful saga of the five distinctive homes in Beverly Shores. At the 1933 Chicago World's Fair, 1.2 million people paid 10 cents apiece to tour the House of Tomorrow. In 2016, the National Trust for Historic Preservation designated the house a "National Treasure," a label reserved for "significant structures in dire straits," according to a story in the Indianapolis Star. Because of their location on the Dunes, the houses take a beating from Mother Nature; wind, sand and the harsh winters of far-northern Indiana conspire to make preservation an on-going challenge. The town of Beverly Shores was created during the late 1920s and early '30s by two brothers, Chicago-based developers Frederick and Robert Bartlett, as an exclusive resort for "affluent individuals interested in escaping their crowded urban environment," according to Beverly Shores: A Suburban Dunes Resort (Arcadia Publishing) by Jim Morrow, a preservationist in northern Indiana. The town, which has a population today of about 600 residents, was named for Robert Bartlett's daughter, Beverly. "The House of Tomorrow's nationwide publicity made it an extremely attractive promotional addition to Beverly Shores from Robert Bartlett's perspective," Morrow wrote. "Bartlett had the house sited high on a dune overlooking the lake to take advantage of its transparent walls." Chicago architect George Fred Keck designed the House of Tomorrow, which the press in 1933 described as "America's First Glass House." The Florida House was designed by a Miami-based architect. The pink, Modernist-style house at the Chicago World's Fair captivated visitors, many of whom were living in houses built in Tudor, Queen Anne, Italianate and other architectural styles prevalent during the Victorian and Edwardian eras. For virtual tours of the "Century of Progress" houses from the 1933 World's Fair and their restorations, our guest Todd Zeiger of Indiana Landmarks recommends these online sources: A Century of Progress - overview Our Fair House: Restoring Indiana's Century of Progress Homes
If you watched the mostly black-and-white Episode 9 of FX’s “Fargo,” you might have recognized a historic Italianate farmhouse where some of the action was set.
Today we're headed to the small city of Ararat, Victoria in Australia! Ararat, or Aradale Asylum was the largest asylum of its kind for the time and housed some of the most notorious criminals in Australian history. It also inflicted horrific abuses on its patients and even took its toll on the staff. The beautiful, Italianate compound hid these atrocities and others behind it's carefully sculpted lawns. Join me on this tour of Aradale's history.
Typically, the 10 Most Endangered Places list of Indiana Landmarks features single sites, such as a historic church, school, hotel or bridge with an imperiled fate. But in the case of a small city on the Wabash River in far-western Indiana, the entire downtown is on the endangered list. Attica, Ind., flourished with the building of the Wabash and Erie Canal during the 1840s and, about 10 years later, the completion of the Toledo, Wabash and Western Railroad that came through Fountain County city, where 3,245 people currently live. Hotel Attica, which was built in 1853 (and known initially as the Revere Hotel), was the overnight lodging spot for notables including Teddy Roosevelt, Al Capone and Bing Crosby. A Masonic Temple became a popular gathering place. Houses and commercial buildings were constructed in a range of architectural styles from Federal and Italianate to, eventually, Art Deco. Today, Hotel Attica is vacant, with structural damage that includes a partially collapsed façade. Some 19th century buildings have been neglected, resulting in significant deterioration. And the Devon Theater, a 1938 cinema house that's been a beloved landmark, is struggling to endure. As Hoosier History Live explores Attica - where the Attica Downtown Historic District and three other historic districts are listed on the National Register of Historic Places - Nelson's guests will include Tommy Kleckner, the western regional office director of Indiana Landmarks. Nelson also will be joined by Lexxi Haddock, president of Attica Main Street. A native of Attica, Lexxi returned to her hometown to live after graduating from college in 2014. In addition to raising her two young daughters with her husband, Andy, Lexxi is a title insurance agent and a civic leader active with the Friends of the Attica Public Library and the Covington Business Association. Tommy emphasizes that, despite the challenges that confront Attica's downtown, the city retains several assets, including historic residential neighborhoods - some with houses dating to the canal era - as well as a 90-acre park and an area known as Cottrell Village with a church constructed circa 1850 in the Greek Revival style. But Hotel Attica, the Masonic Temple and other downtown buildings are, according to Tommy, "imminently threatened by neglect." The hotel's west façade collapsed in 2012 during a severe windstorm; three years later, the hotel closed. The façade remains unrepaired and continues to crumble. Many of the hotel's famous guests stayed in Attica because they were traveling through town by train. Attica was founded in the 1820s, but grew slowly until the canal and railroad era; according to Tommy Kleckner, the population grew by 70 percent during the 1850s. By the early 20th century, the city also became a hub of brick manufacturing. Beginning in 1907, Poston Brick Company shipped bricks across the country for nearly 70 years. More than 25 academic buildings at Purdue University were constructed with Poston Brick. In addition to downtown Attica, the 10 Most Endangered Places list includes a Carnegie library in Elwood; a vacant Presbyterian church with dozens of Tiffany stained glass windows in Richmond, and a former jail and sheriff's residence in Tipton County.
Most novels about the sixteenth century written in English take place in Italy, France, or England—with the occasional foray into Spain or Portugal. P. K. Adams’ Jagiellonian Mystery series is a welcome exception. Set at the glittering Italianate court of King Zygmunt I of Poland/Lithuania and his son, Zygmunt August, these books map fictional plots onto real historical incidents to create fast-paced, fluid stories that are as much about the tensions of a culture in transition as what drives a person to commit murder. In Midnight Fire (Iron Knight Press, 2020), the heroine, Caterina Konarska (formerly Sanseverino) returns to Zygmunt I’s court twenty-five years after the events of Silent Water, the first book in the series. Caterina and her husband undertake the long journey from Italy in search of a cure for their young son, Giulio, who suffers from mysterious fevers that have stumped the doctors in Bari. In Kraków Caterina discovers a court far different from the one she left a quarter-century before. The old king is dying; his wife, Bona Sforza of Milan and Bari, struggles to hold on to power; and their son, Zygmunt August, threatens to cause an international scandal by marrying his beautiful but disreputable Lithuanian mistress, Barbara Radziwiłł. Queen Bona offers Caterina a deal: persuade Zygmunt August to give up Barbara, and Bona will arrange an appointment for Giulio with Poland’s premier physician. Seeing no alternative, Caterina accepts. But as she sets off for Vilnius with her son, she has no idea of the danger she faces or the layers of treachery she will encounter in Zygmunt August’s Renaissance palace. C. P. Lesley is the author of ten novels, including Legends of the Five Directions, a historical fiction series set during the childhood of Ivan the Terrible. Her next book, Song of the Sisters, will appear in January 2021. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most novels about the sixteenth century written in English take place in Italy, France, or England—with the occasional foray into Spain or Portugal. P. K. Adams’ Jagiellonian Mystery series is a welcome exception. Set at the glittering Italianate court of King Zygmunt I of Poland/Lithuania and his son, Zygmunt August, these books map fictional plots onto real historical incidents to create fast-paced, fluid stories that are as much about the tensions of a culture in transition as what drives a person to commit murder. In Midnight Fire (Iron Knight Press, 2020), the heroine, Caterina Konarska (formerly Sanseverino) returns to Zygmunt I’s court twenty-five years after the events of Silent Water, the first book in the series. Caterina and her husband undertake the long journey from Italy in search of a cure for their young son, Giulio, who suffers from mysterious fevers that have stumped the doctors in Bari. In Kraków Caterina discovers a court far different from the one she left a quarter-century before. The old king is dying; his wife, Bona Sforza of Milan and Bari, struggles to hold on to power; and their son, Zygmunt August, threatens to cause an international scandal by marrying his beautiful but disreputable Lithuanian mistress, Barbara Radziwiłł. Queen Bona offers Caterina a deal: persuade Zygmunt August to give up Barbara, and Bona will arrange an appointment for Giulio with Poland’s premier physician. Seeing no alternative, Caterina accepts. But as she sets off for Vilnius with her son, she has no idea of the danger she faces or the layers of treachery she will encounter in Zygmunt August’s Renaissance palace. C. P. Lesley is the author of ten novels, including Legends of the Five Directions, a historical fiction series set during the childhood of Ivan the Terrible. Her next book, Song of the Sisters, will appear in January 2021. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most novels about the sixteenth century written in English take place in Italy, France, or England—with the occasional foray into Spain or Portugal. P. K. Adams’ Jagiellonian Mystery series is a welcome exception. Set at the glittering Italianate court of King Zygmunt I of Poland/Lithuania and his son, Zygmunt August, these books map fictional plots onto real historical incidents to create fast-paced, fluid stories that are as much about the tensions of a culture in transition as what drives a person to commit murder. In Midnight Fire (Iron Knight Press, 2020), the heroine, Caterina Konarska (formerly Sanseverino) returns to Zygmunt I’s court twenty-five years after the events of Silent Water, the first book in the series. Caterina and her husband undertake the long journey from Italy in search of a cure for their young son, Giulio, who suffers from mysterious fevers that have stumped the doctors in Bari. In Kraków Caterina discovers a court far different from the one she left a quarter-century before. The old king is dying; his wife, Bona Sforza of Milan and Bari, struggles to hold on to power; and their son, Zygmunt August, threatens to cause an international scandal by marrying his beautiful but disreputable Lithuanian mistress, Barbara Radziwiłł. Queen Bona offers Caterina a deal: persuade Zygmunt August to give up Barbara, and Bona will arrange an appointment for Giulio with Poland’s premier physician. Seeing no alternative, Caterina accepts. But as she sets off for Vilnius with her son, she has no idea of the danger she faces or the layers of treachery she will encounter in Zygmunt August’s Renaissance palace. C. P. Lesley is the author of ten novels, including Legends of the Five Directions, a historical fiction series set during the childhood of Ivan the Terrible. Her next book, Song of the Sisters, will appear in January 2021. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
First of all, I'm sorry the quality of this podcast is so crappy. I had to copy it from my instagram live post. Second, have you ever heard that your singing isn't "italianate" enough? I have and I think it's BS!
Music from Infusion Baroque's performance in the 2017 Indianapolis Early Music Festival in a program that featured Italianate composers of the 17th and early 18th centuries.
Music from Infusion Baroque's performance in the 2017 Indianapolis Early Music Festival in a program that featured Italianate composers of the 17th and early 18th centuries.
Michele Mozzati"Quel blu di Genova"La nave di Teseohttp://www.lanavediteseo.eu/Anno 1853, la rivolta di Milano. Ernesto Giudici, di famiglia bene e con quarant'anni sulle spalle, tutto aria cialtronesca e vocazione mazziniana, s'imbatte in Cesco Esposito, giovane panettiere napoletano, estimatore dei classici ma non di Ferdinando II, venuto fin lassù a vagheggiare di pizza e sogno repubblicano. Ai due in fuga dagli occupanti austriaci, tra osterie genovesi e notti nere sull'Atlantico, presto si unisce Cielo, all'anagrafe Maria Celeste Sommariva, dai capelli neri come cozze e la pelle diafana come un Cristo Velato. Sarà lei, che porta i pantaloni e va per mare come gli uomini, a trarli in salvo prima e farli innamorare poi. Ed è con loro, e una stiva piena di denim, che si imbarcherà per “La Merica” e laggiù affiderà a Levi Strauss la materia grezza di un'imminente leggenda: i blue-jeans. Restituita ai giorni nostri dalle pagine di un vecchio diario, sfogliato per noi dall'ultimo dei Giudici Esposito Sommariva, questa è la storia di un amore senza norme, di eroismi goffi e futuro oltremare, di trent'anni di “cuore e stomaco” e tumulti. E poi di tanta, tanta libertà.Michele Mozzati (Milano 1950) è scrittore, autore teatrale e televisivo. Noto per il suo sodalizio con Gino Vignali nel duo Gino & Michele, è inoltre codirettore dell'agenda Smemoranda. Tra i suoi libri Luce con muri. Storie da Edward Hopper (2016) e Silenzi e stanze. Altre storie da Edward Hopper (2018).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Randy Schiltz, president of Magnolia Residential Properties and t-Olive Properties, is in studio for today’s episode of Atlanta Real Estate Forum Radio. Joined by co-hosts Carol Morgan and Todd Schnick, the group discusses Schiltz’ company and Villa Magnolia, the brand-new Italianate-inspired community of single-family detached homes on this All About Real Estate Segment of Radio. […] The post Discover Italianate Inspired Homes in the Heart of Alpharetta appeared first on Atlanta Real Estate Forum.
Randy Schiltz, president of Magnolia Residential Properties and t-Olive Properties, is in studio for today's episode of Atlanta Real Estate Forum Radio. Joined by co-hosts Carol Morgan and Todd Schnick, the group discusses Schiltz' company and Villa Magnolia, the brand-new Italianate-inspired community of single-family detached homes on this All About Real Estate Segment of Radio. Schiltz has been involved in residential construction in Atlanta for over 25 years. Learning the trade from his father, Schiltz gained enough experience in the industry to start is own business and work with regional builders in the area. He now builds around seven to 10 custom homes a year, each averaging around 7,000 square feet. Magnolia Residential was formed as an offshoot of t-Olive Properties, which is a completely custom home building product. While t-Olive gives the customer the option to pick every single design aspect of the home, Magnolia Residential is semi-custom. Schiltz offers several packages for homebuyers to choose from and customize. This second company still provides custom homes, but with a less demanding approach. Magnolia Residential Properties is currently working on the Villa Magnolia project. Villa Magnolia is a detached home development of 26 homes in Alpharetta. These homes offer an Italianate style that faces a central sidewalk, or muse. The muse takes residents directly into Wills Park. This park has a swimming pool, tennis court, dog park and more for residents to enjoy. Located on 299 South Main Street, Villa Magnolia is walkable to downtown Alpharetta and everything the metro Atlanta city has to offer. These homes are priced from the high $500,000s to the low $600,000s. “The idea was to bring the Italianate inspired architecture to Alpharetta,” said Schiltz. “It's a different look. It's not something that has been seen in Alpharetta.” Magnolia Residential Properties offers dozens of customizable options for the homes at Villa Magnolia. Everything is prepackaged and ready to pick for any future buyers. Homes feature four bedrooms, three-and-a-half bathrooms, GE Café series appliance package, soaking tub in the master bathroom and more. To learn more about Villa Magnolia, listen to the full interview above. You can also visit www.toliveproperties.com/magnolia Never miss an episode of Atlanta Real Estate Forum Radio! Subscribe to the podcast here. You can also get a recap of any past episodes on our Radio page. Georgia Residential Mortgage Licensee, License #22564. NMLS ID #6606. Subject to borrower and property qualifications. Not all applicants will qualify. New American Funding and Magnolia Residential Properties are not associated. Click here to view the terms and conditions of products mentioned during the show. Corporate office 14511 Myford Rd., Suite 100, Tustin, CA 92780. Phone: (800) 450-2010. (June/2020) New American Funding is a family-owned mortgage lender with a servicing portfolio of over 123,000 loans for $30.4 billion, 198 branches, and about 3,100 employees. The company offers several niche loan products and has made Inc. 5000's list of Fastest-Growing Companies in America six times. It has a state-of-the-art career training facility and develops innovative technology, including the GoGo LO mobile application. For more information, visit www.branch.newamericanfunding.com/Atlanta. The Atlanta Real Estate Forum Radio “All About Real Estate” segment, presented by Denim Marketing, highlights the movers and shakers in the Atlanta real estate industry – the home builders, developers, Realtors and suppliers working to provide the American dream for Atlantans. For more information on how you can be featured as a guest, contact Denim Marketing at 770-383-3360 or fill out the Atlanta Real Estate Forum contact form. Subscribe to the Atlanta Real Estate Forum Radio podcast on iTunes, and if you like this week's show, be sure to rate it.
Beyond the Paint podcast will now include monthly episodes on my passion project; crafting a book on the 19th century, art patron, Elizabeth Colt, wife of gun manufacturer Samuel Colt. The inaugural episode journeys you through her wedding present from Sam, "Armsmear," an opulent, Italianate style mansion located in South Meadows, Hartford, Connecticut.Resources used for this podcast include William Hosley's seminal text, "Colt: The Making of an American Legend," and Armsmear website @armsmear.org. Image Credit: The Wadsworth Atheneum---Special thanks to Cristina Rosana @PiqueCoaching
Beyond the Paint podcast will now include monthly episodes on my passion project; crafting a book on the 19th century, art patron, Elizabeth Colt, wife of gun manufacturer Samuel Colt. The inaugural episode journeys you through her wedding present from Sam, "Armsmear," an opulent, Italianate style mansion located in South Meadows, Hartford, Connecticut.Resources used for this podcast include William Hosley's seminal text, "Colt: The Making of an American Legend," and Armsmear website @armsmear.org. Image Credit: The Wadsworth Atheneum---Special thanks to Cristina Rosana @PiqueCoaching
The First State Bed of Henry VII & Elizabeth of York October 1485 - January 1486 Its iconography reveals a very specific late medieval royal language portraying the reversal of Adam and Eve's sins by redeeming monarchs who are making a mutual gesture typical of a pledge of marriage, thus crushing the three symbolic evils of Royal Psalm 91, a theme also used by the late fifteenth-century French monarchy. There is none of the typically Italianate character found in sixteenth-century furniture, but the diaper posts match those used in the court arts of Edward IV, and the wall-joinery of Henry VII, by the evidence of four recently- discovered posts matching this bed, with a 'hR' cipher and fleur-de-lys. The bed's five royal arms and six single roses are those of Henry VII and Elizabeth of York, who were described in terms of redeemers after civil war, and the profile portraits resemble their physiognomy. As symbols of fertility abound, it can only have been made for the marriage of Henry VII and Elizabeth of York at Westminster Palace on 18 January 1486, before the birth of their heir Prince Arthur in September that year. The bed's proportions precisely fit the design of the mural in the Painted Chamber Westminster, against which state beds were set until 1512. This exceptional object escaped the Commonwealth destruction of royal property and chattels because it was taken to Lancashire in 1495, where it influenced the early sixteenth-century Lancashire school of joinery. Its discovery near Huddersfield in 1842, by George Shaw, a copyist who did not understand its origins, only makes sense in this demonstrable historical context. And its obfuscation into the twenty-first century is due to the fact Shaw's smaller, simply varnished and illiterate copies were passed off as the beds of northern aristocrats seeking their family heirlooms. Shaw wanted to hide it, and kept the front crest in his house while the bed eventually wound up in a hotel in Chester, lost in plain sight. --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
Sometimes I think cutting your bangs are a great analogy for pruning in the garden. You know how when your bangs are growing out - maybe a little past your eyebrows - and you think, "I am gonna grow these bangs out. I’m gonna have amazing hair." Then, they start to go past your nose and you realize that this was a complete mistake. Then, you don’t have the stamina to make it all the way to having no bangs, and it’s time to get this crazy idea back in check. Sometimes, the thing same thing happens with the flowers that are spilling into your paths and walkways. Today, the student gardeners and I clipped back the cat mint that of been allowed to go wherever it wanted - in addition to the sumac and artemisia. Sometimes, even though it requires extra courage, it’s necessary to prune things back. When it’s done, your garden looks a little lighter, a little more put together, and everybody seems happier that work was done. The garden feels brand new and ready to show off it's new haircut to the world. Brevities #OTD Today is the day that Catholics celebrate the patron of gardeners and flowers - it’s at Saint Rose of Lima day. Saint Rose worked to serve the poor. She was a Dominican. There was a malaria epidemic during the 1600s and Saint Rose worked to heal the sick and in some cases, she did. Saint Rose was the first saint born in the Americas. When she was born, her parents named her Ysabelle but she became known as a Rose. One time, when she was sleeping in her cradle, her mother saw the figure of a rose on the side of her cheek and she started calling her Rose. She was also called Rose because of her beauty. Sadly, Rose died in 1617; she was just 31 years old. #OTD Today is the anniversary of the death of the Scottish ornithologist and poet Alexander Wilson. Wilson immigrated to the United States from Paisley Scotland. His family called him Sandy. He quickly became one of the foremost naturalists of his time. Before John James Audubon, there was Alexander Wilson - who was born the 20 years before Audubon. Wilson is known as the father of American ornithology. Wilson wrote the very first ornithology of American birds. When Wilson completed his publication, which he had prepared in nine volumes, it was sold for an exorbitant price: $120. Even John James Audubon passed on owning a copy for that sky-high price. Wilson ended up living at Gray’s Ferry, where he took charge of a school founded by John Bartram. Right down the street, lived William Bartram, of all people. Bartram operated his own nursery called Bartram Botanical Gardens and he became a mentor for Wilson. Bartrum was the best kind of mentor; encouraging and honoring of Wilson's unique talents and interests. In fact, it was actually William Bartram who helped Wilson learn to draw birds. #OTD Today is the anniversary of the death of Eliza Sullivant. She had been taught by her husband about botany and other subjects. When she died in 1850, her husband William Starling Sullivant praised her drawings of mosses. Eliza was his second wife. His first wife died following the birth of their child. Sullivant fell in love with Eliza about the same time he fell in love with botany. The Sullivants lived in a gorgeous Italianate home that they called Sullivant Hill. There was a large pasture there and Sullivant would get up early in the morning and walk through it; identifying the flowering plants, grasses, and sedges. He got curiouser and curiouser about botany. Before you know it, he was corresponding with Dr. Asa Gray from Harvard and Dr. John Torrey from Princeton. Once when Sullivan was botanizing in Highland county, Ohio. He ran across a little plant with tiny delicate white flowers and ornate leaves. He sent it to Gray and Torrey. They, in turn, named it Sullivantii ohioensis. Sullivant’s herbarium, which had nearly 10,000 specimens, was donated to Harvard through Dr. Asa Gray. #OTD Today is the birthday of Hazel Marguerite Schmoll who was born in McAlester, Kansas on this day in 1890. Schmoll was born in a sod cabin. Her family settled in Colorado when she was just two years old. Schmoll was the first woman to earn a doctorate in botany from the University of Chicago. Schmoll had the opportunity, early on in her career, to work with Alice Eastwood. She mostly mounted and catalog specimens. It was Hazel Schmoll who said, "I hope we can keep some wilderness areas. People need some places where they can get away from the crowds and be refreshed by nature." Unearthed Words "In the garden, Autumn is, indeed the crowning glory of the year, bringing us the fruition of months of thought and care and toil. And at no season, safe perhaps in Daffodil time, do we get such superb color effects as from August to November." - Rose G. Kingsley, The Autumn Garden, 1905 Today's book recommendation: The Prickly Pear Cookbook by Carolyn Niethammer I remember the first time I grew Prickly Pear Cactus in my garden and I fell immediately in love with it. This charming cookbook celebrates the Prickly Pear Cactus. The spines of the plant actually protect it from being eaten. Fortunately, we’ve found a way around that. The cookbook contains 60 recipes for using the fruit of the cactus, in addition to the pads – all of which are edible and all of which are nutritious. And Niethammer teaches that it is increasingly included in the treatment of diabetes. Niethammer is a wild food expert and a master cook. Today's Garden Chore Now is a fantastic time to start thinking about spring plant swaps. Here’s a garden little hack you can try to make your spring rush a little easier. Take your divisions now and pot them up in soil with a heavy amount of perlite. And, then dig the pots into the ground. They’ll be thrilled to overwinter there and they’ll look fabulous in the spring. Then, when everyone is going bananas the day or two before the plant swap, you can go and grab a coffee and then pat yourself on the back for making great use of your fall divisions. Something Sweet Reviving the little botanic spark in your heart Today in 1942, the Michigan Botanical Club summer meeting was held at the university of Michigan Biological Station at Douglas lake. It was a three day meeting lasting through August 26 and it was held in conjunction of the Sullivant Moss Society, named in honor of William Starling Sullivant mentioned earlier in today’s episode. Happy coincidence. During the meeting there were daily field trips and evening discussions about mosses and lichens and liver warts. This focus on mosses was something new to the members of the Wildflower Association who were in attendance. The records show that, "they were apparently amazed and delighted at having found an entirely new world of nature." It was reported that one of their members, Fred Case, Jr had been stricken with polio and couldn’t attend the meeting. So, the members put together a dish garden containing: a seedling pitcher plant, a one-inch tall cedar, 25 or 30 mosses and other woodland plants. Fred was just 15 years old and he had already written a treaty called Orchids of the Western Great Lakes Region which he had dedicated to the botanist Marjorie T. Bingham, who was his teacher and friend. Fred had organized all of the members of the first junior chapter of the Michigan Wildflower Association in Saginaw. The group was really his Boy Scout Troop. They had started up wildflower sanctuary on his dad’s place. But, all of the junior members entered the armed services during World War II ... except for Fred - thanks to his polio diagnosis. When the men returned from the war, they went on with their lives and the junior chapter of the Saginaw Wildflower Association closed. Thanks for listening to the daily gardener, and remember: "For a happy, healthy life, garden every day."
Please be aware the stories, theories, re-enactments and language in this podcast are of an adult nature and can be disturbing, frightening and in some cases offensive. Listener Discretion is advised – there is very adult content ahead and you have been warned. Welcome heathens welcome to the world of the weird and unexplained. I’m your host, Nicole Delacroix and together, we will be investigating stories about the weird, wonderful, unexplained, eerie, scary and down-right unbelievable. There will be tales of ghosts, murder, supernatural beings and unexplained mysteries. So, sit back, grab your favorite drink, relax and prepare to be transported to today's dark Enigma.... And on today’s Dark enigma we’re going to jump back to some travel themed stories as I had a ton of emails letting me know you really liked learning about new places. And we all know, I aim to please…. That’s me, people pleaser extraordinaire. Anyways, enough of that… as always, we will be playing our drinking game but please remember the drinking game is only for those of us that are at home and have nowhere else to go tonight. And since our story tonight is from Deutchland, we must think Oktoberfest so tonight’s libation is going to be, you guessed it… BEER!! Now if you want to be true to the German roots, you need to get a very heady lager, but really, it’s your choice. Now, for the game part… every time I say Palace that will be a single shot and every time I say Munich, that’s a double shot. Now that we have the business end out of the way we can jump headfirst into today’s dark enigma…and the story of a wicked, evil-eyed dancer who brought down a king. That’s, right, this is how a Bavarian king’s obsession with beautiful women—including the infamous actress Lola Montez—cost him his throne. So let’s jump in head first my heathens…. Of the innumerable palaces that dot the Bavarian lands, few are as bizarre and delightful as the Nymphenburg Palace in Munich. Situated on what was once the western outskirts of the city, the palace was begun in 1664 and expanded and redecorated for two centuries. It is dominated by, for lack of a better description, a stretched out cubic Italianate edifice which is in turn flanked by wings that are capped by smaller cubes. Pyramid roofs of red-orange top each of the cubes, contrasting nicely with the cream and periwinkle grey walls. Its Baroque grounds are famed for its swans as well as the show-stopping Amalienburg Hall of Mirrors. The Rococo and Neoclassical interior is no less stunning, most notably the lavish Great Hall.
Carol Drinkwater has sold over a million books about her life on an Olive Farm in the South of France. She was the kinky nurse in A Clockwork Orange, James Herriot’s wife Helen in hit TV show All Creatures Great and Small and writes beautifully evocative novels that bring the sights, sounds and smells of France to life in a way that will make you feel you’re sipping rose on a vine-covered terrace overlooking the glistening Mediterranean in the warmth of the summer sun, with a bit of danger thrown in for good measure. On this episode we cover: How her books are ‘Enough to make you rush straight to the Eurostar’. The Olive Farm in the south of France Their newish house near the Champagne area about an hour outside Paris ‘La France profound’ Her Olive Farm books having sold over one million copies worldwide The Frenchman in Australia who proposed on their first date Long distance love affairs Going to Cannes for the Film Festival Dreaming about a house by the sea But finding an olive grove instead The Italianate ballustraded villa in ruins Cobwebs, Bugs, beetles and magnolia Knowing she had come home Pumping water from a stream (for 33 years!) “Just knowing’ about the man who proposed and also the house Dom Perignon with the richest lady in Belgium Hiding their old Volkswagen at lunch at the Hilton Every stray dog in the world coming to The Olive Farm Becoming known as the Queen of Olives Spending 17 months travelling the Mediterranean Finding 6000 year old olive trees in Syria and Lebanon Her acting career Being Helen Herriot (James Herriot’s wife) in All Creatures Great and Small Her seminal appearance in A Clockwork Orange Working with Stanley Kubrick The shock of having to perform naked Persuading Kubrick to just go with topless Watching the film for the first time (in Bromley, with her mum!) The series of films The Olive Route, filmed around the Mediterranean Getting a contract with Michael Joseph Books (Penguin) for books: The Forgotten Summer The Lost Girl The House on the Edge of the Cliff set near Marseilles How location is so important in her books Having to know the sounds, the smells, the flora, the fauna, the weather, what people eat… The highest sea cliffs in Europe at "Calanques" France being sparsely populated compared to the UK Living in a hamlet with around 14 houses The cosy winters in the fireplace as big as a room Their 13th century house with walls as thick as cars The 17th century priest’s house The beautiful scenery, food and wine in her books Her book The Lost Girl based on the Paris attacks and the Bataclan The traumatic passing of her mother and the words that inspired her to write about the attacks Walking to all the sites where the attacks had taken place The shock of France post-attacks The unexpected death of her mother just after Christmas Watching every piece of footage from the attacks for research Feeling her mother’s influence when she wrote How Paris came together after the attacks Finding ‘humanity’ the stand out memory from Palestine and other places she visits The gifts of being invited into other women’s lives and hearing their stories How humans are fundamentally good and are not born with prejudice The ‘streets coming to life’ in Ramadan after dark in North Africa Ordinary Muslims and Jews wanting peace Her new book – The House on the Edge of the Cliff based in Paris, at the Sorbonne and the famous Paris student uprising of 1968 The 1960s and 1970s being ‘the last great period of optimism’ Bob Dylan, Mamas and Papas, Bob Marley and the great music featured in the book The picturesque outdoor jazz festival at Juan Les Pins and the song that takes her back to the sunset, the heat, the wash of the sea, light clothing, open-toed shoes, tanned skin, a chilled glass of wine and being in love.
While demographics and economics are driving the housing market in metro Atlanta, in the back of every home builder's mind is the troubling concern of how they can secure lots for future development. On today's All About Real Estate episode, Founder of Parkland Communities, Jim Jacobi, joins us to talk about what makes the company successful, plus new communities coming soon to Atlanta's most desirable locations. Jacobi is a self-made entrepreneur with an extensive career in residential development. He graduated from Mississippi State University with a degree in Landscape Architecture and started his career working for some of the most respected land planning and engineering firms in Atlanta. In 2005, he created Parkland Communities and since has designed and developed over 10,000 lots, all while establishing a stellar reputation. In 2007, he helped found JEH Homes, where he helped grow the start-up company into one of the most successful and top 10 largest homebuilders in Georgia. Jacobi is also part owner of Alliance Engineering + Planning, LLC, founded in 2016 as a consulting engineering company that serves clients throughout the Southeast. “This company helps foster the land development side of the business and we do it a little different than most companies,” states Jacobi. “Builders bring us projects and want us to help them save on costs. If we don't have one more project this year, we will already have triples in size by the end of 2019.” Parkland Communities is a privately-owned multifaceted real estate development and investment firm in Atlanta. “At Parkland Communities, we focus on land and lot developments,” explains Jacobi. “We are organically sourcing new deals and providing lots to the builder community.” To do this, the company uses the latest market data, technology and established relationships to strategically secure new development opportunities in Atlanta's most desirable locations. Currently, Parkland Communities is developing 292 single-family homes in Dacula, one of the hottest markets in Atlanta. The community will provide affordable entry-level homes in a perfectly located spot across the street from Alcova Elementary school. The community will all feature centralized amenities such as a pool, clubhouse and tennis courts. Also, developing in Dacula is Hinton Farm, a conservation subdivision that is planned for 160 homes and conveniently located in the heart of Dacula with direct access to Dacula Elementary School. One of Jacobi's favorite projects is located on South Main Street in downtown Alpharetta, the unique Villa Magnolia. Jacobi is helping build out the community and is excited to feature a product brand-new to the area. “Villa Magnolia will offer classic, Italianate architectural elements with double front porches and a rear deck, as well as European-styled interiors,” states Jacobi. Sales begin in April 2019, and with little opportunity left in this area of Alpharetta, the community is expected to sell out fast! In addition to the exciting new developments, Parkland Community also created build-for-rent products. “We analyzed the market where sales prices are and created unique products that are in-line with mortgage payments,” explained Jacobi. “We find small projects in the best High School districts and offer affordable living. It's hard to find affordability in this market and we can offer it with no strings attached!” Whether you're a builder interested in working with Parkland Communities or a homebuyer or renter looking for a home in Atlanta's most desirable locations, tune into the podcast with the link above. More information can also be found at www.parklandco.com. ______________________________________________________ A special thank you to Jackson EMC for sponsoring Atlanta Real Estate Forum Radio. Jackson EMC offers homebuyers peace of mind and lower bills with its certified Right Choice™ new home program. These homes are built to be energy efficient an...
Silicon Valley returns for its fifth season on HBO, and a Who Weekly podcast host returns to the panel -- this time, Jezebel's Bobby Finger, and we're all wondering how much battery the show has left. How many times can it repeat the same cycles? How much longer can it really expect to keep Kumail Nanjiani? And seriously, what's with all the barfing? After Sarah celebrated a Real Housewife Tiny Triumph, we went Around The Dial with Roseanne, Splitting Up Together, the new Queer Eye, grandpa show American Experience, Barry, and a Will Dave Hate This? update on The Terror, before our guest pitched a first-season Leftovers episode, "Guest," for the Canon. Dirty John was a winner, another gross man was our loser, and Dan Cassino's Italianate pronunciation vincit omnia in a Latin-geek-nip Game Time. Grab a mug of your favored office coffee and have a listen to an all-new Extra Hot Great. GUESTS
Join us as we explore Lynchburg’s history on an art and architectural tour including spotlight stops at the Point of Honor historic home and the Riverview Artspace. Located in the center of Virginia, Lynchburg is within a day’s drive of most major east coast cities and it's a perfect place to begin an exploration of Central Virginia. But historic Lynchburg, the city on the hill, is undergoing an incredible revival. From new outdoor spaces, visual and performing arts to culinary arts and architectural restoration, Lynchburg offers iconic attractions within its vibrant borders. Lynchburg is divided into several historic districts. We began our tour of Lynchburg in The Carriage House Inn Bed and Breakfast—a beautifully restored 1878 Italianate mansion that’s located in the historic Daniel Hill district. Owners, Mike and Kathy Bedsworth take us on a historic tour of the property and area. Then, we’ve all heard the story of Old Mother Hubbard who lived in a shoe. Lynchburg’s Craddock Terry Hotel takes living in a shoe one step further. Once the world’s fifth largest show manufacturer, Craddock Terry celebrates shoes daily in its shoe motif rooms. General Manager, Todd Swindell, tells us how Craddock Terry opens its laces and buckles to thousands of guests every year. Next, Lynchburg is a city that remembers its past but keeps an eye on its future. Another important move towards the city’s future is the rehabilitation of the historic Virginian Hotel that, once completed, will be part of the Hilton’s Curio Collection. Developer Danny George tells us why this project ties in with the rehabilitation of the Academy Center of Arts and how it will transform downtown. Finally, the restoration of Lynchburg’s Academy Center of Arts, also known as the Jewel of Main Street, is leading the arts revolution in the downtown. The Academy complex, anchored by the Academy of Fine Arts Music Theatre, also includes a studio theatre and the historic theatre that showcases an array of performances ranging from musical and theatrical performances to variety shows. Originally built in 1905, the Academy Center of Arts promises to be a regional centerpiece for the arts once restoration is complete. Dorie Smiley, Director of Operations, shared the Academy’s treasured past and looked towards its promising future. Links to attractions can be found on this show page at WorldFootprints.com.
Springfield, Illinois, Saturday, July 29th, 2017, continued After my visit to the Old State House, I notice one of those Looking for Lincoln historical placards on a building to my left as I walk towards my next destination. It's an attractive three-story red and yellow brick Italianate building from the later 1800's, too late to be from Lincoln's time. I draw near and read the placard and the small house-shaped bronze plaque near it. This building stands at the southeast corner of 6th and Adams, on the former site of the American House Hotel. It was the largest hotel in Illinois, admired for its huge size and praised for its lavish, exotic, 'Turkish' interior design. Despite its reputation and the fact that it was the hotel of choice for dignitaries and the better-off, there doesn't seem to be any easy-to-find photos of it. There's one on the placard of the Old State House with the plain white walls of the three-story, rather plain Hotel in the distance, but that's about it. I can find no photos of its splendiferous interior either. It stood here from 1838-1870, a little too long ago for me to find a postcard image of it, my tried and true source type for images of historic buildings...
Anne Tomlinson has served as Los Angeles Children’s Chorus Artistic Director since 1996, overseeing the educational and artistic development of the 400-member chorus and conducting LACC’s renowned Concert Choir and Chamber Singers. She has positively impacted the lives of thousands upon thousands of children and helped shape LA’s cultural landscape in myriad ways over the past two decades. Today she talks to Ryan about the all the right keys: the best keys for children to sing in, and the keys for singing for a lifetime. Listen [Subscribe on iTunes] [Subscribe on Android] Highlight to Tweet: “Children can learn the basics of singing best in a choir.” - Anne Tomlinson Show Notes: About Anne: Anne Tomlinson is the Artistic Director of the Los Angeles Children’s Chorus (LACC). Her background is in piano, not teaching, but she learned from outstanding mentors while accompanying the LACC LACC is famous for bel canto teaching technique, producing a uniquely pure and resonant sound. On repertoire: Latin, Italian, German, Hebrew, Spanish, and Japanese are all good language choices for children, focusing on Italianate vowels. When selecting repertoire, focus on educating not just your students, but also your audience. Have the children talk about the piece, helping parents understand why we make these musical choices. Pick repertoire that supports the technique of the choir. Balance your selections, considering, unison, parts, sweet melodies, and more rhythmic selections. Can’t find a piece in a sharp key (better for young voices)? Transpose. Your choir is bigger than just the children in it Want to build relationships with other community arts organizations? Just ask for an opportunity to meet and share your goals and vision for a partnership. Invite them to your concerts, have children talk to them, demonstrate how their ticket sales are likely to increase. Teach children how to sing for a lifetime, technique that will allow them to sing in whatever style they choose as an adult. Shaping a singer is a long game, and children can damage their voices singing in styles that are not developmentally appropriate. Bio: Anne Tomlinson, Artistic Director of the Los Angeles Children’s Chorus (LACC), oversees the educational and artistic development of the Chorus and leads LACC’s renowned Concert Choir and Chamber Singers. Additionally, she is Children’s Chorus Mistress for LA Opera. Tomlinson has worked with celebrated conductors Gustavo Dudamel, Esa-Pekka Salonen, Plácido Domingo, James Conlon and Grant Gershon and prepared the Chorus for performances with LA Opera, Los Angeles Philharmonic and Los Angeles Master Chorale, among other leading organizations. Tomlinson’s film work includes the 2002 Academy Award-nominated documentary Sing!, which chronicles a year in the life of LACC, and the sequel documentaries Sing Opera! and Sing China!. Her live broadcast work includes the January 2005 Chamber Singers performance on NPR’s nationally syndicated program “From the Top.” Tomlinson is a frequent guest conductor and presenter at symposia, workshops and festivals both nationally and internationally. She holds a Bachelor of Music degree from Oberlin College Conservatory of Music and Master’s degree in conducting from Northwestern University, where she studied with Margaret Hillis. Among many awards, Los Angeles Children’s Chorus and Tomlinson are the 2014 recipients of the Chorus America Margaret Hillis award for choral excellence. Tomlinson is stepping down from Los Angeles Children’s Chorus at the conclusion of the 2017-18 season, after 22 years of leading the organization to unprecedented growth and artistic excellence. Resources/links Mentioned: Los Angeles Children’s Chorus Chorus America Coffin's Overtones of Bel Canto Dinner with Edward, by Isabel Vincent Choir Nation group on Facebook Email Patreon - Support the podcast! Sponsored by: Sight Reading Factory (Use promo code “NINJA” at checkout for 10 free student accounts!) My Music Folders (Use promo code “NINJA” at checkout for “last column” or best pricing - usually reserved for bulk purchases only!)
A week in the life of correspondents around the world. In this edition, the paint flies as the race for the presidency in Peru gets colourful; a battle for control of the Iraqi city of Falluja is about to begin - it could be a long and gruelling one, the ISIS fighters dug in there have had time to prepare for the arrival of the government forces; time is running out for the German authorities to prosecute those who committed mass murder in Hitler's time - we meet a man trying to hunt them down before it's too late; a barbed wire fence may be in place but migrants are making it through the border from Bulgaria to Serbia with help from smugglers ... and some policemen. And on a visit to Asmara, the Italianate capital city of Eritrea in north east Africa, our correspondent tries to find out the truth about allegations of repression, political prisoners and torture
It's over the mountains, it has no major roads, it's too dangerous, or tourists don't get it at all. Five writers with a desire for travel or living elsewhere, recall a city that once captured their hearts and minds for reasons of secrecy or isolation, or simply being off limits.Travel writer Michela Wrong sees beautiful Italianate buildings, and all things Futurist - in Africa. In Asmara, the capital of Eritrea, to be precise.Producer Duncan MinshullFirst broadcast in April 2013.
A veritable LESSON in singing by the legendary Carlo Bergonzi, the Nemorino on this 1967 Elisir under Gianandrea Gavazzeni. In addition, Renata Scotto, Giuseppe Taddei, and Ivo Vinco perform magnificently and show what proper Italianate style is all about . (73 min.)
This amazing baritone was noted not only for his voice, but for his superb Italianate style, and for the amazing ability to sing notes that only a tiny number of baritones sang.(Traviata,Attila B Flats).We hear arias (in this order) from: Puritani,Luisa Miller,Traviata.Ernani,Ballo, Faust,Forza,Il Guarany,Zaza, and Andrea Chenier. (68 min.)
The portrait is startling. Painted by John Singer Sargent, “Mr. and Mrs. I.N. Phelps Stokes” depicts a woman dressed casually, almost masculinely, save a voluminous white skirt. Her hand is held brazenly at her hip as her presence nearly obscures that of her husband, who hovers in the background like a specter. They are Edith and Newton Stokes. As biographer Jean Zimmerman details in her excellent duel biography of the couple, entitled Love, Fiercely: A Gilded Age Romance (Houghton Mifflin Harcourt, 2012). “Both were progressives, and both believed in doing great deeds, whether it was reforming tenements in Newton’s case or getting the vote for women in Edith’s. They fell in love when they were children, a love that lasted until they were parted by death.” Edith eventually became President of the New York Kindergarten Association and of the Municipal Art Commission. Newton spent over a decade laboring on a six-volume history of the city entitled the Iconography of Manhattan. They were a couple defined by the city. Writes Zimmerman: “Edith and Newton were New York City to the bone. He, raised in an Italianate residence at Madison Avenue and 37th Street, which after his time there would become J. P. Morgans townhouse and then a celebrated museum of the arts. She, born a little farther afield, in still countrified Staten Island. They were in love and in Manhattan, which represents an unparalleled state of bliss. They led not so much independent as interdependent lives.” Love, Fiercely provides a fascinating and rich perspective on the rise of New York, the tensions of Gilded Age courtship, the evolving freedoms of women, and the shifting dynamics of a long marriage. Learn more about your ad choices. Visit megaphone.fm/adchoices
The portrait is startling. Painted by John Singer Sargent, “Mr. and Mrs. I.N. Phelps Stokes” depicts a woman dressed casually, almost masculinely, save a voluminous white skirt. Her hand is held brazenly at her hip as her presence nearly obscures that of her husband, who hovers in the background like a specter. They are Edith and Newton Stokes. As biographer Jean Zimmerman details in her excellent duel biography of the couple, entitled Love, Fiercely: A Gilded Age Romance (Houghton Mifflin Harcourt, 2012). “Both were progressives, and both believed in doing great deeds, whether it was reforming tenements in Newton’s case or getting the vote for women in Edith’s. They fell in love when they were children, a love that lasted until they were parted by death.” Edith eventually became President of the New York Kindergarten Association and of the Municipal Art Commission. Newton spent over a decade laboring on a six-volume history of the city entitled the Iconography of Manhattan. They were a couple defined by the city. Writes Zimmerman: “Edith and Newton were New York City to the bone. He, raised in an Italianate residence at Madison Avenue and 37th Street, which after his time there would become J. P. Morgans townhouse and then a celebrated museum of the arts. She, born a little farther afield, in still countrified Staten Island. They were in love and in Manhattan, which represents an unparalleled state of bliss. They led not so much independent as interdependent lives.” Love, Fiercely provides a fascinating and rich perspective on the rise of New York, the tensions of Gilded Age courtship, the evolving freedoms of women, and the shifting dynamics of a long marriage. Learn more about your ad choices. Visit megaphone.fm/adchoices
The portrait is startling. Painted by John Singer Sargent, “Mr. and Mrs. I.N. Phelps Stokes” depicts a woman dressed casually, almost masculinely, save a voluminous white skirt. Her hand is held brazenly at her hip as her presence nearly obscures that of her husband, who hovers in the background like a specter. They are Edith and Newton Stokes. As biographer Jean Zimmerman details in her excellent duel biography of the couple, entitled Love, Fiercely: A Gilded Age Romance (Houghton Mifflin Harcourt, 2012). “Both were progressives, and both believed in doing great deeds, whether it was reforming tenements in Newton’s case or getting the vote for women in Edith’s. They fell in love when they were children, a love that lasted until they were parted by death.” Edith eventually became President of the New York Kindergarten Association and of the Municipal Art Commission. Newton spent over a decade laboring on a six-volume history of the city entitled the Iconography of Manhattan. They were a couple defined by the city. Writes Zimmerman: “Edith and Newton were New York City to the bone. He, raised in an Italianate residence at Madison Avenue and 37th Street, which after his time there would become J. P. Morgans townhouse and then a celebrated museum of the arts. She, born a little farther afield, in still countrified Staten Island. They were in love and in Manhattan, which represents an unparalleled state of bliss. They led not so much independent as interdependent lives.” Love, Fiercely provides a fascinating and rich perspective on the rise of New York, the tensions of Gilded Age courtship, the evolving freedoms of women, and the shifting dynamics of a long marriage. Learn more about your ad choices. Visit megaphone.fm/adchoices
The portrait is startling. Painted by John Singer Sargent, “Mr. and Mrs. I.N. Phelps Stokes” depicts a woman dressed casually, almost masculinely, save a voluminous white skirt. Her hand is held brazenly at her hip as her presence nearly obscures that of her husband, who hovers in the background like a specter. They are Edith and Newton Stokes. As biographer Jean Zimmerman details in her excellent duel biography of the couple, entitled Love, Fiercely: A Gilded Age Romance (Houghton Mifflin Harcourt, 2012). “Both were progressives, and both believed in doing great deeds, whether it was reforming tenements in Newton’s case or getting the vote for women in Edith’s. They fell in love when they were children, a love that lasted until they were parted by death.” Edith eventually became President of the New York Kindergarten Association and of the Municipal Art Commission. Newton spent over a decade laboring on a six-volume history of the city entitled the Iconography of Manhattan. They were a couple defined by the city. Writes Zimmerman: “Edith and Newton were New York City to the bone. He, raised in an Italianate residence at Madison Avenue and 37th Street, which after his time there would become J. P. Morgans townhouse and then a celebrated museum of the arts. She, born a little farther afield, in still countrified Staten Island. They were in love and in Manhattan, which represents an unparalleled state of bliss. They led not so much independent as interdependent lives.” Love, Fiercely provides a fascinating and rich perspective on the rise of New York, the tensions of Gilded Age courtship, the evolving freedoms of women, and the shifting dynamics of a long marriage. Learn more about your ad choices. Visit megaphone.fm/adchoices
Simon Neal is back with us this week discussing the text "The Vagabond". We go through the text, focusing on the problem with Ls and Rs in English, dealing with pianissimi and why we should sing pure Italianate vowels in every language. I'll also talk about a phonetic concept for unstressed I (between the closed [i] and open [I] sounds) that Jan & Catherine McDaniel (English diction teachers at the Bass School of Music, Oklahoma City University) sent me, the SCHWI. "The Vagabond" is the first poem in Robert Louis Stevenson's Songs of Travel, and the first song in Ralph Vaughan Williams' song cycle of the same name. I found some interesting youtube clips of this song, Thomas Allen with Simon Rattle and the Birmingham Symphony Orchestra and a very early recording of Peter Dawson in 1923 (pianist isn't listed), with lots of rrrrrolled Rs. The Bryn Terfel CD is also quite good but I couldn't find a youtube with that version. The previous entries that I talk about are Episodes 48 and 49 for tongue exercises, and Jason Nedecky's Treatment of R and Pronunciation Shifts for the HAND and ASK words. Please feel free to contact me here, at the Facebook Page, on Twitter @dictionpolice or directly at ellen@ellenrissinger.com
Summary of today's show: On Tuesday of Holy Week in the Archdiocese of Boston, Cardinal Seán celebrates the Chrism Mass with the priests of the archdiocese, blessing the holy oils used in sacraments for the next year and renewing their priestly vows. In a special broadcast from the Cathedral of the Holy Cross in Boston, Scot Landry and Fr. Chris O'Connor, first, discuss the Mass and Holy Week with Fr. Jonathan Gaspar and the listen to and reflect upon Cardinal Seán's homily to the priests, which each year is the one he prepares for with the greatest reflection and prayer. Listen to the show: Today's host(s): Scot Landry and Fr. Chris O'Connor **Today's guest(s): Fr. Jonathan Gaspar Links from today's show: Today's topics: Cardinal Seán's homily at the Chrism Mass 1st segment: Today the show is being broadcast from the Cathedral of the Holy Cross following the celebration of the Chrism Mass. He is joined by Fr. Jonathan Gaspar and Fr. Chris O'Connor. Fr. Jonathan said it's always great to see so many priests turn out. Fr. Chris said many priests make a conscious decision to come from all over the Archdiocese in order to receive the oils used in sacraments and to renew their priestly vows. Many can't come because they are needed in their parishes. Scot said it seems the Cardinal puts extra time and effort into his Chrism Mass homily. Fr. Jonathan said the Cardinal loves to preach, but he spends a great of time preparing for this one in particular, offering the priests a message of hope and encouragement. He said the Cardinal has spent many nights over the past few weeks in prayer before the Blessed Sacrament and at his desk writing his homily. Scot said Cardinal Sean said the Chrism Mass is a sign of unity across the archdiocese in the sacred chrism consecrated today to be used in every sacrament of baptism, confirmation, and anointing. Fr. Chris said all of those sacraments are connected to this Mass today. Another element of unity is the presence of Greek Orthodox Metropolitan Methodios. Both the Metropolitan and the Cardinal spoke of the need for Christian unity. Scot said there is a luncheon for priests after the Mass at the cathedral and each year two priests received awards for their service. Fr. Jim Rafferty and Fr. Dave Palmieri were the recipients this year. Scot noted that Fr. Rafferty received unfavorable press coverage for a pastoral decision a few years ago at St. Paul's in Hingham and this was a chance to highlight his service and to reaffirm him as one who preaches the faith in season and out of season. Scot said Cardinal Seán also mentioned during his homily how many priests tell him they first had an inkling of their vocation from their childhood priests who mentioned the possibility for the call in their lives. Fr. Jonathan recalled his own childhood priest who planted the idea of a vocation in him as a boy. He said Cardinal Seán told priests that the first way to foster vocations was to just smile and show the joy of the priesthood. 2nd segment: Scot said the Chrism Mass is the second big event of Holy Week after Palm Sunday. In many places, Chrism Mass is on Holy Thursday morning, but in big dioceses they move it to another day because priests need to get back to the parishes for Holy Thursday evening for all the preparations that must be made. Fr. Chris said in Rome it will be held on Holy Thursday. He said Pope John Paul II used to publish a Holy Thursday letter to the priests of the world giving them something to reflect on. He's hoping Pope Benedict issues such a letter this year. Scot said priests at this Mass renew their priestly promises from ordination. After 14 years as a priest, Fr. Chris reflected on the renewal and he recalled the words, “Lord, I am unworthy.” In the midst of our own brokenness, Christ continues to call us to minister to his people. It also brought him back to his ordination day, being with his brother priests and celebrating the gift of his priesthood. The only large gathering of priests for Mass like this is the ordination Mass. The Cardinal asked three questions of the priests to renew their priestly vows. Fr. Chris said the Cardinal also asked the priests to pray him as a priestly leader. At another point, the vicar general kepis up and reads the names of all the priests who have died in the past year. About 25 priests were named this year. Scot said he reflected on how every priest present knew that one day their name would be read in this Mass. Fr. Chris said all Christians need to be cognizant of their own mortality and death, but the proximity of Easter reminds us of the promise of eternal life. Now we will hear from Cardinal Sean's homily for the Mass and we will stop periodically to comment on it: Good morning everyone. Your eminence, Metropolitan Methodius, Brother Bishops and Priests, Deacons, Fellow Religious, dear brothers and sisters in the Lord. I first learned about the great tradition of Boston when John Wright became our bishop when I was a seminarian and he would regale us with many stories about Boston. But my favorite story of his was about Mayor Curley. Once when he was running for mayor, he was opposed by one of his lieutenants, a big, garrulous red-haired Irishman who I think was the police or the fire chief at the time. When his opponent had a political rally he decided to go. When he got there, he asked to speak. He said, “You know, every great man in history has had a betrayer. Caesar had his Brutus, Washington had Benedict Arnold, and our blessed savior had Judas. And you know? They were all redheads. Once I was visited by a priest who was very discouraged. He thought he was a redhead… He said: “Bishop, I am the worst priest in the world.” I said to him, that is quite a distinction. I asked him about his ordination and first mass. I said, “Did you fight over who was going to be first in line at your ordination? Did you betray Christ for the collection? Did you chop off someone's ears with a machete? Did you then run away and hide? I was of course comparing the worst priest in the world with the first priests in the world, the apostles. The vocation of the apostles begins with the joyful discovery of Christ, and with the reckless abandoning of their boats, their nets and their families, to follow the Lord. It wasn't too long however, when they were soon in competition with each other and worried about their retirement benefits, like who was going to have the thrones on the right and the left. They spent most of the first Sacred Triduum locked in the Cenacle, while it was the women who followed Jesus through the Stations of the Cross and to Calvary. To me one of the most poignant scenes in the Gospels is the apparition of the Risen Lord on Easter to the 11 remaining apostles. They're hiding out in the Cenacle with the doors bolted. Suddenly, Christ is in their midst showing them his wounded hands as if to say: “See how much I love you.” The reaction of the apostles certainly must have been one of very conflicted emotions. First of all, they were overjoyed to see that Jesus was alive and in their midst. Secondly, they would have felt a profound shame and embarrassment because of their cowardly behavior. The apostles did not surface even to bury Jesus' body after the crucifixion. Had it not been for Nicodemus and Joseph of Arimathea, Jesus' body would have been cast into a common ditch to be savaged by vultures and dogs. But Jesus' love and forgiveness is so great, He does not even remind them of how badly they have behaved, but instead gives them the gift of the Spirit so that these sinners could become wounded healers. I find immense consolation in the fact that the Gospels give us, not pious platitudes, but a gritty, realistic portrayal of our first priests, the apostles. They were ordinary men like ourselves, full of humanity and shortcomings and idiosyncrasies. They were entrusted however, to carry on the most important mission in the history of the world and despite all of their weaknesses, they did an extraordinary job. Scot said one the ideas that stood out to him was that the people entrusted by Jesus to spread the Gospel were not those who had the courage to follow the Way of the Cross and stand at the foot of the Cross. Fr. Chris said we only know for sure that the Virgin Mary and John the beloved apostle were there. He loved how he picked up on the flaws and foibles of the apostles because it shows that by Christ picking these flawed men we see that the Church's ministry is about reconciliation. He reconciles them to himself in order to send them out to tell about the power of forgiveness. Scot said the cardinal has immense satisfaction that the Gospels give us a gritty, real, intense view of the apostles. Our Church is a hospital for sinners, not a museum of saints. Fr. Chris said it goes back to the incarnation, that Christ became human so we might become divine. Christ is present to us and offering us an opportunity to die to self, so we might live in him. That's what he calls us all to, regardless of state in life. I'm sure that all of us at one point have felt a certain envy of the apostles. We imagine how wonderful it would be to be there and hear Jesus' voice, to see his miracles, to experience the closeness, the companionship and joy of being in his presence. It is ironic however, that the apostles' worst behavior came about while Jesus was still with them. They came into their own after the Pentecost experience. It's then that they go out boldly to proclaim the gospel and to share with the world what they have received. Though we have not had the privilege of walking over the hills of Galilee in Jesus' company, we have received the same Spirit that the apostles did on Holy Thursday, on Easter Sunday and on Pentecost. And now the mission must continue, despite our weaknesses and shortcomings and all obstacles. Christ is counting on us just as He counted on those simple fishermen to preach his gospel, calling people to conversion and discipleship, building a community of faith around the Eucharist. Like those first Christians in the Acts of the Apostles, we must be united in embracing the teachings of the apostles, fellowship and prayer, and the breaking of the bread. Holy Thursday is a very special day for us priests; indeed this very Chrism Mass is an extension of Holy Thursday. On that first Holy Thursday, Jesus washed the feet of his apostles and commanded them to love one another in the way that He loves us. He also commanded them to celebrate the Eucharist, “Do this in memory of me.” And later on that same evening, Jesus tells his first priests: “Watch and pray.” Today, 2,000 years later, Jesus is telling us the same thing: we must love one another, we must celebrate His Eucharist, and we must watch and pray. In Chapter 14 of the Acts of the Apostles, St. Luke reports how Paul and Barnabas gather the faithful at Antioch and they reported what God had done with them and how God had “opened the door of faith to the Gentiles.” Pope Benedict has lifted that beautiful phrase, “the door of faith,” “Porta Fidei,” for the name and theme of his letter announcing the year of faith beginning in the fall. It will mark the 50th Anniversary of the opening of the second Vatican Council, convoked by Blessed Pope John XXIII, and which also coincides with the 20th anniversary of the promulgation of the Catechism of the Catholic Church, published by Blessed John Paul II. We are people of faith. Faith defines our identity and motivates our actions. Faith is our most precious gift. I am so grateful to have been born into a family of believers, the faith and example of my parents and grandparents and aunts and uncles was so life giving to me as child. And I am ever grateful to my uncle, Father Jerry Riedy, who baptized me into the faith. Scot said although priests today haven't walked with Jesus in Galilee, they have received the same Spirit the apostles did on Pentecost. Christ is counting on these priests just as He did on the apostles. Scot said the Cardinal has a passion for gathering the people of God around the Eucharistic table each week, because it is where we show our love for one another. Fr. Chris said the early Christians did this to show their love for Christ. There is an equality at that table. All are invited and equal in the eyes of God. We receive communion, we are brought deeper into the mystery of God and are meant to share it with our brothers and sisters in the faith. Scot said Cardinal Seán later told the priests to open the door of faith to people and how grateful he is to his family for opening the door of faith to him. We are all called to show people the beauty of our faith in our lives. Fr. Chris said we learn by imitation and example and so when we see the example of those who love the Lord and willingly give their life in service to the Lord we see the love for Christ conveyed and that faith is infectious. Preparing these reflections today, I decided to consult my concordance of the Bible. I found that the word faith appears four times in the Old Testament. However, in the New Testament, which is much shorter, the term faith appears over 250 times and the word believe also appears over 250 times. It is impossible to read the New Testament without appreciating how important faith is. Faith means not being an orphan, having a father who is our God and having many brothers and sisters. Faith is a home where we dwell and move and have our being, where we discover how much we are loved and who we are. Faith is a relationship with Christ, a loving and trusting and enduring friendship. Indeed the mission entrusted by Jesus to the apostles is not first of all to announce the gospel, but first of all to believe in him. As priests we are called to be men of faith, teachers of faith and witnesses of faith. The epistle to the Hebrews tells us that faith is the realization of what is hoped for and evidence of things not seen. After a beautiful passage celebrating the faith of our ancestors throughout salvation history, the author of Hebrews exhorts us: “Therefore since we are surrounded by so great a cloud of witnesses, let us rid ourselves of every burden and sin that clings to us and persevere in running the race that lies before us while keeping our eyes fixed on Jesus the origin and crown of all faith.” A few weeks ago I was invited to give the opening talk at a retreat for 75 young Jesuits here in Boston. A Jesuit Father who is a missionary in Siberia had organized the retreat and invited me. Afterwards, he presented me with a beautiful Russian icon of Our Lady. He told me that in Russia it is said: You do not choose the icon, the icon chooses you.” A very interesting perspective. Well, faith is born of a glance. Not so much ours, but that of Christ. The account of the vocation of the Apostles begins by the assertion Jesus looking at them. Jesus saw Andrew and Peter. Jesus saw the sons of Zebedee. Jesus saw Matthew. And having seen them, having fixed his gaze upon them, Jesus calls them to a life of discipleship. We should ask ourselves: “when did we become aware that Jesus had set his eyes on us?” When did we recognize His voice, and His invitation – “Follow me.” Each of us has our own vocational story. For each of us, there is a precise moment for each of us where we became aware that Jesus was looking at us. Certainly, there were many other moments: moments of enthusiasm, moments of definitive choice, and moments of decision to renew ourselves in the face of trials and difficulties and trials in our ministry. Even moments of remorse and shame when we had to cast ourselves on the mystery of our Lord's mercy, like Peter in the courtyard of the high priest, when the Lord turns and fixes his gaze on Peter, who goes out and weeps bitterly. To be under the gaze of the love and mercy of Jesus and to put our eyes fixed on Him, this is faith and from that faith comes every call, every following and even our ministerial vocation which unites us to Jesus who with love, compassion and tenderness sees the crowd and is moved because they are like sheep without a shepherd. Seeing our people's needs, Jesus sends us. Indeed as priests, we must persevere in running this course with our gaze fixed on Jesus, the origin and crown of all faith. It is our own Boston Marathon with many a Heartbreak Hill. It is a long distance run, not the frenetic sprint of the person anxious to be everywhere, who feels indispensable, who never has time for smile, who is not capable of listening, and who does not have the capacity for a profound silence. We need to witness the faith not by adopting the rhythms and times of this world, but rather by responding to the urgency of the gospel. “Faith comes through hearing” (Romans 10, 17) and it is as men of faith, that we must build our lives on the Word of God. There are so many demands on our time and attention, and our energy is not limitless. It requires discipline in the organization of our time to guarantee that each day we can be nourished by listening to the Word of God. Our celebration of the liturgy is also a crucial contact with the power that comes from God's Word and from the Sacraments. Regardless of what one may feel about the new translation, the changes in the liturgy have been an opportunity for us to focus with greater attention to the words we are praying. The Chrism Mass allows us to glimpse the grace of belonging to a presbyterate. It is this in this presbyterate, united to Christ and one another that the gifts that we received by the imposition of hands can be stirred up and enlivened. Here all of our struggles and triumphs are melded into one. The hidden sacrifices heroically made by some of our brothers, the special graces, the pastoral genius, the tireless dedication come together to forge our presbyterate. We are a body that together regenerates itself. Together we share the responsibility to announce the Gospel and to build up the Christian community. You often hear the expression: “keep the faith.” But what we really need to do is not keep the faith, but spread it around. Our faith grows stronger when we share it with others. All of us remember fondly the priests who mentored us in the faith. Now it is our turn to share these treasures. We are earthen vessels bearing treasures. The world is being overcome with darkness. To me one of the most chilling phrases on Jesus' lips are the words: “When the Son of Man returns will he find any faith on the earth?” In great part it depends on us. We who are Christ's priests have a huge responsibility to announce his Gospel in season and out of season. Scot said this was news to him about faith and belief in the Bible. It's important for the growth of the Church to understand that faith and belief are fundamental. Fr. Chris said we have to remember that faith is a gift from God to us, which we can accept or reject. It's also important to remember how grateful the Cardinal was that his parents were believers that they imparted their faith to him. How grateful we should be to those in our lives who have imparted the faith to us. Sometimes when we're lacking faith, the best way to grow in faith is to tell the Lord and then to pray. We become a better athlete by practicing the motions of the sport, and we grow in faith by acting in faith. Scot said the Cardinal said our faith grows stronger as we share it with others. We all have a huge responsibility to preach the Gospel in season and out of season. Fr. Chris quoted the First Letter of Peter, “be prepared to give a reason for your hope,” for why we believe. What are the highlights of our own faith conveyed in 3 minutes that we would give to someone who asked? I often tell the Jesuits that I'm a little envious of them, since they have 35 craters on the moon named after Jesuit fathers. We Capuchins only have a cup of coffee…. One of the best spots to drink a good cappuccino is the Piazza of San Eustachio in Rome. If you have ever indulged yourself at one of the cafés there, you may have noticed the lovely church which looks like many other Italianate churches, except for the fact that on top of the church where one usually expects to find the cross, there is a huge set of antlers. I am sure that there is some pious explanation for the antlers, perhaps some story about San Eustachio running over a deer and miraculously providing venison for 4000 orphans. However, if you ask the Romans why there are antlers on the top of the church you may hear the story that I was told. Apparently, a young Roman nobleman married a beautiful bride in that church, but soon after the marriage she absconded with the best man. Today the man would have gone on the Jerry Springer show. The husband was disconsolate, and in his grief and rage had the antlers placed on the roof of that church. In Italian, a man who has deceived by his wife is referred to as “cornuto” which means having horns. I am told that ever since the antlers went up, there are very few weddings in that church. Accordingly, for many Romans, the antlers on the church betoken defeat and sadness. During this year of faith we need to climb up and pull the antlers down and lift high the cross, the triumphant, life giving cross. Our people need us to be confident and joyful teachers of the faith. Cardinal Dolan spoke of going to a conference by Cardinal Wright on Evangelization, expecting a deep theological treatise. The message of the eloquent Bostonian was simply – smile! Pope Benedict constantly dwells on relationship of faith with joy. The word joy appears sixty (60) times in the New Testament. The very word Gospel means glad tidings. We are messengers of that joyful news. Scot said when he lived in Rome, he never saw the church the Cardinal referred to. Fr. Chris said he is going to Rome this summer and he's planning to check it out. Scot said the Cardinal seemed to be saying that we should tear down anything distracting us from the faith and in its place to lift high the Cross. But the cross isn't about grief. The cardinal referred to Cardinal Dolan speaking of the joy of having received the Good News and letting it permeate out hearts, even before the cross. Fr. Chris quoted St. Theresa of Avila: “Lord, save me from long-faced saints.” We should see the cross as something beautiful and life-giving. Showing the joy of the love of Christ attracts people and is an invitation to the gift of faith. The people need to glimpse our own faith. They need teachers who are witnesses. In our priestly support groups and circles of priests, we need to talk about Christ and our love for the mission that He has entrusted to us. It is because the Disciples on the Road to Emmaus are talking about Jesus, that the Risen Lord draws near and breaks open the Scriptures for them. That experience made their hearts burn within them. Cleopas and his buddy never finished that dinner – they got up from that table probably without even paying the check and ran back to Jerusalem with the waitress chasing them down the road. They were filled with joy, and wanted to share that joy and good news with their brothers – “we have seen the Lord and we recognized him in the breaking of the bread.” Pope Benedict XVI, in Porta Fidei, writes “faith grows when it is lived as an experience of grace and joy.” He warns us not to grow lazy in the faith, and urges us to focus on Jesus Christ, because “in him all the anguish and longing of the human heart finds fulfillment.” At the Chrism Mass, I like to make an appeal, a challenge to my priests and to myself. In the past, I have asked us all to work harder on our preaching. I have asked that every priest make a serious retreat each year – I had to go down to St. Petersburg last year to make sure Bishop Hennessey was not offering the enneagram and reiki. Actually we are very grateful for the wonderful work Bob Hennessey is doing on those retreats. I have asked that each priest develop a personal rule of life to assure the balance we need to pray hard, work hard and play hard. I have asked that each priest join a priest support group to be able to build a truly spiritual fraternity with a deep sense of shared mission. This year I would ask that each priest, myself included, to recommit ourselves to our own ongoing formation. Each of us is ultimately responsible for his own ongoing formation, which needs to be spiritual, human, theological and pastoral so that we might be the teachers of the faith our people need. Pope John Paul II wrote in Pastores dabo Vobis: “Ongoing formation aims at increasing the priest's awareness of his share in the Church's saving mission”. “The priest's permanent formation appears not only as a necessary condition but also as an indispensable means for constantly refocusing on the meaning of his mission and for ensuring that he is carrying it out with fidelity and generosity. By this formation, the priest is helped to become aware of the seriousness and yet the splendid grace of an obligation which cannot let him rest, so that, like Paul, he must be able to say: “If I preach the Gospel, that gives me no ground for boasting. Woe to me if I do not preach the Gospel”(1 Cor. 9:16). At the same time, the priest also becomes aware of a demand, which insistently comes from all those whom God is unceasingly calling to salvation. Scot said in the seminary it's important to remind the seminarians that formation doesn't end with ordination. Fr. Chris said none of us are finished products. The disciples on the road to Emmaus were on a journey and each priest has to grow theologically and pastorally. He said he was intrigued by the list of challenges the Cardinal gives each year to the priests for them to work on. It's helpful to look on all of them and see where they've grown. One year is was about working on homilies. Another year was about taking a serious renewing retreat each year. Another year, they were to form a spiritual fraternity. This year it's about ongoing formation. Fr. Chris said it's a good reminder to all of his priests. Scot recapped the end of the Cardinal's homily. For the Church, the Year of the Faith is to be the year of the New Evangelization. Our personal ongoing formation will help us as a diocese in our task of imbuing our pastoral planning with the new evangelization which means taking the Gospel to those who have grown cold, to reach out with a new ardor and with new methods, turning our parishes into communities of evangelizers where every parishioner feels a call to share their faith, to be a part of the mission to make Christ's Gospel loved, and to promote a civilization of justice and love. I am very grateful to Bishop Arthur Kennedy for his willingness to help us to equip our people for the challenges of the New Evangelization and for promoting our ongoing formation. I know that it seems daunting but I am confident that this Year of Faith will be great grace for our Church if we priests take advantage of this time to renew ourselves in an ongoing conversion that is a response to Christ's loving call. Spiritual writers speak of a second call, actually there are many moments when the Lord glances at us as He did to Peter, after Peter's fall and what I call the “Last Breakfast” when the risen Lord, having examined Peter in his love, says “Follow me” again. As we renew our ordination promises may we recommit our lives to Christ, to our brothers and sisters, in the service of the Gospel whose Heralds we are. May the Lord grant each of us a faith that bestows confidence and courage, generosity and joy, as together we work to build up Christ's Kingdom. Together we want to take down the antlers of sadness and defeat and weathervane of doubt and uncertainly and lift high the cross. What St. Francis calls the book that contains the greatest love story in the history of the world – and we priests are all part of that story. God bless you. Scot said it's his sense that the Cardinal's hope is that each parish will come alive and each Catholic will be motivated to share their faith. Fr. Chris said it's an insight that originates with Pope Benedict XVI, who is always talking about this new evangelization, re-presenting the Gospel to those who have grown cold in the faith, re-introducing the idea that Christ is the life and the Resurrection. Scot previewed the liturgies of the rest of the week. He said beautiful images from these liturgies taken by George Martell can be found at . Scot and Fr. Chris said the best way to prepare for Easter is to participate in all the liturgies and services of Holy Week. Fr. Chris reminded everyone that tomorrow night is the final light of The Light Is On For You for this Lent, where the sacrament of confession will be available in every church and chapel from 6:30-8pm.
Strauss parodies the "Italianate" style, especially Puccini, in Act One of Der Rosenkavalier with the appearance of the Italian Singer. Let's spend a bit of time with this character who'll be sung in our production this coming season by Stephen Costello, our Faust for 2011.
April 11 - May 3Brown Theater, Wortham Theater CenterPurchase Tickets Online at www.HoustonGrandOpera.orgLove and heartbreak meet on the Left Bank of Paris, as four young bohemians test the boundaries of friendship and art. Ana María Martínez ("a lovely singer [and] a beautiful musician." - Newsday) and Garrett Sorenson ("[who] inhabited Alfredo with an attractive, Italianate sound and promising acting...: - Los Angeles Times), who triumphed in last season's Don Giovanni at HGO, take the stage with studio artist Albina Shagimuratova and alumni Joshua Hopkins and Nikolai Didenko. James Robinson's enchanting setting of Puccini's verismo tour-de-force, a co-production of Houston Grand Opera, The New York City Opera, and Glimmerglass Opera, returns to HGO.Performances on May 1 and 3 feature soprano Cynthia Clayton ("a becoming Mimi, by turns shy, sweet and flirtatious...a lovely performance." - The New York Times) and Brian Mulligan ("Brian Mulligan's Marcello was a most likable fellow, with his velvety, evenly and effortlessly produced baritone and nuance-rich phrasing." - Tim Smith, Opera News).