Podcast appearances and mentions of Ralph Vaughan Williams

Send us a text and chime in!Prescott's premier vocal ensemble, the Prescott Chorale, invites music lovers to an unforgettable afternoon of choral excellence with their upcoming concert, Choral Music - A Magnificent Obsession, on Saturday, May 3, 2025, at 3:00 pm. The concert will feature three distinct musical themes: Things Eternal: A journey from the sacred Renaissance works of Schütz to the lyrical beauty of Bach. The Music in Poetry: Exploring the lyrical writings of Lord Byron set to music, including compositions by Johannes Brahms and Morten Lauridsen. Loyalty and Honor: Performance of Ralph Vaughan Williams' rousing O Clap Your Hands with full choir, organ, and brass will... For the written story, read here >> https://www.signalsaz.com/articles/prescott-chorale-presents-chorale-music-a-magnificent-obsession-on-may-3/Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

Ralph Vaughan Williams - The SolentChamber Orchestra of New YorkSalvatore Di Vittorio, conductorMore info about today's track: Naxos 8.573530Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Live from the Grand Teton Music Festival takes a trip to the British Isles with this week's program of works by Samuel Coleridge-Taylor and Ralph Vaughan Williams.This episode features:Grand Teton Music Festival OrchestraSamuel Coleridge-TaylorBallade in A minor, Op. 33Christian Reif, conductorRalph Vaughan WilliamsSymphony No. 5 in D MajorSir Donald Runnicles, conductorLive from the Grand Teton Music Festival is hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Episodes premiere on Wednesdays at 8 PM MT on Wyoming Public Radio and are available the next day wherever you get your podcasts.The Grand Teton Music Festival, founded in 1962, unites over 250 celebrated orchestral musicians led by Music Director Sir Donald Runnicles in Jackson Hole, Wyoming each summer. Stay connected for the latest Festival updates: Instagram Facebook Email List GTMF Website

Order of Service: - Prelude - Hymn 292 - O Dearest Jesus, What Law Hast Thou Broken: vv. 1, 2, 4, 12, 15 - The Versicles (pp. 120-121) - Os Justi: Os justi meditabitur sapientiam, Et lingua ejus loquetur judicium. Lex Dei ejus in corde ipsius. Et non supplantabuntar gressus ejus. Alleluia. The mouth of the righteous speaks wisdom, and his tongue talks of judgement. The Law of God is in his heart; none of his steps shall slide. Psalm 37:30-31 / Music: Eleanor Daley - John 19:31-42: Therefore, because it was the Preparation Day, that the bodies should not remain on the cross on the Sabbath (for that Sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. Then the soldiers came and broke the legs of the first and of the other who was crucified with Him. But when they came to Jesus and saw that He was already dead, they did not break His legs. But one of the soldiers pierced His side with a spear, and immediately blood and water came out. And he who has seen has testified, and his testimony is true; and he knows that he is telling the truth, so that you may believe. For these things were done that the Scripture should be fulfilled, “Not one of His bones shall be broken.” And again another Scripture says, “They shall look on Him whom they pierced.” After this, Joseph of Arimathea, being a disciple of Jesus, but secretly, for fear of the Jews, asked Pilate that he might take away the body of Jesus; and Pilate gave him permission. So he came and took the body of Jesus. And Nicodemus, who at first came to Jesus by night, also came, bringing a mixture of myrrh and aloes, about a hundred pounds. Then they took the body of Jesus, and bound it in strips of linen with the spices, as the custom of the Jews is to bury. Now in the place where He was crucified there was a garden, and in the garden a new tomb in which no one had yet been laid. So there they laid Jesus, because of the Jews' Preparation Day, for the tomb was nearby. - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 293 - O What Precious Balm and Healing: vv. 1, 4 - Postlude Service Participants: Peter Estrem (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Prof. Ann Fredrickson (Choir Director), Mary Martha Singers (Choral Group)

The British bass-baritone Norman Bailey (23 March 1933 – 15 September 2021) was one of the premier Wagner singers of his generation, appearing in his signature roles (Hans Sachs, the Dutchman, and Wotan, among others) at the most prestigious festival and with the most distinguished opera companies around the world. He was also celebrated for his Verdi and Strauss portrayals and was an skillful, intuitive, and communicative recitalist. In this refurbished bonus episode, he is heard in operatic scenes by all three of those composers, and additionally as a big-voiced miniaturist in songs by Peter Warlock, Ralph Vaughan Williams, and Hugo Wolf. “Guest stars” in the operatic excerpts (from Walküre, Macbeth, Holländer, Salome, Falstaff, Die Liebe der Danae, and The Mastersingers of Nuremberg) include Galina Vishnevskaya, Margaret Curphey, Carol Neblett, Arlene Saunders, and Montserrat Caballé, conducted by Otto Klemperer, Julius Rudel, Alexander Gibson, Anton Guadagno, Reginald Goodall, and Charles Mackerras. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Order of Service: - Prelude - The Confession of Sin (p. 120) - Hymn 287 - Jesus, I Will Ponder Now - The Confession of Sin (p. 120) - O Lord, We Worship Thee: Our God to whom we turn when weary with illusion Whose stars serenely burn above this earth's confusion, Thine is the mighty plan, The steadfast order sure In which the world began, endures, and shall endure. Thou hidden fount of love, of peace, and truth, and beauty, Inspire us from above with joy and strength for duty. May Thy fresh light arise, Within each clouded heart, And give us open eyes to see Thee as Thou art. (Words by Edward Grubb / Setting by J. S. Bach) - John 18:1-27 - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 284 - Go To Dark Gethsemane - Postlude Service Participants: Chaplain Don Moldstad (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Prof. Ann Fredrickson (Choir Director), Mary Martha Singers (Choral Group)

The Seventh Sunday after the Epiphany ORISON: In your mercy, Lord, you called me (Tune: HALTON HOLGATE) – William Boyce (1711-1779); verse 3 harm. Samuel Sebastian Wesley (1810-1876) PSALM 37:1-12,41-42 HYMN: Father all loving, who rulest in majesty (Tune: WAS LEBET) – mel. from Choral-Buch, 1754; harm. Ralph Vaughan Williams (1872-1958) NUNC DIMITTIS – Elway […]

In Episode 7 of The Choral Director's Toolbox, host Dr. William Baker shares practical strategies for Making the Most of Practice Between Rehearsals. Learn how structured, intentional practice can help singers prepare effectively and confidently. This week's listener question explores the benefits of singing in mixed versus sectional arrangements, while today's inspiration features Ralph Vaughan Williams' Lord, Thou Hast Been Our Refuge, performed by Voices of Ascension. Join us for an episode full of actionable advice and inspiring music!

"Alles ist gut in dieser Welt" - diesen Gedanken transportiert das Finale von Ralph Vaughan Williams' Symphonie Nr. 5 für den Dirigenten Roger Norrington. Dabei ist das Werk mitten im Zweiten Weltkrieg entstanden. Aber Vaughan Williams war eben sehr eigenwillig, deutete Traditionen in seinem Sinn. Wie in der Fünften.

The First Sunday after the Epiphany: The Baptism of Jesus ORISON: ‘I come,' the great Redeemer cries (Tune: THIS ENDRIS NYGHT) – English mel.; harm. Ralph Vaughan Williams (1872-1958) and Martin Fallas Shaw (1875-1958) PSALM 29 – Peter R. Hallock (1924-2014) HYMN: Christ, when for us you were baptized (Tune: CAITHNESS) – melody from The Psalmes […]

12th-21st CenturiesThis week we hear anonymous works and works by Josquin des Prez, Nicolas Gombert, Anthony Holborne, Cristofaro Caresana, Johann Michael Haydn, François-Auguste Gevaert, Ralph Vaughan Williams, Ottorino Respighi, Hugo Distler, Krzysztof Penderecki, Rachel Laurin, J. Healey Willan, Harold Edwin Darke, Peter Warlock, Sir John Rutter, and John David.186 Minutes – Week of 2024 December 23

Ralph Vaughan Williams - Fantasia on a Theme by Thomas TallisNew Zealand Symphony Orchestra James Judd, conductorMore info about today's track: Naxos 8.556835Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

1914. Bij het uitbreken van WO I begint de Engelse componist Ralph Vaughan Williams aan The Lark Ascending, een vioolwerk over een opstijgende leeuwerik. Tijdens een strandwandeling schrijft Vaughan Williams de eerste noten op, waardoor hij verkeerdelijk gearresteerd wordt op verdenking van oorlogsspionage. Het keert uiteindelijk helemaal voor deze vogelmuziek, want het groeit uit tot het symbool van troost in woelige tijden. Moeilijke woorden: senza misura, pastorale. Uitvoering: Hilary Hahn.

Order of Service: - Prelude - Hymn 559 - The Son of God Goes Forth To War - The Versicles (pp. 120-121) - Hymn 452 - Out of the Depths I Cry To Thee: vv. 1 - 5 - Romans 13:1-5: Let every soul be subject to the governing authorities. For there is no authority except from God, and the authorities that exist are appointed by God. Therefore whoever resists the authority resists the ordinance of God, and those who resist will bring judgment on themselves. For rulers are not a terror to good works, but to evil. Do you want to be unafraid of the authority? Do what is good, and you will have praise from the same. For he is God's minister to you for good. But if you do evil, be afraid; for he does not bear the sword in vain; for he is God's minister, an avenger to execute wrath on him who practices evil. Therefore you must be subject, not only because of wrath but also for conscience' sake. - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 592 - Praise God, From Whom All Blessings Flow - Postlude Service Participants: Chaplain Don Moldstad (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Prof. Ann Fredrickson (Choir Director), Mary Martha Singers (Choral Group)

Order of Service: - Prelude - Hymn 559 - The Son of God Goes Forth To War - The Versicles (pp. 120-121) - Hymn 452 - Out of the Depths I Cry To Thee: vv. 1 - 5 - Romans 13:1-5: Let every soul be subject to the governing authorities. For there is no authority except from God, and the authorities that exist are appointed by God. Therefore whoever resists the authority resists the ordinance of God, and those who resist will bring judgment on themselves. For rulers are not a terror to good works, but to evil. Do you want to be unafraid of the authority? Do what is good, and you will have praise from the same. For he is God's minister to you for good. But if you do evil, be afraid; for he does not bear the sword in vain; for he is God's minister, an avenger to execute wrath on him who practices evil. Therefore you must be subject, not only because of wrath but also for conscience' sake. - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 592 - Praise God, From Whom All Blessings Flow - Postlude Service Participants: Chaplain Don Moldstad (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Prof. Ann Fredrickson (Choir Director), Mary Martha Singers (Choral Group)

Order of Service: - Prelude - Hymn 559 - The Son of God Goes Forth To War - The Versicles (pp. 120-121) - Hymn 452 - Out of the Depths I Cry To Thee: vv. 1 - 5 - Romans 13:1-5: Let every soul be subject to the governing authorities. For there is no authority except from God, and the authorities that exist are appointed by God. Therefore whoever resists the authority resists the ordinance of God, and those who resist will bring judgment on themselves. For rulers are not a terror to good works, but to evil. Do you want to be unafraid of the authority? Do what is good, and you will have praise from the same. For he is God's minister to you for good. But if you do evil, be afraid; for he does not bear the sword in vain; for he is God's minister, an avenger to execute wrath on him who practices evil. Therefore you must be subject, not only because of wrath but also for conscience' sake. - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 592 - Praise God, From Whom All Blessings Flow - Postlude Service Participants: Chaplain Don Moldstad (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Prof. Ann Fredrickson (Choir Director), Mary Martha Singers (Choral Group)

Order of Service: - Prelude - The Confession of Sin (p. 120) - Hymn 467 - in God, My Faithful God - The Versicles (pp. 120-121) - Choral Psalmody: Praise to the Lord (Psalm 150) - Matthew 6:24-30: “No one can serve two masters; for either he will hate the one and love the other, or else he will be loyal to the one and despise the other. You cannot serve God and mammon. Therefore I say to you, do not worry about your life, what you will eat or what you will drink; nor about your body, what you will put on. Is not life more than food and the body more than clothing? Look at the birds of the air, for they neither sow nor reap nor gather into barns; yet your heavenly Father feeds them. Are you not of more value than they? Which of you by worrying can add one cubit to his stature? So why do you worry about clothing? Consider the lilies of the field, how they grow: they neither toil nor spin; and yet I say to you that even Solomon in all his glory was not arrayed like one of these. Now if God so clothes the grass of the field, which today is, and tomorrow is thrown into the oven, will He not much more clothe you, O you of little faith?” - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 71 - The Lord Hath Helped Me Hitherto - Postlude Service Participants: Chaplain Don Moldstad (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Andrew Wade (Instrumentalist), Prof. Ann Fredrickson (Choir Director), Hannah Caauwe (Pianist), Mary Martha Singers (Choral Group)

Order of Service: - Prelude - The Confession of Sin (p. 120) - Hymn 467 - in God, My Faithful God - The Versicles (pp. 120-121) - Choral Psalmody: Praise to the Lord (Psalm 150) - Matthew 6:24-30: “No one can serve two masters; for either he will hate the one and love the other, or else he will be loyal to the one and despise the other. You cannot serve God and mammon. Therefore I say to you, do not worry about your life, what you will eat or what you will drink; nor about your body, what you will put on. Is not life more than food and the body more than clothing? Look at the birds of the air, for they neither sow nor reap nor gather into barns; yet your heavenly Father feeds them. Are you not of more value than they? Which of you by worrying can add one cubit to his stature? So why do you worry about clothing? Consider the lilies of the field, how they grow: they neither toil nor spin; and yet I say to you that even Solomon in all his glory was not arrayed like one of these. Now if God so clothes the grass of the field, which today is, and tomorrow is thrown into the oven, will He not much more clothe you, O you of little faith?” - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 71 - The Lord Hath Helped Me Hitherto - Postlude Service Participants: Chaplain Don Moldstad (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Andrew Wade (Instrumentalist), Prof. Ann Fredrickson (Choir Director), Hannah Caauwe (Pianist), Mary Martha Singers (Choral Group)

Order of Service: - Prelude - The Confession of Sin (p. 120) - Hymn 467 - in God, My Faithful God - The Versicles (pp. 120-121) - Choral Psalmody: Praise to the Lord (Psalm 150) - Matthew 6:24-30: “No one can serve two masters; for either he will hate the one and love the other, or else he will be loyal to the one and despise the other. You cannot serve God and mammon. Therefore I say to you, do not worry about your life, what you will eat or what you will drink; nor about your body, what you will put on. Is not life more than food and the body more than clothing? Look at the birds of the air, for they neither sow nor reap nor gather into barns; yet your heavenly Father feeds them. Are you not of more value than they? Which of you by worrying can add one cubit to his stature? So why do you worry about clothing? Consider the lilies of the field, how they grow: they neither toil nor spin; and yet I say to you that even Solomon in all his glory was not arrayed like one of these. Now if God so clothes the grass of the field, which today is, and tomorrow is thrown into the oven, will He not much more clothe you, O you of little faith?” - Homily - Magnificat (choral setting by Ralph Vaughan Williams) - The Kyrie (p. 124) - The Lord's Prayer (p. 125) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus (p. 127) - The Benediction (p. 127) - Hymn 71 - The Lord Hath Helped Me Hitherto - Postlude Service Participants: Chaplain Don Moldstad (Preacher), Rev. Prof. Mark DeGarmeaux (Organist), Andrew Wade (Instrumentalist), Prof. Ann Fredrickson (Choir Director), Hannah Caauwe (Pianist), Mary Martha Singers (Choral Group)

Welcome to Busy Kids Love Music, the podcast for busy families and kids who love music and want to learn more about their favorite composers, instruments, and styles of music. I'm your host, Carly Seifert, the creator of Busy Kids Do Piano, and today we are kicking off a special 3-part series on the life and music of the great composer, Gustav Holst. In this first episode, we'll explore Holst's family life, his early interest in music, his musical training, and some of the unique characteristics that make his compositions stand out. Episode Highlights: - Early Life and Family Background: Gustav Holst was born on September 21, 1874, in Cheltenham, England, into a musical family. His father, Adolph von Holst, was a professional musician, and his mother, Clara, was a singer and pianist. Sadly, Clara passed away when Gustav was just eight years old. - Musical Training: Holst received his first piano lessons from his father and also learned to play the violin and trombone. Despite health issues such as severe asthma, neuritis, and eyesight problems, Holst's passion for music never waned. He began composing at the age of twelve. - Royal College of Music: Holst faced initial rejection but eventually gained admission to the Royal College of Music in London in 1893. There, he studied composition with Sir Charles Villiers Stanford and formed a lifelong friendship with fellow composer Ralph Vaughan Williams. - Family Life: In 1901, Holst married Isobel Harrison, a soprano and former student. They had a daughter, Imogen Holst, who became a respected composer, conductor, and musicologist. The Holst family was close-knit, providing Gustav with inspiration and support. - Musical Influences and Style: Holst incorporated various influences into his compositions, including English folk music and Indian music. His innovative harmonies and complex rhythms gave his music a distinctive sound. He was also interested in astrology, which inspired his famous suite, "The Planets." I hope you enjoy learning about the life of Gustav Holst. In our next episode, we'll dive deeper into some of his most famous works, including "The Planets." Be sure to tune in and discover the magic of Holst's music. Musical Samples You'll Hear in this Episode: Holst St. Paul's Suite Gustav Holst - Two Pieces for Piano, H. 179 (1930-32) Holst - Savitri Gustav Holst - Mars Playlist for Episode 130 I've curated a playlist on YouTube of the pieces you heard in today's episode as well as additional famous works by Gustav Holst. Check it out here. Subscribe & Review  If you enjoy the podcast, please subscribe and leave a review on your favorite podcast platform. Your support helps us reach more music-loving families!

Ralph Vaughan Williams - Songs of Travel: The Roadside FireRoderick Williams, baritone Iain Burnside, pianoMore info about today's track: Naxos 8.557643Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

BELIEVE IT OR NOT, the combination of ambient nature sounds and electronic music was actually an innovation in the 1970s. And you may be surprised that the idea had a history in European classical music, especially in England and France. In England, it was the so-called "pastoral" composers like ARNOLD BAX and RALPH VAUGHAN WILLIAMS, who created orchestral images of nature. In France, it was the Impressionists, from CLAUDE DEBUSSY to OLIVIER MESSIAEN. They didn't have recordings, so they created new instruments and playing techniques to imitate natural sounds like wind and birdsongs. By the mid-20th century, we could record the sounds of nature, edit them and play them back at will. In the 1950s, avant-garde composers like JOHN CAGE were promoting an awareness of ambient sound as equal to music. Music...was how you listened. Incorporating nature sounds into music was the next step; beside, film soundtracks had been doing it for years. The psychology is foundational: humans evolved listening to natural sounds, and they send a message we respond to instinctively. For example, birdsong on a gentle summer morning is delightful and calming. Blend in some subtle synthesizers, season with gourmet reverberation and you have what two young Canadians named MYCHAEL DANNA and TIM CLÉMENT called "environmental electronic music." It's an idea that was embraced by New Age musicians and in time became a bit of a cliché. But it led to an electronic genre of extended tone-color journeys in virtual space, which is still alive and well. On this transmission of Hearts of Space, the fluid, airy sound of summer spacemusic, on a program called SUMMERTONES 3. Music is by MEG BOWLES, DANNA & CLÉMENT, CHRONOTOPE PROJECT, ALTUS, and STELLIA. [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

The Visitation of the Blessed Virgin Mary (transferred) ORISON: Beata progenies – Leonel Power (c. 1375/1385-1445) PSALMS 134 and 4 – Peter R. Hallock (1924-2014) HYMN: Virgin born, we bow before thee (Tune: MON DIEU, PRÊTE-MOI L'OREILLE) – mel. Loys Bourgeois (c. 1510-1559); harm. Ralph Vaughan Williams (1872-1958) NUNC DIMITTIS from Second Fauxbourdon Service – […]

Opening Song: O Perfect Father (https://open.spotify.com/track/1mfPJg5LE2qqRMbmdmFw90?si=e99af498e587487f) by Steph Macleod Lyrics: O Perfect Father on Heaven's throne Who gave my orphan heart a home Treasured and destined before all time Forever claimed by Your love divine What wondrous kindness shown to me To know that I'm eternally A chosen child of God above The perfect Father with perfect love You never fail me You never leave You will provide my every need Joyful or burdened I seek Your face O Father You never turn away Your presence is my perfect peace No other place I long to be A chosen child of God above The perfect Father with perfect love Whom shall I fear in the days to come You are the great Almighty One Formed in Your image I bear Your name Yet in Your heart still my heart remains My silent prayer You always hear You cradle every secret tear A chosen child of God above The perfect Father with perfect love Father my Father who reigns on High Your sovereign name be glorified Lead me through life with great words of truth My passion Father to worship You What joy to serve You all my days I live to follow and obey A chosen child of God above The perfect Father with perfect love What joy to follow all my days I live to follow and obey A chosen child of God above The perfect Father with perfect love Passage: 8 “Lord,” said Philip, “show us the Father, and that's enough for us.” 9 Jesus said to him, “Have I been among you all this time and you do not know me, Philip? The one who has seen me has seen the Father. How can you say, ‘Show us the Father'? 10 Don't you believe that I am in the Father and the Father is in me? The words I speak to you I do not speak on my own. The Father who lives in me does his works. 11 Believe me that I am in the Father and the Father is in me. Otherwise, believe because of the works themselves. 12 “Truly I tell you, the one who believes in me will also do the works that I do. And he will do even greater works than these, because I am going to the Father. 13 Whatever you ask in my name, I will do it so that the Father may be glorified in the Son. 14 If you ask me anything in my name, I will do it. 15 “If you love me, you will keep my commands. 16 And I will ask the Father, and he will give you another Counselor to be with you forever. 17 He is the Spirit of truth. The world is unable to receive him because it doesn't see him or know him. But you do know him, because he remains with you and will be in you. -- John 14:8-17 (CSB) Musical Reflection: I Heard the Voice of Jesus Say (KINGSFOLD), English folk song from anthology by Lucy E. Broadwood and J. A. Fuller Maitland, harmonized by Ralph Vaughan Williams Reflection Notes: Famed English composer Ralph Vaughan Williams heard this tune from an English folk song anthology and harmonized it for the text by Horatius Bonar. The first and third sections of the song are primarily in e minor, while the middle section transitions to the relative major key. Prayer:

Paul binds the physical body with resurrection, a holistic change from life as we have structured and understood it to that which is eternal as Jesus' life, death and resurrection gifted us. Our faith is intricately tied to a belief in the unbelievable while living and loving as Jesus did, attending to the needs of bodies in the here and now. Bodies matter now and in a future we can not know or understand - for now. Sermon begins at minute marker 6:03I Corinthians 15:1-26, 51-57ResourcesBelievers Church Bible Commentary: 1 Corinthians, By: Dan NighswanderBibleWorm podcast Episode 540 The Resurrection of the Body Working Preacher's Narrative Lectionary 584 - Death Swallowed in LifeImage:   Align Towards Spine on UnsplashHymn: Voices Together, 433, I Believe in God Almighty. Text:  based on Apostles' Creed (Mediterranean), ca. 4th c.; Sylvia G. Dunstan (Canada), In Search of Hope and Grace, © 1991 GIA Publications. Music: American traditional (USA), Christian Lyre, 1831; harm. Ralph Vaughan Williams, The English Hymnal, 1906. Permission to podcast the music in this service obtained from One License with license #A-726929. All rights reserved.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. O taste and see – Ralph Vaughan Williams

Donald Macleod explores the life and music of Charles Villiers Stanford. With Jeremy DibbleMarking the centenary of his death, Composer of the Week explores the remarkable life and music of Sir Charles Villiers Stanford. Stanford was one of the leading musicians of his generation and, along with Parry and Mackenzie, he was one of the main protagonists in Britain's musical renaissance at the end of the 19th century. Born in Dublin, Stanford rose to the very top of the British music scene, as both a conductor and composer. He also maintained strong links to Germany, following his studies in Leipzig and Berlin. Stanford's works were popular in Europe, as well as Britain, with conductors such as Hans Richter promoting his music. Today, Stanford is largely remembered for his sacred works, however his prolific output covers most genres and he had a particular passion for opera. He was an influential teacher at the Royal College of Music and Cambridge University; many future musical luminaries passed through his classes, including Gustav Holst, Ralph Vaughan Williams, Rebecca Clarke and Samuel Coleridge-Taylor. Stanford was a tremendous force for good in British music, and in honour of his contribution to British culture, his ashes are interred in Westminster Abbey close to the remains of Henry Purcell. This week, Donald Macleod is joined by Stanford biographer, Jeremy Dibble to explore Stanford life and music.Music Featured:The Bluebird, Op 119 No 3 (excerpt) Three Intermezzi, Op 13 No 1 (Allegretto scherzando) The Resurrection, Op 5 Symphony No 1 (Scherzo) The Veiled Prophet (Act 2 Love Duet) Service in B flat major, Op 10 (Magnificat) Symphony No 2 ‘Elegiac' (Lento espressivo) To the Rose, Op 19 No 3 Piano Trio No 1, Op 35 (Allegretto con moto) Elegiac Ode, Op 21 (The night, in silence, under many a star) The Lord is my Shepherd Symphony No 3, Op 28 “Irish” (Allegro molto Vivace) Piano Quintet in D minor, Op 25 (Allegro risoluto) A Child's Garland of Songs, Op 30 No 9 (My ship and me) The Clown's Song from Twelfth Night', Op 65 No 3 Six Irish Fantasies, Op 54 No 3 (Jig) Symphony No 5, Op 56 ‘L'Allegro ed il Pensieroso' (Andante molto tranquillo) Shamus O'Brien, Op 61 (Act 2 Captain Trevor's Song) Requiem, Op 63 (Agnus Dei et Lux aeterna) Te Deum, Op 66 (Judex crederis) Ten Dances, Old and New, Op 58 No 1 (Valse) Songs of the Sea, Op 91 No 3 (Devon, O Devon, in wind and rain) Magnificat in G, Op 81 String Quartet No 4 in G minor, Op 99 (Allegro molto vivace) Stabat Mater, Op 96 (Virgo virginum praeclara) String Quintet No 2 in C minor, Op 86 (Andante) A Song of Hope, Op 113 No 3 Six Songs from ‘The Glens of Antrim', Op 174 No 2 (The sailor man) String Quartet No 7 in C minor, Op 166 (Allegro molto) Irish Rhapsody No 4, Op 141 (The Fisherman of Loch Neagh and What he Saw) An Irish Idyll in Six Miniatures, Op 77 No 2 (The Fairy Lough) Mass Via Victrix, Op 173 (Agnus Dei) How beauteous are their feetPresented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Villiers Stanford (1852-1924) https://www.bbc.co.uk/programmes/m001xdr0And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

durée : 01:27:40 - En pistes ! du lundi 04 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe vous proposent d'écouter ce matin les Danses slaves de Dvorak, Fantasia de Francesco da Milano, le final de la Symphonie n°2 de Beethoven, Along the Field de Ralph Vaughan-Williams mais aussi les Sonates en pièces de clavecin d'Armand Louis Couperin et la Symphonie n° 5 de Mahler

De Mathias Duplessy a Tchaikovsky o Scarlatti a Gianluigi Trovesi con Stefano Montanari. Vaughan Williams, Elizabeth Maconchy, Arnold Bax o Fernando Buide del Real interpretados por Iria Folgado en Ecos de Breogán. Liszt homenajeando a Chopin en los dedos de Boris Bloch y la canción popular gallega en los de Alberto Vilas. Ballaké Sissoko y Vincent Ségal y el  Adagio assai del Concierto para piano en sol mayor de Ravel, con Anne Queffélec al piano y Alain Lombard al frente de la Filarmónica de Estrasburgo. Nada que añadir.  Sonate pour guitare et violoncelle en quatre rêves: III. Rêve mélancolique Jérémy Jouve           Jérémy Jouve & Friends (Play Mathias Duplessy Chamber Music)Valse sentimentale, Op. 51, No. 6     Heinrich Schiff, Samuel Sanders       Academia: Classical Works - Tchaikovsky, Rachmaninoff etc.Keyboard Sonata in E Minor, K.394/L.275/P.349      Boris Bloch     Piano Works, Vol. 6 - ScarlattiSonata No. 10 Cavaletto zoppo        Gianluigi Trovesi y Stefano Montanari Stravaganze consonantiSix Studies in English Folksong: I. Adagio 'Lovely on the Water'Six Studies in English Folksong: V. Andante 'The Lady and the Dragoon' de Ralph Vaughan WilliamsAdagio para corno inglés de Fernando Buide del RealQuintet for Oboe and Strings: III. Allegro non troppo de Elizabeth MaconchyQuintet for Oboe and Strings: III. Allegro giocoso de Arnold BaxIria Folgado    Ecos de Breogán 6 Polish Songs, S. 480: No. 2, Frühling Boris Bloch   Liszt: Piano Works (Live)Prélude Ballaké Sissoko, Vincent Ségal        Musique de NuitPiano Concerto in G Major, M. 83: II. Adagio assai  Anne Queffélec, Alain Lombard, Orchestre Philharmonique de Strasbourg Ravel : Piano Concertos & Debussy : FantaisieEscuchar audio

Opening Song: The Blessing (https://open.spotify.com/track/5cebPQVq4mdFykugzU2LfU?si=3e2908fc5e7e4407) by Chris Brown, Cody Carnes, Kari Jobe, and Steven Furtick Lyrics: The Lord bless you And keep you Make his face shine upon you And be gracious to you The Lord turn his Face toward you And give you peace Amen Amen Amen May his favor Be upon you And a thousand generations And your family And your children And their children And their children May his presence Go before you And behind you And beside you All around you And within you He is with you He is with you In the morning In the evening In your coming And your going In your weeping And rejoicing He is for you He is for you Passage: 1 The LORD said to Abram: Go from your land, your relatives, and your father's house to the land that I will show you. 2 I will make you into a great nation, I will bless you, I will make your name great, and you will be a blessing. 3 I will bless those who bless you, I will curse anyone who treats you with contempt, and all the peoples on earth will be blessed through you. (Genesis 12:1-3 CSB) Musical Reflection: I Heard the Voice of Jesus Say (KINGSFOLD), English folk song from anthology by Lucy E. Broadwood and J. A. Fuller Maitland, harmonized by Ralph Vaughan Williams Reflection Notes: Famed English composer Ralph Vaughan Williams heard this tune from an English folk song anthology and harmonized it for the text by Horatius Bonar. The first and third sections of the song are primarily in e minor, while the middle section transitions to the relative major key. Prayer: This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be. If I am to stand up, help me to stand bravely. If I am to sit still, help me to sit quietly. If I am to lie low, help me to do it patiently. And if I am to do nothing, let me do it gallantly. Make these words more than words, and give me the Spirit of Jesus. Amen.

Order of Service: - Prelude: Salvation Is Created, by Pavel Tchesnokov, arr. McAlister - Hymn 194 - Led On Their Way By This Triumphant Sign - 1 Peter 3:15-16: But sanctify the Lord God in your hearts, and always be ready to give a defense to everyone who asks you a reason for the hope that is in you, with meekness and fear; having a good conscience, that when they defame you as evildoers, those who revile your good conduct in Christ may be ashamed. - Devotion - Prayer - Hymn 191 - Hark! the Voice of Jesus Crying - Blessing - Postlude: Dona Nobis Pacem, by Ralph Vaughan Williams Service Participants: Chaplain Don Moldstad (Preacher), Prof. Ben Faugstad (Director), BLC Chamber Orchestra (Instrumental Group)

Order of Service: - Prelude: Salvation Is Created, by Pavel Tchesnokov, arr. McAlister - Hymn 194 - Led On Their Way By This Triumphant Sign - 1 Peter 3:15-16: But sanctify the Lord God in your hearts, and always be ready to give a defense to everyone who asks you a reason for the hope that is in you, with meekness and fear; having a good conscience, that when they defame you as evildoers, those who revile your good conduct in Christ may be ashamed. - Devotion - Prayer - Hymn 191 - Hark! the Voice of Jesus Crying - Blessing - Postlude: Dona Nobis Pacem, by Ralph Vaughan Williams Service Participants: Chaplain Don Moldstad (Preacher), Prof. Ben Faugstad (Director), BLC Chamber Orchestra (Instrumental Group)

Order of Service: - Prelude: Salvation Is Created, by Pavel Tchesnokov, arr. McAlister - Hymn 194 - Led On Their Way By This Triumphant Sign - 1 Peter 3:15-16: But sanctify the Lord God in your hearts, and always be ready to give a defense to everyone who asks you a reason for the hope that is in you, with meekness and fear; having a good conscience, that when they defame you as evildoers, those who revile your good conduct in Christ may be ashamed. - Devotion - Prayer - Hymn 191 - Hark! the Voice of Jesus Crying - Blessing - Postlude: Dona Nobis Pacem, by Ralph Vaughan Williams Service Participants: Chaplain Don Moldstad (Preacher), Prof. Ben Faugstad (Director), BLC Chamber Orchestra (Instrumental Group)

Opening Song: Here's My Heart (https://open.spotify.com/track/1m4hUSuv0IlccTAOOBRumJ?si=c1aabc4766584acc) by Chris Tomlin, Jason Ingram, Louie Giglio, sung by Lauren Daigle Lyrics: Here's my heart Lord Here's my heart Lord Here's my heart Lord Speak what is true 'Cause I am found I am Yours I am loved I'm made pure I have life I can breathe I am healed I am free 'Cause You are strong You are sure You are life You endure You are good always true You are light breaking through Here's my heart Lord Here's my heart Lord Here's my heart Lord Speak what is true Here's my life Lord Here's my life Lord Here's my life Lord Speak what is true Speak what is true Speak what is true You are more than enough You are here You are love You are hope You are grace You're all I have You're everything Passage: The boy Samuel served the Lord in Eli's presence. In those days the word of the Lord was rare and prophetic visions were not widespread. 2 One day Eli, whose eyesight was failing, was lying in his usual place. 3 Before the lamp of God had gone out, Samuel was lying down in the temple of the Lord, where the ark of God was located. 4 Then the Lord called Samuel, and he answered, “Here I am.” 5 He ran to Eli and said, “Here I am; you called me.” “I didn't call,” Eli replied. “Go back and lie down.” So he went and lay down. 6 Once again the Lord called, “Samuel! ” Samuel got up, went to Eli, and said, “Here I am; you called me.” “I didn't call, my son,” he replied. “Go back and lie down.” 7 Now Samuel did not yet know the Lord, because the word of the Lord had not yet been revealed to him. 8 Once again, for the third time, the Lord called Samuel. He got up, went to Eli, and said, “Here I am; you called me.” Then Eli understood that the Lord was calling the boy. 9 He told Samuel, “Go and lie down. If he calls you, say, ‘Speak, Lord, for your servant is listening.' ” So Samuel went and lay down in his place. 10 The Lord came, stood there, and called as before, “Samuel, Samuel! ” Samuel responded, “Speak, for your servant is listening.” 11 The Lord said to Samuel, “I am about to do something in Israel that will cause everyone who hears about it to shudder. 12 On that day I will carry out against Eli everything I said about his family, from beginning to end. 13 I told him that I am going to judge his family forever because of the iniquity he knows about: his sons are cursing God, and he has not stopped them. 14 Therefore, I have sworn to Eli's family: The iniquity of Eli's family will never be wiped out by either sacrifice or offering.” 15 Samuel lay down until the morning; then he opened the doors of the Lord's house. He was afraid to tell Eli the vision, 16 but Eli called him and said, “Samuel, my son.” “Here I am,” answered Samuel. 17 “What was the message he gave you? ” Eli asked. “Don't hide it from me. May God punish you and do so severely if you hide anything from me that he told you.” 18 So Samuel told him everything and did not hide anything from him. Eli responded, “He is the Lord. Let him do what he thinks is good.” 19 Samuel grew. The Lord was with him, and he fulfilled everything Samuel prophesied. 20 All Israel from Dan to Beer-sheba knew that Samuel was a confirmed prophet of the Lord. 21 The Lord continued to appear in Shiloh, because there he revealed himself to Samuel by his word. -- 1 Samuel 3:1-21 (CSB) Musical Reflection: I Heard the Voice of Jesus Say (KINGSFOLD), English folk song from anthology by Lucy E. Broadwood and J. A. Fuller Maitland, harmonized by Ralph Vaughan Williams Reflection Notes: Famed English composer Ralph Vaughan Williams heard this tune from an English folk song anthology and harmonized it for the text by Horatius Bonar. The first and third sections of the song are primarily in e minor, while the middle section transitions to the relative major key. Prayer: Father, what we know not, teach us; what we have not, give us; what we are not, make us; for the sake of your Son our Savior. Amen. -Old Anglican Prayer

Ralph Vaughan Williams - Five English Folk Songs: Wassail SongRoger Wagner ChoraleCalifornia State University Handbell ChoirRoger Wagner, conductorMore info about today's track: Delos DE3072Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

The rural landscapes of Gloucestershire have inspired many classical composers - including Herbert Howells, Gerald Finzi, Ralph Vaughan Williams and Ivor Gurney, to name just a few. In this programme, Rose Ferraby finds out about the links between landscape and music and learns about the extraordinary cluster of composers who were associated with Gloucester Cathedral in the early part of the 20th century. She talks to academics and musicians about how a love of the Gloucestershire countryside influenced composers of the time and visits some of the beauty spots which inspired them - including Chosen Hill, believed to be the only hill to have a piano quartet dedicated to it. At Gloucester Cathedral, she hears the choristers sing the Gloucester Service, a setting of the Magnificat and Nunc Dimittis by Herbert Howells, and meets the cathedral's director of music - who was himself taught by Howells at the Royal College of Music.Produced by Emma Campbell

Opening Song: Psalm 126 (https://open.spotify.com/track/2Urw2FGFCqSaPhhH9DpAzx?si=b76fa1908cf24769) by Isaac Wardell Lyrics: Our mouths they were filled, filled with laughter Our tongues they were loosed loosed with joy Restore us O Lord Restore us O Lord Although we are weeping Lord help us keep sowing The seeds of Your kingdom For the day You will reap them Your sheaves we will carry Lord please do not tarry All those who sow weeping Will go out with songs of joy The nations will say He has done great things The nations will sing songs of joy Restore us O Lord Restore us O Lord Passage: Restore Our Fortunes, O Lord A Song of Ascents. 126 When the Lord restored the fortunes of Zion, we were like those who dream. 2 Then our mouth was filled with laughter, and our tongue with shouts of joy; then they said among the nations, “The Lord has done great things for them.” 3 The Lord has done great things for us; we are glad. 4 Restore our fortunes, O Lord, like streams in the Negeb! 5 Those who sow in tears shall reap with shouts of joy! 6 He who goes out weeping, bearing the seed for sowing, shall come home with shouts of joy, bringing his sheaves with him. Musical Reflection: Let All Mortal Flesh Keep Silence (PICARDY) Reflection Notes: Adapted from a medieval French folk tune, PICARDY was later arranged by esteemed English composer Ralph Vaughan Williams as a congregational hymn. The minor tonalities and scalar phrasing are very reminiscent of chant and serve to create a hushed environment in which to reflect on the rich text. Prayer: Your glorious Majesty surround me, the blessed Trinity protect me, and the eternal Godhead preserve me. Your unlimited mercy support me; your loving kindness encompass me; your favor make me to rejoice. The eternal truth of God be my delight, the saving knowledge of Christ strengthen me, and the all-prevailing grace of God be sufficient for me. May the grace of God the Father lead me, the wisdom of God the Son be my consolation, and the power of the Holy Spirit enlighten me. Lord my Creator, stand by me; my Redeemer, save me; and my Comforter, dwell with me. Amen. -Johann Habermann

Opening Song: Psalm 80 (https://open.spotify.com/track/2NsdC4MAwUv7qE8Svw4xBQ?si=f97026dad8eb46ba) by Poor Bishop Hooper Lyrics: O God, restore Shine Your face Once more on us Hear us, Shepherd of Israel You who shepherd Your people well Who sits among the light O God, restore Shine Your face Once more on us Come again, Almighty One The vine You've chosen needs the Son Who sits at Your right hand The One whom You've raised up O God, restore Shine Your face Once more on us Passage: 1 Listen, Shepherd of Israel, who leads Joseph like a flock; you who sit enthroned between the cherubim, shine 2 on Ephraim, Benjamin, and Manasseh. Rally your power and come to save us. 3 Restore us, God; make your face shine on us, so that we may be saved. 4 LORD God of Armies, how long will you be angry with your people's prayers? 5 You fed them the bread of tears and gave them a full measure of tears to drink. 6 You put us at odds with our neighbors; our enemies mock us. 7 Restore us, God of Armies; make your face shine on us, so that we may be saved. (Psalm 80:1-7 CSB) Musical Reflection: Let All Mortal Flesh Keep Silence (PICARDY) Reflection Notes: Adapted from a medieval French folk tune, PICARDY was later arranged by esteemed English composer Ralph Vaughan Williams as a congregational hymn. The minor tonalities and scalar phrasing are very reminiscent of chant and serve to create a hushed environment in which to reflect on the rich text. Prayer: Almighty God, who sees that we have no power of ourselves to help ourselves, keep us both outwardly in our bodies and inwardly in our souls, that we may be defended from all adversities that may happen to the body and from all evil thoughts that may assault and hurt the soul; through Jesus Christ our Lord. Amen. -The Gregorian Sacramentary

Kantor Matthew Gerhardt at St. Paul's Lutheran Church & School in Des Peres, MO, our KFUO Radio Church of the Week, joins Andy and Sarah to talk about the place of music in congregational life at St. Paul's Des Peres, how the service of Lessons and Carols has become a tradition at St. Paul's, what happens in Lessons and Carols, and what we can look forward to in this year's Lessons and Carols on December 9 and 10. Find more details at stpaulsdesperes.org/news/seasonal-services. Saturday, December 9, 5:00pm   |   Sunday, December 10, 4:00pm  St. Paul's Lutheran Church, 12345 Manchester Road, Des Peres, MO (Corner of Manchester and Ballas Roads, Across from West County Shopping Center) stpaulsdesperes.org/music Music included in this episode: Elizabeth Poston (1905-1987)  - “Jesus Christ the Apple Tree” - Listen on YouTube John Gardner (1917-2011) - “Tomorrow Shall Be My Dancing Day” - Listen on YouTube George Frederick Handel (1685-1759) - “And the Glory” - Messiah - Listen on YouTube  Carl Schalk (1929-2021) - “Where Shepherds Lately Knelt” - Listen on YouTube  Ralph Vaughan Williams (1872-1958) - Fantasia on Christmas Carols - Listen on YouTube

Opening Song: Until These Tears Are Gone (https://open.spotify.com/track/3IiyBE4REzaKqYxiwqbPLn?si=4bc5da1b7e2b4504) by Eric J. Marshall Lyrics: Flood this heart with assurance of Your mercy Fill this mind with knowledge of Your love Hold me fast through the deep and steady current How long how long till these tears are gone Every hour awake me to Your presence Shine Your light brighter than the dawn Send Your joy illuminate the darkness How long how long till these tears are gone How long how long till these tears are gone I'll fix my eyes on eternity above Where every lie is uncovered by Your love I'll fix my eyes on eternity above Where every lie every shadow Is uncovered by Your love Lord You hear the pleading of the faithful I search for You hide not Your face Here I drift a shell among the ruins How long how long till these tears are gone How long how long till these tears are gone How long how long till these tears are gone How long how long till these tears are gone Passage: 6 “For I the Lord do not change; therefore you, O children of Jacob, are not consumed. 7 From the days of your fathers you have turned aside from my statutes and have not kept them. Return to me, and I will return to you, says the Lord of hosts. But you say, ‘How shall we return?' 8 Will man rob God? Yet you are robbing me. But you say, ‘How have we robbed you?' In your tithes and contributions. 9 You are cursed with a curse, for you are robbing me, the whole nation of you. 10 Bring the full tithe into the storehouse, that there may be food in my house. And thereby put me to the test, says the Lord of hosts, if I will not open the windows of heaven for you and pour down for you a blessing until there is no more need. 11 I will rebuke the devourer[a] for you, so that it will not destroy the fruits of your soil, and your vine in the field shall not fail to bear, says the Lord of hosts. 12 Then all nations will call you blessed, for you will be a land of delight, says the Lord of hosts. Musical Reflection: I Heard the Voice of Jesus Say (KINGSFOLD), English folk song from anthology by Lucy E. Broadwood and J. A. Fuller Maitland, harmonized by Ralph Vaughan Williams Reflection Notes: Famed English composer Ralph Vaughan Williams heard this tune from an English folk song anthology and harmonized it for the text by Horatius Bonar. The first and third sections of the song are primarily in e minor, while the middle section transitions to the relative major key. Prayer: Father, what we know not, teach us; what we have not, give us; what we are not, make us; for the sake of your Son our Savior. Amen. -Old Anglican Prayer

Exploring the motets and part-songs of Ralph Vaughan Williams, including O taste and see and The cloud capp'd towers. Led by Thomas Perkins Directed and accompanied by Polina Sosnina Performed by St Martin's Voices With thanks to the donors of the Spirit of St Martin's Campaign for supporting this season of Great Sacred Music.

The Nineteenth Sunday after Pentecost ORISON: Dedication – Joshua Haberman (b. 1982) PSALM 80:7-14 – Plainsong, Tone IV.4 HYMN: As those of old their first fruits brought (Tune: FOREST GREEN) – English mel.; adapt. Ralph Vaughan Williams (1872-1958) NUNC DIMITTIS – Arthur Wills (1926-2020) ANTHEM: Descendi in hortum nucum – Giovannia Pierluigi da Palestrina (1525-1594) Jason […]

SynopsisEven during the bombing of London by the German Air Force, the London Blitz of World War Two, the BBC Proms Concerts continued.True, in 1941 a German incendiary bomb did destroy the long-time home of the Proms, Queen's Hall on Langham Place, but, not to be deterred, the Proms simply moved to the Royal Albert Hall in South Kensington.Wartime Proms programs included this printed notice: “In the event of an Air Raid Warning the audience will be informed immediately, so that those who wish to take shelter either in the building or in public shelters outside, may do so, The concert will then continue.”Talk about pluck!In 1944, the British composer Ralph Vaughan Williams completed a new oboe concerto to be premiered at a Proms concert, but a German V-1 rocket that landed dangerously near the Albert Hall led to an early end to that Proms season, since the V-1 rockets, unlike the German bombers, didn't allow enough warning time to clear the hall.So, on today's date in 1944, the new Vaughan Williams concerto was premiered not in London, but in Liverpool, with soloist Leon Goossens and Malcolm Sargent conducting the Liverpool Philharmonic.Music Played in Today's ProgramRalph Vaughan Williams (1872-1958) Oboe Concerto in A minor David Theodore, oboe; London Symphony; Bryden Thomson, cond. Chandos 8594

Tonight we are joined by Tim Marko, a local author who promotes his children's book by reading it to strangers.  That's right: he approaches passersby and, in a daring display of chutzpah, asks to read Sammy's Sprawl to them. Follow the link to his TikTok, where you can watch videos of these encounters! One of those strangers was our own The Lotus, and... well, now he's here! We chat about the audacity required to put yourself out there and the power constraints offer to the creative mind. Stories begin at the 19 minute mark and include a hasty limerick; a story about a dog; eternal night (the busy season); a rather unliked individual, who died; the unbearable why; and a tale of a cemetery and a serial killer. From Brewer's Dictionary of Phrase and Fable: Golders Green. The district of northwest London is synonymous with its crematorium, the resting place of the ashes of many famous people, including Sir Henry Irving, Rudyard Kipling, Neville Chamberlain, Stanley Baldwin, George Bernard Shaw, Ralph Vaughan Williams and T.S. Eliot. It was opened in 1902.Check out our website for a featured story from this week's episode, and be sure to follow us on Instagram (if that's your sort of thing). Please do send us an email with your story if you write along, which we hope you will do. Episodes of Radio FreeWrite are protected by a Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) license. All Stories remain the property of their respective authors.

SynopsisOn today's date in 1958, just nine days after his death, a funeral service was held for the British composer Ralph Vaughan Williams at Westminster Abbey, where his ashes were laid to rest. Now, many famous people are buried at Westminster Abbey, but an actual funeral service there, especially for someone not of the royal family, is pretty rare. In fact, Vaughan Williams was the first commoner to be buried there for almost 300 years.The previous such event had been for the 17th English composer and sometime organist of the Abbey, Henry Purcell–whose grave, like Vaughan Williams, is in the Abbey's north choir aisle, should you wish to pay your respects.Vaughan Williams had left instructions for which music was to be played: his anthem O taste and see and also his setting of the hymn, All people that on earth do dwell, written for the coronation of Queen Elizabeth II, which had taken place at Westminster Abbey just five years earlier, in 1953.The service was broadcast live by the BBC, and the announcer noted that if all the submitted requests to attend had have been honored, the Abbey would have been filled twice over.Music Played in Today's ProgramRalph Vaughan Williams (1872 - 1958) "O Taste and See" and "All People that on Earth do Dwell" (arr. of "Old 100th") The Cambridge Singers; John Rutter, cond. Collegium 107Ralph Vaughan Williams (arr.) All People That on Earth Do Dwell" (Old 100th) Christ Church Cathedral Choir; English Orch; Stephen Darlington, cond. Nimbus 5166

Scott Robert Shaw's debut "The English Tenor" takes us on a beautifully performed journey through a who's who of great English composers and their vocal works. The names Ivor Gurney, Benjamin Britten, Ralph Vaughan Williams, Gerald Finzi and Roger Quilter are synonymous with English Song, and a Golden Age of British music. The wide variety of accompanying instruments and artists, the broad range of text settings, and the mix of cornerstone works of the repertoire alongside lesser-known cycles make "The English Tenor" a thrilling debut album.Five Elizabethan Songs - Ivor Gurney (1890-1937)Along the Field Ralph - Vaughan Williams (1872-1958)Four Songs, Op. 14 - Roger Quilter (1877-1953)8 Folksong Arrangements for High Voice and Harp - Benjamin Britten (1973-1976)Let Us Garlands Bring, Op. 18 - Gerald Finzi (1901-1956)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Ian Partridge, the quintessential English lyric tenor, celebrated his 85th birthday in June. I may be a few weeks late in celebrating that event, but my enthusiasm and admiration for this singer has remained at a consistent level ever since I first discovered his voice on a recording of songs by Ralph Vaughan Williams. Partridge, in fact, has left a vast recorded legacy, including work as both a solo concert artist and recitalist and as a member of such distinguished choral groups as Pro Cantione Antiqua, the Wilbye Consort, and the Louis Halsey Singers. His solo repertoire ranged from 11th century plainsong to the thornier musical 20th century idioms of Schoenberg and Britten. This episode samples the vast array of that recorded legacy, including examples from the Baroque period by Bach, Schütz, Handel, and Monteverdi; through art songs by Schubert, Brahms, Fauré, Bax, Gurney, and Warlock. We also hear him live from Covent Garden in his sole operatic role, the Carthaginian poet Iopas in Berlioz's Les Troyens, and in lute songs and consort music by Campion and Byrd. In all these performances the voice is produced with such ease, the tone so pure and ethereally beautiful, yet never faked or “finessed,” while the interpretations themselves, no matter the musical style, are full of depth, integrity, and subtlety. Here is an enormously satisfying artist who embodies integrity and dedication to his craft. Guest stars include Jill Gomez, Nigel Rogers, Pierre Boulez, Benjamin Britten, Colin Davis, Ernest Ansermet, Norman Walker, Prunella Scales, and the tenor's sister, pianist Jennifer Partridge, with whom he gave over 400 song recitals. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

Founded in 1990, the Bard Music Festival has established its unique identity in the classical concert field by presenting programs that, through performance and discussion, place selected works in the cultural and social context of the composer's world.This year's festival – the 33rd – will present an exploration of the life and work of English composer, Ralph Vaughan Williams.

SynopsisOn today's date in 1914, Austria-Hungary declared war on Serbia, effectively beginning the First World War. Early in the course of that war, a French composer named Albéric Magnard became a national hero when he died defending his home against invading German troops. Maurice Ravel tried to enlist as a French pilot but was refused because of his poor health. Instead, he became a truck driver stationed at the Verdun front. British composer Ralph Vaughan Williams was too old to be drafted, but he enlisted as a private in the Royal Army Medical Corps. Another British composer, George Butterworth, would be killed by a sniper during the Battle of the Somme.The Austrian violinist and composer Fritz Kreisler served briefly in the Austrian Army in 1914 before being wounded and honorably discharged. He arrived in then-neutral New York on November of 1914 and remained in America through the war years. In 1915, Kreisler made a recording of Bach's Double Violin Concerto, performing with the Russian violinist Efrem Zimbalist. Austria and Russian may have been at war in Europe, but in a cramped New Jersey recording studio, at least, the music of Bach provided a brief island of peace and harmony.Music Played in Today's ProgramJ. S. Bach (1685 - 1750) Double Concerto (recorded 1915) Fritz Kreisler, Efrem Zimbalist, vn;string quartet Buddulph CD 21/22