Podcasts about sounds french

“You know I've smoked a lot of grass, Oh Lord I've popped a lot of pills…” – The Pusher Since before the dawn of heavy metal, RELAXERS have been a recurring theme in song lyrics. Whether revered with praise and appreciation or reviled through tales of tragedy and woe, one cannot deny the obvious power and impact RELAXERS have had on heavy music throughout the years. While there are an endless array of RELAXERS available in the world (both legal and illegal, natural and manmade), there are an equally endless variety of songs about them, so many in fact that we could do an entire episode called “Snowblind” although there's much more to metal than the not-so-secret South American plant powder for which Black Sabbath “unofficially” named their 4th album and John Pemberton “officially” used in his refreshingly stimulating soft drinks at the turn of the 20th century. We finally made it to “Nosober November”. Time to get ready to become “unfiltered & unredacted” as you “pass the shortest straw” and follow the bouncing 8-ball while embracing “the darkness inside you” and preparing your blotter for the dropper after you “go and pound some Molsons”. It's time to understand the “Indica vs Sativa” analogy and be ready to “go do some ayahuasca in the jungle” and “taste the rainbow” while congratulating your Ohio friends for finally “making it legal” when you JOIN US as we reflect on the various blessings and curses inherent in a variety of songs about RELAXERS.   Visit www.metalnerdery.com/podcast for more on this episode Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Podcasts or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter Email: metalnerdery@gmail.com   Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast   Show Notes: (00:01): “Now it's fucking official…” / #familyrelatedjokes as read by #DonaldTrump #tremendous #unbelievablecomedy #madeinamerica / #SweetwaterComedy #childhoodchristmases / “We've gotta reacclimate…” / #thisepisodesclinkyoftheepisode / ***WARNING: #listenerdiscretionisadvised ***/ “That's pecan…” / ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** #nosobernovember and/or #noshavenovember (“Downstairs also…”) / #recordscratch ***GO TO THE #SHOWNOTES IF YOU WANNA AVOID THE PRE-SHOW FOREPLAY!!!*** / #thisepisodesbeeroftheepisode #PontoonBrewing #FloatationDevice #SnozzberryEdition / “I read some trivia about #WillyWonka regarding #Snozzberries and what that is…” / #sixpercentABV / “What is it with lactose…is it a replacement for yeast?” / #chinabinder / #RussellsReflections regarding #TheIronMaidens / “That's the song you're supposed to start with…”/ “So your bone disappears as soon as they get married?” / #No / The concept of a #tributeband in this day and age vs back in the day    (09:55): #TheVoicemailSegment / “It's kinda like a #mouthshart …”/ You can email us at metalnerdery@gmail.com (“The Post is doing fine…”) / ***You can follow #MetalNerderyPodcast on the socials at #instatits #facefuck #youboobs *** / ***GIVE US A CALL AND LEAVE US A VOICEMAIL AT 980-666-8182!!!*** / #PissingPostASMR regarding our recent #AIC episode / #brandnewcaller from #TheGreatWhiteNorth and #Molsons and #Anvil and #BattleScar / #PuppersBeerASMR / “When it comes to being a fan, I'm not huge…” / #DariusASMR (“Keep it thrashy…”) / #Sativa vs #Indica / #dejavuASMR / “Before we get started…” / #Djazz #RobScallon / NOTE: That's Scallon, NOT #scallion / “It's a bass with an erection…”   (19:48): #TheDocket #docketthirty (“It's gonna be Narcotic November…sorta…”) /METAL NERDERY PODCAST PRESENTS:  METAL SONGS ABOUT RELAXERS / “We haven't done…and we may never do…”/ ***What was the first song about #drugs that you remember? *** / “Why would you put eggs and bacon on a mirror?” / “That's all women are missing…”/ #herewego / Songs we used to hear on the radio that obviously centered on drugs / “That's #cockheroin is what that is…”/ “All those 60's and 70's rockstars…it was different back then.” / “I don't know why I went there…” / #DefLeppardASMR / #markthetime / “That's NOT the theme of the episode…”/ “I thought it would be funny…and it was.”/ #clairvoyant (“Sounds French…and psychic.”) / #TheTriangle #Unfiltered and #Unredacted (On YouTube) #BlackAndWhite / BURY ME IN SMOKE #DOWN / “I wanna get high now…” / #cantbeloudenough #cantbehighenough / The mystery to Down's sound / DEAD MEN TELL NO TALES #MOTORHEAD / “Put on your 1979 hat…”   (34:11): “We could do a whole episode on #Snowblind …”/ SNOWBLIND #STYX / “The fridge apparently doesn't like Styx either…” / They played a LOT of #cocainesongs on the radio…/ LIT UP (I LOVE YOU COCAINE) #BUCKCHERRY / “You can dress up the word however you want…” / “It has the opposite effect on men…(than women)” / #speedcock (“What does speed do to your dick?”) / SOBER #TOOL (“It's more of a paste…”) / NOTE:  it's actually #heroindrelated / #ilovethehelmet #ilovetool #ilovegoblincock / “They were fucking animals?”/ “While we're there…”/ “It was their Enter Sandman…”/ THE POT #TOOL (“Let's go do some #ayahuasca in the jungle…”) / ROSETTA STONED #TOOL (follow the bouncing ball…) (It's the #holyfuckingshit that does it for me…) / #Hail to #Ohio for #cannabislegalization #GetYourShitTogetherGeorgia / #unicorncum / REEFER SUTHERLAND #BONGRIPPER #DoomPsickle (“That's a great impression of what I just did…”) / #LOL / #longintro #nolyrics / NOTE:  Actually, the lyric is “Soul of a woman was created below…”/ “Why are people so weird about the word moist?” / #moistASMR #markthetime / THE PUSHER #STEPPENWOLF (“My man!”) / “Spy alarms?” / #WTF / #AssassinAdviceASMR / “Because airbags work like that…” / “Let me enjoy it for at least 30 seconds…”    (55:18): DRUGS AND ALCOHOL #SPIRALARMS (“Weird bendy riffs…”) / #doomyrockandroll / #Forbidden #tangentionalality / “You can feel that party and smell that room…” / ***Go check out the video…you're welcome.***/ “Don't everybody send me the #hatemail all at once…” / “I didn't know that was a drug song…” / EFILNIKUFESIN (N.F.L.) #ANTHRAX (“One too many cookies from the batch no one should taste…”) / SNOWBLIND #BLACKSABBATH / #baconlips / “I think guys would go down on girls more if that were the case…” / #strawberryshortclit / DYING INSIDE #SAINTVITUS (“How much doom/stoner stuff did you know about in '86?”) / JUST ONE FIX #MINISTRY (“Never trust a junkie…”) / “You did a beautiful job…”   (1:06:43): “It's spelled wrong…it's not the same band…” / #softclap / “It's the #tangentionalality that matters dude…” / #ilikethatword / MR. BROWNSTONE #GUNSNROSES (“Put your top hat on…”)/ “Is that a bum they partied with after shows?” / Narcotics vs NOT narcotics / MASTER OF PUPPETS (#METALLICA) / “Pass me the ‘shortest straw'…” / “It still holds up…” / #downpickingASMR / “We did it WITH you…we can always do it again.” / #onemorejoke #holidayjokes #familyjokes / #nosobernovember / “I knew I was old when…” / The next installment of #TheChronicles / “It's like driving a boat…” / #satirepurposesonly / People who can tolerate weed vs people who can't / “I thought I was flying a spaceship…” / “Wait til you get home to do this…”/ Shrooms vs LSD / “Some of our friends were dicks…” / #latebloomer / “I dropped in first period…” / #droppers and #blotters / “You think women ever did that…?”/ “There's a darkness inside you…” // ***THANK YOU FOR JOINING US!!!*** // We are NOT condoning the use of drugs… / ***COME DOWN TO THE BUNKERPOON GIFT SHOPPE AND PURCHANDISE YOUR #METALNERDERYPODCASTMERCHANDISE*** / #outroreel #backshadowing #ObviousOsbourne #FakeObviousOsbourne  

Mastering the French language pronunciation is a crucial aspect of becoming fluent, and integrating French funny phrases and sounds can make the learning process even more enjoyable. Understanding and using authentic sounds like "pfff," "hein," "rohh," "blowing a raspberry," and "mmmm" can significantly enhance your grasp of the language. In this lesson, we'll delve deep into these unique elements of French language pronunciation, showing you how to use them just like a native speaker. Adding these sounds to your vocabulary will not only improve your pronunciation but also help you grasp the nuances of various French peculiar everyday phrases.   In this Episode: Show surprise, frustration and annoyance with sounds Bonus casual phrases to add to the sounds The number 1 French TV show to level up your French     Useful Episode Resources Lingopie - the app that lets you learn French through TV shows and movies - Get 70% off the lifetime subscription by cliking here Episode 36 of the French Blabla podcast : Don't say ”je ne sais pas”, use these words instead - Click to listen "Plan Coeur - The Hookup Plan" - TV Show - Click to check the trailer on Youtube     FREE audio training to help you understand spoken French Want to understand when French people speak? Sound more natural? Have a better and smoother pronunciation? Well, you can do that with this free audio training. It will give you the tips and secrets to speak more like a native. Grab your FREE training here.       Subscribe and review The French Blabla Podcast Thanks so much for tuning into the podcast! If you enjoyed this episode and love the show, I'd really appreciate you subscribing and leaving me a review on your favourite podcast player.   Not only does it let me know you're out there listening, but your feedback helps me to keep creating the most useful episodes. And you know what? I also get to be discovered by more awesome people like you!

In this episode: lots of new Swift Evolution proposals are in review, we discuss *that* TechCrunch article, dive into server-side Swift, and try to figure out how to pronounce “Herbert”. - Swift 5 Officially Released: https://swift.org/blog/swift-5-released/ - SE-0246 Generic Math Functions: https://github.com/apple/swift-evolution/blob/master/proposals/0246-mathable.md - SE-0249 KeyPath Expressions as Functions: https://github.com/apple/swift-evolution/blob/master/proposals/0249-key-path-literal-function-expressions.md - SE-0252 Key Path Member Lookup: https://github.com/apple/swift-evolution/blob/master/proposals/0252-keypath-dynamic-member-lookup.md - SE-0248 String Gaps and Missing APIs: https://github.com/apple/swift-evolution/blob/master/proposals/0248-string-gaps-missing-apis.md - SE-0257 Eliding commas from multiline expression lists: https://github.com/apple/swift-evolution/blob/master/proposals/0257-elide-comma.md - SE-0255 Implicit returns from single-expression functions: https://github.com/apple/swift-evolution/blob/master/proposals/0255-omit-return.md - Paul’s pick: Whither app developers? – https://techcrunch.com/2019/04/14/whither-native-app-developers/ - Sean’s pick: Pacing Ourselves in the Marzipan Marathon – https://blog.curtisherbert.com/pacing-ourselves-in-the-marzipan-marathon/ - Open Ballot: Have you experimented with server-side Swift? If so, what are your thoughts, and if not what's holding you back?

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic's first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation's borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its pages. The book also includes links to some of the songs that Briggs writes about (see the companion website developed by OUP). Fans of yé-yé, Johnny Hallyday, chanson, Jean-Michel Jarre, Alain Stivell, Metal Urbain, and/or Daft Punk will all find much to learn and enjoy here.