Podcast appearances and mentions of jean michel jarre

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Dans IDEES, Pierre-Edouard Deldique reçoit l'anthropologue de renom Philippe Descola pour un retour sur son travail de recherche à l'occasion de la parution aux éditions du Seuil de son ouvrage Politiques du faire‑monde, qui prolonge les grandes lignes de l'anthropologie de Philippe Descola. Issu des « Tanner Lectures » prononcées en 2023 à l'université de Berkeley aux États-Unis, l'ouvrage condense plus de cinquante ans de recherches, notamment auprès des Achuar d'Amazonie. Il propose une réflexion ambitieuse : comment repenser nos institutions, nos catégories et nos manières d'habiter la Terre à partir d'une anthropologie des ontologies ? Avec clarté et profondeur, Phillipe Descola revient, dans son livre et dans ce numéro d'IDEES, sur l'héritage problématique, selon lui du « siècle des Lumières », c'est-à-dire la séparation radicale entre nature et culture, véritable matrice de la modernité occidentale. Cette distinction, rappelle-t-il, n'est ni universelle ni nécessaire. Elle est un programme d'étude du monde qui a permis l'essor des sciences, mais qui a aussi rendu possible l'exploitation illimitée de la nature ou non-humains. L'un des apports majeurs de Descola est la typologie de quatre ontologies — ou filtres ontologiques — qui structurent les manières humaines de composer un monde. Elles ne sont pas des « visions du monde » abstraites : ce sont des manières de faire monde, c'est‑à‑dire de sélectionner certaines relations comme pertinentes pour composer un cosmos habitable. Il nous les détaille dans ce nouveau numéro du magazine qui interroge ceux qui pensent le monde. L'enjeu politique est clair : le naturalisme n'est qu'une ontologie parmi d'autres, et non l'horizon indépassable de l'humanité. Il s'agit de rompre avec l'idée que seuls les humains composent le politique. Les non-humains — animaux, plantes, lieux, esprits, objets techniques — doivent être reconnus comme acteurs de mondes. Philippe Descola plaide pour une diplomatie des ontologies, où les collectifs humains reconnaissent la légitimité d'autres manières d'habiter la Terre. C'est une autre façon de concevoir l'ONU du futur. Politiques du faire‑monde est un texte bref mais dense. Son ambition politique, au sens noble du terme, est affichée. Les propos clairs de Philippe Descola au micro en sont une preuve supplémentaire. Ce livre est indispensable. À lire aussiPhilippe Descola: «Par-delà nature et culture»   ► Les références musicales : Jean-Michel Jarre - Amazonia, Pt. 8  No Tongues - Tortue Géniale Pierre Bachelet - Des Cobras Et Des Gazelles Francesco Agnello - Hang 12

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hoy en La Gran Travesía viajamos al año 1976 en un podcast donde podréis escuchar a grupos como Eagles, Steve Miller Band, Aerosmith, Modern Lovers, Wings, Alan Parsons Project, David Bowie, Nick Lowe, Graham Parker & The Rumour, E.L.O, Jean Michel Jarre, Rainbow, Jackson Browne, Abba...y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Diego Román, Tole, Raquel, Poncho C, Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

To round out the year, we’re going with the brainchild of esteemed podcast co-host Paul Bindig, to interview the guy responsible for The Keyboard Chronicles, David Holloway. As an alleged keyboard player himself, David talks about his lifetime in adjacency to keyboards, bands, music projects and a whole lot more. There’s also a deep dive / behind the scenes discussion on how the podcast is put together and discussion on some favourite guests. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   David’s past 12 months, including gigging with Gloss David’s electronic music outfit –  Civil Sector David’s musical upbringing Sliprock The JVC KB-500 keyboard Yamaha DSR-1000 Discussion on musicals and orchestra pits Res Rocket Surfer  The poet Philip Larkin David’s ambient music project – Stainless Fields Stainless Fields on Spotify  Midnight Fields David’s go-to keyboards over the years Check out David’s 2024 rig in detail Narf Sounds A detailed chat / behind the scenes expose of the podcast Some of David’s favourite guests of all time How rig tours are organised (and apologies to Adam Holzman for calling him Andy!) Desert Island Discs: Self-Titles – Philip Oakey & Giorgio Moroder, Under the Sun – Paul Kelly & The Coloured Girls, Born Sandy Devotional – The Triffids, Songs of Distant Earth – Mike Oldfield, Darkness On The Edge of Town – Bruce Springsteen, Oxygene – Jean Michel Jarre. Band T-shirt shout-outs: Daniel Martin and The Infamous and Chrome Key links: Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our listener survey to help us improve the show, it only takes 90 seconds. Support us on Patreon and receive bonus content Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post David Holloway, Stainless Fields / Gloss / Civil Sector / Podcast Host appeared first on The Keyboard Chronicles.

Jean-Michel Jarre.

Renowned producer/engineer Larry Crane (Sleater-Kinney, The Decemberists, The Go-Betweens, Elliott Smith...as well as editor and founder of Tape Op Magazine) brings us Wire and their groundbreaking, highly influential third album '154'. A favorite of a diverse array of artists including Robert Pollard, Johnny Marr and Michael Stipe to name a few, this heady slab of post-punk vignettes rewards repeated listenings. Songs discussed in this episode: The 15th (Wire cover) - Mike Watt; Curl Up and Dye - Vomit Launch; The Walls Came Down - The Call; 1 2 X U - Wire; Map Ref. 41°N 93°W (Wire cover) - My Bloody Valentine; Ahead - Wire; EMI - The Sex Pistols; I Should Have Known Better - Wire; Equinoxe 5 - Jean-Michel Jarre; Romeo - Wipers; Two People In A Room - Wire; Kerosene - Big Black; Time To Pretend - MGMT; The 15th, The 15th (Demo), The Other Window (Demo), The Other Window - Wire; Craniostomy Vol. 2 - Larry Crane; Single K.O., A Touching Display - Wire; Don't Forget Me - Maggie Rogers; On Returning - Wire; Connection - Elastica; Alone, Fish 1 - Colin Newman; Lady In Red - Chris de Burgh; Svefn-g-englar - Sigur Ros; Mutual Friend, Blessed State - Wire; I Turn My Camera On - Spoon; Once Is Enough, Map Ref. 41°N 93°W - Wire; Shattered - The Rolling Stones; Indirect Enquiries - Wire; Double Dare - Bauhaus; 40 Versions, Song 1 - Wire; Passenger - Glitterfox; Angel In The Snow - Eliott Smith; Les Amazones d'Afrique - Larry Crane

Esta semana todo el programa es una enorme sección del Fondo de Armario, ese espacio en el que analizo en profundidad un álbum que merece la pena tener en nuestra discoteca. Entre el 21 y el 29 de octubre de 1981, Jean-Michel Jarre fue el primer músico occidental en realizar una gira de conciertos en la República Popular de China, en plena etapa aperturista tras la muerte de Mao. Tras esos conciertos, un álbum doble recopiló esos conciertos y el resultado fue un doble disco que supuso un antes y un después para Jarre como compositor. Esta semana escucharemos: Magnetic Fields, Pt. 1 (Magnetic Fields/Les Champs Magnetiques) Magnetic Fields 1 - Grabado en directo en los conciertos de China 1981 L'ouverture _ The overture (Live - Remastered 2022) Arpégiateur _ Arpegiator (Live - Remastered 2022) Equinoxe, Pt. 4 _ Equinoxe Part 4 (Live - Remastered 2022) Jonques De Pêcheurs Au Crepuscule _ Fishing Junks at Sunset (Live - Remastered 2022) Fishing Junks at Sunset - 1981 Radio Broadcast Version Equinoxe, Pt. 7 _ Equinoxe Part 7 (Live - Remastered 2022) Orient Express (Live - Remastered 2022) Chants Magnetiques, Pt. 2 _ Magnetic Fields Part 2 (Live - Remastered 2022) Chants Magnetiques, Pt. 4 _ Magnetic Fields Part 4 (Live - Remastered 2022) Nuit A Shanghai _ Night in Shanghai (Live - Remastered 2022) Souvenir de Chine _ Souvenir of China (Live - Remastered 2022)

Le monde du rock progressif s'est montré très créatif ces derniers temps et j'ai encore pas mal de bons albums parus cet été à partager avec vous ! Ainsi dans ce numéro j'ai enfin la joie de vous présenter le tout nouvel album d'EDENYA ! Tant attendu depuis que j'ai découvert ( trop récemment ! ) ce groupe de la région parisienne fondé par le multi-instrumentiste et auteur-compositeur Marco.  "The Secret Destination You Are Looking For" est une invitation au voyage, pour amateurs de musiques folk, rock prog et ambient. Bien entouré de musicien.nes de talent, Marco, ses guitares et ses claviers vous embarquent avec la voix d'Ingrid Denis (Oscil), le violon de Juliette Caradec, la basse de Jean Paul Cartigny et le tout soutenu par la frappe infaillible de Sylvie SJ. Vous l'aurez compris, je suis fan de cet album, je ne peux que vous le recommander sincèrement !  Autre galette toute chaude, celle de nos amis anglais FEARFUL SYMMETRY, intitulée "I've Started, So I'll Finish...", sorti ce 5 septembre. Amateurs d'un rock prog teinté de jazz et voix féminine de type "Renaissance", on se croirait au cœur de la grande époque de l'école de Canterbury, avec une production moderne et fort réussie, un album qui commence à se sentir chez lui sur ma platine ! L'un des doyens de la musique électronique, mais avec une éternelle jeunesse et toujours autant d'enthousiasme dans ses projets, notre JEAN-MICHEL JARRE national publie un excellent live à Bratislava suite à sa prestation du 12 mai 2024 dans la capitale slovaque à l'occasion du 7ème festival STARMUS. Dédié à l'astronomie et à l'exploration spatiale, l'un des co-fondateurs de ce festival est le Docteur BRIAN MAY, astrophysicien. Et non, Il ne s'agit pas d'un homonyme du guitariste de Queen mais juste...de lui-même ! On devrait d'ailleurs aussi inventer un doctorat en claviers et guitares à l'écoute de ces deux éminences en live dans le titre extrait de ce live !   Dernière nouveauté de ce programme, le nouvel album de HOOPY FROOD, la formation anglaise également colorée musique électronique mais avec du groove et même des ambiances flodyennes nous offre un "seulement" 4ème album en plus de 20 ans de carrière, ça peaufine outre-manche !  Autres formations contemporaines de cette émission, IQ avec un extrait de l'album "The WAKE" paru en 1985. Mais si vous vous étiez endormis sur cette époque, sachez que la formation de Southampton a quand même publié cette année "Dominion", que vous devriez y jeter une oreille et prendre vos billets pour profiter de leur présence à Paris à l'occasion du PROG ROCK FEST qui se déroulera au CASINO DE PARIS ces 26 et 27 septembre avec aussi, excusez du peu, Karnakata, RPWL et The Watch !  Il y a quelques mois, nos amis lillois d'AMARTIA ont publié "Not A Detail", un documentaire complet sur les 25 ans d'histoire du groupe, en voici le lien : NOT A DETAIL.  Les différents membres ( actuels mais aussi passés) s'expriment sincèrement sur la vie de ce groupe passionnant, avec des retours sur chaque album, des extraits de concerts...Bref, vous passerez un bon moment et peut-être que comme moi vous aurez envie de vous replonger dans sa discographie, ou de la découvrir ! Je ne vous le cache pas c'est l'une de mes formations  françaises favorites, retrouver dans ce numéro avec un extrait de "The Beast Within" paru en 2017. Et puis pas d'AMAROK sans un retour au sources dans les 70's avec ici les turinois d' ARTI & MESTIERI et leur classieuse fusion rock jazz à l'italienne fort bien représentée dès leur 1er album "Tilt", nous étions en 1974. Un album hommage à la Femme, c'est le concept du justement intitulé "Eve" par THE ALAN PARSONS PROJECT en 1979. Sur ce LP on retrouve notamment la voix de Clare Torry, LA voix de "Great Gig In The Sky" de Pink Floyd, sans doute rencontrée par Alan Parsons, l'ingé-son de l'iconique "Dark Side Of The Moon" mais aussi sur le titre diffusé ici la moins connue et regrettée Lesley Duncan vocaliste sur ce même album des Floyd mais aussi chanteuse et autrice-compositrice dont le titre "Love Song"a fait les beaux succès d'Elton John, repris également par un certain David Bowie. Dans "Eve", elle à la charge de clôturer magistralement l'album, émotion garantie !      On connait Roger Dean pour ses illustrations de pochettes d'albums, particulièrement dans le monde du rock progressif, notamment avec YES. Il fût également le créateur du logo de Virgin Records de Richard Branson et on lui doit aussi parmi ses chefs-d'œuvre l'artwork d"Octopus" de GENTLE GIANT. Et quand le contenu est pareillement exceptionnel, alors nous avons un album culte, retour en 1972 avec nos géants sympathiques et un extrait inspiré par un certain Albert Camus... En 1976, PROCOL HARUM s'installe dans des studios américains pour enregistrer "Something Magic". Mais cela ne sauvera pas l'album qui sort en mars 1977, le groupe arrive en bout de course et se sépare à l'issue de la tournée de promotion de l'album. Le phœnix renaîtra dans les années 90 avant de disparaitre définitivement avec alors son seul membre fondateur Garry Booker qui nous quittait en 2022. Reste une bien belle discographie !  Thierry Joigny   Page Facebook de l'émission : AMAROK44

RATB:n vieraana on Sami Ruokankaan seurassa ”Live In Finland” ja ”Scream For Me Finland” -kirjat kirjoittanut Mikael Huhtamäki. Hän ylläpitää myös suosittua Facebook-ryhmää “Live in Finland 1955-2020”. Mikaelin kanssa käydään läpi hienoja Suomessa nähtyjä ulkomaalaisten bändien ja artistien keikkoja. Suomalaiseen rocklehdistöön ja -mediaan perehtynyt Mikael nostaa esiin toimittajien eri musiikkityyleihin kohdistuneet ennakkoluulot. Miksi Suomi ei ollut 80-luvulla hevimaa? Millaista meno oli kun hard rock oli Suomessakin nuorisomusiikkia? Kuuntele, viihdy ja sivisty. Jakson soittolista: https://open.spotify.com/playlist/4BOmD8JU3r0Yvk7yCzAk9o?si=5d5ba3af1bbc47f8 Menossa ovat mukana Led Zeppelin, Deep Purple, Jimi Hendrix, Queen, Humble Pie, Fleetwood Mac, Helsingin Sanomat, Iron Maiden, Ian Gillan, Dire Straits, Peter Gabriel, Pink Floyd, Guns N´ Roses, The Doors, Ian Astbury, The Cult, Lynyrd Skynyrd, Molly Hatchet, George Clinton, Parliament, Funkadelic, Grateful Dead, Eric Clapton, Mark Knopfler, Jean Michel Jarre, KISS, Ian Gillan, Ritchie Blackmore, Roger Waters, Hartwall-areena, Rammstein, Leprous, Einar Oddmund, Freddie Mercury, Behemoth, The Circus, Tangerine Dream, Kraftwerk, The Prodigy, Carpenter Brut, Kulttuuritalo, Lahden Suurhalli, Puistoblues, Outlaws, Hughie Thomasson, Blackfoot, Rickey Medlocke, Billy Powell, Leon Wilkeson, Gary Rossington, Johnny Van Zant, Johnny Van Zant Band, The Band, Muddy Waters, Homesick James, Rauma Blues, Oodi, Juho Juntunen, Jerry Garcia, Steve Morse, Tommy Bolin, Rod Stewart, AC/DC, Blue Öyster Cult, Ghost, King Crimson, Yes, Augustibluus, PMMP, Ultra Bra, Suosikki, Zeus Mattila, Judas Priest, Uriah Heep, Rob Halford, Beatles, Dallapé-orkesteri, The Yardbirds, Journey. Foreigner, Kansas, Sweden Rock, Mick Jones, Johnny Hallyday, Toto, Rumba, Soundi, Sir Douglas Quintet, Manowar, Messuhalli, Jon Lord, Whitesnake, Pori Jazz, John Mayall´s Bluesbreakers, Ike Turner, Robert Cray, Walter Trout, Robert Plant, Cotton Club, Steve Winwood, Edgar Winter, Steve Lukather, Phil Soussan, Ozzy Osbourne, Kirjurinluoto, Jeff Healey, Scorpions ja Dio. www.facebook.com/RockAroundTheBlogFinland www.instagram.com/samiruokangas

▶ Dans le Tempo # 98 C'est le grand retour de DLT ! Après une petite pause estivale, le podcast des passionnés de musique lance sa nouvelle saison. Et pour ce premier épisode, c'est un invité exceptionnel qui rejoint Salman et Daz : le réalisateur et ingé son, Renaud Letang. Renaud a l'un des plus beaux palmarès de la musique en France. C'est simple, il est derrière le son de nombreux artistes que vous adorez certainement : Alain Souchon, Manu Chao, Chilly Gonzales, Philippe Katerine, Vladimir Cosma, Peaches, La Rumeur, Seu Jorge, Jamie Lidell, Feist, Rocé, Saul Williams, Connan Mockasin, Benny Sings, Infinite Bisous, L'Impératrice, Jeanne Added, Malik Djoudi... Le CV est juste hallucinant ! Renaud est donc venu parler de son parcours dingue, du travail avec les artistes, de son approche du son et du matériel, ou encore de ses expériences en live pour les shows démesurés de Jean-Michel Jarre. Il en a profité pour parler également de son fantastique premier album "Drift - At The Party", sorti il y a quelques semaines. N'hésitez pas à naviguer entre les chapitres en fonction de vos intérêts ! ▶ Sommaire : 00:29 Présentation de l'invité 09:38 La plus grande honte de Renaud 11:42 Sa plus grande fierté 12:43 Son travail avec Alain Souchon 19:57 Les secrets d'un bon mix (les médiums !) 27:29 Manu Chao, Nougaro et La Rumeur 30:44 L'importance de l'album « Clandestino » 52:16 Le rôle du réalisateur 1:03:13 Les studios Ferber et le matériel 1:13:19 Les outils numériques face au groove 1:22:03 Le Rhodes de Ray Charles… à 500 francs ! 1:24:40 Les incroyables histoires de live avec Jean-Michel Jarre 1:32:35 Un premier album à 55 ans : Drift - At The Party 1:47:33 Recommandations Technique : La Bouclette Montage : François Brétéché

My guest this week is Jean-Michel Jarre, a true icon and pioneer of electronic musicWith a career spanning over 52 years in music, he is one of the most successful electronic artists ever, selling over 85 million albums and singles. Known for his large scale, elaborate live shows, Jarre has performed concerts at the Eiffel Tower, the Pyramids in Egypt and even the Sahara Desert. He's also a UNESCO ambassador for education, science and culture and in 2017 was awarded the Stephen Hawking Medal for Science CommunicationWe discuss the making of his new album and concert film ‘Live in Bratislava - an audio-visual record of his historic open-air concert-event 'Bridge From The Future', performed on May 12, 2024 in Slovakia. A truly spectacular live event that features all that you'd expect from a Jean-Michel Jarre concert - elaborate sets, stunning visuals, fireworks and for the first time, a drone display For more information or to pre-order the album, visit: https://www.jeanmicheljarre.com/live-in-bratislavaSynthetic Dreams is presented and produced by Scott ZverblisFollow Synthetic Dreams on ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠Follow Synthetic Dreams on ⁠⁠⁠Threads⁠⁠⁠Follow Synthetic Dreams on ⁠⁠⁠Twitter / X⁠⁠⁠Synthetic Dreams title music by Chris Ibbott

Con Orishas, Manu Chao ft. Calypso Rose, M-Clan, Rubén Blades, Maná, los Tigres del Norte ft Juanes, Julieta Venegas, Chambao, Teresa Merante, Edu da Gaita, Charles Aznavour, Led Zeppelin, Jean-Michel Jarre, Youssou N'Dour, los Centellas, Juanito Valderrama, Antonio Molina, Carlos Cano, El Fary y Celia Cruz.

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy hace 2 años: Los mercenarios del Grupo Wagner entregan su armamento al Ejército ruso. Hoy se cumplen 1.237 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 130 días. Hoy es lunes 14 de julio de 2025. Día Internacional del Auxiliar de Enfermería. El 14 de julio se celebra el Día Internacional del Auxiliar de Enfermería, para destacar la labor y compromiso de estos profesionales esenciales de la salud, durante la hospitalización y recuperación de pacientes. Además de para reconocer su trabajo, la creación de esta efeméride pretende reivindicar los derechos laborales y necesidades de estos trabajadores fundamentales de la salud. El auxiliar de enfermería asiste a médicos y enfermeras, en los cuidados auxiliares de pacientes y residentes de centros asistenciales de salud, hospitalarios y geriátricos, interviniendo en su proceso de ingreso, hospitalización y recuperación. 1789.- El pueblo de París toma la prisión-fortaleza de la Bastilla. Comienza la Revolución Francesa. 1853.- Apertura de la Exposición Universal de Nueva York. 1881.- Asesinado el legendario pistolero norteamericano Billy "El Niño". 1900.- Se inauguran en París los II Juegos Olímpicos de la Era Moderna. 1931.- Apertura de las primeras Cortes de la II República española, con carácter constituyente. Julián Besteiro, elegido presidente. 1990.- Elegido el nuevo Politburó y Secretariado del Partido Comunista de la URSS, con Mijail Gorbachov como secretario general. 1997.- Millones de personas se manifiestan en toda España, en la mayor movilización popular de la historia del país, contra la violencia de ETA, tras el asesinato del concejal del PP Miguel Angel Blanco. 1998.- Se comercializa en Gran Bretaña una prueba de saliva que permite verificar la paternidad. 2005.- La ONU lanza oficialmente la iniciativa "Alianza de Civilizaciones", propuesta por el presidente español José Luis Rodríguez Zapatero. El 14 de julio de 2007, comienza probarse el Gran Telescopio Canarias, el más grande del mundo. Tras siete años de construcción y un costo de 130 millones de euros, el Gran Telescopio de Canarias en La Palma es capaz de captar algunas de las imágenes más distantes del universo, siendo el telescopio óptico de apertura simple más grande del mundo. 2016.- 84 muertos por una atentado islamista en Niza durante la celebración de la Fiesta Nacional francesa, cuando un camión arrolló al público que festejaba el evento en el paseo marítimo. santos Camilo de Lelis, Francisco Solano y Humberto. Ucrania denuncia una campaña rusa de "terror e intimidación" contra Ucrania. Israel y Hamás se acusan mutuamente de bloquear las negociaciones para un alto el fuego en Gaza. Trump anuncia aranceles del 30% a productos de la Unión Europea desde el 1 de agosto. ERC dice que el acuerdo de financiación no está cerrado y presiona al PSOE con una ley "para asegurar la recaudación" Podemos denuncia agresiones por ideologías extremistas en Torre Pacheco y pide la dimisión de la delegada del Gobierno. Madrid inicia el ‘indulto’ de la deuda catalana y a Canarias ni le responde. Las demandas del Gobierno autonómico para el ajuste de la regla de gasto a la realidad económica del Archipiélago siguen sin respuesta. Una misión comercial canaria viaja a Japón para promocionar vinos y el sector audiovisual. Se pretenden ampliar las vías comerciales y de comunicación con uno de los países de mayor crecimiento económico de los últimos años. Canarias ve un “retroceso” la subida de tasas de Aena: “Nos aislaría aún más” El Gobierno de Canarias solicita que las singularidades del archipiélago sean tenidas en cuenta. Canarias 'protesta' al Supremo de la dejadez del Estado con los menores asilados. El Ejecutivo autonómico acusa al central de "marear la perdiz" y bloquear el traslado de 946 chicos con protección internacional reconocida. Un día como hoy en 1979: en la Plaza de la Concordia de París (Francia) el músico Jean Michel Jarre desarrolla un concierto audiovisual reuniendo a más de un millón de personas al aire libre con motivo del éxito de sus álbumes Oxygène y Equinoxe, iniciando la era de los megaconciertos.

Paul McCartney, Jean-Michel Jarre and Lee Renaldo on their debt to classical music.

Episodio 7.19 de Las Cosas Que Hay Que Escuchar, en el cual nos metemos en las zonas más oscuras del realismo capitalista mientras escuchamos la música de Juana Molina, Instrucción Cívica, Ian Dury & The Blockheads, Betty Davis, Imani Coppola, Big Mama Thorton, Judy Henske, Bobby McFerrin, Laika, Aurora, Electrodomésticos, Cult With No Name, ?Break Error y Jean-Michel Jarre. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio

IS.IA – pasjonatka klasycznego, wysokiej jakości techno. Urodzona w czasach ostatniego pokolenia dorastającego bez smartfonów, muzykę poznawała w domowym zaciszu – z płyt, które po prostu były pod ręką. Vivaldi i jego Cztery pory roku, Pink Floyd czy Jean-Michel Jarre, których nagrania przewijały się w domu, odcisnęli ślad na jej dorosłym guście muzycznym. W wieku szkolnym uczyła się gry na keyboardzie, ale dopiero wiele lat później natrafiła na ścieżkę, która naprawdę zaiskrzyła. W 2023 roku trafiła do Electronic DJ School, gdzie po raz pierwszy stanęła za konsoletą. Po niemal roku eksplorowania brzmień nagrała pierwszy set dla Dirty Stuff Records, a niedługo później postawiła pierwsze kroki w produkcji, wydając utwór Ferro dla tej samej wytwórni. W kolejce do wydania czeka już kilka kolejnych utworów, a pasja do tworzenia i miksowania ciągle przybiera na sile. Linki: https://www.facebook.com/isia.techno https://www.instagram.com/is.ia_music https://soundcloud.com/isia_techno https://linktr.ee/IS.IA

Yr artist Manon Awst yw gwestai Beti George. Mae hi'n arbenigo mewn celf gyhoeddus ac yn gwneud cerfluniau, gosodiadau a pherfformiadau sy'n archwilio themâu lle, hunaniaeth a thirwedd. Mae ei gwaith diweddar yn ymwneud â chorsydd a mawndiroedd. Fe gafodd wobr i artistiaid gan yr Henry Moore Foundation (2022-23) a Chymrodoriaeth Cymru'r Dyfodol (2023-2025) fel rhan o raglen Natur Greadigol Cyngor Celfyddydau Cymru a Chyfoeth Naturiol Cymru. Magwyd Manon ar Ynys Môn gan fynychu Ysgol Uwchradd Bodedern ac aeth ymlaen i astudio Pensaernïaeth ym Mhrifysgol Caergrawnt.Bu'n byw ym Merlin am sawl blwyddyn, ac mae ganddi ddarn o waith celf gyhoeddus yn y ddinas sydd wedi ei wneud allan o gregyn gleision o'r Fenai.Mae hi hefyd yn cael ei hadnabod fel bardd ac yn aelod o'r grŵp Cywion Cranogwen ac yn cymryd rhan yn rheolaidd mewn digwyddiadau fel Y Talwrn ac Ymryson y Beirdd ar BBC Radio Cymru. Yn fam i ddau o fechgyn, Emil a Macsen ac yn briod gydag Iwan Rhys. Cawn hanes difyr ei bywyd ac mae hi'n dewis 4 cân gan gynnwys un gan Jean Michel Jarre.

This episode's guest's fingerprints are all over some of the most iconic games of the 80s, 90s and beyond - Simon Phipps, aka Simes.  From the 8-bit bedroom coding scene to the heights of AAA development, Simon's career has spanned hits from Rick Dangerous and Shadow Man, to the Harry Potter games for EA. In addition to finding out about his long career in computer and video games, we hear about his love for art and making Star Wars props and costumes. This feature-length episode covers a lot of ground, and is essential listening for anyone working in the creative or gaming industries - or just wants to find out about them.  

1) Iran _ Stati Uniti: Nonostante la distanza e la diffidenza il dialogo sul nucleare va avanti. (Emanuele Valenti) 2) La Freedom Flottila in viaggio verso Gaza. A bordo l'ambientalista Greta Thunberg, il simbolo di una generazione che rifiuta le ingiustizie e i silenzi della comunità internazionale. 3) Sudan: attacco a un convoglio umanitario diretto alla città assediata di aAl-Fashir, nel Darfour. L'intervista di Esteri a Chiara Zaccone Capo missione Coopi – Sudan. 4) Ha fatto la storia della letteratura LGBT: è morto lo scrittore americano Edmund White. L'omaggio di Roberto Festa. 5) Intelligenza artificiale e diritti d'autore. L'intervista al pioniere della musica elettronica Jean Michel Jarre. (a cura di Matteo Villaci) 6) Progetti sostenibili. La nuova nuova frontiera della mobilità in città. A Zurigo sotto la stazione ferroviaria inaugurato una grande tunnel ciclabile. 7) Romanzo a fumetti: Kiss it goodbye il graphic novel di Ticcy.

Here's my May 2025 outing for Progzilla Radio's 101 Dimensions program. It features nearly 2 hours of great progressive electronic/ambient music by Hanry, Jean-Michel Jarre, The Orb (featuring David Gilmour), The Fragile Fate, Glass Hammer, and Kitaro!  

Exploring the Fusion of Electronic and Reggae with Claude9 | My Music PodcastIn this episode of My Music Podcast, we sit down with electronic music enthusiast and musician Claude9 (Claude McCann) to discuss his diverse musical journey. From inspirations like Jean-Michel Jarre and Kraftwerk to blending reggae with electronica, Claude shares his experiences and musical philosophy. Tune in to learn about his new album, 'Chords of Love,' and hear stories from his decades-long career. Discover how the pandemic influenced his projects and facilitated unexpected collaborations. Join us for a deep dive into the groovy and soulful world of Claude9

Today on Too Opinionated, we welcome back our good friend Author/Journalist Silvia San Martin.  As a journalist, Silvia has worked in radio, press and online mass media. She has interviewed Ricky Martin, Chayanne, Shakira, Status Quo, Alejandro Sanz, Sergio Dalma, Malú, Miguel Sáez, Marta Méndez, David DeMaría, Dyango, Álvaro Urquijo, Antonio Orozco, Carlos Baute, Jean Michel Jarre, Jon Secada, Laura Pausini, Alanis Morissette, Barry White, Bon Jovi, Carlos Vives, Enrique Iglesias, Iron Maiden, Joe Satriani, Julio Iglesias, Luis Miguel, Mariah Carey, Meredith Brooks, Céline Dion, Mike Oldfield, Mónica Naranjo, Phill Collins y Steve Vai, among others.  Today we are talking about books number 16 and 17 for Silvia. If I could, You Can (English, Spanish) Silvia discusses how she became a writer, the difficulties she has been through and how you too can chase your dreams.  Website: www.silviasanmartin.net (Spanish) and www.silviasanmartin.com (English).   Want to watch: YouTube: Meisterkhan Pod (Please Subscribe)  

Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4.     Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5.     Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6.     Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7.     John Keating, “Starcluster” (1975) from Space Experience 2.  Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8.     Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9.     Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10.   Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11.   Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12.   Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13.   Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Episode 171 Chapter 30, EMS Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 30, EMS Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH EMS ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Delia Derbyshire, “Dance From ‘Noah' " (1970). Composed for a television program. Used the EMS VCS3. 00:55 01:44 2.     Selections from the demonstration disc, EMS Synthi And The Composer (1971). Excerpts from Harrison Birtwistle, “Medusa,” Peter Zinovieff, “January Tensions,” and Tristram Cary, “Continuum.” 06:15 02:34 3.     Peter Zinovieff and Harrison Birtwistle, “Chronometer” (1971–2). Featured both the EMS Synthi VCS3 and modified sound recordings of the ticking of Big Ben and the chimes of Wells Cathedral clock. 24:23 08:48 4.     Mike Hankinson, “Toccata And Fugue In D Minor” (Bach) (1972) from The Classical Synthesizer. South African record realized using the Putney (EMS) VCS3. 07:04 33:06 5.     Electrophon, “Arrival of the Queen of Sheba” (1973) from In a Covent Garden (1973).  Electrophon Music was described as the studio where the electronics were recorded and produced in the UK by Radiophonic musicians Brian Hodgson, Dudley Simpson. A variety of synthesizers were used including the obscure EMS Synthi Range, a multi-effect instrument. 03:04 40:10 6.     The Eden Electronic Ensemble, “Elite Syncopations” (Joplin) (1974) from The Eden Electronic Ensemble Plays Joplin. Realized using the EMS VCS3 and Minimoog synthesizers. 04:53 43:12 7.     Peter Zinovieff, “A Lollipop For Papa” (1974).  Realized with the EMS Synthi AKS. 06:26 48:04 8.     Peter Zinovieff and Hans Werner Henze, “Tristan” (Long Section) (1975). Tape accompaniment realized with the EMS Synthi AKS. 07:40 54:40 9.     J.D. Robb, “Poem of Summer” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS. 02:04 01:02:18 10.   J.D. Robb, “Synthi Waltz” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS and Synthi Sequencer 256 (digital sequencer). 01:52 01:04:24 11.   Bruno Spoerri, “Hymn Of Taurus (Taurus Is Calling You!)” (1978) from Voice Of Taurus. Realized using a host of equipment, including a few EMS instruments: EMS Synthi 100, EMS VCS3, EMS AKS, EMS Vocoder 2000, Alto Saxophone with EMS Pitch-to-voltage Converter & Random Generator, plus the Lyricon, Prophet-5 Polyphonic Synthesizer, ARP Omni & Odyssey, Minimoog, Moog Taurus Bass Pedal, RMI Keyboard Computer, Ondes Martenot , Vako Polyphonic Orchestron, Bode Frequency Shifter, AMS Tape Phase Simulator, Echoplex, Roland Echo, Roland Rhythm Box, Bruno Spoerri. 02:48 01:06:16 12.   Henry Sweitzer, “Open Windows” (1979) from Te Deum.  Realized with the EMS Synthi AKS. 11:11 01:09:02 13.   Eduard Artemyev, Yuri Bogdanov, Vladimir Martynov, “Le Vent Dans La Plaine,” “Io Mi Son Giovinetta,” and “Why Ask You?” (1980) from Metamorphoses. Composed and realized using the EMS Synthi 100, a large synthesizer unit combining several EMS3 models and connecting circuitry. 08:38 01:20:14 14.   Jean-Michel Jarre, “Les Chants Magnétiques,” (side 1) (1981) from Les Chants Magnétiques. Portions realized with the EMS Synthi AKS, EMS Synthi VCS3, and EMS Vocoder 1000. 17:58 01:28:52 15.   Alessandro Cortini and Merzbow, “AAMC” (2017) from Alessandro Cortini And Merzbow. Recent recording with all sounds realized using a vintage EMS Synthi AKS. 04:49 01:46:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Космический микс приурочен ко Дню космонавтики. По пятницам, в 22:00 на THT MUSIC RADIO (tntmusicradio.ru) один из лучших в своём деле - DJ JIM, представляет еженедельное радио-шоу "ElectroМеханика".  II DjJim.RU II iTunes II ВКонтакте II FaceBook II Twitter II Instagram II Mixcloud II SoundCloud II 1. Molvin - Cyber Love [Lost Fracture] 2. Tim Iron, Michael Mashkov vs. Peter Illias - Chieftain [Elliptical Sun Melodies] 3. Jean-Michel Jarre, Armin Van Buuren - Epica Maxima [Columbia] 4. Markus Hakala - Midnight Sun [Progressive Dreams] 5. South Pole - All Day (Lumidelic Remix) [Emergent Shores] 6. Albert Klein - Equator [Soluna Music] 7. Disfunktion & Kris O'Neil - Discoplex [Avanti] 8. Euripides George, Alex Leon - Without Fear [Sonoton Music] 9. Mark Digital - Luminous (D05 MeloReMix) [Soluna Music] 10. Fonzerelli - Dreamscape [Mena Music] 11. Passenger 10 - Troja [Enormous Tunes] 12. TaLeon - Brainstem [Undercool Productions] 13. Markus Hakala - Morning Call [Progressive Dreams] 14. Joshua Ollerton & Stephen Ollerton - Azura (Ruben Hadland Remix) [Emergent Shores] 15. Momo Jouki - Plastic Dreams (Tom Bro's 80s Remix) [Soluna Music]

  Another electronic gem from Erwin Broers. He has become my go to guy for berlin-school music and I'm totally here for it. I've said many times that I like hosting guest mixes from artists and listeners because I always discover new music. And this set is a perfect example - other than Ron Boots, every artist in this mix is new to me.   Here's what Erwin has to say about this mix: "The theme this time is "Electronic Gems From The Lowlands", the lowlands being Belgium and the Netherlands. Both countries are neighbours of Germany, where Electronic Music took off in the early 1970s. It was therefore inevitable that many local progressive artists became fascinated by synthesizers and inspired by this new genre known as "Kosmische Musik" (cosmic music). Influence of Tangerine Dream and Klaus Schulze is obvious, but there's also a hint at prog rock and a few tracks come close to melodic synth pop similar to Vangelis and Jean Michel Jarre." Thanks for a great set, Erwin! Cheers!   T R A C K L I S T : 00:00:00   PeRu - Out Of Time (Constellations, 1981) 00:09:01   Pillion - Enigmas (Enigmas, 1980) 00:22:36   Par Example - Flarepath (Pharos, 1989) 00:31:57   Patrick Kosmos - Mindscapes part 1, 2nd movement (Mindscapes, 1987) 00:41:00   Johan Timman - Trip Into The Body (Trip Into The Body, 1981) 00:46:31   Walter Christian Rothe - Solitude (Solitude, 1982) 00:50:34   Ton Scherpenzeel - Heart Of The Universe (Heart Of The Universe, 1984) 00:58:02   Frank Van Bogaert - A Picture of You (Closer, 2004) 01:01:45   Ron Boots & John Kerr - Oceans Of Emotions (Offshore Islands, 1990) 01:15:11   end

Après Neil Young, Jean-Michel Jarre se produira également cet été sur la Place des Palais à Bruxelles ! Le 1er juillet 2025, le pionnier légendaire de la musique électronique offrira un concert exclusif avec le Palais Royal en toile de fond majestueuse. Après près de 10 ans d'absence, il fait enfin son grand retour en Belgique pour un spectacle rappelant ses shows iconiques. Une occasion unique pour les fans de voir cette légende vivante en live ! Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cet épisode, direction la Chine ! Dans l'histoire d'un pays grand comme 17 fois la France, le début des années 1980 est une période charnière. La Chine entame une certaine ouverture au monde mais l'ombre de Mao n'en finit pas de planer sur les Chinois. Et c'est justement à ce moment, entre les années 70 et le début des années 80, qu'en France deux livres en particulier vont poser un regard singulier sur la Chine. Les deux auteurs, Alain Peyrrefitte et Simon Leys, livrent une analyse un peu différente, et s'interrogent sur le futur d'un pays encore très fermé mais qui semble s'ouvrir aux étrangers. C'est aussi là, au début des années 80, que certains artistes vont aller là bas, dont une peintre, Fabienne Verdier, et un musicien, Jean-Michel Jarre.Pour en savoir plus sur Fabienne Verdier : https://fabienneverdier.com/Pour découvrir Jean-Michel Jarre en concert en Chine en 81 : https://youtu.be/X_qTkaM0bBQ?si=gl0JCrN99Xln2PhBLes extraits musicaux de cet épisode sont issus de l'album Concerts in China https://youtu.be/_viKOUBVJXA?si=FJn5zH4RI4AOYkwcLe générique du podcast c'est toujours David Nilsson. Plus d'infos sur notre label Podcut et notre patreon : podcut.studio Merci pour vos contributions !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The story of French electronic music over the last hundred years is one of artistic and technical innovations that changed the course of contemporary music. The late 19th century stylistic inventions of GABRIEL FAURÉ, MAURICE RAVEL, and CLAUDE DEBUSSY led to the emergence of Impressionism and Minimalism in the 20th century—while the revolutionary innovations of ERIK SATIE laid the foundation for ambient background music and personal music for solo piano. At the same time, the invention of playable French electronic instruments like the “Ondes Martenot” in 1928, accelerated the arrival of live electronic performance, and the French brilliance in style and design produced exceptionally refined sonic and textural quality in recordings after mid-century. On this transmission of HEARTS of SPACE, a look at French ambient and electronic music from the 1970's to now, on a program called "AMBIANCE FRANÇAIS." Music is by DEBUSSY via TOMITA, JEAN MICHEL JARRE, THIERRY DAVID, CHRISTIAN WITTMAN, PAUL SAUVANET, and AIR. https://bit.ly/HOS-1394. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Cyanotic Cyanotic was first introduced to rave and hardcore in 1995, but was already addicted to the unique sounds of electronic music at the age of 5, influenced by Jean-Michel Jarre's Oxygène album. Since 2015 he has been a member of Death Noize Clan Hungary and since 2024 he has been a member of Hard Session Events, a group based in Austria. His sets are dominated by Early and Millenium sounds - but he also likes to play dark and industrial sounds. Social media: https://www.facebook.com/profile.php?id=100071372976231 Tracklist: 1. Iridium - We Are Alive 2. Ophidian - Silver '22 (The Name Of The Wolf) 3. DJIPE - No More Voices (HVRDTONIC Kick edit) 4. RVOLT - Out Of Control 5. The 3Eyed - Demons In Us 6. The Outside Agency & Ophidian - Return Of The Silence 7. eDUB Ft. Igneon System - Shotgun 8. Ophidian - Dead Air 9. Vein - Ultimate Seduction 10. Vein & The Satan - Synthetic Delight 11. The Outside Agency & Ophidian - Church Of The Silence 12. The Satan - Get The Fuck Up (Original mix) 13. Ophidian - Silver (Extended mix) 14. Ophidian - Lynched (Tymon remix) 15. Forbidden Society & Deathmachine - Rude 16. The Satan - Nothing 17. DJIPE & The Purge - Reset 18. RVOLT & Igneon System - Fucking Noise 19. Ophidian - Angel (Millennium DJ edit) 20. Igneon System & Karbyde - Triggerfinger 21. Industrial Twins - Suppression 22. Shinra Tensei - Move 23. Ophidian & Minkz - The Void (Fade)

Fernando Neira nos cuenta la historia de cómo Jean-Michel Jarre quiso vengarse de todos los que no habían creído en él ni en su música ni en sus decisiones disparatadas con un elepé llamado 'Música para supermercado'. Jarre solo creó una copia del álbum y destruyó el máster en una nueva decisión loca. Además, recibimos la visita de Marazu, que trae su quinto elepé bajo el brazo, el primero de su discografía producido de forma independiente y sin apoyo de grandes discográficas: 'La casa'.

durée : 00:04:30 - C'est une chanson - par : Frédéric Pommier - A l'occasion des fêtes de fin d'année, nous dédions cette semaine aux athlètes qui ont marqué les Jeux Olympiques et Paralympiques cet été. Aujourd'hui, nous réécoutons l'interview que Frédéric Pommier avait réalisée avec Nikola Karabatic, multimédaillé olympique et légende du handball français.

Tracklist:   1. The Noble Six - Astral Projection (Extended Mix) 2. BarWall - Light in the Tunnel (Extended Mix) 3. Schiller - Das Glockenspiel (C-Mo 2024 Bootleg) 4. Wonder Element - Adara (Nytigen Remix) 5. Speed DJ - Blizzard (Steve Allen Remix) 6. Photographer & Susana - Find A Way (Metta & Glyde Bootleg Remix) 7. Metta & Glyde - Time Will Tell (Original Mix) 8. Cari & Fisical Project & Caleb Golston - Like It Was Yesterday (Extended Mix) 9. Jean-Michel Jarre & Armin van Buuren - Stardust (FAWZY's Star On The Rise Remix) 10. Aly & Fila x Alex M.O.R.P.H. feat. Cheryl Barnes - Eye of the Storm (Extended Mix) 11. Chris Schweizer feat. Roxanne Emery - Under The Light (Extended Mix) 12. Aly & Fila with Richard Durand - Nebula (Extended Mix) 13. Andrew Rayel, Robbie Seed & Jimmy Chou Feat. That Girl - I Wish (Extended Mix) 14. Christian Millan - Ella (Yoshi & Razner Extended Remix) 15. The WLT & OANA - You Won't Forget Me [Nu Ma Vei Uita] (Extended Mix) 16. Talla 2XLC - Uprising (Extended Mix) 17. John Rockwell - Promises (Extended Mix) 18. BT - Godspeed (Maria Healy Extended Remix) 19. Linkin Park - Numb (C-Mo Tribute to Chester 2024 Bootleg Mix) 20. Drival - Ignition (Extended Mix) 21. Kalki - Rift (Orginal Mix) 22. Astrix - Life System (Blastoyz Remix) 23. Sean Tyas - People (Extended Mix) 24. Electric Universe & Ace Ventura - Ancient Aum 25. Ovnimoon vs. Rigel - We Burn Incense 26. Le Shuuk x B-stylezz - Konje (Extended Mix)

Welcome to Live From Progzilla Towers Edition 541. In this All Requests edition we heard music by Beardfish, Cats In Space, Deep Purple, Colin Scot, Damian, The Warning, Joni Mitchell, Jeff Beck, Upp, Jean-Michel Jarre, Orion, Mike Oldfield, Quincy Jones, Saimaa, Field Music, Freedom To Glide, Wyatt E., David Sylvian, Tiger Moth Tales and Jon & Vangelis.

  Another stellar guest mix comes our way courtesy of loyal listener, Erwin Broers. He asked if I was interested in a mix of  electronic music from Innovative Communication, the label founded by Klaus Schulze in the late 70s. Yes, please! Here's what Erwin says about this fantastic mix: "I was in my teens when I got in touch with Electronic Music by means of well-known artists such as Jean-Michel Jarre, Kraftwerk and Vangelis. Searching for more similar music in the local library, I came across an LP with on its sleeve just a mysterious picture of a huge radio telescope. The album was Robert Schroeder's "Galaxie Cygnus-A" ! Liner notes on the back of the sleeve explained that the music was commissioned by the Austrian Broadcasting Service (ÖRF) and performed live at the 1982 ARS Electronica Festival in Linz, Austria. The idea behind the project consisted of capturing sound waves coming from the Cygnus-A galaxy with the help of the Effelsberg 100 meter radio telescope, the largest fully steerable radio telescope in the world at that time. Schroeder used those sound waves as basis and inspiration, and created a magical soundtrack for stargazing and floating in outer space. Needless to say, I was blown away by this album, and from then on I fanatically sought out other releases on the Innovative Communication label, which - by the way - was founded in 1978 by the late Klaus Schulze, one of the godfathers of Electronic Music. To honour my memory of that exciting period, I chose to start this label retrospective with the first two tracks of this special album - including some of the white noise straight from space ! The mix is rather heterogeneous and gives a good impression of the kind of EM that was published on IC in its heydays, ie. the 80s. From the early 90s the label quickly became more commercial edging towards mellow new age and average electro-acoustic instrumental fusion (aka NAM)." Thanks, Erwin, for this trip back in time. Cheers!   T R A C K L I S T : 00:00    Robert Schroeder - Galaxie Cygnus-A Part 1 & 2 (Galaxie Cygnus-A, 1982) 12:18    Klaus Schulze - Silent Running (excerpt) (Trancefer, 1981) 20:36    Peak - Nightmist (Ebondàzzar, 1982) 26:52    P'Cock - The Prophet (The Prophet, 1980) 32:45    Peter Seiler - Serengeti (Sensitive Touch, 1987) 37:51    Mind Over Matter - Paradise: 1st. Movement: Being One (Air) (The Colours Of  Life, 1988) 44:25    G.E.N.E. - Taste Of Dawn (Life Is A Melody, 1988) 50:39    Software - Syn-Code-Z: 1st. Movement: Code-Ocean (Syn-Code, 1987) 56:51    Patrick Kosmos - Airgasm (Cosmic Resonance, 1991) 66:33    end

What does it sound like miked in the bathtub? Matt talked about being at Strongroom Studios, tape flying off the machine, why you need hardware synths, MDing for Björk and Ellie Goulding, how to record ambient music, and why real guitar pedals rock! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Matt Robertson, a British-born, Canadian-based, 3x Grammy-nominated composer, producer, and musical director. Matt has worked with Björk, Anohni, Arca, The Cinematic Orchestra, and Ellie Goulding as musical director and orchestrator / arranger.  He has released four albums under his own name to date, balancing ambient sound design alongside warm organic techno and ripples of delicate electronics. His albums ‘Forecast', ‘In Echelon' and ‘Entology', have been described as “symphonic electronica and leftfield techno that's cinematic in scale” (Mixmag), “magnificent…wild, electronic sound” (The Line Of Best Fit) and “Nils Frahm's modern classical meets Jon Hopkins' grainy techno” (MOJO). Growing up listening to a healthy mixture of Jean-Michel Jarre and Jimmy Smith, Matt graduated from the University of Surrey before working at recording studios in London learning how to fix, and later build, some of his own synths. Working with a collection of vintage, modern and DIY synths, and combining electronic music production with classical composition and cinematic soundscapes; artists, producers, and film composers alike seek his enveloping and distinct sound. His work with Anoushka Shankar awarded him 2 Grammy nominations, and he recently scored the films ‘The New Corporation – The Unfortunately Necessary Sequel', and' ‘Navalny'. Thanks to Damian Taylor for making our introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi  Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/58klpp5APh48s9nLfcMwqJ?si=a95a6f41284645b4 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/473

Charlamos sobre el disco 'Selling England by the Pound' de Genesis, con Kyke Serrano (exteclista de Jarabe de Palo) como invitado. En 'Selling England by the Pound', los miembros de Genesis eran: Phil Collins a la batería, Tony Banks a los teclados, Mike Rutherford al bajo y a la guitarra, y Steve Hackett a la guitarra. En este episodio comentamos: Las dos etapas de Genesis —con Peter Gabriel o Phil Collins a la voz— y las reacciones críticas de algunos puristas a la liderada por Collins. El concepto detrás de 'Selling England by the Pound' y el contexto musical en el que se publicó. La música, los sonidos y la letra de la primera canción del disco: «Dancing with the Moonlit Knight». La dicotomía entre virtuosismo y sencillez en la música. Algunas de las diferencias entre los métodos de producción musical de los años setenta y los actuales. Y por el camino nos encontramos con Jean-Michel Jarre, Pink Floyd, Frank Zappa, David Bowie, Martin Scorsese, Mecano, Masiel, José Luis Perales y ‘El último tango en París', entre otros. Si quieres participar en la elección de los discos que tratamos en el pódcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

This week, Mick and Jen are focusing on two stories gripping most women they know: the horrific mass rape case currently going through the French courts (and the astonishing bravery of Gisèle Pélicot), and the brutal murder of Olympian Rebecca Cheptegei. We'd apologise for it being so grim, but it's hardly women's fault, eh? For balance, there's not only one but two slices of good news, a phenomenal feat of athleticism, and an incredible Jean-Michel Jarre impression to enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices

L'auteur compositeur ouvrira la cérémonie de clôture des Jeux paralympiques au Stade de France.

L'auteur compositeur ouvrira la cérémonie de clôture des Jeux paralympiques au Stade de France.

Chaque jour, retrouvez le journal de 8h pour faire le tour de l'actu.

It's been over 50 years since electronic music emerged from academic laboratories and embarked on the road to mainstream popularity. One of the most influential early artists was Greek musician EVANGELOS PAPATHANASSIOU—mercifully shortened to VANGELIS—who began as the keyboard player of the biggest rock band ever in Greece (APHRODITE'S CHILD), then quit and moved to London, where he began scoring films and documentaries. While the Germans focused on technology, Vangelis adapted the Romantic Classical genre to electronic keyboards, created lush, melodic, emotionally expressive music, and became an A-list film composer. It's a style that still reverberates today. On this transmission of Hearts of Space, inspired by a classic Vangelis album celebrating the world's oceans, a deep blue journey called OCEANIC REALMS 2. Music is by VANGELIS, THE AMNIS INITIATIVE, APOCLIPTIC & ROMERIUM, LOSCIL, JEAN-MICHEL JARRE, RUDY ADRIAN, and LIQUID MIND. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Joachim Garraud on the Virtual Sessions presented by The DJ Sessions 8/28/24   After seven years at the Conservatoire de Nantes (Nantes' classical music conservatory), Joachim Garraud, a musician with a passion for technology, developed his musical and artistic skills to become one of France's most influential producers in the early 2000s. He has collaborated with David Bowie, Kylie Minogue, Beyoncé, OMD, Deep Dish, Eurythmics, Paul Johnson, Cassius, Cerrone, Moby and Vitalic. He has been a close collaborator to Bob Sinclar and Jean-Michel Jarre in their musical projects for over 20 years, and has co-composed and co-produced David Guetta's hits such as "Just A Little More Love", "Love Don't Let Me Go", "Love is Gone" and "The World is Mine". Joachim, nominated for a Grammy Award in the "Best Remix" category, was the first French artist to use Pro-Tools, a leading music production software back in 1992. His Paris recording studio became one of the main meeting points of the influential musical movement known as "French Touch", of Daft Punk, Cassius, and Air fame. In addition to his producer's hat, Joachim Garraud has won several awards for his live performances at festivals around the world, including Coachella, Love Parade, Technoparade, Lollapalooza, Tomorrowland, Ultra Music Festival and Exit Festival. Joachim developed stage concepts ranging from the use of live musical instruments (he was the first DJ to play the Keytar) to the development of techniques linking video and live show (the first DJ to use synchronized video or 3D visual elements) to the development of mixing tools such as the Pioneer DJM-800, which became a standard in the deejaying industry. Today, Joachim Garraud has produced nearly 300 titles and played close to 900 shows on 5 continents. www.joachimgarraud.com   About The DJ Sessions - “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers via live mixes/interviews and streamed/distributed to a global audience. TheDJSessions.com The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers. It has also been recognized by Apple twice as a "New and Noteworthy” podcast and featured three times in the Apple Music Store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream on their platforms since its inception. The series is also streamed live to multiple other platforms and hosted on several podcast sites. It has a combined live streaming/podcast audience is over 125,000 viewers per week. With over 2,500 episodes produced over the last 15 years "The DJ Sessions" has featured international artists such as: BT, Youngr, Dr. Fresch, Ferry Corsten, Sevenn, Drove, Martin Trevy, Jacob Henry, Nathassia aka Goddess is a DJ, Wuki, DiscoKitty, Moon Beats, Barnacle Boi, Spag Heddy, Scott Slyter, Simply City, Rob Gee, Micke, Jerry Davila, SpeakerHoney, Sickotoy, Teenage Mutants, Wooli, Somna, Gamuel Sori, Curbi, Alex Whalen, Vintage & Morelli, Netsky, Rich DietZ, Stylust, Bexxie, Chuwe, Proff, Muzz, Raphaelle, Boris, MJ Cole, Flipside, Ross Harper, DJ S.K.T., Skeeter, Bissen, 2SOON, Kayzo, Sabat, Katie Chonacas, DJ Fabio, Homemade, Hollaphonic, Lady Waks, Dr. Ushuu, Arty/Alpha 9, Miri Ben-Ari, DJ Ruby, DJ Colette, Nima Gorji, Kaspar Tasane, Andy Caldwell, Party Shirt, Plastik Funk, ENDO, John Tejada, Hoss, Alejandro, DJ Sash U, Arkley, Bee Bee, Cozmic Cat, Superstar DJ Keoki, Crystal Waters, Swedish Egil, Martin Eyerer, Dezarate, Maddy O'Neal, Sonic Union, Lea Luna, Belle Humble, Marc Marzenit, Ricky Disco, AthenaLuv, Maximillian, Saeed Younan, Inkfish, Kidd Mike, Michael Anthony, They Kiss, Downupright, Harry “the Bigdog” Jamison, DJ Tiger, DJ Aleksandra, 22Bullets, Carlo Astuti, Mr Jammer, Kevin Krissen, Amir Sharara, Coke Beats, Danny Darko, DJ Platurn, Tyler Stone, Chris Coco, Purple Fly, Dan Marciano, Johan Blende, Amber Long, Robot Koch, Robert Babicz, KHAG3, Elohim, Hausman, Jaxx & Vega, Yves V, Ayokay, Leandro Da Silva, The Space Brothers, Jarod Glawe, Jens Lissat, Lotus, Beard-o-Bees, Luke the Knife, Alex Bau, Arroyo Low, Camo & Crooked, ANG, Amon Tobin, Voicians, Florian Kruse, Dave Summit, Bingo Players, Coke Beats, MiMOSA, Drasen, Yves LaRock, Ray Okpara, Lindsey Stirling, Mako, Distinct, Still Life, Saint Kidyaki, Brothers, Heiko Laux, Retroid, Piem, Tocadisco, Nakadia, Protoculture, Sebastian Bronk, Toronto is Broken, Teddy Cream, Mizeyesis, Simon Patterson, Morgan Page, Jes, Cut Chemist, The Him, Judge Jules, DubFX, Thievery Corporation, SNBRN, Bjorn Akesson, Alchimyst, Sander Van Dorn, Rudosa, Hollaphonic, DJs From Mars, GAWP, David Morales, Roxanne, JB & Scooba, Spektral, Kissy Sell Out, Massimo Vivona, Moullinex, Futuristic Polar Bears, ManyFew, Joe Stone, Reboot, Truncate, Scotty Boy, Doctor Nieman, Jody Wisternoff, Thousand Fingers, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Patricia Baloge, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, The Crystal Method, Beltek, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring international artists TDJS focuses on local talent based on the US West Coast. Hundreds of local DJ's have been featured on the show along with top industry professionals. We have recently launched v3.1 our website that now features our current live streams/past episodes in a much more user-friendly mobile/social environment. In addition to the new site, there is a mobile app (Apple/Android) and VR Nightclubs (VR Chat). About The DJ Sessions Event Services - TDJSES is a 501c3 Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed via live and archival viewing. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com.

Bloc d'actualités.Rediffusion de l'émission spéciale consacrée au festival international de la science, de l'art et de la musique STARMUS, qui s'est tenu a Bratislava. Il a été solennelement ouvert par la vedette mondiale Jean-Michel JARRE. Entretien exclusif.

    When I was in college, a million years ago, I worked at the student radio station. There were some cool people there that turned me onto all sorts of new music. I had cassette tapes of several of the albums they introduced me to and I played them for years. I can't remember to put my garbage out on time but I can still picture the handwritten spines of cassette cases for albums like David Sylvian - Gone To Earth and Tangerine Dream - Hyperborea.   A few of my prized cassettes were from more obscure artists such as the 3 that start this mix - Clara Mondshine, Baffo Banfi, and Bernard Szajner. After listening to these albums recently, I decided to make an entire mix of artists from that cassette era. The result is a nostalgic trip back to the late 70s and early 80s for some electronic goodness.    The tracks range from more obscure artists like Lilienthal, Clara Mondshine, Baffo Banfi, and Bernard Szajner to more well known like Phil Mazanera & Richard Pinhas to the very well known Jean Michel Jarre & Al Di Meola. This collection takes me back to a specific time and works well as a cohesive mix. I hope you enjoy listening as much as I did.   Cheers!     T R A C K L I S T : 00:00    Clara Mondshine - Landing At Full Moon (Luna Africana 1981) 05:19    Baffo Banfi - Astralunato (Ma Dolce Vita 1979) 09:00    Bernard Szajner - The Memory (some deaths take forever 1980) 13:15    Richard Pinhas - Melodic Simple Transition (L'Ethique 1981) 16:45    Al Di Meola African Night (Scenario 1983) 21:00    Craig Leon - Region of Fleeing Civilians (Visiting 1982) 25:20    Phil Manzanera - Criollo (Primitive Guitars 1982) 30:10    Jean Michel Jarre - Magnetic Fields Part IV (Magnetic Fields 1981) 35:40    Michael Shrieve & Klaus Schulze - Communique (Transfer Station Blue 1986) 48:15    Roedelius - Weilchenwurzeln (Wenn der Südwind Weht 1981) 52:55    Michael Brook - Midday (Hybrid 1985) 58:41    Lilienthal - Gebremster Schaum (Lilienthal 1978) 64:50    end

It will come as no surprise to regular listeners of this podcast that we are all big fans of Steve Perry, the chief vocalist of Journey.  So it should also not come as a surprise that we would want to feature his debut solo studio album called Street Talk.  Perry embarked on this solo project shortly after the release of Journey's "Frontiers" album, at a time when the group was packing arenas around the world.  The name of the album comes from his pre-Journey days when he was leading a band called Alien Project - but he had at one time considered naming it, "Street Talk."  Perry also used Craig Krampf as drummer, who was also a previous member of Alien Project.The album obviously has similarities to Journey due to Perry's vocals, but it is significantly softer than the more pop rock/hard rock approach typical of Journey.  The songs are written or co-written by Perry, and showcase Perry's voice in a more ballad-heavy manner.  The lead single, “Oh Sherrie,” was written about his relationship with Perry's then-girlfriend Sherrie Swafford, and hit number 3 on the Billboard Hot 100.  We covered “Oh Sherrie” on episode #148, but there are three other singles that broke into the top 40, powering the album to number 12 on the Billboard 200 album charts and to 2x Platinum in sales.Perry had worked outside of Journey during his tenure with the band, including vocal work with both Sammy Hagar and Kenny Loggins.  Other members of the band were also working on side projects, so it was expected that all would return to the group after their separate projects.  Perry followed suit, this, but troubles began to surface with personnel changes and  Perry's mother's failing health causing the "Raised on Radio" Journey album to be delayed.Street Talk gives us a good look at Steve Perry outside of the rest of the Journey band members, during a time when Perry was at the top of his vocal game.Rob brings us this excellent album for today's podcast.She's MineThe track that starts side two is a slow rocker that demonstrates Perry's versatility in musical styles.  The lyrics describe a struggle between a guy and his rival over a girl.  It made it to number 21 on the US charts - and you can't go wrong with a sax. Captured By the MomentThis song is deeper lyrically, with Perry looking at significant times in history and music as snapshots in a frame.  He pays tribute to some key figures from the 60s and 70s including Martin Luther King Jr, Jackie Kennedy, the Beatles, Janis Joplin, Jimi Hendrix, and others.  It has a distinctive 80's keyboard sound.   Foolish HeartA subdued piece, this track is the second-biggest hit from the album after "Oh, Sherrie."  The lyrics depict a guy longing for love, but who does not trust his heart to make good choices.  It was co-written with Randy Goodrum, who wrote "You Needed Me" for Anne Murray.  It was the last single released from the album.  Strung OutThis faster paced track closes out the album, and discusses love from the perspective of a guy longing for a woman in a relationship with another.  "I feel like Bogart in a crazy movie.  Bogie and me, we never beg - but this time maybe I've got voices in my head."   ENTERTAINMENT TRACK:Main theme from the television series “Who's the Boss?”Tony Danza plays a former baseball athlete trying to raise his daughter while working as a live-in housekeeper for a single advertising executive.  Alyssa Milano played Danza's daughter. STAFF PICKS:I Wanna Rock by Twisted Sister Wayne kicks off the staff picks with glam rock sensation Twisted Sister in their follow-up to "We're Not Gonna Take It."  Many listeners may be more familiar with a cover of this song performed by SpongeBob SquarePants in "The SpongeBob SquarePants Movie" entitled "Goofy Goober Rock."For Whom the Bell Tolls by MetallicaLynch brings us a signature song from Metallica's 1984 album, "Ride the Lightning."  The heavy riffs typical of Metallica are accented by the toll of chimes, and the lyrics are inspired by Ernest Hemmingway's novel of the same name dealing with war, death, and fate set in the Spanish Civil War.Hard Habit to Break by Chicago Bruce takes the tempo way down with a hit off Chicago 17.  Vocal duties are carried by Bill Champlin and Peter Cetera, and the song is arranged by David Foster.  The lyrics depict a man struggling to get over a long lost love whom he took for granted.  Chicago 17 is Chicago's best selling album, and their last with Peter Cetera in the group.No More Lonely Nights by Paul McCartney Rob closes out the staff picks with a single from the soundtrack to McCartney's film, "Give My Regards to Broad Street."  McCartney brings in Pink Floyd alumnus David Gilmour for guitar work on this song.  Gilmour requested that his session fee be donated to a charity of Paul's choice.  It went to number 6 on the Billboard Hot 100. INSTRUMENTAL TRACK:Zoolookologie by Jean Michel JarreWe close out on a jazz fusion number from the time which uses samples of voice and spoken words to form an art rock sonic landscape. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Welcome to Live From Progzilla Towers Edition 514. In this all request edition we heard music by Genesis, Ayreon, Can, Ultravox, George Harrison, 10cc, Jean-Michel Jarre, Saga, Genesis, Random Hold, Frank Zappa, Ozric Tentacles, Tontos Expanding Head Band, Kula Shaker, Peter Hammill, Nucleus, It Bites FD, Jethro Tull, Radiohead, Renaissance & David Longdon.

Can I replace my Rabbi with artificial intelligence? Do convenience and (the illusion of) privacy outweigh the power of the human touch? Will AI officiate weddings?  For now, Dovid will keep his job because he can lift chairs — still, the AI Age is upon us. Once-complex questions are being answered with algorithmic ease. But should all questions be answered by the soul-free machine? (And where does this "should" even come from?) In this episode, IBM 7094 gives speech a try (1961), Arthur C. Clark discusses "the future" (1964), and we hear some first words from an Artificial Jesus. Music, originally suggested for this episode by ChatGPT: Boards of Canada, "Roygbiv" and "Dayvan Cowboy"; Kraftwerk, "The Robots"; Jean-Michel Jarre, "Oxygène, Pt. 4".

Le Journal en français facile du lundi 25 décembre 2023, 17h00 à Paris. Retrouvez votre épisode avec la transcription synchronisée et des exercices pédagogiques pour progresser en français : https://rfi.my/ACrR.A