Podcast appearances and mentions of jean michel jarre

Today on Too Opinionated, we welcome back our good friend Author/Journalist Silvia San Martin.  As a journalist, Silvia has worked in radio, press and online mass media. She has interviewed Ricky Martin, Chayanne, Shakira, Status Quo, Alejandro Sanz, Sergio Dalma, Malú, Miguel Sáez, Marta Méndez, David DeMaría, Dyango, Álvaro Urquijo, Antonio Orozco, Carlos Baute, Jean Michel Jarre, Jon Secada, Laura Pausini, Alanis Morissette, Barry White, Bon Jovi, Carlos Vives, Enrique Iglesias, Iron Maiden, Joe Satriani, Julio Iglesias, Luis Miguel, Mariah Carey, Meredith Brooks, Céline Dion, Mike Oldfield, Mónica Naranjo, Phill Collins y Steve Vai, among others.  Today we are talking about books number 16 and 17 for Silvia. If I could, You Can (English, Spanish) Silvia discusses how she became a writer, the difficulties she has been through and how you too can chase your dreams.  Website: www.silviasanmartin.net (Spanish) and www.silviasanmartin.com (English).   Want to watch: YouTube: Meisterkhan Pod (Please Subscribe)  

Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4.     Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5.     Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6.     Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7.     John Keating, “Starcluster” (1975) from Space Experience 2.  Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8.     Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9.     Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10.   Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11.   Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12.   Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13.   Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Episode 171 Chapter 30, EMS Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 30, EMS Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH EMS ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Delia Derbyshire, “Dance From ‘Noah' " (1970). Composed for a television program. Used the EMS VCS3. 00:55 01:44 2.     Selections from the demonstration disc, EMS Synthi And The Composer (1971). Excerpts from Harrison Birtwistle, “Medusa,” Peter Zinovieff, “January Tensions,” and Tristram Cary, “Continuum.” 06:15 02:34 3.     Peter Zinovieff and Harrison Birtwistle, “Chronometer” (1971–2). Featured both the EMS Synthi VCS3 and modified sound recordings of the ticking of Big Ben and the chimes of Wells Cathedral clock. 24:23 08:48 4.     Mike Hankinson, “Toccata And Fugue In D Minor” (Bach) (1972) from The Classical Synthesizer. South African record realized using the Putney (EMS) VCS3. 07:04 33:06 5.     Electrophon, “Arrival of the Queen of Sheba” (1973) from In a Covent Garden (1973).  Electrophon Music was described as the studio where the electronics were recorded and produced in the UK by Radiophonic musicians Brian Hodgson, Dudley Simpson. A variety of synthesizers were used including the obscure EMS Synthi Range, a multi-effect instrument. 03:04 40:10 6.     The Eden Electronic Ensemble, “Elite Syncopations” (Joplin) (1974) from The Eden Electronic Ensemble Plays Joplin. Realized using the EMS VCS3 and Minimoog synthesizers. 04:53 43:12 7.     Peter Zinovieff, “A Lollipop For Papa” (1974).  Realized with the EMS Synthi AKS. 06:26 48:04 8.     Peter Zinovieff and Hans Werner Henze, “Tristan” (Long Section) (1975). Tape accompaniment realized with the EMS Synthi AKS. 07:40 54:40 9.     J.D. Robb, “Poem of Summer” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS. 02:04 01:02:18 10.   J.D. Robb, “Synthi Waltz” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS and Synthi Sequencer 256 (digital sequencer). 01:52 01:04:24 11.   Bruno Spoerri, “Hymn Of Taurus (Taurus Is Calling You!)” (1978) from Voice Of Taurus. Realized using a host of equipment, including a few EMS instruments: EMS Synthi 100, EMS VCS3, EMS AKS, EMS Vocoder 2000, Alto Saxophone with EMS Pitch-to-voltage Converter & Random Generator, plus the Lyricon, Prophet-5 Polyphonic Synthesizer, ARP Omni & Odyssey, Minimoog, Moog Taurus Bass Pedal, RMI Keyboard Computer, Ondes Martenot , Vako Polyphonic Orchestron, Bode Frequency Shifter, AMS Tape Phase Simulator, Echoplex, Roland Echo, Roland Rhythm Box, Bruno Spoerri. 02:48 01:06:16 12.   Henry Sweitzer, “Open Windows” (1979) from Te Deum.  Realized with the EMS Synthi AKS. 11:11 01:09:02 13.   Eduard Artemyev, Yuri Bogdanov, Vladimir Martynov, “Le Vent Dans La Plaine,” “Io Mi Son Giovinetta,” and “Why Ask You?” (1980) from Metamorphoses. Composed and realized using the EMS Synthi 100, a large synthesizer unit combining several EMS3 models and connecting circuitry. 08:38 01:20:14 14.   Jean-Michel Jarre, “Les Chants Magnétiques,” (side 1) (1981) from Les Chants Magnétiques. Portions realized with the EMS Synthi AKS, EMS Synthi VCS3, and EMS Vocoder 1000. 17:58 01:28:52 15.   Alessandro Cortini and Merzbow, “AAMC” (2017) from Alessandro Cortini And Merzbow. Recent recording with all sounds realized using a vintage EMS Synthi AKS. 04:49 01:46:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

I denne uges udsendelse skal vi til verdens største koncert på en hestevædeløbsbane i Zagreb, vi kigger på splintrende ny og fantastisk musik fra engelske Pulp (som er tilbage med nyt album efter 24 år), den amerikanske sanger Matt Berninger (uden sit sædvanlige band The National), og den elektroniske duo The Knocks (i smukt samspil med canadiske Dragonette), og så kigger vi på en engelsk airplay hitliste fra april 1991. Derudover er der et forsinket påskeæg til Andy Tennant, vi tager på en kort, kontroversiel rumtur med Katy Perry, vi hylder den netop afdøde producer Roy Thomas Baker, vi lytter til en sang der måske er skrevet til Postmand Pers kat Emil, og så bliver det desuden til diverse snakke om bulgarske fodboldspillere, grønne æbler i glasskåle, klubmiljøet i Mogenstrup i start 90-erne, Rod Stewarts hår, en såkaldt ”Pause Button” og så nævner vi konstant en sagnomspunden og meget velbesøgt koncert med Shu-Bi-Dua på Bellevue Strand. Playliste: Pulp - Spike Island Matt Berninger - Bonnet of pins The Knocks & Dragonette - Foolish pleasure Billie Eillish - Chihiro Thompson - Ne boj se Jean-Michel Jarre - Équinoxe, Pt. 5 (Live in Houston) Madonna - Get together (Live) Lily Allen - Smile Gasolin' - Det var Inga, Katinka og smukke Charley på sin Harley Quartz introducing Dina Carroll - It's too late Pet Shop Boys - How can you expect to be taken seriously Stevie B - Because I love you (The Postman Song) Rod Stewart - Rhythm of my heart Chesney Hawkes - The one and only Johnny Marr - Generate! Generate!  

Космический микс приурочен ко Дню космонавтики. По пятницам, в 22:00 на THT MUSIC RADIO (tntmusicradio.ru) один из лучших в своём деле - DJ JIM, представляет еженедельное радио-шоу "ElectroМеханика".  II DjJim.RU II iTunes II ВКонтакте II FaceBook II Twitter II Instagram II Mixcloud II SoundCloud II 1. Molvin - Cyber Love [Lost Fracture] 2. Tim Iron, Michael Mashkov vs. Peter Illias - Chieftain [Elliptical Sun Melodies] 3. Jean-Michel Jarre, Armin Van Buuren - Epica Maxima [Columbia] 4. Markus Hakala - Midnight Sun [Progressive Dreams] 5. South Pole - All Day (Lumidelic Remix) [Emergent Shores] 6. Albert Klein - Equator [Soluna Music] 7. Disfunktion & Kris O'Neil - Discoplex [Avanti] 8. Euripides George, Alex Leon - Without Fear [Sonoton Music] 9. Mark Digital - Luminous (D05 MeloReMix) [Soluna Music] 10. Fonzerelli - Dreamscape [Mena Music] 11. Passenger 10 - Troja [Enormous Tunes] 12. TaLeon - Brainstem [Undercool Productions] 13. Markus Hakala - Morning Call [Progressive Dreams] 14. Joshua Ollerton & Stephen Ollerton - Azura (Ruben Hadland Remix) [Emergent Shores] 15. Momo Jouki - Plastic Dreams (Tom Bro's 80s Remix) [Soluna Music]

Le compositeur, artisan et pionnier de la musique électronique en France sera chez nous le1er juiller prochain, Place des Palais pour un concert exceptionnel, en plein air. Jean-Michel Jarre reprendra ses plus grands titres ainsi que des plus récents. On parlera de son incroyable carrière couronnée par 85 millions d'albums vendus. Jean-Michel Jarre répondra aux questions de Thomas de Bergeyck.

Dans cet épisode, Ombline Roche retrace la formidable collaboration entre le chanteur Christophe et le compositeur Jean-Michel Jarre. Après le succès d'Aline, Christophe traverse une période difficile avant de rencontrer Jarre, qui lui écrit l'album Les Paradis Perdus et la chanson d'amour Tout en retenu, les mots bleus. Leur amitié, leur passion pour la magie et leur complicité musicale ont permis à Christophe de renouer avec le succès. Cinq ans après sa disparition, cet épisode rend hommage à l'artiste et à cette collaboration unique.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Il fut un temps où on considérait que les histoires d'amour compliquées, qu'on jugeait sordides, ne pouvaient se produire que dans le monde de la musique et du cinéma. Il n'en était rien, évidemment, juste le fait, non négligeable que le scandale faisant vendre, ces histoires étaient médiatisées à l'extrême. Et au milieu des années 70, où le divorce se porte encore en société comme une bosse sur le dos, c'est un drame quand un coup de foudre tombe sur une personne publique. Surtout quand elle vient de se marier. Je devrais dire quand ils viennent de se marier. Comment Charlotte Rampling et Jean-Michel Jarre pourraient-ils se douter que ce soir de mai 1976, ils vont tomber amoureux. Charlotte est l'actrice fascinante en vue, connue pour des rôles marquants au cinéma dans des films qui ont fait parler d'eux comme le dernier, le sulfureux Portier de nuit. Mariée depuis quatre ans au comédien Bryan Southcombe, elle vit désormais à la Côte d'Azur pour échapper au fisc britannique, comme les Rolling Stones. C'est ainsi qu'elle se trouve invitée ce soir dans un restaurant de St Tropez par l'agent artistique de Patrick Juvet qui vient de terminer un nouvel album prometteur au casting cinq étoiles. L'actrice fait donc la rencontre ce soir-là du parolier de Patrick Juvet qui est aussi celui de Christophe et dont tout le monde a en tête la chanson parue il y a peu … Le jeune musicien de 27 ans, car il est musicien aussi, il est d'ailleurs le fils du célébrissime compositeur oscarisé, se montre très loquace, drôle, en fait, Charlotte le trouve magnétique et rentre chez elle ce soir-là, très troublée. Mais pas autant que Jean-Michel car lui, est bouleversé. Il confie d'ailleurs son désespoir à Patrick Juvet car il est marié, lui aussi, et depuis un an. Et même si son mariage ne fonctionne pas, ça ne se fait pas. Mais de retour chez lui, quelques jours plus tard, Jean-Michel apprend la présence de Charlotte Rampling à Paris pour la promotion d'un film où elle donne la réplique à Robert Mitchum dont c'est le retour en force. Jean-Michel craque, l'appelle et la retrouve à son hôtel où ils restent cachés durant tout le week-end. A son retour, son mari ayant deviné qu'il s'était passé quelque chose, se fâche, Charlotte s'enfuit à Paris, Jean-Michel quitte le domicile conjugal et ils s'installent tous deux chez sa mère.Charlotte et Jean-Michel ne se cachent plus, l'affaire fait grand bruit jusqu'au divorce puisqu'ils n'hésitent pas à s'afficher ensemble lors du Festival de Cannes. Jean-Michel est alors occupé à enregistrer un disque instrumental qui de l'avis de son entourage est bien barré. Mais Charlotte l'écoute fascinée et lui annonce que ce ne sera pas facile : ce sera soit un échec retentissant, soit un triomphe sans précédent. L'histoire de cet amour naissant semble liée à celle de ce disque dont au départ personne ne veut et puis que tout le monde va prendre pour modèle, une bouffée d'oxygène.

È uno dei favoriti ad Eurovision 2025 e la sua “Espresso Macchiato” ha sollevato polemiche e conquistato il cuore delle nonne. Abbiamo incontrato Tommy Cash. Chiello torna con il suo terzo album, “Scarabocchi”. La mostra “Whispers Too – A Julian Lennon Retrospective” di Julian Lennon approda alla Galleria Still di Milano, durante la Design Week. Da maggio a novembre tra Milano, Venezia e Pompei, Jean-Michel Jarre porta la sua “opera totale” attraverso installazioni, mostre e concerti.

  Another electronic gem from Erwin Broers. He has become my go to guy for berlin-school music and I'm totally here for it. I've said many times that I like hosting guest mixes from artists and listeners because I always discover new music. And this set is a perfect example - other than Ron Boots, every artist in this mix is new to me.   Here's what Erwin has to say about this mix: "The theme this time is "Electronic Gems From The Lowlands", the lowlands being Belgium and the Netherlands. Both countries are neighbours of Germany, where Electronic Music took off in the early 1970s. It was therefore inevitable that many local progressive artists became fascinated by synthesizers and inspired by this new genre known as "Kosmische Musik" (cosmic music). Influence of Tangerine Dream and Klaus Schulze is obvious, but there's also a hint at prog rock and a few tracks come close to melodic synth pop similar to Vangelis and Jean Michel Jarre." Thanks for a great set, Erwin! Cheers!   T R A C K L I S T : 00:00:00   PeRu - Out Of Time (Constellations, 1981) 00:09:01   Pillion - Enigmas (Enigmas, 1980) 00:22:36   Par Example - Flarepath (Pharos, 1989) 00:31:57   Patrick Kosmos - Mindscapes part 1, 2nd movement (Mindscapes, 1987) 00:41:00   Johan Timman - Trip Into The Body (Trip Into The Body, 1981) 00:46:31   Walter Christian Rothe - Solitude (Solitude, 1982) 00:50:34   Ton Scherpenzeel - Heart Of The Universe (Heart Of The Universe, 1984) 00:58:02   Frank Van Bogaert - A Picture of You (Closer, 2004) 01:01:45   Ron Boots & John Kerr - Oceans Of Emotions (Offshore Islands, 1990) 01:15:11   end

▶ Dans le Tempo # 89 Alerte success story ! C'est en effet Polo & Pan, un duo au parcours exceptionnel, que reçoivent Salman et Daz à l'occasion du 89e épisode du podcast des passionnés de musique. Paul Armand-Delille et Alexandre Grynszpan se rencontrent au début des années 2010 alors qu'ils sont DJ dans le même club, Le Baron. C'est le coup de foudre entre les deux musiciens, qui vont se mettre à composer ensemble et ainsi devenir Polo et Pan. Très vite, ils font parler d'eux avec un premier EP, Dorothy. En 2016, le duo électro-pop sort le morceau Canopée et, dans la foulée, son premier album, Caravelle. Le succès est immense, et les streams se comptent par millions. Polo & Pan partent alors à l'assaut du monde entier, se retrouvent programmés au festival Coachella, apparaissent dans une publicité pour le géant Apple, avant d'enchaîner avec un 2e album qui rencontre également le succès. Alors qu'ils viennent de sortir un 3e album intitulé "22:22", Polo & Pan sont aujourd'hui incontournables dans le monde de la musique française. Ils ont d'ailleurs joué lors des JO de Paris aux côtés de Jean-Michel Jarre, Anetha, Etienne de Crecy, ou encore Pedro Winter. Mais quel est le secret de cette réussite ? Comment Polo & Pan ont-ils forgé leur patte sonore, à mi-chemin entre la culture du club et la variété française ? Pourquoi le voyage et l'exotisme sont-ils si présents chez eux ? N'y a-t-il pas un risque d'appropriation culturelle, comme avec le morceau Ani Kuni ? Et comment s'entourent-ils pour développer leur carrière ? Salman et Daz ont posé toutes ces questions à Paul et Alex, et leurs réponses vont vous étonner... N'hésitez pas à naviguer entre les chapitres en fonction de vos intérêts ! ▶ Sommaire : 00:00 Présentation des invités 10:45 La rencontre 27:38 Trouver le son Polo & Pan 38:11 Canopée, le premier tube 48:10 L'importance du voyage 59:47 Appropriation culturelle ? 1:13:14 Le son du dernier album 1:21:21 Gestion de carrière (label, pub Apple, etc.) 1:31:45 Recommandations Technique : La Bouclette Montage : François Brétéché

Après Neil Young, Jean-Michel Jarre se produira également cet été sur la Place des Palais à Bruxelles ! Le 1er juillet 2025, le pionnier légendaire de la musique électronique offrira un concert exclusif avec le Palais Royal en toile de fond majestueuse. Après près de 10 ans d'absence, il fait enfin son grand retour en Belgique pour un spectacle rappelant ses shows iconiques. Une occasion unique pour les fans de voir cette légende vivante en live ! Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cet épisode, direction la Chine ! Dans l'histoire d'un pays grand comme 17 fois la France, le début des années 1980 est une période charnière. La Chine entame une certaine ouverture au monde mais l'ombre de Mao n'en finit pas de planer sur les Chinois. Et c'est justement à ce moment, entre les années 70 et le début des années 80, qu'en France deux livres en particulier vont poser un regard singulier sur la Chine. Les deux auteurs, Alain Peyrrefitte et Simon Leys, livrent une analyse un peu différente, et s'interrogent sur le futur d'un pays encore très fermé mais qui semble s'ouvrir aux étrangers. C'est aussi là, au début des années 80, que certains artistes vont aller là bas, dont une peintre, Fabienne Verdier, et un musicien, Jean-Michel Jarre.Pour en savoir plus sur Fabienne Verdier : https://fabienneverdier.com/Pour découvrir Jean-Michel Jarre en concert en Chine en 81 : https://youtu.be/X_qTkaM0bBQ?si=gl0JCrN99Xln2PhBLes extraits musicaux de cet épisode sont issus de l'album Concerts in China https://youtu.be/_viKOUBVJXA?si=FJn5zH4RI4AOYkwcLe générique du podcast c'est toujours David Nilsson. Plus d'infos sur notre label Podcut et notre patreon : podcut.studio Merci pour vos contributions !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The story of French electronic music over the last hundred years is one of artistic and technical innovations that changed the course of contemporary music. The late 19th century stylistic inventions of GABRIEL FAURÉ, MAURICE RAVEL, and CLAUDE DEBUSSY led to the emergence of Impressionism and Minimalism in the 20th century—while the revolutionary innovations of ERIK SATIE laid the foundation for ambient background music and personal music for solo piano. At the same time, the invention of playable French electronic instruments like the “Ondes Martenot” in 1928, accelerated the arrival of live electronic performance, and the French brilliance in style and design produced exceptionally refined sonic and textural quality in recordings after mid-century. On this transmission of HEARTS of SPACE, a look at French ambient and electronic music from the 1970's to now, on a program called "AMBIANCE FRANÇAIS." Music is by DEBUSSY via TOMITA, JEAN MICHEL JARRE, THIERRY DAVID, CHRISTIAN WITTMAN, PAUL SAUVANET, and AIR. https://bit.ly/HOS-1394. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Episodio 7.05 de Las Cosas Que Hay Que Escuchar, en el cual una palabra se nos vuelve esquiva mientras escuchamos la música de Thee Headcoatees, The Boomtown Rats, They Might Be Giants, Viuda e Hijas de Roque Enroll, Eels, The Blockheads, Sister Rosetta Tharpe, Úrsula Ramat, Tronco, Let’s Eat Grandma, Siouxie and the Banshees, Bene Gesserit y Jean Michel Jarre. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio

Episodio 7.02 de Las Cosas Que Hay Que Escuchar, en el cual sufrimos el cambio climático mientras escuchamos la música de Bite Me Bambi, Il Maniscalco Maldestro, Can, Cardiacs, Electrodomésticos, Charlelie Couture, Sister Rosetta Tharpe, Estrella Negra, Blondie, Beastie Boys, Einstürzende Neubaten, Bene Gesserit, Die Katapult y Jean-Michel Jarre. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio

YES, he can ! "He" c'est Steven Wilson, qu'on retrouve ici derrière la console pour une version remixée d'un extrait de "Close To The Edge", album mythique de ses ainés et dont un luxueux coffret en version vinyle, 5 CD et blu-ray 5.1 dolby atmos est attendu ce 7 mars...Mais pourquoi Noël ne se fête-t-il donc pas au printemps ?

L'intelligence artificielle suscite des craintes auprès des artistes, Jean Michel Jarre va nous parler des opportunités de l'IA et des questions qu'elle soulève

La music story du jour c'est celle d'Oxygène, album iconique de Jean Michel Jarre…Bien avant que la planète terre ne court à sa perte et vers un gouffre sans fond, pensant qu'elle sait voler, Jean Michel Jarre sortait son album illustre « Oxygène » en 1976.

Cyanotic Cyanotic was first introduced to rave and hardcore in 1995, but was already addicted to the unique sounds of electronic music at the age of 5, influenced by Jean-Michel Jarre's Oxygène album. Since 2015 he has been a member of Death Noize Clan Hungary and since 2024 he has been a member of Hard Session Events, a group based in Austria. His sets are dominated by Early and Millenium sounds - but he also likes to play dark and industrial sounds. Social media: https://www.facebook.com/profile.php?id=100071372976231 Tracklist: 1. Iridium - We Are Alive 2. Ophidian - Silver '22 (The Name Of The Wolf) 3. DJIPE - No More Voices (HVRDTONIC Kick edit) 4. RVOLT - Out Of Control 5. The 3Eyed - Demons In Us 6. The Outside Agency & Ophidian - Return Of The Silence 7. eDUB Ft. Igneon System - Shotgun 8. Ophidian - Dead Air 9. Vein - Ultimate Seduction 10. Vein & The Satan - Synthetic Delight 11. The Outside Agency & Ophidian - Church Of The Silence 12. The Satan - Get The Fuck Up (Original mix) 13. Ophidian - Silver (Extended mix) 14. Ophidian - Lynched (Tymon remix) 15. Forbidden Society & Deathmachine - Rude 16. The Satan - Nothing 17. DJIPE & The Purge - Reset 18. RVOLT & Igneon System - Fucking Noise 19. Ophidian - Angel (Millennium DJ edit) 20. Igneon System & Karbyde - Triggerfinger 21. Industrial Twins - Suppression 22. Shinra Tensei - Move 23. Ophidian & Minkz - The Void (Fade)

Fernando Neira nos cuenta la historia de cómo Jean-Michel Jarre quiso vengarse de todos los que no habían creído en él ni en su música ni en sus decisiones disparatadas con un elepé llamado 'Música para supermercado'. Jarre solo creó una copia del álbum y destruyó el máster en una nueva decisión loca. Además, recibimos la visita de Marazu, que trae su quinto elepé bajo el brazo, el primero de su discografía producido de forma independiente y sin apoyo de grandes discográficas: 'La casa'.

Não pode ser cansaço aquilo que deixo de ver, nem aquilo que não ouço. Não posso me cansar da vida, ela tem sempre o melhor para cada um de nós, no tempo certo. Fernando Pessoa e Jean Michel Jarre contribuindo para o episódio da semana. Escute-o. Obrigado.

Дорогие друзья! Завершается 2024 год, и это означает, что пришло время подвести музыкальные итоги уходящего времени. Как всегда, год был богат на музыкальные новинки, и на музыкальной сцене появилось множество новых исполнителей. В 2025 году проект Sweetsetsation® готовит продолжение проектов Outcennce Spring и Autumn, а также продолжение проекта Sweetsetsation Classix. Таким образом, весь грядущий год будет наполнен самой лучшей электронно-танцевальной музыкой. До наступления Нового года осталось всего четыре дня, и каждый из нас ждёт чего-то нового, необычного, чуда. Все готовятся к встрече 2025 года. По традиции, все диджеи подводят итоги уходящего года, и я, как и всегда, не остаюсь в стороне. Желаю всем приятного прослушивания ,отличного настроения и Всех С Наступающим Новым Танцевальным 2025 годом, ваш Andrey Egorov(c.) ссылка на радио Club Chart my.mail.ru/music/play/30720698… ссылка на Club Chart vk.com/public190452791 ссылка на официальное сообщество VK vk.com/sweetsetsation подписываемся на мой подкаст в Itunes podcasts.apple.com/ru/podcast/… Всех с Наступающим 2025 годом и Рождеством! И так мы начинаем Итоговый CLUB CHART-2024© - The Best of 2024 by Andrey Egorov. Открывает наш Итоговый CLUB CHART-2024© трек 100.Butch U, HVZVRD - Happy Nation #The best of 2024. Оригинал этого трека был выпущен 09 августа в далёком 2015 году. The Best of 2024 by Andrey Egorov. на 99 месте расположился исполнитель с треком Nils Van Zandt - Move On Baby #The best of 2024. переходим к 98 месту и там расположился трек STRACURE, KENSHI - Kill Him #The best of 2024. на 97-ом распологается трек Techno Project, Geny Tur - Lifting Under Pressure #The best of 2024. 96-е место занимает трек Mau P - MERTHER #The best of 2024 на 95-ом месте у нас расположился трек Black Station - Give Me #The best of 2024 94-е место занимает исполнители Alesso & John Alto - Lonely Heart #The best of 2024 на 93-ем месте у нас раположился трек BROHUG - House #The best of 2024 92-е место Steff Da Campo x Ilkay Sencan - KINTSUGI #The best of 2024 91-е место занимает исполнитель с треком Tujamo x YouNotUs - 808 #The best of 2024 Завершается первая 10 треков и на 90-ом месте расположилось шведское диджейское и продюсерское трио, состоящее из Кристофера Лунде, Джона Дальбека и Никласа Лунде. Собравшись вместе как диджеи из разных шоу, Brohug сформировались, когда трое участников подружились и сотрудничали. В июле 2016 года на лейбле Tchami Confession был выпущен их дебютный сингл под названием «In the Morning». А сегодня в 2023 году открывает 90-е место V3R - Show Me Love #The best of 2024 89-ое место занимает Tvilling - Dum Dum Dum #The best of 2024 88-ое место заняли исполнители TRITICUM - Bridges Are Burning #The best of 2024 На 87-ом месте расположился Steff da Campo & Julian Snijder - Watch It #The best of 2024 86-е место занял трек SOONIIK - BAZAR #The best of 2024 На 85 месте у нас трек Öwnboss x Dino Warriors - Can You Dig It #The best of 2024 переходим к 84-му месту и там нас встречает трек Dj Quba, Sandra K, Julia Milows - Chasing Stars #The best of 2024 83-е место у исполнителя Reznikov - Can't Forget #The best of 2024 82-е место занял Rasster с треком Day 'N' Nite #The best of 2024 На 81-ом месте у нас разместились PVSHV, Punkshow с треком Like You #The best of 2024 Завершается 2 10-ка треков и 80-ое место открывает трек PBH & Jack x Alex Hosking - Lost In The Moment #The best of 2024 На 79-ом месте расположился ONEIL, ORGAN, Miléna Boleda - Mama Papa #The best of 2024 А на 78-ом месте у нас расположился трек Melis Treat - La La La #The best of 2024 77-ое место занимает Maxun с треком Every Night #The best of 2024 76-ое место занял Marten Hørger, Neon Steve с треком You Don't #The best of 2024 Небольшая предыстория: "Day 'n' Nite» — песня американского рэпера Кid Cudi. Песня была написана и спродюсирована Cudi вместе со своим давним соратником и другом, бруклинским продюсером Dot da Genius. Песня была выпущена в качестве коммерческого дебютного сингла Cudi ещё 5 февраля 2008 года, но первоначально была выпущена на странице Кudi на MySpace, а затем была представлена в нескольких музыкальных блогах в ноябре 2007 года. В молодости Cudi переехал из своего родного города Кливленда, штат Огайо, в Нью-Йорк, чтобы продолжить музыкальную карьеру. По прибытии он остановился у своего дяди, опытного барабанщика Калила Мади. Позже дядя выгнал его, что впоследствии привело к тому, что Cudi написал песню «Day 'n' Nite» А сегодня представлен очередной Remix на данный трек от исполнителей Giorgio Gee, NALYRO, PLVTO Окунаемся в ностальгию. Итоговый Club CHART#2023 На 75-ом месте расположился Liu & Zuffo с треком Wait #The best of 2024 А на 74-ом месте у нас Farshik - Нас не догонят #The best of 2024 73-е место занял Jordan Burns - Phantom LoVer (feat. Vania) #The best of 2024 72-е место занимает Maxx Play - Every Body Jump #The best of 2024 На 71-ом месте расположился Французский диджей и продюсер электронной танцевальной музыки, подписавший контракт с лейблом Tchami Confession. Он ворвался на сцену электронной музыки со своим синглом "Notorious", который стал вторым релизом Confession. Его личность неизвестна, поскольку он появляется на публике в балаклаве. Его участие в коллективе Pardon My French предполагает, что он француз, как и все остальные участники. Butch U - Daddy #The best of 2024 71-е место. Завершается 3 10-ка треков и 70-ое место открывает EwellicK - Something About Love #The best of 2024 На 69-ом BXNER - FROZEN #The best of 2024 На 68-ом месте расположился Kalamansy - Truth #The best of 2024 67-ое место досталось исполнителям Tim Dian, ishoom с треком Bloodline #The best of 2024 На 66-ом месте расположился Johan K - Lost In Space #The best of 2024 65-ое место занимает Gala с треком Freed From Desire 2024 #The best of 2024 На 64-ом месте расположился Leo Oliver, DAN_ROS - What You Can Do #The best of 2024 63-е место заняли Lintrepy, DaR 8 с треком The Motto #The best of 2024 На 62-ом месте у нас разместился Fedde Le Grand с треком I Am Ready #The best of 2024 61-ое место заняли исплнители FISHER (OZ), ARCO с треком Ocean #The best of 2024 Завершается 4-ая 10-ка треков нашего Итогового CLUB CHARTа -2024© и 60-ое место открывает Husko с треком Jack #The best of 2024 На 59-ом месте расположился Steve Angello - Hooligans #The best of 2024 58-е место занял Gorgon City & Max Styler - Touch #The best of 2024 57-е место заняли HÄWK, Azooland - The Sound Of House #The best of 2024 На 56-ом месте расположился Darude с треком Sandstorm (Glazur & XM Remix) #The best of 2024 55-ое место занимают Imanbek, Rick Ross, KDDK с треком Built Different #The best of 2024 54-ое место занимает Global Deejays с треком What A Feeling (Jenia Smile & Ser Twister Extended Remix) #The best of 2024 53-ем месте расположились Imanbek, Trevor Daniel с треком In The Morning (KDDK Extended Remix) #The best of 2024 52-ом месте Alok & Clementine Douglas с треком Body Talk #The best of 2024 На 51-ом месте расположился Siks feat. Jobsab - À La Parisienne #The best of 2024 Завершается 5-ая 10-ка треков и на 50-ое место открывает E-Rotic с треком Max Don´t Have Sex (D.Hash & Killteq Extended Remix) #The best of 2024 идём дальше и на 049-ом месте у нас расположился VOLB3X с треком Return Of The Tres #The best of 2024 На 48-ом расположился трек Sevdaliza, Pabllo Vittar, Yseult - Alibi (with Pabllo Vittar & Yseult) #The best of 2024 На 47-ом месте у нас Rompasso с треком For Real #The best of 2024 46-ое место открывает John Dahlbäck с треком Fake Like That #The best of 2024 45-ое место открывает TRITICUM с треком You Left Me Scarred #The best of 2024 на 44-ом месте разместился Yves G и его трек Outta Love #The best of 2024 переходим к 43-му месту и здесь расположился трек Swimming Paul - Different Time #The best of 2024 а на 42-ом у нас Papa Tin, Katya Ishutina с треком Don't Believe in Love #The best of 2024 Открывает 41-ое место исполнитель John Summit & Hayla с треком Shiver #The best of 2024 Завершается 6-ая 10-ка с треками и 40-ое место открывает Ivana Spagna, NUZZLE и трек T'AMO T'AMO T'AMO #The best of 2024 на 39-ом месте Don Diablo, MK, Gaby Gerlis с треком Next To Me #The best of 2024 Предыстория: Hayden James - Австралийский диджей, автор песен и музыкальный продюсер из Сиднея. Он подписал контракт с лейблом Future Classic - 39-ое место. На 38-ом месте находится исполнители Block & Crown, Mike Ferullo с треком Ready or Not #The best of 2024 На 37-ом месте расположился WYR GEMI, Butch U с треком Midnight #The best of 2024 Предыстория: Давид Кабачинский, более известный как Sikdope,-польский диск-жокей, работающий с 2012 года - 037 место. 36-ое место занимают Rompasso, FAVIA с треком Crack #The best of 2024 35-ое место занимает Modern Clvb, bonö с треком All You Need #The best of 2024 34-ое место занимает исполнитель Dinamixx с треком You Da Want #The best of 2024 Идём дальше и 33-е место открывают D&S с треком Ice (Speed up) #The best of 2024 32-ое место отркывает TR3NACRIA с треком Before (The Sun Comes) #The best of 2024 На 31-ом месте разместился трек в нашем Итоговом Club CHART'е#2024 от исполнителей Jamiroquai x Don Diablo - Deeper Underground #The best of 2024 Завершается 7-ая 10-ка и 30-ое место открывает исполнитель BROHUG с треком Tequila #The best of 2024 Предыстория: Dannic - Нидерландский диджей и музыкальный продюсер. Известен своими работами с Hardwell, Dyro, Sick Individuals. Публикует свою музыку через Revealed Recordings и Spinnin' Records, а также через свой собственный лейбл Fonk Recordings - 30-ое место. На 29-ом месте у нас Crüpo & Swen Weber feat. Stush, Marten Hørger с треком Get Low #The best of 2024 Предыстория: Вячеслав Соловьёв - также известен под псевдонимом Relanium. Юность Вячеслава прошла в постоянных экспериментах с различным музыкальным оборудованием и коллекционированием пластинок с джазовой и электронной музыкой, среди них можно было найти записи Jean-Michel Jarre, Space, Depeche Mode, Kraftwerk…Уже в то время Вячеслав прекрасно осознавал с чем будет связанна его дальнейшая жизнь. Свою карьеру саунд-продюсера и ди-джея начал одновременно в 2000-м году с выступления на крупнёйшем дальневосточном Dj баттле, с тех пор Вячеслав приобрёл богатый опыт работы в клубной индустрии и объездил с гастролями много городов России и СНГ, среди которых были такие города как - Хабаровск, Уссурийск, Ванино, Владивосток, Советская Гавань, Иркутск, Челябинск, Миасс, Южно-Сахалинск, Актау, Астана, Алматы (Казахстан), Липецк, Можайск, Москва и т.д. А свои первые творческие шаги были сделаны им ещё раньше, в 1999-м. На протяжении нескольких лет Вячеслав успешно работал со многими стилями, начиная от ломаных ритмов Break Beat, Jungle, Trance, Trip Hop… и заканчивая как энергичным House, Techno, так и бескомпромиссным Electro и Progressive. И в 2006-м году его музыкальная карьеры выходит на качественно новый уровень, чему в большой степени способствовало знакомство тогда с начинающим, а ныне весьма перспективным украинским лейблом Relax Recordings и в частности с Андреем Файбером. После релиза трека «Relanium – Leel Lost», Вячеслав получает признание не только отечественной, но и европейской клубной элиты, ярким доказательством чему явился заказ ремикса от Relanium Dj-ем Kolesky (Франция) для своего релиза «Kazantip to Ibiza», в след за Kolesky последовали предложения о включении трека «Relanium – Leel Lost» в свои компиляции от Dj Antoine и Player & Remady (Швейцария), а также заказы на ремиксы от таких мировых знаменитостей как Maurizio Gubellini, Jaybee, Player & Remady, Whiteside, Houseshakers, Housebrothers, Giorgio Sainz и др., в результате которых были выпущены релизы на виниле и CD . Также трек «Leel Lost» стал гимном крупнейшего «Tecktonik » фестиваля во Франции – родине этого танцевального движения, впоследствии трек использовался музыкальной подложкой к крупнейшему мировому танцевальному эвенту «Sensation White 2009» и был дважды отыгран на этом событии звёздами мировой танцевальной индустрии. С тех пор треки проекта Relanium были замечены на многих мировых радиостанциях и плейлистах топовых DJ-ев, а трек «Relanium – Leel Lost» по сей день остаётся культовым для многих ценителей танцевальной музыки во всём мире. В конце 2007-го года Вячеслав начинает активно сотрудничать с радиостанцией «Рекорд» и крупнейшим российским рекорд лейблом «КДК Рекордз», периодически выпускался на различных сборниках Рекорд лейба, став артистом лейбла наряду с такими его представителями, как DJ Romeo, DJ Нил, DJ Riga, Чугунный скороход, Тина Чарлз, Катя Чехова и многими другими отечественными и зарубежными ди-джеями и музыкантами. Впоследствии, совместно с известным европейским продюсером Danny-S и вокалисткой с Лондона Tania Laila, на трек «Relanium – Leel Lost» был написан кавер под названием «Intoxicated». Также на базе европейской студии на данный трек был снят видео-клип, презентация которого в скором времени состоится на крупнейшем музыкальном канале «VIVA TV», а впоследствии и на российских музыкальных каналах «MTV» и «МУЗ TV». Творчество проекта Relanium поддержали многие мировые деятели клубной индустрии, в число которых вошли David Guetta, Player & Remady, Dj Antoine, Marbrax, Moussa Clarke, Dj Kolesky, Miles Dyson, Whiteside, Thomas Gold, Maurizio Gubellini, 7th Heaven, Mondo, Spencer & Hill, Danny-S, Taito, Mango, Tune Brothers, Swen Weber, Daniel Portman, Dj Feel, Swanky Tunes и многие другие артисты. На данный момент Вячеслав является резидентом перспективного лейбла «Своя Атмосфера» в городе Москве, издаёт треки под псевдонимом Relanium, а также активно гастролирует. Dj сеты Relanium строит на live перфомансе с одновременным использованием 4-х вертушек и синтезатора Korg, даря людям частичку своей неисчерпаемой энергии и заряжая всех присутствующих флюидами самого позитивного настроения. На достигнутом Вячеслав останавливаться не собирается, всегда уверенно смотрит в будущее, реализует новые творческие проекты, каждый день находится в поиске свежих идей, постоянно совершенствуя и внося разнообразие в своё звучание всё новыми и новыми элементами… 28.-ое место занимает 2xA с треком Through The Night #The best of 2024 Предыстория: Younotus - Немецкий диджей и продюсерский дуэт из Берлина, состоящий из Тобиаса Богдона и Грегора Зама. В 2015 году они были представлены вместе с Алле Фарбен в общеевропейском хите Анны Наклаб "Supergirl", кавер-версии Reamonn, которая достигла 1-го места в Австрии и 2-го в Германии. 028-ое место Итоговый Club CHART#2023 27-ое место занимает D&S с треком Cave #The best of 2024 26-ое место занимает OsMan с треком Pure Devils #The best of 2024 25-ое место занимает исполнитель Rendow, ISVNBITOV с треком Believe #The best of 2024 24-ое место открывают J&K, Deepcat с их треком Silent Mind #The best of 2024 Предыстория: Julian Jordan - Нидерландский диджей и музыкальный продюсер. Стал известен благодаря сотрудничеству с Сандер ван Дорном и Мартином Гарриксом. 23-е место открывает исполнитель STRACURE с треком Moment #The best of 2024 На 22-ом расположился James Hype feat. Kim Petras с треком Drums #The best of 2024 идём дальше и на 21-ом месте находится Indigo Deep и трек Drunk #The best of 2024 Завершается 8-ая 10-ка треков и на 20-ом месте у нас BROHUG - That Boy #The best of 2024 Предыстория: KSHMR (настоящее имя Найлз Холлоулл-Дхар; род. 6 октября 1988[1], Беркли, Калифорния) — индо-американский диджей и музыкальный продюсер. На 2022 год занимает 12 место в списке лучших диджеев мира по версии журнала DJ Magazine. В июле 2017 года запустил свой собственный лейбл звукозаписи Dharma Worldwide. 19-ое место у нас открывают Gorgon City & Bbyafricka с треком Biggest Regret feat. Bbyafricka #The best of 2024 далее на 18-ом месте расположился German Geraskin с треком Lullaby #The best of 2024 А на 17-ом у нас снова Melis Treat с треком Liar #The best of 2024 16-ое место занимают DIMESTRIX, ILYA SECHKIN с треком Let U Go #The best of 2024 Предыстория: «Цари́ца» — второй сольный студийный альбом певицы Анны Асти, выпущенный 29 сентября 2023 года на лейбле Fenix Music. 15-ое место занимает Anyma - Pictures Of You #The best of 2024 На 014-ом у нас располагается Alan Galit и трек Try me #The best of 2024 13-ое место занимает Anton Lacosta - Give Me More #The best of 2024 12-ое место занимает исполнитель 2xA - Cold #The best of 2024 Предыстория: Известный ди-джей и продюсер Tim Dian (Тимур Дианиди) прославился в России со своей музыкой в социальных сетях, но с 2016 года он донес свой стиль до широких масс во всем мире, благодаря сотрудничеству с зарубежным лейблом Yeiskomp Records. Тимур быстро стал покорять мир электронной музыки, получив поддержку от многих известных диджеев. Его треки "Next To Me", "Questions", "Day Or Night", "Wave", "Feel Me Baby", "My Worlds Collide", "Baby Scream", "Give It To Me" и многие другие неоднократно завоевывали популярность у ценителей хаус музыки. Совместный трек с Alex van Sanders - "Go" занял 31-ое место в топе "Лучшие треки и ремиксы за май 2021" по версии DJ.ru, ну а совместные треки со Stefre Roland, KastomariN, Vi-Tayler, саксофонисткой Ladynsax, вокалистками Marieva и Irina Los набрали огромное количество прослушиваний, получив поддержку от слушателей из разных стран. Узнаваемость Тима Диана привлекла внимание общественности и он начал получать приглашения играть в различных клубах в его родном городе Ростов-на-Дону. Любители клубов наслаждаются его треками во всем мире! Тим Диан не заложник своего стиля, он способен удивлять и делает это с особой виртуозностью! Будь то прогрессив, дип или тропикал хаус, будьте уверены, Тим Диан выдаст качественный материал который будет отлично воспринят слушателями разных стран! 11-ое место открывает исполнитель Biscits & TOBEHONEST с треком I Am The One #The best of 2024 Завершается 9-ая 10-ка треков и 10-ое место открывает JAOVA с треком Lose Control #The best of 2024 9-ое место занимают David Guetta vs. Mason x Princess Superstar с треком Perfect (Exceeder) #The best of 2024 Предыстория: Fedde Le Grand - (нидерл. Fedde Le Grand, род. 7 сентября 1977, Нидерланды) — нидерландский диджей и музыкальный продюсер. В 2017 году занял 39 место в списке лучших диджеев мира по версии журнала DJ Magazine. 8-ое место открывает SATOMIC со своим треком QUATTRO #The best of 2024 7-ое место занимает Dan Korshunov с треком Kiss Me #The best of 2024 6-ое место у нас снова занимает Dan Korshunov с треком Somebody #The best of 2024 А на 5-ом месте у нас расположились исполнители ONEIL, KANVISE, Danna Max с треком Black Black Heart #The best of 2024 4-ое место занял G$G с треком Screams & Laughs #The best of 2024 Тройку самых лучших треков 2024 года открывает снова 2xA, G$G с треком UP #The best of 2024 3-е место #Бронза 2-ое место открывает Anton By с треком Lose Control #The best of 2024 #Серебро И 1-ое место в Итоговом Club CHART'е #2024 занимает Arthur Freedom - Another Way #The best of 2024 #Золото Слушаем, наслаждаемся и услышимся теперь в новом 2025 году!!!))) Всех С наступающим Новым Годом и Рождеством!!!))) Andrey Egorov(с.)

durée : 00:04:30 - C'est une chanson - par : Frédéric Pommier - A l'occasion des fêtes de fin d'année, nous dédions cette semaine aux athlètes qui ont marqué les Jeux Olympiques et Paralympiques cet été. Aujourd'hui, nous réécoutons l'interview que Frédéric Pommier avait réalisée avec Nikola Karabatic, multimédaillé olympique et légende du handball français.

Tracklist:   1. The Noble Six - Astral Projection (Extended Mix) 2. BarWall - Light in the Tunnel (Extended Mix) 3. Schiller - Das Glockenspiel (C-Mo 2024 Bootleg) 4. Wonder Element - Adara (Nytigen Remix) 5. Speed DJ - Blizzard (Steve Allen Remix) 6. Photographer & Susana - Find A Way (Metta & Glyde Bootleg Remix) 7. Metta & Glyde - Time Will Tell (Original Mix) 8. Cari & Fisical Project & Caleb Golston - Like It Was Yesterday (Extended Mix) 9. Jean-Michel Jarre & Armin van Buuren - Stardust (FAWZY's Star On The Rise Remix) 10. Aly & Fila x Alex M.O.R.P.H. feat. Cheryl Barnes - Eye of the Storm (Extended Mix) 11. Chris Schweizer feat. Roxanne Emery - Under The Light (Extended Mix) 12. Aly & Fila with Richard Durand - Nebula (Extended Mix) 13. Andrew Rayel, Robbie Seed & Jimmy Chou Feat. That Girl - I Wish (Extended Mix) 14. Christian Millan - Ella (Yoshi & Razner Extended Remix) 15. The WLT & OANA - You Won't Forget Me [Nu Ma Vei Uita] (Extended Mix) 16. Talla 2XLC - Uprising (Extended Mix) 17. John Rockwell - Promises (Extended Mix) 18. BT - Godspeed (Maria Healy Extended Remix) 19. Linkin Park - Numb (C-Mo Tribute to Chester 2024 Bootleg Mix) 20. Drival - Ignition (Extended Mix) 21. Kalki - Rift (Orginal Mix) 22. Astrix - Life System (Blastoyz Remix) 23. Sean Tyas - People (Extended Mix) 24. Electric Universe & Ace Ventura - Ancient Aum 25. Ovnimoon vs. Rigel - We Burn Incense 26. Le Shuuk x B-stylezz - Konje (Extended Mix)

Welcome to Live From Progzilla Towers Edition 541. In this All Requests edition we heard music by Beardfish, Cats In Space, Deep Purple, Colin Scot, Damian, The Warning, Joni Mitchell, Jeff Beck, Upp, Jean-Michel Jarre, Orion, Mike Oldfield, Quincy Jones, Saimaa, Field Music, Freedom To Glide, Wyatt E., David Sylvian, Tiger Moth Tales and Jon & Vangelis.

  Another stellar guest mix comes our way courtesy of loyal listener, Erwin Broers. He asked if I was interested in a mix of  electronic music from Innovative Communication, the label founded by Klaus Schulze in the late 70s. Yes, please! Here's what Erwin says about this fantastic mix: "I was in my teens when I got in touch with Electronic Music by means of well-known artists such as Jean-Michel Jarre, Kraftwerk and Vangelis. Searching for more similar music in the local library, I came across an LP with on its sleeve just a mysterious picture of a huge radio telescope. The album was Robert Schroeder's "Galaxie Cygnus-A" ! Liner notes on the back of the sleeve explained that the music was commissioned by the Austrian Broadcasting Service (ÖRF) and performed live at the 1982 ARS Electronica Festival in Linz, Austria. The idea behind the project consisted of capturing sound waves coming from the Cygnus-A galaxy with the help of the Effelsberg 100 meter radio telescope, the largest fully steerable radio telescope in the world at that time. Schroeder used those sound waves as basis and inspiration, and created a magical soundtrack for stargazing and floating in outer space. Needless to say, I was blown away by this album, and from then on I fanatically sought out other releases on the Innovative Communication label, which - by the way - was founded in 1978 by the late Klaus Schulze, one of the godfathers of Electronic Music. To honour my memory of that exciting period, I chose to start this label retrospective with the first two tracks of this special album - including some of the white noise straight from space ! The mix is rather heterogeneous and gives a good impression of the kind of EM that was published on IC in its heydays, ie. the 80s. From the early 90s the label quickly became more commercial edging towards mellow new age and average electro-acoustic instrumental fusion (aka NAM)." Thanks, Erwin, for this trip back in time. Cheers!   T R A C K L I S T : 00:00    Robert Schroeder - Galaxie Cygnus-A Part 1 & 2 (Galaxie Cygnus-A, 1982) 12:18    Klaus Schulze - Silent Running (excerpt) (Trancefer, 1981) 20:36    Peak - Nightmist (Ebondàzzar, 1982) 26:52    P'Cock - The Prophet (The Prophet, 1980) 32:45    Peter Seiler - Serengeti (Sensitive Touch, 1987) 37:51    Mind Over Matter - Paradise: 1st. Movement: Being One (Air) (The Colours Of  Life, 1988) 44:25    G.E.N.E. - Taste Of Dawn (Life Is A Melody, 1988) 50:39    Software - Syn-Code-Z: 1st. Movement: Code-Ocean (Syn-Code, 1987) 56:51    Patrick Kosmos - Airgasm (Cosmic Resonance, 1991) 66:33    end

What does it sound like miked in the bathtub? Matt talked about being at Strongroom Studios, tape flying off the machine, why you need hardware synths, MDing for Björk and Ellie Goulding, how to record ambient music, and why real guitar pedals rock! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Matt Robertson, a British-born, Canadian-based, 3x Grammy-nominated composer, producer, and musical director. Matt has worked with Björk, Anohni, Arca, The Cinematic Orchestra, and Ellie Goulding as musical director and orchestrator / arranger.  He has released four albums under his own name to date, balancing ambient sound design alongside warm organic techno and ripples of delicate electronics. His albums ‘Forecast', ‘In Echelon' and ‘Entology', have been described as “symphonic electronica and leftfield techno that's cinematic in scale” (Mixmag), “magnificent…wild, electronic sound” (The Line Of Best Fit) and “Nils Frahm's modern classical meets Jon Hopkins' grainy techno” (MOJO). Growing up listening to a healthy mixture of Jean-Michel Jarre and Jimmy Smith, Matt graduated from the University of Surrey before working at recording studios in London learning how to fix, and later build, some of his own synths. Working with a collection of vintage, modern and DIY synths, and combining electronic music production with classical composition and cinematic soundscapes; artists, producers, and film composers alike seek his enveloping and distinct sound. His work with Anoushka Shankar awarded him 2 Grammy nominations, and he recently scored the films ‘The New Corporation – The Unfortunately Necessary Sequel', and' ‘Navalny'. Thanks to Damian Taylor for making our introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi  Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/58klpp5APh48s9nLfcMwqJ?si=a95a6f41284645b4 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/473

Charlamos sobre el disco 'Selling England by the Pound' de Genesis, con Kyke Serrano (exteclista de Jarabe de Palo) como invitado. En 'Selling England by the Pound', los miembros de Genesis eran: Phil Collins a la batería, Tony Banks a los teclados, Mike Rutherford al bajo y a la guitarra, y Steve Hackett a la guitarra. En este episodio comentamos: Las dos etapas de Genesis —con Peter Gabriel o Phil Collins a la voz— y las reacciones críticas de algunos puristas a la liderada por Collins. El concepto detrás de 'Selling England by the Pound' y el contexto musical en el que se publicó. La música, los sonidos y la letra de la primera canción del disco: «Dancing with the Moonlit Knight». La dicotomía entre virtuosismo y sencillez en la música. Algunas de las diferencias entre los métodos de producción musical de los años setenta y los actuales. Y por el camino nos encontramos con Jean-Michel Jarre, Pink Floyd, Frank Zappa, David Bowie, Martin Scorsese, Mecano, Masiel, José Luis Perales y ‘El último tango en París', entre otros. Si quieres participar en la elección de los discos que tratamos en el pódcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

This week, Mick and Jen are focusing on two stories gripping most women they know: the horrific mass rape case currently going through the French courts (and the astonishing bravery of Gisèle Pélicot), and the brutal murder of Olympian Rebecca Cheptegei. We'd apologise for it being so grim, but it's hardly women's fault, eh? For balance, there's not only one but two slices of good news, a phenomenal feat of athleticism, and an incredible Jean-Michel Jarre impression to enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices

L'auteur compositeur ouvrira la cérémonie de clôture des Jeux paralympiques au Stade de France.

L'auteur compositeur ouvrira la cérémonie de clôture des Jeux paralympiques au Stade de France.

Chaque jour, retrouvez le journal de 8h pour faire le tour de l'actu.

Chaque jour, retrouvez le journal de 8h pour faire le tour de l'actu.

It's been over 50 years since electronic music emerged from academic laboratories and embarked on the road to mainstream popularity. One of the most influential early artists was Greek musician EVANGELOS PAPATHANASSIOU—mercifully shortened to VANGELIS—who began as the keyboard player of the biggest rock band ever in Greece (APHRODITE'S CHILD), then quit and moved to London, where he began scoring films and documentaries. While the Germans focused on technology, Vangelis adapted the Romantic Classical genre to electronic keyboards, created lush, melodic, emotionally expressive music, and became an A-list film composer. It's a style that still reverberates today. On this transmission of Hearts of Space, inspired by a classic Vangelis album celebrating the world's oceans, a deep blue journey called OCEANIC REALMS 2. Music is by VANGELIS, THE AMNIS INITIATIVE, APOCLIPTIC & ROMERIUM, LOSCIL, JEAN-MICHEL JARRE, RUDY ADRIAN, and LIQUID MIND. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Joachim Garraud on the Virtual Sessions presented by The DJ Sessions 8/28/24   After seven years at the Conservatoire de Nantes (Nantes' classical music conservatory), Joachim Garraud, a musician with a passion for technology, developed his musical and artistic skills to become one of France's most influential producers in the early 2000s. He has collaborated with David Bowie, Kylie Minogue, Beyoncé, OMD, Deep Dish, Eurythmics, Paul Johnson, Cassius, Cerrone, Moby and Vitalic. He has been a close collaborator to Bob Sinclar and Jean-Michel Jarre in their musical projects for over 20 years, and has co-composed and co-produced David Guetta's hits such as "Just A Little More Love", "Love Don't Let Me Go", "Love is Gone" and "The World is Mine". Joachim, nominated for a Grammy Award in the "Best Remix" category, was the first French artist to use Pro-Tools, a leading music production software back in 1992. His Paris recording studio became one of the main meeting points of the influential musical movement known as "French Touch", of Daft Punk, Cassius, and Air fame. In addition to his producer's hat, Joachim Garraud has won several awards for his live performances at festivals around the world, including Coachella, Love Parade, Technoparade, Lollapalooza, Tomorrowland, Ultra Music Festival and Exit Festival. Joachim developed stage concepts ranging from the use of live musical instruments (he was the first DJ to play the Keytar) to the development of techniques linking video and live show (the first DJ to use synchronized video or 3D visual elements) to the development of mixing tools such as the Pioneer DJM-800, which became a standard in the deejaying industry. Today, Joachim Garraud has produced nearly 300 titles and played close to 900 shows on 5 continents. www.joachimgarraud.com   About The DJ Sessions - “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers via live mixes/interviews and streamed/distributed to a global audience. TheDJSessions.com The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers. It has also been recognized by Apple twice as a "New and Noteworthy” podcast and featured three times in the Apple Music Store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream on their platforms since its inception. The series is also streamed live to multiple other platforms and hosted on several podcast sites. It has a combined live streaming/podcast audience is over 125,000 viewers per week. With over 2,500 episodes produced over the last 15 years "The DJ Sessions" has featured international artists such as: BT, Youngr, Dr. Fresch, Ferry Corsten, Sevenn, Drove, Martin Trevy, Jacob Henry, Nathassia aka Goddess is a DJ, Wuki, DiscoKitty, Moon Beats, Barnacle Boi, Spag Heddy, Scott Slyter, Simply City, Rob Gee, Micke, Jerry Davila, SpeakerHoney, Sickotoy, Teenage Mutants, Wooli, Somna, Gamuel Sori, Curbi, Alex Whalen, Vintage & Morelli, Netsky, Rich DietZ, Stylust, Bexxie, Chuwe, Proff, Muzz, Raphaelle, Boris, MJ Cole, Flipside, Ross Harper, DJ S.K.T., Skeeter, Bissen, 2SOON, Kayzo, Sabat, Katie Chonacas, DJ Fabio, Homemade, Hollaphonic, Lady Waks, Dr. Ushuu, Arty/Alpha 9, Miri Ben-Ari, DJ Ruby, DJ Colette, Nima Gorji, Kaspar Tasane, Andy Caldwell, Party Shirt, Plastik Funk, ENDO, John Tejada, Hoss, Alejandro, DJ Sash U, Arkley, Bee Bee, Cozmic Cat, Superstar DJ Keoki, Crystal Waters, Swedish Egil, Martin Eyerer, Dezarate, Maddy O'Neal, Sonic Union, Lea Luna, Belle Humble, Marc Marzenit, Ricky Disco, AthenaLuv, Maximillian, Saeed Younan, Inkfish, Kidd Mike, Michael Anthony, They Kiss, Downupright, Harry “the Bigdog” Jamison, DJ Tiger, DJ Aleksandra, 22Bullets, Carlo Astuti, Mr Jammer, Kevin Krissen, Amir Sharara, Coke Beats, Danny Darko, DJ Platurn, Tyler Stone, Chris Coco, Purple Fly, Dan Marciano, Johan Blende, Amber Long, Robot Koch, Robert Babicz, KHAG3, Elohim, Hausman, Jaxx & Vega, Yves V, Ayokay, Leandro Da Silva, The Space Brothers, Jarod Glawe, Jens Lissat, Lotus, Beard-o-Bees, Luke the Knife, Alex Bau, Arroyo Low, Camo & Crooked, ANG, Amon Tobin, Voicians, Florian Kruse, Dave Summit, Bingo Players, Coke Beats, MiMOSA, Drasen, Yves LaRock, Ray Okpara, Lindsey Stirling, Mako, Distinct, Still Life, Saint Kidyaki, Brothers, Heiko Laux, Retroid, Piem, Tocadisco, Nakadia, Protoculture, Sebastian Bronk, Toronto is Broken, Teddy Cream, Mizeyesis, Simon Patterson, Morgan Page, Jes, Cut Chemist, The Him, Judge Jules, DubFX, Thievery Corporation, SNBRN, Bjorn Akesson, Alchimyst, Sander Van Dorn, Rudosa, Hollaphonic, DJs From Mars, GAWP, David Morales, Roxanne, JB & Scooba, Spektral, Kissy Sell Out, Massimo Vivona, Moullinex, Futuristic Polar Bears, ManyFew, Joe Stone, Reboot, Truncate, Scotty Boy, Doctor Nieman, Jody Wisternoff, Thousand Fingers, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Patricia Baloge, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, The Crystal Method, Beltek, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring international artists TDJS focuses on local talent based on the US West Coast. Hundreds of local DJ's have been featured on the show along with top industry professionals. We have recently launched v3.1 our website that now features our current live streams/past episodes in a much more user-friendly mobile/social environment. In addition to the new site, there is a mobile app (Apple/Android) and VR Nightclubs (VR Chat). About The DJ Sessions Event Services - TDJSES is a 501c3 Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed via live and archival viewing. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com.

Bloc d'actualités.Rediffusion de l'émission spéciale consacrée au festival international de la science, de l'art et de la musique STARMUS, qui s'est tenu a Bratislava. Il a été solennelement ouvert par la vedette mondiale Jean-Michel JARRE. Entretien exclusif.

    When I was in college, a million years ago, I worked at the student radio station. There were some cool people there that turned me onto all sorts of new music. I had cassette tapes of several of the albums they introduced me to and I played them for years. I can't remember to put my garbage out on time but I can still picture the handwritten spines of cassette cases for albums like David Sylvian - Gone To Earth and Tangerine Dream - Hyperborea.   A few of my prized cassettes were from more obscure artists such as the 3 that start this mix - Clara Mondshine, Baffo Banfi, and Bernard Szajner. After listening to these albums recently, I decided to make an entire mix of artists from that cassette era. The result is a nostalgic trip back to the late 70s and early 80s for some electronic goodness.    The tracks range from more obscure artists like Lilienthal, Clara Mondshine, Baffo Banfi, and Bernard Szajner to more well known like Phil Mazanera & Richard Pinhas to the very well known Jean Michel Jarre & Al Di Meola. This collection takes me back to a specific time and works well as a cohesive mix. I hope you enjoy listening as much as I did.   Cheers!     T R A C K L I S T : 00:00    Clara Mondshine - Landing At Full Moon (Luna Africana 1981) 05:19    Baffo Banfi - Astralunato (Ma Dolce Vita 1979) 09:00    Bernard Szajner - The Memory (some deaths take forever 1980) 13:15    Richard Pinhas - Melodic Simple Transition (L'Ethique 1981) 16:45    Al Di Meola African Night (Scenario 1983) 21:00    Craig Leon - Region of Fleeing Civilians (Visiting 1982) 25:20    Phil Manzanera - Criollo (Primitive Guitars 1982) 30:10    Jean Michel Jarre - Magnetic Fields Part IV (Magnetic Fields 1981) 35:40    Michael Shrieve & Klaus Schulze - Communique (Transfer Station Blue 1986) 48:15    Roedelius - Weilchenwurzeln (Wenn der Südwind Weht 1981) 52:55    Michael Brook - Midday (Hybrid 1985) 58:41    Lilienthal - Gebremster Schaum (Lilienthal 1978) 64:50    end

Bloc d'actualités. Émission spéciale consacrée au festival international de la science, de l'art et de la musique STARMUS, qui s'est tenu a Bratislava. Il a été solennelement ouvert par la vedette mondiale Jean-Michel JARRE. Entretien exclusif.

Tangerine Dream aus Berlin waren Pioniere der elektronischen Musik. Zusammen mit Jean Michel Jarre und Kraftwerk legten sie das Fundament für den Synthiepop der Achtziger, obwohl sie selbst eher ein Bindeglied zwischen Klassik und Techno waren. Musikradio360 taucht heute tief ein in die Klangwelten der Synthesizerpioniere.

It will come as no surprise to regular listeners of this podcast that we are all big fans of Steve Perry, the chief vocalist of Journey.  So it should also not come as a surprise that we would want to feature his debut solo studio album called Street Talk.  Perry embarked on this solo project shortly after the release of Journey's "Frontiers" album, at a time when the group was packing arenas around the world.  The name of the album comes from his pre-Journey days when he was leading a band called Alien Project - but he had at one time considered naming it, "Street Talk."  Perry also used Craig Krampf as drummer, who was also a previous member of Alien Project.The album obviously has similarities to Journey due to Perry's vocals, but it is significantly softer than the more pop rock/hard rock approach typical of Journey.  The songs are written or co-written by Perry, and showcase Perry's voice in a more ballad-heavy manner.  The lead single, “Oh Sherrie,” was written about his relationship with Perry's then-girlfriend Sherrie Swafford, and hit number 3 on the Billboard Hot 100.  We covered “Oh Sherrie” on episode #148, but there are three other singles that broke into the top 40, powering the album to number 12 on the Billboard 200 album charts and to 2x Platinum in sales.Perry had worked outside of Journey during his tenure with the band, including vocal work with both Sammy Hagar and Kenny Loggins.  Other members of the band were also working on side projects, so it was expected that all would return to the group after their separate projects.  Perry followed suit, this, but troubles began to surface with personnel changes and  Perry's mother's failing health causing the "Raised on Radio" Journey album to be delayed.Street Talk gives us a good look at Steve Perry outside of the rest of the Journey band members, during a time when Perry was at the top of his vocal game.Rob brings us this excellent album for today's podcast.She's MineThe track that starts side two is a slow rocker that demonstrates Perry's versatility in musical styles.  The lyrics describe a struggle between a guy and his rival over a girl.  It made it to number 21 on the US charts - and you can't go wrong with a sax. Captured By the MomentThis song is deeper lyrically, with Perry looking at significant times in history and music as snapshots in a frame.  He pays tribute to some key figures from the 60s and 70s including Martin Luther King Jr, Jackie Kennedy, the Beatles, Janis Joplin, Jimi Hendrix, and others.  It has a distinctive 80's keyboard sound.   Foolish HeartA subdued piece, this track is the second-biggest hit from the album after "Oh, Sherrie."  The lyrics depict a guy longing for love, but who does not trust his heart to make good choices.  It was co-written with Randy Goodrum, who wrote "You Needed Me" for Anne Murray.  It was the last single released from the album.  Strung OutThis faster paced track closes out the album, and discusses love from the perspective of a guy longing for a woman in a relationship with another.  "I feel like Bogart in a crazy movie.  Bogie and me, we never beg - but this time maybe I've got voices in my head."   ENTERTAINMENT TRACK:Main theme from the television series “Who's the Boss?”Tony Danza plays a former baseball athlete trying to raise his daughter while working as a live-in housekeeper for a single advertising executive.  Alyssa Milano played Danza's daughter. STAFF PICKS:I Wanna Rock by Twisted Sister Wayne kicks off the staff picks with glam rock sensation Twisted Sister in their follow-up to "We're Not Gonna Take It."  Many listeners may be more familiar with a cover of this song performed by SpongeBob SquarePants in "The SpongeBob SquarePants Movie" entitled "Goofy Goober Rock."For Whom the Bell Tolls by MetallicaLynch brings us a signature song from Metallica's 1984 album, "Ride the Lightning."  The heavy riffs typical of Metallica are accented by the toll of chimes, and the lyrics are inspired by Ernest Hemmingway's novel of the same name dealing with war, death, and fate set in the Spanish Civil War.Hard Habit to Break by Chicago Bruce takes the tempo way down with a hit off Chicago 17.  Vocal duties are carried by Bill Champlin and Peter Cetera, and the song is arranged by David Foster.  The lyrics depict a man struggling to get over a long lost love whom he took for granted.  Chicago 17 is Chicago's best selling album, and their last with Peter Cetera in the group.No More Lonely Nights by Paul McCartney Rob closes out the staff picks with a single from the soundtrack to McCartney's film, "Give My Regards to Broad Street."  McCartney brings in Pink Floyd alumnus David Gilmour for guitar work on this song.  Gilmour requested that his session fee be donated to a charity of Paul's choice.  It went to number 6 on the Billboard Hot 100. INSTRUMENTAL TRACK:Zoolookologie by Jean Michel JarreWe close out on a jazz fusion number from the time which uses samples of voice and spoken words to form an art rock sonic landscape. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this week's episode, we take a look at the pros and cons of some of the most popular writing software, and a share a preview of the new HALF-ELVEN THIEF audiobook narrated by Leanne Woodward. I'm hoping to start on SHIELD OF DARKNESS soon, so let's look back at some of the DRAGONSKULL audiobooks! This coupon code will get you 25% off the audiobook of DRAGONSKULL: SWORD OF THE SQUIRE (as excellently narrated by Brad Wills) at my Payhip store: SPRINGSQUIRE The coupon code is valid through April 23rd, 2024. So if you need a new audiobook for spring, we've got you covered! Transcript   00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 195 of The Pulp Writer Show. My name is Jonathan Moeller. Today is April 5th, 2024 and today we are talking about the pros and cons of different types of writing software. We also have an update on my current writing projects and as usual, Question of the Week. Before we get into that, let's do Coupon of the Week. For this week's coupon, I'm hoping to start on Shield of Darkness soon. So let's look back at some of the Dragonskull audiobooks. The following coupon code will get you 25% off the audiobook of Dragonskull: Sword of the Squire at my Payhip store and that is SPRINGSQUIRE. Again that is SPRINGSQUIRE and that will be in the show notes. This coupon code will get you 25% off Dragonskull: Sword of the Squire audiobook, as excellently narrated by Brad Wills. This coupon code will be valid through April the 23rd, 2024. If you need a new audiobook for spring, we have got you covered. Now for an update on my current writing projects. The rough draft of Wizard Thief is done. It came to about 74,000 words, which means it is about 15,000 words longer than the first book. I suspect no one will complain. I am now writing Thief's Favor, an ebook short story set in the world of Wizard-Thief. Newsletter subscribers will get a free ebook copy of Thief's Favor when Wizard-Thief comes out, hopefully before April is over. I am also 19,000 words into Cloak of Titans and after Wizard-Thief is published that will be my main project and then once Cloak of Titans is done, it'll be back to Ridmark and Andomhaim with Shield of Darkness. In audiobook news, the audiobook of Half-Elven Thief is done, as excellently narrated by Leanne Woodward. You can get it at all the usual audio bookstores, Audible, and all the others except for Google Play. For some reason, they seem to be having slow uptake on audiobooks for the last couple of weeks, and hopefully that should be cleared up soon. Otherwise, you can get Half-Elven Thief, as excellently narrated by Leanne Woodward at all the usual audiobook stores, and we will include a sample of the audiobook at the end of this podcast episode. So hang around for that. 00:02:13 Question of the Week Now, for this week's question of the week, which we do have interesting discussions on my blog and Facebook page. This week's question of the week was: what was the first musical album you ever purchased with your own money? No wrong answers, obviously. The idea for this week's question arrived because over Easter weekend I helped someone set up a device for ripping LP records to MP3. This was an interesting experience because it was in fact the first time I had ever attempted to use an LP record in any form, since by the time I became interested in purchasing music (more on that at the end of the segment), the LP era was well and truly over. Or was it? I thought it was amusing that vinyl outsold CDs in 2023 because as I learned firsthand, when I was setting up this LP ripper, vinyl is so much more cumbersome and fragile than either CD or streaming. Anyway, we asked people what their first album they purchased with their own money was and here are some of the answers. Malcolm says War of the Worlds LP vinyl. Justin says Rush, A Farewell to Kings on cassette tape. In the mid ‘90s, my daughters found my box of cassettes, a legacy of my military days, and it immediately became theirs. ABM says my first album (well in this case, CD) was Tragic Kingdom by No Doubt. Chris says Grand Funk Railroad, Survival. I'm that old, lol. Bonnie says Chicago Transit Authority and K-TEL Hits of the Month. Had “Cover of The Rolling Stone” on it. Brad says Jaws 1975 and that set me on the path of being a lifelong fan and rabid collector of film music. Venus says: my last day of 8th grade, I bought Annihilator-Alice in Hell and Metal Church-Blessing in Disguise. Same day, same store, same transaction. Cheryl says my very first purchase at the age of 14 back in the ‘60s was an album by the Walker Brothers from a secondhand shop. The first new album was Sticky Fingers, Rolling Stones, 1971. Tom says the Trainspotting soundtrack. Pamela says the Letterman 1968 Going Out of my Head. Michael says the soundtrack for Mad Max-Beyond Thunderdome, a musical feast of Jean Michel Jarre crossed with Tina Turner. On cassette tape, naturally. Scott says Guns and Roses, Appetite for Destruction. Brandy says Sisters of Mercy, Vision Thing. Rhion says I grew up in a college town and by age 4 I had a full, green milk of LPs from the discount bin. By five, I had four. I had my own personal collection and my own stereo because my uncle would go to dorm dumpsters at the end of the semester to grab stereos, et cetera, to refurbish. My first purchase was Oingo Boingo's Only a Lad and my second was Men at Work. They were $0.75 each. I remember because it was $0.25 over my budget. I had to ask for a quarter from my uncle. And finally, John says Leonard Nimoy Sings at a garage sale for twenty-five cents. It had The Ballad of Bilbo Baggins on it. Oh dear. If you have never seen The Ballad of Bilbo Baggins, which is a song about Bilbo Baggins sung by Leonard Nimoy of Star Trek fame, once you've finished listening to this podcast episode, go to YouTube, search for The Ballad of Bilbo Baggins and watch the music video of Leonard Nimoy singing The Ballad of Bilbo Baggins. It is hilarious. Thanks to everyone for their comments for Question of the Week. For myself, my answer for what the first musical album I ever purchased was a bit odd because it was, I suspect it was later than most of the people who mentioned this and the reason for that is I have a very odd relationship with popular music because for some reason I almost always have a hard time understanding song lyrics. Song lyrics usually sound like either monotonous droning or warbling to my ear. I don't know why. My brain just works that way. One of the few exceptions is Johnny Cash, who I can usually understand on the first try without any difficulty. Because of that, I've never really connected with most popular music, whether way back when I was a teenager or in the modern age. To this day, I still gravitate towards the soundtracks of computer games and movies that I like. So the first soundtrack I deliberately purchased with my own money was part of a computer game collection, specifically, the Quest for Glory collection, which came out in 1997 and that came with a CD of Quest for the Glory 5: Dragon Fire soundtrack, which I wanted. I already had all the Quest for Glory games on CD or in some cases floppy disk, but I bought that collection just so I could have the soundtrack CD. 27 years later, I still have it and I listened to that soundtrack while working on the final scenes of Wizard-Thief. 00:07:12 Main Topic: Pros and Cons of Writing Software Now let's venture into our main topic of the week, the pros and cons of the best writing software. I got thinking about this because a few years ago I was at the gym. Usually when I'm at the gym, I go on the treadmill and I bring a tablet with me with an ebook and whether I'm running or walking or whatever, I will read on the treadmill. While I was doing this, an elderly gentleman came up next to me on the next treadmill and asked if I knew of any word processing programs that would work on an Android tablet. Boy, did I have answers for him. I started to describe the various pros and cons of different writing software, and he very quickly got bored, made a polite excuse, and wandered away. However, this is a writing podcast with people who are interested in the business of writing, and so I thought it would be a good topic for this week's show because if you ever want your book to be read by other people, if you're not just, you know, handwriting it in a journal for your own emotional satisfaction, then at some point you will probably have to convert your book to a digital file and you will need a software program to do that, and if you're really serious about writing, you will probably need a word processor of some kind or a similar program. So the first one we're going to look at is one that many indie and traditional writers swear by. It's called Scrivener, and it is a program specifically designed for writing books or novels. The pros: it is designed specifically for writing. It has features for outlining, breaking documents into chapters, and tracking writing goals, etc. It has a one-time cost of $60.00 US instead of a subscription, which is increasingly rare nowadays since everything seems to require a subscription instead of a one-time price. And as an added bonus, they offer a free trial so you can try it out and see if it is to your liking. They offer a student discount, where if you buy it with a valid.edu address, you should be able to get a discount. So now here are the cons. The learning curve on Scrivener is pretty high. For basic writing, for something like Microsoft Word, you just open up Word to a blank document, start typing, and if you just want to do that, then the program will definitely meet your need. Scrivener is a bit harder to learn and you would probably benefit from watching a few tutorial videos on how to use it beforehand. I personally do not use Scrivener, though I don't object to it obviously because I know many indies and tradpub writers who know what they're doing swear by it, but for me it is kind of overkill and I don't use it. If you are thinking about Scrivener, it's probably good to ask yourself, will you actually use the extra features? Because my own writing process is pretty simple. I just type out an outline in one Word document, and then I type out the rough draft in a different Word document, and I don't need fancy outlining software or something like that for my process. That's not to say you can't use fancy outlining software, or that the software isn't good. You might remember last year on podcast I had an interview with Troy Lambert of Plottr, which is a very excellent program designed to help you outline your novel but if that's not something you're interested in doing, then Scrivener will probably be overkill for you. Scribner is probably best for people who take extensive notes on their work, especially if they're trying to organize research based on the chapters where it's needed. It may be best for the kind of people who enjoy curating Notion and Trello accounts and they're able to think about their book in a visual way. It is also good for people who extensively revise blocks of text within a chapter or move chapters around a lot. If that sounds like your writing process, and it sounds like something would be good for you, then it is definitely worth giving the free trial of Scrivener a try. Now let's move on to a more general word processing program and one that probably many people out there are familiar with: Google Docs. That is part of the Google suite of office software. You can do PowerPoint-esque presentations, spreadsheets, and documents in Google Docs. The biggest pro of Google Docs is that it's free. All you need to do is sign up for a free Google account and then you have free access to Google Docs and can start typing. It is very easy to use between multiple devices since it runs primarily in a web browser. If you are using one computer, you can close out and open a web browser on a different computer and use it that way. There are dedicated apps for both Android and iOS devices. It's very easy to share between multiple people and accounts and collaborate in real time, and this is honestly its biggest advantage over Microsoft Office besides the cost. Autosave also works extremely well. However, like everything else in life, there are cons. One of the cons of Google Docs is that it gets really slow with large files. I did try to write a book in Google Docs once and I tried a couple of short stories. The short stories are fine. If you try to write a novel in Google Docs, I found that starts to get really slow after about the 25,000 word mark or so. For obvious reasons, since Google Docs is an online service, it is very hard to use without an Internet connection. Perhaps the most important con of all is to be sure to back up to an additional location. If you lose access to your Google account for whatever reason, that means you lose access to all your files, including the book you were working on in Google Docs. So if you're using Google Docs, it's a good idea, it's in fact an excellent and imperative idea, to download your document every so often and save it in another location. Now let's move on to probably the most common word processing software on the planet as of this recording, Microsoft Word. Full disclosure, that is what I use most of the time. In fact, my podcast notes are in a Microsoft Word document. The pros are that you've probably already heard of it and many people are familiar with this product through work or school. If you've had an office job, you've probably used Microsoft Word at some point. And if you have gone through the modern educational system, there's a very good chance that you used Microsoft Word or Google Docs in school. Another advantage is that it's very easy to find online tutorials from Microsoft Office products. Another advantage is that Word is essentially the industry standard for publishing, which makes it a lot easier to share with the editors, translators, beta readers, etcetera. There are a couple of cons, though. Microsoft, like many other software companies, has been switching heavily to the subscription model, so I believe they still sell individual licenses for Office where it's a one-time fee, but then it's tied to a specific computer forever. If you want to really use Office, you have to get a Microsoft 365 subscription, which is often kind of a bummer if you are on a limited budget, which is why it's good there are free options like Google Docs available. Another con of Microsoft Word is that the program is, at this point, 41 years old. The first version of Word was released in 1983. Obviously, it has changed a great deal since then but feature after feature has been built up and piled onto Word to the point where in all honesty (this is as someone who uses Microsoft Word pretty much every single day for the last 15 years), it has a monstrous maze of overlapping and interlocking features. There's a common meme about how if you try to move a bullet point half an inch in Word, you'll start hearing sirens and explosions outside and your entire document will be messed up. This is not far from the truth. For just straight typing, Word is fine, but for more elaborate stuff it quickly becomes a big headache. Another con is that the real time collaboration features like Google Docs has are definitely lacking, and you really can't do that well with Word. If that's not something you do, it's not something you need to worry about but if you do a lot of collaboration, that is something to keep in mind. Again, in full disclosure, I could sit here for the next two hours and talk about the various bad experiences I've had with Microsoft Word, but the fact of the matter is, I've written 150 novels and I've written most of them in Microsoft Word. So it is right now the program I use to write. So on to the next writing suite of software. I wrote most of my books in Microsoft Word, but the ones I haven't written in Word I've written in LibreOffice, which is a free office suite that you can download for free. It doesn't require an Internet connection once it's downloaded. So let's go to the pros. It's free and open source. The interface kind of sort of looks like Microsoft Word, so if you are familiar with Word, the learning curve is not terribly steep. Some think that LibreOffice is faster than Word. Depending on how your system is configured, LibreOffice can be quite a bit faster than Word, having used both. LibreOffice is probably the best for privacy advocates, especially for those who are concerned about Microsoft and Google storing their work in their cloud services and possibly training various AIs on it. For myself, that's not something I worry about a great deal, because all my stuff has been pirated extensively for years, and as we all know, most of the big AIs out now were trained on pirated data, which they're getting sued about now. From my point of view, the horse is already out in the out of the barn for this, so there's no point in worrying about it. LibreOffice also has the advantage of being interoperable with most file formats. By default, it saves in what's called the open document format, but it is mostly cross compatible with the Microsoft Office formats. The cons aren't quite as many as Google Drive in my opinion, because it doesn't have to be online. Even though the user interface is very similar to Word, it's not identical and some people don't care for it. LibreOffice also has no built-in cloud storage functionality like Microsoft Word or Google Docs, so if you need to store your documents in the cloud somewhere for backup, you have to piece it together with another storage option. Though this is the other side of one of the pros, because LibreOffice does not require an Internet connection in order to work once you have it downloaded. So those are the pros and cons of some different writing software. Which one you pick is up to you and your particular writing needs. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A quick word of thanks to my transcriptionist for helping me pull together the research for this episode. A reminder that you can listen to all the back episodes on the official website at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcast platform of choice. Stay safe and stay healthy and see you all next week. And now let's close out this week's episode with a preview of Half-Elven Thief, as narrated by Leanne Woodward.

Welcome to Live From Progzilla Towers Edition 514. In this all request edition we heard music by Genesis, Ayreon, Can, Ultravox, George Harrison, 10cc, Jean-Michel Jarre, Saga, Genesis, Random Hold, Frank Zappa, Ozric Tentacles, Tontos Expanding Head Band, Kula Shaker, Peter Hammill, Nucleus, It Bites FD, Jethro Tull, Radiohead, Renaissance & David Longdon.

melange Ipad

An airhacks.fm conversation with Geert Bevin (@gbevin) about: Yamaha DX7 - Geerts first synthesizer, Classic Minimoog analog synthesizer by Bob Moog, First synthesizer was a Yamaha DX7 successor, Early music production using Amiga computer and MIDI, iOS and macOS development with focus on audio DSP and synthesis, Returning to Java development after years away, high productivity with Java, New Java release cadence and experimental features, Rife web framework and bidirectional template engine, BLD build tool and philosophy, Kotlin Multiplatform capabilities, SwiftUI DX compared to Java and IntelliJ, Moog Music website, Jean Michel Jarre, Geert personal website, Rife 2 GitHub project, Bld GitHub project Geeert's website: uwyn.com Geert Bevin on twitter: @gbevin

Can I replace my Rabbi with artificial intelligence? Do convenience and (the illusion of) privacy outweigh the power of the human touch? Will AI officiate weddings?  For now, Dovid will keep his job because he can lift chairs — still, the AI Age is upon us. Once-complex questions are being answered with algorithmic ease. But should all questions be answered by the soul-free machine? (And where does this "should" even come from?) In this episode, IBM 7094 gives speech a try (1961), Arthur C. Clark discusses "the future" (1964), and we hear some first words from an Artificial Jesus. Music, originally suggested for this episode by ChatGPT: Boards of Canada, "Roygbiv" and "Dayvan Cowboy"; Kraftwerk, "The Robots"; Jean-Michel Jarre, "Oxygène, Pt. 4".

01. Swedish House Mafia - Ray Of Solar (Alex Wann & Sasson Remix) [SSA] 02. Tiësto - Lay Low (Argy Remix) [MUSICAL FREEDOM] 03. GAIA - Tuvan (AVIRA Remix) [ARMADA] 04. Bobina - Cold Dreams [UNIQODE LAB] 05. Ilya Soloviev - Kizuna [UNIQODE LAB] 06. Jean-Michel Jarre & Armin van Buuren - EPICA MAXIMA [COLUMBIA] 07. Product of Us feat Jack Walton - Apologise [OF US] 08. Grooveyard - Mary Go Wild (Hel:sløwed Remix) [SPINNIN' DEEP] 09. Dirty South & Ferry Corsten - Carte Blanche [ARMADA MUSIC] 10. Kamaya Painters - Summerbreeze (Matt Fax In Search Of Sunrise Remix) [BLACK HOLE] 11. Calvin Harris, Ellie Goulding - Miracle (AKSOM & Luke Alexander Remix) [COLUMBIA] 12. DIM3NSION - City Of Lights [A STATE OF TRANCE] 13. Armin van Buuren & Ahmed Helmy - Rhythm Inside [ARMIND] 14. Lana Del Rey - Say Yes To Heaven (Anyma Remix) [POLYDOR] 15. Alexander Komarov, Anton By, AV - Alliance [INTERPLAY GLOBAL] 16. Estiva - Via Infinita (Marsh Remix) [COLORIZE] 17. Luke Bond x M6 - Nexus [ARMIND] 18. David Guetta & MORTEN - Something To Hold On To [FFRR] 19. John Summit, Hayla - Where You Are [EXPERTS ONLY] 20. Kevin de Vries, Mau P - Metro [AFTERLIFE] 21. Andrew Bayer & OLAN - Under Pressure (Andrew Bayer and Farius Mix) [ANJUNABEATS] 22. Chicane feat. Moya Brennan - Saltwater (Ilan Bluestone Remix) [ARMADA MUSIC] 23. Armin van Buuren - REFLEXION (ASOT 2023 Anthem) [A STATE OF TRANCE] 24. Armin van Buuren feat. Vanessa Campagna - Vulnerable [ARMIND] 25. Bobina - Tell Me Why [UNIQODE LAB] 26. Above & Beyond pres. OceanLab - Satellite (Above & Beyond's 2023 Progressive Mix) [ANJUNABEATS] 27. Eelke Kleijn - Transmission (Armin van Buuren Remix) [ARMADA MUSIC] 28. DIM3NSION - Adagio in G Minor [COLDHARBOUR] 29. Rapid Eye - Circa-Forever (Markus Schulz Down the Rabbit Hole Remix) [ARMADA MUSIC] 30. Armin van Buuren feat. Anne Gudrun - Love Is A Drug [ARMIND] 31. 7 Skies - Tokyo777 [ARMADA MUSIC] 32. FEEL - Hallelujah [SUANDA] 33. Orjan Nilsen - Amnesia [IN MY OPINION] 34. Above & Beyond - 500 [ANJUNABEATS] 35. HI-LO & Space 92 - Arpeggio [HILOMATIK] 36. NWYR - Oblivion [RAVE CULTURE] 37. Alok, Ava Max - Car Keys (Ayla) (Tiësto Remix) [COLUMBIA] 38. Alexander Popov & Heatbeat - VIVALDI [INTERPLAY] 39. Cosmic Gate - Mirador [WAKE YOUR MIND] 40. Daxson vs. Xijaro & Pitch - The Awakening (Transmission Theme 2023) [COLDHARBOUR] 41. Scooter x Giuseppe Ottaviani - Hyper Hyper [SHEFFIELD TUNES] 42. Maarten De Jong - Apollo [A STATE OF TRANCE] 43. Bobina - Digital Space [UNIQODE LAB] 44. Kay D. Smith & Marc Tall - Hoipolloi (Ben Gold Remix) [HIGH CONTRAST] 45. Emma Hewitt x Roman Messer - Fallen [BLACK HOLE] 46. Armin van Buuren, Ferry Corsten, Rank 1 & Ruben de Ronde - Destination (A State of Trance 2024 Anthem) [A STATE OF TRANCE] 47. Hardwell, Maddix, 4 Strings - Take Me Away [SPINNIN'] 48. Hardwell, Timmy Trumpet & Maddix - Revolution [REVEALED] 49. Armin van Buuren - Lose This Feeling [ARMADA MUSIC] 50. Dimitri Vegas & Like Mike vs. Tiesto x W&W feat. Dido - Thank You (Not So Bad) [SMASH THE HOUSE]

Le Journal en français facile du lundi 25 décembre 2023, 17h00 à Paris. Retrouvez votre épisode avec la transcription synchronisée et des exercices pédagogiques pour progresser en français : https://rfi.my/ACrR.A

01. Filatov & Karas, Bobina - Slow [UNIQODE LAB] 02. Emma Hewitt x LTN pres. Ghostbeat - Warrior [BLACK HOLE] 03. Tiësto - Lay Low (Argy Remix) [MUSICAL FREEDOM] 04. Bobina - Cold Dreams [UNIQODE LAB] 05. Miss Monique & AVIRA feat. LUNA - Subterranean [ARMADA MUSIC] 06. Jean-Michel Jarre & Armin van Buuren - EPICA MAXIMA [COLUMBIA] 07. Cosmic Gate & Andy Duguid - It's Simple [WAKE YOUR MIND] 08. Boris Brejcha - Space X [FCKNG SERIOUS] 09. Armin van Buuren - Rhythm Inside [ARMADA MUSIC] 10. Mesa & Boss - Black Hole (Vigel Remix) [BLACK HOLE] 11. Andrew Bayer & OLAN - Under Pressure (Andrew Bayer and Farius Mix) [ANJUNABEATS] 12. HI-LO - PURA VIDA [HILOMATIK] 13. Alexander Popov & Heatbeat - VIVALDI [INTERPLAY] 14. Scooter x Giuseppe Ottaviani - Hyper Hyper [SHEFFIELD TUNES] 15. Roman Messer & Six Mists with Jaki Nelson - Just Be You [SUANDA MUSIC] 16. Ilya Soloviev - Universal Universe (Remastered Mix) [UNIQODE LAB] 17. Armin van Buuren - Lose This Feeling [ARMADA MUSIC]