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My co-host Ken Suzan and I are welcoming you the episode 176 of the IP Fridays Podcast. Today's interview guest is returning guest Franklin Graves, who is a senior counsel at Linkedin and teaching IP law at Emerson College. With my co-host Ken Suzan he is discussing how the law for creators has dramatically changed in the past years. Franklin Graves is expressing his personal views and not the views of Linkedin or Microsoft. He is talking about the paper “Upload Complete” before he joined Linkedin. Bio: https://www.linkedin.com/in/franklingraves/ Paper: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5271442 Website: https://creatoreconomylaw.com/ But before we jump into this interview, I have news for you! Richard Meade, a judge on the UK High Court and one of the most prominent figures in European patent law, was appointed Lord Justice of Appeal at the British Court of Appeal on June 12, 2026. Meade played a key role in numerous landmark British patent decisions, particularly in the area of standard-essential patents (SEPs) and FRAND licenses. In Insulet Corp. v. EOFlow Co., No. 2025-1807, the U.S. Court of Appeals for the Federal Circuit completely overturned the original $452 million judgment (which had already been reduced by the District Court to $59.4 million) in favor of Insulet. In its decision of June 2, 2026, in the case of Fujifilm v. Kodak, the UPC Board of Appeal provided comprehensive clarifications regarding so-called “long-arm jurisdiction”—that is, the question of whether the UPC can also rule on national patent claims outside the UPC territory (such as in the United Kingdom). In 14 guiding principles, the judges established specific procedural rules for various categories of cases. There is no automatic UPC jurisdiction over national patent claims outside the UPC territory. The Munich Regional Court has issued an arrest warrant against the managing director of Polytech Health & Aesthetics GmbH because he is alleged to have continued to exploit the Brazilian company Silimed's patent for breast implants despite a preliminary injunction. A number of IT and automotive industry associations—which are among the most frequent users of Inter Partes Reviews (IPR) at the U.S. Patent and Trademark Office—have filed an amicus brief with the Supreme Court, urging the Court to grant Google's certiorari petition. An attorney for a Las Vegas performer has asked a California federal judge to temporarily prohibit Taylor Swift from using “The Life of a Showgirl” as a trademark while the trademark lawsuit is pending. Swift's attorney called the lawsuit baseless. And now let's hear Ken discuss creator law with Franklin! AI, Platform Law, and the Creator Economy: What Businesses Need to Know Now Franklin Graves has spent his entire career watching digital content move through systems that most people never see. He started in marketing at a major music label right out of law school, then represented individual creators on YouTube in a pro bono capacity, then moved to the platform side at Eventbrite, and today works as Senior Product Counsel at LinkedIn, where he focuses on AI, data, and the regulatory questions that come with both. His recently published law review article, Upload Complete: An Introduction to Creator Economy Law, is the first academic paper to address the creator economy as a distinct legal field. In a recent episode of the IP Fridays podcast, he spoke with host Kenneth Suzan about responsible AI development, platform regulation, and what it actually means to own your audience in a world where the rules keep changing overnight. From Content Creator to Platform Lawyer The through-line in Graves’ career is a genuine understanding of how content moves from an idea in someone’s head to an audience on a screen. That experience, he argues, is precisely what in-house counsel needs right now. Lawyers working on AI and product development cannot afford to sit at a distance from the technology they are advising on. They need to use the tools, experience them as a creator or end user would, and understand the nuances of how a product actually operates before it reaches the public. Understanding the product first is the precondition for everything else. That philosophy translates directly into how he approaches responsible AI implementation. The landscape of AI standards is crowded: NIST frameworks, the EU AI Act, sector-specific guidance, and a growing body of industry-adopted best practices. The challenge for in-house counsel is not knowing that these standards exist. It is making them actionable for the engineering and product teams they support. Abstract principles need to become concrete controls and workflows. Graves offers one practical shortcut: most companies already have open source software review processes that involve the right stakeholders, the right sign-off levels, and the right security checks. Layering the specifics of generative AI or large language models onto those existing processes is far more efficient than building something new from scratch. A Fragmented Regulatory World The geopolitical dimension of AI regulation is something Graves thinks about constantly in his role at LinkedIn. The EU AI Act, shifting US executive orders, and country-specific approaches to data privacy have created a regulatory environment that can change the rules of the game without warning. His analogy is instructive: creators have long understood what it means to build a community on a platform they do not own. An algorithm change, a policy update, or a government ban can wipe out years of audience-building overnight. Businesses deploying AI tools globally now face a structurally similar problem. The response, for creators and for platforms alike, is to build resilience rather than rely on stability that may not last. TikTok is the clearest recent example. When the platform faced the prospect of being shut down in the United States on national security grounds, it triggered a broader conversation about platform dependence that had been building for years. Creators who had invested their entire business in one platform suddenly confronted the possibility that their audience could simply disappear. The lesson is not that platforms are bad. It is that concentration of any kind, whether it is your audience, your data pipeline, or your regulatory compliance strategy, creates fragility. What Is a Creator, Legally Speaking? One of the central contributions of Graves’ law review article is definitional. The terminology matters more than it might seem. When courts and regulators talk about creators without a shared understanding of what that word means, the resulting legal analysis tends to miss the mark. Graves draws a distinction between users who post content, creators who post with the intent to build an audience and eventually monetize it, and influencers, a subset of creators who are actively running a small business through their content. The difference is intent. A parent posting family photos on Facebook is a user. Someone building a subscription community around their professional expertise is running a business, and the legal framework that applies to them should reflect that. That distinction matters practically when it comes to liability. As more creators build their own platforms, whether through custom membership sites, open source tools like Ghost, or federated social networks, they take on obligations that previously fell to large platforms: content moderation policies, privacy notices, terms of service, and compliance with data regulations across multiple jurisdictions. A creator in Tennessee running a membership platform with subscribers in Germany is operating a global business, whether they think of themselves that way or not. Protecting Children Online: A Question Without a Clean Answer The tension between age verification and privacy is one of the more difficult problems in platform law right now. Australia, several European countries, and a growing number of US states have introduced or passed minimum age requirements for social media accounts. The technical challenge is real: verifying age online requires collecting identifying information, and collecting identifying information creates privacy risk, particularly for the young people the laws are designed to protect. Who should bear the responsibility for that verification is also unresolved. Is it the platform? The app store? The mobile operating system? Graves does not pretend there is a clean answer, but he points to the mobile layer as an underexplored option. The Apple App Store and Google Play Store already have significant leverage over which apps reach users on their devices. Whether that leverage should extend to age verification is a question that deserves more attention than it currently receives. The Right of Publicity in the Age of AI Voice cloning, digital replicas, and AI-generated synthetic media have pushed the right of publicity into territory that traditional IP law was not designed to cover. Trademark law, copyright law, and existing publicity rights each capture part of the problem but none of them covers it completely. The result, as Graves describes it, is a period of experimentation: lawyers filing trademarks on vocal sounds and phrases, states updating their publicity statutes to explicitly mention artificial intelligence, and entertainment unions negotiating over who controls a performance and any AI-generated iterations of it. Tennessee’s Elvis Act is a concrete example of the legislative response: the state updated its right of publicity law to include voice and to reference AI directly. Similar efforts are underway elsewhere. The underlying challenge is calibrating protection so that it gives creators and performers meaningful control over their likeness and voice without foreclosing the development of generative AI systems that depend on broad rights to process and learn from content. Somewhere between those two interests, a workable legal framework needs to emerge. The brand deal context may be where the issue becomes most immediately practical. When a brand partners with an influencer and the campaign involves generative AI in any form, the contract needs to address control explicitly. Who has final approval over how the influencer’s likeness or voice is used in AI-generated deliverables? What happens to those assets after the campaign ends? These are not hypothetical questions. They are contract drafting problems that any brand counsel or creator attorney should be addressing today. What Comes Next Graves is cautious about predictions, but his sense of direction is clear. The regulatory environment will continue to fragment before it converges. The right of publicity will be updated, imperfectly, in more jurisdictions. Creators will continue to move toward owning more of their infrastructure. And the lawyers who do this work best will be the ones who understand the technology well enough to translate it into practical, defensible decisions for the people they advise. Full Transcript: Ken Suzan: Thank you, Rolf. Our returning guest today is Franklin Graves. Franklin is the founder and editor of Creator Economy Law, a website and newsletter that educates creator economy professionals on the intersection of law and policy with the world of creators, brands, and platforms. Franklin also published the first law review article focused on the creator economy, Upload Complete, an introduction to creator economy law. He regularly appears across news and media outlets as a commentator and contributor with a focus on educating creators and raising awareness of all legal aspects of the creator economy. Franklin is based in Nashville, Tennessee. Ken Suzan: Franklin was invited to participate as one of the creators and creator economy professionals in the first ever White House creator economy conference. Franklin works full time as a product counsel at LinkedIn Corporation. As a member of the product and data team, he focuses on emerging issues in AI and data. Franklin previously held roles on the technology law group at HCA Healthcare, the commercial legal team at Eventbrite, and the business and legal affairs team at Naxos Music Group. Welcome back Franklin to the IP Fridays podcast. Franklin Graves: Thank you so much for having me. It is exciting to be back and reflecting over the last decade since I last joined and also the paper that I wrote that dives into this in more detail. So I really appreciate it. And yes, full disclosure, I currently work for LinkedIn, which is a subsidiary of Microsoft. I’m here in my personal capacity to talk about this, the paper I wrote before joining LinkedIn and all of that. So thank you so much for having me back. Ken Suzan: Excellent. So Franklin, since your last appearance on IP Fridays in 2017, your career has evolved significantly. You are now senior product counsel at LinkedIn focusing on AI and data. How has working inside a major tech platform changed your perspective on the legal frameworks governing digital content compared to when you were viewing it purely from the creator side? Franklin Graves: I appreciate that question because when I wrote the article, I did not work for LinkedIn. And I had been coming from a history in my career where I, right out of law school, worked for a record label like we talked about almost 10 years ago. And I was on the content creation side. I’ve represented a major distributor of classical music digitally at the time. And that was my first exposure to understanding how content was taken from the initial inception stage from creators and routed through all the various digital platforms that were at the time still evolving and even arguably still today continue to evolve. The early days of YouTube Music launching and then Apple Music launching, and then going through all the phases of high-res audio and everything that came after that. So that was an interesting perspective to start my career with. And then I went to Eventbrite, which is a ticketing platform, but was also focused on elevating event creators. They kind of took on that moniker of “Hey, we are event creators that we support.” And that was arguably my first exposure to the platform side, the tech platform side of it, because Eventbrite is a platform. And so then I evolved from there in my personal capacity, in a pro bono capacity representing individual creators across the YouTube space. And that’s what we talked about a little bit back when I first came on the podcast. Franklin Graves: Over the last decade, it’s been a chance to grow my own understanding of the creator economy. The terminology “creator economy” came around. And then now on the other side of it, having written the article and all that, and now being fully in-house at LinkedIn, I truly am experiencing a social media platform. LinkedIn is of course arguably way more than just the platform itself. There are so many different avenues to it, but it is a chance for me to understand what it is like working for a company that is operating the platform that people are distributing content on. There’s a user journey to content and all of that. So it’s definitely enhanced and given me a different perspective from a major tech platform side. And part of my role at LinkedIn is really heavily focused on understanding regulation and how that from an AI and data perspective impacts the company. And so I’ve been really leveling up my game over the last year and a half that I’ve been here, understanding mostly EU regulations, but also US regulations that are still in their infancy when it comes to AI. But really when it comes to privacy and data, those are pretty well established across the board. It’s been kind of a combination of what I learned at Eventbrite, because I went to Eventbrite when GDPR was going into effect. And so that was an eyes-wide-open moment of getting in the weeds with negotiating data processing agreements, understanding data transfers and cross-border data transfers and the like. So it’s been kind of an evolution as the laws and regulations have evolved. So has my career, so has my own understanding, so have the platforms’ responses to those laws and regulations. And I’m sure that probably resonates with a lot of your listeners who have also been growing their practice and their understanding as the laws and regulations in this realm have been evolving too. Ken Suzan: Yes, indeed. Now let’s switch gears and talk about AI. You advise on AI and data daily. As platforms integrate generative AI tools into their tech stacks, what are the most critical best practices in-house counsel should be adopting right now to embed responsible AI principles into product development? Franklin Graves: So as an attorney, one of my key roles is to understand the technology. Even representing creators and working for creator platforms, that’s something I’m constantly trying to do: put myself in the shoes of being a creator. And I think I talked about this last time I was on, but I come from a background where I was working for a major label doing marketing, video editing, social media work. And I was creating content. I understood the whole life cycle from the inception point of an idea to execution and then to the final delivery and distribution of that content to an audience within a major music label. And so part of that is the same thing that I think attorneys, especially in-house, should be doing: using the tools that the product and engineering teams are either developing in-house or partnering with third parties to develop, or a combination of the two. Using them, understanding them, using them as a creator would, using them as an end user or a client or customer would. And making sure that if you understand the product and understand the nuances of how it operates, and being a part of the iterations of that internally before it fully ramps, that really gives you a chance to understand: okay, we have a lot of responsible AI principles and standards and protocols that are in existence right now, whether it’s NIST, whether it’s based on the EU AI Act or anything and everything in between. It’s understanding how to apply those and bring those into a product and an engineering environment in a way that is practical and actionable for the people that you’re supporting, the stakeholders you’re supporting. So I think one of the critical best practices is, number one, understand the product or features that you’re supporting. Franklin Graves: And then understand how you as an attorney can use your expertise and understanding of responsible AI practices, whether it’s a regulatory standard or an industry-adopted standard or a hybrid of the two, to leverage those and implement those, break those down and make them into actionable controls and processes and flows that work within your existing infrastructure. That’s a lot of high-level talk, but that’s the general idea. One concrete example we talk about frequently is with open source AI. If you’re working with a product team or an engineering team that is taking an off-the-shelf open source model and bringing that in-house, a lot of times companies have pre-existing open source processes that cover the use of open source software or code. Piggyback on that. That’s the easiest quick win for attorneys: leveraging your existing open source processes to just build on top of that the AI flavor and layering. It’s not very much that you have to do, but the underlying process of the key stakeholders that need to be involved in the review, whether it’s security, whether it’s executive sign-off if it gets to that point, even export control considerations should already be part of your existing open source software process. So layering in on those existing processes the specifics of generative AI or large language models that you’re trying to bring in is a great way to put this into practice. Ken Suzan: Now looking at the geopolitical landscape that we currently have, we have the EU AI Act setting strict standards and shifting US executive orders. How should platforms and brands prepare for this fragmented regulatory environment when deploying AI tools to a global user base? Franklin Graves: It’s a great question. It’s something that is still evolving, I think is fair to say. I would equate it, as I do in the paper that I wrote, to how creators and arguably brands don’t own the platforms that they’re building their communities on. That spawned this concept of de-platforming or going into building your own platform, a decentralized platform of sorts, and owning your community. That gives you that control and takes away the level of instability that can come for creators trying to build a business on a platform they don’t own, they don’t control when certain updates happen, when algorithms change, when tools and functionalities either become available or go away completely. So it’s very similar to what we’ve been experiencing in a regulatory environment where we have geopolitical complexities, for lack of a better term, that can overnight seemingly disrupt the way in which a platform or even a multinational brand is able to connect and reach an audience or continue to leverage the user base that they’ve built. I think TikTok is a great example of that, where it became a national security concern and suddenly it was facing an executive order that required it to be effectively disabled in the US or completely owned and operated by a US entity. All the mechanics and technicalities of whether it’s actually possible and still have a global platform with a global user base is a whole different discussion. But that’s an example of very similar considerations that are now not just a discussion point at the creator level or the individual brand level, but also in a much broader context at a platform level as well. Ken Suzan: Franklin, let’s now shift gears and talk about your article. In your recently published journal article, Upload Complete, which we will have linked in our show notes, you advocate for a shift in terminology from internet creator law, a term used during our first podcast almost a decade ago, to creator economy law. Why is this distinction important and how does it change the way legal practitioners should view the ecosystem of creators, brands, and platforms? Franklin Graves: Oh yes, this is part of the reason why I wanted to write the article: to lay this foundation of understanding. Because at the time I’d written the article, the term creator economy and creator had really not appeared but for maybe once in an actual court decision. And it was kind of focused on influencers and this concept, and it was just not getting it right. And so it was also, as you mentioned, when we first spoke I was even using the term internet creators. And I think that was something that was common at the time. The “internet” portion as a qualifier has since dropped off. And now for purposes of the creator economy, the term creators refers to individuals, it can be small businesses, which is what we’ve seen from a regulatory standpoint, how these small businesses are being impacted by regulations. But essentially creators in the article I pin in the context of intent. What is the intent behind the person or the small business that is posting content, trying to build a community and form a community in a virtual environment? And then that can even spill over into real physical world environments. And so the intent is kind of what I look at. Franklin Graves: And I have a chart in the article that has a diagram showcasing the overlap of what I refer to as “users generating content.” It’s a play on the concept of user-generated content, UGC. Users generating content is that large bucket of anyone posting on a platform of some kind. And within that large bucket, that large circle, are smaller subsets. You have creators, you have brands. Those are really the two buckets you can put people into. Otherwise it’s like your grandmother or your parents posting content on Facebook or Instagram, and those are everyday users of a platform. The distinction to get into that subcategory of being a creator more so has been analyzing the intent behind the posting. Are you posting content to build an audience, to build a community, to eventually have a chance to monetize the following that you’re bringing in or sell services or something like that? Brands are posting for that reason. Creators are maybe posting for that same reason. But even within the creator category, there’s a subcategory of influencers that are trying to sell something, that are trying to build more than just an awareness of who they are, their influence. They are trying to do brand deals, partnership deals, upsells and all that, and start an actual small business aside from just the content itself that they’re creating. So that’s kind of the distinctions that I make in the paper. And that’s why it’s important to understand and lay that foundation, that anyone can post content online, but the intent, the why behind their posting that content, really does ultimately matter, especially when you’re looking at it from a court case or from a regulatory standpoint. Ken Suzan: Now, Franklin, we’re seeing unprecedented geopolitical activity around platform ownership. For example, the US legislation targeting TikTok and Brazil’s recent temporary ban of X. How do these macro-level battles impact the day-to-day livelihood of creators? And how can they legally and operationally protect themselves? Franklin Graves: So the shift that we’re seeing, and I alluded to this earlier in our conversation, is this concept of Web 3. And that term may or may not be really popular anymore, but that’s essentially what we’re looking at: a shift into a federated, decentralized operation of a platform. So instead of one owner, one company, one entity owning and operating the platform, it’s decentralized. Anyone can start up a server, and it’s interoperable, meaning anyone can plug and play and connect to that larger network. And it creates this unified social network experience. Within each operating node of that network, there can be your own decisions around content moderation, your own decisions around the hosting providers you use, where you’re operating out of, the terms and conditions that apply to that. But the flip side is that instead of creators posting and sharing in a closed environment run and controlled by a singular entity, you’re now experiencing a peer-to-peer type operation where your experience can change based on which server, which node, which user you’re engaging with. You might have content that’s acceptable in one area but not acceptable in another, and maybe it just doesn’t even show up in that other area. Franklin Graves: But from a liability standpoint, as creators start to build their own networks and communities, even outside of a concept like the fediverse, it’s even down to creators building their own communities through online courses, subscription membership-based platforms that they run on their own website. There’s open source software out there, even something called Ghost, where you have memberships. And that is a creator or a small business in the creator economy that is now taking on the obligations that would typically fall upon a platform. They need to take into consideration terms and conditions, privacy policies, legal aspects, and regulatory considerations for running a platform, especially in a global world. So it’s a lot of liability that then shifts over to those small businesses and even brands sometimes that are doing the same thing. Whether it is something as simple or complex as content moderation or all the way up to monetizing an audience, this new world where creators can spin up and run a platform all dovetails back to the concept of creators not feeling like they have control in reaching the audience and the community that they’re building on an individual platform. And so this really became more mainstream conversation with TikTok and the issues around it potentially being shut down in the US. That was kind of the mindset shift and eyes opening for many creators, especially within the influencer subset, of realizing: we need to make sure that we have a way to reach the audience we’ve built if the individual platform that we’ve committed to over the last year or three years or so is no longer available. We need a way to continue that relationship outside of that one platform controlling it. Ken Suzan: Franklin, we have a few minutes left and a number of topics. So I’m going to switch gears and talk about a few issues. First, a major emerging topic in your paper is the evolution of protecting kids online. With state-level age-gating laws like the CAADCA and the recent FTC updates to COPPA, how should platforms navigate the significant tension between strict age verification mandates and the privacy and First Amendment rights of their users? Franklin Graves: Man, that is a whole discussion to unravel. It is a consideration that we’re seeing happen again, going back to the geopolitical nature of everything. Countries like Australia and certain countries in Europe and now even individual states in the US are trying to look at ways, and some of them have already put into place minimum age requirements before you can even sign up for an account with a social media platform. One of the things I’d just highlight quickly here is that one of the tensions is around how you verify someone’s age online and still maintain the ability to be at least pseudonymous. How do you still have a level of privacy, autonomy, and protection when it comes to having to provide something like a driver’s license or have parental consent tied and connected to an account managed by a parent in a situation where maybe it’s not appropriate or not beneficial to the child in that manner? But then maybe there are counterbalancing factors that outweigh that. All of that comes down to the technicalities of how it’s actually implemented and maintaining the sense of openness and freedom that we’ve had on the internet to date. And then the other element there is, since a lot of the internet that we think of today is more so through mobile applications, is it something that the mobile operating system providers and app store providers should be thinking about? So whether that’s the Google Play Store or the Apple App Store, where does that initial age verification need to fall? Is it at the platform level? Is it the app store or mobile device management level or something else? Yeah, there’s a lot to discuss there. And a lot of the issues we’re seeing with how the internet is changing in terms of being able to browse a website without disclosing personal information that might not have been required before is largely stemming from a focus on protecting children online. Ken Suzan: It sounds like, Franklin, we could have another episode covering lots of issues connected with that one topic alone. Franklin Graves: I would absolutely agree with that. There’s a lot going on there. And again, it’s different across the world. And so I know you all have a global listener base. And so there’s a lot of nuances to that whole discussion too, that are worth exploring. Ken Suzan: Last question for today’s episode is regarding the right of publicity. With the explosion of AI-generated synthetic media, digital replicas, and voice cloning, the right of publicity is taking center stage. What are the biggest legal risks for brands partnering with influencers right now? And how can creators protect their most valuable asset, their likeness? Franklin Graves: That’s a great question. I think we’re seeing kind of a throwing-spaghetti-against-the-wall-to-see-what-sticks approach right now by a lot of different parties, whether it’s trademark attorneys, whether it’s general entertainment attorneys or whoever. For example, we’ve seen Taylor Swift filing trademarks to protect certain sounds of her voice and phrasing that she uses. It’s a difficult area because in the realm of generative AI with deep fakes and virtual avatars, that is where it gets tricky, because traditional IP laws are just not able to fully cover that spectrum. It’s a piecemeal approach, but even then it doesn’t fully cover it. So for example, I’m based in Tennessee and a couple of years ago we had the Elvis Act that updated our right of publicity law to add voice and to explicitly reference artificial intelligence. And so that’s the kind of effort we’re probably going to continue to see: efforts to develop some framework around protecting what is essentially a privacy right, in a manner that doesn’t restrict generative AI systems from continuing to develop and operate the way they’re operating now, while layering in those protections so that in the US at least a First Amendment right doesn’t necessarily get squashed, and those traditional well-recognized efforts to not overregulate a technology in its early stages are respected. Franklin Graves: And so I think a lot of what we’re seeing is just a need to update laws. The SAG-AFTRA debate and the strikes that happened around maintaining control of your performance and any iterations of that, or building upon that by a media company that might come later, it’s all on the table right now and still being discussed, still being worked out. I think in the short run, a lot of times if it’s in a brand deal, the key question is: if you are using generative AI to enhance in some way the final deliverable for the campaign, who has control over that? Who has final say and sign-off on how that likeness or that digital replica or that person’s voice is represented? And even outside of the brand space, we’ve seen actors like James Earl Jones signing over certain aspects like their voice and allowing it to continue to be used in these manners powered by generative AI as Darth Vader. And I think I saw something that Boy George was even starting up an AI company that allows musicians, the original recording artist, to rerecord new versions of their masters so that they don’t miss out on that revenue. It’s powered by generative AI, by taking their voice now, which is significantly different than it was back in the 80s, and using generative AI to make it sound closer to the original, but all based on their current performance. So I think it’s still an evolving area. And what’s interesting too is on the platform side, we’re seeing the early stages of platforms like Google starting to acknowledge and rely on the license grant contained in their terms of service for YouTube, which grants them broad rights to use the content to run their platform. So all that to be said, it’s still early stages. I’m very interested to see where we go from here in the future, especially from a global perspective as well. Ken Suzan: Franklin, I could spend hours talking to you about this. You’re such a knowledgeable person on these topics. Maybe in a few years, will we connect again and talk further on AI and all the things that are yet to be developed? Franklin Graves: Thank you. Yeah, it doesn’t have to be another decade. Maybe we can cut it to half a decade, given the pace at which technology is going now. Ken Suzan: Sounds good, Franklin. Thanks again for being on the IP Fridays podcast.

For weeks there has been non-stop speculation about where Taylor Swift and Travis Kelce will tie the knot. From Rhode Island to Lake Cuomo to New York City, fans and journalists have been trying to figure out where the wedding of the year will take place. With Swift and Kelce the closest thing to American royalty, leave it to The New York Times to confirm that Swift has rented out the Garden for the Fourth of July weekend, complete with permits for street closures as the city celebrates America’s 250th anniversary, Fleet Week and a World Cup Game that weekend. We don’t know about you, but we can’t wait!See omnystudio.com/listener for privacy information.

For weeks there has been non-stop speculation about where Taylor Swift and Travis Kelce will tie the knot. From Rhode Island to Lake Cuomo to New York City, fans and journalists have been trying to figure out where the wedding of the year will take place. With Swift and Kelce the closest thing to American royalty, leave it to The New York Times to confirm that Swift has rented out the Garden for the Fourth of July weekend, complete with permits for street closures as the city celebrates America’s 250th anniversary, Fleet Week and a World Cup Game that weekend. We don’t know about you, but we can’t wait!See omnystudio.com/listener for privacy information.

For weeks there has been non-stop speculation about where Taylor Swift and Travis Kelce will tie the knot. From Rhode Island to Lake Cuomo to New York City, fans and journalists have been trying to figure out where the wedding of the year will take place. With Swift and Kelce the closest thing to American royalty, leave it to The New York Times to confirm that Swift has rented out the Garden for the Fourth of July weekend, complete with permits for street closures as the city celebrates America’s 250th anniversary, Fleet Week and a World Cup Game that weekend. We don’t know about you, but we can’t wait!See omnystudio.com/listener for privacy information.

For weeks there has been non-stop speculation about where Taylor Swift and Travis Kelce will tie the knot. From Rhode Island to Lake Cuomo to New York City, fans and journalists have been trying to figure out where the wedding of the year will take place. With Swift and Kelce the closest thing to American royalty, leave it to The New York Times to confirm that Swift has rented out the Garden for the Fourth of July weekend, complete with permits for street closures as the city celebrates America’s 250th anniversary, Fleet Week and a World Cup Game that weekend. We don’t know about you, but we can’t wait!See omnystudio.com/listener for privacy information.

On September 16, 1890, Louis Le Prince vanished. He was never seen or heard from again. While that is the most well-known thing about him, he had a whole life before that which involved some very intriguing things. Research: “Amongst the persons …” The Leeds Mercury. August 2, 1870. https://www.newspapers.com/image/390297596/?match=1&terms=%22Louis%20Le Prince%22 Atreyee Gupta. “The Disappearance of Louis Le Prince.” Materials Today. Volume 11, Issues 7–8. 2008. Page 56, https://doi.org/10.1016/S1369-7021(08)70160-3. Aulas, Jean-Jacques and Jacques Pfend. “Louis Aimé Augustin Le Prince, inventeur et artiste, précurseur du cinéma.” 1895. Vol. 32. 2000. https://doi.org/10.4000/1895.110 Britannica Editors. "Étienne-Jules Marey". Encyclopedia Britannica, 11 May. 2026, https://www.britannica.com/biography/Etienne-Jules-Marey Casey, Keiron. “The mystery of Louis Le Prince, the father of cinematography.” Science + Media Museum. Aug. 29, 2013. https://blog.scienceandmediamuseum.org.uk/louis-le-prince-created-the-first-ever-moving-pictures/ “CINEMATOGRAPHY Pioneers of Early Cinema: Louis Aimé Augustin Le Prince (1841-1890?).” National Media Museum. https://www.meiermovies.com/wp-content/uploads/2016/06/PioneersOfEarlyCinemaLouisLe Prince.pdf “First Surviving Film.” Guinness World Records. https://www.guinnessworldrecords.com/world-records/first-surviving-film Fischer, Paul. “The Man Who Invented Motion Pictures: A True Tale of Obsession, Murder, and the Movies.” Simon & Schuster. 2022. “Hannibal Goodwin.” National Inventors Hall of Fame. https://www.invent.org/inductees/hannibal-goodwin Kelley, Peter. “Louis A. A. Le Prince and the Whitley Family.” Oak Leaves. Oakwood and District Historical Society. Summer 2002. https://www.oakwoodchurch.info/Oak%20Leaves%20Part%203%20-%20Louis%20A%20A%20Le%20Prince%20and%20the%20Whitley%20Family%20by%20Peter%20Kelley.pdf Le Prince, A. “METHOD OF AND APPARATUS FOR PRODUCING ANIMATED PICTURES OF NATURAL SCENERY AND LIFE.” U.S. Patent Office. Jan. 10, 1888. https://patentimages.storage.googleapis.com/26/13/3c/c0bd20490abc9b/US376247.pdf Lewis, Maria. “The tragedy of Louis Le Prince.” ACMI (Australian Centre for the Moving Image). https://www.acmi.net.au/stories-and-ideas/tragedy-louis-le-prince/ “The Life, Mystery and Legacy of Louis Le Prince.” Leeds Museums & Galleries. https://museumsandgalleries.leeds.gov.uk/blog-life-mystery-and-legacy-of-louis-le-prince-fylq Marey, Etienne-Jules. “Chronophotographic gun.” Google Arts and Culture. https://artsandculture.google.com/asset/chronophotographic-gun-%C3%89tienne-jules-marey-otto-lund/KAFgqcxSaDadqw?hl=en “New research centre honours father of film.” The Reporter. University of Leeds. May 19, 2003. https://web.archive.org/web/20120205020340/http://reporter.leeds.ac.uk/490/s6.htm “PUBLIC HEALTH STATEMENT NITROBENZENE.” Agency for Toxic Substances and Disease Registry. https://www.atsdr.cdc.gov/ToxProfiles/tp140-c1-b.pdf Rawlence, Christopher. “The Missing Reel: the untold story of the lost inventor of moving pictures.” New York : Atheneum : Maxwell Macmillan International. 1990. Accessed online: https://archive.org/details/missingreeluntol0000rawl/mode/1up “Single-lens Cine Camera by Louis Le Prince.” Science Museum Group. https://collection.sciencemuseumgroup.org.uk/objects/co18634/le-prince-single-lens-cine-camera-cine-camera-cinematograph Swift, John. "Siege of Paris". Encyclopedia Britannica, 22 Jan. 2026, https://www.britannica.com/topic/Siege-of-Paris-1870-1871 Britannica Editors. "Franco-German War". Encyclopedia Britannica, 3 May. 2026, https://www.britannica.com/event/Franco-German-War Youngs, Ian. “Louis Le Prince, who shot the world's first film in Leeds.” BBC. June 23, 2015. https://www.bbc.com/news/entertainment-arts-33198686 See omnystudio.com/listener for privacy information.

Fueds of the week! Please take sides!

SpaceTime Series 29 Episode 75 The Moon's oldest and largest impact crater A new study suggests the Moon's oldest and largest impact crater – the two and a half thousand kilometre wide South Pole-Aitken basin -- could have excavated material so deep it included parts of the lunar mantle. New clues to how the red planet Mars evolved Scientists have discovered the mineral garnet in a Martian meteorite which may reveal how the red planet evolved billions of years ago. Mission to boost Swift space telescope's orbit NASA is about to launch a new mission designed to extend the life of a half billion dollar spacecraft by boosting it into a higher orbit. The Science Report New report shows ocean temperatures reached a new record high in 2025. The brain changes within a month of a first psychedelic experience from magic mushrooms. Discovery that humans were using fire between 1.07 and 1.79 million years ago. Claims artificial intelligence becomes more moral the larger and more complex it gets. Alex on Tech: Lithium Titanate batteries.Become a supporter of this podcast: https://www.spreaker.com/podcast/spacetime-with-stuart-gary--2458531/support.

On the podcast: reaching brand-new audiences through web funnels, how they created their own ‘Big Mac index' for global pricing, and why monthly plans can beat annual for LTV.Top Takeaways:

In this episode we channel our inner He-Man with the upcoming 2026 Masters of the Universe movie and King Conan news! We dive deep into reloading basics — starting with straight-wall cases then moving to rifle calibers. We compare Hodgdon Varget, RCBS presses, and why .223/5.56 is way more forgiving than a hot .220 Swift or precision setups. We roast keyboard commandos in reloading groups, test a 3D-printed ABS holster for the Sig P365XL, and break down Lee vs RCBS vs Dillon presses for 9mm, .45 ACP, .223, .308, and .300 Win Mag. Plus we review the Bus Built Systems Poor's Bag Plate — an awesome shooting setup — and the Diefree Co Kung Fu grip. We also recap two range sessions this week and drop plenty of laughs (including some ass-sucking buttermilk stories). If you reload, shoot, 3D print holsters, or just love guns and good banter — this one's for you! Drop your reloading tips, press recommendations, or favorite He-Man memories in the comments — we read every one! Smash Like if you've got the POWER! Subscribe and hit the bell for weekly firearms, reloading, and range content.   Where to find us: Livefire-media.com Rangehot.com Social Links: IG - @livefirem - @rangehot.com_offical X - @LiveFireM - @rangehotdotcom FB - Live Fire Media - Range Hot Live Fire Media on RSS.com Live Fire Media Show | Podcast on RSS.com

What if your life were recorded in the Bible? Would it reflect trust and obedience, or hesitation and wavering faith? In this episode of Soul Hydration, we're exploring swift obedience, learning to trust God's direction, and asking ourselves: If we never spoke a word about our faith, would our lives alone reveal that we are children of God?Send me a direct message

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:nini camps - Salt, Champagne & Jesus FOLLOW ON SPOTIFYAlissa Feudo - Cliche Habit FOLLOW ON SPOTIFYTeni Rane - Driveway Conversations FOLLOW ON SPOTIFYGia Leve - Beyond The Veil FOLLOW ON SPOTIFYVictoria Crosby - Good Girl Problem FOLLOW ON SPOTIFYDeblois - The Queen That You Are FOLLOW ON SPOTIFYHayley Orrantia - Rebellion FOLLOW ON SPOTIFYAmy Swift - Under FOLLOW ON SPOTIFYThe Towns - Dreamin' FOLLOW ON SPOTIFYLara Brewer - Expired FOLLOW ON SPOTIFYBeachdolls - Southern Coast FOLLOW ON SPOTIFYLou Monroe - Corpus Callosum FOLLOW ON SPOTIFYKiki T - Rich Kids FOLLOW ON SPOTIFYSophia Blue - Medicine FOLLOW ON SPOTIFYCeara Cavalieri - Hush FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Mike Franano & Stacey Ballentine at https://open.spotify.com/track/5BnBsqymcTKgCixcZ9xg4h?si=4e0642a35b3e45d6Visit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Today is my conversation with Zechariah Thomas, founder and CEO of Swift Hockey. A former competitive hockey player, Zechariah saw firsthand how expensive the sport had become for families. So at just 19 years old, he set out to challenge some of the biggest brands in hockey by building high-performance equipment at a more accessible price point. Since then, Swift Hockey has sold tens of thousands of sticks, generated millions in sales, secured a deal on Dragons' Den, expanded across North America, and earned Zechariah a spot on the Forbes 30 Under 30 list. In this episode, we discuss the rising cost of youth hockey, why participation is declining, what it takes to build a challenger brand in a category dominated by giants like Bauer and CCM, and how Zechariah is using entrepreneurship to make the game more accessible for the next g Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen in as Charlotte welcomes guests Heather Creekmore and Doris Swift.  Heather and Doris are authors, speakers, podcast hosts and more. And they are aging gratefully with us! Heather wrote Aging Gratefully, Compared to Who? and The Comparison Free Life. Doris wrote Surrender the Joy Stealers. All books are available on Amazon. Friends, these books are so helpful, and we need them.  In this podcast episode, we talk about struggles many women face but rarely speak about openly: body image, midlife, how to age gratefully and what comes to steal our joy as we juggle so much in our encore years. Heather shares a bit about her own journey, one that many of us women have struggled with - years of dieting, disordered eating, and the belief that changing our body would finally bring happiness. Marriage and motherhood don't resolve these struggles. For Heather, a message about modern-day idolatry led to a powerful awakening in her heart. Charlotte and Doris have their own body image journeys and share from the heart as well. Cultural messages fuel our obsession with appearance, how comparison robs us of our joy, and why true freedom comes from understanding our God-given identity—not from pursuing the latest health trend or fitting into a certain pair of jeans.  Doris shares about what led her to write her power Bible study, Surrender the Joy Stealers, and how we can stand firm and stand against what threatens our joy. It's a task that requires daily surrender and intentionality.  Whether you've battled body image insecurities, comparison in any area of your life, or the pressures of aging in a looks-obsessed world, this honest and hope-filled conversation will inspire you to pursue joy, purpose, and your fierce calling right where you are. Speaking of Fierce Calling, that is the name of Doris's podcast. Heather's is called Compared to Who? You'll want to tune in to both. Get ready for truths, laughter, encouragement, and the reminder that you are so much more than a number on a scale, a face in the mirror or a person juggling much in the empty nest. Together, and with Christ at the center of it all, we can have a full and joy-filled life.  To reach Heather Creekmore, click here.  To purchase her books, click below:  Aging Gratefully Compared to Who? The Burden of Better  To reach Doris Swift, click here:  To purchase Doris's book, click below:  Surrender the Joy Stealers  To reach Charlotte, click here.  To subscribe to Charlotte's Bible Plan, Living Fully in the Empty Nest, click here.

S05E121 | Monday, 22 June 2026 Hosts: Anna & Avery  |  astronomydaily.io  |  @AstroDailyPod Story 1 — Dark Matter Is Hugging Our Galaxy's Black Hole •       Virginia Tech researchers used 'echo mapping' — light reverberations around active black holes — to detect dark matter signatures •       Supermassive black holes including Sgr A* (Milky Way) appear surrounded by dense dark matter clusters •       Lead researcher Mayank Sharma: 'The observational evidence for dark matter is simply undeniable' •       Published in Physical Review D, June 11, 2026 •       Provides a new tool for probing dark matter in the most extreme gravitational environments Story 2 — Swift Rescue Mission: Launch Date Confirmed •       NASA's Neil Gehrels Swift Observatory launched 2004; has been losing altitude due to atmospheric drag — no thrusters to compensate •       Katalyst Space Technologies built LINK — a robotic servicer with 3 robotic arms and xenon Hall-effect thrusters •       Northrop Grumman's Stargazer aircraft departed Wallops Flight Facility June 18 carrying Pegasus XL + LINK •       Launch from Kwajalein Atoll, Marshall Islands: confirmed for June 27, 2026 •       LINK must chase down Swift, inspect it, and latch on — a first-of-its-kind robotic capture mission •       Critical altitude threshold: if Swift drops below 185 miles (300 km), rescue becomes impossible •       Success would give Swift another ~22 years of science at its original 600 km altitude Story 3 — Chandra Spots a Supernova Near the Galactic Centre •       NASA Chandra, ESA XMM-Newton, and MeerKAT (South Africa) detected a 'blue blob' of X-ray emission in Sagittarius C •       Sagittarius C is a star-forming region ~26,000 light-years from Earth, a few dozen light-years from Sgr A* •       Estimated age: ~1,700 years — light from the explosion would have reached Earth around 300 AD •       Expansion speed: approximately 2 million miles per hour •       Published in The Astrophysical Journal (Zhu et al., June 11); NASA APOD June 18 •       If confirmed, one of the closest supernova remnants ever found to the Milky Way's central black hole Story 4 — MAVEN: The Eulogy •       MAVEN (Mars Atmosphere and Volatile Evolution) launched November 2013; arrived Mars September 2014 •       Original mission: 1 year. Actual mission: 11+ years — ended June 3, 2026 •       Last contact: December 6, 2025 — entered fast spin, batteries drained, unrecoverable •       Key discoveries: atmospheric escape rates, solar storm acceleration of Mars atmosphere loss, atmospheric sputtering (first observed at any planet), new types of Martian aurora •       Also served as communications relay for Curiosity and Perseverance rovers •       PI Shannon Curry's epitaph: 'Best Mars mission ever.' — 800+ scientific publications •       MAVEN will remain in Mars orbit 50–100 years before eventually entering the Martian atmosphere Story 5 — Operation Period: First-Ever Space Menstruation Study •       Non-profit Operation Period, led by Manju Bangalore and Priya Abiram, announced OP-01 mission on June 19 •       First dedicated scientific study of menstruation in microgravity — despite 100+ women having flown to space •       Current practice: astronauts typically suppress menstruation during spaceflight with hormones — due to lack of data, not proven necessity •       OP-01: suborbital Virgin Galactic flight in 2027; researchers will conduct the study on themselves •       Research wing: Operation Period's 'Redshift Lab' •       Data vital for longer missions — Moon, Mars — where menstrual health management matters more Story 6 — Isar Aerospace's Spectrum Rocket: Europe Keeps Trying •       Isar Aerospace (Ottobrunn, Germany): Europe's most advanced commercial small launch startup — 800M+ euros raised •       Spectrum rocket: 28m tall, up to 1,000 kg to LEO, 700 kg to SSO; 10 engines •       First flight (March 2025): failed after 30 seconds — vent valve opened unexpectedly, rocket lost attitude control •       Second flight 'Onward and Upward': carrying 5 university cubesats + 1 experiment; backed by ESA Boost! programme •       2026 scrubs: January (pressurisation valve), March (fuel temp/fishing vessel), April (pressure vessel), June 15 (fluid system anomaly) •       Current status: no new launch date; Andøya window reportedly closed; Isar analysing data •       Context: part of ESA's European Launcher Challenge — must achieve orbital flight by 2027 to qualify for up to €205MBecome a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-space-news-updates--5648921/support.Sponsor Details:Ensure your online privacy by using NordVPN. To get our special listener deal and save a lot of money, visit www.bitesz.com/nordvpn. You'll be glad you did!Become a supporter of Astronomy Daily by joining our Supporters Club. Commercial free episodes daily are only a click way... Click HereThis episode includes AI-generated content.

This weekend's Astronomy Daily wraps up the biggest stories from across the cosmos, starting with two completely fresh discoveries — a 1976 ocean rock that's turned out to hold atomic-scale proof of an ancient neutron star collision, and a record-breaking rocket launch from Europe's Ariane 6. Then we wind back through the week for our four biggest headlines: a new crew for Artemis III, JWST's salty 'Pink Planet' discovery, an update on the daring Swift Observatory rescue mission, and China's Tianwen-2 closing in on its target asteroid.   Story 1: A Kilonova's Fingerprint, Found in a 1976 Ocean Rock •       A rock sample dredged from the Pacific seafloor in 1976 has been found to contain a few hundred atoms of plutonium radioisotopes. •       The plutonium originated from a kilonova — a collision between two neutron stars — that occurred over 100 million years ago. •       Stellar debris from the merger settled to Earth and was slowly incorporated into a ferromanganese crust on the ocean floor. •       Isotope ratios provide the strongest physical clues yet to what created the elements and roughly when the merger occurred. •       Study published 18 June 2026.   Story 2: Ariane 6 Smashes Its Own Heaviest-Payload Record •       On 17 June 2026, an Ariane 64 rocket launched 36 Amazon Leo satellites from French Guiana (mission VA269 / LE-03). •       First flight of new P160C solid boosters — about a metre longer than the previous P120C, holding up to 156 tonnes of propellant each. •       Boosters deliver roughly a 10% performance increase, raising Ariane 64's LEO capacity to approximately 22 tonnes. •       The mission broke the 13-year record for heaviest payload ever launched by an Ariane rocket, previously held by the 2013 ATV 'Albert Einstein' resupply flight. •       Eighth Ariane 6 launch overall; 100th Amazon Leo satellite deployed by Arianespace.   Story 3: Artemis III Crew Revealed •       NASA announced the Artemis III crew on 9 June 2026 at Johnson Space Center: Commander Randy Bresnik, Pilot Luca Parmitano (ESA), and Mission Specialists Frank Rubio and Andre Douglas, with Bob Hines as backup. •       The Artemis II crew (Wiseman, Glover, Koch, Hansen) symbolically passed their lunar baton to the new crew. •       Artemis III is a two-week test flight in low Earth orbit to test docking procedures between Orion and commercial landers from SpaceX and Blue Origin. •       Targeted for launch as early as late 2027, ahead of a planned lunar surface landing in 2028. •       Will be Andre Douglas's first spaceflight.   Story 4: JWST Cracks the 'Pink Planet' Mystery •       JWST has confirmed salt clouds in the atmosphere of GJ504b, the 'Pink Planet,' located 57 light-years away. •       First direct evidence of salt clouds on a cold substellar companion object, a phenomenon theorised 15 years ago. •       At approximately 550°F, GJ504b is the coldest companion object ever directly imaged. •       Its true nature remains uncertain — it may be a giant planet or a brown dwarf. •       Research led by a Northwestern University team.   Story 5: The Swift Rescue Mission Heads for the Pacific •       NASA's Neil Gehrels Swift Observatory (orbiting since 2004) faces premature reentry due to orbital decay accelerated by recent solar activity. •       Katalyst Space Technologies' LINK robotic servicing spacecraft will attempt to grapple and boost Swift to a safer ~600km orbit. •       LINK launches on a Northrop Grumman Pegasus XL rocket, carried by Stargazer, the last flying Lockheed L-1011 TriStar. •       Stargazer departed NASA Wallops Flight Facility on 18 June 2026, en route to Kwajalein Atoll via California and Hawai'i. •       Launch targeted for 27 June 2026; if successful, it will be the first capture of an unprepared US government satellite by a commercial vehicle.   Story 6: Tianwen-2 Closes In on Kamo'oalewa •       China's Tianwen-2 spacecraft, launched May 2025, completed orbital insertion at near-Earth asteroid Kamo'oalewa on 7 June 2026. •       Amateur radio trackers in Germany detected fine ion-engine course-correction burns between 11–14 June 2026. •       Rendezvous and sample collection are expected around 4 July 2026. •       Kamo'oalewa is a 40–100 metre quasi-satellite of Earth; its origin (possibly a lunar fragment) remains scientifically debated. •       After sample return, Tianwen-2 will travel on to rendezvous with comet 311P/PanSTARRS in 2035.Become a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-space-news-updates--5648921/support.Sponsor Details:Ensure your online privacy by using NordVPN. To get our special listener deal and save a lot of money, visit www.bitesz.com/nordvpn. You'll be glad you did!Become a supporter of Astronomy Daily by joining our Supporters Club. Commercial free episodes daily are only a click way... Click HereThis episode includes AI-generated content.

In the 977th episode of the PokerNews Podcast, which is sponsored by FanDuel Poker, Chad Holloway and Mike Holtz are joined at Level 9 Studio in Las Vegas by a pair from the UK in Grosvenor Poker's Katie Swift and Philip "The Tower" Heald. The quartet discusses the recent high-profile bet between Phil Hellmuth and Shaun Deeb, one involving the former's son, Phillip "P3" Hellmuth III, and the 2026 World Series of Poker (WSOP) Main Event. Deeb stands to win $14,000 max, while Hellmuth could potentially win $10,000,000! It's an extremely long shot, but what do you think? From there, the crew looks at a pair of game-changing hands. In the first, Dario Sammartino shared on social media that an automatic shuffler had apparently sorted the cards, which resulted in two very similar hands, and in the other, a dealer error resulted in the final two players in the COLOSSUS being dealt the wrong cards in the first hand of heads-up play. No one noticed in real time, and the tournament ended as a result. Other topics include changes to the Poker Hall of Fame, The Tower advocating for Barny Boatman and John Duthie to be inducted, and a look ahead to Grosvenor Poker's famed GOLIATH, which will run July 23-August 2. Finally, don't forget to order your Think Jerky here! A new PokerNews Podcast drops three times a week during the 2026 WSOP! You can expect a new episode every Tuesday, Thursday, and Saturday at 8a PT / 11a ET / 4p UK time. Remember to subscribe to our YouTube channel so you do not miss an episode! Time Stamps *Time    Topic* 00:00 Welcome to the show 00:25 Katie Swift & the Tower join The Show 01:40 Hellmuth Mark-Up Police 08:36 Hellmuth responds 11:00 Two Identical Hands 13:39 COLOSSUS Heads-Up Mistake 22:36 Poker Hall of Fame Changes 25:50 English players for the Poker Hall of Fame 29:50 A Look at the GOLIATH  34:40 Book Giveaway Winners 35:30 Think Jerky 37:15 Ladies Event at GOLIATH

Este año celebramos los 300 años de la publicación del libro Los viajes de Gulliver de Jonathan Swift. Por esa razón viajamos a Irlanda para conocer la cuna de esta historia tan increíble. Swift y su libro serán los protagonistas de nuestro cronovisor junto a Jesús Callejo. José Antonio Gurpegui, autor de Trumpismo y reconfiguración global (Ed. Universidad de Alcalá 2026) nos habla del cambio que está viviendo el orden mundial en las últimas décadas. Guillermo Balmori, editor de Notorius, nos propone en su sección Sala de Cine, Lo que el Viento se llevó, una de las grandes películas de la historia del cine. Acabamos el programa con David Botello, compañero de esta casa con el programa La historia en ruta. David acaba de publicar No me cuentes batallitas (Aguilar 2026). Con él reflexionamos sobre la importancia de la Historia y por qué debemos seguir estudiándola y disfrutando con ella

A meditation on the warm season.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A meditation on the warm season.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alan and Wil are back with a deep dive into the World's Toughest Mudder 2026 course preview, breaking down the AI‑modified map, new puzzle pieces, and what's changed around markers 17 and 18. They chat through terrain details, obstacles, and the quirks of editing maps that seem to have a mind of their own — plus a few laughs about Gemini's mapping tool and its creative numbering. Also in this episode: The Adaptive Athlete Podium debut and what it means for inclusivity in OCR. Total Warrior 12K highlights — 6,000 schoolkids, epic obstacles, and a buzzing event village. Grassroots OCR growth and how smaller races feed the big leagues. Tough Mudder strategy talk — rebuilding obstacle counts and bringing back the "Extra Mile." A look at pricing, travel, and race results from Mudmasters and the Summer Spine Race.

Cihat Gündüz returns to break down everything from WWDC 2026. We go through Swift 6.4's quality-of-life wins, Apple turning Foundation Models into a full agentic harness, Xcode 27's agent and built-in skills, Device Hub, and where we land on the iPhone Fold.GuestCihat Gündüz (@Jeehut) / XCihat Gündüz (@Jeehut@iosdev.space) - iOS Dev SpaceCihat Gündüz (@jeehut) on ThreadsFlineDevRelated LinksWWDCNotesMy Top 5 AI Wishes for WWDC26 – FlineDevFlineDev/SiteKit: AI-first static site generator written in SwiftQwenLM/Qwen3.6: Qwen3.6 is the large language model series developed by Qwen team, Alibaba Group.Related EpisodesPlatforms State of the Union 2026 with Peter WithamActually Really UsefulSwift Toolkit with Natan RolnikWWDC Notes with Cihat GündüzHacking with Ignite with Paul HudsonChapters(00:00) - What's New in Swift & SwiftUI (09:09) - SwiftData (14:09) - Foundation Models (28:29) - Xcode 27 (38:09) - AI Costs & the "AI Apocalypse" (48:09) - iPhone Fold WatchClick here to watch a video of this episode. TranscriptClick here to view the episode transcript. Support the Show ★ Support this podcast on Patreon ★  Thanks to our supporters: Thanks to our monthly supporters Steven Lipton  Welcome new supporters: Social MediaLinkedIn - @leogdionGitHub - @brightdigitGitHub - @leogdionMastodon - @leogdion@c.imYouTube - @brightdigitX - @leogdionX - @brightdigitCreditsMusic from https://filmmusic.io "Blippy Trance" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/)

PHP Podcast – June 17, 2026 Hosts: Sara Golemon & Holly Schilling | Guests: Paul Reinheimer & Sean Coates Eric and John are still locked in the basement. Sara is literally on a boat in Spain. Normal show, totally normal. Sara Broadcasts from a Harbor in A Coruña Sara is joining this week’s show from a marina in A Coruña, northwest Spain — in the Galicia region, where they speak Galician (not quite Spanish, not quite Portuguese). It’s 1am local time and the boat is visibly rocking on camera. Holly is holding down the fort from Chicago. This is what Sara calls pirate radio, except one of the pirates is actually on a boat. Meet the Guests: Paul Reinheimer & Sean Coates Paul Reinheimer and Sean Coates are PHP veterans from an earlier era — both were closely involved with PHP Architect around 2005–2010, back when Sara was already a PHP core contributor and the community was small enough to fit in one bar. Paul now runs Wonder Proxy, a service that lets you test your website’s behavior from locations around the world (checking GDPR banners, geo-targeted content, checkout flows, etc.), and is also building a startup called StudioWorks — business management software for creative studios, with an invoicing product and a proposals product in development. Sean is based in Montreal and has been spending time at a local hackerspace called Food Lab, where he got pulled into MeshTastic and MeshCore mesh networking, and is now surrounded by vintage computers, including a PDP-11 and five-and-a-quarter-inch floppy disks. The Quarter-Million-Line Commit Paul committed 250,000 lines of code directly to Wonder Proxy’s repo without a PR last week — and he’s not particularly sorry about it. The context: it was a pre-generated SQLite amalgamation file (all of SQLite compiled into a single C file), which Wonder Proxy is now checking in as a pinned static dependency rather than regenerating each build. Paul’s argument is unanswerable: you cannot meaningfully review 250,000 lines of generated C code in a PR. If there’s something malicious in there and you’re good with C, you could hide it in parameterized defines and no one would see it. The right approach, which Paul landed on, was creating a separate package with its own CI — and including the command to regenerate the amalgamation so reviewers can verify the output themselves, not just stare at the diff. Measuring Wrong — Sean’s Rant Sean has been ranting about this for 10–15 years and it hasn’t gotten less true: companies systematically measure things that make them look good and avoid measuring things that make them look bad. A marketing team adds a spin-to-win wheel to the homepage and celebrates their 1% sales increase. Nobody measures how many people found the wheel so obnoxious they immediately left. Cookie and GDPR banners are the same story — they go up, they’re never removed, and the conversion impact is never tracked because nobody wants to report bad news up the chain. Sean’s broader point: an epidemic of motivated measurement is a big part of why the web is as bad as it is. PHP in 2026 vs. PHP Then — What’s Still Working Paul’s honest take: the LAMP stack still works great. In 2004 you could build a productive web application with Linux, Apache, MySQL, and PHP — and you still can today. The fundamental approach is the same. Having since done Ruby at Stripe and other languages elsewhere, Paul keeps coming back to how much sense the PHP model makes to him. The longevity is the feature, not a bug. Wonder Proxy’s web app — built in server-side Swift using the Hummingbird framework — returns pages in under 50 milliseconds almost always and under 30 most of the time, with almost no client-side JavaScript. Server round trips are fast. The web doesn’t have to be seven seconds. Swift Concurrency and What PHP Could Learn Sara asked Sean — who has used Swift on the server for StudioWorks — what he’d want to see in PHP’s threading model. His answer: anything the compiler can enforce beats anything you have to remember yourself. Swift’s concurrency model has the compiler reject code that would allow a thread to trample on a sendable object after it’s been sent off. You find out about threading mistakes at compile time, not when corrupt data shows up in production. Sean’s verdict: an early warning system for threading problems is 10,000 times more valuable than discovering them too late. PHP’s async/await path is cooperative task switching (not true threading), which avoids some of these issues but can still deadlock if someone forgets to hand off control. Composer, require_once, and Supply Chain Security The chat raised whether anyone still uses require_once in the PSR-4 world. Sara’s answer: PHP.net does — it doesn’t use Composer at all, because the site needs to be framework and library agnostic. Grep for require_once across typical vendor dependencies and you’ll find around 100 instances still in the wild, mostly inside packages like Doctrine. The supply chain security conversation from there: Composer’s lock file pins to specific hashes, which is what you want — but a lot of projects don’t commit their lock file, and pinning to a version tag isn’t enough because tags can be updated if someone takes over a GitHub account. To really be safe, pin to a specific commit hash. It’s a pain to maintain, but it’s much harder to fake. The PHP Foundation — The Biggest Change in PHP Paul called out the PHP Foundation as the single biggest change in PHP since he and Sean were actively involved. Having an organization that can receive money from individual supporters and use it to fund core PHP work has been talked about since before PHP had package management. The foundation now has over 1,000 individual supporters — including Rasmus Lerdorf himself, which Sara found funny. Paul and Wonder Proxy support it financially; Wonder Proxy also holds a private Packagist account as an indirect way to fund Composer development. Sara works directly with the foundation on PHP core. Elizabeth Barron (from last week’s show) is doing exceptional work moving it forward. PHP.net Redesign and the Dark Mode Problem Sara copped to a php.net rabbit hole: she tried to implement dark mode for the site and succeeded everywhere except code samples. PHP’s built-in highlight_string() function has hard-coded colors that assume a light background, and there’s no way to override them. Sara wrote the patch to make the colors configurable at the internals level, then realized it should actually be a separate PHP project, then lost track of caring about it because it became yak shaving. On the redesign side: the foundation ran a competition to redesign the releases page (the per-version page with changelogs and download links), and the results look much better. The downloads page has been getting more beginner-friendly content — how to actually get PHP running, not just a reference manual. There are homepage mockups being iterated on as well. What Talk Would You Give? Sara asked both guests what conference talk they’d give if they were speaking today. Paul: marketing for developers. Too many developers believe “if you build it, they will come,” and AI is making this worse — the barrier to shipping something that looks professional has dropped so far that the noise floor is rising fast. Hollywood knows to spend as much on marketing as on production. Paul doesn’t claim to be good at marketing, but he thinks someone should be giving this talk at every developer conference. Sean: reliable deployment and supply chain integrity — specifically how to actually control the path from git to production without sneaking in vulnerabilities. Containers have helped, but there’s still a lot of infrastructure that fetches things at build or request time that is genuinely dangerous. PHP Tek 2027 The PHP Tek 2027 website is live at phptek.io. No date confirmed on air, but the site is up and people should keep an eye on it. Links from the show: Wonder Proxy — Test your website from around the world PHP Tek 2027 — phptek.io The PHP Foundation — Support PHP development PHP Architect Discord Guest Hosts: Sara Golemon Currently sailing in the Atlantic (broadcasting from A Coruña, Spain) PHP core contributor; code contributor via the Curl project (which means she technically has code on Mars) Holly Schilling Primary mobile developer; built the PHP Tek 2026 conference app Based near Chicago, IL Guests: Paul Reinheimer Founder, Wonder Proxy — test your website’s geo-targeted behavior from 300+ global locations Founder, StudioWorks — business management tools for creative studios (invoicing & proposals) Former PHP Architect team member; wrote a book on PHP and APIs Sean Coates Based in Montreal; regular at the Food Lab hackerspace MeshTastic/MeshCore mesh networking enthusiast; vintage computer collector (PDP-11 era) Former PHP Architect team member and longtime PHP community contributor Streams: Youtube Channel Twitch Connect & Hire PHP Architect Website Twitter/X Mastodon Hire PHP Developers Looking to hire PHP developers? Email support@phparch.com – Joe and the team are available for consulting, infrastructure work, Ansible playbooks, and code review. Partner This podcast is made a little better thanks to our partners Displace Infrastructure Management, Simplified Automate Kubernetes deployments across any cloud provider or bare metal with a single command. Deploy, manage, and scale your infrastructure with ease. https://displace.tech/ PHPScore Put Your Technical Debt on Autopay with PHPScore CodeRabbit Cut code review time & bugs in half instantly with CodeRabbit. Music Provided by Epidemic Sound https://www.epidemicsound.com/ Join Us Live Next Week Youtube Channel Got feedback? Join us on Discord at discord.phparch.com The post The PHP Podcast 2026.06.17 appeared first on PHP Architect.

New details about Taylor Swift and Travis Kelce's wedding plans suggest a previously scheduled Rhode Island celebration was canceled after details leaked, while recent activity at Swift's nearby mansion is fueling speculation that wedding festivities may already be underway. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Drum & Bass Session #22 Trackist 01. Rare Groove EP – A1 02. DJ Rap, Outlaw Candy – Intelligent Woman (Aries RMX)
03. J Majik – Treat Me Right 04. DJ Die – Slingshot 05. Quadrant & Iris – Prismatic 06. Amoss – Ghost Signals 07. Trex – Get Enough 08. Zero T & Crystal Clear – Now It's Time 09. Kasra & Waeys – Rear View Mirror 10. Majistrate – Step Up 2026 11. Simula – Gargoyle 12. Serum & Caleb Vigro – Get Better 13. Circandian, Pirapus, Mila Falls – Slow Motion 14. Pirapus – Energy 15. Disrupta – Disrupt The Dancefloor 16. Breakage, Rike Dan – CTRL 17.Rare Groove – B1 18. Swift & Zinc – This Side Of The Moon 19. Remarc – In Da Hood 20. Quartz – Mute Reflex 21. Phibes – Ride Or Die 22. Voltage – The Swarm 23. Primate – Booyah 24. Andromedik, Arcando & Raphaella – Hold Me In Heaven 25. Freaks & Greeks, Mugatu, Alika – Night Is Gone 26. Prolix – No Turning Back 27. Killbox – Without You

A landmark episode packed with discoveries at the cutting edge of space and astronomy. Webb and Hubble redefine a category of stellar object, JWST delivers unprecedented chemistry data from an extreme exoplanet, a 21-year-old NASA observatory faces a daring robotic rescue, a multi-telescope image reveals an ancient galactic supernova, China's Tianwen-2 zeroes in on a possible fragment of our own Moon, and astronomers detect the chemical fingerprint of a planet swallowed by its star.   Story 1: Webb & Hubble Rewrite History: Terzan 5 Is a 'Bulge Fossil Fragment' Using the James Webb Space Telescope and archival data from Hubble spanning 12 years, researchers have definitively reclassified Terzan 5 — a stellar system 22,000 light-years away in Sagittarius — from a globular cluster to an entirely new class of object: a 'bulge fossil fragment.' Four distinct generations of stars have been identified within Terzan 5, formed 12.5 billion, 4.7 billion, 3.8 billion, and 2.5 billion years ago. Unlike a typical globular cluster with a single ancient stellar population, Terzan 5 repeatedly formed new stars by retaining the gas and heavy elements expelled by its own supernovae. Astronomers believe Terzan 5 is a surviving relic of the primordial clumps that merged to form the Milky Way's central bulge billions of years ago — a living fossil of galaxy formation. Results were presented at the 248th American Astronomical Society meeting and published in Astronomy & Astrophysics. Source: NASA / ESA / STScI press release, 16–17 June 2026   Story 2: JWST Catches the 'Roasted Exoplanet' HD 80606 b in the Act Astronomers using the James Webb Space Telescope's MIRI instrument have observed the extreme exoplanet HD 80606 b experiencing a temperature increase of 1,100°F (600°C) during its close approach to its host star. HD 80606 b is a gas giant four times the mass of Jupiter on a highly elliptical 111-day orbit. The JWST study — led by Tiffany Kataria of NASA's Jet Propulsion Laboratory — also detected specific atmospheric chemical signatures including methane and carbon dioxide, enabling detailed study of how the planet's chemistry shifts under extreme heating. This is the most detailed look yet at an atmospheric response to a rapid, intense heating event. Results were presented at the 248th AAS meeting in Pasadena, California. Source: NASA / JPL press release, 16–17 June 2026   Story 3: Swift's Rescue Mission Cleared for Launch: LINK on the Pad NASA's Neil Gehrels Swift Observatory, which has studied gamma-ray bursts and other high-energy cosmic events since 2004, is facing re-entry as its orbit decays under increased solar activity. NASA contracted Katalyst Space Technologies in September 2025 to build and launch a robotic servicing spacecraft — called LINK — to boost Swift to a higher orbit. LINK is now encapsulated inside a Northrop Grumman Pegasus XL rocket, which has been attached to the Stargazer L-1011 carrier aircraft and is en route to Kwajalein Atoll in the Marshall Islands for launch later in June 2026. This will be the final flight of the Pegasus XL — the world's first privately developed orbital launch vehicle, which first flew in 1990. Its air-launch capability is uniquely suited to reaching Swift's unusual low-inclination orbit. Source: NASA press release and media teleconference, 17 June 2026   Story 4: Possible Supernova Remnant at the Galactic Centre A striking multi-telescope composite image released as NASA's Astronomy Picture of the Day on 18 June 2026 reveals a possible supernova remnant near the galactic centre — a blue X-ray-emitting structure whose light is estimated to have reached Earth approximately 1,700 years ago, in the third century CE. The image combines X-ray data from NASA's Chandra X-ray Observatory and ESA's XMM-Newton (the blue structure), radio data from the MeerKAT telescope in South Africa (the large red cloud), and optical background star data from the PanSTARRS telescopes in Hawaii. Source: NASA APOD, 18 June 2026. Image credit: NASA/CXC/UCLA/Z. Zhu et al.; ESA/XMM-Newton; MeerKAT; PanSTARRS   Story 5: China's Tianwen-2 Closes In on Earth's 'Quasi-Moon' China's Tianwen-2 spacecraft — launched in May 2025 — performed its primary orbit insertion burn at asteroid 469219 Kamoʻoalewa on June 7, 2026, and has since been performing fine adjustment burns tracked by amateur radio astronomers in Germany and the Netherlands. China's space agency has released no official updates. Kamoʻoalewa is a 40–100 metre quasi-satellite of Earth, orbiting the Sun in a path that keeps it perpetually near our planet. Its reflectance spectrum resembles weathered lunar rock, fuelling a theory that it is a fragment blasted from the Moon by an ancient impact — though a competing theory holds that it is an ordinary inner asteroid belt migrant. Sample collection is scheduled to begin July 4, 2026. Tianwen-2 will depart Kamoʻoalewa in April 2027, with the sample return capsule landing in Inner Mongolia in late November 2027. A new paper in Nature Communications (June 2026) challenges the lunar-origin theory, suggesting Kamoʻoalewa may instead originate from the Flora asteroid family. Source: SpaceNews, Scientific American, Nature Communications, June 2026   Story 6: A Star That Ate a Planet: TOI-5882's Chemical Fingerprint Astronomers led by Brooke Kotten of the University of Michigan have identified a chemical imbalance between the two stars of binary system TOI-5882, located approximately 1,300 light-years away. One star is enriched in elements characteristic of rocky planetary material — including iron, silicon, and magnesium — while its companion is not. Because binary stars form from the same gas cloud and should have identical initial compositions, this difference is interpreted as evidence that one star subsequently ingested at least one planet. The amount of enrichment suggests the equivalent of several Earth masses of rocky material was consumed. Source: Phys.org / University of Michigan, June 15, 2026       Connect With Us Website: astronomydaily.io Social: @AstroDailyPod (X / Instagram / TikTok / Tumblr) Network: Bitesz.com Podcast NetworkBecome a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-space-news-updates--5648921/support.Sponsor Details:Ensure your online privacy by using NordVPN. To get our special listener deal and save a lot of money, visit www.bitesz.com/nordvpn. You'll be glad you did!Become a supporter of Astronomy Daily by joining our Supporters Club. Commercial free episodes daily are only a click way... Click HereThis episode includes AI-generated content.

When it comes to the path from education to financial security, the "golden ticket" narrative we grew up with is showing significant cracks. Today, students who work hard and play by the rules find themselves facing a steep experiential paradox: entry-level job listings frequently require multiple years of prior work history, yet securing a competitive, paid internship during college has become arguably more selective than gaining admission to an Ivy League university. This structural failure leaves massive pools of early career talent stranded, widening inequalities across the socioeconomic spectrum.In this episode, we sit down with Jane Swift, CEO of Education at Work and former Governor of Massachusetts, to dissect the friction points spanning K-12, higher education, and the workforce. Drawing from her historical role in crafting Massachusetts' legendary 1993 Education Reform Act and her current appointment to the National Assessment Governing Board, Jane brings unmatched policy expertise to the table. We discuss why state education metrics were sliding long before the pandemic hit, the hidden societal headwinds impacting the adolescent brain, and why wealthy families find alternative academic safety valves while low-income and first-generation students are left behind.Finally, we turn our attention toward actionable solutions for the future of work-based learning. Jane shares how Education at Work is successfully building an instructional workflow layer that partners with Fortune 500 giants to scale paid corporate roles for thousands of students. She also lays out a provocative blueprint for the future: reimagining rigid public funding models and forcing higher education institutions to leverage their massive institutional procurement power to mandate paid career opportunities for the very students they serve. Tune in for an honest, deeply experienced look at what it takes to rebuild the system from the ground up.

06/16 Hour 3: Tyler Metcalf Joins The Junkies - 1:00 Calls On Who Washington Should Draft - 19:00 Breaking Down Taylor Swift's Rider List - 31:00

On today's MJ Morning Show:Morons in the newsMichelle wants to get one of these for the drivewayBucket truck for MJConsumer reports find carcinogens in hair dyes and chalksRappin' Matt Damon"Grief math"Fake law enforcement scam call... from a listenerDear Flabby: Be careful if you drop your phone while drivingDid the NYC mayor just confirm Swift's wedding in New York?Courtside seats celebrities sat in were auctioned off for how much?MJ's Movie Night with listeners...Who's the next singer to trademark their voice?Pickle flavored stuffMJ's pizza tourAirline attendants... don't touch!National Fudge DayMobility scooter pulls into course of bicycle raceEfforts to cancel Kanye West concertBonnie Tyler has awoken from her comaMen's room issueTwin stabbingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The dorks are doing something a little different this week. The Summer Game Fest happened recently, showing off all kinds of new and upcoming video games. Each of us have picked out a handful of the games shown at the SGF that we're excited about or that just look really cool. From the biggest reveals like Final Fantasy & Zelda to the midsized releases like Castlevania & Star Wars all the way to the indie darlings like Cuphead & Bad Magpie, we're looking at anything and everything that catches our eye.  Do check out the video version too, as I'll have the trailers for whatever we're talking about playing in the background while we talk! You can find it here - https://youtu.be/90BDEfIGurA IGN reveal summary videos we used to do this episode Summer Game Fest - https://www.youtube.com/watch?v=WtOzJtNWRjo Sony State of Play - https://www.youtube.com/watch?v=tnf64o91V7E Xbox Games Showcase - https://www.youtube.com/watch?v=oSd36jivoD8 Nintendo Direct - https://www.youtube.com/watch?v=AfrKeeYvvW8   Come join us in the future! The show is live on Thursdays around 8pm(ish) Eastern time on Twitch. Become a Lifeguard on Patreon! – patreon.com/themanapool Podcast RSS Feed: themanapool.libsyn.com/rss YouTube: youtube.com/TheManaPool The Deep End: youtube.com/@TheDeepEndTMP TMP Streams Archive: youtube.com/@TMPStreams Twitch: twitch.tv/themanapool Discord: discord.gg/7da7T6s BlueSky: themanapool.bsky.social Instagram: TheManaPool Threads: @TheManaPool Email: dorks@themanapool.com Intro & Outro Music: Diamond by Swift – https://open.spotify.com/artist/0vAs5HIBkUPbuoN5b5GWTE

Chad tackles a multitude of topics over two segments of Swift Takes! before a conversation with Cory Provus about the great play this season from Byron Buxton and jumping back to the radio side of Twins broadcasts this week.

Adam Carter joins Chad for the first hour to talk about the ingredients for a great graduation party and the usual fun with Ask Adam Anything before a round of Swift Takes!, Cory Provus on the Twins, Steve Simpson discussing his upcoming departure from WCCO, and Jamie Yuccas on her World Cup experience last night.

Chad opens a round of Swift Takes! with commentary about a new survey showing the number of Americans considering themselves politically independent is growing.

New York Knick’s star Jalen Brunson has asked Swifties to calm down as they rally to the pop star’s defense after a New York’s Knicks reporter got caught on a hot mic saying Taylor Swift wasn’t a Knicks fan and to “get out of here, girl” when she saw Swift courtside at Game 4. Jalen Brunson saying to the Swifts that “she’s a really good one, cut her some slack.”See omnystudio.com/listener for privacy information.

New York Knick’s star Jalen Brunson has asked Swifties to calm down as they rally to the pop star’s defense after a New York’s Knicks reporter got caught on a hot mic saying Taylor Swift wasn’t a Knicks fan and to “get out of here, girl” when she saw Swift courtside at Game 4. Jalen Brunson saying to the Swifts that “she’s a really good one, cut her some slack.”See omnystudio.com/listener for privacy information.

Prehospital blood is one of the hottest debates in trauma resuscitation — and the evidence just got a lot more interesting. In this episode, Drs. Patrick Georgoff and Ayman Ali sit down with Dr. Ed Barnard, UK defense professor of emergency medicine and author of the landmark SWIFT trial, and Dr. Juan De Chesney, trauma surgeon and pioneer in prehospital blood programs, to break down what we actually know about getting blood to patients before they hit the doors. The SWIFT trial — the largest prehospital whole blood RCT to date — found no superiority of whole blood over component therapy, but the story is far more nuanced than a negative headline suggests. From the logistics of carrying blood on a helicopter to the stark reality that only 1.8% of US ground EMS carries any blood products at all, this conversation exposes both the progress and the enormous gaps that remain. Hosts: Ayman Ali, MD: Ayman Ali is a Behind the Knife fellow and general surgery PGY-4 at Duke Hospital.  Patrick Georgoff, MD @georgoff: Patrick Georgoff is faculty in the Department of Surgery at the Duke University School of Medicine where he serves as an Associate Professor of Trauma, Acute, and Critical Care Surgery and Trauma Medical Director. He is a leading educator and creator for Behind the Knife, a premier digital education platform and podcast advancing surgical training through innovative, high-yield multimedia content. Juan Duchesne, MD: Juan Duchesne is a trauma surgeon and Professor of Surgery serving as the Trauma Medical Director and Division Chief at the University of Mississippi Medical Center. His pioneering contributions to the field—particularly in whole blood and balanced resuscitation practices—have been honored with numerous accolades.  Ed Barnard, PhD FRCEM FIMC RCSEd, @edbarn @DefProfEM: Ed Barnard is an emergency physician and UK Defence Professor of Emergency Medicine, RCEM/NIHR Associate Professor, and Affiliated Assistant Professor at the University of Cambridge. He has sub-specialty training in pre-hospital and academic emergency medicine and possesses extensive experience in trauma, anaesthesia, and critical care across both civilian and military settings. His contributions to the field have been honored with five national research awards and a PhD - undertaken with the US Army in San Antonio, TX. This episode was sponsored by Teleflex, a global provider of medical devices. Learn more at teleflex.com and at the Teleflex Trauma and Emergency Medicine LinkedIn page. Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.  If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listenBehind the Knife Premium: https://behindtheknife.org/premiumOral Board Review: https://behindtheknife.org/oral-boardOral Board Simulator: https://behindtheknife.org/oral-board/simulatorGeneral Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-reviewTrauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlasDominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkshipDominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotationVascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-reviewColorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-reviewSurgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-reviewCardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-reviewDownload our App:Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

New York Knick’s star Jalen Brunson has asked Swifties to calm down as they rally to the pop star’s defense after a New York’s Knicks reporter got caught on a hot mic saying Taylor Swift wasn’t a Knicks fan and to “get out of here, girl” when she saw Swift courtside at Game 4. Jalen Brunson saying to the Swifts that “she’s a really good one, cut her some slack.”See omnystudio.com/listener for privacy information.

Scott described the electric atmosphere in Manhattan as fans crowded streets, restaurants, and bars to watch the New York Knicks' championship run. The Knicks' upcoming victory parade, set for Thursday, is anticipated to be the largest in the franchise's history. Scott also highlighted that Taylor Swift was recently inducted as the youngest woman ever into the Songwriters Hall of Fame, and he shared his memories of first meeting Swift early in her career.See omnystudio.com/listener for privacy information.

Mark recapped last night's UFC fight held on the White House lawn, a highly publicized event criticized by many Democrats. He also commented on the PBS NewsHour, describing it as one of the most left-leaning news programs on television. Mark highlighted that Knicks players are set to receive substantial bonuses following their championship win. Elon Musk became the world's first trillionaire after SpaceX went public on Friday, sparking intense media commentary and criticism from some cable news hosts. Mark takes your calls!  Mark interviews radio legend Scott Shannon. Scott described the electric atmosphere in Manhattan as fans crowded streets, restaurants, and bars to watch the New York Knicks' championship run. The Knicks' upcoming victory parade, set for Thursday, is anticipated to be the largest in the franchise's history. Scott also highlighted that Taylor Swift was recently inducted as the youngest woman ever into the Songwriters Hall of Fame, and he shared his memories of first meeting Swift early in her career.See omnystudio.com/listener for privacy information.

The New York Knicks won the NBA Finals, claiming their first championship in 53 years and ending the league's longest title drought. Over the weekend, former President Donald Trump celebrated his birthday. Trump is scheduled to attend the G7 summit in France, and reports suggest a deal with Iran may be signed on Friday. This agreement has generated controversy among Democrats, who argue it could resemble the nuclear deal negotiated under President Obama. Mark interviews Boston radio host Howie Carr. Howie and Mark, discuss how Democrats frequently highlight perceived mistakes by President Trump and Republicans. The upcoming deal between Israel and Iran, which Trump is expected to sign, is being debated for its potential impact on Middle East peace, gas prices, and the upcoming midterm elections. They also noted that President Trump often ends his Truth Social posts with the phrase, "Thank you for your attention to this matter," speculating about its significance. They also shifted to Elon Musk's impact on wealth creation, with Howie and Mark debating public perceptions of the now-trillionaire.  Mark recapped last night's UFC fight held on the White House lawn, a highly publicized event criticized by many Democrats. He also commented on the PBS NewsHour, describing it as one of the most left-leaning news programs on television. Mark highlighted that Knicks players are set to receive substantial bonuses following their championship win. Elon Musk became the world's first trillionaire after SpaceX went public on Friday, sparking intense media commentary and criticism from some cable news hosts. Mark interviews radio legend Scott Shannon. Scott described the electric atmosphere in Manhattan as fans crowded streets, restaurants, and bars to watch the New York Knicks' championship run. The Knicks' upcoming victory parade, set for Thursday, is anticipated to be the largest in the franchise's history. Scott also highlighted that Taylor Swift was recently inducted as the youngest woman ever into the Songwriters Hall of Fame, and he shared his memories of first meeting Swift early in her career.See omnystudio.com/listener for privacy information.

Every year, Apple's Worldwide Developers Conference introduces updates that ripple through the App Store economy for years to come. In this special post-WWDC edition of Sub Club Live, host David Barnard sits down with RevenueCat developer advocate Charlie Chapman and world-renowned growth expert Thomas Petit to cut through the keynote hype. Together, they analyze the technical realities and strategic implications of the biggest announcements coming out of Apple Park.Rather than offering a generic recap of consumer features, the panel focuses entirely on the practical mechanics that impact subscription app growth, retention, and monetization. From the deprecation of SiriKit in favor of mandatory App Intents to the introduction of App Store Creative Assets and new subscription bundling options, this session provides a clear roadmap of what subscription businesses should test immediately, adopt eventually, or safely ignore.More content from the RevenueCat family:

New York Knick’s star Jalen Brunson has asked Swifties to calm down as they rally to the pop star’s defense after a New York’s Knicks reporter got caught on a hot mic saying Taylor Swift wasn’t a Knicks fan and to “get out of here, girl” when she saw Swift courtside at Game 4. Jalen Brunson saying to the Swifts that “she’s a really good one, cut her some slack.”See omnystudio.com/listener for privacy information.

This week on Second Helpings, Jackie is talkin' to Mr. Knick MJ as they got that BBAL FEVER, just like everyone in NYC also, Mariska Hargitay was at the game, and so was Swift with the Haim sistas! Jackie has started the new season of "Love Island" and its even more insane than past seasons, there's a new show out called "Alice and Steve" that's got Jackie up in her feels, and Jackie watched the trailer for the "scientifically accurate" upcoming film "Whalefall." Jackie's all caught up on RHORI! and she can FINALLY tell them apart by their craziness, MJ's still busy with "Spider Noir" and "Widow's Bay", but they DID watch Gwyneth Paltrow's new ad for luxury real estate in Tel Aviv, and also in GOOP news, she had an AI dweeb on her podcast. The new T Swift Toy Story song is BOOOOOOOOORE-OOOOOOOOOOOOOO SNOOOOOOOOOOOOORE-OOOOOOOOOOOOO, a school Principal got suspended for "Trap Queen" yearbook quote, Fetty Wap sent her flowers and a note! In a recent "Actors on Actors" Tracy Morgan seemingly proved he's never played a character in his life, he's just that insane, Evil Skinny Lizzo squirted out a new album, and MJ's got a shout out to all the bright eyes heads, but sadly the NYC show got rained out! Adam however, got to experience both albums, and Mary Steenburgen called Ted Danson while he was on John C Riley's podcast and they all chatted, plus even more on this weeks Second Helpings! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is “I Knew It, I Knew You” Taylor Swift's best movie song yet… or are we all just Pixar‑brained right now? In this week's Taylor Talk, we're ranking Taylor's soundtrack canon from “Safe & Sound” to “Carolina” to Toy Story 5, figuring out what actually makes a Swift song cinematic, and deciding where “I Knew It, I Knew You” lands on the Unhinged to EGOT clearing spectrum. Enjoy!Use our code for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/SNAKE10 Sponsored by SeatGeek. *Restrictions apply. Max $25 discount 

Taylor Swift’s warm embrace with Kylie Jenner has fans wondering if years of Kardashian-Swift tension are finally fading. Meanwhile, Blake Lively and Ryan Reynolds are making plans to be seen out and about on Swift’s wedding day as speculation grows over their absence from the guest list. Meghan Markle is once again highlighting her family’s ties to Beyoncé, sharing a glimpse of Princess Lilibet proudly sporting a Beyoncé-themed shirt and keeping a touch of star power close to home. See omnystudio.com/listener for privacy information.