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This is the first in a series of discussions titled "Are We Expecting Too Much From Hip Hop?" We're talking with artist, activist, and scholars about the evolution of Hip Hop, it's usage as a vehicle for social justice, the responsibility of artist, the history of Black music, and Hip Hop as a generational bridge. We kick the conversation off with Dr. Su'ad Abdul-Khabeer,author of Muslim Cool: Race, Religion and Hip Hop in the United States. Dr. Su'ad is an associate professor of American Culture and Arab and Muslim American Studies at the University of Michigan, and leader of Sapelo Square-- the first website dedicated to the comprehensive documentation and analysis of the Black US American Muslim experience. Guest- Dr. Su'ad Abdul-Khabeer Host/Producer- Tariq I. El-Amin Executive Producer- Abdul Malik Mujahid Music Allston Night Owl by Blue Dot Sessions- https://bit.ly/2Pb3Ms1 Image
Islam in American has been profoundly shaped by the Black Muslim experience. However, Black Muslims are often marginalized both within their own religious communities and in public discourse about Muslim Americans. Su'ad Abdul Khabeer, Associate Professor at the University of Michigan, attends to this erasure by centering Black Muslims to investigate the relationship between race, religion, and popular culture. In Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016) she offers a rich ethnography of Muslims in Chicago, many of whom are involved with the Inner-City Muslim Action Network. IMAN and members of its community regularly perform “Muslim Cool,” a blueprint for being Muslim in America that is steeped in Blackness. Abdul Khabeer’s research helps us understand how Black Muslims have shaped Islam in America in general despite intra-communal tensions around anti-Blackness. In our conversation we discuss new approaches to Hip Hop, the loop of Muslim Cool, opinions about music in Islam and its use among Afrodiasporic Muslim communities, Black Muslim women’s veiling habits and its adoption by non-Black Muslims, Muslim Dandies and formulations of masculinity, state sponsored cultural diplomacy trips and Muslim hip hop artists, Sapelo Square as an effort to produce materials about Black Muslims, and how family histories can enrich the archives of Black Muslim Americans. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Islam in American has been profoundly shaped by the Black Muslim experience. However, Black Muslims are often marginalized both within their own religious communities and in public discourse about Muslim Americans. Su'ad Abdul Khabeer, Associate Professor at the University of Michigan, attends to this erasure by centering Black Muslims to investigate the relationship between race, religion, and popular culture. In Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016) she offers a rich ethnography of Muslims in Chicago, many of whom are involved with the Inner-City Muslim Action Network. IMAN and members of its community regularly perform “Muslim Cool,” a blueprint for being Muslim in America that is steeped in Blackness. Abdul Khabeer’s research helps us understand how Black Muslims have shaped Islam in America in general despite intra-communal tensions around anti-Blackness. In our conversation we discuss new approaches to Hip Hop, the loop of Muslim Cool, opinions about music in Islam and its use among Afrodiasporic Muslim communities, Black Muslim women’s veiling habits and its adoption by non-Black Muslims, Muslim Dandies and formulations of masculinity, state sponsored cultural diplomacy trips and Muslim hip hop artists, Sapelo Square as an effort to produce materials about Black Muslims, and how family histories can enrich the archives of Black Muslim Americans. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Islam in American has been profoundly shaped by the Black Muslim experience. However, Black Muslims are often marginalized both within their own religious communities and in public discourse about Muslim Americans. Su'ad Abdul Khabeer, Associate Professor at the University of Michigan, attends to this erasure by centering Black Muslims to investigate the relationship between race, religion, and popular culture. In Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016) she offers a rich ethnography of Muslims in Chicago, many of whom are involved with the Inner-City Muslim Action Network. IMAN and members of its community regularly perform “Muslim Cool,” a blueprint for being Muslim in America that is steeped in Blackness. Abdul Khabeer’s research helps us understand how Black Muslims have shaped Islam in America in general despite intra-communal tensions around anti-Blackness. In our conversation we discuss new approaches to Hip Hop, the loop of Muslim Cool, opinions about music in Islam and its use among Afrodiasporic Muslim communities, Black Muslim women’s veiling habits and its adoption by non-Black Muslims, Muslim Dandies and formulations of masculinity, state sponsored cultural diplomacy trips and Muslim hip hop artists, Sapelo Square as an effort to produce materials about Black Muslims, and how family histories can enrich the archives of Black Muslim Americans. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Islam in American has been profoundly shaped by the Black Muslim experience. However, Black Muslims are often marginalized both within their own religious communities and in public discourse about Muslim Americans. Su'ad Abdul Khabeer, Associate Professor at the University of Michigan, attends to this erasure by centering Black Muslims to investigate the relationship between race, religion, and popular culture. In Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016) she offers a rich ethnography of Muslims in Chicago, many of whom are involved with the Inner-City Muslim Action Network. IMAN and members of its community regularly perform “Muslim Cool,” a blueprint for being Muslim in America that is steeped in Blackness. Abdul Khabeer’s research helps us understand how Black Muslims have shaped Islam in America in general despite intra-communal tensions around anti-Blackness. In our conversation we discuss new approaches to Hip Hop, the loop of Muslim Cool, opinions about music in Islam and its use among Afrodiasporic Muslim communities, Black Muslim women’s veiling habits and its adoption by non-Black Muslims, Muslim Dandies and formulations of masculinity, state sponsored cultural diplomacy trips and Muslim hip hop artists, Sapelo Square as an effort to produce materials about Black Muslims, and how family histories can enrich the archives of Black Muslim Americans. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Islam in American has been profoundly shaped by the Black Muslim experience. However, Black Muslims are often marginalized both within their own religious communities and in public discourse about Muslim Americans. Su'ad Abdul Khabeer, Associate Professor at the University of Michigan, attends to this erasure by centering Black Muslims to investigate the relationship between race, religion, and popular culture. In Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016) she offers a rich ethnography of Muslims in Chicago, many of whom are involved with the Inner-City Muslim Action Network. IMAN and members of its community regularly perform “Muslim Cool,” a blueprint for being Muslim in America that is steeped in Blackness. Abdul Khabeer’s research helps us understand how Black Muslims have shaped Islam in America in general despite intra-communal tensions around anti-Blackness. In our conversation we discuss new approaches to Hip Hop, the loop of Muslim Cool, opinions about music in Islam and its use among Afrodiasporic Muslim communities, Black Muslim women’s veiling habits and its adoption by non-Black Muslims, Muslim Dandies and formulations of masculinity, state sponsored cultural diplomacy trips and Muslim hip hop artists, Sapelo Square as an effort to produce materials about Black Muslims, and how family histories can enrich the archives of Black Muslim Americans. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Islam in American has been profoundly shaped by the Black Muslim experience. However, Black Muslims are often marginalized both within their own religious communities and in public discourse about Muslim Americans. Su'ad Abdul Khabeer, Associate Professor at the University of Michigan, attends to this erasure by centering Black Muslims to investigate the relationship between race, religion, and popular culture. In Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016) she offers a rich ethnography of Muslims in Chicago, many of whom are involved with the Inner-City Muslim Action Network. IMAN and members of its community regularly perform “Muslim Cool,” a blueprint for being Muslim in America that is steeped in Blackness. Abdul Khabeer's research helps us understand how Black Muslims have shaped Islam in America in general despite intra-communal tensions around anti-Blackness. In our conversation we discuss new approaches to Hip Hop, the loop of Muslim Cool, opinions about music in Islam and its use among Afrodiasporic Muslim communities, Black Muslim women's veiling habits and its adoption by non-Black Muslims, Muslim Dandies and formulations of masculinity, state sponsored cultural diplomacy trips and Muslim hip hop artists, Sapelo Square as an effort to produce materials about Black Muslims, and how family histories can enrich the archives of Black Muslim Americans. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In the first half of this episode we hear the latest Building Faith segment where the topic is "Breaking Bad Habits" during the month of Ramadan by asking the right question; up next is a snippet of the Jobs report with Kimberly S. Pearson before we go to break and are then joined in-studio by Scholar-Artist-Activist Dr. Su'ad Abdul Khabeer who talks with us about her upcoming performance (June 7th) at the Chicago Hip-hop Theater Festival--she even shares a piece of the work she'll be doing at the show. We close out the show by discussing the Sapelo Square led effort, Believers Bail Out (an effort to end mass incarceration), and its effort to post bail for Muslims who are unable to do so on their own and awaiting trial in Cook County Jail. More on the Chicago Hip-Hop Theater Festival at www.kuumbalynx.com More info on the Believers Bail Out at www.believersbailout.org More on Sapelo Square at www.sapelosquare.com More on Dr. Su'ad Abdul Khabeer at www.suadabdulkhabeer.com Guest- Kimberly S. Pearson; Dr. Su'ad Abdul Khabeer Host/Producer- Tariq I. El-Amin Engineer- Ibrahim Baig Executive Producer- Abdul Malik Muhahid Music: Lessazo - Moussa - bit.ly/2wHdV6z Manuele Atzeni - La Nuit - bit.ly/2sUDn71 Image: Courtesy of Su'ad Abdul Khabeer
First, we offer a short commentary on a virtually unreported hate crime committed against an 8 year old bi-racial boy in New Hampshire. After the break, we were honored to have Scholar/Activist/Artist Dr. Su'ad Abdul-Khabeer join us in studio to discuss Sapelo Square (she's the Founder and Editor)and her groundbreaking book, Muslim Cool. Guest- Dr. Su'ad Abdul-Khabeer Host & Producer- Tariq I. El-Amin Audio Engineer- Ibrahim Baig Music Ant the Symbol - Browns Island - http://bit.ly/2vJuzSs Beat.dowsing - bones - http://bit.ly/2x2GdIe Antony Raijekov - By the Coast (2004) - http://bit.ly/2t2vKZq Image: Courtesy of Dr. Su'ad Abdul-Khabeer
Artist, activist and scholar Dr. Su'ad joins the StoryMen to discuss her new book, MUSLIM COOL. She explains how Islam and hip hop are challenging and changing the American identity. Plus: we run down the Oscar nominees for Best Picture.
In the wake of the recent controversy at the RIS convention, Dr. Su'ad Abdul Khabeer, a professor of anthropology and African American studies and author of "Muslim Cool: Race, Religion and Hip Hop in the United States", and Moutasem Atiya from Al-Madina Institute discuss the issues at hand, anti-Blackness in the community, and how we can move forward positively. In the second part of the episode, our guests discuss the path American Muslim culture is taking and explore "Muslim Cool", a culture rooted in embracing Blackness and social justice that connects both Black and non-Black Muslims to Islam in America. Be sure to subscribe to the podcast and check out www.imanwire.com for the latest articles and podcast episodes. Send any questions or comments to @imanwired on Twitter or imanwire@almadinainstitute.org.