Podcasts about interpreting islam

Play Episode Listen Later Nov 12, 2019 46:08

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008's film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

love women scripture language philosophy gender muslims islam studies cinema indonesia assistant professor islamic indonesians religious studies new order old dominion university harvard divinity school palgrave macmillan new approaches islami kristian petersen interpreting islam islamically china pilgrimage good muslim bad muslim film routledge cinematic lives

Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)

Play Episode Listen Later Nov 12, 2019 46:08

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)

New Books in Southeast Asian Studies

Play Episode Listen Later Nov 12, 2019 46:08

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)

Play Episode Listen Later Nov 12, 2019 46:08

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)

New Books in Islamic Studies

Play Episode Listen Later Nov 12, 2019 46:08

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)

New Books in Film

Play Episode Listen Later Nov 12, 2019 46:08

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)

New Books in Gender Studies

Play Episode Listen Later Nov 12, 2019 46:08

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laury Silvers, “The Lover” (Kindle Direct Publishers, 2019)

New Books in Literature

Play Episode Listen Later Aug 5, 2019 69:10

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you. In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction, how her research equipped her to give life to 10th century Baghdad in her narrative, the primary and secondary sources that informed her novel, what daily life of diverse social classes would have looked like at that moment, early pious and mystic women, sufi training and practice, questions of race and colorism, and the complex environment women had to navigate in medieval Baghdad. She even gives us a preview of the second book in this series, called The Jealous. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

god scripture language philosophy muslims islam assistant professor lover publishers kindle jealous baghdad religious studies sufi old dominion university hadith new approaches kristian petersen interpreting islam laury silvers

Laury Silvers, “The Lover” (Kindle Direct Publishers, 2019)

New Books in Historical Fiction

Play Episode Listen Later Aug 5, 2019 69:10

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you. In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction, how her research equipped her to give life to 10th century Baghdad in her narrative, the primary and secondary sources that informed her novel, what daily life of diverse social classes would have looked like at that moment, early pious and mystic women, sufi training and practice, questions of race and colorism, and the complex environment women had to navigate in medieval Baghdad. She even gives us a preview of the second book in this series, called The Jealous. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

god scripture language philosophy muslims islam assistant professor lover publishers kindle jealous baghdad religious studies sufi old dominion university hadith new approaches kristian petersen interpreting islam laury silvers

Laury Silvers, “The Lover” (Kindle Direct Publishers, 2019)

New Books in Islamic Studies

Play Episode Listen Later Aug 5, 2019 69:10

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you. In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction, how her research equipped her to give life to 10th century Baghdad in her narrative, the primary and secondary sources that informed her novel, what daily life of diverse social classes would have looked like at that moment, early pious and mystic women, sufi training and practice, questions of race and colorism, and the complex environment women had to navigate in medieval Baghdad. She even gives us a preview of the second book in this series, called The Jealous. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

god scripture language philosophy muslims islam assistant professor lover publishers kindle jealous baghdad religious studies sufi old dominion university hadith new approaches kristian petersen interpreting islam laury silvers

Laury Silvers, “The Lover” (Kindle Direct Publishers, 2019)

Play Episode Listen Later Aug 5, 2019 69:10

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you. In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction, how her research equipped her to give life to 10th century Baghdad in her narrative, the primary and secondary sources that informed her novel, what daily life of diverse social classes would have looked like at that moment, early pious and mystic women, sufi training and practice, questions of race and colorism, and the complex environment women had to navigate in medieval Baghdad. She even gives us a preview of the second book in this series, called The Jealous. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

god scripture language philosophy muslims islam assistant professor lover publishers kindle jealous baghdad religious studies sufi old dominion university hadith new approaches kristian petersen interpreting islam laury silvers

Laury Silvers, “The Lover” (Kindle Direct Publishers, 2019)

Play Episode Listen Later Aug 5, 2019 69:10

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you. In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction, how her research equipped her to give life to 10th century Baghdad in her narrative, the primary and secondary sources that informed her novel, what daily life of diverse social classes would have looked like at that moment, early pious and mystic women, sufi training and practice, questions of race and colorism, and the complex environment women had to navigate in medieval Baghdad. She even gives us a preview of the second book in this series, called The Jealous. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

god scripture language philosophy muslims islam assistant professor lover publishers kindle jealous baghdad religious studies sufi old dominion university hadith new approaches kristian petersen interpreting islam laury silvers

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in Sociology

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in Middle Eastern Studies

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in History

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

In Conversation: An OUP Podcast

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state's relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.

politics study scripture language turkey philosophy muslims islam religious assistant professor nur turkish istanbul walton rumi religious studies religious freedom ankara ottoman civil society old dominion university max planck institute new approaches ethnic diversity oxford up kristian petersen interpreting islam alevis china pilgrimage film routledge cinematic lives jeremy f walton

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in European Studies

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in Anthropology

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in Political Science

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in Islamic Studies

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy F. Walton, "Muslim Civil Society and the Politics of Religious Freedom in Turkey" (Oxford UP, 2017)

New Books in Anthropology

Play Episode Listen Later Jun 28, 2019 66:37

The social history of Turkey across the twentieth century has produced a tension between state governance and religion. This history informs and shapes modern subjects as they try to live out an authentic vision of the present. In Muslim Civil Society and the Politics of Religious Freedom in Turkey (Oxford University Press, 2017), Jeremy F. Walton, Max Planck Institute for the Study of Religious and Ethnic Diversity, explores how members of three contemporary Muslim groups, the Nur community, the Gülen movement, and Alevis, articulate religiosity within the Turkish public sphere. His rich ethnographic account takes the reader through Istanbul and Ankara to see how Islam is negotiated through religious classes, public conferences, charitable services, museum spaces, and the recollection of history. In our conversation we discuss twentieth century Turkish history, Muslim non-governmental organizations, religious gatherings, museum exhibits, Rumi, the Turkish state’s relationship to Islam and secularism, interreligious tolerance and pluralism, nostalgia for Ottoman heritage, the ideal of “religious freedom,” and the recent shift in political and religious practices. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas S. Mullaney, “The Chinese Deathscape: Grave Reform in Modern China” (Stanford UP, 2019)

New Books in Sociology

Play Episode Listen Later Jun 10, 2019 73:09

The Chinese landscape is dramatically changing. Modernization has drastically altered Chinese infrastructure, urban zones, waterways, and even rural spaces. These changes have also affected Chinese burial practices and the resting places of the deceased. In The Chinese Deathscape: Grave Reform in Modern China (Stanford University Press, 2019), collaborators explore the various histories of the modern loss of Chinese burial space. The edited project is part of Stanford University Press’ commitment to Digital Humanities, which are cutting edge peer-reviewed born digital volumes. Contributors combine narrative analysis, visualized data, and dynamic maps with exceptional ease to introduce readers to infant burial practices in late imperial China, grave and cemetery relocation in Shanghai from the nineteenth and twentieth centuries, and grave relocation during the contemporary period. In my conversation with editor Thomas S. Mullaney, Professor at Stanford University, we discuss common Chinese burial practices, the logics behind grave relocation, using historical data with interactive maps, the pre-history of absence, the importance of Stanford University Press and its digital humanities efforts, and the relationship between researcher and developers. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas S. Mullaney, “The Chinese Deathscape: Grave Reform in Modern China” (Stanford UP, 2019)

Play Episode Listen Later Jun 10, 2019 73:09

The Chinese landscape is dramatically changing. Modernization has drastically altered Chinese infrastructure, urban zones, waterways, and even rural spaces. These changes have also affected Chinese burial practices and the resting places of the deceased. In The Chinese Deathscape: Grave Reform in Modern China (Stanford University Press, 2019), collaborators explore the various histories of the modern loss of Chinese burial space. The edited project is part of Stanford University Press’ commitment to Digital Humanities, which are cutting edge peer-reviewed born digital volumes. Contributors combine narrative analysis, visualized data, and dynamic maps with exceptional ease to introduce readers to infant burial practices in late imperial China, grave and cemetery relocation in Shanghai from the nineteenth and twentieth centuries, and grave relocation during the contemporary period. In my conversation with editor Thomas S. Mullaney, Professor at Stanford University, we discuss common Chinese burial practices, the logics behind grave relocation, using historical data with interactive maps, the pre-history of absence, the importance of Stanford University Press and its digital humanities efforts, and the relationship between researcher and developers. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas S. Mullaney, “The Chinese Deathscape: Grave Reform in Modern China” (Stanford UP, 2019)

New Books in East Asian Studies

Play Episode Listen Later Jun 10, 2019 73:09

The Chinese landscape is dramatically changing. Modernization has drastically altered Chinese infrastructure, urban zones, waterways, and even rural spaces. These changes have also affected Chinese burial practices and the resting places of the deceased. In The Chinese Deathscape: Grave Reform in Modern China (Stanford University Press, 2019), collaborators explore the various histories of the modern loss of Chinese burial space. The edited project is part of Stanford University Press’ commitment to Digital Humanities, which are cutting edge peer-reviewed born digital volumes. Contributors combine narrative analysis, visualized data, and dynamic maps with exceptional ease to introduce readers to infant burial practices in late imperial China, grave and cemetery relocation in Shanghai from the nineteenth and twentieth centuries, and grave relocation during the contemporary period. In my conversation with editor Thomas S. Mullaney, Professor at Stanford University, we discuss common Chinese burial practices, the logics behind grave relocation, using historical data with interactive maps, the pre-history of absence, the importance of Stanford University Press and its digital humanities efforts, and the relationship between researcher and developers. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas S. Mullaney, “The Chinese Deathscape: Grave Reform in Modern China” (Stanford UP, 2019)

New Books in History

Play Episode Listen Later Jun 10, 2019 73:09

The Chinese landscape is dramatically changing. Modernization has drastically altered Chinese infrastructure, urban zones, waterways, and even rural spaces. These changes have also affected Chinese burial practices and the resting places of the deceased. In The Chinese Deathscape: Grave Reform in Modern China (Stanford University Press, 2019), collaborators explore the various histories of the modern loss of Chinese burial space. The edited project is part of Stanford University Press’ commitment to Digital Humanities, which are cutting edge peer-reviewed born digital volumes. Contributors combine narrative analysis, visualized data, and dynamic maps with exceptional ease to introduce readers to infant burial practices in late imperial China, grave and cemetery relocation in Shanghai from the nineteenth and twentieth centuries, and grave relocation during the contemporary period. In my conversation with editor Thomas S. Mullaney, Professor at Stanford University, we discuss common Chinese burial practices, the logics behind grave relocation, using historical data with interactive maps, the pre-history of absence, the importance of Stanford University Press and its digital humanities efforts, and the relationship between researcher and developers. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas S. Mullaney, “The Chinese Deathscape: Grave Reform in Modern China” (Stanford UP, 2019)

Play Episode Listen Later Jun 10, 2019 73:09

The Chinese landscape is dramatically changing. Modernization has drastically altered Chinese infrastructure, urban zones, waterways, and even rural spaces. These changes have also affected Chinese burial practices and the resting places of the deceased. In The Chinese Deathscape: Grave Reform in Modern China (Stanford University Press, 2019), collaborators explore the various histories of the modern loss of Chinese burial space. The edited project is part of Stanford University Press’ commitment to Digital Humanities, which are cutting edge peer-reviewed born digital volumes. Contributors combine narrative analysis, visualized data, and dynamic maps with exceptional ease to introduce readers to infant burial practices in late imperial China, grave and cemetery relocation in Shanghai from the nineteenth and twentieth centuries, and grave relocation during the contemporary period. In my conversation with editor Thomas S. Mullaney, Professor at Stanford University, we discuss common Chinese burial practices, the logics behind grave relocation, using historical data with interactive maps, the pre-history of absence, the importance of Stanford University Press and its digital humanities efforts, and the relationship between researcher and developers. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas S. Mullaney, “The Chinese Deathscape: Grave Reform in Modern China” (Stanford UP, 2019)

New Books in Gender Studies

Play Episode Listen Later Jun 10, 2019 73:09

The Chinese landscape is dramatically changing. Modernization has drastically altered Chinese infrastructure, urban zones, waterways, and even rural spaces. These changes have also affected Chinese burial practices and the resting places of the deceased. In The Chinese Deathscape: Grave Reform in Modern China (Stanford University Press, 2019), collaborators explore the various histories of the modern loss of Chinese burial space. The edited project is part of Stanford University Press’ commitment to Digital Humanities, which are cutting edge peer-reviewed born digital volumes. Contributors combine narrative analysis, visualized data, and dynamic maps with exceptional ease to introduce readers to infant burial practices in late imperial China, grave and cemetery relocation in Shanghai from the nineteenth and twentieth centuries, and grave relocation during the contemporary period. In my conversation with editor Thomas S. Mullaney, Professor at Stanford University, we discuss common Chinese burial practices, the logics behind grave relocation, using historical data with interactive maps, the pre-history of absence, the importance of Stanford University Press and its digital humanities efforts, and the relationship between researcher and developers. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Megan Bryson, “Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China” (Stanford UP, 2016)

Play Episode Listen Later Jun 5, 2019 59:06

Megan Bryson, Assistant Professor at the University of Tennessee, centers gender as an analytical framework in the study of Buddhism. The benefit of this approach is vividly demonstrated in Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016), which uncovers the transformation of the goddess Baijie over several centuries. Bryson’s research explores the various social and historical contexts of the Dali region in Southwest China where the deity was shaped by local expressions of the Buddhist tradition. Baijie was depicted as a Buddhist goddess, the mother of Dali’s founder, a widowed martyr, and a village divinity. Bryson combines the exploration of historical sources and ethnographic encounters with contemporary Baijie worshippers to offer a nuanced and far-reaching portrait of the goddess. In our conversation we discussed Chinese and Indian formulations of Buddhism, the Buddhist history of the Dali region, how local Dali elites narrativized the goddess, stories of dragons, Han migration, the Ming and Qing gendered social norms and expectations, and how notions of “religion” and “ethnicity” shape recent interpretations of Baijie. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Megan Bryson, “Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China” (Stanford UP, 2016)

New Books in Buddhist Studies

Play Episode Listen Later Jun 5, 2019 59:06

Megan Bryson, Assistant Professor at the University of Tennessee, centers gender as an analytical framework in the study of Buddhism. The benefit of this approach is vividly demonstrated in Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016), which uncovers the transformation of the goddess Baijie over several centuries. Bryson’s research explores the various social and historical contexts of the Dali region in Southwest China where the deity was shaped by local expressions of the Buddhist tradition. Baijie was depicted as a Buddhist goddess, the mother of Dali’s founder, a widowed martyr, and a village divinity. Bryson combines the exploration of historical sources and ethnographic encounters with contemporary Baijie worshippers to offer a nuanced and far-reaching portrait of the goddess. In our conversation we discussed Chinese and Indian formulations of Buddhism, the Buddhist history of the Dali region, how local Dali elites narrativized the goddess, stories of dragons, Han migration, the Ming and Qing gendered social norms and expectations, and how notions of “religion” and “ethnicity” shape recent interpretations of Baijie. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Megan Bryson, “Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China” (Stanford UP, 2016)

Play Episode Listen Later Jun 5, 2019 59:06

Megan Bryson, Assistant Professor at the University of Tennessee, centers gender as an analytical framework in the study of Buddhism. The benefit of this approach is vividly demonstrated in Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016), which uncovers the transformation of the goddess Baijie over several centuries. Bryson’s research explores the various social and historical contexts of the Dali region in Southwest China where the deity was shaped by local expressions of the Buddhist tradition. Baijie was depicted as a Buddhist goddess, the mother of Dali’s founder, a widowed martyr, and a village divinity. Bryson combines the exploration of historical sources and ethnographic encounters with contemporary Baijie worshippers to offer a nuanced and far-reaching portrait of the goddess. In our conversation we discussed Chinese and Indian formulations of Buddhism, the Buddhist history of the Dali region, how local Dali elites narrativized the goddess, stories of dragons, Han migration, the Ming and Qing gendered social norms and expectations, and how notions of “religion” and “ethnicity” shape recent interpretations of Baijie. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Justine Howe, “Suburban Islam” (Oxford UP, 2018)

New Books in Urban Studies

Play Episode Listen Later Feb 14, 2019 68:07

The study of Islam is often focused on subjects involved in legal debates or ritual practice. But our understanding of Muslims should also be informed by everyday practices found in the suburbs. In Suburban Islam (Oxford University Press, 2018), Justine Howe, Assistant Professor of Religious Studies at Case Western Reserve University, examines the social and spiritual contexts of Muslims living outside of Chicago. Her study focuses on a “third space” for American Islam, a community space called the Webb Foundation, and its membership. Muslim identity for many Webb members is shaped by shared ideals about consumer culture, leisure activities, parenting, and the construction of family life. The fluid and open nature of the community provides room for debate and discussion about gendered practices, racial and ethnic divisions within the Muslim community, or religious pluralism. In the growing body of scholarship on Muslims in America Suburban Islam adds a unique vantage point that greatly adds to our overall vision of the community within American religious history. In our conversation we discussed the history of Islam in Chicago, female authority, pluralism in the Qur'an, consumerist practices, the public celebration of the Prophet Muhammad's birthday, adult educational programming, book groups, jurisprudence classes, religious devotion, and American Muslim suburban culture. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

american chicago scripture language philosophy muslims islam assistant professor webb suburban religious studies case western reserve university qur prophet muhammad old dominion university american muslims new approaches oxford up kristian petersen interpreting islam american islam china pilgrimage film routledge justine howe cinematic lives webb foundation

Sylvia Chan-Malik, “Being Muslim: A Cultural History of Women of Color in American Islam” (NYU Press, 2018)

Off the Page: A Columbia University Press Podcast

Play Episode Listen Later Oct 17, 2018 69:09

The story of Muslims in America has primarily been told through the experiences of men and often revolves around narratives of immigration. Sylvia Chan-Malik, Assistant Professor of American Studies and Women and Gender Studies at Rutgers University, expands upon and challenges this scholarly pattern in Being Muslim: A Cultural History of Women of Color in American Islam (NYU Press, 2018). Chan-Malik centers Black Muslim women's involvement in U.S. communities and the various spaces of social identity that are frequently ignored in scholarship. Crucial to her analysis is how social racial-religious formation informs both lived religion and how Muslim women are represented in public. “Being Muslim,” therefore, can be variously embodied in Black Muslim womanhood. Through an episodic exploration of Islam in twentieth and twenty-first century America Chan-Malik demonstrates the crucial ways race, gender, and religion intersect. In our conversation we discussed the “blackness” of American Islam, the Ahmadiyya Movement, domesticity, the Nation of Islam, Betty Shabazz, cultural representations of Black Muslim women, the problem with feminism and how it can be deployed, American perceptions of Iranian's 1979 revolution, and environmentalism and food justice. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

america women american scripture language philosophy color muslims islam assistant professor crucial iranians rutgers university religious studies american studies gender studies women of color old dominion university cultural history new approaches black muslims history of women nyu press betty shabazz kristian petersen interpreting islam american islam being muslim sylvia chan malik china pilgrimage film routledge being muslim a cultural history cinematic lives chan malik ahmadiyya movement america chan malik

Holly Gayley, “Love Letters from Golok: A Tantric Couple in Modern Tibet” (Columbia UP, 2016)

Play Episode Listen Later May 10, 2018 55:34

Often when people think of Tibetan Buddhism they have a limited vision of that social reality, perhaps one that imagines monks sitting in meditation or focused on the Dalai Lama. Rarely is the historical role of female Buddhist masters central to one's understanding of contemporary Tibetan life. In Love Letters from Golok: A Tantric Couple in Modern Tibet (Columbia University Press, 2016), Holly Gayley, Associate Professor of Religious Studies at the University of Colorado, Boulder, centers women's leadership through an introduction to the important Tantric master, Khandro Tāre Lhamo (1938–2002). Through an examination of hagiographic literature, the personal letters between Tāre Lhamo and her husband Namtrul Rinpoche (1944–2011), and field research, Gayley offers an in depth study of the role of Buddhism in the revitalization of Tibetan culture and identity in the post-Maoist period. Central to her analysis is understanding how hagiography aids in healing cultural trauma brought on by the minority policies of the Chinese Communist Party and the brutal years of the Cultural Revolution. The reframing of historical events fosters cultural revival in Tibet envisioned through a Buddhist lens. In contrast to the lofty images presented in biographies, the fifty-six letters exchanged between Tāre Lhamo and Namtrul Rinpoche offer a personal self-narration of their relationship, which is steeped in Tantric imagery, Tibet folk genres, and Buddhist cosmology. In our conversation we discussed the Nyingma Buddhist tradition, the effects of the Maoist period on Tibetans, forms of agency, ethnographic accounts of ritual ceremonies, female religious authority, revelatory texts and treasure teachings during degenerate times, contemporary preservation of their teachings through multimedia sources, the couple's activities within the community, and Tāre Lhamo's legacy today. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.

university colorado modern scripture language philosophy muslims islam associate professor assistant professor buddhist boulder colorado buddhism dalai lama love letters tibet tibetans religious studies chinese communist party tantric cultural revolution tibetan buddhism old dominion university new approaches maoist columbia up kristian petersen interpreting islam lhamo china pilgrimage gayley film routledge cinematic lives holly gayley nyingma buddhist golok a tantric couple khandro t namtrul rinpoche

Walter N. Hakala, “Negotiating Languages: Urdu, Hindi, and the Definition of Modern South Asia” (Columbia UP, 2016)

Off the Page: A Columbia University Press Podcast

Play Episode Listen Later May 2, 2018 72:10

For many people language is a central characteristic of their social identity. In modern South Asia, the production of Urdu and Hindi as national languages was intricately tied to the hardening of religious identities. South Asian lexicographers, those folks who were most intimately working with language, were at the center of this political realignment. In Negotiating Languages: Urdu, Hindi, and the Definition of Modern South Asia (Columbia University Press, 2016), Walter N. Hakala, Associate Professor of South Asian languages and literature at the University at Buffalo, SUNY, traces the long history of the construction of Urdu as a language of cultural and national identity. Dictionaries are the key source for understanding the changing social and political landscape of South Asia. Beginning in the seventeenth century, Negotiating Languages offers an episodic genealogy of the ideological underpinnings and political consequences of dictionary production. In our conversation we discuss South Asia's multilingual premodern literature, linguistic authority, “Urdu's oldest dictionary,” the influence of colonial knowledge production, the changing social and material challenges in 20th century lexicographical production, British lexicographers and their relationship with local linguists, Islamicized Urdu literary culture, and questions of whether non-Muslims could sufficiently produce Urdu dictionaries. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska, Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

university british scripture language muslims buffalo islam associate professor nebraska definition assistant professor omaha hindi south asian south asia religious studies urdu suny new approaches dictionaries columbia up kristian petersen interpreting islam modern south china pilgrimage film routledge cinematic lives walter n hakala negotiating languages islamicized urdu

Leslie Kealhofer-Kemp, “Muslim Women in French Cinema: Voices of Maghrebi Migrants in France” (Liverpool UP, 2016)

New Books in Human Rights

Play Episode Listen Later Jan 18, 2018 53:36

Connections between France and North Africa have long been shaped by colonialism, nationalism, and economics. This intercultural relationship has also been mediated through the arts. In Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool University Press, 2016), Leslie Kealhofer-Kemp, Assistant Professor of French at the University of Rhode Island, examines one population who has often been left out of these cultural formations. Kemp focuses on the representation of first-generation Maghrebi women in France in documentaries, short films, feature films, and telefilms. Her analysis revolves around filmic textual analysis and the production, audience reception, and distribution of these art forms in contemporary French society. Kemp is attuned to filmic genre conventions, narrative structures, and formal techniques that media producers and artists use to both appeal to large mainstream audiences while challenging dominant stereotypes about Muslims. In our conversation we discussed views of North Africans in French society, means for recovering voice in film, the role of religion in French cinema, the mediation of subjects in documentary films, the role of objects in voicing difference, expressing agency of women protagonists, the goals of dialogue and voiceover versus body language or non-verbal communication, and film's ability to challenge dominant stereotypes in France. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university france french scripture language muslims islam liverpool connections assistant professor rhode island north africa kemp religious studies north african muslim women new approaches nebraska omaha kristian petersen interpreting islam liverpool up maghrebi china pilgrimage film routledge cinematic lives french cinema voices maghrebi migrants leslie kealhofer kemp

Finbarr Curtis, “The Production of American Religious Freedom” (NYU Press, 2016)

Play Episode Listen Later Nov 14, 2017 65:28

There is no such thing as religious freedom, or at least just one understanding of what that means. That's the crux of the argument in Finbarr Curtis' (Assistant Professor at Georgia Southern University), The Production of American Religious Freedom (NYU Press, 2016). Americans are fixated on freedom and saturated in religion but define the concepts in various ways. The production of religious freedom is only possible within this context of malleability, contestation, and disagreement. Curtis demonstrates this process through a number of related examples, including conflicting visions of Christianity, tensions between social dependence and independence, economic issues, questions of racial inclusion, and corporate rights. Through these cases we see how people respond when freedom makes them uncomfortable. Inequality was at the center of American history and the regular rearticulation of individual liberation from social constraints begins to plot the historical boundaries of religious freedom. In our conversation we discuss minister Charles Grandison Finney, author Louisa May Alcott, politician William Jennings Bryan, filmmaker D.W. Griffith, Catholic Governor of New York Al Smith, Malcolm X, arguments for Intelligent Design, and the exercise of religious liberty in the case of Hobby Lobby. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

american university americans christianity scripture language muslims production islam assistant professor inequality malcolm x griffith religious studies hobby lobby louisa may alcott intelligent design new approaches georgia southern university nebraska omaha nyu press william jennings bryan finbarr kristian petersen interpreting islam american religious freedom china pilgrimage film routledge cinematic lives charles grandison finney

Kristian Petersen, “Interpreting Islam in China: Pilgrimage, Language, and Scripture in the Han Kitab” (Oxford UP, 2017)

New Books in Early Modern History

Play Episode Listen Later Nov 10, 2017 41:10

In his monumental new book, Interpreting Islam in China: Pilgrimage, Language, and Scripture in the Han Kitab (Oxford University Press, 2017), Kristian Petersen, Assistant Professor of Religious Studies at the University of Nebraska in Omaha, takes his readers on an unforgettable journey through the layers and complexities of Sino-Muslim intellectual and social history. On the way readers meet the major scholars and texts that played a formative role in the development of the Han Kitab tradition, and revel in navigating the terms and stakes of their discourses and debates on critical questions of pilgrimage, scriptural interpretation, and the sanctity of the Arabic language. In addition to constituting a field turning contribution to the study of Islam in China, this book is also among the most dazzling interventions in translation studies. All students and scholars of Islam, Religion, Asian Studies, and Translation Studies will have much to benefit from this brilliant study. It will also make an excellent text in both undergraduate and graduate courses on Muslim intellectual history, Asian Religions, and theories and methods in Religion Studies. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Alohalani Brown, “Facing the Spears of Change: The Life and Legacy of John Papa Ii” (U. Hawaii Press, 2016)

New Books in World Christianity

Play Episode Listen Later Oct 27, 2017 51:37

It's not often that a single person's life can reveal the dramatic social and political shifts of a community. From his youth, John Papa I'i, an important statesman and author, played a pivotal role in shaping and supporting the 19th century Kingdom of Hawai'i In Facing the Spears of Change: The Life and Legacy of John Papa I'i (University Of Hawai'i Press, 2016), Marie Alohalani Brown, Assistant Professor of Religion at University of Hawai'i at Manoa, carefully traces the contours of his biography with nuance and beauty. The book is rich with detail and one of the few histories to put the vast corpus of Hawaiian language sources to use in understanding the island's past. John Papa I'i's life also serves as a rewarding vantage point for thinking about Hawaiian religion during the early years of the Kingdom of Hawai'i, and the expanding influence of Christianity. In our conversation we discussed genres of life writing, challenges of reframing Hawaiian modes of thinking into western academic categories, Christian conversion, John Papa I'i's s upbringing, the importance of family genealogy, the Laplace affair, King Kamehameha and his descendants, Hawaiian language sources, elder years and productive retirement, and John Papa I'i's importance for Hawaiians today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university kingdom religion christianity scripture language facing press muslims islam assistant professor hawaiian spears hawai religious studies laplace new approaches manoa nebraska omaha hawaii press kristian petersen interpreting islam king kamehameha u hawaii press john papa change the life university of hawai china pilgrimage film routledge cinematic lives marie alohalani brown

Sarah Bond, “Trade and Taboo: Disreputable Professions in the Roman Mediterranean” (U of Michigan Press, 2016)

New Books in Ancient History

Play Episode Listen Later Aug 12, 2017 47:58

Dominant social norms and expectations shape how individuals and their public activities are understood. In Roman antiquity, various shifts influenced the production and dissolution of prejudices towards certain types of occupations. In Trade and Taboo: Disreputable Professions in the Roman Mediterranean (University of Michigan Press, 2016), Sarah Bond, Assistant Professor of Classics at the University of Iowa, explores the legal, social, and literary modes of persecution and stigmatization of unseemly occupations and voluntary associations. One's membership in Roman society was often regulated through reputation and social position. Criers, funerary workers, and tanners were among the many trades that were viewed as unwholesome, marginalizing these individuals from the broader community. Over time there were shifts in social perceptions of certain types of work, often catalyzed by religious communities. In our discussion we talked about taboos as an analytical category, reading soundscapes in ancient texts, views of death, corpses, and pollution, the social context of tanners and their odors, mint workers and state labor, bakers and sensual trades, gladiators, archeological topography, the role of Christian and Jewish communities in shaping social norms, and maybe surprisingly, rednecks, the field of Classics, blogging, how to do good public scholarship, the Women of Ancient History database, and how walls embody emotions of fear. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska, Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

women university jewish scripture language trade iowa muslims islam nebraska assistant professor classics mediterranean omaha dominant religious studies ancient history new approaches michigan press sarah bond in roman kristian petersen interpreting islam criers china pilgrimage film routledge cinematic lives taboo disreputable professions

Manan Ahmed Asif, “A Book of Conquest: The Chachnama and Muslim Origins in South Asia” (Harvard UP, 2017)

New Books in Early Modern History

Play Episode Listen Later Aug 6, 2017 60:01

In contemporary South Asia, the question of Muslim origins emerges in school textbooks, political dialogues, or at tourist or pilgrimage cites. The repeated narrative revolves around the foreign Muslim leader, Muhammad bin Qasim, and his conquest of Sind in the year 712. Manan Ahmed Asif, Assistant Professor of History at Columbia University, provides a critical interrogation of this narrative in A Book of Conquest: The Chachnama and Muslim Origins in South Asia (Harvard University Press, 2017). The crux of this origin narrative stems from the Chachnama, a 13th-century Persian text, which purports to be a translation of an eye-witness account written in Arabic. Asif approaches the Chachnama by initially situating it within the spatial and political context of Medieval Sind. He then places it within the textual universe of the early 13th century, thinking about audience, genre, and themes. Through this process of unreading he concludes that the Chachnama is neither translation nor primarily concerned with conquest but rather provides a coherent political theory for its contemporaneous readers. Thinking about the text in this new light, Asif examines the Chachnama though the lens of advice writing, questions of governing difference, and the calibration of gender and power. Finally, he explores the afterlife of the Chachnama and determines the factors that framed the story of the conquest of Sind as the primary narrative of Muslim origins in South Asia. In our conversation we discussed what origin narratives tell us about the contemporary world, the deployment of notions of conquest and foreignness in South Asian discourse, the maritime orientation of early Sind, literary and social context of the Chachnamas production, genres of advice writing, the political organization of religious difference, the roles women played in articulating just forms of rule, the colonial reframing of Muslim origins, and the social consequences of dominant readings of the Chachnama. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska, Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university history thinking scripture language muslims islam nebraska columbia university assistant professor omaha arabic persian south asian south asia religious studies new approaches asif qasim harvard up kristian petersen interpreting islam china pilgrimage manan ahmed asif film routledge conquest the chachnama muslim origins cinematic lives chachnama chachnamas

Anita Weiss, “Interpreting Islam, Modernity, and Women's Rights in Pakistan” (Palgrave Macmillan, 2015)