Podcasts about best picture

Sean and Amanda kick off the show with a brand-new version of their Best Picture Power Rankings (1:43). Then, they cover Yorgos Lanthimos's new movie, ‘Bugonia,' starring Jesse Plemons and Emma Stone. They explain why this is their preferred “flavor” of Lanthimos, crown it as a new type of paranoid thriller, and praise Plemons's and Stone's incredibly sincere and sympathetic performances (21:31). Later, Lanthimos joins Sean to talk through the difficulties and benefits of shooting the film with a large format in VistaVision, what interests him and intrigues him as a storyteller, and why he has anxiety about the future regarding our inability to communicate with one another (1:01:49). Hosts: Sean Fennessey and Amanda Dobbins Guest: Yorgos Lanthimos Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's show we identify the top IMDB user rated original movies per streamer. We also read your emails and take a look at the week's news. News: Classic TV props fetch $3.17M Netflix feature lets you decide what happens next, live 'High Potential' Is First 10 p.m. Drama to Hit No. 1 For the Fall Since 'ER' in 1999 Other: Explaining the magic yellow first-down line · The 42 Frndly TV Your Smart TV's HDMI Port Is Spying On You! The Last Frontier Top User Rated Original Movies per Streamer Last week we ran down the top streamer's price histories and at one point I (Ara), said that Amazon really didn't have many movies worth watching but since it came included with Prime shipping who cares. So this week I wanted to see what Amazon Original Movies were available and how they rated on IMDB. This did not include TV series like Reacher, Terminalist, etc. I just wanted to see if there was something I was missing. Then I expanded it to all the streamers we talked about last week and thus we created a list of the highest rated original movies from each streamer as rated by viewers on IMDB. Note the list goes from lowest to highest. Paramount+ Hunger Ward (2020) with a rating of 7.1/10. This short documentary, directed by Skye Fitzgerald, explores the Yemeni Civil War's famine through the work of two female health workers at therapeutic feeding centers for malnourished children. It premiered on Paramount+ in 2021 and was nominated for an Academy Award for Best Documentary Short Subject. Hulu Good Luck to You, Leo Grande (2022) with a rating of 7.2/10 based on over 34,000 user votes. Directed by Sophie Hyde and starring Emma Thompson as a widowed retiree exploring her sexuality with a young sex worker (Daryl McCormack), it's a witty and intimate comedy-drama praised for its honest take on aging, desire, and vulnerability. Peacock Psych 3: This Is Gus (2021) with a rating of 7.5/10 based on over 5,500 user votes. This comedy-mystery TV movie, directed by Steve Franks, serves as the third installment in the Psych film series and follows fake psychic detective Shawn Spencer (James Roday Rodriguez) and his best friend Burton "Gus" Guster (Dulé Hill) as they investigate Gus's bride-to-be's past amid wedding chaos, all while Lassiter (Timothy Omundson) faces career uncertainty. It's praised for its sharp humor, heartfelt moments, and nostalgic callbacks to the original USA Network series. Netflix Marriage Story (2019) with a rating of 7.9/10 (from over 380,000 votes). Directed by Noah Baumbach, this poignant drama follows a stage director (Adam Driver) and his actress wife (Scarlett Johansson) as they navigate a grueling divorce, exploring the emotional toll on their family and creative lives. It received critical acclaim for its sharp screenplay, authentic performances, and raw depiction of marital breakdown, earning six Oscar nominations including Best Picture. Apple TV+ Wolfwalkers (2020) with a rating of 8.0/10 based on over 43,000 user ratings. This animated fantasy adventure, directed by Tomm Moore and Ross Stewart, follows a young hunter's daughter who befriends a girl from a wolf-shifting tribe in 17th-century Ireland. It stands out for its hand-drawn animation, themes of friendship and freedom, and cultural folklore elements, earning an Oscar nomination for Best Animated Feature. Amazon Prime The Handmaiden (2016) with a rating of 8.1/10 from nearly 195,000 votes. Directed by Park Chan-wook and adapted from Sarah Waters' novel Fingersmith, this erotic psychological thriller is set in 1930s Japanese-occupied Korea. It follows a con artist, a pickpocket disguised as a handmaiden, and a wealthy heiress in a tale of seduction, betrayal, and revenge told across three perspectives. Amazon Studios acquired U.S. distribution rights after its 2016 Cannes premiere, making it an exclusive Prime Video original. Its high rating comes from praise for its intricate plot, stunning visuals, and strong performances by Kim Min-hee, Kim Tae-ri, and Ha Jung-woo. For comparison, other top Amazon originals include Manchester by the Sea (7.8/10), Sound of Metal (7.7/10), and The Big Sick (7.5/10).

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which film won the Academy Award for Best Picture in 1997? Question 2: What is the name of the traditional Japanese art of paper folding? Question 3: Who is the Norse god of poetry? Question 4: Which wizard was portrayed by Christopher Lee in The Lord Of The Rings? Question 5: What Latin term is used to refer to the university that someone attended? Question 6: The language 'Rundi' belongs to which language family? Question 7: Which actor played the role of Jake Gittes in Chinatown? Question 8: Who according to mythology was a nymph who pined away over Narcissus until only her voice was left? Question 9: In Portuguese, what is the meaning of the word 'amarelo'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Woody Allen is an Academy Award-winning filmmaker, writer, and comedian. Beginning in stand-up and television before turning to film, Allen became a defining voice of 1970s cinema with Annie Hall, the romantic comedy that earned him four Oscars including Best Picture and Best Director. Over his six decade career, he has written and directed more than 50 films exploring themes of love, irony, and existential doubt, from Manhattan and Hannah and Her Sisters to Midnight in Paris. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

On this episode, we review Paul Thomas Anderson's One Battle After Another. A cinematic journey that follows Leonardo DiCaprio as a washed-up revolutionary living off the grid who must rescue his daughter when she is abducted. Is this movie already displaying Best Picture nomination material? Listen and find out. We also talk about the news of the week.Timestamps0:00:00 Intro0:01:59 Guillermo del Toro's Frankenstein Trailer 0:09:05 Maggie Gyllenhaal's The Bride0:13:59 Sequel to The Simpsons 0:17:18 Predator's Latest Project is PG-13?0:24:06 The Smashing Machine Flops0:27:43 TMNT Chrome Alone 20:49:15 One Battle After Another Non-Spoilers0:57:58 Spoilers Territory

Well, here we are. Chloe Zhao's Hamnet - one of the most critically acclaimed movies of the year - premiered at the BFI London Film Festival two weeks ago. Since it's premiere at Telluride back in late August, this movie has been billed as a locked-in OSCAR contender and potentially one of the biggest threats to WIN Best Picture. Reviews like that always get on my nerves because it's classic film festival overhype. You watch a movie surrounded by all the cast & crew and thousands of like-minded movie fans and, inevitably, the hype is going to be through the roof. All that being said, I watched this movie at a film festival as well... so I'll be telling you all today whether the hype was real. I've been a little nervous going into Hamnet because, while the trailers have excited me and the reviews were certainly promising, I am neither a Chloe Zhao guy or a Shakespeare guy. Zhao's movies have always felt cold to me and I truly believe that Nomadland is probably one of the worst Best Picture winners.... of all-time! But, I'm happy to report that Hamnet is the first time that I've truly been able to connect with one of her movies. Find out why in this review!Hmanet:Directed by: Chloé ZhaoScreenplay by: Chloé Zhao, Maggie O'FarrellBased on the novel "Hamnet" by Maggie O'FarrellProduced by: Liza Marshall, p.g.a., Pippa Harris, p.g.a, Nicolas Gonda, p.g.a., Steven Spielberg, p.g.a., Sam Mendes, p.g.a.Executive Producers: Laurie Borg, Kristie Macosko Krieger, Chloé ZhaoMusic by: Max RichterDirector of Photography: Lukasz ZalEdited by: Alfonso Gonçalves, Chloé ZhaoCasting by: Nina GoldProduction Design by: Fiona CrombieCostume Design by: Malgosia TurzanskaCast: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, David Wilmot, Bodhi Rae Breathnach, Olivia Lynes, Freya Hannan-Mills, Noah JupeSynopsis: The powerful story of love and loss that inspired the creation of Shakespeare's timeless masterpiece, Hamlet.

As the wait for the next Best Picture to reveal itself continues, Dave Proctor joins us to discuss his pick , "Butch Cassidy And The Sundance Kid"!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : @oscarsgold @hidarknesspod @beatlesblonde @udanax19⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : facebook.com/goldstandardoscars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : patreon.com/goldstandardoscars

Send us a text Get ready to run the ultimate con. In this episode, we dive into the slick, twist-filled world of The Sting — the 1973 classic that paired Paul Newman and Robert Redford for one of Hollywood's coolest capers. We'll unpack how George Roy Hill's direction, Marvin Hamlisch's ragtime score, and that legendary twist ending turned a stylish period piece into a Best Picture winner. From the film's jazzy Depression-era setting to the irresistible chemistry between its stars, we're breaking down what makes The Sting a timeless grift that still plays perfectly over 50 years later. Support the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today, they discuss Bong Joon-ho's ‘Parasite,' which features one of the greatest movie endings of all time. They celebrate its nuanced portrayal of what systems do to people; highlight the small, formal decisions that elevate the movie's ideas; and remember its iconic Best Picture win that changed the trajectory of the Academy Awards. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack SandersUnlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

Life is like a box of chocolates — and this episode has a little bit of everything. Nathan is joined by longtime friend Abel Cass to revisit Forrest Gump, the 1994 Best Picture winner that defined a decade and divided movie fans ever since.Together they look back at what made Robert Zemeckis' sweeping Americana epic so unforgettable, from Tom Hanks' iconic performance to its groundbreaking special effects, timeless soundtrack and endlessly quotable lines. The two also reflect on how the film hits differently as adults and parents, why it resonated so deeply in the ‘90s and how its portrayal of love, history and innocence still sparks debate today.Plus, a nostalgic 90s Pop Quiz, memories of small-town movie theaters and a few laughs about homemade Forrest Gump reenactments.Run, Forrest, Run… back to 1994 with us.Read Nathan's thoughts on Forrest Gump.Support the podcast: https://www.buymeacoffee.com/moviesarelife

The Ringer's Bill Simmons and Brian Koppelman hop into their sound-proof booths as they rewatch Robert Redford's 1994 Best Picture–nominated ‘Quiz Show,' starring Ralph Fiennes, John Turturro, Rob Morrow, and Paul Scofield. Directed by Robert Redford. Producers: Craig Horlbeck, Chia Hao Tat, Ronak Nair, Eduardo Ocampo. A Mountain of Movies® on Paramount+. Stream now! A House of Dynamite, on Netflix October 24th. Learn more about your ad choices. Visit podcastchoices.com/adchoices

From the international success of “Fauda” to Academy Award nominations and prestigious festival awards, the Israeli film and television industry was at a high point before the October 7 attacks. Throughout the two-year Gaza war, the industry has struggled as international funding and festival invitations dried up, and Hollywood A-listers circulated petitions to boycott any association with the Israeli industry. Domestically, Benjamin Netanyahu’s government has been hostile, especially when infuriated by films they view as too sympathetic to the Palestinian cause. Assaf Amir, chairman of the Israeli Academy of Film and Television, joins host Allison Kaplan Sommer to talk about the threat by Culture Minister Miki Zohar’s extreme reaction to the fact that the film winning this year’s Academy for Israel’s Best Picture was “The Sea” – about a Palestinian boy’s journey from the West Bank to Tel Aviv – which is now poised for submission in the Best Foreign Language film category at the Oscars. As a result, Zohar said he will defund the Academy prize and set up an alternative government award ceremony to choose a different Best Picture. Amir said on the podcast that he was unimpressed by the threat. “We'll see who submits their films to his prize and who he chooses to decide which of the films should win,” Amir said. As for the Hollywood boycotts, Amir said he would point to Israel’s Best Picture this year and ask the professionals signing the petitions where they stand on it. “Will they watch this Arabic-language film that was made by an Israeli and a Palestinian about a Palestinian boy from the West Bank trying to go to Tel Aviv – or would they boycott it? I think that's the question they should ask themselves, and I'm wondering what the answer is – because I would definitely urge them to watch this film.” Read more: Israel's Best Film Award Goes to 'The Sea,' Chosen to Represent Country at the Oscars Government Says It Will Cut Israel Film Academy Funding After Film 'Depicting Israel Negatively' Wins 'If We Stop Deteriorating': Head of Israel's Film Academy Still Sees a Bright Future, Despite Political Pressures 1,300 International Actors and Filmmakers Pledge to Avoid Israeli Film Institutions 'Implicated in Gaza Genocide' Debra Messing, Liev Schreiber Among 1,200 Hollywood Figures Opposing Israeli Film Boycott Opinion | As an Israeli Filmmaker, Thank You to Everyone Who Is Boycotting My WorksSee omnystudio.com/listener for privacy information.

"Cinematographer Larkin Seiple (Weapons, Everything Everywhere All at Once, This Is America) joins Bonfire Conversations to discuss his creative process, building emotion through light, and crafting the haunting “woman with the scissors” scene in Weapons. Hosted by Hamidreza Nikoofar."In this episode of Bonfire Conversations, I talk with award-winning cinematographer Larkin Seiple, the creative eye behind the horror hit "Weapons", "Everything Everywhere All at Once" (Oscar Winner for Best Picture), "Swiss Army Man", and Childish Gambino's iconic "This Is America".Larkin talks about his journey from shooting low-budget music videos to crafting some of the most inventive visuals in modern cinema. He shares the story behind his collaboration with director Zach Cregger on Weapons — one of the year's most talked-about horror films — and breaks down the now-famous “woman with the scissors” scene that left audiences breathless.We also discuss how he builds emotion through light and movement, what makes a strong director-cinematographer partnership, and his creative philosophy when balancing beauty and tension on screen.

Best Picture winner from 2005, Crash is one of the most divisive Oscar winners in modern history. But how has the film aged?  Like a fine Bordeaux or a glass of buttermilk....

Bob and Brad revisit Sam Mendes' American Beauty, a film once hailed as a masterpiece and now one of Hollywood's most divisive Best Picture winners. With guest critic Noah Gittell, they unpack Kevin Spacey's complicated legacy, late-'90s suburbia, and whether the movie's satire still works in 2025. The pour: Crown Royal, a whiskey as polarizing as the film itself.(01:04) Brad's Big News (and chaotic baby-dad energy)(07:11) Brad Explains – a one-minute recap of American Beauty(12:53) Satire, sincerity, and the tonal tightrope(17:14) Performances: Spacey, Bening, Suvari, Bentley, and Cooper(50:26) Whiskey Review – Crown Royal Blended Canadian Whisky(1:02:20) Two Facts and a Falsehood – “Does Brad even know about silk?”(1:17:12) Let's Make It a Double – pairing picks and final scoresListen to Noah's album here!Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

In a year when there were many good films, but few that really were incredible, Martin Scorsese was the big winner at the Oscars ... and for the first time in his career. He finally won Best Director for his gang film about deception, loyalty, and even rats. The Departed is one hell of a ride. A great script, incredible performances by an A-list cast, and memorable scenes make this a truly special film.  However, looking back almost two decades, did the Academy get it right? Was it deserving of the Best Picture prize?Listen to film critic Jack Ferdman's take on it as he analyzes everything about The Departed, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 2006.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

Reggie and Brent get back together to talk about a potential Best Picture candidate (frontrunner?). In a movie with Leo, Benecio Del Toro and Sean Penn, who shines brightest? Everyone seems to think that Paul Thomas Anderson has a hit on his hands...do we agree? Let's talk about One Battle After Another (2025) -- We will be reviewing requests from patron once a month. If you'd like to request a movie for us to review, head over to Patreon! and sign up at $5/month* -- If you want to know what we are watching...What Did We Watch This Week? Dawson on Letterboxd Brent on Letterboxd Reggie on Letterboxd Rob on Letterboxd We talked about Box Office If you'd like some bonus content from Brent, or to get the show several days early, you can sign up over at Patreon! Follow us on Twitter Brent @XNotMalcolm Rob @Robbap3 Reggie @Hiddanas Dawson @andy_dawson You can also e-mail to us at CinemaChatPod@gmail.com You can find all of our previous scores HERE Thanks for listening!! *We reserve the right to veto a patron request.  If your request is vetoed, you'll be asked to place a different request.

HAPPY HALLOWEEN! Chris and Joe are back to discuss PTA's latest, and possibly greatest, directing effort: 'One Battle After Another'. They answer the question: does it REALLY deserve to be frontrunner for Best Picture? The guys also chat about the string of big budget films underperforming at the box office and what might be the common thread between them. Lastly, Joe tells his tales from Beyond Fest 2025, and Chris share details about seeing The Wizard of Oz at the Sphere in Las Vegas.  WE LOVE YOU ALL!

Opening Credits: This week on Live Breathe Film with Doug and Murph...Feature Presentation: From 35mm to Every Premium Format Under the Sun - We lived through the transition from tried and true 35mm projection to the now standard DCP format in the late 2000s/early 2010s. There have since been a ton of Premium Large Format options to choose from in digital projection, but to many cinephiles analog still reigns supreme. Let's break down the various options and ultimately discuss our favorite format, IMAX 70mm, in-depth at the end.Mid-Credits: One Win After Another - Another Warner Bros. film being released to cinemas means another #1 opening at the box office. Even though One Battle After Another ended WB's $40 million opening weekend streak at seven, its expensive budget may pay off with a big night at the Academy Awards in March, as it's currently looking like the favorite for Best Picture.End Credits: Please make sure to Like, Follow, and Subscribe to Live Breathe Film! 

On episode 310 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson and Executive Editor Ryan McQuade to chat about the 63rd edition of the New York Film Festival and two below-the-line Oscar categories.  First, the gang shares their overall experience at the festival before diving into quick reviews on the World Premieres of Anemone, Mr. Scorsese, and Is This Thing On? Then, they discuss the hype surrounding the electric Secret Screening of Josh Safdie's Marty Supreme. The film, starring Timothée Chalamet, Gwyneth Paltrow, and Odessa A'zion, had a tremendous response at the festival, but what does that mean for Oscar season and the movie's upcoming Christmas release? Finally, Sophia, Erik, and Ryan take a look at two major technical categories, Film Editing and Cinematography. They discuss the upcoming Cinematography shortlist, the potential for history to be made, and the possible crossover between these two categories and Best Picture. Films mentioned include One Battle After Another, Hamnet, Sinners, Sentimental Value, Frankenstein, F1: The Movie, Marty Supreme, and more.  You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more. This podcast runs 1h8m. We will be back soon with a brand new episode. Until then, let's get into it.

Jonathan Tower is known to friends and colleagues simply as “J.” J. is a Microsoft MVP, Telerik Developer Expert, and the founder of Trailhead Technology Partners, a global custom software consultancy. With nearly 25 years of experience in the industry, J. has held roles ranging from senior architect to director of development, and now leads a team building high-quality, large-scale applications across a wide range of technologies.   J.'s technical expertise spans C#, .NET, ASP.NET MVC, and modern JavaScript frameworks, along with mobile app development. But what truly sets him apart is his passion for building community. He's the driving force behind Beer City Code, Michigan's largest software conference, and serves on the board of SoftwareGR, a nonprofit dedicated to growing the software industry in West Michigan.   He's also a frequent speaker at conferences and meetups around the world, a LinkedIn Learning course author, and a mentor to many through his work with robotics teams and local tech groups.   Outside of tech, J. is an adventurer at heart. He and his family recently completed a year-long road trip across the U.S., visiting 58 of the 63 national parks. He's also a fan of photography, hiking, reading, and catching every Best Picture nominee before the Oscars.   Topics of Discussion: [3:30] Fun fact! J. has been to 58 of the 63 national parks, with his current favorite being Glacier National Park. [4:46] J. explains his early interest in creating things and his discovery of software development in middle school. [7:33] J.'s journey into leadership and consulting. [11:04] J. talks about his Blue Blazes podcast and the inspiration behind the name. [14:27] The “shiny object syndrome” and the misuse of microservices architecture. [15:06] Understanding the true needs of a project before implementing complex solutions. [21:20] AI should be viewed as a collaborative tool, not a replacement for team members. [22:51] The insight that J. got at a Ford Factory about how AI can help us shape and create jobs instead of just replacing them. [27:50] J. mentions he recently released courses on Dome Train about migrating legacy applications. [29:05] Choosing the framework that is the most similar model. [31:29] The type of traits that J. would look for in a lead engineer or a team leader.   Mentioned in this Episode: Clear Measure Way Architect Forum Software Engineer Forum Jonathan “J.” Tower LinkedIn JTower Website Trailhead Technology Jonathan “J.” Tower MVP Blue Blazes Podcast .NET Foundation Dome Train — Jonathan Tower     Want to Learn More? Visit AzureDevOps.Show for show notes and additional episodes.

As the wait for the next Best Picture to reveal itself continues, we review Xan's movie pick, "Fatso"!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : @oscarsgold @hidarknesspod @beatlesblonde @udanax19⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : facebook.com/goldstandardoscars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : patreon.com/goldstandardoscars

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of a very culturally edgy producer, screenwriter, and director of film, television, and opera who was closely identified with the "New Hollywood" movement of the 1970s... William Friedkin! Inspired by Citizen Cane as a child, he threw away his "bad boy" ways from high school and began his career in media by working for his local news station at 16, moving onto directing a live television series and docuseries, The People versus Paul Crump (1962). From there he went on to direct an episode of The Alfred Hitchcock Hour and then his first feature, Good Times (1967) staring Sonny Bono and Cher. Friedkin would go on to make a fantastic crime thriller, The French Connection (1971), which would then win him five Academy Awards, including Best Picture and Best Director. He is also well known for his Academy Award nominated film The Exorcist (1973) and other films spanning multiple other genres like The Boys in the Band (1970), Sorcerer (1977), The Brink's Job (1978), Cruising (1980), To Live and Die in L.A. (1985.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Apologies for the delay in upload! We're back with what many people believe is Paul Thomas Anderson's greatest work, the adaptation of Upton Sinclair's "Oil!" renamed There Will Be Blood. The film is renowned as one fo the best films of the century, but failed to win Best Picture. A trend worth watching while tracking One Battle After Another. Speaking of that film, that will be 2 episodes from now. Next up, The Master from 2012 starring the late great Phillip Seymour Hoffman. Then after that, One Battle After Another...finally!

Rebecca and John are joined by VF's Hillary Busis to discuss Kathryn Bigelow's A House of Dynamite, which hits select theaters Friday. Then, they take a closer look at Netflix's packed Oscars slate, and discuss what's been holding the streamer back from nabbing their first best picture Oscar win. Could this be the year? Learn about your ad choices: dovetail.prx.org/ad-choices

On this episode, Shadan is joined by Jacob Throneberry to discuss all the above-the-line categories, including Screenplay, Director Acting and Best Picture!   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on X/Twitter! @InSessionFilm | @ShadanLarki | @eRockReviews

Rebecca and John are joined by VF's Hillary Busis to discuss Kathryn Bigelow's A House of Dynamite, which hits select theaters Friday. Then, they take a closer look at Netflix's packed Oscars slate, and discuss what's been holding the streamer back from nabbing their first best picture Oscar win. Could this be the year? Learn about your ad choices: dovetail.prx.org/ad-choices

Next week on the show, Adam and Josh will honor the passing of Robert Redford with their Top 5 Redford Movies. A title that is sure to make the cut is Best Picture nominee ALL THE PRESIDENT'S MEN, which was part of 2021's 7 From '76—Best Year Ever series. It was also notably the first film in the Filmspotting Pantheon to receive the Sacred Cow treatment. Access to the Filmspotting Archive is just one of the benefits of joining the Filmspotting Family. Family members also get monthly bonus episodes, a weekly newsletter, early and ad-free episodes, and early access to events and event discounts—plus twice-annual Triviaspotting. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan McQuade returns to discuss his film festival journeys, his love for One Battle After Another, and the state of the Oscars Race, especially as it pertains to OBAA, The Smashing Machine and other October films. Ryan McQuade's favorite foods at Cannes, Telluride & AFI - 2:54 ON THE CLOCK: PTI STYLE PRESENTATIONS BY RYAN: 7:55 His 3 Minute Review of One Battle After Another - 8:28 A discussion of Modelos and white Michaels - 11:35 Review of The Smashing Machine: 3 Mins - 14:36 Smashing Machine's box office flop & likely huge door budget - 17:32 How OBAA could lose Best Picture - 18:48 What other films could win Best Picture. Ryan talks the full field - 24:36 Hamnet Acting Campaign Strategies + Buckley as the Actress Favorite - 29:40 PERCENTAGE CHANCE: RYAN PREDICTS CHANCE OF NOM/WIN: OBAA to win Best Picture - 30:14 Leo to win Best Actor - 32:43 Emily Blunt & Teyana Taylor (+Chase Infiniti Talk) in Supporting Actress - 36:28 A quick Supporting Actor discussion re: Del Toro & Penn - 39:52 An official prediction on Chase Infiniti Nomination chances - 41:02 Benny Safdie for Nomination & PTA to Win Best Director - 42:58 A One Battle After Another Box Office Discussion - 46:01 The Rock for Lead Actor - 50:57 The Smashing Machine for MUAH - 55:27 Ryan talks other October movies: Anemone, Roofman, Springsteen & Blue Moon - 57:23 Ryan's darkhorse Oscar Nom Predictions & Surefire Locks - 1:00:36 OUTRO: Make sure to follow all of Ryan McQuade's work including his film festival movie reviews and the AwardsWatch Podcast (including Director Watch for his PTA series and series on many more great filmmakers) https://awardswatch.com/author/ryan-mcquade/ Follow @RyanMcQuade77 on X https://x.com/ryanmcquade77 And you can also listen to him as a guest on Pop Culture Confidential, where friend of the show - Christina Jeurling Birro is doing wonderful work. https://www.popcultureconfidential.com/

On episode 309 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to give brief thoughts on The Smashing Machine, take a look at Oscar contenders at the Fall Box Office, and breakdown their thoughts on the 2026 Best Original and Best Adapted Screenplay categories. We are in the middle of the New York Film Festival (more on that next week) and at the beginning of the Mill Valley Film Festival, but festival season is in full swing as movies that premiered earlier in the year are making their way to the theaters with The Smashing Machine this weekend. The MMA-biopic vehicle to get The Rock an Oscar seems to be between a rock and a hard place after a lackluster showing at the box office and audience score. The team break down their thoughts of the film, why they think it didn't hit at the box office, as well as look at the other films releasing this weekend and circle back to the numbers for One Battle After Another. In the back half of the episode, Ryan, Erik, and Sophia take a deep look at the screenplay categories, Original and Adapted, which have become a vital category to win if a film is going to win Best Picture. Films mentioned are Sentimental Value, Sinners, Jay Kelly, One Battle After Another, Hamnet, Weapons, Train Dreams, It Was Just An Accident, and many more as possibilities that could make up the ten films that will become the nominees in March 2026. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 59m. We will be back in next week to recap and wrap up the 2025 New York Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Sean and Amanda get in the ring with Van Lathan to go multiple rounds on Benny Safdie's new film, ‘The Smashing Machine,' starring Dwayne “The Rock” Johnson and Emily Blunt. They work through their mixed feelings by recognizing the phenomenal performance from the Rock, which makes it worth the price of admission alone, and their disappointment and frustration toward Emily Blunt's incredibly one-note character (1:49). Then, Sean and Amanda create their new Best Picture power rankings following the fall film festival season (36:18). Finally, director Benny Safdie joins Sean to discuss his new film and explore his deeply intimate experience making the movie, why the Rock was perfect for the part of Mark Kerr, and the challenges of shooting a combat sports film (53:44). Hosts: Sean Fennessey and Amanda Dobbins Guests: Benny Safdie and Van Lathan Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hosts Ema Sasic and Kevin Schwaller are so lock-jawed for this review. They chat about Paul Thomas Anderson's latest epic, "One Battle After Another," starring a stacked cast: Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor and Chase Infiniti. Could this be the next Best Picture winner at the Oscars? Disclaimer:Copyright notice:(Intro/outro) She's The Greatest Dancer by Ryan Andersen is licensed under a Attribution-NonCommercial License. https://freemusicarchive.org/music/Ryan_Andersen/MORE/Shes_The_Greatest_Dancer?fbclid=IwAR1TDCO9eT6TxmDrTaJr9HRQVk2gUu00cNXeG8oik3avXVEhbSGqsqUfLkoCopyright notice:(Break) Extremely Tik-tok compatible for slow videos by Lundstroem is licensed under a Attribution 4.0 International License. https://freemusicarchive.org/music/lundstroem/the-happiest-songs/extremely-tik-tok-compatible-for-slow-videos/

What a year it was! Some great, legendary classics came out in 1957.  But it was The Bridge on the River Kwai that came out on top at the Academy Awards for that year. David Lean's WWII classic about obsession is still as riveting as it was almost seven decades later. With brilliant performances by the entire cast, especially Alec Guinness and Sessue Hayakawa, the film is captivating in every aspect ... including the legendary whistling tune Colonel Bogey March. However, was it deserving of the five Oscars it won, including the Best Picture prize?Listen to film critic Jack Ferdman's take on it as he analyzes everything about The Bridge on the River Kwai, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1957.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

This week, Andrew and Shane review the latest from director Paul Thomas Anderson 'One Battle After Another' starring Leonardo DiCaprio. They debate its Best Picture prospects, where it ranks in the PTA filmography, and where this Leo performance ranks among his career bests. Later, they turn their sights to TV as they cover the premieres for "The Lowdown" on FX/Hulu, "Slow Horses" Season 5, and "English Teacher" Season 2 before seeing how "Alien: Earth" and "Terminal List: Dark Wolf" landed their season finales.

A new season of The Awardist kicks off with host Gerrad Hall, EW Sr. Writer Joey Nolfi, and Sr. Editor Joyce Eng breaking down all of the early action on the road to the 2026 Oscars. We're talking about early frontrunners — including Paul Thomas Anderson's 'One Battle After Another,' led by Leonardo DiCaprio, to Chloe Zhao's 'Hamnet' starring the one-to-beat Jessie Buckley and Paul Mescal — the movies that gained the most out of the fall festival circuit, the big contenders still to come, and who might be a dark horse, including 'KPop Demon Hunters.' Learn more about your ad choices. Visit podcastchoices.com/adchoices

15 years ago this week, The Social Network was released. True or False: It won the Oscar for Best Picture.

In our fourth episode of The Rise of A24 series, we are covering the newly minted cult classic Under the Silver Lake (2019) and the art cinema bonanza of L'Avventura (1960)Special Guest - James Adamson, the host of the great Double Reel Podcast, a monthly magazine podcast for the discerning film nerd.A24 had a cult following well before it broke into the mainstream in the 2020s. Their surprise win at the 2017 Oscars for Best Picture with Moonlight put them in the spotlight, but they remained resolutely an arthouse company pre-Covid. That's why their behavior surrounding the marketing and distribution of Under the Silver Lake (2019) is so profoundly bizarre. David Robert Mitchell was coming off his 2015 horror masterpiece It Follows with this twisting absurdist L.A. noir starring Andrew Garfield. The whole affair seemed right in A24's sweet spot. So much so that A24 pre-bought the distribution rights before a single shot was filmed. Then, after the movie played to a muted response at Cannes in 2018, they essentially abandoned it: moving the release date multiple times before finally dumping it onto just two screens in April 2019. What exactly was so unnerving that made A24 bury the film?L'Avventura (1960) had a similarly consequential Cannes premiere in 1960. At its first screening, the audience jeered and booed so loudly that director Michelangelo Antonioni left the theater in tears. Yet later that same week, a group of prominent film critic, led by figures from Cahiers du Cinéma, drafted and signed an open letter defending the film as a bold step forward for cinema. That act of critical solidarity transformed L'Avventura from a public embarrassment into a landmark of cinematic modernism. What began in jeers was quickly reframed as a radical new vision of film art, and its stature has only grown since. Today it stands as one of the undisputed masterpieces of 20th-century cinema, a fixture on “greatest films” lists and a touchstone for generations of directors. Under the Silver Lake, by contrast, never received that critical reprieve, its initial dismissal has lingered, but that has allowed a small, but vocal supporting group to form around the film as it becomes one of the first cult classics of the 2010s.

As the wait for the next Best Picture to reveal itself continues, we review Nik's movie pick, "Spice World"!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : @oscarsgold @hidarknesspod @beatlesblonde @udanax19⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : facebook.com/goldstandardoscars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : patreon.com/goldstandardoscars

Gold Derby editors break down 'One Battle After Another' and its Oscar chances Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca and John are joined by VF writer Kase Wickman to talk about Paul Thomas Anderson's One Battle After Another, which hits theaters Friday. After agreeing that the film feels like a real Best Picture contender, they take a closer look at star Leonardo DiCaprio's chances of earning another Oscar nomination — and why his path to winning an Academy Award was so tumultuous. Finally, they explain why Timothee Chalamet's own campaign strategy may mirror DiCaprio's, for better or worse.  Learn about your ad choices: dovetail.prx.org/ad-choices

This month we are so excited to have the wonderful, Thomas Sullivan join our Modern Class of Casting Visionaries segment!With a sharp eye for talent and a passion for storytelling, Thomas Sullivan has built a reputation as a versatile and highly sought-after casting director across indie and studio film, and television. Known for assembling compelling and diverse ensembles, his ability to help producers and directors balance their creative visions with competitive industry demands has made him a trusted collaborator for over twenty years.His most recent projects, currently shooting or in post, include Guns Up (starring Kevin James), Bear Country (starring Russell Crowe, Aaron Paul, and Luke Evans) - Runner (starring Alan Ritchson and Owen Wilson) and Double Blind (starring LaKeith Stanfield and Maria Bakalova) Other major casting credits include the films Ricky Stanicky (2024), Dear Santa (2024), Dead Sea (2024), The Designer (2024), Champions (2023), The Greatest Beer Run Ever (2022), The Royal (2022), Murder at Yellowstone City (2022), Boon (2022), My Dead Dad (2021), Last Night in Rozzie (2021) and the Academy Award-winning Best Picture, Green Book (2018).A firm believer in inclusive and forward-thinking casting, Thomas is committed to discovering fresh voices and ensuring diverse representation in every project he takes on. Whether working on an indie gem or a high-profile studio feature, his work continues to shape the industry by bringing compelling characters to life through exceptional casting.Make sure to subscribe, rate and review! Follow us @tipsycastingResources: Thomas' IMDBThomas' InstagramThomas Sullivan Casting Website────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠⁠⁠⁠⁠⁠⁠⁠

NICKEL BOYS is one of a kind. That's not to say the narrative is brand-new. Two Black teens struggling to keep their sanity while stuck in an abusive institution brings to mind ONE FLEW OVER THE CUCKOO'S NEST, THE GREAT ESCAPE, the millennial cinematic classic HOLES.But where NICKEL BOYS differs, as the great Roger Ebert wrote, is in HOW it's about what it's about. The camera is an extension of the main characters, their first-person perspective. But unlike other films that've adopted this approach, NICKEL BOYS invests its energy into the authenticity of this perspective.Think about yourself reading this. You might glance down, turn your head to see a phone notification. You might reread the last paragraph and conjure a mental image of Jack Nicholson or Nurse Ratched. Is that thought confined by a tiny editor in your head, INSIDE OUT-style, reacting with the timing of someone who wants the smoothest cut? No. It's instant. How can the experience of being human and all its minutia be translated to a cinematic language? That's where NICKEL BOYS shines.Ross, along with cinematographer Jomo Fray, move their cameras patiently, deliberately in a manner that attempts to pull this off, described in interviews as a "sentient experience." As such, the result is immersive, at times feeling like I or you or she or he have possessed Elwood (Ethan Herisse) or Turner (Brandon Wilson) as they navigates their Black body through 1960s Florida.By doing so, Ross reminds us that while we may not be Black, the story of Nickel Academy and its culture of murdering children, contrasted with the promise of new civil rights and space exploration, is not merely a subgenre of history. It's our collective memory. It's our duty and responsibility to accept, from which to learn and rebuke.---Please follow, rate and review The Movies wherever you listen to podcasts!Follow The Movies on Instagram, Bluesky and Letterboxd

A quick dissect of Steven Soderbergh and Stephen Gagham's 2000 award-winning movie and the TV show mini-series spin-off occurs.   Which actor in each installment stole the show the most?   Was the movie just simply good but not Best Picture worthy?   What themes does one take away the most from all of the different connected subplots?   Skip town, avoid the dealers & stay out of the narc's way after this episode!  

This film is based upon the true story of an attempted bank robbery occuring in Brooklyn, NY in 1972 which eventually became a prolonged hostage situaion and at the center of it was Sonny, a troubled soul who gets in way over his head.  Sonny is played by Oscar-winner Al Pacino (The Godfather Trilogy, Heat, Scent of a Woman) and the film was directed by the late, great LEGEND....Five-time Oscar-nominee Sidney Lumet (Network, 12 Angry Men, The Verdict) smack in the middle of sterling '70's runs for both actor AND director!  And the film itself become a phenonenon....not only a box office hit and an acclaimed Oscar contendor (six nominations including Best Picture and Best Director) but also one of the more influential crime drama's of the '70s AND one of the quintessential New York movies.  It's a unique story taking several unexpected turns and is at various points tense, funny, and sad.  This modern classic which about to turn 50(!) also co-starts John Cazale, Penelope Allen, Chris Sarandon, Sully Boyar, Lance Henricksen, James Broderick, and Charles Durning.  Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

On this episode: Lucy and Elizabeth are joined by guest host Rebecca Onion to dive into her and Dan Kois' definitive list of the 25 best picture books of the last quarter century. Which modern stories have staying power? Which books belong beside the classics on your child's shelf? The hosts debate and delight in the choices. But first, they share their latest triumphs and fails: hiding snacks, an urgent care scare, and a  deeply irrational fears.  If you're not part of the Slate Plus community, we hope you'll consider joining! Keep reading to learn how. Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you'll get an ad-free experience across the network. And you'll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts. Listen to Opportunity Gap wherever you get your podcasts: ⁠⁠https://lnk.to/opportunitygapPS!careandfeeding⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Lucy and Elizabeth are joined by guest host Rebecca Onion to dive into her and Dan Kois' definitive list of the 25 best picture books of the last quarter century. Which modern stories have staying power? Which books belong beside the classics on your child's shelf? The hosts debate and delight in the choices. But first, they share their latest triumphs and fails: hiding snacks, an urgent care scare, and a  deeply irrational fears.  If you're not part of the Slate Plus community, we hope you'll consider joining! Keep reading to learn how. Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you'll get an ad-free experience across the network. And you'll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts. Listen to Opportunity Gap wherever you get your podcasts: ⁠⁠https://lnk.to/opportunitygapPS!careandfeeding⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Lucy and Elizabeth are joined by guest host Rebecca Onion to dive into her and Dan Kois' definitive list of the 25 best picture books of the last quarter century. Which modern stories have staying power? Which books belong beside the classics on your child's shelf? The hosts debate and delight in the choices. But first, they share their latest triumphs and fails: hiding snacks, an urgent care scare, and a  deeply irrational fears.  If you're not part of the Slate Plus community, we hope you'll consider joining! Keep reading to learn how. Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you'll get an ad-free experience across the network. And you'll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts. Listen to Opportunity Gap wherever you get your podcasts: ⁠⁠https://lnk.to/opportunitygapPS!careandfeeding⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Lucy and Elizabeth are joined by guest host Rebecca Onion to dive into her and Dan Kois' definitive list of the 25 best picture books of the last quarter century. Which modern stories have staying power? Which books belong beside the classics on your child's shelf? The hosts debate and delight in the choices. But first, they share their latest triumphs and fails: hiding snacks, an urgent care scare, and a  deeply irrational fears.  If you're not part of the Slate Plus community, we hope you'll consider joining! Keep reading to learn how. Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you'll get an ad-free experience across the network. And you'll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts. Listen to Opportunity Gap wherever you get your podcasts: ⁠⁠https://lnk.to/opportunitygapPS!careandfeeding⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on And the Runner-Up Is, Kevin welcomes writer/editor Daniel Montgomery to talk about Edward Berger's "Conclave," the presumed runner-up in the 2024 Best Picture race that lost to "Anora." We also discuss all other Best Picture nominees and which film we think deserved to win the Oscar. 0:00 - 5:51 - Introduction 5:51 - 41:45 - "Conclave" review 41:46 - 1:06:52 - Why "Conclave" lost Best Picture / Why "Anora" won 1:06:53 - 2:31:23 - Assessing the other eight Best Picture nominees 2:31:24 - 2:36:31 - Shoulda been a contender 2:36:32 - 2:41:10 - Did "Conclave" deserve to win? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music is "The Virtue" by Jonathan Adamich Artwork: Brian O'Meara

30 years ago Apollo 13 took the film world by storm. 55 years ago Apollo 13 made space travel history. In 1995, Jason entered Apollo 13. What did this Ron Howard docudrama about a dangerous Nasa mission add to his creative journey? Jason and Ashley discuss the power of Tom Hanks and the invisible directing in this film that was also nominated for Best Picture. What did you think of this 1990s movie?You can hear all of the Film Footsteps back catalogue ► https://www.patreon.com/JawiinFor exclusive bonus podcasts like our Justice League Review show our Teen Titans Podcast, GHL Extra & Livestreams with the hosts, join the Geek History Lesson Patreon ► https://www.patreon.com/JawiinGHL RECOMMENDED READING from this episode► https://www.geekhistorylesson.com/recommendedreadingFOLLOW GHL►Instagram: https://www.instagram.com/geekhistorylessonThreads: https://www.threads.net/@geekhistorylessonTik Tok: https://www.tiktok.com/@geekhistorylessonFacebook: http://www.facebook.com/geekhistorylessonGet Your GHL Pin: https://geekhistorylesson.etsy.comYou can follow Ashley at https://www.threads.net/@ashleyvrobinson or https://www.ashleyvictoriarobinson.com/Follow Jason at https://www.threads.net/@jawiin or https://bsky.app/profile/jasoninman.bsky.socialThanks for showing up to class today. Class is dismissed!