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The latest In Touch With iOS with Dave is joined by Jill McKinley,Jeff Gamet, Eric Bolden, Marty Jencius, Guy Serle. The discussion spans the latest Vision Pro beta updates and immersive NBA experiences to rumors of new M5 MacBook Pros and significant leadership shifts at Apple. The team also tackles critical security news, including a major data breach at a manufacturing partner and new anti-phishing features from 1Password. The show notes are at InTouchwithiOS.com Direct Link to Audio Links to our Show Give us a review on Apple Podcasts! CLICK HERE we would really appreciate it! Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee Another way to support the show is to become a Patreon member patreon.com/intouchwithios Website: In Touch With iOS YouTube Channel In Touch with iOS Magazine on Flipboard Facebook Page BlueSky Mastodon X Instagram Threads Summary In episode 405 of In Touch With iOS, host Dave Ginsburg is joined by a full panel including Marty Jencius, Jill McKinley, Eric Bolden, Guy Serle, and Jeff Gamet to dissect the latest developments in the Apple ecosystem. The episode covers a wide range of topics from hardware shortages and software betas to major security breaches and executive transitions. The panel discusses the recent Vision Pro beta releases, noting that while the updates are relatively minor, they significantly improve connectivity with game controllers. Looking ahead, Apple Arcade is set to launch a "Retrocade" on February 5th, bringing 3D immersive versions of classics like Pac-Man, Space Invaders, and Asteroids to the headset. The team also reviews the recent immersive Lakers NBA game, sharing mixed feelings about the audio quality and app stability, but ultimately expressing excitement for the future of sports in VR. Current MacBook Pro stock is reportedly thinning, with wait times stretching into March. This has fueled speculation about an imminent release of M5 Pro and M5 Max models. The panel debates whether users should upgrade now or wait for the rumored M6, while also considering how NVIDIA's priority at TSMC for AI chips might be impacting Apple's supply chain. The discussion takes a serious turn regarding a massive 1TB data breach at Apple manufacturing partner Luxshare. The stolen data allegedly includes confidential product designs and engineering documents from 2019 through 2025, raising concerns about reverse engineering and hardware vulnerabilities. On the software side, 1Password has introduced a new anti-phishing feature that warns users when they attempt to paste passwords into suspicious websites. The panel also revisits Walmart's continued refusal to accept Apple Pay, noting that the retailer prefers its own "Walmart Pay" system to maintain control over customer purchase data. Apple TV+ continues to gain momentum with six Academy Award nominations for the film F1. The panel also previews upcoming content, including the March 27th premiere of For All Mankind Season 5, and discusses other popular series like Starfleet Academy and Monarch. A significant portion of the episode is dedicated to reports that John Ternus is being groomed as the next Apple CEO. Ternus has recently taken over management of the design teams, a move seen as a way to expose him to broader business operations before Tim Cook eventually retires. While some panelists express anxiety over a post-Cook era, others highlight Apple's history of strong succession planning. Topics and Links In Touch With Vision Pro this week. Apple Seeds Second Betas of watchOS 26.3, tvOS 26.3, and visionOS 26.3 to Developers visionOS 26.3 Beta 2 Release Notes Apple Arcade Adding These Four Games in February for Vision Pro Dave, Marty, and Eric give thoughts viewing the Lakers Immersive game When and how to watch Lakers games in Apple Immersive format on Vision Pro What it's like to watch an NBA game courtside in Apple Vision Pro Beta this week. iOS 26.3 Beta 2 continues. In Touch With Mac this week MacBook Pro Buyers Now Facing Up to a Two-Month Wait Ahead of New Models The Gmen show Episode 22 Other Topics Major data breach could expose Apple secrets Walmart Still Doesn't Accept Apple Pay in the U.S. in 2026, Here's Why Apple Tops 2025 Smartphone Market With 20% Share, 10% Growth Apple drops to 7th in U.S. patent rankings for 2025 as grants fall 11%, per report Apple tops the 2026 World's Most Admired Companies list—finishing No. 1 for the 19th year in a row News Apple's F1 Movie Nominated for Best Picture at 2026 Oscars Apple scores six Academy Award nominations Apple TV reveals first look at season five of hit space drama "For All Mankind" ChatGPT Atlas Gains Tab Groups, Auto Google/AI Search Switching 1Password Launches Anti-Phishing Warnings for Pasted Passwords Apple's John Ternus Takes Over Design in Latest CEO Succession Move Announcements Macstock 9 has wrapped for 2025. Attendees will receive a link for the session recordings when they're ready in 30-45 days. If you missed Macstock we missed you! Why not purchase a digital pass to relive all the amazing presentations? Click the link below to purchase the digital pass. Macstock X has already been announced July 10,11,12, 2026 hopeful you all can join us. Macstock IX Digital Pass Our Host Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Mastodon @daveg65, , BlueSky @daveg65 and the show @intouchwithios Our Regular Contributors Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer's managing editor, and Smile's TextExpander Evangelist. You can find him on Mastadon @jgamet Pixelfed @jgamet@pixelfed.social and Bluesky @jgamet.bsky.social Podcasts The Context Machine Podcast Retro Rewatch Retro Rewatch His YouTube channel https://youtube.com/jgamet Marty Jencius, Ph.D., is a professor of counselor education at Kent State University, where he researches, writes, and trains about using technology in teaching and mental health practice. His podcasts include Vision Pro Files, The Tech Savvy Professor and Circular Firing Squad Podcast. Find him at jencius@mastodon.social https://thepodtalk.net Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him by email at eabolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Jill McKinley works in enterprise software, server administration, and IT A lifelong tech enthusiast, she started her career with Windows but is now an avid Apple fan. Beyond technology, she shares her insights on nature, faith, and personal growth through her podcasts—Buzz Blossom & Squeak, Start with Small Steps, and The Bible in Small Steps. Watch her content on YouTube at @startwithsmallsteps and follow her on X @schmern. Find all her work at http://jillfromthenorthwoods.com Chuck Joiner is the host of MacVoices and hosts video podcasts with influential members of the Apple community. Make sure to visit macvoices.com and subscribe to his podcast. You can follow him on Twitter @chuckjoiner and join his MacVoices Facebook group. Guy Serle is one of the hosts of the new The Gmen Show along with GazMaz and email GMenshow@icloud.com @MacParrot and @VertShark on X Vertshark on YouTube, Google Voice +1 Area code 703-828-4677
MUSICMaynard James Keenan, the lead vocalist of Tool, A Perfect Circle, and Puscifer, expressed on Steve-O's podcast that he now considers the song "4°" from Tool's 1993 album "Undertow" to be "stupid" due to its lyrics. https://loudwire.com/maynard-james-keenan-tool-song-stupid/ The Eagles' album "Their Greatest Hits 1971-1975" has become the first to achieve quadruple diamond certification from the RIAA, indicating over 40 million units sold. https://www.the-independent.com/arts-entertainment/music/news/the-eagles-greatest-hits-album-b2905358.html Metallica have teamed up with Dr. Martens for a new line of shoes. The 1460 boot uses artwork from the band's 1988 Damaged Justice tour and the 1461 shoe features artwork from the 1986 Damage Inc. tour. Both go on sale January 29th. TVFormer Real Housewife Bethenny Frankel has stage 2 kidney disease. According to Page Six, https://pagesix.com/2026/01/22/celebrity-news/bethenny-frankel-announces-stage-2-kidney-disease-diagnosis/ Gwyneth Paltrow recently shared her strategies for managing anxiety during an Instagram AMA (Ask Me Anything). https://people.com/gwyneth-paltrow-gives-her-advice-for-managing-anxiety-shouting-at-the-bushes-it-helps-11890157 AND FINALLYNominations for the 98th Academy Awards are out!Actors Danielle Brooks and Lewis Pullman revealed the nominees. Sinners received 16 nominations; a record-breaking nomination count for the most in Academy Awards history. The supernatural thriller received nominations for best picture; director (Ryan Coogler); actor (Michael B. Jordan); supporting actress (Wunmi Mosaku); actor in a supporting role (Delroy Lindo); and original screenplay. Timothée Chalamet is 30 years and 26 days old, Chalamet just became the youngest male actor to receive three Oscar nominations since Marlon Brando, who achieved this feat at age 29 in 1954. Steven Spielberg has broken his own record for the most Oscar nominations as a producer, bringing his total to 14 with the nomination for Best Picture for the film "Hamnet." One Battle After Another received 13 nods, including Best Picture.The Snubs:The Cold Shoulder: The Biggest Snubs of the 2026 Oscar NominationsThe Wicked Witch of the West... Gone?The biggest shocker of the morning has to be the complete erasure of Wicked: For Good. Just last year, the first installment picked up 10 nominations. This year? Zero. Zilch.Ariana Grande and Cynthia Erivo, who were both nominated for the first film, were completely shut out of the acting categories. Even the music branch turned its back on the franchise, ignoring the two new songs written specifically for the film. It seems the magic ran out for the sequel.Paul Mescal's Shakespearean TragedyIf you were betting on Paul Mescal picking up a nomination for playing William Shakespeare in Hamnet, you lost money today. While the film itself did well—and his co-star Jessie Buckley secured a nomination—Mescal was noticeably absent from the list. It's a tough break for an actor who has been a darling of the awards circuit lately.The Strange Case of Chase InfinitiHere is a genuine head-scratcher: One Battle After Another is a massive favorite, racking up 13 nominations. Yet, its breakout lead actress, Chase Infiniti, didn't make the cut. Some insiders think her limited screen time (she's in the movie for about 30 minutes) might have hurt her chances, but considering she's the heart of the film, her absence in the Best Actress category is glaring.Guillermo del Toro Gets the "Argo" TreatmentThe Academy clearly loved Netflix's Frankenstein—it scored nine nominations, including Best Picture. But they apparently didn't love Guillermo del Toro quite enough to give him a Best Director nod. The Directors branch is notoriously finicky, and this year, they left the beloved filmmaker off the list.Blockbuster FatigueAvatar: Fire and Ash failed to secure a Best Picture nomination, a category the previous two films sailed into easily. It seems voters might finally be feeling some Pandora fatigue.Star Power Didn't Save ThemBeing an A-lister didn't help anyone this morning.George Clooney & Adam Sandler: Their film Jay Kelly was completely shut out. Usually, a Noah Baumbach movie is catnip for voters, but this one came up empty.Dwayne "The Rock" Johnson: Despite a serious campaign for his dramatic turn in The Smashing Machine, he couldn't crack the lineup.Jennifer Lawrence: She gave a ferocious performance in Die My Love, but the film was likely too gritty and indie for the broader voting body.The show, hosted by Conan O'Brien, airs live on ABC on March 15th. Here are the nominees:Best PictureBugoniaF1FrankensteinHamnetMarty SupremeOne Battle After AnotherThe Secret AgentSentimental ValueSinnersTrain DreamsBest DirectorChloé Zhao - HamnetJosh Safdie - Marty SupremePaul Thomas Anderson - One Battle After AnotherJoachim Trier - Sentimental ValueRyan Coogler - SinnersBest ActorTimothée Chalamet - Marty SupremeLeonardo DiCaprio - One Battle After AnotherEthan Hawke - Blue MoonMichael B. Jordan - SinnersWagner Moura - The Secret AgentBest ActressJessie Buckley - HamnetRose Byrne - If I Had Legs I'd Kick YouKate Hudson - Song Sung BlueRenate Reinsve - Sentimental ValueEmma Stone - BugoniaBest Supporting ActorBenicio del Toro - One Battle After AnotherJacob Elordi - FrankensteinDelroy Lindo - SinnersSean Penn - One Battle After AnotherStellan Skarsgård - Sentimental ValueBest Supporting ActressElle Fanning - Sentimental ValueInga Ibsdotter Lilleaas - Sentimental ValueAmy Madigan - WeaponsWunmi Mosaku - SinnersTeyana Taylor - One Battle After AnotherAND THAT IS YOUR CRAP ON CELEBRITIES!
The extremely dangerous storm is barreling down on half the country through the weekend. It's already brought frigid cold to the north and it's expected to bring heavy snow or ice to around 200 million people all the way from Texas to New England. In Tennessee, the Governor has already issued a state of emergency. Nicole Valdes is in nashville with more on how the city is preparing including precautions you can take at home. A close look at The Academy Award nominations, where "Sinners" set an all-time record with 16 nominations. It's part of a high powered list of nominees for Best Picture, including "Marty Supreme" and "One Battle After Another." Just four teams remain on the road to Super Bowl LX in northern California. In the AFC, the Denver Broncos host the New England Patriots this Sunday right here on CBS. And in the NFC, the Seattle Seahawks will take on their division rivals, the Los Angeles Rams. Here to break it all down is CBS Sports Football Analyst Kyle Long. Tomorrow night, the UFC kicks off a new era on Paramount Plus. Its first event of the year, UFC 324, will be held in Las Vegas. If you're not familiar with the UFC, we got you covered. UFC reporter, Megan Olivi joins us from Las Vegas with a crash course. Change is inevitable in all of our lives but how does unwanted change affect us? That's what psychologist and podcast host Maya Shankar explores in her new book through people's personal stories and scientific insight. "The Other Side of Change" debuted at #2 on the New York Times bestselling list. Maya Shankar joins us. National champion, Indiana quarterback Fernando Mendoza is getting a lot of attention for what he does both on and off the field. This morning, Mendoza officially announced his eligibility for the 2026 NFL draft. Rising star Madison Beer's 3rd studio album "Locket" is out now. Ahead of its release, Anthony Mason talked to Beer at New York City's Club Bohemia about her unconventional and, at times, heartbreaking journey to stardom. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Northern Irish novelist Maggie O'Farrell has long been admired for fiction that blends emotional intimacy with sweeping historical scope, and her work has found devoted readers on both sides of the Atlantic. She is the author of several acclaimed novels, including After You'd Gone, The Hand That First Held Mine, and The Marriage Portrait, books that circle questions of love, loss, memory, and the hidden lives that shape history. Her 2020 novel Hamnet—a reimagining of Shakespeare's family life through the eyes of his wife and son—became a global bestseller and won the Women's Prize for Fiction. Now O'Farrell has entered the film world with remarkable success. Hamnet, directed by Chloé Zhao, has won the Golden Globe for Best Drama and was nominated for an Academy Award for Best Picture.
Jason and Mike are super stoked that F1 The Movie got an Oscar nomination for Best Picture. The guys tell you exactly how Sunday will go for Broncos QB Jarrett Stidham. And is Giannis getting traded out of Milwaukee?See omnystudio.com/listener for privacy information.
Let's talk about those Oscar Nominees! In 2025, movies began with an incredibly slow start, indicating a worrisome year. The Summer was met with real blockbusters and quickly fueled trust in moviegoers again. The Fall and Winter brought upon some of the best quality films, with a variety of unique stories, perspectives, and innovative filmmaking from directors, actors, composers, and crews. 2025 reminded us that the film industry can thrive not only on sequels, and why we need both financially and culturally. With the official Oscar Nominees upon us, join Popcorn for Breakfast as we anticipate the best, worst, and forgotten nominees in the most prestigious categories. Show Open [00:00:00] Best Supporting Actress [00:03:05] Best Supporting Actor [00:05:08] Best Actress [00:09:10] Best Actor [00:14:39] Best Casting [00:19:40] Best Original Score [00:23:20] Best Production Design [00:26:20] Best Cinematography [00:28:40] Best Film Editing [00:32:16] Best Animated Feature [00:34:56] Best International Feature [00:38:11] Best Original Screenplay [00:43:43] Best Adapted Screenplay [00:47:18] Best Director [00:49:47] Best Picture [00:53:33] Show Close [01:00:21] Thanks for listening! Please rate, review, and subscribe if you liked this episode! For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast Check out our website: https://www.popcorn4breakfast.com Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? Email us: contact@popcorn4breakfast.com Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1
Alex and Nick break down the 2026 Oscar nominations. The guys discuss “One Battle After Another” landing 13 nominations (!!), “Sentimental Value's” surprise showing, and how Ryan Coogler's “Sinners” smashed the Oscar nomination record and will likely go on to win Best Picture.Follow @WAYW_Podcast on Instagram / Letterboxd / XSend mailbag questions to whatareyouwatchingpodcast@gmail.com
FRIDAY HR 3 Monster Sports - Orlando Magic loss. It's time to start worrying about the Magic? NFL action this weekend. Best Picture nominated Sports Movies. Green Day part of Super Bowl broadcast.
In this bonus episode, Bob is joined by guest Daniel Joyaux to discuss today's announced Oscar nominations for 2026. They analyze the nominees, the cultural significance of the Oscars, and the diversity in this year's Best Picture nominations. The conversation also covers the standout films, surprises, and snubs in the nominations, as well as predictions for the acting categories. They conclude with recommendations for films to watch before the ceremony.For longer episodes and special bonus content, consider joining our Patreon for as little as $3/mo!Film & Whiskey InstagramFilm & Whiskey FacebookFilm & Whiskey TwitterEmail us!Join our Discord server!For more episodes and engaging content, visit Film & Whiskey's website at www.filmwhiskey.com.
The crew tackles the ever‑growing Best Picture category, debating whether ten nominees is too much. Skin wonders if awards shows are simply “an outdated concept we cling to,” while Ben argues the expansion is necessary to pump life back into moviegoing. KT wants compromise (“How about eight? Meet me in the middle”), and Krystina brings the grounded perspective of someone who's actually seen more than one of the movies.
Jane Altoids (@staticbluebat) of Pacino Pod joins us to relitigate one of Film Twitter's favorite discourses: is Damien Chazelle's mega-critical and commercial flop Babylon an underrated masterpiece or a heaping pile of elephant shit? Did Babylon deserve to fall or did the guy famously who lost Best Picture to Moonlight make one of the great misunderstood films of the 21st century? Can a straight man (loosely, debatably) adapt Kenneth Anger's tome of gay lies, deceits, and fallacies Hollywood Babylon into what dumb people call a "love letter" to silent cinema? The verdict: Babylon bad, or at the very least a hot mess of ambition, miscasts leads, and tonal whiplash from a director lacking the camp touch and the ability to diagnose where Hollywood evil truly resides. The Radical Stardom of Clara Bow: The First It Girl by Be Kind Rewind Fake News: Fact Checking Hollywood Babylon by You Must Remember This An extra special thanks to our $10 Executive Producers: JetChiclete, Isaac, squishward, Walt Lewellyn of The Black Casebook, Tropical Doves, jprestonpoole, Lohik, bernventers, and Owen2. If you can, please lend some support to these organizations: Gaza Funds PCRF (Palestinian Children's Relief Fund) MAP (Medical Aid for Palestinians) National Networks of Abortion Funds Immigrant Law Center of Minnesota If you enjoy the show please consider: Subscribing to our Patreon, where you can enjoy exclusive subscriber only episodes. Joining our Discord. Checking out our Credits page where you can view a complete list of Patrons. Leaving a rating and review on your podcast provider of choice. Production by Miguel Tahni. Art by Zoe Woolley and Jo Hermeer. Follow @MarvelousDeath for updates.
It's Hollywood's biggest morning! Join Richard and Alison (plus a vacationing Producer Benjamin Frisch) as they pick apart the biggest snubs and surprises of the year: Sinners breaking the all-time nominations record! The Secret Agent breaking out of Neon's strong showing, the complete collapse of Wicked: For Good, and the surprise blockbuster pulling up the rear: F1, which finds itself among Train Dreams, Bugonia, Sentimental Value, and Hamnet in the Best Picture category despite being a car movie about Brad Pitt going fast vroom vroom. Subscribe to Richard's newsletter, Premiere Party, and read Alison's work at Vulture. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook! Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Sean and Amanda break down all of the Oscar nominations and share their major takeaways, including 'F1' (sillily) sneaking into Best Picture and ‘Sinners' shattering the all-time nominations record, and highlight their biggest snubs. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices
In our news wrap Thursday, Donald Trump is suing JPMorgan Chase and CEO Jamie Dimon for $5 billion, saying the company closed his accounts for political reasons after he left office in 2021, the U.S. withdrew from the World Health Organization a year after Trump signed an order setting the exit in motion and "Sinners" broke the record for Oscar nominations with 16, including Best Picture. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy
Award-winning showbiz experts Kevin Fallon and Matt Wilstein break down all the drama in the Oscar nominations. Who lost out on a statuette? Who should be furious? And they have the skinny on the biggest shocks: the jaw-dropping Best Picture nomination for F1, starring Brad Pitt as a race-car driver, and Kate Hudson getting her second nomination for Song Sung Blue after a quarter-century break. Kevin and Matt get into Ariana Grande getting shut out in a Wicked disappointment and have some predictions for who's going to triumph os the big night. Need to know what to say about the Oscars? They've got it all covered. Follow Kevin Fallon on Instagram @kpfallonFollow Matt Wilstein on Instagram @mattjwilsteinNew episodes every Tuesday, Thursday, and Saturday; early drops on YouTube. Hosted on Acast. See acast.com/privacy for more information.
Outlouders, this is your sneak peek of today's subscriber episode. Listen to the full episode of Jessie's Twins Update & What We Really Did On Our Holidays at 5pm today. Not a subscriber? You know what to do. So, Jessie Stephens is pregnant with twins and she just got some very inconvenient news. In this episode, Mia Freedman quizzes Jessie on that and all manner of babies' updates, from how much longer she has to go to why the twins already seem to love annoying their mum. Plus, what Jessie, Holly and Mia did on their holidays, which ranges from terrible hosting to absolutely nothing to sinking into a slow, dawning panic. And everything Mia Freedman read, watched and bought over the break. Have your notes app ready. This is just a taste, a little treat, if you will. The full feast lands at 5pm for subscribers. We’re giving away a Your Reformer Pilates bed (worth $3,400). Subscribe to be in the running to win.
In this week's episode I sat down with Daniel Durant and Britt Stewart. Daniel is a Deaf actor on stage and screen. He is best known for his starring role as Leo Rossi in CODA, a film that garnered three Oscar Awards, including the top prize of Best Picture. He also starred in Deaf West's productions of Spring Awakening and Green Day's American Idiot and made it to the semifinals of Dancing With The Stars alongside his then dance partner, now wife, Britt Stewart. His ongoing work also includes co-leading acting workshops for Deaf students and interpreting in schools, serving as an acting teacher and coach for Deaf film camps as well as national speaking engagements for colleges and universities. Britt is a professional dancer, choreographer, and creative leader whose career blends artistry, impact and authenticity in the entertainment industry. Best known as a Pro dancer on Dancing With The Stars, she made history as the first Black female professional dancer on the show and has since made an impact with her presence. She uses her platform to inspire balance, self growth and connection. As president of non-profit organization, Share The Movement, she champions access, education and representation in dance.We discuss what Deaf representation looked like for Daniel growing up and why he decided to become an actor, Britt's dance journey that led her to the Dancing With The Star's ballroom, how they are both working to make their respective spaces in the entertainment industry more inclusive, their relationship and how they have made their world and their home more accessible and much, much more.For this conversation we were joined by ASL interpreter Justin Maurer.This episode was edited and produced by Ben Curwin. All proceeds from purchasing this episode will be split between City Harvest and Food Bank For NYC.Join Always Looking Up on Substack: https://jilliancurwin645746.substack.comJoin The Patreon: https://patreon.com/AlwaysLookingUpFollow Daniel: Instagram: @danielndurant TikTok: @danielndurant YouTube: Daniel N. DurantFollow Britt: Instagram: @brittbenae TikTok: @brittbenae Website: https://www.brittbenaestewart.comFollow The DWTS Tour: Instagram: @dwtstourofficial TikTok: @dwtstourofficial Website: https://dwtstour.comFollow Share The Movement: Instagram: @sharethemovementnow Website: https://sharethemovementnow.orgFollow Me: Instagram: @jill_ilana , @alwayslookingup.podcast TikTok: @jillian_ilana Website: https://www.jillianilana.com Email: alwayslookingup227@gmail.comRead With Me:GoodreadsThe StoryGraphSupport Those Impacted By The Cutting Of SNAP Benefits:Feeding America: https://www.feedingamerica.orgWorld Central Kitchen: https://wck.orgNo Kid Hungry: https://www.nokidhungry.orgList Of NYC Food Pantries: https://www.nyc.gov/site/dycd/services/food_pantries.pageSupport Immigrant Communities (all links came from @chnge):The Coalition for Humane Immigrant Rights of Los Angeles (@chirla_org): https://www.chirla.org/donatenow/Immigrant Defenders Law Center (@immdef_lawcenter): https://www.immdef.orgInland Coalition 4 Imm Justice (@ic4ij): https://secure.actblue.com/donate/jornalerosRelief For Disabled People Impacted By The Los Angeles Fires:Richard Devylder Disaster Relief Fund: https://disabilitydisasteraccess.org/rd-relief-fund/United Spinal Disaster Relief Grant: https://unitedspinal.org/disaster-relief-grant/Inevitable Foundation Emergency Relief Fund: https://www.inevitable.foundation/erf
The 2026 Oscar nominations have been announced, and 'Sinners' dominated the day, earning a historic 16 nominations, breaking the previous record of 14 held by 'La La Land,' 'Titanic' and 'All About Eve.' Along the way, the movie scored a surprise nod for supporting actor Delroy Lindo, but star Chase Infiniti was snubbed in the lead actress category. Awardist host Gerrad Hall, EW Sr. Writer Joey Nolfi, and Sr. Editor Joyce Eng break down all of the snubs and surprises (also including 'Wicked: For Good' and stars Cynthia Erivo and Ariana Grande, who were completely shut out), as well as analysis on what the 16 nominations could mean for Sinners' chance to win Best Picture. Learn more about your ad choices. Visit podcastchoices.com/adchoices
5:30am the Oscar nominations are coming January 22, 2026 and Sinners for me was the best picture of 2025. At its heels it's the very unworthy one battle after another. Let's get it started off for 2026
In our news wrap Thursday, Donald Trump is suing JPMorgan Chase and CEO Jamie Dimon for $5 billion, saying the company closed his accounts for political reasons after he left office in 2021, the U.S. withdrew from the World Health Organization a year after Trump signed an order setting the exit in motion and "Sinners" broke the record for Oscar nominations with 16, including Best Picture. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy
Join our hosts for a more thematic discussion on the 87th Best Picture winner, BİRDMAN or (The Unexpected Virtue of Ignorance). While interesting fodder for discussion and a fascinating look into the earlier stages of social media, virality, and its impact on relevance, some of the characters left more to be desired
What's up Cinemaniacs! Join Cinemania World Members Duane, Larry, Alex, Josie and Manda for the 8th Annual Cinemania World Awards! This is where we celebrate all the amazing films from the year 2025 that wowed us all and made us want more. With nominations for awards such as Best Supporting Actor and Actress, Best Actress and Actor and our MASSIVE 10 Nominee Director and Best Picture categories! Winners were decided by voting between all members of the Cinemania World Team and the listeners! Follow us: Website Facebook Twitter Instagram Apple Podcasts Spotify Google Podcasts Stitcher Castbox Blubrry Amazon Music TuneIn Audible Follow Duane - Twitter Instagram Letterboxd Follow Larry (Chilly Boy Productions): Twitter Youtube Letterboxd Follow Alex - Twitter Youtube Follow Josie (Film Posers) - Twitter Film Posers Follow Manda (Candid Cinema) - Twitter Youtube Cinemania World Merch: Teepublic
It's Oscar time, baby! We are happy and disappointed with (some of) the nominees. Here we break down the categories and pick early frontrunners. Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44
Cindy Pearlman Gaber, senior writer for the New York Times and entertainment columnist for the Las Vegas Review-Journal, joins Bob Sirott to talk about the latest Oscar nominations, including Best Picture and Best Supporting Actress. She also shares details about Matthew McConaughey’s trademark phrase and a tribute on “General Hospital.”
Join Christian as he takes a look back the one that started it all, 1976's Best Picture, Rocky. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Hello! Our Oscar Series for this year continues with another Best Picture frontrunner--Guillermo del Toro's Frankenstein. It's a visionary adaptation of Mary Shelley's classic fantasy novel. The film features a top-notch cast, including Oscar Isaac as the titular doctor. We have strong opinions, even if they don't match the raves we had for last week's film. Enjoy!
Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 97: Anora Released 21 January 2026 For this episode, we watched the 2024 Best Picture winner Anora, for which Sean Baker picked up a record-setting four Oscars, its fifth going to star Mikey Madison, who triumphed over hot favourite Demi Moore. Along the way we also take in some other films featuring erotic dancers. Tom's new podcast: https://podfollow.com/all-british-comedy-explained Jess's storytelling theatre show: https://kingsheadtheatre.com/whats-on/16-postcodes-jhby BEST PICK – the book is out now from all the usual places, including… From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month, but please be aware that future releases will continue to be sporadic.
Don't Kill the Messenger with movie research expert Kevin Goetz
Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes Gail Berman, one of Hollywood's most versatile executives. From producing Joseph and the Amazing Technicolor Dreamcoat on Broadway at 22 to becoming the first woman to lead both a major TV network (Fox Entertainment) and a film studio (Paramount Pictures), she has consistently rewritten what creative leadership looks like in Hollywood.From Brooklyn to Broadway: The Joseph Origin Story (04:03): At just 22 years old, Gail and her partner, Susan Rose, produced Joseph and the Amazing Technicolor Dreamcoat. They brought the show to Broadway, earning seven Tony nominations.The Red Dress and the Palisades Fires (15:52): Gail's Tony Awards dress remains in storage due to insurance settlements following the recent Palisades fires that damaged her home.Starting Over in Television (19:30): Gail shares how she received a message on her answering machine about a new venture at HBO. Despite knowing nothing about television, she took the job at the comedy channel that would become Comedy Central.The Buffy Breakthrough at Sandollar (23:56): After reading the Buffy the Vampire Slayer film script, Gail saw it as a perfect TV show. While serving as President of Sandollar, she partnered with Sandy Gallin and Dolly Parton to develop and executive produce the show—launching a cultural phenomenon.The Austin Butler Screen Test for Elvis (28:26): When Baz Luhrmann showed four screen tests, Austin Butler's was last. The film would earn Gail an Academy Award nomination for Best Picture.From Regency Television to Running Fox (33:49): After producing Malcolm in the Middle, Roswell, and The Bernie Mac Show at Regency Television, Gail received a call from Peter Chernin asking her to run Fox Entertainment.The Paramount Years (40:28): Hired to run Paramount Pictures, MTV Films, and Nickelodeon Films, Gail faced some resistance. She secured the Star Trek film rights back from CBS with just 18 months to put it into production, hiring J.J. Abrams and Damon Lindelof to work fast.Black Swan: The Musical (50:43): After leaving Paramount, Gail launched The Jackal Group. She's now producing the musical adaptation of Black Swan with Darren Aronofsky, Kevin McCollum, and Scott Franklin.Gail Berman's story shows how versatility and the willingness to start over can create a remarkable career. From Broadway to broadcast television to film, she's proven that embracing new challenges leads to extraordinary places.Host: Kevin GoetzGuests: Gail BermanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Gail Berman:Wikipedia: https://en.wikipedia.org/wiki/Gail_BermanIMDB: https://www.imdb.com/name/nm0075762/LinkedIn: For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com
Katey and Chris Rosen share their Oscar predictions in 21 categories (everything except the shorts), try to see the surprises coming, and admit that in some categories — we're looking at you, best supporting actress— a surprise is basically guaranteed. Join us live on Substack or The Ankler's YouTube page to watch the nominations announcement live on Thursday morning! Subscribe today to Prestige Junkie After Party bonus episodes for just $5 a month. Subscribe to the Prestige Junkie newsletter. Follow Katey on Letterboxd. Follow The Ankler. Chapters: 00:00:00 INTRO 00:03:49 BEST CASTING 00:07:53 BEST ORIGINAL SONG 00:12:11 BEST ORIGINAL SCORE 00:14:49 BEST SOUND 00:16:58 BEST VISUAL EFFECTS 00:19:55 BEST PRODUCTION DESIGN 00:22:58 BEST MAKEUP AND HAIRSTYLING 00:26:12 BEST COSTUME DESIGN 00:28:23 BEST FILM EDITING 00:30:21 BEST CINEMATOGRAPHY 00:34:42 BEST DOCUMENTARY FEATURE 00:37:24 BEST INTERNATIONAL FEATURE 00:40:08 BEST ANIMATED FEATURE 00:42:44 BEST ADAPTED SCREENPLAY 00:45:52 BEST ORIGINAL SCREENPLAY 00:48:25 BEST SUPPORTING ACTOR 00:52:32 BEST SUPPORTING ACTRESS 00:57:20 BEST ACTOR 01:02:05 BEST ACTRESS 01:05:26 BEST DIRECTOR 01:09:09 BEST PICTURE
The Creativity, Education, and Leadership Podcast with Ben Guest
I saw the power of storytelling and the responsibility we have to share stories to educate and change lives.Dr. Terésa Dowell-Vest is an Associate Professor of Communication at Prairie View A&M University and President of the University Film and Video Association (UFVA), an organization that supports film, television, and media studies in higher education.In this conversation Terésa and I discuss:* The music of Janet Jackson, Prince, and Jimmy Jam/Terry Lewis* Teaching media in a post-truth world* What UFVA is, why it matters, and how professional associations can sharpen teaching and creative practice* What filmmaking trends she sees with her students at Prairie View A&M* The short documentary her students did in collaboration with students from USC (link here)* “The Death of Cliff Huxtable” and the process of separating art from a problematic artistThanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI generated transcript. Don't come for me.BEN: Hi everyone—Ben Guest here. Welcome to The Creativity, Education, and Leadership Podcast. Today my guest is Professor Terésa Dowell-Vest, an associate professor of Communication and Media at Prairie View A&M University and the President of the University Film and Video Association (UFVA).In this conversation we talk Janet Jackson, the media landscape for young people interested in production, what UFVA does, and more. Enjoy.Professor, thanks so much for joining me today.TERÉSA: Thank you. Thank you for having me. It's my pleasure to be here.BEN: I always like to start with a fun question. Senior year of high school—what music were you listening to?TERÉSA: Senior year of high school—1989. 1990 was a great year to be a Janet Jackson fan. *Rhythm Nation* was probably worn out in my car's tape deck. I was a huge fan.BEN: Did you do the choreography?TERÉSA: Oh yes. I can do the hands and all that—the “A‑5‑4.” I would do it, for real.And Janet Jackson was the big one, even though Prince's *Purple Rain* came out a few years earlier. That album was still in regular rotation for me in high school.And then in 1988 New Edition put out *Heart Break*—produced by Jimmy Jam and Terry Lewis. That was such a good time. So yeah: Janet, Prince, New Edition—Jimmy Jam and Terry Lewis were the soundtrack.BEN: '88 was when Bobby Brown's *Don't Be Cruel* came out, right?TERÉSA: Listen, lemme tell you, the eighties to be a teenager in the eighties, to be in your twenties in the nineties. What a time to be alive.BEN: Yeah. I love it. Okay, second fun question. What's your pick for best picture this year?TERÉSA: I'd say *Sinners*. There are a few this year, but funny enough I actually focused more on television—I was obsessed with *Stranger Things* and *Severance* (and one other show I'm blanking on), so I didn't get to the movies as much. But I did see *Sinners* and it really stuck with me. I should preface that by saying I'm not as familiar with the entire pool, but I'm almost confident it'll be a strong contender.BEN: So good. I saw that your MFA thesis was titled *The African American Producer Is the American Griot*. Can you talk about that—maybe even in relation to *Sinners*?TERÉSA: I've always been fascinated by the power of storytelling. My bachelor's degree and my MFA are both in theater because I love live engagement. That also shaped me as a professor—I love being in front of students and engaging in a transactional, interactive way, not just a linear one. Theater and education give me that kind of exchange with an audience.For my graduate thesis I came to know Dr. Maulana Karenga—best known for creating Kwanzaa. He was chair of the Black Studies program at California State University, Long Beach. During my years there (1994–1997), I was the only Black student in the program, and in 1997 I became the first Black person to graduate with my particular degree from that program. Even in the '90s I was thinking: why are we still talking about “firsts” and “onlys”?I wanted to bridge storytelling with the legacy of slavery and survival—my own ancestors were from Virginia, where I was born and raised. Dr. Karenga taught me the concept of the *griot*—the storyteller—and the responsibility that comes with that. In the U.S., storytelling often gets treated as frivolous—an extracurricular, “nice to have.” A lot of Black parents, especially, don't want their kids studying film, theater, or the liberal arts because it doesn't seem like a stable livelihood. I started undergrad as an accounting major and didn't tell my dad I'd switched to theater until graduation day—he found out when they called my name under the College of Arts instead of the College of Business. That's the mindset I came from: my family wanted us to succeed, and the arts read as struggle, not a viable career.But there's honor in being a storyteller. That idea changed how I saw theater.And it was the '90s—*Rent* was happening, and I was in Los Angeles, flying back and forth to the East Coast to see Broadway shows that weren't just entertaining; they were educating and changing lives. I remember *The Life*—not a massive hit, but it told the story of Black and Brown women working as call girls in New York City. You'd think, “Is that a Broadway story?” But the music was outstanding.And there were so many others—*Bring in 'da Noise, Bring in 'da Funk* with Savion Glover, looking at African American history through tap and music. During that period I really saw the power of storytelling—and the responsibility we have to tell stories that educate and change lives.BEN: That's so powerful. The responsibility of storytelling to educate and change lives.TERÉSA: Yeah.BEN: It's one of the things I've often thought as a teacher: I'm a storyteller. How do you construct a lesson so students are receptive? It's like you're telling a story over a unit, a curriculum, or even a single lesson.TERÉSA: When you engage with students and give them permission to share their stories, you're not really “teaching” in the traditional sense anymore. It becomes more like peer engagement than “I'm the teacher, I know the things, and I'm telling you the things.”Students receive it differently when they feel you're invested in who they are—not just their grade.BEN: There's a great quote, I think it's Roger Ebert films, but really stories are empathy machines.TERÉSA: Yeah.BEN: It allows us to walk in someone else's shoes for a moment. There was a reconciliation group in Mississippi whose motto was: “Enemies are people whose stories we haven't heard.”TERÉSA: Incredibly profound. When we think about fear, it's often a lack of understanding—no connection to the thing you're afraid of. Hearing stories can build that connection.BEN: Can you talk about the importance of media education? I'm a documentary filmmaker, documentary filmmaking in today's world where so much of where we are in a post-truth society.TERÉSA: There are mechanics to telling the truth, and mechanics to telling a lie. In fiction you see this a lot—shows like *The Mentalist* or *Law & Order* where someone reads body language, eye movement, and so on to figure out whether someone is lying.What matters for media education is helping students understand the “tells” in information—how to challenge and debunk claims instead of assuming, “Someone told me a thing, so it must be true.”I didn't fully appreciate how urgent that was until the pandemic, when early reporting was all over the place and a lot of it conflicted. Being able to sort honest, vetted information from dishonest or speculative claims mattered in a very concrete way—like realizing you probably shouldn't drink bleach.Coming out of that period, teaching media studies has meant teaching reporting with integrity. You can't just assume something is true—not because people are “bad,” but because people absorb information differently based on what they've experienced.I do a lecture with my senior capstone students on the difference between **knowledge** and **information**. Knowledge is shaped by culture, character, race, gender, where you grew up, what language you speak, what faith you practice—so it can carry bias. Information, on the other hand, is verifiable and can be vetted. 2 + 2 = 4 no matter who you are.Good storytelling—and good journalism—knows how to bridge knowledge and information with integrity. When I have journalism students who lean into opinion-driven news—whether it's Fox, MSNBC, whatever—I tell them: that's playing to an audience's sensibilities. It can be entertaining, but it isn't the same as straight reporting. Then there's reporting that aims to be more information-based—“Here's what happened today.” That also needs to be taught. We're in a moment where students need tools to tell the truth, recognize lies, pick them apart, and trust their internal compass about what's important to share.And Ben—my answers get long. You might have to cut me off.BEN: I'm going to cut you off when what you're saying stops being interesting—so I doubt I'm going to cut you off.You're the President of the University Film and Video Association. For listeners: what is UFVA?TERÉSA: UFVA is a nationally recognized organization of university and college educators and institutions focused on film, television, and media studies—both practice and theory. We're a collective of makers and scholars. Our members hold a range of degrees—MAs, MFAs, MS degrees, PhDs, EdDs.As an organization, we examine how film and television are used—and we keep digging into how the field is evolving through innovation and emerging technology. Each year we host a conference (typically in July) where we share classroom best practices and research, and we analyze how film sparks conversation.You asked me earlier about a front-runner for Best Picture. I think about *Sinners* as a kind of textbook in a lot of ways. One of my students gave an informative speech last semester on the history of hoodoo, and she referenced *Sinners* heavily because it's central to the film. In that moment she used a movie as a learning text.That's what UFVA does: we create space to share those opportunities through research and scholarship, and we bring it back to our students and institutions.BEN: You said “best practices,” and I want to come back to that because it's a rabbit hole I love.But first: in an interview you did with the *Journal of Film and Video*, you said you were about to start your UFVA presidency and weren't sure what to expect. Now that you've lived it—how was it?TERÉSA: One of the biggest things I've learned—maybe I've only really realized it in the last couple of months—is that joining an association as an educator keeps the fire hot. It keeps you learning.As UFVA President, I've met so many people who've inspired me. It's not that I want the presidency to end; it's more like, “I need more time to implement everything I'm learning from colleagues.” It also pushed me to partner with other organizations and communities I knew about but hadn't been deeply involved with.I joined UFVA because of the pandemic. Before that I'd never even heard of the University Film and Video Association. I was the kind of person who kept my head down and did my work in my silo, and I was fine with that. But when the pandemic hit, no one knew what to do with film production courses in quarantine.I reached out to colleagues—thinking maybe eight or ten of us would hop on Zoom and talk through hybrid and online teaching. That snowballed. People said, “Can I invite a colleague?” I said yes. I posted on Facebook: if you teach film production or media studies and want to talk about what we're doing this fall, let's meet.Jennifer Proctor replied and asked, “Have you heard of UFVA?” I hadn't. She suggested sharing the call with UFVA, and we kept casting the net. By the time we met, there were 126 professors from around the world—about 100 universities represented, including USC, Ivy League schools, and institutions in Germany and Australia.I ran the meeting as breakout rooms—nine of them—named after Black women in film and television: Shonda Rhimes, Julie Dash, and others. So even in the mechanics of the meeting, people were saying these names and being reminded of who matters in media.Two things came out of that experience. First, UFVA invited me to join the board. I said, “Let me be a member first,” but within a few months I knew: yes, this is where I want to be.Second, I saw the gaps. There was very little representation from HBCUs, and very few Black people involved. Not because UFVA was “bad,” but because people simply didn't know. So I understood my call: help bring people in, build bridges, and create collaboration without turning it into a slogan. I love that we get to do the work without making it a “thing.” That's been the value of the presidency for me.BEN: Love it. Can you talk about with your students at Prairie View, what are some trends you're seeing with what the young people are doing?TERÉSA: Oh, child. They want to be influencers.This is the social media age, and a lot of students see it as the primary industry of their generation—and I get it. If you have enough followers and a couple brands offer deals, it can be real money. I have students with tens of thousands of followers. I'm like, I can barely get my family to like a post. And they're like, “Oh, I do nails,” or “I do lashes,” or “I show my sneaker collection,” and they'll get 10,000 likes every time they post.My reaction is: we need to be teaching this. We need to teach students how to parlay that into careers. Even if I don't personally understand every part of it, that doesn't make it non-viable.It reminds me of when we were in school. The internet wasn't even a thing when I was in college (1990–1994), and then suddenly we were on the edge of being connected to the world. Professors were saying, “This will create cheaters—you'll never look things up in books again.” Sound familiar?Now students are figuring out VR, AR, AI. They're building brands, protecting brands, learning to be CEOs of themselves. That's exciting.BEN: Yeah. I think about that all the time. It's like when people first started writing letters—somebody must have said, “No one's going to talk to each other anymore. They're just going to send letters.”TERÉSA: Exactly. Every generation has a thing—“Who's using this calculator? You need to learn long division.”BEN: I graduated high school in '93, so when you're talking about Janet, my “Janet album” is literally *janet.*—“Again,” “That's the Way Love Goes,” all of that. It's funny how, year by year, the soundtrack shifts just a bit.BEN: Okay—teaching and best practices. What's something you've done in your classroom that really leveled up your teaching?TERÉSA: Oh, wow. Gosh, I think it's less something I've done and more the intention of showing the students that their success is not coming from looking up. It's from looking over. It's the concept that. When you graduate from college, it isn't some executive that's going to give you an opportunity. It's the people you're in the trenches with right now that you're gonna build with right now. So I think the thing that's leveled up my teaching is less a thing that I can show them as much as relationships that I can help them forge and the power of networking. So our program has has a pipeline relationship with the Annenberg School of Communication at the university. The University of Southern California professor Mickey Turner, who's a professor there at USC teaches the senior storytelling for Media course similar to the communication capstone course that I teach here. And so every semester, professor Turner and I collaborate. Those two classes together and we introduced those students to each other through pitches, research topic pitches for their final capstone project. And what they see is. Students at an HBCU or students at this PWI are not different at all. They just, they, live in different states. Perhaps they come from different backgrounds, but by and large, they have similar goals. And we teach them that this is who you need to forge a relationship with because when you are at the stage of making deals or going out and work, this is the person you're gonna want to call. So I think the thing that's leveled up my teaching is my understanding. And my teaching of that understanding of how the industry works and how it can best work for them. Since you no longer have to live in LA or New York to, to make movies people are making movies on their devices. You have to now find your tribe to tell your stories and it can be much more localized. And so I teach them to build their team where they are and not. Go after this aspirational. The only way I can make it if is if I put it in the hands of someone so far away from me. No, put it in the hands of the guy sitting next to you or the young lady that's sitting on this other side and shoot your film, make your short tell the story. Do your podcast. I feel like that's leveled up. The final piece to that USC story is that during the pandemic, five of our students from Prairie View and five students from USC collaborated on a short documentary about the pandemic and how it impacted students at HBCUs, at this HBCU versus how it impacted students at a private, pWI Prairie View is 45 minutes outside of the city of Houston. We're a rural community. We're in the middle of nowhere essentially, whereas USC is in the heart of Los Angeles and those students taught, told an amazing story. I'll send you the link to the film. It's on YouTube. Told an amazing story from two different vantage points. That is a great indication of how education can be collaborative. Just as film is.BEN: Yeah. Before we started recording, we were talking about travel—and it just reminds me: travel is one of the best educations people can get. The more you interact with people from around the country and the world, the more you realize how similar we are and what we want: better lives for our kids and a better world to live in.That feels like a good place to end. For people interested in your work, where can they find you?TERÉSA: A good starting point is **thedeathofcliffhuxtable.com**. That's where you'll find my fan-fiction series—and later scholarly series—about separating the art from the artist when the artist is problematic.Bill Cosby's work touched every stage of my life: as a child I watched *Fat Albert and the Cosby Kids* on Saturday mornings; as a teenager in the '80s I watched the Huxtables and wanted to be part of that world; and in college in the '90s—at James Madison University, a PWI—every Thursday night at 8:30 we gathered to watch *A Different World*, and it made us feel connected in a way.When I think about the more than 60 women who came forward, my first thought is: that many people aren't lying. Even if one person tells the truth, it changes everything.In 2015—around the time the New Yorker reporting was circulating and more women were speaking—I started writing fan fiction centered on the Huxtable family at the moment Cliff Huxtable dies. I “killed” Cliff Huxtable to push back on the idea that Bill Cosby was “America's dad.” That moniker belonged to Cliff Huxtable—a fictional character written by an artist who created something meaningful and also did something horrific.We can't see Cliff the same way because he wears Bill Cosby's face, but they are not the same person—one of them isn't even real. Writing the series helped me illustrate that tension, and it eventually became a scholarly project.During the pandemic we hosted a virtual series with 51 artists, scholars, and actors who read chapters and then joined post-show discussions on the themes. You can find all of that through the website, and it's also the easiest way to contact me.BEN: Wow. Professor, thank you for all the, for your time today, but also for all the good work you're doing in so many different spaces.TERÉSA: Thank you. Thank you. And I look forward to listening to the podcast even more. I'm sorry that I'm just now getting hip to your great work, but I tell you what, I am going to tune in and probably hit you up with some questions and excited remarks shortly thereafter.BEN: I love it.That was my conversation with Professor Dowell-Vest. If you enjoyed it, share it with a friend. Have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com
A Box Office Report ends the episode with reviews of 28 Years Later: The Bone Temple & Song Sung Blue. Otherwise, we each have 3 sneaking suspicions about the incoming Oscars Nominations, plus a few potential surprises and spoilers to our predictions that might happen. . LAST CALL FOR OSCAR NOM TAKES: Prediction Changes and Almost Changes + EFA Results - 1:50 Our Outlandishly Reasonable Picks : A cool kid pick in Original Screenplay - 14:30 Outside the Box Picks in Best Picture - 18;30 The Category That Might Get The Weirdest - 21:41 What film might overachieve people's expectations? - 23:23 A Most Expected BIG NAME Nom That Might Miss - 25:45 New Records That Might Be Set on Thursday - 29:20 . THE YOUTUBE OSCARS: We discuss all we know as of now about the deal. Then we dive into some of the pros and cons, possible risks and rewards and how some trending developments in showbusiness might impact this big move by the Academy - 31:52 . BOX OFFICE REPORT: we reassess what worked and what didn't during the holiday corridor and how awards contenders are faring. Plus, we work in reviews of The Bone Temple and Song Sung Blue - 51:52 OUTRO: Next up, we will recap the Oscars Nominations. Then it's gonna be a fun journey until March 15th full of Oscar Race Checkpoints and special episodes. When reality sucks, keep watching movies with us. We are Mike, Mike and Oscar, making awards season year round, without the stuffiness. https://linktr.ee/mikemikeandoscar
Listeners, the power of the Three Rings is ended. This week we fulfill our oath and complete the Peter Jackson LOTR trilogy!We're talking Denethor (aka Dennis Thor), the army of the dead, Aragorn's long sword, Eowyn being horny, the Mouth of Sauron being repugnant (put him back into the theatrical cut, cowards!) and how fun it is to see what Gandalf looks like when he sleeps.Also….Death! Death! Death!Next week, we're throwin' in a bonus! It's another super-important adaptation featuring many famous literary characters…THE LEAGUE OF EXTRAORDINARY GENTLEMEN (2003). With a super secret very special guest! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesFrom Book to Script: Forging the Final ChapterDesigning Middle-earthHome of the Horse LordsCameras in Middle-earthWeta DigitalEditorial: Completing the TrilogyMusic for Middle-earthThe Soundscapes of Middle-earthThe End of All ThingsThe Passing of an AgePeter Jackson: A Filmmaker's Journey by Brian SibleyCinefex #96 Production HistoryCinefex Peter Jackson InterviewASC Cinematography BreakdownCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Editor - Michael P. Shawver Sinners editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler. Together the two have collaborated on Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever and now Sinners. Their past experience on both VFX-heavy films like Black Panther, as well as socio-political dramas like Fruitvale Station, would prove invaluable as they worked to blend the real horror of racial injustice with the fantastical horror of a vampire onslaught. Taking place in 1932, Sinners follows identical twins, and World War I veterans, Elijah "Smoke" and Elias "Stack" Moore as they return to Clarksdale, Mississippi after spending seven years in Chicago. Using money stolen from criminal syndicates, they purchase a sawmill from a landowner to start a juke joint for the local Black community. Their younger cousin Sammie, a singer and guitarist, joins them despite his pastor father's warnings about the sins of blues music. His warnings would prove prophetic, as the twins and their friends face foes both familiar and supernatural. MICHAEL P. SHAWVER Originally from Rhode Island, Sinners editor Michael Shawver developed an early working relationship with director Ryan Coogler during their time together at the University of Southern California School of Cinematic Arts. Shawver initially edited Coogler's short film, Fig, and later went on to cut his feature debut, Fruitvale Station, starring Michael B. Jordan. The film garnered two of the Sundance Film Festival's top prizes, the Audience Award and the Grand Jury Prize, and went on to receive numerous awards and nominations at film festivals worldwide. Shawver also edited All Summers End, a debut feature film by director Kyle Wilamowski; Warren, by director Alex Beh; Tell, for director J.M.R. Luna; and Fourth Man Out, for Andrew Nackman. Shawver's next collaboration with Coogler and Jordan was Creed, for which he received a nomination for Best Editing in the Independent Critics Poll. Michael then reunited with Coogler and Jordan on Black Panther, a box office smash, which was nominated an outstanding 43 times, including for Best Picture at the Academy Awards and Best Motion Picture Drama at the Golden Globes. His work on this project also earned him a Saturn Award Nomination for Best Editing and an Alliance of Women Film Journalists Nomination for the Best Editing EDA Award. In addition, the film won Movie of the Year at the AFI Awards. Following Black Panther, Shawver edited A Quiet Place: Part II, directed by John Krasinski. He later returned to the Marvel universe for Black Panther: Wakanda Forever, again collaborating with Coogler and Jordan. Shawver's recent work includes Abigail, a genre-bending thriller directed by Matt Bettinelli-Olpin and Tyler Gillett. He is currently editing The Thomas Crown Affair directed by and starring Michael B. Jordan. The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Recorded - 1/18/2026 On Episode 355 of the Almost Sideways Podcast, we review the latest Park Chan-wook film to hit theaters before diving into what we think will happen on nomination morning this week. Will records be broken in total nominations? Who will be the surprise snub? We cover it all! Here are the highlights:What We've Been Watching(9:15) "The Conversation" - Adam Ford Explorer Review(13:45) "The Sugarland Express" - Zach Review(16:20) "Predators" - Zach Review(19:05) "One From the Heart" - Todd Director Blindspot Review(23:35) "28 Years Later: The Bone Temple" - Todd Review(28:00) "20th Century Women" - Terry Oscar Nomination Review(31:05) "Dead Man's Wire" - Terry Review(34:35) "No Other Choice" - Featured Review2025 OSCAR NOMINATION PREDICTIONS(51:20) Best Casting(59:30) Best Adapted Screenplay(1:07:20) Best Original Screenplay(1:13:30) Best Supporting Actress(1:20:10) Best Supporting Actor(1:24:45) Best Actress(1:30:45) Best Actor(1:38:05) Best Director(1:42:45) Best Picture(1:52:35) Fearless Predictions(1:57:20) Quote of the DayFind AlmostSideways everywhere!almostsideways.comhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Letterboxd: https://letterboxd.com/pro_zach36/Todd: Too Cool for TwitterAdam's Twitter: @adamsidewaysApple Podcasthttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m YouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
It's that time of year! Bella, Nick, and Gimme Three Producer Sonja Mereu start our Favorite Films of 2025 Series with three excellent selections. Since these are 2025 releases, we do want to warn our listeners that we get into some spoilers for all three films we discuss. We start with Paul Thomas Anderson's politically-charged epic and Best Picture contender, One Battle After Another. Second, the movie that took the cinematic world by storm earlier this Spring - the powerfully, sexually-charged vampire film Sinners by Ryan Coogler. Finally, Park Chan-wook delivers a remarkably pertinent, emotional, and wildly funny social satire with No Other Choice. Did you see these 2025 masterpieces? What'd you think of them? What was your favorite film of 2025? ❗️SEND US A TEXT MESSAGE ❗️Kael Your Idols: A New Hollywood PodcastA movie discussion podcast about the New Hollywood era from the late 60s through early 80sListen on: Apple Podcasts SpotifySupport the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.
If you routinely listen to the podcast, you've likely heard me say that art comes to you when you need it. So, is it mere coincidence that I wrap last year's Best Picture Showcase with I'M STILL HERE, a movie wherein a woman's husband is forcibly disappeared by a military dictatorship for the "crime" of assisting folks who criticize the government's policies, at a time when ICE kidnaps both undocumented immigrants and American citizens off of the streets, placing them in holding cells for endless questioning and processing, performing underreported amounts of atrocities to them?No. I really don't fucking think so.---Follow The Movies on Instagram & LetterboxdThrow a couple dollars in the tip jar!
Before the nominations are announced this Thursday, January 22nd, let's talk about my predictions for this year's crop of Academy Award nominees for Best Picture.Remember, friends: no guts, no glory!---ONE BATTLE AFTER ANOTHER dir. Paul Thomas AndersonSINNERS dir. Ryan CooglerFRANKENSTEIN dir. Guillermo del ToroHAMNET dir. Chloe ZhaoSENTIMENTAL VALUE dir. Joachim TrierMARTY SUPREME dir. Josh SafdieIT WAS JUST AN ACCIDENT dir. Jafar PanahiTRAIN DREAMS dir. Clint BentleyTHE SECRET AGENT dir. Kleber Mendonça FilhoWEAPONS dir. Zach Cregger ---Follow The Movies on Instagram & LetterboxdThrow a couple dollars in the tip jar!
As the wait for the next Best Picture to reveal itself continues, we discuss Nik's film pick , "The World's End"!!!Twitter : @oscarsgold @hidarknesspod @beatlesblonde @udanax19Facebook : facebook.com/goldstandardoscarsPatreon : patreon.com/goldstandardoscars
Welcome! Our Oscar Series kicks off with a surefire Best Picture nominee: One Battle After Another. It stars Leonardo DiCaprio, Benecio del Toro, and Sean Penn, and directed by acclaimed filmmaker Paul Thomas Anderson. Enjoy!
It's all been building up to this. Who will land 2026 Oscar nominations? Awardist host Gerrad Hall, EW Sr. Writer Joey Nolfi, Sr. Editor Joyce Eng, and Editor-in-Chief Patrick Gomez debate the big 6 categories — Best Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress — and give their (almost) final picks. Some actors are a sure thing, but a couple others still aren't a lock; hear EW's awards experts make the case for this year's contenders. Learn more about your ad choices. Visit podcastchoices.com/adchoices
On Today's Show Vince will Rate and Review: It's the Tom Daily's! The Year in Review! Stop on by and have a blast with Tom and Vin, as they break down the movies from all year on the podcast!! TimeCodes: Movies Not Covered: 11:30 Thoughts on 2025: 20:23 The Two Shoe Roundup: 28:25 Best Horror, Effects, Editing, Cinematography, Music, and Writing: 36:47 Keep an Eye Out, Supporting Actor/Actress, Best Actor/Actress: 59:12 Best Director, Best Picture: 1:20:38 Best and Worst Films All Year: 1:28:52 Cain Mutiny, Sweet Smell of Success, Coin Flip, Houdini: 1:41:52 Brand New Special Awards: 1:57:32 The Love Triangle Game Show: 2:20:18 Golden Laces and Daily Recognition: 2:38:53 A big thanks to all those who have listened and continue to join us week after week. And a HUGE thanks to all the Daily Rating Producers! Here's to another great year in 2026! - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!
The Lost Weekend Front Row Classics is taking a look at the Best Picture winner of 1945. Brandon is once again joined by, friend of the podcast, Robert Bellissimo to chat about 1945’s The Lost Weekend. The film, directed by Billy Wilder, is one of the most honest indictments of alcoholism from the Golden Age … Continue reading Ep. 415- The Lost Weekend →
On this episode of the MalloryBros. the guys do a full deep dive into all of the film conversations spawned from Golden Globes night. They start with a weekend recap, but quickly get to Awards night. They give their thoughts on the Globes from a production stand point before getting into the awards winners. They were both able to see "One Battle After Another". They speak to the Best Picture conversation between the two. They speak to Teyana Taylor's performance, her win, and the conversation around the "Monster's Ball" award, and the rewarding of our promiscuity and over-aggression. They speak to the Stranger Things Doc. and spend the last 30 minutes talking about the NFL Wildcard weekend and predictions for the divisional round. Follow Us on Twitter @MalloryBros9 for all updates! JOIN THE REALEST 9 on Patreon for More MalloryBros. Content! www.patreon.com/mallorybros
This week's Triple Feature explores obsession, mythmaking, and the stories we tell ourselves to survive meaning. In Bugonia, Yorgos Lanthimos pushes paranoia and control to absurd extremes, turning conspiracy thinking into a darkly comic examination of power, belief, and the human need for order. Marty Supreme reframes the sports biopic as myth, using a fictionalized portrait to explore masculinity, performance, and the cost of obsession rather than historical accuracy. And Hamnet strips narrative down to grief itself, focusing not on Shakespeare's legacy, but on the quiet emotional devastation that precedes it. Together, these films interrogate how identity is constructed — through delusion, ambition, or loss — and ask whether meaning is something we uncover, invent, or cling to when reality refuses to cooperate.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Sean and Amanda instantly react to the 2026 Golden Globes and break down their thoughts on the telecast, debate whether or not ‘Hamnet' is now a serious Best Picture contender, and wonder what exactly the purpose of this awards show is. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices
John Cazale is one of the most extraordinary and heartbreaking figures in film history. Despite appearing in only five feature films, every one of them was nominated for the Academy Award for Best Picture. In this video, Chris and Gerry explore the life, career, and lasting legacy of John Cazale - from The Godfather, and The Godfather Part II to Dog Day Afternoon, The Conversation, and The Deer Hunter. We discuss Cazale's unique acting style, his collaborations with directors like Francis Ford Coppola and Sidney Lumet, his relationships with co-stars including Al Pacino and Meryl Streep, and how his untimely death cut short one of the most remarkable careers in cinema history. Was John Cazale the greatest character actor of all time? Check out the show and decide for yourself.
This week on ClapperCast, Hillary White joins Carson Timar to begin ClapperCast's Best Picture Rewind series by discussing 1927's Wings! Subscribe on Patreon for Bonus Episodes & Early Access: https://www.patreon.com/clappercastpodEmail us at ClapperCast@gmail.com- Social Media Links -Twitter: https://twitter.com/ClapperPodcastLetterboxd: https://letterboxd.com/clappercast/Carson Timar: https://bsky.app/profile/carsontimar.bsky.socialHillary White: https://letterboxd.com/degelle/Create Your Podcast on Zencastr Today: https://zencastr.com/?via=clappercastThanks for Watching!
We know you want to listen to all the ads in this show. On the off-chance you don't, subscribe ad-free here.Lately companies have been hijacking breaking news stories to create ads.When thieves broke into the Louvre with a ladder, the ladder company quickly produced a tongue-in-cheek ad.When the Oscars read the wrong Best Picture winner, an optometry chain made fun of the mix-up.It's called Newsjacking - and it's becoming a powerful marketing tactic. Hosted on Acast. See acast.com/privacy for more information.
Welcome to Multiverse News, Your source for Information about all your favorite fictional universesAs has become par for the course these last few weeks, Marvel Studios released the third Avengers: Doomsday trailer, which focuses on the X-Men, Tuesday morning after an exclusive week run attached to theatrical showings of Avatar Fire and Ash. Sebastian Stan is in talks to join The Batman Part II opposite Robert Pattinson and Scarlett Johansson, making him the second Marvel Cinematic Universe alum to jump to Matt Reeves' Gotham. The Oscar-nominated Apprentice star, best known for playing Bucky Barnes aka the Winter Soldier in multiple Marvel films, would join returning cast members Colin Farrell, Jeffrey Wright and Andy Serkis ahead of spring production for an October 2027 release.Avatar: Fire and Ash crossed the 1 billion dollar mark at the global box office after 18 days in theaters, led by 40 million dollars domestically in its third weekend for a total of 306 million dollars and 777.1 million dollars internationally, making it Disney's third billion-dollar release of 2025. Meanwhile, Netflix's Stranger Things series finale generated between 25 to 28 million dollars from a limited two-day theatrical run across 600 theaters on New Year's Eve and New Year's Day, with exhibitors selling concession vouchers rather than traditional tickets and keeping all revenue themselves as an olive branch between the streamer and theaters. Simu Liu has publicly endorsed his Copenhagen Test co-star Melissa Barrera to play Wonder Woman in James Gunn's DC Universe, praising her stunt training as Wonder Woman-esque and calling her a total badass who puts in the work. DC Studios boss James Gunn confirmed in July that Wonder Woman has not been cast yet and won't be discussed until the script is finished, with Supergirl screenwriter Ana Nogueira tapped to write the new Wonder Woman film.Paul Thomas Anderson's One Battle After Another dominated the Critics Choice Awards on Sunday night, winning Best Picture, Best Director and Best Adapted Screenplay, while Timothée Chalamet won Best Actor for Marty Supreme and Jessie Buckley took Best Actress for Hamnet. Ryan Coogler's Sinners and Guillermo del Toro's Frankenstein tied for the most wins with four awards each, with Jacob Elordi scoring a surprise Best Supporting Actor victory for his performance as the Creature in Frankenstein. On the television side, The Pitt won Best Drama while The Studio took Best Comedy, with Adolescence earning four awards including Best Limited Series.Horror director James Wan has expressed interest in directing Avatar 4 if James Cameron decides to step back from the franchise, telling Screen Rant he would love to take a crack at the billion-dollar series. Cameron has indicated he may scale back his hands-on involvement with future Avatar films to pursue other projects, potentially delegating more directorial duties to second unit directors or another filmmaker while remaining as producer.Paramount+ has renewed Mayor of Kingstown for a fifth and final season consisting of eight episodes, down from the usual ten episodes per season. The Taylor Sheridan crime drama starring Jeremy Renner and Edie Falco will conclude after its upcoming season, which follows the bloody Season 4 finale that aired in December 2025.Amazon Prime Video has announced the cast for its Tomb Raider series starring Sophie Turner as Lara Croft, with Sigourney Weaver joining as Evelyn Wallis, a mysterious woman seeking to exploit Lara's talents, and Jason Isaacs as Atlas DeMornay, Lara's uncle. The series, created and co-showrun by Phoebe Waller-Bridge, will also feature several characters from the video game franchise including Bill Paterson as butler Winston and Martin Bobb-Semple as tech support Zip.
Is a secret 9th episode of Stranger Things Season 5 dropping on January 7th? We dive deep into the viral Conformity Gate fan theory that's blowing up everywhere – the idea that the "happy" finale was actually a Vecna-induced illusion, full of hidden Easter eggs like creepy hand poses, D&D book codes spelling lies, and forced "conformity" in the epilogue. Fans are convinced a real, darker ending is coming soon... but is it legit or just wishful thinking?Plus, more hot pop culture news:Avatar: Fire and Ash crosses $1 billion globally, while Zootopia 2 smashes records with massive hauls in China and overseas! Full breakdown of the 2026 Critics Choice Awards winners, including Best Picture for One Battle After Another, Timothée Chalamet taking Best Actor, and big sweeps in TV for shows like The Pitt and Adolescence. James Gunn shares his exciting vision for Supergirl: Woman of Tomorrow as a space fantasy, plus thoughts on the Netflix-Warner Bros. deal. Rumor: Ahsoka's Eman Esfandi eyed for MJ's boyfriend in the next Spider-Man movie! Confirmed: House of the Dragon wraps up with Season 4 – showrunner Ryan Condal spills the details. What do you think about Conformity Gate – real twist or fan cope? Drop your theories in the comments!#StrangerThings #StrangerThings5 #ConformityGate #SecretEpisode #Avatar #Zootopia2 #CriticsChoiceAwards #Supergirl #SpiderMan #HouseOfTheDragon #PopCulture #MovieNews #TVNews SPONSORS: RAYCON: Go to https://www.buyraycon.com/kristian to get 20% off sitewide. Thanks to Raycon for sponsoring!