Podcasts about Blackness

In this inspiring return episode, hosts Nick and Christine sit down with Rochester artist Amanda Chestnut to explore her powerful and deeply personal artistic journey. With over 30 years of experience in photography and a growing passion for ceramics, bookmaking, and fiber art, Amanda shares how she creates meaningful work that challenges perceptions and honors Black identity.The conversation explores the intersections of race, history, and community, highlighting Amanda's advocacy for equity in the arts and her ongoing efforts to make Rochester's cultural history more inclusive. She speaks candidly about the challenges artists face in the city, particularly the housing crisis and lack of representation, and her commitment to uplifting others through collaboration and opportunity sharing.Don't miss this thoughtful discussion on resilience, creativity, and the transformative power of art.About Amanda ChestnutEmail: inthismoment585@gmail.comInstagram: https://www.instagram.com/blk_amanda/Amanda Chestnut is a multimedia artist, curator, educator, publisher, and local arts loud-mouth in Rochester, New York. They have made image-based art as a photographer for 30 years. Their artwork has been exhibited throughout New York State, including at the Center for Book arts in Manhattan. Chestnut holds an MFA in Visual Studies from Visual Studies Workshop through The College at Brockport, SUNY. During that time, they held graduate assistantships at Visual Studies Workshop and in the Criminal Justice Department, both at the College at Brockport. Recent lectures and radio appearances focused on community action, equity in user experiences in digital platforms, curatorial practices, arts funding, the English language, and the over-policing of Blackness in the United States.More About That Sounds Terrific in the 585 – Hosts Nick Koziol & Christine GreenFor more information on That Sounds Terrific in the 585, visit our website at That Sounds Terrific and be sure to follow us on Facebook, Twitter, and Instagram. If you or someone you know is doing something terrific in the 585 area and should be featured on our show, email us at thatsoundsterrific@gmail.com.Special Thanks To Our Key Supporters585 Magazine and their team for their support with the That Sounds Terrific in the 585 podcast. Be sure to become a subscriber of this terrific magazine - learn more at https://585mag.comThank you to Morgan Brown and Meadow Viscuso, our terrific intern duo from SUNY Fredonia for all their hard work and for lending their voices and music to the Intro and Outro of the That Sounds Terrific in the 585!

Will Ian return? Will there be a Halo of Blackness? Will Tuon die? Come listen and find out! LAFO! Enjoy!

Gloria Purvis joins the pod to discuss Carmelite spirituality, the legacy of Black Americans in the Catholic Church, and Church politics. Read our first interview in America https://www.americamagazine.org/faith/2020/09/23/gloria-purvis-interview-racism-pro-life-politics-devilSubscribe to the Substack: https://cracksinpomo.substack.com

The Ghanaian artist Amoako Boafo has attracted global fame for his bold and sensual portraits. He paints bodies and faces using his fingertips instead of a brush, capturing form through direct, tactile gestures. When he went to art school in Vienna, he was struck by the extent to which Black subjects had been overlooked in global art. Determined to change the status quo, he drew inspiration from early 20th Century Viennese artists like Gustav Klimt and Egon Schiele and added his own techniques to invent a fresh new style of portraiture. Lucy Ash follows his preparations for a major new show at Gagosian in London. It involves a transformation of the gallery space into a full-scale recreation of a Ghanaian courtyard – just like the shared space in which he was raised. With the help of his collaborator, Glenn De Roché, an architect famous for community buildings and with an artist friend who produced a set of playing cards, especially for the event. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

This week we will use the origin story of Philadelphia Freedom Schools to revisit the essential components of an African education: The intergenerational transmission of knowledge, values and wisdom; the development of character, social responsibility and accountability; and the training of next and future generations to assume roles currently held by elders. By re-membering from the deep well of African thought and practice, can “Blackness,” a concept invented as a tool of oppression, be recrafted beyond a strategy for resistance to become a space for social perfectibility?JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this payday, Amber and Erika are joined by Broke-ish all-star, Dr. Kehinde Andrews, to discuss his latest book, “Nobody Can Give You Freedom: The Real Mission of Malcolm X”. Malcolm X, the foundational inspiration of Season 11, articulated a vision of Black radicalism and liberation that informs how we engage the global fight against anti-Blackness and systemic oppression. Dr. Andrews helps us clarify Malcolm's liberatory strategies and political ethos—compellingly outlining America's injustice to the broader quest for freedom for all people of African descent. This season's episodes will not just focus on the broken “ish”, but each payday we will highlight what viable solutions we can glean from Minister Malcolm's work. Press play to get the scoop!

Alice Walker is a renowned author. She's also a grave hunter. In the 1970s, she set out to discover the final resting place of a long lost voice of authentic Blackness. What she found changed history forever. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work.The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

University of Georgia professor, Rafiki Jenkins, joins Doc and Mike to discuss the origins of human monstrosity (can a human be monstrous?) and how horror fictions presents and complicates history and American culture. We hope you have a fortunate Friday the 13th!   Jerry Rafiki Jenkins is Assistant Director of the Institute for African American Studies at the University of Georgia. Rafiki holds a doctorate in Literature from the University of California, San Diego, and his research focuses on Black speculative fiction and film, with an emphasis on horror, and future human studies. Rafiki is the author of Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024) and The Paradox of Blackness in African American Vampire Fiction (Ohio State UP, 2019), and he co-edited, with Martin Japtok, Human Contradictions in Octavia E. Butler's Work (Palgrave Macmillan, 2020) and Authentic Blackness/Real Blackness: Essays on the Meaning of Blackness in Literature and Culture (Peter Lang, 2011). Rafiki has also authored several book chapters, and his peer-reviewed articles appear in Pacific Coast Philology, Screening Noir, African American Review, Journal of Children's Literature, and Science Fiction Studies.     About this podcast: MONSTERS! They haunt our days and chill our dreaming nights, to paraphrase Emily Dickinson. There's not a population on earth that does not have its own unique monster stories to tell to frighten, but also to instruct on the nature of good and evil, right and wrong. But what happens when monsters get out of control, when the monstrous imagination starts to bleed over into the real world? What are the effects of monsters on real people's real lives? This podcast examines the histories and mysteries of some of our favorite monsters to unlock their secrets and expose their influence on our lives.   About the hosts: Michael Chemers (MFA, PhD) is a Professor of Dramatic Literature in the Department of Theater Arts at UC Santa Cruz. His work on monsters includes The Monster in Theatre History: This Thing of Darkness (London, UK: Routledge 2018). Dr. Chemers is the Founding Director of The Center for Monster Studies. Formerly the Founding Director of the Bachelor of Fine Arts in Dramaturgy Program at Carnegie Mellon University, he joined the faculty of UCSC in 2012. He is also the author of Ghost Light: An Introductory Handbook for Dramaturgy (Carbondale, IL: Southern Illinois University Press, 2010) and Staging Stigma: A Critical Examination of the American Freak Show (New York: Palgrave MacMillan, 2007). Dr. Chemers is also an actor, a juggler, and a writer of drama. Mike Halekakis is an entrepreneur, business owner, internet marketer, software engineer, writer, musician, podcaster, and hardcore situational enthusiast. He is the co-founder of What We Learned, a company that specializes in compassionate training courses on complex adult subjects such as caregiving for people who are sick, planning for death, and administering after the loss of a loved one. He is also the CEO of Moneyfingers Inc., a company that trains people on how to successfully create, market, and sell products on the internet. When not burning the candle at both ends with a blowtorch, Mike loves video games, outdoor festivals, reading comics and novels, role-playing, writing and playing music, hanging out with the world's best cats, and spending time with his amazing wife and their collective worldwide friend-group.

The Manhattan Institute, a conservative think tank, ended its relationship with noted Brown University economist Glenn Loury after he was critical of Israel's actions in Gaza. The cancelation followed an appearance from fellow Brown professor and Israeli historian Omar Bartov on his podcast, during which Bartov offered an analysis of the Gaza genocide that reflected international consensus on Israeli violations of international law. Professor Loury joins Briahna Joy Gray for a must-watch two hour discussion in which Loury reflects on his career as a Black conservative, Ta-Nehesi Coates' book The Message, and the fact that his own Blackness informs his sympathetic attitude toward the Palestinian people. Does identity matter after all? As conservatives attempt to strip funding from the National African American History Museum and obstruct educators from teaching diverse histories, does Loury have any regrets about supporting attacks on "woke" pedagogy? Also, Loury debriefs on his viral interview with Tucker Carlson, and how his lefty wife has helped him to become more establishment in recent years. Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod).

In this heartfelt episode of Hot Topics, hosts J. Fotsch and Will Cox sit down with Zach Troutman—coach, community leader and founder of Follow the Leader—to discuss the impact of intentional fatherhood, mentorship and vulnerability. Zach opens up about growing up without his dad, losing his best friend to suicide and how these experiences shaped his mission to provide stability, openness and support for his children and others. Key points include the power of transparency in fatherhood, how grief can be channeled into advocacy and mentorship and why dads must model emotional awareness for their kids. Zach also shares how his approach to parenting—screen-free weekdays, consistent structure and honest conversations—helps build strong, emotionally resilient sons. Through his coaching and suicide prevention work, he inspires others to love deeply, lead intentionally and step in as father figures where needed. Episode Highlights [02:56] – “Being their dad has opened me up because I don't want any of the dirtiness inside of me to get on them.” [05:57] – “I wanted to keep Adam's name alive… to create safe spaces for students, adults, businesses.” [10:39] – “Sometimes people don't understand—like, I can't meet you where you're at if I don't know where you're at.” [17:58] – “God, if they make a mistake today, let it be their mistake and not because they followed someone.” [25:23] – “I don't want my kids to ever think their Blackness is a handicap. I'm like, no—it's a superpower.” [30:54] – “It is literally set up for us to be mediocre parents... but being a great father, you gotta be intentional.” Resources

Episode 275 - IT STINKS We kick things off with #OFFTHEDOME

What does white supremacy culture look like in everyday organizational life — and how do we move beyond surface-level DEI efforts to create real change? In this 4 part micro-learning series, we invite back in anti-racist facilitator and previous Napcast guest, Toi Sing-Woo (she/her) to discuss white supremacy culture and ways it shows up in nonprofits and early learning spaces. In part 2 we trace how anti-Blackness, anti-Indigeneity, and anti-Asian racism show up in early childhood spaces and how they're all connected under the larger system of white supremacy culture. We talk about the importance of naming these patterns and why it matters in our classrooms, policies, and leadership decisions.Interested in bringing Nick and Mike to your community? Got an idea for an episode? Have some comments? Email us at napcast206.com and let's talk! Don't forget to follow us on Instagram at @napcast206 or https://www.instagram.com/napcast206/

Episode 275 - IT STINKS We kick things off with #OFFTHEDOME

O supermocach AI w sztuce, szeptaniu sztucznej inteligencji i budowaniu projektów artystycznych Szymon Rogiński i Justyna Kociszewska opowiadają Monice Szewczyk-Wittek.Podczas tegorocznej odsłony Fotofestiwalu w Łodzi, wśród kilkunastu wystaw będzie można zobaczyć także prezentację Szymona Rogińskiego „Nie śnię. Nie czuję samotności. Nie mam nadziei. I nie boję się śmierci.” Jest ona punktem wyjścia do dyskusji o możliwościach, ale też zagrożeniach jakie pojawiły się wraz z wykorzystywaniem AI w sztuce. W rozmowie z Justyną Kociszewską - przedstawicielką Rady Programowej Fotofestiwalu w Łodzi i Szymonem Rogińskim – artystą wizualnych rozmawiamy o praktycznych aspektach użycia sztucznej inteligencji oraz światowych trendach. Justyna Kociszewska - współorganizatorka Fotofestiwalu - Międzynarodowego Festiwalu Fotografii w Łodzi i współprezeska Instytutu Fotografii Fort w Warszawie. Współpracowała w zakresie komunikacji i/lub programu z instytucjami takimi jak U-jazdowski (kierowniczka Kino.Labu), Leica Gallery Warszawa (managerka), Fundacja Archeologia Fotografii (promocja), Urzędami Dzielnicy i miejskimi domami kultury oraz w zakresie promocji z fotografami takimi jak Kacper Kowalski, Paweł Jaszczuk, Jacek Fota oraz Magdalena i Maksymilian RigamontiSzymon Rogiński - artysta wizualny, fotograf, twórca VR oraz autor fotobooków. Mieszka i pracuje w Warszawie. Jego twórczość opiera się na fotografii, w szczególności na pracy w seriach, którą rozwija od ponad dwóch dekad, koncentrując się na nokturnach. Jego prace znajdują się w kolekcjach prywatnych i instytucjonalnych, a także były wystawiane w muzeach i galeriach na całym świecie. W centrum zainteresowań Rogińskiego znajdują się krajobrazy zmienione przez człowieka oraz granice pomiędzy realizmem a fikcją. Jest autorem serii takich jak Poland Synthesis, UFO Project, Blackness, Borderlands, Internets, Places of Power. W swoich najnowszych projektach kontynuuje dialog z tradycją fotografii krajobrazowej, poszerzając jej granice o nowe technologie i współczesne narracje wizualne.www.fotopolis.pl/podcast

Ep. 248 Adrienne L. Childs is an independent scholar, art historian, and curator. She is Senior Consulting Curator at The Phillips Collection. Her current book is an exploration of Black figures in European decorative arts entitled Ornamental Blackness: The Black Figure in European Decorative Arts, published by Yale University Press. She is currently co-curator of Vivian Browne: My Kind of Protest for The Phillips Collection. She recently co-curated The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture at The Henry Moore Institute in Leeds, England. She was the guest curator of Riffs and Relations: African American Artists and the European Modernist Tradition at The Phillips Collection in Washington DC, 2020. In April 2022 The High Museum of Art awarded Childs the 2022 Driskell Prize in recognition of her contribution to African American art and art history. Childs co-curated The Black Figure in the European Imaginary at The Cornell Fine Arts Museum at Rollins College in 2017. She is co-editor of the volume essays Blacks and Blackness in European Art of the Long Nineteenth Century, Routledge. She also contributed an essay on art and activism to Volume V, part II of The Image of the Black in Western Art edited by Henry Louis Gates, Jr. and David Bindman. As former curator at the David C. Driskell Center at the University of Maryland she curated many exhibitions including Her Story: Lithographs by Margo Humphrey; Arabesque: The Art of Stephanie Pogue; Creative Spirit: The Art of David C. Driskell and Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art. Childs holds a BA from Georgetown University, an MBA from Howard University and a PhD in the History of Art from the University of Maryland. Photocredit: Rodrigo Salido Moulinié  Website https://www.adriennelchilds.com/ Phillips Collection  Vivian Browne: My Kind of Protest |The Phillips Collection https://www.phillipscollection.org/sites/default/files/2025-04/phillips-collection-presents-vivian-browne-my-kind-of-protest-press-release.pdf  https://www.phillipscollection.org/press/phillips-collection-presents-multiplicity-blackness-contemporary-american-collage https://www.phillipscollection.org/event/2020-02-28-riffs-and-relations-african-american-artists-and-european-modernist-tradition Ornamental Blackness https://www.ornamentalblackness.com/ The Driskell Center https://driskellcenter.umd.edu/news/former-driskell-center-curator-adrienne-childs-phd-wins-2022-driskell-prize High Museum https://high.org/driskell-prize/adrienne-l-childs/ The Clark https://www.clarkart.edu/fellow/detail/adrienne-childs-(1) Courtauld https://courtauld.ac.uk/whats-on/reconsidering-riffs-and-relations/ Columbia University https://abolitionism.universityseminars.columbia.edu/people/adrienne-l-childs The Wadsworth https://www.thewadsworth.org/event/public-lecture-pearl-drops-and-blackamoors-the-black-body-and-pearlescent-adornment-in-european-art-with-adrienne-l-childs/ ARTnews https://www.artnews.com/art-news/news/adrienne-l-childs-david-c-driskell-prize-high-museum-1234620561/ Culture Type https://www.culturetype.com/tag/adrienne-l-childs/Enfilade  https://enfilade18thc.com/2024/09/20/lecture-adrienne-childs-on-pearl-drops-and-blackamoors/ MontclairArt Museum https://www.montclairartmuseum.org/press/press-room/montclair-art-museum-presents-landmark-exhibition-century-100-years-black-art-mam Portland Museum https://www.portlandmuseum.org/eventscalendar/2021-bernard-osher-lecture Journal Panorama https://journalpanorama.org/article/riffs-and-relations/ AHNCA https://ahnca.org/event/the-colour-of-anxiety-race-sexuality-and-disorder-in-victorian-sculpture/

Episode No. 709 features author Adrienne L. Childs and curator Iris Moon. Childs is the author of "Ornamental Blackness: The Black Figure in European Decorative Arts." The book, which was published by Yale University Press, examines the role decorative arts played in the representation of Black people within European visual and material culture. Amazon and Bookshop offer it for $44-78. From the show: The exhibition guide to the 2022-23 Henry Moore Institute exhibition "Race, Sexuality and Disorder in Victorian Sculpture," which Childs co-curated. Moon is the curator of "Monstrous Beauty: A Feminist Revision of Chinoiserie" at the Metropolitan Museum of Art, New York. The exhibition is a feminist construction of the story of European porcelain. Chinese porcelain arrived in early modern Europe and led to the emergence of chinoiserie, a decorative style that foregrounded European fantasies about the East and the exotic, as well as about women, sexuality, and race. It is on view through August 17. The exhibition catalogue was published by the Met. Amazon and Bookshop offer it for about $35. Instagram: Adrienne Childs, Tyler Green.

The Dominican Republic has deported nearly 150,000 people it claims are of Haitian descent since October 2024. Many of them are unaccompanied minors or people born in the Dominican Republic but stripped of citizenship in 2013. While officials say they are enforcing immigration laws, a recent Al Jazeera documentary points to a deeper history of anti-Blackness and anti-Haitian sentiment on the island. In this episode: Natasha Del Toro (@ndeltoro), Al Jazeera journalist Episode credits: This episode was produced by Tamara Khandaker, Sonia Bhagat and Ashish Malhotra, with Phillip Lanos, Spencer Cline, Khaled Soltan, Mariana Navarrete, Kisaa Zehra, Remas Alhawari, Kingwell Ma, and our guest host, Manuel Rapalo. It was edited by Kylene Kiang. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah,Mohannad Al-Melhem, Kylene Kiang. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Instagram, X, Facebook, Threads and YouTube

BA Fam, Buckle up! This week’s episode is a ride. Mandi sits down with author Cebo Campbell to talk about his debut novel “Sky Full of Elephants”, a bold, emotional story that begins with every white person in North America vanishing and unfolds into a layered exploration of Blackness, identity, and healing. Cebo opens up about the personal roots of the story, the inspiration behind its unforgettable characters, and how fiction helps us imagine freedom. He also shares his journey from broke front desk clerk to building a million-dollar creative agency and why giving yourself permission to fail might be the key to your best work. What You’ll Hear in This Episode: -The real-life microaggression that inspired the title *Sky Full of Elephants* -What it’s like to grow up biracial in a 98% white town—and how that shows up in fiction -The power of water, lavender, and legacy in Black storytelling -Cebo’s career pivot from college football to creative strategy to published author -Why writing a bad book might be the first step to writing a great one

A'ja Wilson Fans ATTACK Napheesa Collier over BLACKNESS, Sue Bird on Caitlin Clark's Ticket Refunds, Angel Reese WORST Layup Shooter in W, Reese & Nalyssa Smith Near SCRAP!

Hear an Afro-Dominican perspective on Sicily, Vienna, Sri Lanka, India, Strasbourg, the Paris Olympics, Mexico & Vietnam.  _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ Elsie Paulino joins Matt in person in New York City for this conversation over a bottle of French wine, and they start talking about the recent WITS Travel Creator Summit that they both attended in NYC.  Elsie then talks about her parents story immigrating to the U.S. from the Dominican Republic and her experience growing up in an immigrant home in the NYC-area.   She reflects on navigating the milieu of Blackness in the U.S. as an Afro-Latina and also the dynamics of anti-Blackness in the DR. Next, she explains how her interest in world travel developed and shares her journey studying abroad in Sicily in high school and Vienna in College. Elsie then shares travel stories from Sri Lanka, India, Vietnam, Strasbourg, and attending the closing ceremony of the 2024 Paris Olympics.  Finally, she talks about falling in love with Mexico and the life-changing experience of attending Dia de Los Muertos in Oaxaca.  FULL SHOW SHOWS INCLUDING DIRECT LINKS TO EVERTHING DISCUSSED ARE AVAILABLE HERE.  ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

Season 11 of Broke-ish is here! Amber and Erika are back for a new season, and they're kicking things off by bringing the Brokers up to speed about what went down during the break. After the shenanigans, the duo laid out their vision for Season 11 and how Season 10 inspired its format. Season 10's episodes were based upon debunking the ever plentiful myths and misstatements of our most infamous guest: John Hope Bryant. Like Season 10, this new season will be centered around a central figure, but it will be in celebration and pursuit of his ideals instead of debunking them. Malcolm X spent his life opposing White Supremacy and capitalism and left a Black Radical framework for the pursuit of liberation. We'll explore how Minister Malcolm's work informs our current pursuit for Black unity and the fight against systemic anti-Blackness. Tune in to get the blueprint!

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✈️ **Join us in Ghana for a life-changing experience!**

In this episode, we feature Legacy Russell, the writer, curator, and Executive Director and Chief Curator of The Kitchen, an artist-driven non-profit space in New York City. As a cultural critic she has published the books Glitch Feminism (Verso Books, 2020) and Black Meme: A History of the Images that Make Us (Verso Books, 2024), which questions how we define Blackness through mediated material. For the podcast, Russell reads from Lorraine O'Grady's iconic essay “Olympia's Maid: Reclaiming Black Female Subjectivity,” first published in Afterimage in 1992, and collected in New Feminist Criticism: Art, Identity, Action (Routledge, 1994). Russell speaks with Sky Goodden about her relationship to O'Grady's essay—one that “came before its time and carried us into the future”—and touches on the central conceit that perhaps also explains its controversy: “Lorraine truly believed in a culture that would allow for contestation.” But, Legacy reflects, perhaps our culture hasn't caught up to her yet. Thanks to this episode's sponsor, the artist Cui Jinzhe, for her support of our work.Thanks to Legacy Russell for her contribution to this season.And thank you to Jacob Irish, our editor, and Chris Andrews, for production assistance.

Subscribe to Bad Faith on Patreon to instantly unlock this episode and our entire premium episode library: http://patreon.com/badfaithpodcast The Manhattan Institute, a conservative think tank, ended its relationship with noted Brown University economist Glenn Loury after he was critical of Israel's actions in Gaza. The cancelation followed an appearance from fellow Brown professor and Israeli historian Omar Bartov on his podcast, during which Bartov offered an analysis of the Gaza genocide that reflected international consensus on Israeli violations of international law. Professor Loury joins Briahna Joy Gray for a must-watch two hour discussion in which Loury reflects on his career as a Black conservative, Ta-Nehesi Coates' book The Message, and the fact that his own Blackness informs his sympathetic attitude toward the Palestinian people. Does identity matter after all? As conservatives attempt to strip funding from the National African American History Museum and obstruct educators from teaching diverse histories, does Loury have any regrets about supporting attacks on "woke" pedagogy? Also, Loury debriefs on his viral interview with Tucker Carlson, and how his lefty wife has helped him to become more establishment in recent years. Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod).

Today on The Horror, The Hermit's Cave brings us a story from April 6, 1947, titled, The Blackness Of Terror. Listen to more from The Hermit's Cave https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/TheHorror1228.mp3 Download TheHorror1228 | Subscribe | Spotify | Support The Horror

Nor is whiteness or any other hue, we want to falsely imagine.

Nor is whiteness or any other hue, we falsely imagine

Angela Robinson Whitehurst returns to the show to bring her Broadway experience to discussing Wicked and the translation from stage to screen. Dr. Gee and Angela discuss the timing of seeing race brought to the forefront of this version of Wicked, compared to when the stage musical was first a part of our culture. The power of fantasy and musical stories is that deep ideas about culture can be explored through an alternate version of our world. It allows us to see the realities of our world through a different lens.  Angela also exposes the way that Black women were not allowed into the Alphoba role before the film version, but now that will be the standard as the significance of the character has been redefined by Blackness. They continue their conversation about Black voices and stories in Hollywood, including having to make representation happen for themselves.  A native of Jacksonville, FL, Angela Robinson is best-known as The Ice Queen Veronica Harrington of Tyler Perry's The Haves and The Have Nots. For her work as Veronica she is the 2015 recipient of the Gracie Award (Best Female Actress – One to Watch). Angela has worked on Broadway, off Broadway and on stages throughout the US and abroad. Broadway productions include The Color Purple with Fantasia, Wonderful Town, Bells Are Ringing, and Play On! She has participated in National Tours of The Color Purple, Dreamgirls, and The Wizard of Oz with Eartha Kitt. Her television/film credits include Law & Order: SVU, Another Bed and several regional and national commercials. She is the Winner of an Independent Reviewers of New England (IRNE) award for her work as Shug Avery in The Color Purple, Angela has been nominated twice for a Black Theatre Alliance Award (The Color Purple, Dreamgirls), and for an Audelco Award (Radiant Baby). She is also a member of the Tony Award winning Broadway Inspirational Voices. In 2008 Angela and her husband Scott founded the WhiteRobin Group. WhiteRobin Group is a consulting firm for aspiring and seasoned artists; providing training, inspiration and direction via acting workshops, private acting coaching, blogs and mentorship programs.   Listen to Angela Robinson's podcast - Art and Spirit   Follow Angela Robinson: Facebook Instagram   alexgee.com Support the Show: patreon.com/blacklikeme Join the Black Like Me Listener Community Facebook Group

This episode delves into the intense conflicts surrounding race, history, and education in America, asking why classrooms have become such volatile battlegrounds. Moving beyond surface-level political or ideological debates, two psychoanalysts, Drs. Karyne Messina and Felecia Powell-Williams apply some of the tools of psychoanalysis to uncover the deeper, often unconscious, psychological forces at play. The discussion explores how the enduring legacy of racism in the United States, particularly the unacknowledged weight of historical trauma and guilt related to anti-Blackness, fuels a societal "War on Knowing." Central to this analysis are the defense mechanisms mobilized, both individually and collectively, to ward off the psychic pain associated with confronting uncomfortable truths. The episode focuses particularly on Denial, examining its manifestation not just as simple lack of knowledge, but as an active refusal to acknowledge the ongoing realities of systemic racism, its historical roots, and its contemporary impact. This denial serves to protect a cherished, often idealized, national or group identity from information that would create profound dissonance and distress. Furthermore, the discussion explores the powerful role of Splitting and Projective Identification. These complex mechanisms involves unconscious splitting of people into good and bad groups followed by casting off unwanted or unbearable aspects of the self or the group (such as guilt, aggression, or vulnerability related to racism) while attributing them to the external 'other' – be it individuals, groups, or institutions. The target is then subtly induced to feel or behave in line with the projection, allowing the projector to disavow these difficult feelings while simultaneously controlling or attacking the externalized 'badness'. In the context of racism, this can manifest as projecting blame, divisiveness, or even racism itself onto those advocating for racial justice or onto institutions perceived as challenging dominant narratives. The episode argues that this "War on Knowing," driven by defenses like Denial and Projective Identification, plays out with particular ferocity in educational settings. Prestigious universities like Harvard and Columbia, often seen as centers of knowledge production and increasingly engaging with their own complex histories, including ties to slavery, become potent symbolic targets. Actions directed at these institutions – such as investigations into admissions policies (affirmative action), attacks on diversity initiatives, or challenges to curricula addressing systemic racism (like Critical Race Theory) – can be understood from a psychoanalytic perspective. Listeners will hear an exploration of the profound psychological costs of this ongoing battle: the invalidation and potential re-traumatization experienced by students of color, the fragile and incomplete understanding fostered in white students shielded by these defenses. Ultimately, the episode suggests that meaningful progress requires moving beyond mere factual debate or political maneuvering. It calls for recognizing these powerful unconscious dynamics and fostering approaches rooted in the psychoanalytic concept of "working through" – creating spaces capable of containing the difficult emotions associated with confronting historical truths, rather than perpetuating cycles of defense, projection, and acting out. This psychoanalytic perspective offers a crucial, if challenging, lens for comprehending the deep-seated resistance to fully knowing and reckoning with racism in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

When James Baldwin went on the Dick Cavett Show in 1969, he was asked a very loaded question: why aren't Black people more optimistic? Jim Crow laws had been outlawed, Black people were becoming mayors and successful businesspeople… so why was he still talking about race?Obviously racism didn't “end” with the Civil War, or the Civil Rights Act, or Obama's election. In fact, Donald Trump has spurred a resurgence — there's been a nearly 50% increase in white supremacy groups just in the past few years. And yet he's waging a war on Diversity Equity and Inclusion programs, Critical Race Theory, and the very notion that racism still exists.But racism – and anti-Blackness in particular – is still a powerful force. It's built into the very structure of the country. It shows up in politics, medicine, sports, education, and even eBay.In this week's episode of Okay But Why, we explore the history of anti-Blackness in America, how it manifests to this day, and what we can do about it. If you want to learn more, there are so many books, films, and podcasts out there! Check out Code Switch, The 1619 Project, Stamped From The Beginning, The Black Friend, White Tears/Brown Scars, Hood Feminism, or the upcoming The Race Track: How The Myth of Equal Opportunity Defeats Racial Justice.For a transcript of this episode, please email comms@redwine.blue. You can learn more about us at www.redwine.blue or follow us on social media! Twitter: @TheSWPpod and @RedWineBlueUSA Instagram: @RedWineBlueUSA Facebook: @RedWineBlueUSA YouTube: @RedWineBlueUSA

When James Baldwin went on the Dick Cavett Show in 1969, he was asked a very loaded question: why aren't Black people more optimistic? Jim Crow laws had been outlawed, Black people were becoming mayors and successful businesspeople… so why was he still talking about race?Obviously racism didn't “end” with the Civil War, or the Civil Rights Act, or Obama's election. In fact, Donald Trump has spurred a resurgence — there's been a nearly 50% increase in white supremacy groups just in the past few years. And yet he's waging a war on Diversity Equity and Inclusion programs, Critical Race Theory, and the very notion that racism still exists.But racism – and anti-Blackness in particular – is still a powerful force. It's built into the very structure of the country. It shows up in politics, medicine, sports, education, and even eBay.In this week's episode of Okay But Why, we explore the history of anti-Blackness in America, how it manifests to this day, and what we can do about it. If you want to learn more, there are so many books, films, and podcasts out there! Check out Code Switch, The 1619 Project, Stamped From The Beginning, The Black Friend, White Tears/Brown Scars, Hood Feminism, or the upcoming The Race Track: How The Myth of Equal Opportunity Defeats Racial Justice.

This episode delves into the intense conflicts surrounding race, history, and education in America, asking why classrooms have become such volatile battlegrounds. Moving beyond surface-level political or ideological debates, two psychoanalysts, Drs. Karyne Messina and Felecia Powell-Williams apply some of the tools of psychoanalysis to uncover the deeper, often unconscious, psychological forces at play. The discussion explores how the enduring legacy of racism in the United States, particularly the unacknowledged weight of historical trauma and guilt related to anti-Blackness, fuels a societal "War on Knowing." Central to this analysis are the defense mechanisms mobilized, both individually and collectively, to ward off the psychic pain associated with confronting uncomfortable truths. The episode focuses particularly on Denial, examining its manifestation not just as simple lack of knowledge, but as an active refusal to acknowledge the ongoing realities of systemic racism, its historical roots, and its contemporary impact. This denial serves to protect a cherished, often idealized, national or group identity from information that would create profound dissonance and distress. Furthermore, the discussion explores the powerful role of Splitting and Projective Identification. These complex mechanisms involves unconscious splitting of people into good and bad groups followed by casting off unwanted or unbearable aspects of the self or the group (such as guilt, aggression, or vulnerability related to racism) while attributing them to the external 'other' – be it individuals, groups, or institutions. The target is then subtly induced to feel or behave in line with the projection, allowing the projector to disavow these difficult feelings while simultaneously controlling or attacking the externalized 'badness'. In the context of racism, this can manifest as projecting blame, divisiveness, or even racism itself onto those advocating for racial justice or onto institutions perceived as challenging dominant narratives. The episode argues that this "War on Knowing," driven by defenses like Denial and Projective Identification, plays out with particular ferocity in educational settings. Prestigious universities like Harvard and Columbia, often seen as centers of knowledge production and increasingly engaging with their own complex histories, including ties to slavery, become potent symbolic targets. Actions directed at these institutions – such as investigations into admissions policies (affirmative action), attacks on diversity initiatives, or challenges to curricula addressing systemic racism (like Critical Race Theory) – can be understood from a psychoanalytic perspective. Listeners will hear an exploration of the profound psychological costs of this ongoing battle: the invalidation and potential re-traumatization experienced by students of color, the fragile and incomplete understanding fostered in white students shielded by these defenses. Ultimately, the episode suggests that meaningful progress requires moving beyond mere factual debate or political maneuvering. It calls for recognizing these powerful unconscious dynamics and fostering approaches rooted in the psychoanalytic concept of "working through" – creating spaces capable of containing the difficult emotions associated with confronting historical truths, rather than perpetuating cycles of defense, projection, and acting out. This psychoanalytic perspective offers a crucial, if challenging, lens for comprehending the deep-seated resistance to fully knowing and reckoning with racism in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

This episode delves into the intense conflicts surrounding race, history, and education in America, asking why classrooms have become such volatile battlegrounds. Moving beyond surface-level political or ideological debates, two psychoanalysts, Drs. Karyne Messina and Felecia Powell-Williams apply some of the tools of psychoanalysis to uncover the deeper, often unconscious, psychological forces at play. The discussion explores how the enduring legacy of racism in the United States, particularly the unacknowledged weight of historical trauma and guilt related to anti-Blackness, fuels a societal "War on Knowing." Central to this analysis are the defense mechanisms mobilized, both individually and collectively, to ward off the psychic pain associated with confronting uncomfortable truths. The episode focuses particularly on Denial, examining its manifestation not just as simple lack of knowledge, but as an active refusal to acknowledge the ongoing realities of systemic racism, its historical roots, and its contemporary impact. This denial serves to protect a cherished, often idealized, national or group identity from information that would create profound dissonance and distress. Furthermore, the discussion explores the powerful role of Splitting and Projective Identification. These complex mechanisms involves unconscious splitting of people into good and bad groups followed by casting off unwanted or unbearable aspects of the self or the group (such as guilt, aggression, or vulnerability related to racism) while attributing them to the external 'other' – be it individuals, groups, or institutions. The target is then subtly induced to feel or behave in line with the projection, allowing the projector to disavow these difficult feelings while simultaneously controlling or attacking the externalized 'badness'. In the context of racism, this can manifest as projecting blame, divisiveness, or even racism itself onto those advocating for racial justice or onto institutions perceived as challenging dominant narratives. The episode argues that this "War on Knowing," driven by defenses like Denial and Projective Identification, plays out with particular ferocity in educational settings. Prestigious universities like Harvard and Columbia, often seen as centers of knowledge production and increasingly engaging with their own complex histories, including ties to slavery, become potent symbolic targets. Actions directed at these institutions – such as investigations into admissions policies (affirmative action), attacks on diversity initiatives, or challenges to curricula addressing systemic racism (like Critical Race Theory) – can be understood from a psychoanalytic perspective. Listeners will hear an exploration of the profound psychological costs of this ongoing battle: the invalidation and potential re-traumatization experienced by students of color, the fragile and incomplete understanding fostered in white students shielded by these defenses. Ultimately, the episode suggests that meaningful progress requires moving beyond mere factual debate or political maneuvering. It calls for recognizing these powerful unconscious dynamics and fostering approaches rooted in the psychoanalytic concept of "working through" – creating spaces capable of containing the difficult emotions associated with confronting historical truths, rather than perpetuating cycles of defense, projection, and acting out. This psychoanalytic perspective offers a crucial, if challenging, lens for comprehending the deep-seated resistance to fully knowing and reckoning with racism in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gwendolyn Dolske and guest co-host Konstantin Hatcher welcome Historian and Legal Scholar Dr. Martha Jones to discuss her incredible book:  The Trouble of Color An American Family Memoir.  We learn how Professor Jones's research into her own family lineage tells a richer story of American society, culture, and complexities about color.  What does Blackness mean in America? How does our emboddied experience reveal the story of our ancestors? Learn more about Martha's work and get her book: https://www.marthasjones.com/bio Get your copy of Philosophy Unplugged on Amazon. Join our Patreon (and you can get a printable version of Philosophy Unplugged here): https://www.patreon.com/c/GoodIsInTheDetails Thank you to our sponsor: http://www.avonmoreinc.com

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Vermont Edition is launching a new series, featuring intimate conversations with noteworthy Vermonters right in their own living rooms. It's called Vermont Edition At Home. For the first installment, Mikaela Lefrak went to the Middlebury home of François Clemmons.. Clemmons is best known for playing Officer Clemmons on Mr. Rogers Neighborhood.Clemmons discusses how he came to embrace his Blackness, his homosexuality, and his desire to be a performer.Broadcast live on Thursday, April 24, 2025, at noon; rebroadcast at 7 p.m.Have questions, comments or tips? Send us a message or check us out on Instagram.

Civil rights icon Willie Mukasa Ricks is making a highly anticipated return to our classroom this Wednesday morning! As a prominent member of the Student Nonviolent Coordinating Committee (SNCC), Willie Ricks marched alongside legends like Kwame Ture and Dr. Martin Luther King Jr., making his insights both invaluable and powerful. Before Willie takes the mic, entrepreneur and author Dr. Rosie Milligan will tackle the urgent topic of the recent assault on Blackness and the profound impact of gentrification on our communities. Joining the conversation are Garveyites Brother Senghor Baye and Chief Foday, who will share their perspectives. Additionally, historian and talk show host Michael Imhotep will clarify how Donald Trump can legally pursue a third presidential term.See omnystudio.com/listener for privacy information.

Learn about Afro-Colombian history, diaspora identity, and the impact of 3 special trips to different regions of Africa. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ Eileen Ivette joins Matt and starts off talking about her viral video on “How Braids Became a Secret Map for Escaping Slavery”.  She then talks about her Afro-Colombian heritage, diaspora identity, and experience navigating Blackness in the Latinx community in Houston.  Eileen then talks about her decision to go to Howard University and the impact of attending an HBCU.  She reflects on her decision to go to China during her freshman year and describes the experience that she and 15 other Black students had there.  Eileen then talks about her long term boyfriend from Sierra Leone and her experience traveling back to Sierra Leone with him to meet his extended family and document some oral history. Eileen then talks about traveling to South Africa and Morocco and how different they are from West Africa. She also talks about her career in journalism, working for AJ+, and producing hidden history projects, including one on how “Latin America Tried to Erase Black People…and Failed”.  FULL SHOW NOTES WITH DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE. ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

Today's episode features our rich conversation with Dr. Corinne Mitsuye Sugino, Assistant Professor in the Department of English and Center for Ethnic Studies at The Ohio State University, about her compelling new book, Making the Human: Race, Allegory, and Asian Americans. On the show, Alex and Calvin are joined by guest co-host Dr. Sarah Hae-In Idzik to talk with Corinne about her multifaceted analyses of the role of Asian American racialization in the construction of the concept of the human. We delve into Corinne's concept of "racial allegory," which illuminates how media and institutional narratives mobilize categories of difference, including Asian Americans, to stabilize the idea of "Western man".Our discussion touches upon the significance of the title Making the Human, unpacking how Asian American racialization and gendering contribute to the social formulation of the human. We explore key concepts such as the understanding of "Western man" drawn from Black Studies scholarship, while also examining the crucial relationship that Corinne charts between anti-Asian racism and anti-Blackness within communication and rhetoric studies. Corinne also explains how she applies the notion of racial allegory to a case study on Students for Fair Admissions v. Harvard, revealing how anti-racist discourse can be used to uphold racial hierarchies, and the strategic role of the victimized Asian student trope in this context. Furthermore, we analyze Corinne's intercontextual reading of the film Crazy Rich Asians alongside Daniel Patrick Moynihan's “The Negro Family” report, exploring allegories of family and mothering and the underlying racial narratives at play. Our discussion also considers the significance of animacy and the inhuman in relation to the boundaries of the human, particularly in the context of the COVID-19 pandemic and the racialization of Asian Americans as potential disease carriers. Finally, we reflect upon Corinne's nuanced perspective on the term "Asian American" itself, considering its complexities and its potential as a resource for undoing categories and fostering coalition.Corinne Mitsuye Sugino's Making the Human: Race, Allegory, and Asian Americans is available now from Rutgers University Press.Works and Concepts Referenced in this Episode:Chen, M. Y. (2012). Animacies: Biopolitics, racial mattering, and queer affect. Duke University Press.Jackson, Z. I. (2020). Becoming human: Matter and meaning in an antiblack world. New York University Press.Johnson, J. (2016). “A man's mouth is his castle”: The midcentury fluoridation controversy and the visceral public. Quarterly Journal of Speech, 102(1), 1–20. https://doi.org/10.1080/00335630.2015.1135506Maraj, L. M. (2020). Anti-racist campus rhetorics. Utah State Press.Molina, N. (2014). How race is made in America: Immigration, citizenship, and the historical power of racial scripts. Univ of California Press.Moynihan, D. P. (1965). The Negro family, a case for national action. United States Department of Labor, Office of Policy Planning and Research.Spillers, H. J. (1987). Mama's baby, papa's maybe: An American grammar book. diacritics, 17(2), 65-81.Wynter, S. (1994). “ ‘No humans involved': An open letter to my colleagues.” Forum N.H.I.: Knowledge for the 21st Century, 1(1), 1–17.Wynter, S. (2003). “Unsettling the coloniality of being/power/truth/freedom: Towards the human, after man, its overrepresentation—An argument.” CR: The New Centennial Review, 3(3), 257–337.Wynter, S., & McKittrick, K. (2015). “Unparalleled catastrophe for our species? Or, to give humanness a different future: Conversations.” In K. McKittrick (Ed.), Sylvia Wynter: On being human as praxis (pp. 9–89). Duke University Press.da Silva, D. F. (2007). Toward a global idea of race. University of Minnesota Press.An accessible transcript for this episode can be found here (via Descript)

Dr. Engram is known for his work in critically assessing the ways that racism and anti-Blackness impact African Americans in both systems of higher education.

You are the flower, so allow yourself to grow into the beautiful flower you are.

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this special episode of Pray with our Feet podcast, Mom and I chat with Yaa Abbensetts-Dobson, Michele Evans and Dr. Shameka Poetry Thomas, about the latest issue of Spoken Black Girl Magazine (which focuses on the Black motherhood experience) while also uplifting Black Maternal Health Week (April 11-17) founded by Black Mamas Matter Alliance.  We dive into the urgent need for community care, creating safe spaces for Black mothers and their children, resisting the suffocation of our wombs by oppressive systems, and the vital need for rest, mindfulness and radical self care in the tradition of Audre Lorde and June Jordan; each of these practices is a sacred form of resistance, sustaining us in the ongoing work of collective liberation.  We call our joy back to us, and remain rooted in our faith, despite the challenges.  Purchase your copy of Spoken Black Girl (Motherhood issue), where you can read "Swan Song," by Michele Evans, "Our Wombs Cannot Breathe: Wellness Power for Facing the Harsh Reality of Black Maternal-Child Health Disparities in the United States, by Dr. Shameka Poetry Thomas PhD & Dr. Kyrah K. Brown PhD, "Mothering at the Intersection of Blackness and Neurodiversity" by Emelda De Coteau alongside an array of talented writers and artists.  Stay Connected with the Writers: Yaa Abbensetts-Dobson, founder of Spoken Black Girl and author of Departure Story  Michele Evans, author of Purl (a collection of poetry)  Dr. Shameka Poetry Thomas, author of the forthcoming book entitled THE UGLY CRY: Essays and Meditations on Honesty, Anger, Grief, and Freedom. To be released Summer 2025.  >>> Head over to our webiste to see full show notes (includes the authors bios & additonal links to their work)   Help Us Spread the Word! If you enjoy the Pray with our Feet podcast, leave us a review on Apple Podcasts, where you can subscribe to the show. You can also listen on Spotify, and on all major streaming platforms. BE in Community with Us:  Find devotionals, blog posts, and shop in our  online store.  Head over to Instagram and Threads where the conversation continues between episodes.   Enjoy our @PrayWithOurFeet IG Live series, Move it Forward Monday, uplifting conversations that spark change with activists, community leaders, artists and more.   Special thank you to my husband Keston De Coteau, for podcast production; he is an award-winning videographer and photographer.

In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg's former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present.  Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism's center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This week on Black on Black Cinema, the crew returns to announce the next film to be reviewed, the 2019 film, "Black and Blue" starring Naomi Harris, Tyrese Gibson, and Frank Grillo. The movie follows a rookie New Orleans police officer who is forced to balance her identity as a black woman after she witnesses two corrupt cops committing murder. The random topic this week is why Black people have largely sat out the major national protests that are happening in response to Donald Trump's disastrous first few months in office trying to implement his MAGA agenda. From financial upheaval to draconian immigration policies, the last few months have been nothing shy of awful. So why are Black people staying home? We give our thoughts.

On this episode of the MalloryBros. Podcast, the Bros kick things off with a weekend recap before diving headfirst into the downfall of Disney's Snow White. They talk Rachel Zegler's personal takes tanking the film's nostalgia and how her comments might've killed the magic before the movie even dropped. Then, it's Usher—again. The guys break down the now-viral divorce story and talk about Usher fully embracing his villain era. Is this a legacy shift or just a moment? Next up, Ja Morant catches a $75K fine from the NBA for a finger gun gesture. The Bros open up a deeper convo about how patriotism, gun culture, and Blackness are perceived differently when you step outside the hip-hop lens. From there, they talk Ice Cube's Last Friday finally getting greenlit and what needs to happen for it to hit right in this era. They close things out with a real convo about the growing gap between Black men and women in college—what's behind the imbalance, and what does it say about where we're headed? It's another loaded episode with the Bros—tune in!

A personal leadership crisis shaped her understanding of how power is built and distributed. Now the leadership coach, strategist, and racial equity advocate shares how others can navigate the unique demands of leaders of color, and the work necessary to eradicate anti-Blackness in Latino communities.Follow Karla on Twitter @karlitaliliana. If you liked this episode, listen to How Mildred Otero Learned to Negotiate and Daisy Auger-Dominguez Knows What it Takes to Build an Inclusive Workplace. Show your love and become a Latina to Latina Patreon supporter!

In this episode, Antoinette is inspired by the NFL draft to create her own version: The Black Draft. We compete to select the strongest combinations of Blackness under the categories of "Blackest Movies, Albums, and Influential Figures of All Time to name a few. Who do you think won? Who did we miss? Join us...Contact Us:Hotline: (215) 948-2780Email: aroundthewaycurls@gmail.comPatreon: www.patreon.com/aroundthewaycurls for exclusive videos & bonus episodesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.