Podcasts about Blackness

Mr. Christopher recaps the full week of the Prince Celebration 2026 and beyond with NPG Legend, Michael Bland. Join the crew as we talk about the new upcoming Prince album Timeless, new box sets arriving, a dozen unreleased tracks, panels featuring Bootsy Collins, Morris Day, Jimmy Jam and Terry Lewis, Lisa Coleman, and more. Plus the review of a full purple star studded concert with NPG and Revolution members, with special guests like Bilal, Miguel, Sounds of Blackness, and more! It's 3-1/2 hours of event coverage. Get your groove on.

Today, I give you some excerpts from my live chat conversation with scholar Robert J. Monson. We speak together some about the desert elders, but also about Robert's work at the intersection of Blackness, disability, and softness (among other things) and we get into the topics of lust, sexuality, desire which the church has notoriously gotten wrong. Please find the full replay of our time here (the Spark My Muse youtube channel), if you'd like. Becoming a subscriber costs nothing but is helpful to get the word out. ❤️ You'll find more from me at my Substack and there you can contribute your support, starting under $2, GET THE BOOK HERE

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The sisters are ecstatic for this long overdue convo with Báyò Akómoláfé, Chief Curator of The Emergence Network, a speaker, author, fugitive neo-materialist com-post-activist public intellectual and Yoruba poet.Bayo's new book is Selah, about which adrienne writes, "Báyò Akómoláfé is a philosopher who is pushing us to think outside of every narrative we take for granted. In this text, he guides us to reconsider how we relate to the world—and to internalize the fact that earth and all of nature are alive, relating to us. Selah is an ancient Indigenous orientation, poured through Báyò's trickster poetry to make for a fresh agitation.”---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow---HTS ESSENTIALS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week we get real black and random as ****. Quinta Brunson's bringing Betty Boop into the 21st century. Kelis out here giving toys melanin. And why is Ray J in the ring? This episode is sure to be a knockout. Become a Habitual Ish Talker and follow us on The App Formally Known As Twitter: twitter.com/TalkinIsh_PodJoin in on the conversation! E-Mail us at ⁠talkinishpod@gmail.com⁠Listen to the audio version: https://linktr.ee/TalkinIshPod#Podcast #Politics #PopCulture Chapters00:00 - Introduction/Idle Chit Chat07:38 - Raya's Week08:40 - Britt's Week13:29 - Raya's Birthday Week20:29 - Anthony's Week22:28 - Viewer Comments Intro22:56 - Lisa's Comment31:14 - Ray J... KO!!!40:06 - SkillsRight Dot ORG 45:25 - Quinta's Boop Boop Be Doop 49:53 - Kelis' Making It Brown59:50 - Question of the Pod01:02:49 - Talkin' Recommendations 01:19:58 - Goodbye/See Ya Later!

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors' lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors' lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Welcome back y'all! This week our #OTWEEKLYPLAYLIST has sounds from Drake, Tone Stith, Jenevieve, & Partyof2! During #MUSICNEWS we get into Michael Jackson's hit's re-entering the Billboard Charts, as well as the full 2026 BET Awards Nominations. In the #BLACKNESS... where to begin?!?! Possibly with 45 blocking the IRS from further investigating him, the Supreme Court gutting the Voting Rights Act, or MOST EGREGIOUS, the 1.7 BILLION Dollar Reparations Fund for JANUARY SIXERS... "AMERICA, I KNOW YOU F*CKIN LYING!" We also shine a #QUEENSPOTLIGHT on ATL Democratic Gubernatorial Primary winner, Keisha Lance Bottoms! Strap in OTW Listeners - you're in for a ride this episode! All Links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/otwweekly⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: onthewaypod@gmail.com Instagram/Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@onthewayweekly ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/onthewaypod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3CWxgPZ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: www.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instinctent.com/ontheway⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mochapodcastsnetwork.com/ontheway⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sylvee - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@sweatbyvee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Kahlil - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@kahlilxdaniel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kahlildaniel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/kxdmusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Why are Black people so hung up on bisexual men in their community? Comedian Rasheed Wesley Jr. is back for PART TWO: The Bi-pire Strikes Back. This episode delves into the intersection of bisexuality and Blackness — complete with the corniest ‘ask a bi guy questions' from our friend @leave_it.to_beavers. PLUS! Billy explains why the adult entertainment industry's fiercest advocates also support raising the minimum age to shoot porn to 21. And what does ‘straight' mean anyway?! Mentioned:PHILLY - 6/6 - https://www.eventbrite.com/e/1988272411305CHICAGO - 7/10 - https://www.eventbrite.com/e/1989444027641Patreon: Should you be 21 to do porn?CBS: 86% of young Americans want to become an influencerDazed: Nobody wants to be famous anymore Follow Rasheed Wesley Jr.!Instagram: @sheedgotjokesTikTok: @sheedgotjokesPodcast: Algorhythm Podcast Follow Billy!Instagram: @billyprocidajrTikTok: @TheBillyProcidaThreads: @billyprocidajrBlueSky: @thebillyprocida Money StuffVenmo: @BillyProcidaCash App: $manwhorepodPayPal/Zelle: funnybillypro@gmail.com Support Billy's work on Patreon at http://patreon.com/manwhorepodcast Get your books and e-books through an independent bookstore at http://manwhorepod.com/bookshop Make new friends in The Champagne Room at http://manwhorepod.com/discord Email your comments, questions, and criticisms to manwhorepod@gmail.com. Late Night Radio and Joey's Formal Waltz by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ www.ManwhorePod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The effects of plantocracy, slavery, racism, capitalism, and white supremacy have had a lasting impact on labor and life in the South. Listen as Aaron and Damien discuss the piece “May Day: Exporting the Southern Plantocracy” by Sherronda J. Brown, Tea Troutman, and Aarohi Sheth in Scalawag, which explores and analyzes the ways the ruling class in the South has combined anti-Blackness and anti-labor politics to exploit the working class, and highlights how the exploitation of Southern labor may be replicated across the country, and what we learn and take away from this incredible piece in our continued learning and unlearning work and fight for collective liberation. Follow us on social media and visit our website! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave us a voice message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch store⁠⁠⁠⁠⁠⁠⁠

Week five of Theology for Troublemakers, and we finally got to James Cone — which meant we got to Charlene Sinclair, and I want you to know that the moment Gary introduced her on this call was one of the more moving things we've done in this class. He described her as the student who told Cone she saw something in his early work that nobody else gets — the importance of Fanon to his concept of ontological Blackness — and the way he described the day she defended her dissertation, how he held his one point until the very end so he could announce that this dissertation had explained, like no book ever written, what Fanon actually meant to Cone's thought, tells you everything about who James Cone was as a teacher and who Charlene Sinclair is as a scholar. We started at the beginning: the three moments that produced Black Theology and Black Power — the NCBC manifesto, Detroit burning, and the assassination of King — and why Cone said bottled rage would have killed him if he hadn't written that book. Gary walked us through the satanic nature of whiteness as a theological claim versus a racial one, what ontological Blackness actually meant, and why Cone's sweeping indictment of the Negro church before 1968 was, as Gary put it, seriously flawed even as it produced a towering theology. We got into the womanist challenge — Delores Williams, Katie Cannon, Kelly Brown Douglas arguing there is nothing redeeming in the cross — and why Cone couldn't start writing The Cross and the Lynching Tree until Delores retired and Emily Towns went to Yale; he needed just enough personal distance to think it through. Then Charlene took us somewhere unexpected on Niebuhr: she asked, quietly, whether there wasn't a personal parallel between the Niebuhr brothers and the Cone brothers — Richard the better theologian, Reinhold the extravert who needed the crowd — and Gary spun it out for ten minutes in a way that you could tell he had been sitting with for years and had never said in public. We ended with Caleb's question about what it means for white Christians to actually hear the cry of Black blood, and Charlene answered it by describing her teenage grandson trembling in her arms, his whole body shaking, saying he didn't want to die. That's where the class ended. That's where James Cone's theology begins. If you haven't joined yet, come find us at www.HomebrewedClasses.com — donation-based, including zero. You get Gary's full lecture series, Aaron's supplemental interviews with scholars and organizers, curated readings, discussion guides, and the online community. Last session is next week — social ethics, full circle. And come to Theology Beer Camp, where Gary, Arron, and Cornel West will all be in the same room. You can WATCH the conversation on YouTube Theology Beer Camp 2026 — The God-Podcalypse — hits Kansas City October 8–10, exactly one month before the election⁠⁠. Thirty scholars (Ilia Delio, Cornel West, Diana Butler Bass, Gary Dorrien, and a stack more), thirty God-pods, four post-apocalyptic stages, and the community everyone keeps telling us is the real reason they come back. Come find your people at ⁠⁠⁠Theology Beer Camp ⁠⁠ ONLINE⁠⁠ CLASS - Theology for Troublemakers: Christian Social Ethics from the Margins⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This 6-week online course, led by Dr. Gary Dorrien and Dr. Aaron Stauffer, recovers the radical tradition of Christian social ethics — from Reverdy Ransom and Reinhold Niebuhr to James Cone and the Welfare Rights Movement — and asks what faithfulness demands of us right now. Weekly lectures, live Q&A conversations, guest lecturers, and an online community included.

This week on The Sidebar Podcast, Leise Winny and Royce bounce between politics, culture, aging, survival mode, and the emotional games people play — all with the kind of humor and uncomfortable honesty that makes Sidebar feel like a group chat that accidentally became therapy.The episode opens with a Mother's Day check-in before shifting into growing concern around the hantavirus outbreak and how quickly fear spreads in the age of social media. From there, the conversation turns personal and cultural: can people age out of relevance, ambition, or even certain lifestyles? Or are we all just pretending we aren't afraid of getting older?The discussion then pivots into deeper territory, with conversations about voting rights under attack, the controversial “catch print” trend, and whether modern culture is pushing people toward performance over authenticity.One of the most reflective parts of the episode explores a growing reality for a lot of people:Are people actually living anymore… or just surviving?The hosts unpack burnout, emotional exhaustion, and how adulthood can quietly slip into maintenance mode rather than fulfillment.Leise leads a sharp conversation about relationships, legacy, and responsibility with the segment “Watch How You Procreate,” challenging people to think more critically about who they build futures with and the emotional consequences that can follow.The episode closes with two-layered discussions: emotional gerrymandering — the manipulation of emotions, narratives, and boundaries in relationships and society — and the difficult topic of self-hating Blackness, identity, and internalized bias within the community.Funny, reflective, chaotic, and brutally honest — 2.0 feels like trying to reboot yourself while the world glitches around you.0:33 — Happy Mother's Day2:37 — Hantavirus concerns12:35 — Can you get too old?15:20 — Voting rights under attack24:33 — Catch print: bad or good?36:25 — People don't live, they just survive42:00 — Watch how you procreate1:00:49 — Emotional gerrymandering1:10:36 — Self-hating Black people1:33:15 — OutroSurvival vs living.Growth vs stagnation.Reality vs performance.Welcome to 2.0.

Africa is a centre of world history — a fact that's been deliberately obscured, says journalist Howard W. French. In this talk based on his book, The Second Emancipation, he explores the surprisingly early seeds of 20th century Pan-African thought, and how Kwame Nkrumah of Ghana went from reluctant student to influential leader of a free Ghana.Howard W. French delivered the Black History Month lecture at University of Toronto's New College. French was is a former New York Times bureau chief based in Shanghai. He now teaches journalism at Columbia University and is also the author of Born in Blackness.

BMS EPISODE 60 -Ain't No Stopping Us Now! Today's show highlights songs of encouragement, hope and understanding. This is all about facing life's challenges and staying on path for success or your own personal wellbeing.  This episode features D Train, Lalah Hathaway, The Sounds of Blackness, Atlantic Starr, A Tribe Called Quest and many more!  The message is in the music!  PLAYLIST  1. KEEP ON/D TRAIN 2. BRIGHTER TOMORROW/DIPLOMATS OF SOUL 3. OPTIMISTIC/THE SOUNDS OF BLACKNESS 4. SHINE/LALAH HATHAWAY 5. IT'S ALL DEVINEJAMES DAY 6. IT'S MY TIME AGAIN/MELBA MOORE 7. SILVER SHADOW/ATLANTIC STARR 8. LIFE IS A SONG WORTH SINGING/TEDDY PENDERGRASS 9. RISIN' TO THE TOP/KENI BURKE 10. FUTURE/MUSIQ SOULCHILD 11. LOVE WILL FIND A WAY/LIONEL RICHIE 12. HOLD ON/WEE GEE 13. KEEP YOUR HEAD TO THE SKY/EARTH WIND & FIRE 14. STRESSED OUT/A TRIBE CALLED QUEST 15. DON'T QUIT/DIEPHUIS & EASTAR FEATURING JOCELYN BROWN 16. AIN'T NO STOPPING US NOW/MCFADDEN & WHITEHEAD 

Black people have been the target forever, yet some Blacks are still allowing themselves to be tokens who get used up and tossed aside! There are Blacks who have fallen for colorism and the racial social construct, and they refuse to open their eyes to the truth! Black people have never tried to be superior, but they are a superpower group of people, not of their own doing but designated and designed by God. Blacks were chosen to take the burden because God knew we could handle it! Blacks have always been there since the beginning of time at all four corners of the earth! All people came from Blackness and it's been hidden from the world, but there is enough evidence out there to see the truth if people got out of their own way to reveal the truth! Black people everything has been on your backs but if you just stand up, it changes everything! Lose the slave mentality that has left an imprint, we as Blacks were supposed to learn from it and become better and stronger, not stay there with the same mindsets! Time for a change! Black men and women must understand that they are the target for prison, jail, and the grave! Stop falling for the racial social construct that has been designed for you to fail! You are unique, own it, and walk it! I understand most Black people are not this way (tokens, jealous, envious, etc.), but those who are put a stain on the rest! Stand up, for divided we'll always fall!Become a supporter of this podcast: https://www.spreaker.com/podcast/relationships-and-relatable-life-chronicles--4126439/support.

Bryce Henson joins the pod to discuss his book Emergent Quilombos: Black Life and Hip Hop in Brazil (University of Texas Press, 2023). Drawing on ethnographic research in Salvador da Bahia, Henson explores Brazilian hip hop as a diasporic cultural and political movement rooted in Black radical traditions, anti-racist struggle, and collective community formation. Throughout the conversation, the group discusses the historical significance of quilombos in Brazil, the relationship between Blackness and political struggle, the role of hip hop as a form of "quilombismo," and the intersections of race, class, gender, and diaspora in contemporary Brazil. Bryce Henson is Associate Professor in the Department of Communication and Journalism at Texas A&M University, with affiliations in Africana Studies and the Race and Ethnic Studies Institute. He is also an affiliated researcher with the Pós-Afro Program at the Universidade Federal da Bahia and serves as Associate Editor for Transforming Anthropology. Emergent Quilombos: Black Life and Hip Hop in Brazil can be purchased here: https://utpress.utexas.edu/9781477327986/ Spotify Playlist Curated by Bryce Henson: https://open.spotify.com/playlist/3KnR3IBULZ9aAesr8pY3Ov?si=wp_fX5SwSnigAXai5nWT6Q    Subscribe to Latin American Perspectives A journal for discussion and debate on the political economy of capitalism, imperialism, and socialism in the Americas. https://latinamericanperspectives.com/

Dr. Jon Paul Higgins joins Eric this week to unpack what it means to live boldly at the intersections of Blackness, fatness, and femininity—and why joy, audacity, and self-definition are acts of resistance. From therapy and self-worth to breaking free from desirability politics, this is a conversation about choosing yourself in a world that constantly tells you not to. www.doctorjonpaul.com @doctorjonpaul

Suga' with Bundle of Sticks: Black Queer Identity, Gender Freedom, and Healing Through ArtI'm so glad to welcome back Dazié Grego-Sykes and Derrick Miller-Handley of Bundle of Sticks Art Collective for a conversation about their upcoming performance ritual, Suga'. This art collective has spent over 25 years exploring the intersection of Blackness and queerness through performance art, visual art, and community building — and their newest work may be their most personal yet.Suga' is an immersive performance ritual in which Derrick steps into the performer role for the first time in over 20 years, using art as a vehicle for gender identity exploration, radical self-acceptance, and spiritual healing. We talk about what it means to exist outside of society's containers, the power of Black ancestry as a spiritual resource, and why embracing your authentic self is an act of liberation.If you're in the Bay Area, Suga' runs May 29–31 at Eastside Arts Alliance in Oakland. Find tickets by searching Suga' on Eventbrite.Topics Covered:[0:47] Introducing Bundle of Sticks Art Collective[4:19] The intersection of Blackness, queerness, visual art, and performance[6:00] Trust, safety, and creative collaboration[10:13] What is Suga' — and why call it a ritual?[13:47] The many meanings of the word "Suga'"[16:53] "Suga' in your tank" — reclaiming a slur as a source of power[22:03] The immersive space: artifacts, ancestry, and performance[26:17] The tension — and natural harmony — between Blackness and queerness[31:08] Gender identity, legibility, and refusing society's containers[37:59] How Suga' came to be and why now[54:44] Why this work matters in today's political and social climate[59:32] Tickets and show detailsFind Tickets to Suga'Bundle of Sticks websiteArt Heals All Wounds websiteSupport the show

SUBSCRIBE TO THE DAY AFTER - https://youtube.com/@thedayaftertnb#news #currentaffairs #sports #blackbritain #live #music*TIMESTAMPS: TDA - E944*00:00 - TDA IS LIVE03:04 - INTRO23:13 - KUREE [CLIP]31:03  - EMMA GREDE [CLIP]36:36  - NAS "BAD FATHER" [CLIP]44:23  - HEADLINES54:33  - TOPIC OF THE DAY2:35:13  - HEADLINES [2]2:38:45  - THE REACTION2:43:00  - THE PULSE2:46:08  - OUTRO► PATREON: https://www.patreon.com/cw/THENEWBLXCK► DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/thenewblxck► TIKTOK: https://www.tiktok.com/@thedayaftertnb► INSTAGRAM: https://www.instagram.com/thedayaftertnb/► X: https://x.com/TheDayAfterTNB ► LISTEN ON SPOTIFY: https://open.spotify.com/show/0vkTPwat1n6y7l3MOfjQcf?si=0e7daa6ca317441e► LISTEN ON APPLE PODCASTS: https://podcasts.apple.com/gb/podcast/the-day-after-tnb/id1618511121► SECURE YOUR SHARES IN THE NEW BLXCK: https://app.seedlegals.com/en/pitch/c_VoSPUCwhTo/The-New-BlxckCONTACT brent@thenewblxck.com for any questions regarding investment*FOLLOW THE HOSTS*EMAN https://www.instagram.com/theblxckcreator/GINA https://www.instagram.com/just_geen/MARGS https://www.instagram.com/margsmt/CHRISTIE https://www.instagram.com/christie.llc/CHINX https://www.instagram.com/chinxphase/SADE https://www.instagram.com/sadesalamiofficial/

Parenting is one of the toughest jobs in the world. Between choosing a neighborhood to live in or whether to send your kid to public school, there are a lot of decisions that feel high stakes — and sticky, especially when it comes to race. We're here to help. This week we're digging into our archives to bring you some parenting advice around some of the parenting-and-race dilemmas our listeners have faced.This episode features advice from Cassandra Harewood, child and adolescent psychiatrist, Amy Stuart Wells, professor emeritus of sociology and education at Teachers College at Columbia University, Jenn Jackson, professor of political science at Syracuse University focusing on Blackness and gender, Mark Anthony Neal, professor of African & African American Studies at Duke University, and Gigliana Melzi, associate professor of applied psychology at New York University.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Send us Fan MailIn the 90s and 2000s, a wave of academic texts emerged that challenge the dominate narrative of Black leadership and politics, claiming that the location of Black power in the Black church and “respectable” civil rights organizations limited Black politics. One of the most prominent of these texts is The Boundaries of Blackness, written by Cathy Cohen, which uses the example of the limited response to AIDS by Black civil society in the 80s/90s to argue that Black politics marginalized those most impacted by AIDS because the groups most impacted, drug users and those beyond heteronormativity, exceed the bounds of respectable Blackness. In this episode, we review this text, arguing that in its desire to challenge the limits of Black leadership, the text tells an overly critical tale of the Black community as innately locked into respectability. The text reads the Black used of genocide as a frame to understand AIDS as reflective of an inability to center non-respectable drug users and same gender loving individuals. This obscures the value of the genocide concept from a Black communities perspective in providing a comprehensive frame which includes serving those impacted by AIDS, as well addressing the role drugs /addiction played in destabilizing the Black community and larger systems of oppression. By largely preferring a politics of centering the marginalized over a frame of community mobilizing against genocide, the author centers a politics of representation which ultimately requires recognition from white power to be successful. By largely dismissing African centered and Afrocentric politics, the text fails to see the indigenous public health, drug use, and gender sexuality variant idea with Black/ African centered communities that could have been alternative frameworks for representation for marginalized identities, like the work of Mutulu Shakur at Lincoln Detox. It also obscures the role of white supremacy and “injecting oppression” play in forcing so-called “respectability strategies” in the Black community. While challenging existing Black political leadership, the text fails to challenge the larger dynamic of elite interest convergence black folks must depend on for change, leading to a diversification of the elite power brokers but failing to challenging the fundamental disempowerment of black communities. Finally, the text has been misinterpreted by some to argue the Black community is too innately conservative to be trusted with resources and power, thus being wielded as a tool against the Black community political power building.Support the showIn Search of Black Power is a Black-owned internet show and podcast.  This podcast is sponsored and produced by Leaders of a Beautiful Struggle (LBS). The internet show is published in collaboration with Black Liberation Media (BLM)

Van and Rachel look back on the legacy of 'Love & Hip-Hop' before reacting to the pausing of Post Malone and Jelly Roll's stadium tour. Plus, Scott Jennings gets flustered on CNN and Fernando Mendoza skips the White House visit, before a conversation about colorism and Blackness. (0:00) Intro (17:37) The end of ‘Love & Hip-Hop' (32:37) Post Malone and Jelly Roll cancellations (44:51) Scott Jennings and CNN's ‘Newsnight' (1:06:27) Fernando Mendoza and the White House (1:23:19) Colorism and Blackness Hosts: Van Lathan and Rachel Lindsay Producers: Donnie Beacham Jr. and Jade Whaley Social Producer: Bernard Moore Video Supervision: Chris Thomas and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices

During Operation Metro Surge, thousands of Minnesotans were sent to detention centers in Texas. And in one case, a woman with an ovarian cyst said she's been denied medical care. Rep. Angie Craig went to visit her Monday. We talked to the congresswoman about her experience. In another immigration case, a Brooklyn Park man detained for more than three months may avoid deportation, thanks in part to a last minute pardon from the state. We'll check in on the Minneapolis emergency rent relief program and how much money has been distributed so far.A new book is sharing a different framework for research that centers often underserved communities. We'll talk to the author, Brittany Lewis.Our Minnesota Music Minute was “Black Butterfly” by Sounds of Blackness.

This is a preview of a bonus episode from the Patreon feed, TIYA After Dark! Head to patreon.com/thisisyourafterlife to hear this full episode and all the others for just $5 a month.People have mentioned many versions of the afterlife on TIYA, but which one is THE BEST? That's exactly why we're here today. Afterheads, I present to you the Afterlife Power Rankings. My long-time comedy collaborators Daniel Strauss and Drennen Quinn join TIYA After Dark to rank eight separate afterlives, but first, we discuss the Pixar movie Soul, since Lucia Whalen mentioned it on her recent episode. I'll update the Afterlife Power Rankings from time to time on the podcast, but those updates will all be reincarnations of this very first list. You're in on the ground floor. How did we do?In addition to assembling the APR and Soul talk, we play a game of Real vs. Fake: Jazz Venues!We talk about: Soul; jazz; achieving your dream and still feeling disappointed; Afterlife Movie Club & other film representations of the afterlife; Panama City Beach, Florida; DO NOT LIVE EVERY DAY LIKE IT'S YOUR LAST.Support the show and get the TIYA After Dark feed on Patreon:https://www.patreon.com/thisisyourafterlifeRead the pieces I mention that discuss Blackness in Soul better than we can:"As a Black Woman, Here Are the Issues I Have With Pixar's 'Soul'" by Sa'iyda Shabazz:https://www.scarymommy.com/soul-pixar-black-character-represntation-harmful"Soul: The Missteps in Representation" by Kelechi Ehenulo:https://confessionsfromageekmind.com/2020/12/28/soul-the-missteps-in-representation/Follow Daniel and Drennen:https://www.instagram.com/danielstrauss/https://www.instagram.com/drennenwon/Follow/contact This Is Your Afterlife:https://thisisyourafterlife.com/https://www.instagram.com/thisisyourafterlife/thisisyourafterlifepodcast@gmail.comMusic by TIYA house band Lake Mary:https://lakemary.bandcamp.com/https://www.instagram.com/chaz.prymek/Artwork by Matt Sage:https://www.instagram.com/matthewjsage/

Why We're Still Hiding Our Power Levels In an era where The Mandalorian is mainstream and anime is the most-streamed genre in the world, the "Blerd" should be at peak confidence. But for many of us, the trauma of the "blerd-calling" era hasn't fully healed. Whether it's hiding the manga volumes when company comes over or "code-switching" our interests to fit a specific image of Blackness, the fear of social exile is real. Today, we're peeling back the layers on the internal and external pressures that make us hesitate to go "Full Weeb." Are we afraid of being nerds, or are we afraid of losing our connection to the culture? It's time to level up.Join Our Patreon: http://patreon.com/vvclifeGrab Some Gear: http://vvcmerch.comGeneral TalkWeekly Recap Sign Up For PatreonBNP TourBaldur's Gate 3 Session 20 at 8pm!Monday Night Co Op “Operation Tango!!Vote For New GameThursday Morning @9am Anime Watch on our Patreon With Fame & Friday Morning at 9am on TikTok & Twitch as he plays Resident Evil 8 The Precious: JS-1: https://amzn.to/4tboIhuFame: https://a.co/d/0hjW4ykxJaelyn: https://a.co/d/002bt8ebSloan: https://www.midtowncomics.com/search?rel=0&cfr=t&q=batman+static+tpCommercial #1Main Topic: Commercial: #2Games:ClaudeWhisper Of The SwallowsWreck RunnersThe CabinNews: X-Box Game Pass updateCrypto updateIndoor bathrooms invented by Black people?Google Museum?Sandbox Game DevelopmentSolar PunkNasa officially announces ….Tin Foil Hat: No nose, No Ghosts?Comic Of The week: Instagram:  http://instagram.com/blacknerdpodcast  facebook:   http://facebook.com/blacknerdpodcastReddit: https://www.reddit.com/r/blacknerdgang/s/uftLsO0Ad9website: http://blacknerdpodcast.comhttp://twitter.com/vvcradio   http://instagram.com/js1thasupplier  http://instagram.com/fameplanbhttp://instagram.com/jaelynaleisehttp://instagram.com/sloan_tempest

This is the Weight and Healthcare newsletter! If you like what you are reading, please consider subscribing and/or sharing!Diabetes Prevention Programs are a group of programs that are created to prevent the onset of Type 2 Diabetes, often in people who have been identified as at-risk. Most include behavior changes, social support, and include weight loss as a metric and/or the primary outcome. The assumption is typically that any health changes and/or reductions in the development of T2D are because of any weight loss. In discussing these programs previously I've expressed the concern that any differences in health/T2D development were more likely due to behavior changes/support than any weight loss and that, because of their insistence on a weight-loss focus, the programs likely included much more restriction than is necessary to create any health changes, which could create harms including weight cycling (which can actually drive T2D,) weight stigma (which can actually drive T2D,) and disengagement from behaviors that might actually support health and make T2D less likely (with the clear and critical understanding that whether or not someone develops T2D involves myriad factors, many of which are completely outside of their control, including genetics.)Enter the new systematic review “Potential mechanisms for change in diabetes prevention programs” which sought “to investigate potential mechanisms for change in diabetes prevention programs (DPPs), and assess the strength of associations.” Their hypothesis was that “ Weight loss would be less strongly associated with improved health than other mechanisms.” SummaryA group of researchers, several of whom work in weight inclusive Type 2 Diabetes preventions and management, sought to fill a gap in research around Diabetes Prevention Programs (DPPs). These program seek to delay/prevent onset of Type 2 Diabetes and typically include multiple interventions but often target an end goal of weight loss. There is a significant lack of research that even attempts to determine which aspects of DPPs might actually be responsible for any benefits and which might be unhelpful or cause harm. These researchers undertook a systematic review to attempt to determine just that. The AuthorsWe'll begin, as we always do, with the authors. Spoiler alert, this is going to be much shorter than these typically are. The study received no funding and the authors disclosed no conflicts of interest. I'll do my usual deeper dive into their work and, as a reminder, working in the space in which you are researching is not considered a conflict of interest that requires disclosure but is something that always makes me give extra scrutiny to methodology. As usual, if you want to skip this part you can scroll down to where it says “The Study.”Margit I. Berman is an Associate Professor at the Graduate School of Professional Psychology at the University of St. Thomas. Dr. Berman is the author of a “A Clinician's Guide to Acceptance-Based Approaches for Weight Concerns: The Accept Yourself! Framework” This is not a DPP program but does have a section on Health at Every Size™ approaches to Diabetes and Cardiovascular Health. [Note: that Health at Every Size is the trademarked brand of the Association for Size Diversity and Health) Martha Burla - per LinkedIn currently works at the Feinberg School of Medicine in the Department of Medical Social Sciences where she supports research on patient reported outcomes and shared decision making. She is also pursuing a PhD in Health Sciences from Rush University with the hope of continuing to research patient decision making and autonomy.Hannah Martin - per her Linkedin she is a PhD candidate at the University of Otago, Dunedin New Zealand. Her research focuses on Intuitive EatingMegrette Fletcher - is the owner of Inclusive Diabetes Care, LLC which offers free and paid resources for weight-inclusive diabetes care. Full disclosure, Megrette and I have worked together including speaking on the same panel and on a writing project.Elizabeth A. Michaels - per LinkedIn, works at Christopher Rural Health Planning Corporation Primary Care including Coordination of Diabetes Program in accordance with AADE Standards , Individualized Nutrition Consultation and Diet Instruction, Nutrition Therapy for Emotional Eating, Personalized Meal Plans and Recipe Development, Provision and Marketing of Community Health Classes, Development of Educational Resources and Materials, Diabetes Medication and Insulin Management, Continuous Quality Improvement Tracking, Patient Goal Setting and Ongoing Support, Auditor AADE Programs, and Development and initiation of CDCs Diabetes Prevention ProgramLauren Brittany Beach- Per LinkedIn they are an Assistant Professor at Northwestern University's Department of Medicine Social Sciences and Department of Preventive Medicine in the Feinberg School of Medicine and “a leader with a strong track record of scientific research and business development across a wide variety of therapeutic areas, including infectious disease, oncology, cardiology, endocrinology, nephrology, rare disease, and more. In my roles as Assistant Professor, ADVOCATE Center Director, and Robert H. Lurie Comprehensive Cancer Center Executive Team member at the Northwestern University Feinberg School of Medicine, I am recognized for innovative and high impact contributions in research, mentorship, education, and service. I have 20 years of experience translating results from cutting-edge science into narratives that resonate with funding agencies, regulators, clinicians, and the public. I have experience directing interdisciplinary teams in the United States and globally of up to 60 people to solve complex research and operational challenges on time and on budget. Trained in genetics, law, and epidemiology, I am a skilled data scientist and technical writer with experience in research and regulatory communication in both the discovery and clinical research domains.”Michelle L. May - per LinkedIn May is an Associate Professor in the Psychology Department at Arizona State University and the creator of the Am I Hungry? Mindful eating program offering “experiential mindful eating workshops, retreats, and corporate wellness programs. We have trained over 800 health and wellness professionals in over 40+ countries to offer mindful eating programs, coaching, and therapy in their communities, practices, and workplaces.“Pamela J. Bagley - per LinkedIn Bagley is Coordinator of Biomedical Research Support at Dartmouth Biomedical Libraries.Heather B. Blunt - is a Research and Education Librarian, Public Health Lead in Medical and Health Sciences at the Dartmouth Biomedical Libraries with subspecialties in Medical and Health SciencesThe StudyThe authors begin by explaining diabetes prevention programs (DPPs), including that they can vary but often have multiple components including medical and/or psychosocial interventions. They point to the DPP-ILI (Intensive Lifestyle Intervention) as a typical intervention that focuses on creating 7% weight loss using multiple components. They also point out that in one study the DPP-ILI reduced diabetes incidence by 58% compared to a placebo, but that participants don't necessarily find the program either “helpful or tolerable” and the programs often having drop out rates from 40-80%. They also note that the DPP-ILI contains multiple elements - change in weight, physical activity, food, social support, psychological change, education, and self-monitoring and self-awareness that may impact onset of diabetes. Finally, the authors point out that “despite their efficacy, it is possible that DPPs may include harmful elements such as exposure to weight stigma or healthism.” I'll also add, based on about 100 years of research, exposure to the harms of weight cycling since the vast majority of people who lose weight will gain it back.Here the researchers hit on an issue I would suggest is not just with DPPs but with all health interventions that are based on weight loss. As these authors put it, “it is striking how little is known about which components of these interventions cause a delay in diabetes onset, and which components may cause harm.” As is, again, the case with almost all, if not all , research that tries to claim that weight loss create health benefits, more than twenty years in, the research into the DPP-ILI “was not designed to test the relative contributions of dietary changes, increased physical activity, and weight loss to the reduction in the risk of diabetes.” Given our culture's obsession with weight loss (driven by, and with tremendous profit to, the weight loss industry,) the assumption with the DPP (and in general) is always that weight loss (and, typically, very small amounts of weight loss) causes health benefits, literally ignoring all of the behavior changes and other components that precede both the (small, typically temporary) weight loss and the health changes/benefits. The researchers note that “clinicians have focused on the importance of weight loss…recommending weight loss, however, may be a particularly likely candidate to cause harmful or null effects in DPPs.”Considering weight loss, the researchers note that long-term weight loss is “not achievable for most people” and, further, that weight loss programs can induce or exacerbate weight stigma and expose participants to discrimination. They point out that despite the “transient” nature of weight loss in DPPS, “the delayed onset of diabetes can be largely retained, suggesting that mechanisms other than weight loss may contribute to the benefits.”In part 2 we'll look at the study methodology and what they found.If you think my work is valuable, and you want to support my ability to do it, you can become a free or paid subscriber. Both support the work I do here! Liked the piece? Share the piece!More researchThe Research PostMore resourcesThe Resource Post*Note on language: I use “fat” as a neutral descriptor as used by the fat activist community, I use “ob*se” and “overw*ight” to acknowledge that these are terms that were created to medicalize and pathologize fat bodies, with roots in racism and specifically anti-Blackness. Please read Sabrina Strings' Fearing the Black Body – the Racial Origins of Fat Phobia and Da'Shaun Harrison's Belly of the Beast: The Politics of Anti-Fatness as Anti-Blackness for more on this. Get full access to Weight and Healthcare at weightandhealthcare.substack.com/subscribe

Dr. Alex Gee welcomes two of the most important creatives in the development of The Center of Black Excellence, Rev. Lilada Gee and Rafeeq Asad. They discuss their roles in the innovative design and aesthetic of the building. Rev. Lilada is the co-founder and interior decorator, and Rafeeq is the chief architect that worked to infuse a visceral Blackness into the building design.  Hear about the deep cultural thought and feeling that went into the design, including the fight needed for keeping Blackness in the visual aesthetic. It was important to infuse the space with the Black excellence that The Center claims and make sure that is felt by those in the Black community. The building and its vision needed to express to the Black community that they mattered once they entered the space.  theblackcenter.org alexgee.com Support the Show: patreon.com/blacklikeme

“Parents who use drugs, we're at the bottom of the totem pole.”We explore what real safety looks like for families when a parent uses substances. Stigma, shame, and anti-Blackness shape the way families are treated by the family policing system, but community centered care can save lives and families. Together, we imagine a world where families impacted by substance use are met with compassion, resources, and community support rather than punishment and surveillance.About Our Guest: Dinah Ortiz has been working on behalf of people who use drugs and pregnant and parenting people for over two decades. She has spent much of that time at a Well renowned holistic public defense organization as a parent advocate, supervisor, trainer for incoming Attorneys pre bar, Social workers and as an internal thought leader on harm reduction. She serves as a board member for the North Carolina Survivors Union (NCSU) and is a current member of the leadership team for the National Survivors' Union (NSU). She has sat on advisory boards for work supporting federal rural overdose response grantees, and currently for the Albert Einstein College of Medicine IMPOWR-me project as a board member. Coming out of direct parent representation for over a decade Dinah slowly came to understand there was something missing in the representation of marginalized parents who use drugs (our voice.) She has appeared on hundreds of panels globally sharing the challenges created by the child regulation system and its disproportionate targeting of marginalized communities and communities of color. She helped adapt and develop a storytelling model for people who use drugs—helping people work through their own experiences so there is space for reflection where stigma has been internalized, as well as equipping people to share their stories to disrupt larger narratives.Episode Notes: Support the work of upEND: upendmovement.org/donateEpisode Transcript: upendmovement.org/podcast/episode304/ Read “Reclaiming Safety for Children Whose Parents Use Substances” by Kassandra Frederique, Dinah Ortiz, and Mark Z. Dinah mentions a segment about moms using marijuana on the Tyra Banks show. Learn more about the North Carolina Survivor's Union and the National Survivor's Union. Dinah mentions Movement for Family Power's Movement Map. 

At most elite colleges and universities, affirmative action is a thing of the past. But admissions offices are still interested in building racially diverse incoming classes — which can mean looking at students' essays to help determine their background. In those essays, Black students have been often been encouraged to write about experiences of overcoming trauma in order to help underscore their race. Our guest, the sociologist Aya Waller-Bey, says that practice has troubling implications for how we understand what it means to have an authentic Black experience.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

EP 30 - "What Does It Take to Call Yourself a Writer?" | Leydi Margaret Ferreira | Dominican American WriterIn this episode of Let's Talk Passion and Purpose, Nicole Thomas sits down with Dominican American writer Leydi Margaret Ferreira to explore the power of storytelling, identity, and creative courage. Leydi shares how writing became a pathway to process grief, motherhood, and her experiences at the intersections of immigration, Blackness, and womanhood. Through honest reflection, she opens up about overcoming self-doubt, claiming her voice, and embracing the simple yet powerful act of taking the next step on the creative journey.

Acclaimed historian Howard W. French's new book, The Second Emancipation, recasts the liberation of 20th century Africa through the lens of revolutionary leader Kwame Nkrumah. The first prime minister of Ghana, Nkrumah “was in his day as important as Nelson Mandela of South Africa and Mohandas Gandhi of India,” according to The Wall Street Journal. In fact, French writes, African opinion polls often rank Nkrumah as the greatest Black person of the last 100 years, surpassing Mandela. The Second Emancipation is the second work in French's trilogy about Africa's pivotal role in shaping world history. The title―referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom―positions this liberation at the center of a “movement of global Blackness,” with one charismatic leader, Nkrumah, at its head. That so few people today know about Nkrumah is an omission that French demonstrates is “typical of our deliberate neglect of Africa's enormous role in the birth of the modern world.” Join us to hear French talk about Nkrumah's legacy and dramatic life story, the history of African liberation, and the current state of America's engagement with Africa. Learn more about your ad choices. Visit megaphone.fm/adchoices

Artspeak Radio, Wednesday, April 22, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes artists GK Callahan & Laura White, Consuelo Cruz Belger Arts, & Cody Joliff Powell Gardens CEO, Director Teisha M. Bankston & Artistic Director Unicorn Theater Ernie Nolan. GK CALLAHAN & LAURA WHITE- Englewood Art Center presents Laura White- In Full Bloom, a solo exhibition by KC blind artist Laura White. On view from March 20 through May 16, 2026, with an opening reception on Friday, March 20 at 6:00 PM.“You have never seen anything like this — neither have I.” —White In Full Bloom is an immersive, cheeky, tactile exhibition featuring beaded quilts and sculptural works created from beads and found materials. Inspired by the artist's love of gardening and nature, the work draws from her favorite flowers- flowers she can no longer see, but continues to engage with through memory and touch. White's practice expands the tradition of American quilt-making into a richly textured visual and sensory language, expressed through bold, large- scale works. Drawing on her background in graphic design, White constructs her quilts through a monumental reinterpretation of fused beading toys, resulting in surfaces that pulse with color, pattern, labor, and intention. The imagery within each work emerges from White's visual memory, formed before she lost her eyesight due to retinitis pigmentosa and usher syndrome. Because of her limited vision, White often collaborates with friends and family in selecting colors, embedding each piece with a communal authorship that mirrors the social histories of traditional quilts. The result is work that is at once deeply personal and collective. Art reentered White's life in 2016 through a collaborative project that reignited her studio practice and led to local recognition. Her work has since been exhibited in the KC area and at institutions, including the Nelson-Atkins Museum of Art. In Full Bloom marks a significant moment in White's artistic journey — not a return, but a flourishing. The exhibition invites viewers to slow down, to experience art through touch, memory, and presence, and to reconsider long-held assumptions about vision, access, and who art is for. About Englewood Arts: Englewood Arts Center is dedicated to assisting the community through development of residential and commercial incentives, public art, art events, art programs, philanthropy and community outreach solutions, which result in a thriving community with engagement and pride. Englewood Arts is located at 10901E. Winner Rd. Independence, MO www.englewoodarts.art TEISHA M. BANKSTON, Director & ERNIE NOLAN, Artistic Director of Unicorn Theatre Don't Touch My Hair By Douglas Lyons May 6 – 24, 2026 Unicorn Theatre | Levin Stage Directed by Teisha M. Bankston About the Show: Don't Touch My Hair Written by Douglas Lyons | Directed by Teisha M. Bankston Don't Touch My Hair is an exploration of Black womanhood, identity, and cultural ownership, with a sharp comedic wit. The play follows lifelong best friends Eemani and Jade, who, during a casual afternoon together, are launched into a surreal hallucination. It's a journey that transports them through time to confront historical and cultural oppressors. Through humor, imagination, and sharp dialogue, the two women confront the past to reclaim their power. The play is filled with satire and social commentary, using comedy as a lens for examining serious social issues. Rather than centering pain, Don't Touch My Hair creates space for laughter, reflection, and conversation. Why It Matters Don't Touch My Hair's power comes from shifting the conversation about racial injustice and confronting it through humor and the joyful bond of women. It invites audiences to engage with complex issues in a way that is thought-provoking and deeply human. Key Themes & Takeaways Black Identity At its core, the play examines the significance of Blackness as both a personal and political expression. It challenges audiences to consider who “owns” culture and what it means to reclaim it. Boundaries “Don't touch my hair” represents the right to personal space, respect, and self-definition. The play highlights how Black women's bodies and identities are open for commentary, and pushes back against that norm. The “Angry Black Woman” Stereotype The story interrogates the societal expectation that Black women must shrink themselves to be accepted. It confronts stereotypes that label assertiveness as anger, and instead presents characters who are expressive, complex, and unapologetically themselves. Comedy as a Tool for Confrontation Rather than approaching racism solely through trauma, the play uses humor to disarm and engage. By making audiences laugh, it opens the door for deeper reflection on difficult topics without centering harm done to Black people. Friendship & Joy Eemani and Jade's relationship is a common thread throughout the story. Their bond reflects the importance of safe spaces where Black women can exist fully, speak freely, and find joy while navigating challenges. Eemani and Jade light up to unwind, but their blunt is laced with more than weed. A wild hallucination gives them superpowers to confront the past in a hilarious, eye-opening journey. This electrifying play celebrates Black womanhood and self-discovery. Unicorn Theater is located at 3828 Main St. KCMO www.unicorntheatre.org CONSUELO CRUZ, Vice President Marketing & Community Engagement Belger Arts & CODY JOLIFF Powell Gardens CEO POWELL GARDENS AND BELGER ARTS DEBUT COLLABORATIVE GLASS FOUNTAIN INSTALLATION On view during Painted Garden (May 2-June 21, 2026) in the Conservatory Powell Gardens, Kansas City's botanical garden, announces the Fountain Project, a one-of-a-kind glass installation created in collaboration with Belger Arts by a collective of glass artists. The installation will be on view May 2 through June 21, 2026, in the Conservatory at Powell Gardens. The piece created as part of the Fountain Project, titled Teaming with Life, will launch the Gardens' spring art-focused event, Painted Garden. Selected through a national call for artists, the Fountain Project brings together an eight-person collective of glassmakers from across the United States: Abigail Amundson, Michael Carson, Keegan O'Brien, Jacqueline Polofka, Ori Shir, Lauryl Sidwell, Brandon Smith, and Tyler Suter. The team includes three lead gaffers and six assistants who worked collaboratively to fabricate and install the large-scale piece. The artists gathered at the Belger Glass Annex to create the fountain's intricate functional and decorative components using traditional glassblowing techniques before assembling the installation onsite at Powell Gardens. Their work transforms the Conservatory into a tranquil retreat inspired by the landscapes of the Midwest prairie. At the center of the space, the fountain is adorned with luminous blown-glass forms that echo the shapes and colors of prairie blossoms. Soft golds, lavender tones, and prairie blues shimmer in the light, creating a peaceful atmosphere where visitors are invited to slow down, sit in a rocking chair, and enjoy the interplay of glass, water, and spring blooms. The result is a serene environment where art, nature, and heritage come together in quiet harmony. About the Artists • Abigail Amundson is an emerging multimedia artist based in Corning, New York, whose work explores the intersection of nature and spirituality. She recently graduated from Bowling Green State University and works with the Corning Museum of Glass Hot Glass team. • Michael Carson, originally from Indiana, focuses on functional blown glass inspired by historical Venetian techniques. He has worked with studios across the Midwest and with the Corning Museum of Glass Hot Glass team. • Keegan O'Brien, based in Kansas City, earned his BFA from Bowling Green State University. His sculptural glasswork explores light and material, and he currently works as a gaffer at Monarch Glass Studio. • Jacqueline Polofka is the artist behind Double Dipped Studios on Kelleys Island, Ohio. A graduate of Bowling Green State University, she specializes in blown glass and previously worked at institutions including the Corning Museum of Glass and Chrysler Museum of Art. • Ori Shir is co-owner of Shir Glassworks in Greenfield, Massachusetts. His nature-inspired glasswork ranges from functional to sculptural and is exhibited nationwide. • Lauryl Sidwell is a Kansas City-based artist who transitioned from stained glass to hot glass in 2023 and continues to expand her practice through studio work and classes. • Brandon Smith is a glass and mixed-media artist, blacksmith, and educator based in Pennsylvania. He holds an MFA from Southern Illinois University Carbondale and leads the glass program at Keystone College. • Tyler Suter is a resident artist at Belger Arts Center in Kansas City whose sculptures in glass and ceramics are inspired by organic forms and the natural world. Powell Gardens 1609 NW US Hwy 50 Kingsville, MO 816.697.2600 www.powellgardens.org The Fountain Project installation is on view daily from May 2 through June 21, 2026 in the Conservatory at Powell Gardens. For more information about Painted Garden and upcoming events, visit powellgardens.org. May 2: Unveiling of the Belger Arts-Powell Gardens Fountain Project at Powell Gardens. Nine artists from across the country were selected from an open call to create a blown glass fountain. They arrive in Kansas City on April 23. • Gallery Collections: Here Comes the Sun (April 3 - May 30); Dog Days (June 5 – August 1) • June 6: Exhibition Openings for Annual Resident Artist Exhibition; Beat the Heat • June 29-August 7: Kids and Teen Camp • Ongoing ceramics and glass classes Our programs this year are in partnership with Handwork: Celebrating American Craft 2026, a nationwide semi quincentennial initiative to showcase the importance of the handmade throughout history and in contemporary life.

The Trump administration has been targeting higher education for some time now — freezing grants and filing lawsuits against leading universities. But these threats are not limited to the U.S. and there are growing concerns about a potential spillover effect on Canadian campuses. In this podcast, host Nahlah Ayed speaks with three panelists to explore what's at stake with the politicized attacks on universities — and why it matters to all of us.This discussion was recorded in front of an audience at the Isabel Theatre in Toronto.Guests in this episode:Malinda S. Smith is an associate vice president research and a professor of political science at the University of Calgary. She is the co-editor of Nuances of Blackness in the Canadian Academy: Teaching, Learning, and Researching While Black.Randy Boyagoda is a novelist and professor of English at the University of Toronto, where he also serves as the university's advisor on civil discourse, the first position of its kind in Canada.Davide Panagia is professor and chair of political science at UCLA, where his work bridges philosophy, media and democratic life. Before that, he held the Canada Research Chair in Cultural Studies at Trent University.

Subscribe today for access to our full catalog of bonus episodes, including 2+ new episodes every month!   http://patreon.com/boysbiblestudy Have we discovered the first great piece of AI filmmaking? We'd like to believe we are the first Christian film podcast to cover the OUR MAN KENT series, since installment one was released less than two weeks ago and currently has fewer than 100 views. AI seems to be the current artistic focus of auteur Kenya Cagle, an extremely prolific faith-based film director proven capable of creating live-action films such as our favorites THE BOY WHO SAW CHRIST and THIRTEEN MONTHS. AI in Cagle's hands is possibly a way to quickly iterate on fantastical sci-fi ideas, and hopefully not a full replacement for his live-action work, which we love. Despite personal artistic qualms about generative AI's use in art, t's undeniable that AI allows Cagle to pursue sci-fi ideas he probably couldn't pull off in live action. OUR MAN KENT contains depictions of futuristic technology such as "drone phones," "guardian angel" drones that serve as personal robotic bodyguards, and Kent's AI girlfriend "Tasha" (whom he communicates with via commands, like Alexa). These tools are deployed by protagonist Kent, a Black secret agent combating systemic anti-Blackness. In this installment, when an evil scientist cancels a university's African American Studies program, Kent's boss (the "Supreme Being") offers him a lucrative opportunity to defeat the scientist and save history. The medium of AI video adds a bizarre, uncanny tone to the piece; character movements and animations such as car rides are unnatural to the point of nauseating, but they add a character that at times makes it delightful to watch. While generative AI's impact on the creative process remains controversial among film fans, and for good reason (critiques of resource usage and creative plagiarism are valid), from a philosophical standpoint it's clear that AI doesn't mask Kenya Cagle's creative spirit. The singular, weird vision of his live-action films is highly present in OUR MAN KENT, allowing the medium to extend his message, even if it makes the film hard to watch at times. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for livestreams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

Send us Fan MailWelcome to Rational Black Thought. I'm your host, Neo Griot.This week's title comes from the UK rapper Dave and his song "Black" and says something that needs to be said plainly because too many people still pretend not to understand it: Black is not divisive. Black truth is not divisive. Black memory is not divisive. Black resistance is not divisive. What is divisive is the lie. What is divisive is the constant demand that Black people shrink ourselves, soften our analysis, mute our anger, and make ourselves digestible for a society that has built power by calling its own violence normal and our response excessive.And that is the through line this week. We are living in a moment where domination keeps trying to rename itself as order, where corruption keeps dressing itself up as righteousness, and where empire still wants to call itself civilization. The people lying to us want us to believe that naming white supremacy is the problem, that confronting Christian nationalism is the problem, that exposing hypocrisy is the problem, that insisting on evidence, law, history, and human dignity is somehow too much. But the real problem has never been the truth telling. The problem has always been the system that depends on lies to survive.This week's episode sits right in that tension. It is about the struggle over who gets to define morality, who gets to define civilization, who gets to define truth, and whose humanity is treated as negotiable. And underneath all of that is the same old poison: the assumption that one narrow worldview, white, Western, Christian, imperial, has the right to sit in judgment over everybody else while calling itself universal.So when I say Black has never been a competition, I mean that Blackness is not something that has to diminish anybody else in order to matter. It is not a threat unless your worldview depends on hierarchy. Unless your identity depends on domination. Unless your politics depend on erasure. Then yes, every honest word sounds dangerous. Every act of memory sounds rebellious. Every demand for justice sounds like division. But that is not because Blackness is divisive. It is because truth destabilizes lies.Intro: Quote of the Week: James Baldwin Unmasking the News: Democracy Watch: Empire, Lawlessness, and Trump's Threat Against a Civilization DOJ Says Bondi Can Hide Behind the Firing Opus Dei and the Holy Machinery of Power Good News: 404 Day and Black Civic Culture Done Right Bible Study with an Atheist: Pascal's Wager: Christianity's Favorite Bad Bet Reflections and Call to Action: Closing/Outro:Sources:https://www.reuters.com/world/middle-east/trump-says-a-whole-civilization-will-die-tonight-if-iran-does-not-make-deal-2026-04-07/https://abcnews.com/Politics/doj-house-oversights-subpoena-longer-obligates-bondi-testimony/story?id=131841587https://www.theguardian.com/world/2026/apr/06/opus-dei-gareth-gore-pope-leohttps://www.blackenterprise.com/404-weekend-atlanta/?Power Concedes Nothing without a Demand...

"I think, like all writers, I will feel an itch that I have to scratch. There will be an idea in my head that I've got to get down on paper, whether I follow through with it or not," says R. Renee Hess, author of Blackness is a Gift I Can Give Her: On Race, Community, and Black Women in Hockey.Who do we have this week? It's R. Renee Hess, but you can all her Renee, of Black Girl Hockey Club. She wrote the essay collection Blackness is a Gift I can Give Her: On Race, Community, and Black Women in Hockey. It's published by McClelland & Stewart.After Renee finished her schooling and got a job and had some money, she sought to find a sport to follow that cut against the grain. Instead of baseball, football, or basketball, she thought, maybe hockey and it didn't take long to realize that there very few Black people on the ice and in the stands. And even fewer Black women in the stands. In 2018, she launched Black Girl Hockey Club, a nonprofit organization that focuses on equity and including for Black women in ice hockey.Renee was named one of three finalists for the NHL's Willie O'Ree Community Hero Award in 2021 for positively impacting the community, culture, or society through the sport of hockey. Her work has appeared in Black Nerd Problems, Spectrum Magazine, and Racebaitr. You can learn more about Renee and her work at blackgirlhockeyclub.org and find her on the socials at @blackgirlhockeyclubIn this conversation we talk about: Tackling other genres Short Fiction Reading as a writer Going back to the classics What sustains the writing Taking representation further And focusing inward vs. outward in her BGHC workReally fun conversation about the important work she's doing and the work she draws inspiration from.Order The Front RunnerWelcome to Pitch ClubShow notes: brendanomeara.com

Send us a text message and tell us your thoughts.Today, we reshare our reasoning with Dr. Paul López Oro to trace the Garifuna story across Caribbean history, from St Vincent and the Carib Wars to forced exile in 1797 and the building of communities along the Central America Caribbean coast in Honduras, Belize, Guatemala, Nicaragua, and beyond. Along the way, we wrestle with what it means to be Black and Indigenous at the same time, especially in societies that insist those identities must be separate. We dig into the “void in the archive” and why collective memory and oral tradition become more than storytelling. For Garifuna communities, memory shapes political life right now: claims to ancestral territories, fights for land rights, and daily resistance to anti-Blackness and anti-Indigeneity in nationalist narratives that erase contributions made long before the modern republics were born.  From there, we explore Garifuna Settlement Day as an embodied archive and a public demand for visibility, first in Belize and later in New York City. We connect diaspora routes to labor history in the United States, including pathways through New Orleans and the long work of building community “in the company of” other Black populations.Dr. Paul Joseph López Oro is an Assistant Professor and Director of Africana Studies at Bryn Mawr College. He is a transdisciplinary Black Studies scholar whose teaching and research interests are on Black Latin American and U.S. Black Latinx social movements, Black diaspora theories and ethnographies, and Black Queer Feminisms. His research interests include Black politics in Latin America, the Caribbean and U.S. AfroLatinidades, Black Latinx LGBTQ movements and performances, and Black transnationalism. He is working on his first book manuscript, Indigenous Blackness: The Queer Politics of Self-Making Garifuna New York, is a transdisciplinary ethnographic study analyzing oral histories, performances, social media, film, literary texts and visual cultures to unearth the political, intellectual, cultural and spiritual genealogies of Garifuna women and subaltern geographies of Garifuna LGBTQ+ folks at the forefront of Garifuna transnational movements in New York City.Support the showConnect with Strictly Facts -  Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts?Rate & Leave a Review on your favorite platformShare this episode with someone or online and tag usSend us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and educationProduced by Breadfruit Media

Author and broadcaster Antonio Michael Downing joins Melvin E. Edwards for a powerful conversation about identity, reinvention, and belonging.Born in Trinidad and raised in rural Canada, Downing's life has taken him through multiple identities — musician, performer, writer, and now host of CBC's The Next Chapter.His acclaimed memoir Saga Boy: My Life of Blackness and Becoming explores the complicated intersections of race, masculinity, immigration, and family.In this episode, we discuss:* Growing up in Trinidad before moving to Canada* The shock of suddenly becoming “the only Black kid in town”* Reinventing himself through music and art* What masculinity meant to him as a young man* The emotional process of writing Saga Boy* Why identity is never a fixed destinationThis conversation is raw, reflective, and deeply human.If you've ever struggled with where you belong — this episode is for you.Antonio Michael Downing's websiteAntonio Michael Downing (@antoniomichaeldowning) InstagramStories from Real LifeMedia Well Done, LLC Get full access to Melvin E. Edwards at storiesfromreallife.substack.com/subscribe

What is the secret to human connection? This week, Ben and Jamesa follow that question down a rabbit hole that takes them from a laboratory full of surprisingly affectionate octopuses, to the aging back streets of Japan where a quiet army of women are saving lives one yogurt delivery at a time. They'll get into Jack Harlow's claim that he "got Blacker" and the layers of problematic whiteness that it reveals, and why we all need a daily disobedience practice. Come hang out.Support the show

Hear travel stories from Equatorial Guinea to Brazil & how Dash works to dismantle anti-Blackness in Latinx communities. ============================ Get the Monday Minute my weekly email with 3 personal recs for travel, culture, and living beyond borders you can read in 60 seconds. ============================ ON THIS EPISODE In Part 2 of this conversation, Peabody Award–winning producer and historian Dash Harris unpacks the ideology of mestizaje and explains how narratives of racial mixing have obscured anti-Blackness across Latin America and its diaspora. She discusses why she rejects the umbrella identity of “Latina,” drawing on Black feminist scholarship, her workshops on dismantling anti-Blackness in Latinx communities, and her own experiences traveling and researching Afro-descendant cultures around the world. Dash tells stories from visiting Equatorial Guinea—the only Spanish-speaking country in Africa—and compares Afro-diasporic histories across continents. She also shares observations from Salvador, Brazil about tourism, memory, and the politics of Black cultural spaces. Finally, she recommends some of her favorite music—from Afro-Cuban traditions to Afro-Colombian and Brazilian sounds. → Full show notes with direct links to everything discussed are available here. ============================ FREE RESOURCES FOR YOU: See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ============================ ENJOYING THE SHOW? Follow The Maverick Show on Instagram and DM Matt to continue the conversation Please leave a rating and review — it really helps the show and I read each one personally You can buy me a coffee — espressos help me produce significantly better podcast episodes! :)

Muslim American women have to face Islamophobia, but when you're also Black - it's even more complicated. Today, we meet women navigating the intersection of Blackness and being Muslim. Plus, a rapper from Oakland faces the haters head-on.

Learn how growing up between Brooklyn and Panama shaped Dash's journey into documentary storytelling and global travel. ============================ Get the Monday Minute my weekly email with 3 personal recs for travel, culture, and living beyond borders you can read in 60 seconds. ============================ ON THIS EPISODE Peabody Award–winning producer and historian Dash Harris tells stories about coming of age between 1990s Bed-Stuy, Brooklyn and Panama. She reflects on navigating Black and Afro-Panamanian identity across cultures and how those experiences shaped her understanding of race, identity, and the global Black diaspora. Dash tells the backstory of filming Negro, her groundbreaking docu-series exploring race and anti-Blackness across Latin America. She also explains how filming the docu-series ultimately led her to co-found AfroLatinx Travel, a company that organizes trips centering the African roots of Latin America and connecting travelers with Black communities, histories, and cultural traditions. → Full show notes with direct links to everything discussed are available here. ============================ FREE RESOURCES FOR YOU: See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ============================ ENJOYING THE SHOW? Follow The Maverick Show on Instagram and DM Matt to continue the conversation Please leave a rating and review — it really helps the show and I read each one personally You can buy me a coffee — espressos help me produce significantly better podcast episodes! :)

When a dying man's eyes fill with unspeakable terror at something only he can see, his daughter's search for answers leads her to a hidden room — and a secret her father buried long ago. | #RetroRadio #WeirdDarkness | EP0597CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Two-Dollar Murders” (June 03, 1977) ***WD00:47:03.036 = The Haunting Hour, “Murder Is My Business” (1945-1949)01:14:19.578 = Hermit's Cave, “The Blackness of Terror” (April 06, 1947)01:38:47.692 = Mystery Is My Hobby, “Death Buys Flowers” (1945-1950)02:04:30.354 = Sherlock Holmes, “Singular Affair of the Dying Schoolboys” (November 09, 1946)02:33:08.532 = House of Mystery, “Haunters and Haunted” (June 13, 1945) ***WD02:47:29.475 = Incredible But True, “Rescue At Sea” (1950-1951)02:51:11.172 = Inner Sanctum, “Man From Yesterday” (December 21, 1941) (LQ)03:20:31.367 = The Key, “Wife Beater” (1956) ***WD03:45:49.579 = Lights Out, “Sub-Basement” (August 24, 1943) ***WD04:15:04.632 = Lux Radio Theater, “The Canterville Ghost” (June 18, 1954)05:14:14.751 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0597

New York Times columnist Jamelle Bouie joins award-winning journalist Juan Williams for a conversation on Williams' latest book, New Prize for These Eyes: The Rise of America's Second Civil Rights Movement, exploring the emergence of a new civil rights era—from the 2008 election of President Obama to the January 6, 2021 attack on the U.S. Capitol. Thomas Donnelly, chief scholar at the National Constitution Center, moderates.  This conversation was originally streamed live as part of the NCC's America's Town Hall series on February 26, 2025.  Resources Juan Williams, New Prize for These Eyes: The Rise of America's Second Civil Rights Movement (2025) Jamelle Bouie, “Discussing Trayvon Martin, Obama Embraces his Blackness,” The American Prospect (July 19, 2013) Jamelle Bouie, opinion columnist, The New York Times Civil Rights Movement Reconstruction Thomas Ricks, Waging a Good War: A Military History of the Civil Rights Movement, 1954-1968 (2022) Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org⁠ Continue the conversation by following us on social media @ConstitutionCtr Explore the ⁠America at 250 Civic Toolkit⁠ ⁠Sign up⁠ to receive Constitution Weekly, our email roundup of constitutional news and debate Subscribe, rate, and review wherever you listen Join us for an upcoming ⁠live program⁠ or watch recordings on ⁠YouTube⁠ Support our important work ⁠Donate

What does the humble, boring quarter-zip sweater have to do with respectability politics and Blackness? Apparently, a lot! When two young Black men on TikTok brought the quarter-zip into vogue for young folks, they unknowingly waded into some very long-lived discourse on Black fashion and looking "respectable." Today on the pod, we chop it up with Jonathan Square, professor of Black visual culture at Parsons School of Design, about Black fashion, and what's happening more broadly to make this pretty plain sweater the "it" garment.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy