Podcasts about Blackness

This payday, Amber and Erika are joined by their guest, Pastor Kristian A. Smith, a pastor and public theologian, to discuss the rise of radical American religiopolitics and the insidious racism that fuels it. Malcolm X once said, “The greatest single reason for the Christian church's failure . . . is its failure to combat racism.” This episode explores the racist roots of the most prominent American denominations and their long complicity with racism. Pastor Kristian helps us identify the ways that White Evangelicals have weaponized the Bible to advance a political agenda filled with xenophobia, homophobia, patriarchy, antagonism towards the poor, and anti-Blackness. He shows us how theology can be used for both good and bad and why we must all be willing to constantly interrogate what we believe and whether it serves our highest good. Tune in to get the scoop!

What happens when you bring a passionate male advocate for survivors of domestic violence into a space that's usually led by women? That's what we're doing in this episode!I talk with Michael, a rare but powerful male voice in this movement, to talk about the complexities of abuse, how children really experience it, and what it looks like for men to step into prevention and healing work.Together, we cover:An unexpected start: How a “mess around job” at a domestic violence shelter shifted Michael's path and purpose.Kids always know: Why children absorb far more than we think when abuse is happening at home.The gender gap: What keeps men out of advocacy spaces—and what could change that.Breaking cycles: Michael's stories from working with boys and men, and how change actually happens.Parenting through it: How survivors can support their children in building healthy relationships and identities.The role of women: What's yours to carry, and what isn't, when it comes to men's healing.This conversation is honest, challenging, and full of hope. If you've ever wondered how to raise compassionate boys, how to include men in real culture change, or how to support your kids after abuse, this is one you won't want to miss.Michael Brasher, PhD, PCIC is a men's coach, researcher, and author working at the intersection of public health, gender, and racial justice. He helps men and boys unlearn toxic conditioning to build safe, equitable relationships with women, and engages them as allies in ending gender-based violence. His work focuses on the socialization of masculinity as a public health issue, with a research emphasis on domestic violence and anti-Blackness.Connect with Michael:Is Your Partner a Robot? Take the free quiz: https://michael-odkf51tb.scoreapp.com/Free Healthy Masculinity Men's Monthly Talking Circle: https://michael-uwrnhoyd.scoreapp.comSocial Media: @lifeunboundcoachingBook some time with Me: https://dot.cards/michaelbrasherPlease leave us a review or rating and follow/subscribe to the show. This helps the show get out to more people.If you want to chat more about this topic I would love to continue our conversation over on Instagram! @risingbeyondpcIf you want to support the show you may do so here at, Buy Me A Coffee. Thank you! We love being able to make this information accessible to you and your community.If you've been looking for a supportive community of women going through the topics we cover, head over to our website to learn more about the Rising Beyond Community. - https://www.risingbeyondpc.com/ Where to find more from Rising Beyond:Rising Beyond FacebookRising Beyond LinkedInRising Beyond Pinterest If you're interested in guesting on the show please fill out this form - https://forms.gle/CSvLWWyZxmJ8GGQu7Enjoy some of our freebies! Choosing Your Battles Freebie Canned Responses Freebie Mic Drop Moments Freebie ...

The Enlightenment has faced a lot of criticism in recent years - its defenders and detractors often come head to head, scrambling to articulate its ultimate value or lack thereof to contemporary society. This podcast contributes to this wider debate and question facing all those interested in philosophy and politics: Are Enlightenment ideas salvageable? Or are they too intrinsically tainted with the racism of their times? If so, what do we do next?Join Birmingham City University Professor Kehinde Andrews in this exclusive interview as he lays out his provocative claims on the limited utility of Enlightenment thought.What do you think? Do you agree with Kehinde? Who is your philosophical reference? Email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such topics discussed live in London, buy tickets and join the conversation: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Join Monique and Kevin as they dive into the emotional aftermath of Charlie Kirk's assassination, exploring its impact on the Black community and America. They unpack Kevin's blog post, "Dear Black People: Charlie Kirk Loved You," dissecting the ideological divide of "whiteness" vs. "blackness," the dangers of grievance culture, and the hope for biblical unity. Discover how these worldviews shape our society and what it means to move toward human flourishing as a Christian. Read Kevin's article: https://www.centerforbiblicalunity.com/post/dear-black-people-charlie-kirk-loved-you #CharlieKirk #BlackCommunity #ChristianPerspective #CulturalDivide

Without batting an eye, we casually use everyday words that associate Blackness with evil. While using them seems innocent, their hidden impact negatively affects us. How many of these words have you used?_____________2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work.The production team for this podcast includes Cydney Smith and Len Webb. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Lilly Workneh serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Host Nathan Maharaj spoke with Antonio Michael Downing, author of the 2021 memoir Saga Boy: My Life of Blackness and Becoming, as well as the illustrated children's book Stars in My Crown. For just about a year now he's also been the host of CBC's The Next Chapter, where every week he talks to authors (and once in a while an opinionated bookseller) about books they want people to pay attention to. He joined us to talk about his first novel: Black Cherokee. It's the story of Ophelia Blue Rivers, a girl growing up in South Carolina where her mixed ancestry leaves her struggling for acceptance amidst the Cherokee community where her grandmother raised her.  Antonio Michael Downing's literary journey into the South

Host Nathan Maharaj spoke with Antonio Michael Downing, author of the 2021 memoir Saga Boy: My Life of Blackness and Becoming, as well as the illustrated children's book Stars in My Crown. For just about a year now he's also been the host of CBC's The Next Chapter, where every week he talks to authors (and once in a while an opinionated bookseller) about books they want people to pay attention to. He joined us to talk about his first novel: Black Cherokee. It's the story of Ophelia Blue Rivers, a girl growing up in South Carolina where her mixed ancestry leaves her struggling for acceptance amidst the Cherokee community where her grandmother raised her.  Antonio Michael Downing's literary journey into the South

In the past three months, more than 300,000 Black women have left the labor force. Economist and author Anna Gifty Opoku-Agyeman calls this the double tax—the compounded burden of being both a woman and a person of color in an economy designed to take more and give less. From higher prices for haircare and beauty products, to childcare that consumes a larger share of income, to systemic barriers in jobs, salaries, housing, and wealth—these hidden costs fall on women of color across the board. But for Black women, they are especially stark, leaving them with fewer opportunities, lower pay, higher living costs, and far less generational wealth than their white counterparts. Her groundbreaking book, The Double Tax: How Women of Color Are Overcharged and Underpaid, shows how these inequities aren't incidental—they're structural. And unless they're confronted, everyone pays the price. (00:01) The Double Tax on Black Women Black women's "double tax" in labor force discussed with author Anna Gifty Opoku-Agyeman, emphasizing solutions and self-advocacy. (07:06) Cost of Hair Emotional and Financial Perceived progress in racial equality, false sense of progress, hair burdens for Black women, generational trauma and societal expectations. (13:58) Navigating Beauty Standards as Black Women Growing up in predominantly Black and white educational environments, facing anti-Blackness and challenges in PWIs, finding representation and redefining beauty standards. (22:01) The Double Tax on Beauty Standards Representation and accessibility in the beauty industry for Black and Asian American women, highlighting the "double tax" and need for inclusive representation. (34:03) The Double Tax in the Workplace Legislation is needed to combat hair discrimination in the workplace, along with addressing white beauty standards and the "double tax" faced by Black professionals. (41:41) Power Dynamics and Motherhood Impact Proximity to power is unequal among races and genders, with white men dominating top professions and Black women facing the most barriers. (47:11) The Burden of Motherhood Motherhood's financial burden, childcare costs, Black women as breadwinners, and the impact of technology on education and employment. (01:01:19) The Cost of Womanhood Empowering women at all stages, advocating for oneself, and the cost of womanhood are discussed in a heartfelt chapter. #DoubleTax Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer Prize–winning journalist Trymaine Lee joins Shifting Culture to talk about his new book A Thousand Ways to Die and the true cost of violence in America. Known as a griot of Black survival and death, Trymaine has spent decades reporting on the lives and communities most affected by gun violence. But when he suffered a sudden heart attack at just 38, he was forced to reckon with the weight of the trauma he had carried in his body and in his family's history of generational loss. In this conversation, Trymaine traces the roots of America's cycles of violence back to slavery, systemic racism, and disinvestment, showing how those forces still shape families and neighborhoods today. He also shares how identity, mentorship, and joy can disrupt the cycle, and why nothing stops a bullet like dignity, opportunity, and love. This episode is heavy, but it's also filled with hope. Because as Trymaine reminds us, there may be a thousand ways to die, but there are also a thousand ways to live.Trymaine Lee is a Pulitzer Prize and Emmy award winning journalist and MSNBC contributor. He's the host of the “Into America” podcast where he covers the intersection of Blackness, power, and politics. A contributing author to the “1619 Project”, he has reported for The New York Times, the Huffington Post, and the New Orleans Times-Picayune. A Thousand Ways to Die is his first book.Trymaine's Book:A Thousand Ways to DieTrymaine's Recommendation:JamesSubscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link belowThe Balance of GrayFaith That Challenges. Conversations that Matter. Laughs included. Subscribe Now!Listen on: Apple Podcasts SpotifySupport the show

Send us a textOn today's Concrete Genius Pod, Sauce Mackenzie sits down with Jody McFly—one of the sharpest voices in sports talk and Black manhood—to keep it all the way real. We tap in on fatherhood and mental balance, the Eagles–Cowboys matchup (Jalen Hurts, shaky Philly secondary, Pickens vs. CeeDee), Steelers strengths & concerns, and a raw, unfiltered breakdown of how sports media frames Black QBs (Lamar Jackson, Shadour Sanders) versus peers like Joe Burrow and Josh Allen.We also hit culture talk: Dame Dash (health, legacy, bridges burned), the PJ Washington & Brittany Renner clip and what young fathers can learn, plus honesty about race, bias, and why community standards matter. It's thoughtful, funny, and uncomfortable in the right ways.“I was Black before I was a fan of any team. When I see unfairness, I'm calling it.” — Jody McFly⚠️ Note: Contains strong language.Chapters00:00 – Intro: ConcreteGeniusMedia.com • Why Jody's voice matters01:00 – Family check-in: kids' sports, cheer, daycare drama, making “chicken salad” out of life03:20 – Fatherhood & mental balance: hobbies, venting, support systems, giving your partner grace05:15 – Grill therapy, early mornings, and finding stillness05:50 – Eagles–Cowboys first takes: offense ahead of defense, Hurts vs. the shaky Philly secondary07:10 – RB/WR talk: CeeDee's drops, why George Pickens makes the tough ones09:05 – Cowboys outlook, Parsons trade fallout, contract-year emotions10:18 – Jalen Carter spit vs. Dak: respect, intent, and plausible deniability12:50 – NFC favorites + a Commanders sleeper; who drops off most (Lions?)15:55 – AFC chalk: Chiefs • Bills • Ravens and why16:40 – Steelers deep dive: OL questions, WR2 concerns, Rodgers effect, win-total vibes21:30 – Week 1 script, pass rush, and “every fan's plan”21:55 – Media double standards: Lamar vs. Burrow, Shadour vs. the excuses25:00 – Pressure, rule changes, and the Josh Allen conversation27:00 – Who's fair on TV? Kurt Warner shoutout; agendas in sports media28:40 – Pablo Torre / Clippers / Ballmer: under-the-table narratives & how media fawns shift32:20 – LeBron narratives vs. reality; when honesty left the zeitgeist35:30 – Dame Dash: health, legacy, and the cost of burning bridges40:55 – PJ Washington & Brittany Renner: composure, bait, and lessons for young fathers47:30 – Passes for “racially ambiguous” women vs. Black women's labels53:00 – Michael Jackson, Blackness, and truth vs. opticsGuestJody McFly — analyst, culture critic, and unapologetic truth-teller on sports and society. Follow him on X/Twitter: @Jody_McFlyTap In / Links

Brea and Mallory talk about their most anticipated books for September and October! Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmTo join our Discord channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!www.maximumfun.org/joinReadathon - 9/13Glasser Book Club Pick - The BewitchingBooks Mentioned -The Good House by Tananarive DueAnother by Paul TremblaySeptember Mother Mary Comes to Me by Arundhati RoyNonfiction, memoir, mother/daughter relationship, IndiaHot Desk by Laura DickermanRomance, book world, rival book editorsWild Reverence by Rebecca RossSet in the Divine Rivals universeAll the Way to the River by Elizabeth GilbertMemoir, love, queer, addiction, codependencyThe Secret of Secrets by Dan BrownNew Robert Langdon bookHistory Matters by David McCulloughEssay collectionAwake by Jen HatmakerMemoir, grief, divorce, infidelity, marriageWhat Can We Know by Ian McEwanSci fi, a hundred years in the future an academic searches for a mysterious poem read out loud in 2014What a Time to Be Alive by Jade ChangGrieving broke young woman accidentally become viral self help guruIt's Me They Follow by Jeannine CookMagical realism, bookstore owner helps people find love through books but is lonely herselfBest Woman by Rose DommuLiterary fiction, family dramedy, coming-of-age, trans protagonist, wedding dramaThe Wilderness by Angela FlournoyLiterary fiction, female friendship across 25 yearsVianne by Joanne HarrisSequel to ChocolatWhatever Happened to Lori Lovely? by Sarah McCoyLiterary fiction, 1950s actress leaves to become a nunLife and Death and Giants by Ron RindoLiterary fiction, teenage boy who is almost eight feet tall and changes people who meet himThe Healing Hippo of Hinode Park by Michiko Aoyama, translated by Takami NiedaLiterary fiction, feel good, Japan, people get emotionally healed by a hippo ride at a playgroundWe Love You, Bunny by Mona AwadWeird fiction, both prequel and sequel to BunnyOne of Us by Dan ChaonHorror, historical, 1915, orphaned twins on the run join a carnivalDinner at the Night Library by Hika Harada, translated by Philip GabrielLiterary, Japan, food, Tokyo library/cafe that is only open at night and serves meals inspired by books by dead authorsA Different Kind of Tension by Jonathan LethemShort stories, literary, surreal, specificWill There Ever Be Another You by Patricia LockwoodLiterary, woman with strange disease starts to lose grip on reality in pandemicLittle Movements by Lauren MorrowLiterary, race, class, art, small town, choreographySympathy Tower Tokyo by Rie Qudan, translated by Jesse KirkwoodSci fi, Japan, near future, architect designing a skyscraper for housing criminals becomes friends with chatbotThe Killer Question by Janice HallettMystery, amateur sleuth must solve a murder set during pub trivia, clubs are revealed through trivia questions, texts, and emailsA Killer Wedding by Joan O'LearyMystery, matriarch of ultra-rich Irish family is found dead at expensive weddingA Murderous Business by Cathy PegauMystery, queer, historical, NYCA Rather Peculiar Poisoning by Chrystal SchleyerHistorical cozy mystery, turn of the century, two brothers vie for the same woman, one gets poisonedThe Librarians by Sherry ThomasMystery, four librarians band together after two patrons show up deadThe Belles by Lacey N. DunhamThriller, dark academia, historical, 1950s, secluded collegeOld Money by Kelsey MillerThriller, returning to a small town twenty years later to solve murder of family memberHot Wax by M. L. RioThriller, rock and roll, road tripWitch You Would by Lia AmadorContemporary romance, paranormal, low stakes, witchesSweet Heat by Bolu BabalolaContemporary romance, second chance, wedding dramaThe Austen Affair by Madeline BellParanormal romance, feuding stars of an Austen film adaptation accidentally travel back in timeIt Seemed Like a Good Idea by Lauren BlakelyContemporary romance, small town, rom com, grumpy/sunshine, bodyguard, mistaken identity, forbidden romance, only one bedEvery Step She Takes by Alison CochrunQueer contemporary romance, travel, Portugal, sapphic, “practice” relationship that turns realIt Had to be Him by Adib KhorramGay contemporary romance, spicy, second chance, former classmates reuniting in ItalyLady Like by Mackenzi LeeHistorical queer romance, Regency, two women vying for the same duke fall in love with each otherThe Most Unusual Haunting of Edgar Lovejoy by Roan ParrishGay contemporary romance, New Orleans, low stakes, ghosts, toasty, hauntsBy the Horns by Ruby DixonSecond book in Royal Artifactual Guild seriesWitch of the Wolves by Kaylee ArcherRomantasy, witches, werewolves, Victorian, enemies to loversSpellcaster by Jaymin EveRomantasy, slow burn, dark academia, enemies to lovers, spicy, magicWhat Fury Brings by Tricia LevensellerRomantasy, spicy, princess in matriarchal fantasy world must kidnap a husband to become queenThe Shattering Peace by John ScalziOld Man's War, book 7A Ruin, Great and Free by Cadwell TurnbullThe Convergence Saga, book 3The First Thousand Trees by Premee MohamedAnnual Migration of Clouds, book 3Sunward by William AlexanderLow stakes sci fi, found family, space, courier training androidsExtremity by Nicholas BingeSci fi horror, time travel, police procedural, end of the world, Philip K Dick meets True DetectiveThief of Night by Holly BlackSequel to Book of NightThe Formidable Miss Cassidy by Meihan BoeyFantasy, horror, supernatural creatures, historical, Singapore, governessFate's Bane by C.L. ClarkNovella, sapphic romantasy, tragic, adventure, warring clansA Land So Wide by Erin A. CraigHistorical romantasy, gothic, Scottish fairytale retelling, Canadian wildernessThe Macabre by Kosoko JacksonQueer horror, art history, gay, fantasy, cursed paintingsSaltcrop by Yume KitaseiSci fi, cli fi, dystopian, two sisters on search for thirdThe Maiden and Her Monster by Maddie MartinezSapphic romantasy, Jewish folklore, gothic horror, golemsThe Faerie Morgana by Louisa MorganFantasy, Morgan le Fay reimaginingThe Summer War by Naomi NovikFantasy novella, young witch trying to undo spellAmong the Burning Flowers by Samantha ShannonFantasy, prequel to Priory of the Orange TreeUncharmed by Lucy Jane WoodRomantasy, low stakes, witches, found familyAcquired Taste by Clay McLeod ChapmanHorror, short storiesThe Autumn Springs Retirement Home Massacre by Philip FracassiHorror, funny, final girl, slasherSpread Me by Sarah GaileyHorror, erotic, novella, sci fi, mysterious specimen in remote lab breaks freePlay Nice by Rachel HarrisonHorror, haunted houseFiend by Alma KatsuHorror, powerful family with evil secretsWe Are Always Tender with Our Dead by Eric LaRoccaHorror, queer, small town, New England, violence, goreGalloway's Gospel by Sam RebeleinHorror, cult, small townWhy I Love Horror by Becky SpratfordNonfiction anthology with essays about horrorThe October Film Haunt by Michael WehuntHorror, cult horror movie, filmmakingYou Weren't Meant to be Human by Andrew Joseph WhiteQueer horror, Alien meets MidsommarWhat Stalks the Deep by T. KingfisherSworn Soldier, book 3I Want to Be Where the Song Is by Mary J. BligeMemoirStill Bobbi by Bobbi BrownMemoir, makeup industryThe Improbable Victoria Woodhull: Suffrage, Free Love, and the First Woman To Run for President by Eden CollinsworthWomen's historyArticulate: A Deaf Memoir of Voice by Rachel Renee KolbMemoirLin-Manuel Miranda: The Education of an Artist by Daniel Pollack-PelznerBiographyTruly by Lionel RichieMemoirNight People: How To Be a DJ in '90s New York City by Mark RonsonMemoirSuper Natural: How Life Thrives in Impossible Places by Alex RileyScience, creatures who live in extreme environmentsReplaceable You: Adventures in Human Anatomy by Mary RoachScience, human bodyOctoberThe Irish Goodbye by Heather Aimee O'NeillLiterary fiction, sisters returning home, Long Island, family secretsOverdue by Stephanie PerkinsLiterary fiction, librarian protagonist, couple agrees to a month of dating other people before they get marriedTom's Crossing by Mark Z. DanielewskiEpic Western, 1980s, Utah, two friends determined to rescue a pair of horsesThe Devil is a SouthpawLiterary fiction, story within a story, teen escaping from a detention centerWe'll Prescribe You Another Cat by Syou Ishida, translated by E. Madison ShimodaSequelBad Bad Girl by Gish JenAuto-fiction, mother-daughter relationship, China, moving to USSoyangri Book Kitchen by Jee-hye Kim, translated by Shanna TanLiterary fiction, woman opens bookstore/cafe and transforms communityHeart the Lover by Lily KingPrequel/sequel to Writers and LoversThe Lucky Ride by Yasushi Kitagawa, translated by Takami NiedaMagical realism, a depressed man takes a magical taxi that changes his lifeThe Land of Sweet Forever by Harper LeeShort stories, essay collectionBog Queen by Anna NorthLiterary fiction, forensic anthropologist investigates strange ancient body found in bogMinor Black Figures by Brandon TaylorLiterary fiction, NYC, queer, Blackness, art worldMenu of Happiness by Hisashi Kashiwai, translated by Jesse KirkwoodKamogawa Food Detectives, book 3We Had a Hunch by Tom RyanMystery, 3 former famous teen detectives return home to solve a new murderMockingbird Court by Juneau BlackShady Hollow, book 6Mirage City by Lev AC RosenEvander Mills, book 4The Wayfinder by Adam JohnsonHistorical fiction, Polynesian Islands, young girl on quest to save her peopleChristmas at the Women's Hotel by Daniel M. LaverySequel to Women's HotelThe Women of Artemis by Hannah LynnGreek retelling, Amazon warriors building an army to fight abusive menI am Cleopatra by Natasha SolomonsCleopatra reimaginingThe Haunting of Paynes Hollow by Kelley ArmstrongHorror, strange inheritance, lakefront cottage, secrets, something in lakeThe Unveiling by Quan BarryHorror, survival horror, film scout on cruise to Antarctic, gets stuckGirl Dinner by Olivie BlakeHorror, dark academia, exclusive sorority with secretsHerculine by Grace ByronHorror, woman stalked by malevolent force flees to commune of trans women in IndianaThe Last Witch by C.J. CookeHistorical horror, 1400s Austria, witchcraft, witch huntsIf the Dead Belong Here by Carson FaustHorror, Indigenous Southern gothic, family ghosts, search for missing kidKing Sorrow by Joe HillHorror, dark academia, rare book thief, dragon who wants bloodCrafting for Sinners by Jenny KieferHorror, queer, religious cult, craftingThe Hong Kong Widow by Kristen LoeschHistorical horror, 1950s Hong Kong, competition between mediums in a haunted houseFutility by Nuzo OnohHorror, Nigeria, women summoning spirit to get revenge on bad menHer Wicked Roots by Tanya PellHorror, queer reimagining of Rappaccini's DaughterThe Graceview Patient by Caitling StarlingHorror, autoimmune disease, experimental medical trial at weird hospitalNowhere Burning by Catriona WardHorror, abandoned ranch of infamous movie star becomes refuge for teen runaways…but with a priceThe Salvage by Anbara SalamHorror, historical, gothic, Scotland, haunted shipwreckThe Devil She Knows by Alexandria BellefleurSapphic paranormal romance, deal with a sexy demonMate by Ali HazelwoodSequel to BrideWhen I Picture You by Sasha LaurensQueer contemporary romance, sapphic, music, forced proximity, workplace romanceJulia Song is Undateable by Susan LeeContemporary romance, high powered CEO hires dating coachThirsty by Lucy LehaneGay vampire romance, rom-com, screwball comedy, enemies to loversCover Story by Mhairi McFarlaneContemporary romance, fake dating, office cultureDealing with a Desperate Demon by Charlotte SteinParanormal romance, bookstore owner, demon, magicAnd Then There Was the One by Martha WatersHistorical romance, 1930s England, murder mysteryOur Vicious Oaths by N.E. DavenportRomantasy, magic, political intrigue, enemies to loversThe Ordeals by Rachel GreenlawRomantasy, elite magical college, deadly trials, dark academia, supernatural creaturesCinder House by Freya MarskeRomantasy, queer, Gothic romance, sapphic, Cinderella retellingThe Isle in the Silver Sea by Tasha SuriRomantasy, historical, sapphic, medieval folklore, Britain, knight and witchAlchemy of Secrets by Stephanie GarberFantasy, romantasy, dark academia, historical, Los Angeles, magicThe Everlasting by Alix E. HarrowFantasy, romance, genre-bendy, reluctant lady knight and historian travel through time to rewrite their fatesWhen They Burned the Butterfly by Wen-yi LeeFantasy, sapphic, reimagining of the secret societies of postcolonial SingaporeAll That We See or Seem by Ken LieSci fi thriller, hacking, technology, virtual reality mysteryRed City by Marie LuFantasy, romance, alternative Los Angeles, magic warfare, dystopiaWitches of Dubious Origin by Jenn McKinlayLow stakes fantasy, books, witches, magic, New EnglandThe Women of Wild Hill by Kirsten MillerFantasy, modern day witches waging war on the patriarchyPsychopomp and Circumstance by Eden RoyceFantasy, Southern gothic, historical, post Reconstruction, family funeral dramaKill the Beast by Serra SwiftFantasy, The Witcher meets Howl's Moving CastleQueen Demon by Martha WellsRising World, book 2A Mouthful of Dust by Nghi VoSinging Hills, book 6The Uncool by Cameron CroweMemoirVagabond by Tim CurryMemoirFuture Boy: Back to the Future and My Journey through the Space-Time Continuum by Michael J. Fox and Nelle FortenberryMemoirJoyride by Susan OrleanMemoir, creativityPride and Pleasure: The Schuyler Sisters in an Age of Revolution by Amanda VaillHistoryThe Man of Many Fathers by Roy Wood Jr.MemoirQueer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers by Anthony DelaneyHistoryThe Zorg: A Tale of Greed and Murder That Inspired the Abolition of Slavery Siddharth KaraLetter from Japan by Marie Kondo and Marie IidaNonfiction, Japanese customs that inspired Kondo's philosophy

In this special crossover episode of the Urban Roots podcast and the Columbia GSAPP's Historic Preservation Podcast, host Deqah Hussein-Wetzel has a Black history and preservation-focused conversation with award-winning journalist and historian A'Lelia Bundles about her newest book Joy Goddess: A'Lelia Walker and the Harlem Renaissance. A'Lelia Walker—daughter of Madam C.J. Walker and heiress to America's first Black woman-made fortune—was more than a symbol of inherited wealth. She was a cultural impresario, a connector of artists and activists, and an architectural patron whose Vertner Tandy-designed Villa Lewaro Estate and (rehabbed) Harlem townhouse became vital gathering places for the Black intelligentsia of the 1920s.Together, Deqah and A'Lelia Bundles, the great-granddaughter of A'Lelia Walker, explore her interest in her family's history and what she's learned about her ancestor's role in shaping Harlem's cultural landscape through hospitality, preservation, and community. The episode also delves into the challenges of researching Black women's histories, the overlooked architectural legacy of Vertner Tandy, and the significance of cultural memory in contemporary preservation work. 

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bitter Kalli, writer, land worker, and founder of the Star Apple Farm and Nursery, shares their new text “Mounted: On Horses, Blackness, and Liberation.”Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Biographer Nicholas Boggs joins co-hosts Whitney Terrell and V.V. Ganeshananthan to discuss his groundbreaking new book, Baldwin: A Love Story, the first major biography of James Baldwin to be published in three decades. Boggs recalls how finding Baldwin's only children's book in a Yale library as a college student led him to track down the volume's illustrator, the French artist Yoran Cazac, Baldwin's last great love. He talks about interviewing people who had never previously spoken about their relationships with the iconic author, including Cazac, whom at least one previous biographer had wrongly guessed was deceased. Boggs reflects on the importance of considering Blackness, queerness, and chosen family as central to Baldwin's life and art. He discusses Baldwin's youth in Harlem, his years in Europe and Istanbul, and his relationships with the painters Beauford Delaney and Lucien Happersberger, the actor Engin Cezzar, and Cazac, as well as many others. Boggs considers how Baldwin's deepest friendships and romances influenced his life and work, including Another Country, Go Tell It on the Mountain, Notes of a Native Son, and Giovanni's Room. He reads from the book. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the ⁠Fiction/Non/Fiction Instagram account⁠, the ⁠Fiction/Non/Fiction YouTube Channel⁠, and our show website: ⁠https://www.fnfpodcast.net/⁠ This podcast is produced by V.V. Ganeshananthan, Whitney Terrell, and Moss Terrell. ⁠Nicholas Boggs⁠ ⁠Baldwin: A Love Story⁠ ⁠Little Man, Little Man (ed.)⁠ ⁠“They Will Try to Kill You”: James Baldwin's Fraught Hollywood Journey | Vanity Fair⁠ ⁠James Baldwin's Love Stories | Vogue⁠  ⁠James Baldwin⁠ ⁠"Open Letter to the Born Again" | The Nation⁠ “⁠If Black English Isn't a Language, Then Tell Me, What Is?⁠” | The New York Times ⁠Giovanni's Room⁠ ⁠Another Country ⁠ ⁠Notes of a Native Son⁠ ⁠Go Tell It on the Mountain⁠ ⁠Everybody's Protest Novel⁠ Others: ⁠James Baldwin′s Turkish Decade by Magdalena J. Zaborowska⁠  ⁠James Baldwin: A Biography by David Leeming Learn more about your ad choices. Visit megaphone.fm/adchoices

✦ "Cinematheque," Emory's film screening series, leads us on a deep dive into the history, present, and possible futures of cinema every spring and fall. Beginning tomorrow, August 27, through December, "Cinematheque" looks back exactly 50 years to 1975, an explosive and groundbreaking year for film, with blockbusters like "Jaws," underdog hits like "One Flew Over the Cuckoo's Nest" and offbeat outsider works like "Grey Gardens." Emory film and media professors Matthew Bernstein and Dan Reynolds recently sat down with City Lights Collective Co-host Kim Drobes to detail this season's series. ✦ WABE's Sounds Like ATL documentary series explores the vibrant Atlanta music scene. Each week, it either introduces or reintroduces you to a local artist, sharing their creative process and a few live performances. You can watch, dance, and sing along on the YouTube channel, @WABEATL. Here's a preview featuring Thee Blk Pearl. ✦ City Lights Collective member and award-winning Atlanta comedian Joel Byars is one of the hardest-working people in the business. Aside from his podcast, "Hot Breath Pod," he's always hosting comedy events around town, and now, he joins us weekly to share his picks for this week's must-see comedy events. ✦ A strange realm both familiar and unsettling greets visitors in Victoria Dugger's solo exhibition, "Must Be Nice." She's been praised for the mesmerizing marriage of cuteness and grotesque in her work, which explores Blackness, femininity, disability, and domesticity. She was recently awarded the 2024 Hudgens Prize for her work. Dugger joined WABE arts reporter Summer Evans to talk about her collection currently on view at the Hudgens Center in Duluth. ✦ Over the past decade and a half, the Atlanta-based public art organization Living Walls has transformed Atlanta's streets into a vibrant gallery of murals and cultural storytelling. And now, Living Walls is all grown up and celebrating its 15th birthday with a full quinceañera at the Goat Farm on September 13. City Lights Collective producer Josh Thane spoke with creative director Tatiana Bell about why a quinceañera felt like the perfect way to honor the milestone, and how the organization continues to shape the city's creative landscape.See omnystudio.com/listener for privacy information.

Send us a textBassist/Guitarist/Vocalist Sergeant Salsten (Deathhammer, Torpedo, Impunger, x-Warfield) visits the Morgue to give us a look into his musical journey and a history lesson on Norway's Death Black Speed Metal band Deathhammer. We will also discuss their new record “Crimson Dawn” that comes out on Hell's Headbangers Records. See you at the Morgue!music:Deathhammer-Total MetalDeathhammer-Black Speed InfernoDeathhammer-Bestial SlaughterDeathhammer-Devilish DirgeTorpedo-Heavy RockerDeathhammer-Satans HellDeathhammer-Legacy Of Paincontact: thetampamorgue@gmail.com  The Tampa Morgue Podcast can be found on Spotify, Amazon Music, Apple Music, Apple Podcasts, YouTube and most places you listen to your podcasts. 

Dom and D are back once again with another great episode. This episode they discuss: 07:54 Tyla's Identity and Backlash 09:00 Debate on Blackness and Global Identity 24:36 Klay Thompson has Spaghetti and Catfish for the first time with Meg 37:19 Jermaine Dupri on Usher vs. Chris Brown and him helping him make a classic 56:34 George Wright's story needs to be a movie 1:03:41 Uncle Nearest Lawsuit Update 1:05:38 Taral Hicks and her having a Body double in Belly    Subscribe to the Everyone Needs an Aquarius Patreon https://bit.ly/3tXnnCz  Go cop your candles from Dom at www.saint-angeles.com/candles and use the promo code: Aquarius Email the show at straightolc@gmail.com           Follow SOLC Network online Instagram: https://bit.ly/39VL542                                    Twitter: https://bit.ly/39aL395                                     Facebook: https://bit.ly/3sQn7je                            To Listen to the podcast Podbean https://bit.ly/3t7SDJH                                YouTube http://bit.ly/3ouZqJU                                Spotify http://spoti.fi/3pwZZnJ                                Apple http://apple.co/39rwjD1                                                         IHeartRadio http://ihr.fm/2L0A2y 

With previous work hailed by the New York Times as “unflinching” and “piercing,” Ashley M. Jones's Lullaby for the Grieving (Hub City Press, 2025) is her most personal collection to date. In it, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness must be suppressed to make way for “progress?” Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father's garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama's first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing. Ashley M. Jones is the Poet Laureate of Alabama (2022-2026). She is the first person of color and youngest person in Alabama's history to hold this position, which was created in 1930. You can find her online at Ashley M. Jones Poetry. You can find host, Sullivan Summer at her website, on Instagram, and on Substack, where she and Ashley discuss Ashley's tenure as Poet Laureate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With previous work hailed by the New York Times as “unflinching” and “piercing,” Ashley M. Jones's Lullaby for the Grieving (Hub City Press, 2025) is her most personal collection to date. In it, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness must be suppressed to make way for “progress?” Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father's garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama's first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing. Ashley M. Jones is the Poet Laureate of Alabama (2022-2026). She is the first person of color and youngest person in Alabama's history to hold this position, which was created in 1930. You can find her online at Ashley M. Jones Poetry. You can find host, Sullivan Summer at her website, on Instagram, and on Substack, where she and Ashley discuss Ashley's tenure as Poet Laureate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this episode, Antoinette is inspired by the NFL draft to create her own version: The Black Draft. We compete to select the strongest combinations of Blackness under the categories of "Blackest Movies, Albums, and Influential Figures of All Time to name a few. Who do you think won? Who did we miss? Join us...Contact Us:Hotline: (215) 948-2780Email: aroundthewaycurls@gmail.comPatreon: www.patreon.com/aroundthewaycurls for exclusive videos & bonus episodesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Faculty Spotlight, hosts Mark and Lauren sit down with faculty Alfred Lee and Xafsa Ciise, colleagues whose shared concerns—with race, bias, politics, human consciousness, and the history of science—have cultivated a fascinating and fruitful cross-disciplinary conversation. Xafsa, a social psychologist by training, kicks off the conversation with description of how she found her way into a historical investigation of trauma and its discourses, after which Alfred, a physicist by training and data scientist in practice, details the social and political questions that animate his concern with digital innovation and data applications. Along the way, their conversation touches on the surprising origins of trauma in mesmerism and animal magnetism; the experimenter's effect; simulation and deception in both trauma studies and AI discourse; scientism's bracketing of politics, and politics' return by way of history; conflicting concepts of “intelligence”; contextuality and relationality versus the conceit of universality; Freud, Fanon, and how psychoanalysis thinks about Blackness; the return of eugenics and race IQ discourses; longtermism and what a view to the far-distant future implies about the present; and the dangerously autarkic character of big tech.  The Podcast for Social Research is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky.  

A conversation with Jimmy Jam and Terry Lewis – legendary production duo who have collaborated, and had massive chart hits with Janet Jackson, Alexander O'Neal, The SOS Band, Mariah Carey, Vanessa Williams, Chaka Khan, The Human League, Sounds of Blackness and so many more... we only had ten minutes together backstage before their live show at Summer Sonic 2025 in Tokyo but it was an insightful and inspiring conversation with two all true gentlemen who also selected their own favourite music tracks.

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We're joined by Ramon Amaro, Creative Director of Design Academy Eindhoven — an engineer, philosopher, writer, curator, and altogether critical-force-to-be-reckoned-with on the subject of computation as it intersects with concepts like culture, race, and being. We were drawn to his tour-de-force “The Black Technical Object: On Machine Learning and the Aspiration of Black Being” (2023), which is an absolute banger, re-reading Gilbert Simondon's technical object through the lens of blackness, race, and racialized technologies. This one is a wild ride, a really deep and incredibly thoughtful episode, and we make an effort to define some initial terms on the podcast — specifically the ‘pre-individuated milieu' (the space where things or ideas live before they become crystalized into social or racialized relations) and the ‘technical object' (a way that Simondon helps us think through the autonomies enjoyed by technology, that even though technological objects may be initially bound in some ways to their human partners, they are able to exert influences not just backwards on us, but influences that determine their own design evolution over time). Ramon starts the conversation with a distinction that is critical to the whole episode — that blackness is not a racial category, or moreover, that blackness is distinct from race. Race is something that happens after blackness, that impinges upon blackness as it moves from pre-individuated space and enters into the field of social relations we currently live within. This independence is critical, because it invites alternatives (and suggests, we think very rightly, that this field of social relations we currently live within, while historically situated in imperial or colonial violence, is arbitrary and exchangeable with any other possibility). A few works that are important to consider here: W.E.B Du Bois, The Souls of Black Folk — total canonSylvia Wynter's work is discussed throughout, specifically on the concept of “Man” (particularly Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation—An Argument).Gilbert Simondon, On the Mode of Existence of Technical Objects and Two Lessons on Animal and Man — both places to look for autonomy in Simondon's workFrantz Fanon, Black Skin, White Masks — implied by discussions of phenomenology/perception under racialization.Stefano Harney and Fred Moten, The Undercommons — no spoilers, but more on this later :)Thanks soooo much to Dr. Amaro for joining us! 

In the United States, the back-to-school season signals more than just a return to “traditional” classrooms—in a moment of open white nationalist warfare on our common humanity, it is also a moment for renewed reflection on origins, connections, and relationships. This fall, a new iteration of that search in the discipline of Africana Studies takes shape with the launch of “The Black University,” an open public course running in parallel with a Howard University class that initiates students into a deeper investigation of the meaning and purpose of Black educational institutions. Rooted in our ongoing project to “Jailbreak the Black University,” the course will center on uncovering the origins of Africana Ways of Knowing, Governance formations, and the search for connected traces of Movement and Memory. As our annual Kemetic (Ancient Egyptian) Study Tour draws to a close, we are guided by a central conviction: A search for “foundational Blackness” is essential to understanding and advancing the intellectual and cultural traditions of the African world. This pursuit of “foundational Blackness”—tracing the origins, structures, and living memory of Africana educational and cultural practices—is a critical effort for reimagining and revitalizing Black institutions today.JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

So during this show we began at 125bpm, worked our way up to 135bpm and came back down to 127.5bpm.  A journey through Disco, beginning with a beautiful mix from the Sounds of Blackness, some fabulous Frankie Knuckles, into a Carl Cox remix of Maria.  After that, moving into Katy B and upping the tempo straight into Inner City before coming back down to brand new music with Samm and Ell Murphy.  Then going old skool with De Lacy, Shut up and Dance before finally finishing on a GTO classic..... What a journey and what an enjoyable set to play....Hope you like it as much as I did playing it

Hi Loyal Readers. Thank you for opening this week's issue of Article Club.Today's issue is dedicated to a beautiful conversation with Saint Trey W, author of this month's featured article, “They Burn Books to Burn Us Too.” He shares space with Sarai Bordeaux, Article Club contributor and Poet Laureate of Eureka, California.If you haven't yet, I hope you read the article. Then if you appreciate it, which I predict you will, I invite you to listen to the conversation, then join our discussion next Sunday, August 24. Kind, thoughtful people (like you!) will engage deeply with Saint Trey's piece on Zoom, beginning at 2:00 pm PT and ending at 3:30 pm PT.If you're interested, you can learn more and sign up by clicking the button below.When I first read “They Burn Books to Burn Us Too,” I was deeply moved. I was moved by the power of Saint Trey W's message. But I was equally moved by the beauty of his writing. Saint Trey is a poet. This essay is lyrical.“When a government begins to fear its own history,” Saint Trey writes, “it has already declared war on the people who survived it.”Yes, this is an essay about book banning. It is about erasure, the war on memory, and our government's attempt to dominate and destroy Black people. But the piece is also about dreaming. No matter the government's violence, Black people will not be silenced. They will not be unwritten. Saint Trey writes:What they do not know is that we were never written in the first place. We were sung. We were carved into tree trunks and kitchen counters and braided into our mother's hair. We are older than their archives. And our stories do not end with silence.When I finished the piece, I had three immediate thoughts:* I must share this essay with Sarai right now* Hopefully they appreciate it as much as I do* Wouldn't it be perfect if Sarai and Saint Trey got to talk to each other?If you're newish to Article Club, you may not have met Sarai yet, so here are a few words of (re)introduction: Sarai is one of the most astute readers I have ever met. Whenever we talk, they make me smarter. More importantly, Sarai helps me connect the dots and act with more compassion.So it was an obvious next step — given my three thoughts above — that I should reach out to Sarai and gather their perspective. The rest is history. Sarai loved the essay, I contacted Saint Trey, he generously said yes to doing the interview, and they met up on Zoom to talk about his beautiful piece.The result is this wholehearted conversation. Sarai and Saint Trey cover a wide range of topics. I won't try to list them all here. It was clear to me, as I listened to Sarai and Saint Trey — two poets thinking together and sharing their perspectives about a powerful essay — that I was struck by the mutual care they shared with one another. In their discussion of Saint Trey's piece, they centered on imagination and possibility, as well as the power of language and lineage.Here's an excerpt from the conversation that I especially appreciated. About ancestors, language, Blackness, libraries, and God, Saint Trey says:Our ancestors are not just bloodlines, right? They're also our bookshelves. People like Toni Morrison, you know — she taught me that language can be a spell. It can be a sword, but it also can be a sanctuary. Reading Beloved and The Bluest Eye — it was the first time I understood the sacredness of Blackness in a way, especially in its unspoken parts — her reminding us that, if you are free, then you must free somebody else.I think libraries are a portal to that. James Baldwin, giving permission to tell the truth, especially when it burns. This sort of clarity — this heat, this refusal to perform respectability — and his teaching that moral authority doesn't require approval. Audre Lorde, reminding us that silence is not going to protect us. She made queerness feel like gospel. So the reason I mentioned libraries is because they're all-encompassing of these stories. They're in a sense, I would say, akin to church, right, to those who are believers, right? For me, the way I have reimagined faith in God is in language, it is in words that, you know, are passed through vessels — the artists, the writers, the griots. All have showed me that craft and conviction can dance, right? — that words don't have to be soft to be sacred. And I think libraries, they feed us when the world try has tried to starve us.Seriously: I could listen to that passage over and over again. The clarity of Saint Trey's words — both spoken here in this conversation, as well as in “They Burn Books to Burn Us Too” — is a gift.I hope you take a listen to the conversation. A little disclaimer: The quality of the audio is a bit patchy at times, particularly at the beginning. The Internet was not behaving. It tried to be a nuisance. But it was unsuccessful, for two reasons: First, the audio smooths out after the first few minutes. Second, the quality of Sarai and Saint Trey's words will make you listen more closely and tune out the distractions.One more time, I'd like to thank Saint Trey for bringing us this piece. It's an essay I believe that everyone should read and reflect on. I appreciate your words and your generosity of spirit. And Sarai, I am grateful to you as well, not only for this conversation but also for your contribution to our reading community. An invitation to our discussion on August 24I warmly invite you to participate in our discussion on Sunday, August 24, 2:00 - 3:30 pm PT. We'll meet on Zoom. You can sign up below, it's free.Thank you for reading and listening to this week's issue. Hope you liked it.

The robots are coming, the robots are coming … baby they are already here!

Are believers the only ones noticing the defilement in the world today? In today's episode, Rabbi Schneider teaches on the end times prophecies in the Old Testament as well as the Book of Revelation and how today is like the days of Lot and the days of Noah.

Episode No. 718 features artist Masako Miki and artist/curator Katherine Simóne Reynolds. The Institute of Contemporary Art San Francisco is presenting "Midnight March," a far-ranging presentation of Miki's two-dimensional and three-dimensional practice. The Japanese-born Miki's paintings, sculptures, and installations live between the sacred and the secular. Her often exuberant sculptures are rooted in the blending of Japanese and US cultures. Her previous solo shows have been at museums such as the de Young Museum, San Francisco, the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, and the ICA San José. Her work is in the permanent collections of BAMPFA, the San Francisco Museum of Modern Art, and more. Reynolds is the curator of "Held Impermanence (Artists Select: Katherine Simóne Reynolds)" at the Clyfford Still Museum, Denver. The exhibition uses the museum's art collection and archive to consider multiple competing desires, including Still's and the desires of art institutions, such as the unknown future museum to which he directed his art and archive be entrusted. Reynolds is an artist and curator who investigates emotional dialects and psychogeographies of Blackness. Her previous exhibitions have been at venues such as SculptureCenter, New York, Counterpublic 2023, St. Louis, and the Stanley Museum of Art, University of Iowa. As mentioned on the program: The CSM's gallery booklet. Instagram: Masako Miki, Tyler Green.

A game of got-yer-nose turns racial and a 6-year-old raps to her white mom about not getting her Blackness. Two stories of biracial kids schooling their mamas. ⭐️ This episode originally ran on Fri, 05 Jun 2015 and is a favorite from the archives. We hope you enjoy, and we'll be back next week with a brand new episode. … Join LST+ for community and access to You Know What, another show in the Longest Shortest universe! Follow us on Instagram Website: longestshortesttime.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A dead inventor leaves behind a mysterious scarlet satchel — and when it opens, death comes calling for those who betrayed him. Listen to Dark Fantasy with “The Man With The Scarlet Satchel! | #RetroRadio EP0461Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Blood Red Roses” (July 12, 1976)00:45:24.243 = Murder By Experts, “It's Luck That Counts” (August 29, 1949) ***WD01:14:53.901 = Exploring Tomorrow, “Stranger With Roses” (June 11, 1958) ***WD01:33:02.835 = Faces In The Window, “Black Cat” (November 22, 1952) ***WD01:56:42.856 = Dark Fantasy, “The Man With The Scarlet Satchel” (March 06, 1942) ***WD02:21:21.323 = Diary of Fate, “Victor Wakeman” (June 29, 1948) ***WD02:48:08.069 = BBC's Fear on 4, “The Journey Home” (February 23, 2008)03:16:31.596 = Five After The Hour, “Amid The Blaze of Noon” (June 20, 1945)03:40:48.080 = 5 Minute Mysteries, “Broken Wheel” (1947-1950)03:45:44.256 = Tales From The Tomb, “The Raven” (1960s)03:55:10.518 = Future Tense, “The Seventh Victim” (May 06, 1974) ***WD04:16:12.606 = Gang Busters, “Broadway Bandit” (March 20, 1948) ***WD04:44:04.027 = Ava Maria Hour, “Benedict Patron St. Against Poison Witchcraft” (1939)05:07:46.682 = The Green Hornet, “The Parking Lot Racket” (October 31, 1939)05:37:28.102 = The Hall of Fantasy, “The Judge's House” (April 03, 1947) ***WD06:03:45.303 = Haunted Tales of the Supernatural, “Legal Rites” (February 17, 1982)06:31:43.493 = The Haunting Hour, “Cat Man” (October 13, 1945)06:56:42.058 = Have Gun Will Travel, “Young Gun” (July 12, 1959)07:20:22.680 = The Hermit's Cave, “The Blackness of Terror” (April 06, 1947)07:44:50.794 = Mystery Is My Hobby, “Voice of Doom” (1947) ***WD08:07:56.355 = Sherlock Holmes, “Camberwell Poisoners” (February 18, 1946)08:36:56.449 = Incredible But True, “The One That Got Away” (1950-1951)08:40:18.062 = Inner Sanctum, “Undead” (December 18, 1945) ***WD09:07:12.135 = The Key, “Lost In The Amazon” (1956) ***WD09:32:25.325 = Lights Out (Everyman's Theater), “Baby” (March 28, 1941) ***WD09:56:52.777 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0461