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Muslim American women have to face Islamophobia, but when you're also Black - it's even more complicated. Today, we meet women navigating the intersection of Blackness and being Muslim. Plus, a rapper from Oakland faces the haters head-on.
Learn how growing up between Brooklyn and Panama shaped Dash's journey into documentary storytelling and global travel. ============================ Get the Monday Minute my weekly email with 3 personal recs for travel, culture, and living beyond borders you can read in 60 seconds. ============================ ON THIS EPISODE Peabody Award–winning producer and historian Dash Harris tells stories about coming of age between 1990s Bed-Stuy, Brooklyn and Panama. She reflects on navigating Black and Afro-Panamanian identity across cultures and how those experiences shaped her understanding of race, identity, and the global Black diaspora. Dash tells the backstory of filming Negro, her groundbreaking docu-series exploring race and anti-Blackness across Latin America. She also explains how filming the docu-series ultimately led her to co-found AfroLatinx Travel, a company that organizes trips centering the African roots of Latin America and connecting travelers with Black communities, histories, and cultural traditions. → Full show notes with direct links to everything discussed are available here. ============================ FREE RESOURCES FOR YOU: See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ============================ ENJOYING THE SHOW? Follow The Maverick Show on Instagram and DM Matt to continue the conversation Please leave a rating and review — it really helps the show and I read each one personally You can buy me a coffee — espressos help me produce significantly better podcast episodes! :)
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Antonio Michael Downing is an author, speaker, and musical artist. His memoir Saga Boy was called "singularly dazzling" by Kiese Laymon and "the triumph of Blackness everywhere" by Scotiabank Giller Prize–winner Ian Williams. He is also the author of the children's picture book Stars in My Crown and his debut novel, Black Cherokee. He writes and performs music as John Orpheus. In this Episode Lissa and Antonio travel the world in their far reaching conversation from Trinidad, to Canada, to Brooklyn, to the Cherokee Nation- discussing his memoir Saga Boy: My Life of Blackness and Becoming, his debut novel Black Cherokee, and a broader conversation about lineage and inherited systems. For GO DEEPER content visit www.BlackMarketReads.com Black Market Reads is produced by the Givens Foundation for African American Literature in partnership with iDream.tv. Our production team for this episode includes co-producers Lissa Jones and Edie French, technical director Paul Auguston, the voice Yo Derek, and our artist of inspiration Ta-coumba T. Aiken.
When a dying man's eyes fill with unspeakable terror at something only he can see, his daughter's search for answers leads her to a hidden room — and a secret her father buried long ago. | #RetroRadio #WeirdDarkness | EP0597CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Two-Dollar Murders” (June 03, 1977) ***WD00:47:03.036 = The Haunting Hour, “Murder Is My Business” (1945-1949)01:14:19.578 = Hermit's Cave, “The Blackness of Terror” (April 06, 1947)01:38:47.692 = Mystery Is My Hobby, “Death Buys Flowers” (1945-1950)02:04:30.354 = Sherlock Holmes, “Singular Affair of the Dying Schoolboys” (November 09, 1946)02:33:08.532 = House of Mystery, “Haunters and Haunted” (June 13, 1945) ***WD02:47:29.475 = Incredible But True, “Rescue At Sea” (1950-1951)02:51:11.172 = Inner Sanctum, “Man From Yesterday” (December 21, 1941) (LQ)03:20:31.367 = The Key, “Wife Beater” (1956) ***WD03:45:49.579 = Lights Out, “Sub-Basement” (August 24, 1943) ***WD04:15:04.632 = Lux Radio Theater, “The Canterville Ghost” (June 18, 1954)05:14:14.751 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0597
You're listening to Burnt Toast. I'm Virginia Sole-Smith. Today my conversation is with the brilliant Savala Nolan. Savala is a writer, public speaker and professor at UC Berkeley. Her brand new book, Good Woman: A Reckoning is out now. Her first book, Don't Let It Get You Down: Essays on Race, Gender and the Body, was shortlisted for the William Saroyan Prize and celebrated as a “standout collection” by the New York Times. Savala's writing has been featured in Vogue, Harper's Magazine, the New York Times, NPR, TIME and more.I have a lot of conversations about bodies. I have a lot of conversations about gender. There is a lot that I thought I knew about race and bodies and gender in America. Reading Good Woman and talking to Savala blew my mind apart in ways that I'm still putting back together. This conversation is a must listen. This book is a must read.There was so much good stuff in this conversation, we are breaking it up into two episodes. Today in part one, we're talking about bodies, race and gender. Part two will drop in two weeks, and that's when we're getting into sex, divorce and Savala's classy and trashy butters. That conversation will be for paid subscribers only, so go to patreon.com/virginiasolesmith to join us. Membership starts at just $5 per month. You're not going to want to miss this one. One last thing! Trust me, you will want to read Good Woman after hearing this conversation. If you order it from my local independent bookstore, Split Rock Books, you can take 10% off if you have also ordered a copy of my book Fat Talk from them. Go to Split Rock Books and use the code "fat talk" at checkout. Here's Savala.If you enjoy this conversation, a paid subscription is the best way to support our work!Join Burnt Toast
Tonight we strip W.E.I.R.D. down to the studs and drag your attachment style, America's shadow, and your idea of “mental health” into open court. White. European. Industrialized. Rich. Democratic. That matrix does not just sit in textbooks; it shows up in how you love, how you argue, how you brace, how you shut down. Many African Americans grow up inside a social nervous system that chronically misattunes to Blackness. Teachers misread behavior. Employers misjudge competence and emotion. Clinicians often misdiagnose or underrecognize racial stress. That repeated misattunement imprints itself into attachment patterns long before anyone says, “I love you.” Attachment theory proposes that we learn safety, worth, and trust through early bonds. So what develops when a person's largest relational field—the society around them—treats their people as problem, property, or propaganda? The body learns a brutal equation: connection carries risk, visibility attracts danger, softness can invite harm. You do not simply show anxious or avoidant tendencies with partners; you carry a global template that says, “No one reliably holds us.” Now bring in the social shadow. A nation that refuses to face its own violence, greed, terror, and guilt often projects those disowned qualities onto Black bodies, then claims the ugliness lives in you. That projection seeps into “neutral” metrics of mental health and “healthy relationship” scripts. Your vigilance gets framed as “paranoia.” Your rage gets pathologized as “instability.” Your numbness gets read as “coldness.” The culture avoids its sickness and calls your reaction the disorder. Over all of that, a voice reminds you: it makes little sense to treat full adjustment to a sick society as proof of health. So ask yourself: when you brag about how “unbothered” you feel, how “secure” you appear, how “mature” you sound, do you describe healing—or do you describe skilled adjustment to a racial reality that still injures you? Tonight's question cuts clean: if this society never formed a secure attachment to your full humanity, why treat your ability to function inside its distortion as reliable evidence of mental health or relational success?
Tonight we strip W.E.I.R.D. down to the studs and drag your attachment style, America's shadow, and your idea of “mental health” into open court. White. European. Industrialized. Rich. Democratic. That matrix does not just sit in textbooks; it shows up in how you love, how you argue, how you brace, how you shut down. Many African Americans grow up inside a social nervous system that chronically misattunes to Blackness. Teachers misread behavior. Employers misjudge competence and emotion. Clinicians often misdiagnose or underrecognize racial stress. That repeated misattunement imprints itself into attachment patterns long before anyone says, “I love you.” Attachment theory proposes that we learn safety, worth, and trust through early bonds. So what develops when a person's largest relational field—the society around them—treats their people as problem, property, or propaganda? The body learns a brutal equation: connection carries risk, visibility attracts danger, softness can invite harm. You do not simply show anxious or avoidant tendencies with partners; you carry a global template that says, “No one reliably holds us.” Now bring in the social shadow. A nation that refuses to face its own violence, greed, terror, and guilt often projects those disowned qualities onto Black bodies, then claims the ugliness lives in you. That projection seeps into “neutral” metrics of mental health and “healthy relationship” scripts. Your vigilance gets framed as “paranoia.” Your rage gets pathologized as “instability.” Your numbness gets read as “coldness.” The culture avoids its sickness and calls your reaction the disorder. Over all of that, a voice reminds you: it makes little sense to treat full adjustment to a sick society as proof of health. So ask yourself: when you brag about how “unbothered” you feel, how “secure” you appear, how “mature” you sound, do you describe healing—or do you describe skilled adjustment to a racial reality that still injures you? Tonight's question cuts clean: if this society never formed a secure attachment to your full humanity, why treat your ability to function inside its distortion as reliable evidence of mental health or relational success?
Throughout history, the concept of Blackness has been remarkably intertwined with another color- blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for a life beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong's question, ”What did I do to be so Black and blue?” In Black in Blues, celebrated author Imani Perry uses the world's favorite color as a springboard for a riveting emotional, cultural, and spiritual journey-an examination of race and Blackness that transcends politics or ideology. Fund Drive Special — For a donation of $110, support KPFA and get a copy of the book. Make a donation at kpfa.org/support ___ Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Black in Blues w/ Imani Perry — Winter Fund Drive appeared first on KPFA.
Antonio Michael Downing is the author of the memoir Saga Boy, My Memoir of Blackness and Becoming, in which he show us how he had become, like his father and grandfather before him, a Saga boy, a Trinidadian playboy and almost loses everything of value himself until he rescues himself and becames the musician and writer he was born to be. In his new book, a novel entitled Black Cherokee, we meet the unforgettable Ophelia Blue Rivers, a mixed-race Black girl fighting for her identity in a South Carolina Cherokee community. Listen in as he and I speak about writing into identity, and so much more. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.
6 Years to the day (February 25th), Crowned ReRe and Mr. Al Pete started this award winning/award nominated podcast! 6 years of Black Joy, Black commentary, Black culture, Black prosperity, Black excellence, and simply Blackness! On this exclusive live event (streamed on YouTube for the first time), ReRe and Pete run through their signature segments ('A Rose Is A Rose', 'Cactus', 'Tyler Perry sighting'), then turn to speaking about what's been going on in the good ol' culture. We got Half Dollar (aka 50 Cent) and T.I. going back and forth, Tyler Perry's fascination with adding 'claps' to his movies, Baby Keem's dope album, and more.Happy Anniversary and THANK YOU TO EVERYONE who tuned in to the live, and supports the podcast. More to come!Stay connected and keep the flowers blooming. Follow the podcast and hosts: https://www.mpn-llc.com/fftcpodcast @fftcpodcast on all socialsFollow Crowned ReRe and Mr. Al Pete on their websites and platforms to see what's next in their journeys!https://www.mpn-llc.com/fftcpodcastCrowned ReRe: https://crownones.com | Instagram: @crowned_re_re_becca Mr. Al Pete: https://mralpete.com | Instagram: @mralpete Recorded and produced by The MPN Network/Mr. Al Pete.
This commemorative episode of the PAGES POD marks the one-year anniversary of our Fireside Chat at Santa Clara University and features a conversation on Black suffering, Afropessimism, and public emotion. The episode features Prof. Frank Wilderson III, Chancellor's Professor of African American Studies at University of California, Irvine, in dialogue with Assistant Professor of Philosophy Prof. Justin Clardy (SCU) and doctoral candidate Kevin Morris (UMass).The conversation examines civic indifference and the grammar of Black suffering.This is also a moment of reflection and return. Whether you joined us live or are encountering the conversation for the first time, this episode invites you to sit with the questions that remain with us long after the conversation was had.Mentioned in this episode:Civic Indifference and Black Suffering (Youtube Episode)Engendering Blackness: Slavery and the Ontology of Sexual Violence - Patrice DouglassScenes of Subjection - Saidiya HartmanBlack Skin White Masks - Frantz FanonThe Wretched of the Earth - Frantz FanonFollow us across our social media channels:IG- @PagestrgTikTok & Youtube- @PagesthereadinggroupWebsite- www.Pagestrg.com
People come to Nashville from all over the world to make country music. Rissi Palmer is one of the many. But she's also one of the few — one of the few to ever crack the Billboard country charts, and fewer still to do it as a Black woman.Nearly two decades ago, “Country Girl” announced her to the world. The song was a declaration that you don't have to be from Arkansas or speak with a drawl to belong in country music. She had a line in there that touched on race, too. Her label made her take it out.A lot has changed since then — and a lot hasn't. Country music is still working out who gets to belong, who gets to be heard, and who gets to tell their own story without compromise. Rissi Palmer has spent the better part of 20 years figuring out her own answer to those questions, and her new album “Perspectives” is where she lands.It's as country as anything she's ever made, but her music no longer backs away from her Blackness.In this conversation, Palmer talks about the long road from that first charting single to where she stands today — as an artist, an advocate, and the founder of Color Me Country Radio. She talks about what it took to stay in this industry on her own terms, what she wishes she'd known, and what “Perspectives” is really trying to say.This episode was produced by Liv Lombardi.
Join Our Patreon: http://patreon.com/vvclifeGrab Some Gear: http://vvcmerch.comGeneral TalkWeekly Recap Sign Up For PatreonBaldur's Gate 3 Session 20 at 8pm!Monday Night Co Op “Green Hell!!The Precious: JS-1: https://amzn.to/46j8xpPFame: https://a.co/d/03XYio1gJaelyn: https://a.co/d/0eztCO4tSloan: https://a.co/d/06UaMi5mCommercial #1Main Topic: Key Discussion PointsRiddle Me this: Commercial: #2Games:Don't Panic, It's Just TurbulanceThe Eternal Life Of GoldmanYakuza Kiwami 3Pax AutocraticaCroakNews: Xbox CEO leaving with a friend?Takedra Brings In Billions For WaymoSuper Hero Trading CardsHow To Unredact The Epstein FilesThe Entire Financial System is flippingLife is a video gameA.I./ robot Segment:Military Robots are hereDance robots are hereOthersBiggest robot developersComic Of The week: GagoInstagram: http://instagram.com/blacknerdpodcast facebook: http://facebook.com/blacknerdpodcastReddit: https://www.reddit.com/r/blacknerdgang/s/uftLsO0Ad9website: http://blacknerdpodcast.comhttp://twitter.com/vvcradio http://instagram.com/js1thasupplier http://instagram.com/fameplanbhttp://instagram.com/jaelynaleisehttp://instagram.com/sloan_tempest
In this episode of Sister Struggles, I discuss Rayvn Lenae, a rising R+B singer, who was called out for having a "white girl aesthetic", her response, and how blackness isn't easily defined. There are no limits, except the ones we place on ourselves.Listen to the full episode on Apple Podcasts and Spotify!Follow, rate and review with what you think!IG: @SisterStrugglesSelfCare ; @Sister_struggles._podcast TikTok: @SisterstrugglesSelfCareEmail me! SisterStrugglesPod@gmail.com
“You know what, G? You are straight-up whiter than the whitest white man!” In this week's episode, we dissect Strictly Business, a film released on November 8, 1991, starring Tommy Davidson, Joseph C. Phillips, and Halle Berry. Join us as we discuss 90's graphics, real estate, club soda with lime, internalized anti-Blackness, winter condos, "ain't gots", financial projections, urban cosplay, and more!Notable Mentions + References in This Episode:ReLiving Single PodcastMcNuggest R&B Love SongHalle Berry Intro (Strictly Business)Nightclub Scene (Strictly Business)The Color of Friendship (Episode 026)Cow Belles (Episode 072)Coach Carter (Episode 124)Stomp the Yard (Episode 127)Connect with us:Instagram: @in_hindsight_podTwitter: @in_hindsightpod Thanks for listening!
New York Times columnist Jamelle Bouie joins award-winning journalist Juan Williams for a conversation on Williams' latest book, New Prize for These Eyes: The Rise of America's Second Civil Rights Movement, exploring the emergence of a new civil rights era—from the 2008 election of President Obama to the January 6, 2021 attack on the U.S. Capitol. Thomas Donnelly, chief scholar at the National Constitution Center, moderates. This conversation was originally streamed live as part of the NCC's America's Town Hall series on February 26, 2025. Resources Juan Williams, New Prize for These Eyes: The Rise of America's Second Civil Rights Movement (2025) Jamelle Bouie, “Discussing Trayvon Martin, Obama Embraces his Blackness,” The American Prospect (July 19, 2013) Jamelle Bouie, opinion columnist, The New York Times Civil Rights Movement Reconstruction Thomas Ricks, Waging a Good War: A Military History of the Civil Rights Movement, 1954-1968 (2022) Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org Continue the conversation by following us on social media @ConstitutionCtr Explore the America at 250 Civic Toolkit Sign up to receive Constitution Weekly, our email roundup of constitutional news and debate Subscribe, rate, and review wherever you listen Join us for an upcoming live program or watch recordings on YouTube Support our important work Donate
This week on Lin. Woods Gospel Entertainment Podcast, we are revisiting one of our most popular episodes, when two-time GRAMMY® Award-winning recording artist, actress, and songwriter Ann Nesby takes us on an unforgettable journey—from her roots in the church, to Sounds of Blackness, to her powerhouse solo career. Ann opens up about: The hit song she gave to Patti LaBelle Lessons learned from music legends Jimmy Jam & Terry Lewis Feeding her kids while chasing her dreams Executive producing her own movie And her newest music project, ANNiversary
In books like “Breathe” and “South to America,” National Book Award and MacArthur “genius” grant winner Imani Perry writes about Blackness in America with clarity, elegance, rage, and joy. Perry is a Professor of Studies of Women, Gender and Sexuality and of African and African American Studies at Harvard University. Her latest book is “Black in Blues,” a meditation on the color blue and its role in Black history and culture. Perry talks to us in front of an audience of students at Woodburn High School.
This is the Weight and Healthcare newsletter! If you like what you are reading, please consider subscribing and/or sharing!In Part 1 we started discussing the “Million Pound Challenge” created by Toby Cosgrove and Dr. Michael Roizen in which they are “challenging” an unknown number of people to collectively lose one million pounds. In part 2 we'll discuss the program itself. (If you haven't read part 1, I recommend it to fully understand part 2.) As always I'll indent the quotes from the website so that you can avoid harmful weight stigma if you choose. They explain the program as a 3-step process:Step 1: Enroll Your OrgRegister your health system. Get access to a variety of resources in the Million Pound Challenge Tool Kit for your entire team.Step 2: Your Staff, Your WayEmployees can use the tools provided, join their own programs, work with providers—whatever works. Your organization decides how to structure participation.Step 3: Track ProgressThe only requirement? Track results with a monthly check with your Challenge coordinator. Watch as individual effort becomes collective momentum toward one million pounds.This is where they make things incredibly clear - literally the only requirement is to track weight loss. This isn't about health metrics, there is no way to make this program weight neutral or to focus on health - weight loss is the only metric and tracking it is the only thing the program requires.And when they blithely say “whatever works” let's be clear that a century of research finds that, unless their goal is to create weight cycling, nothing does. So there is no common intervention and all they are tracking is weight loss. Right. And how is weight loss tracked? Per the FAQs (emphasis mine)“Your Challenge ambassador must log your team's results monthly with your assigned Challenge Coordinator—this is the only requirement. Individual weights remain completely private. Only aggregate organizational totals are posted on the community leaderboard so you can see how your organization compares nationally.”Um, they aren't private if you have to share them with your company's challenge ambassador (and I have serious concerns that someone who would sign up for that job may be the last person that a coworker would want to tell their weight.) Workplace programs (or any programs) that include a weight loss component have significant risks to physical and mental health, including through eating disorders. But programs that compel people to compete solely on the basis of weight loss, as this one does, can actually encourage participation in dangerous behaviors in order to create weight loss.Measure your organization's progress, celebrate your success stories, and recognize your top-performing teams. Join leaders at quarterly events, Chamber Summit, Aspen Ideas Festival, and HLTH to keep momentum strong.Do. Not. Do. This. Another huge issue with this, and all workplace/organization weight-loss challenges, besides the issues with disordered eating and eating disorders and weight cycling, is that it can single out people who aren't participating or “achieving” in ways that create a hostile work environment for them. It can mean that those who have chosen an evidence-based weight-neutral path (either due to a history of eating disorders or other reasons) have to choose between their physical and mental health and being seen as “not a team player.” It can lead to organizations under valuing employees who, due to many reasons including disability, chronic illness, and more, cannot participate in the initiative at all (or in ways that make them “top-performing”) which can lead them to being seen by subordinates, peers, and bosses as a “drag” on the team or having less value to the organization. This is not surprising from someone like program co-founder Toby Cosgrove who once gleefully told the New York Times magazine that he didn't want to hire higher-weight people (as the CEO of the Cleveland Clinic,) but let's not follow in those bigoted footsteps.After 12 months, we'll have collectively proven what we've known all along—that sustainable health outcomes are achievable. Winners celebrated at HLTH 2026. Every organization recognized for leading the revolution.There is so much wrong with this that I scarcely know where to begin. As I said in part 1, “prove” is a very strong word so I expect robust research and lots of it (spoiler alert - I'm going to be disappointed again, but in no way surprised, again.) These two doctors should know better than to suggest that anything about “sustainable health outcomes” can be “proven” by a random “challenge” that only lasts a year has no common intervention, and only measures weight loss. This does not have the ring of sound science. The truth is, we can't even be sure how many of the participants would get thin enough that program co-founder Toby Cosgrove would think they deserved to be employed.I don't want to spend too much time analyzing the deck chairs on this titanic of a “challenge” but I do want to look at one of the “resources” they offer, called ‘Why Healthy Employees Don't Need Your Wellness Challenge.” First of all remember that this is NOT a wellness challenge (which would measure, you know, wellness) this is a weight loss challenge that only measures body size manipulation. Even if we ignore that, this “resource” is particularly horrifying, promoting the “Lifestyle 180” program. The program is based on the assumption that higher-weight people and those with chronic conditions are not already participating in health-supporting behaviors and should be “targeted”, by their employers (not their actual healthcare providers,) with “intensive, medically-integrated interventions.”Here again, this program teaches organizational leadership to see higher-weight people and those with chronic conditions as a liability to be solved and not as skilled and valuable employees, with the unspoken (except by Toby to the NYT magazine) takeaway to avoid hiring these people in the first place. This is likely to disproportionally impact higher-weight people, People of Color, and especially higher-weight People of Color. (Note that this is all wrapped up in the massive issues with U.S. employers providing healthcare which is, to use a technical term, a hot garbage mess that is beyond the scope of this post, but the idea that employers should have access to employee health information is obviously seriously problematic on its face.) The “resource” continuously suggests that employers focus on “the 20% of [ employees] driving 80% of the costs” ending with “that's where you win.”My main takeaway from this resource was that if an employer sent me an email that said “Your recent health screening showed some concerning trends We have a program specifically designed for you. Can we talk?” I should say, emphatically, no. Which would also be my immediate answer if asked to participate in this “challenge.”In Part 3 we'll talk about what you can do if your organization tries to push this kind of “challenge” on you.This month's online workshop is Weight-Neutral Joint Pain Management with sports medicine physicians Dr. Julia Bruene and Dr. Jeremy Alland. There is a pay-what-you-can-afford option and a video will be sent to all registrants.Details and registration here!If you appreciate the content here, you can subscribe for free to get future posts delivered direct to your inbox, or choose a paid subscription to support the newsletter (and the work that goes into it!) and get special benefits! Click the Subscribe button below for details:Liked the piece? Share the piece!More researchThe Research PostMore resourcesThe Resource Post*Note on language: I use “fat” as a neutral descriptor as used by the fat activist community, I use “ob*se” and “overw*ight” to acknowledge that these are terms that were created to medicalize and pathologize fat bodies, with roots in racism and specifically anti-Blackness. Please read Sabrina Strings' Fearing the Black Body – the Racial Origins of Fat Phobia and Da'Shaun Harrison's Belly of the Beast: The Politics of Anti-Fatness as Anti-Blackness for more on this. Get full access to Weight and Healthcare at weightandhealthcare.substack.com/subscribe
Many revelations came to light this week with the Epstein drop. We all need to wake up and see the evil and deceit they are using to control us.
On this episode of Vibe Check, Saeed and Zach break down Timothée Chalamet's recent behavior shift leading up to the Oscars and what it says about image, performance, and proximity to Black culture. They dig into “wigga” culture and who benefits when Black culture becomes a costume. Plus, they share their picks for “the vibes are on, the vibes are off”.------------------------------------------------------Saeed's Poem: “Another Nate Marshall Origin Story” by Nate Marshall------------------------------------------------------ You can find everything Vibe Check related at our official website, www.vibecheckpod.comWe want to hear from you! Email us at vibecheck@stitcher.com, and keep in touch with us on Instagram @vibecheck_pod.Get your Vibe Check merch at www.podswag.com/vibecheck.Subscribe to SiriusXM Podcasts+ to listen to new episodes of Vibe Check ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
On this week's episode of The Black Men Think Podcast, we kick things off by surviving the infamous Atlanta “snow storm,” but the conversation quickly shifts into something much deeper. The recent ICE-related tensions around the country spark an honest discussion about how Black men navigate racism directed toward us, while also confronting our own unconscious biases toward others. We unpack generational trauma and what it means to learn from parents who came of age just after the Civil Rights era. We talk about raising children who don't see color, while still making sure they understand, appreciate, and love their Blackness—without passing down unresolved trauma. The fellas also share personal experiences with racism and how those moments shaped the way we move through the world today. In our Ask A Black Man segment, we answer a real-life question: What's the best way to explain to my fiancée that we shouldn't overspend on our wedding, even though our parents are contributing financially?
Demi heads to Paris and Marrakech; Big Bezos takes over Vogue (?); Sinners, including Delroy Lindo, racks up on Oscar's noms; The Teyana Taylor backlash; reviews “One Battle After Another” and “Beauty” on Hulu; Netflix's doc on “America's Next Top Model”; Kanye West apologizes for anti-Semitism, but not anti-Blackness; the murder of Alex Pretti. ABOUT ME: http://www.demetrialucas.com/about/ STAY CONNECTED: IG: @demetriallucas Twitter: demetriallucas FB: demetriallucas YouTube: demetriallucas Learn more about your ad choices. Visit podcastchoices.com/adchoices
@godfreycomic is joined by Rachel K Fraser, Akeem Woods, Vishnu Vaka, Dante Nero and this episode goes EVERYWHERE. We're talking MLK's legacy, Bernice King telling the truth people hate to hear, policing, ICE, and why America keeps acting like this is all brand new. From wild church clips and Bentley Christianity to a real Bible debate about slavery, free will, and belief, this one gets loud and thoughtful at the same time. We celebrate Dr. Gladys West changing your life with GPS, lose it over Jamaican Spider-Man, call out Michelin for ignoring Black excellence, break down viral exploitation, unpack anti-Blackness in international sports, and react to community patrol energy that has everybody uncomfortable.Legendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish twice a week... with GODFREY on In Godfrey We Trust.Original Air Date: 01/23/2026-------------------------------SUPPORT OUR SPONSORSVisit https://prizepicks.onelink.me/LME0/GODFREY and use code GODFREY and get $50 in lineups when you play your first $5 lineup!-------------------------------
With Ali away, Damien gets In The Conversation about 70's movies, Bustelo tweakin', and the Casino of Blackness. Twitter.com/dlemoncomedy // Twitter.com/mrmuhammad Keep up with the conversation on Facebook: Facebook.com/InTheConversation Keep up with the conversation on Instagram www.instagram.com/intheconversation Catch Damien LIVE on tour in a city near you: www.damienlemon.com/shows
What does the humble, boring quarter-zip sweater have to do with respectability politics and Blackness? Apparently, a lot! When two young Black men on TikTok brought the quarter-zip into vogue for young folks, they unknowingly waded into some very long-lived discourse on Black fashion and looking "respectable." Today on the pod, we chop it up with Jonathan Square, professor of Black visual culture at Parsons School of Design, about Black fashion, and what's happening more broadly to make this pretty plain sweater the "it" garment.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The dean of Yale's School of Management grew up in a small village in Guyana. During his unlikely journey, he has researched video-gaming habits, communicable disease, and why so many African-Americans haven't had the kind of success he's had. Steve Levitt talks to Charles about his parents' encouragement, his love of Sports Illustrated, and how he talks to his American-born kids about the complicated history of Blackness in America. This episode originally aired on September 18th, 2020. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In this powerful episode of Black Men Speak, we sit down with the author of Black Cherokee to unpack the rarely told story of Black and Indigenous identity in America. Through history, ancestral truth, and courageous storytelling, our guest explores what it means to exist at the intersection of Blackness and Cherokee heritage—while navigating belonging, erasure, and legacy. This conversation dives into hidden histories, the impact of enslavement within Native nations, and the emotional weight of claiming an identity that has often been questioned or denied. We also explore how generational trauma, and cultural reclamation shape the lives of Black Cherokee people today. Antonio Michael Downing is an acclaimed author, broadcaster, and musician. Kiese Laymon praised his memoir Saga Boy as "singularly dazzling" and received critical acclaim from publications like Essence Magazine. His novel Black Cherokee has been called "a triumph" by Giller Prize winner Ian Williams. He has also won praise for his novella Molasses and children's book Stars in My Crown. His works have been nominated for several awards, including the Speaker's Book Prize and the Toronto Book Awards. More than a history lesson, this episode is an invitation to reflect, unlearn, and reclaim stories that have been pushed to the margins. It's a necessary dialogue on ancestry, truth-telling, and the power of knowing who you are—on your own terms.
What's good y'all — welcome back to The Everyday Podcast. Happy New Year, and thank you for rocking with me through the break.This episode is a powerful, honest conversation I had with Reyna, recorded a few years back while she was starting her own podcast journey. Even though it's not new, the conversation is timeless.We get into colorism, identity, dating across cultures, being told “you're not really Black,” and how those experiences shape confidence, relationships, and self-worth. From growing up in white spaces, to navigating stereotypes, to the pressure of explaining your Blackness — nothing is sugar-coated.This episode is real, raw, funny, uncomfortable at times, and necessary.More Everyday content is on the way, Patreon exclusives are coming, Sole Talk merch is live, and we're working on an upcoming event — stay locked in.Appreciate y'all always. Let's get into it.
Jemma DeCristo RETURNS! Her new book The Aesthetic Character of Blackness is out, and covers how revolutionary Black art is co-opted by capitalists and the state, and art's limits as a revolutionary tool (and it's widespread use as a counterinsurgent one). The Aesthetic Character of Blackness: Sounds Like Us (Duke University Press) https://www.dukeupress.edu/the-aesthetic-character-of-blackness Support Dahnoun Mutual Aid (Direct Support for People in Gazan) https://chuffed.org/project/115245-dahnoun-mutual-aid Previously: Jemma on the Transgender Cultural District https://www.patreon.com/posts/is-transgender-f-105793639 Jemma and Ralowe on the narrowness of Leftist organizing on (the app) Signal https://www.patreon.com/posts/against-signal-123358271 Support the show and get new episodes early on Patreon: https://patreon.com/sadfrancisco
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
We pull apart self-sabotage with honesty: why we protect ourselves from pain by shrinking our lives, and how discipline, vulnerability, and positive self-talk rebuild momentum. We cover coasting, perfectionism, money myths, cultural tone, and the moving goalpost that demands smarter habits.• early lessons that prime self-sabotage• procrastination, coasting and perfectionism as hidden traps• nervous system patterns that mistake chaos for love• vulnerability in career pivots and late starts• inflation, compounding and why breaks are costly• practical money frames and slow path to millionaire status• culture, accents and protecting Blackness without erasing self• audience-building by shipping imperfect work• positive self-talk as a daily performance tool• advice for boy moms on speaking lifeSubscribe on YouTube, leave a comment and rating, and join us at Rose Gold—pay what you want. “If you pay a thousand dollars, what do you get? Get to help some goddamn kids, man.”Join our Patreon Community Buy some merch and ebooks IG: @terryroseland & @amansperspective_
John Wayne, who? Media will make you believe that white men were the premier cowboys, but Black cowboys were the real rodeo legends. Bill Pickett was an innovator of the sport, and they made him hide his Blackness. — 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
In this meeting of The Late Diagnosis Club, Dr Angela Kingdon sits down with Sean Hawthorne, a late-identifying Autistic adult who is still in the very middle of discovery — not the end of the journey. Sean spent decades performing a socially acceptable version of himself: the reliable friend, the focused finance professional, the guy who shaped his interests to fit in and kept his sensory overwhelm hidden. But in 2021, a catastrophic burnout forced him to confront a truth he could no longer outrun.Together, Angela and Sean explore autistic burnout, somatic reconnection, cultural and religious messaging, unmasking, identity, self-diagnosis, and the relief of realising you were never broken — you were misunderstood.
Learn about parenting with political awareness & building diaspora connections and political solidarity across borders. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ In Part 2 of Matt's conversation with Courtney Orgias—recorded in Rio, where her family is currently based—they dive deeper into the political, ethical, and emotional dimensions of digital nomad motherhood. Courtney explains how she talks to her young children about power, oppression, genocide, and policing in age-appropriate but honest ways, and why cultivating empathy is central to her parenting philosophy. She reflects on experiencing anti-Blackness around the world, connecting with the African diaspora, and why understanding local struggles is essential for ethical travel. Courtney also shares her evolving sense of identity, how travel has transformed her marriage and personal growth, and the origins of The Village Abroad, her new community-building initiative for digital nomad families that is launching its first retreat in Grenada. They close with reflections on home, belonging, raising kids globally, and the radical possibilities that travel opens for Black families. FULL SHOW NOTES WITH DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE. ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally. You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)
" The rhythm of activism that was expected of [the Sandy Hook families] and the rhythm of my survival were two different rhythms, and I had to pick one to survive. I chose my survival."Amongst many things, Nelba Márquez-Greene is the mother of Ana Grace, one of the 26 people that lost their lives in the Sandy Hook shooting. In this chat with Nelba, we talk about the trauma, grief, activism, and systemic injustices she has faced since losing her daughter to gun violence.As a licensed therapist, Nelba beautifully breaks down the intersection of grief, trauma, and injustice, the role that Christian Nationalism and anti-Blackness play in gun violence, and the wins she has celebrated in the fight to decrease gun violence in America.Friend, I hope this chat speaks to your soul like it did mine. Here are some of the ways you can take action after listening:Learn about the families that lost someone at Sandy Hook: https://mysandyhookfamily.org/Support the work being done at The Ana Grace Project: https://www.anagraceproject.org/Find a local organization that is helping to decrease Gun Violence in your areaEpisode Sponsors:Use code WALTERS at checkout for 15% off your first order at www.vionicshoes.com.Thinking about dating again? Take this as your sign. Start your love story on Bumble.Head to chase.com/holidayscams for tips, tools, and resources to help keep your finances safe.Produced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode, recorded in the summer of 2024, Josh interviewed two organizers from the Lowcountry Action Committee. Lowcountry Action Committee is a Black African grassroots organization dedicated to Black liberation through service, political education, and collective action in the South Carolina Lowcountry. Our conversation centers around their 2024 piece on environmental racism, where they trace the climate catastrophe, threatening to wash away Gullah Geechee homelands back to the phosphate mining industry of the eighteen sixties. We discuss how today's disproportionate exposure of Black communities to hazardous waste sites, landfills, incinerators is inseparable from the region's history of chattel slavery and why Black people must be at the vanguard of the environmental movement. We then situate the crisis within the broader context of the Black Belt, a historical homeland of Africans trafficked to North America. Now among the most vulnerable regions to climate change, drawing on Kali Akuno's prediction that large portions of the Black Belt may be underwater by 2050. We explore what displacement, housing costs, and organized abandonment mean for Black communities in the Carolinas and beyond. The conversation also turns to international frameworks, particularly Cuba's model of sustainable development and the parallels between Cuban soil erosion and sea level rise and the ecological challenges facing Gullah Geechee communities. We discuss how the Lowcountry itself lives under a kind of economic blockade, how this juxtaposition illuminates environmental racism, neocolonialism, and anti-Blackness. If you like what we do want to support our ability to have more conversations like this, please consider becoming a patron for as little as one dollar a month at patreon.com/millennialsarekillingcapitalism, you can also support via a one-time donation at BuyMeACoffee.com/MAKCapitalism Lowcountry Action Committee's Website, LinkTree, Youtube Crisis in the Carolinas: Racial Disparities, the Climate Catastrophe and Environmental Racism in the Lowcountry Cuba's Life Task: Combatting Climate Change (Tarea Vida) Organizing to Free the Land with Kali Akuno
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