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Antonio Michael Downing is the author of the memoir Saga Boy, My Memoir of Blackness and Becoming, in which he show us how he had become, like his father and grandfather before him, a Saga boy, a Trinidadian playboy and almost loses everything of value himself until he rescues himself and becames the musician and writer he was born to be. In his new book, a novel entitled Black Cherokee, we meet the unforgettable Ophelia Blue Rivers, a mixed-race Black girl fighting for her identity in a South Carolina Cherokee community. Listen in as he and I speak about writing into identity, and so much more. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.
This commemorative episode of the PAGES POD marks the one-year anniversary of our Fireside Chat at Santa Clara University and features a conversation on Black suffering, Afropessimism, and public emotion. The episode features Prof. Frank Wilderson III, Chancellor's Professor of African American Studies at University of California, Irvine, in dialogue with Assistant Professor of Philosophy Prof. Justin Clardy (SCU) and doctoral candidate Kevin Morris (UMass).The conversation examines civic indifference and the grammar of Black suffering.This is also a moment of reflection and return. Whether you joined us live or are encountering the conversation for the first time, this episode invites you to sit with the questions that remain with us long after the conversation was had.Mentioned in this episode:Civic Indifference and Black Suffering (Youtube Episode)Engendering Blackness: Slavery and the Ontology of Sexual Violence - Patrice DouglassScenes of Subjection - Saidiya HartmanBlack Skin White Masks - Frantz FanonThe Wretched of the Earth - Frantz FanonFollow us across our social media channels:IG- @PagestrgTikTok & Youtube- @PagesthereadinggroupWebsite- www.Pagestrg.com
People come to Nashville from all over the world to make country music. Rissi Palmer is one of the many. But she's also one of the few — one of the few to ever crack the Billboard country charts, and fewer still to do it as a Black woman.Nearly two decades ago, “Country Girl” announced her to the world. The song was a declaration that you don't have to be from Arkansas or speak with a drawl to belong in country music. She had a line in there that touched on race, too. Her label made her take it out.A lot has changed since then — and a lot hasn't. Country music is still working out who gets to belong, who gets to be heard, and who gets to tell their own story without compromise. Rissi Palmer has spent the better part of 20 years figuring out her own answer to those questions, and her new album “Perspectives” is where she lands.It's as country as anything she's ever made, but her music no longer backs away from her Blackness.In this conversation, Palmer talks about the long road from that first charting single to where she stands today — as an artist, an advocate, and the founder of Color Me Country Radio. She talks about what it took to stay in this industry on her own terms, what she wishes she'd known, and what “Perspectives” is really trying to say.This episode was produced by Liv Lombardi.
Join Our Patreon: http://patreon.com/vvclifeGrab Some Gear: http://vvcmerch.comGeneral TalkWeekly Recap Sign Up For PatreonBaldur's Gate 3 Session 20 at 8pm!Monday Night Co Op “Green Hell!!The Precious: JS-1: https://amzn.to/46j8xpPFame: https://a.co/d/03XYio1gJaelyn: https://a.co/d/0eztCO4tSloan: https://a.co/d/06UaMi5mCommercial #1Main Topic: Key Discussion PointsRiddle Me this: Commercial: #2Games:Don't Panic, It's Just TurbulanceThe Eternal Life Of GoldmanYakuza Kiwami 3Pax AutocraticaCroakNews: Xbox CEO leaving with a friend?Takedra Brings In Billions For WaymoSuper Hero Trading CardsHow To Unredact The Epstein FilesThe Entire Financial System is flippingLife is a video gameA.I./ robot Segment:Military Robots are hereDance robots are hereOthersBiggest robot developersComic Of The week: GagoInstagram: http://instagram.com/blacknerdpodcast facebook: http://facebook.com/blacknerdpodcastReddit: https://www.reddit.com/r/blacknerdgang/s/uftLsO0Ad9website: http://blacknerdpodcast.comhttp://twitter.com/vvcradio http://instagram.com/js1thasupplier http://instagram.com/fameplanbhttp://instagram.com/jaelynaleisehttp://instagram.com/sloan_tempest
In this episode of Sister Struggles, I discuss Rayvn Lenae, a rising R+B singer, who was called out for having a "white girl aesthetic", her response, and how blackness isn't easily defined. There are no limits, except the ones we place on ourselves.Listen to the full episode on Apple Podcasts and Spotify!Follow, rate and review with what you think!IG: @SisterStrugglesSelfCare ; @Sister_struggles._podcast TikTok: @SisterstrugglesSelfCareEmail me! SisterStrugglesPod@gmail.com
“You know what, G? You are straight-up whiter than the whitest white man!” In this week's episode, we dissect Strictly Business, a film released on November 8, 1991, starring Tommy Davidson, Joseph C. Phillips, and Halle Berry. Join us as we discuss 90's graphics, real estate, club soda with lime, internalized anti-Blackness, winter condos, "ain't gots", financial projections, urban cosplay, and more!Notable Mentions + References in This Episode:ReLiving Single PodcastMcNuggest R&B Love SongHalle Berry Intro (Strictly Business)Nightclub Scene (Strictly Business)The Color of Friendship (Episode 026)Cow Belles (Episode 072)Coach Carter (Episode 124)Stomp the Yard (Episode 127)Connect with us:Instagram: @in_hindsight_podTwitter: @in_hindsightpod Thanks for listening!
New York Times columnist Jamelle Bouie joins award-winning journalist Juan Williams for a conversation on Williams' latest book, New Prize for These Eyes: The Rise of America's Second Civil Rights Movement, exploring the emergence of a new civil rights era—from the 2008 election of President Obama to the January 6, 2021 attack on the U.S. Capitol. Thomas Donnelly, chief scholar at the National Constitution Center, moderates. This conversation was originally streamed live as part of the NCC's America's Town Hall series on February 26, 2025. Resources Juan Williams, New Prize for These Eyes: The Rise of America's Second Civil Rights Movement (2025) Jamelle Bouie, “Discussing Trayvon Martin, Obama Embraces his Blackness,” The American Prospect (July 19, 2013) Jamelle Bouie, opinion columnist, The New York Times Civil Rights Movement Reconstruction Thomas Ricks, Waging a Good War: A Military History of the Civil Rights Movement, 1954-1968 (2022) Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org Continue the conversation by following us on social media @ConstitutionCtr Explore the America at 250 Civic Toolkit Sign up to receive Constitution Weekly, our email roundup of constitutional news and debate Subscribe, rate, and review wherever you listen Join us for an upcoming live program or watch recordings on YouTube Support our important work Donate
This week on Lin. Woods Gospel Entertainment Podcast, we are revisiting one of our most popular episodes, when two-time GRAMMY® Award-winning recording artist, actress, and songwriter Ann Nesby takes us on an unforgettable journey—from her roots in the church, to Sounds of Blackness, to her powerhouse solo career. Ann opens up about: The hit song she gave to Patti LaBelle Lessons learned from music legends Jimmy Jam & Terry Lewis Feeding her kids while chasing her dreams Executive producing her own movie And her newest music project, ANNiversary
In books like “Breathe” and “South to America,” National Book Award and MacArthur “genius” grant winner Imani Perry writes about Blackness in America with clarity, elegance, rage, and joy. Perry is a Professor of Studies of Women, Gender and Sexuality and of African and African American Studies at Harvard University. Her latest book is “Black in Blues,” a meditation on the color blue and its role in Black history and culture. Perry talks to us in front of an audience of students at Woodburn High School.
In this 2012 archive interview, Gary Hines—founder and musical director of Sounds of Blackness—joins Joe Kelley to discuss the group's NAACP Image Award win, their global musical vision, and deep ties to the Minneapolis sound.Gary shares stories involving Stevie Wonder, Paisley Park, Prince's creative community, and the evolution of Sounds of Blackness across four decades. A powerful conversation on legacy, leadership, and Black musical excellence.
This is the Weight and Healthcare newsletter! If you like what you are reading, please consider subscribing and/or sharing!In Part 1 we started discussing the “Million Pound Challenge” created by Toby Cosgrove and Dr. Michael Roizen in which they are “challenging” an unknown number of people to collectively lose one million pounds. In part 2 we'll discuss the program itself. (If you haven't read part 1, I recommend it to fully understand part 2.) As always I'll indent the quotes from the website so that you can avoid harmful weight stigma if you choose. They explain the program as a 3-step process:Step 1: Enroll Your OrgRegister your health system. Get access to a variety of resources in the Million Pound Challenge Tool Kit for your entire team.Step 2: Your Staff, Your WayEmployees can use the tools provided, join their own programs, work with providers—whatever works. Your organization decides how to structure participation.Step 3: Track ProgressThe only requirement? Track results with a monthly check with your Challenge coordinator. Watch as individual effort becomes collective momentum toward one million pounds.This is where they make things incredibly clear - literally the only requirement is to track weight loss. This isn't about health metrics, there is no way to make this program weight neutral or to focus on health - weight loss is the only metric and tracking it is the only thing the program requires.And when they blithely say “whatever works” let's be clear that a century of research finds that, unless their goal is to create weight cycling, nothing does. So there is no common intervention and all they are tracking is weight loss. Right. And how is weight loss tracked? Per the FAQs (emphasis mine)“Your Challenge ambassador must log your team's results monthly with your assigned Challenge Coordinator—this is the only requirement. Individual weights remain completely private. Only aggregate organizational totals are posted on the community leaderboard so you can see how your organization compares nationally.”Um, they aren't private if you have to share them with your company's challenge ambassador (and I have serious concerns that someone who would sign up for that job may be the last person that a coworker would want to tell their weight.) Workplace programs (or any programs) that include a weight loss component have significant risks to physical and mental health, including through eating disorders. But programs that compel people to compete solely on the basis of weight loss, as this one does, can actually encourage participation in dangerous behaviors in order to create weight loss.Measure your organization's progress, celebrate your success stories, and recognize your top-performing teams. Join leaders at quarterly events, Chamber Summit, Aspen Ideas Festival, and HLTH to keep momentum strong.Do. Not. Do. This. Another huge issue with this, and all workplace/organization weight-loss challenges, besides the issues with disordered eating and eating disorders and weight cycling, is that it can single out people who aren't participating or “achieving” in ways that create a hostile work environment for them. It can mean that those who have chosen an evidence-based weight-neutral path (either due to a history of eating disorders or other reasons) have to choose between their physical and mental health and being seen as “not a team player.” It can lead to organizations under valuing employees who, due to many reasons including disability, chronic illness, and more, cannot participate in the initiative at all (or in ways that make them “top-performing”) which can lead them to being seen by subordinates, peers, and bosses as a “drag” on the team or having less value to the organization. This is not surprising from someone like program co-founder Toby Cosgrove who once gleefully told the New York Times magazine that he didn't want to hire higher-weight people (as the CEO of the Cleveland Clinic,) but let's not follow in those bigoted footsteps.After 12 months, we'll have collectively proven what we've known all along—that sustainable health outcomes are achievable. Winners celebrated at HLTH 2026. Every organization recognized for leading the revolution.There is so much wrong with this that I scarcely know where to begin. As I said in part 1, “prove” is a very strong word so I expect robust research and lots of it (spoiler alert - I'm going to be disappointed again, but in no way surprised, again.) These two doctors should know better than to suggest that anything about “sustainable health outcomes” can be “proven” by a random “challenge” that only lasts a year has no common intervention, and only measures weight loss. This does not have the ring of sound science. The truth is, we can't even be sure how many of the participants would get thin enough that program co-founder Toby Cosgrove would think they deserved to be employed.I don't want to spend too much time analyzing the deck chairs on this titanic of a “challenge” but I do want to look at one of the “resources” they offer, called ‘Why Healthy Employees Don't Need Your Wellness Challenge.” First of all remember that this is NOT a wellness challenge (which would measure, you know, wellness) this is a weight loss challenge that only measures body size manipulation. Even if we ignore that, this “resource” is particularly horrifying, promoting the “Lifestyle 180” program. The program is based on the assumption that higher-weight people and those with chronic conditions are not already participating in health-supporting behaviors and should be “targeted”, by their employers (not their actual healthcare providers,) with “intensive, medically-integrated interventions.”Here again, this program teaches organizational leadership to see higher-weight people and those with chronic conditions as a liability to be solved and not as skilled and valuable employees, with the unspoken (except by Toby to the NYT magazine) takeaway to avoid hiring these people in the first place. This is likely to disproportionally impact higher-weight people, People of Color, and especially higher-weight People of Color. (Note that this is all wrapped up in the massive issues with U.S. employers providing healthcare which is, to use a technical term, a hot garbage mess that is beyond the scope of this post, but the idea that employers should have access to employee health information is obviously seriously problematic on its face.) The “resource” continuously suggests that employers focus on “the 20% of [ employees] driving 80% of the costs” ending with “that's where you win.”My main takeaway from this resource was that if an employer sent me an email that said “Your recent health screening showed some concerning trends We have a program specifically designed for you. Can we talk?” I should say, emphatically, no. Which would also be my immediate answer if asked to participate in this “challenge.”In Part 3 we'll talk about what you can do if your organization tries to push this kind of “challenge” on you.This month's online workshop is Weight-Neutral Joint Pain Management with sports medicine physicians Dr. Julia Bruene and Dr. Jeremy Alland. There is a pay-what-you-can-afford option and a video will be sent to all registrants.Details and registration here!If you appreciate the content here, you can subscribe for free to get future posts delivered direct to your inbox, or choose a paid subscription to support the newsletter (and the work that goes into it!) and get special benefits! Click the Subscribe button below for details:Liked the piece? Share the piece!More researchThe Research PostMore resourcesThe Resource Post*Note on language: I use “fat” as a neutral descriptor as used by the fat activist community, I use “ob*se” and “overw*ight” to acknowledge that these are terms that were created to medicalize and pathologize fat bodies, with roots in racism and specifically anti-Blackness. Please read Sabrina Strings' Fearing the Black Body – the Racial Origins of Fat Phobia and Da'Shaun Harrison's Belly of the Beast: The Politics of Anti-Fatness as Anti-Blackness for more on this. Get full access to Weight and Healthcare at weightandhealthcare.substack.com/subscribe
Many revelations came to light this week with the Epstein drop. We all need to wake up and see the evil and deceit they are using to control us.
On this episode of Vibe Check, Saeed and Zach break down Timothée Chalamet's recent behavior shift leading up to the Oscars and what it says about image, performance, and proximity to Black culture. They dig into “wigga” culture and who benefits when Black culture becomes a costume. Plus, they share their picks for “the vibes are on, the vibes are off”.------------------------------------------------------Saeed's Poem: “Another Nate Marshall Origin Story” by Nate Marshall------------------------------------------------------ You can find everything Vibe Check related at our official website, www.vibecheckpod.comWe want to hear from you! Email us at vibecheck@stitcher.com, and keep in touch with us on Instagram @vibecheck_pod.Get your Vibe Check merch at www.podswag.com/vibecheck.Subscribe to SiriusXM Podcasts+ to listen to new episodes of Vibe Check ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
On this week's episode of The Black Men Think Podcast, we kick things off by surviving the infamous Atlanta “snow storm,” but the conversation quickly shifts into something much deeper. The recent ICE-related tensions around the country spark an honest discussion about how Black men navigate racism directed toward us, while also confronting our own unconscious biases toward others. We unpack generational trauma and what it means to learn from parents who came of age just after the Civil Rights era. We talk about raising children who don't see color, while still making sure they understand, appreciate, and love their Blackness—without passing down unresolved trauma. The fellas also share personal experiences with racism and how those moments shaped the way we move through the world today. In our Ask A Black Man segment, we answer a real-life question: What's the best way to explain to my fiancée that we shouldn't overspend on our wedding, even though our parents are contributing financially?
Demi heads to Paris and Marrakech; Big Bezos takes over Vogue (?); Sinners, including Delroy Lindo, racks up on Oscar's noms; The Teyana Taylor backlash; reviews “One Battle After Another” and “Beauty” on Hulu; Netflix's doc on “America's Next Top Model”; Kanye West apologizes for anti-Semitism, but not anti-Blackness; the murder of Alex Pretti. ABOUT ME: http://www.demetrialucas.com/about/ STAY CONNECTED: IG: @demetriallucas Twitter: demetriallucas FB: demetriallucas YouTube: demetriallucas Learn more about your ad choices. Visit podcastchoices.com/adchoices
@godfreycomic is joined by Rachel K Fraser, Akeem Woods, Vishnu Vaka, Dante Nero and this episode goes EVERYWHERE. We're talking MLK's legacy, Bernice King telling the truth people hate to hear, policing, ICE, and why America keeps acting like this is all brand new. From wild church clips and Bentley Christianity to a real Bible debate about slavery, free will, and belief, this one gets loud and thoughtful at the same time. We celebrate Dr. Gladys West changing your life with GPS, lose it over Jamaican Spider-Man, call out Michelin for ignoring Black excellence, break down viral exploitation, unpack anti-Blackness in international sports, and react to community patrol energy that has everybody uncomfortable.Legendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish twice a week... with GODFREY on In Godfrey We Trust.Original Air Date: 01/23/2026-------------------------------SUPPORT OUR SPONSORSVisit https://prizepicks.onelink.me/LME0/GODFREY and use code GODFREY and get $50 in lineups when you play your first $5 lineup!-------------------------------
With Ali away, Damien gets In The Conversation about 70's movies, Bustelo tweakin', and the Casino of Blackness. Twitter.com/dlemoncomedy // Twitter.com/mrmuhammad Keep up with the conversation on Facebook: Facebook.com/InTheConversation Keep up with the conversation on Instagram www.instagram.com/intheconversation Catch Damien LIVE on tour in a city near you: www.damienlemon.com/shows
What does the humble, boring quarter-zip sweater have to do with respectability politics and Blackness? Apparently, a lot! When two young Black men on TikTok brought the quarter-zip into vogue for young folks, they unknowingly waded into some very long-lived discourse on Black fashion and looking "respectable." Today on the pod, we chop it up with Jonathan Square, professor of Black visual culture at Parsons School of Design, about Black fashion, and what's happening more broadly to make this pretty plain sweater the "it" garment.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The dean of Yale's School of Management grew up in a small village in Guyana. During his unlikely journey, he has researched video-gaming habits, communicable disease, and why so many African-Americans haven't had the kind of success he's had. Steve Levitt talks to Charles about his parents' encouragement, his love of Sports Illustrated, and how he talks to his American-born kids about the complicated history of Blackness in America. This episode originally aired on September 18th, 2020. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In this powerful episode of Black Men Speak, we sit down with the author of Black Cherokee to unpack the rarely told story of Black and Indigenous identity in America. Through history, ancestral truth, and courageous storytelling, our guest explores what it means to exist at the intersection of Blackness and Cherokee heritage—while navigating belonging, erasure, and legacy. This conversation dives into hidden histories, the impact of enslavement within Native nations, and the emotional weight of claiming an identity that has often been questioned or denied. We also explore how generational trauma, and cultural reclamation shape the lives of Black Cherokee people today. Antonio Michael Downing is an acclaimed author, broadcaster, and musician. Kiese Laymon praised his memoir Saga Boy as "singularly dazzling" and received critical acclaim from publications like Essence Magazine. His novel Black Cherokee has been called "a triumph" by Giller Prize winner Ian Williams. He has also won praise for his novella Molasses and children's book Stars in My Crown. His works have been nominated for several awards, including the Speaker's Book Prize and the Toronto Book Awards. More than a history lesson, this episode is an invitation to reflect, unlearn, and reclaim stories that have been pushed to the margins. It's a necessary dialogue on ancestry, truth-telling, and the power of knowing who you are—on your own terms.
What's good y'all — welcome back to The Everyday Podcast. Happy New Year, and thank you for rocking with me through the break.This episode is a powerful, honest conversation I had with Reyna, recorded a few years back while she was starting her own podcast journey. Even though it's not new, the conversation is timeless.We get into colorism, identity, dating across cultures, being told “you're not really Black,” and how those experiences shape confidence, relationships, and self-worth. From growing up in white spaces, to navigating stereotypes, to the pressure of explaining your Blackness — nothing is sugar-coated.This episode is real, raw, funny, uncomfortable at times, and necessary.More Everyday content is on the way, Patreon exclusives are coming, Sole Talk merch is live, and we're working on an upcoming event — stay locked in.Appreciate y'all always. Let's get into it.
Jemma DeCristo RETURNS! Her new book The Aesthetic Character of Blackness is out, and covers how revolutionary Black art is co-opted by capitalists and the state, and art's limits as a revolutionary tool (and it's widespread use as a counterinsurgent one). The Aesthetic Character of Blackness: Sounds Like Us (Duke University Press) https://www.dukeupress.edu/the-aesthetic-character-of-blackness Support Dahnoun Mutual Aid (Direct Support for People in Gazan) https://chuffed.org/project/115245-dahnoun-mutual-aid Previously: Jemma on the Transgender Cultural District https://www.patreon.com/posts/is-transgender-f-105793639 Jemma and Ralowe on the narrowness of Leftist organizing on (the app) Signal https://www.patreon.com/posts/against-signal-123358271 Support the show and get new episodes early on Patreon: https://patreon.com/sadfrancisco
This episode of Visual Intonation Podcast sits with Haitian American filmmaker and DJ Hans Augustave and listens closely to what happens in the quiet. Best known for shorts like I Held Him, Before I Knew, and the recent Nwa (Black), Augustave makes work that slows the room down and asks you to stay. His films are short, but they linger, circling tenderness, masculinity, and the complicated inheritance of Black identity.Nwa, which means Black in Haitian Creole, grounds the conversation. Set largely in a Brooklyn barbershop, the film explores cultural conflict, father and son dynamics, and the uneasy process of belonging. Augustave talks about growing up Haitian, French born, and New York raised, moving between languages, neighborhoods, and expectations. That layered upbringing becomes the engine of his storytelling, where no single version of Blackness is allowed to stand alone.The discussion turns intimate as Augustave recounts the personal origins of I Held Him, a seven minute short born from heartbreak, longing, and the simple human need to be held. He reflects on silence as a creative choice, on stillness as a kind of truth telling, and on why tenderness between men is so rarely shown without explanation or apology. Influenced by filmmakers like Steve McQueen, he trusts the audience enough to let discomfort do some of the work.Across film, music, and his sober curious dance party Reprieve, Augustave sees creativity as a tool for healing and connection. He speaks about collaboration, about directing as a form of listening, and about showing Black men as soft, loving, and whole. This conversation is less an interview than an invitation to breathe, to feel, and to reconsider what strength can look like when it is allowed to be gentle.Hans Augustave's Website and Socials:https://www.hansaugustave.com/https://www.imdb.com/name/nm6091891/https://www.instagram.com/hanzifilms/?hl=enhttps://vimeo.com/hansaugustaveSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
We pull apart self-sabotage with honesty: why we protect ourselves from pain by shrinking our lives, and how discipline, vulnerability, and positive self-talk rebuild momentum. We cover coasting, perfectionism, money myths, cultural tone, and the moving goalpost that demands smarter habits.• early lessons that prime self-sabotage• procrastination, coasting and perfectionism as hidden traps• nervous system patterns that mistake chaos for love• vulnerability in career pivots and late starts• inflation, compounding and why breaks are costly• practical money frames and slow path to millionaire status• culture, accents and protecting Blackness without erasing self• audience-building by shipping imperfect work• positive self-talk as a daily performance tool• advice for boy moms on speaking lifeSubscribe on YouTube, leave a comment and rating, and join us at Rose Gold—pay what you want. “If you pay a thousand dollars, what do you get? Get to help some goddamn kids, man.”Join our Patreon Community Buy some merch and ebooks IG: @terryroseland & @amansperspective_
John Wayne, who? Media will make you believe that white men were the premier cowboys, but Black cowboys were the real rodeo legends. Bill Pickett was an innovator of the sport, and they made him hide his Blackness. — 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In this meeting of The Late Diagnosis Club, Dr Angela Kingdon sits down with Sean Hawthorne, a late-identifying Autistic adult who is still in the very middle of discovery — not the end of the journey. Sean spent decades performing a socially acceptable version of himself: the reliable friend, the focused finance professional, the guy who shaped his interests to fit in and kept his sensory overwhelm hidden. But in 2021, a catastrophic burnout forced him to confront a truth he could no longer outrun.Together, Angela and Sean explore autistic burnout, somatic reconnection, cultural and religious messaging, unmasking, identity, self-diagnosis, and the relief of realising you were never broken — you were misunderstood.
Learn about parenting with political awareness & building diaspora connections and political solidarity across borders. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ In Part 2 of Matt's conversation with Courtney Orgias—recorded in Rio, where her family is currently based—they dive deeper into the political, ethical, and emotional dimensions of digital nomad motherhood. Courtney explains how she talks to her young children about power, oppression, genocide, and policing in age-appropriate but honest ways, and why cultivating empathy is central to her parenting philosophy. She reflects on experiencing anti-Blackness around the world, connecting with the African diaspora, and why understanding local struggles is essential for ethical travel. Courtney also shares her evolving sense of identity, how travel has transformed her marriage and personal growth, and the origins of The Village Abroad, her new community-building initiative for digital nomad families that is launching its first retreat in Grenada. They close with reflections on home, belonging, raising kids globally, and the radical possibilities that travel opens for Black families. FULL SHOW NOTES WITH DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE. ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally. You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)
Merry Christmas and Happy Holidays; wishing you and your families all the best during this festive season. Be safe, enjoy, and thank you very much for your support all year. This special episode features the soulful workings of Alexander O'Neal, Luther Vandross, The Isley Brothers, Whitney Houston, Sound of Blackness, and many more.DJ Rhythm Dee!PLAYLIST1. This Christmas/Christine Aguilera2. Jingle Bell Swing/Bryan Andrew Wilson3. Our First Christmas/Alexander O'Neal4. Soul Holidays/Sounds of Blackness5. A Kiss for Christmas/Luther Vandross6. I Can Hardly Wait ‘til Christmas7. Special Gift/The Isley Brothers8. Love You at Christmas Time/The Unit, Sy Smith9. Merry Christmas, Baby/Celo Green, Rod Stewart, Trombone Shorty10. Winter Wonderland/ Alexander O'Neal11. It's Christmas Time/Smokey Robinson & The Miracles12. O' Come All Ye Faithfull/Luther Vandross13. Do You Hear What I Hear/Whitney Houston14. What Do the Lonely Do at Christmas/The Emotions15. Somewhere In My Memory/Steve Mackey, THE ELEVEN, Boyz II Men16. Deck The Halls/The Salsoul Orchestra17. Christmas (Baby Please Come Home)/Mariah Carey
" The rhythm of activism that was expected of [the Sandy Hook families] and the rhythm of my survival were two different rhythms, and I had to pick one to survive. I chose my survival."Amongst many things, Nelba Márquez-Greene is the mother of Ana Grace, one of the 26 people that lost their lives in the Sandy Hook shooting. In this chat with Nelba, we talk about the trauma, grief, activism, and systemic injustices she has faced since losing her daughter to gun violence.As a licensed therapist, Nelba beautifully breaks down the intersection of grief, trauma, and injustice, the role that Christian Nationalism and anti-Blackness play in gun violence, and the wins she has celebrated in the fight to decrease gun violence in America.Friend, I hope this chat speaks to your soul like it did mine. Here are some of the ways you can take action after listening:Learn about the families that lost someone at Sandy Hook: https://mysandyhookfamily.org/Support the work being done at The Ana Grace Project: https://www.anagraceproject.org/Find a local organization that is helping to decrease Gun Violence in your areaEpisode Sponsors:Use code WALTERS at checkout for 15% off your first order at www.vionicshoes.com.Thinking about dating again? Take this as your sign. Start your love story on Bumble.Head to chase.com/holidayscams for tips, tools, and resources to help keep your finances safe.Produced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Author Events Series presents Trymaine Lee | A Thousand Ways to Die : The True Cost of Violence on Black Life in America In Conversation with James Peterson and local gun violence prevention organizers: Chantay Love, EMIR: Every Murder Is Real, Pastor Carl Day, Culture Changing Christians Worship Center Tasnim Sulaiman, Black Men Heal A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him-the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also-insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins. In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors' footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community. In A Thousand Ways to Die, Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola's legacy. Trymaine Lee is a Pulitzer Prize and Emmy Award-winning journalist and MSNBC contributor. He's the host of the ''Into America'' podcast where he covers the intersection of Blackness, power, and politics. A contributing author to the ''1619 Project'', he has reported for The New York Times, the Huffington Post, and the New Orleans Times-Picayune. A Thousand Ways to Die is his first book. James Peterson, Ph.D. is a writer, educator, and consultant. Dr. Peterson is the Host of ''Evening WURDS'' on WURD (900AM and 96.1FM) in Philadelphia, PA. He is the author of several books, including The Hip Hop Underground and African American Culture, Prison Industrial Complex for Beginners, and Hip-Hop Headphones: A Scholar's Critical Playlist. He is a columnist for The Philadelphia Citizen and has written for Fortune.com, Newsweek.com, The Guardian, The LA Times, Reuters, The Huffington Post, The Daily Beast, and The Grio. Dr. Peterson is also a professional wordsmith who has ghostwritten and edited projects for a variety of individuals and corporate entities across a wide spectrum of professions. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 9/11/2025)
In this episode, recorded in the summer of 2024, Josh interviewed two organizers from the Lowcountry Action Committee. Lowcountry Action Committee is a Black African grassroots organization dedicated to Black liberation through service, political education, and collective action in the South Carolina Lowcountry. Our conversation centers around their 2024 piece on environmental racism, where they trace the climate catastrophe, threatening to wash away Gullah Geechee homelands back to the phosphate mining industry of the eighteen sixties. We discuss how today's disproportionate exposure of Black communities to hazardous waste sites, landfills, incinerators is inseparable from the region's history of chattel slavery and why Black people must be at the vanguard of the environmental movement. We then situate the crisis within the broader context of the Black Belt, a historical homeland of Africans trafficked to North America. Now among the most vulnerable regions to climate change, drawing on Kali Akuno's prediction that large portions of the Black Belt may be underwater by 2050. We explore what displacement, housing costs, and organized abandonment mean for Black communities in the Carolinas and beyond. The conversation also turns to international frameworks, particularly Cuba's model of sustainable development and the parallels between Cuban soil erosion and sea level rise and the ecological challenges facing Gullah Geechee communities. We discuss how the Lowcountry itself lives under a kind of economic blockade, how this juxtaposition illuminates environmental racism, neocolonialism, and anti-Blackness. If you like what we do want to support our ability to have more conversations like this, please consider becoming a patron for as little as one dollar a month at patreon.com/millennialsarekillingcapitalism, you can also support via a one-time donation at BuyMeACoffee.com/MAKCapitalism Lowcountry Action Committee's Website, LinkTree, Youtube Crisis in the Carolinas: Racial Disparities, the Climate Catastrophe and Environmental Racism in the Lowcountry Cuba's Life Task: Combatting Climate Change (Tarea Vida) Organizing to Free the Land with Kali Akuno
The “reformers” tag team with the Bright One to keep TIF money out of our schools. Ben riffs. Mueze Bawany delivers his takes on Mayors Mamdani and Johnson. Why Trump likes one but not the other. Hint…it's cause one is a “model minority” and the other is not. Trump's anti-Blackness. A close-out riff on the Bears, including a bold prediction for Sunday's Packers game. Mueze is an activist, high school teacher, football coach and proud union man. As in the CTU.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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