Podcasts about Blackness

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In this episode, we feature Legacy Russell, the writer, curator, and Executive Director and Chief Curator of The Kitchen, an artist-driven non-profit space in New York City. As a cultural critic she has published the books Glitch Feminism (Verso Books, 2020) and Black Meme: A History of the Images that Make Us (Verso Books, 2024), which questions how we define Blackness through mediated material. For the podcast, Russell reads from Lorraine O'Grady's iconic essay “Olympia's Maid: Reclaiming Black Female Subjectivity,” first published in Afterimage in 1992, and collected in New Feminist Criticism: Art, Identity, Action (Routledge, 1994). Russell speaks with Sky Goodden about her relationship to O'Grady's essay—one that “came before its time and carried us into the future”—and touches on the central conceit that perhaps also explains its controversy: “Lorraine truly believed in a culture that would allow for contestation.” But, Legacy reflects, perhaps our culture hasn't caught up to her yet. Thanks to this episode's sponsor, the artist Cui Jinzhe, for her support of our work.Thanks to Legacy Russell for her contribution to this season.And thank you to Jacob Irish, our editor, and Chris Andrews, for production assistance.

Subscribe to Bad Faith on Patreon to instantly unlock this episode and our entire premium episode library: http://patreon.com/badfaithpodcast The Manhattan Institute, a conservative think tank, ended its relationship with noted Brown University economist Glenn Loury after he was critical of Israel's actions in Gaza. The cancelation followed an appearance from fellow Brown professor and Israeli historian Omar Bartov on his podcast, during which Bartov offered an analysis of the Gaza genocide that reflected international consensus on Israeli violations of international law. Professor Loury joins Briahna Joy Gray for a must-watch two hour discussion in which Loury reflects on his career as a Black conservative, Ta-Nehesi Coates' book The Message, and the fact that his own Blackness informs his sympathetic attitude toward the Palestinian people. Does identity matter after all? As conservatives attempt to strip funding from the National African American History Museum and obstruct educators from teaching diverse histories, does Loury have any regrets about supporting attacks on "woke" pedagogy? Also, Loury debriefs on his viral interview with Tucker Carlson, and how his lefty wife has helped him to become more establishment in recent years. Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod).

Today on The Horror, The Hermit's Cave brings us a story from April 6, 1947, titled, The Blackness Of Terror. Listen to more from The Hermit's Cave https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/TheHorror1228.mp3 Download TheHorror1228 | Subscribe | Spotify | Support The Horror

Nor is whiteness or any other hue, we falsely imagine

Nor is whiteness or any other hue, we want to falsely imagine.

Angela Robinson Whitehurst returns to the show to bring her Broadway experience to discussing Wicked and the translation from stage to screen. Dr. Gee and Angela discuss the timing of seeing race brought to the forefront of this version of Wicked, compared to when the stage musical was first a part of our culture. The power of fantasy and musical stories is that deep ideas about culture can be explored through an alternate version of our world. It allows us to see the realities of our world through a different lens.  Angela also exposes the way that Black women were not allowed into the Alphoba role before the film version, but now that will be the standard as the significance of the character has been redefined by Blackness. They continue their conversation about Black voices and stories in Hollywood, including having to make representation happen for themselves.  A native of Jacksonville, FL, Angela Robinson is best-known as The Ice Queen Veronica Harrington of Tyler Perry's The Haves and The Have Nots. For her work as Veronica she is the 2015 recipient of the Gracie Award (Best Female Actress – One to Watch). Angela has worked on Broadway, off Broadway and on stages throughout the US and abroad. Broadway productions include The Color Purple with Fantasia, Wonderful Town, Bells Are Ringing, and Play On! She has participated in National Tours of The Color Purple, Dreamgirls, and The Wizard of Oz with Eartha Kitt. Her television/film credits include Law & Order: SVU, Another Bed and several regional and national commercials. She is the Winner of an Independent Reviewers of New England (IRNE) award for her work as Shug Avery in The Color Purple, Angela has been nominated twice for a Black Theatre Alliance Award (The Color Purple, Dreamgirls), and for an Audelco Award (Radiant Baby). She is also a member of the Tony Award winning Broadway Inspirational Voices. In 2008 Angela and her husband Scott founded the WhiteRobin Group. WhiteRobin Group is a consulting firm for aspiring and seasoned artists; providing training, inspiration and direction via acting workshops, private acting coaching, blogs and mentorship programs.   Listen to Angela Robinson's podcast - Art and Spirit   Follow Angela Robinson: Facebook Instagram   alexgee.com Support the Show: patreon.com/blacklikeme Join the Black Like Me Listener Community Facebook Group

This episode delves into the intense conflicts surrounding race, history, and education in America, asking why classrooms have become such volatile battlegrounds. Moving beyond surface-level political or ideological debates, two psychoanalysts, Drs. Karyne Messina and Felecia Powell-Williams apply some of the tools of psychoanalysis to uncover the deeper, often unconscious, psychological forces at play. The discussion explores how the enduring legacy of racism in the United States, particularly the unacknowledged weight of historical trauma and guilt related to anti-Blackness, fuels a societal "War on Knowing." Central to this analysis are the defense mechanisms mobilized, both individually and collectively, to ward off the psychic pain associated with confronting uncomfortable truths. The episode focuses particularly on Denial, examining its manifestation not just as simple lack of knowledge, but as an active refusal to acknowledge the ongoing realities of systemic racism, its historical roots, and its contemporary impact. This denial serves to protect a cherished, often idealized, national or group identity from information that would create profound dissonance and distress. Furthermore, the discussion explores the powerful role of Splitting and Projective Identification. These complex mechanisms involves unconscious splitting of people into good and bad groups followed by casting off unwanted or unbearable aspects of the self or the group (such as guilt, aggression, or vulnerability related to racism) while attributing them to the external 'other' – be it individuals, groups, or institutions. The target is then subtly induced to feel or behave in line with the projection, allowing the projector to disavow these difficult feelings while simultaneously controlling or attacking the externalized 'badness'. In the context of racism, this can manifest as projecting blame, divisiveness, or even racism itself onto those advocating for racial justice or onto institutions perceived as challenging dominant narratives. The episode argues that this "War on Knowing," driven by defenses like Denial and Projective Identification, plays out with particular ferocity in educational settings. Prestigious universities like Harvard and Columbia, often seen as centers of knowledge production and increasingly engaging with their own complex histories, including ties to slavery, become potent symbolic targets. Actions directed at these institutions – such as investigations into admissions policies (affirmative action), attacks on diversity initiatives, or challenges to curricula addressing systemic racism (like Critical Race Theory) – can be understood from a psychoanalytic perspective. Listeners will hear an exploration of the profound psychological costs of this ongoing battle: the invalidation and potential re-traumatization experienced by students of color, the fragile and incomplete understanding fostered in white students shielded by these defenses. Ultimately, the episode suggests that meaningful progress requires moving beyond mere factual debate or political maneuvering. It calls for recognizing these powerful unconscious dynamics and fostering approaches rooted in the psychoanalytic concept of "working through" – creating spaces capable of containing the difficult emotions associated with confronting historical truths, rather than perpetuating cycles of defense, projection, and acting out. This psychoanalytic perspective offers a crucial, if challenging, lens for comprehending the deep-seated resistance to fully knowing and reckoning with racism in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

When James Baldwin went on the Dick Cavett Show in 1969, he was asked a very loaded question: why aren't Black people more optimistic? Jim Crow laws had been outlawed, Black people were becoming mayors and successful businesspeople… so why was he still talking about race?Obviously racism didn't “end” with the Civil War, or the Civil Rights Act, or Obama's election. In fact, Donald Trump has spurred a resurgence — there's been a nearly 50% increase in white supremacy groups just in the past few years. And yet he's waging a war on Diversity Equity and Inclusion programs, Critical Race Theory, and the very notion that racism still exists.But racism – and anti-Blackness in particular – is still a powerful force. It's built into the very structure of the country. It shows up in politics, medicine, sports, education, and even eBay.In this week's episode of Okay But Why, we explore the history of anti-Blackness in America, how it manifests to this day, and what we can do about it. If you want to learn more, there are so many books, films, and podcasts out there! Check out Code Switch, The 1619 Project, Stamped From The Beginning, The Black Friend, White Tears/Brown Scars, Hood Feminism, or the upcoming The Race Track: How The Myth of Equal Opportunity Defeats Racial Justice.For a transcript of this episode, please email comms@redwine.blue. You can learn more about us at www.redwine.blue or follow us on social media! Twitter: @TheSWPpod and @RedWineBlueUSA Instagram: @RedWineBlueUSA Facebook: @RedWineBlueUSA YouTube: @RedWineBlueUSA

When James Baldwin went on the Dick Cavett Show in 1969, he was asked a very loaded question: why aren't Black people more optimistic? Jim Crow laws had been outlawed, Black people were becoming mayors and successful businesspeople… so why was he still talking about race?Obviously racism didn't “end” with the Civil War, or the Civil Rights Act, or Obama's election. In fact, Donald Trump has spurred a resurgence — there's been a nearly 50% increase in white supremacy groups just in the past few years. And yet he's waging a war on Diversity Equity and Inclusion programs, Critical Race Theory, and the very notion that racism still exists.But racism – and anti-Blackness in particular – is still a powerful force. It's built into the very structure of the country. It shows up in politics, medicine, sports, education, and even eBay.In this week's episode of Okay But Why, we explore the history of anti-Blackness in America, how it manifests to this day, and what we can do about it. If you want to learn more, there are so many books, films, and podcasts out there! Check out Code Switch, The 1619 Project, Stamped From The Beginning, The Black Friend, White Tears/Brown Scars, Hood Feminism, or the upcoming The Race Track: How The Myth of Equal Opportunity Defeats Racial Justice.

This episode delves into the intense conflicts surrounding race, history, and education in America, asking why classrooms have become such volatile battlegrounds. Moving beyond surface-level political or ideological debates, two psychoanalysts, Drs. Karyne Messina and Felecia Powell-Williams apply some of the tools of psychoanalysis to uncover the deeper, often unconscious, psychological forces at play. The discussion explores how the enduring legacy of racism in the United States, particularly the unacknowledged weight of historical trauma and guilt related to anti-Blackness, fuels a societal "War on Knowing." Central to this analysis are the defense mechanisms mobilized, both individually and collectively, to ward off the psychic pain associated with confronting uncomfortable truths. The episode focuses particularly on Denial, examining its manifestation not just as simple lack of knowledge, but as an active refusal to acknowledge the ongoing realities of systemic racism, its historical roots, and its contemporary impact. This denial serves to protect a cherished, often idealized, national or group identity from information that would create profound dissonance and distress. Furthermore, the discussion explores the powerful role of Splitting and Projective Identification. These complex mechanisms involves unconscious splitting of people into good and bad groups followed by casting off unwanted or unbearable aspects of the self or the group (such as guilt, aggression, or vulnerability related to racism) while attributing them to the external 'other' – be it individuals, groups, or institutions. The target is then subtly induced to feel or behave in line with the projection, allowing the projector to disavow these difficult feelings while simultaneously controlling or attacking the externalized 'badness'. In the context of racism, this can manifest as projecting blame, divisiveness, or even racism itself onto those advocating for racial justice or onto institutions perceived as challenging dominant narratives. The episode argues that this "War on Knowing," driven by defenses like Denial and Projective Identification, plays out with particular ferocity in educational settings. Prestigious universities like Harvard and Columbia, often seen as centers of knowledge production and increasingly engaging with their own complex histories, including ties to slavery, become potent symbolic targets. Actions directed at these institutions – such as investigations into admissions policies (affirmative action), attacks on diversity initiatives, or challenges to curricula addressing systemic racism (like Critical Race Theory) – can be understood from a psychoanalytic perspective. Listeners will hear an exploration of the profound psychological costs of this ongoing battle: the invalidation and potential re-traumatization experienced by students of color, the fragile and incomplete understanding fostered in white students shielded by these defenses. Ultimately, the episode suggests that meaningful progress requires moving beyond mere factual debate or political maneuvering. It calls for recognizing these powerful unconscious dynamics and fostering approaches rooted in the psychoanalytic concept of "working through" – creating spaces capable of containing the difficult emotions associated with confronting historical truths, rather than perpetuating cycles of defense, projection, and acting out. This psychoanalytic perspective offers a crucial, if challenging, lens for comprehending the deep-seated resistance to fully knowing and reckoning with racism in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

This episode delves into the intense conflicts surrounding race, history, and education in America, asking why classrooms have become such volatile battlegrounds. Moving beyond surface-level political or ideological debates, two psychoanalysts, Drs. Karyne Messina and Felecia Powell-Williams apply some of the tools of psychoanalysis to uncover the deeper, often unconscious, psychological forces at play. The discussion explores how the enduring legacy of racism in the United States, particularly the unacknowledged weight of historical trauma and guilt related to anti-Blackness, fuels a societal "War on Knowing." Central to this analysis are the defense mechanisms mobilized, both individually and collectively, to ward off the psychic pain associated with confronting uncomfortable truths. The episode focuses particularly on Denial, examining its manifestation not just as simple lack of knowledge, but as an active refusal to acknowledge the ongoing realities of systemic racism, its historical roots, and its contemporary impact. This denial serves to protect a cherished, often idealized, national or group identity from information that would create profound dissonance and distress. Furthermore, the discussion explores the powerful role of Splitting and Projective Identification. These complex mechanisms involves unconscious splitting of people into good and bad groups followed by casting off unwanted or unbearable aspects of the self or the group (such as guilt, aggression, or vulnerability related to racism) while attributing them to the external 'other' – be it individuals, groups, or institutions. The target is then subtly induced to feel or behave in line with the projection, allowing the projector to disavow these difficult feelings while simultaneously controlling or attacking the externalized 'badness'. In the context of racism, this can manifest as projecting blame, divisiveness, or even racism itself onto those advocating for racial justice or onto institutions perceived as challenging dominant narratives. The episode argues that this "War on Knowing," driven by defenses like Denial and Projective Identification, plays out with particular ferocity in educational settings. Prestigious universities like Harvard and Columbia, often seen as centers of knowledge production and increasingly engaging with their own complex histories, including ties to slavery, become potent symbolic targets. Actions directed at these institutions – such as investigations into admissions policies (affirmative action), attacks on diversity initiatives, or challenges to curricula addressing systemic racism (like Critical Race Theory) – can be understood from a psychoanalytic perspective. Listeners will hear an exploration of the profound psychological costs of this ongoing battle: the invalidation and potential re-traumatization experienced by students of color, the fragile and incomplete understanding fostered in white students shielded by these defenses. Ultimately, the episode suggests that meaningful progress requires moving beyond mere factual debate or political maneuvering. It calls for recognizing these powerful unconscious dynamics and fostering approaches rooted in the psychoanalytic concept of "working through" – creating spaces capable of containing the difficult emotions associated with confronting historical truths, rather than perpetuating cycles of defense, projection, and acting out. This psychoanalytic perspective offers a crucial, if challenging, lens for comprehending the deep-seated resistance to fully knowing and reckoning with racism in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gwendolyn Dolske and guest co-host Konstantin Hatcher welcome Historian and Legal Scholar Dr. Martha Jones to discuss her incredible book:  The Trouble of Color An American Family Memoir.  We learn how Professor Jones's research into her own family lineage tells a richer story of American society, culture, and complexities about color.  What does Blackness mean in America? How does our emboddied experience reveal the story of our ancestors? Learn more about Martha's work and get her book: https://www.marthasjones.com/bio Get your copy of Philosophy Unplugged on Amazon. Join our Patreon (and you can get a printable version of Philosophy Unplugged here): https://www.patreon.com/c/GoodIsInTheDetails Thank you to our sponsor: http://www.avonmoreinc.com

The discussion between Shirley Neal and Gina Paige centers on the profound impact of Blackness in contemporary pop culture, particularly as articulated in Neal's anthology, "Afrocentric Style." This anthology serves as an exploration of the intricate relationship between Black identity and mainstream culture, showcasing how Afrocentric aesthetics have increasingly permeated various aspects of popular media. Throughout the conversation, they delve into the significance of representation and the evolution of Black narratives within fashion, beauty, and social expression. Neal emphasizes the importance of understanding the historical context behind iconic cultural moments, revealing the rich tapestry of stories that inform contemporary Black identity. This episode illuminates the necessity of recognizing and celebrating Black contributions to the cultural landscape, thereby fostering a deeper appreciation for the nuances of Black history and identity in today's society.

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Vermont Edition is launching a new series, featuring intimate conversations with noteworthy Vermonters right in their own living rooms. It's called Vermont Edition At Home. For the first installment, Mikaela Lefrak went to the Middlebury home of François Clemmons.. Clemmons is best known for playing Officer Clemmons on Mr. Rogers Neighborhood.Clemmons discusses how he came to embrace his Blackness, his homosexuality, and his desire to be a performer.Broadcast live on Thursday, April 24, 2025, at noon; rebroadcast at 7 p.m.Have questions, comments or tips? Send us a message or check us out on Instagram.

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Civil rights icon Willie Mukasa Ricks is making a highly anticipated return to our classroom this Wednesday morning! As a prominent member of the Student Nonviolent Coordinating Committee (SNCC), Willie Ricks marched alongside legends like Kwame Ture and Dr. Martin Luther King Jr., making his insights both invaluable and powerful. Before Willie takes the mic, entrepreneur and author Dr. Rosie Milligan will tackle the urgent topic of the recent assault on Blackness and the profound impact of gentrification on our communities. Joining the conversation are Garveyites Brother Senghor Baye and Chief Foday, who will share their perspectives. Additionally, historian and talk show host Michael Imhotep will clarify how Donald Trump can legally pursue a third presidential term.See omnystudio.com/listener for privacy information.

In this unapologetic episode, Jasmine and I unpack the brutal truth behind failure, the death of DEI, toxic hustle culture, and why unfollowing people who make you feel insecure might be the most honest thing youll ever do.

Learn about Afro-Colombian history, diaspora identity, and the impact of 3 special trips to different regions of Africa. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ Eileen Ivette joins Matt and starts off talking about her viral video on “How Braids Became a Secret Map for Escaping Slavery”.  She then talks about her Afro-Colombian heritage, diaspora identity, and experience navigating Blackness in the Latinx community in Houston.  Eileen then talks about her decision to go to Howard University and the impact of attending an HBCU.  She reflects on her decision to go to China during her freshman year and describes the experience that she and 15 other Black students had there.  Eileen then talks about her long term boyfriend from Sierra Leone and her experience traveling back to Sierra Leone with him to meet his extended family and document some oral history. Eileen then talks about traveling to South Africa and Morocco and how different they are from West Africa. She also talks about her career in journalism, working for AJ+, and producing hidden history projects, including one on how “Latin America Tried to Erase Black People…and Failed”.  FULL SHOW NOTES WITH DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE. ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

Today's episode features our rich conversation with Dr. Corinne Mitsuye Sugino, Assistant Professor in the Department of English and Center for Ethnic Studies at The Ohio State University, about her compelling new book, Making the Human: Race, Allegory, and Asian Americans. On the show, Alex and Calvin are joined by guest co-host Dr. Sarah Hae-In Idzik to talk with Corinne about her multifaceted analyses of the role of Asian American racialization in the construction of the concept of the human. We delve into Corinne's concept of "racial allegory," which illuminates how media and institutional narratives mobilize categories of difference, including Asian Americans, to stabilize the idea of "Western man".Our discussion touches upon the significance of the title Making the Human, unpacking how Asian American racialization and gendering contribute to the social formulation of the human. We explore key concepts such as the understanding of "Western man" drawn from Black Studies scholarship, while also examining the crucial relationship that Corinne charts between anti-Asian racism and anti-Blackness within communication and rhetoric studies. Corinne also explains how she applies the notion of racial allegory to a case study on Students for Fair Admissions v. Harvard, revealing how anti-racist discourse can be used to uphold racial hierarchies, and the strategic role of the victimized Asian student trope in this context. Furthermore, we analyze Corinne's intercontextual reading of the film Crazy Rich Asians alongside Daniel Patrick Moynihan's “The Negro Family” report, exploring allegories of family and mothering and the underlying racial narratives at play. Our discussion also considers the significance of animacy and the inhuman in relation to the boundaries of the human, particularly in the context of the COVID-19 pandemic and the racialization of Asian Americans as potential disease carriers. Finally, we reflect upon Corinne's nuanced perspective on the term "Asian American" itself, considering its complexities and its potential as a resource for undoing categories and fostering coalition.Corinne Mitsuye Sugino's Making the Human: Race, Allegory, and Asian Americans is available now from Rutgers University Press.Works and Concepts Referenced in this Episode:Chen, M. Y. (2012). Animacies: Biopolitics, racial mattering, and queer affect. Duke University Press.Jackson, Z. I. (2020). Becoming human: Matter and meaning in an antiblack world. New York University Press.Johnson, J. (2016). “A man's mouth is his castle”: The midcentury fluoridation controversy and the visceral public. Quarterly Journal of Speech, 102(1), 1–20. https://doi.org/10.1080/00335630.2015.1135506Maraj, L. M. (2020). Anti-racist campus rhetorics. Utah State Press.Molina, N. (2014). How race is made in America: Immigration, citizenship, and the historical power of racial scripts. Univ of California Press.Moynihan, D. P. (1965). The Negro family, a case for national action. United States Department of Labor, Office of Policy Planning and Research.Spillers, H. J. (1987). Mama's baby, papa's maybe: An American grammar book. diacritics, 17(2), 65-81.Wynter, S. (1994). “ ‘No humans involved': An open letter to my colleagues.” Forum N.H.I.: Knowledge for the 21st Century, 1(1), 1–17.Wynter, S. (2003). “Unsettling the coloniality of being/power/truth/freedom: Towards the human, after man, its overrepresentation—An argument.” CR: The New Centennial Review, 3(3), 257–337.Wynter, S., & McKittrick, K. (2015). “Unparalleled catastrophe for our species? Or, to give humanness a different future: Conversations.” In K. McKittrick (Ed.), Sylvia Wynter: On being human as praxis (pp. 9–89). Duke University Press.da Silva, D. F. (2007). Toward a global idea of race. University of Minnesota Press.An accessible transcript for this episode can be found here (via Descript)

Dr. Engram is known for his work in critically assessing the ways that racism and anti-Blackness impact African Americans in both systems of higher education.

You are the flower, so allow yourself to grow into the beautiful flower you are.

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this special episode of Pray with our Feet podcast, Mom and I chat with Yaa Abbensetts-Dobson, Michele Evans and Dr. Shameka Poetry Thomas, about the latest issue of Spoken Black Girl Magazine (which focuses on the Black motherhood experience) while also uplifting Black Maternal Health Week (April 11-17) founded by Black Mamas Matter Alliance.  We dive into the urgent need for community care, creating safe spaces for Black mothers and their children, resisting the suffocation of our wombs by oppressive systems, and the vital need for rest, mindfulness and radical self care in the tradition of Audre Lorde and June Jordan; each of these practices is a sacred form of resistance, sustaining us in the ongoing work of collective liberation.  We call our joy back to us, and remain rooted in our faith, despite the challenges.  Purchase your copy of Spoken Black Girl (Motherhood issue), where you can read "Swan Song," by Michele Evans, "Our Wombs Cannot Breathe: Wellness Power for Facing the Harsh Reality of Black Maternal-Child Health Disparities in the United States, by Dr. Shameka Poetry Thomas PhD & Dr. Kyrah K. Brown PhD, "Mothering at the Intersection of Blackness and Neurodiversity" by Emelda De Coteau alongside an array of talented writers and artists.  Stay Connected with the Writers: Yaa Abbensetts-Dobson, founder of Spoken Black Girl and author of Departure Story  Michele Evans, author of Purl (a collection of poetry)  Dr. Shameka Poetry Thomas, author of the forthcoming book entitled THE UGLY CRY: Essays and Meditations on Honesty, Anger, Grief, and Freedom. To be released Summer 2025.  >>> Head over to our webiste to see full show notes (includes the authors bios & additonal links to their work)   Help Us Spread the Word! If you enjoy the Pray with our Feet podcast, leave us a review on Apple Podcasts, where you can subscribe to the show. You can also listen on Spotify, and on all major streaming platforms. BE in Community with Us:  Find devotionals, blog posts, and shop in our  online store.  Head over to Instagram and Threads where the conversation continues between episodes.   Enjoy our @PrayWithOurFeet IG Live series, Move it Forward Monday, uplifting conversations that spark change with activists, community leaders, artists and more.   Special thank you to my husband Keston De Coteau, for podcast production; he is an award-winning videographer and photographer.

In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg's former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present.  Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism's center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg's former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present.  Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism's center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg's former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present.  Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism's center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg's former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present.  Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism's center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In this episode, Dr. Yndia is in conversation with guest, Dr. Shadan Deleveaux, Google global recruiter and co-founder of the nonprofit, Technologies for Families in Need (TechFIN).  Delving into the topic of representation of Blackness in tech, Shadan shares his over two decades-long career journey as coach/consultant/leader at global companies and the significance of amplifying […] The post S6, Ep 056 with Shadan Deleveaux, Google global recruiter and co-founder of TechFIN, on representation of Blackness in tech: bridging the divide first appeared on Yndia Lorick-Wilmot, PhD.

In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg's former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present.  Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism's center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Today we celebrate 350 episodes of Countermelody since the inception of the podcast in the fall of 2019. Given that this is a momentous occasion (probably mostly to me, just for sticking with this thing!), I wanted to do something special today. For some time I have been promising an episode on Young Singers I Admire. This is different than the usual Countermelody fare because I almost always focus on great singers of the past. The world of the “opera singer” is very different today than when I was trying to carve out a professional career as a countertenor more than 30 years ago. I would say the huge difference is the way that social media has become such a prominent tool in shaping and maintaining a career. Even today, however, it is possible to do both of these things, to be a singer primarily focused on her technique and expressing the integrity of the music, as well as focusing on their marketing and their identity, whether that be queerness, Blackness, glamour, physical fitness, or whatever. Every single singer I feature today displays a solid and viable vocal technique and a profound connection to the music that they are singing while also, in most cases, deftly managing their online presence. Listen to these young singers and see if you don't agree: sopranos Lisette Oropesa, Sabine Devieilhe, Nicole Car, and Vera-Lotte Böcker; contralto Jasmin White; mezzo-soprano Rachael Wilson; baritone Huw Montague Rendall; and countertenor Maayan Licht. Midway through constructing this episode, I realized that I had enough material for two episodes, so a pendant to this episode will be published next Easter Monday. It thrills me to celebrate these young artists: all possessors of gorgeous voices, fine technique, superb communicative powers, and a much, much better sense of entrepreneurship than I ever had! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

This week on Black on Black Cinema, the crew returns to announce the next film to be reviewed, the 2019 film, "Black and Blue" starring Naomi Harris, Tyrese Gibson, and Frank Grillo. The movie follows a rookie New Orleans police officer who is forced to balance her identity as a black woman after she witnesses two corrupt cops committing murder. The random topic this week is why Black people have largely sat out the major national protests that are happening in response to Donald Trump's disastrous first few months in office trying to implement his MAGA agenda. From financial upheaval to draconian immigration policies, the last few months have been nothing shy of awful. So why are Black people staying home? We give our thoughts.

We're back! In this week's episode, we dissect Season 1 of a Different World, which premiered on September 24, 1987, starring Lisa Bonet, Marisa Tomei, Dawnn Lewis, Jasmine Guy, and Kadeem Hardison. Join us as we discuss casting choices, behind-the-scenes shenanigans, storylines (or lack thereof), avoiding Blackness at an HBCU, annoying characters, and more!Notable Mentions + References in This Episode:A Different World Season 1 - Opening/Closing CreditsA Different World: Cast Members and Crew Tell the Oral History The Evolution of A Different WorldJump In! (Episode 077)Let It Shine (Episode 085)School Daze (Episode 129) Connect with us:Instagram: @in_hindsight_podTwitter: @in_hindsightpod Want us to dissect one of your favorite childhood movies? Send us a DM or email us at inhindsightpod@gmail.com.Thanks for listening!

#podcast #podcasting #intrusivethoughts #hottopics #diddy #tsmadison #makeitmakesense This week on Bubba's Banter, we're diving into three powerful headlines at the intersection of Blackness, queerness, and accountability.Khalen Saunders is launching an LGBTQIA+ inclusive youth football camp — a bold move in the NFL world. Is this what real allyship looks like, or just a start?Then we celebrate TS Madison, who opened The Starter House, a reentry home for formerly incarcerated Black trans women, on Trans Day of Visibility. A real example of community care and legacy in action.Finally, we dig into Terrence Howard's recent viral interview — including allegations of sexual advances from male producers, and his refusal to play gay roles to “protect his man card.” We're unpacking the toxic masculinity and homophobia wrapped up in respectability politics.This one's layered, necessary, and unapologetically real. Tap in.—⏱ Timestamps:0:00 - Intro4:03 - Khalen Saunders & Queer-Inclusive Youth Football10:38 - TS Madison's Starter House for Black Trans Women16:14 - Terrence Howard & the “Man Card” Controversy—

This episode is a LONG time coming! Ryan and Khalilah wanted to make sure this one got its due. Spurred by a calling in, the duo invite Dr. Emily Grullón and Dr. Alondra Ammon to discuss complex racial identities. History, age, geopolitics, and learning are the hot topics of this episode, unpacking Latinidad, Blackness, and the relationship between the two. Highlights include: Emily giving historian realness, Ryan challenging clients, Alondra bringing the data, and Khalilah proposing a situationship.Content Warning: This episode discusses violence against Black people

In this powerful episode of That Sounds Terrific in the 585, hosts Nick and Christine sit down with Jeanne Strazzabosco and Amanda Chestnut, the passionate creators behind In This Moment. What began as a response to the murder of George Floyd has blossomed into a growing movement that uplifts and honors Black leaders in the Rochester community through beautifully curated chapbooks.Jeanne and Amanda share the story of how this idea took root, evolved into a dynamic collaboration, and now serves as an essential educational and cultural resource movement. Featuring voices like Danielle Ponder, Almeta Whitis, and Reverend Myra Brown, the project celebrates Black excellence in all its diversity— changemakers from every walk of life.Learn how In This Moment is rewriting narratives, investing in Black artists, and putting powerful stories into the hands of students and readers across Rochester—all through community-driven support. Tune in for an inspiring and important conversation.About Amanda ChestnutEmail: inthismoment585@gmail.comInstagram: https://www.instagram.com/blk_amanda/Amanda Chestnut is a multimedia artist, curator, educator, publisher, and local arts loud-mouth in Rochester, New York. They have made image-based art as a photographer for 30 years. Their artwork has been exhibited throughout New York State, including at the Center for Book arts in Manhattan. Chestnut holds an MFA in Visual Studies from Visual Studies Workshop through The College at Brockport, SUNY. During that time, they held graduate assistantships at Visual Studies Workshop and in the Criminal Justice Department, both at the College at Brockport. Recent lectures and radio appearances focused on community action, equity in user experiences in digital platforms, curatorial practices, arts funding, the English language, and the over-policing of Blackness in the United States.About Jeanne StrazzaboscoEmail: jeannestrazzabosco@gmail.comJeanne is a retired French teacher from Pittsford Schools. As a teacher leader, she created and implemented professional development that focused on creating an inclusive learning environment, understanding the effects of implicit bias, the importance of representation and how to teach with the introvert in mind. Jeanne earned an MA in Liberal Studies at SUNY Brockport and a Masters of Pastoral Studies from St Bernard's School of Theology and Ministry. She recently completed a Masters Certificate in Art Administration from SUNY Brockport where her favorite course was grant writing. Currently, Jeanne enjoys her role as coordinator for In This Moment.Connect and Follow In This Moment:Website: www.inthismoment585.org Instagram: https://www.instagram.com/inthismoment585/Facebook: www.facebook.com/inthismoment585Youtube: https://www.youtube.com/@InThisMoment585More About That Sounds Terrific - Host Nick KoziolFor more information on our Podcast, That Sounds Terrific visit our website at www.thatsoundsterrific.com  and be sure to follow us on Facebook, Twitter, and Instagram. If you or someone you know are doing some terrific things that should be featured by our show then be sure to reach out by emailing us at thatsoundsterrfic@gmail.com.Special Thanks To Our Key Supporters585 Magazine and their team for their support with the That Sounds Terrific in the 585 podcast. Be sure to become a subscriber of this terrific magazine - learn more at https://585mag.comThank you to Morgan Brown and Meadow Viscuso, our terrific intern duo from SUNY Fredonia for all their hard work and for lending their voices and music to the Intro and Outro of the That Sounds Terrific in the 585!

On this episode of the MalloryBros. Podcast, the Bros kick things off with a weekend recap before diving headfirst into the downfall of Disney's Snow White. They talk Rachel Zegler's personal takes tanking the film's nostalgia and how her comments might've killed the magic before the movie even dropped. Then, it's Usher—again. The guys break down the now-viral divorce story and talk about Usher fully embracing his villain era. Is this a legacy shift or just a moment? Next up, Ja Morant catches a $75K fine from the NBA for a finger gun gesture. The Bros open up a deeper convo about how patriotism, gun culture, and Blackness are perceived differently when you step outside the hip-hop lens. From there, they talk Ice Cube's Last Friday finally getting greenlit and what needs to happen for it to hit right in this era. They close things out with a real convo about the growing gap between Black men and women in college—what's behind the imbalance, and what does it say about where we're headed? It's another loaded episode with the Bros—tune in!

A personal leadership crisis shaped her understanding of how power is built and distributed. Now the leadership coach, strategist, and racial equity advocate shares how others can navigate the unique demands of leaders of color, and the work necessary to eradicate anti-Blackness in Latino communities.Follow Karla on Twitter @karlitaliliana. If you liked this episode, listen to How Mildred Otero Learned to Negotiate and Daisy Auger-Dominguez Knows What it Takes to Build an Inclusive Workplace. Show your love and become a Latina to Latina Patreon supporter!

Monique and Kevin respond to the recent social media beef between Melissa Dougherty, Allie Beth Stuckey and the black church delegates. Kevin had some strong words to address the problem of ethnic idolatry in the black church.

Ready to reclaim and redefine what BLK truly means? In this episode, I'm completely flipping the script on Blackness by breaking down BLK as Beautiful, Loving, and Knowledgeable, qualities that flow directly from our divine essence. True beauty isn't found in BBLs or external validation. Authentic beauty radiates from energy and presence: "It is the energy that she carries that makes her beautiful", like my 76-year-old mother whose smile brought a man to tears. This is the soul-level beauty we're meant to embody. When we explore love beyond commercialized red hearts and romantic notions, we discover that green (not red) is the true color of heart chakra energy. This distinction transforms how we connect with ourselves and others on a profound level. The episode dives deep into divine intelligence as our birthright and superpower: "Our divine intelligence, our knowledge, is our superpower." While society has conditioned us to "follow celebrities, follow politicians," true liberation comes when we break free from matrix thinking and access our own internal wisdom. You'll discover: • How to embody beauty that emanates from soul rather than external validation • The difference between root chakra (red) and heart chakra (green) expressions of love • A powerful framework for accessing your divine knowledge beyond textbooks • The method for breaking free from "matrix thinking" that limits your authentic expression This redefinition isn't just about words, it's about reclaiming our sovereignty and breaking chains for generations to come. The episode concludes with a soul-nourishing meditation to help you integrate these truths and embody the Beautiful, Loving, Knowledgeable essence that is your birthright. This isn't just affirmations, it's a declaration that we're breaking chains not just for ourselves, but for all those who come after us. #TheNewBLK #BeautifulLovingKnowledgeable #MetaphysicalWisdom #DivineFeminine #SpiritualWisdom #HeartChakra #DivineIntelligence #AuthenticBeauty #SoulBeauty #energeticalignment

This week on Black on Black Cinema, the next film is announced, "Tyler Perry's Duplicity." The film follows a high-powered attorney named Marley who faces her most personal case yet when she is tasked with uncovering the truth behind the shooting of her best friend Fela's husband. The random topic this week is about some rather odd takes on Blackness from Malik Yoba's while sarcastic commentary on how Black people should refer to themselves in the wake of rising hatred toward us to Robert Griffin III's very serious statements on Black prominent figures' political importance that are seemingly so devoid of context and understanding of history that it would be impressive if it were not so utterly stupid.

Hear stories about Guatemala, Morocco, Arctic Snow Hotels in Lapland, Finland and music festivals in Cali, Colombia. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ Nicole Phillip joins Matt from Orlando, Florida and talks about growing up in a Caribbean immigrant home, moving to New York City for college, and encountering racism on a study abroad trip to Italy.  Matt and Nicole reflect on the various ways anti-Blackness and white privilege manifest around the world.  Nicole then talks about her other travel experiences, starting with her European travels outside of Italy during her study abroad program.  She then explains why Colombia is one of her favorite countries and shares her experiences in Cartagena, Medellin, and Cali, including attending the Petronio Alvarez Festival.  Nicole also talks about her travels through Morocco, Guatemala, and her recent birthday trip to the Arctic Circle in Lapland, Finland.  She shares the magical experience of visiting the Arctic Snow Hotel, drinking at the ice bar, sleeping in a glass igloo, going dog-sledding, enjoying a Finnish sauna, and seeing the Northern Lights.  DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE IN THE SHOW NOTES.  ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

In this episode, Antoinette is inspired by the NFL draft to create her own version: The Black Draft. We compete to select the strongest combinations of Blackness under the categories of "Blackest Movies, Albums, and Influential Figures of All Time to name a few. Who do you think won? Who did we miss? Join us...Contact Us:Hotline: (215) 948-2780Email: aroundthewaycurls@gmail.comPatreon: www.patreon.com/aroundthewaycurls for exclusive videos & bonus episodesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I'm never out here trying to prove to others who I am. I'm out here proving to myself that I'm exactly who I said I am.” Natasha Cloud WNBA Champion   Pivot Family, We have had a lot of great conversations but this one is up there as one of our favorites because it's so personal, covering so many life aspects we don't talk about often and truly reveals the inner character of a remarkable woman who stands on strength and is fueled by passion and purpose. Ryan, Fred and Channing sit with former WNBA champion and Connecticut Sun point guard Natasha Cloud. Cloud, joins the guys for an emotional and powerful conversation about her journey through basketball, identity, social justice advocacy, and the fight for equality in women's sports. Through her battle scars and experiences, we get to know the real side of this strong woman who found her voice at a young age and has never hid from who she is to use it.    Growing up biracial, in a predominantly white household and community, Cloud reflects on feeling like she existed in a “gray area”…never feeling fully white, never feeling fully black and how that shaped her outlook. Shedding some tears, she shares how much her parents mean to her and how they embraced her wholeheartedly even though it wasn't always easy times. Cloud opens up about her self discovery to understanding her Blackness, the difficult conversations that came with it, and how her white parents made a constant effort to support her experience as a Black woman.   Energized and excited about the success and competition of playing in the Unrivaled league- Cloud is now gearing up for their next battle as she is at the forefront of the WNBA's fight for better pay, benefits, and respect. She speaks passionately about the upcoming Collective Bargaining Agreement, the need for pensions, and the growing investment in women's basketball. She also discusses this past WNBA season with the increased viewership and doesn't shy away from speaking on aggressive play being criticized as something other than basketball.    Candid about her personal relationship with fellow WNBA player Isabelle Harrison, Cloud takes us through the challenges of being a Black gay woman, and how she struggled to reconcile her faith with her identity while balancing societal pressures and criticism. By overcoming constant battles, Cloud finds strength in embracing who she is through thick and thin and never lets what others think be of influence.    The guys talk about Cloud skipping the 2020 WNBA season to focus on social justice, the burden of constantly speaking out on important issues, and how she's learned the importance of self-care, acknowledging that while she wants to fight for change, she also understands that she can't pour from an empty cup.   This episode is about courage, resilience, and standing firm in who you are. Natasha Cloud's story is a beautiful one of pride, courage, love, family and proof that playing basketball is bigger than sports. Finding purpose in using her platform for change, she's a proven leader, and willing to stand on the shoulders of those who came before her to leave the game and world better for future generations of young women.  Learn more about your ad choices. Visit megaphone.fm/adchoices