Podcasts about nyu press

Se dire allié et continuer à invisibiliser les personnes qu'on prétend défendre, n'a rien avoir avec du militantisme. C'est de la posture. Et si tu ignores l'outil révolutionnaire qu'est le regard situé, tu n'es peut-être pas l'allié que tu prétends être

Stewart Russell's Chapter 2  The Missing Notes Copyright2026.mp3References to Stewart Russell's The Missing Notes © 2026 Chapter Two, “The Missing Notes,” ISBN 978-976-97942-2-1 are analyzed through an interdisciplinary framework. This discourse presents a simplified APA-formatted summary of Dr. William Anderson Gittens, D.D.'s multimodal hermeneutical and media semiotic approach, combining etymological, textual, cultural, and theological perspectives to explore the semantic and ethical layers within the narrative construct meaning. It should be noted that this academic tool integrates the study of signs (semiotics) with the interpretation of cultural texts (hermeneutics) across various sensory modes (multimodality) to understand complex, layered messages. This thinking is supported by https://www.researchgate.net/publication/335024801_Multimodal_Semiosis_In_Mass_Media_Several_Remarks_On_Methodology and Gittens,W.A. © 2026Dr. William Anderson Gittens, D.D.Podcast 298 Stewart Russell's Chapter 2: The Missing Notes,A Multimodal Hermeneutic and Media Semiotic Analysis © 2026Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 298 Stewart Russell's Chapter 2: The Missing Notes,A Multimodal Hermeneutic and Media Semiotic Analysis © 2026RECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 471 E-Publications and 298 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D.ReferencesBarthes, R. (1981). Camera lucida: Reflections on photography. Hill and Wang.  Brooks, P. (1984). Reading for the plot: Design and intention in narrative. Harvard University Press.  Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. Routledge.  Cart, M. (2016). Young adult literature: From romance to realism. American Library Association.  Cawelti, J. G. (1976). Adventure, mystery, and romance: Formula stories as art and popular culture. University of Chicago Press.  Freytag, G. (1863/1894). Freytag's technique of the drama: An exposition of dramatic composition and art. Scott, Foresman.  Glotfelty, C., & Fromm, H. (Eds.). (1996). The ecocriticism reader: Landmarks in literary ecology. University of Georgia Press.  Gittens, W.A. (2026). “Chapter One of Stewart Russell's The Mystery Call  © 2026: An Interdisciplinary Analysis through Writing, Podcasting, Publishing, Photojournalism, Cinematography, Media Arts, Cultural Theory, and Divinity” Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage Publications.  Jenkins, H. (2006). Convergence culture: Where old and new media collide. NYU Press.  McHugh, S. (2016). Audio storytelling: Podcasting for learning and engagement. Routledge.  Russell, S. (2026). The mystery call (Chapter 1). ISBN 978-976-97942-9-0.Russell, S. © 2026. The mystery call. Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Todorov, T. (1977). The poetics of prose. Cornell University Press.  Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Chapter One of Stewart Russell's The Mystery Call © 2026  .mp3Chapter One of Stewart Russell's The Mystery Call  © 2026: An Interdisciplinary Analysis through Writing, Podcasting, Publishing, Photojournalism, Cinematography, Media Arts, Cultural Theory, and Divinity”Dr. William Anderson Gittens, D.D. ISBN 978-976-97942-9-0 AbstractThis literature review examines Chapter One of Stewart Russell's The Mystery Call (2026) through an interdisciplinary framework encompassing literary criticism, narrative journalism, podcast storytelling, publishing studies, photojournalism, cinematography, media arts, cultural theory, and theological reflection. The chapter introduces Carson Marshall and his companions as they prepare for a summer expedition to Idyllic Gardens, a location simultaneously characterized by natural beauty and hidden danger. Through close textual analysis, this review explores the chapter's narrative architecture, characterization, environmental symbolism, dialogic realism, and moral undertones. The study argues that Russell effectively combines elements of the coming-of-age adventure novel, detective fiction, and moral allegory while employing techniques that resonate with contemporary multimedia storytelling traditions. The chapter establishes suspense through foreshadowing, particularly with the mysterious telephone warning that concludes the narrative, thereby creating a compelling foundation for subsequent developments.All things considered, it should be noted that educator Stewart Russell, in his novel, employed his linguistic expertise to engage with and manipulate a range of theoretical constructs, including adventure fiction, young adult literature, narrative theory, media studies, cultural analysis, theology, and literary criticism.Dr. William Anderson Gittens, D.D. Podcast 297 Chapter One of Stewart Russell's The Mystery Call © 2026  Dr. William Anderson Gittens, D.D.  ISBN:978-976-97942-9-0   Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 297 Chapter One of Stewart Russell's The Mystery Call © 2026  Dr. William Anderson Gittens, D.D.  ISBN:978-976-97942-9-0  RECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 470 E-Publications and 297 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D.ReferencesBarthes, R. (1981). *Camera lucida: Reflections on photography*. Hill and Wang.  Brooks, P. (1984). *Reading for the plot: Design and intention in narrative*. Harvard University Press.  Butler, J. (1990). *Gender trouble: Feminism and the subversion of identity*. Routledge.  Cart, M. (2016). *Young adult literature: From romance to realism*. American Library Association.  Cawelti, J. G. (1976). *Adventure, mystery, and romance: Formula stories as art and popular culture*. University of Chicago Press.  Freytag, G. (1863/1894). *Freytag's technique of the drama: An exposition of dramatic composition and art*. Scott, Foresman.  Glotfelty, C., & Fromm, H. (Eds.). (1996). *The ecocriticism reader: Landmarks in literary ecology*. University of Georgia Press.  Gittens, W.A. (2026). “Chapter One of Stewart Russell's The Mystery Call  © 2026: An Interdisciplinary Analysis through Writing, Podcasting, Publishing, Photojournalism, Cinematography, Media Arts, Cultural Theory, and Divinity” Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Hall, S. (1997). *Representation: Cultural representations and signifying practices*. Sage Publications.  Jenkins, H. (2006). *Convergence culture: Where old and new media collide*. NYU Press.  McHugh, S. (2016). *Audio storytelling: Podcasting for learning and engagement*. Routledge.  Russell, S. (2026). The mystery call (Chapter 1). ISBN 978-976-97942-9-0.Russell, S. © 2026. The mystery call. Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Todorov, T. (1977). *The poetics of prose*. Cornell University Press.  Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

What's the episode about?In this episode, hear Professor Sandra Ruiz on poetry, writing, form, Brown Study, Ricanness, anticoloniality, grief-work, walking and being with the dead, and minoritarian aestheticsWho is Sandra?Sandra Ruiz is the author of Ricanness: Enduring Time in Anticolonial Performance; Left Turns in Brown Study; and Tears for Tears: Aesthetics in Grief Minor. Ruizis the co-author with Hypatia Vourloumis of Formless Formation: Vignettes for the End of this World and The Alleys: Just Dropped in to See What Condition My Condition Was In andco-editor with Shane Vogel & Uri McMillan of the NYU Press book series Minoritarian Aesthetics. When not writing and editing, Ruiz curates and produces through the Minor Aesthetics Lab. At the University of Illinois at Urbana-Champaign, Sandra Ruiz is the Sue Divan Professor of Performance Studies in the Department of Theatre.The special issue on gendered death in visual culture mentioned in the introduction is here.How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation:Ruiz, S. (2026) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 June 2026. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.32529204What next?Check out more episodes or find out more about the hosts! Got a question? Get in touch.

In this episode, I'm unpacking the history of female body hair removal, the rise of shaving and Brazilian wax culture, and why women are taught to see natural body hair as “gross.”From Ancient Egypt and razor advertising to pornography, patriarchy, and Eurocentric beauty standards, we're digging into how female hairlessness became tied to femininity, desirability, cleanliness, and control. Why is body hair considered masculine on men but unacceptable on women? And why does modern beauty culture reward women for removing visible signs of adulthood from their bodies?Are. You. Ready?****************Sources & References:Attwood, Feona. Mainstreaming Sex: The Sexualization of Western Culture. I.B. Tauris, 2009.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.Gill, Rosalind. Gender and the Media. Polity Press, 2007.Herzig, Rebecca. Plucked: A History of Hair Removal. NYU Press, 2015.Ovid. Ars Amatoria (The Art of Love). Translated by James Michie, Modern Library, 2002.Peiss, Kathy. Hope in a Jar: The Making of America's Beauty Culture. University of Pennsylvania Press, 2011.Strings, Sabrina. Fearing the Black Body: The Racial Origins of Fat Phobia. NYU Press, 2019.Tyldesley, Joyce. Nefertiti's Face: The Creation of an Icon. Harvard University Press, 2018.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harper Perennial, 2002.Additional historical and cultural analysis referenced throughout the episode includes studies on Ancient Egyptian beauty and grooming rituals, Islamic hygienic traditions and body hair practices, feminist media theory surrounding bodily surveillance, pornography and beauty culture, beauty labor and gendered self-surveillance, racialized beauty standards, Eurocentric femininity, and contemporary discussions surrounding Brazilian wax culture, “clean girl” aesthetics, and social media beauty trends.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

What's a recession indicator you've noticed?Lately, one answer keeps resurfacing online: "You can see celebrities' ribs again." And as unserious as that sounds at first, history suggests it may not be entirely wrong.In this episode, I dive into Ozempic, recession aesthetics, quiet luxury, heroin chic, and the return of thinness as a cultural ideal. From celebrity weight loss trends to the politics of appetite, I explore how beauty standards shift during periods of economic anxiety, social instability, and cultural fear- and why women's bodies so often become the place where those anxieties are projected.Are. You. Ready?****************Sources & References: Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. University of California Press, 1993.Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice, Harvard University Press, 1984.Debord, Guy. The Society of the Spectacle. Zone Books, 1994.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.Foxcroft, Louise. Calories & Corsets: A History of Dieting Over 2,000 Years. Profile Books, 2011.Rose, Nikolas. Governing the Soul: The Shaping of the Private Self. Free Association Books, 1999.Stearns, Peter N. Fat History: Bodies and Beauty in the Modern West. New York University Press, 2002.Strings, Sabrina. Fearing the Black Body: The Racial Origins of Fat Phobia. NYU Press, 2019.Tolentino, Jia. Trick Mirror: Reflections on Self-Delusion. Random House, 2019.Veblen, Thorstein. The Theory of the Leisure Class. Oxford University Press, 2007.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harper Perennial, 2002.Additional reporting and cultural analysis referenced throughout the episode includes coverage of Ozempic and Wegovy, celebrity weight loss culture, recession aesthetics, heroin chic and 1990s fashion culture, wellness culture, self-optimization, and digital body surveillance from contemporary journalism, academic commentary, and media analysis.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

This week, we're sharing an interview with Andrew Krinks, author of White Property, Black Trespass: Racial Capitalism and the Religious Function of Mass Criminalization from NYU Press, 2024. For the chat, we speak about taking a theological lens to the question of what ties exclusive private property, white masculinity, police impunity and mass incarceration in the US. We discuss aspects of Christian thought, employ concepts borrowed from the Black Radical tradition and try to get closer to the root of the sickness in our culture that flourishes from others pain. To check out a Firestorm book event with the author and others about the book and related topics, check out this video!

Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies' most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.The volume insists that the close study of meaning, form, and representation remains central to understanding media's power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today's media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies' most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.The volume insists that the close study of meaning, form, and representation remains central to understanding media's power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today's media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies' most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.The volume insists that the close study of meaning, form, and representation remains central to understanding media's power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today's media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today's algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth's test kitchens to Jane Fonda's Jazzercise empire and Disney's computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of — and attachment to — AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today's algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth's test kitchens to Jane Fonda's Jazzercise empire and Disney's computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of — and attachment to — AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today's algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth's test kitchens to Jane Fonda's Jazzercise empire and Disney's computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of — and attachment to — AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today's algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth's test kitchens to Jane Fonda's Jazzercise empire and Disney's computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of — and attachment to — AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today's algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth's test kitchens to Jane Fonda's Jazzercise empire and Disney's computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of — and attachment to — AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anthony is Associate Professor of American Studies at the University of Notre Dame, where he teaches courses in U.S. religious history, gender and sexuality studies, the long 1980s, and visual culture. His most recent book, "Provoking Religion: Sex, Art, and the Culture Wars," examines the history of feminist and queer artists who found themselves caught in the crosshairs of the Christian Right. He is also the author of "After the Wrath of God: AIDS, Sexuality, and American Religion. " Anthony serves as a series editor for the North American Religions book series at NYU Press. Before joining Notre Dame, he was an associate professor of religion at Boston University, where he also served as the NEH Distinguished Teaching Professor and founded the Health Humanities Project.​​In this conversation, Anthony and I discussed the role of artists in the culture wars of the 80s and 90s and the ongoing relevance of material religion in contemporary art. We also shared thoughts on how artists today continue to engage with religious themes, challenge traditional narratives, and address issues of race, sexuality, and power through their work.

Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation's largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, Detroit Never Left tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents' concerns underscored broader tensions between democratic inclusion and racialized capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation's largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, Detroit Never Left tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents' concerns underscored broader tensions between democratic inclusion and racialized capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation's largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, Detroit Never Left tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents' concerns underscored broader tensions between democratic inclusion and racialized capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation's largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, Detroit Never Left tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents' concerns underscored broader tensions between democratic inclusion and racialized capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

What if the biggest secret in UFO history isn't alien… it's angelic? Or demonic. Or somewhere in that awkward in-between where rockets and ritual candles share shelf space.This week, we plunge headfirst into one of the strangest rabbit holes in modern conspiracy lore: the alleged “Collins Elite” — a rumored faction inside the U.S. government that supposedly concluded UFOs aren't extraterrestrials at all, but deceptive spiritual entities. We unpack where the story comes from, what believers claim insiders discovered, and why some say disclosure could be less about little green men and more about theological shockwaves.But that's just the warm-up.Did Allied intelligence really brush shoulders with a British occultist during WWII? Was Aleister Crowley pitching magical countermeasures against Nazi symbolism? And how does rocket pioneer Jack Parsons' sex-magic rituals tie into the birth of the modern UFO era?We explore the full fringe narrative — demons disguised as aliens, ritual “doorways,” Cold War psychic programs, and secret spiritual warfare in the Pentagon — while also laying out the documented history, the skepticism, and the very human tendency to mythologize the unknown.Is this a hidden chapter of national security history… or a masterclass in how conspiracies evolve when secrecy meets symbolism?Strap in. It's rockets, rituals, remote viewing, and Revelation — this week on Hysteria 51.Special thanks to this week's research sources:Congressional & Government RecordsU.S. House Committee on Oversight and Accountability. “Unidentified Anomalous Phenomena: Exposing the Truth.” Hearing, November 13, 2024.https://oversight.house.gov/hearing/unidentified-anomalous-phenomena-exposing-the-truth/U.S. Congress. “Unidentified Anomalous Phenomena: Exposing the Truth.” 118th Congress Hearing Record.https://www.congress.gov/118/chrg/CHRG-118hhrg57440/CHRG-118hhrg57440.pdfShellenberger, Michael. Written Testimony. U.S. House Oversight Committee, November 13, 2024.https://oversight.house.gov/wp-content/uploads/2024/11/Written-Testimony-Shellenberger.pdfCentral Intelligence Agency. “STARGATE Collection.” CIA FOIA Electronic Reading Room.https://www.cia.gov/readingroom/collection/stargateCentral Intelligence Agency. “An Evaluation of the Remote Viewing Program.”https://www.cia.gov/readingroom/docs/CIA-RDP96-00791R000200180005-5.pdfCentral Intelligence Agency. “Project MKULTRA.” CIA FOIA Reading Room.https://www.cia.gov/readingroom/document/06760269U.S. Senate Select Committee on Intelligence. “Project MKULTRA, the CIA's Program of Research in Behavioral Modification.” Hearing, August 3, 1977.https://www.intelligence.senate.gov/wp-content/uploads/2024/08/sites-default-files-hearings-95mkultra.pdfU.S. Department of Defense. FOIA Reading Room Release referencing MKOFTEN and related research.https://www.esd.whs.mil/Portals/54/Documents/FOID/Reading%20Room/NCB/02-A-0846_RELEASE.pdfCollins Elite & Demonic UFO ClaimsRedfern, Nick. Final Events: Demonic UFOs, Alien Abductions, the Government, and the Afterlife. Anomalist Books, 2010.“Final Events.” Wikipedia.https://en.wikipedia.org/wiki/Final_EventsMilburn, F. “The Pentagon's UAP Task Force.” BESA Center Perspectives Paper No. 1,836, 2020.https://besacenter.org/wp-content/uploads/2020/11/183-Milburn-study-final.pdfOccult & WWII ContextCrowley, Aleister. Biographical overview.https://en.wikipedia.org/wiki/Aleister_Crowley“V sign.” Wikipedia (Crowley and WWII ‘V for Victory' claims).https://en.wikipedia.org/wiki/V_signParsons, Jack. Biographical overview.https://en.wikipedia.org/wiki/Jack_Parsons“Sex-Cult Rocket Man.” JSTOR Daily.https://daily.jstor.org/sex-cult-rocket-man/Goodrick-Clarke, Nicholas. The Occult Roots of Nazism. NYU Press.https://nyupress.org/9780814730607/occult-roots-of-nazism/Media CoverageMedill on the Hill. “UAP Hearing Coverage.” November 2024.https://medillonthehill.medill.northwestern.edu/2024/11/uap/Email us your favorite WEIRD news stories:weird@hysteria51.comHelp Support the Show:Get exclusive content & perks as well as an ad and sponsor free experience at https://www.patreon.com/Hysteria51 from just $1Shop:Be the Best Dressed at your Cult Meeting!https://www.teepublic.com/stores/hysteria51?ref_id=9022See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this expanded edition to a groundbreaking work, now in paperback, Lincoln and the Jews: A History (NYU Press, 2025), Jonathan D. Sarna and Benjamin Shapell reveal how Abraham Lincoln's unprecedentedly inclusive relationship with American Jews broadened him as president, and, as a result, broadened America. A conversation with Professor Jonathan D. Sarna. Co-authored with collector and scholar Benjamin Shapell, the book began as a lush coffee-table volume built around Shapell's remarkable Civil War–era collection: letters, photographs, and documents that reveal Lincoln's Jewish connections in real time. It has since been reissued in paperback by NYU Press, making it far easier to teach, carry, and assign. The shift mirrors the project's purpose: from a beautiful artifact to a working tool for rethinking Lincoln's world. Sarna stresses that Lincoln didn't “know Jews” in the abstract; he knew particular Jews who mattered. Abraham Jonas, an early ally, saw Lincoln as presidential material and encouraged the Republican Party to build a coalition of “outsiders,” explicitly including Jews. Lincoln also developed ties with German-speaking Jewish “48ers,” refugees of the failed 1848 revolutions who brought democratic ideals and anti-slavery commitments. Even in Illinois, Lincoln's visits to Jewish clothing stores signaled a new kind of everyday encounter between Americans and Jewish merchants. The book opens with a table of concentric circles of relationships between Lincoln and the Jews. Equally important is Lincoln's religious formation. Raised in a Protestant culture steeped in the Hebrew Bible and divine providence, he drew heavily on biblical language. His letters and speeches are studded with scriptural echoes, reflecting a worldview in which Jews remain central to God's historical drama rather than a superseded people. This helps explain his “live and let live” stance toward religious difference at a time when some ministers were moving toward more exclusionary theologies. Our conversation touched on Lincoln's reference to Haman from the Book of Esther in a letter to Joshua Speed. In an age of deep biblical literacy, Haman was a recognizable symbol of evil, later applied by some Jews to Grant after General Orders No. 11. Sarna also recounted the visit of a self-proclaimed prophet named Monk, who asked Lincoln to endorse a plan to “free the Jews” worldwide. Lincoln's witty, biblically informed response (from the book of Joel) both acknowledged Jewish suffering abroad and rejected the idea of a special “Jewish problem” in the United States. We also explored how 19th-century debates over the Mortara affair in Italy—where a secretly baptized Jewish child was taken from his parents by papal authorities—intersected with American slavery. President Buchanan's refusal to condemn Rome, Sarna noted, reflected fears that criticizing Church-sanctioned child removal could invite scrutiny of the United States' own separation of enslaved families. Lincoln and the Jews ultimately invites us to place Jews back into the center of the American story. Lincoln's friendships, his Hebrew Bible–shaped imagination, and his commitment to equality created a landscape in which Jews were not an abstract “question,” but neighbors and citizens. To understand Lincoln fully, Sarna suggests, we must see the Jews who walked beside him—and to understand American Jewish history, we must see how deeply it is entwined with Lincoln's moral and political world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this expanded edition to a groundbreaking work, now in paperback, Lincoln and the Jews: A History (NYU Press, 2025), Jonathan D. Sarna and Benjamin Shapell reveal how Abraham Lincoln's unprecedentedly inclusive relationship with American Jews broadened him as president, and, as a result, broadened America. A conversation with Professor Jonathan D. Sarna. Co-authored with collector and scholar Benjamin Shapell, the book began as a lush coffee-table volume built around Shapell's remarkable Civil War–era collection: letters, photographs, and documents that reveal Lincoln's Jewish connections in real time. It has since been reissued in paperback by NYU Press, making it far easier to teach, carry, and assign. The shift mirrors the project's purpose: from a beautiful artifact to a working tool for rethinking Lincoln's world. Sarna stresses that Lincoln didn't “know Jews” in the abstract; he knew particular Jews who mattered. Abraham Jonas, an early ally, saw Lincoln as presidential material and encouraged the Republican Party to build a coalition of “outsiders,” explicitly including Jews. Lincoln also developed ties with German-speaking Jewish “48ers,” refugees of the failed 1848 revolutions who brought democratic ideals and anti-slavery commitments. Even in Illinois, Lincoln's visits to Jewish clothing stores signaled a new kind of everyday encounter between Americans and Jewish merchants. The book opens with a table of concentric circles of relationships between Lincoln and the Jews. Equally important is Lincoln's religious formation. Raised in a Protestant culture steeped in the Hebrew Bible and divine providence, he drew heavily on biblical language. His letters and speeches are studded with scriptural echoes, reflecting a worldview in which Jews remain central to God's historical drama rather than a superseded people. This helps explain his “live and let live” stance toward religious difference at a time when some ministers were moving toward more exclusionary theologies. Our conversation touched on Lincoln's reference to Haman from the Book of Esther in a letter to Joshua Speed. In an age of deep biblical literacy, Haman was a recognizable symbol of evil, later applied by some Jews to Grant after General Orders No. 11. Sarna also recounted the visit of a self-proclaimed prophet named Monk, who asked Lincoln to endorse a plan to “free the Jews” worldwide. Lincoln's witty, biblically informed response (from the book of Joel) both acknowledged Jewish suffering abroad and rejected the idea of a special “Jewish problem” in the United States. We also explored how 19th-century debates over the Mortara affair in Italy—where a secretly baptized Jewish child was taken from his parents by papal authorities—intersected with American slavery. President Buchanan's refusal to condemn Rome, Sarna noted, reflected fears that criticizing Church-sanctioned child removal could invite scrutiny of the United States' own separation of enslaved families. Lincoln and the Jews ultimately invites us to place Jews back into the center of the American story. Lincoln's friendships, his Hebrew Bible–shaped imagination, and his commitment to equality created a landscape in which Jews were not an abstract “question,” but neighbors and citizens. To understand Lincoln fully, Sarna suggests, we must see the Jews who walked beside him—and to understand American Jewish history, we must see how deeply it is entwined with Lincoln's moral and political world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In this expanded edition to a groundbreaking work, now in paperback, Lincoln and the Jews: A History (NYU Press, 2025), Jonathan D. Sarna and Benjamin Shapell reveal how Abraham Lincoln's unprecedentedly inclusive relationship with American Jews broadened him as president, and, as a result, broadened America. A conversation with Professor Jonathan D. Sarna. Co-authored with collector and scholar Benjamin Shapell, the book began as a lush coffee-table volume built around Shapell's remarkable Civil War–era collection: letters, photographs, and documents that reveal Lincoln's Jewish connections in real time. It has since been reissued in paperback by NYU Press, making it far easier to teach, carry, and assign. The shift mirrors the project's purpose: from a beautiful artifact to a working tool for rethinking Lincoln's world. Sarna stresses that Lincoln didn't “know Jews” in the abstract; he knew particular Jews who mattered. Abraham Jonas, an early ally, saw Lincoln as presidential material and encouraged the Republican Party to build a coalition of “outsiders,” explicitly including Jews. Lincoln also developed ties with German-speaking Jewish “48ers,” refugees of the failed 1848 revolutions who brought democratic ideals and anti-slavery commitments. Even in Illinois, Lincoln's visits to Jewish clothing stores signaled a new kind of everyday encounter between Americans and Jewish merchants. The book opens with a table of concentric circles of relationships between Lincoln and the Jews. Equally important is Lincoln's religious formation. Raised in a Protestant culture steeped in the Hebrew Bible and divine providence, he drew heavily on biblical language. His letters and speeches are studded with scriptural echoes, reflecting a worldview in which Jews remain central to God's historical drama rather than a superseded people. This helps explain his “live and let live” stance toward religious difference at a time when some ministers were moving toward more exclusionary theologies. Our conversation touched on Lincoln's reference to Haman from the Book of Esther in a letter to Joshua Speed. In an age of deep biblical literacy, Haman was a recognizable symbol of evil, later applied by some Jews to Grant after General Orders No. 11. Sarna also recounted the visit of a self-proclaimed prophet named Monk, who asked Lincoln to endorse a plan to “free the Jews” worldwide. Lincoln's witty, biblically informed response (from the book of Joel) both acknowledged Jewish suffering abroad and rejected the idea of a special “Jewish problem” in the United States. We also explored how 19th-century debates over the Mortara affair in Italy—where a secretly baptized Jewish child was taken from his parents by papal authorities—intersected with American slavery. President Buchanan's refusal to condemn Rome, Sarna noted, reflected fears that criticizing Church-sanctioned child removal could invite scrutiny of the United States' own separation of enslaved families. Lincoln and the Jews ultimately invites us to place Jews back into the center of the American story. Lincoln's friendships, his Hebrew Bible–shaped imagination, and his commitment to equality created a landscape in which Jews were not an abstract “question,” but neighbors and citizens. To understand Lincoln fully, Sarna suggests, we must see the Jews who walked beside him—and to understand American Jewish history, we must see how deeply it is entwined with Lincoln's moral and political world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

There's a lot in the news these days about politics on college campuses with discussions of student protests, curriculum debates, and faculty engagement serving as hot button issues. This sudden and intense focus makes it seem as if this may be a new phenomenon, though anyone who lived through the 1960s and 70s would beg to differ. Our guest today, Dr. Kelly L. Marino's recent book, Votes for College Women: Alumni, Students, and the Woman Suffrage Campaign, (NYU Press, 2024) https://nyupress.org/9781479825196/votes-for-college-women/ pushes that chronology back even further by exploring the role that female college students and alumni played in the suffrage movement as well as in shaping college activism moving into the future. Hosted on Acast. See acast.com/privacy for more information.

The International Religious Freedom Act of 1998 formally established the promotion of religious freedom as a U.S. foreign policy and national security priority. Tracing its origins and passage, Prioritizing Faith: International Religious Freedom and U.S. Foreign Policy (NYU Press, 2025) by Dr. Ashlyn Hand shows how the legislation was made possible by the convergence of growing evangelical and Jewish advocacy, the expanding international human rights movement, and a broader search for post–Cold War purpose. Yet implementation across administrations has been uneven, shaped by shifting geopolitical dynamics and internal institutional constraints.Relying on expert interviews and rich archival analysis, Dr. Hand traces how Clinton, Bush, and Obama each wove international religious freedom into their foreign policy visions while navigating competing priorities and evolving strategic interests. Through case studies in China, Vietnam, and Saudi Arabia, Dr. Hand reveals the inner workings and persistent challenges of American religious freedom policy on the global stage.Timely, insightful, and deeply researched, Prioritizing Faith offers an incisive assessment of the United States' efforts to promote religious freedom abroad, highlighting the enduring tensions between normative aspirations and the complexities of foreign policy practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Most of us spend some part of our lives feeling bad about ourselves and wanting to feel better. But this preoccupation is a surprisingly new one in the history of the world, and can largely be traced back to one man: a rumpled, convertible-driving California state representative named John Vasconcellos who helped spark a movement that took over schools, board rooms, and social-service offices across America in the 1990s. This week, we look at the rise and fall of the self-esteem movement and ask: is it possible to raise your self-esteem? And is trying to do so even a good idea?Special thanks to big thank you to the University of California, Santa Barbara Library for use of audio material from their Humanistic Psychology Archives and to their staff for helping located so many audio recordings. EPISODE CREDITS: Reported by - Heather Radke and Matt Kielty Produced by - Matt KietlyFlute performance and compositions by -  Ben BatchelderVoiceover work by - Dann FinkFact-checking by - Anna Pujol-Mazzini and  Angely Mercadoand Edited by  - Pat WaltersEPISODE CITATIONS:Articles - UCSB Humanistic Psychology Archive (https://zpr.io/HfVjUmvcVevE)Books - Selfie: How We Became So Self-Obsessed and What It's Doing to Us (https://zpr.io/eGRyqz9zNQHu) by Will Storr. Counterpoint, 2018.A Liberating Vision (https://zpr.io/tJn7BR5m84fv) by Vasconcellos, John. Impact Publishers, Inc., 1979The Therapeutic State (https://zpr.io/tJn7BR5m84fv) by Nolan, James, Jr. NYU Press, 1998Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Read the full transcript here. The Clearer Thinking Podcast listener survey is here! If you've ever listened to the Clearer Thinking podcast before, we'd love it if you'd take our listener survey so we can learn about your experience and improve the podcast based on your feedback. Give feedback to help us improve the Clearer Thinking podcast! What would a global ban on industrial animal agriculture by 2050 actually achieve across welfare public health and climate? Can a phased transition built on price taste and convenience overcome identity, culture, and religion in shaping diets? Which mix of informational, financial, and regulatory policies shifts behavior without backlash? Where is the line between small humane farms that persist and large systems that must end? How do we align consumer values with daily choices when cognitive dissonance makes the topic uncomfortable? When does a little guilt motivate change and when does it harden resistance? What evidence would show that plant-based and cultivated options have reached parity that tips the market? How do we protect farmers and workers while shrinking harmful production at scale? What are the realistic tipping points for social norms around meat in different communities? If the expected suffering avoided each year dwarfs human history how should that reshape priorities? Jeff Sebo is the Director of the Center for Environmental and Animal Protection, Director of the Center for Mind, Ethics, and Policy, and Co-Director of the Wild Animal Welfare Program at New York University. He is also a Faculty Fellow at the Guarini Center on Environmental, Energy & Land Use Law at the NYU School of Law and an Advisor at the Animals in Context series at NYU Press. His research focuses on moral philosophy, legal philosophy, and philosophy of mind; animal minds, ethics, and policy; AI minds, ethics, and policy; and global health and climate ethics and policy. His books The Moral Circle and Saving Animals, Saving Ourselves are out now. Links: WILD Lab Eleos AI Jeff's Website Staff Spencer Greenberg — Host + Director Ryan Kessler — Producer + Technical Lead WeAmplify — Transcriptionists Igor Scaldini — Marketing Consultant Music Broke for Free Josh Woodward Lee Rosevere Quiet Music for Tiny Robots wowamusic zapsplat.com Affiliates Clearer Thinking GuidedTrack Mind Ease Positly UpLift [Read more]