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In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nicole F. Watts's Republic of Dreams: Ordinary People, Extraordinary Struggles, and the Future of Iraqi Kurdistan (NYU Press, 2025) is a harrowing portrait of Iraqi Kurdistan and its history, as it weathers Hussein's genocidal campaign against the Kurds, a civil war, the US invasion of Iraq, the Arab Spring, and the sustained neglect of the city of Halabja. Watts, a former journalist and now professor of political science, has spent over a decade researching the struggles of the Kurdish people in Iraq, and in vivid, lyrical prose, she tells their story through the eyes of Peshawa, a young Muslim Kurd whose family barely survived the bombing and then fled for their lives.Throughout the book, the thread of Peshawa's story immerses readers in the everyday and extraordinary world of Iraqi Kurds between the late 1980s and 2022, exploring the meaning of home and dislocation in the wake of war and genocide.Based on over a hundred in-depth interviews with Iraqi Kurdish activists, journalists, elected officials, and community organizers, and hundreds of hours of conversations with Peshawa and his family, Republic of Dreams brings to vivid life the story of modern Kurdistan, and the Kurdish national dream to have their own homeland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nicole F. Watts's Republic of Dreams: Ordinary People, Extraordinary Struggles, and the Future of Iraqi Kurdistan (NYU Press, 2025) is a harrowing portrait of Iraqi Kurdistan and its history, as it weathers Hussein's genocidal campaign against the Kurds, a civil war, the US invasion of Iraq, the Arab Spring, and the sustained neglect of the city of Halabja. Watts, a former journalist and now professor of political science, has spent over a decade researching the struggles of the Kurdish people in Iraq, and in vivid, lyrical prose, she tells their story through the eyes of Peshawa, a young Muslim Kurd whose family barely survived the bombing and then fled for their lives.Throughout the book, the thread of Peshawa's story immerses readers in the everyday and extraordinary world of Iraqi Kurds between the late 1980s and 2022, exploring the meaning of home and dislocation in the wake of war and genocide.Based on over a hundred in-depth interviews with Iraqi Kurdish activists, journalists, elected officials, and community organizers, and hundreds of hours of conversations with Peshawa and his family, Republic of Dreams brings to vivid life the story of modern Kurdistan, and the Kurdish national dream to have their own homeland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Nicole F. Watts's Republic of Dreams: Ordinary People, Extraordinary Struggles, and the Future of Iraqi Kurdistan (NYU Press, 2025) is a harrowing portrait of Iraqi Kurdistan and its history, as it weathers Hussein's genocidal campaign against the Kurds, a civil war, the US invasion of Iraq, the Arab Spring, and the sustained neglect of the city of Halabja. Watts, a former journalist and now professor of political science, has spent over a decade researching the struggles of the Kurdish people in Iraq, and in vivid, lyrical prose, she tells their story through the eyes of Peshawa, a young Muslim Kurd whose family barely survived the bombing and then fled for their lives.Throughout the book, the thread of Peshawa's story immerses readers in the everyday and extraordinary world of Iraqi Kurds between the late 1980s and 2022, exploring the meaning of home and dislocation in the wake of war and genocide.Based on over a hundred in-depth interviews with Iraqi Kurdish activists, journalists, elected officials, and community organizers, and hundreds of hours of conversations with Peshawa and his family, Republic of Dreams brings to vivid life the story of modern Kurdistan, and the Kurdish national dream to have their own homeland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Jeff Sebo is Associate Professor of Environmental Studies, Affiliated Professor of Bioethics, Medical Ethics, Philosophy, and Law, Director of the Center for Environmental and Animal Protection, Director of the Center for Mind, Ethics, and Policy, and Co-Director of the Wild Animal Welfare Program at New York University. He is also a Faculty Fellow at the Guarini Center on Environmental, Energy & Land Use Law at the NYU School of Law and an Advisor at the Animals in Context series at NYU Press. Jeff's research focuses on moral philosophy, legal philosophy, and philosophy of mind; animal minds, ethics, and policy; AI minds, ethics, and policy; and global health and climate ethics and policy. His books include The Moral Circle and Saving Animals, Saving Ourselves and he is co-author of Chimpanzee Rights and Food, Animals, and the Environment.In Sentientist Conversations we talk about the most important questions: “what's real?”, “who matters?” and "how can we make a better world?"Sentientism answers those questions with "evidence, reason & compassion for all sentient beings." The video of our conversation is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.00:00 Clips01:20 Welcome- Our first Sentientist Conversation, episode 26 - Jeff's book The Moral Circle - Endorsements from previous Sentientism guests Barbara King and Peter Singer- Welcome Smokey!02:50 Jeff's Intro- Research and teaching and leading programmes at NYU including the Wild Animal Welfare Programme and the Center for Mind, Brain and Consciousness - Asking "How humans can better interact with the non-human world... who might matter, how much might they matter, what might they need, what might we owe them, what follows for our actions and policies and priorities...?"- Directing the Center for Environmental and Animal Protection "agriculture, farmed animal welfare, #biodiversity, wild animal welfare..."- Directing the NY Center for Mind, Ethics and Policy "Non-human minds... invertebrates and AI systems"04:37 The Moral Circle- JW: "Does it have to be a circle?"- "I was concerned... it implies that humanity is at the centre and that other beings matter or are closer to the centre to the degree that they resemble us"- "We right now at least increasingly agree that all humans and many non-human animals... merit consideration"- "The book asks 'should we go farther?'"08:32 What Makes Us Matter?11:39 Why is Sentience Important?19:16 What About Zero-Valence Consciousness?28:08 Properties vs Relational Approach38:10 So Who Matters?43:28 Do AIs Matter?48:47 Do Photons Matter?56:15 Do Future Beings Matter?01:01:51 How Much Do They Matter?01:14:44 The Role of Epistemology?01:18:26 A Better Future?01:22: 33 Follow Jeff:- Jeff on BlueSky - Jeff on Twitter- "The Moral Circle"- Saving Animals, Saving Ourselves (now open access and free to read!)And more... full show notes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sentientism.info⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Sentientism is “Evidence, reason & compassion for all sentient beings.” More at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sentientism.info⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠"I'm a Sentientist" wall⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ this simple form⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Everyone, Sentientist or not, is welcome in our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠groups⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The biggest so far is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here on FaceBook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Come join us there!

Ultima and World-Building in the Computer Role-Playing Game (Amherst College Press, 2024) is the first scholarly book to focus exclusively on the long-running Ultima series of computer role-playing games (RPG) and to assess its lasting impact on the RPG genre and video game industry. Through archival and popular media sources, examinations of fan communities, and the game itself, this book historicizes the games and their authors. By attending to the salient moments and sites of game creation throughout the series' storied past, authors Carly A. Kocurek and Matthew Thomas Payne detail the creative choices and structural forces that brought Ultima's celebrated brand of role-playing to fruition. This book first considers the contributions of series founder and lead designer, Richard Garriott, examining how his fame and notoriety as a pioneering computer game auteur shaped Ultima's reception and paved the way for the evolution of the series. Next, the authors retrace the steps that Garriott took in fusing analog, tabletop role-playing with his self-taught lessons in computer programming. Close textual analyses of Ultima I outline how its gameplay elements offered a foundational framework for subsequent innovations in design and storytelling. Moving beyond the game itself, the authors assess how marketing materials and physical collectibles amplified its immersive hold and how the series' legions of fans have preserved the series. Game designers, long-time gamers, and fans will enjoy digging into the games' production history and mechanics while media studies and game scholars will find Ultima and World-Building in the Computer Role-Playing Game a useful extension of inquiry into authorship, media history, and the role of fantasy in computer game design. Carly A. Kocurek is professor of digital humanities and media studies at the Illinois Institute of Technology. She is the author of Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) and Brenda Laurel: Pioneering Games for Girls (Bloomsbury, 2017).Matthew Thomas Payne is associate professor of ?lm, television, and theatre at the University of Notre Dame. He is the author of Playing War: Military Video Games after 9/11 (NYU Press, 2016), and is a co-editor of How to Play Video Games (NYU Press, 2019) and Joystick Soldiers: The Politics of Play in Military Video Games (Routledge, 2009). Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ultima and World-Building in the Computer Role-Playing Game (Amherst College Press, 2024) is the first scholarly book to focus exclusively on the long-running Ultima series of computer role-playing games (RPG) and to assess its lasting impact on the RPG genre and video game industry. Through archival and popular media sources, examinations of fan communities, and the game itself, this book historicizes the games and their authors. By attending to the salient moments and sites of game creation throughout the series' storied past, authors Carly A. Kocurek and Matthew Thomas Payne detail the creative choices and structural forces that brought Ultima's celebrated brand of role-playing to fruition. This book first considers the contributions of series founder and lead designer, Richard Garriott, examining how his fame and notoriety as a pioneering computer game auteur shaped Ultima's reception and paved the way for the evolution of the series. Next, the authors retrace the steps that Garriott took in fusing analog, tabletop role-playing with his self-taught lessons in computer programming. Close textual analyses of Ultima I outline how its gameplay elements offered a foundational framework for subsequent innovations in design and storytelling. Moving beyond the game itself, the authors assess how marketing materials and physical collectibles amplified its immersive hold and how the series' legions of fans have preserved the series. Game designers, long-time gamers, and fans will enjoy digging into the games' production history and mechanics while media studies and game scholars will find Ultima and World-Building in the Computer Role-Playing Game a useful extension of inquiry into authorship, media history, and the role of fantasy in computer game design. Carly A. Kocurek is professor of digital humanities and media studies at the Illinois Institute of Technology. She is the author of Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) and Brenda Laurel: Pioneering Games for Girls (Bloomsbury, 2017).Matthew Thomas Payne is associate professor of ?lm, television, and theatre at the University of Notre Dame. He is the author of Playing War: Military Video Games after 9/11 (NYU Press, 2016), and is a co-editor of How to Play Video Games (NYU Press, 2019) and Joystick Soldiers: The Politics of Play in Military Video Games (Routledge, 2009). Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Ultima and World-Building in the Computer Role-Playing Game (Amherst College Press, 2024) is the first scholarly book to focus exclusively on the long-running Ultima series of computer role-playing games (RPG) and to assess its lasting impact on the RPG genre and video game industry. Through archival and popular media sources, examinations of fan communities, and the game itself, this book historicizes the games and their authors. By attending to the salient moments and sites of game creation throughout the series' storied past, authors Carly A. Kocurek and Matthew Thomas Payne detail the creative choices and structural forces that brought Ultima's celebrated brand of role-playing to fruition. This book first considers the contributions of series founder and lead designer, Richard Garriott, examining how his fame and notoriety as a pioneering computer game auteur shaped Ultima's reception and paved the way for the evolution of the series. Next, the authors retrace the steps that Garriott took in fusing analog, tabletop role-playing with his self-taught lessons in computer programming. Close textual analyses of Ultima I outline how its gameplay elements offered a foundational framework for subsequent innovations in design and storytelling. Moving beyond the game itself, the authors assess how marketing materials and physical collectibles amplified its immersive hold and how the series' legions of fans have preserved the series. Game designers, long-time gamers, and fans will enjoy digging into the games' production history and mechanics while media studies and game scholars will find Ultima and World-Building in the Computer Role-Playing Game a useful extension of inquiry into authorship, media history, and the role of fantasy in computer game design. Carly A. Kocurek is professor of digital humanities and media studies at the Illinois Institute of Technology. She is the author of Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) and Brenda Laurel: Pioneering Games for Girls (Bloomsbury, 2017).Matthew Thomas Payne is associate professor of ?lm, television, and theatre at the University of Notre Dame. He is the author of Playing War: Military Video Games after 9/11 (NYU Press, 2016), and is a co-editor of How to Play Video Games (NYU Press, 2019) and Joystick Soldiers: The Politics of Play in Military Video Games (Routledge, 2009). Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Coptic Orthodox Christians comprise the largest Christian community in the Middle East and are among the oldest Christian communities in the world. While once the objects of American missionary efforts, in recent years Copts have been in the spotlight for their Christianity. A spate of ISIS-related bombings and attacks have garnered worldwide attention, leading to a series of efforts from US politicians, think tanks, and NGOs to re-channel their efforts into “saving” these Middle Eastern Christians from Muslims. The increased targeting of Copts has also contributed to the moral imaginary of the “Persecuted Church,” particularly among American evangelicals, which embraces the idea that Christians around the globe are currently being persecuted more than any other time in history.  Drawing on years of extensive fieldwork among Coptic migrants between Egypt and the United States, Martyrs and Migrants: Coptic Christians and the Persecution Politics of US Empire (NYU Press, 2025) examines how American religious imaginaries of global Christian persecution have remapped Coptic collective memory of martyrdom. Transnational Copts have navigated the sociopolitical conditions in Egypt and the global consequences of the US “war on terror” by translating their suffering into the ambiguous forms of religious and political visibility. Candace Lukasik argues that the commingling of American conservatives and Copts has shaped a new kind of Christian kinship in blood, operating through a double movement between glorification and racialization. Occupying a position between threat and victim, Copts from the Middle East have been subject to anti-terror surveillance in the US even as they have leveraged their roles as “persecuted Christians.” Through Lukasik's careful examination of the everyday processes shaping Coptic communal formation, Martyrs and Migrants broadly reveals how ideologies of spiritual kinship are forged through theological histories of martyrdom and of blood, demonstrating the global dynamics and imperial politics of contemporary Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How housing policy failed the people it was designed to help -- and how to fix it As the US struggles to provide affordable housing, millions of Americans live in deteriorating public housing projects, enduring the mistakes of past housing policy. In The Projects: A New History of Public Housing (NYU Press, 2025), Howard A. Husock explains how we got here, detailing the tragic rise and fall of public housing and the pitfalls of other subsidy programs. He takes us inside a progressive movement led by a group of New York City philanthropists, politicians, and business magnates who first championed public housing as a solution to urban blight. From First Lady Eleanor Roosevelt to the controversial city planner Robert Moses, many well-known historical figures made a convincing case for affordable housing in America. Despite the movement's lofty ideals, the creation of the Projects led to the destruction of low-income communities across the country. From the Hill District in Pittsburgh to Black Bottom in Detroit, predominantly Black neighborhoods were judged only by the quality of their housing. Husock looks beyond these neighborhoods' physical conditions to their uncounted riches, from local artists like August Wilson to vital community institutions. As he shares residents' stories, he honors what they crafted through their own plans, rather than those of city planners. Husock traces the history of public housing to contemporary debates on the government's role in the housing market. Through interviews with residents, he reveals how public housing transformed the lives of Americans and the physical faces of cities and towns. He ultimately critiques "repair and reform" efforts, making policy recommendations that address the core failings of public housing for the people it was once designed to help. Mapping out a better path for policy-makers, he lays a new foundation for upward mobility in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Coptic Orthodox Christians comprise the largest Christian community in the Middle East and are among the oldest Christian communities in the world. While once the objects of American missionary efforts, in recent years Copts have been in the spotlight for their Christianity. A spate of ISIS-related bombings and attacks have garnered worldwide attention, leading to a series of efforts from US politicians, think tanks, and NGOs to re-channel their efforts into “saving” these Middle Eastern Christians from Muslims. The increased targeting of Copts has also contributed to the moral imaginary of the “Persecuted Church,” particularly among American evangelicals, which embraces the idea that Christians around the globe are currently being persecuted more than any other time in history.  Drawing on years of extensive fieldwork among Coptic migrants between Egypt and the United States, Martyrs and Migrants: Coptic Christians and the Persecution Politics of US Empire (NYU Press, 2025) examines how American religious imaginaries of global Christian persecution have remapped Coptic collective memory of martyrdom. Transnational Copts have navigated the sociopolitical conditions in Egypt and the global consequences of the US “war on terror” by translating their suffering into the ambiguous forms of religious and political visibility. Candace Lukasik argues that the commingling of American conservatives and Copts has shaped a new kind of Christian kinship in blood, operating through a double movement between glorification and racialization. Occupying a position between threat and victim, Copts from the Middle East have been subject to anti-terror surveillance in the US even as they have leveraged their roles as “persecuted Christians.” Through Lukasik's careful examination of the everyday processes shaping Coptic communal formation, Martyrs and Migrants broadly reveals how ideologies of spiritual kinship are forged through theological histories of martyrdom and of blood, demonstrating the global dynamics and imperial politics of contemporary Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Coptic Orthodox Christians comprise the largest Christian community in the Middle East and are among the oldest Christian communities in the world. While once the objects of American missionary efforts, in recent years Copts have been in the spotlight for their Christianity. A spate of ISIS-related bombings and attacks have garnered worldwide attention, leading to a series of efforts from US politicians, think tanks, and NGOs to re-channel their efforts into “saving” these Middle Eastern Christians from Muslims. The increased targeting of Copts has also contributed to the moral imaginary of the “Persecuted Church,” particularly among American evangelicals, which embraces the idea that Christians around the globe are currently being persecuted more than any other time in history.  Drawing on years of extensive fieldwork among Coptic migrants between Egypt and the United States, Martyrs and Migrants: Coptic Christians and the Persecution Politics of US Empire (NYU Press, 2025) examines how American religious imaginaries of global Christian persecution have remapped Coptic collective memory of martyrdom. Transnational Copts have navigated the sociopolitical conditions in Egypt and the global consequences of the US “war on terror” by translating their suffering into the ambiguous forms of religious and political visibility. Candace Lukasik argues that the commingling of American conservatives and Copts has shaped a new kind of Christian kinship in blood, operating through a double movement between glorification and racialization. Occupying a position between threat and victim, Copts from the Middle East have been subject to anti-terror surveillance in the US even as they have leveraged their roles as “persecuted Christians.” Through Lukasik's careful examination of the everyday processes shaping Coptic communal formation, Martyrs and Migrants broadly reveals how ideologies of spiritual kinship are forged through theological histories of martyrdom and of blood, demonstrating the global dynamics and imperial politics of contemporary Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

How housing policy failed the people it was designed to help -- and how to fix it As the US struggles to provide affordable housing, millions of Americans live in deteriorating public housing projects, enduring the mistakes of past housing policy. In The Projects: A New History of Public Housing (NYU Press, 2025), Howard A. Husock explains how we got here, detailing the tragic rise and fall of public housing and the pitfalls of other subsidy programs. He takes us inside a progressive movement led by a group of New York City philanthropists, politicians, and business magnates who first championed public housing as a solution to urban blight. From First Lady Eleanor Roosevelt to the controversial city planner Robert Moses, many well-known historical figures made a convincing case for affordable housing in America. Despite the movement's lofty ideals, the creation of the Projects led to the destruction of low-income communities across the country. From the Hill District in Pittsburgh to Black Bottom in Detroit, predominantly Black neighborhoods were judged only by the quality of their housing. Husock looks beyond these neighborhoods' physical conditions to their uncounted riches, from local artists like August Wilson to vital community institutions. As he shares residents' stories, he honors what they crafted through their own plans, rather than those of city planners. Husock traces the history of public housing to contemporary debates on the government's role in the housing market. Through interviews with residents, he reveals how public housing transformed the lives of Americans and the physical faces of cities and towns. He ultimately critiques "repair and reform" efforts, making policy recommendations that address the core failings of public housing for the people it was once designed to help. Mapping out a better path for policy-makers, he lays a new foundation for upward mobility in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

How housing policy failed the people it was designed to help -- and how to fix it As the US struggles to provide affordable housing, millions of Americans live in deteriorating public housing projects, enduring the mistakes of past housing policy. In The Projects: A New History of Public Housing (NYU Press, 2025), Howard A. Husock explains how we got here, detailing the tragic rise and fall of public housing and the pitfalls of other subsidy programs. He takes us inside a progressive movement led by a group of New York City philanthropists, politicians, and business magnates who first championed public housing as a solution to urban blight. From First Lady Eleanor Roosevelt to the controversial city planner Robert Moses, many well-known historical figures made a convincing case for affordable housing in America. Despite the movement's lofty ideals, the creation of the Projects led to the destruction of low-income communities across the country. From the Hill District in Pittsburgh to Black Bottom in Detroit, predominantly Black neighborhoods were judged only by the quality of their housing. Husock looks beyond these neighborhoods' physical conditions to their uncounted riches, from local artists like August Wilson to vital community institutions. As he shares residents' stories, he honors what they crafted through their own plans, rather than those of city planners. Husock traces the history of public housing to contemporary debates on the government's role in the housing market. Through interviews with residents, he reveals how public housing transformed the lives of Americans and the physical faces of cities and towns. He ultimately critiques "repair and reform" efforts, making policy recommendations that address the core failings of public housing for the people it was once designed to help. Mapping out a better path for policy-makers, he lays a new foundation for upward mobility in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How housing policy failed the people it was designed to help -- and how to fix it As the US struggles to provide affordable housing, millions of Americans live in deteriorating public housing projects, enduring the mistakes of past housing policy. In The Projects: A New History of Public Housing (NYU Press, 2025), Howard A. Husock explains how we got here, detailing the tragic rise and fall of public housing and the pitfalls of other subsidy programs. He takes us inside a progressive movement led by a group of New York City philanthropists, politicians, and business magnates who first championed public housing as a solution to urban blight. From First Lady Eleanor Roosevelt to the controversial city planner Robert Moses, many well-known historical figures made a convincing case for affordable housing in America. Despite the movement's lofty ideals, the creation of the Projects led to the destruction of low-income communities across the country. From the Hill District in Pittsburgh to Black Bottom in Detroit, predominantly Black neighborhoods were judged only by the quality of their housing. Husock looks beyond these neighborhoods' physical conditions to their uncounted riches, from local artists like August Wilson to vital community institutions. As he shares residents' stories, he honors what they crafted through their own plans, rather than those of city planners. Husock traces the history of public housing to contemporary debates on the government's role in the housing market. Through interviews with residents, he reveals how public housing transformed the lives of Americans and the physical faces of cities and towns. He ultimately critiques "repair and reform" efforts, making policy recommendations that address the core failings of public housing for the people it was once designed to help. Mapping out a better path for policy-makers, he lays a new foundation for upward mobility in America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Coptic Orthodox Christians comprise the largest Christian community in the Middle East and are among the oldest Christian communities in the world. While once the objects of American missionary efforts, in recent years Copts have been in the spotlight for their Christianity. A spate of ISIS-related bombings and attacks have garnered worldwide attention, leading to a series of efforts from US politicians, think tanks, and NGOs to re-channel their efforts into “saving” these Middle Eastern Christians from Muslims. The increased targeting of Copts has also contributed to the moral imaginary of the “Persecuted Church,” particularly among American evangelicals, which embraces the idea that Christians around the globe are currently being persecuted more than any other time in history.  Drawing on years of extensive fieldwork among Coptic migrants between Egypt and the United States, Martyrs and Migrants: Coptic Christians and the Persecution Politics of US Empire (NYU Press, 2025) examines how American religious imaginaries of global Christian persecution have remapped Coptic collective memory of martyrdom. Transnational Copts have navigated the sociopolitical conditions in Egypt and the global consequences of the US “war on terror” by translating their suffering into the ambiguous forms of religious and political visibility. Candace Lukasik argues that the commingling of American conservatives and Copts has shaped a new kind of Christian kinship in blood, operating through a double movement between glorification and racialization. Occupying a position between threat and victim, Copts from the Middle East have been subject to anti-terror surveillance in the US even as they have leveraged their roles as “persecuted Christians.” Through Lukasik's careful examination of the everyday processes shaping Coptic communal formation, Martyrs and Migrants broadly reveals how ideologies of spiritual kinship are forged through theological histories of martyrdom and of blood, demonstrating the global dynamics and imperial politics of contemporary Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Coptic Orthodox Christians comprise the largest Christian community in the Middle East and are among the oldest Christian communities in the world. While once the objects of American missionary efforts, in recent years Copts have been in the spotlight for their Christianity. A spate of ISIS-related bombings and attacks have garnered worldwide attention, leading to a series of efforts from US politicians, think tanks, and NGOs to re-channel their efforts into “saving” these Middle Eastern Christians from Muslims. The increased targeting of Copts has also contributed to the moral imaginary of the “Persecuted Church,” particularly among American evangelicals, which embraces the idea that Christians around the globe are currently being persecuted more than any other time in history.  Drawing on years of extensive fieldwork among Coptic migrants between Egypt and the United States, Martyrs and Migrants: Coptic Christians and the Persecution Politics of US Empire (NYU Press, 2025) examines how American religious imaginaries of global Christian persecution have remapped Coptic collective memory of martyrdom. Transnational Copts have navigated the sociopolitical conditions in Egypt and the global consequences of the US “war on terror” by translating their suffering into the ambiguous forms of religious and political visibility. Candace Lukasik argues that the commingling of American conservatives and Copts has shaped a new kind of Christian kinship in blood, operating through a double movement between glorification and racialization. Occupying a position between threat and victim, Copts from the Middle East have been subject to anti-terror surveillance in the US even as they have leveraged their roles as “persecuted Christians.” Through Lukasik's careful examination of the everyday processes shaping Coptic communal formation, Martyrs and Migrants broadly reveals how ideologies of spiritual kinship are forged through theological histories of martyrdom and of blood, demonstrating the global dynamics and imperial politics of contemporary Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices

How housing policy failed the people it was designed to help -- and how to fix it As the US struggles to provide affordable housing, millions of Americans live in deteriorating public housing projects, enduring the mistakes of past housing policy. In The Projects: A New History of Public Housing (NYU Press, 2025), Howard A. Husock explains how we got here, detailing the tragic rise and fall of public housing and the pitfalls of other subsidy programs. He takes us inside a progressive movement led by a group of New York City philanthropists, politicians, and business magnates who first championed public housing as a solution to urban blight. From First Lady Eleanor Roosevelt to the controversial city planner Robert Moses, many well-known historical figures made a convincing case for affordable housing in America. Despite the movement's lofty ideals, the creation of the Projects led to the destruction of low-income communities across the country. From the Hill District in Pittsburgh to Black Bottom in Detroit, predominantly Black neighborhoods were judged only by the quality of their housing. Husock looks beyond these neighborhoods' physical conditions to their uncounted riches, from local artists like August Wilson to vital community institutions. As he shares residents' stories, he honors what they crafted through their own plans, rather than those of city planners. Husock traces the history of public housing to contemporary debates on the government's role in the housing market. Through interviews with residents, he reveals how public housing transformed the lives of Americans and the physical faces of cities and towns. He ultimately critiques "repair and reform" efforts, making policy recommendations that address the core failings of public housing for the people it was once designed to help. Mapping out a better path for policy-makers, he lays a new foundation for upward mobility in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Coptic Orthodox Christians comprise the largest Christian community in the Middle East and are among the oldest Christian communities in the world. While once the objects of American missionary efforts, in recent years Copts have been in the spotlight for their Christianity. A spate of ISIS-related bombings and attacks have garnered worldwide attention, leading to a series of efforts from US politicians, think tanks, and NGOs to re-channel their efforts into “saving” these Middle Eastern Christians from Muslims. The increased targeting of Copts has also contributed to the moral imaginary of the “Persecuted Church,” particularly among American evangelicals, which embraces the idea that Christians around the globe are currently being persecuted more than any other time in history.  Drawing on years of extensive fieldwork among Coptic migrants between Egypt and the United States, Martyrs and Migrants: Coptic Christians and the Persecution Politics of US Empire (NYU Press, 2025) examines how American religious imaginaries of global Christian persecution have remapped Coptic collective memory of martyrdom. Transnational Copts have navigated the sociopolitical conditions in Egypt and the global consequences of the US “war on terror” by translating their suffering into the ambiguous forms of religious and political visibility. Candace Lukasik argues that the commingling of American conservatives and Copts has shaped a new kind of Christian kinship in blood, operating through a double movement between glorification and racialization. Occupying a position between threat and victim, Copts from the Middle East have been subject to anti-terror surveillance in the US even as they have leveraged their roles as “persecuted Christians.” Through Lukasik's careful examination of the everyday processes shaping Coptic communal formation, Martyrs and Migrants broadly reveals how ideologies of spiritual kinship are forged through theological histories of martyrdom and of blood, demonstrating the global dynamics and imperial politics of contemporary Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

They say love is blind- but not when algorithms are watching.Dating apps are quietly ranking your "attractiveness" using AI and facial recognition tech, deciding who gets seen- and who gets ghosted! In this episode, we uncover the shocking truth about beauty scores, data surveillance, and the invisible code shaping your romantic fate. What if your face is being used against you... without your knowledge?Are. You. Ready?****************Further Reading & ReferencesWilliams, Apryl. “Not My Type: Automating Sexual Racism in Online Dating.” MIT Press, 2024.Korducki, Kelli María. “Tinder's Algorithm Is Changing the Way We Date.” Hao, Karen. “Tinder's Algorithm Doesn't Know What You Want.” MIT Technology Review.BBC. “Tinder Developing AI Matchmaker Based on Facial Recognition.”Parker, Christine. “Qoves Studio and the Ethics of AI Beauty Scoring.” Noble, Safiya Umoja. “Algorithms of Oppression: How Search Engines Reinforce Racism.” NYU Press, 2018.Faception. "Our Technology." ****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!TikTok:tiktok.com/@beautyunlockedthepodYouTube:@beautyunlockedspodcasthour****************Intro/Outro Music:Music by Savvier from Fugue FAME INC

Burdens of Belonging: Race in an Unequal Nation By Jessica Vasquez-Tokos, Professor of Sociology at the University of Oregon W.E.B. Du Bois famously pondered a question he felt society was asking of him as a Black man in America: “How does it feel to be a problem?” Jessica Vasquez-Tokos uses this question to examine how communities of color are constructed as “problems,” and the numerous ramifications this has for their life trajectories. Uncovering how various members of racial groups understand and react to what their racial status means for inclusion in, or exclusion from, the nation, Burdens of Belonging examines the historical underpinnings of the racial-colonial hierarchy, the influence this hierarchy has on lived experience, and how racialized life experience influences the feelings, perspectives and goals of people of color.Burdens of Belonging is based on interviews with people in Oregon from various racial groups, and brings multiple racial groups' opinions together to weigh in on the ways in which race contours national belonging and affects sense of self, everyday life and wellness, and aspirations for the future. This book highlights the value of inquiring how people from various racial backgrounds perceive their fit in the nation and reveals how race matters to belonging in multifaceted ways.Filling a gap in research on the everyday effects of accumulated racial disadvantage, Burdens of Belonging brings to the fore an analysis of how racial inequality, settler colonialism, and race relations penetrate multiple layers of social life and become etched into bodies and futures. Michael L. Rosino, Assistant Professor of Sociology, Molloy University Recent Books: Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30 Debating the Drug War: Race, Politics, and the Media (Routledge) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Burdens of Belonging: Race in an Unequal Nation By Jessica Vasquez-Tokos, Professor of Sociology at the University of Oregon W.E.B. Du Bois famously pondered a question he felt society was asking of him as a Black man in America: “How does it feel to be a problem?” Jessica Vasquez-Tokos uses this question to examine how communities of color are constructed as “problems,” and the numerous ramifications this has for their life trajectories. Uncovering how various members of racial groups understand and react to what their racial status means for inclusion in, or exclusion from, the nation, Burdens of Belonging examines the historical underpinnings of the racial-colonial hierarchy, the influence this hierarchy has on lived experience, and how racialized life experience influences the feelings, perspectives and goals of people of color.Burdens of Belonging is based on interviews with people in Oregon from various racial groups, and brings multiple racial groups' opinions together to weigh in on the ways in which race contours national belonging and affects sense of self, everyday life and wellness, and aspirations for the future. This book highlights the value of inquiring how people from various racial backgrounds perceive their fit in the nation and reveals how race matters to belonging in multifaceted ways.Filling a gap in research on the everyday effects of accumulated racial disadvantage, Burdens of Belonging brings to the fore an analysis of how racial inequality, settler colonialism, and race relations penetrate multiple layers of social life and become etched into bodies and futures. Michael L. Rosino, Assistant Professor of Sociology, Molloy University Recent Books: Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30 Debating the Drug War: Race, Politics, and the Media (Routledge) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Burdens of Belonging: Race in an Unequal Nation By Jessica Vasquez-Tokos, Professor of Sociology at the University of Oregon W.E.B. Du Bois famously pondered a question he felt society was asking of him as a Black man in America: “How does it feel to be a problem?” Jessica Vasquez-Tokos uses this question to examine how communities of color are constructed as “problems,” and the numerous ramifications this has for their life trajectories. Uncovering how various members of racial groups understand and react to what their racial status means for inclusion in, or exclusion from, the nation, Burdens of Belonging examines the historical underpinnings of the racial-colonial hierarchy, the influence this hierarchy has on lived experience, and how racialized life experience influences the feelings, perspectives and goals of people of color.Burdens of Belonging is based on interviews with people in Oregon from various racial groups, and brings multiple racial groups' opinions together to weigh in on the ways in which race contours national belonging and affects sense of self, everyday life and wellness, and aspirations for the future. This book highlights the value of inquiring how people from various racial backgrounds perceive their fit in the nation and reveals how race matters to belonging in multifaceted ways.Filling a gap in research on the everyday effects of accumulated racial disadvantage, Burdens of Belonging brings to the fore an analysis of how racial inequality, settler colonialism, and race relations penetrate multiple layers of social life and become etched into bodies and futures. Michael L. Rosino, Assistant Professor of Sociology, Molloy University Recent Books: Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30 Debating the Drug War: Race, Politics, and the Media (Routledge) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Burdens of Belonging: Race in an Unequal Nation By Jessica Vasquez-Tokos, Professor of Sociology at the University of Oregon W.E.B. Du Bois famously pondered a question he felt society was asking of him as a Black man in America: “How does it feel to be a problem?” Jessica Vasquez-Tokos uses this question to examine how communities of color are constructed as “problems,” and the numerous ramifications this has for their life trajectories. Uncovering how various members of racial groups understand and react to what their racial status means for inclusion in, or exclusion from, the nation, Burdens of Belonging examines the historical underpinnings of the racial-colonial hierarchy, the influence this hierarchy has on lived experience, and how racialized life experience influences the feelings, perspectives and goals of people of color.Burdens of Belonging is based on interviews with people in Oregon from various racial groups, and brings multiple racial groups' opinions together to weigh in on the ways in which race contours national belonging and affects sense of self, everyday life and wellness, and aspirations for the future. This book highlights the value of inquiring how people from various racial backgrounds perceive their fit in the nation and reveals how race matters to belonging in multifaceted ways.Filling a gap in research on the everyday effects of accumulated racial disadvantage, Burdens of Belonging brings to the fore an analysis of how racial inequality, settler colonialism, and race relations penetrate multiple layers of social life and become etched into bodies and futures. Michael L. Rosino, Assistant Professor of Sociology, Molloy University Recent Books: Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30 Debating the Drug War: Race, Politics, and the Media (Routledge) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit: Christianity and the American Exercise Phenomenon (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture. Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit: Christianity and the American Exercise Phenomenon (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture. Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit: Christianity and the American Exercise Phenomenon (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture. Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit: Christianity and the American Exercise Phenomenon (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture. Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Every year, millions of public school students are suspended. This overused punishment removes students from the classroom, but it does not improve their behavior. Instead, suspension disrupts their education, harming the students, their families, and their schools. Black students suffer most within this broken system, experiencing a far greater risk of school punishment and the significant harms that accompany it. Many activists and scholars have considered how school punishment increases racial inequity, but few have thought to ask why. Why do we punish students the way we do, and why have we allowed this harmful practice to impact the lives of our nation's children? In Suspended Education: School Punishment and the Legacy of Racial Injustice (NYU Press, 2025), Aaron Kupchik takes readers to the root of the issue. Suspensions were not intended as a behavior management tool. Instead, they were designed to remove unwanted students from the classroom. Through statistical analysis and in-depth case studies of schools in Massachusetts and Delaware, Kupchik reveals how suspension rates skyrocketed after the 1954 Brown v. Board of Education decision, serving as an unofficial means of removing Black children from newly desegregated schools. His groundbreaking research traces the legacy of these segregationist movements, demonstrating that school districts with more desegregation-related legal battles from the 1950s onward suspend more Black students today. Combining expert analysis with compelling, accessible prose, Kupchik makes a powerful case for the end of suspension and other exclusionary punishments. The result is a revelatory explanation of a pressing problem facing all children, parents, and educators today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How do we acquire knowledge about societies? Does how we acquire social knowledge shape what we know? How conscious must we be of our own experiences as we do our research? What does feminism add to our methods and modes of research? Now in its second edition, Feminist Ethnography: Thinking through Methodologies, Challenges, and Possibilities (Rowman and Littlefield, 2022) by Drs. Crista Craven and Dána-Ain Davis answers these questions. The book is at once a how-to manual for doing feminist ethnography and a compendium of contributions from influential feminist ethnographers. Designed for students, scholars, community activists, and anyone interested in social knowledge, the book is multi-vocal and interdisciplinary and promotes critical methodologies as sites for reflection, collaboration, and creativity. It is a particularly important work for this moment in which anti-DEI efforts aim to minimize the work and perspectives of minoritized groups. Dr. Christa Craven (she/her/hers) is a Professor of Anthropology and Women's, Gender & Sexuality Studies at the College of Wooster, and co-founder of the Global Queer Studies minor. She has published four books, including Feminist Ethnography. Her 2019 monograph, Reproductive Losses: Challenges to LGBTQ Family-Making was awarded the Council on Anthropology & Reproduction's Book Prize in 2021, and selected by Women.com as a book that puts “the long, complicated history of reproductive rights into sharp focus.” Dr. Dána-Ain Davis is Professor of Urban Studies at Queens College, City University of New York and on the faculty of the PhD Programs in Anthropology and Critical Psychology. She is the director of the Center for the Study of Women and Society at the CUNY Graduate Center. Davis is the author, co-author, or co-editor of five books including Feminist Ethnography. NYU Press published Davis's Reproductive Injustice: Racism, Pregnancy, and Premature Birth in 2019 and the book received the Eileen Basker Memorial Prize from the Society for Medical Anthropology and The Senior Book Prize from the Association of Feminist Anthropology. Dr. Davis is also a doula. Mentioned in the Podcast: Feminist Activist Ethnography:Counterpoints to Neoliberalism in North America, edited by Christa Craven and Dána-Ain Davis Jafari S. Allen's The Anthropology of ‘What is Utterly Precious: Black Feminists, Black Queer Habits of Mind, and the ‘Object' of Ethnography,” in Unsettling Queer Anthropology: Foundations, Reorientations, and Departures, edited by Margot Weiss Wiki Education help for faculty. Sign up for their info sessions! College of Wooster's Women's Gender and Sexuality Studies's oral histories Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Every year, millions of public school students are suspended. This overused punishment removes students from the classroom, but it does not improve their behavior. Instead, suspension disrupts their education, harming the students, their families, and their schools. Black students suffer most within this broken system, experiencing a far greater risk of school punishment and the significant harms that accompany it. Many activists and scholars have considered how school punishment increases racial inequity, but few have thought to ask why. Why do we punish students the way we do, and why have we allowed this harmful practice to impact the lives of our nation's children? In Suspended Education: School Punishment and the Legacy of Racial Injustice (NYU Press, 2025), Aaron Kupchik takes readers to the root of the issue. Suspensions were not intended as a behavior management tool. Instead, they were designed to remove unwanted students from the classroom. Through statistical analysis and in-depth case studies of schools in Massachusetts and Delaware, Kupchik reveals how suspension rates skyrocketed after the 1954 Brown v. Board of Education decision, serving as an unofficial means of removing Black children from newly desegregated schools. His groundbreaking research traces the legacy of these segregationist movements, demonstrating that school districts with more desegregation-related legal battles from the 1950s onward suspend more Black students today. Combining expert analysis with compelling, accessible prose, Kupchik makes a powerful case for the end of suspension and other exclusionary punishments. The result is a revelatory explanation of a pressing problem facing all children, parents, and educators today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network