Podcasts about nyu press

Over the last century, tens of millions of people quit Eastern Europe for the United States. The push-pull factors were many—war, poverty, instability, persecution at home and opportunity, refuge, and liberty abroad. But manna didn't simply fall from the sky in America. Immigrants from Eastern Europe confronted many of the same challenges migrants do everywhere—exploitation, hardship, and discrimination.Thresholds is a REEES podcast series that will grapple with these histories through interviews with scholars and immigrants' personal profiles. What pushed them to leave? What did they discover when they arrived? How did they change and be changed by American society? What opportunities and challenges did they face to become “American”? And what can we learn about immigration today?Guest:Claudia Sadowski-Smith is Professor of English at Arizona State University. She is the author of The New Immigrant Whiteness: Race, Neoliberalism, and Post-Soviet Migration to the United States published by NYU Press. Hosted on Acast. See acast.com/privacy for more information.

St. Vincent's Hospital began with a simple, but radical mission: to care for all those in need regardless of race, creed, or financial means. For more than 160 years, the hospital carried out that work, serving notables and the nameless alike, from impoverished immigrants and those stricken by devastating nineteenth-century epidemics to AIDS patients and the victims of the attacks of 9/11. A Monument of Charity: St. Vincent's Hospital and Catholic Health Care in New York City (NYU Press, 2026) provides the first comprehensive history of this remarkable institution, from its humble beginnings in 1849 to its abrupt closure in 2010. Located in the heart of Greenwich Village, St. Vincent's earned distinction not only for the quality of its medical programs, but also for its unwavering dedication to the poor. The hospital was a testament to the vision and labor of the Sisters of Charity, who founded, staffed, and administered the hospital with remarkable skill and devotion. This captivating account documents St. Vincent's growth into one of the largest and most prominent Catholic medical centers in the United States, as well as its struggles to sustain its religious mission within the ever-changing and increasingly competitive medical marketplace. A Monument to Charity highlights the immense contributions of Catholic sisters to health care in the United States as well as the enduring legacy of all those who worked alongside them to care for the sick and alleviate suffering. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

St. Vincent's Hospital began with a simple, but radical mission: to care for all those in need regardless of race, creed, or financial means. For more than 160 years, the hospital carried out that work, serving notables and the nameless alike, from impoverished immigrants and those stricken by devastating nineteenth-century epidemics to AIDS patients and the victims of the attacks of 9/11. A Monument of Charity: St. Vincent's Hospital and Catholic Health Care in New York City (NYU Press, 2026) provides the first comprehensive history of this remarkable institution, from its humble beginnings in 1849 to its abrupt closure in 2010. Located in the heart of Greenwich Village, St. Vincent's earned distinction not only for the quality of its medical programs, but also for its unwavering dedication to the poor. The hospital was a testament to the vision and labor of the Sisters of Charity, who founded, staffed, and administered the hospital with remarkable skill and devotion. This captivating account documents St. Vincent's growth into one of the largest and most prominent Catholic medical centers in the United States, as well as its struggles to sustain its religious mission within the ever-changing and increasingly competitive medical marketplace. A Monument to Charity highlights the immense contributions of Catholic sisters to health care in the United States as well as the enduring legacy of all those who worked alongside them to care for the sick and alleviate suffering. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

St. Vincent's Hospital began with a simple, but radical mission: to care for all those in need regardless of race, creed, or financial means. For more than 160 years, the hospital carried out that work, serving notables and the nameless alike, from impoverished immigrants and those stricken by devastating nineteenth-century epidemics to AIDS patients and the victims of the attacks of 9/11. A Monument of Charity: St. Vincent's Hospital and Catholic Health Care in New York City (NYU Press, 2026) provides the first comprehensive history of this remarkable institution, from its humble beginnings in 1849 to its abrupt closure in 2010. Located in the heart of Greenwich Village, St. Vincent's earned distinction not only for the quality of its medical programs, but also for its unwavering dedication to the poor. The hospital was a testament to the vision and labor of the Sisters of Charity, who founded, staffed, and administered the hospital with remarkable skill and devotion. This captivating account documents St. Vincent's growth into one of the largest and most prominent Catholic medical centers in the United States, as well as its struggles to sustain its religious mission within the ever-changing and increasingly competitive medical marketplace. A Monument to Charity highlights the immense contributions of Catholic sisters to health care in the United States as well as the enduring legacy of all those who worked alongside them to care for the sick and alleviate suffering. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

St. Vincent's Hospital began with a simple, but radical mission: to care for all those in need regardless of race, creed, or financial means. For more than 160 years, the hospital carried out that work, serving notables and the nameless alike, from impoverished immigrants and those stricken by devastating nineteenth-century epidemics to AIDS patients and the victims of the attacks of 9/11. A Monument of Charity: St. Vincent's Hospital and Catholic Health Care in New York City (NYU Press, 2026) provides the first comprehensive history of this remarkable institution, from its humble beginnings in 1849 to its abrupt closure in 2010. Located in the heart of Greenwich Village, St. Vincent's earned distinction not only for the quality of its medical programs, but also for its unwavering dedication to the poor. The hospital was a testament to the vision and labor of the Sisters of Charity, who founded, staffed, and administered the hospital with remarkable skill and devotion. This captivating account documents St. Vincent's growth into one of the largest and most prominent Catholic medical centers in the United States, as well as its struggles to sustain its religious mission within the ever-changing and increasingly competitive medical marketplace. A Monument to Charity highlights the immense contributions of Catholic sisters to health care in the United States as well as the enduring legacy of all those who worked alongside them to care for the sick and alleviate suffering. Learn more about your ad choices. Visit megaphone.fm/adchoices

St. Vincent's Hospital began with a simple, but radical mission: to care for all those in need regardless of race, creed, or financial means. For more than 160 years, the hospital carried out that work, serving notables and the nameless alike, from impoverished immigrants and those stricken by devastating nineteenth-century epidemics to AIDS patients and the victims of the attacks of 9/11. A Monument of Charity: St. Vincent's Hospital and Catholic Health Care in New York City (NYU Press, 2026) provides the first comprehensive history of this remarkable institution, from its humble beginnings in 1849 to its abrupt closure in 2010. Located in the heart of Greenwich Village, St. Vincent's earned distinction not only for the quality of its medical programs, but also for its unwavering dedication to the poor. The hospital was a testament to the vision and labor of the Sisters of Charity, who founded, staffed, and administered the hospital with remarkable skill and devotion. This captivating account documents St. Vincent's growth into one of the largest and most prominent Catholic medical centers in the United States, as well as its struggles to sustain its religious mission within the ever-changing and increasingly competitive medical marketplace. A Monument to Charity highlights the immense contributions of Catholic sisters to health care in the United States as well as the enduring legacy of all those who worked alongside them to care for the sick and alleviate suffering. Learn more about your ad choices. Visit megaphone.fm/adchoices

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Learn more about your ad choices. Visit megaphone.fm/adchoices

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Please join us at patreon.com/tortoiseshack Yahia Lababidi is an Arab American poet of Palestinian descent and essayist, and the author of sixteen books. His work appears in Liberties, Salmagundi, The Threepenny Review, The New Statesman, The New Arab, and DAWN, among others. His recent books include Palestine Wail (Daraja Press, 2024), written in the first months of Israel's assault on Gaza, and What Remains to Be Said (Wild Goose Publications, 2025). His forthcoming essay collection, If You Cannot Say GENOCIDE: Essays on Conscience and Witness, will be published by New Village Press in October 2026 and distributed by NYU Press. He divides his time between the United States and Colombia. The Book is available here: https://www.newvillagepress.org/ifyoucannotsaygenocide/ The Venezuelan Earthquake podcast:https://www.patreon.com/tortoiseshack/posts/patron-exclusive-162431599

In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Please join us at patreon.com/tortoiseshack Yahia Lababidi is an Arab American poet and essayist of Palestinian descent, and the author of sixteen books. His work appears in Liberties, Salmagundi, The Threepenny Review, Dissent, The New Statesman, The New Arab, and DAWN, among others. His recent books include Palestine Wail (Daraja Press, 2024), written in the first months of Israel's assault on Gaza, and What Remains to Be Said (Wild Goose Publications, 2025). His forthcoming essay collection, If You Cannot Say GENOCIDE: Essays on Conscience and Witness, will be published by New Village Press in October 2026 and distributed by NYU Press. He divides his time between the United States and Colombia. The Book is available here:https://nyupress.org/9781613323045/if-you-cannot-say-genocide/ The Venezuelan Earthquake podcast:https://www.patreon.com/tortoiseshack/posts/patron-exclusive-162431599

In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

What's the episode about?In this episode, hear Professor Sandra Ruiz on poetry, writing, form, Brown Study, Ricanness, anticoloniality, grief-work, walking and being with the dead, and minoritarian aestheticsWho is Sandra?Sandra Ruiz is the author of Ricanness: Enduring Time in Anticolonial Performance; Left Turns in Brown Study; and Tears for Tears: Aesthetics in Grief Minor. Ruizis the co-author with Hypatia Vourloumis of Formless Formation: Vignettes for the End of this World and The Alleys: Just Dropped in to See What Condition My Condition Was In andco-editor with Shane Vogel & Uri McMillan of the NYU Press book series Minoritarian Aesthetics. When not writing and editing, Ruiz curates and produces through the Minor Aesthetics Lab. At the University of Illinois at Urbana-Champaign, Sandra Ruiz is the Sue Divan Professor of Performance Studies in the Department of Theatre.The special issue on gendered death in visual culture mentioned in the introduction is here.How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation:Ruiz, S. (2026) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 June 2026. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.32529204What next?Check out more episodes or find out more about the hosts! Got a question? Get in touch.

In this episode, I'm unpacking the history of female body hair removal, the rise of shaving and Brazilian wax culture, and why women are taught to see natural body hair as “gross.”From Ancient Egypt and razor advertising to pornography, patriarchy, and Eurocentric beauty standards, we're digging into how female hairlessness became tied to femininity, desirability, cleanliness, and control. Why is body hair considered masculine on men but unacceptable on women? And why does modern beauty culture reward women for removing visible signs of adulthood from their bodies?Are. You. Ready?****************Sources & References:Attwood, Feona. Mainstreaming Sex: The Sexualization of Western Culture. I.B. Tauris, 2009.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.Gill, Rosalind. Gender and the Media. Polity Press, 2007.Herzig, Rebecca. Plucked: A History of Hair Removal. NYU Press, 2015.Ovid. Ars Amatoria (The Art of Love). Translated by James Michie, Modern Library, 2002.Peiss, Kathy. Hope in a Jar: The Making of America's Beauty Culture. University of Pennsylvania Press, 2011.Strings, Sabrina. Fearing the Black Body: The Racial Origins of Fat Phobia. NYU Press, 2019.Tyldesley, Joyce. Nefertiti's Face: The Creation of an Icon. Harvard University Press, 2018.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harper Perennial, 2002.Additional historical and cultural analysis referenced throughout the episode includes studies on Ancient Egyptian beauty and grooming rituals, Islamic hygienic traditions and body hair practices, feminist media theory surrounding bodily surveillance, pornography and beauty culture, beauty labor and gendered self-surveillance, racialized beauty standards, Eurocentric femininity, and contemporary discussions surrounding Brazilian wax culture, “clean girl” aesthetics, and social media beauty trends.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

What's a recession indicator you've noticed?Lately, one answer keeps resurfacing online: "You can see celebrities' ribs again." And as unserious as that sounds at first, history suggests it may not be entirely wrong.In this episode, I dive into Ozempic, recession aesthetics, quiet luxury, heroin chic, and the return of thinness as a cultural ideal. From celebrity weight loss trends to the politics of appetite, I explore how beauty standards shift during periods of economic anxiety, social instability, and cultural fear- and why women's bodies so often become the place where those anxieties are projected.Are. You. Ready?****************Sources & References: Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. University of California Press, 1993.Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice, Harvard University Press, 1984.Debord, Guy. The Society of the Spectacle. Zone Books, 1994.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.Foxcroft, Louise. Calories & Corsets: A History of Dieting Over 2,000 Years. Profile Books, 2011.Rose, Nikolas. Governing the Soul: The Shaping of the Private Self. Free Association Books, 1999.Stearns, Peter N. Fat History: Bodies and Beauty in the Modern West. New York University Press, 2002.Strings, Sabrina. Fearing the Black Body: The Racial Origins of Fat Phobia. NYU Press, 2019.Tolentino, Jia. Trick Mirror: Reflections on Self-Delusion. Random House, 2019.Veblen, Thorstein. The Theory of the Leisure Class. Oxford University Press, 2007.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harper Perennial, 2002.Additional reporting and cultural analysis referenced throughout the episode includes coverage of Ozempic and Wegovy, celebrity weight loss culture, recession aesthetics, heroin chic and 1990s fashion culture, wellness culture, self-optimization, and digital body surveillance from contemporary journalism, academic commentary, and media analysis.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This week, we're sharing an interview with Andrew Krinks, author of White Property, Black Trespass: Racial Capitalism and the Religious Function of Mass Criminalization from NYU Press, 2024. For the chat, we speak about taking a theological lens to the question of what ties exclusive private property, white masculinity, police impunity and mass incarceration in the US. We discuss aspects of Christian thought, employ concepts borrowed from the Black Radical tradition and try to get closer to the root of the sickness in our culture that flourishes from others pain. To check out a Firestorm book event with the author and others about the book and related topics, check out this video!