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A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Please join us at patreon.com/tortoiseshack Yahia Lababidi is an Arab American poet of Palestinian descent and essayist, and the author of sixteen books. His work appears in Liberties, Salmagundi, The Threepenny Review, The New Statesman, The New Arab, and DAWN, among others. His recent books include Palestine Wail (Daraja Press, 2024), written in the first months of Israel's assault on Gaza, and What Remains to Be Said (Wild Goose Publications, 2025). His forthcoming essay collection, If You Cannot Say GENOCIDE: Essays on Conscience and Witness, will be published by New Village Press in October 2026 and distributed by NYU Press. He divides his time between the United States and Colombia. The Book is available here: https://www.newvillagepress.org/ifyoucannotsaygenocide/ The Venezuelan Earthquake podcast:https://www.patreon.com/tortoiseshack/posts/patron-exclusive-162431599
In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Please join us at patreon.com/tortoiseshack Yahia Lababidi is an Arab American poet and essayist of Palestinian descent, and the author of sixteen books. His work appears in Liberties, Salmagundi, The Threepenny Review, Dissent, The New Statesman, The New Arab, and DAWN, among others. His recent books include Palestine Wail (Daraja Press, 2024), written in the first months of Israel's assault on Gaza, and What Remains to Be Said (Wild Goose Publications, 2025). His forthcoming essay collection, If You Cannot Say GENOCIDE: Essays on Conscience and Witness, will be published by New Village Press in October 2026 and distributed by NYU Press. He divides his time between the United States and Colombia. The Book is available here:https://nyupress.org/9781613323045/if-you-cannot-say-genocide/ The Venezuelan Earthquake podcast:https://www.patreon.com/tortoiseshack/posts/patron-exclusive-162431599
In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today's global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world's screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices
Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies
In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
What's the episode about?In this episode, hear Professor Sandra Ruiz on poetry, writing, form, Brown Study, Ricanness, anticoloniality, grief-work, walking and being with the dead, and minoritarian aestheticsWho is Sandra?Sandra Ruiz is the author of Ricanness: Enduring Time in Anticolonial Performance; Left Turns in Brown Study; and Tears for Tears: Aesthetics in Grief Minor. Ruizis the co-author with Hypatia Vourloumis of Formless Formation: Vignettes for the End of this World and The Alleys: Just Dropped in to See What Condition My Condition Was In andco-editor with Shane Vogel & Uri McMillan of the NYU Press book series Minoritarian Aesthetics. When not writing and editing, Ruiz curates and produces through the Minor Aesthetics Lab. At the University of Illinois at Urbana-Champaign, Sandra Ruiz is the Sue Divan Professor of Performance Studies in the Department of Theatre.The special issue on gendered death in visual culture mentioned in the introduction is here.How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation:Ruiz, S. (2026) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 June 2026. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.32529204What next?Check out more episodes or find out more about the hosts! Got a question? Get in touch.
In this episode, I'm unpacking the history of female body hair removal, the rise of shaving and Brazilian wax culture, and why women are taught to see natural body hair as “gross.”From Ancient Egypt and razor advertising to pornography, patriarchy, and Eurocentric beauty standards, we're digging into how female hairlessness became tied to femininity, desirability, cleanliness, and control. Why is body hair considered masculine on men but unacceptable on women? And why does modern beauty culture reward women for removing visible signs of adulthood from their bodies?Are. You. Ready?****************Sources & References:Attwood, Feona. Mainstreaming Sex: The Sexualization of Western Culture. I.B. Tauris, 2009.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.Gill, Rosalind. Gender and the Media. Polity Press, 2007.Herzig, Rebecca. Plucked: A History of Hair Removal. NYU Press, 2015.Ovid. Ars Amatoria (The Art of Love). Translated by James Michie, Modern Library, 2002.Peiss, Kathy. Hope in a Jar: The Making of America's Beauty Culture. University of Pennsylvania Press, 2011.Strings, Sabrina. Fearing the Black Body: The Racial Origins of Fat Phobia. NYU Press, 2019.Tyldesley, Joyce. Nefertiti's Face: The Creation of an Icon. Harvard University Press, 2018.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harper Perennial, 2002.Additional historical and cultural analysis referenced throughout the episode includes studies on Ancient Egyptian beauty and grooming rituals, Islamic hygienic traditions and body hair practices, feminist media theory surrounding bodily surveillance, pornography and beauty culture, beauty labor and gendered self-surveillance, racialized beauty standards, Eurocentric femininity, and contemporary discussions surrounding Brazilian wax culture, “clean girl” aesthetics, and social media beauty trends.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music
What's a recession indicator you've noticed?Lately, one answer keeps resurfacing online: "You can see celebrities' ribs again." And as unserious as that sounds at first, history suggests it may not be entirely wrong.In this episode, I dive into Ozempic, recession aesthetics, quiet luxury, heroin chic, and the return of thinness as a cultural ideal. From celebrity weight loss trends to the politics of appetite, I explore how beauty standards shift during periods of economic anxiety, social instability, and cultural fear- and why women's bodies so often become the place where those anxieties are projected.Are. You. Ready?****************Sources & References: Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. University of California Press, 1993.Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice, Harvard University Press, 1984.Debord, Guy. The Society of the Spectacle. Zone Books, 1994.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.Foxcroft, Louise. Calories & Corsets: A History of Dieting Over 2,000 Years. Profile Books, 2011.Rose, Nikolas. Governing the Soul: The Shaping of the Private Self. Free Association Books, 1999.Stearns, Peter N. Fat History: Bodies and Beauty in the Modern West. New York University Press, 2002.Strings, Sabrina. Fearing the Black Body: The Racial Origins of Fat Phobia. NYU Press, 2019.Tolentino, Jia. Trick Mirror: Reflections on Self-Delusion. Random House, 2019.Veblen, Thorstein. The Theory of the Leisure Class. Oxford University Press, 2007.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harper Perennial, 2002.Additional reporting and cultural analysis referenced throughout the episode includes coverage of Ozempic and Wegovy, celebrity weight loss culture, recession aesthetics, heroin chic and 1990s fashion culture, wellness culture, self-optimization, and digital body surveillance from contemporary journalism, academic commentary, and media analysis.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music
From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Samiha Rahman's Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur'an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
This week, we're sharing an interview with Andrew Krinks, author of White Property, Black Trespass: Racial Capitalism and the Religious Function of Mass Criminalization from NYU Press, 2024. For the chat, we speak about taking a theological lens to the question of what ties exclusive private property, white masculinity, police impunity and mass incarceration in the US. We discuss aspects of Christian thought, employ concepts borrowed from the Black Radical tradition and try to get closer to the root of the sickness in our culture that flourishes from others pain. To check out a Firestorm book event with the author and others about the book and related topics, check out this video!
Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies' most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.The volume insists that the close study of meaning, form, and representation remains central to understanding media's power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today's media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies' most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.The volume insists that the close study of meaning, form, and representation remains central to understanding media's power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today's media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today's algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth's test kitchens to Jane Fonda's Jazzercise empire and Disney's computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of — and attachment to — AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today's algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth's test kitchens to Jane Fonda's Jazzercise empire and Disney's computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of — and attachment to — AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
What if the biggest secret in UFO history isn't alien… it's angelic? Or demonic. Or somewhere in that awkward in-between where rockets and ritual candles share shelf space.This week, we plunge headfirst into one of the strangest rabbit holes in modern conspiracy lore: the alleged “Collins Elite” — a rumored faction inside the U.S. government that supposedly concluded UFOs aren't extraterrestrials at all, but deceptive spiritual entities. We unpack where the story comes from, what believers claim insiders discovered, and why some say disclosure could be less about little green men and more about theological shockwaves.But that's just the warm-up.Did Allied intelligence really brush shoulders with a British occultist during WWII? Was Aleister Crowley pitching magical countermeasures against Nazi symbolism? And how does rocket pioneer Jack Parsons' sex-magic rituals tie into the birth of the modern UFO era?We explore the full fringe narrative — demons disguised as aliens, ritual “doorways,” Cold War psychic programs, and secret spiritual warfare in the Pentagon — while also laying out the documented history, the skepticism, and the very human tendency to mythologize the unknown.Is this a hidden chapter of national security history… or a masterclass in how conspiracies evolve when secrecy meets symbolism?Strap in. It's rockets, rituals, remote viewing, and Revelation — this week on Hysteria 51.Special thanks to this week's research sources:Congressional & Government RecordsU.S. House Committee on Oversight and Accountability. “Unidentified Anomalous Phenomena: Exposing the Truth.” Hearing, November 13, 2024.https://oversight.house.gov/hearing/unidentified-anomalous-phenomena-exposing-the-truth/U.S. Congress. “Unidentified Anomalous Phenomena: Exposing the Truth.” 118th Congress Hearing Record.https://www.congress.gov/118/chrg/CHRG-118hhrg57440/CHRG-118hhrg57440.pdfShellenberger, Michael. Written Testimony. U.S. House Oversight Committee, November 13, 2024.https://oversight.house.gov/wp-content/uploads/2024/11/Written-Testimony-Shellenberger.pdfCentral Intelligence Agency. “STARGATE Collection.” CIA FOIA Electronic Reading Room.https://www.cia.gov/readingroom/collection/stargateCentral Intelligence Agency. “An Evaluation of the Remote Viewing Program.”https://www.cia.gov/readingroom/docs/CIA-RDP96-00791R000200180005-5.pdfCentral Intelligence Agency. “Project MKULTRA.” CIA FOIA Reading Room.https://www.cia.gov/readingroom/document/06760269U.S. Senate Select Committee on Intelligence. “Project MKULTRA, the CIA's Program of Research in Behavioral Modification.” Hearing, August 3, 1977.https://www.intelligence.senate.gov/wp-content/uploads/2024/08/sites-default-files-hearings-95mkultra.pdfU.S. Department of Defense. FOIA Reading Room Release referencing MKOFTEN and related research.https://www.esd.whs.mil/Portals/54/Documents/FOID/Reading%20Room/NCB/02-A-0846_RELEASE.pdfCollins Elite & Demonic UFO ClaimsRedfern, Nick. Final Events: Demonic UFOs, Alien Abductions, the Government, and the Afterlife. Anomalist Books, 2010.“Final Events.” Wikipedia.https://en.wikipedia.org/wiki/Final_EventsMilburn, F. “The Pentagon's UAP Task Force.” BESA Center Perspectives Paper No. 1,836, 2020.https://besacenter.org/wp-content/uploads/2020/11/183-Milburn-study-final.pdfOccult & WWII ContextCrowley, Aleister. Biographical overview.https://en.wikipedia.org/wiki/Aleister_Crowley“V sign.” Wikipedia (Crowley and WWII ‘V for Victory' claims).https://en.wikipedia.org/wiki/V_signParsons, Jack. Biographical overview.https://en.wikipedia.org/wiki/Jack_Parsons“Sex-Cult Rocket Man.” JSTOR Daily.https://daily.jstor.org/sex-cult-rocket-man/Goodrick-Clarke, Nicholas. The Occult Roots of Nazism. NYU Press.https://nyupress.org/9780814730607/occult-roots-of-nazism/Media CoverageMedill on the Hill. “UAP Hearing Coverage.” November 2024.https://medillonthehill.medill.northwestern.edu/2024/11/uap/Email us your favorite WEIRD news stories:weird@hysteria51.comHelp Support the Show:Get exclusive content & perks as well as an ad and sponsor free experience at https://www.patreon.com/Hysteria51 from just $1Shop:Be the Best Dressed at your Cult Meeting!https://www.teepublic.com/stores/hysteria51?ref_id=9022See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Most of us spend some part of our lives feeling bad about ourselves and wanting to feel better. But this preoccupation is a surprisingly new one in the history of the world, and can largely be traced back to one man: a rumpled, convertible-driving California state representative named John Vasconcellos who helped spark a movement that took over schools, board rooms, and social-service offices across America in the 1990s. This week, we look at the rise and fall of the self-esteem movement and ask: is it possible to raise your self-esteem? And is trying to do so even a good idea?Special thanks to big thank you to the University of California, Santa Barbara Library for use of audio material from their Humanistic Psychology Archives and to their staff for helping located so many audio recordings. EPISODE CREDITS: Reported by - Heather Radke and Matt Kielty Produced by - Matt KietlyFlute performance and compositions by - Ben BatchelderVoiceover work by - Dann FinkFact-checking by - Anna Pujol-Mazzini and Angely Mercadoand Edited by - Pat WaltersEPISODE CITATIONS:Articles - UCSB Humanistic Psychology Archive (https://zpr.io/HfVjUmvcVevE)Books - Selfie: How We Became So Self-Obsessed and What It's Doing to Us (https://zpr.io/eGRyqz9zNQHu) by Will Storr. Counterpoint, 2018.A Liberating Vision (https://zpr.io/tJn7BR5m84fv) by Vasconcellos, John. Impact Publishers, Inc., 1979The Therapeutic State (https://zpr.io/tJn7BR5m84fv) by Nolan, James, Jr. NYU Press, 1998Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.