Podcasts about tal zalmanovich

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She's a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il  

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She's a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

In mid-March, Europeans observed the Dutch national elections with intense interest. Onlookers believed that a victory of the Party for Freedom led by Geert Wilders will influence the results of coming elections in France, the UK, and Germany. It was thought that it would impact these countries immigration policies, and shape their attitudes to their Muslim population. The media coverage stressed the racist and xenophobic rhetoric of Wilders and his supporters, and emphasized the growing tensions between the Netherland’s Muslim and non-Muslim citizens. In Amplifying Islam in the European Soundscape: Religious Pluralism and Secularism in the Netherlands (Bloomsbury Press, 2017) anthropologist and scholar of religion Pooyan Tamimi Arab uses sound to suggest a counter-narrative about the state of the Dutch nation. This exceptional monograph looks at debates over the azan, the Muslim call to pray, to reveal the civic negotiations between Muslim and non-Muslim citizens. Tamimi Arab looks to local town halls meetings where community representatives work to find a compromise between the wish for public worship and demands for a discreet practice. By focusing on the sonic dimensions of public worship, Tamimi Arab can expose hidden power struggles. He finds for example, that a dual desire to belong in the nation and to keep a connection to their countries of origin motivates many of those demanding the use of loudspeakers for the azan. In his field work, Tamimi Arab observed how although conflicting needs pose challenges to religious tolerance, tensions were often mitigated on the ground. His account of the process results in a more optimist portrayal of a society in influx than the standard narrative of Europe in the twenty-first century. This makes Amplifying Islam a useful example for scholars who aspire to challenge the privileged status of the text in current scholarship. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and its activists impact on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In mid-March, Europeans observed the Dutch national elections with intense interest. Onlookers believed that a victory of the Party for Freedom led by Geert Wilders will influence the results of coming elections in France, the UK, and Germany. It was thought that it would impact these countries immigration policies, and shape their attitudes to their Muslim population. The media coverage stressed the racist and xenophobic rhetoric of Wilders and his supporters, and emphasized the growing tensions between the Netherland’s Muslim and non-Muslim citizens. In Amplifying Islam in the European Soundscape: Religious Pluralism and Secularism in the Netherlands (Bloomsbury Press, 2017) anthropologist and scholar of religion Pooyan Tamimi Arab uses sound to suggest a counter-narrative about the state of the Dutch nation. This exceptional monograph looks at debates over the azan, the Muslim call to pray, to reveal the civic negotiations between Muslim and non-Muslim citizens. Tamimi Arab looks to local town halls meetings where community representatives work to find a compromise between the wish for public worship and demands for a discreet practice. By focusing on the sonic dimensions of public worship, Tamimi Arab can expose hidden power struggles. He finds for example, that a dual desire to belong in the nation and to keep a connection to their countries of origin motivates many of those demanding the use of loudspeakers for the azan. In his field work, Tamimi Arab observed how although conflicting needs pose challenges to religious tolerance, tensions were often mitigated on the ground. His account of the process results in a more optimist portrayal of a society in influx than the standard narrative of Europe in the twenty-first century. This makes Amplifying Islam a useful example for scholars who aspire to challenge the privileged status of the text in current scholarship. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and its activists impact on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In mid-March, Europeans observed the Dutch national elections with intense interest. Onlookers believed that a victory of the Party for Freedom led by Geert Wilders will influence the results of coming elections in France, the UK, and Germany. It was thought that it would impact these countries immigration policies, and shape their attitudes to their Muslim population. The media coverage stressed the racist and xenophobic rhetoric of Wilders and his supporters, and emphasized the growing tensions between the Netherland’s Muslim and non-Muslim citizens. In Amplifying Islam in the European Soundscape: Religious Pluralism and Secularism in the Netherlands (Bloomsbury Press, 2017) anthropologist and scholar of religion Pooyan Tamimi Arab uses sound to suggest a counter-narrative about the state of the Dutch nation. This exceptional monograph looks at debates over the azan, the Muslim call to pray, to reveal the civic negotiations between Muslim and non-Muslim citizens. Tamimi Arab looks to local town halls meetings where community representatives work to find a compromise between the wish for public worship and demands for a discreet practice. By focusing on the sonic dimensions of public worship, Tamimi Arab can expose hidden power struggles. He finds for example, that a dual desire to belong in the nation and to keep a connection to their countries of origin motivates many of those demanding the use of loudspeakers for the azan. In his field work, Tamimi Arab observed how although conflicting needs pose challenges to religious tolerance, tensions were often mitigated on the ground. His account of the process results in a more optimist portrayal of a society in influx than the standard narrative of Europe in the twenty-first century. This makes Amplifying Islam a useful example for scholars who aspire to challenge the privileged status of the text in current scholarship. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and its activists impact on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In mid-March, Europeans observed the Dutch national elections with intense interest. Onlookers believed that a victory of the Party for Freedom led by Geert Wilders will influence the results of coming elections in France, the UK, and Germany. It was thought that it would impact these countries immigration policies, and shape their attitudes to their Muslim population. The media coverage stressed the racist and xenophobic rhetoric of Wilders and his supporters, and emphasized the growing tensions between the Netherland’s Muslim and non-Muslim citizens. In Amplifying Islam in the European Soundscape: Religious Pluralism and Secularism in the Netherlands (Bloomsbury Press, 2017) anthropologist and scholar of religion Pooyan Tamimi Arab uses sound to suggest a counter-narrative about the state of the Dutch nation. This exceptional monograph looks at debates over the azan, the Muslim call to pray, to reveal the civic negotiations between Muslim and non-Muslim citizens. Tamimi Arab looks to local town halls meetings where community representatives work to find a compromise between the wish for public worship and demands for a discreet practice. By focusing on the sonic dimensions of public worship, Tamimi Arab can expose hidden power struggles. He finds for example, that a dual desire to belong in the nation and to keep a connection to their countries of origin motivates many of those demanding the use of loudspeakers for the azan. In his field work, Tamimi Arab observed how although conflicting needs pose challenges to religious tolerance, tensions were often mitigated on the ground. His account of the process results in a more optimist portrayal of a society in influx than the standard narrative of Europe in the twenty-first century. This makes Amplifying Islam a useful example for scholars who aspire to challenge the privileged status of the text in current scholarship. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and its activists impact on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In mid-March, Europeans observed the Dutch national elections with intense interest. Onlookers believed that a victory of the Party for Freedom led by Geert Wilders will influence the results of coming elections in France, the UK, and Germany. It was thought that it would impact these countries immigration policies, and shape their attitudes to their Muslim population. The media coverage stressed the racist and xenophobic rhetoric of Wilders and his supporters, and emphasized the growing tensions between the Netherland’s Muslim and non-Muslim citizens. In Amplifying Islam in the European Soundscape: Religious Pluralism and Secularism in the Netherlands (Bloomsbury Press, 2017) anthropologist and scholar of religion Pooyan Tamimi Arab uses sound to suggest a counter-narrative about the state of the Dutch nation. This exceptional monograph looks at debates over the azan, the Muslim call to pray, to reveal the civic negotiations between Muslim and non-Muslim citizens. Tamimi Arab looks to local town halls meetings where community representatives work to find a compromise between the wish for public worship and demands for a discreet practice. By focusing on the sonic dimensions of public worship, Tamimi Arab can expose hidden power struggles. He finds for example, that a dual desire to belong in the nation and to keep a connection to their countries of origin motivates many of those demanding the use of loudspeakers for the azan. In his field work, Tamimi Arab observed how although conflicting needs pose challenges to religious tolerance, tensions were often mitigated on the ground. His account of the process results in a more optimist portrayal of a society in influx than the standard narrative of Europe in the twenty-first century. This makes Amplifying Islam a useful example for scholars who aspire to challenge the privileged status of the text in current scholarship. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and its activists impact on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company's offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman's Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women's contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She's currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She's currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoices