Podcasts about Jerusalem

You might not think about love, sex, and gender when you think about the Middle Ages, but you might be surprised! We are joined by the co-curators of the Spectrum of Desire exhibition at The Met Cloisters to talk about topics like queering the past, gender identity, and what art can tell us about those things during the Medieval period. Content Warning: This episode contains conversations about or mentions of sex, misogyny, genitalia, adultery, transphobia, and sexual assault. GuestsMelanie Holcomb and Nancy Thebaut are the co-curators of the Spectrum of Desire: Love, Sex, and Gender in the Middle Ages exhibition at The Met Cloisters. Nancy Thebaut is Associate Professor of Art History at the University of Oxford & tutorial fellow at St Catherine's College. Her research interests range widely, from Carolingian & Ottonian liturgical manuscripts to the study of gender & sexuality across media. Melanie Holcomb is a curator in the Department of Medieval Art and The Cloisters at the Metropolitan Museum of Art, where she has organized or co-organized numerous exhibitions including Pen and Parchment: Drawing in the Middle Ages (2009), Jerusalem 1000-1400: Every People Under Heaven (2016). Melanie's projects have been fueled by a career-long fascination with how art works—the functions it serves and methods it uses to communicate.Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Send in those urban legend emails!- Submit Your Urban Legends Audio: Call us! 617-420-2344Minneapolis Spotlight- Comma, a bookshop is an independent bookstore in Minneapolis that sells books and helps to build community, with a focus on deepening connection with their community and drawing connections between ideas.Find Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Click here for the DRB Daily Sign Up form! TODAY'S SCRIPTURE: Numbers 34–36; Mark 11 Click HERE to give! One Year Bible Podcast: Join Hunter and Heather Barnes on the Daily Radio Bible, a daily Bible‑in‑a‑year podcast with 20‑minute Scripture readings, Christ‑centered devotion, and guided prayer.This daily Bible reading and devotional invites you to live as a citizen of Jesus' kingdom, reconciled, renewed, and deeply loved. TODAY'S EPISODE: Welcome to the Daily Radio Bible! On this March 4th, 2024 episode, host and Bible Reading Coach Hunter invites us on day 63 of our journey through the scriptures. Today's exploration takes us through Numbers 34–36, where God lays out the boundaries for the Promised Land, assigns cities of refuge, and addresses the inheritance of land among the tribes of Israel. Then, we turn to Mark 11 and witness Jesus' entry into Jerusalem, his confrontation in the temple, the mysterious withering of the fig tree, and a powerful lesson on faith and forgiveness. Along the way, Hunter offers thoughtful reflection on what it means to participate with God—to bear spiritual fruit, even when it seems unreasonable or impossible. The episode closes with prayer, encouragement to invest in your soul, and heartfelt thanks to the faithful community making this daily journey possible. Join in for scripture, prayer, and a reminder that, above all, you are loved. TODAY'S DEVOTION: Jesus speaks to the tree and Jesus speaks to his disciples. If you caught me speaking to a tree, you might think that's strange, and you would be right—it is. And yet, Mark tells us the disciples heard him say it. There was something lingering in that moment, something that carried over into the next day when the disciples saw the tree withered from the roots. They had to bring it to Jesus' attention. "Rabbi, look, the tree, it's withered." Jesus then turns to his disciples and says, "Have faith in God." There is a mysterious connection in this story between Jesus' words to the tree and his words to his friends. Why does he curse the tree, especially since Mark tells us it wasn't the season for figs? It's a mystery. Yet the tree, which had no fruit, failed to be what it was created to be. The Creator comes, looking for fruit—even out of season. Is it the tree's fault, or is there a deeper lesson here? We see that the tree was expected to participate with the Creator, to respond to him, to be ready to bear fruit when he came looking—even if it seemed unreasonable. Likewise, to the disciples, Jesus says: "Have faith in God." The Creator walks with his creation and asks us to cooperate, to be and do what we were made for. Does it seem impossible to bring forth fruit, to move mountains, to forgive someone who has hurt us deeply? Not if the Creator asks it of you. Not if the one who has made you and called you his own asks you to walk in this way. The life of a disciple is a life of participation with God. It is not about magic tricks or parlor games of faith, but about saying yes to God's invitation to be and do what he asks. When you pray, Jesus says, forgive. That's how participation works. Because you are forgiven, loved, and made new, you are invited to participate in his life, to forgive as you have been forgiven, to love as you have been loved, to be fruitful in season and out of season. This life with God may look strange to the world, but it is so much bigger, freer, and filled with more life than we can imagine. That's a prayer I hold for my own soul, for my family—for my wife, my daughters, my son. And it's a prayer I have for you. May we become who the Creator has made us to be. May we say yes to his call, participate in his life, and find ourselves truly alive. May it be so. TODAY'S PRAYERS: Lord God Almighty and everlasting father you have brought us in safety to this new day preserve us with your Mighty power that we might not fall into sin or be overcome by adversity. And in all we do, direct us to the fulfilling of your purpose  through Jesus Christ Our Lord amen.   Oh God you have made of one blood all the peoples of the earth and sent your blessed son to preach peace to those who are far and those who are near. Grant that people everywhere may seek after you, and find you. Bring the nations into your fold, pour out your Spirit on all flesh, and hasten the coming of your kingdom through Jesus Christ our Lord, Amen.   And now Lord,  make me an instrument of your peace.  Where there is hatred let me sow love. Where there is injury, pardon.  Where there is doubt, faith. Where there is despair, hope.  Where there is darkness, light.  And where there is sadness,  Joy.  Oh Lord grant that I might not seek to be consoled as to console. To be understood as to understand, to be loved as to love.  For it is in the giving that we receive, in the pardoning that we are pardoned, it is in the dying that we are born unto eternal life.  Amen And now as our Lord has taught us we are bold to pray... Our Father who art in heaven, hallowed be thy name, thy kingdom come thy will be done on earth as it is in heaven, give us this day our daily bread, and forgive us our tresspasses as we forgive those who trespass against us, and lead us not unto temptation, but deliver us from evil, for thine is the Kingdom and the power and the glory forever. Amen. Loving God, we give you thanks for restoring us in your image. And nourishing us with spiritual food, now send us forth as forgiven people, healed and renewed, that we may proclaim your love to the world, and continue in the risen life of Christ.  Amen.  OUR WEBSITE: www.dailyradiobible.com We are reading through the New Living Translation.   Leave us a voicemail HERE: https://www.speakpipe.com/dailyradiobible Subscribe to us at YouTube: https://www.youtube.com/@Dailyradiobible/featured OTHER PODCASTS: Listen with Apple Podcast DAILY BIBLE FOR KIDS DAILY PSALMS DAILY PROVERBS DAILY LECTIONARY DAILY CHRONOLOGICAL  

What happens to God's people during the Great Tribulation? We discover that the Shepherd who began with 144,000 sheep is the Lamb. All 144,000 are with Him—not one is lost. He redeemed them. He sealed them. He kept them. And now He's standing with them as He begins His reign from Jerusalem. And those 144,000? They enter the millennial kingdom on earth singing with the heavenly chorus.

In 1095, Pope Urban II's fiery sermon lit the fuse for a so‑called holy war in the Holy Land. In the first episode of a new series, Dr. Eleanor Janega and Matt Lewis unpack the First Crusades, when this Christian armies fought against Muslim lords for possession of the arid deserts of the Holy Land. What spurred thousands upon thousands of medieval Christians, noble and poor alike, to abandon their homes and risk their lives? Find out how this blood-soaked epic reshaped the medieval world.MOREWomen CrusadersListen on AppleListen on SpotifyMedieval JerusalemListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Click here for the DRB Daily Sign Up form! TODAY'S SCRIPTURE: Numbers 32-33,; Mark 10 Click HERE to give! One Year Bible Podcast: Join Hunter and Heather Barnes on the Daily Radio Bible, a daily Bible‑in‑a‑year podcast with 20‑minute Scripture readings, Christ‑centered devotion, and guided prayer.This daily Bible reading and devotional invites you to live as a citizen of Jesus' kingdom, reconciled, renewed, and deeply loved. TODAY'S EPISODE: Welcome to the Daily Radio Bible, where we journey together through the pages of scripture and let the Word of God direct our hearts to the living Word, Jesus. In today's episode, Hunter guides us through Numbers 32 and 33, exploring the story of the tribes of Reuben, Gad, and Manasseh as they negotiate their inheritance and responsibilities on the east side of the Jordan. We then move into Mark 10, where Jesus' teachings challenge our understandings of marriage, wealth, service, and faith. Through the encounter with blind Bartimaeus, we witness the importance of spiritual sight—of hearing and recognizing Jesus before ever physically seeing. Wrapping up with heartfelt prayers and encouragement, Hunter invites us to live in the freedom, hope, and love found in Christ, encouraging us to share this good news with others. Whether you're new to the Bible or a seasoned reader, there's something in this episode that will inspire, challenge, and remind you: you are loved, no doubt about it. TODAY'S DEVOTION: He opens the eyes of the heart. In today's readings, we see the story of Bartimaeus, a blind man who, before his eyes are ever opened, seems to see what others do not. The miracle begins not with sight, but with hearing—Bartimaeus heard about Jesus, this one who pays attention to the poor, stands up to religious leaders, and is a friend of sinners. He recognizes that Jesus is the one the world has been waiting for, the Son of David, and cries out for mercy. When Jesus calls Bartimaeus to himself, he asks him, "What do you want me to do for you?" Although the answer may appear obvious, what's truly remarkable is that Bartimaeus, though blind, truly sees. He calls Jesus "My Rabbi." Somehow, the eyes of Bartimaeus's heart were already being opened by the love and presence of God. When God's heart awakens us and we hear of his love, our eyes are opened, too. Bartimaeus's physical sight is restored, but even more, his understanding—his inner vision—guides him. And upon receiving his sight, he does the only thing there is to do: he follows Jesus. Bartimaeus gets up and follows Jesus on the road, even toward Jerusalem and the cross. He is being made new. The story shows us that real sight, real transformation, often begins when we have ears to hear the good news of who Jesus is. That's a prayer for all of us—for open eyes, for hearts that catch a glimpse of the love of God, so that we, too, will see and, seeing, will follow. May your sight and your steps be guided by the love and mercy of the One who calls you by name. That's a prayer I have for my family, for my wife, my daughters and my son—and that's a prayer I have for you. May it be so. TODAY'S PRAYERS: Lord God Almighty and everlasting father you have brought us in safety to this new day preserve us with your Mighty power that we might not fall into sin or be overcome by adversity. And in all we do, direct us to the fulfilling of your purpose  through Jesus Christ Our Lord amen.   Oh God you have made of one blood all the peoples of the earth and sent your blessed son to preach peace to those who are far and those who are near. Grant that people everywhere may seek after you, and find you. Bring the nations into your fold, pour out your Spirit on all flesh, and hasten the coming of your kingdom through Jesus Christ our Lord, Amen.   And now Lord,  make me an instrument of your peace.  Where there is hatred let me sow love. Where there is injury, pardon.  Where there is doubt, faith. Where there is despair, hope.  Where there is darkness, light.  And where there is sadness,  Joy.  Oh Lord grant that I might not seek to be consoled as to console. To be understood as to understand, to be loved as to love.  For it is in the giving that we receive, in the pardoning that we are pardoned, it is in the dying that we are born unto eternal life.  Amen And now as our Lord has taught us we are bold to pray... Our Father who art in heaven, hallowed be thy name, thy kingdom come thy will be done on earth as it is in heaven, give us this day our daily bread, and forgive us our tresspasses as we forgive those who trespass against us, and lead us not unto temptation, but deliver us from evil, for thine is the Kingdom and the power and the glory forever. Amen. Loving God, we give you thanks for restoring us in your image. And nourishing us with spiritual food, now send us forth as forgiven people, healed and renewed, that we may proclaim your love to the world, and continue in the risen life of Christ.  Amen.  OUR WEBSITE: www.dailyradiobible.com We are reading through the New Living Translation.   Leave us a voicemail HERE: https://www.speakpipe.com/dailyradiobible Subscribe to us at YouTube: https://www.youtube.com/@Dailyradiobible/featured OTHER PODCASTS: Listen with Apple Podcast DAILY BIBLE FOR KIDS DAILY PSALMS DAILY PROVERBS DAILY LECTIONARY DAILY CHRONOLOGICAL  

Today Jerusalem is the major point of conflict between the Arabs and Jews; both claim it as their own. There can be no peace in the Middle East—or elsewhere in the world—until this conflict is resolved with the return of the King-Messiah Jesus. Pastor Runge will take you through Jerusalem's past and into her future in the plan of God. To support this ministry financially, visit: https://www.oneplace.com/donate/1094/29?v=20251111

With Supreme Leader Ali Khamenei killed following a joint United States–Israel military operation inside Iran, the political and strategic landscape has shifted dramatically. What comes next? Jian sits down with: Shayan Samii - U.S. national security analyst and strategic communications expert. Behnam Ben Taleblu - Senior Director of the Iran Program at FDD and specialist on Iran's security apparatus. They discuss: Whether this is a genuine turning point If celebration is appropriate for long-suffering Iranians based on the death of Khamenei, but despite there being a long way to go Whether Washington and Jerusalem have a real “day after” plan The risk of a clerical power vacuum The role of Prince Reza Pahlavi and the opposition The regime's regional retaliation The episode opens with an essay from Jian outlining 4 reasons a free Iran could transform global security, economics, migration patterns, and the Middle East's long-term trajectory. This episode is supported by: Stellar Law - stellarlaw.ca Avoca Chocolates - avocachocolates.com Follow Jian on Instagram @JianGhomeshi Meezoon basheen.

How do you build a creative life that spans music, writing, film, and spiritual practice? Alicia Jo Rabins talks about weaving multiple creative strands into a sustainable career and why the best advice for any creator might simply be: just make the thing. In the intro, backlist promotion strategy [Written Word Media]; Successful author business [Novel Marketing Podcast]; Alliance of Independent Authors Indie Author Bookstore; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Building a sustainable multi-disciplinary creative career through teaching, performance, grants, and donations Trusting instinct in the early generative stages of creativity and separating generation from editing Adapting and reimagining religious and cultural source material through music, writing, and performance The challenges of transitioning from poetry to long-form prose memoir, including choosing a lens for your story Making an independent film on a shoestring budget without waiting for Hollywood's permission Finding your creative voice and building confidence by leaning into vulnerability and returning to the practice of making You can find Alicia at AliciaJo.com. Transcript of the interview with Alicia Jo Rabins Joanna: Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. So welcome to the show, Alicia. Alicia: Thank you so much. I'm delighted to be here. Joanna: There is so much we could talk about. But first up— Tell us a bit more about you and how you've woven so many strands of creativity into your life and career. Alicia: Yes, well, I am a maximalist. What happened in terms of my early life is that I started writing on my own, just extremely young. I'm one of those people who always loved writing, always processed the world and managed my emotions and came to understand myself through writing. So from a very young age, I felt really committed to writing. Then I had the good fortune that my mother saw a talk show about the Suzuki method of learning violin—when you start really young and learn by ear, which is modelled after language learning. It's so much less intellectual and much more instinctual, learning by copying. She was like, that looks like a cool thing. I was three years old at the time and she found out that there was a little local branch of our music conservatory that had a Suzuki violin programme. So when I was three and a half, getting close to four, she took me down and I started playing an extremely tiny violin. Joanna: Oh, cute! Alicia: Yes, and because it was part of this conservatory that was downtown, and we were just starting at the suburban branch where we lived, there was this path that I was able to follow. As I got more and more interested in violin, I could continue basically up through the conservatory level during high school. So I had a really fantastic music education without any pressure, without any expectations or professional goals. I just kept taking these classes and one thing led to another. I grew up being very immersed in both creative writing and music, and I think just having the gift of those two parts of my brain trained and stimulated and delighted so young really changed my brain in some ways. I'll always see the world through this creative lens, which I think I'm also just set up to do personally. Then the last step of my multi-practice career is that in college I got very interested in Jewish spirituality. I'm Jewish, but I didn't grow up very religious. I didn't grow up in a Jewish community really. So I knew some basics, but not a ton. In college I started to study it and also informally learned from other people I met. I ended up going on a pretty intense spiritual quest, going to Jerusalem and immersing myself after college for two years in traditional Jewish study and practice. So that became the third strand of the braid that had already been started with music and writing. Torah study, spiritual study, and teaching became the third, and they all interweave. The last thing I'll say is that because I work in both words and music, and naturally performance because of music, it began to branch a little bit into plays, theatre, and film, just because that's where the intersection of words, performance, and music is. So that's really what brought me into that, as opposed to any specific desire to work in film. It all happened very organically. Joanna: I love this. This is so cool. We are going to circle back to a lot of this, but I have to ask you— What about work for money at any point? How did this turn into more than just hobbies and lifestyle? Alicia: Yes, absolutely. Well, I'm very fortunate that I did not graduate college with loans because my parents were able to pay for college. That was a big privilege that I just want to name, because in the States that's often not the case. So that allowed me to need to support myself, but not also pay loans, which was a real gift. What happened was I went straight from college to that school in Jerusalem, and there I was on loans and scholarship, so I didn't have to worry yet about supporting myself. Then when I came back to the States, I actually found on Craigslist a job teaching remedial Hebrew. It was essentially teaching kids at a Jewish elementary school who either had learning differences or had just entered the school late and needed to be in a different Hebrew class than the other kids in their grade. That was my first experience of really teaching, and I just absolutely fell in love with it. Although in the end, my passion is much more for teaching the text and rituals and the wrestling with the concepts, as opposed to teaching language. So all these years, while doing performance and writing and all these things, I have been teaching Jewish studies. That has essentially supported me, I would say, between 50 and 70 per cent. Then the rest has been paid gigs as a musician, whether as a front person leading a project or as what we call a sideman, playing in someone else's band. Sometimes doing theatre performances, sometimes teaching workshops. That's how I've cobbled it together. I have not had a full-time job all these years and I have supported myself through both earned income and also grants and donations. I've really tried to cultivate a little bit of a donor base, and I took some workshops early on about how to welcome donations. So I definitely try to always welcome that as well. Joanna: That is so interesting that you took a workshop on how to welcome donations. Way back in, I think 2013, I said on this show, I just don't know if I can accept people giving to support the show. Then someone on the podcast challenged me and said, but people want to support creatives. That's when I started Patreon in 2014. It was when The Art of Asking by Amanda Palmer came out and— It was this realisation that people do want to support people. So I love that you said that. Alicia: It's not easy. It's still not easy for me, and I have to grit my teeth every time I even put in my end-of-year newsletter. I just say, just a reminder that part of what makes this possible is your generous donations, and I'm so grateful to you. It's not easy. I think some people enjoy fundraising. I certainly don't instinctively enjoy it, but I have learned to think of it exactly the way that you're saying. I mean, I love donating to support other people's projects. Sometimes it's the highlight of my day. If I'm having a bad day and someone asks for help, either to feed a family or to complete a creative project, I just feel like, okay, at least I can give $36 or $25 and feel like I did something positive in the last hour, even if my project is going terribly and I'm in a fight with my kid or something. So I have to keep in mind that it is actually a privilege to give as well as a privilege to receive. Joanna: Absolutely. So let's get back into your various creative projects. The first thing I wanted to ask you, because you do have so many different formats and forms of your creativity—how do you know when an idea that comes to you should be a song, or something you want to do as a performance, or written, or a film? Tell us a bit about your creative process. Because a lot of your projects are also longer-term. Alicia: Yes. It's funny, I love planning and in some ways I'm an extreme planner. I really drive people in my family bonkers with planning, like family vacations a year in advance. In terms of my creativity, I'm very planful towards goals, but in that early generative state, I am actually pure instinct. I don't think I ever sit down and say, “I have this idea, which genre would it match with?” It's more like I sit on my bed and pick up my guitar, which is where I love to do songwriting, just sitting on my bed cross-legged, and I pick up my guitar and something starts coming out. Then I just work with that kernel. So it's very nebulous at first, very innate, and I just follow that creative spirit. Often I don't even know what a project is, sometimes if it's a larger project, until a year or two in. Once things emerge and take shape, then my planning brain and my strategy brain can jump on it and say, “Okay, we need three more songs to fill out the album, and we need to plan the fundraising and the scheduling.” Then I might take more of an outside-in approach. At the beginning it's just all instinct. Joanna: So if you pick up your guitar, does that mean it always starts in music and then goes into writing? Or is that you only pick up a guitar if it's going to be musical? Alicia: I think I'm responding to what's inside me. It's almost like a need, as opposed to, “I'm going to sit down and work.” I mean, obviously I sit down and work a lot, but I think in that early stage of anything, it's more like my fingers are itching to play something, and so I sit down and pick up my guitar. Sometimes nothing comes out and sometimes the kernel of a song comes out. Or I'm at a café, and I often like to write when I'm feeling a little bit discombobulated, just to go into the complexity of things or use challenging emotions as fuel. I really do use it as a—I don't know if therapeutic is the word, but I think it maybe is. I write often, as I always have, as I said before, to understand what I'm thinking. Like Joan Didion said—to process difficult emotions, to let go of stuck places. So I think I create almost more out of a sense of just what I need in the moment. Sometimes it's just for fun. Sometimes picking up a guitar, I just have a moment so I sit down and mess around. Sometimes it's to help me struggle with something. It doesn't always start in music. That was a random example. I might sit down to write because I have an hour and I think, I haven't written in a while. Or I do have an informal daily writing thing where I'll try to generate one loose draft of something a day, even if it's only ten pages. I mean, sorry, ten words. Joanna: I was going to say! Alicia: No, no. Ten words. I'm sorry. It's often poetry, so it feels like a lot when it's ten words. I'll just sit down with no pressure, no goal, no intention to make anything specific. Just open the floodgates and see what comes out. That's where every single project of mine has started. Joanna: Yes, I do love that. Obviously, I'm a discovery writer and intuitive, same as you. I think very much this idea of, especially when you said you feel discombobulated, that's when you write. I almost feel like I need that. I'm not someone who writes every day. I don't do ten lines or whatever. It's that I'll feel that sense of pressure building up into “this is going to be something.” I will really only write or journal when that spills over into— “I now need to write and figure out what this is.” Alicia: Yes. It's almost a form of hunger. It feels to me similar to when you eat a great meal and then you're good for a while. You're not really thinking of it, and then it builds up, like you said, and then there's a need—at least the first half of creativity. I really separate my generation and my editing. So my generative practice is all openness, no critique, just this maybe therapeutic, maybe curious, wandering and seeing what happens. Then once I have a draft, my incisive editing mind is welcome back in, which has been shut out from that early process. So that's a really different experience. Those early stages of creativity are almost out of need more than obligation. Joanna: Well, just staying with that generative practice. Obviously you've mentioned your study of and practice of Jewish tradition and Jewish spirituality. Steven Pressfield in his books has talked about his prayer to the muse, and I've got on my wall here—I don't talk about this very often, actually — I have a muse picture, a painting of what I think of as a muse spirit in some form. So do you have any spiritual practices around your generative practice and that phase of coming up with ideas? Alicia: I love that question, and I wish I had a beautiful, intentional answer. My answer is no. I think I experience creativity as its own spiritual practice itself. I do love individual prayer and meditation and things like that, but for me those are more to address my specifically spiritual health and happiness and connectedness. I'm just a dive-in kind of person. As a musician, I have friends who have elaborate backstage rituals. I have to do certain things to take care of my voice, but even that, it's mostly vocal rest as opposed to actively doing things. There's a bit of an on/off switch for me. Joanna: That's interesting. Well, I do want to ask you about one of your projects, this collaboration with a high school on a musical performance, I Was a Desert: Songs of the Matriarchs, and also your Girls in Trouble songs about women in the Torah. On your website, I had a look at the school, the high school, and the musical performance. It was extraordinary. I was watching you in the school there and it's just such extraordinary work. It very much inspired me—not to do it myself, but it was just so wonderful. I do urge people to go to your website and just watch a few minutes of it. I'm inspired by elements of religion, Christian and Jewish, but I wondered if you've come up against any issues with adaptation—respecting your heritage but also reinventing it. How has this gone for you. Any advice for people who want to incorporate aspects of religion they love but are worried about responses? Alicia: Well, I have to say, coming from the Jewish tradition, that is a core practice of Judaism—reinterpreting our texts and traditions, wrestling with them, arguing with them, reimagining them. I don't know if you're familiar with Midrash, but just in case some of your listeners aren't sure I'll explain it. There's essentially an ancient form of fanfic called Midrash, which was the ancient rabbis, and we still do it today, taking a biblical story that seems to have some kind of gap or inconsistency or question in it and writing a story to fill that gap or recast the story in an interestingly different light. So we have this whole body of literature over thousands of years that are these alternate or added-on adventures, side quests of the biblical characters. What I'm doing from a Jewish perspective is very much in line with a traditional way of interacting with text. I've certainly never gotten any pushback, especially as I work in progressive Jewish communities. I think if I were in an extremely fundamentalist community, there would be a lot of different issues around gender and things like that. The interpretive process, even in those communities, is part of how we show respect for the text. When I was working with the high school—and I just want to call out the choir director, Ethan Chen, who has an incredible project where he brings in a different artist every two years to work with the choir, and they tend to have a different cultural focus each time. He invited me specifically to integrate my songwriting about biblical women with his amazing high school choir. I was really worried at first because most of them are not Jewish—very few of them, if any. I wanted to respect their spiritual paths and their religious heritages and not impose mine on them. So I spent a lot of time at the beginning saying, this project has religious source material, but essentially it is a creative reinterpretive project. I am not coming to you to bring the religious material to you. I'm coming to take the shared Hebrew Bible myths and then reinterpret those myths through a lens of how they might reflect our own personal struggles, because that's always my approach to these ancient stories. I wanted to really make that clear to the students. It was such a joy to work with them. Joanna: It's such an interesting project. Also, I find with musicians in general this idea of performance. You've written this thing—or this thing specifically with the school—and it doesn't exist again, right? You're not selling CDs of that, I presume. Whereas compared to a book, when we write a book, we can sell it forever. It doesn't exist as a performance generally for an author of a memoir or a novel. It carries on existing. So how does that feel, the performance idea versus the longer-lasting thing? I mean, I guess the video's there, but the performance itself happened. Alicia: I do know what you mean. Absolutely. We did, for that reason, record it professionally. We had the sound person record it and mix it, so it is available to stream. I'm not selling CDs, but it's out there on all the streaming services, if people want to listen. I do also have the scores, so if a choir wanted to sing it. The main point that you're making is so true. I think there's actually something very sacred about live performance—that we're all in the moment together and then the moment is over. I love the artefacts of the writing life. I love writing books. I love buying and reading books and having them around, and there's piles of them everywhere in this room I'm standing in. I feel like being on stage, or even teaching, is a very spiritual practice for me, because it's in some ways the most in-the-moment I ever am. The only thing that matters is what's happening right then in that room. It's fleeting as it goes. I'm working with the energy in the room while we're there. It's different every time because I'm different, the atmosphere is different, the people are different. There's no way to plan it. The kind of micro precision that we all try to bring to our editing—you can't do that. You can practice all you want and you should, but in the moment, who knows? A string breaks or there's loud sound coming from the other room. It is just one of those things. I love being reminded over and over again of the truth that we really don't control what happens. The best that we can do is ride it, surf it, be in it, appreciate it, and then let it go. Joanna: I think maybe I get a glimpse of that when I speak professionally, but I'm far more in control in that situation than I guess you were with—I don't know how many—was it a hundred kids in that choir? It looked pretty big. Alicia: It was amazing. It was 130 kids. Yes. Joanna: 130 kids! I mean, it was magic listening to it. And yes, of course, showing my age there with buying a CD, aren't I? Alicia: Well, I do still sell some CDs of Girls in Trouble on tour, because I have a bunch of them and people still buy them. I'm always so grateful because it was an easier life for touring musicians when we could just bring CDs. Now we have to be very creative about our merch. Joanna: Yes, that's a good point because people are like, “Oh yes, I'll scan your QR code and stream it,” but you might not get the money for that for ages, and it might just be five cents or whatever. Alicia: Streaming is terrible for live musicians. I mean, I don't know if you know the site Bandcamp, but it's essentially self-publishing for musicians. Bandcamp is a great way around that, and a lot of independent musicians use it because that's a place you can upload your music and people can pay $8 for an album. They can stream it on there if they want, or they can download it and have it. But, yes, it's hard out there for touring musicians. Joanna: Yes, for sure. Well, let's come to the book then. Your memoir, When We Are Born We Forget Everything. Tell us about some of the challenges of a book as opposed to these other types of performances. Alicia: Well, I come out of poetry, so that was my first love. That's what I majored in in college. That's what my MFA is in. Poetry is famously short, and I'm not one of those long-form poets. I have been trained for many years to think in terms of a one-page arc, if at all. Arc isn't even really a word that we use in poetry. So to write a full-length prose book was really an incredible education. Writing it basically took ten years from writing to publication, so probably seven years of writing and editing. I felt like there was an MFA-equivalent process in the number of classes I took, books I read, and work that went into it. So that was one of my main joys and challenges, really learning on the job to write long-form prose coming out of poetry. How to keep the engine going, how to think about ending one chapter in a way that leaves you with some torque or momentum so that you want to go into the next chapter. How many characters is too many? Who gets names and who doesn't? Some of these things that are probably pretty basic for fiction writers were all very new to me. That was a big part of my process. Then, of course, poets don't usually have agents. So once it was done, I began to query agents. It was the normal sort of 39 rejections and then one agent who really understood what I was trying to do. She's incredible, and she was able to sell the book. The longevity of just working on something for that long—I have a lot of joy in that longevity—but it does sometimes feel like, is this ever going to happen, or am I on a fool's errand? Joanna: I guess, again, the difference with performance is you have a date for the performance and it's done then. I suppose once you get a contract, then for sure it has to be done. But memoir in particular, you do have to set boundaries, because of course your life continues, doesn't it? So what were the challenges in curating what went into the book? Because many people listening know memoir is very challenging in terms of how personal it can be. Alicia: Yes, and one thing I think is so fascinating about memoir is choosing which lens to put on your story, on your own story. I heard early on that the difference between autobiography and memoir is that autobiography tries to give a really comprehensive view of a life, and memoir is choosing one lens and telling the story of a life through that lens, which is such a beautiful creative concept. I knew early on that I wanted this to be primarily a spiritual memoir, and also somewhat of an artistic memoir, because my creativity and my spirituality are so intertwined. It started off being spiritual, and also about my musical life, and also about my writing life. In the end, I edited out the part about my writing life, because writing about writing was just too navel-gazing. So there's nothing in there about me coming of age as a writer, which used to be in there, but that whole thing got taken out. Now it's spiritual and musical. For me, it really helped to start with those focuses, because I knew there may be things that were hugely important in my life, absolutely foundational, that were not really going to be either mentioned or gone deeply into in the book. For example, my husband teases me a lot about how few pages and words he gets. He's very important in my life, but I actually met him when I was 29, and this book really mainly takes place in the years leading up to that. There's a little bit of winding down in the first few years of my thirties, but this is not a book about my life with him. He is mentioned in it. That story is in there. Having those kinds of limitations around the canvas—there's a quote, I forget if it was Miranda July, but somebody said something like, basically when you put a limitation on your project, that's when it starts to be a work of art. Whatever it is, if you say, “I'm taking this canvas and I'm using these colours,” that's when it really begins, that initial limitation. That was very helpful. Joanna: It's also the beauty of memoir, because of course you can write different memoirs at different times. You can write something about your writing life. You can write something else about your marriage and your family later on. That doesn't all have to be in one book. I think that's actually something I found interesting. And I would also say in my memoir, Pilgrimage, my husband is barely mentioned either. Alicia: Does he tease you too? Joanna: No, I think he's grateful. He is grateful for the privacy. Alicia: That's why I keep saying, you should be grateful! Joanna: Yes. You really should. Like, maybe stop talking now. Alicia: Yes, exactly. I know. Marriage, memoir—those words should strike fear into his heart. Joanna: They definitely should. But let's just come back. When I look at your career— You just seem such an independent creative, and so I wondered why you decided to work with a traditional publisher instead of being an independent. How are you finding it as someone who's not in charge of everything? Alicia: It's a great question. The origin story for this memoir is that I was actually reading poetry at a writing conference called Bread Loaf in the States. This was 16 years ago or something. I was giving a poetry reading and afterwards an agent, not my agent, came up to me and said, you know, you have a voice. You should try writing nonfiction because you could probably sell it. Back to your question about how I support myself, I am always really hustling to make a living. It's not like I have some separate well-paying job and the writing has no pressure on it. So my ears kind of perked up. I thought, wait, getting paid for writing? Because poetry is literally not in the world. It's just not a concept for poets. That's not why we write and it's not a possibility. So a little light turned on in my brain. I thought, wow, that could be a really interesting element to add to my income stream, and it would be flexible and it would be meaningful. For a few years I thought, what nonfiction could I write? And I came up with the idea of writing a book about biblical women from a more scholarly perspective, because I teach that material and I've studied it. I went to speak to another agent and she said, well, you could do that, but if you actually want to sell a book, it's going to have to be more of a trade book. So if you don't want an academic press, which wouldn't pay very much, you would have to have some kind of memoir-like stories in there to just sweeten it so it doesn't feel academic. So then I began writing a little bit of spiritual memoir. I thought, okay, well, I'll write about a few moments. Then once I started writing, I couldn't stop. The floodgates really opened. That's how it ended up being a spiritual memoir with interwoven stories of biblical women. It became a hybrid in that sense. I knew from the beginning that this project—for all my saying earlier that I never plan anything and only work on instinct, I was thinking as I said that, that cannot be true. This time, I actually thought, what if, instead of coming from this pure, heart-focused place of poetry, I began writing with the intention of potentially selling a book? The way my fiction writer friends talked about selling their books. So that was always in my mind. I knew I would continue writing poetry, continue publishing with small presses, continue putting my own music out there independently, but this was a bit of an experiment. What if I try to interface with the publishing world, in part for financial sustainability? And because I had a full draft before I queried, I never felt like anyone was telling me what to write. I can't imagine personally selling a book on proposal, because I do need that full capacity to just swerve, change directions, be responsive to what the project is teaching me. I can't imagine promising that I'll write something, because I never know what I'll write. But writing at least a very solid draft first, I'm always delighted to get notes and make polish and rewrite and make things better. I took care of that freedom in the first seven years of writing and then I interfaced with the agent and publisher. Joanna: I was going to say, given that it's taken you seven to ten years to do this and I can't imagine that you're suddenly a multimillionaire from this book. It probably hasn't fulfilled the hourly rate that perhaps you were thinking of in terms of being paid for your work. I think some people think that everyone's going to end up with the massive book deal that pays for the rest of their life. I guess this book does just fit into the rest of your portfolio career. Alicia: Yes. One of the benefits of these long arcs that I like to work on is, one of them—and probably the primary one—is that the project gets to unfold on its own time. I don't think I could have rushed it if I wanted. The other is that it never really stopped me from doing any of my other work. Joanna: Mm-hmm. Alicia: So it's not like, oh, I gave up months of my life and all I got was this advance or something. It's like, I was living my life and then when I had a little bit of writing time—and I will say, it impacted my poetry. I haven't written as much poetry because I was working on this. So it wasn't like I just added it on top of everything I was already doing, but it was a pleasure to just switch to prose for a while. It was just woven into my life. I appreciated having this side project where no one was waiting for it. There were no deadlines, there was no stress around it, because I always have performances to promote and due dates for all kinds of work. It was just this really lovely arena of slow growth and play. When I wanted a reader, I could do a swap with a writer friend, but no one was ever waiting for it on deadline. So there's actually a lot of pleasure in that. Then I will say, I think I've made more from selling this than my poetry. Probably close to ten times more than I've ever made from any of my poetry. So on a poetry scale, it's certainly not going to pay for my life, but it actually does make a true financial difference in a way that much of my other work is a little more bit by bit by bit. It's actually a different scale. Joanna: Well, that's really good. I'm glad to hear that. I also want to ask you, because you've done so many things, and— I'm fascinated by your independent film, A Kaddish for Bernie Madoff. I have only watched the trailer. You are in it, you wrote it, directed it, and it's also obviously got other people in, and it's fascinating. It's about this particular point in history. I've written quite a lot of screenplay adaptations of my novels, and I've had some various amounts of interest, but the whole film industry to me is just a complete nightmare, far bigger nightmare than the book industry. So I wonder if you could maybe talk about this, because it just seems like you made a film, which is so cool. Alicia: Oh yes, thank you. Joanna: And it won awards, yes, we should say. Alicia: Did we win awards? Yes. It really, for an extremely low-budget indie film, went far further than my team and I could ever have imagined. I will say I never intended to make a film. Like most of the best things in my life, it really happened by accident. When I was living in New York— I lived there for many years—the 2008 financial collapse happened and I happened to have an arts grant that gave a bunch of artists workspace, studio space, in essentially an abandoned building in the financial district. It was an empty floor of a building. The floor had been left by the previous tenant, and there's a nonprofit that takes unused real estate in the financial district and lets artists work in it for a while. So I was on Wall Street, which was very rare for me, but for this year I was working on Wall Street. Even though I was working on poems, the financial collapse happened around me, and I did get inspired by that to create a one-woman show, which was more of a theatre show. That was already a huge leap for me because I had no real theatre experience, but it was experimental and growing out of my poetry practice and my music. It was a musical one-woman show about the financial collapse from a spiritual perspective, apparently. So I performed that. I documented it, and then a friend who lives in Portland, Oregon, where I now live, said, “I'm a theatre producer, I'd like to produce it here.” So then I rewrote it and did a run here in Portland of that show. Essentially, I started to tour it a little bit, but I got tired of it. It was too much work and it never really paid very much, and I thought, this is impacting my life negatively. I just want to do a really good documentation of the show. So I wanted to hire a theatre documentarian to just document the show so that it didn't disappear, like you were saying before about live performance. But one of the people I talked to actually ended up being an artistic filmmaker, as opposed to a documentarian. She watched the archival footage, just a single camera of the show, and said, “I don't think you should do this again and film it with three cameras. I think you should make it into a feature film. And in fact, I think maybe I should direct it, because there's all this music in it and I also direct music videos.” We had this kind of mind meld. Joanna: Mm. Alicia: I never intended to make a film, but she is a visionary director and I had this piece of IP essentially, and all the music and the writing. We adapted it together. We did it here in Portland. We did all the fundraising ourselves. We did not interface with Hollywood really. I think that would be, I just can't imagine. I love Hollywood, but I'm not really connected, and I can't imagine waiting for someone to give us permission or a green light to make this. It was experimental and indie, so we just really did it on the cheap. We had an amazing producer who helped us figure out how to do it with the budget that we had. We worked really hard fundraising, crowdfunding, asking for donations, having parties to raise money, and then we just did it and put it out there. I think my main advice—and I hear this a lot on screenwriting podcasts—is just make the thing. Make something, as opposed to trying to get permission to make something. Because unless you're already in that system, it's going to be really hard to get permission to make it. Once you make something, that leads to something else, which leads to something else. So even if it's a very short thing, or even if it's filmed on your phone, just actually make the thing. That turned out to be the right thing for us. Joanna: Yes, I mean, I feel like that is what underpins us as independent creatives in general. As an independent author, I feel the same way. I'm never asking permission to put a book in the world. No, thank you. Alicia: Exactly. We have a vision and we do it. It's harder in some ways, but that liberation of being able to really fully create our vision without having to compromise it or wait for permission, I think it's such a beautiful thing. Joanna: Well, we're almost out of time, but I do want to ask you about creative confidence. Alicia: Hmm. Joanna: I feel I'm getting a lot of sense about this at the moment, with all the AI stuff that's happening. When you've been creating a long time, like you and I have, we know our voice and we can lean into our voice. We are creatively confident. We'll fail a lot, but we'll just push on and try things and see what happens. Newer creators are struggling with this kind of confidence. How do I know what is my voice? How do I know what I like? How do I lean into this? So give us some thoughts about how to find your voice and how to find that creative confidence if you don't feel you have it. Alicia: I love that. One thing I will say is that I always think whatever is arising is powerful material to create from. So if a lack of confidence is arising, that's a really powerful feeling to directly explore and not just try to ignore. Although sometimes one has to just ignore those feelings. But to actually explore that feeling, because AI can't have that, right? AI can't really feel a crisis of confidence, and humans can. So that's a gift that we have, those kinds of sensitivities. I think to go really deep into whatever is arising, including the sense that we don't have the right to be creating, or we're not good enough, or whatever it is. Then I always do come back to a quote. I think it might have been John Berryman, but I'm forgetting which poet said it. A younger poet said, “How will I ever know if I'm any good?” And this famous poet said something like—I'm paraphrasing—”You'll never know if you're any good. If you have to know, don't write.” That has been really liberating to me, actually. It sounds a little harsh, but it's been really liberating to just let go of a sense of “good enough.” There is no good enough. The great writers never know if they're good enough. Coming back to this idea of just making without permission—the practice of doing the thing is being a writer. Caring and trying to improve our craft, that's the best that we can have. There's never going to be a moment where we're like, yes, I've nailed this. I am truly a hundred per cent a writer and I have found my voice. Everything's always changing anyway. I would say, either go into those feelings or let those feelings be there. Give them a little tea. Tell them, okay, you're welcome to be here, but you don't get to drive the boat. And then return to the practice of making. Joanna: Absolutely. Great. So where can people find you and your books and everything you do online? Alicia: Everything is on my website, which is AliciaJo.com, and also on Instagram at @ohaliciajo. I'd love to say hello to anyone who's interested in similar topics. Joanna: Brilliant. Well, thanks so much for your time, Alicia. That was great. Alicia: Thank you. I love your podcast. I'm so grateful for all that you've given the writing world, Jo.The post Creative Confidence, Portfolio Careers, And Making Without Permission with Alicia Jo Rabins first appeared on The Creative Penn.

Today’s Topics: Father Thomas Czeck, OFM Conv., joins Terry 1) Gospel – John 4:43-54 – At that time Jesus left [Samaria] for Galilee. For Jesus Himself testified that a prophet has no honor in his native place. When He came into Galilee, the Galileans welcomed Him, since they had seen all He had done in Jerusalem at the feast; for they themselves had gone to the feast. Then He returned to Cana in Galilee, where He had made the water wine. Now there was a royal official whose son was ill in Capernaum. When he heard that Jesus had arrived in Galilee from Judea, he went to Him and asked Him to come down and heal his son, who was near death. Jesus said to him, “Unless you people see signs and wonders, you will not believe.” The royal official said to him, “Sir, come down before my child dies.” Jesus said to him, “You may go; your son will live.” The man believed what Jesus said to him and left. While the man was on his way back, his slaves met him and told him that his boy would live. He asked them when he began to recover. They told him, “The fever left him yesterday, about one in the afternoon.” The father realized that just at that time Jesus had said to him, “Your son will live,” and he and his whole household came to believe. Now this was the second sign Jesus did when He came to Galilee from Judea. Bishop Sheen quote of the day 2, 3, 4) Terry and Father Thomas discuss Franciscan Spirituality and the hidden secrets of the Franciscan Order

Welcome to Day 2808 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2808 – Wisdom Nuggets – Psalm 117:1-2 – Daily Wisdom Wisdom-Trek Podcast Script - Day 2808 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day two thousand eight hundred eight of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: The Shortest Song with the Largest Stage – Calling the Nations Home Today, we are undertaking a fascinating and entirely unique stage of our journey. We are stepping into the absolute center of the Bible to explore Psalm One Hundred Seventeen, covering its entirety—which is just verses one through two, in the New Living Translation. This is a milestone for a couple of reasons. First, Psalm One Hundred Seventeen holds the distinct title of being the shortest chapter in the entire Bible. It consists of only two verses and, in the original Hebrew, a mere seventeen words. Second, it is widely considered the middle chapter of the Protestant Bible. But do not let its brevity fool you. What this psalm lacks in word count, it makes up for in cosmic, earth-shaking theology. In our previous trek through Psalm One Hundred Sixteen, we listened to an intensely personal, intimate testimony. We heard the voice of a single, desperate individual who had been wrapped in the terrifying cords of death. We saw Yahweh, the Most High God, stoop down from heaven to listen to one man's whispered cry for help. It was a beautiful picture of individual salvation, ending with the psalmist paying his vows in the temple courts of Jerusalem. Today, the camera pans out. We move from the microscopic to the macroscopic. The single voice of the rescued individual in Psalm One Hundred Sixteen suddenly turns into a megaphone, broadcasting a summons to the entire planet. Psalm One Hundred Seventeen is still part of the "Egyptian Hallel," the songs sung during the Passover festival. But here, the focus breaks completely out of the borders of Israel. It is a trumpet blast directed at the pagan world. It is a declaration of cosmic warfare, and a radical invitation of grace. So, let us unpack these two massive, monumental verses together. The First Segment is: The Cosmic Summons: Reclaiming the Disinherited. Psalm One Hundred Seventeen: verse one. Praise the Lord, all you nations. Praise him, all you people of the earth. The psalm explodes right out of the gate with a command: "Praise the Lord, all you nations." To modern ears, this sounds like a standard, generic call to worship. But to the Ancient Israelite, singing this in the courts of the temple, this was a jaw-dropping, radical statement. It requires us to look through the lens of the Ancient Israelite Divine Council worldview, as taught by scholars like Dr. Michael S. Heiser. We must go all the way back to Genesis Chapter Eleven and the Tower of Babel. At Babel, humanity rebelled against Yahweh, refusing to spread out and fill the earth. In response, God judged the nations. But He didn't just confuse their languages; He disinherited them. According to Deuteronomy Chapter Thirty-two, verses eight through nine, God divided the nations and placed them under the authority of lesser spiritual beings—the "sons of God," or the divine council. Yahweh then stepped back and started over with one man, Abraham, to create His own special portion: Israel. From that moment on, the "nations" (the goyim) were viewed as foreign territory. They were under the jurisdiction of rebel gods, hostile principalities, and dark spiritual forces. They worshipped idols of wood and stone, which we saw mocked so thoroughly back in Psalm One Hundred Fifteen. So, when the psalmist stands up and shouts, "Praise Yahweh, all you nations!" he is doing something incredibly audacious. He is crossing enemy lines. He is essentially serving an eviction notice to the rebel gods. He is looking at the people of Egypt, Babylon, Philistia, and Assyria, and he is saying, "Your gods have failed you. They are dead. The time of your exile from the Creator is coming to an end. Yahweh is calling you back!" The parallel phrase, "Praise him, all you people of the earth," uses the Hebrew word ummim, which refers to tribes, clans, and people groups. The psalmist leaves no one out. The invitation is universal. God is not content to simply be the local deity of a small strip of land in the Middle East. He is the Maker of Heaven and Earth, and He demands, and invites, the adoration of every human being on the planet. This is why the Apostle Paul quotes this exact verse in Romans Chapter Fifteen, verse eleven. Paul uses Psalm One Hundred Seventeen to prove to the early church that the inclusion of the Gentiles—the non-Jewish people—was not a New Testament "Plan B." It was God's plan all along. The ultimate goal of choosing Israel was to create a beacon of light that would eventually draw all the disinherited nations back into the family of God. The Second Segment is: The Gravity of Grace: Why the Nations Should Sing. Psalm One Hundred Seventeen: verse two. For his unfailing love for us is powerful; the Lord's faithfulness endures forever. Praise the Lord! If verse one is the Command, verse two provides the Reason. Why should the pagan nations, who have spent centuries worshipping other gods, suddenly turn and praise Yahweh? The psalmist gives two reasons, rooted in two of the most important words in the Hebrew Bible: Unfailing Love (Hesed) and Faithfulness (Emet). Let us look closely at the first phrase: "For his unfailing love for us is powerful." Hesed is God's loyal, covenant-keeping, relentless love. But notice the direction of this love. The psalmist says His love for "us" is powerful. "Us" refers to Israel. This raises a fascinating question. Why should the nations praise God for the love He showed to Israel? If you are a Babylonian, why do you care that God loves the Jewish people? The answer lies in the promise given to Abraham in Genesis Chapter Twelve: "I will bless you... and all the families on earth will be blessed through you." Israel was never meant to be a reservoir of God's grace; they were meant to be a river. God's Hesed toward Israel—rescuing them from Egypt, giving them the law, protecting them from enemies, and bearing patiently with their constant rebellion—was the vehicle through which salvation would reach the rest of the world. When the nations look at how Yahweh treated Israel, they see a God who keeps His promises. They see a God who does not annihilate His people when they mess up. And they realize, "If this God is that intensely loyal and loving to Israel, maybe there is hope for us, too. Maybe we can be grafted into that same covenant." Furthermore, the word translated as "powerful" (gabar) is an incredibly muscular word. It means to prevail, to be mighty, or to overwhelm. It is the same word used in the story of Noah's Ark, when the floodwaters "prevailed" over the tops of the highest mountains. The psalmist is saying that God's unfailing love is a flood. It cannot be contained by the borders of Israel. It prevails over human sin. It prevails over the rebellious spiritual principalities of the Divine Council. It overtops the highest mountains of human resistance, and spills out to cover the entire globe. The Third Segment is: The Eternal Echo: Truth That Outlasts Time. The second half of the reason is just as anchoring: "...the Lord's faithfulness endures forever." The word for faithfulness is Emet, which means truth, reliability, and stability. In a world governed by chaotic pagan gods who were unpredictable, petty, and easily angered, the concept of a God whose truth "endures forever" was revolutionary. The gods of the nations rose and fell with their empires. Where is Marduk today? Where is Baal? They are buried in the dust of history, remembered only in museums and archaeological digs. But the faithfulness of Yahweh remains. His truth does not have an expiration date. Because His love is overwhelmingly powerful, and His truth is eternally stable, the nations have a solid rock upon which to stand. They are invited to leave the shifting sands of the world's chaos, and step into the eternal security of the Creator's household. The psalm concludes with the great bookend of the Hallel: "Praise the Lord!" Or, Hallelujah! When Jesus sang this psalm with His disciples on the night of the Last Supper, He knew exactly what He was about to do. He was about to walk to the cross to demonstrate the ultimate, prevailing power of God's Hesed. He was...

It's Monday, March 2, A.D. 2026. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus United States and Israel bombed Iran The long-simmering threat of conflict between Washington, Jerusalem and Tehran erupted Saturday morning as the United States and Israel launched sweeping airstrikes against Iran, reports NBC News. The launch of “Operation Epic Fury” followed months of heated rhetoric and repeated warnings from President Trump about military intervention in Iran. U.S. and partner forces struck multiple targets, including Islamic Revolutionary Guard Corps command and control facilities, Iranian air defense capabilities, missile and drone launch sites, and military airfields. Not only was Iranian Supreme Leader Ali Khamenei killed, but so was his top security adviser, his chief military secretary, the Islamic Revolutionary Guard Corps commander, the Defense Minister, the Head of Iranian military intelligence, and former Iranian President Mahmoud Ahmadinejad, reports Axios and Israel National News. Trump: We will destroy Iran's “wicked, radical dictatorship” In an 8-minute address to America, President Donald Trump explained why he believed the attack on Iran was necessary. TRUMP: “Our objective is to defend the American people by eliminating imminent threats from the Iranian regime. For 47 years, the Iranian regime has chanted ‘Death to America' and waged an unending campaign of bloodshed and mass murder targeting the United States, our troops, and the innocent people in many, many countries.” The president laid out the litany of Iranian attacks from the 1979 U.S. Embassy Hostage Crisis in which dozens of Americans were taken hostage for 444 days and the 1983 bombing of the U.S. Marine barracks in Beirut that killed 241 soldiers to the attack on the U.S.S. Cole in 2000, the killing of U.S. soldiers in Iraq, and the Iranian-funded attack on Israel through Hamas on October 7, 2023. TRUMP: “For these reasons, the United States military is undertaking a massive and ongoing operation to prevent this very wicked, radical dictatorship from threatening America and our core national security interests. We are going to destroy their missiles and raze their missile industry to the ground. It will be totally obliterated. We're going to annihilate their navy. We're going to ensure that the region's terrorist proxies can no longer destabilize the region or the world.” Isaiah 10:1-2 says, “Woe to those who make unjust laws, to those who issue oppressive decrees, to deprive the poor of their rights and withhold justice from the oppressed of my people, making widows their prey and robbing the fatherless.” President Trump expressed concern for the safety of U.S. soldiers. TRUMP: “The lives of courageous American heroes may be lost and we may have casualties. That often happens in war. We pray for every service member as they selflessly risk their lives to ensure that Americans, and our children, will never be threatened by a nuclear-armed Iran. We ask God to protect all of our heroes in harm's way. And we trust that with His help, the men and women of the armed forces will prevail.” Sadly, three U.S. service members have been killed in action, as part of the Trump administration's “Operation Epic Fury,” reports NewsNation.com. Iranians celebrating in the streets Anti-regime protesters in southern Iran tore down a statue of Ayatollah Ali Khamenei in celebration of his death on Saturday, reports The Telegraph. In Tehran, loud cheers echoed from rooftops and through the streets.   Listen. (audio of Iranians celebrating) Celebratory music played, car horns honked and fireworks were set off in parts of the capital at around 11pm local time. They were joined by Iranians across the world who celebrated the Supreme Leader's downfall after he was killed in a barrage of US and Israeli missile strikes early on Saturday morning. Senator Ted Cruz: Bombing Iran is “single most important decision of [Trump's] presidency” Appearing on CBS' Face the Nation, Republican Senator Ted Cruz of Texas applauded President Trump's decision to bomb Iran. CRUZ: “President Trump's decision to launch this decisive action against Iran is the single most important decision of his presidency. He is taking this action because the government of Iran is a profound and malign influence. “They have been the leading state sponsor of terrorism for 47 years. They have, over that time, killed nearly 1,000 Americans. They provide more than 90% of the funding for Hamas. They provide more than 90% of the funding for Hezbollah, the Iranian Ayatollah, was, until yesterday, actively trying to murder the President of the United States, Donald J Trump.” Senator Lindsey Graham: “The mothership of terrorism is about to go down!” Appearing on Fox & Friends, Republican Senator Lindsey Graham of South Carolina was grateful the American people re-elected President Trump in 2024. GRAHAM: “My feeling today is that I'm very glad that President Trump won and Kamala Harris lost. Unfortunately, the modern Democratic Party is pathetic in the face of evil. “The difference between Donald Trump and our Democratic colleagues, he's common sense. He understands the world. He's of the mindset that the Ayatollah is Hitler in a robe, wearing a turban; that he's not capable of changing his ways. “Donald Trump does not get us entangled in forever wars, but he sure stands up to the bad guys, and he makes us safer. This is the most consequential decision any President has made since 1979.” Senator Graham predicted a major re-set in the Middle East because of “Operation Epic Fury.” GRAHAM: “If the regime falls, I think Saudi Arabia, the keeper of the holy mosque and Mecca and Medina, the center of Islam, will go back to the table to try to do peace with Israel. We were close before, before October the seventh. October the seventh was designed to stop normalization between Saudi Arabia and Israel. “I think when this regime collapses, we'll be back at the table of normalization. If Saudi Arabia recognizes Israel it will be the biggest change in 1,000 years in the history of the MidEast. If this regime falls -- Hamas, Hezbollah, and the Houthis terrorist network supported by Iran -- will collapse, slowly but surely. “The mothership of terrorism is about to go down. There's a new dawn coming in the Mideast.” Mass shooting in Austin leaves 3 dead and 14 wounded Three people are dead and 14 have been injured after a mass shooting at a popular bar along West Sixth Street in downtown Austin, Texas during the early morning hours of Sunday, March 1, reports the San Antonio Express-News. The shooting took place at Buford's, a popular bar along the West Sixth Street entertainment strip. Anniversary of John Wesley's death And finally, John Wesley, the English evangelist, who was a principal leader of a revival movement within the Church of England known as Methodism, died at the age of 87 on this day, March 2nd in 1791. Wesley placed his faith in Christ on May 24, 1738. Referring to our Savior Jesus Christ, Luke wrote in Acts 4:12, “Salvation is found in no one else, for there is no other name under heaven given to mankind by which we must be saved.” In his early ministry years, Wesley was barred from preaching in many parish churches and the Methodists were persecuted. Under Wesley's direction, Methodists became leaders in many social issues of the day, including the abolition of slavery. He became known for the Wesley Covenant Prayer. It says, “I am no longer my own, but Thine. Put me to what Thou wilt, rank me with whom Thou wilt. Put me to doing, put me to suffering. Let me be employed for Thee or laid aside for Thee, exalted for Thee or brought low for Thee. Let me be full, let me be empty. Let me have all things, let me have nothing. I freely and heartily yield all things to Thy pleasure and disposal. And now, O glorious and blessed God, Father, Son and Holy Spirit, Thou art mine, and I am Thine. So be it. And the covenant which I have made on Earth, let it be ratified in Heaven. Amen.” Wesley wrote hymns including “O For A Thousand Tongues To Sing.” “O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and King, the triumphs of His grace! My gracious Master and my God, assist me to proclaim, to spread thro' all the Earth abroad the honors of Thy name.” John Wesley became widely respected, and by the end of his life, was described as "the best-loved man in England.” Close And that's The Worldview on this Monday, March 2nd, in the year of our Lord 2026. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  Plus, you can get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

In this episode of the Jewish Inspiration Podcast, Rabbi Aryeh Wolbe shares a profound insight on Parshas Tetzaveh, inspired by a D'var Torah from Rabbi Blachman (Jerusalem). The Parsha describes the High Priest's vestments twice mentioning the names of the 12 tribes: once on the Choshen (breastplate) with individual stones over the heart, and again on the Avnei Shoham (shoulder stones of remembrance). Why the duplication? The sages explain it as a model for every Jew, especially the Kohen: the heart must first hold deep love and concern for every fellow Jew (as exemplified by Aharon, the ultimate lover and pursuer of peace – ohev shalom v'rodef shalom), feeling their pain and joy internally. But love alone is insufficient; the shoulders must carry their burdens – sharing grief, challenges, and responsibilities as one's own ("you're my brother, you ain't heavy").Rabbi Wolbe illustrates this with stories: Aharon reconciling disputants through empathy; Reb Chaim Shmulevitz's Yom Kippur teaching that one who hasn't lost sleep over the Jewish people's spiritual/physical plight has no business praying; feeling Hashem's "pain" over estranged children; carrying joy (dancing alone for a distant student's wedding); and practical empathy (e.g., yellow ribbons for hostages as reminders to feel others' pain). He stresses avoiding desensitization in a news-saturated world, pursuing peace without quarrels (a Kohen in conflict couldn't serve), and living beyond oneself – feeling others' burdens while maintaining joy (as the Shechinah rests only in simcha). The episode ends with a discussion on positive communication (e.g., the Still Face experiment, praise boosting performance) and responding to children's needs through listening rather than waiting for tantrums._____________This Podcast Series is Generously Underwritten by Peter & Becky BotvinRecorded at TORCH Centre in the Levin Family Studios (B) to a live audience on February 27, 2026, in Houston, Texas.Released as Podcast on March 2, 2026_____________Listen, Subscribe & Share: Apple Podcasts: https://podcasts.apple.com/us/podcast/jewish-inspiration-podcast-rabbi-aryeh-wolbe/id1476610783Spotify: https://open.spotify.com/show/4r0KfjMzmCNQbiNaZBCSU7) to stay inspired! Share your questions at aw@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback, please email: awolbe@torchweb.org_____________Support Our Mission:Our Mission is Connecting Jews & Judaism. Help us spread Judaism globally by sponsoring an episode at torchweb.org.Your support makes a HUGE difference!_____________Listen MoreOther podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#JewishInspiration, #Parsha, #Tetzaveh, #Choshen, #Shoham, #Aharon, #Shalom, #CarryTheBurden, #KlalYisrael, #PursuePeace, #Empathy, #OneNationOneSoul, #JewishUnity ★ Support this podcast ★

Today Jerusalem is the major point of conflict between the Arabs and Jews; both claim it as their own. There can be no peace in the Middle East—or elsewhere in the world—until this conflict is resolved with the return of the King-Messiah Jesus. Pastor Runge will take you through Jerusalem's past and into her future in the plan of God. To support this ministry financially, visit: https://www.oneplace.com/donate/1094/29?v=20251111

FAITH IS… with Pastor Rick Stevens – In tense times for Jerusalem and the Middle East, believers are called to pray for peace. A nighttime conversation between Jesus and Nicodemus reveals the life-changing truth of being born again—not as ritual words, but as wholehearted allegiance to Christ and a transformed, Spirit-filled life...

The Rambam writes that Matanot La'ebyonim – giving charity to the poor on Purim – is the most important of all the Purim obligations. If a person has a limited budget, he should prioritize Matanot La'ebyonim and allocate more for this purpose than for the Purim feast and Mishloah Manot. The reason, the Rambam explains, is that there is no greater joy than lifting the spirits of those who struggle. This Misva brings joy to the recipient, to the donor, and also to the Shechina, as it were. The Ba'al Ha'maor (Rav Zerahya Ha'levi, Provence, 12 th century) cites the ruling of Rabbenu Efrayim (late 11 th -early 12 th century) that Matanot La'ebyonim must be given to the poor specifically on Purim day. In ancient times, villages were allowed under certain circumstances to read the Megilla earlier – on the 11 th , 12 th , or 13 th of Adar. Nevertheless, Rabbenu Efrayim ruled, even when the Megilla was read earlier, the gifts to the poor needed to be given on Purim day – the 14 th of Adar. This money, Rabbenu Efrayim explained, is given for the purpose of helping the needy enjoy a Purim feast. If one gives charity before Purim, the money might be spent before Purim. Therefore, while it is of course always a great Misva to assist the needy, the particular Misva of Matanot La'ebyonim – which is geared toward helping the poor properly celebrate Purim – can be fulfilled only on Purim day itself. This position is cited as Halacha by the Shulhan Aruch as well as later Poskim. The Peri Megadim (Rav Yosef Teomim, 1727-1792) maintained that one may give Matanot La'ebyonim on the night of Purim, as by then, one can be certain that the money will be spent on food for Purim day. However, the Shulhan Aruch and later Poskim maintain that the money should be given on Purim day, and not the previous night. It is common to fulfill this Misva by giving money to a Rabbi before Purim and appointing him as one's "agent" to distribute the funds to the needy on Purim. Many people are not likely to encounter a needy person on Purim itself, so they instead give the money to a Rabbi who knows those in need of assistance, so he can give it to them on Purim day. If one who does not live in Jerusalem gives the money to a Rabbi who will distribute the funds in Jerusalem on the 15 th of Adar – when Purim is celebrated in Jerusalem – then he does not fulfill the Misva, because he must give charity on the day that he observes as Purim (the 14 th of Adar). While the preferred manner of fulfilling this obligation is by giving cash, one satisfies his requirement also by writing a check and giving it to a needy person. Since the recipient can take the check to the bank and receive cash to be used for purchasing food, this qualifies as Matanot La'ebyonim. Even if Purim falls on Sunday, when banks are closed, the recipient can sign the check and give it to the casher in a store, or to a friend or neighbor in exchange for cash. Hence, one can, if necessary, fulfill this Misva by giving a check. One does not, however, fulfill this Misva by donating to the needy by charging his credit card. When one charges his credit card, the money is transferred only several days later, and so this does not qualify as a gift given on Purim itself. Theoretically, one can fulfill the Misva by charging his credit card several days before Purim, if he knows that the funds will be transferred on Purim day, though this is, of course, not very practical. Summary: One is required to give Matanot La'ebyonim (gifts to the poor) on Purim day. One can fulfill his requirement by giving money before Purim to somebody – like a Rabbi – who will distribute the money to the needy on Purim day. It is preferable to fulfill this Misva with cash, but if necessary, one fulfills the requirement also with a check. One cannot fulfill this obligation by charging a credit card.

Friends of the Rosary,The Transfiguration of Christ is closely tied to the Passion, as it occurs just before Jesus' journey to Jerusalem and death. It acts as a preview of his resurrected, glorified body.In today's Gospel, the Second Sunday of Lent (Matthew 17:1-9), the transfigured Lord Jesus, accompanied by Moses and Elias — representing the Law and the Prophets — reveals His divine glory, foreshadowing His resurrection from the dead.Appearing in dazzling white on a mountain, Christ confirms his identity as the Son of God, connects his divine nature to the coming Passion, and reinforces the disciples Peter, James, and John's faith before his crucifixion.He is the Alpha and the Omega, the beginning and the end of all things, the Holy One of God who brings our own transfiguration as the goal to attain.The Transfiguration of Jesus (Matthew 17, Mark 9, Luke 9), a solemnity celebrated on August 6, highlights Christ as the fulfillment of the Old Testament as the Divine Voice."This is my beloved Son, with whom I am well pleased; listen to him!" proclaimed the voice of God.Ave Maria!Come, Holy Spirit, come!To Jesus through Mary!Here I am, Lord; I come to do your will.Please give us the grace to respond with joy!+ Mikel Amigot w/ María Blanca | RosaryNetwork.com, New YorkEnhance your faith with the new Holy Rosary University app:Apple iOS | New! Android Google Play• ⁠March 1, 2026, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ET

Father and Anna discuss why we would be hearing readings about the calling of Abraham and the Transfiguration early on in the Lenten season. And they unpack how we must trust in the Lord and his grace to continue our journey to Jerusalem for the passion.

Click here to WATCH LIVE STREAM Worship Service on our Youtube Channel. That You May Believe, Part 5 John 2:12-25 John 2:12-25 After this he went down to Capernaum, with his mother and his brothers and his disciples, and they stayed there for a few days. 13 The Passover of the Jews was at hand, and Jesus went up to Jerusalem. 14 In the temple he found those who were selling oxen and sheep and pigeons, and the money-changers sitting there. 15 And making a whip of cords, he drove them all out of the temple, with the sheep and oxen. And he poured out the coins of the money-changers and overturned their tables. 16 And he told those who sold the pigeons, “Take these things away; do not make my Father’s house a house of trade.” 17 His disciples remembered that it was written, “Zeal for your house will consume me.” 18 So the Jews said to him, “What sign do you show us for doing these things?” 19 Jesus answered them, “Destroy this temple, and in three days I will raise it up.” 20 The Jews then said, “It has taken forty-six years to build this temple, and will you raise it up in three days?” 21 But he was speaking about the temple of his body. 22 When therefore he was raised from the dead, his disciples remembered that he had said this, and they believed the Scripture and the word that Jesus had spoken. 23 Now when he was in Jerusalem at the Passover Feast, many believed in his name when they saw the signs that he was doing. 24 But Jesus on his part did not entrust himself to them, because he knew all people 25 and needed no one to bear witness about man, for he himself knew what was in man. John 2:12 After this he went down to Capernaum, with his mother and his brothers and his disciples, and they stayed there for a few days. John 2:13-14 The Passover of the Jews was at hand, and Jesus went up to Jerusalem. 14 In the temple he found those who were selling oxen and sheep and pigeons, and the money-changers sitting there. John 2:15-16 And making a whip of cords, he drove them all out of the temple, with the sheep and oxen. And he poured out the coins of the money-changers and overturned their tables. 16 And he told those who sold the pigeons, “Take these things away; do not make my Father’s house a house of trade.” Mark 11:17 And he was teaching them and saying to them, “Is it not written, ‘My house shall be called a house of prayer for all the nations'? But you have made it a den of robbers.” Psalm 118:1-4 Oh give thanks to the Lord for he is good; for his steadfast love endures forever! 2 Let Israel say, “His steadfast love endures forever.” 3 Let the house of Aaron say, “His steadfast love endures forever.” 4 Let those who fear the LORD say, “His steadfast love endures forever.”  John 2:17 His disciples remembered that it was written, “Zeal for your house will consume me.” Psalm 69:7-9 For it is for your sake that I have borne reproach, that dishonor has covered my face. 8 I have become a stranger to my brothers, an alien to my mother’s sons. 9 For zeal for your house has consumed me, and the reproaches of those who reproach you have fallen on me.   John 2:18 So the Jews said to him, “What sign do you show us for doing these things?”   Malachi 3:1-3 “Behold, I send my messenger, and he will prepare the way before me. And the Lord whom you seek will suddenly come to his temple; and the messenger of the covenant in whom you delight, behold, he is coming, says the Lord of hosts. 2 But who can endure the day of his coming, and who can stand when he appears? For he is like a refiner’s fire and like fullers’ soap. 3 He will sit as a refiner and purifier of silver, and he will purify the sons of Levi and refine them like gold and silver, and they will bring offerings in righteousness to the Lord.” John 2:19-22 Jesus answered them, “Destroy this temple, and in three days I will raise it up.” 20 The Jews then said, “It has taken forty-six years to build this temple, and will you raise it up in three days?” 21 But he was speaking about the temple of his body. 22 When therefore he was raised from the dead, his disciples remembered that he had said this, and they believed the Scripture and the word that Jesus had spoken. John 2:23-25 Now when he was in Jerusalem at the Passover Feast, many believed in his name when they saw the signs that he was doing. 24 But Jesus on his part did not entrust himself to them, because he knew all people 25 and needed no one to bear witness about man, for he himself knew what was in man. Luke 16:31 He said to him, ‘If they do not hear Moses and the Prophets, neither will they be convinced if someone should rise from the dead.' Jesus is the new and greater temple.   Haggai 2:9 “The latter glory of this house shall be greater than the former, says the Lord of hosts. And in this place I will give peace, declares the Lord of hosts.” Matthew 12:6 I tell you, something greater than the temple is here. Hebrews 9:11-12 But when Christ appeared as a high priest of the good things that have come, then through the greater and more perfect tent (not made with hands, that is, not of this creation) 12 he entered once for all into the holy places, not by means of the blood of goats and calves but by means of his own blood, thus securing an eternal redemption.   Hebrews 10:19-22 Therefore, brothers, since we have confidence to enter the holy places by the blood of Jesus, 20 by the new and living way that he opened for us through the curtain, that is, through his flesh, 21 and since we have a great priest over the house of God, 22 let us draw near with a true heart in full assurance of faith, with our hearts sprinkled clean from an evil conscience and our bodies washed with pure water. The church is the temple of God. 1 Peter 2:4-5 As you come to him, a living stone rejected by men but in the sight of God chosen and precious, 5 you yourselves like living stones are being built up as a spiritual house, to be a holy priesthood, to offer spiritual sacrifices acceptable to God through Jesus Christ   1 Corinthians 3:16-17 Do you not know that you are God’s temple and that God’s Spirit dwells in you? 17 If anyone destroys God’s temple, God will destroy him. For God’s temple is holy, and you are that temple.   1 Corinthians 6:19-20 Or do you not know that your body is a temple of the Holy Spirit within you, whom you have from God? You are not your own, 20 for you were bought with a price. So glorify God in your body.   What is the purpose of the church?   1 Peter 2:9 But you are a chosen race, a royal priesthood, a holy nation, a people for his own possession, that you may proclaim the excellencies of him who called you out of darkness into his marvelous light.     Psalm 51:10 Create in me a clean heart, O God, and renew a right spirit within me.   Psalm 51:16-17 For you will not delight in sacrifice, or I would give it; you will not be pleased with a burnt offering. 17 The sacrifices of God are a broken spirit; a broken and contrite heart, O God, you will not despise.   Respond | Connect | Next Steps The post John: That You May Believe appeared first on Charleston Baptist Church.

Read Online“Lord, it is good that we are here. If you wish, I will make three tents here, one for you, one for Moses, and one for Elijah.” Matthew 17:4The Apostle Peter's reaction to the Transfiguration reveals that he was overwhelmed by his firsthand experience of a glimpse of Jesus' true glory. Not long before this moment, our Lord took His disciples north to Caesarea Philippi and asked them privately who they thought He was. Peter boldly proclaimed, “You are the Messiah, the Son of the living God” (Matthew 16:16). In response, Jesus promised Peter that He would build His Church upon him and that Peter himself would be entrusted with the keys to the Kingdom of Heaven. It was a good day for Peter.Shortly after this, however, Jesus began to reveal to His disciples that He “must go to Jerusalem and suffer greatly from the elders, the chief priests, and the scribes, and be killed and on the third day be raised” (Matthew 16:21). In response, Peter pulled Jesus aside and said, “God forbid, Lord! No such thing shall ever happen to you” (Matthew 16:22). Jesus replied harshly to Peter's rebuke: “Get behind me, Satan! You are an obstacle to me. You are thinking not as God does, but as human beings do” (Matthew 16:23). It was a bad day for Peter.Jesus then taught His disciples, “Whoever wishes to come after me must deny himself, take up his cross, and follow me. For whoever wishes to save his life will lose it, but whoever loses his life for my sake will find it” (Matthew 16:24–25). Not only was Jesus soon to suffer greatly, but His followers, including the Twelve, were called to follow Him on this difficult path. This was hard news for them to accept.In today's Gospel, we hear the story of the Transfiguration. Interestingly, Jesus allowed the disciples to reflect on His prediction of suffering for six days before taking Peter, James, and John up a mountain for prayer and solitude. Jesus, aware of their confusion and struggles, was transfigured before their eyes. “His face shone like the sun and his clothes became white as light. And behold, Moses and Elijah appeared to them, conversing with him” (Matthew 17:2–3). Peter exclaimed in this moment of glory, “Lord, it is good that we are here.” It was another good day for Peter.We all have good days and bad days. But what defines a good day versus a bad day? Was the day of Jesus' Crucifixion a bad one for Him? Certainly not. Though filled with intense suffering, it was the most glorious day in history because His perfect obedience to the Father's will was fulfilled. Similarly, Peter's good and bad days can be understood in terms of his willingness to obey Christ, especially when the demands were great.In our lives, we must also define our good and bad days through the lens of obedience to God's will, especially when His will calls us to bear the Cross and practice sacrificial love. It's easy to love God when we are consoled, but it becomes much more difficult when we face trials. Peter's declaration, “Lord, it is good that we are here,” is the perfect prayer for us to echo in every circumstance. When we are consoled, as Peter was at the Transfiguration, we must pray this prayer. But unlike Peter's earlier missteps, we must also say, “It is good,” when we encounter opportunities for sacrificial love, even when difficult. Reflect today on your own good and bad days. Use the lens of holy obedience and your call to live a life of sacrificial love. Do not hesitate to cry out to the Lord, “It is good!” Consider whether you view every cross and every invitation to love sacrificially as something good. This is what God desires for you; embrace His desire with determination and joy. My sacrificial Lord, You embraced the Cross and saw it as truly good. You looked beyond the suffering and saw the fruits of Your sacrifice. Help me to imitate You by seeing every act of sacrificial love as the good I desire. I love You, Lord. Help me to love You and others with all my heart. Jesus, I trust in You.Image: Transfiguration of Jesus Christ by José Luiz Bernardes Ribeiro, CC BY-SA 3.0Source: Free RSS feed from catholic-daily-reflections.com — Copyright © 2026 My Catholic Life! Inc. All rights reserved. This content is provided solely for personal, non-commercial use. Redistribution, republication, or commercial use — including use within apps with advertising — is strictly prohibited without written permission.

Jonathan is joined by military analyst Amos Harel to assess the latest Israeli and US strikes against Iran — and what may come next. Together they examine the logic behind the operations, the degree of coordination between Jerusalem and Washington, and how Iran is likely to respond next. They also ask the harder questions now hanging over the region: whether this marks a turning point for the Iranian regime itself, how far escalation could go, and what the strikes reveal about the shifting balance of power in the Middle East. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Inspiration for the Nation is the weekly Jewish podcast from Living Lchaim, hosted by Yaakov Langer.TRIGGER WARNING: This episode deals with extreme situations, traumas, abuse and more.It also discusses how Josh finds himself and connection to Hashem.Josh Rosenberg was raised in a Jewish Orthodox Chasidic world. He was immersed in its melodies, traditions, and unspoken expectations. Years of struggle, heartbreak, identity crisis, and spiritual searching led to a painful but transformative journey. Josh "went off the derech", was homeless and started modeling. He was lost in every sense of the word. Ultimately, he returned to Israel and rediscovered his connection to the Orthodox world. This is the story of teshuva.Re-Orthodoxed Book: https://a.co/d/0ak8nLRJ✬ SPONSORS OF THE EPISODE ✬► The Dream Raffle: Win a $1.2 Million Apartment in JerusalemHelp beautiful causes and also walk away with keys to a gorgeous - fully furnished - apartment in Jerusalem (if you win!)Use PROMO code: INSPIRE for $10 OFF + DOUBLE Tickets→ http://bit.ly/4nUg7gV► Wheels To Lease: #1 Car Company For over 35 years, Wheels To Lease has offered stress-free car buying with upfront pricing, no hidden fees, and door-to-door delivery. → CALL/TEXT: 718-871-8715 → EMAIL: inspire@wheelstolease.com → WEB: https://bit.ly/41lnzYU → WHATSAPP: https://wa.link/0w46ce ► BitBean: Smart Custom Software Built for YouYaakov here. Just make the call. They can help you.Reach Out Here→ https://bitbean.link/MeEBlY► Zahler: The Go To Supplement PlaceYaakov's wife said "I love Zahler. They are the best".Take 15% OFF any Zahler product with code: INSPIRE→ https://bit.ly/3M3CtPI► The Next Big Jewish Neighborhood!Tucson, Arizona is becoming a warm and welcoming home for growing Jewish families. I even have cousins there with my last name, Langer, and after visiting them in 2020, the city left a real impression on me. The sunlight, the mountains, and the calm of the streets have a quiet beauty that feels a bit like Israel.The community is expanding with a new Kollel, a new eiruv, kosher establishments on the way, and an affordable cost of living. Winters are gorgeous and families are moving in because Tucson offers space, warmth, and real growth. There is also a moving bonus for those ready to join.→ Rabbi contact: 786-702-0649→ More info: MyJewishTucson.com→ Email: visit@tucsontc.org_____________________________________✬ IN MEMORY OF ✬ This episode is in memory of: • Miram Sarah bas Yaakov Moshe • Shimon Dovid ben Yaakov Shloima #iftn Lchaim. 

The US and Israel have launched what President Donald Trump has described as "major combat operations" to try to bring about the end of the Iranian regime.In this bonus episode, Roland and Venetia look at what we know so far - from Trump's speech to strikes across the Middle East - and what might happen next, while Henry Bodkin, The Telegraph's Jerusalem correspondent, reports from on the ground in Israel amid air raid sirens around the country.Plus, Roland speaks to Jonathan Hackett, a 20-year US Marine Corps veteran and special operations capabilities specialist, as well as the author of Iran's Shadow Weapons: Covert Action, Intelligence Operations and Unconventional Warfare. Their conversation - which was recorded shortly before the attack began - covers how Ayatollah Ali Khamenei was offered an escape route but refused to take it, the state of the IRGC and why regime change in Iran will be so difficult.Producer: Peter ShevlinExecutive Producer: Louisa Wells► Sign up to our most popular newsletter, From the Editor. Look forward to receiving free-thinking comment and the day's biggest stories, every morning. telegraph.co.uk/fromtheeditorContact us with feedback or ideas:@venetiarainey@RolandOliphant Hosted on Acast. See acast.com/privacy for more information.

Ammiel Bushakevitz is a celebrated pianist and chamber musician whose journey through classical music has taken him across six continents, performing in prestigious venues such as Carnegie Hall, the Concertgebouw, Wigmore Hall, among many more. Born in Jerusalem and raised in South Africa, he discovered his passion for music early on, later studying in Leipzig and Paris under renowned teachers. Ammiel has a particular affinity for the art song, collaborating with leading vocalists and releasing multiple award-winning recordings, including the ambitious project to record all of Schubert's piano works by 2028.In this engaging conversation with Tony, Ammiel reflects on his deep connection to Schubert's music, exploring themes of joy and melancholy that resonate in the composer's works. He shares personal anecdotes about his musical journey, the evolution of his interpretations, and the importance of musical spontaneity in live performances. With insights into the nuances of piano playing and his collaborative experiences with singers, Ammiel's reflections reveal the profound impact of music on both his life and artistry.

God has not run out of mercy — not for you, not today.Saturday, Feb 28, 2026 — Psalm 126. Today we land in one of the Psalms of Ascent (Psalms 120–134): a “road trip playlist” Israel would sing on the way to Jerusalem—step by step, closer and closer to the presence of God.And Psalm 126 sounds like somebody who just got freed.It's the song of a restored soul: “We were like those who dream… our mouth was filled with laughter… the Lord has done great things for us.” This is worship that comes after bondage breaks. After the waiting ends. After the tears finally turn.If your week has been heavy, read this Psalm like it's your best report—because the God who restored Zion is still restoring people. He's still turning weeping into sheaves, and tears into joy.And don't miss this: we need church for this exact reason. Someone's celebrating deliverance… while somebody else is still in the middle of the storm—so we borrow faith from each other and keep walking upward.Today, Psalm 126 it. Laugh again. Hope again. Worship again. The same God who brought you through before is not done with you yet.

Welcome to Mysterious Universe Season 35 episode 08, and the conclusion of Caesar's Messiah: The Roman Conspiracy to Invent Jesus by Joseph Attwell, which we began on the plus extension last Friday, season 35 episode 07. On this episode, we continue the work of Joseph Attwell with our look at the origin of the gospels of the Bible to see if there are any alternative perspectives with the official interpretations, and to discover the motives behind its very existence in the first place. For our Plus+ extension we continue the time slip/Missing 411 thread along a slightly different path, that of Dirk Gillabel ala Experiences of Changed Reality. From theories behind these odd "out of place/time" occurrences to detailed accounts of first hand witnesses, we follow his reasoning and speculations and continue to wonder: what happens to the ones who DON'T return? Check out the link below and get the new Inescapable Podcast out now. Plus+ Members can now find the new feed on your Dashboard and add it to your preferred podcast player. Full Movie! CAESAR'S MESSIAH: The Roman Conspiracy to Invent Jesus  Caesar's Messiah: The Roman Conspiracy to Invent Jesus: Flavian Signature Edition KJV Bible, Charcoal Leather, Touch Crown of Thorns, Red Letter, Pure Cambridge Text, Full-Color Maps NABRE, New American Bible, Revised Edition, Catholic Bible, Comfort Print: Holy Bible Which Translation of the Bible is the Best? Video - Relief from the Arch of Titus, showing The Spoils of Jerusalem being brought into Rome Jesus Homeboy T-Shirt  Soul-Guidance.com Cosmick Traveler LinksPlus+ ExtensionThe extension of the show is EXCLUSIVE to Plus+ Members. To join. click HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The PDB Afternoon Bulletin:  First—The U.S. Embassy in Jerusalem is urging staff to leave Israel immediately if they wish to do so, a significant move that signals Washington is urgently bracing for potential escalation with Iran as diplomacy falters. Later in the show—Pakistan is now declaring “open war” after launching air and ground strikes across Afghanistan, hitting Taliban military targets in Kabul and Kandahar. The escalation follows retaliatory drone attacks by the Taliban along the border, with competing claims of heavy casualties. To listen to the show ad-free, become a premium member of The President's Daily Brief by visiting PDBPremium.com. Please remember to subscribe if you enjoyed this episode of The President's Daily Brief. YouTube: youtube.com/@presidentsdailybrief DeleteMe: Get 20% off your DeleteMe plan when you go to https://joindeleteme.com/PDB and use promo code PDB at checkout. Ava: See how millions are boosting their credit with Ava—download the Ava app and use code BAKER for 20% off your first year. Learn more about your ad choices. Visit megaphone.fm/adchoices

WARNING: The State Department cautioned American citizens to leave the U.S. Embassy in Jerusalem immediately. The warning came via overnight communications with U.S. Ambassador to Israel Mike Huckabee that the U.S. could be planning an attack on Iran. The Sekulow team discusses the State Department's warning, President Donald Trump's possible attack on Iran, the ACLJ's legal work – and much more.

Welcome to Day 2807 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2807 – Wisdom Nuggets – Psalm 116:15-19 – Daily Wisdom Wisdom-Trek Podcast Script - Day 2807 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2807 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: The Costly Departure – A Sacrifice of Thanksgiving Today, we are bringing our deeply personal journey through Psalm One Hundred Sixteen to a glorious, triumphant conclusion. We will be trekking through the final stanza of this profound song, covering verses fifteen through nineteen, in the New Living Translation. Before we take our next step, we must look back over our shoulder at the trail we just traveled. In our previous trek, covering the first fourteen verses of this psalm, we stood beside a man who had stared into the terrifying abyss of the underworld. We heard his raw, trembling testimony. He told us how the ropes of death had wrapped around his neck, and how the terrors of the grave had overtaken him. In his absolute helplessness, he cried out a simple prayer: "Please, Lord, save me!" And Yahweh, the Most High God, bent down from the heavens to listen. He severed the cords of death, dried the psalmist's tears, and stabilized his stumbling feet. In overwhelming gratitude, the psalmist lifted the "Cup of Salvation," promising to praise the Lord in the land of the living. We also remembered that this is part of the Egyptian Hallel, the collection of psalms sung during the Passover. Jesus Himself sang these very words in the Upper Room, just hours before He faced the ultimate terror of the cross. Now, as we enter the final five verses, the psalmist transitions from the private terror of his near-death experience, to the public courts of the temple. He begins with a stunning revelation about how God views the death of His people, and ends with a communal feast of thanksgiving. It is a transition from the darkness of the grave, to the bright, joyful center of cosmic geography: Jerusalem. Let us walk into the temple courts, and listen to the conclusion of this magnificent testimony. The first segment is: The Weight of the Faithful: A Costly Departure. Psalm One Hundred Sixteen: verse fifteen. Precious in the sight of the Lord is the death of his faithful servants. This single verse is one of the most famous, and frequently quoted, comforts in the entire Bible, especially during times of grief. But to truly understand its depth, we must peel back the layers of the original Hebrew language, and view it through the lens of the Ancient Israelite worldview. The word translated as "precious" is yaqar. In English, when we hear the word "precious," we often think of something sweet, sentimental, or cute. But that is not what yaqar means. In biblical Hebrew, yaqar means heavy, rare, costly, or of immense value. It is the word used to describe rare jewels, or the heavy, expensive stones used to lay the foundation of the temple. Therefore, the psalmist is not saying that God finds our death sweet or pleasant. Death is the enemy. Death, in the ancient mindset, was the ultimate expression of the chaotic realm of Sheol. Instead, the psalmist is making a profound statement about our value: "Heavy, costly, and of immense consequence in the sight of Yahweh, is the death of His faithful ones." God does not view the passing of His people casually. He does not treat us as expendable pawns on a cosmic chessboard. When the forces of chaos and disease try to drag a believer down into the grave, the Lord takes it personally. It costs Him something. He values His human imagers so highly, that their departure from this earth is an event of cosmic gravity. The term "faithful servants" is the Hebrew word chasidim, which is rooted in Hesed—God's unfailing, loyal, covenant love. The chasidim are the loyal ones, the ones bound to God by covenant. Because He is fiercely loyal to them, He does not surrender them to the grave without a fight. In the case of this psalmist, God looked at the high cost of his death, stepped into the fray, and said, "Not today." He severed the ropes of Sheol, because the life of His servant was simply too valuable to lose to the darkness. When Jesus sang this verse on the night of His betrayal, He was acknowledging the profound weight of what He was about to do. His death would be the ultimate, costly departure. Yet, because it was so precious in the sight of the Father, it would become the very mechanism that defeated death forever. The second segment is: The Joyful Captive: Freedom Through Submission. Psalm One Hundred Sixteen: verse sixteen. O Lord, I am your servant; yes, I am your servant, born into your household; you have freed me from my chains. Having reflected on how much God values his life, the psalmist responds with an absolute surrender of his identity. He repeats his title twice for emphasis: "O Lord, I am your servant; yes, I am your servant." The word for "servant" here is ebed, which can also be translated as slave or bondservant. But this is not a forced, oppressive slavery; this is a willing, joyful submission to a benevolent King. The psalmist adds a beautiful, intimate detail: "born into your household." Literally, the text says, "the son of your maidservant." In the ancient Near East, a slave who was purchased from a foreign land had a very different status than a slave who was born within the master's own house. A servant born into the household was practically considered family. They grew up under the master's roof, ate the master's food, and enjoyed the master's protection. By calling himself the son of a maidservant, the psalmist is claiming a deep, lifelong, family connection to Yahweh. He is saying, "Lord, I belong to You. I have always belonged to You. I am a child of Your estate." And here is the beautiful paradox of the biblical worldview: true freedom is found only in becoming a servant of the Most High God. Notice the next phrase: "you have freed me from my chains." Just a few verses earlier, the psalmist was wrapped in the ropes of death. Those were the chains of chaos, destruction, and fear. By submitting himself entirely to Yahweh as a servant, those chains of oppression were shattered. In the Divine Council worldview, humans will always serve a master. We will either be enslaved by the dark, rebellious principalities of this world—forces that seek to bind us in addiction, fear, and ultimately the grave—or we will bind ourselves to the Creator, whose yoke is easy and whose burden is light. The psalmist declares that because God broke the chains of death, he is now happily, permanently bound to the Lord. He is a free man, precisely because he is God's servant. The third segment is: The Public Feast: Testifying in the Sacred Courts. Psalm One Hundred Sixteen: verses seventeen through nineteen. I will offer you a sacrifice of thanksgiving and call on the name of the Lord. I will fulfill my vows to the Lord in the presence of all his people— in the courts of the house of the Lord, in the midst of Jerusalem. Praise the Lord! Now, the psalmist takes his private, internal gratitude, and makes it undeniably public. He transitions from the prayer closet, to the temple courts. He promises: "I will offer you a sacrifice of thanksgiving." This is a very specific reference to the Levitical law. In the Book of Leviticus, Chapter Seven, the Todah—or Thanksgiving Sacrifice—was a type of peace offering. When an Israelite was rescued from a life-threatening illness, a dangerous journey, or a deadly enemy, they were instructed to bring an animal sacrifice, along with unleavened bread, to the tabernacle. But this sacrifice was unique. It was not burned up entirely on the altar. The priest took a portion, but the vast majority of the meat and bread was given back to the worshiper. The worshiper was then required to host a massive, joyful feast, inviting their family, friends, and even the poor, to eat the meal with them on that very same day. Think about the profound psychology of this ritual. You could not eat an entire animal by yourself. You had to invite a crowd. And as you passed the meat and the bread, people would naturally ask, "What are we celebrating?" That was your moment to testify. That was the moment to say, "I was standing at the edge of the grave. The ropes of death had me. But I called on the name of the Lord, and He saved me!" This is exactly what the psalmist intends to do: "and call on the name of the Lord. I will fulfill my vows to the Lord in the presence...

Send a textIran is bleeding.The world has watched protests, crackdowns, executions, and the brutal suppression of dissent under the Islamic regime. Many see only darkness, fear, and instability.But there is another story unfolding.In this powerful conversation, Eugene Bach shares the deeper reality of what is happening inside Iran — a rising underground church, a hunger for truth, and a revival that is spreading even under persecution.We discuss:• The historical connection between Persia and the gospel• The growth of Christianity inside Iran• The brutality of the regime and the courage of believers• The Back to Jerusalem vision• Why revival often grows strongest under pressure• What Iran's crisis means for Christians in the WestThis episode is not merely about geopolitics. It is about the power of the gospel.As Iran faces turmoil, many are turning to Jesus. And their courage raises a sobering question for us:Are we going deeper in our own faith?Are we ready to evangelize boldly?Do we understand how fragile freedom truly is?Iran's suffering is real. But so is the revival.Listen, learn, pray — and let this conversation awaken you to both urgency and hope.❤️ SHOW YOUR SUPPORT - LINKS BELOW...➡️ Email me: https://www.karlgessler.com/deliverance➡️ DONATE ➡️  Join our team!https://www.givesendgo.com/karlgesslerfamilybandhttps://www.patreon.com/karlgesslerhttps://cash.app/$KarlgesslerSocial Media➡️Facebook - https://www.facebook.com/profile.php?id=100089357625739➡️Telegram - https://t.me/FaithoftheFathers➡️Truth Social - https://truthsocial.com/@UCLOvq6O4aIXLrkKxwXkq3uA#iran #iranprotests #Backtojerusalem #Eugenebach #revival Support the show❤️ SHOW YOUR SUPPORT - LINKS BELOW...➡️ Email me: https://www.karlgessler.com/deliverance➡️ DONATE ➡️ Join our team!https://www.givesendgo.com/karlgessle... / karlgessler ...

Today Jerusalem is the major point of conflict between the Arabs and Jews; both claim it as their own. There can be no peace in the Middle East—or elsewhere in the world—until this conflict is resolved with the return of the King-Messiah Jesus. Pastor Runge will take you through Jerusalem's past and into her future in the plan of God. To support this ministry financially, visit: https://www.oneplace.com/donate/1094/29?v=20251111

Are we living in the season of Christ's return? In this compelling episode, John and Arden explore biblical prophecy and historical patterns that point to our time as uniquely significant. From Jesus' teaching on the fig tree to ancient Jewish wedding customs, they connect Scripture with history—highlighting the restoration of Jerusalem in 1967 as a key prophetic marker. Drawing from both the Bible and early church fathers, John lays out an encouraging view of God's prophetic timeline—without speculating on dates. Whether you're exploring end-times prophecy or longing to live more spiritually alert, this message will inspire you to stay ready and led by the Holy Spirit in these important days. ______________________________________ FREE Show Notes Here: https://page.church.tech/e2c6ef74 ______________________________________ Click here to start your free extended trial with LOGOS today: Logos.com/Bevere ______________________________________ Order premium meat now through Good Ranchers—use code “JOHN" at checkout: https://go.goodranchers.com/john ______________________________________ Support this podcast by becoming a partner here (tax-deductible):https://3szn.short.gy/JBgive ______________________________________ Get John's new book, The King is Coming, here: https://www.amazon.com/King-Coming-Prepare-Return-Christ/dp/1400349672/ref= ______________________________________ To help you grow as a follower of Christ, we invite you to download our everyday discipleship app, MessengerX. You can get it here: https://messengerx.com/ ______________________________________ To explore the other podcast shows that are part of the Messenger Network, click here: https://messengerinternational.org/podcasts

Send a text The guys discuss Todd White's nine-minute apology video responding to criticism from Bible teacher Mike Winger. While Todd uses repentance language and acknowledges causing hurt, but is it true repentance? Then the guys get into part two of the historic conflicts between Muslims and Christians. Tune in to hear the full discussion.Chapter Markers:00:00:12 - Welcome Back: Great Wolf Lodge Vacation00:02:55 - Hacking Keurig Cups for Coffee00:04:52 - Todd White Issues Repentance Video00:06:26 - Todd White's Apology and Biblical Repentance00:08:33 - True Repentance Requires Fruit and Changed Behavior00:10:43 - Analyzing Todd White's Apology Video Response00:14:54 - Non-Apology Apology and Lack of Accountability00:18:21 - Jerusalem and Alexandria: Early Islamic-Christian Battles00:20:32 - Muslim Armies Capture Jerusalem in 63700:23:54 - Temple Destruction and Arab Conquest History00:26:32 - The Library of Alexandria's Destruction00:28:46 - Historical Sources on Gaza Victory Claims00:30:35 - Martyrs' Refusal and the Jizya Tax System00:33:28 - Understanding Jizya: Tax, Conversion, and Control00:36:02 - Jizya Tax and Non-Muslim Subjugation00:39:21 - Arab Conquests and Violence Against Christians00:41:36 - Early Islamic Interpretations and Historical Evidence Support the show

In John 10:30-33, was Jesus claiming to be God, and the religious leaders in Jerusalem knew it?Discussion with Troy Salinger (Author, Painter: Let the Truth Come Out) focusing in on John 10:30, 33:“I and the Father are one." The Judeans replied, "We are not going to stone you for a good deed but for blasphemy, because you, a man, make yourself God." Resources:Let the Truth Come Out, Troy Salingerhttps://letthetruthcomeoutblog.wordpress.com/author/troysal/“I and the Father are one” and “the glory I had with you” are NOT deity of Christ Textshttps://youtu.be/av0s_M4rYJcPre-incarnate Appearances of the Son of God in the Old Testament: Truth or Mythhttps://www.youtube.com/playlist?list=PLUqWXumvcp5p1klRmE6uAaU7uGSOMDuCX

In this episode of the Parsha Review Podcast, Rabbi Aryeh Wolbe delves into Parshas Tetzaveh, focusing on the garments (bigdei kehuna) of the Kohen Gadol (High Priest). He highlights the verse commanding Moshe to speak to the "wise-hearted" (chachmei lev) whom Hashem invests with wisdom to create these sacred vestments, questioning how former slaves in Egypt, unskilled in craftsmanship, could suddenly excel. The key insight: True wisdom stems from a deep desire (ratzon) for it, not prior education or skills—Hashem grants wisdom to those who seek it passionately, as per the Mishnah's definition of wisdom as learning from everyone without prejudice.Rabbi Wolbe illustrates this with modern and historical examples: Elon Musk's rapid mastery of cars and rockets despite no prior knowledge, driven by insatiable curiosity; Reb Elyashiv's fervent Torah study at age 102; Rav Moshe Feinstein's multiple completions of the Talmud (101 times, four cycles); and a Talmudic story responding to a Roman noblewoman's query on why wisdom goes to the wise—they're the ones who will use it productively. He contrasts this with mediocrity, urging never-ending pursuit of knowledge to avoid spiritual stagnation, and ties it to parenting: Instill a love for Torah from infancy (e.g., teaching "Torah Tziva Lanu Moshe" as first words) and encourage children's "why" questions to foster curiosity.The discussion extends to appreciating Hashem's daily miracles in nature (e.g., the apple's infinite potential), rejecting "mother nature" for divine command (mishpatei piv), and the Amidah's first request for wisdom. Ultimately, desire is the root of achievement—eternal in Torah vs. temporary in wealth or fame—warning against boredom leading to sin and advocating lifelong vitality through learning. He concludes with a blessing for wisdom-seeking and an amazing Shabbos._____________This episode of the Parsha Review Podcast is dedicated in honor of Lenny & Teresa FriedmanDownload & Print the Parsha Review Notes:https://drive.google.com/drive/folders/1ncaRyoH5iJmGGoMZs9y82Hz2ofViVouv?usp=sharingRecorded at TORCH Meyerland in the Levin Family Studios (B) to a live audience on February 24, 2026, in Houston, Texas.Released as Podcast on February 27, 2026_____________Subscribe: Apple Podcasts (https://podcasts.apple.com/us/podcast/parsha-review-podcast-rabbi-aryeh-wolbe/id1651930083)Spotify (https://open.spotify.com/show/22lv1kXJob5ZNLaAl6CHTQ) to stay inspired! Share your questions at awolbe@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#Torah, #Parsha, #Exodus, #Shemos, #Terumah, #Mishkan, #Dwell, #JewishPride, #HashemWithin, #Tabernacle, #TorahPortion, #Middot, #CharacterTraits, #EmulateGod, #TikkunMiddot, #ShabbosPrep, #TorahPodcast, #HashemInUs ★ Support this podcast ★

In this episode of the Parsha Review Podcast, Rabbi Aryeh Wolbe delves into Parshas Tetzaveh, focusing on the garments (bigdei kehuna) of the Kohen Gadol (High Priest). He highlights the verse commanding Moshe to speak to the "wise-hearted" (chachmei lev) whom Hashem invests with wisdom to create these sacred vestments, questioning how former slaves in Egypt, unskilled in craftsmanship, could suddenly excel. The key insight: True wisdom stems from a deep desire (ratzon) for it, not prior education or skills—Hashem grants wisdom to those who seek it passionately, as per the Mishnah's definition of wisdom as learning from everyone without prejudice.Rabbi Wolbe illustrates this with modern and historical examples: Elon Musk's rapid mastery of cars and rockets despite no prior knowledge, driven by insatiable curiosity; Reb Elyashiv's fervent Torah study at age 102; Rav Moshe Feinstein's multiple completions of the Talmud (101 times, four cycles); and a Talmudic story responding to a Roman noblewoman's query on why wisdom goes to the wise—they're the ones who will use it productively. He contrasts this with mediocrity, urging never-ending pursuit of knowledge to avoid spiritual stagnation, and ties it to parenting: Instill a love for Torah from infancy (e.g., teaching "Torah Tziva Lanu Moshe" as first words) and encourage children's "why" questions to foster curiosity.The discussion extends to appreciating Hashem's daily miracles in nature (e.g., the apple's infinite potential), rejecting "mother nature" for divine command (mishpatei piv), and the Amidah's first request for wisdom. Ultimately, desire is the root of achievement—eternal in Torah vs. temporary in wealth or fame—warning against boredom leading to sin and advocating lifelong vitality through learning. He concludes with a blessing for wisdom-seeking and an amazing Shabbos._____________This episode of the Parsha Review Podcast is dedicated in honor of Lenny & Teresa FriedmanDownload & Print the Parsha Review Notes:https://drive.google.com/drive/folders/1ncaRyoH5iJmGGoMZs9y82Hz2ofViVouv?usp=sharingRecorded at TORCH Meyerland in the Levin Family Studios (B) to a live audience on February 24, 2026, in Houston, Texas.Released as Podcast on February 27, 2026_____________Subscribe: Apple Podcasts (https://podcasts.apple.com/us/podcast/parsha-review-podcast-rabbi-aryeh-wolbe/id1651930083)Spotify (https://open.spotify.com/show/22lv1kXJob5ZNLaAl6CHTQ) to stay inspired! Share your questions at awolbe@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#Torah, #Parsha, #Exodus, #Shemos, #Terumah, #Mishkan, #Dwell, #JewishPride, #HashemWithin, #Tabernacle, #TorahPortion, #Middot, #CharacterTraits, #EmulateGod, #TikkunMiddot, #ShabbosPrep, #TorahPodcast, #HashemInUs ★ Support this podcast ★

With the prospect of a U.S. strike on Iran looming, the U.S. Embassy in Jerusalem has told its personnel to depart Israel and to do so right away. Greg and Holly discuss the latest and what this could mean for strikes on Iran.

The headlines are swirling again — aircraft carriers repositioned, bombers forward deployed, evacuation advisories issued, Iran threatening retaliation, and President Trump warning Tehran that time is running out. Whether a strike comes this week, next month, or not at all is almost secondary to the larger reality staring us in the face: The Middle East is once again the prophetic epicenter of the world.“And in that day will I make Jerusalem a burdensome stone for all people: all that burden themselves with it shall be cut in pieces, though all the people of the earth be gathered together against it.” Zechariah 12:3 (KJB)On this episode of Rightly Dividing, Iran has been tightening its grip around Israel for years — through Hezbollah in Lebanon, Hamas in Gaza, militias in Syria and Iraq, and direct missile and drone capabilities. Meanwhile, America — whether under Trump or any other president — is pulled deeper into the region's unavoidable gravitational field. Why? Because Jerusalem is the burdensome stone. Notice what that verse says — all the people of the earth. That includes superpowers. That includes alliances. That includes nations that think they can manage the situation through deterrence, diplomacy, or force projection. Making its debut in this conflict will be the brand-new kamikaze drone unit known as Task Force Scorpion. And what about the Board of Peace? We have all the updates you need to know about what's happening in the Middle East, and all around the globe.

Acts Series  Message: 27 Episode: 3 of 3 Broadcast: February 27, 2026 Key Verses: Acts 15:1-35 In this powerful episode of Walk in Truth, Pastor Michael Lantz teaches through Acts 15:1–35 in a message titled, "Amazing Grace." As the early church wrestles with questions about salvation, legalism, and the true meaning of grace, we witness a pivotal moment where the apostles boldly affirm that we are saved by the grace of the Lord Jesus—not by works or religious performance. Pastor Michael unpacks how this historic council in Jerusalem brings clarity, unity, and freedom to believers, reminding us that the gospel is rooted in God's unearned favor. This teaching will encourage and equip you to stand firm in biblical truth, walk confidently in God's grace, and apply the life-changing message of salvation by faith alone to your everyday life as a follower of Christ. Welcome to Walk in Truth! These are the Bible teachings of Pastor Michael Lantz. Equipping you to reach out with God's truth to all people. And how to apply that truth to today's issues, trends, and culture.  Leave your question or comment contact@walkintruth.com

What happens when an Orthodox Jew takes on the mission of building bridges with Christians? You won’t believe Jonathan Feldstein’s story!

In Acts 1, the disciples have lost their way after Jesus death and resurrection. Jesus helps get them back on track by telling them that they will receive power when the Holy Spirit comes upon them and they will be His witnesses in Jerusalem and in Judea and Samaria and to the end of the Earth. The disciples needed direction just like we do. Jesus is our compass and light in a dark world and He is the one who directs our steps and leads us.

If the Book of Genesis records the personal fall of man (adam) in the Garden, the Book of Kings (Sefer Melakhim) records the corporate fall of man (Israel) in the Promised Land. Originally a single, seamless work in the Hebrew canon, Kings is the autopsy of a spiritual collapse. It tracks the Davidic Promise from its architectural summit in Jerusalem to its apparent dissolution in the fires of Babylon. The Arc of Decay: From Temple to Exile The narrative spans approximately 410 years (c. 970 BCE – 560 BCE), following the tragic trajectory of "YHWH-plus" religion. The Summit (c. 970–930 BCE): The United Monarchy under Solomon. The Word of God is housed in the Jerusalem Temple, the location God chose to place his Name forever if only Israel will hear and obey the voice of their God. Tragically, the philosopher-king Solomon divides his loyalties and his affections. The Divided Monarchy (c. 930–722 BCE): As goes the heart of the king, so goes the Kingdom. The North (Israel) under Jeroboam immediately adopts YHWH-plus idolatry, the Golden Calves, leading to its total erasure by Assyria. The South (Judah) struggles to maintain the Davidic "Immune System" amidst a progressive slide into syncretism. The Collapse (c. 722–586 BCE): Despite the radical reforms of Hezekiah and Josiah, the culture of compromise - weaponized by Manasseh - becomes terminal. The book concludes with the Babylonian Captivity, as the means devised by God to carry His promise to completion. Authorship While Jewish tradition identifies the prophet Jeremiah as the author, conservative scholarship also recognizes the possibility of a 'Scribe of the Exile' (such as Baruch or Ezra) who compiled the royal archives and prophetic eyewitness accounts into a single, unified narrative. In any case, the author is no mere chronicler; he is a covenantal prosecutor. He evaluates every king by a single metric: Did they walk in the way of David and obey God's word, or did they seek a "Plus" to YHWH? History here is the public outworking of a nation's loyalty to the divine message.

Having received his Ph.D. in mathematical logic at Brandeis University, Rabbi Dr. Dovid Gottlieb went on to become Professor of Philosophy at Johns Hopkins University. Today he is a senior faculty member at Ohr Somayach in Jerusalem. An accomplished author and lecturer, Rabbi Gottlieb has electrified audiences with his stimulating and energetic presentations on ethical and philosophical issues. In Jewish Philosophy with Rabbi Dr. Gottlieb, we are invited to explore the most fascinating and elemental concepts of Jewish Philosophy. https://podcasts.ohr.edu/ podcasts@ohr.edu

In this members episode, Tony sits down with Pastor Dave Bryan for a jaw-dropping conversation that moves from the Giants of Kandahar to the hidden search for Noah's Ark, and finally to the modern-day red heifer prophecy. Dave Bryan shares firsthand testimony from a Navy intelligence source who claimed U.S. special forces engaged multiple armored giants in Afghanistan, along with the chilling aftermath and alleged CIA suppression. The conversation then shifts to a private viewing of video footage said to show the interior of Noah's Ark on Mount Ararat, complete with ancient beams and preserved feeding troughs. Finally, Dave recounts his meeting with Robert Mawire and the astonishing story of how seven perfect red heifers were providentially supplied for the rebuilding of the Third Temple in Jerusalem. From underground giants to Temple prophecy, this episode explores the possibility that biblical events are not ancient history, but unfolding in real time.Please pray for Tony's wife, Lindsay, as she battles breast cancer. Your prayers make a difference!If you're able, consider helping the Merkel family with medical expenses by donating to Lindsay's GoFundMe: https://gofund.me/b8f76890Become a member for ad-free listening, extra shows, and exclusive access to our social media app: theconfessionalspodcast.com/joinThe Confessionals Social Network App:Apple Store: https://apple.co/3UxhPrhGoogle Play: https://bit.ly/43mk8kZThe Counter Series Available NOW:The Counter (YouTube): WATCH HEREThe Counter (Full Episode): WATCH HERETony's Recommended Reads: slingshotlibrary.comIf you want to learn about Jesus and what it means to be saved: Click HereBigfoot: The Journey To Belief: Stream HereThe Meadow Project: Stream HereMerkel Media Apparel: merkmerch.comMy New YouTube ChannelMerkel IRL: @merkelIRLMy First Sermon: Unseen BattlesSPONSORSSIMPLISAFE TODAY: simplisafe.com/confessionalsGHOSTBED: GhostBed.com/tonyQUINCE: quince.com/tonyCONNECT WITH USWebsite: www.theconfessionalspodcast.comEmail: contact@theconfessionalspodcast.comMAILING ADDRESS:Merkel Media257 N. Calderwood St., #301Alcoa, TN 37701SOCIAL MEDIASubscribe to our YouTube: https://bit.ly/2TlREaIReddit: https://www.reddit.com/r/theconfessionals/Discord: https://discord.gg/KDn4D2uw7hShow Instagram: theconfessionalspodcastTony's Instagram: tonymerkelofficialFacebook: www.facebook.com/TheConfessionalsPodcasTwitter: @TConfessionalsTony's Twitter: @tony_merkelProduced by: @jack_theproducerOUTRO MUSICJoel Thomas - Agartha (feat. Nergui)YouTube | Apple Music | Spotify

On February 25th, 2026, Prime Minister Narendra Modi of India became the first Indian head of government to address the Knesset. It was a moment that, years ago, would have been difficult to imagine. India and Israel established full diplomatic relations only in 1992. For most of the preceding decades, India had been among Israel's harshest critics—a reflexive supporter of the Palestinian cause, a country whose leaders looked on the Jewish state with suspicion or contempt. Something has changed. And Prime Minister Modi's speech in Jerusalem made clear just how much. Standing before the Knesset, Modi opened by describing himself as "a representative of one ancient civilization addressing another." He noted that he was born on September 17, 1950, the very day India formally recognized the state of Israel. He expressed condolences for the victims of October 7, condemned Hamas's attack as "barbaric," and declared that "no cause can justify the murder of civilians." He called Israel "a protective wall against barbarism." And in language that echoed Prime Minister Netanyahu's own, he told the assembled lawmakers: "The massacre of October 7 made it absolutely clear—either the jihadist axis of evil will break us, or we will break it. And we are breaking it—and will break it." He closed with two phrases that belong to two civilizations, and that he offered as a single statement: Am Yisrael Hai. Jai Hind. The people of Israel live, in Hebrew, and Hail India, in Hindi.  We recorded this conversation on the afternoon of February 25, as Modi was departing from the Knesset. To discuss the visit and its significance, Mosaic's editor Jonathan Silver is joined by Bill Drexel, a senior fellow at the Hudson Institute whose work focuses on U.S.-India relations, artificial-intelligence competition with China, and technology in American grand strategy. This episode of the Tikvah Podcast is generously sponsored by Jessica and PJ Heyer. If you are interested in sponsoring an episode of the Tikvah Podcast, we invite you to join the Tikvah Ideas Circle.

On today's page, Menachot 46, the rabbis are talking about priestly life in Yavne, the town that became Judaism's unlikely headquarters after Rome burned Jerusalem to the ground. It's a story that starts with a scholar smuggling himself out of a besieged city and ends with three surprisingly wise requests that have a lot to say about how any of us survive upheaval. When everything breaks, what do you actually rebuild first? Listen and find out.

Join Rabbi Joey Rosenfeld as he guides us through the world and major works of Kabbalah, Hasidic masters, and Jewish philosophy, shedding light on the inner life of the soul. To learn more, visit InwardTorah.org

He was born to a wealthy, noble family in Thessalonica around 347. Filled more and more with a yearning for God, he abandoned his worldly possessions and traveled to Egypt, living for five years as a monk at Sketis. From there he went to Palestine, where he lived for another five years in a cave in the Jordan desert. Suffering from a severe ailment, he was forced to move to Jerusalem; there he was suddenly and completely cured following a vision on Golgotha, in which he saw the Good Thief come down from the cross to lead him to Christ, who gave the Cross into his keeping.   Porphyrius took up the trade of a shoemaker in Jerusalem to provide for his few needs. His humility and charity became so well-known that the Bishop of Jerusalem ordained him to the priesthood at the age of forty-five, and made him Stavrophylax, keeper of the True Cross of the Savior — thus fulfilling Porphyrius' vision on Golgotha. Three years later, much against his will, he was elected Bishop of Gaza.   Throughout his episcopate he was persecuted by the pagans who still dominated the life of that city — though he was able to convert many of them by his own example of holiness, and by the many miracles that were wrought through his intercessions. Once, when the city was suffering from a long drought, the Saint gathered the city's Christians (who numbered no more than 280), told them to fast, and celebrated an all-night vigil. The next morning, as the Bishop and his entire flock went in procession through the city it began to rain. At this, 127 pagans were converted. When the pagans' violent attacks continued, Porphyrius appealed to the Emperor Arcadius for an edict closing of the pagan temples in Gaza. With the support of St John Chrysostom the edict was issued. When the Imperial representatives entered Gaza, accompanied by Bishop Porphyrius bearing the Cross, the statue of Aphrodite in the city's main temple shattered into pieces. Eight temples were destroyed, and a Church was built on the site of the largest. Hundreds of pagans embraced the Faith and, after instruction, were baptized by the Saint.   After twenty-five years as bishop, during which he had seen his see transformed from a small flock of beleaguered Christians into a Christian territory, Saint Porphyrius reposed in peace in 420.

Chadd and guest Jeremy Ryan Slate explore the Roman presence in first-century Judea, tracing how Roman governance, client kings (like Herod), and methods such as crucifixion shaped the political context of Jesus' trial and death. Slate — a scholar of Catholic theology, early Roman propaganda and author of The Roman Pattern — explains key moments in the Gospels through Roman law, propaganda and logistics. The episode covers Pilate's dilemma, why Jewish leaders brought a political charge, the symbolism and purpose of crucifixion, Josephus's historical corroboration, Paul's Roman citizenship and mobility, and the catastrophic destruction of the Jerusalem temple and its wider consequences. Slate also connects these historical patterns to modern themes of civilizational stress and media, and discusses his work with Command Your Brand. Listeners can expect a mix of biblical, historical, and practical perspectives — a clear primer on the Roman-Jewish interplay around Jesus' life, a look at Reformation-era causes like indulgences, and personal reflections on faith, family travel, and building an authentic public brand.   Check out our partners: -Barbell Apparel at BARBELL APPAREL WEBSITE Use code "Chadd" for a free pair of shorts with a purchase of $99 or more.    -Bare Performance Nutrition and use code "3of7" for 10% OFF! https://www.bareperformancenutrition.com   -Check out 3 of 7 Project https://www.3of7project.com -Apply for our courses at: https://www.3of7project.com/train -Thank you for supporting Three of Seven Podcast on Patreon at: www.patreon.com/threeofseven -Three of Seven Project Store: https://3of7project.myshopify.com/pages/shop Nuff Said.