The May edition is filled with impressions of many dance, theatre and visualArts shows and installations in Chennai and Mumbai. From the only India showing of celebrated UK choreographer Akram Khan's GIGENIS- A generation of the earth, to THE FEMALE LEGACY PROJECT that celebrated 3 unusual women performers, this podcast also asks many important questions. What is the physical limit for a dancer's training if injury is the inevitable end result?Does a performer have a time period for a creative arc before they become repetitive?Join us for another iteration of ANITA SAYS, a monthly capture about Indian dance.

In this April episode of the Anita Says podcast, I dive into why the March episode was a **silent podcast** and shed light on how AI has been misused by scammers to impersonate my personality and voice. I share my thoughts on the impact of AI in the arts, discussing both its creative potential and the ethical concerns surrounding its use. Additionally, I reflect on my March performances - sharing personal experiences from the stage, key takeaways, and behind-the-scenes insights. I also provide my observations and thoughts on the performances I watched, analyzing artistic interpretations, technique, and overall presentation. This episode is a blend of personal reflection, industry insights, and a critical discussion on AI's evolving role in the world of performing arts. Tune in for an engaging conversation on creativity, technology, and the ever-changing artistic landscape.

The sounds of silence When voice, ideas, images, thoughts, notes and personal histories are hijacked and manipulated by AI, what are we left with? Ourselves – our minds – this invisible and ephemeral time bound entity. The Non-Podcast podcast is in solidarity with all artists and creative people, me included, who have been at the receiving end of the havoc and devastation caused by the unethical and unauthorised use by AI of a personal data for unscrupulous ends.Welcome to the March podcast of ANITA SAYS and listen – to nothing.

In this episode, we explore the powerful intersection of faith, dance, and legacy. From the transformative experience of performing at the MahaKumbh to the personal challenges dancers face, we hear from iconic figures like Shovana Narayan, Geeta Chandran, and Aditi Mangaldas. We also reflect on the evolving dance world, including Akram Khan's global influence and the enduring impact of legends like Kumudini Lakhia. Tune in for a celebration of resilience, artistry, and the ever-changing landscape of Indian dance.

As we step into 2025, I take a moment to reflect on the year gone by—one filled with both challenges and moments of deep gratitude. 2024 marked a personal milestone for me—60 years since my Arangetram—and it was also a year of pause, introspection, and healing after a broken bone forced me to slow down. But through travel, encounters with new art forms, and witnessing the evolving dance world, I've come to appreciate the immense power of resilience and reflection. In this episode, I share my experiences from the Serendipity Arts Festival, the rich cultural rituals of Kaisika Natakam, and my thoughts on the changing dynamics of classical dance. I also remember the indelible legacies of dance legends like Astad Deboo and Sunil Kothari, whose absence I still feel deeply. I reflect on the evolving space for classical dance, the challenge of staying true to tradition while embracing the modern world, and the lessons I've learned about mentorship, authenticity, and the importance of community in the life of an artist. As I look ahead to the future, I share my personal musings on how we can keep the heart of dance alive in these rapidly changing times. Tune in for a mix of inspiration, nostalgia, and insight as I continue to navigate my journey in the arts and life.

In this episode, I speak of tradition as a living, breathing entity—something that evolves, adapts, and yet remains anchored. In this episode, I reflect on the struggles of young dancers navigating the pressures of social media, the need for critical mentorship, and how we as senior artists must guide the next generation without losing sight of our roots. The arts are not static—they are resilient, relevant, and ever-changing.

In this November edition, I reflect on how dancers navigate today's turbulent times. With political, financial, and health challenges, I emphasize the resilience artists need and the importance of staying true to our cultural roots. I call for solidarity among dancers, a commitment to inclusivity, and a renewed focus on introspection. Dance, I believe, is a sanctuary—a powerful response to adversity that reinforces personal and cultural strength.

Season 2 of the podcast begins in NYC and the ERASING BORDERS dance festival that marks its 17th season. The strong showing of Gen Z artistes are a sign of the many decades of work by the pioneering generation of dance elders who cleared the pathway in the 20th century for Indian dance to arrive on American main stages. Renowned Guru Chitra Visweswaran marks the 50th anniversary of her dance academy in Chennai As Yoga and Bharatanatyam move further away from their Indian cultural roots, how do purists view these new avatars? All this and more

In this episode of Anita Says, we sit down with Sonali Skandan, a renowned Indian classical dancer and teacher based in New York City. Sonali takes us on a journey through her experiences of practicing, preserving, and promoting Bharatanatyam and other classical dance forms in one of the most diverse cities in the world. From her early inspirations to the challenges of maintaining cultural heritage in a modern metropolis, Sonali shares her unique perspective on what it means to be an artist navigating the intersection of tradition and innovation. We delve into her role in shaping the Indian classical dance scene in New York, her passion for teaching the next generation of dancers, and how she bridges cultures through her art. Whether you're a dance enthusiast, a cultural explorer, or someone curious about the vibrant intersection of East and West, this episode offers an inspiring look into the dedication and creativity that drive Sonali Skandan's journey. Tune in for an engaging conversation on the future of Indian classical dance in the West, the importance of community, and the ways art transcends boundaries in the heart of New York City.

,The podcast Anita Says would never have happened without the prodding and constant nagging of Bharatanatyam Kazakh dancer KASSIYET (https://www.instagram.com/kassiyet ) I had been meaning to, thinking about planning to start a podcast because I love the audio medium, but I never got around to it. So it was that one cloudy day in late September 2023, when I was sitting in my niece's home in San Mateo, California that she just turned on her iPhone with a speaker and said SPEAK. And there it was! Between a cough and a cold and sneeze and all that I had contracted with the menopausal Bay Area weather, I recorded the first inaugural podcast which Kassiyet edited carefully produced and launched on Spotify on October 1, 2023, So it's one full year one full year and it's been a great ride a seesaw ride sometimes but that's what inter-generational collaboration is all about right? And here we are, one year later professionally studio recording the podcast at DIGI SOUND STUDIO, Chennai, and the perfectionist producer Kassiyet sitting in New York - being meticulous and very demanding - pushing me to think deeper and share wider.

In this edition of the Anita Says podcast the topics discussed are the crushing costs of paying dance accompanists in India, how a ballet teacher in Mumbai displayed the qualities of a true mentor by not just training two talented contemporary dancers but also facilitating their further development overseas and the lovely Chennai Arangetram of a Chinese teenager from Beijing. Join us for the September edition of ANITA SAYS Produced by Kassiyet, New York City, USA https://www.instagram.com/kassiyet/ https://www.kassiyet.com Sound engineering by Baba L Prasad Recording studio Digi Sound Studios, Chennai, India https://www.instagram.com/digisoundstudio_/ Follow on Instagram: https://www.instagram.com/anitaratnam.official Youtube: https://www.youtube.com/@anitaratnam Website: https://www.anitaratnam.com

Join us for the August edition of Anita Says as we dive into the cultural impact of traditional narratives in dance and the recent controversy surrounding Kamala Harris's portrayal by JD Vance. We'll explore these and many other pressing issues against the vibrant backdrop of the Paris Olympics.

In this edition, the spotlight turns to core values of Resilience & Excellence and – concepts that do not shift or bend with the changing socio-political climate. How tennis icon Roger Federer's commencement address is also a life plan for all performances. How Instagram is slowly influencing choreography and audience expectations.. Recorded by L BabaPrasad at DIGI SOUND STUDIOS, Chennai Produced by KASSIYET, New York

Welcome to the June edition of the Anita Says podcast! In this edition, Anita Ratnam discusses the reaction amongst the community about the Netflix series, Heeramandi. How Indian Dancers are reacting to the ongoing violence in Gaza, and why PRIDE MONTH should increase empathy and tolerance across identity spectrums, particularly in Indian/South Asian dance sectors.

My guest today in the studio is the multiple award-winning performer, choreographer, artist, and speaker Geeta Chandran who discusses the role of geography in a dancer's career. Tune in and listen!

Welcome to the May edition of the podcast Anita Says! This edition discusses the continuing fascination of India based dancers and musicians who flock to North America for their annual performance tours. The importance of observing LEGACY in classical dance And, the urgent need to create safe spaces for the performing arts

Carnatic Musician and composer ASHA RAMESH discusses her creative journey from Chennai to San Jose. Singing for eminent dancers in India and reinventing her career in America as a composer and multi-genre musician

The April episode discusses the war of words and ideologies that has erupted in India's Carnatic music circles over a prestigious award being conferred by the Madras Music Academy on controversial musician TM Krishna. The Colourism debate in Kerala's Mohiniattam circles and the removal of gender bias in KALAMANDALAM

A conversation with author V R Devika on her new book RUKMINI DEVI ARUNDALE a remarkable story of a pioneer who created the possibilities for 20th-century Bharatanatyam dance in India

In this edition Anita speaks about the current mantra that has been chanted "Viksit Bharat - developed India", and why is it that the classical art forms that are the most evolved and the most beautiful example of developed India are not included in the discussions? Tune in and listen!

In this edition the subject of AI artificial intelligence as a major disruptive for the creative community is touched upon, as well asthe recently successful showing of many male dancers recently concluded Chennai dance season is highlighted. The 120th birth anniversary of Rukmini Devi Arundale which falls in this leap year Feb 29th, and the urgent need to tighten curation of dance festivals if Chennai wants to be included in the list of intangible heritage centers. Here we go!

In this episode I will be discussing the still ongoing huge Chennai music and dance season, as well as the forgotten art of Nattuvangam and nepotism in the Arts.

"Natya that traverses, transposes & transforms", a conversation about the wider ecology of Dance.

In this episode dancer Roja Kannan, Bharatanatyam dancer and curator speaks about performers of Indian dance in the diaspora and the NATYA DARSHAN conference in Chennai, India

In the December edition, Anìta discusses the changing reputation of the historic Chennai Margazhi season. Other topics are the deadly results of cyberbullying and the milestone birthdays of 3 divas of Indian classical dance.

An occasional, perhaps even frequent, lens on the global Indian/South Asian dance scene. Trends, shifting aesthetics, the intersection of Dance, Music, Theatre, Performance, and Society

An occasional, perhaps even frequent, lens on the global Indian/South Asian dance scene. Trends, shifting aesthetics, the intersection of Dance, Music, Theatre, Performance, and Society