Podcasts about dancer

The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Its the return of our boy Champagne Eli! As he comes on after a two year hiatus. We talk about the last time he came on the podcast and he ended up where no one wants to be, find out how the ladies have been treating him plus Mark chimes in and Mark gives us the scoop on why he's still single. Follow us on social media @AaronScenesAfterParty

Dancer Daria Breslin shares her path from early training in Maryland to professional life with City Ballet of San Diego. She talks about the lessons learned at Pittsburgh Ballet Theatre and Nashville Ballet, the importance of mentorship and community, and the realities of auditions and feedback. Daria's story offers an honest look at what it takes to stay grounded, grow as an artist, and find your place in the ballet world.  Learn more about Daria on her Instagram: @daria.ballerina18/ Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Episode SummaryDance artists Mele Estrella and Damara Vita Ganley join show host Jef Szi and the How Humans Work Podcast for an illuminating conversation that explores the rich terrain of their artistic work. Throughout this remarkable episode, we learn about Mele and Damara's intensive creative ethics, efforts to engender trust, dedication to playfulness, and deep curiosity about the hidden stories around them. As dedicated movement artists, they are a powerful example of how attuning with one's body, relationships, and the performance spaces acts as a cohesive force. Their craft and their commitment to the process of art is the foundation for their dance, and we are well-instructed by listening to them. In particular, we hear the fascinating backstory to their recent project, Flock. Flock intertwines animal and human migration stories with ecological awareness, showing the importance of belonging through the metaphor of “flocking.” The Dance of Belonging also explores their “Vertical Dance” Bandaloop Project. Using rope and harnesses to dance on the sides of massive objects, like granite faces or skyscrapers, this innovative dance form is a uniquely stunning display of how art can inspire wonder in all of us. Naturally, we discuss the teachings that come with encountering fear as part of the artistic path. We come to find how Mele and Damara use fear as a guide for deeper connection and support, finding confidence in creative belonging.Many thanks to Mele and Damara for helping us see Social Cohesion in action. Through their creative efforts and commitment to authentic connection, we find that social cohesion is not so much a product of external forces but instead begins with our connection to our own bodies and the group of people we create the story of our lives with.*****About Melecio “Mele” Estrella:Mele Estrella is a director, choreographer, and educator who has been with BANDALOOP since 2002. As Artistic Director, Mele brings 2 decades of practice weaving vertical dance, dance theater, somatic facilitation. and ecological belonging to BANDALOOP's dance making. Mele's work bridges the everyday personal/social body with the dream body, proposing expanded possibility and awe in our time of poly-crisis. Mele also co-directs Fog Beast, a cross-disciplinary group that affirms ecological connectedness in landscape, live arts and education. He is a longtime member of the Joe Goode Performance Group. Passionate about creating space and sustainability for artists, Mele serves on the advisory boards for the Artists Space Trust and for Arts in California State Parks. He was a Cultural Space Ambassador for the Community Arts Stabilization Trust (CAST), a Leadership Fellow for the Association of Performing Arts Professionals (APAP), and is currently a Lucas Artes Fellow at the Montalvo Center for the Arts.About Damara Vita Ganley:Damara Vita Ganley is an Associate Artistic Director, Dancer, Instructor for BANDALOOP. She is West Coast based dance artist with extensive national and international performance experience. She is a current company member and teaching artist with two renowned San Francisco based dance companies,

Amanda LaCount proves that plus size dancers belong center stage, sharing how her journey, her advocacy, and the support of Dance Mom Jill are reshaping the dance community.    A professional dancer who has performed with Lady Gaga, Rihanna, JLo, and Katy Perry, Amanda joins John Corella to challenge the stereotypes that have long defined the industry. She reveals how media-driven beauty standards create barriers, why she is determined to advocate for greater inclusivity, and how she built the confidence to push back against an environment that often resists change.    Amanda credits much of her boldness to Dance Mom Jill's unwavering advocacy and explains why having someone in your corner can make all the difference. From speaking openly about rejection and resilience to highlighting the responsibility of representation, Amanda shows how dancers of every body type can thrive when they are given safe, supportive spaces to express their art.   Episode Breakdown: 00:00 Introduction to Amanda LaCount on Dance Dad 07:43 Every Body Is a Dancer's Body: Breaking Stereotypes 11:32 Finding Boldness Through Dance Mom Jill's Advocacy 24:32 Growing Up Plus Size in Dance Competitions 30:42 How Studios and Conventions Can Support Plus Size Dancers 42:03 Performing in Rihanna's Savage X Fenty Show 45:33 Lessons From Working With Lady Gaga and Katy Perry 47:37 Teaching Dance and Creating Inclusive Spaces 56:23 Inclusivity vs. Stereotypes in Casting 01:00:27 Being the Role Model Amanda Never Had   Connect with Amanda LaCount: Follow Amanda on Instagram Visit Amanda's website   Connect with John Corella: Follow Dance Dad with John Corella on Instagram Follow John on Instagram Join Dance Dad with John Corella on Patreon Visit John Corella's website Podcast production and show notes provided by HiveCast.fm

Send us a textWhat happens when the spotlight fades, the stage goes silent, and you're forced to rebuild… not just your career, but your identity?In this powerful episode, I sit down with Suzanne Castle—former Broadway dancer turned Stevie award-winning coach, keynote speaker, and unapologetic Shepreneur Strategist. After a devastating fall and a chapter of deep personal trauma, Suzanne didn't just bounce back—she rewired her brain, redefined her purpose, and rose to help women across the world do the same.Together, we unravel:The neuroscience behind burnout—and how to boss your brainHow Suzanne moved from To-Do to Ta-DaThe real story behind her Sparkle Factor®And what it takes to lead with radiance after surviving the darkest chaptersThis isn't just a comeback story. It's a stage-worthy reinvention—with a glittering twist.

Nicole Kidman and Keith Urban's split, Selena Gomez and Benny Blanco's wedding, Harley Weir's wedding (and how to pick a wedding dress), Lana's wedding and IG drama, Sydney Sweeney's birthday party Hosted on Acast. See acast.com/privacy for more information.

The Boston artist is using her background in environmental science and activism to train and empower the next generation of dance leaders. “Culture is really an integral part of resiliency and survival,” Molinar said.

Eugene Ballet has grown from a small regional company into a thriving school and professional ensemble. Founder Toni Pimble, Artistic Director Jennifer Martin, and School Director Sara Lombardi discuss the company's journey, their approach to dancer training, including how dancers in their Aspirant program move into the company, as well as how they're shaping ballet's future in Oregon and beyond. Read reviews of Eugene Ballet Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Nasty Dancer - De-Va'Je

In this episode of Rhee Gold's DanceLife podcast, Stacey Morgan and Rhee Gold dive into how dance studio owners can (and must!) evolve with the changing needs of today’s families and dancers. From rethinking class times to better suit working parents, to embracing the rise of homeschool programs and redefining what a "competitive" program looks like—this episode is packed with insights to help you thrive in 2025 and beyond. They explore: Why 5:30 PM is the new 10:00 AM for preschool classes How homeschool movement programs are replacing traditional daytime classes The importance of offering “middle ground” training options between rec and comp Why parents are pushing back on overcommitted competition schedules Creative ways to use your studio during downtime (and keep it profitable!) Community engagement as a meaningful part of your studio's performance culture Letting go of ego and redefining what “success” really looks like

Lucy Wrightman has had a fascinating life. From learning how to become a dancer at The Naked i, located in Boston's infamous Combat Zone, to a relationship with Cat Stevens to so much more. And now she's written it all up in her book, Princess Cheyenne: My Life as Boston's Most Famous Stripper, now available wherever you get your books.For more information, you can follow her on Facebook, or visit her website.

Will and Jason discuss new releases by Dancer, Winter and Wavers, plus live reports and bonus songs.

Thank you to everyone who tuned in last week's year 25 Dark Nation Radio retrospective! This week's show is back to the usual emphasis on recent dark music releases with new tracks from bands including Assemblage 23, Lights of Euphoria, Rhys Fulber, Hallows, De/Vision, Ozibut, Fae Fatale, Rotoskop, Coziie, Freaky Mind, Nevada Hardware, Jesus on Extasy, Lost Utopia, Order of the Static Temple, Plastic Rhino, deadfilmstar, Rotersand, and NITE. I hope you enjoy it and thank you for your support! DJ cypher's Dark Nation Radio Playlist 28 September 2025 Rotoskop, “BSWD” Assemblage 23, “Tolderate” De/Vision, “Synchronize (8 AM Bar Mix)” Hallows, “Catalyst” Beborn Beton, “Dancer in the Dark” Freaky Mind, “Might of the Night” Twice Dark, “Invisible Man” Crush of Souls, “Cult of Two” Plastic Estate, “Anymore” VNV Nation, “Armour” Fae Fatale, “Voodoo Doll” Plastic Rhino, “Hole in the Sky” Coziie, “Poise&Sin” Deadfilmstar, “Showstopper” Ozibut, “Passion Triste” Order of the Static Temple, “Monolith of Love” NQNK, “Starsign” N/CTRL, “The Hand that Feeds” Nite, “Cries for Help” Lights of Euphoria, “Electric Lover” Jesus on Extasy, “The End of Everything” Rhys Fulber, “Only Love Will Save Us” Lost Utopia, “Datavore” Nevada Hardware, “Overload” Velvet Acid Christ, “Caustic Disco (Mindless Faith mix)” Circuit Preacher “This All Hurts” Die Sexual, “Desire” Ghost Cop, “Trouble” Rotersand, “16 Devils (Hell Deep Down)” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

Interview Date: February 2nd, 2025Episode Summary:Jason Pickett, a dance educator, choreographer, and the creator of the No Starving Artists brand. Jason shares his unique journey, from starting his dance career at 14 by self-teaching and getting inspired by YouTube and movies, to now traveling the world teaching at conventions and judging competitions.He emphasizes the importance of building genuine relationships, networking, and having a clear personal brand. He shares lessons learned from his own experience, such as the significance of embracing a bold, confident approach and trusting the process.Jason also discusses how his background in marketing has shaped his approach to content creation, stressing the need for consistency and authenticity. Towards the end of the episode, Jason offers valuable advice to dancers, including the importance of embracing freestyle, making connections with others, and constantly pushing forward. Show Notes:(0:00) Introduction to Jason's dance journey (3:00) Starting dance at 14 and self-teaching (6:30) Early inspirations: YouTube, music videos, and Stomp the Yard (10:00) Teaching at 16 and growing a hip-hop program (13:00) Building connections and transitioning to professional gigs(17:00) Content creation's role in Jason's career (21:30) Securing teaching gigs at conventions (25:00) How networking and mentorship opened doors (30:00) Full-time teaching and judging at conventions worldwide (34:00) Using videography to expand his reach(38:00) Building a personal brand for success (42:00) Consistency in social media content creation (46:00) The importance of having an opinion and clear audience (50:30) Balancing work, family, and content creation (55:00) Authenticity in building trust with followers(58:30) Lessons learned from setbacks (1:03:00) Using AI in dance business and content creation (1:07:30) Advice for dancers navigating the industry (1:10:00) Jason's vision for No Starving Artists' future (1:12:00) Final thoughts on relationships, challenges, and staying authenticBiography:Professional dance educator, choreographer, adjudicator and international artist, Jason Pickett strives to help dancers grow to the next level of their artistic journey.With over a decade of performance, choreography and teaching experience, the Utah native has performed live on shows like Americas Got Talent, collaborated with global brands Hermès, Icon Fitness, Toys-R-Us, Crocs, Bud Light and more, and been featured in viral YouTube videos Stormtrooper Twerk and High School Dance Battle – Geeks vs. Cool Kids! (4k), just to name a few.In addition, Pickett has toured internationally throughout Germany and Israel with Odyssey Dance Theatre as company artist. Jason Pickett is the creator and host of No Starving Artists - a dance media company that provides mentoring, coaching & peak performance strategy to dancers, parents & teachers & is currently a full time faculty member with Reinforce Dance Experience.Connect on Social Media:https://www.instagram.com/heyitspicketthttps://www.facebook.com/jasonpickettdance

Hey Everyone, We are back with another great interviewIn this inspiring conversation, I sit down with Precious Adams, First Soloist with English National Ballet, to talk about the powerful mindset shifts that have shaped her journey on her way to the top of her profession. Precious opens up about:

She’s a dance genius and the creative mind behind some of the most incredible dance routines of the last ten years - but most importantly, she’s a DWTS legend! Dancer and choreographer Mandy Moore joins Danielle to talk about her start in the industry, her thoughts on this season of DWTS and what she thinks our host needs to make the most of her dancing journey. Plus, find out what Mandy thinks ablit celebrity dance experience, and so much more, on a brand new episode of Danielle with the Stars!See omnystudio.com/listener for privacy information.

Disney is preparing to yank Jimmy Kimmel Live! off ABC once his contract expires in May 2026, plotting a full-scale streaming takeover on Disney+ or Hulu — free from FCC broadcast rules. Taylor Swift’s backup dancer Jan Ravnik is making history as the highest-paid first-year pro on Dancing with the Stars, pocketing more than longtime veterans. Meghan Markle is unfazed by Stassi Schroeder’s jabs — because she doesn’t even know who the former Vanderpump Rules star is. Instinct magazine’s Corey Andrew joins Rob with all the dish! Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group. See omnystudio.com/listener for privacy information.

The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. It's the UNCUT x AFTER PARTY Collab you've been waiting for! Eddie Blendz steps into the After Party and talks about his journey in becoming a barber, owning his own studio and talks up WEST TEXAS SHOWDOWN. Plus! He answers some horny questions and gives us the Eddie Tea. Follow us on social media @AaronScenesAfterParty Watch the full video and listen to the episode on all platforms and head over to our instagram @ AaronScenesAfterParty

Oregon has a problem. It has a governor who is out of touch, and there's an effort to recall her. We talk about that and other political issues of the day.

Send us a textOn this episode we are joined by Dancer, Choreographer, Artist Developer, Mentor, Producer, Durante Lambert. We are talking about his recent Legends Award as well as his journey as a creative and the endeavors that are ahead. Tune in and join the conversation!

In this episode, we talk to Stephanie Lake. The former dancer turned choreographer is the artistic director of Stephanie Lake Company, and also the resident choreographer for The Australian Ballet. She’s the winner of many awards, including the Helpmann, and while her rise was stratospheric, it wasn’t always linear. It was also somewhat delayed: Lake was a late bloomer in her chosen field, dancing in her teenage years only as a hobby. Her life story starts in Canada, before taking a turn south to Tasmania, and now Melbourne. Hosting this conversation – about a journey rich in resilience, creativity and balance – is Good Weekend senior writer Konrad Marshall.See omnystudio.com/listener for privacy information.

Cheryl Baxter's very first job as a young dancer put her on the set of Xanadu with Olivia Newton-John, Gene Kelly, and Kenny Ortega. What does it feel like to step into a world like that straight out of a small town in Wisconsin? And how do you carry lessons from legends into a career that lasts for decades?    Joining John Corella in this episode, Cheryl reflects on the magic of Xanadu, the influence of Gene Kelly's ease and Olivia Newton-John's authenticity, and the ways she has kept her career alive through every crossover - from film and television to teaching and even TikTok!   Cheryl's story invites you to think about resilience, reinvention, and the joy that comes from saying yes to new stages of life in dance.   Episode Breakdown: 00:00 Dance Dad Introduction 03:20 Making Xanadu With Olivia Newton-John and Gene Kelly 06:00 Gene Kelly's On Set Lesson: Relax and Have Fun 10:30 Meeting Olivia Newton-John and Early Xanadu Memories 16:10 Why Xanadu Became a Cult Classic 28:30 Reinvention and Career Crossover From Stage to TikTok 49:30 Filming Magic on Xanadu: Steadicam, Long Days, Big Finale 57:50 Stay Bold: Resilience and Reinvention in Dance    Connect with Cheryl Baxter: Follow Cheryl on Instagram   Connect with John Corella: Follow Dance Dad with John Corella on Instagram Follow John on Instagram Join Dance Dad with John Corella on Patreon John Corella Website Podcast production and show notes provided by HiveCast.fm

Thrilled and honored to welcome Jessica Lee Goldyn as our 100th episode guest!  Jessica is an actress, singer and dancer known for playing Val/Cassie in the revival of A Chorus and the documentary Every Little Step! Her other Broadway credits include Nini in Moulin Rouge, Finding Neverland and Hello Dolly. Some of her other credits include Chicago, On the Town at City Center Encores!, Sweet Charity and the film King of Staten Island. Jessica was also a part of the 50th Anniversary of A Chorus Line and she is the creator of The Source NYC and teaches at Steps on Broadway.We talk with Jessica about the importance of keeping the legacy of A Chorus Line alive, her love of teaching, our mutual love of Ragtime and much more!

Oregon teachers are discovering the hard way that they don't get to be "good" with the murder of Charlie Kirk without backlash., Listen.

Deanna Seay, Training Coordinator at the School of Richmond Ballet, joins us to talk about how dancers move through the school, from early training to the pre-professional program, trainee level, and second company. She explains what adjudicators look for in auditions (and common mistakes), how scholarships work at different levels, and why not all of Richmond Ballet's trainees come from full-time training backgrounds. We also cover when families should consider a company-affiliated school, the culture Richmond Ballet aims to foster, and how students are prepared for both company life and a sustainable professional career. Read Reviews of The School of Richmond Ballet Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

In episode 217, host Galit Friedlander and guest Ana Rokafella Garcia (legendary b-girl, co-founder of Full Circle Productions, choreographer, filmmaker, and adjunct professor at The New School), dive into the history, evolution, and impact of hip-hop. From growing up in New York City during the fires, crack epidemic, and AIDS crisis to discovering her voice in cyphers and clubs, Rokafella shares how dance carved out a future for her. She reflects on commercialization, gender dynamics, and visibility in the scene, while urging today's dancers to stay grounded in the culture's foundations. The conversation also touches on breaking at the Olympics, the tension between competition and community, and why hip-hop's resilience continues to guide her work. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Fitness Courses - https://galit-s-school-0397.thinkific.com/collections Follow Rokafella: Instagram - https://www.instagram.com/larokafella Website - https://larokasoul.com/ Full Circle: https://www.instagram.com/fullcirclesouljahs Behind the Groove: https://www.instagram.com/behindthegroovenyc/ All the Ladies Say: https://www.instagram.com/alltheladiessay Listen to DanceSpeak on Apple Podcasts and Spotify.

In this episode of Rhee Gold's Dance Life Podcast, Rhee Gold and Stacey Morgan dive into the busy season of studio registration and why it's crucial not to panic if your enrollment numbers aren't where you'd hoped—yet. This candid conversation explores how the dance studio business has evolved, and why September and October can be just as critical for attracting new students as the traditional registration period. You'll learn how to analyze your schedule using the red-yellow-green method, how to market specific classes (not just your studio), and how to adapt to the modern needs of dance families who value convenience and clarity. They also share actionable strategies like simplifying your registration process and building smart landing pages that convert browsers into enrollments. Whether you're a studio owner or a dance teacher, this episode is packed with insight, encouragement, and practical tools to help you confidently navigate the early season and beyond.

In this week's episode, Natalie and Adrienne interview Beth. From dance major to yoga mat, Beth's path hasn't been easy. She speaks candidly about her past struggles and how Yoga became a lifeline, teaching her resilience, patience, and the beauty of simply showing up. She reveals how the quiet law of observation, and the connections built through practice, can carry us through even the hardest seasons of life. Beth's story is a reminder that Yoga mirrors life itself: resilience grows when we stay present, compassion blooms when we stay connected, and freedom is found when we allow things to simply unfold.Click here to follow Beth on InstagramSend us a textWanna be on the show? Click here to fill out our guest info form or drop us a email at yogachanged@gmail.comFollow us on TikTok:https://www.tiktok.com/@yogachangedFollow us on Instagram:https://www.instagram.com/yogachanged/For more, go to https://howyogachangedmylife.comThe theme music for this episode, “Cenote Angelita”, was written and produced by Mar Abajo Rio AKA MAR Yoga Music. Dive deeper into this and other original yoga-inspired compositions by visiting bio.site/mcrworks. For the latest updates on upcoming events featuring his live music for yoga and meditation, be sure to follow @maryogamusic on Instagram.

This new episode is a slow drift into the textures of South India: the restless pulse of Chennai's streets, the stillness of a yoga shala at dawn, and the vast orchestration of a tropical night storm. These layers are touched gently with electronica—like glimmers of memory, like the way technology sits side by side with tradition in India. And, punctuating the journey, come the voices of teachers: fragments of WhatsApp messages that carry not just words but intention, care, and a lineage of practice in the simplest of forms.The episode is structured as a weave.Streets: density, rhythm, surrender to chaos.Shala: stillness, breath, intimacy with silence.Storm: scale, power, surrender to nature.Messages: guidance, lineage, the human voice carried across time and technology.Electronica acts as a thread, never dominating, but stitching the worlds together. A filtered bass line might echo the rumble of a bus or a thundercloud. A synth pad might stretch like the silence of a shala breath. Digital glitches mirror raindrops striking metal roofs.The weave is intentional but not forced. India itself is a weave: tradition and technology, chaos and stillness, ritual and improvisation. The episode mirrors this reality.The practice of this episode is the practice of listening. Not just passive listening, but active, embodied listening. In yoga, we speak of shravanam—the act of hearing as a form of learning. This is not entertainment. It is presence.

http://copperplatemailorder.com                                    Copperplate Time 515                                presented by Alan O'Leary                             www.copperplatemailorder.com                                          Music & Mischief 1. Bothy Band:  Green Groves/Flowers of Red Hill.  After Hours 2. Altan: The Letterkenny Blacksmith/John Doherty's Fave/Scread na Bealtaine.    Donegal3. Leonard Barry: Tommy O'Dea's/The Silver Slipper/Shaving the Baby With A Spoon.                 New Road 4. Sean Ach Donnchadh:  The Whistling Thief.  The Lark in the Morning 5. John McEvoy & John Wynne:            The Battle of Cremona/Sonny Comer's Fling/Mrs Dwyer's Fancy. The Dancer at the Fair 6. Elaine Reilly:  Bracken's Jig/The Green Blanket.  Epihany 7. Mick O'Brien & Caoimhin O'Raghallaigh:              The Lass of Carracastle/The Morning Dew/eese in the Bog.  Deadly Buzz 8. Luke Kelly: The Night Visiting Song.  The Collection 9. The Boruma Trio:   The Happy Man/Paddy Taylor's.  Gléas   10. Lisa Knapp: Bonnie At Morn.  Diversions 11. Danu:  The Coachman's Whip. When All is Said & Done   12. The Dublin Trio:The Road to Clary/  Will You Come Home With Me?/The Trip to Athlone/                         Eilis's Jig.     The Pride of Pimlico 13. Michael Banahan:  The Busker.  Broken Heart 14. Sharon Newton Creasey: High Level HP/The Newcastle/President Garfield's.  Auchensail15. Liam O'Flynn:   The Sailor's Cravat/I Am Waiting For You.    The Fine Art of Piping 16. Martin Carthy:  Scarborough Fair. Transform Me Then Into A Fish 17. Rick Epping:  Down in the Old Home Town.   Stone Walls & Street Lights 18. Moving Hearts: The Girl From The Big House/An Phis Fhliuch.    Definitive Moving Hearts 19. Bothy Band:  Green Groves/Flowers of Red Hill.  After Hours

Dermot's monologue on a Friday

How a Young Prince Frederick celebrated his wedding to Princess Charlotte, and started a great Bavarian tradition.Based on the work of Mumfreds. Listen to the podcast at steamy stories.In 1808 people of Württemberg lived in the convergence of three cultures. The masculine lead industry and agriculture of the Germans, the Swiss provided enlightenment of the sciences, and the French liberality and arts added a healthy dose of libertine free thinking and even a tolerance for kinkiness.But Württemberg was moving forward with the final demise of the Holy Roman Empire just a few years earlier. Napoleon had just defeated the Austrian military and established a new Confederation of the Rhine.  The ethnic German people were split apart  and some were under the Austrian protectorate, while the Rhine was under French protectorate on both sides of the Rhine river, including the German homeland.Prince Frederick had watched as his older sister was given to Emperor Napoleon Bonaparte as a wife for Napoleon's brother, in exchange for his family's continued role of the Württemberg Kingdom, under the occupation of Napoleon's empire. Now Prince Frederick was being pressured by his parents and the court advisors, to strategically marry a well-bred heiress from the kingdom of Bavaria, princess Charlotte.Princess Charlotte was just 18 in the spring of 1810. A debutante, already being aggressively sought by Napoleon, she was terrified. When faced with the two unwanted options, she and her mother agreed that Frederick William was the better option and more respecting of their shared German heritage. Charlotte wept for weeks. She was still a girl of just 18 years. Her parents apologized repeatedly. It was especially difficult because Charlotte had always been a free-spirit and defiant of the stupid rules of etiquette that she violated almost daily.As an enthusiast of all things equestrian, Charlotte refused to ride ‘side-saddle'. She also found the practice to be a convenient excuse when the Royal Physician of Württemberg Court conducted a prenuptial gynecological exam a requirement in the nuptial contract between the kingdoms. As for Prince Frederick William, the marriage was even less anticipated. Charlotte was not the ideal sex object of his fantasies. Where he liked slender, tall older women, Charlotte was busty with a big round ass.Frederick liked the arts and sciences. He enjoyed the opera and studied astronomy.Charlotte loved animals and preferred German folk songs. Charlotte found little appeal in Frederick's lanky physique. She preferred the bulky, athletic, and masculine virility of farm-hands and tradesmen. A fall wedding Festival Back in 1810 Crown Prince Frederick William, sought the hand of the lovely princess Charlotte of Munich. She was the most desired woman in all of the ethnic German kingdoms. He courted her for many months, seeking to prevail over the efforts of Emperor Napoleon of France.Frederick's family negotiated aggressively with her father King Maximilian; whereby Frederick eventually asked Charlotte to marry him.Both kingdoms shared a strong disgust for all things French culture.It was the one topic where the two actually enjoyed conversation and felt compatibility. they were political allies and even business partners; but not at all romantically drawn to desire. She felt the same way he did, and accepted his offer. They were scheduled to marry on October 12th. As the date came close, she was starting to feel some trepidation. He was concerned and asked what was the problem. She shyly told him that she was expected to be with him; only with him, for the rest of her life. He said of course she would be only with him, and he would be only with her, as was customary.She thought carefully, and said; “Forever is a long time.”He did not want her to be so sad and thought for a while. He proposed an idea as a secret plan that they should not tell anyone about.At the wedding there would be a huge and joyous festival; a very German cultural Festival. At the festival she could go among the crowd and choose three men with which to make love.Upon hearing the idea, she was overjoyed at the thought and thanked him for his generosity and gladly accepted.The wedding was indeed a huge and joyous festival where everyone in Munich turned out. The first night of the festival was the night of their wedding. The celebration was scheduled to go on for 5 days.On the second day of the festival the prince approached the princess and told her today would be the day she made her three selections. She would go out and pick three men with which to ‘sow her oats.' She went to her dressing chamber to pick out her sexiest outfit. She chose the shortest dirndl she had. It stopped just below her ass.  The front of the dirndl plunged to show her beautiful Buxom cleavage. On her smooth legs she wore white by high stockings that ended below her dirndl. On her feet she wore elevated wedges. She was a vision. Her body was very visible and very sexy.The prince and princess began to make the rounds, where villagers were celebrating and congregating. As they walked, the men noticed princess Charlotte and paid her a great deal of attention. Offerings were made of pretzels, beer, and all sorts of treats, as she walked through the fair.She was pleasant of all and smiled as she always did. These were her people and she hoped they would come to accept her foreign Prince.Helmut the blacksmithAs they walked through the grounds they came upon a blacksmith, who had a stall set up to shoe horses. Charlotte stopped, and seemed to take a special interest. As one would expect, the blacksmith was quite strong, and also handsome. When she got close, a smile fell across his face and he gave greetings.“ I am Helmut, my princess;” he said in the most cultured enunciation he could contrive. She secretly knew Helmut from her frequent trips to the Stables. But that is their secret. The prince asked the princess if this might be one of the men. She smiled and said; “Indeed this would be one of the men if he so desired.” As the princess continued strolling, the prince stayed back briefly and invited Helmut to a special dinner with the princess that evening at 7:00. He graciously accepted. While he didn't understand what was fully ahead for him, he was happy to be able to spend an evening with the busty and charming princess. Robert the actorThey continued to walk through the fairgrounds with the prince often letting the princess drift ahead so he could see the reactions of the commoners as they look at her beauty. He watch her interact with the men of the Kingdom. As they continued, they came across a play that was just finishing up on the stage. The lead actor was quite athletically fit and very handsome. He flashed a smile at princess Charlotte and catching her off guard, she shyly looked away. The production poster listed the lead actor as ‘Robert.' What Prince Frederick didn't suspect was that Robert was also a part of the local Polo team. The two had secretly met in the Stables. The secret remains to this day. She composed herself and began to smile. He congratulated her and the prince on their wedding. She whispered to the prince that it might be fun to invite him to dinner. Shortly thereafter the prince did just that.Steffan the folk dancerAfter not much longer, the princess stopped in front of the stage where there was folk dancing.One of the dancers was agile, strong, and very skilled. As he lifted his twirling partner into the air, then safely caught her in his arms. She caught the vicarious thrill of experiencing being airborne and caught in his gentle arms. Steffan stepped back for his female dance partner to perform her feature solo. As he caught his breath, he looked out to the applauding crowds. He spotted the royal couple and was pleased. He had caught the princess's eye. She stood and watched him perform. in his lederhosen, not taking her eyes off of him. This was not missed by the dancer, and when the dance was over he came over and introduced himself to the princess. “I am Steffan”, he humbly bowed.This was but a rouse, as the dancer was part of a Mayday festival at the Munich Palace. Charlotte had graciously helped him find the dressing rooms when he'd gotten lost in the palace back halls. Charlotte felt a wetness as she recalled his tryst in her private Chambers just months ago; As Steffan talked with the prince, his eyes glanced up and down Charlotte's body. Memories led to arousal, and after several minutes, Steffan quickly dismissed himself to ‘prepare for the next number.His tight shorts left little to the imagination and it was clear that he was very well built down there. It also became obvious when he was talking to the princess, that she pleased him greatly and that is why he had to make a quick exit.Princess Charlotte smiled at The Prince and he understood that the dancer would be the third. The prince then extended an invite to him.The special guests come to dinner The dinner was scheduled for that evening at 7:00. A fire was made in the large fireplace and the finest Linens, China, and glassware were laid out.The cooks were busy making Gourmet Foods and the prince picked the wines himself. The princess was bathing and getting dressed for the evening. She had taken her time to clean and shave meticulously. She had chosen a metallic gold dress that plunged in the front bodice, and a skirt that stopped right at her bottom, in the back. She also wore matching metallic gold strappy shoes with towering heels. She also wore her gold earrings, necklace, and bracelets. On her right ankle was a gold anklet that the prince had bought her that day for the dinner. She looked irresistible. As the princess dressed upstairs, the men arrived early for the dinner. They too, had bathed and put on their finest clothes. The prince greeted them personally, and the young studs introduced themselves to each other.  The prince poured them each a drink and they toasted to each other and their good fortune. Prince Frederick explained to their astonishment and delight; the agreement the prince and princess had made ,and that they were the lucky men chosen.When the princess arrived downstairs, the prince met her before she walked into the dining room. To her surprise, the prince said that he would not be joining them. He wanted the men to have her to themselves and for her to have the men to herself. After thinking about it a bit, she realized that this might be more fun.The prince told her however, that he couldn't possibly resist watching her sexual conquests and would be watching from special consealments that were created near the dining room.They then walked into the dining room as the men stood up and were formally introduced by name to the princess.As she walked in looking lovely as can be. There were Smiles all around. The prince said his good-byes,and said he would stop in the evening, The princess and her suitors were seated for dinner and were poured wine from the servants. As the conversation began, the men paid great attention to the princess. The men stared deep into the eyes of the princess while she spoke and attended to her every need.Dancing In The ParlorAfter dessert was served Steffan asked the princess if she'd like to dance. She loved to dance and quickly accepted the offer from the handsome man. Charlotte led the man into the Parlor and went over to a cabinet on casters she opened the lid of the music box and cranked up the Armature. The Parlor was filled with the rich sounds of an Austrian Waltz. They began a formal Waltz, with the dancer expertly taking the lead and the princess easily keeping up. They glided around the room while Helmut and Robert looked on, seated on nicely-upholstered wing-back chairs.Not wanting to be left out, Robert cut in and continued the dance;  His intense blue eyes staring into the princesses. Helmut, not wanting to miss his turn, cut in. This allowed the princess to put her hands on his muscular arms as he easily spun her around the Dance Floor. During dinner, Prince Frederick had been sitting in a hall outside the dining room. He took great pleasure in watching the princess charm and be Charmed by the men. He found himself increasingly excited as the dancing started. His new wife was a youthful and sexy dancer, and watching her interact with the men turned him on immensely. When the quartet moved to the parlor, Prince Frederick went upstairs to a balcony overlooking the Parlor. A member of his Württemberg Entourage, Claudine was making her regular checks on his welfare. She was his tutor since he was 10 years old and she was 21.The woman taught Frederick on many subjects, and over time had become an adviser on many matters. She was tall, slender, and elegant. Her lessons often continued in his bed Chambers whenever they could safely conceal the ongoing sex education lessons. Now, 17 years later, Claudine now carries herself as a charming  and confident 39 year old vixen.From the balcony, the prince and his ‘tutor' (and secret lover) sat on the floor, behind the velvet drapes, and silently peered between the balusters, Charlotte's deportment with the young men.The quartet move to a slower song and the blacksmith pulled the princess close for a slow dance. The princess's head had been spinning from her wonderful evening and her third Goblet of wine, and now she was very close to and touching this muscular man. He too could feel her busty body with his strong hands around her firm waist he pulled her in closer to him she didn't pull away as she felt him stiffen.She began to feel a tingle inside herself. Before she knew it Robert the actor had stepped up and taken Helmut's place. As Robert stared into her eyes he leaned forward and gently put his lips to hers and she readily received them as she first did in that pile of straw in the horse stables.He pulled her close to him and continued to kiss her. She then felt a second set of hands on her hips from behind it was Steffan. Her dress was so short that his hands were right above the bottom of the dress. She briefly stopped kissing Robert as Steffen pulled her hips into him and began kissing her neck. Pressing into her rear end was that very large and now very hard cock that had attracted her earlier that day. He raised Goosebumps on her as he kissed her neck.From the balcony, Prince Frederick and Claudine had seen everything. He didn't miss a second of the meal or the dance.  Much like the viral men in the parlor, he too was very hard. To watch the woman he married be so pleased. To be able to watch her talk and flirt and touch and be touched was truly a pleasure. To see the way the young suiters desire her.Claudine began rubbing his crotch while sliding her other hand up under her own skirt.As Steffan continued to kiss the princess on her neck and ears, he slowly ground his cock against her white ass. With his hands around her waist the skimpy dress began fully raising from the grinding as it lifted. The actor in front of her looked down and realized she wasn't wearing any panties. He could see her perfect beautiful shaved cunt. He went wild, grabbing her head and kissing her deeply with his tongue. Steffan also noticing the dress had climbed up her body, began using his large hands to rub her large crack.The princess felt so good she was barely standing at this point, mostly being held up in the sandwich of the men. The blacksmith was standing on the sidelines with his cock out, stroking while looking at the scene he had in front of him.The actor was now kissing down the body of The Princess and Steffan turned the princess's head and began kissing her deeply as he reached in front and grabbed her heating tits and fondling her tall erect nipples. Robert had made his way down to her belly and was closing in on her cunt. The princess shook as Robert's lips came in contact with her cunt lips. He licked her cunt as she held his head against her. After the princess Broke Free from Steffan's kiss, she gave a look towards the waiting blacksmith. The look let Helmut know it was time for him to join the fun. Helmut, unable to contain himself, walked towards the melee. He ignored Steffan and the actor and picked up the princess and carried her to a large couch on the side of the room. He laid her down on the couch and began for lack of a better word, to ravage her body.He grabbed and sucked her nipples and then quickly moved down to her cunt, licking her clit. The other two men were quickly at the couch. The actor began sucking her nipples making the princess squirm. She wrapped her legs around Helmut's head. As Robert & Steffan worked their magic, she began to quiver.This stirred both of the men and their tongues sped up lapping her nipples and clit. Her back arched as the orgasm flowed through her body. As she recovered from her orgasm, the men stood her up and removed her mini dress so that only her gold platform heals and jewelry remained. At this point; Helmut was so turned on, he couldn't wait. He laid the princess back down, and guided his rigid cock inside her. As much as she enjoyed his mouth it felt really good to have his hard warm cock in her.The princess looked next to see that Robert had removed his clothes and had his hard shaft in front of her. The princess reached out and grabbed his cock. Robert's heart was pounding. The hand of this beautiful woman felt so good on him.Steffan stripped off his clothes and joined the group.The princess had her eyes closed as Helmut picked up his pace. She put her right hand on his muscular chest and rubbed down his chiseled abdomen, wrapping her hand around his thick cock as it slid in and out of her. She returned her hand to his chest and continued to jerk off the wood of Robert on her left.One of the thrust of Helmut's threw the princess's head back and as she look to the right she saw the naked body of Stefan.His cock was large and beautiful. It was exactly what she hoped for when she picked him for the evening. She slowed her hand down on the actor as she eagerly grabbed the thick rod of the handsome dancer. She slowly explored the entire length of his cock with her soft hand. He leaned over and touched and kissed her slowly, exploring her mouth; reaching over to gently caress her nipple. She firmly but gently grabbed the base of his cock, and pulled him close to her.  It was perfect, and she began licking and sucking it. She continued to suck as much of the cock as she could fit in her mouth,  to the rhythm of Helmut sliding in and out of her wet cunt. Helmut would not last much longer, and began to pick up speed. The princess began to tremble and slow down the actor and Dancer.As Helmut's hands wrapped around her tiny waist, she put her hands on his waist, to push him in further,He began grunted and began powerfully jack-hammering her. Her entire body was moving as Helmut slammed into her. He began to cum.  She felt his first shot squirt into her body, which pushed her into a full orgasm as her body clinched around him.  He kept pounding, shooting a large load  as she moaned. Charlotte was trembling from the orgasm Helmut had just given her. He held her in his strong arms, as she took a moment to recover. After some time, he withdrew his cock from her.Steffan grabbed the Princess's face with both hands, and kissed her passionately on the lips.He backed up and stared into her eyes. He could wait no longer. As he backed up, the Princess could see his turgid cock, standing at attention. He was extremely hard. With both hands on her waist, he pulled her towards him. He grabbed the base of his rod, and began to run it up and down the length of her cunt lips. He would have to move slowly, to get his large shaft into her tight cunt. Robert and Helmut saw that she might have some troubles, so they went up to the princess. They each took one of her shapely legs. She still had her golden heels on. They each held an ankle in one hand, and with the other they reached up to her inner thigh.They spread her legs wide apart, to give Steffan better access. As his cock pressed into the small opening between her cunt lips, she was both nervous and excited.Cum In The BalconyStill viewing from the Position to see his new wife, as naked and as hard as the other men; he had his cock in his hand. It was ecstasy to see his wife enjoying herself so much to allow her to have a variety he could not provide himself .He also liked being able to just watch the way she flirted, desired, and moved.He could just focus on watching her be sexual. It was such a turn on for him. Claudine sucked his cock while he lay on the balcony floor; her cunt spread wide above his adoring eyes. His cock deep in his concert's throat while the passionate sounds of a foursome filled the Parlor below their lofty perch. As Claudine's juices ran down the tongue of the prince, her inner thighs pressing tight against his ears while she shakes from the oral menstruation he has perfected.Frederick took it all in and paused his urges to thrust while Claudine indulged in the joy of her orgasm. She sucked his tip and flicked his head gently while her Bliss lingered. As Claudine's body came back to the moment, she fixed her desire to the cock in her mouth. Soon her head pressed down on his crotch and his cock rapidly entered and exited her throat. Her tongue synchronized in a swallowing sequence. In less than a minute later, his hips rocketed upward as his balls constricted into the base of his cock. His prostate began a series of jets sending cream deep into Claudine's receptive throat. She knew his body and his signs of eminent release. She's taking a deep breath before plunging down on his explosion with her expert tongue.She used a swallowing sequence to take every last drop into her throat. Claudine had become so proficient that it had been a couple years since she could remember the taste of Frederick's spunk. Downstairs The princess took a deep breath as Stefan's cock slowly entered her cunt.  She felt it spreading her and filling her up. She was very wet but Stephen still took his time. She was so tight he needed to move slowly. He paused after he was completely inside her, to give her a moment to once again get used to his massive cock.With her eyes closed she let out a breath feeling so full in her cunt. Slowly he moved back out and then gently pushed back into her. He increased the speed as she grew used to his size. He slid in and out of her, hitting spots on her that had never been felt before. Helmut and Robert released her legs. Starting at her shoulders, they each kiss down her body, gently touching and tasting her as they worked.From her legs up, they kissed around her breasts, settling on her erect and sensitive nipples. Kissing them, licking and sucking them.In appreciation, she reached out and grabbed each of their firm cocks. With a cock inside her, with two handsome men sucking her nipples and a cock in each hand, her head was spinning. his face and her breathing she began to lose control with that fat cock filling her up and both nipples getting sucked. She began to moan louder and louder and she moaned the man began sucking her nipples faster and faster.Finally she couldn't hold out any longer and began to come.She let out what was almost a scream and seemed to have cum for a full minute. She felt so good after she came completely inside her while he waited and she recovered he couldn't wait any longer and slowly started pumping her she moved her body in time with his and it felt good.Recovering the princess started to feel a tingle as Stefan again picked up the pace. It was at this time the princess saw something to her left. It was the prince. He was so turned on by the event that he had to get closer. He was naked and jacking off his hard cock at the sight of his beautiful bride. She felt so good with the comfort of knowing her husband gave his approval and was so turned on,She looked up and Stefan was staring straight into her eyes. She could feel the pre-cum dribbling inside her, from his massive cock and knew it wouldn't be much longer. It was now just him and her, as he wrapped his large hands around her tiny waist and began to Bear down on her. She wrapped her legs around his waist and started to moan. They locked eyes as he drove into her faster and faster. She could feel his balls slamming into her with each stroke she began to scream  as the orgasm took over and his cock began to twitch.She began wave after wave of orgasm as his cock began to come inside her. She could feel the hot spurts of his semen. He kept pumping till his big cock was drained. She laid back sweaty and completely spent as his cock went limp inside her. Charlotte's good nightWith her eyes closed she felt lips softly touch hers. It was Prince Frederick. He looked deeply into her eyes and thanked her for what she had done. It was such a pleasure to watch her. Stefan prepared warm water and began gently cleaning her up with washcloths. They then helped the princess nymph, to dress into a beautiful tight golden gown. The night had gone on for hours ,with all of the meeting, drinking, and dancing; Charlotte saw each man out separately, and some private words were spoken but not overheard. Frederick told Charlotte he'd be up a bit and she should get her rest. The two never shared a bedroom again.A tradition of need Frederick William and his wife Charlotte remained in two royal families from two Allied kingdoms of the German peoples. It would be years before their fathers' Reigns would be passed on, so the two developed humanitarian causes and charities, to benefit the people of the two kingdoms. Württemberg & Bavaria. This often meant a lot of travel in the two adjoining kingdoms. Together they kept up appearances and showed no public affection to each other.It's not that they lacked a libido; they just had no physical or emotional attraction to anything about each other. In the weeks after Frederick and Charlotte disclosed to each other that they both had romantic interests in other lovers. they both provided discreet accommodations to each other and still kept a mutual respect.Second Year, and the Dirndl Craze Princess Charlotte is widely recognized as the inspiration for Oktoberfest. Her Bountiful bosom is synonymous with the joy of a Bountiful Harvest. The beer garden waitresses all wore the 'Charlotte dirndls' at the Munich Oktoberfest of 1811, 2nd Annual Festival. Charlotte and Frederick traveled the second night to Württemberg to inaugurate a sister Festival there. Some of the Württemberg church ladies initially objected to this Bavarian hussie princess whom their Crown Prince had married. Prince Frederick caught word of the grumbling prudes and decided to tell the organizers that he would personally appear with Princess Charlotte to make the official pronunciation of the beginning of the festival, At the noon hour, all the crowds gathered in the festival Square. Troubadours and dancers, Artisans and Partiers, all stood with a hush as the prince and princess climbed the steps to the platform. "Men and women, People of Württemberg, and guests. It is good to Delight in the Bountiful provisions of the Almighty, and we are truly thankful. We Delight ourselves in the fruit of both our hard work and Providence." Prince Frederick paused then added; "You are all part of that bounty. Delight in each other. I have taken a wife and we celebrate our anniversary with you today."Charlotte was standing just behind, and to the side of Frederick. He stepped back and took her hand to have her step up next to him. She was wearing a new dirndl in the colors of Frederick's Kingdom coat of arms. It was low cut, daring, and revealed a lot of leg. Frederick watched as a few older ladies whispered and expressed some displeasure. Frederick resumed his words; "In our holy scriptures we are commanded to Delight in God's provision. All of it. I conferred with the bishop and I'm confident of the clear meaning of this holy command. In the Book of Proverbs, the fifth chapter and the 18th verse. It commands us, 'Let thy Fountain be blessed and rejoice with the wife of thy youth. Let her be as the loving hind and pleasant roe. Let her breasts satisfy thee at all times, and be thou ravished always with her love.' " At that word, the men of the festival let out a roar of delight, Frederick and Charlotte turned to each other and smiled. Prince Frederick yelled over the excited crowd, "Bishop Johan, have I spoken accurately? Red-faced, the cleric simply gave a slow affirmative nod. The roar continued again, and the women now also joined in the applause. Prince Frederick stepped away and signaled for his Buxom princess Charlotte to acknowledge the acceptance from his kingdom. Ever the impish and useful girl, Charlotte made the impulsive decision not to curtsy, but bow instead, as a man would.The entire Festival cheered even louder, as the buxom princess gave a 'birds-eye' peek as her busty assets. The crowd began to chant; "We Love Char! We Love Char!" Prince Frederick motioned for a few frauline barmaids to roll a keg to Center Stage. They were all wearing similarly low-cut matching dirndls. The crowds now cheered at fever pitch. These girls were wearing exact replicas of the skimpy dress Charlotte had worn last year, for the special night of the original Munich Festival. The beirmeister tapped the keg and poured the local ale into a Stein. The beirmeister handed the Stein to Prince Frederick. Prince Frederick swiftly drank the entire contents without a pause. Holding up the empty stein, Prince Frederick shouted "O' zapft is! The Keg is tapped! Let Oktoberfest begin!" That's what sealed the legacy of the German ethnic future. Charlotte became the mascot without ever intending to. For her, Oktoberfest was always a way to conveniently compensate for a marriage which completely lacked romance and sexuality. This was all for show. Frederick continued his lust for older MILF trysts and taking interest in tall slender women. Claudine was a frequent counselor and lived in the palace. Charlotte was able to surround herself with virile men who loved her busty figure. As a proud answer to the French Mardi Gras hedonism, the people of Bavaria and Württemberg kingdoms heartily took to the annual fall Harvest Festival we still know as Oktoberfest. It still includes house parties to end the days, and people entertain house guests til wee hours of the morning.It's set for celebrating the conclusion of the harvest, which means The agrarian communities have both time and money for celebrating with energy and enthusiasm. Each year after, new festivals popped up in other cities and the royal couple collaborated in both kingdoms to stagger the dates and coordinate promotions and resources.Württemberg's new king and queen Charlotte became Queen Caroline when Prince Frederick William became King William the first; but the marriage was sexless. After a few years Frederick learned of the death of his cousins Royal husband, in Russia. Princess Catherine Pavlovna met King William while both were visiting Vienna. Frederick was love-struck by the tall Russian granddaughter of Catherine the Great.They were both in their Prime of life and burning with lust for each other. Soon Frederick asked Charlotte for an annulment agreement. For Charlotte, it was liberation. She immediately became the most sought woman in Europe's royal society.Very quickly, Emperor Francis the first of Austria secured her commitment to marriage and become Empress consort of his Austrian Empire with another 46 titles of nobility. Francis was 24 years older than Charlotte and the two did not have children together. But with Charlotte's help, Francis eventually defeated the Napoleon Empire. That meant Württemberg's King Frederick, her first husband, was now subject to her, through her new husband, Francis. Thus begun the great Austrian Empire of Europe for about 100 years to come. by  Mumfreds for Literotica 

This is the first episode in our new Dancer Stories series, where professional dancers share their training paths their move into company life. Jaya Dhand talks about her experience at Indiana University, how she got hired by Ballet West 2, and her recent promotion to the main company. She explains the choices that shaped her training, what the audition process was like, and how she adjusted to professional life. Jaya also shares what she wishes she'd known as a student, the realities of dancer finances, and her advice for those preparing to go pro. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Are you ready to break the cycle of self-doubt and build lasting confidence? In this episode of Passion for Dance, Dr. Chelsea reveals the secret to building confidence: the Confidence Loop. Discover why confidence isn't something you're born with, but a skill you can build every day through consistent effort, preparation, and self-trust. Whether you're struggling with inconsistency or looking for actionable strategies to boost your confidence, this episode is packed with research-backed insights and practical tips you can use right away. Grab your Competition Confidence Checklist: https://passionfordancepodcast.com/checklist Other Episode Resources: https://passionfordancepodcast.com/220 Episode Breakdown: 00:00 – Introduction & why confidence matters 01:35 – The Confidence Loop explained 04:27 – Research-backed keys to building confidence 07:03 – How inconsistency affects your confidence 08:24 – Tangible ways to practice and grow your confidence 11:00 – Weekly challenge to fuel your confidence loop  

“Set it and forget it” on the Daily Grind ☕️, your weekly goal-driven podcast. This episode features Kelly Johnson @kellyfastruns and special guest Paige Aileen, who is the founder and owner of Paige Aileen Design. She creates websites that are specifically designed for entrepreneurs who are looking to grow their income with courses, products, and other sources of passive income. She also is a professional dancer, balancing both design & dance in her daily grind.S7 Episode 46: 09/04/2025Featuring Kelly Johnson with Special Guest Paige AileenFollow Our Podcast:Instagram: @dailygrindpod https://www.instagram.com/dailygrindpod/  X: @dailygrindpod https://x.com/dailygrindpod Facebook: https://www.facebook.com/dailygrindpodTikTok: https://www.tiktok.com/@dailygrindpodPodcast Website: https://direct.me/dailygrindpod   Follow Our Special Guest:Website: https://www.paigeaileendesign.com/ Instagram: @paigeaileendesign https://www.instagram.com/paigeaileendesign/ Facebook: https://www.facebook.com/paigeaileendesign/ TikTok: https://www.tiktok.com/@paigeaileendesign

In this episode of Meg Talks, Megan Kerrigan discusses the emotional struggles that young dancers face, particularly the pressure to perform and the fear of disappointing their parents. She emphasises the importance of creating safe spaces for dancers to express their feelings and the need for parents to provide unconditional support. Megan shares her personal experiences and insights on how parents can better understand and support their dancers' emotional wellbeing, ultimately fostering a healthier relationship with dance and competition. Chapters: 00:00 - Understanding Emotional Bottling in Dancers 09:15 - The Pressure of Performance and Parental Expectations 15:56 - Creating Safe Spaces for Dancers 17:44 - Conclusion and Resources for Support ⭐ Join the Gold Club

ALAYA LUX is not only just a pretty face, she's building herself as a brand in the adult industry. She speaks on the difference between the two worlds of being a Dancer and an Adult performer that the public somehow always gets them confused.

Welcome to Episode #2 of Hips and Bits, my brand new podcast, to share stories and journeys of Global Caravan dancers, of becoming, of coming into one's own creative bliss, of dancing, and dancers, and businesses, divine femienine power and beauty and spiritual connection, and community, and co-creation...and so much more In this Episode, meet Caroline Close, from Cairns, Australia, who I have had the pleasure of teaching, certifying, dancing with many moons ago when I used to travel to AUS yearly to connect and teach. 

In this week's episode – the first installment of the recurring feature, Finding Ballroom After After Fifty - The Dancing Housewife chats with 61-year-old international dog trainer and International style pro-am dancer, Gina Pink from Hampshire, England, who discovered ballroom dancing just three years ago. Despite having no prior dance experience, Gina's journey is a testament to passion and perseverance. She shares parallels between training dogs and learning to dance, the emotional and physical benefits of dancing, and how it helped her embrace self-worth. From funny anecdotes to heartfelt moments, Gina's story is inspiring and uplifting. Want to learn more about Dog Dancing? Check out Gina Pink's book, Let's Dance...Starters to Stardom: A Comprehensive Guide to Dog Dancing Available on Amazon in Kindle and Paperback: https://amzn.to/45ILrsTTime Stamps00:00 Welcome to the Dancing Housewife Podcast00:15 Meet Gina Pink: From Dog Trainer to Ballroom Dancer01:07 Gina's Background and Dog Dancing Career02:51 The Connection Between Dog Training and Ballroom Dancing03:25 Gina's Dance Journey: From Beginner to Competitor05:24 First Competitions and Surprising Success07:14 Preparing for Competitions: Dresses, Tans, and More10:45 The Emotional Impact of Dance18:33 Funny and Memorable Dance Moments22:45 The Biggest Lessons from Dance23:29 Shoutouts and Closing RemarksIf you're enjoying The Dancing Housewife let us know! Leave a comment or review and subscribe on YouTube,  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ApplePodcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or your favorite platform and follow us on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  and join ⁠⁠The Dancing Housewife Fan Club on Facebook ⁠⁠so you never miss an episode! And don't forget to visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Dancing Housewife Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for more content.  Amazon Associate Disclaimer:As an Amazon Associate, I earn from qualifying purchases. That means when you shop using the links I share, you're not only getting the products I personally recommend—you're also helping support the podcast at no extra cost to you.Thank you for being part of the community and keeping this work going!

In Episode 88, we're diving into 5 Fun Things from our annual Staff Kick-Off—a tradition that helps us reconnect, realign on our mission, and set the tone for a great season. With our big move coming up, we kept this year's meeting intentionally lighter, knowing a more intensive training is on deck soon.1) Staff Lunch Away from the Studio A cozy, cute space that keeps setup and cleanup simple—perfect for keeping the vibe relaxed and focused on connection.2) Big Build Bash Theme Carryover We love a theme for clarity and cohesion. With our new studio underway, the construction vibe we used at Open House made decor, slides, and materials easy and on-brand.3) Fun, Organized Info Delivery + New Staff Resources We used Canva slides and Rhythm visuals to make “important things” engaging. Faculty leads covered key areas: HR processes (payroll, time-off, sub logs), taking roll/Dancer of the month, assistant best practices, and more.We paired this with Rhythmpedia—our new branded Enrollio landing page linking everything (policies, forms, calendars, schedules)—and a staff "BAND" in the BAND app for ongoing team communication.4) Personalized Notebook with Staff Guidelines Digital is great, but a printed, stickered, Rhythm-branded notebook helps everyone follow along. We added our Top 10 must-knows from our Staff Guidelines for quick reference and asked every team member to send their top 5 takeaways from the handbook.5) Rhythm-Branded Bag with Fun Items A last-minute win that felt personal: a cute tote with a Rhythm patch (heat-pressed!), plus fun goodies like a mini brush, hair ties, electronic wipes—and a colorful pouch with cash to purchase role-ready items (dance shoes, a class bag, hair supplies, leggings/dancewear). It's practical, appreciated, and fun to see what everyone picks!This was Part 1 of our season kick-off. -- a lighter version but still very necessary to bring everyone together and put us all on the same page at the start of a new season. A larger training will follow as we prep for our big move later this year. Thanks for listening—we'll be back soon with a brand-new episode!Let's Get Social! Join our FREE Confetti Circle Request to join our private Facebook Group Follow us on Insta, Facebook and Pinterest

The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Its a brand new episode of the After Party and on this one we bring on Baby Mama Bree! As she comes on spills some much need tea. She tells about her first time on the mean streets of Cinci, she gives us some tips and tricks on rizzing her up plus we catch up with the roll taco queen Tori. Follow us on social media @AaronScenesAfterParty