Art forms that create works that are primarily visual in nature
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SEASON 2 - EPISODE 143 - Phil Alden Robinson - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Phil Alden Robinson (THE GOOD FIGHT, THE SUM OF ALL FEARS, FIELD OF DREAMS) about many of his films. Phil was initially interested in politics and journalism, but he eventually made his way to Los Angeles and found his way into a writer's room based on the strength of a spec script. Phil soon found two of his feature scripts in production, and he reflects on the impact of being treated as badly as possible and as well as possible simultaneously. Later, Phil breaks down how FIELD OF DREAMS came together as a project, and we learn how he overcame an overwhelming sense of stress through the support of his cast and key crew members, including cinematographer John Lindley (Season 1, Episode 34) and production designer Dennis Gassner (Season 1, Episode 131). In addition to his work in features, Phil also directed documentaries for Nightline in a number of war zones, and we discuss the value of living life and taking time off from making movies. We also discuss the ubiquitousness of VFX in cinema today, and Phil shares what he feels to be the real lesson to take away from a film like the original STAR WARS. - Recommended Viewing: FIELD OF DREAMS, THE SUM OF ALL FEARS - This episode is sponsored by Aputure & Profoto
This is The Digital Story Podcast 1,001, May 27, 2025. Today's theme is, "Half Digital, Half Analog - The Fujifilm X half Review." I'm Derrick Story. Opening Monologue 2025 is establishing itself as the year of the creative camera. We started with the Sigma BF, then Fujifilm GFX100RF, and now the Fujifilm X half. Nothing boring in this lot! And whether or not you decide to purchase the new X half, you're bound to appreciate the thought that went in to it. I'll share my highlights in today's TDS Photography Podcast. I hope you enjoy the show.
In Her Image: Finding Heavenly Mother in Scripture, Scholarship, the Arts, & Everyday Life
In this enlightening conversation, Meg Rittmanic hosts Douglas and Fiona Phillips, a couple celebrating 50 years of marriage. They discuss the profound partnership in their relationship, the spiritual depth of Fiona's art. The couple shares personal challenges, including a health crisis in their family, and how they navigated these together. Fiona's passion for mental health awareness is highlighted through her art, and they explore the symbolism in her painting 'Firstborn,' depicting Heavenly Mother and Father. Doug shares a poetic reflection on divine design, emphasizing the importance of recognizing the roles of both Heavenly Parents in our lives. In this conversation, Meg, Doug, and Fiona explore the themes of love, compassion, and the divine feminine, particularly focusing on the role of Heavenly Mother in their lives and relationships. They discuss the foundational principles that have allowed their marriage to flourish over 50 years, acknowledging the diverse experiences of others in relationships. The conversation emphasizes the importance of agency, personal growth, and the evolution of understanding within the Church regarding Heavenly Mother, while also recognizing the need for voices to speak out about these experiences.Fiona Phillips is a retired art professor, proud mom of five, and grandma to 13 wonderful grandkids. She is blessed to be married to Douglas, the love of her life! Originally from England, she moved to California with her family when she was just a pre-teen. Her art studio focuses on themes of water, women, nostalgia, and spirituality. One of her standout projects focused on raising awareness of the stigma surrounding mental illness was shown at DSU, Art Access Gallery and the OMA. She created 50 large portraits of adults, teens, and children, many of whom were personally affected by mental health challenges. Fiona's paintings explore themes of faith, our relationship to our Heavenly Parents, and our equality as children of God. Her work has been featured in three International Art Exhibitions by The Church. her paintings and poetry have been published in The Ensign, Liahona, and Exponent II magazines. Most recently Fiona has shown with the Oceanside Museum of Art, the Restore Conference, the Compass Gallery and galleries in California.She's earned numerous “Best of Show” awards and has had solo exhibits in Utah, California, Nevada, and Arizona. She has also earned two master's degrees—an MA in Humanities/Art and an MFA in Visual Art.Dr. Douglas Phillips is a multifaceted individual whose journey blends faith, music, medicine, and a deep connection to his roots. Born and raised in Southern California,Douglas joined the Church of Jesus Christ when he was 18 then embarked on a mission to Spain, an experience that deeply influenced his personal and professional life. Shortly after his return he was married to Fiona, his high school sweetheart.Before pursuing medicine, Dr. Phillips was immersed in the music scene, playing piano and writing songs for a pop music group. This creative outlet honed his discipline and collaborative skills, which would later serve him well in his medical career.He earned his Doctor of Medicine degree from Northwestern University Feinberg School of Medicine , followed by radiology specialty training at the University of California, San Francisco.Now retired, Dr. Phillips enjoys life in Southern California, where he continues to explore his passions and contribute to his community. His unique blend of experiences offers a rich perspective on the intersections of faith, creativity, and medicine.Douglas and Fiona have served 2 senior missions together, a member/leader service mission in a Spanish Ward in West Valley UT and as the Area Mission Medical Advisor and Assistant serving the 9 mission units in Southern California.https://fionabphillips.com/https://fionabphillips.com/faith/https://www.patreon.com/c/InHerImagePodcast
Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York.
Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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This is The Digital Story Podcast 1,000, May 20, 2025. Today's theme is, "A 20 Year Celebration Episode." I'm Derrick Story. Opening Monologue The TDS Podcast debuted on Oct. 5, 2005. It was my side hustle. During the weekdays I was an online editor for O'Reilly Media. As part of my job I met interesting people and traveled to fascinating locations. I wanted to share those experiences and build a community of photographers. So at night I worked on my website and recorded those early shows. Fast forward 20 years later to this episode, number 1,000. With a little help from my friends, it's time to tell the story about how we all ended up here, together. I hope you enjoy the show.
What drives you to translate your innermost thoughts into visual expression? Visual artist Lana Abraham-Murawski shares her creative journey and how her unique cultural heritage shaped her artistic style. In this intimate conversation, Lana reveals the transformative power of mentorship in her development and her thoughtful approach to balancing artistic ambitions with family life. She takes us behind the scenes of her striking piece 'Meeting of the Mind,' exploring how she weaves themes of nature, society, and human connection into her work. Through personal anecdotes and reflections, Lana illustrates how art becomes not just a form of self-expression but a powerful bridge between identity, community, and the natural world. Chapters 00:00 Introduction to Lana Abraham Moravsky 03:03 Lana's Artistic Journey and Background 06:10 Exploring Identity Through Art 08:52 The Evolution of Artistic Style 11:56 Transitioning from College to Professional Art 15:02 Balancing Art and Life 17:50 Deep Dive into Specific Art Pieces 20:48 The Concept Behind 'Meeting of the Mind' 26:41 Exploring Imagination Through Art 27:47 The Evolution of Artistic Expression 29:30 Symbolism in Art: The Peregrine Orbs 35:20 Nature and Identity in Artistic Creation 40:25 Cultural Roots and Artistic Influence 45:04 Finding Community and Collectors 47:26 Advice for Aspiring Artists Connect with Our Guest: Lana's Website: Lana Abraham Follow Lana on Instagram: Lana Abraham-Murawski on Instagram Support the Show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack Production Credits This episode was produced by Martine Severin. This episode has been edited by Santiago Cardona and Daniel Espinosa.
The Star Report
The Star Report
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I am so excited to say that my guest on the GWA Podcast is the esteemed American artist, Lorna Simpson. Working across photography to painting, video to collage, Simpson is a multimedia artist who – since the 1980s – has gained widespread acclaim for her pioneering approach to conceptual photography. Whether it's fusing text with image, obscuring her subject's identity, using techniques such as repetition, collage or manipulation – Simpson has conjured a plethora of ways to reinvent the image, and, by doing so, raises questions about gender, race, memory, and history. Her work, mostly centred on the female body, is full of seemingly open-ended narratives – as she has said: “I think the idea of identity or persona is interesting to me in that it is malleable and fluid. And that has always been part of the work in terms of [thinking about] who gets to determine who we are. Do we get to determine that, and what are the parameters of that, given the society that we live in?” Engaging with found images and objects, whether that be cut-outs from Ebony or Jet Magazines, or photographs she finds on eBay, which she melds with inks or collages of jewels, Simpson has continuously reconfigured what painting and photography means. Born in 1960, and raised in Queens and Brooklyn in a childhood that put the arts first, Simpson received her BFA from the School of Visual Arts, New York, and following that, an MFA from the University of California San Diego, where she began to focus on the portraits of Black women she found in magazines, adding suggestive phrases from elsewhere. By 1990, she had a major exhibition at MoMA, and throughout the decades has continued to push boundaries with her seemingly limitless approach to materials. But in 2015, she turned to painting, showing her first nine-feet-tall canvases at the Venice Biennale, and this month will present a major exhibition – that considers the entirety of her painting practice – at the Metropolitan Museum of Art here in New York – where we are recording today. Titled “Source Notes”, it will feature Simpson's monumental and spellbinding paintings, which, steeped in monochromatic blues, silvers, blacks and greys, appear in settings that evoke the cosmological or natural world. An extension of her photographic work, Simpson's paintings see the manipulated figure and body pressed into landscapes akin to waterfalls or meteorites, and I can't wait to find out more… https://lsimpsonstudio.com/ Lorna Simpson: Source Notes – https://www.metmuseum.org/exhibitions/lorna-simpson-source-notes?utm_source=google&utm_medium=cpc&utm_campaign=&utm_term=lorna%20simpson%20art&utm_content=39536&mkwid=s&pcrid=743882408399&pmt=b&pkw=lorna%20simpson%20art&pdv=c&slid=&product=&gad_source=1&gad_campaignid=22399716678&gbraid=0AAAAADmlGN7UtMbglt7UAR4dicGAOa9Vx&gclid=CjwKCAjw24vBBhABEiwANFG7ywIA72_JjPaxVUdfQSWW_h8NFYNWzddlSHz6KV38M9zgiG4rs_9UNxoCVFkQAvD_BwE https://www.hauserwirth.com/artists/2860-lorna-simpson/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield
Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. This week we are joined by Agustin Rodriguez, aka Skin from Generation X! We go over a classic original five X-Men comic that matches with his birth month and year where the Mimic takes on the Super Adaptoid! Also in this episode: what it was like on the set for Generation X everything was menacing in the 60s Cyclops has something he has to do alone Xavier's backyard is full of villain lairs the Super Adaptoid has the powers of some of the least powerful Avengers (and is also bad at ice skating) the X-Men love to gaslight Bobby the Mimic is a jerk What does any of this mean for Agustin's future? Tune in to find out! Agustin Rodriguez is a well known actor and director, born and raised in New York City. He first pursued illustration at the School of Visual Arts, but his true passion emerged when he stepped into the world of acting. He trained at HB Studio and built his foundation in NYC's vibrant theater and indie film community. A career-defining role in Final Analysis—opposite Richard Gere, Kim Basinger, and Uma Thurman—took him to Hollywood, where he carved out a successful career in film and television, collaborating with some of the industry's best. He may be best known to listeners of this podcast for his portrayal of Angelo "Skin" Espinosa in the 1996 television film "Generation X.” After more than a decade away from the screen, Agustin is back—stronger than ever. He recently headlined the thriller FETTERED, was featured in the upcoming series Heavy Hitters, and just appeared in Law & Order. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com
Mrs. Ebert and Mrs. Boyer spent over 70 years combined teaching Music and Visual Art. In this podcast we sit down in two parts to learn about their fantastic careers. First Part: Mrs. EbertSecond Part: Mrs. Boyer
SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto
It's been a long time, I shouldn't have left you…without a dope beat to step to! (Word to Timbaland!) But I'm so glad to be back and to get things started, I'm kicking it solo. On this week's episode you'll hear a little bit about what you can expect from the show going forward. I also share my perspective on the recent defunding and dismantling of federal arts, cultural, and education agencies. To close, I leave listeners (and myself!) with a few questions around the art we create and how it reflects the world around us. Read below to visit the sources referenced throughout the episode, and other resources. Update: Senior leaders and other employees, including all ten directors who oversee grants across various disciplines of the arts, left the National Endowment for the Arts (NEA) the week of May 5th, 2025. Read more here:Protect My Public MediaInside Harvard's lawsuit against the Trump administration : NPRTrump signs executive actions on education, including efforts to rein in DEITrump sets sights on national African American history museumUrge Congress to Save IMLS and NEH (For museums, staff, and board members)Arts Directors Exit the National Endowment for the Arts Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)
Steve Heller is arguably the world's best-known design educator, with over 200 books on graphic design, illustration, and political art. I interviewed him for my 2025 book Learning to See. His books include Design Literacy: Understanding Graphic Design; Teaching Graphic Design; and The Education of an Illustrator (with Marshall Arisman). He's spent most of his career at the School of Visual Arts in New York City, where he's now the Special Assistant to the President and the Co-Founder and Co-Chair Emeritus of the MFA Design Department. He's won numerous awards including Cooper-Hewitt's National Design Mind Award; Smithsonian Design Museum; National Endowment for the Arts; AIGA Medal for Lifetime Achievement; and many others. For 33 years, he was an art director at the New York Times and the New York Times Book Review. In this interview, he gives amazing insights about how to teach graphic design and illustration. For more information: Steve Heller's web site Book: Teaching Graphic Design Book: The Education of an Illustrator Sawyer's book Learning to See Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich Copyright (c) 2025 Keith Sawyer
Local Spotlight
This is The Digital Story Podcast #999, May 13, 2025. Today's theme is, "New Nik Collection 8 and Capture One 16.6 Beta." I'm Derrick Story. Opening Monologue Two venerable photo software packages have rolled out new versions. Nik Collection 8 is available for purchase now, and Capture One 16.6 is an open beta that you can test. We'll take a look at the highlight features to help you decide if an upgrade is in your future. Plus, additional industry news, an Inner Circle Bold update, and more. I hope you enjoy the show.
Gene and cohost Tim Swartz present a return visit from documentary filmmaker Christopher Garetano. He is the creator and director of the award-winning docudrama, Montauk Chronicles (2015). He is also co-creator, co-director, executive producer and co-host of the History Channel's The Dark Files (2017). In 2019, Christopher created, executive produced, directed and hosted his eight-episode investigative series, Strange World for the Travel/Discovery Channel networks. During this interview, Christopher will reveal his journey into films, and his various influences over the years. He'll also talk about what he sees as the future of the film industry in light of new technologies. Christopher is also the host and creator/producer of the ongoing weekly podcast, Off To The Witch and is preparing to release the first feature-length chapter (A Haunting We Will Go) of his new, TV docuseries. He is also the writer/creator South Texas Blues (originally published in Fangoria Magazine) comic and book. Christopher was born in New York and grew up marveling at the galaxy of discoveries within his parents' video store; while immersed in special effects makeup, creature features and moviemaking since he was five years old. He is a graduate of the School of Visual Arts with a degree in film. One of his upcoming projects is a feature-length horror movie, Bury Me In A Nameless Grave.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.
Colin Williams, an award-winning talented photographer, was born as a twin in Trinidad and Tobago and raised in the vibrant urban landscape of New York City. His parents, Noel and Eastlyn Williams, instilled in him a strong sense of identity and connection to his Caribbean roots, with deep familial ties to Trinidad, tracing lineage back to his great-grandfather Paul Williams, who immigrated from Martinique to Trinidad and was pivotal in the cultural movement known as the #SoulBoys Growing up. Colin excelled in sports, notably as a member of the basketball team at Arima Senior Comprehensive in Trinidad. He is a devoted father to three beautiful daughters, often likening them to "a box of chocolates" Colin attended the Germain School of Photography and the New School of Visual Arts. His initial foray into the creative world began with modeling, in the high-profile fashion industry of Japan. He secured notable campaigns for brands like Suzuki, Nikon, and FILA. Professional Achievements: With over 40 years of experience in the film and photography industry, Colin served as a first and second assistant director, location manager, and freelance photographer for esteemed publications such as @nytimes NewyorkDailyNews, Essence.com. He has worked with companies and celebrities such as: Conrad New York Hotel, @amex Citibank, @lancomeusa AIG, @bloomingdales @macys @iflycaribbean jetBlue, @Forbes InStylemagazine, Ocean Style Magazine, Vanguard Media, BAHAMAS TOURISM AUTHORITIES, Barbuda Tourist Board, Caribbean Tourism Organization, Trinidad and Tobago Tourism, Brooklyn Chamber Of Commerce, The City Of New York, Berggruen Institute [Think Tank company]…… @AlJarreau Alvin Ailey, @missGraceJones @isaachayes Judith Jamison, @LilKim @MarthaStewart @methodman @barackobama Penny Commissiong, Quincy Jones, @whoopigoldberg + HARRY BELAFONTE @harrybelafonteofficial who has praised Colin for his impactful work. He founded the Eric Williams Appreciation Day through the Dr. Eric Williams Preservation, Prime Minister of Trinidad and Tobago. He has volunteered with The Center for Arts Education, creating photography workshops for youth in New York City. Colin received the Nina Simone Young Gifted and Black Entrepreneurial Award in January 2010, recognizing his contributions to the arts and entrepreneurship. Colin has actively campaigned to promote Trinidad and Tobago's visibility. Colin's projects focus on historical figures and events significant to Trinidad and Tobago, such as the four Olympians who represented the nation in the 1960s and the legacy of Eric Williams. Colin dedicates much of his time to researching, documenting, and narrating stories that shape the identity of #trinidadandtobago fostering a cultural pride that transcends generations. Colin Williams is a passionate advocate for Caribbean #culture and #history -a steward of the stories that define his heritage, and a mentor to the younger generation. Colin inspires others to appreciate and celebrate the vibrant tapestry of Trinidad and Tobago's cultural landscape.For more on Colin Williams, go to -Inside The Call at: https://www.onthecallpodcast/insidethe call... To explore his portfolio, visit his website at (https://www.colinwilliamsphotography.com) or connect with him on social media @colinwphoto. Phone: 646-552-5521 Email: colinNwilliams@gmail.com
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Episode 473 / Sarah Martin-Nuss (b. 1992, Corpus Christi, Texas) is an interdisciplinary artist working across painting, drawing, performance, and sound. Her work draws from biological systems, philosophical post-humanist thought, and the intricate web of ecological relationships, exploring themes of interconnectivity, transformation, and time. Martin-Nuss received her MFA in Painting and Drawing from Pratt Institute in 2024 and her BA in Fine Art and English Literature from Austin College in 2014. Martin-Nuss also studied visual arts at the Collège International de Cannes in Cannes, France and performance, sound, and video art at the School of Visual Arts in New York. In addition to her visual arts education, Martin-Nuss trained with the Meredith Monk Ensemble and is the producer, songwriter and vocalist for the avant-pop duo Dancing In Tongues. Her recent solo exhibitions include Future Currents, Rachel Uffner Gallery, New York, New York (2025); Pouring Water Into Water, Rachel Uffner Gallery, New York, New York (2024); and Open Systems, Prince & Wooster, New York, New York (2023). Her recent group exhibitions include The Figure Abstracted, Prince & Wooster, New York, New York (2024);The Blue Hour, PhillipsX, New York, New York (2024); Unfixed Ecosystems: Obsidian/Yarrow, Pfizer Factory, Brooklyn, New York (2024); What In The World, Steuben Gallery, Brooklyn, New York (2023); and Creative Distancing, Art Museum of South Texas, Corpus Christi, Texas (2020). Her work has been featured in Two Coats of Paint, Cultbytes, Art Spiel and New American Paintings and is included in the JPMorganChase Art Collection. Born in Corpus Christi, Texas, Martin-Nuss now lives and works in Brooklyn, New York.REGISTER FOR TONIGHT's TALK AT FUTURE FAIR HEREWHY I MAKE ART with Brian Alfred, Associate Professor of Art, Penn State and Host of Sound & Vision Podcast, Liz Nielsen, artist and exhibitor (Elijah Wheat Showroom), and artist E.E. Kono. THU, MAY 8, 5:45 PM; SPECIAL PROJECT 2 AT FUTURE FAIR
Born in Los Angeles in 1986, Sable Elyse Smith works across a variety of media, including photography, painting, and sculpture, to investigate the US prison-industrial complex and its role in and effects on society.Her work has been featured at numerous prestigious institutions including the Museum of Modern Art, New Museum, Guggenheim Museum, and ICA Boston - among many others. In 2022, she participated in the Whitney Biennial and the 59th Venice Biennale. Smith is a recipient of several distinguished awards from Creative Capital, Skowhegan School of Painting and Sculpture, Louis Comfort Tiffany Foundation, and most recently - the 2026 Suzanne Deal Booth / FLAG Art Foundation Prize - just to name a few.She is currently an Assistant Professor of Visual Art at Columbia University.Follow along with all Art from the Outside updates on Instagramhttps://www.instagram.com/artfromtheoutsidepodcast
SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOOL & WOLVERINE, AVENGERS: AGE OF ULTRON, THE PHANTOM MENACE). Jon was witness to a number of milestones in the history of visual effects, and throughout the episode, Jon shares numerous stories from his long career at Industrial Light & Magic (ILM), granting us insight into a time he likens to as the Italian Renaissance. From optical printers to artificial intelligence, Jon shares his experiences working with the many pieces of technology responsible for manipulating images, and he reveals the level of focus he and his colleagues at ILM shared when it came to problem-solving (even during an earthquake!). In addition to his work in film, Jon has also worked on projects for The Sphere in Las Vegas, and he shares what he believes to be the distinctive traits of and the possible uses for the new technology. Jon also reveals what he saw as a groundbreaking advancement in visual effects while working on HOWARD THE DUCK, and we compare past and present VFX techniques. Plus, we break down how optical visual effects are actually made. - This episode is sponsored by Profoto & Aputure
This is The Digital Story Podcast #998, May 6, 2025. Today's theme is, "New Photos Masterclass - And How to Get a Coupon to Waive the Tuition." I'm Derrick Story. Opening Monologue With iPhone photography becoming a bigger part of our overall imaging world, the Photos app also grows in importance because of its tight integration with the iPhone. Many photographers dismiss this free software because they view it as too basic. But in reality, sophisticated technology powers its user-friendly interface. Here's how to tap it. I hope you enjoy the show.
Data is apolitical and always useful, right? Then why is the caste census so controversial? Pranay Kotasthane and Raghu S Jaitley join Amit Varma in episode 417 of The Seen and the Unseen to discuss its history, context and implications. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Pranay Kotasthane on Twitter, LinkedIn, Amazon and the Takshashila Institution. 2. Anticipating the Unintended — Pranay Kotasthane and Raghu Sanjaylal Jaitley's newsletter. 3. Missing In Action: Why You Should Care About Public Policy — Pranay Kotasthane and Raghu S Jaitley. 4. Puliyabaazi — Pranay Kotasthane's podcast (with Saurabh Chandra & Khyati Pathak). 5. The Long Road From Neeyat to Neeti — Episode 313 of The Seen and the Unseen (w Pranay Kotasthane & Raghu S Jaitley). 6. Pranay Kotasthane Talks Public Policy — Episode 233 of The Seen and the Unseen. 7. Raghu Sanjaylal Jaitley's Father's Scooter — Episode 214 of The Seen and the Unseen. 8. All episodes of The Seen and the Unseen w Pranay Kotasthane: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13. 9. Some Slopes Are Slippery For Real -- RSJ and Pranay's last debate (Sep 2024) on the caste census. 10. जातीय जनगणना होनी चाहिए या नहीं? -- The Puliyabaazi episode (May 2023) on the caste census. 11. Other posts of Pranay and RSJ's newsletter that touch on this subject: 1, 2, 3. 12. Look Beyond Quotas for Equality -- Pranay Kotasthane and Nitin Pai. 13. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 14. Early Indians — Tony Joseph. 15. Tony Joseph's episode on The Seen and the Unseen. 16. Who We Are and How We Got Here — David Reich. 17. Alice Evans Studies the Great Gender Divergence — Episode 297 of The Seen and the Unseen. 18. The Forces That Shaped Hinduism -- Episode 405 of The Seen and the Unseen (w Manu Pillai). 19. How the BJP wins: Inside India's Greatest Election Machine — Prashant Jha. 20. The BJP's Magic Formula — Episode 45 of The Seen and the Unseen (w Prashant Jha). 21. Badri Narayan on Wikipedia and Amazon. 22. Terms of Trade: Mandal wins, por ahora -- Roshan Kishore. 23. Caste questions for Rahul Gandhi -- Pratap Bhanu Mehta. 24. The mirage of social justice -- Pratap Bhanu Mehta. 25. Affirmative Action Around the World: An Empirical Study -- Thomas Sowell. 26. The Grammar of Anarchy -- Babasaheb Ambedkar. 27. Policy Paradox -- Deborah Stone. 28. Why Does the Indian State Both Fail and Succeed? — Devesh Kapur. 29. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 30. The BJP Before Modi — Episode 202 of The Seen and the Unseen (w Vinay Sitapati). 31. The Forgotten Greatness of PV Narasimha Rao — Episode 283 of The Seen and the Unseen (w Vinay Sitapati). 32. An Area of Darkness -- VS Naipaul. 33. India: A Million Mutinies Now -- VS Naipaul. 34. Upstream -- Zheng Xu. 35. The Sea Hawk -- Manohar Malgonkar. 36. Ideas of India -- Shruti Rajagopalan's podcast. 37. The Great Power Show -- Manoj Kewalramani's podcast. 38. May December -- Todd Haynes. 40. Hard Truths -- Mike Leigh. 41. Secrets and Lies -- Mike Leigh. 42. A Real Pain -- Jesse Eisenberg. 43. Orbital -- Samnatha Harvey. 44. How Music Works -- David Byrne. 45. Visual Arts in the 20th Century -- Edward Lucie-Smith. Applications are open for the Takshashila Institution's Post-Graduate Programme in Public Policy, where Pranay will be one of your teachers! Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Count' by Simahina.
The May edition is filled with impressions of many dance, theatre and visualArts shows and installations in Chennai and Mumbai. From the only India showing of celebrated UK choreographer Akram Khan's GIGENIS- A generation of the earth, to THE FEMALE LEGACY PROJECT that celebrated 3 unusual women performers, this podcast also asks many important questions. What is the physical limit for a dancer's training if injury is the inevitable end result?Does a performer have a time period for a creative arc before they become repetitive?Join us for another iteration of ANITA SAYS, a monthly capture about Indian dance.
From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
This is The Digital Story Podcast #997, April 29, 2025. Today's theme is, "Outdoor Gear Guide 2025." I'm Derrick Story. Opening Monologue As we stand at May's doorstep, thoughts of outdoor adventure enter our minds. Yes, we want to take pictures. But we also looking forward to enjoying being in nature. And we can do so comfortably with just a few outdoor accessories. And that's what I'm going to share with you today. I hope you enjoy the show.
Host Jason Blitman talks to Annie Hartnett (The Road to Tender Hearts) about the roots of her humor, why no one can sit in the backseat of her car, and her short-lived foray into greeting card writing. Jason is then joined by Guest Gay Reader Debbie Millman, who shares what she's been reading, why she had to stop listening to the audiobook of Barbra Streisand's memoir, and the story behind her new book, Love Letter to a Garden--which includes recipes from her wife, Roxane Gay. Debbie's TED "Love Letters" can be found here:https://www.ted.com/talks/debbie_millman_love_letters_to_what_we_hold_dearAnnie Hartnett is the author of Unlikely Animals, which won the Julia Ward Howe Prize for fiction and was longlisted for the Joyce Carol Oates Prize. She is also the author of Rabbit Cake, a finalist for the New England Book Award and a Kirkus Reviews best book of the year. Hartnett has been awarded fellowships and residencies from the MacDowell Colony, the Sewanee Writers' Conference, and the Associates of the Boston Public Library. Along with writer Tessa Fontaine, she co-runs the Accountability Workshops for writers, helping them commit to routines and embrace the long, slow, joyful, terrible process of doing the work. She lives in Massachusetts with her husband, daughter, and dog.Debbie Millman has been named “one of the most creative people in business” by Fast Company, and “one of the most influential designers working today” by GDUSA. Millman is an illustrator, author, educator, and host of the podcast Design Matters. Broadcasting for 19 years, Design Matters is one of the first and longest running podcasts in the world. The show won a Cooper Hewitt National Design Award in 2011, and Apple has named it one of their “All Time Favorites” three times. In 2023 the show won two Webby's, three Communicator Awards, a Signal Award, three awards from The Academy of Interactive and Visual Arts, and earned an Ambie nomination.SUBSTACK!https://gaysreading.substack.com/ BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com
What's the most important thing we can all do to be happy? According to my guest on this episode, it's embracing the thing that made us weird as kids.
Marquan Jones, President of Chicago Fashion Coalition and Co-Host of the Chicago Renaissance Showcase joins Lisa Dent to give listener’s an inside look on what to expect at the Chicago Renaissance Showcase on Saturday, April 26.
Nothing beats the thundering energy and human drama that unfolds across the surface of an automotive racetrack. Photographers who specialize in this adrenaline-fueled niche are best served by nerves of steel and the high endurance to lug multiple cameras and the long lenses needed to freeze the action. In today's show, we plunge headfirst into what it takes to cover the many facets of auto racing with two of the finest professionals in the field, photographers Camden Thrasher and Jamey Price. From stories of unexpected hurdles to access when scouting an unfamiliar course to the mix of visual stimulation and extreme exhaustion that accompanies a 24-hour endurance race, our chat is full of real-world insights. We also discuss the gear these photographers rely on and the wear and tear that comes with hard core use. And for listeners who've always wanted to try their hand at motor sports photography, Jamey Price shares some parting advice. “You don't build a portfolio by getting credentials,” he says. “You build a portfolio by going to races as a fan, bringing your camera, and making cool pictures from fan areas. Tell stories, do something different.” Guests: Camden Thrasher & Jamey Price Episode Timeline: 3:46: Jamey's start as a jockey and making comparisons between photographing horse racing and motorsports 8:29: Camden's early start attending auto races, then discovering photography through exploring his father's film camera as a cool mechanical device. 10:25: Both photographers share their trajectory from starting out as a motor sports photographer to making it into a career. 18:04: A race day timeline and the many variables involved in motor sports photography. 27:28: Camaraderie & competition between photographers working the circuit, etiquette when shooting, and the importance of individual style. 37:24: The thrill of endurance racing and how photographing these 24-hour-long races differs from other types of motor sporting events. 43:38: Episode Break 45:10: Camden and Jamey's go-to camera gear, the long lenses they lug, plus how often they use manual focus, especially when panning through people or trees. 54:50: Getting otherworldly visuals when faced with adverse weather conditions or unique atmospheric effects, despite the physical challenges. 59:15: Wear and tear on camera gear due to the unfriendly environment at the track, plus using broken gear or common objects for creative visual effects. 1:056:08: Camera settings and creative techniques when panning, plus accounting for variables of relative distance combined with motion and speed to achieve a desired result. 1:16:27: Camden & Jamey discuss the use of their motor sports photos and licensing their images to clients. 1:24:13: Parting advice to fans interested in becoming a credentialed motor sport photographer—bring your camera to a race as a fan, and start making pictures! Guest Bios: Camden Thrasher is a motor sports photographer with a distinctive ability to capture unique scenes of fast action. Growing up in Vancouver, Washington, it was the sound of engines from a nearby racetrack that first drew him to motor sports. After becoming a fixture at the track with his camera during high school, Camden studied automotive design and engineering in college, expecting to work as an engineer or on a pit crew. But the money he was making as a side hustle with his camera convinced him to stick with photography, and he hasn't looked back since. Using a unique slow shutter speed method, perfected over many exposures, Camden revels in showcasing the abstract qualities of gleaming metal, bright lights, and dynamic action that are hallmarks of this sport. Now based out of Atlanta, Georgia, Camden's work has been commissioned by top racing teams and featured in a wide range of media, from print magazines to automotive branding campaigns. Jamey Price is an automotive photographer based in Charlotte, North Carolina, whose motor sports work has taken him to more than 25 countries, and across most of the continental US. Jamey's photography career began while he was competing as a thoroughbred horse racing jockey and exercise rider. During this time, he completed more than 50 races, notching 11 wins in the saddle. His life in horse racing was eventually compiled into the self-published book Chasing: Racing Life in England & Ireland. Yet, in 2011, Jamey's photography career switched from horses to horse-power. Since he began chasing race cars, his images have been published worldwide in magazines, distributed by sports imagery wire services, and featured by top commercial clients. Additionally, Jamey is a LEXAR Elite Artist, since 2014. Stay Connected: Camden Thrasher Website Camden Thrasher Instagram Camden Thrasher Facebook Camden Thrasher Flickr Camden Thrasher on B&H Explora Jamey Price Website Jamey Price Instagram Jamey Price Twitter Jamey Price YouTube Jamey Price TikTok Jamey Price Lexar -------- Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens
SEASON 2 - EPISODE 138 - Suzie Davies - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Suzie Davies (CONCLAVE, SALTBURN, MR. TURNER). Suzie once thought she'd be a sheep farmer, but after working for model-makers on commercials, she found herself drawn to the art department and filmmaking. A frequent collaborator with director Mike Leigh (Season 1, Episode 76), Suzie reveals how they first met and how she works with him within his unique process. We also learn how the boundaries of production inform Suzie's general approach to design, and she shares how she tries to help directors realize their creative visions within these limits. Later, Suzie reflects on the challenge of finding period locations in the modern world, and we discuss how she augments locations to suit the film's reality. Suzie also shares what made the estate in SALTBURN so unique as a location, and we learn how she balanced the production of that film with weekend location scouts in Rome for CONCLAVE. Throughout the episode, Suzie reflects on how she made the most of the opportunities presented to her throughout her career, and we discuss the enduring appeal of being just a sheep farmer. - This episode is sponsored by Aputure
Can design shape not just how things look, but how we see the world? Debbie Millman, host of the legendary "Design Matters" podcast and chair of the Masters in Branding program at the School of Visual Arts, answers this question and more in this captivating conversation. From her childhood drawings predicting her future career to her insights on what makes brands truly connect with audiences, Millman shares wisdom cultivated over decades in the field. She explores why so many companies fail at design despite its proven value, discusses the evolution of her all-black wardrobe, and reveals how her podcast journey began by paying for airtime at a fledgling internet radio network. Discover why branding is "a profound manifestation of the human spirit" and why anything worthwhile takes time.---Guy Kawasaki is on a mission to make you remarkable. His Remarkable People podcast features interviews with remarkable people such as Jane Goodall, Marc Benioff, Woz, Kristi Yamaguchi, and Bob Cialdini. Every episode will make you more remarkable.With his decades of experience in Silicon Valley as a Venture Capitalist and advisor to the top entrepreneurs in the world, Guy's questions come from a place of curiosity and passion for technology, start-ups, entrepreneurship, and marketing. If you love society and culture, documentaries, and business podcasts, take a second to follow Remarkable People.Listeners of the Remarkable People podcast will learn from some of the most successful people in the world with practical tips and inspiring stories that will help you be more remarkable.Episodes of Remarkable People organized by topic: https://bit.ly/rptopologyListen to Remarkable People here: **https://podcasts.apple.com/us/podcast/guy-kawasakis-remarkable-people/id1483081827**Like this show? Please leave us a review -- even one sentence helps! Consider including your Twitter handle so we can thank you personally!Thank you for your support; it helps the show!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This is The Digital Story Podcast #996, April 22, 2025. Today's theme is, "Night and Twilight Photography." I'm Derrick Story. Opening Monologue Daylight is great. The bulk of my photography happens when the sun is shining. That's also true for everyone else, however. So when I want to create something that's unique, and eye-catching, I wait for the sun to dip below the horizon. That's when the drama begins. I share some of my favorite tips for night and twilight photography on this week's TDS Photography Podcast. I hope you enjoy the show. Glow, then choose Orton Effect in the submenu. Be sure to turn on Advance Settings to control softness, brightness, and warmth of the effect. Aside from being a terrific standalone app, Luminar is a powerful editing extension for Photos as well. The Orton Effect does a great job of counteracting digital over sharpening giving your night shots that magical look. Twilight Photography My favorite post-sunset shots are often while there's still color in the sky. I like the oranges and blues. And a great technique this time of evening is to work with silhouettes. For example, if you're in a popular place where folks are photographing the sunsets, such as Hawaii, step back from the crowd and get the people, trees, and other objects silhouetted against the colorful sky. It's often a far more interesting picture. Combining Live Photo and Night Mode This is a great technique if you have water in the scene. I combine Night Mode with Live View Long Exposure. Make sure Live View is turned on in the Camera App for the iPhone, then in Photos, choose Long Exposure from the Live menu. The effect can be quite impressive, especially considering that this is a handheld long exposure at night. Then apply the color correcting techniques I discussed earlier, plus a little Orton Effect, and you'll have a real winner. Live Composite on Olympus Cameras Live Composite is a high-tech version of Bulb mode, where the shutter stays open for an extended period of time, but you can watch the picture unfold before your eyes on the camera's LCD screen. This is particularly nice when you have moving lights in the scene. Begin by setting the camera to Bulb Mode. Then you can navigate to Live Composite. On the OM-3 you use the rear dial. Make sure the camera is steady, set your parameters, and watch the magic appear. Final Thoughts As much as I like the people and daytime landscape shots from Maui, I'm also loving the magic the twilight and night shots bring to the library. Camera Industry News Japan's 2025 CP+ Camera Show Got Even Bigger on PetaPixel.com. Two of the best-looking cameras ever made take home trophies at TIPA World Awards on DigitalCameraWorld.com. Virtual Camera Club News TDS Photography Workshops! Reserve your spot now. We have an exciting slate of online and in-person events. If you have any questions, use the Nimble Photographer Contact Form. I will get back to you ASAP. New Workshop!: Route 66 Photography Workshop led by Rob Knight, starting on Oct. 16, 2025. Join pro photographer and Route 66 explorer Rob Knight to explore the "mother road" this October. We will be based in Winslow and Kingman, Arizona, putting us right in the middle of the action. The stretch of Route 66 through northern Arizona contains many of the most iconic spots that still exist from the heyday of American car culture. We will visit towns along Route 66 like Seligman, Oatman, and Williams, Arizona. Along the way, we will explore and photograph the roadside attractions that made Route 66 so legendary. New Workshop!: Sony Creative Master Class led by Rob Knight, starting on May 8th, 2025. This all-new class is designed to help you make the most of your Sony camera. We will dive in to the features, custom functions, menus, and MORE. Each online class will include presentations and tutorials based on years of professional photography experience using various Sony cameras and lenses, PLUS plenty of time for your questions about the system. Workshop Updates! Creative Camera Techniques led by Derrick Story, starting on June 5, 2025. In addition to the full slate of goodies I have planned for iPhone photographers, Fuji cameras, Nikons, and more, I'm adding creative techniques for the new OM System OM-3. Photographers will be able to pick and choose techniques based on the camera system they shoot with. Sonoma County Autumn Adventure Workshop, led by Derrick Story, starting on Nov. 4, 2025. We will be returning to Safari West African Wildlife preserve, and visiting the world famous Coppola Vineyard, home of amazing wines, rolling vineyards, Academy Awards, an authentic Tucker car, and more. You can reserve your place of each of these events by visiting our Workshops Page. Schedule a My TDS Moment Recording Session If you want to participate in our 1,000th Podcast Celebration, here's how it's going to work. I've set up a Meeting Calendar for Friday appointments. If there's an open slot, you can sign up for it. On that date, we will connect via Zoom and I will record your TDS Moment. I hope you can join us in the festivities! The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear. Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout. Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view. If you're interested in writing for Live View, drop me a line at dstory@gmail.com. The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on
This episode was recorded at my creative home away from home, a hotel that's also a vibrant cultural center. Check out Eaton DC here. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of The Truth In This Art, I'm happy to welcome back designer Jerrill Sankey of Jerrill Sankey Headwear. It's been a few years since Jerrill was on the show (when he was known for Creative King), so it's a great opportunity to reconnect and trace his evolution as a designer.We explore Jerrill's creative journey, from the influence of 90s pop culture and magazines like Vogue on his distinctive aesthetic, to his perspectives on balancing artistry and craftsmanship. Jerrill shares his thoughts on developing a personal style, the dedication it takes to build a brand, and his observations on the current creative scene.If you're into fashion and culture, the story of a designer's growth, or the commitment required to pursue your passion, I think you'll really enjoy this conversation with Jerrill Sankey! Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Episode 470 / Lucio Pozzi Lucio Pozzi was born in 1935 in Milan, Italy. After living a few years in Rome, where he studied architecture, he came to the United States in 1962, as a guest of the Harvard International Summer Seminar. He then settled in New York and took the US citizenship. A pioneer in working concurrently across different media, Pozzi has presented videotapeworks at the Museum of Modern Art in New York and watercolor landscapes at the John Weber Gallery in New York, regarded in its day as the “temple of Conceptualism.” He has shown work in Documenta 6 (1977) and at the Venice Biennale (U.S. Pavilion) in 1980. He occasionally writes and has taught at Cooper Union, the Yale Graduate Sculpture Program, Princeton University, School of Visual Arts and Maryland Institute College of Art, among other art schools in the US and Europe. His work is included in the collections of major international museums and private institutions and collectors. He currently lives and works in Hudson, NY, and Valeggio s/M (Verona) Italy.If you're in New York this May, check out Future Fair, an independent contemporary art fair celebrating its fifth anniversary in Chelsea from May 7th to 10th. This year's edition features nearly 70 presentations from around the world, with a focus on emerging voices and thoughtful curation with a community driven approach. We love what they are doing to platform new and underrecognized artists and we will be there hosting a talk - more on that soon. Sound & Vision listeners can get 30% off tickets with the code SOUNDANDVISION all one word at futurefairs.com
SEASON 2 - EPISODE 137 - Stefan Nikolov - Location Manager Location manager Stefan Nikolov (SOMEBODY SOMEWHERE, JUSTIFIED: CITY PRIMEVAL, SHAMELESS) joins us in this episode of the Team Deakins Podcast. Originally from Bulgaria, Stefan followed his journalist parents around the world before landing in Chicago where he has since built a career in the locations department. We discuss how he worked his way up the ladder, and Stefan breaks down the different roles in the department. Throughout our conversation, Stefan shares many stories from his career, and we learn what to do when an alligator hunt prevents the crew from parking the vans where you need them. We also learn about the potential consequences of living in a home made famous on television, and we discuss why a film would come to Chicago to shoot for another real-world location. And at the end, Stefan gives his advice to anyone trying to break into the locations department. This episode was recorded in front of a live audience in Chicago at the Athenaeum Center. - This episode is sponsored by Aputure
In this episode, Debbie Millman shares how to begin—even when you feel unready, unqualified, or full of doubt. Debbie is a designer, author, educator, and host of the pioneering podcast Design Matters. She's also the chair of the Masters in Branding program at the School of Visual Arts and editorial director at Print magazine. We talk about the creative risks Debbie took later in life, why fear and shame shaped her early path, and how she found fulfillment by making deeply personal work—without waiting for permission. From the grief of losing family to the joy of marrying at 57, this is a raw, powerful conversation about love, legacy, and the courage to start—even if you feel like a mess. Some highlights we explore: The myth of readiness – Why waiting to feel “good enough” keeps us stuck in place. Failures that shaped the path – From rejected applications to bad jobs, how struggle created space for clarity. Creating without permission – Why Debbie's most meaningful work began when she stopped waiting to be chosen. Enjoy!
In this episode of The Truth In This Art, I'm thrilled to welcome back Ariel Shelton, co-Executive Director of CultureWorks Greater Philadelphia. It's been great to catch up with Ariel and explore the work CultureWorks does in supporting creatives and building a stronger cultural community in Philly.Ariel's passion for connecting people and ensuring resources are shared effectively shines through in our conversation. We discuss her journey, from co-founding the Arts Administrators of Color Network to her current leadership role, and her commitment to creating spaces where communities feel supported and empowered. Her insights into Philadelphia's unique cultural landscape, compared to her experiences in Detroit and D.C., are also a highlight.If you're interested in an honest discussion about community building, navigating complex social dynamics, and the realities of working in the arts, you'll find this episode with Ariel Shelton really rewarding!
As any established photographer will tell you, forging a career can be a long and arduous journey, with no instruction manual to guide you through the process. The lofty world of top-notch pros is often shrouded in mystery and full of things they don't teach in photo school. In today's show, we get to peek behind the scenes of this complex, and often chaotic environment in a chat with two colleagues who've found a way to balance their freelance careers as independent creators with lucrative work assisting in a high-profile photo studio. Listen in, to learn how a casual job application through LinkedIn landed Mike Foley an interview, ultimately resulting in a salaried role as first assistant to a world-class portrait photographer. While technical mastery counts for a lot, we discuss the critical importance of soft skills like personality and work ethic to success in such environments. We also distinguish between salaried full-time work and more common freelance roles, and the juggling required to coordinate the complex planning involved. As freelance lighting assistant (and longtime café owner) Alex Savidis admits, “the juggle becomes quite hard at times, but I think it's a necessity, especially when you're trying to pursue something that you're passionate about. You can't just become a successful photographer overnight. It takes years to build up to that.” Guests: Mike Foley & Alex Savidis Episode Timeline: 2:57: Mike Foley describes heirloom portraiture as his bespoke brand of portrait with the ability to last a lifetime. 5:10: The backstory to Mike getting hired as a photo assistant for a world class portrait photographer. 11:25: The personality and skill set needed to work in a high-end photo studio, Alex's take on being added to the team, plus the various roles within the studio. 17:30: The role of a B-cam operator to capture the finer details of a video shoots, plus an overview of a typical shoot day. 23:05: Mike talks about the video work in his portfolio as a differentiating factor in his getting the assisting job. 28:23: The work structure and expectations for photo assistants, from freelance to salaried positions, plus discussion about length of tenure. 34:50: Episode Break 35:55: Memorable stories from the studio—from the largest two-day shoot with a crew of 150, to the core personnel involved in work-a-day shoots. 42:28: NDA's and the etiquette of what an assistant is able to share when dealing with high-end clients. 46:30: The growing acceptance of photographers who do freelance work and juggle regular 9-5 jobs with photo assignments. 52:07: Learning outcomes from working in a world class portrait studio, and the mindset to hold yourself to a higher standard. 57:49: Mike and Alex share advice for budding photographers based on what they've learned from working in a world-class photo studio. Guest Bios: Mike Foley is a New York City-based photographer specializing in heirloom portraiture and editorial photography. After starting out photographing weddings and small events, Mike quickly grew into commercial work, providing clients with timeless images they can use to elevate their visual presence and define their brand. His approach behind the camera is warm and humanistic, allowing his subjects the space to be themselves. In addition to his own photo services, Mike is currently content manager and digital designer for an internationally renowned portrait photographer. On set, he serves as first assistant and B-camera operator, while also providing on-set and post-production support behind the scenes for clients like Balenciaga, New York Magazine, and many more. Australian native Alex Savidis is passionate about storytelling through both still and moving imagery. Based in New York since 2020, he pushes creative boundaries by merging elements from his street and landscape photography into his portraiture & wedding work, weaving memories into art. For the past year and a half, Alex has also worked as lighting assistant and B cam operator in the same high-profile portrait studio as Mike, catering to world-renowned clients and political leaders. On B cam, it's his job to focus on finer details and provide viewers with a deeper, more intimate perspective on a given subject, capturing nuances that enhance the storytelling. Additionally, when he's not juggling camera gear or fine-tuning lights, you can find Alex behind the counter of the café Regular NYC in southern Manhattan, an establishment he founded in early 2024. Stay Connected: Mike Foley Website: https://mikephotographs.com/ Mike Foley Instagram: https://www.instagram.com/_mikephotographs/ Mike Foley Facebook: https://www.facebook.com/michaeljamesphotos/ Mike Foley Linkedin: https://www.linkedin.com/in/michael-foley-3095a7126 Alex Savidis Website: https://www.alexsavidis.com/ Alex Savidis Instagram: https://www.instagram.com/alex.savidis/ Alex Savidis Linkedin: https://www.linkedin.com/in/alex-savidis-14155b272 Alex Savidis Regular NYC Cafe: https://regular.nyc/ End Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens
SEASON 2 - EPISODE 136 - Judy Becker - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Judy Becker (THE BRUTALIST, CAROL, BROKEBACK MOUNTAIN). Judy's love for art and collaboration began at the age of 3 and developed throughout her childhood, and after discovering the theatre department in high school, she found her way into the New York filmmaking scene. Having worked in a number of projects across many different periods of history, Judy shares how she approaches bringing those spaces to life, and we reflect on the fact that absolute accuracy to a period doesn't always look real on the screen. Later, during our discussion of her work on THE BRUTALIST, Judy reflects on the challenges of communicating with a crew whose language is nothing like her own, and she reveals how they fought for scraps of plywood and found (and built) post-war America in Hungary. Judy also shares how she approached designing The Institute—the architectural centerpiece of the film—and she reveals how they used the scale model they built in the actual shoot. We also discuss the differences between working on location and in a stage, and Judy shares the creative attraction to working on producer Ryan Murphy's many television shows. - This episode is sponsored by Aputure
As a longtime staff writer at The New Yorker, Hilton Als's essays and profiles of figures like Toni Morrison, Joan Didion, and Richard Pryor have redefined cultural criticism, blending autobiography with literary and social commentary. Als is also a curator. His latest gallery exhibition is The Writing's on the Wall: Language and Silence in the Visual Arts, at the Hill Art Foundation in New York. The exhibit brings together the works of 32 artists across a range of media to examine how artists embrace silence. The show asked a powerful question: What do words — and their absence — look like? The Pulitzer Prize-winning writer spoke with Tonya Mosley. Also, Ken Tucker reviews new music from Lucy Dacus and Jeffrey Lewis.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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