Podcasts about Visual arts

Every photographer dreams of publishing a book of their photographs. But what exactly does that entail? In today's show, we're going to peek behind the scenes of this complex and daunting process in a chat with two complementary figures who've spent their respective careers helping to redefine what a photo book can be. Starting with three basic questions—Why a book? Why now? And what is the role of a book in your career at this time?—our discussion expands to cover a broad range of concerns. From distinguishing between the many different publishing models available today, to insights on sponsorship and publishing contracts, to tips about marketing and getting people onboard with your project, you'll come away with inventive strategies for publishing your work in book form. We've envisioned this show as an impromptu master class, so get ready to take some notes! Guests: Mary Virginia Swanson & Rick Smolan Episode Timeline: 4:45: Mary Virginia Swanson's basic advice to photographers interested in publishing their photographs in book form, plus the different publishing models available today. 10:22: Rick's start as a freelance photographer and the story behind his shift in roles to launch the Day in the Life book series. 15:04: The importance of sponsorship or in-kind donations, plus innovative strategies for negotiating such deals. 23:04: The two different categories of photo books: greatest hits with the photographer as subject and a book that has a separate subject and overarching story. 27:55: Tips for going on press, advice about publishing contracts, and suggestions for buying back a book before it gets remaindered. 34:54: The issue of vanity presses, and the matter of requiring a subvention from authors to help cover the publisher's costs. 43:03: Publicity and marketing: You are the best salesperson for your book. Tips for getting your book seen and heard about, from magazines to podcasts. 49:08: Episode Break 50:02: Should you create a full mock-up version of a book or just show a publisher a selection of photos? 59:22: Benefits to working with a literary agent when seeking to publish a photo book. 1:01:44: Slicing up the pie by hiring freelaners or finding a partner to share in the work. 1:07:38: The importance of publishing deadlines and many important markers tied to a calendar, plus the cover photo and book blurbs. 1:14:22: Swanson and Smolan on their picks for memorable photo books. 1:25:19: Parting advice about getting other people excited about your project.   Guest Bios: Mary Virginia Swanson has spent her career helping artists find the strengths in their work, identify receptive audiences, and present their personal vision in an informed, professional manner. Her broad background as a photo educator, author, entrepreneur and advisor spans areas of exhibiting, collecting, licensing, and marketing photographs. A few career highlights include working with Ansel Adams to manage education offerings at the Friends of Photography in California, heading Special Projects for Magnum Photos in New York, and founding and directing Swanstock as a unique licensing agency for fine art photographers. Swanson is the recipient of many awards, including the Society for Photographic Education's Honored Educator Award and the FOCUS Award for Lifetime Achievement in Photography from the Griffin Museum in Boston to name just two. In 2011, Swanson co-authored Publish Your Photography Book with Darius Himes, which is now in its third edition. Currently, Swanson works independently from her home base in Tucson, offering classes, workshops and consulting services to artists and arts organizations, serving as an advisor for multiple nonprofits, and giving back through other community-minded activities.  Rick Smolan is both a photographer and an entrepreneur. A former contributor to Time, Life, and National Geographic, he is perhaps best known as creator of the Day in the Life book series, plus subsequent book projects of massive scope. As CEO of the multi-modal company Against All Odds Productions, Smolan designs and executes crowd-sourced, global projects that combine compelling storytelling with state-of-the-art technology. These projects capture the human face of emerging topics while engaging a wide range of media platforms to result in books, TV specials, social media apps, exhibitions, and hundreds of millions of media impressions. One such project, based on Smolan's 1977 National Geographic cover story about Robyn Davidson's solo travels across the outback has enjoyed continued life in multiple books, plus the feature film Tracks, with Adam Driver cast in the role of Smolan. Other recent projects include The Human Face of Big Data, which looks at how all our devices are creating a planetary nervous system, and The Good Fight: America's Ongoing Struggle for Justice, which became one of Amazon's top 100 books within a week of its release.   Stay Connected: Mary Virginia Swanson Website Instagram Rick Smolan Instagram Facebook YouTube  Against All Odds Website   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

This podcast was created using NotebookLM.This podcast explores the connection between chronic psychosocial stress and pain in individuals with fibromyalgia, a condition characterized by widespread musculoskeletal pain without underlying tissue damage. 

SEASON 2 - EPISODE 146 - Matthew Specktor - Author Author Matthew Specktor joins us in this episode of the Team Deakins Podcast. In his recently released memoir, THE GOLDEN HOUR, Matthew, the son of legendary talent agent Fred Specktor, uses his parents' divergent professional and personal lives to reflect on the film industry as it was, and he writes about his own life and career in and around the movies to reflect on what it has become. After reading it (and Matthew's other novels), we felt we had to speak with him. What follows in this episode is a wide-ranging and lively conversation about Matthew's life, his and our views on the changes in the film business and in the films themselves, cinema's place in society, and the genuine love for Hollywood that comes out in his writing. We also discuss the changing economics of funding films, the shifts in who wields power in Hollywood, and Matthew details the brief window in the 1960s and 1970s in which filmmakers were afforded a relative freedom not seen since. In THE GOLDEN HOUR, Matthew at times places us inside the minds of industry figureheads such as Lew Wasserman and Michael Ovitz, and Matthew shares how understanding the men who changed the film industry can help us better understand where we are today. We also reflect on the all-consuming lifestyle of working in Hollywood, and Matthew likens it to being trapped in a casino at two in the morning—forever. Plus, Matthew shares what it was like learning how to write from a uniquely qualified professor: James Baldwin.  - Recommended Reading: THE GOLDEN HOUR - This episode is sponsored by Profoto & Aputure 

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.

This is The Digital Story Podcast 1,004, June 17, 2025. Today's theme is, "The New OM System OM-5 Mark II." I'm Derrick Story. Opening Monologue Today OM System is announcing the Mark II update to its enthusiast OM-5 mirrorless camera. Many of the new features are based on customer feedback from the previous version. On this week's TDS photography podcast, I'll explain those updates plus add a few thoughts of my own. I hope you enjoy the show.

In today's episode of The Edge of Excellence podcast, Matt is joined by Liv Mitchell, entrepreneur and Founder of Liv Mitchell Jewelry.In this engaging conversation, Liv shares her journey of growing a business from humble beginnings to gaining momentum through word-of-mouth and dedicated client relationships. The discussion explores the pivotal moments when steady progress begins to accelerate and the importance of nurturing genuine connections that lead to organic growth. You'll get a glimpse into the behind-the-scenes hustle that turns a promising venture into a thriving enterprise.The discussion also dives into the power of learning communities and mentorship programs designed specifically for entrepreneurs who want to stay ahead of the curve. Through insightful experiences, Liv highlights how tapping into expert knowledge and peer support can provide critical guidance during times of financial challenges and strategic decision-making. You'll discover the value of continuous learning beyond formal education and the courage it takes to step out of one's comfort zone.The episode leaves aspiring business owners inspired to pursue their goals with bravery and a fresh perspective on what it means to achieve true success.Don't miss another episode of The Edge of Excellence podcast. Leave a review and subscribe todayWhat You Will Learn In This Show:Liv's career transition from a promising job in sports marketing to starting her own jewelry business.The importance of networking and building relationships with clients and industry professionals.The challenges and rewards of building a jewelry business from the ground up.The benefits of joining entrepreneurial organizations and the support they provide to business owners.The potential for exponential growth and the importance of maintaining a high level of service and quality.And much more...Guest Bio:Liv Mitchell is the Founder of Liv Mitchell Jewelry, a concierge fine jewelry brand dedicated to transforming the traditional shopping experience. A Brown University graduate with a dual degree in Business Entrepreneurship and Visual Arts, Liv also holds a Certificate in Business Excellence from Columbia Business School. After college, she deepened her expertise at the Gemological Institute of America, earning certifications in diamond and colored gemstone grading. As a former student-athlete, Liv brings the same discipline and precision to her craft. Her appointment-only model replaces the pressure and overhead of typical jewelry stores with a personalized, transparent approach. Clients receive one-on-one guidance, custom 3D CAD designs, and carefully sourced stones, resulting in bespoke jewelry that reflects their unique vision and values.Resources:Liv Mitchell JewelryLiv's LinkedInDisclaimer: The views, information, or opinions expressed during this podcast are solely those of the individuals involved and do not necessarily represent those of The Edge of Excellence podcast or its affiliates. The content provided is for informational and entertainment purposes only and is not intended to be a substitute for professional advice. We make no representations as to the accuracy, completeness, suitability, or validity of any information on this podcast and will not be liable for any errors, omissions, or delays in this information or any losses, injuries, or damages arising from its display or use. Listeners should consult with a professional for specific

This week we meet the Australian painter Sarah Hickey whose bold colors radiate through her expansive canvases expressing an internal world of dreaming and reflection through her spirituality and imagination. We hear how Sarah's creative soul was evident in her childhood as she explored a range of visual elements from theater to fashion and iconography. Sarah was born in Brisbane in 1975 and grew up in the surrounding area.  She was educated at Queensland College of Art where she earned a BFA in Visual Art and a BEd at Griffith University. Parents Eileen and Paul gave Sarah and her younger brother Sean the freedom to explore, which enabled Sarah to connect with nature in a spiritual sense—something that is constant in her paintings. While in high school, Sarah visited England, France and Spain when she became enthralled by European artists. After she graduated college she spent time in Germany as a nanny living her own version of her favorite film, The Sound of Music. Sarah was always drawn to teaching and has been a High School Art teacher for 23 years. After her marriage to George Hickey, Sarah returned to her art and has participated in numerous shows and exhibitions, and garnered several awards including The Percival Portrait and Sunshine Coast National Art Prize, The Kennedy Art Prize, Redland Art Awards. Sarah lives in Brisbane with her husband George and dog Molly.Sarah's website: https://sarahhickey.com.au/Instagram:@sarahhickeyart Some of Sarah's favorite artists:Frida KahloLucy Culliton (Australian painter)Clairy Laurence (sculptor)Laura Jones (Australian painter)Yvette CoppersmithJulie FragarJudith Nangala CrispinOlivia Godbee Alicia Cornwell Penelope Boyd Wendy Sharpe Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week we meet the Australian painter Sarah Hickey whose bold colors radiate through her expansive canvases expressing an internal world of dreaming and reflection through her spirituality and imagination. We hear how Sarah's creative soul was evident in her childhood as she explored a range of visual elements from theater to fashion and iconography. Sarah was born in Brisbane in 1975 and grew up in the surrounding area.  She was educated at Queensland College of Art where she earned a BFA in Visual Art and a BEd at Griffith University. Parents Eileen and Paul gave Sarah and her younger brother Sean the freedom to explore, which enabled Sarah to connect with nature in a spiritual sense—something that is constant in her paintings. While in high school, Sarah visited England, France and Spain when she became enthralled by European artists. After she graduated college she spent time in Germany as a nanny living her own version of her favorite film, The Sound of Music. Sarah was always drawn to teaching and has been a High School Art teacher for 23 years. After her marriage to George Hickey, Sarah returned to her art and has participated in numerous shows and exhibitions, and garnered several awards including The Percival Portrait and Sunshine Coast National Art Prize, The Kennedy Art Prize, Redland Art Awards. Sarah lives in Brisbane with her husband George and dog Molly.Sarah's website: https://sarahhickey.com.au/Instagram:@sarahhickeyart Some of Sarah's favorite artists:Frida KahloLucy Culliton (Australian painter)Clairy Laurence (sculptor)Laura Jones (Australian painter)Yvette CoppersmithJulie FragarJudith Nangala CrispinOlivia Godbee Alicia Cornwell Penelope Boyd Wendy Sharpe Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Leonardo Drew invites us into the physical, philosophical, and sometimes painful world of material transformation. Unlike artists who work with found objects carrying built-in histories, Drew deliberately purchases new materials that he must personally weather and transform. "I need to become the weather," he explains, describing a process where he subjects materials to rigorous physical manipulation that often results in literal bloodshed.This physical commitment reflects Drew's deeper philosophy about creation. He describes himself as "the crack addict of art," chasing the highs of creative breakthrough through persistent experimentation and a willingness to fail. His practice demands patience—it took seven years from his initial decision to create what would become his signature style before producing what he considered his first successful piece (which he numbered "8," acknowledging the previous attempts).Drew conceptualizes artists as antennas receiving creative energy from the universe. He purposefully travels to "cradles of civilization" like China and Machu Picchu, absorbing experiences that later emerge organically in his work. "You don't have to say I'm making work about this specifically," he notes, "because that would cage and imprison the whole idea." This philosophy requires "getting out of the way" of one's own creative process—removing ego and preconceptions to allow authentic creation to happen.By refusing to title his monumental works beyond simple numbering, Drew extends his transformation-based practice to the viewing experience itself. Each piece continues to transform through viewers' unique interpretations, creating an endless cycle of meaning-making that transcends the artist's original intent. As Drew profoundly states, "As I'm moving closer and closer to answering questions, at the same time I'm moving further away from the answers."Want to experience this transformative approach in your own creative practice? Keep your channels open by constantly introducing new ideas and techniques. When feeling stuck, switch things up dramatically—if you're a painter, try sculpture; if you work abstractly, attempt representation. The discomfort of new approaches often leads to the most significant breakthroughs.Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo DrewSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Send us a textI'm speaking today with M. A. McLaughlin, author of The Lost Dresses of Italy listed in the Textile Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/rDe_rXrLC2kOverview of the story of The Lost Dresses of Italy as a dual time novel taking place in 1947 and 1864 and inspired by a three-week trip to Italy taken by Victorian poet Christina RossettiPoetry of Christina Rossetti and why it has enduredChristina's sonnet sequence Monna Innominata as inspiration for the plotCombining a costume history and design with the story of Christina's time in ItalyReasons for setting the modern story in post-war VeronaResearching costume design and preservationThe role of pre-Raphaelite Dante Gabriel Rossetti in the novelSome of the challenges of fictionalizing real peopleWhat is it about the Romantics and Victorians that Marty is attracted to?Reading from The Lost Dresses of ItalyThings that Marty learned from writing her novel - the complicated nature of Italy's participation in World War II and its aftermath.Read more about M. A. McLaughlin on her website: https://martyambrose.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

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SEASON 2 - EPISODE 145 - Deliverables and Preserving Authorial Intent - with Steve Yedlin In this episode of the Team Deakins Podcast, cinematographer Steve Yedlin (Season 2, Episode 72) returns to talk with us about deliverables and preserving authorial intent in post-production. Throughout the episode, we tap into Steve's deep well of technical knowledge, and we make frequent reference to Steve's publicly available demonstration on what HDR really is and how it has affected the colour timing stage of post. We get into the weeds during our conversation, and we try to make sense of the growing number of variables, units of measurement, and home-video viewing options we're forced to contend with as filmmakers in the digital age. We also look at how our level of control over home-viewing deliverables has changed since the VHS days, and we attempt to peek into what the future may hold for us as technology and audience expectations continue to evolve. Towards the end of our conversation, we discuss the economic realities of restoring old films, and Steve offers his best advice to any young (or older!) filmmaker feeling overwhelmed by the endless technical jargon. Plus, we find some surprising and relevant wisdom within THIS IS SPINAL TAP. - We highly recommend watching Steve's demonstration on HDR for an even deeper investigation into the topics discussed in this episode. Tap here to watch. - This episode is sponsored by Aputure & Profoto

This week, we sit down with Will Davis — a poet, educator, and bilingual parent advocate whose journey stretches from graffiti-tagged notebooks in Brooklyn to open mic stages and international humanitarian work. His story is one of layering — art, advocacy, faith, family, and the hard-won courage to say: “Yes, I am a poet.”We get into it:

This is The Digital Story Podcast 1,003, June 10, 2025. Today's theme is, "Interview with Nik Bhatt, The Brains Behind Nitro." I'm Derrick Story. Opening Monologue I first learned abut Nik, and his software company Gentlemen Coders, when he released RAW Power, one of my favorite imaging apps. And now with his encore performance, Nitro, I knew we had to get together and talk shop. In this interview you'll learn about his early days at Apple, the genesis of RAW Power, and how it all came together for Nitro. I hope you enjoy the show.

Rob Franklin, Great Black Hope (Summit Books, 2025) Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU's Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts. Book Recommendations: Katie Kitamura, Audition Josh Duboff, Early Thirties Alexis Okeowo, Blessings and Disasters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Franklin, Great Black Hope (Summit Books, 2025) Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU's Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts. Book Recommendations: Katie Kitamura, Audition Josh Duboff, Early Thirties Alexis Okeowo, Blessings and Disasters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Rob Franklin, Great Black Hope (Summit Books, 2025) Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU's Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts. Book Recommendations: Katie Kitamura, Audition Josh Duboff, Early Thirties Alexis Okeowo, Blessings and Disasters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rob Franklin, Great Black Hope (Summit Books, 2025) Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU's Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts. Book Recommendations: Katie Kitamura, Audition Josh Duboff, Early Thirties Alexis Okeowo, Blessings and Disasters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Dance Beyond Borders Host: Anna Harsh Guest: Anabella Lenzu Originally from Argentina, Anabella Lenzu is a dancer, choreographer, scholar & educator with 35 years of experience working in Argentina, Chile, Italy, and the USA. Lenzu directs her own company, Anabella Lenzu/DanceDrama, which since 2006 has presented 400 performances, created 15 choreographic works and performed at 100 venues, presenting thought provoking and historically conscious dance-theater in NYC.As a choreographer, she has been commissioned all over the world for opera, TV programs, theatre productions, and by many dance companies. She has produced and directed several award-winning short dance films and screened her work in over 200 festivals both nationally and internationally.Lenzu founded her own dance school L'Atelier Centro Creativo de Danza in 1994 in Argentina, and as an educator for more 35 years, she has been teaching in more than 50 institutions, including universities, professional dance studios, companies, festivals, and symposiums in the USA, Canada, Ireland, Egypt, Australia, Panamá, Mexico, Argentina, Brazil, Chile, London, and Italy.In 2023, Anabella received the National Award for Outstanding Leadership in the Independent Sector by NDEO (National Dance Education Organization) and in 2022, the Innovative Dance Educator Award by NYSDEA (New York State Dance Education Association), acknowledging her work as a dance educator who develops innovative pedagogy in the dance field, groundbreaking teachings that have a significant impact on dance, as well as an established record of exemplary leadership on the state and national level in USA.Lenzu has written for various dance and arts magazines and published her first book in 2013, entitled Unveiling Motion and Emotion. The book contains writings in Spanish and English on the importance of dance, community, choreography, and dance pedagogy. Her second book, Teaching Dance through Meaningful Gestures (2025), explores how technique is a philosophy and a theory, and how the body is an instrument for expression. Currently, Lenzu conducts classes at NYU Gallatin, the School of Visual Arts, and Peridance Center. From 2020 to the present, she created and directed the Online Choreographic Mentorship Program.Visit her website: www.AnabellaLenzu.com Anna Harsh www.AllegroDanceCompany.net

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This is the story of how a seed of an idea sowed years ago becomes a ground breaking exhibition of women chair makers. The exhibition entitled Seating Assignment happened in March of 2024 at the Sawtooth School for Visual Art in Winston Salem NC. It's chief instigator was the then artist in residence at Sawtooth Rebecca Juilette-Duex. In this Mind of Maker episode we look at the inspiration for creating this exhibition, learn about the Chair Library at Winston Salem College and talk with Elsa Hoffman one of the artists in the show.

Send us a textEpisode 138- Sandra St. Victor, an American singer-songwriter, is celebrated for her powerful voice and genre-defying artistry. Born Sandra Kay Matthews on May 28, 1963, in Dallas, Texas, she nurtured her musical talents at Booker T. Washington High School for the Performing and Visual Arts, an institution that also nurtured artists like Erykah Badu, Roy Hargrove, Norah Jones, and Edie Brickell. She furthered her studies with scholarships to Kansas University and Bishop College in Dallas but ultimately chose to learn through experience, joining a local band led by jazz guitarist Zachary Breaux and embarking on tours across Texas and Louisiana.In the early 1980s, St. Victor relocated to New York City, where she joined Roy Ayers' touring band, Ubiquity. Her dynamic performances caught the attention of Chaka Khan, leading to a tour with Khan throughout the 1980s. She also toured with Freddie Jackson and Glenn Jones and became a sought-after session vocalist, collaborating with artists like Lisa Fischer, Cindy Mizelle, Audrey Wheeler, Brenda White King, Tawatha Agee, and Curtis King. Her versatility and distinctive voice made her a prominent figure in the New York music scene.St. Victor, the lead singer of The Family Stand, a trio formed in the late 1980s with Peter Lord Moreland and Vernon Jeffrey Smith, achieved international success. Their hit song “Ghetto Heaven” reached #10 on the UK Singles Chart in 1990 and was remixed by Nellee Hooper and Jazzy B of Soul II Soul. The group also contributed to Paula Abdul's album Spellbound.In 1993, St. Victor embarked on a solo career and recorded the album Sanctuary for Elektra Records, though it remained unreleased. Several tracks from the album were later covered by artists like Prince, Chaka Khan, and Tina Turner. In 1996, she released Mack Diva Saves the World on Warner Bros., which received critical acclaim but lacked significant radio support.St. Victor continued her solo work with the independent release Gemini: Both Sides in 2001. In 2013, she released Oya's Daughter on Shanachie Entertainment, produced by Mark de Clive-Lowe. The album was praised for its fusion of soul, funk, jazz, and multicultural influences.In 2018, after 25 years of waiting, St. Victor independently released Sanctuary on Bandcamp, allowing fans to finally experience the album that had remained unreleased for decades. She also formed the touring ensemble Daughters of Soul, featuring talented artists like Nona Hendryx, Joyce Kennedy, Deniece Williams, Caron Wheeler, Lalah Hathaway, Indira Khan, Simone, and Leah McCrae. The group performed at prestigious festivals such as Nice Jazz, Pori Jazz, and Java Jazz in Jakarta.Currently based in the Netherlands with her husband and daughters, St. Victor continues to create and perform music that transcends genres and resonates with audiences worldwide.In this episode, Troy covers Sandra's musical journey while playing some of his favorite songs. Songs featured include:“I am Better” with Josh Milan“Tight Fit” Chaka Khan w/ Sandra on backgrounds“Sweet Liberation”“Shades Of Blue”“Come Over”“They're Cool”“Little Girl” -Lalah Hathway “What Have We Learned”“Dizzy”“Undiscovered CListen and subscribe to the BAAS Entertainment Podcast via the BAAS Entertainment website, www.baasentertainment.com, and all podcast platforms.

SEASON 2 - EPISODE 144 - Philip Barantini - Director In this episode of the Team Deakins Podcast, we speak with director Philip Barantini (ADOLESCENCE, BOILING POINT, ACCUSED). Originally from Liverpool, Philip couldn't have felt further away from the film industry, but after developing an interest in drama and acting, he soon found himself as a working actor. After dropping out of the business and regaining his sobriety, he eventually overcame his self-doubt and built his career as a director from the ground up. Philip shares how he made the jump from making shorts to developing the television series BOILING POINT, and we learn how he found financing for the project and executed the single-shot aesthetic just as the world was shutting down at the beginning of the COVID-19 pandemic. We later learn about the genesis and development of ADOLESCENCE, and Philip reflects on the extensive rehearsal process for each episode. Philip also reveals how he created an environment within each episode that empowered the show's actors to improvise, and he shares how young actor Owen Cooper exceeded all expectations for his first role in front of the camera. - Recommended Viewing: ADOLESCENCE  - This episode is sponsored by Profoto & Aputure

This episode of The Other Side of the Bell, featuring trumpet performer, teacher and internet sensation Eric Baker, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Eric Baker trumpet interview"   About Eric Baker: Eric Baker grew up in Ft. Worth, TX, and began playing the trumpet at age 11. He received his B.M. in Music Education from the University of Texas at Arlington and earned his master's degree in Trumpet Performance from Arizona State University.  Mr. Baker moved to Odessa, TX in 2006 to begin his tenure as Co-Principal trumpet with the West Texas Symphony. He has also performed with the Big Spring Symphony, San Angelo Symphony, Abilene Philharmonic, the Legend Brass Quintet, the West Texas Trumpet Workshop, and the Salt River Brass Band. Eric performs regularly with the Lone Star Brass Quintet, Current Nine, The Pinstripes Jazz Quartet, and Emily & the Rhumba Kings. He performed with the touring production of the hit Broadway musical Chicago and has performed on stage with The Temptations, The Four Tops, Mannheim Steamroller, and Marie Osmond.  He freelances all over West Texas and is a highly sought-after performer and private teacher. He is a founding member of the "Lone Star State" chapter of the International Trumpet Guild. He is the Director of Community Engagement for Music and Visual Arts at The University of Texas Permian Basin. He also serves as President of the West Texas Jazz Society. Eric's wife, Emily, is the director of the Voices of the Permian Basin. They have three daughters, Piper, Keller, and Harper. Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Website: West Texas Symphony Trumpets Mic'd Up on Instagram (@ebtrumpet) Trumpets Mic'd Up on TikTok (@eb_trumpet) William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - courtesy of Eric Baker Audio Engineer - Ted Cragg

This is The Digital Story Podcast 1,002, June 3, 2025. Today's theme is, "Photographers Talking About Podcasting and More." I'm Derrick Story. Opening Monologue You wouldn't think that photography and podcasting would go together so well. But this week's guests confirm what I already knew: they are beautiful together. We'll hear from Randal Schwartz and Frederick Van, plus a few words from Arron Hockley. Add a dash of camera industry news, and I have a full-bodied episode baked and ready to enjoy. I hope you stick around. thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address. Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation. Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. See you next week! You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Moiya and J talk about art pieces inspired by space and the methods astronomers use to turn their data into stunning visualizations. Guest Star: J Wright is an artist. Follow them on bluesky @JWXMessagesBecome a star and join the patreon at patreon.com/palebluepod!Go supernova and support Pale Blue Pod on PayPalGet your Pale Blue Pod Merch Listen to Wow if True every other WednesdayFind Us OnlineWebsite: palebluepod.comPatreon: patreon.com/palebluepodTwitter: twitter.com/PaleBluePodInstagram: instagram.com/palebluepodCreditsHost Dr. Moiya McTier. Twitter: @GoAstroMo, Website: moiyamctier.comEditor Mischa Stanton. Twitter: @mischaetc, Website: mischastanton.comCover artist Shae McMullin. Twitter: @thereshaegoes, Website: shaemcmullin.comTheme musician Evan Johnston. Website: evanjohnstonmusic.comAbout UsPale Blue Pod is an astronomy podcast for people who are overwhelmed by the universe but want to be its friend. Astrophysicist Dr. Moiya McTier and comedian Corinne Caputo demystify space one topic at a time with open eyes, open arms, and open mouths (from so much laughing and jaw-dropping). By the end of each episode, the cosmos will feel a little less “ahhh too scary” and a lot more “ohhh, so cool!” New episodes every Monday.Pale Blue Pod is a member of the Multitude Collective.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

## Support TransOhio!In this episode, we're back to checking out a bunch of great live and URL sets from Sanctuary 2025, a charity show for the TransOhio Emergency Fund organized by Nostalgia Lounge in March of 2025. We go through sets that cover everything from classic vaporwave, to house and techno, breakcore, and beyond. Join us on our musical journey through Sanctuary 2025!Artists! If we have not gotten to your set or if you have a public link to your Sanctuary 2025 set that we missed in either episode please let us know! We just want to make sure you get the credit you deserve. Thanks to everyone for their hard work contributing to this and other charity shows.Sanctuary 2025 Part OneEpisode 126: A Sanctuary SamplerOutro SampleSEIKO М А Ш И Н А from

In this intimate conversation hosted at Don't Look Projects for her solo show By the Company They Keep, the Chenhung Chen traces a path from formative memories of classroom murals in Taiwan to a tactile, spiritually inflected sculptural practice rooted in the poetics of material and memory. Drawing on a lifetime of cross-cultural experience—born in Taiwan, educated in New York at the School of Visual Arts, and now based in California—Chen reflects on the diasporic transformations that shaped her worldview, her practice, and her understanding of artistic responsibility. Over the course of the episode, she speaks candidly about the lasting impact of calligraphy, the subtle power of Taoist and Confucian thought, and the slow labor of crochet and wire weaving as acts of embodied meditation. Her early engagement with Chinese ink painting, which emphasizes the expressive qualities of line and brushstroke, has evolved into three-dimensional constructions made from recycled electrical wires and cables—materials charged both with literal energy and symbolic resonance. The conversation explores the artist's conceptual relationship to “order and chaos,” how her sculptural forms emerge from stream-of-consciousness gestures, and the intuitive logic behind her use of nontraditional materials. She discusses how her experiences as a medical and legal interpreter have revealed the porous boundaries between cultures and languages, underscoring the interconnectedness of all people. Throughout, she emphasizes the importance of embracing contradiction, translating cultural tension into visual rhythm, and honoring what she describes as “the inner world”—a central tenet of her creative methodology. Themes of hybridity, displacement, and the invisible labor of women recur throughout the dialogue, as the artist describes her attraction to utilitarian crafts like crochet and basketry, her reverence for nature, and her use of everyday materials—paper, staples, hair, and cables—as repositories of lived experience. The result is a body of work that operates like a visual diary: both diaristic and durational, deeply rooted in personal memory and shaped by global histories. From reflections on the Cultural Revolution and Renaissance painting to the pandemic-era shift toward domestic intimacy, this episode offers a nuanced meditation on what it means to make art across geographies, traditions, and states of being. For Chenhung Chen, to create is to process—an act of digestion as much as construction. “Everything I see, I take in,” she says. “And then it comes out.” — Listen now on Apple Podcasts, Spotify, or your preferred platform.

Singer/Songwriter Alyssa Haze is back on the podcast to talk about her NEW Ep "Mind of Mine"Alyssa Haze: @alyssahaze.officialAlbert Shivers: @albertshiverswww.albertshivers.com

Local Spotlight

The journey from discarded material to transcendent art forms the foundation of our conversation about Leonardo Drew, one of contemporary art's most physically committed and philosophically profound creators. Drew's remarkable journey began in the most unlikely of places—playing in a dump as a child in Tallahassee, Florida—a formative experience that would later inform his artistic sensibility and material relationship.What strikes you immediately about Drew is the joyful contradiction between his ebullient personality and the weighted gravity of his installations. His work appears weathered, aged, and discovered rather than created, yet as we learn, this is a carefully orchestrated illusion. "I don't work with found objects," Drew reveals. "Most of my material I actually create in the studio... I become the weather." This transformation process, where new materials are methodically distressed until they appear to carry centuries of history, speaks to Drew's profound understanding of time, memory, and physical transformation.Perhaps most compelling is Drew's pivotal turning point at age fifteen, when a black-and-white reproduction of a Jackson Pollock painting changed everything. Despite being courted by Marvel and DC Comics for his extraordinary illustrative talents, Drew abandoned this promising commercial path to pursue fine art—a decision requiring remarkable courage. "I decided it was time for me to stop using what I did well," he explains, essentially tying his hands to discover what existed beyond his comfort zone. This willingness to abandon mastery in pursuit of deeper questions characterizes his entire approach.Drew's extraordinary work ethic—rotating between seven projects simultaneously like "crying babies" needing attention—and his seven-year disappearance into the studio to develop his voice demonstrate a commitment few artists match. His perspective on creative struggle as "the most beautiful part of the journey" reminds us that art-making thrives on questions rather than answers. Experience Drew's transformative installations in person to understand why his work commands such reverence among artists and audiences alike.Sources:Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo Drewhttps://open.spotify.com/episode/1a54U1cidMrWratJewuyFy?si=27cd5abd710f4439Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

SEASON 2 - EPISODE 143 - Phil Alden Robinson - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Phil Alden Robinson (THE GOOD FIGHT, THE SUM OF ALL FEARS, FIELD OF DREAMS) about many of his films. Phil was initially interested in politics and journalism, but he eventually made his way to Los Angeles and found his way into a writer's room based on the strength of a spec script. Phil soon found two of his feature scripts in production, and he reflects on the impact of being treated as badly as possible and as well as possible simultaneously. Later, Phil breaks down how FIELD OF DREAMS came together as a project, and we learn how he overcame an overwhelming sense of stress through the support of his cast and key crew members, including cinematographer John Lindley (Season 1, Episode 34) and production designer Dennis Gassner (Season 1, Episode 131). In addition to his work in features, Phil also directed documentaries for Nightline in a number of war zones, and we discuss the value of living life and taking time off from making movies. We also discuss the ubiquitousness of VFX in cinema today, and Phil shares what he feels to be the real lesson to take away from a film like the original STAR WARS. - Recommended Viewing: FIELD OF DREAMS, THE SUM OF ALL FEARS - This episode is sponsored by Aputure & Profoto

In this video podcast interview I'm chatting with fellow post graduate student and soon-to-be Dr Kim Percy. Kim is a multi-media artist, designer, educator, curator and photographer who in the process of completing her PhD by research. Her studio was just down the hall from mine at uni and we've become great friends during my time as a post-grad artist. Kim'spractice-based research for her PhD focusses on Dyslexia and Kim has produced an incredible body of artwork for her graduating exhibition, alongside a brilliant thesis, outlining her discoveries. Today we are chatting all about it alongside giving a look inside her exhibition. This episode is a video podcast, so while it's a greatstand-alone podcast episode, I encourage you to pop on over to my YouTube channel to check out all the lovely footage of her exhibition: https://youtu.be/erwl6OfzuXs?si=k8gvatJCLtnMx9YOLinks for Kim: Website:https://www.kimpercy.com/phd-exhibition Emails: kim@designscope.com.au,k.percy@federation.edu.au Instagram:https://www.instagram.com/kimpercyartist/ Facebook: https://www.facebook.com/KimPercyArt Linkedin:https://www.linkedin.com/in/kimpercy/ Links for Susan

This is The Digital Story Podcast 1,001, May 27, 2025. Today's theme is, "Half Digital, Half Analog - The Fujifilm X half Review." I'm Derrick Story. Opening Monologue 2025 is establishing itself as the year of the creative camera. We started with the Sigma BF, then Fujifilm GFX100RF, and now the Fujifilm X half. Nothing boring in this lot! And whether or not you decide to purchase the new X half, you're bound to appreciate the thought that went in to it. I'll share my highlights in today's TDS Photography Podcast. I hope you enjoy the show.

In this enlightening conversation, Meg Rittmanic hosts Douglas and Fiona Phillips, a couple celebrating 50 years of marriage. They discuss the profound partnership in their relationship, the spiritual depth of Fiona's art. The couple shares personal challenges, including a health crisis in their family, and how they navigated these together. Fiona's passion for mental health awareness is highlighted through her art, and they explore the symbolism in her painting 'Firstborn,' depicting Heavenly Mother and Father. Doug shares a poetic reflection on divine design, emphasizing the importance of recognizing the roles of both Heavenly Parents in our lives. In this conversation, Meg, Doug, and Fiona explore the themes of love, compassion, and the divine feminine, particularly focusing on the role of Heavenly Mother in their lives and relationships. They discuss the foundational principles that have allowed their marriage to flourish over 50 years, acknowledging the diverse experiences of others in relationships. The conversation emphasizes the importance of agency, personal growth, and the evolution of understanding within the Church regarding Heavenly Mother, while also recognizing the need for voices to speak out about these experiences.Fiona Phillips is a retired art professor, proud mom of five, and grandma to 13 wonderful grandkids. She is blessed to be married to Douglas, the love of her life! Originally from England, she moved to California with her family when she was just a pre-teen. Her art studio focuses on themes of water, women, nostalgia, and spirituality. One of her standout projects focused on raising awareness of the stigma surrounding mental illness was shown at DSU, Art Access Gallery and the OMA. She created 50 large portraits of adults, teens, and children, many of whom were personally affected by mental health challenges. Fiona's paintings explore themes of faith, our relationship to our Heavenly Parents, and our equality as children of God. Her work has been featured in three International Art Exhibitions by The Church. her paintings and poetry have been published in The Ensign, Liahona, and Exponent II magazines. Most recently Fiona has shown with the Oceanside Museum of Art, the Restore Conference, the Compass Gallery and galleries in California.She's earned numerous “Best of Show” awards and has had solo exhibits in Utah, California, Nevada, and Arizona. She has also earned two master's degrees—an MA in Humanities/Art and an MFA in Visual Art.Dr. Douglas Phillips is a multifaceted individual whose journey blends faith, music, medicine, and a deep connection to his roots. Born and raised in Southern California,Douglas joined the Church of Jesus Christ when he was 18 then embarked on a mission to Spain, an experience that deeply influenced his personal and professional life. Shortly after his return he was married to Fiona, his high school sweetheart.Before pursuing medicine, Dr. Phillips was immersed in the music scene, playing piano and writing songs for a pop music group. This creative outlet honed his discipline and collaborative skills, which would later serve him well in his medical career.He earned his Doctor of Medicine degree from Northwestern University Feinberg School of Medicine , followed by radiology specialty training at the University of California, San Francisco.Now retired, Dr. Phillips enjoys life in Southern California, where he continues to explore his passions and contribute to his community. His unique blend of experiences offers a rich perspective on the intersections of faith, creativity, and medicine.Douglas and Fiona have served 2 senior missions together, a member/leader service mission in a Spanish Ward in West Valley UT and as the Area Mission Medical Advisor and Assistant serving the 9 mission units in Southern California.https://fionabphillips.com/https://fionabphillips.com/faith/https://www.patreon.com/c/InHerImagePodcast

Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts  and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York. 

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Local Spotlight

This is The Digital Story Podcast 1,000, May 20, 2025. Today's theme is, "A 20 Year Celebration Episode." I'm Derrick Story. Opening Monologue The TDS Podcast debuted on Oct. 5, 2005. It was my side hustle. During the weekdays I was an online editor for O'Reilly Media. As part of my job I met interesting people and traveled to fascinating locations. I wanted to share those experiences and build a community of photographers. So at night I worked on my website and recorded those early shows. Fast forward 20 years later to this episode, number 1,000. With a little help from my friends, it's time to tell the story about how we all ended up here, together. I hope you enjoy the show.

What drives you to translate your innermost thoughts into visual expression?  Visual artist Lana Abraham-Murawski shares her creative journey and how her unique cultural heritage shaped her artistic style.  In this intimate conversation, Lana reveals the transformative power of mentorship in her development and her thoughtful approach to balancing artistic ambitions with family life.  She takes us behind the scenes of her striking piece 'Meeting of the Mind,' exploring how she weaves themes of nature, society, and human connection into her work.  Through personal anecdotes and reflections, Lana illustrates how art becomes not just a form of self-expression but a powerful bridge between identity, community, and the natural world. Chapters 00:00 Introduction to Lana Abraham Moravsky 03:03 Lana's Artistic Journey and Background 06:10 Exploring Identity Through Art 08:52 The Evolution of Artistic Style 11:56 Transitioning from College to Professional Art 15:02 Balancing Art and Life 17:50 Deep Dive into Specific Art Pieces 20:48 The Concept Behind 'Meeting of the Mind' 26:41 Exploring Imagination Through Art 27:47 The Evolution of Artistic Expression 29:30 Symbolism in Art: The Peregrine Orbs 35:20 Nature and Identity in Artistic Creation 40:25 Cultural Roots and Artistic Influence 45:04 Finding Community and Collectors 47:26 Advice for Aspiring Artists Connect with Our Guest: Lana's Website: Lana Abraham Follow Lana on Instagram: Lana Abraham-Murawski on Instagram   Support the Show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack Production Credits This episode was produced by Martine Severin. This episode has been edited by Santiago Cardona and Daniel Espinosa.  

The Star Report

I am so excited to say that my guest on the GWA Podcast is the esteemed American artist, Lorna Simpson. Working across photography to painting, video to collage, Simpson is a multimedia artist who – since the 1980s – has gained widespread acclaim for her pioneering approach to conceptual photography. Whether it's fusing text with image, obscuring her subject's identity, using techniques such as repetition, collage or manipulation – Simpson has conjured a plethora of ways to reinvent the image, and, by doing so, raises questions about gender, race, memory, and history. Her work, mostly centred on the female body, is full of seemingly open-ended narratives – as she has said: “I think the idea of identity or persona is interesting to me in that it is malleable and fluid. And that has always been part of the work in terms of [thinking about] who gets to determine who we are. Do we get to determine that, and what are the parameters of that, given the society that we live in?” Engaging with found images and objects, whether that be cut-outs from Ebony or Jet Magazines, or photographs she finds on eBay, which she melds with inks or collages of jewels, Simpson has continuously reconfigured what painting and photography means. Born in 1960, and raised in Queens and Brooklyn in a childhood that put the arts first, Simpson received her BFA from the School of Visual Arts, New York, and following that, an MFA from the University of California San Diego, where she began to focus on the portraits of Black women she found in magazines, adding suggestive phrases from elsewhere. By 1990, she had a major exhibition at MoMA, and throughout the decades has continued to push boundaries with her seemingly limitless approach to materials. But in 2015, she turned to painting, showing her first nine-feet-tall canvases at the Venice Biennale, and this month will present a major exhibition – that considers the entirety of her painting practice – at the Metropolitan Museum of Art here in New York – where we are recording today. Titled “Source Notes”, it will feature Simpson's monumental and spellbinding paintings, which, steeped in monochromatic blues, silvers, blacks and greys, appear in settings that evoke the cosmological or natural world. An extension of her photographic work, Simpson's paintings see the manipulated figure and body pressed into landscapes akin to waterfalls or meteorites, and I can't wait to find out more… https://lsimpsonstudio.com/ Lorna Simpson: Source Notes –  https://www.metmuseum.org/exhibitions/lorna-simpson-source-notes?utm_source=google&utm_medium=cpc&utm_campaign=&utm_term=lorna%20simpson%20art&utm_content=39536&mkwid=s&pcrid=743882408399&pmt=b&pkw=lorna%20simpson%20art&pdv=c&slid=&product=&gad_source=1&gad_campaignid=22399716678&gbraid=0AAAAADmlGN7UtMbglt7UAR4dicGAOa9Vx&gclid=CjwKCAjw24vBBhABEiwANFG7ywIA72_JjPaxVUdfQSWW_h8NFYNWzddlSHz6KV38M9zgiG4rs_9UNxoCVFkQAvD_BwE https://www.hauserwirth.com/artists/2860-lorna-simpson/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto

This is The Digital Story Podcast #999, May 13, 2025. Today's theme is, "New Nik Collection 8 and Capture One 16.6 Beta." I'm Derrick Story. Opening Monologue Two venerable photo software packages have rolled out new versions. Nik Collection 8 is available for purchase now, and Capture One 16.6 is an open beta that you can test. We'll take a look at the highlight features to help you decide if an upgrade is in your future. Plus, additional industry news, an Inner Circle Bold update, and more. I hope you enjoy the show.

Gene and cohost Tim Swartz present a return visit from documentary filmmaker Christopher Garetano. He is the creator and director of the award-winning docudrama, Montauk Chronicles (2015). He is also co-creator, co-director, executive producer and co-host of the History Channel's The Dark Files (2017). In 2019, Christopher created, executive produced, directed and hosted his eight-episode investigative series, Strange World for the Travel/Discovery Channel networks. During this interview, Christopher will reveal his journey into films, and his various influences over the years. He'll also talk about what he sees as the future of the film industry in light of new technologies. Christopher is also the host and creator/producer of the ongoing weekly podcast, Off To The Witch and is preparing to release the first feature-length chapter (A Haunting We Will Go) of his new, TV docuseries. He is also the writer/creator South Texas Blues (originally published in Fangoria Magazine) comic and book. Christopher was born in New York and grew up marveling at the galaxy of discoveries within his parents' video store; while immersed in special effects makeup, creature features and moviemaking since he was five years old. He is a graduate of the School of Visual Arts with a degree in film. One of his upcoming projects is a feature-length horror movie, Bury Me In A Nameless Grave.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.

Episode 473 / Sarah Martin-Nuss (b. 1992, Corpus Christi, Texas) is an interdisciplinary artist working across painting, drawing, performance, and sound. Her work draws from biological systems, philosophical post-humanist thought, and the intricate web of ecological relationships, exploring themes of interconnectivity, transformation, and time. Martin-Nuss received her MFA in Painting and Drawing from Pratt Institute in 2024 and her BA in Fine Art and English Literature from Austin College in 2014. Martin-Nuss also studied visual arts at the Collège International de Cannes in Cannes, France and performance, sound, and video art at the School of Visual Arts in New York. In addition to her visual arts education, Martin-Nuss trained with the Meredith Monk Ensemble and is the producer, songwriter and vocalist for the avant-pop duo Dancing In Tongues. Her recent solo exhibitions include Future Currents, Rachel Uffner Gallery, New York, New York (2025); Pouring Water Into Water, Rachel Uffner Gallery, New York, New York (2024); and Open Systems, Prince & Wooster, New York, New York (2023). Her recent group exhibitions include The Figure Abstracted, Prince & Wooster, New York, New York (2024);The Blue Hour, PhillipsX, New York, New York (2024); Unfixed Ecosystems: Obsidian/Yarrow, Pfizer Factory, Brooklyn, New York (2024); What In The World, Steuben Gallery, Brooklyn, New York (2023); and Creative Distancing, Art Museum of South Texas, Corpus Christi, Texas (2020). Her work has been featured in Two Coats of Paint, Cultbytes, Art Spiel and New American Paintings and is included in the JPMorganChase Art Collection. Born in Corpus Christi, Texas, Martin-Nuss now lives and works in Brooklyn, New York.REGISTER FOR TONIGHT's TALK AT FUTURE FAIR HEREWHY I MAKE ART with Brian Alfred, Associate Professor of Art, Penn State and Host of Sound & Vision Podcast, Liz Nielsen, artist and exhibitor (Elijah Wheat Showroom), and artist E.E. Kono. THU, MAY 8, 5:45 PM; SPECIAL PROJECT 2 AT FUTURE FAIR

SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOOL & WOLVERINE, AVENGERS: AGE OF ULTRON, THE PHANTOM MENACE). Jon was witness to a number of milestones in the history of visual effects, and throughout the episode, Jon shares numerous stories from his long career at Industrial Light & Magic (ILM), granting us insight into a time he likens to as the Italian Renaissance. From optical printers to artificial intelligence, Jon shares his experiences working with the many pieces of technology responsible for manipulating images, and he reveals the level of focus he and his colleagues at ILM shared when it came to problem-solving (even during an earthquake!). In addition to his work in film, Jon has also worked on projects for The Sphere in Las Vegas, and he shares what he believes to be the distinctive traits of and the possible uses for the new technology. Jon also reveals what he saw as a groundbreaking advancement in visual effects while working on HOWARD THE DUCK, and we compare past and present VFX techniques. Plus, we break down how optical visual effects are actually made. - This episode is sponsored by Profoto & Aputure