Podcast appearances and mentions of alan zilberman

03:17 Brief history of the show and why they moved networks06:23 'Siskel & Ebert' episode rewatch beginsOn this week's Tuesday rewatch episode of 'Roger (Ebert) & Me,'  join Brett Arnold and guest co-host and film critic Alan Zilberman,  as they introduce you to the Disney-era of 'Siskel & Ebert.'This third iteration of the program was titled 'Siskel & Ebert & The Movies' and was later shortened to 'Siskel & Ebert,' the title that has stood the test of time.This episode covers Stanley Kubrick's 'Full Metal Jacket,' which Gene recognized as a masterpiece and Roger did not,  'Spaceballs' from Mel Brooks, 'Benji the Hunted,' and Steve Martin in 'Roxanne,' his take on Cyrano de Bergerac. Two additional Stanley Kubrick films are highlighted in the 'home video' highlights section at the end of the episode: the incredible 'Paths of Glory' from 1957 starring Kirk Douglas and 'Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb' from 1964. Head over to our Patreon page to support the show.Streaming guide:Full Metal Jacket is now streaming on NetfllixSpaceballs is now streaming on Fubo, AMC+, and SlingBenji the Hunted is now streaming on Disney+Roxanne is now streaming on TubiReview guide:Roger Ebert's 2.5 star review of Full Metal JacketRoger Ebert's 2.5 star review of SpaceballsRoger Ebert's 3.5 star review of RoxanneThank you to Banshee Beat for the incredible original theme song.  Alien Ant Farm's music video for 'Movies' closes the show.

Alan Zilberman, a critic for the Washington City Paper and the Washington Post, joins Sonny Bunch for a very special episode of The Bulwark Goes to Hollywood in which the two discuss life as a part-time film critic during awards season. Both Sonny and Alan are members of the Washington, D.C. Area Film Critics Association, and both Sonny and Alan slaved away on our annual year-end nominations for the WAFCA awards. No one knows the struggles we’ve seen—until now! What’s it like to have to watch multiple movies a day in order to futilely try to impact an award that’s just going to go to an Oscar frontrunner anyway? How are the awards in 2020 different from the awards in almost every other year? Why is everyone so in love with Nomadland anyway? For the full list of WAFCA winners and nominees, go here: http://wafca.com/awards/index.htm You’ll notice a disturbing absence of both Fatman and The Wolf of Snow Hollow from the nominees. It’s like most critics can’t recognize great art unless it comes wrapped in a pricey Oscar campaign!

Hey, folks! It's time for a brand-new episode of Mousterpiece Cinema, and this time, Scott and Josh are forging a new frontier of the podcast as they talk about their first film during the Disney/Fox era. And what better film to start with than the latest X-Men movie? You know...Dark Phoenix? Dark Phoenix, you guys! The new X-Men movie! With Sophie Turner from Game of Thrones! It's totally a thing, a real movie that just opened last week. And we are pretty sure we saw it! Scott and Josh are joined by friend of the show and recent guest Alan Zilberman of Washington City Paper to talk about what is likely the last X-Men movie of this era, and why it's pretty damn forgettable. Plus, Josh reveals how this movie inspired him to do something he hasn't done in years in theaters! It just might shock you. Listen to the new show to find out!

Hey, folks! Head with us under the sea for a brand-new episode of Mousterpiece Cinema. Josh and Scott have matching wetsuits and beanies at the ready, and there's plenty more where that came from, as they talk about the 2004 Wes Anderson comedy-drama The Life Aquatic with Steve Zissou. They're joined by friend of the show Alan Zilberman of the Washington City Paper to talk about all things Zissou, from the potentially off-putting lead performance from Bill Murray, the film's use of David Bowie covers, its pristine production design and cinematography, its use of stop-motion animation, and more. Does this film hold up as well now as it did in '04? Is it best left forgotten? Find out now!

City Paper has a rotating cast of all-star film critics who review movies big and small in the paper and online. With the nominees for the 91st Academy Awards coming out this week, we thought it was the perfect opportunity to sit down with one of our critics and talk about some of the biggest movies of the year. Film critic and City Paper contributor Alan Zilberman chats with arts editor Matt Cohen about the nominees for Best Picture. And yes, they assign a letter grade to every film and fight about A Star Is Born. Host Will Warren also talks about the latest news in D.C. politics, including Metro fare evasion and Michael A. Brown's potential return to politics. Stories in this episode: D.C. Council Overrides Mayor Muriel Bowser’s Veto of Metro Fare Evasion Decriminalization Back From Bribery? Ask Us Your Burning Questions About D.C. The Iranian Film Festival Enters Its 23rd Year With a Diverse Glimpse of Iran's Film Scene Vote for Best of D.C. 2019 Music for this episode was by Lee Rosevere and Jahzzar used under the Creative Commons license.

Hey, folks! It's time for a brand-new episode of Mousterpiece Cinema, one that's swimming your way. Because, you see, you have to keep swimming. That's what our good friend Dory tells us, or so we think. We think that's what she said, but we already forgot. Anyway, you may have guessed that this week's movie is another Revisited title, the 2003 Pixar film Finding Nemo. Josh and Scott are joined by freelance writer Alan Zilberman to talk all things Nemo, from the aquarium fish to Albert Brooks' performance to the inexplicable success of the Will and Grace reboot on NBC. (It does tie in somehow, promise.) Does Finding Nemo hold up in the aftermath of the Finding Dory phenomenon? Should there have been flashbacks? Is this one of Pixar's very best films? Find out the answers to these and other questions on the new episode now!

Alan Zilberman, film editor at BYT, joins the show to recap the Oscar nominations and celebrate the fact that BYT is now on Rotten Tomatoes.