Podcasts about Roger Ebert

This Week in the Nation’s Capitol (Trump addresses his religious liberty commission at The Museum of the Bible … + … Trump’s apocalyptic meme aimed at Chicago … + … Hyundai plant raid= Trump’s investment policies vs immigration policies)… GUEST Greg Clugston … SRN News White House Correspondent. What’s good to watch?… GUEST Abby Olcese… writer on film, pop culture and faith … she’s written for Think Christian and RogerEbert.com … author of “Films for All Seasons: Experiencing the Church Year at the Movies” GUEST Father Lou Vallone ... was ordained a priest for the Diocese of Pgh in 1973 ... Since his ordination, Fr. Lou has shepherded the faith communities of 9 diff parishes, 6 of them as pastor ... Now retired as a Pastor & Adjunct Professor at Duquesne University, he spends his time as a Charter Member and Master Coach for the Human Formation Coalition and gives retreats, days of recollections and missions for clergy & parishes, as well as consulting & lecturing in Canon Law as an Advocate.See omnystudio.com/listener for privacy information.

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

What happens when you mix Skeet Ulrich, Cuba Gooding Jr., a military bioweapon, and an ice cream truck? Jackie and Danielle from No More Late Fees are rewinding to 1999 to revisit the action-thriller Chill Factor—the cult flop that tried to be Speed but ended up frozen in time.In this episode, we dive into: • The over-the-top plot where “Elvis” must stay below 50 degrees or explode • Skeet Ulrich and Cuba Gooding Jr.'s buddy-action chemistry (or lack thereof) • Box office trivia, critical reception, and why Roger Ebert wasn't impressed • Behind-the-scenes tidbits and filming locations that may surprise you • Nostalgic throwbacks to late '90s movie culture, from VHS shelves to cult TV crossovers • Fandom hot takes, quotable moments, and our signature Blockbuster-inspired ratingsIf you love nostalgic movie rewatches packed with trivia, funny commentary, and just the right amount of sass, this episode is for you. Don't forget to subscribe, leave us a review, and share your favorite Chill Factor memories (or rants) with us—we might feature you in a future episode!·Season 5 Episode 20·—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10

The latest film releases include The Conjuring: Last Rites, Preparation for the Next Life, Twinless, and The Threesome. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Alison Willmore, critic for NY Magazine and Vulture.

Send us a text6:31 The Conjuring: Last Rites17:25 Twinless26:45 The Threesome32:20 The Cut39:19 The Baltimorons46:13 Riefenstahl It's a 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Is there anything Meryl Streep and/or Shirley MacLaine can't do? It's a question we return to, as we settle down with Mike Nichol's 1990 dramedy, based on Carrie Fisher's semi-autobiographical novel of the same name. But to what extent is it based on Fisher's real-life relationship with her mum, Debbie Reynolds? How well does it reflect issues around addiction? And, another question we return to: what is Roger Ebert even on about? Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 342: Venice 2025: Glenn Kenny on Frankenstein, Bugonia, Jay Kelly, After the Hunt, No Other Choice, Broken English, Lo Spettro Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I have been busily watching movies at the Venice Film Festival, and for my first episode, I sit down with critic Glenn Kenny, who's writing for RogerEbert.com. Among the Venice world premieres discussed are Frankenstein (directed by Guillermo del Toro), Bugonia (Yorgos Lanthimos), No Other Choice (Park Chan-wook), Jay Kelly (Noah Baumbach), After the Hunt (Luca Guadagnino), the Marianne Faithfull documentary Broken English (Jane Pollard and Iain Forsyth), and a selection from the Venice Classics lineup of restorations, Riccardo Freda's Lo Spettro (The Ghost), starring original scream queen Barbara Steele. Glenn also talks about his work on the Biennale College Cinema, the results of which are screening at the festival. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In honor of The Roses (in theaters now), we're taking a look at the 1989 adaptation of the same novel, Danny DeVito's The War of the Roses, starring Michael Douglas and Kathleen Turner. Join in as we discuss the movie's odd framing device, the 1989 Golden Globe slate, the plight of the American housewife, and movies we watched in high school. Plus: What was Barbara's goal in seducing DeVito's character? How did that chandelier last so long? Why is this movie so popular in Germany? And, most importantly, was Barbara right about giving kids candy? Make sure to rate, review, and subscribe! Next week: The Princess Diaries 2: Royal Engagement (2004)-----------------------------------------------Key sources and links for this episode:Roger Ebert's three-star reviewThe War of the Roses in the AFI Catalog"In Conversation: Kathleen Turner" (Vulture)"Love and Hate" (New York Times)"The Truth about Danny DeVito and Michael Douglas's Time as Roommates" (The List)“I'm the Judge Who Approved the Custody Arrangement in The Parent Trap, But in My Defense, I Didn't Think The Would Go to the Same Camp” (McSweeney's)The Simpsons in "Family Therapy," the short that preceded The War of the Roses in theaters (YouTube)

In this episode award-winning filmmakers Sean Mannion and Nicole Solomon discuss David Fincher's Fight Club and Charles Martin Smith's Air Bud.The show starts with an overview of the films and the hosts' personal opinions of the films before diving into the broader discussion of what they reflect about each other and our culture.Links for the episode: Air Bud Box Office: https://www.boxofficemojo.com/title/tt0118570/Fight Club Box Office: https://www.boxofficemojo.com/title/tt0137523/?ref_=bo_se_r_1Buddy on America's Funniest Home Videos: https://www.youtube.com/watch?v=jahmNtexBm8Buddy on Letterman's Stupid Pet Tricks: https://www.youtube.com/watch?v=85gnR_1Og1YAir Bud Oral History: https://www.nytimes.com/athletic/1714380/2020/04/01/air-bud-movie-oral-history/Roger Ebert on Air Bud: https://www.rogerebert.com/reviews/air-bud-1997David Denby on Fight Club: https://www.newyorker.com/magazine/1999/10/18/boys-will-be-boys-3Gregory Weinkauf on Fight Club: https://www.dallasobserver.com/film/revenge-of-the-nerds-6397100Jean Grae on Fight Club: https://someoneelsesmovie.com/episodes/jean-grae-on-fight-clubSubscribe to our channel and make sure you set the reminders up, so you'll know when the next episode is coming.Want access to bonus episodes, exclusive content, our films, behind the scenes goodies and more? Join our Patreon! http://www.patreon.com/4milecircusLearn more about our work in general at http://www.4milecircus.comSubscribe to the audio only version of the show here on YouTube or search for The Celluloid Mirror on your favorite podcast platform.Episode Segments0:00 - Starting Soon 1:02 - Introduction to the Show 2:30 - Introduction to the Films 9:39 - Our Response to the Films 23:35 - A Word from Our Sponsor 27:00 - Reflections of the Films1:20:31 - Wrap UpNext Time (9/9/25 at 6PM EST): Superman (2025) and The Godfather https://www.youtube.com/live/PIC5sEaTtU4Music"Twisted" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"

The late Chicago movie critic, Roger Ebert, used to refer to the "Idiot Plot," in a lousy movie where if any single character simply failed to act like an idiot, there would simply be no movie to watch. And lately that seems to describe the world, too. Is there a limit to what a dumbed-down populace will tolerate? There is certainly a common thread, however: "On the Hatred of Women"

Send us a text4:10 Caught Stealing16:22 The Roses27:09 The Toxic Avenger38:04 The Thursday Murder Club44:03 A Little Prayer50:45 American Sweatshop57:39 Vice Is BrokeIt's a 7-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment4Support the show

 The belief system is democracy. - Gordon QuinnGordon Quinn is an acclaimed documentary filmmaker and co-founder of Kartemquin Films, a collective that works towards creating “stories that foster a more engaged and just society.” Among their many works are Hoop Dreams and Home For Life.This interview is also a companion piece to the recent interview I did with Professor Patricia Aufderheide, who wrote the book Kartemquin Films: Documentaries on the Frontlines of Democracy. You can listen to my interview with Professor Aufderheide, Episode 74, here.In this conversation I ask Gordon:* How has the advent of digital filmmaking changed films?* What types of experimentation would you like to see with the form of documentary?* Your work has not just documented people's lives, but also the power structures in which all of us exist. Can you speak to the importance of that?* What would John Dewey make of our country today?* When we talk about democracy today, and the challenges we face, what are some of the lessons you take from the sixties?* What is a fun memory of Roger Ebert?The book Gordon mentioned is Original Sins: The (Mis)Education of Black and Native Children and the Construction of American Racism by Eve L. Ewing.If you enjoyed this podcast please forward it to a friend. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

As hinted at on last week's WET HOT AMERICAN SUMMER episode, Tripp decided to torture poor Ross and Jim with a musical rendition of Roger Ebert's One-Star review of the film. The views and opinions expressed in this song are those of the late great Roger Ebert and do not necessarily reflect the views or positions of the podcast or its hosts.

Leaving Las Vegas (1995) is Nicolas Cage at his most raw and devastating and he delivers a performance that won him an Oscar and became one of the bleakest love stories ever put on film. Cage plays Ben Sanderson, a man who moves to Las Vegas to drink himself to death, where he meets Elisabeth Shue in a career-defining role as a sex worker who chooses to love him anyway. In this episode, Richard Lewis, MonteCristo, and Thorin break down Cage's Oscar-winning performance, Elisabeth Shue's shocking transformation, and the film's unflinching depiction of addiction, despair, and fleeting connection. They also discuss Roger Ebert's surprising praise, the film's cultural impact, and why Leaving Las Vegas still resonates nearly 30 years later.

Send us a text7:27 Eden22:11 Honey Don't!30:11 Relay38:11 Eenie Meanie46:33 Lurker53:56 We're Not Safe HereSorry for the delay! Brett was moving.It's a 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Our exit today has us having nothing to fear because it's only desire taking us higher and higher. This week, we are talking about Wet Hot American Summer, written by Michael Showalter and David Wain and directed by David Wain. And our conversation includes one of the film's biggest fans, The Director's Club host Jim Laczkowski!Along the way, we discuss this amazing cast, including Paul Rudd, Janeane Garofalo, Bradley Cooper, and David Hyde Pierce, along with our own summer camp experiences. Plus, Planet of the Apes, sketch comedy, Frasier, The State, movie trivia, Skylab, The Eyes of Tammy Faye, Alan Arkin, Roger Ebert's memorable pan of the film, and Ross' shortest plot summary of all time. And Tripp talks about maybe his best and worst moviegoing experiences in the same episode!The Director's Club SubstackThememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

We dive into Michael Bay's 1996 action film 'The Rock' starring Nicholas Cage, Sean Connery, and Ed Harris. Richard Lewis, Thorin, and MonteCristo explore the film's iconic moments, characters, and unique blend of comedy, action, and drama. They discuss why 'The Rock' stands out as a classic in the action genre, Michael Bay's directorial choices, and the unforgettable performances from the stellar cast. We also cover the film's background, including its commercial success, cultural impact, entrance into the Criterion Collection, and Roger Ebert's surprising defense of its artistic merits. Don't miss this comprehensive analysis of one of the best action movies of the 90s!

The latest film releases include Highest 2 Lowest, Nobody 2, The Knife, and Went Up the Hill. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Shawn Edwards, film critic for FOX4 News in Kansas City and co-founder of the African American Film Critics Association.

Send us a text4:04 Nobody 213:58 Highest 2 Lowest29:31 Night Always Comes36:50 Witchboard43:22 East of Wall51:04 Suspended Time57:44 The Glassworker01:06:27 The Knife01:12:20 Fixed1:15:45 Went Up the Hill01:21:01 Jimmy & StiggsIt's an 11-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

4:10 PM - What’s good to watch?… GUEST Abby Olcese (ol-CHESS-ee)… writer on film, pop culture and faith … she’s written for Think Christian and RogerEbert.com (she’s from Kansas City) … author of “Films for All Seasons: Experiencing the Church Year at the Movies”. 5:10 PM - End of Summer Reading … GUEST Byron Borger … owner, Hearts and Minds Bookstore, Dallastown PA.See omnystudio.com/listener for privacy information.

Alisha Mughal's It Can't Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow's cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee's performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can't Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee's death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn't need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Alisha Mughal's It Can't Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow's cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee's performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can't Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee's death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn't need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Conviértete en miembro de este canal para disfrutar de ventajas:https://www.youtube.com/channel/UCrr-82T0bOWW3ZoHjSS9YTA/join¡No olvides seguirnos en Instagram y Tik Tok! -https://www.instagram.com/cineparatod...-https://www.tiktok.com/@cineparatodos...•Carta completa a Roger Ebert:-https://www.rogerebert.com/letters/the-private-torment-behind-tatis-the-illusionist¡Síguenos en nuestros espacios para hablar de cine!:-CINE PARA TODOS: https://youtube.com/@Cineparatodos?si=elZlVc_voLupkUtH-ZOOMF7: http://bit.ly/ZoomF7_YT-KICK: https://kick.com/zoomf7-PATREON: https://www.patreon.com/zoomf7-SPOTIFY: https://open.spotify.com/show/5YbySnX...-APPLE: http://ow.ly/V7dX30q7yAqRedes personales:•Gerry:-Twitter: https://x.com/el_lyndon?s=2-Instagram: https://www.instagram.com/el_lyndon?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==-Letterboxd: https://boxd.it/12ZBh-Lyndon YouTube: https://youtube.com/@Jerrylyndon?si=w...•Miguel: -Twitter: https://x.com/portalmike?s=21-Instagram: https://www.instagram.com/maps_2208?i...-Letterboxd: https://boxd.it/198ZfPamela: -Podcast:https://www.youtube.com/@UC91B5Xno5YmfWWekbQ_GUmQ -Instagram:https://www.instagram.com/lachicaalmodovar/ •Axel: -Twitter: https://x.com/axldario21?s=21-Instagram: https://www.instagram.com/axlchalico2...-Letterboxd: https://boxd.it/3Q9cn•Tocayo:-Twitter: https://x.com/gerry_movie?s=21-Instagram: https://www.instagram.com/gerry021?igsh=Z3JzMDE2djhoc2Y0&utm_source=qr-Letterboxd: https://boxd.it/GLUZ(00:00): Bienvenida(01:12): El Ilusionista(25:33): Chismecito de Miguel(37:28): Spoilers(52:56): Conclusiones(55:26): Despedida#CineParaTodos #ZoomF7

Alisha Mughal's It Can't Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow's cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee's performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can't Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee's death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn't need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 8:"Alien 3 (Assembly Cut)” (David Fincher, 1992/2003)“Indiana Jones and the Temple of Doom” (Steven Spielberg, 1984)“Ghostbusters” (Ivan Reitman, 1984)“Gremlins” (Joe Dante, 1984)“The Karate Kid” (John G. Avildsen)“Purple Rain” (Albert Magnoli, 1984)“Silver Spoons” (Martin Cohan, Howard Leeds, and Ben Starr, 1982-1987)“Red Dawn” (John Milius, 1984)“Stop Making Sense” (Jonathan Demme, 1984)“The Terminator” (James Cameron, 1984)“At the Movies” (Gene Siskel and Roger Ebert, 1982-1986)“Conan the Barbarian” (John Milius, 1982)“Body Double” (Brian De Palma, 1984)“The Killing Fields” (Roland Joffé, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“Dune” (David Lynch, 1984)“The Cotton Club” (Francis Ford Coppola, 1984)“The Cotton Club: Encore” (Francis Ford Coppola, 2017)“Starman” (John Carpenter, 1984)“E.T.” (Steven Spielberg, 1982)“The Thing” (John Carpenter, 1982)“Come and See” (Elen Klimov, 1985)“Star Wars” (George Lucas, 1977)“Time Bandits” (Terry Gilliam, 1981)“The Smurfs and the Magic Flute” (José Dutillieu, 1975)“Style Wars” (Tony Silver, 1983)“Mary Poppins” (Robert Stevenson, 1964)Audio quotation in GATEWAY CINEMA, Episode 8:“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002), including “Piano Concerto In E Flat, K. 482; 3rd Movement” (1785), “Die Entfuhrung Aus Dem Serail: Finale” (1781), “Symphony 29 in A Major, 1st Movement” (1774), https://www.youtube.com/playlist?list=PLq6-EneBMiNHmdqqE_5TmkJ9neViFMvTL“Rock Me Amadeus” by Falco (1985), https://www.youtube.com/watch?v=cVikZ8Oe_XA&list=RDcVikZ8Oe_XA&start_radio=1“Purple Rain” (Albert Magnoli, 1984)“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

Send us a text6:03 Weapons29:15 Freakier Friday40:23 Sketch50:08 The Pickup58:06 Harvest01:07:31 Descendant01:13:35 Strange Harvest01:21:18 Shaman01:27:16 VideoheavenIt's a 7-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Abashed the devil stood, and felt how awful goodness is. The Crow (1994) is a one-of-a-kind film, borne out of tragedy and thought to be cursed. Critic and culture writer Alisha Mughal takes a look at the film, its graphic novel origins, its beautiful but doomed star Brandon Lee, and much more in her new book for the Pop Classics series, It Can't Rain All the Time: The Crow. Alisha joins Skylight's Justin Remer for a talk about her book, her hyperfixation on the movie, and the '90s grunge ethos. For more of Alisha Mughal's recent writing, check out: *"The Lonely Landscapes of Materialists and The Worst Person in the World" on RogerEbert.com  *"Let's Rock: The Dialectic of the the Sublime in Twin Peaks" on FilmDaze.net  For more information on the screening of Johnny Mnemonic hosted by the Skylight Books podcast crew on August 26, 2025, check out:  *The American Cinematheque's website for Friend of the Fest 2025 For Pop Classics titles on audiobook, check out Libro.FM please!  Hosted and produced by Justin Remer.  Recorded remotely via Zencastr.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band. 

Part 3 of Boogie Mikes tackles Paul Thomas Anderson's Magnolia, his 3 hour epic drama starring Tom Cruise, Julianne Moore, Philip Seymour Hoffman, John C. Reilly, William H. Macy, Jason Robards, Melora Walters, Philip Baker Hall, and Jeremy Blackman. NON-SPOILER REVIEW OF MAGNOLIA: Production Stories, Reception, Awards & The Tom Cruise Career Checkpoint - 2:01 Roger Ebert's Take + Non-Spoiler Script Thoughts - 11:07 Review of the Performances - 15:45 Review of the Production Values - 20:51 Final Non-Spoiler Sales Pitch - 26:26 SPOILER FILLED REVIEW OF MAGNOLIA: 28:52 Why this movie is so PTA: and yet, why does he use so many narrative devices? - 30:36 Asking some major questions - 36:39 The Big Themes - 40:10 That Ending: and what a mess we are trying to reckon with it - 44:31 More Bests & Worsts - 1:03:20 OUTRO: Please let us know your thoughts and explanations re: Magnolia. We'd love to read them. Here's a linktree to all of our socials, and where else you can find our podcast. Please rate, review, like, and subscribe and help us spread the word about our show in a positive way. We thank you very much for doing so. https://linktr.ee/mikemikeandoscar

Join us as we delve into director Ken Russell's 1980 film 'Altered States.' This episode covers the film's psychedelic themes, its visionary yet controversial direction, and its mixed reception from critics like Roger Ebert. We discuss the film's exploration of hallucinogenic drugs, sensory deprivation tanks, and its complex narrative about a scientist's quest for absolute truth. Whether you're a fan of flawed gems or just curious about experimental cinema, this episode has something for you!

In this episode, host Sandra Abrams sits down with Chaz Ebert, for a lively discussion about her book, It's Time To Give A FECK. FECK stands for forgiveness, empathy, compassion and kindness. She also shares insights into the many projects she is working on including a documentary, Wellness Warrior, about the life of 103-year old Deborah Szekley, founder of the Rancho La Puerta spa. In addition to directing and writing, Ms. Ebert is the CEO of Ebert Digital LLC and is the legal adviser and TV and movie producer at Ebert Productions. For 24 years, she shared a life with Pulitzer-prize winner and film critic, Roger Ebert, who passed away in 2013. Together, they established the Ebertfest film festival and the Roger Ebert Center for Film Studies at the University of Illinois. Learn more about the book giveafeck.com ---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Send us a text3:36 The Naked Gun12:33 Together20:53 She Rides Shotgun28:50 War of the Worlds36:48 Souleymane's Story43:24 To Kill a Wolf49:44 River of BloodIt's a 7-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

This was an ab fab Tuesday crossword by Peter Gorman, with an admirably serpentine theme, as we explain in today's episode (and, as usual, you can see  by checking out the solution at xwordinfo.com). Beyond the theme, there were sone other unexpected answers - our favorite kind! Finally, icing on the cake, we have our fabled Triplet Tuesday™️ segment for your listening pleasure. Enjoy!Show note imagery: All aboard the Glacier Express, a definite must-see if you're in the ALPS.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

On the gloriously unhinged 130th episode of Fear and Loathing in Cinema, Bryan, Chelsea, Wade, and, making a cameo so brief it rivals Dave Matthews in Don't Mess With the Zohan, Preston, plunge headfirst into Adam Sandler's 2008 absurdist comedy of a movie. You remember Zohan, don't you? The one that critics in 2008 treated as though it had personally wronged them, like a bagel shop that ran out of lox and schmear. The plot, if you can call it that, involves Sandler as a cartoonishly invincible Israeli commando who fakes his death, defects to New York, and fulfills his true calling: cutting hair and romancing Jewish grandmothers with the sort of sensuality usually reserved for X- rated Werther's Originals commercials. It's a premise so deranged that even Roger Ebert, God bless him, recognized it as a minor work of genius while everyone else sharpened their critical pitchforks. The post Episode #130 – Don't Mess With The Zohan (2008) first appeared on Boomstick Comics.

Send us a text4:43 The Fantastic Four: First Steps25:03 Happy Gilmore 243:37 The Home54:07 House on Eden01:00:24 Oh Hi01:07:41 Monster IslandIt's a 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

The fifth episode of our season on the awesome movie year of 2014 features our documentary pick, Steve James' Life Itself. Directed by Steve James and featuring Roger Ebert, Life Itself is based on Ebert's 2011 memoir.The contemporary reviews quoted in this episode come from Ann Hornaday in The Washington Post (https://www.washingtonpost.com/goingoutguide/movies/life-itself-movie-review-an-absorbing-chronicle-of-roger-eberts-life/2014/07/03/24411f52-0084-11e4-8572-4b1b969b6322_story.html), Kenneth Turan in the Los Angeles Times (https://www.latimes.com/entertainment/movies/la-et-mn-life-itself-20140704-column.html), and Matt Zoller Seitz at RogerEbert.com (https://www.rogerebert.com/reviews/life-itself-2014).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at

Send us a text5:46 I Know What You Did Last Summer (Madelyn Cline, Jennifer Love Hewitt)20:53 Eddington (Joaquin Phoenix, Pedro Pascal, Emma Stone, Ari Aster)36:20 Cloud43:36 The Banished49:57 Saint Clare (Bella Thorne)56:18 UnicornsIt's a 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

In what Noah has referred to as “One for Jade”, the crew is diving into something a little more cerebral this week, with Brandon Cronenberg's 2020 film, Possessor! Sheila O'Malley for Roger Ebert: https://www.rogerebert.com/reviews/possessor-movie-review-2020Brian Tallerico - Sundance 2020 for Roger Ebert: https://www.rogerebert.com/festivals/sundance-2020-possessor-surge-the-killing-of-two-loversCarlos Aguilar interviewing Brandon Cronenberg for Roger Ebert: https://www.rogerebert.com/interviews/psychological-infections-brandon-cronenberg-on-possessorFollow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Today Rachel is joined by the incredible Joyce Kulhawik to talk about her career, memories hosting with Roger Ebert and reviewing film and theatre over the years Find out more about Joyce at https://joyceschoices.com/ Pick up Beach Rose Path and The Rocking of the Ocean using our affiliate link https://amzn.to/44GQBnh (ad) This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/hallmarkies and get on your way to being your best self (ad) Our best of 2024 https://www.youtube.com/watch?v=yLxTEa15O2E For our Best and Worst of 2023 https://youtu.be/hMWAOEder1A Follow Manda on twitter https://twitter.com/amxndareviews Follow Molly on twiitter https://twitter.com/RasberryRazz For our first episode with Molly and Manda https://traffic.megaphone.fm/ADV4398866680.mp3?updated=1630629175 Get our awesome Female Film Critics Speak Out logo at our merch store for all kinds of designs for mugs, masks, shirts and more https://www.teepublic.com/stores/hallmarkies?ref_id=8581 For all our Female Film Critics panels https://www.youtube.com/playlist?list=PL7wz447AgL4y6x38rcvZNfRlfYQUgWpDP Check out the Online Association of Female Film Critics https://oaffc.com/ Check out Cherry Picks https://www.thecherrypicks.com Please support my content on patreon at https://www.patreon.com/hallmarkies Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Follow Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Rachel's Reviews at https://rachelsreviews.net Follow Rachel on twitter https://twitter.com/rachel_reviews Follow Rachel on facebook https://www.facebook.com/smilingldsgirlreviews/ Find the patreon at https://www.patreon.com/hallmarkies Check out Hallmarkies Twitter at https://twitter.com/HallmarkiesPod Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest film releases include Superman, Kill the Jockey, Apocalypse in the Tropics, and To A Land Unknown. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Witney Seibold, senior writer at SlashFilm and co-host of the podcast Critically Acclaimed Network.

The latest film releases include Superman, Kill the Jockey, Apocalypse in the Tropics, and To A Land Unknown. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Witney Seibold, senior writer at SlashFilm and co-host of the podcast Critically Acclaimed Network.

Send us a text4:10 Superman24:10 Abraham's Boys: A Dracula Story29:31 Sovereign35:25 Sorry, Baby43:14 Don't Let's Go To The Dogs Tonight51:33 Daniela Forever57:27 Push01:03:34 Hot Spring Shark AttackIt's an 8-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Our Summer of Superheroes reaches its climax with arguably the most important movie in the genre's history: Richard Donner's 1978 film Superman, starring Christopher Reeve, Gene Hackman, Margot Kidder, and a firmly on-book Marlon Brando. Join in as we discuss the geophysics of Lex Luthor's evil plot, the other attempts to put Superman in cinemas, the nearly two-year shoot, and our favorite real estate schemes. Plus: What ideas did Brando have to reduce his workload? Did Donner have a phone in his bathroom? What was the original plan for the time travel finale? And, most importantly, is Clark Kent more super or more man? Make sure to rate, review, and subscribe! Next week: The 400 Blows (1959)-----------------------------------------------------Key sources and links for this episode:Which Lie Did I Tell? More Adventures in the Screen Trade by William Goldman (2000)The Caped Crusade: Batman and the Rise of Nerd Culture by Glen Weldon (2016)Superman Smashes the Klan by Gene Luen Yang and Gurihiru (2019)Super/Man: The Christopher Reeve Story (2024)Taking Flight: The Development of Superman (2001)Making Superman: Filming the Legend (2001)Roger Ebert's four-star review of Superman (1978)"The Making of Superman" (EMPIRE Magazine)Interview with Producer Ilya Salkind by Barry M. Frieman for SupermanHomePage.com"Nick Nolte Doesn't Care about Legacy, and Talks Julia Roberts Feud" (Insider)"The Superman Story that Set the Ku Klux Klan Back Years is Now a Comic" (Polygon)

It's about time somebody got Noah and Nina to watch Prey, and we even have the added bonus of recording it so we could all share in the experience!Odie Henderson for Roger Ebert: https://www.rogerebert.com/reviews/prey-movie-review-2022Follow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Grave of the Fireflies, es una película bélica de animación japonesa de 1988, escrita y dirigida por Isao Takahata y producida por Studio Ghibli. Está basada en el relato semiautobiográfico de 1967 de Akiyuki Nosaka.   Inicialmente considerada inadaptable, Grave of the Fireflies se basa en la novela de Nosaka, un homenaje a su hermana fallecida en tiempos de guerra. El director Takahata se enfrentó a dificultades técnicas y optó por paletas de colores más suaves para representar los desolados paisajes de la película. A pesar de su combinación con Totoro para un tono más ligero, el realismo y la profundidad emocional de la pelicula la distinguen. La crítica, incluyendo a Roger Ebert, la elogió como una profunda película antibélica. La innovadora combinación de diálogos y banda sonora crea una experiencia inmersiva, diseñada para evocar una profunda resonancia emocional y promover un mensaje de paz.   Plot: Un niño y su hermana pequeña luchan por sobrevivir en Japón durante la Segunda Guerra Mundial. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl  

Send us a text5:27 Jurassic World Rebirth19:52 Heads of State25:49 The Old Guard 234:34 40 Acres40:23 Kill the JockeyIt's a 5-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

The latest film releases include F1, M3GAN 2.0, Sorry, Baby, and Familiar Touch. Weighing in are Christy Lemire, writer for RogerEbert.com and co-host of the podcast Breakfast All Day, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

The latest film releases include F1, M3GAN 2.0, Sorry, Baby, and Familiar Touch. Weighing in are Christy Lemire, writer for RogerEbert.com and co-host of the podcast Breakfast All Day, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

THIS WEEK: I run down the announcements made at the Arc System Work Showcase. Cat Quest 3 gets a cool free update. I give my thoughts on Andy Bogard in FATAL FURY: COTW. I also give my thoughts on whether 50 Cent is a good choice to play a Street Fighter favorite character in the upcoming movie. Then, in our FINAL STAGE, I talk about why I wish Roger Ebert were alive to play what could be the Game of the Year in Clair Obscure: Expedition 33.  

Welcome! Our Beatles Series continues with the the band's second feature: Help! This is one is in living color, and features a much more absurd storyline. Roger Ebert famously said the band had four seasons. This film captures them in spring. We have some strong opinions. To pair, we enjoy some lagers and limes. #Beatles #Help #Music #60sBe sure and subscribe, and check out my full reviews of every movie we cover:https://podcasts.apple.com/us/podcast/cinemavino/id1443636422https://open.spotify.com/show/3F2TZMa7gawXwY86syEZa6?si=74a4650f88cb48c7https://toddwoffordmovies.comAlso check out our cool sponsor! Use promo code CINEMAVINO and you'll get a huge 30% discount on your purchase. Plus, we'll receive a small commission. Win, win!https://rsrvcollective.com

EPISODE 92 -  “BORN TO BE BAD - Old Hollywood's Favorite Brats" - 6/16/25 This week, we're getting into the pint-sized punks, the tantrum-throwers, the eye-rollers, and the sharp-tongued little legends who strutted across the silver screen like they owned the studio. That's right—we're talking about our favorite bratty kids in classic movies. You know the type: too smart for their age, too bold for their britches, and way too good at stealing scenes from their adult co-stars. Whether they were lighting up the screen with sass or shutting it down with a glare, these kids were iconic—and let's be honest, a little terrifying. So buckle up, because we're about to revisit the child stars who threw shade before it was cool, and tantrums that deserved an Oscar. Let the chaos begin. SHOW NOTES:  Sources: “There's Always Tomorrow,” August 13, 2021, by Richard Brody, The New Yorker;  “Jane Withers, Child Star Who Later Won Fame in Commercials, Does at 95,” August 8, 2021, The New York Times; “Denise Nickerson, Violet in ‘Willy Wonka & the Chocolate Factory, Has Died,” July 11, 2019, Times Union; “Violence to Lord of Flies,” December 19, 2012, RogerEbert.com;  “A Long Way From Brooklyn,” April 23, 2010,  by Dave Kehr, New York Times; “Bonita Granville Wrather, 65, an Actress and Executive (Obit),” October 8, 1988, The New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices