Podcasts about Roger Ebert

We dive into Michael Bay's 1996 action film 'The Rock' starring Nicholas Cage, Sean Connery, and Ed Harris. Richard Lewis, Thorin, and MonteCristo explore the film's iconic moments, characters, and unique blend of comedy, action, and drama. They discuss why 'The Rock' stands out as a classic in the action genre, Michael Bay's directorial choices, and the unforgettable performances from the stellar cast. We also cover the film's background, including its commercial success, cultural impact, entrance into the Criterion Collection, and Roger Ebert's surprising defense of its artistic merits. Don't miss this comprehensive analysis of one of the best action movies of the 90s!

The latest film releases include Highest 2 Lowest, Nobody 2, The Knife, and Went Up the Hill. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Shawn Edwards, film critic for FOX4 News in Kansas City and co-founder of the African American Film Critics Association.

Send us a text4:04 Nobody 213:58 Highest 2 Lowest29:31 Night Always Comes36:50 Witchboard43:22 East of Wall51:04 Suspended Time57:44 The Glassworker01:06:27 The Knife01:12:20 Fixed1:15:45 Went Up the Hill01:21:01 Jimmy & StiggsIt's an 11-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

4:10 PM - What’s good to watch?… GUEST Abby Olcese (ol-CHESS-ee)… writer on film, pop culture and faith … she’s written for Think Christian and RogerEbert.com (she’s from Kansas City) … author of “Films for All Seasons: Experiencing the Church Year at the Movies”. 5:10 PM - End of Summer Reading … GUEST Byron Borger … owner, Hearts and Minds Bookstore, Dallastown PA.See omnystudio.com/listener for privacy information.

Alisha Mughal's It Can't Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow's cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee's performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can't Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee's death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn't need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Alisha Mughal's It Can't Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow's cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee's performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can't Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee's death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn't need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 8:"Alien 3 (Assembly Cut)” (David Fincher, 1992/2003)“Indiana Jones and the Temple of Doom” (Steven Spielberg, 1984)“Ghostbusters” (Ivan Reitman, 1984)“Gremlins” (Joe Dante, 1984)“The Karate Kid” (John G. Avildsen)“Purple Rain” (Albert Magnoli, 1984)“Silver Spoons” (Martin Cohan, Howard Leeds, and Ben Starr, 1982-1987)“Red Dawn” (John Milius, 1984)“Stop Making Sense” (Jonathan Demme, 1984)“The Terminator” (James Cameron, 1984)“At the Movies” (Gene Siskel and Roger Ebert, 1982-1986)“Conan the Barbarian” (John Milius, 1982)“Body Double” (Brian De Palma, 1984)“The Killing Fields” (Roland Joffé, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“Dune” (David Lynch, 1984)“The Cotton Club” (Francis Ford Coppola, 1984)“The Cotton Club: Encore” (Francis Ford Coppola, 2017)“Starman” (John Carpenter, 1984)“E.T.” (Steven Spielberg, 1982)“The Thing” (John Carpenter, 1982)“Come and See” (Elen Klimov, 1985)“Star Wars” (George Lucas, 1977)“Time Bandits” (Terry Gilliam, 1981)“The Smurfs and the Magic Flute” (José Dutillieu, 1975)“Style Wars” (Tony Silver, 1983)“Mary Poppins” (Robert Stevenson, 1964)Audio quotation in GATEWAY CINEMA, Episode 8:“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002), including “Piano Concerto In E Flat, K. 482; 3rd Movement” (1785), “Die Entfuhrung Aus Dem Serail: Finale” (1781), “Symphony 29 in A Major, 1st Movement” (1774), https://www.youtube.com/playlist?list=PLq6-EneBMiNHmdqqE_5TmkJ9neViFMvTL“Rock Me Amadeus” by Falco (1985), https://www.youtube.com/watch?v=cVikZ8Oe_XA&list=RDcVikZ8Oe_XA&start_radio=1“Purple Rain” (Albert Magnoli, 1984)“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

Send us a text6:03 Weapons29:15 Freakier Friday40:23 Sketch50:08 The Pickup58:06 Harvest01:07:31 Descendant01:13:35 Strange Harvest01:21:18 Shaman01:27:16 VideoheavenIt's a 7-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Abashed the devil stood, and felt how awful goodness is. The Crow (1994) is a one-of-a-kind film, borne out of tragedy and thought to be cursed. Critic and culture writer Alisha Mughal takes a look at the film, its graphic novel origins, its beautiful but doomed star Brandon Lee, and much more in her new book for the Pop Classics series, It Can't Rain All the Time: The Crow. Alisha joins Skylight's Justin Remer for a talk about her book, her hyperfixation on the movie, and the '90s grunge ethos. For more of Alisha Mughal's recent writing, check out: *"The Lonely Landscapes of Materialists and The Worst Person in the World" on RogerEbert.com  *"Let's Rock: The Dialectic of the the Sublime in Twin Peaks" on FilmDaze.net  For more information on the screening of Johnny Mnemonic hosted by the Skylight Books podcast crew on August 26, 2025, check out:  *The American Cinematheque's website for Friend of the Fest 2025 For Pop Classics titles on audiobook, check out Libro.FM please!  Hosted and produced by Justin Remer.  Recorded remotely via Zencastr.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band. 

Part 3 of Boogie Mikes tackles Paul Thomas Anderson's Magnolia, his 3 hour epic drama starring Tom Cruise, Julianne Moore, Philip Seymour Hoffman, John C. Reilly, William H. Macy, Jason Robards, Melora Walters, Philip Baker Hall, and Jeremy Blackman. NON-SPOILER REVIEW OF MAGNOLIA: Production Stories, Reception, Awards & The Tom Cruise Career Checkpoint - 2:01 Roger Ebert's Take + Non-Spoiler Script Thoughts - 11:07 Review of the Performances - 15:45 Review of the Production Values - 20:51 Final Non-Spoiler Sales Pitch - 26:26 SPOILER FILLED REVIEW OF MAGNOLIA: 28:52 Why this movie is so PTA: and yet, why does he use so many narrative devices? - 30:36 Asking some major questions - 36:39 The Big Themes - 40:10 That Ending: and what a mess we are trying to reckon with it - 44:31 More Bests & Worsts - 1:03:20 OUTRO: Please let us know your thoughts and explanations re: Magnolia. We'd love to read them. Here's a linktree to all of our socials, and where else you can find our podcast. Please rate, review, like, and subscribe and help us spread the word about our show in a positive way. We thank you very much for doing so. https://linktr.ee/mikemikeandoscar

Join us as we delve into director Ken Russell's 1980 film 'Altered States.' This episode covers the film's psychedelic themes, its visionary yet controversial direction, and its mixed reception from critics like Roger Ebert. We discuss the film's exploration of hallucinogenic drugs, sensory deprivation tanks, and its complex narrative about a scientist's quest for absolute truth. Whether you're a fan of flawed gems or just curious about experimental cinema, this episode has something for you!

In this episode, host Sandra Abrams sits down with Chaz Ebert, for a lively discussion about her book, It's Time To Give A FECK. FECK stands for forgiveness, empathy, compassion and kindness. She also shares insights into the many projects she is working on including a documentary, Wellness Warrior, about the life of 103-year old Deborah Szekley, founder of the Rancho La Puerta spa. In addition to directing and writing, Ms. Ebert is the CEO of Ebert Digital LLC and is the legal adviser and TV and movie producer at Ebert Productions. For 24 years, she shared a life with Pulitzer-prize winner and film critic, Roger Ebert, who passed away in 2013. Together, they established the Ebertfest film festival and the Roger Ebert Center for Film Studies at the University of Illinois. Learn more about the book giveafeck.com ---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Send us a text3:36 The Naked Gun12:33 Together20:53 She Rides Shotgun28:50 War of the Worlds36:48 Souleymane's Story43:24 To Kill a Wolf49:44 River of BloodIt's a 7-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

This was an ab fab Tuesday crossword by Peter Gorman, with an admirably serpentine theme, as we explain in today's episode (and, as usual, you can see  by checking out the solution at xwordinfo.com). Beyond the theme, there were sone other unexpected answers - our favorite kind! Finally, icing on the cake, we have our fabled Triplet Tuesday™️ segment for your listening pleasure. Enjoy!Show note imagery: All aboard the Glacier Express, a definite must-see if you're in the ALPS.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

On the gloriously unhinged 130th episode of Fear and Loathing in Cinema, Bryan, Chelsea, Wade, and, making a cameo so brief it rivals Dave Matthews in Don't Mess With the Zohan, Preston, plunge headfirst into Adam Sandler's 2008 absurdist comedy of a movie. You remember Zohan, don't you? The one that critics in 2008 treated as though it had personally wronged them, like a bagel shop that ran out of lox and schmear. The plot, if you can call it that, involves Sandler as a cartoonishly invincible Israeli commando who fakes his death, defects to New York, and fulfills his true calling: cutting hair and romancing Jewish grandmothers with the sort of sensuality usually reserved for X- rated Werther's Originals commercials. It's a premise so deranged that even Roger Ebert, God bless him, recognized it as a minor work of genius while everyone else sharpened their critical pitchforks. The post Episode #130 – Don't Mess With The Zohan (2008) first appeared on Boomstick Comics.

Send us a text4:43 The Fantastic Four: First Steps25:03 Happy Gilmore 243:37 The Home54:07 House on Eden01:00:24 Oh Hi01:07:41 Monster IslandIt's a 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

The fifth episode of our season on the awesome movie year of 2014 features our documentary pick, Steve James' Life Itself. Directed by Steve James and featuring Roger Ebert, Life Itself is based on Ebert's 2011 memoir.The contemporary reviews quoted in this episode come from Ann Hornaday in The Washington Post (https://www.washingtonpost.com/goingoutguide/movies/life-itself-movie-review-an-absorbing-chronicle-of-roger-eberts-life/2014/07/03/24411f52-0084-11e4-8572-4b1b969b6322_story.html), Kenneth Turan in the Los Angeles Times (https://www.latimes.com/entertainment/movies/la-et-mn-life-itself-20140704-column.html), and Matt Zoller Seitz at RogerEbert.com (https://www.rogerebert.com/reviews/life-itself-2014).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at

Send us a text5:46 I Know What You Did Last Summer (Madelyn Cline, Jennifer Love Hewitt)20:53 Eddington (Joaquin Phoenix, Pedro Pascal, Emma Stone, Ari Aster)36:20 Cloud43:36 The Banished49:57 Saint Clare (Bella Thorne)56:18 UnicornsIt's a 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! A film criticism podcast.Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

In what Noah has referred to as “One for Jade”, the crew is diving into something a little more cerebral this week, with Brandon Cronenberg's 2020 film, Possessor! Sheila O'Malley for Roger Ebert: https://www.rogerebert.com/reviews/possessor-movie-review-2020Brian Tallerico - Sundance 2020 for Roger Ebert: https://www.rogerebert.com/festivals/sundance-2020-possessor-surge-the-killing-of-two-loversCarlos Aguilar interviewing Brandon Cronenberg for Roger Ebert: https://www.rogerebert.com/interviews/psychological-infections-brandon-cronenberg-on-possessorFollow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Today Rachel is joined by the incredible Joyce Kulhawik to talk about her career, memories hosting with Roger Ebert and reviewing film and theatre over the years Find out more about Joyce at https://joyceschoices.com/ Pick up Beach Rose Path and The Rocking of the Ocean using our affiliate link https://amzn.to/44GQBnh (ad) This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/hallmarkies and get on your way to being your best self (ad) Our best of 2024 https://www.youtube.com/watch?v=yLxTEa15O2E For our Best and Worst of 2023 https://youtu.be/hMWAOEder1A Follow Manda on twitter https://twitter.com/amxndareviews Follow Molly on twiitter https://twitter.com/RasberryRazz For our first episode with Molly and Manda https://traffic.megaphone.fm/ADV4398866680.mp3?updated=1630629175 Get our awesome Female Film Critics Speak Out logo at our merch store for all kinds of designs for mugs, masks, shirts and more https://www.teepublic.com/stores/hallmarkies?ref_id=8581 For all our Female Film Critics panels https://www.youtube.com/playlist?list=PL7wz447AgL4y6x38rcvZNfRlfYQUgWpDP Check out the Online Association of Female Film Critics https://oaffc.com/ Check out Cherry Picks https://www.thecherrypicks.com Please support my content on patreon at https://www.patreon.com/hallmarkies Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Follow Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Rachel's Reviews at https://rachelsreviews.net Follow Rachel on twitter https://twitter.com/rachel_reviews Follow Rachel on facebook https://www.facebook.com/smilingldsgirlreviews/ Find the patreon at https://www.patreon.com/hallmarkies Check out Hallmarkies Twitter at https://twitter.com/HallmarkiesPod Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest film releases include Superman, Kill the Jockey, Apocalypse in the Tropics, and To A Land Unknown. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Witney Seibold, senior writer at SlashFilm and co-host of the podcast Critically Acclaimed Network.

The latest film releases include Superman, Kill the Jockey, Apocalypse in the Tropics, and To A Land Unknown. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Witney Seibold, senior writer at SlashFilm and co-host of the podcast Critically Acclaimed Network.

Send us a text4:10 Superman24:10 Abraham's Boys: A Dracula Story29:31 Sovereign35:25 Sorry, Baby43:14 Don't Let's Go To The Dogs Tonight51:33 Daniela Forever57:27 Push01:03:34 Hot Spring Shark AttackIt's an 8-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Our Summer of Superheroes reaches its climax with arguably the most important movie in the genre's history: Richard Donner's 1978 film Superman, starring Christopher Reeve, Gene Hackman, Margot Kidder, and a firmly on-book Marlon Brando. Join in as we discuss the geophysics of Lex Luthor's evil plot, the other attempts to put Superman in cinemas, the nearly two-year shoot, and our favorite real estate schemes. Plus: What ideas did Brando have to reduce his workload? Did Donner have a phone in his bathroom? What was the original plan for the time travel finale? And, most importantly, is Clark Kent more super or more man? Make sure to rate, review, and subscribe! Next week: The 400 Blows (1959)-----------------------------------------------------Key sources and links for this episode:Which Lie Did I Tell? More Adventures in the Screen Trade by William Goldman (2000)The Caped Crusade: Batman and the Rise of Nerd Culture by Glen Weldon (2016)Superman Smashes the Klan by Gene Luen Yang and Gurihiru (2019)Super/Man: The Christopher Reeve Story (2024)Taking Flight: The Development of Superman (2001)Making Superman: Filming the Legend (2001)Roger Ebert's four-star review of Superman (1978)"The Making of Superman" (EMPIRE Magazine)Interview with Producer Ilya Salkind by Barry M. Frieman for SupermanHomePage.com"Nick Nolte Doesn't Care about Legacy, and Talks Julia Roberts Feud" (Insider)"The Superman Story that Set the Ku Klux Klan Back Years is Now a Comic" (Polygon)

It's about time somebody got Noah and Nina to watch Prey, and we even have the added bonus of recording it so we could all share in the experience!Odie Henderson for Roger Ebert: https://www.rogerebert.com/reviews/prey-movie-review-2022Follow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Now... There is a fair amount of controversy surrounding this film ever since it was first screened at Cannes back in 2003, and I'm not talking about his dated belt. Roger Ebert slated the film. Gallo called him "fat". Ebert did not relent. Gallo cut the film down from 114 mins to 98 mins. Ebert rejoiced, awarded it a 3/4, and seemingly forgot everything Gallo called him. But that isn't really that controversial. I'm talking about what transpired at the end of the movie with Chloë Sevigny, which got everyone so upset.Yeah, if you didn't already know, you're gonna find out and you'll probably hate it. This is a film that had us on the fence for a significant amount of its runtime, and there are some pleasant surprises. Or as "pleasant" as the film allows you to feel.

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Grave of the Fireflies, es una película bélica de animación japonesa de 1988, escrita y dirigida por Isao Takahata y producida por Studio Ghibli. Está basada en el relato semiautobiográfico de 1967 de Akiyuki Nosaka.   Inicialmente considerada inadaptable, Grave of the Fireflies se basa en la novela de Nosaka, un homenaje a su hermana fallecida en tiempos de guerra. El director Takahata se enfrentó a dificultades técnicas y optó por paletas de colores más suaves para representar los desolados paisajes de la película. A pesar de su combinación con Totoro para un tono más ligero, el realismo y la profundidad emocional de la pelicula la distinguen. La crítica, incluyendo a Roger Ebert, la elogió como una profunda película antibélica. La innovadora combinación de diálogos y banda sonora crea una experiencia inmersiva, diseñada para evocar una profunda resonancia emocional y promover un mensaje de paz.   Plot: Un niño y su hermana pequeña luchan por sobrevivir en Japón durante la Segunda Guerra Mundial. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl  

Send us a text5:27 Jurassic World Rebirth19:52 Heads of State25:49 The Old Guard 234:34 40 Acres40:23 Kill the JockeyIt's a 5-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

The prosperity gospel vs. the actual gospel in Southern Africa, and how the actual gospel is gaining a teeny bit of ground.GUEST Sarah Eekhoff Zylstra… senior writer and faith-&-work editor for The Gospel Coalition … also coauthor of “Gospelbound: Living with Resolute Hope in an Anxious Age” and editor of “Social Sanity in an Insta World”. What is the heart according to the scriptures? GUEST Fr Tom Soroka … St Nicholas Orthodox Church, McKees Rocks. The 100 Best Movies of the 21st Century - GUEST Abby Olcese… writer on film, pop culture and faith … she’s written for Think Christian and RogerEbert.com… author of “Films for All Seasons: Experiencing the Church Year at the Movies”. Since the inception of the Winsome Conviction Project--whose goal is to reintroduce compassion, civility and gentleness--into our disagreements, the single biggest objection has been: What about Jesus overturning tables? He didn't seem very winsome, did he? Good question: What should we we adopt--if anything--from Jesus' overturning of tables?… GUEST Dr Tim Muehlhoff ... Prof of Communication at Biola Univ ... author of “Winsome Conviction: Disagreeing Without Dividing the Church,” winner of the Award of Merit in Christianity Today’s Best Books of 2022 list … Tim’s ”Winsome Persuasion: Christian Influence in a Post-Christian World," was CT Book of the Year in the category of evangelism/apologetics in 2019See omnystudio.com/listener for privacy information.

The latest film releases include F1, M3GAN 2.0, Sorry, Baby, and Familiar Touch. Weighing in are Christy Lemire, writer for RogerEbert.com and co-host of the podcast Breakfast All Day, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

The latest film releases include F1, M3GAN 2.0, Sorry, Baby, and Familiar Touch. Weighing in are Christy Lemire, writer for RogerEbert.com and co-host of the podcast Breakfast All Day, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

THIS WEEK: I run down the announcements made at the Arc System Work Showcase. Cat Quest 3 gets a cool free update. I give my thoughts on Andy Bogard in FATAL FURY: COTW. I also give my thoughts on whether 50 Cent is a good choice to play a Street Fighter favorite character in the upcoming movie. Then, in our FINAL STAGE, I talk about why I wish Roger Ebert were alive to play what could be the Game of the Year in Clair Obscure: Expedition 33.  

Send us a text6:27 F1: The Movie17:18 M3GAN 2.025:40 Escape from the 21st Century (Now streaming on Fandor, try for free!)31:51 In Vitro37:36 Off The Grid42:47 Ice Road: Vengeance49:27 The Sound54:11 The G59:26 Stealing Pulp Fiction01:04:48 Hot Milk01:10:52 Everything's Going To Be GreatIt's an 11-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Welcome! Our Beatles Series continues with the the band's second feature: Help! This is one is in living color, and features a much more absurd storyline. Roger Ebert famously said the band had four seasons. This film captures them in spring. We have some strong opinions. To pair, we enjoy some lagers and limes. #Beatles #Help #Music #60sBe sure and subscribe, and check out my full reviews of every movie we cover:https://podcasts.apple.com/us/podcast/cinemavino/id1443636422https://open.spotify.com/show/3F2TZMa7gawXwY86syEZa6?si=74a4650f88cb48c7https://toddwoffordmovies.comAlso check out our cool sponsor! Use promo code CINEMAVINO and you'll get a huge 30% discount on your purchase. Plus, we'll receive a small commission. Win, win!https://rsrvcollective.com

Dean Richards, entertainment reporter for WGN, joins Jon Hansen (in for Bob Sirott) to provide the latest news in entertainment. Jon and Dean share details about Pixar’s worst movie opening to date, the seventh week of Diddy’s trial, and an update on Cher’s son. They also talk about the death of Lynn Hamilton and the […]

Physical Media weeks don't get much more packed this week and there is a lot to get to with Erik Childress and Peter Sobczynski. Titles include a trio of youth tales involving the film that took back cheerleading, a slasher film getting a new updating soon and the infamous creation of the Brat Pack. There's a Hammer mystery, sci-fi and Peter Cushing as Doctor Who. Peter talks about a somewhat forgotten film noir with Robert Mitchum as well as a musical version of The Philadelphia Story. They look back with a bit of fondness for an innocuous spoof of singing cowboy movies plus the inaugural releases of Dreamworks. All of this is wrapped in a pair of upgrades for two films that played their Chicago Critics Film Festival including the Alex Proyas sci-fi film Roger Ebert called the best film of 1998 and the William Friedkin masterpiece lost for many years but is now immortalized in the Criterion Collection.3:45 - Criterion (Sorcerer (4K), Thirty Two Short Films About Glenn Gould (4K))25:39 - Warner Archive (His Kind of Woman, High Society (4K))40:23 - WB (Lethal Weapon (4K Steelbook))46:59 - Kino (Rustlers' Rhapsody, The Peacemaker (4K), Mousehunt (4K), Road Trip (4K))1:20:02 - Sony (St. Elmo's Fire (4K), I Know What You Did Last Summer (4K Steelbook))1:40:18 - Shout Factory (Bring It On (4K))1:48:11 - Severin (Jack the Ripper 4K, Unknown World (4K), Total Extermination: The Peter Cushing Doctor Who Collection)2:03:19 - Arrow (Dark City (4K))2:14:17 – New Theatrical Titles On Blu-ray (The Monkey (4K), Novocaine (4K), A Minecraft Movie, Snow White (4K), Eephus)2:20:51 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We went exceptionally long on the late John Singleton's undersung period western Rosewood, a film (and filmmaker) whose fingerprints are all over Ryan Coogler's recent box office sensation, Sinners. Rosewood tells the story of an independent Black township in Florida and the barbaric racial violence it faced in 1923, incited by a white woman's false accusation of assault and the Klan-assisted mob that followed. It's believed that over 100 Black citizens were murdered during the attacks, though the true number has never been properly counted.Despite the brutality, the legacy of Rosewood was forgotten—suppressed for nearly 60 years by both those who endured it and those who carried out the violence—until investigators uncovered the truth. That reckoning ultimately led to a 1994 vote in the Florida State Legislature to pay reparations to the survivors and their descendants.In Singleton's hands, the story of Rosewood becomes a rich, downtempo historical epic of properly grave tone; a film that never shies away from the violent realities of Black life in America's south in the early 20th century, the racial animus stoked by class anxieties and lingering slavery era resentments, and the complicity of white audiences and their ancestors in carrying out the violence that shaped our country's past and present.We discuss Singleton's inimitable capacity to juggle the rhythms of mainstream studio moviemaking with the formal radicalism of a Black story told with limited equivocation and compromise, as well as how blockbuster moviemaking primes us for absolution rather than honest reckoning. Then, we explore the rich character work within the film, how Singleton utlizies the embellishments of genre and archetype to root Blackness in a cinematic history linked conspicuously to white supremacy, and the refreshing stroke of having "no good white guys" in the movie. Finally, we relate the film to Coogler's latest, where it achieves a similar filmic mastery as well as where we feel it falls short of Singleton's vision.Read The Rosewood Massacre at Esquire MagazineWatch The 1983 Rosewood Massacre segment from 60 MinutesRead Robert Daniels on Sinners at Roger Ebert....Our theme song is "Mirror" by Chris Fish.

It's a one off entry in hot zombie summer with everyone's favorite Jane Austen adaptation, Pride and Prejudice and Zombies!Christy Lemire for Roger Ebert: https://www.rogerebert.com/reviews/pride-and-prejudice-and-zombies-2016Follow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Welcome to this week's wild ride as me and my returning guest, Elizabeth Teets dive headfirst into the psychedelic madness of Beyond the Valley of the Dolls—Russ Meyer and Roger Ebert's infamous 1970 cult classic that defies categorization and good taste in equal measure.From its candy-colored visuals to its unhinged plot twists, this film isn't a sequel but a surreal spiritual cousin to the original Valley of the Dolls. We unpack the film's gleeful chaos, its satirical stab at Hollywood dreams, and how it juggles sex, violence, and groovy rock with a wink and a smirk.So crank up the Strawberry Alarm Clock, pour a martini, and prepare to say, “This is my happening and it freaks me out!”Intro/Outro Music: "Phantom Fun" by Jonathan BoyleFollow Elizabeth on Instagram and visit her WebsiteBuy Isn't She Great: Writers on Women Led Comedies from 9 to 5 to Booksmart----Show E-Mail: cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Bluesky, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

EPISODE 92 -  “BORN TO BE BAD - Old Hollywood's Favorite Brats" - 6/16/25 This week, we're getting into the pint-sized punks, the tantrum-throwers, the eye-rollers, and the sharp-tongued little legends who strutted across the silver screen like they owned the studio. That's right—we're talking about our favorite bratty kids in classic movies. You know the type: too smart for their age, too bold for their britches, and way too good at stealing scenes from their adult co-stars. Whether they were lighting up the screen with sass or shutting it down with a glare, these kids were iconic—and let's be honest, a little terrifying. So buckle up, because we're about to revisit the child stars who threw shade before it was cool, and tantrums that deserved an Oscar. Let the chaos begin. SHOW NOTES:  Sources: “There's Always Tomorrow,” August 13, 2021, by Richard Brody, The New Yorker;  “Jane Withers, Child Star Who Later Won Fame in Commercials, Does at 95,” August 8, 2021, The New York Times; “Denise Nickerson, Violet in ‘Willy Wonka & the Chocolate Factory, Has Died,” July 11, 2019, Times Union; “Violence to Lord of Flies,” December 19, 2012, RogerEbert.com;  “A Long Way From Brooklyn,” April 23, 2010,  by Dave Kehr, New York Times; “Bonita Granville Wrather, 65, an Actress and Executive (Obit),” October 8, 1988, The New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's super model week on the podcast! This week the boys being in Doug Freedman to talk two thrillers lead by Cindy Crawford and Pamela Anderson. They also take a deep dive on Roger Ebert vs Vincent Gallo, working in old Bay Area movie theaters, and (believe it or not) a TON of Casablanca talk

Welcome! This episode kicks off our Beatles series, and we begin with their first film--A Hard Day's Night. Roger Ebert famously said the Beatles had four seasons, and this film perfectly captures them in spring. They loved making music. Their brotherhood was still strong. Mega-fame hadn't exhausted them yet. For this brief moment, it felt like Beatlemania could last forever.We have differing opinions of this movie, so you'll have to see which side you fall on. Next week, get ready for the Beatles in summer, with Help!#Beatles #60s #Rock #PaulMcCartney #JohnLennon #GeorgeHarrison #RingoStarr #AHardDaysNight

“Armageddon” was not only the highest-grossing film of 1998, but it also earned 4 Oscar nominations. Yet that same flick was named the worst movie of the year by Roger Ebert and nominated for 7 Razzie Awards.  How could a film beloved by so many also receive such harsh criticism? That's just one of the many points we drill down on in this fun episode on the 1998 blockbuster “Armageddon.” What inspired the writers to add the romantic subplot between Grace and A.J.? Which pieces of space equipment were real, and what prompted NASA to let “Armageddon” use them? What's the backstory behind Aerosmith's #1 single “I Don't Want to Miss a Thing”? And just what did Ben Affleck say on that famous DVD commentary that resurfaced–and went viral– in 2016? Thank you to Jim for his top-of-the-episode shout out!  Find (and subscribe to!) the show on your favorite podcast app or the Scandal Water Podcast Youtube channel. How to support Scandal Water: Rate, review and subscribe! Send your shoutouts to scandalwaterpodcast@gmail.com. Give a gift through buymeacoffee.com/scandalwaterpod or patreon.com/ScandalWaterPodcast– which will also grant you access to fabulous bonus content! #armageddon #aerosmith #brucewillis #benaffleck #livtyler #michaelbay #endoftheworld #whatadisaster #movie #film #summerblockbuster #popcorn #scandalwaterpodcast 

Noah's been keeping this on the back burner for a while, in another classic moment of Jade begging him to watch something until finally forcing his hand.Roger Ebert: https://www.rogerebert.com/reviews/jacobs-ladder-1990Follow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Episode SummaryErin and Rachel travel 700 years into the future to discuss WALL-E (2008), Pixar's robot romance with an unintentionally anti-capitalist message. Fatphobia and misogyny make this dystopian tale unwatchable despite its endearing protagonist, striking animation, and moments of nostalgia. Episode BibliographyThe 81st Academy Awards | 2009. (2009, February 22). Oscars.org. https://www.oscars.org/oscars/ceremonies/2009Akers, D. (2008, June 9). Wall-E: A Movie With a Full Heart, or A Tribute to Justin. Spectrum. https://spectrummagazine.org/news/wall-e-movie-full-heart-or-tribute-justin/Allen, C. (2008, July 13). Wall-E doesn't say anything. Los Angeles Times. https://www.latimes.com/la-op-allen13-2008jul13-story.htmlAnderson, C.T. (2012). Post-apocalyptic nostalgia: WALL-E, garbage, and American ambivalence toward manufactured goods. Literature Interpretation Theory, 23(3), 267-282, DOI: 10.1080/10436928.2012.703598Ball, S. (2009, January 23). Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man. Newsweek. https://web.archive.org/web/20090204034311/http://blog.newsweek.com/blogs/popvox/archive/2009/01/23/breaking-out-of-the-box-wall-e-director-andrew-stanton-on-the-oscars-the-blurring-of-the-line-between-animation-and-film-and-writing-strong-female-characterBandyk, M. (2009, January 22). Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar. USNews. https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscarBarbagallo, R. (2009). Design With a Purpose, an interview with Ralph Eggleston. Animation Art Conservation. https://www.animationartconservation.com/design-with-a-purpose%2c-an-interview-with-ralph-eggleston.htmlBeck, B. (2009). Don't make me laugh: People are funny in WALL-E and Tropic Thunder.  Multicultural Perspectives, 11(2), 90-93. DOI: 10.1080/15210960903028768Bold, K. (2008, July 23). ‘WALL-E' and the professor. Today@UCI. https://web.archive.org/web/20080726230400/http://today.uci.edu/Features/profile_detail.asp?key=369Bose, M. (2017). Immaterial thoughts: Brand value, environmental sustainability, and WALL-E. Criticism, 59(2), 247-277. DOI: 10.13110/criticism.59.2.0247Caraway, K., & Caraway, B.R. (2020). Representing ecological crises in children's media: An analysis of The Lorax and Wall-E. Environmental Communication, 14(5), 686-697, DOI: 10.1080/17524032.2019.1710226Coconut Press. (2022, July 1). The Making of WALL-E: The Imperfect Lens (Disney Pixar video). YouTube. https://www.youtube.com/watch?v=G8tlVs4r7zgDesowitz, B. (2009). Hello, WALL•E!: Pixar Reaches for the Stars. Animation World Magazine. https://web.archive.org/web/20090720073659/http://mag.awn.com/article_view.php?id=3682&page=allDisney Enterprises, Inc./Pixar. (2008, June 12). WALL-E Press Kit. Disney. https://web.archive.org/web/20110711103245/http://adisney.go.com/disneyvideos/animatedfilms/wall-e/media/downloads/WALLEProductionNotes.pdfEbert, R. (2008, June 26). Droid Story. Roger Ebert. https://www.rogerebert.com/reviews/wall-e-2008Film Review: WALL-E. (2008, October 1). BBC. http://news.bbc.co.uk/cbbcnews/hi/newsid_7500000/newsid_7504500/7504559.stmFlaig, P. (2016). Slapstick after Fordism: WALL-E, automatism and Pixar's fun factory. Animation: An Interdisciplinary Journal, 11(1), 59-74. DOI: 10.1177/1746847715625017Frick, A. (2008, July 1). Right-Wing Apoplectic Over Pixar's WALL-E: ‘Malthusian Fear Mongering,' ‘Fascistic Elements'. Think Progress. https://archive.thinkprogress.org/right-wing-apoplectic-over-pixars-wall-e-malthusian-fear-mongering-fascistic-elements-92e1523a8a6e/Gaffey, A.J. (2018). Flip the switch: Virtue, programming, and the prospect of automatic agency in Wall-E. Southern Communication Journal, 83(1), 41-56. DOI: 10.1080/1041794X.2017.1399434Glint, J.M.S., & Bhuvaneswari, G. (2025). Memory, Social Identity and Technology at Odds: The Implication on Physical Well‑Being in Wall‑E. Human Arenas. DOI: 10.1007/s42087-024-00471-wHill, J. (2008, June 17). When it comes to the retail world, Speed Racer whomps WALL-E. Jim Hill Media. https://jimhillmedia.com/when-it-comes-to-the-retail-world-speed-racer-whomps-wall-e/Hobbes, M., & Gordon, A. [Hosts]. (2022, May 31). MP Watch Part: Wall-E and Spy [Audio podcast episode]. In Maintenance Phase. https://www.maintenancephase.com/Horn, S., & Moro, E. (2008, April 7). Wall•E Preview. IGN. https://web.archive.org/web/20080411234805/http://movies.ign.com/articles/865/865021p4.htmlHuxley, T. (2008, November 13). Q&A With WALL•E's Ben Burtt. Pixar Planet. https://pixarplanet.com/blog/qa-with-walles-ben-burtt/Justin Wright. (n.d.). Wikipedia. Retrieved April 13, 2025, from https://en.wikipedia.org/wiki/Justin_WrightKorfiatis, K., Photiou, M., & Petrou, S. (2020). Effects of ecoanimations on nine and twelve year old children's environmental conceptions: How WALL-E changed young spectators' views of earth and environmental protection. The Journal of Environmental Education, 51(5), 381-394. DOI: 10.1080/00958964.2020.1747965 Lloyd, A. (2023, December 1). Counteracting Bone and Muscle Loss in Microgravity. NASA. https://www.nasa.gov/humans-in-space/counteracting-bone-and-muscle-loss-in-microgravity/Mattie, S. (2014). WALL-E on the problem of technology. Perspectives on Political Science, 43(1), 12-20. DOI: 10.1080/10457097.2013.784576Murray, R.L., & Heumann, J.K. (2011). That's all folks? Ecocritical readings of American animated features. University of Nebraska Press. Ness, M. (2017, September 28). Robots in Love: WALL-E. Reactor. https://reactormag.com/robots-in-love-wall-e/Pixar. (2016a, October 16). Robo-Everything | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=gqquKFkH-iI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=9Pixar. (2016b, October 19). Captain's Log | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=PRUoIOkp9AU&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=5Pixar. (2016c, October 19). Live Action | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=FQh4z-j0ScI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=15Pixar. (2016d, October 19). Trash Planet | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=UmnSYmqpIEY&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=14Pixar. (2016e, October 19). WALL•E and EVE | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=m-AYOhIYZlQ&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=12Potokar, S. (2017, March 8). Wall-E Animation Foley and Sound Design. YouTube. https://www.youtube.com/watch?v=0IPxIvbc_csPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Recording Academy. (2025). 51st Annual GRAMMY Awards. GRAMMY.com. https://www.grammy.com/awards/51st-annual-grammy-awardsRoberts, S. (2008). Andrew Stanton Interview, Wall-E. Movies Online. https://web.archive.org/web/20080626061223/http://www.moviesonline.ca/movienews_14899.htmlRobinson, T. (2008, June 26). Andrew Stanton. A.V. Club. https://web.archive.org/web/20080908045321/http://www.avclub.com/content/interview/andrew_stantonStanton, A. (Director). (2008). WALL-E [Film]. Pixar Animation Studios.Suellentrop, C. (2008, June 30). Another Brick in the ‘WALL-E'. The New York Times. https://archive.nytimes.com/opinionator.blogs.nytimes.com/2008/06/30/another-brick-in-the-wall-e/Tranter, P., & Sharpe, S. (2012). Disney-Pixar to the rescue: Harnessing positive affect for enhancing children's active mobility. Journal of Transport Geography, 20, 34-40. DOI: 10.1016/j.jtrangeo.2011.04.006van Oosterwijk, I., & McCarthy, W. (2023). Once upon a dystopian time: The portrayal and perception of environmentalism in Pixar's Finding Nemo and WALL-E. Quarterly Review of Film and Video, 40(7), 848-873. DOI: 10.1080/10509208.2022.2049181 WALL-E. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/WALL-EWALL-E. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3615065601/Willman, C. (2008, July 14). 'WALL-E': How he found 'Hello, Dolly!' Entertainment Weekly. https://ew.com/article/2008/07/14/wall-e-how-he-found-hello-dolly/Yates, M. (2015). Labor as “nature,” nature as labor. Interdisciplinary Studies in Literature and Environment, 22(3), 525-543.

B-Real TV alumni, has photographed bands such as Korn and Slipknot, and loves pro wrestling -  Shaun Vizzy and I discuss his favorite film "Friday" directed by F Gary Gray who stars Ice Cube and Chris Tucker. It's a slice-of-life style of a film that's set in south central Los Angeles where two homies hang out and smoke weed but they get into a sort of laid back but messy situation with the neighborhood drug dealer. It's beyond an LA film or a hood film of sorts, but a film that represents community in a raw form. You do get to see life from a perspective that we can relate. You see real people. We talk about how Shaun saw this film but in a bootlegged VHS form BUT features a cut that's different from the actual theatrical version. We also talk about my disagreement of Roger Ebert's review of the film, especially the third act. Shaun and I talk about the legendary cast and we also discuss the character of "Big Worm" and how central it is to the film overall. This is a film where I did say that some of the scenes don't push the story forward but I fail to realize that LIFE itself goes in the pace we set it to be. Thanks to Shaun for wanting to do a podcast with me especially on this film that I personally feel should be in the United States Library of Congress if it's not there already.Shaun Vizzyhttps://linktr.ee/shaunvizzy

Goldie Hawn grew up in the D.C. area, so it's only right for our D.C. Onscreen series to look at her starring role in 1984's Protocol! Join in as we discuss theme restaurants, a weirdly deep cast, Reagan assassination parody, and the death of Skype. Plus: Who thought any of this Ohtar stuff worked? How did Sunny Davis get shot in the butt? Why does Chris Sarandon totally disappear from the movie? And, most importantly, which quadrant of D.C. does Sunny live in? Make sure to rate, review, and subscribe! Next week: Chances Are (1989)---------------------------------------------------Key sources and links for this episode:Roger Ebert's 2.5-star review"Making of Protocol is a Hit on the Streets" (Washington Post)"Goldie Hawn Surprised by Arab Protests" (UPI)"Goldie Hawn, Wacky Like a Fox" (Washington Post)Read about Steven Spielberg and Jeffrey Katzenberg's failed theme restaurant

Ep. 316: Robert Daniels on Eddington, Mission: Impossible – The Final Reckoning, Raoul Peck's Orwell Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This time I'm very pleased to sit down with Robert Daniels, associate editor at RogerEbert.com and a columnist and reviewer at The New York Times, among other writing. We focus on a few films spanning a wide variety of form and genre: Eddington (Ari Aster), Mission: Impossible – Final Reckoning (Christopher McQuarrie), and the documentary Orwell: 2+5=5 (Raoul Peck). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Sean Burns (film critic) will discuss the greatness of the departed Gene Hackman in the special CRITERION COLLECTION 4K release of NIGHT MOVES.Night MovesArthur Penn's haunting neonoir reimagines the hard-boiled detective film for the disillusioned, paranoid 1970s. In one of his greatest performances, Gene Hackman oozes world-weary cynicism as a private investigator whose search for an actress's missing daughter (Melanie Griffith) leads him from the Hollywood Hills to the Florida Keys, where he is pulled into a sordid family drama and a sinister conspiracy he can hardly grasp. Bolstered by Alan Sharp's genre-scrambling script and Dede Allen's elliptical editing, the daringly labyrinthine Night Moves is a defining work of post-Watergate cinema—a silent scream of existential dread and moral decay whose legend has only grown with time.4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, with uncompressed monaural soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresNew audio commentary by Matthew Asprey Gear, author of Moseby ConfidentialNew audio interview with actor Jennifer WarrenInterview with director Arthur Penn from a 1975 episode of Cinema ShowcaseInterview with Penn from the 1995 documentary Arthur Penn: A Love Affair with FilmThe Day of the Director, a behind-the-scenes featuretteTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Mark HarrisNew cover by Greg ManchessSean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Nick sits down with The Movie Mom, Nell Minow, for a wide-ranging chat that covers everything from her recent congressional testimony to her film writing at RogerEbert.com. They dive into the buzz around Thunderbolts and Sorry, Baby, and she shares highlights from Ebert Fest 2025. Later, Esmeralda Leon drops in for a nostalgic trip back to the chaos of 2017—a year that delivered peak weirdness—and the two swap picks for their favorite movie and TV moms, just in time for Mother's Day. [Ep 348]