Podcasts about Roger Ebert

The latest film releases include F1, M3GAN 2.0, Sorry, Baby, and Familiar Touch. Weighing in are Christy Lemire, writer for RogerEbert.com and co-host of the podcast Breakfast All Day, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

THIS WEEK: I run down the announcements made at the Arc System Work Showcase. Cat Quest 3 gets a cool free update. I give my thoughts on Andy Bogard in FATAL FURY: COTW. I also give my thoughts on whether 50 Cent is a good choice to play a Street Fighter favorite character in the upcoming movie. Then, in our FINAL STAGE, I talk about why I wish Roger Ebert were alive to play what could be the Game of the Year in Clair Obscure: Expedition 33.  

Send us a text6:27 F1: The Movie17:18 M3GAN 2.025:40 Escape from the 21st Century (Now streaming on Fandor, try for free!)31:51 In Vitro37:36 Off The Grid42:47 Ice Road: Vengeance49:27 The Sound54:11 The G59:26 Stealing Pulp Fiction01:04:48 Hot Milk01:10:52 Everything's Going To Be GreatIt's an 11-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there! Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! 'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.' Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo EntertainmentSupport the show

Welcome! Our Beatles Series continues with the the band's second feature: Help! This is one is in living color, and features a much more absurd storyline. Roger Ebert famously said the band had four seasons. This film captures them in spring. We have some strong opinions. To pair, we enjoy some lagers and limes. #Beatles #Help #Music #60sBe sure and subscribe, and check out my full reviews of every movie we cover:https://podcasts.apple.com/us/podcast/cinemavino/id1443636422https://open.spotify.com/show/3F2TZMa7gawXwY86syEZa6?si=74a4650f88cb48c7https://toddwoffordmovies.comAlso check out our cool sponsor! Use promo code CINEMAVINO and you'll get a huge 30% discount on your purchase. Plus, we'll receive a small commission. Win, win!https://rsrvcollective.com

Dean Richards, entertainment reporter for WGN, joins Jon Hansen (in for Bob Sirott) to provide the latest news in entertainment. Jon and Dean share details about Pixar’s worst movie opening to date, the seventh week of Diddy’s trial, and an update on Cher’s son. They also talk about the death of Lynn Hamilton and the […]

Physical Media weeks don't get much more packed this week and there is a lot to get to with Erik Childress and Peter Sobczynski. Titles include a trio of youth tales involving the film that took back cheerleading, a slasher film getting a new updating soon and the infamous creation of the Brat Pack. There's a Hammer mystery, sci-fi and Peter Cushing as Doctor Who. Peter talks about a somewhat forgotten film noir with Robert Mitchum as well as a musical version of The Philadelphia Story. They look back with a bit of fondness for an innocuous spoof of singing cowboy movies plus the inaugural releases of Dreamworks. All of this is wrapped in a pair of upgrades for two films that played their Chicago Critics Film Festival including the Alex Proyas sci-fi film Roger Ebert called the best film of 1998 and the William Friedkin masterpiece lost for many years but is now immortalized in the Criterion Collection.3:45 - Criterion (Sorcerer (4K), Thirty Two Short Films About Glenn Gould (4K))25:39 - Warner Archive (His Kind of Woman, High Society (4K))40:23 - WB (Lethal Weapon (4K Steelbook))46:59 - Kino (Rustlers' Rhapsody, The Peacemaker (4K), Mousehunt (4K), Road Trip (4K))1:20:02 - Sony (St. Elmo's Fire (4K), I Know What You Did Last Summer (4K Steelbook))1:40:18 - Shout Factory (Bring It On (4K))1:48:11 - Severin (Jack the Ripper 4K, Unknown World (4K), Total Extermination: The Peter Cushing Doctor Who Collection)2:03:19 - Arrow (Dark City (4K))2:14:17 – New Theatrical Titles On Blu-ray (The Monkey (4K), Novocaine (4K), A Minecraft Movie, Snow White (4K), Eephus)2:20:51 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We went exceptionally long on the late John Singleton's undersung period western Rosewood, a film (and filmmaker) whose fingerprints are all over Ryan Coogler's recent box office sensation, Sinners. Rosewood tells the story of an independent Black township in Florida and the barbaric racial violence it faced in 1923, incited by a white woman's false accusation of assault and the Klan-assisted mob that followed. It's believed that over 100 Black citizens were murdered during the attacks, though the true number has never been properly counted.Despite the brutality, the legacy of Rosewood was forgotten—suppressed for nearly 60 years by both those who endured it and those who carried out the violence—until investigators uncovered the truth. That reckoning ultimately led to a 1994 vote in the Florida State Legislature to pay reparations to the survivors and their descendants.In Singleton's hands, the story of Rosewood becomes a rich, downtempo historical epic of properly grave tone; a film that never shies away from the violent realities of Black life in America's south in the early 20th century, the racial animus stoked by class anxieties and lingering slavery era resentments, and the complicity of white audiences and their ancestors in carrying out the violence that shaped our country's past and present.We discuss Singleton's inimitable capacity to juggle the rhythms of mainstream studio moviemaking with the formal radicalism of a Black story told with limited equivocation and compromise, as well as how blockbuster moviemaking primes us for absolution rather than honest reckoning. Then, we explore the rich character work within the film, how Singleton utlizies the embellishments of genre and archetype to root Blackness in a cinematic history linked conspicuously to white supremacy, and the refreshing stroke of having "no good white guys" in the movie. Finally, we relate the film to Coogler's latest, where it achieves a similar filmic mastery as well as where we feel it falls short of Singleton's vision.Read The Rosewood Massacre at Esquire MagazineWatch The 1983 Rosewood Massacre segment from 60 MinutesRead Robert Daniels on Sinners at Roger Ebert....Our theme song is "Mirror" by Chris Fish.

It's a one off entry in hot zombie summer with everyone's favorite Jane Austen adaptation, Pride and Prejudice and Zombies!Christy Lemire for Roger Ebert: https://www.rogerebert.com/reviews/pride-and-prejudice-and-zombies-2016Follow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Christian Zyp interviews Simon Ennis (director) and Elizabeth Hargrave (Tabletop Game Creator) about the documentary THE HOBBY: TALES FROM THE TABLETOP. It screens Friday June 20th at 6:45 at Metro CInema. Simon and Elizabeth will be in attendance at the screening for a Q&A following the film.  From the World Series of Board Games on the Vegas Strip and dating back to ancient Mesopotamia, THE HOBBY: TALES FROM THE tABLETOP is an affectionate, character-driven portrait of the massive and diverse subculture of board games. With a fascinating cast of charming subjects, including the “Roger Ebert of board games,” a rock-climbing board game philosopher, and a birdwatcher who created an unlikely smash hit, players share personal stories of competition, compulsion, creativity, and connection throughout the film. More than just a movie about board games, THE HOBBY explores the value of leisure time and uncovers the deep meaning found in “meaningless” pursuits.THE HOBBY: TALES FROM THE TABLETOP Website: https://www.sepiafilms.com/films/the-hobby@sepia_filmsELIZABETH HARGRAVE Website: https://www.elizhargrave.com/METRO CINEMA Tickets: https://ticketing.uswest.veezi.com/purchase/9334?siteToken=bfsmvs00k2v5xfayv313wkqpkw

Welcome to this week's wild ride as me and my returning guest, Elizabeth Teets dive headfirst into the psychedelic madness of Beyond the Valley of the Dolls—Russ Meyer and Roger Ebert's infamous 1970 cult classic that defies categorization and good taste in equal measure.From its candy-colored visuals to its unhinged plot twists, this film isn't a sequel but a surreal spiritual cousin to the original Valley of the Dolls. We unpack the film's gleeful chaos, its satirical stab at Hollywood dreams, and how it juggles sex, violence, and groovy rock with a wink and a smirk.So crank up the Strawberry Alarm Clock, pour a martini, and prepare to say, “This is my happening and it freaks me out!”Intro/Outro Music: "Phantom Fun" by Jonathan BoyleFollow Elizabeth on Instagram and visit her WebsiteBuy Isn't She Great: Writers on Women Led Comedies from 9 to 5 to Booksmart----Show E-Mail: cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Bluesky, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

EPISODE 92 -  “BORN TO BE BAD - Old Hollywood's Favorite Brats" - 6/16/25 This week, we're getting into the pint-sized punks, the tantrum-throwers, the eye-rollers, and the sharp-tongued little legends who strutted across the silver screen like they owned the studio. That's right—we're talking about our favorite bratty kids in classic movies. You know the type: too smart for their age, too bold for their britches, and way too good at stealing scenes from their adult co-stars. Whether they were lighting up the screen with sass or shutting it down with a glare, these kids were iconic—and let's be honest, a little terrifying. So buckle up, because we're about to revisit the child stars who threw shade before it was cool, and tantrums that deserved an Oscar. Let the chaos begin. SHOW NOTES:  Sources: “There's Always Tomorrow,” August 13, 2021, by Richard Brody, The New Yorker;  “Jane Withers, Child Star Who Later Won Fame in Commercials, Does at 95,” August 8, 2021, The New York Times; “Denise Nickerson, Violet in ‘Willy Wonka & the Chocolate Factory, Has Died,” July 11, 2019, Times Union; “Violence to Lord of Flies,” December 19, 2012, RogerEbert.com;  “A Long Way From Brooklyn,” April 23, 2010,  by Dave Kehr, New York Times; “Bonita Granville Wrather, 65, an Actress and Executive (Obit),” October 8, 1988, The New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's super model week on the podcast! This week the boys being in Doug Freedman to talk two thrillers lead by Cindy Crawford and Pamela Anderson. They also take a deep dive on Roger Ebert vs Vincent Gallo, working in old Bay Area movie theaters, and (believe it or not) a TON of Casablanca talk

Welcome! This episode kicks off our Beatles series, and we begin with their first film--A Hard Day's Night. Roger Ebert famously said the Beatles had four seasons, and this film perfectly captures them in spring. They loved making music. Their brotherhood was still strong. Mega-fame hadn't exhausted them yet. For this brief moment, it felt like Beatlemania could last forever.We have differing opinions of this movie, so you'll have to see which side you fall on. Next week, get ready for the Beatles in summer, with Help!#Beatles #60s #Rock #PaulMcCartney #JohnLennon #GeorgeHarrison #RingoStarr #AHardDaysNight

“Armageddon” was not only the highest-grossing film of 1998, but it also earned 4 Oscar nominations. Yet that same flick was named the worst movie of the year by Roger Ebert and nominated for 7 Razzie Awards.  How could a film beloved by so many also receive such harsh criticism? That's just one of the many points we drill down on in this fun episode on the 1998 blockbuster “Armageddon.” What inspired the writers to add the romantic subplot between Grace and A.J.? Which pieces of space equipment were real, and what prompted NASA to let “Armageddon” use them? What's the backstory behind Aerosmith's #1 single “I Don't Want to Miss a Thing”? And just what did Ben Affleck say on that famous DVD commentary that resurfaced–and went viral– in 2016? Thank you to Jim for his top-of-the-episode shout out!  Find (and subscribe to!) the show on your favorite podcast app or the Scandal Water Podcast Youtube channel. How to support Scandal Water: Rate, review and subscribe! Send your shoutouts to scandalwaterpodcast@gmail.com. Give a gift through buymeacoffee.com/scandalwaterpod or patreon.com/ScandalWaterPodcast– which will also grant you access to fabulous bonus content! #armageddon #aerosmith #brucewillis #benaffleck #livtyler #michaelbay #endoftheworld #whatadisaster #movie #film #summerblockbuster #popcorn #scandalwaterpodcast 

Noah's been keeping this on the back burner for a while, in another classic moment of Jade begging him to watch something until finally forcing his hand.Roger Ebert: https://www.rogerebert.com/reviews/jacobs-ladder-1990Follow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

"I have filled my life so completely that many days there is no time to think about the fact that I am living it." Roger Ebert

Movie of the Year: 1999ElectionWhy Election Still Wins in 2025Election (1999), directed by Alexander Payne, is more than a high school satire—it's a prescient political commentary that resonates even more strongly today. In this episode of the Movie of the Year podcast, our panel dissects the themes, characters, and real-world connections that make the 1999 film Election a lasting cultural touchstone. Whether you're a cinephile, a political junkie, or just love smart storytelling, this episode is for you.Tracy Flick: Ambition MisunderstoodReese Witherspoon's portrayal of Tracy Flick has become iconic—a name synonymous with hyper-ambition. But is she the villain the culture made her out to be? Our hosts dig into Tracy's motivations, the pressures she faces, and why she remains such a lightning rod in discussions about women in power. We also explore how Tracy has been unfairly weaponized in political commentary and what her character says about gender dynamics in leadership.Related Link:Tracy Flick and the Misogyny of Ambition – The AtlanticMultiple Narrators: A Study in SubjectivityOne of Election's standout narrative techniques is its use of multiple unreliable narrators. The podcast explores how shifting points of view from characters like Jim McAllister (Matthew Broderick) and Tracy Flick enhance the story's depth. By hearing each character's internal monologue, viewers are invited to question their judgments and reconsider the "truth" behind every action.This layered storytelling approach reflects the film's central themes of bias, self-deception, and moral relativism—perfect fodder for a podcast discussion.The Real-Life Politics of ElectionAt its core, Election is a biting political allegory. Our panel draws parallels between the film's student election and the real-world electoral process, both in 1999 and today. We discuss how the film anticipates the rise of personality-driven campaigns, performative outrage, and the weaponization of narrative control.From Clinton-era scandals to 21st-century political polarization, Election serves as a surprisingly accurate mirror of American democracy. We also examine the cultural aftershocks of Tracy Flick's character, who continues to be cited in political discourse more than two decades later.External Resources:IMDb: Election (1999)Roger Ebert's Review of ElectionRevisiting the 1999 Season: American Beauty in the SpotlightAs part of their ongoing mission to revisit the films of their first 1999 season, The Taste Buds also take a fresh look at American Beauty in this episode. They reflect on how the film has aged, explore its themes in the context of today's culture, and consider how its reputation has evolved. This bonus discussion offers added value for long-time listeners and new fans exploring the best films of 1999 through a modern lens.Final Thoughts: Election Still Gets Our VoteMore than two decades after its release, Election remains eerily relevant and endlessly entertaining. Through nuanced performances, clever storytelling, and bold satire, Alexander Payne crafted a film that continues to spark debate. This episode of Movie of the Year unpacks all that and more, providing listeners with a thoughtful and engaging breakdown of why...

Episode SummaryErin and Rachel travel 700 years into the future to discuss WALL-E (2008), Pixar's robot romance with an unintentionally anti-capitalist message. Fatphobia and misogyny make this dystopian tale unwatchable despite its endearing protagonist, striking animation, and moments of nostalgia. Episode BibliographyThe 81st Academy Awards | 2009. (2009, February 22). Oscars.org. https://www.oscars.org/oscars/ceremonies/2009Akers, D. (2008, June 9). Wall-E: A Movie With a Full Heart, or A Tribute to Justin. Spectrum. https://spectrummagazine.org/news/wall-e-movie-full-heart-or-tribute-justin/Allen, C. (2008, July 13). Wall-E doesn't say anything. Los Angeles Times. https://www.latimes.com/la-op-allen13-2008jul13-story.htmlAnderson, C.T. (2012). Post-apocalyptic nostalgia: WALL-E, garbage, and American ambivalence toward manufactured goods. Literature Interpretation Theory, 23(3), 267-282, DOI: 10.1080/10436928.2012.703598Ball, S. (2009, January 23). Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man. Newsweek. https://web.archive.org/web/20090204034311/http://blog.newsweek.com/blogs/popvox/archive/2009/01/23/breaking-out-of-the-box-wall-e-director-andrew-stanton-on-the-oscars-the-blurring-of-the-line-between-animation-and-film-and-writing-strong-female-characterBandyk, M. (2009, January 22). Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar. USNews. https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscarBarbagallo, R. (2009). Design With a Purpose, an interview with Ralph Eggleston. Animation Art Conservation. https://www.animationartconservation.com/design-with-a-purpose%2c-an-interview-with-ralph-eggleston.htmlBeck, B. (2009). Don't make me laugh: People are funny in WALL-E and Tropic Thunder.  Multicultural Perspectives, 11(2), 90-93. DOI: 10.1080/15210960903028768Bold, K. (2008, July 23). ‘WALL-E' and the professor. Today@UCI. https://web.archive.org/web/20080726230400/http://today.uci.edu/Features/profile_detail.asp?key=369Bose, M. (2017). Immaterial thoughts: Brand value, environmental sustainability, and WALL-E. Criticism, 59(2), 247-277. DOI: 10.13110/criticism.59.2.0247Caraway, K., & Caraway, B.R. (2020). Representing ecological crises in children's media: An analysis of The Lorax and Wall-E. Environmental Communication, 14(5), 686-697, DOI: 10.1080/17524032.2019.1710226Coconut Press. (2022, July 1). The Making of WALL-E: The Imperfect Lens (Disney Pixar video). YouTube. https://www.youtube.com/watch?v=G8tlVs4r7zgDesowitz, B. (2009). Hello, WALL•E!: Pixar Reaches for the Stars. Animation World Magazine. https://web.archive.org/web/20090720073659/http://mag.awn.com/article_view.php?id=3682&page=allDisney Enterprises, Inc./Pixar. (2008, June 12). WALL-E Press Kit. Disney. https://web.archive.org/web/20110711103245/http://adisney.go.com/disneyvideos/animatedfilms/wall-e/media/downloads/WALLEProductionNotes.pdfEbert, R. (2008, June 26). Droid Story. Roger Ebert. https://www.rogerebert.com/reviews/wall-e-2008Film Review: WALL-E. (2008, October 1). BBC. http://news.bbc.co.uk/cbbcnews/hi/newsid_7500000/newsid_7504500/7504559.stmFlaig, P. (2016). Slapstick after Fordism: WALL-E, automatism and Pixar's fun factory. Animation: An Interdisciplinary Journal, 11(1), 59-74. DOI: 10.1177/1746847715625017Frick, A. (2008, July 1). Right-Wing Apoplectic Over Pixar's WALL-E: ‘Malthusian Fear Mongering,' ‘Fascistic Elements'. Think Progress. https://archive.thinkprogress.org/right-wing-apoplectic-over-pixars-wall-e-malthusian-fear-mongering-fascistic-elements-92e1523a8a6e/Gaffey, A.J. (2018). Flip the switch: Virtue, programming, and the prospect of automatic agency in Wall-E. Southern Communication Journal, 83(1), 41-56. DOI: 10.1080/1041794X.2017.1399434Glint, J.M.S., & Bhuvaneswari, G. (2025). Memory, Social Identity and Technology at Odds: The Implication on Physical Well‑Being in Wall‑E. Human Arenas. DOI: 10.1007/s42087-024-00471-wHill, J. (2008, June 17). When it comes to the retail world, Speed Racer whomps WALL-E. Jim Hill Media. https://jimhillmedia.com/when-it-comes-to-the-retail-world-speed-racer-whomps-wall-e/Hobbes, M., & Gordon, A. [Hosts]. (2022, May 31). MP Watch Part: Wall-E and Spy [Audio podcast episode]. In Maintenance Phase. https://www.maintenancephase.com/Horn, S., & Moro, E. (2008, April 7). Wall•E Preview. IGN. https://web.archive.org/web/20080411234805/http://movies.ign.com/articles/865/865021p4.htmlHuxley, T. (2008, November 13). Q&A With WALL•E's Ben Burtt. Pixar Planet. https://pixarplanet.com/blog/qa-with-walles-ben-burtt/Justin Wright. (n.d.). Wikipedia. Retrieved April 13, 2025, from https://en.wikipedia.org/wiki/Justin_WrightKorfiatis, K., Photiou, M., & Petrou, S. (2020). Effects of ecoanimations on nine and twelve year old children's environmental conceptions: How WALL-E changed young spectators' views of earth and environmental protection. The Journal of Environmental Education, 51(5), 381-394. DOI: 10.1080/00958964.2020.1747965 Lloyd, A. (2023, December 1). Counteracting Bone and Muscle Loss in Microgravity. NASA. https://www.nasa.gov/humans-in-space/counteracting-bone-and-muscle-loss-in-microgravity/Mattie, S. (2014). WALL-E on the problem of technology. Perspectives on Political Science, 43(1), 12-20. DOI: 10.1080/10457097.2013.784576Murray, R.L., & Heumann, J.K. (2011). That's all folks? Ecocritical readings of American animated features. University of Nebraska Press. Ness, M. (2017, September 28). Robots in Love: WALL-E. Reactor. https://reactormag.com/robots-in-love-wall-e/Pixar. (2016a, October 16). Robo-Everything | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=gqquKFkH-iI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=9Pixar. (2016b, October 19). Captain's Log | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=PRUoIOkp9AU&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=5Pixar. (2016c, October 19). Live Action | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=FQh4z-j0ScI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=15Pixar. (2016d, October 19). Trash Planet | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=UmnSYmqpIEY&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=14Pixar. (2016e, October 19). WALL•E and EVE | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=m-AYOhIYZlQ&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=12Potokar, S. (2017, March 8). Wall-E Animation Foley and Sound Design. YouTube. https://www.youtube.com/watch?v=0IPxIvbc_csPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Recording Academy. (2025). 51st Annual GRAMMY Awards. GRAMMY.com. https://www.grammy.com/awards/51st-annual-grammy-awardsRoberts, S. (2008). Andrew Stanton Interview, Wall-E. Movies Online. https://web.archive.org/web/20080626061223/http://www.moviesonline.ca/movienews_14899.htmlRobinson, T. (2008, June 26). Andrew Stanton. A.V. Club. https://web.archive.org/web/20080908045321/http://www.avclub.com/content/interview/andrew_stantonStanton, A. (Director). (2008). WALL-E [Film]. Pixar Animation Studios.Suellentrop, C. (2008, June 30). Another Brick in the ‘WALL-E'. The New York Times. https://archive.nytimes.com/opinionator.blogs.nytimes.com/2008/06/30/another-brick-in-the-wall-e/Tranter, P., & Sharpe, S. (2012). Disney-Pixar to the rescue: Harnessing positive affect for enhancing children's active mobility. Journal of Transport Geography, 20, 34-40. DOI: 10.1016/j.jtrangeo.2011.04.006van Oosterwijk, I., & McCarthy, W. (2023). Once upon a dystopian time: The portrayal and perception of environmentalism in Pixar's Finding Nemo and WALL-E. Quarterly Review of Film and Video, 40(7), 848-873. DOI: 10.1080/10509208.2022.2049181 WALL-E. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/WALL-EWALL-E. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3615065601/Willman, C. (2008, July 14). 'WALL-E': How he found 'Hello, Dolly!' Entertainment Weekly. https://ew.com/article/2008/07/14/wall-e-how-he-found-hello-dolly/Yates, M. (2015). Labor as “nature,” nature as labor. Interdisciplinary Studies in Literature and Environment, 22(3), 525-543.

Men by Alex Garland.Thank god somebody was brave enough to make Men by Alex Garland, imagine a world where that didn't happen?Christy Lemire for Roger Ebert: https://www.rogerebert.com/reviews/men-movie-review-2022Follow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

B-Real TV alumni, has photographed bands such as Korn and Slipknot, and loves pro wrestling -  Shaun Vizzy and I discuss his favorite film "Friday" directed by F Gary Gray who stars Ice Cube and Chris Tucker. It's a slice-of-life style of a film that's set in south central Los Angeles where two homies hang out and smoke weed but they get into a sort of laid back but messy situation with the neighborhood drug dealer. It's beyond an LA film or a hood film of sorts, but a film that represents community in a raw form. You do get to see life from a perspective that we can relate. You see real people. We talk about how Shaun saw this film but in a bootlegged VHS form BUT features a cut that's different from the actual theatrical version. We also talk about my disagreement of Roger Ebert's review of the film, especially the third act. Shaun and I talk about the legendary cast and we also discuss the character of "Big Worm" and how central it is to the film overall. This is a film where I did say that some of the scenes don't push the story forward but I fail to realize that LIFE itself goes in the pace we set it to be. Thanks to Shaun for wanting to do a podcast with me especially on this film that I personally feel should be in the United States Library of Congress if it's not there already.Shaun Vizzyhttps://linktr.ee/shaunvizzy

Drawn by Beauty: Awe and wonder in the Christian Life… GUEST Matt Capps … senior pastor, Fairview Baptist Church, Apex, NC. What’s good to watch?… GUEST Abby Olcese… writer on film, pop culture and faith … she’s written for Think Christian and RogerEbert.com (she’s from Kansas City) … author of “Films for All Seasons: Experiencing the Church Year at the Movies”See omnystudio.com/listener for privacy information.

Den glamorøse Filmfestivalen i Cannes er kjent for å ta filmkunsten på alvor. Kulturjournalist, Elise Dybvig er der for første gang, og rapporterer fra sitt hotellrom. Lever den myteomspunnede festivalen opp til sitt rykte? Hvem har hun møtt på? Og hva ser hun frem til å se?Verk og artikler nevnt i episoden:Boken Hollywood on the Riviera: the Inside Story of the Cannes Film Festival, av Henri Béhar og Cari Beauchamp (1992)Boken Two Weeks in the Midday Sun – A Cannes Notebook, av Roger Ebert (1987)Filmen Nouvelle vague (2025) Regi: Richard LinklaterFilmen Til siste åndedrag (1960) Regi: Jean-Luc Godard Hosted on Acast. See acast.com/privacy for more information.

Goldie Hawn grew up in the D.C. area, so it's only right for our D.C. Onscreen series to look at her starring role in 1984's Protocol! Join in as we discuss theme restaurants, a weirdly deep cast, Reagan assassination parody, and the death of Skype. Plus: Who thought any of this Ohtar stuff worked? How did Sunny Davis get shot in the butt? Why does Chris Sarandon totally disappear from the movie? And, most importantly, which quadrant of D.C. does Sunny live in? Make sure to rate, review, and subscribe! Next week: Chances Are (1989)---------------------------------------------------Key sources and links for this episode:Roger Ebert's 2.5-star review"Making of Protocol is a Hit on the Streets" (Washington Post)"Goldie Hawn Surprised by Arab Protests" (UPI)"Goldie Hawn, Wacky Like a Fox" (Washington Post)Read about Steven Spielberg and Jeffrey Katzenberg's failed theme restaurant

Ep. 316: Robert Daniels on Eddington, Mission: Impossible – The Final Reckoning, Raoul Peck's Orwell Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This time I'm very pleased to sit down with Robert Daniels, associate editor at RogerEbert.com and a columnist and reviewer at The New York Times, among other writing. We focus on a few films spanning a wide variety of form and genre: Eddington (Ari Aster), Mission: Impossible – Final Reckoning (Christopher McQuarrie), and the documentary Orwell: 2+5=5 (Raoul Peck). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Sean Burns (film critic) will discuss the greatness of the departed Gene Hackman in the special CRITERION COLLECTION 4K release of NIGHT MOVES.Night MovesArthur Penn's haunting neonoir reimagines the hard-boiled detective film for the disillusioned, paranoid 1970s. In one of his greatest performances, Gene Hackman oozes world-weary cynicism as a private investigator whose search for an actress's missing daughter (Melanie Griffith) leads him from the Hollywood Hills to the Florida Keys, where he is pulled into a sordid family drama and a sinister conspiracy he can hardly grasp. Bolstered by Alan Sharp's genre-scrambling script and Dede Allen's elliptical editing, the daringly labyrinthine Night Moves is a defining work of post-Watergate cinema—a silent scream of existential dread and moral decay whose legend has only grown with time.4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, with uncompressed monaural soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresNew audio commentary by Matthew Asprey Gear, author of Moseby ConfidentialNew audio interview with actor Jennifer WarrenInterview with director Arthur Penn from a 1975 episode of Cinema ShowcaseInterview with Penn from the 1995 documentary Arthur Penn: A Love Affair with FilmThe Day of the Director, a behind-the-scenes featuretteTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Mark HarrisNew cover by Greg ManchessSean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Nick sits down with The Movie Mom, Nell Minow, for a wide-ranging chat that covers everything from her recent congressional testimony to her film writing at RogerEbert.com. They dive into the buzz around Thunderbolts and Sorry, Baby, and she shares highlights from Ebert Fest 2025. Later, Esmeralda Leon drops in for a nostalgic trip back to the chaos of 2017—a year that delivered peak weirdness—and the two swap picks for their favorite movie and TV moms, just in time for Mother's Day. [Ep 348]

 to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 98 of the Director Watch Podcast, the boys are joined by Brian Tallerico, Managing Editor of RogerEbert.com, to discuss the next film in their Peter Jackson series, The Frighteners (1996). The critical success of Heavenly Creatures proved to put Jackson on the map, with Hollywood calling for him to start making bigger pictures. In writing a treatment in 1992 for an idea that would become The Frighteners, Oscar winning director Robert Zemeckis viewed their idea as a chance to be a spin off to the television series Tales from the Crypt, centering on a small town private eye who can see and speak to the dead. In working with Jackson and Fran Walsh, Zemeckis liked the idea of the young director making the film, and thus became the last film he would make before the biggest project of his life. But is it good, is it successful, or is it a forgotten relic that doesn't make sense within Jackson's filmography. Ryan, Jay, and Brian debate where The Frighteners lands, the importance of Weta Digital, the career of Michael J. Fox, Jackson getting the movie filmed in New Zealand even though it takes place in America, and preview the start of the boys' journey to Middle Earth over the next couple of weeks. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h21m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, The Lord of the Rings: The Fellowship of the Ring. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast (bonus Patti LuPone on Evita clip here!), Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast, Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

As Ryan Coogler and Michael B. Jordan's most recent collaboration, Sinners, is dominating the domestic and worldwide box office, we thought it would be a good time to look at their first project together, Fruitvale Station. Fruitvale is partially the telling of the tragic story of the killing of Oscar Grant in Oakland CA on New Year's Day 2009, but it's so much more. Beyond being a mere recreation of events and the conveying of the awful facts, the film is a beautiful portrait of a young man who is struggling against a system that is set against him and his own difficulties. In addition to being a star making vehicle for Michael B. Jordan, the film features incredible performances from Melonie Diaz, Octavia Spencer, and Ariana Neal. Coogler and co. received a lot of critical praise for the film which set him up to helm massive projects like Creed and the Black Panther movies for Marvel. Joining us for our look back is Chicago based film critic Zachary Lee who is a regular contributor to Roger Ebert, Letterboxd, Interview Magazine, Chicago Reader, Think Christian, and more. He's been someone we've wanted to have on the show for a while and he did not disappoint.Enjoy the show and share it with a friend!⁠⁠⁠⁠Substantive Cinema Episode List⁠Zach Interviews Ryan CooglerFreaky Tales InterviewZach & Willem Dafoe on The Legend of OchiShoutouts:Queens of DramaThe Ballad of Wallis IslandOur Revolution by Bernie SandersMy Old AssFollow ZachInstagramEverything else!Follow Us⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠⁠⁠⁠Share Your Questions/Suggestions/Feedback With Us:Email: thesubstancepod@gmail.comDM on InstagramSupport Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

This episode originally premiered on April 6th, 2024Who knew a thumb could be so powerful?Siskel and Ebert created, and defined, the genre of reviewing movies on television. They were entertaining, informative, and influential. Then it suddenly came to an end.Join Ty and RD as they discuss the history, and personal influence, of Gene Siskel and Roger Ebert.Download the episode for free.

No sense in really bothering with a full-on review of director/creator Ryan Coogler's popular new motion picture SINNERS, as Google can get to one in podcast or article format in just a few seconds. However, Wood revisits a few more details and themes from the film by building off of RogerEbert.com contributor Robert Daniels' polarizing review - 2.5 out of 4 stars - of the Jim Crow era-based horror film. Another segment of the show takes a look at some of the recent behavior of Higher Learning podcast co-host Van Lathan. Over a couple recent episodes Lathan made a biting take about his rival Kanye West, and then had an interview with author Jason Wilson where he broke down into tears after seemingly dealing with being pressed by some in his circle. The podcast, or content, game can just be a very awkward space at times.

IN THE BEDROOM, the 2001 Oscar nominated motion picture, was given praise by movie critic Roger Ebert as the best film he had seen at Sundance. It is a family drama, but it also is much more than that. Generational, getting old, losing a loved one, and seeing the end of a family line. The movie was ground breaking in many ways and has become a classic.From IMDB: A New England couple's college-aged son dates an older woman who has two small children and an unwelcome ex-husband.The film was directed by Todd Field who also acts. He co-wrote the script with Robert Festinger based off the story KILLINGS by Andre Dubus. The cast is filled with big names including Sissy Spacek, Tom Wilkinson, Marisa Tomei, Nick Stahl, and William Mapother. It received fabulous reviews and earned over $40M USD at the box office. Your co-hosts take a look at this classic film and give their thoughts.

This week, a special edition of Creature Cast hits your feed as we're joined by Josh Broadwell from Roger Ebert and Hayes Madsen from Inverse to discuss their playthroughs of Clair Obscur: Expedition 33!Is this new series from Sandfall Interactive good? Does it do anything different? Is the combat memorable, and hold up to credit roll? Follow:Josh Broadwell: @fionnthebrave.bsky.socialHayes Madsen: @solfleet.bsky.socialLike and follow us on Social Media:Bluesky: @consolecreatures.comYouTube: ⁠⁠⁠@ConsoleCreatures Twitter: @ConsoleCreature⁠⁠⁠Facebook: @RealConsoleCreatureInstagram: @ConsoleCreaturesThreads: ⁠@Consolecreatures

We had the honor of meeting Gerry Howard, Class of 1972—one of publishing's most beloved and influential editors. Gerry reflected on his time at Cornell, where he luckily made the switch to an English major, continued a lifelong love of reading, and enjoyed a social life that included a lot of music. A LOT.He shares stories from his legendary career, including what it's like to edit literary giants like David Foster Wallace, Don DeLillo, Hanya Yanagihara, and Roger Ebert. Known for his generosity, humor, and discerning eye, Gerry received the Maxwell E. Perkins Award and the 2022 BIO Editorial Excellence Award for his outstanding work.Gerry also gives us a peek at the biography he's currently writing on famed editor Malcolm Cowley—and takes us back to the time he drove 45 minutes through a blizzard with just one contact lens...wondering why?This is a conversation for anyone who loves books, stories, and the editors who help bring them to life. He's FUN!Huge thanks to Bryna Pomp for this introduction!Not sponsored by or affiliated with Cornell University

Another mind bending foray into the Flipside. First reminding the audience Jennifer and I will be appearing at the Contact In the Desert conference May 30th at 11 am, then Saturday May 31st at 11 am (ContactInTheDesert.com) Today's podcast included a visit from the actor Eddie Hassell who pointed out that he'd turned the lights on and off at his parent's home in order to get them to reach out to Jennifer.  As it turned out, Steve Jobs was involved in this conversation as well. Luana Anders wanted to discuss how people on the flipside manipulate energy - turning lights on and off, related to the power going out in a recent guided meditation, where at a particular point, it seemed as if someone on the flipside had frozen the internet. I asked Hawking some of the same questions we'd asked him before, as well as to have him talk about how it's possible for him to be aware of all of his previous lifetimes now, but at the same time access information that is related to his most previous journey onstage. Jennifer noted that the acclaimed film critics both Roger Ebert and Gene Siskel had shown up - I had met Roger when he was on the planet, and also noted how their review of my film "Limit Up" got it pulled from movie theaters when it came out. It wasn't until later, when I learned about Ebert's own near death experience that he didn't believe in an afterlife - even though he'd literally "spoken to his wife to tell her to convince the doctors he was still alive" - even after that, he wouldn't allow that it was possible that consciousness continued on. So for whatever reason (they said it was an anniversary, although I'm not sure its related to the film Limit Up's reviews) they showed up to give us a "thumbs up" for our podcast and our continued conversations with the flipside. This isn't the sort of thing one might construct - since Jennifer saw all three of them appear at once, and it wasn't until after the conversation with Hawking did I ask them why they'd appeared.  Funny to consider.  I also got them to review Sean Baker's film "Anora."  (How about that? I defy any clip service to add their reviews "brilliant" to their publicity files "from the flipside") Then Jennifer's dad Jim showed up to answer a question she'd had about her mother's appearances in her dreams - and a general discussion of how it's important for people to allow that it's possible for their loved ones to still exist - because even during dreams if we say to them "wait a second, you died" it's a form of denial of their existence and they "disappear" from our ability to see them. Just something to keep in mind if one is visited by a loved one, by lights turning on and off, by the coincidence of seeing numbers on a clock, or hearing a song and then thinking of them at the very moment they want us to... allow that it's possible, and it won't freak people out so much. Hawking also weighed in the recent reports of "possible life on another planet" ("Why not begin with every other planet?")  It's ironic because we haven't begun to understand the different frequencies of species on our own planet yet... dogs smell cancer, bees see UV light, birds change mating habits months in advance of bad weather, octopuses do more with 8 brains in one year of life than we do with 1 brain over 80 years... something to consider when talking about "life on other planets."  (What about lives we've yet to understand on our own?)

A chaotic, shambolic and critically panned parody, the first on-screen incarnation of Ian Fleming's novel ‘Casino Royale' received its London premiere on 12th April, 1967 - with final edits still being made in the projection room. Nonetheless, it went on to take an extraordinary $40 million at the box office.  Hardnut hero James Bond's adventures had become a swinging Sixties sex comedy starring Peter Sellers, thanks to Fleming's disasterous decision to sell the movie rights to actor Gregory Ratoff for a song long before Bond was known all around the world thanks to the highly succesful film versions of his later books ‘Dr No' and ‘From Russia With Love'. In this episode, Arion, Rebecca and Olly reveal how producer Charles K Feldman assembled such an impressive cast list for his 007 ensemble, including Orson Welles, Ronnie Corbett and Ursula Andress; explain how an on-set visit by Princess Margaret prompted an enormous clash of egos; and ponder why ‘the Spice World of the Sixties' became such a box office hit…  Further Reading: • ‘Casino Royale movie review & film summary' (Roger Ebert, 1967): https://www.rogerebert.com/reviews/casino-royale-1967 • ‘The Casino Royale calamity: how Peter Sellers turned Bond into a laughing stock' (Daily Telegraph, 2021): https://www.telegraph.co.uk/films/0/casino-royale-calamity-peter-sellers-turned-bond-laughing-stock/ • ‘Casino Royale: Official Trailer' (MGM, 1967): https://www.youtube.com/watch?v=onhWav2DejM Love the show? Support us!  Join 

Boldly pursuing tariff-free trade in rock and roll news, nostalgia, gossip and old hokum since 2007 and, this week, featuring … … the romantic allure of life as a critic. … Sting's part in the success of ‘Adolescence'. … Mick Jagger's long engagement to Melanie Hamrick (born when Steel Wheels came out!) … "Contained within these grooves are twelve convincing arguments against the capitalist system" and other vicious reviews revisited. … when Bob Marley recorded ‘Sugar Sugar' by the Archies. … Al Bowlly's menacing ‘Midnight, The Stars And You' and how film soundtracks change your relationship with music. … what Mike Chapman had to tell Blondie to make ‘Parallel Lines' a hit. … little-known pop fact no 97: Dave Pegg was at the same school as the man who invented the internet! … "I can lose weight but you will always be the director of Brown Bunny” – cracking film review one-liners from Roger Ebert. … the Jaws film and the Jeeves musical: both came out 50 years ago, both riddled with catastrophe. One broke box office records, the other died like a louse in a Russian's beard. … Gabrielle Drake - “If you're going to be in a flop, best it be a huge one.” … why Elvis Costello and Al Stewart should hit the lecture circuit. … and David Hemmings, inconsolable, in a shower.   Plus birthday guest Chuck Loncon stages a quiz.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Boldly pursuing tariff-free trade in rock and roll news, nostalgia, gossip and old hokum since 2007 and, this week, featuring … … the romantic allure of life as a critic. … Sting's part in the success of ‘Adolescence'. … Mick Jagger's long engagement to Melanie Hamrick (born when Steel Wheels came out!) … "Contained within these grooves are twelve convincing arguments against the capitalist system" and other vicious reviews revisited. … when Bob Marley recorded ‘Sugar Sugar' by the Archies. … Al Bowlly's menacing ‘Midnight, The Stars And You' and how film soundtracks change your relationship with music. … what Mike Chapman had to tell Blondie to make ‘Parallel Lines' a hit. … little-known pop fact no 97: Dave Pegg was at the same school as the man who invented the internet! … "I can lose weight but you will always be the director of Brown Bunny” – cracking film review one-liners from Roger Ebert. … the Jaws film and the Jeeves musical: both came out 50 years ago, both riddled with catastrophe. One broke box office records, the other died like a louse in a Russian's beard. … Gabrielle Drake - “If you're going to be in a flop, best it be a huge one.” … why Elvis Costello and Al Stewart should hit the lecture circuit. … and David Hemmings, inconsolable, in a shower.   Plus birthday guest Chuck Loncon stages a quiz.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Take a little bit of horror, a lot a bit of romance, and some musical theater and toss it together. What's that give us? Your Monster!Monica Castillo's review for Roger Ebert: https://www.rogerebert.com/reviews/your-monster-film-reviewFollow us on social media!https://casualhorrorpod.comhttps://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/She)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/Them)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

This week, we're taking a bit of a diversion to talk about the two-season also-ran created by former Simpsons showrunners, Al Jean and Mike Reiss. How did a live-action Krusty the Clown spin-off turn into a prime-time cartoon that mashed Gene Siskel and Roger Ebert together into one adorably pathetic, pug-ugly movie reviewer? Listen in as we explore the short-lived show that added "Hachi Machi!" to our vocabularies! Our guest: Will Menaker from Chapo Trap House Support this podcast and get over 200 ad-free bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod, not to mention Bluesky and Instagram!

TIME TO TURN THE PAGERichard Roeper had over 16,000 bylines at the Chicago Sun-Times. That's an incredible run! As a Southside kid, he has lived his dream by not just working at his hometown newspaper but by being one of its biggest stars.Toss in the years with the legendary Roger Ebert and a hit radio career, and you just scratch the surface of a very cool life... so far.On this new episode of LIVE FROM MY OFFICE we talk movies, name drop, and he tells some great stories.Subscribe and follow. Check the show notes. Thanks for listening.SHOW NOTESWe've got Merch! The time has come for you to wear what we do here.That's why you need our SURVIVE 2025 wear.  Find out more and order here!Subscribe to our New YouTube Page.Richard Roeper's podcast is a fast 30 minutes on movies and entertainment. Get it on Apple and everywhere you find good shows.See Rich Fridays on ABC 7 on WINDY CITY WEEKEND.Follow Richard for everything on Twitter.Subscribe to Live From My Office on Apple Podcasts, Spotify, or wherever you get your podcasts.Follow me on Facebook, Instagram, Twitter, and LinkedIn.Email the show with any questions, comments, plugs for your favorite charity, and for a chance to win an ABT Giftcard!

We're celebrating the start of the baseball season by digging into one of the sport's great movie romances: Ron Shelton's steamy 1988 classic Bull Durham, starring Kevin Costner, Susan Sarandon, and Tim Robbins in a love triangle fans are calling "Challengers for straight people"! Join in as we discuss our own minor league experiences, Kevin Costner's star trajectory, our feelings on various baseball rule changes, and messy kitchen sex. Plus: What happened to the Disney "based on a true story" sports movies? What's the best basketball movie? And can minor-league teams not afford full-size towels? Make sure to rate, review, and subscribe! Next week: Risky Business (1983)----------------------------------------------Key sources and links for this episode:Roger Ebert's 3.5-star review of Bull Durham"Running for President is Harder than it Looks: Nats Hold Tryouts for Racing Mascots" (Washington Post)"Teddy Wins First Presidents Race" (Washington Post)"This is a Cry for Help" (Vulture piece on on the final season of Yellowstone)"Shelton Celebrates 20 Years for Bull Durham" (Southern Ledger)"MVP: Kevin Costner" (Entertainment Weekly)"At the Movies: June 10, 1988" (New York Times)"The Bull Durham House - With Southern Charm, 80s Nostalgia, and a Bathtub - is Sold" (The News and Observer)"Tim Robbins: Hall of Fame Violates Freedom" (The Age)"1988: Kevin Costner, Sean Young, No Way Out & Bull Durham (Erotic 80s Part 11)" (You Must Remember This)"Bull Durham: A New Musical Begins Performances" (Playbill)

Hide your chicken & get ready to roll with the homies, today we're taking a look at The Life and Death of Brittany Murphy. We will celebrate Brittany's life & career, and examine the tragic circumstances surrounding her death. In this episode, we take a look at Brittany's early life, and career achievements, as well as, her family dynamics and interpersonal relationships. We will also explore the impact of negative media attention, the pressures that surround women in Hollywood, and body image standards of the early 2000s. Lastly, we will unpack Brittany and her husband Simons death, and the factors that may have contributed to their demise. Please share, subscribe to our patreon, and become a monthly $upporter so we can keep making episodes for you!! Episode originallyJoin the Spreaker Support Club for ad review episodesSources:HBO Max's What Happened, Brittany Murphy The Smithosnian, The Curious Life and Death of Brittany Murphy Ebert, Roger. Uptown Girls, Rogerebert.com, 2003. Logan, Elizabeth. Melanie Lynsky RnemebersBrittany Murphys Self-Image Issues. Glamour, 2022. June, Sophia. Clueless Director Reveals What Made Her Cast Brittany Murphy, Nylon, 2021. Brittany Murphy Biography, Biography.com, 2014. https://www.biography.com/acto... Johnson, ChristenEverything to Know about Brittany Murpy's Husabnd, Simon Monjack. Cosmopolitan, 2021.https://www.cosmopolitan.com/e... Kranc,Lauren, Esquire Magazine, 2021. https://www.esquire.com/entert... --Become a supporter of this podcast: https://www.spreaker.com/podcast/broads-next-door--5803223/support.

Join host Blake Howard and a handpicked team of film experts as they ambush John Frankenheimer's RONIN (1998). Over 12 episodes, they'll explore the mysteries of the briefcase MacGuffin, praise co-writer David Mamet's tough, balletic dialogue, and break down the film's iconic action and chase sequences. Tune in because, as Sam says, 'Whenever there is any doubt, there is no doubt. That's the first thing they teach you.'All your concerns will be addressed before we (Sean Burns, Peter Avellino and I) leave.Scene 2: 9.21-15.22Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsPeter AvellinoI'm a writer. I live in Los Feliz. Sometimes I go to the movies. There's more to tell, but not just now.WEBSITE: https://mrpeelsardineliqueur.blogspot.com/TWITTER: @PeterAPeelJoin our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

After more than a decade of living in an entertainment golden age... Filled with more and better options, with less advertising, than ever before in human history... Are the good times over? Almost every major streaming service has recently begun inserting advertising into its programming. And it's NOT your imagination... the ads really are more disruptive and obnoxious than traditional television commercials. So what's driving the sudden advertising stampede in the streaming services that we used to love? How much worse is it going to get? And who in their right mind still thinks that intrusive advertising, inserted into something we'd rather be watching, is a way to win hearts and minds in the year 2025? We'll discuss all this and more with world-renowned film and television critic Matt Zoller Seitz, the editor at large of RogerEbert.com (where he authored this barnburner https://www.rogerebert.com/mzs/streaming-ads-worst ) Matt is a Pulitzer finalist who writes as well for New York magazine and Vulture.com. He's the founder of MZS.press, the arts bookstore of the internet, and appears in print in The New York Times, Salon, and Rolling Stone. And he's the author of a handful of New York Times bestsellers, including the Wes Anderson Collection, The Sopranos Sessions, and Mad Men Carousel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick welcomes The Movie Mom, Nell Minow, to discuss what's happening in Washington, D.C., the annual Women's Writers Week at RogerEbert.com, and her latest movie reviews, including Dog Man and Black Bag. They also reflect on milestone anniversaries in their careers as film critics in 2025. Later, Esmeralda Leon and Nick dive into Disney movies and the trend of unnecessary live-action remakes (the new Snow White is an abomination), reminisce about the music they loved as teenagers, and debate whether Yoda from Star Wars is actually kind of an ass. Plus, The Great Pop Culture Quiz kicks off as Nick puts Esma's knowledge to the test. [Ep 334)

In this episode, host Richard Roeper shares personal stories from his time at the Chicago Sun-Times, including how he got his start, his experiences with Roger Ebert, and memorable moments from his career. In segment two of the podcast, Roeper gives his reviews for the following releases: The Alto Knights (Theaters) Black Bag (Theaters) The Richard Roeper Show is brought to you by Americaneagle.com Studios

Wine Featured: Episode Description: In this episode, Jessica sits down with Cristina Escobar, a powerful voice at the intersection of race, gender, and pop culture. As co-founder and editor-in-chief of Latina Media Co, Cristina has dedicated her career to amplifying Latina and queer Latinx perspectives in media. Over wine and conversation, they explore Cristina's journey as a writer, critic, and advocate for authentic representation in film and television. What You'll Hear: Cristina's path to becoming a respected media critic and founding Latina Media Co The current state of Latina representation in Hollywood and where improvement is needed How living in Santa Fe influences her perspective as a cultural critic The challenges and triumphs of building an independent publication focused on underrepresented voices Actionable advice for emerging Latina writers and critics About Our Guest: Cristina Escobar is a writer, speaker, and critic whose work examines the portrayal of Latinas in film and television. As the co-founder and editor-in-chief of Latina Media Co, she has created a vital platform for diverse Latinx perspectives. A TEDx speaker and Rotten Tomatoes-approved critic, Cristina's insightful analysis appears regularly in publications like Roger Ebert, the A.V. Club, Glamour, and Vulture. She serves on the board of the Latino Entertainment Journalists Association and is a member of the Critics Choice Association.

Greg and Tom have taken off their historian hats and have become -- movie critics? Close but not quite!This week we're giving you a 'sneak preview' of their Patreon podcast called Side Streets, a conversational show about New York City and, well, whatever interests them that week. In honor of the Academy Awards, the Bowery Boys hosts pay homage to the great Gene Siskel and Roger Ebert while looking at five award-worthy films with strong New York City connections:-- Anora with its captivating south Brooklyn locations-- A Complete Unknown, taking us back 1960s Greenwich Village -- Wicked, a spritely interpretation of the Broadway musical-- The Brutalist, an epic about more than just architecture-- Saturday Night, a frenetic tribute to the comedy-show icon which turns 50 years old this yearTo listen to all episodes of Side Streets, support the Bowery Boys on Patreon This episode was edited by Kieran Gannon