Podcasts about Roger Ebert

The third episode of our season on the awesome movie year of 1985 features the year's biggest flop, Jonathan Lynn's Clue. Written and directed by Jonathan Lynn and starring Tim Curry, Martin Mull, Madeline Kahn, Christopher Lloyd, Eileen Brennan, Michael McKean and Lesley Ann Warren, Clue is based on the perennially popular board game.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/clue-1985), Janet Maslin in The New York Times (https://www.nytimes.com/1985/12/13/movies/screen-clue-from-game-to-film.html), and Paul Attanasio in The Washington Post (https://www.washingtonpost.com/archive/lifestyle/1985/12/13/movies/ae6b6e7b-602b-4540-8cd7-b50620a3670d/?utm_term=.08a5369d85ec).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1985 episode, with the Cannes Film Festival Palme d'Or winner, Emir Kusturica's When Father Was Away on Business.

Guten Abend, meine Damen und Herren! Es ist 18 Uhr und 0 Sekunden, hier ist wie immer Berlin, und hier ist wie immer Ihr deutscher Podcast "Bewegtbildbanausen"! Lee und Guess sind zwar nicht so berühmt wie Roger Ebert, Robert Hofmann oder Wolfgang M. Schmitt, aber haben mehr Ahnung. Und um uns wieder ein wenig zu erden, haben wir uns unseren Revolverheld-Brudi Chris Rodriguez zur Verstärkung rangeholt. Ciao!

In 1995, a film predicted POV recording technology, VR experiences you can buy on the black market, deepfake manipulation, police brutality caught on camera, and a society addicted to experiencing other people's lives through a screen. It starred Ralph Fiennes, Angela Bassett, and was written by James Cameron. Almost nobody saw it.   Strange Days bombed at the box office, nearly destroyed Kathryn Bigelow's career, and has been virtually impossible to find ever since, as right now no streaming service carries it. But everything it warned us about has come true, and somehow the reality is worse than the fiction.   MonteCristo, Thorin, and Richard Lewis make the case for why this is one of the most important sci-fi films ever made. We get into the SQUID tech that directly inspired Cyberpunk 2077's Braindances, the darkest plot device in sci-fi, Ralph Fiennes as the perfect cyberpunk noir anti-hero, Angela Bassett's tragically wasted career as an action star, the Rodney King and OJ parallels baked into the script, and a long conversation about how AI, social media, and surveillance culture have made this film more relevant than ever.   Roger Ebert gave it 4 stars in 1995 and called it a future cult classic. He was right. Again.   Control Body Odor ANYWHERE with Mando and get 20% off + free shipping with promo code FOURPLAY at https://shopmando.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a move that's incredibly huge for the podcast, we've finally covered what many of the hosts consider to be a life changing film. This is a more personal episode than some, so we hope you enjoy and remember, there's still time.Robert Daniels for Roger Ebert: https://www.rogerebert.com/reviews/i-saw-the-tv-glow-film-review-2024Follow us on social media!https://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://letterboxd.com/ninawolverinahttps://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

This week on Black on Black Cinema, the crew returns to introduce the next film to the reviewed, "Soul Men." The 2008 film follows two estranged soul-singing legends who agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader. The movie stars Samuel L. Jackson and the late great Bernie Mac. Available to stream for free on Tubi.The random topic this week we tackle the complex and difficult incident that unfolded at the 2026 BAFTA Film Awards when John Davidson, a Tourette's syndrome activist and subject of the nominated film "I Swear," involuntarily shouted racial slurs—including the N-word—while Black actors Michael B. Jordan and Delroy Lindo presented an award.This isn't a simple story. It's a collision of disability rights, anti-Black racism, media responsibility, and institutional failure.What happened: Davidson, who has spent decades advocating for Tourette's awareness, experienced involuntary vocal tics throughout the ceremony. His condition causes coprolalia—the uncontrollable utterance of socially inappropriate words. When Jordan and Lindo took the stage, Davidson's tic produced the N-word, audible throughout the venue.The BBC's failure: Despite broadcasting on a two-hour delay (giving them time to edit), the BBC left the slur in the broadcast AND on iPlayer for 15+ hours. Yet they DID edit out other content, including a "Free Palestine" statement and political jokes. The selective editing reveals a catastrophic failure/purposeful behavior in judgment and priorities.The complications: This incident sits at the painful intersection of two marginalized communities. Davidson has no control over his tics—they represent the opposite of his actual beliefs. Yet Black attendees, including production designer Hannah Beachler, experienced real racial trauma. Lindo told Vanity Fair he wished BAFTA had spoken to them afterward. Host Alan Cumming's apology said "sorry if you were offended" was woefully inadequate.Why this matters for cinema: The film "I Swear" was nominated for multiple BAFTAs and won three awards, including Best Actor for Robert Aramayo's portrayal of Davidson. The movie exists to educate about Tourette's. Yet BAFTA and the BBC failed both the disability community AND the Black community in how they handled this moment.We discuss:- The impossible position both communities were put in due to the BBC's actions or lack thereof- Why institutional preparation and response failed catastrophically- The difference between individual accountability and systemic responsibility- How ableism and anti-Black racism played out in the aftermath (including the idea of "he meant that shit" comments)- What should have happened vs. what did happen- The broader conversation about representation, disability, and whose comfort gets prioritizedThis is a conversation about nuance, compassion, and holding institutions accountable when they fail vulnerable communities.Full Black on Black Cinema episodes coming soon. Subscribe so you don't miss our deep dives into Black cinema, representation, and the stories Hollywood tells—and doesn't tellBlack on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Kerry and Collin take a look at the remake of The Bishop's Wife (1949, episode #109), the Penny Marshall-directed The Preacher's Wife, starring Denzel Washington, Whitney Huston, Courtney B. Vance and Gregory Hines. While the film sticks with the original's principal characters, it adds a lot of plot to the storyline that does not always benefit the overall outcome. Was there as great a need for movies about spiritual awakenings and celestial encounters in he 1990s as there was in the post-WWII era?  Can Denzel Washington really do anything? What was Penny Marshall's last film project before she passed away in 2018? Can we get a replica anywhere of the Dudley tree-topper at the end of the film? All these questions get answered, plus three more films from 1,001 Movies You Must See Before You Die. Visit collinsouter.com RogerEbert.com Follow Collin and Kerry on Letterboxd. Book movies covered: Hiroshima Mon Amour (1959) An Actor's Revenge (1963) Consequences of Love (2004)

This week on Black on Black Cinema, the crew returns to discuss the 2025 psychological thriller, "The Dutchman." Based on Amiri Baraka's groundbreaking 1964 Obie Award-winning one-act play, the film follows Clay (André Holland), a successful but troubled Black businessman navigating a crumbling marriage with his wife Kaya (Zazie Beetz). After a therapy session with the enigmatic Dr. Amiri (Stephen McKinley Henderson), Clay encounters Lula (Kate Mara), a seductive and sinister white woman on a New York subway, who draws him into a dangerous psychological game of cat and mouse that forces him to confront his identity, his marriage, and the concept of double consciousness. Directed by Andre Gaines and co-written with Qasim Basir, the film also stars Aldis Hodge and Lauren E. Banks. The crew digs into the film's exploration of race, assimilation, Black male identity, and whether this modern adaptation does justice to Baraka's original text — or if the meta-theatrical approach gets in its own way.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

The first episode of our season on the awesome movie year of 1985 features the box-office champion, Robert Zemeckis' Back to the Future. Directed and co-written by Robert Zemeckis and starring Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover and Thomas F. Wilson, Back to the Future launched an enduring franchise that includes two sequels.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/back-to-the-future-1985), Janet Maslin in The New York Times (https://www.nytimes.com/1985/07/03/movies/in-future-boy-returns-to-the-past.html), and Sheila Benson in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1985-07-03-ca-10392-story.html).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the...

The greatest trick the devil ever pulled was convincing the world he didn't exist.  In a world where one man has only seen 30 or so movies comes a desire to learn from a master. A master of film. A master of cinema. A master who has led such a sad life.  Logan seeks the knowledge and he turns to his own personal “Yoda”; Keithie. Join Logan & Keithie on a wild adventure to discover as we watch along with a new movie each episode in THE MOVIE EDUCATION OF LOGAN CROSLAND. This episode, Logan, Keithie & Tim watch a movie that falls on almost everyone's list, but it might just be one of those movies you only watch once.  1995's The Usual Suspects, a noir crime thriller stars an amazing cast and Stephen Baldwin. But seriously, this keep-you-guessing mystery dares to ask the question, Who is Keyser Soze. I think the boys would prefer a turkey club on a kaiser roll. Does Logan know who did it? Does Tim agree with Roger Ebert's review? Will Keithie stay awake? My guess is that you'll never hear from him again.

We're getting religious this week with Julius Avery's 2023 film, The Pope's Exorcist. This one's a movie all of us kinda liked!Matt Zoller Seitz for Roger Ebert: https://www.rogerebert.com/reviews/the-popes-exorcist-movie-review-2023Follow us on social media!https://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Episode SummaryErin and Rachel discuss Toy Story 3 (2010), the third and allegedly final installment in the Toy Story franchise. Despite some minor misogyny and heteronormativity, the film manages to delight (and emotionally devastate) the hosts.  Episode BibliographyBianculli, D. (2011, February 4). The People Behind Pixar's 'Toy Story 3'. NPR. https://www.npr.org/transcripts/133471041?storyId=133471041?storyId=133471041Daly, S. (2007, February 19). A happy ending for ''Toy Story 3''? Entertainment Weekly. https://ew.com/article/2007/02/19/happy-ending-toy-story-3/Davidson Sorkin, A. (2010, July 20). Faith, hope, and Barbie. The New Yorker. https://www.newyorker.com/news/amy-davidson/faith-hope-and-barbieDisney Circle Seven Animation (partially lost production material of cancelled Pixar sequel films; 2004-2006). (2026). Lost Media Wiki. https://lostmediawiki.com/Disney_Circle_Seven_Animation_(partially_lost_production_material_of_cancelled_Pixar_sequel_films;_2004-2006)Ebert, R. (2010, June 16). These toys may be traumatized for eternity movie review (2010). Roger Ebert. https://www.rogerebert.com/reviews/toy-story-3-2010Finklea, B. W. (2014). Examining masculinities in Pixar's feature films: What it means to be a boy, whether human, fish, car, or toy. [Doctoral dissertation, The University of Alabama]. Gleiberman, O. (2010, June 21). Summer Entertainment Guide Jun 21 2010 02:58 PM ET Share Permalink ComMessage to men: Yes, it's okay to cry at 'Toy Story 3'. Entertainment Weekly. https://web.archive.org/web/20100624080328/http://movie-critics.ew.com/2010/06/21/its-okay-for-men-to-cry-at-toy-story-3/Gleiberman, O. (2012, July 31). Toy Story 3. Entertainment Weekly. https://ew.com/article/2012/07/31/toy-story-3-5/Hammond, P. (2010, November 17). OSCAR: Disney's Rich Ross Says “We're Going For The Best Picture Win” For ‘Toy Story 3′. Deadline. https://web.archive.org/web/20140223064924/http://m.deadline.com/2010/11/oscar-disneys-rich-ross-says-were-going-for-the-best-picture-win-for-toy-story-3/Harrison, M. (2017, May 18). Toy Story 3 and Its Horror Movie Undertones. Den of Geek. https://www.denofgeek.com/movies/toy-story-3-and-its-horror-movie-undertones/Koelsch, D. (2010, December 28). Toy Story 3 Oscar Campaign Gets Noticed. Movieviral.com. https://movieviral.com/2010/12/28/toy-story-3-oscar-campaign-gets-noticed/McLean, T. J. (2011, January 11). The Making of “Toy Story 3”. The Hollywood Reporter. https://www.hollywoodreporter.com/movies/movie-news/making-toy-story-3-69726/Moore, R. (2010, June 16). Movie Review: Toy Story 3. Orlando Sentinel. https://web.archive.org/web/20121024002505/http://blogs.orlandosentinel.com/entertainment_movies_blog/2010/06/movie-review-toy-story-3.htmlNess, M. (2017, November 30). Facing the End: Toy Story 3. Reactor. https://reactormag.com/pixar-rewatch-toy-story-3/Phillips, M. (2010, June 17). 'Toy Story 3' brims with style, confidence, Pixar magic. Chicago Tribune. https://web.archive.org/web/20100902204747/http://www.chicagotribune.com/entertainment/sc-mov-0615-toy-story-3-20100617,0,7968852.columnSampson, M. (2013). A look at the Toy Story 3 you didn't see... JoBlo. https://www.joblo.com/a-look-at-the-toy-story-3-you-didnt-see/Slotek, J. (2010, June 17). 'Toy Story 3': After the Golden Age. Toronto Sun. https://web.archive.org/web/20100618032337/http://www.torontosun.com/entertainment/movies/2010/06/11/14350796.htmlTheCoolBrotherhood. (2012, January 6). The Making Of Toy Story 3. YouTube. https://www.youtube.com/watch?v=_hlw-SzNvygToy Story 3. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Toy_Story_3Toy Story 3 (2010). (n.d.). Box Office Mojo. https://www.boxofficemojo.com/title/tt0435761/?ref_=bo_se_r_1Toy Story 3 IRL. (2020, January 25). Toy Story 3 In Real Life | Full-length Fan Film. YouTube. https://www.youtube.com/watch?v=YfduDq5gLnEToyStoryFR. (2023, August 21). Toy Story 3 - Behind the scenes - Designing new toys. YouTube. https://www.youtube.com/watch?v=vJtXhfrCdcMToy Story's Randy Newman: 'I just don't like directors'. (2015, February 13). Classic FM. https://www.classicfm.com/discover-music/periods-genres/film-tv/randy-newman-toy-story/Unkrich, L. (Director). (2010). Toy Story 3 [Film]. Pixar Animation Studios.

This week we're heading into the jungle to dissect Cannibal Holocaust (1980). We unpack its legacy as a found-footage trailblazer, wrestle with its hypocritical commentary on media exploitation, and explore the ethical dilemmas posed by its production. This episode contains spoilers, beginning at 38:24 Mentioned in the Episode Watch the Movie Cannibal Holocaust (1980) Main Episode The movie Roger Ebert walked out of after 25 minutes: "Among the most idiotic films ever made" 'Cannibal Holocaust' Was So Gruesome the Director Was Charged With Murder 10 Horror Movies Accused of Being Real Support the Show We've launched our Patreon to have a place for listener support to help keep our show going. We are accepting support in the form of small monthly donations from our audience. The proceeds we gain from Patreon are put towards ongoing website fees, funding for new content, and equipment upgrades. In return, our patrons enjoy bonus content, early access, live streams, and exclusive channels in our Discord server. Support the Show on Patreon We're building a community where our listeners and horror fans as a whole can connect and share the ideas, movies, games, experiences, and stories they are most passionate about. Our community is completely free and powered by Discord, which you can access from both a web browser and mobile app. We're looking forward to your arrival! Join our Discord Server Contact Us You can connect with us by creepin' on us on Facebook, Twitter or Instagram, @HackorSlash. You can also share your opinions with us by leaving us an audio message on our website, hackorslash.live. Special Thanks We want to give a special thanks to these patrons for continuing to make this show possible Music Credits "Hack or Slash" by Daniel Stapleton  

The second Valentine's Day Movies Actually episode takes a strong left turn from the warm and fuzzy feels of the Garry Marshall  ensemble rom-com they covered a couple years ago. This time, Kerry and Collin are joined by their resident slasher movie expert, Patrick Ripoll, to discuss the 1981 cult classic, "My Bloody Valentine" (later remade in 2009). What makes this particular masked killer so distinct from the likes of Jason, Freddy, Michael, Ricky, Chucky, et al? Why was there never a sequel to this film when there was clearly a lot that could be done with it? How does the remake hold up against the original? They get into all of these issues after Patrick and Collin talk about the coincidental movie project they both happen to be working on separately. Also, the latest and greatest in physical media with the Blu-ray Gift Exchange.  Listen to Patrick Ripoll on 96 Greers and follow his Hitchcock project throughout the year on Director's Club.  Visit collinsouter.com RogerEbert.com Follow Collin and Kerry on Letterboxd. Blu-rays covered: Sony: "Blue Moon" (2025) Warner: "One Battle After Another" (2025) "Twilight Zone: The Movie" (1983) "Shameless" - The Complete Series Universal: Woody Woodpecker: The Golden Age Collection Warner Archive: The James Stewart Collection "By The LIght Of the Silvery Moon" (1953) "The Verdict" (1946) Criterion: "Caught By the Tides" (2024) Vinegar Syndrome: "At Close Range" (1986)

This content was originally released on 03/20/21 Hey y'all, This week we talk to one of our very favorite critics, the great and good Roxana Hadadi (Pajiba, RogerEbert.com, The A.V. Club, etc.). She mounts a spirited defense of goth Darcy! It is a delight! Up next: Death Comes To Pemberley. Lots of love, Allison, Julie, and Janine

Revisiting for some, fixing a glaring hole for others (Noah), we've decided to finally watch Pan's Labyrinth for the cast!Roger Ebert: https://www.rogerebert.com/reviews/great-movie-pans-labyrinth-2006Follow us on social media!https://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

The finale of our season on the awesome movie year of 1971 features our audience choice pick, Harry Kümel's Daughters of Darkness. Directed and co-written by Harry Kümel and starring Delphine Seyrig, Danielle Ouimet, John Karlen and Andrea Rau, Daughters of Darkness prevailed over six other horny lady vampire movies in our audience choice poll.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/daughters-of-darkness-1972), Howard Thompson in The New York Times (https://www.nytimes.com/1971/05/29/archives/film-artistic-vampires.html), and Variety.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at

It’s Filmspotting’s 2026 Movie Preview Draft, with Adam and Josh vie for new films from Christopher Nolan, Greta Gerwig, Steven Spielberg, and more! Plus, Vulture critic Roxana Hadadi joins Adam for a review of 28 YEARS LATER: THE BONE TEMPLE. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:03:12)2026 Movie Preview (00:03:13-00:56:52)Filmspotting Family (00:56:53-01:04:18)28 Years Later: The Bone Temple (01:04:19-01:45:01)2026 Show Preview (01:45:02-01:56:38)Next Week / Notes (01:56:39-01:59:51)Polls (01:59:52-02:10:26)Credits / New Releases (02:10:27-02:14:08) Links: -20% off Filmspotting Family Membershiphttps://filmspotting.supportingcast.fm/join?sc_promo=supreme -David Hudson's The Daily Previewhttps://www.criterion.com/current/posts/9027-the-most-anticipated-films-of-2026 -Brian Tallerico's RogerEbert.com Previewhttps://www.rogerebert.com/features/2026-most-anticipated-movies-preview -IndieWire’s 46 Most Anticipated Movies of 2026https://www.indiewire.com/lists/new-movies-2026/ Feedback: -Email us at feedback@filmspotting.net⁠⁠. -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.⁠⁠⁠⁠https://filmspottingfamily.com⁠⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop.⁠⁠⁠https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting ⁠⁠⁠⁠https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Send us a text6:16 Mercy17:27 Return to Silent Hill25:26 H is for Hawk31:21 Mother of Flies39:16 Standout: The Ben Kjar StoryIt's a 5-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!   'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'   Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its eleventh year.Support the show

Agriculture: Called to Relationship" … GUEST Steve Montgomery … Along w his wife & 4 kids, Steve started Lamppost Farm in Columbiana OH w a mission to use agriculture to reach/ teach others … they practice regenerative agriculture and invite people to find out where their food comes … In 2025, he started a company called Fireberry to plant farms as a means of providing the highest quality food to members of communities. The Oscars noms are out… GUEST Abby Olcese… writer on film, pop culture and faith … she’s written for Think Christian and RogerEbert.com… author of “Films for All Seasons: Experiencing the Church Year at the Movies”.See omnystudio.com/listener for privacy information.

From high-speed chases to preposterous parades, Chicago dazzles on the silver screen. Last episode, we attempted to uncover the best movie ever filmed in Chicago. What we found was that it was impossible to name a definitive best, let alone name every movie that deserves recognition. Today, we dive deeper into movies that resonate with Chicagoans with two film critics: Marya E. Gates, author of Cinema Her Way: Visionary Female Directors in Their Own Words and Robert Daniels, associate editor of RogerEbert.com. They argue that the city doesn't just look good on screen, it also helps tell stories that are reflective of its residents. Gates and Daniels talk about Chicago movies that highlight crime and political tropes (like “The Untouchables,” “Medium Cool,” and “Call Northside 777”), movies that bend space and time to navigate through Chicago's geography (like “The Fugitive” and “Blues Brothers”), and movies that follow teenagers as they romp around the city (like “Cooley High” and “Ferris Bueller's Day Off”). Plus, they've got recommendations for Chicago movies that may have flown under your radar.

The fifteenth episode of our season on the awesome movie year of 1971 features our future cult classic pick, Tom Laughlin's Billy Jack. Directed and co-written by Tom Laughlin and starring Laughlin, Delores Taylor, David Roya, Clark Howat and Julie Webb, Billy Jack was at one point the highest-grossing independent film of all time.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/billy-jack-1971), Howard Thompson in The New York Times (https://www.nytimes.com/1971/07/29/archives/a-misguided-billy-jack.html), and Stuart Byron in The Village Voice.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at

I saw the power of storytelling and the responsibility we have to share stories to educate and change lives.Dr. Terésa Dowell-Vest is an Associate Professor of Communication at Prairie View A&M University and President of the University Film and Video Association (UFVA), an organization that supports film, television, and media studies in higher education.In this conversation Terésa and I discuss:* The music of Janet Jackson, Prince, and Jimmy Jam/Terry Lewis* Teaching media in a post-truth world* What UFVA is, why it matters, and how professional associations can sharpen teaching and creative practice* What filmmaking trends she sees with her students at Prairie View A&M* The short documentary her students did in collaboration with students from USC (link here)* “The Death of Cliff Huxtable” and the process of separating art from a problematic artistThanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI generated transcript. Don't come for me.BEN: Hi everyone—Ben Guest here. Welcome to The Creativity, Education, and Leadership Podcast. Today my guest is Professor Terésa Dowell-Vest, an associate professor of Communication and Media at Prairie View A&M University and the President of the University Film and Video Association (UFVA).In this conversation we talk Janet Jackson, the media landscape for young people interested in production, what UFVA does, and more. Enjoy.Professor, thanks so much for joining me today.TERÉSA: Thank you. Thank you for having me. It's my pleasure to be here.BEN: I always like to start with a fun question. Senior year of high school—what music were you listening to?TERÉSA: Senior year of high school—1989. 1990 was a great year to be a Janet Jackson fan. *Rhythm Nation* was probably worn out in my car's tape deck. I was a huge fan.BEN: Did you do the choreography?TERÉSA: Oh yes. I can do the hands and all that—the “A‑5‑4.” I would do it, for real.And Janet Jackson was the big one, even though Prince's *Purple Rain* came out a few years earlier. That album was still in regular rotation for me in high school.And then in 1988 New Edition put out *Heart Break*—produced by Jimmy Jam and Terry Lewis. That was such a good time. So yeah: Janet, Prince, New Edition—Jimmy Jam and Terry Lewis were the soundtrack.BEN: '88 was when Bobby Brown's *Don't Be Cruel* came out, right?TERÉSA: Listen, lemme tell you, the eighties to be a teenager in the eighties, to be in your twenties in the nineties. What a time to be alive.BEN: Yeah. I love it. Okay, second fun question. What's your pick for best picture this year?TERÉSA: I'd say *Sinners*. There are a few this year, but funny enough I actually focused more on television—I was obsessed with *Stranger Things* and *Severance* (and one other show I'm blanking on), so I didn't get to the movies as much. But I did see *Sinners* and it really stuck with me. I should preface that by saying I'm not as familiar with the entire pool, but I'm almost confident it'll be a strong contender.BEN: So good. I saw that your MFA thesis was titled *The African American Producer Is the American Griot*. Can you talk about that—maybe even in relation to *Sinners*?TERÉSA: I've always been fascinated by the power of storytelling. My bachelor's degree and my MFA are both in theater because I love live engagement. That also shaped me as a professor—I love being in front of students and engaging in a transactional, interactive way, not just a linear one. Theater and education give me that kind of exchange with an audience.For my graduate thesis I came to know Dr. Maulana Karenga—best known for creating Kwanzaa. He was chair of the Black Studies program at California State University, Long Beach. During my years there (1994–1997), I was the only Black student in the program, and in 1997 I became the first Black person to graduate with my particular degree from that program. Even in the '90s I was thinking: why are we still talking about “firsts” and “onlys”?I wanted to bridge storytelling with the legacy of slavery and survival—my own ancestors were from Virginia, where I was born and raised. Dr. Karenga taught me the concept of the *griot*—the storyteller—and the responsibility that comes with that. In the U.S., storytelling often gets treated as frivolous—an extracurricular, “nice to have.” A lot of Black parents, especially, don't want their kids studying film, theater, or the liberal arts because it doesn't seem like a stable livelihood. I started undergrad as an accounting major and didn't tell my dad I'd switched to theater until graduation day—he found out when they called my name under the College of Arts instead of the College of Business. That's the mindset I came from: my family wanted us to succeed, and the arts read as struggle, not a viable career.But there's honor in being a storyteller. That idea changed how I saw theater.And it was the '90s—*Rent* was happening, and I was in Los Angeles, flying back and forth to the East Coast to see Broadway shows that weren't just entertaining; they were educating and changing lives. I remember *The Life*—not a massive hit, but it told the story of Black and Brown women working as call girls in New York City. You'd think, “Is that a Broadway story?” But the music was outstanding.And there were so many others—*Bring in 'da Noise, Bring in 'da Funk* with Savion Glover, looking at African American history through tap and music. During that period I really saw the power of storytelling—and the responsibility we have to tell stories that educate and change lives.BEN: That's so powerful. The responsibility of storytelling to educate and change lives.TERÉSA: Yeah.BEN: It's one of the things I've often thought as a teacher: I'm a storyteller. How do you construct a lesson so students are receptive? It's like you're telling a story over a unit, a curriculum, or even a single lesson.TERÉSA: When you engage with students and give them permission to share their stories, you're not really “teaching” in the traditional sense anymore. It becomes more like peer engagement than “I'm the teacher, I know the things, and I'm telling you the things.”Students receive it differently when they feel you're invested in who they are—not just their grade.BEN: There's a great quote, I think it's Roger Ebert films, but really stories are empathy machines.TERÉSA: Yeah.BEN: It allows us to walk in someone else's shoes for a moment. There was a reconciliation group in Mississippi whose motto was: “Enemies are people whose stories we haven't heard.”TERÉSA: Incredibly profound. When we think about fear, it's often a lack of understanding—no connection to the thing you're afraid of. Hearing stories can build that connection.BEN: Can you talk about the importance of media education? I'm a documentary filmmaker, documentary filmmaking in today's world where so much of where we are in a post-truth society.TERÉSA: There are mechanics to telling the truth, and mechanics to telling a lie. In fiction you see this a lot—shows like *The Mentalist* or *Law & Order* where someone reads body language, eye movement, and so on to figure out whether someone is lying.What matters for media education is helping students understand the “tells” in information—how to challenge and debunk claims instead of assuming, “Someone told me a thing, so it must be true.”I didn't fully appreciate how urgent that was until the pandemic, when early reporting was all over the place and a lot of it conflicted. Being able to sort honest, vetted information from dishonest or speculative claims mattered in a very concrete way—like realizing you probably shouldn't drink bleach.Coming out of that period, teaching media studies has meant teaching reporting with integrity. You can't just assume something is true—not because people are “bad,” but because people absorb information differently based on what they've experienced.I do a lecture with my senior capstone students on the difference between **knowledge** and **information**. Knowledge is shaped by culture, character, race, gender, where you grew up, what language you speak, what faith you practice—so it can carry bias. Information, on the other hand, is verifiable and can be vetted. 2 + 2 = 4 no matter who you are.Good storytelling—and good journalism—knows how to bridge knowledge and information with integrity. When I have journalism students who lean into opinion-driven news—whether it's Fox, MSNBC, whatever—I tell them: that's playing to an audience's sensibilities. It can be entertaining, but it isn't the same as straight reporting. Then there's reporting that aims to be more information-based—“Here's what happened today.” That also needs to be taught. We're in a moment where students need tools to tell the truth, recognize lies, pick them apart, and trust their internal compass about what's important to share.And Ben—my answers get long. You might have to cut me off.BEN: I'm going to cut you off when what you're saying stops being interesting—so I doubt I'm going to cut you off.You're the President of the University Film and Video Association. For listeners: what is UFVA?TERÉSA: UFVA is a nationally recognized organization of university and college educators and institutions focused on film, television, and media studies—both practice and theory. We're a collective of makers and scholars. Our members hold a range of degrees—MAs, MFAs, MS degrees, PhDs, EdDs.As an organization, we examine how film and television are used—and we keep digging into how the field is evolving through innovation and emerging technology. Each year we host a conference (typically in July) where we share classroom best practices and research, and we analyze how film sparks conversation.You asked me earlier about a front-runner for Best Picture. I think about *Sinners* as a kind of textbook in a lot of ways. One of my students gave an informative speech last semester on the history of hoodoo, and she referenced *Sinners* heavily because it's central to the film. In that moment she used a movie as a learning text.That's what UFVA does: we create space to share those opportunities through research and scholarship, and we bring it back to our students and institutions.BEN: You said “best practices,” and I want to come back to that because it's a rabbit hole I love.But first: in an interview you did with the *Journal of Film and Video*, you said you were about to start your UFVA presidency and weren't sure what to expect. Now that you've lived it—how was it?TERÉSA: One of the biggest things I've learned—maybe I've only really realized it in the last couple of months—is that joining an association as an educator keeps the fire hot. It keeps you learning.As UFVA President, I've met so many people who've inspired me. It's not that I want the presidency to end; it's more like, “I need more time to implement everything I'm learning from colleagues.” It also pushed me to partner with other organizations and communities I knew about but hadn't been deeply involved with.I joined UFVA because of the pandemic. Before that I'd never even heard of the University Film and Video Association. I was the kind of person who kept my head down and did my work in my silo, and I was fine with that. But when the pandemic hit, no one knew what to do with film production courses in quarantine.I reached out to colleagues—thinking maybe eight or ten of us would hop on Zoom and talk through hybrid and online teaching. That snowballed. People said, “Can I invite a colleague?” I said yes. I posted on Facebook: if you teach film production or media studies and want to talk about what we're doing this fall, let's meet.Jennifer Proctor replied and asked, “Have you heard of UFVA?” I hadn't. She suggested sharing the call with UFVA, and we kept casting the net. By the time we met, there were 126 professors from around the world—about 100 universities represented, including USC, Ivy League schools, and institutions in Germany and Australia.I ran the meeting as breakout rooms—nine of them—named after Black women in film and television: Shonda Rhimes, Julie Dash, and others. So even in the mechanics of the meeting, people were saying these names and being reminded of who matters in media.Two things came out of that experience. First, UFVA invited me to join the board. I said, “Let me be a member first,” but within a few months I knew: yes, this is where I want to be.Second, I saw the gaps. There was very little representation from HBCUs, and very few Black people involved. Not because UFVA was “bad,” but because people simply didn't know. So I understood my call: help bring people in, build bridges, and create collaboration without turning it into a slogan. I love that we get to do the work without making it a “thing.” That's been the value of the presidency for me.BEN: Love it. Can you talk about with your students at Prairie View, what are some trends you're seeing with what the young people are doing?TERÉSA: Oh, child. They want to be influencers.This is the social media age, and a lot of students see it as the primary industry of their generation—and I get it. If you have enough followers and a couple brands offer deals, it can be real money. I have students with tens of thousands of followers. I'm like, I can barely get my family to like a post. And they're like, “Oh, I do nails,” or “I do lashes,” or “I show my sneaker collection,” and they'll get 10,000 likes every time they post.My reaction is: we need to be teaching this. We need to teach students how to parlay that into careers. Even if I don't personally understand every part of it, that doesn't make it non-viable.It reminds me of when we were in school. The internet wasn't even a thing when I was in college (1990–1994), and then suddenly we were on the edge of being connected to the world. Professors were saying, “This will create cheaters—you'll never look things up in books again.” Sound familiar?Now students are figuring out VR, AR, AI. They're building brands, protecting brands, learning to be CEOs of themselves. That's exciting.BEN: Yeah. I think about that all the time. It's like when people first started writing letters—somebody must have said, “No one's going to talk to each other anymore. They're just going to send letters.”TERÉSA: Exactly. Every generation has a thing—“Who's using this calculator? You need to learn long division.”BEN: I graduated high school in '93, so when you're talking about Janet, my “Janet album” is literally *janet.*—“Again,” “That's the Way Love Goes,” all of that. It's funny how, year by year, the soundtrack shifts just a bit.BEN: Okay—teaching and best practices. What's something you've done in your classroom that really leveled up your teaching?TERÉSA: Oh, wow. Gosh, I think it's less something I've done and more the intention of showing the students that their success is not coming from looking up. It's from looking over. It's the concept that. When you graduate from college, it isn't some executive that's going to give you an opportunity. It's the people you're in the trenches with right now that you're gonna build with right now. So I think the thing that's leveled up my teaching is less a thing that I can show them as much as relationships that I can help them forge and the power of networking. So our program has has a pipeline relationship with the Annenberg School of Communication at the university. The University of Southern California professor Mickey Turner, who's a professor there at USC teaches the senior storytelling for Media course similar to the communication capstone course that I teach here. And so every semester, professor Turner and I collaborate. Those two classes together and we introduced those students to each other through pitches, research topic pitches for their final capstone project. And what they see is. Students at an HBCU or students at this PWI are not different at all. They just, they, live in different states. Perhaps they come from different backgrounds, but by and large, they have similar goals. And we teach them that this is who you need to forge a relationship with because when you are at the stage of making deals or going out and work, this is the person you're gonna want to call. So I think the thing that's leveled up my teaching is my understanding. And my teaching of that understanding of how the industry works and how it can best work for them. Since you no longer have to live in LA or New York to, to make movies people are making movies on their devices. You have to now find your tribe to tell your stories and it can be much more localized. And so I teach them to build their team where they are and not. Go after this aspirational. The only way I can make it if is if I put it in the hands of someone so far away from me. No, put it in the hands of the guy sitting next to you or the young lady that's sitting on this other side and shoot your film, make your short tell the story. Do your podcast. I feel like that's leveled up. The final piece to that USC story is that during the pandemic, five of our students from Prairie View and five students from USC collaborated on a short documentary about the pandemic and how it impacted students at HBCUs, at this HBCU versus how it impacted students at a private, pWI Prairie View is 45 minutes outside of the city of Houston. We're a rural community. We're in the middle of nowhere essentially, whereas USC is in the heart of Los Angeles and those students taught, told an amazing story. I'll send you the link to the film. It's on YouTube. Told an amazing story from two different vantage points. That is a great indication of how education can be collaborative. Just as film is.BEN: Yeah. Before we started recording, we were talking about travel—and it just reminds me: travel is one of the best educations people can get. The more you interact with people from around the country and the world, the more you realize how similar we are and what we want: better lives for our kids and a better world to live in.That feels like a good place to end. For people interested in your work, where can they find you?TERÉSA: A good starting point is **thedeathofcliffhuxtable.com**. That's where you'll find my fan-fiction series—and later scholarly series—about separating the art from the artist when the artist is problematic.Bill Cosby's work touched every stage of my life: as a child I watched *Fat Albert and the Cosby Kids* on Saturday mornings; as a teenager in the '80s I watched the Huxtables and wanted to be part of that world; and in college in the '90s—at James Madison University, a PWI—every Thursday night at 8:30 we gathered to watch *A Different World*, and it made us feel connected in a way.When I think about the more than 60 women who came forward, my first thought is: that many people aren't lying. Even if one person tells the truth, it changes everything.In 2015—around the time the New Yorker reporting was circulating and more women were speaking—I started writing fan fiction centered on the Huxtable family at the moment Cliff Huxtable dies. I “killed” Cliff Huxtable to push back on the idea that Bill Cosby was “America's dad.” That moniker belonged to Cliff Huxtable—a fictional character written by an artist who created something meaningful and also did something horrific.We can't see Cliff the same way because he wears Bill Cosby's face, but they are not the same person—one of them isn't even real. Writing the series helped me illustrate that tension, and it eventually became a scholarly project.During the pandemic we hosted a virtual series with 51 artists, scholars, and actors who read chapters and then joined post-show discussions on the themes. You can find all of that through the website, and it's also the easiest way to contact me.BEN: Wow. Professor, thank you for all the, for your time today, but also for all the good work you're doing in so many different spaces.TERÉSA: Thank you. Thank you. And I look forward to listening to the podcast even more. I'm sorry that I'm just now getting hip to your great work, but I tell you what, I am going to tune in and probably hit you up with some questions and excited remarks shortly thereafter.BEN: I love it.That was my conversation with Professor Dowell-Vest. If you enjoyed it, share it with a friend. Have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

The Jonas Brothers surprised Kerry and Collin with their charming holiday offering this past season that they decided to devote an entire episode to "A Very Jonas Christmas Movie." Please know that the hosts have little to no knowledge of the Brothers Jonas and their back-catalog, so be patient with the little that they do know. What exactly is figgy pudding (Andrea Martin wanted to know, so the question is being asked on her behalf)? Is Jesse Tyler Ferguson's Santa beard real or fake? Finally, if the Jonas Brothers returned for a version of A Christmas Carol, who would they play? And how would Miley Cyrus fit in? All this, plus a cheerfully jaunty Book segment. Book movies covered: Underground (1995) Head-On (2004) The Sorrow and the Pity (1969)   Visit collinsouter.com RogerEbert.com Follow Collin and Kerry on Letterboxd.

This is our NEW RELEASE review podcast, ONE HOT TAKE.On paper, it's a familiar midlife recalibration story: work, marriage, identity, creativity. On screen, it plays like a series of almost moments that never quite click into rhythm.Synopsis:As their marriage unravels, Alex faces middle age and divorce, seeking new purpose in the New York comedy scene. Meanwhile, his wife Tess confronts sacrifices made for their family, forcing them to navigate co-parenting and identities.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us a text4:20 28 Years Later: The Bone Temple21:13 The Rip30:09 A Private Life37:01 Killer Whale43:52 Night Patrol49:24 All You Need Is Kill55:21 A Useful GhostIt's a 7-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!   'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'   Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its eleventh year.Support the show

“HABITS, COLLARS & CLOSEUPS IN CLASSIC CINEMA” - 1/12/2026 (122) Classic cinema has always had a fascination with clergy and nuns — not just as religious figures, but as real people caught between faith and the challenges of the world. When these characters take center stage, the stories often become less about doctrine and more about conscience, compassion, and moral choices.  Sometimes with a good dose of humor thrown in. In today's episode, we're going to dive into classic films that put nuns and clergy at the heart of the story. The characters portrayed are thoughtful, conflicted, sometimes heroic, and always deeply human, with stories that explore grace, hope, and the consequences of our choices.  This week, we take a look back at some unforgettable films where the collar or the veil isn't just a costume—it's the core of the story. SHOW NOTES:  Sources: “Let's Talk About ‘Black Narcissus',” April 17, 2025, by Sailor Monsoon “The Story Behind ‘Stars in My Crown',” May 29, 2024, by Henry C. Parke, www.insp.com; “‘The Nun's Story': Revisiting Audrey Hepburn's Most Overlooked Film,” January 24, 2020, by Nadra Nittle, America Magazine; “My Favourite Hitchcock: I Confess,” August 8, 2012, by Philip Oltermann, The Guardian; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; RogerEbert.com Movies Mentioned: Boys Town (1938), starring Spencer Tracy, Mickey Rooney & Bobs Watson; Keys of the Kingdom (1944), starring Gregory Peck, Thomas Mitchell, Vincent Price, Edmund Gwenn & Roddy McDowell; Black Narcissus (1947) starring Deborah Kerr, David Farrar, Kathleen Byron, Flora Robson & Jean Simmons; Stars In My Crown (1950), starring Joel McCrea, Ellen Drew, Dean Stockwell, James Mitchell, Amanda Blake, Juano Hernandez & Ed Begley; Thunder on the Hill (1951), starring Claudette Colbert, Ann Blyth, Robert Douglas, Phillip Friend, Connie Gilchrist, Norma Varden & Gladys Cooper; I, Confess (1953), starring Montgomery Clift, Anne Baxter & Karl Malden; The Nun Story (1959), starring Audrey Hepburn, Peter Finch, Dean Jagger, Peggy Ashcroft, Edith Evans, Beatrice Staright & Colleen Dewhurst; The Trouble With Angels (1966), starring Rosalind Russell, Hayley Mills, June Harding, Camilla Sparv, Binnie Barnes, Marge Redmond, Mary Wickes, Jim Hutton & Barbara Hunter; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As we wrap up our Golden Girls era and prepare for season nine (!!!), we needed a pop culture bridge: something to connect the worlds we've already talked about with where we're going next.  So, why ARE we watching this? Well, first, we're never ones to shy away from a trip down Nostalgia Lane. But ALSO, it stars Estelle Getty - one of our Golden Girls - Meschach Taylor - one of our Designing Women bestied - AND one other connection to the future of ST&TV, but ya gotta listen to catch it!  Let us know - are you a Mannequin fan or…are you Roger Ebert? 

It's been a long time coming, Jade's got the whole crew watching Ti West's The House Of The Devil! Coming off a Christmas break the hosts also have a larger number of movies to lead with in the Ghouls section, enjoy a packed episode!Roger Ebert: https://www.rogerebert.com/reviews/the-house-of-the-devil-2009Follow us on social media!https://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionOur website!https://www.casualhorrorpod.comFollow the hosts on their individual accountsEmma (They/Them)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanadaNina (They/Them)https://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfan

Send us a text5:52 Primate17:15 Greenland 2: Migration26:07 People We Meet on Vacation33:09 The Chronology of Water39:42 Young Mothers45:29 Magellan49:39 SleepwalkerIt's a rare 7-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!   'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'   Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its tenth year.Support the show

Kimball Farley is the future. His breakthrough role in "Hippo," the critically acclaimed dark comedy that RogerEbert.com called "an unholy fusion of A Clockwork Orange and Napoleon Dynamite" established him as a talented, chameleon-like actor to watch, then his performance in "The Righteous Gemstones," opposite Bradley Cooper, displayed his range. And now 2026 is shaping up to be a big year for him, with upcoming releases from filmmakers like Tim Sutton, Mark H. Rapaport, and Henry Chaisson showcasing more of what he can do. On this episode, he details his "outside-in" approach to character work, and why changing his appearance is of prime importance with each role. He talks about how writing contributes to his preparation process in beneficial ways, why he believes in the law of attraction, what makes Al Warren and Bradley Cooper great scene partners, why following in the footsteps of his heroes is so important to him, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In this episode, we break down STEP BROTHERS — the absurd comedy classic that somehow gets funnier every time you watch it. We dive into why Will Ferrell and John C. Reilly's chemistry works so perfectly, how the movie leans fully into immaturity, and why its commitment to stupidity is actually smart comedy. From the endlessly quotable dialogue to the escalation of ridiculous situations, we analyze how Step Brothers became one of the most rewatchable comedies of the 2000s and a cult favorite that refuses to age out.   Chapters: 00:00 Intro: Funniest movie of all time? 8:44 The amount of improv in this movie is insane 22:03 Will Ferrell's incredible resume 25:15 Adam McKay and Will Ferrell's falling out 29:44 Gray gets deep on the meaning of Step Brothers 34:33 Easter eggs  35:36 Behind the scenes stories 45:00 Roger Ebert's thoughts on this movie 47:00 The incredible task of having to match Will Ferrell improv 48:25 Why it's actually good writing & favorite scenes 1:07:46 Our official rating & final thoughts 1:13:55 Cue the music

Send us a text*If you missed our Best Of episode, it's on your feed! It dropped on Wednesday*5:59 We Bury the Dead17:17 The Dutchman24:12 The ChoralHappy New Year!It's a rare 3-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!   'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'   Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its tenth year.Support the show

Not only is this Veronica and Eli's last episode, it's our fourth annual Cruisemas. With the release of One Battle After Another, we revisit Paul Thomas Anderson's blank check big swing Magnolia (1999), and get into: young PTA and the New New Hollywood, sincerity and good listening, Phil Parma made Chad become a therapist, Fiona Apple as PTA's Polly Platt, we desperately want a Tom Cruise coconut cake, life imitating art with Cruise's Oprah interview, Melora Walters' enigmatic smile, Magnolia trying to understand the same things as the Bible, the bleak prescience of ‘Seduce and Destroy,' how to pace a 3+ hour runtime, and more.Further reading: Roger Ebert's “ecstatic” review, Lynn Hirschberg's profile “His Way,” Steven Hyden on PTA and Fiona Apple for Grantland, and books from friends of the pod Adam Nayman (Paul Thomas Anderson: Masterworks) and Ethan Warren (The Cinema of Paul Thomas Anderson).The Bright Wall/Dark Room Podcast has been co-hosted since 2021 by Veronica Fitzpatrick and Chad Perman, and produced by Eli Sands. Our theme music is composed by Chad. Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com, and thanks for listening.Note: This episode was recorded days before the December 13 shooting at Brown University. Our thoughts remain with Veronica's students and the entire community at Brown and beyond.

The twelfth episode of our season on the awesome movie year of 1971 features the Berlin Film Festival Golden Bear winner, Vittorio De Sica's The Garden of the Finzi-Continis. Directed by Vittorio De Sica, based on the novel by Giorgio Bassani, and starring Lino Capolicchio, Dominique Sanda, Helmut Berger and Fabio Testi, The Garden of the Finzi-Continis won the Academy Award for Best Foreign Language Film.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-garden-of-the-finzi-continis-1971), Vincent Canby in The New York Times (https://www.nytimes.com/1971/12/17/archives/garden-of-the-finzi-continis.html), and Gene Siskel in the Chicago Tribune.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David...

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, I catch up with a kindred spirit, Scout Tafoya (author of The Black Book: An Anthony Mann Reader), about a profoundly unloved picture, KNIGHT OF CUPS. Scout Tafoya - Buy THE BLACK BOOK hereScout Tafoya is a film critic, video essayist, filmmaker, and author of Cinemaphagy: On The Psychedelic Classical Form of Tobe Hooper, the first book-length critical study of the director of "The Texas Chain Saw Massacre." Originally from Doylestown, PA, he is the creator of RogerEbert.com's The Unloved, the longest-running video essay series on the web, about movies in need of a second look. His writing has appeared in the Village Voice, Film Comment, Nylon Magazine, the Los Angeles Review of Books, and The Film Stage, among others. He is the director of over 25 feature films, including "Eyam," "House of Little Deaths," and "Beata Virgo Viscera," which debuted on RogerEbert.com. His features and his extensive video essay work can be found at Patreon.com/honorszombie.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Every year on Podcast Like It's the 2000s, Phil and Emily pick one Chaos Pick a movie that doesn't quite fit into any miniseries, but demands to be talked about anyway. This year's selection is Sky Captain and the World of Tomorrow, the ambitious 2004 pulp-sci-fi experiment that looked like the future of filmmaking… and then quietly disappeared.Joining the conversation is Emma Stefansky, here to passionately defend Kerry Conran's retro-futurist spectacle starring Jude Law, Gwyneth Paltrow, and Angelina Jolie. The group digs into the film's groundbreaking all-digital production, its sepia-toned visual language, and why it feels like a volume-stage movie years before volume stages became standard. They also explore how Sky Captain fits into a lineage of stylized adventure films like Dick Tracy and The Rocketeer, and why audiences often remember how the movie looked more than what actually happens in it.Along the way, they discuss Roger Ebert's glowing four-star review, the film's middling box office and critical afterlife, the risks of resurrecting actors digitally, and whether Sky Captain is a misunderstood cult object or simply a fascinating near-miss. It's a conversation about ambition, technology, and the strange movies that briefly convince us we're looking at the future right before the future changes again. Hosted on Acast. See acast.com/privacy for more information.

We're closing out the holiday season with a movie about trying to avoid it altogether: Joe Roth's 2004 holiday comedy Christmas with the Kranks! Join in as we discuss the surprisingly effective marriage between Luther (Tim Allen) and Nora (Jamie Lee Curtis), suburban paparazzi, a disgusting ham, and our least favorite decorating trends. Plus: Why change the title from John Grisham's novel Skipping Christmas? Is Blair secretly a villain? Is this a propaganda film in the secular War on Christmas? And what makes this a quintessential We Love the Love movie? Make sure to rate, review, and subscribe! Next week: About Time (2013)---------------------------------------------------Key sources and links for this episode:Roger Ebert's one-star reviewOfficial Christmas with the Kranks press kit"Joe Roth's 'Third Act'" (The Hollywood Reporter)"Megyn Kelly: Jesus and Santa were White" (Politico)

This special Christmas preview of our upcoming 1985 season features holiday favorite Santa Claus: The Movie. Directed by Jeannot Szwarc from a screenplay by David Newman and starring David Huddleston, Dudley Moore, John Lithgow, Judy Cornwell, Christian L. Fitzpatrick and Carrie Kei Heim, Santa Claus: The Movie was the final major release from Superman franchise producers Alexander and Ilya Salkind.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/santa-claus-the-movie-1985), Vincent Canby in The New York Times (https://www.nytimes.com/1985/11/27/movies/film-santa-claus-with-moore-and-lithgow.html), and Dolores Barclay of the Associated Press.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by...

Send us a text6:55 Anaconda14:45 Song Sung Blue27:07 No Other Choice36:36 The Testament of Ann Lee42:38 The Plague50:16 Father Mother Sister Brother58:34 Goodbye June01:04:49 The SpongeBob Movie: Search for SquarepantsIt's an 8-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!   'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'   Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its tenth year.Support the show

Dan Perlman! Comedian! Writer! Director! Actor! Filmmaker! Friend! Delight! More! FROM DAN'S WEBSITE: Dan Perlman is a comedian, writer, and director from New York City. He co-created, wrote, and starred in Showtime's critically-acclaimed comedy series, Flatbush Misdemeanors. The series' lauded two-season run holds a 100% Rating on Rotten Tomatoes, earning unanimous praise from outlets including The New York Times, Variety, Roger Ebert, TIME, and The Guardian. Dan made his directorial debut in the Flatbush episode, "boomerang," which Vulture praised for its "masterful direction." He wrote and directed the award-winning short films, Cramming and Practice Space. Most recently, Dan directed and starred in the documentary short Being Bublé. Dan first co-created Flatbush as a zero-budget digital series, which became Oscar-qualified after winning Grand Jury Awards in its film festival run—laying the groundwork for the Showtime adaptation. Previously, Dan co-created and wrote the animated pilot That's My Bus!, then ordered by FOX. As a stand-up, Dan has been featured on Comedy Central, named one of the New Faces at the prestigious Montreal Just For Laughs Festival, worked as a regular at The Comedy Cellar in NYC, and headlined venues nationwide, including The Kennedy Center in DC. Dan's debut album, Emergency Contact, is a staple on SiriusXM, where he's also been a longtime regular guest on Bennington. His writing has also appeared in The New Yorker. FROM ME AGAIN: We have a great talk! You have a great listen! Enjoy! PS This is only the first HALF of our chat. For part two, subscribe via Apple Podcasts OR merely click on over here to Patreon!

Side note: In the midst of the migration from Substack to Ghost, this episode got lost in the shuffle somehow so it's back in the feed now. Apologies for the confusion / repost. There may be bugs but hopefully few and far between. Thanks again for the support, all!Returning guest, Chicago film critic, and regular contributor to the Movie Madness podcast is back for a long overdue third appearance. His most memorable one being well over a decade ago when he took the pro-side on the infamous Brian De Palma episode.None other than the talented and hilarious Peter Sobczynski volunteered to discuss the (mostly) underrated works of satirist Michael Ritchie (no relation to Guy) who had a career with high highs and low lows. We talk mainly about three of his most under-appreciated films and skim through the majority of his filmography (despite the return to the old format change). Thank you so much Peter for coming back and stay tuned next month for another episode of B-Side Me and another returning Chicago film critic and podcaster as well to discuss another legendary comedy director!00:00 - 13:06 - Introduction with Peter (awards season is coming)13:07 - 45:49 - Prime Cut + Early Ritchie45:50 - 01:16:50 - The Island! 01:16:51 - 01:47:21 - Other Ritchie Titles01:47:22 - 01:58:02 - The Positively True Adventures…01:58:03 - 02:09:54 - Top 3 Ritchie Films / OutroFollow Peter!Read Peter at RogerEbert.comSubscribe to Peter's Substack

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, I catch up with my favourite Bostonian film critic, Sean Burns, to discuss a Spielberg and Coen brothers collab - BRIDGE OF SPIES.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Junk Food Dinner returns for our annual holiday celebration and this year we're feeling particularly nostalgic! Up first, The Muppets gang crashes at Fozzy's mom's house for the holidays and they're bringing all their friends, even the Sesame Street and Fraggle Rock crew, in the 1987 TV special A Muppet Family Christmas. Then, we revisit one of Sean's favorite holiday traditions; we see what movies and electronics film critics Gene Siskel and Roger Ebert were recommending folks pick up in the Siskel and Ebert's 1990 Holiday Video Gift Guide! And finally, in the summer of 1992, one of biggest films was the blockbuster sequel Batman Returns. Tim Burton and Michael Keaton returned but this time Batman squares off against The Penguin (played by Danny DeVito) and Catwoman (played by Michelle Pfeiffer). But is it a Christmas movie? You bet your Batmobile it is! All this plus holiday cheer from our buddy Peter, tributes to some fallen heroes, Sean's epic new video mix tape and much more!LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.

Send us a text7:28 Avatar: Fire and Ash20:10 Marty Supreme29:36 The Housemaid35:06 Is This Thing On?42:39 The Voice of Hind Rajab47:25 Cover-UpIt's an 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!   'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'   Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its tenth year.Support the show

On this week's show, Dana and Steve are joined by guest host Rebecca Onion for a Gabfest first: a segment about something from the sprawling Taylor Sheridan television universe. They strap on their cowboy boots and hop in the pickup for a conversation on season 2 of Landman which stars a rangy and world-weary Billy Bob Thornton as an oil industry fixer. Next, they turn north of the border for some good, old fashioned, Canadian gay hockey romance. They discuss HBO's surprise—and surprisingly graphic—hit Heated Rivalry. The series sure is steamy, but does it feature enough hockey?  Finally, they mourn the passing of legendary filmmaker and Hollywood omnipresence Rob Reiner. They share their favorite moments from his films. Given those films include Stand By Me, When Harry Met Sally, Misery, The Princess Bride, and many more indelible classics, there's much to share. Endorsements Rebecca: The podcast Posting Through It featuring hosts Jared Holt and Michael Edison Hayden discussing the ins and outs of rightwing infighting and the recipe Holiday Rocky Road by Sohla el-Waylly in New York Times Cooking. Steve: For more melancholic Christmas music, Duke Ellington's Nutcracker Suite. Also, the Booker Prize short-listed novel The Rest of Our Lives by Ben Markovits, who Steve will be in conversation with at an event on January 5, 2026 at the Upper West Side Barnes & Noble— details here. Dana: The Rob Reiner-directed documentary Defending My Life about his childhood friend Albert Brooks and this brilliant clip of Rob Reiner at his 2000 Friar's Club Roast reading from Roger Ebert's legendary pan of Reiner's film North . Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dana and Steve are joined by guest host Rebecca Onion for a Gabfest first: a segment about something from the sprawling Taylor Sheridan television universe. They strap on their cowboy boots and hop in the pickup for a conversation on season 2 of Landman which stars a rangy and world-weary Billy Bob Thornton as an oil industry fixer. Next, they turn north of the border for some good, old fashioned, Canadian gay hockey romance. They discuss HBO's surprise—and surprisingly graphic—hit Heated Rivalry. The series sure is steamy, but does it feature enough hockey?  Finally, they mourn the passing of legendary filmmaker and Hollywood omnipresence Rob Reiner. They share their favorite moments from his films. Given those films include Stand By Me, When Harry Met Sally, Misery, The Princess Bride, and many more indelible classics, there's much to share. Endorsements Rebecca: The podcast Posting Through It featuring hosts Jared Holt and Michael Edison Hayden discussing the ins and outs of rightwing infighting and the recipe Holiday Rocky Road by Sohla el-Waylly in New York Times Cooking. Steve: For more melancholic Christmas music, Duke Ellington's Nutcracker Suite. Also, the Booker Prize short-listed novel The Rest of Our Lives by Ben Markovits, who Steve will be in conversation with at an event on January 5, 2026 at the Upper West Side Barnes & Noble— details here. Dana: The Rob Reiner-directed documentary Defending My Life about his childhood friend Albert Brooks and this brilliant clip of Rob Reiner at his 2000 Friar's Club Roast reading from Roger Ebert's legendary pan of Reiner's film North . Learn more about your ad choices. Visit megaphone.fm/adchoices

Brad got a Switch 2, and played Metroid Prime 4 on it, and we talk about that, Skate Story, the end of Silent Hill f, a bunch of Game Awards announcement speculation, the resurrection of Romero Games' latest project, whatever the hell is going on with Call of Duty right now, the immortal might of Shang Tsung, our love of Roger Ebert, a shocking revelation about controller face buttons, and a bunch more on this week's show. CHAPTERS (00:00:00) NOTE: Some timecodes may be inaccurate for versions other than the ad-free Patreon version due to dynamic ad insertions. Please use caution if skipping around to avoid spoilers. Thanks for listening. (00:00:09) Intro (00:14:13) Metroid Prime 4: Beyond | [Nintendo Switch, Nintendo Switch 2] | Dec 04, 2025 (00:42:07) First Break (00:42:11) Skate Story | [Nintendo Switch 2, PC (Microsoft Windows), PlayStation 5, Mac] | Dec 08, 2025 (00:49:28) Silent Hill f | [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S] | Sep 25, 2025 (00:57:30) The Séance of Blake Manor | [Linux, PC (Microsoft Windows)] | Oct 27, 2025 (00:57:53) Marvel Cosmic Invasion | [Nintendo Switch, Nintendo Switch 2, PC (Microsoft Windows), PlayStation 5, Xbox One, Xbox Series X|S, PlayStation 4, Linux] | Dec 01, 2025 (00:58:10) Absolum | [Nintendo Switch, PC (Microsoft Windows), PlayStation 4, PlayStation 5] | Oct 09, 2025 (00:59:30) Void Crew | [PC (Microsoft Windows)] | Nov 25, 2024 (01:03:59) Second Break (01:04:03) The Game Awards is soon and news is swirling (01:04:24) Larian may have a new game in the Divinity series (01:07:49) Capcom wants more Mega Man (and other) games! (01:12:29) Tomb Raider will have something to show at The Game Awards (01:17:16) Warner Bros. and Netflix... What will it mean for the games? (01:29:01) Katsuhiro Harada retires from Tekken (01:31:46) John Romero's latest project is still alive (01:35:02) Tim Cain returns to Obsidian (01:37:28) Call of Duty will slow down with the releases (01:45:36) Cary-Hiroyuki Tagawa has passed away (01:47:58) Emails (01:57:32) Wrapping up and thanks (01:59:31) Mysterious Benefactor Shoutouts (02:01:08) Nextlander Content Updates (02:02:46) See ya!

‘The Muppet Christmas Carol' underwhelmed at the box office when it was first released on 11th December, 1992 - but found its audience on video and DVD in the decades later, becoming a gold-plated Christmas classic, re-watched by families, year after year.  There was darkness behind the scenes - from the sudden death of Muppets creator Jim Henson, to the legal wrangling over Disney's acquisition deal for his company, and composer Paul Williams's return from a difficult decade of addiction. But, despite this, or, perhaps, because of it, 28 year-old first-time director Brian Henson delivered a faithful and enduring adaptation of Charles Dickens's novel. In this episode, Arion, Rebecca and Olly discover how Steve Whitmire shouldered the daunting job of playing Kermit for the first time; consider Michael Caine's masterstroke performance as Scrooge (‘as if playing opposite the Royal Shakespeare Company'); and reveal how Jerry Juhl's script shifted from comedy pastiche to heartfelt musical…  Further Reading: • ‘‘You'll never see Michael Caine blink': An oral history of The Muppet Christmas Carol at 30' (The Independent, 2022): https://www.independent.co.uk/arts-entertainment/films/features/the-muppet-christmas-carol-brian-henson-b2243015.html • ‘The Muppet Christmas Carol movie review' (Roger Ebert, 1992): https://www.rogerebert.com/reviews/the-muppet-christmas-carol-1992 • ‘The Muppet Christmas Carol Trailer #1' (Disney, 1992):  https://www.youtube.com/watch?v=pNo-Q0IDJi0 #90s #Film #Christmas #Heartwarming Thanks so much for supporting the show! We massively appreciate it. The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Edit producer:  Ollie Peart Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Copyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode, we are reviewing the #48 highest rated movie on IMDB.  It won 2 Oscars and holds a special place in the hearts of Turkish audiences.  Despite its accolades, it is famously on the “Most Hated” list from our friend Roger Ebert.  And If you can believe it or not, Stephen Baldwin was the top billed actor and this came out 30 years ago (you are old).  We are of course talking about 1995's The Usual Suspects. •0:00:00 - Introductions •0:03:00 - Memories of first viewing •0:08:30  - Pertinent movie details  •0:13:30  -  Critical and fan reviews •0:23:00 - Scene by scene breakdown  •1:30:00 - Modern day ratings —————————————————————— SPONSORS-  **BIG GROVE- Check out our beers of the episode here- http://BigGrove.com  **UNCOMMON GOODS-  To get 15% off your next gift, go to http://uncommongoods.com/CONFUSED  **WARBY PARKER-  You can head over to http://WarbyParker.com/CONFUSED right now to try on any pair virtually! **RULA-  Take the first step towards better mental health today and go to http://Rula.com/confused  —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Michael Guiliano and NicMad. Welcome to our newest members -  Will Clark, Joshua Carey, Mark Trickle, Thick Big, Travis Wenzel, Paul Albright, Carmel Pipicella, Where's Shelly, Matt B, Matt Rorrer, Ethan Wheeler,  Learn more about your ad choices. Visit megaphone.fm/adchoices