Podcasts about Ebert

Join us as Jeff accuses a small child of being a dummy.Host segments: Do Jeffs dream of Britt Ekland?; Mimi has doubts; big trucks are the kaijus of the road; we subscribe to the Maltin agenda; two thumbs down; the wheel adds more pleasures; not enough punishing Jerry Lee Lewis, England, Phil is a sleep paralysis demon.

In this episode, Your Two Favorite 90's Babies cross a brand new threshold through the same door with HOWL'S MOVING CASTLE [2004]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠⁠⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠⁠⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

In this episode, Your Two Favorite 90's Babies are delivering the goods with KIKI'S DELIVERY SERVICE [1989]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠⁠⁠⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠⁠⁠⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

7:13 Star Wars: The Mandalorian and Grogu 24:55 Passenger 31:44 Tuner 37:55 Saccharine 44:20 Silent Friend 50:47 Giant 56:41 Stolen Kingdom It's a 7-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bom dia, cinéfilos!No mês de maio, o Tiago convidou os amigos para falarem sobre seus projetos. Nesta semana, quem veio bater um papo foi o Caio Feio, do canal Sem Imagem no YouTube, para falar sobre seus quadros, em especial, o "Ontem e Hoje".Depois, a conversa derivou para um dos críticos de cinema mais influentes da história, que sempre aparece em seus vídeos: Roger Ebert. Para mergulhar nesse universo, o Tiago escolheu dois filmes que marcaram a trajetória do autor americano: Sexta-Feira 13: O Capítulo Final, que recebeu uma das críticas mais lendárias de Ebert, e De Volta ao Vale das Bonecas, que contou com roteiro do próprio Ebert.Ajudando os dois nessa viagem, temos o João Neto , da página Cineratus.Siga o Caio no Blueskyno twittere no Instagramouça o sem imagem podcast e se inscreva no canal do Sem Imagem no Youtube. Siga o João Neto no Instagram no Letterboxd e no twitterSiga a página do Cineratus no instagrame no tiktokSiga o Tiago no blueskye no letterboxd.Visite o canal do Ponto Cego no youtube. 

Grab your frosted tips and your most questionable life choices, because this week Rob, Dave, and Kurt are stepping onto the roller coaster of madness that is Fear (1996) Is it a gritty psychological thriller about a father protecting his daughter? Or is it an accidental comedic masterpiece where a future Oscar nominee carves "Nicole" into his chest and declares war on a German Shepherd? We're leaning heavily toward the latter Join the guys as they break down: The Dirk Diggler Defense: Would Mr. Walker have been more chill if he knew Marky Mark was a future A-lister? Red Flag Bingo: Counting every time Reese Witherspoon's Nicole should have sprinted in the opposite direction. Peak '90s Aesthetic: A deep dive into the baggy jeans, the angst, and that infamous needle drop of The Sundays' "Wild Horses." The MVP of Unhinged: Deciding once and for all if David McCall is a terrifying villain or just the world's most dramatic teenager.   Chapters 0:00 - Kicking Off the Show and Podcast Introduction 1:20 - Analyzing a Listener's 'Let Me In' Dilemma 3:03 - Introducing the Hosts and Teasing The Movie 4:26 - Diving Into Yearbook Memories and Crisco Confessions 8:10 - Unpacking Siskel & Ebert's 'Fear' Reviews 12:20 - Behind the Scenes of 'Fear' and 90s Thriller Tropes 16:19 - Deconstructing the 'Final Dad' Trope in 'Fear' 21:30 - Wahlberg's First Big Movie Role in 'Fear' 27:31 - Analyzing Reese Witherspoon and Alyssa Milano's Performances 30:58 - 'Fear' at the MTV Awards and Favorite Movie Moments 37:12 - Unforgettable and Cringeworthy Quotes from 'Fear' 45:51 - Breaking Down the Most Memorable Scenes in 'Fear' 51:53 - Unbelievable and Questionable Moments in 'Fear' 57:12 - Identifying the Most Quintessential 90s Elements in 'Fear' 59:23 - Crafting Greeting Card Messages and Favorite Songs 1:02:23 - Who Was the Real Most Valuable Player in 'Fear' 1:03:34 - The Most Unhinged and Intense Scenes from Mark Wahlberg 1:12:43 - Assessing 'Fear's' Rewatch Value and Final Judgement 1:16:33 - How to Connect with the Podcast and Share Your Thoughts 1:20:06 - Discovering New Facts and Funky Bunch Trivia 1:23:52 - Wrapping Up 'Fear' and Teasing Next Week's Show   Connect with Totally 80s and 90s Recall  Website: https://bleav.com/shows/totally-80s-and-90s-recall/  Email: 80s90srecall@gmail.com  Voicemail: (509) 426-4542  Linktree: https://linktr.ee/80s90srecall   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Making up for last time (no regular episode of CPP in a few weeks … and still, sadly, no Biff) Joe and Jacques record this super long fun filled ADHD all over the map episode. We start with going deep into the CPP vault and playing a fan favorite Joe – Self Indulgent Theater (which really, it's not Joe being indulged ... but at Jacques demanding) … John Oliver doing the theme from Cheers. Start off talking the fun new Eddie Murphy doc (and the need for him to do a puppeteering special) … which led to talking Dolemite Is My Name bio-pic Murphy did  …  which led to us watching and talking Rudy Ray Moore (the real Dolemite's movie) The Human Tornado! Into the weekly, this is why Tony V is the greatest talk and how awesome the Kristin O'Brien Town and City Fest show was couple weeks ago,  Like to say thanks to Jim Gaffigan for I'm sure he'd say yes had we asked, uses of his clip on “Spring”! Dominik Lay on the School Committee in Lowell has become Jacques “Public Enemy Number Dumb” and has set Jacques down path of getting more involved in local government … but also Jacques and Management did met Ed Markey this week! Chat Managements amazing humanitarian trip to Ukraine last week to … driving a donated car from London to Lviv Ukraine and working at a dog sanctuary in Lviv. Chat VAR questionable call in Westham Arsenal game being THE most consequential call in VAR Premier League history — giving Arsenal the title (over City) AND relegating the Hammers! Chat the great Siskel and Ebert long run of shows of movie reviews, Dare Devil Reborn season 2, Maul – Shadow Lord and YES … squeezes in some Resident Evil 9 gaming talk. … And … a parenting tip? Opening Song: Gomer by Beyond Id (on Spotify on album “The Stovin' Years) Ending Song: Gates Of Hell – Sebadoh Cover by Beyond Id (live on WMFO 1994)

The Black Keys describe their falling out with Live Nation, having to fire their manager and road crew and how that fueled their stripped down rootsy approach on their latest album, Ex-Turnstile guitarist Brady Ebert claims self defense as he faces life in prison as his charges were upgraded to first-degree attempted murder after driving his car into his ex-vocalists father, 79-year old William Yates, Zakk Wylde announces the return of his specially curated ‘Bezerkus' festival featuring Lamb Of God, Suicidal Tendencies and others, and more good news from Jason Newstead's camp as he reveals he is cancer free after successfully battling throat cancer last year and celebrates one year of sobriety this month & more… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#TheBlackKeys #BradyEbert #BezerkusFestival #ZakkWylde #JasonNewstead#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

In this episode, Your Two Favorite 90's Babies are on a trip to a fantastical bathhouse with SPIRITED AWAY [2001]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠⁠⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠⁠⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

See omnystudio.com/listener for privacy information.

This show is all thumbs up as we talk about Barry's Steamer: Ballionaire, Vampire Crawlers, Terra Tech Legion, Parade of Horribles, Hokum, Crazy Rich Asians, Ratchet, the Thomas Covenant series, Black Prism, Talion: Revenant, Siskel and Ebert, She's Out of Control, Punisher: One Last Kill, eBay shuts down GameStop, drinkable pizza, Fast and Furious TV shows, Voltron, Batman: The Killing Joke, theaters and Netflix, Dare To Be Stupid, Justice League Unlimited RPG, Marvel's Midnight Universe, Them!, and Westworld. We're more than husbandry, we're GeekShock!

4:27 Obsession 21:06 Is God Is 28:06 In The Grey 36:51 Driver's Ed 43:41 Marty, Life is Short 49:20 The Wizard of the Kremlin 53:57 Lifehack 58:58 Forge 01:04:02 Magic Hour It's a 9-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Your Two Favorite 90's Babies are just two fish in a big ol' pond with PONYO [2008]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

3:00 Mortal Kombat II, 13:13 Billie Eilish: Hit Me Hard and Soft 21:06 The Sheep Detectives 26:42 Remarkably Bright Creatures 33:25 Couples Weekend 38:47 Affection 44:47 Recap It's a 6-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, the guys talk a southern noir thriller from 1992 that became highly touted by Siskel and Ebert who named it #1 and #2, respectively, for that year. Film Seizure is talking about Carl Franklin's One False Move starring Bill Paxton, Cynda Williams, and co-written by Billy Bob Thornton. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Strap in, gear up, and prepare for a bug hunt. This week, Rob and Dave are joined by Kurt to dive into James Cameron's 1986 powerhouse, Aliens—the sequel that traded a haunted house in space for a full-scale intergalactic war. The sequel cranked the volume to eleven, trading shadows for pulse rifles and introducing us to the most terrifying matriarch in cinema history. Whether you're a die-hard Colonial Marine enthusiast or just here for the "Game over, man!" quotes, this episode is a deep dive into why Aliens remains the gold standard for sequels. The guys break down the shift from Ridley Scott's slow-burn horror to Cameron's high-octane warfare, the groundbreaking practical effects that still put modern CGI to shame, and the evolution of Ellen Ripley into an all-time action icon. We're exploring the "Vietnam in Space" subtext, the terrifying design of the Xenomorph Queen, and why the chemistry of the cast makes every casualty hit like a ton of bricks. Grab your M41A Pulse Rifle, check your motion tracker, and join us for a nostalgic trip through the ultimate 80s sequel. Chapters 00:00 - Intro and a Classic Alien Dilemma 3:59 - Pondering the Trailer and Siskel & Ebert's Reviews of Aliens 11:10 - Unpacking Aliens: Synopsis, Budget, and Legacy as a Masterpiece 22:00 - Analyzing Aliens' Dialogue, Practical Effects, and Sci-Fi Influence 39:00 - Recalling Iconic Lines and the Most Impactful Moments in Aliens 50:08 - Unpacking Aliens' WTF Moments, 80s Tropes, and Character Demises 1:10:18 - Celebrating Ultimate Badasses, Practical Effects 1:10:17 - Final Verdict on Aliens and Connecting with Recallers   Connect with Totally 80s and 90s Recall  Website: https://bleav.com/shows/totally-80s-and-90s-recall/  Email: 80s90srecall@gmail.com  Voicemail: (509) 426-4542  Linktree: https://linktr.ee/80s90srecall Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's our 100th episode (we think [we're pretty sure])! And we've got a very special double feature for the Siskel & Ebert fanatics. First we're talking about the only movie either of the duo were actually involved in making: Beyond the Valley of the Dolls. Written by Roger Ebert and directed by Russ Meyer. Then we talk about Gene Siskel's favorite movie: Saturday Night Fever. A movie he loved so much he bought the famous white Travolta suit! Here's to 100 more!

The third film in our Coens Comedy Classics lineup is an all-time favorite of Alex's, and a genuine screwball hall-of-famer if you don't mind such bold proclamations. We are, of course, talking about Raising Arizona, a movie chock full of yuks that still has a genuine heart that cannot be denied.CHAPTERS:(00:00:00) - The Nextlander Watchcast Episode 176: Raising Arizona (1987)(00:00:22) - Intro.(00:08:19) - Some initial impressions, and how Raising Arizona got made.(00:21:09) - On the subject of Randall "Tex" Cobb.(00:25:43) - A brief bit on Trey Wilson.(00:27:05) - On the movie's success and reception (and also a lengthy Siskel and Ebert bit).(00:33:11) - Break!(00:33:31) - We're back, and it's time for Hi and Ed's whirlwind romance.(00:43:32) - Taking your pick of the Arizona Quints.(00:52:42) - Our new nuclear family, and the Snoats brothers come calling.(01:01:47) - The demon biker first appears, and Nathan Jr. is discovered missing.(01:07:57) - The true horror of the nuclear family is revealed.(01:15:09) - One of the all-time great failed hold-ups in cinema.(01:18:04) - The bank robbery is pitched, and Junior's origins are discovered by unsavory types.(01:29:59) - Hi and Ed are nearly done, and the bank robbery pops off.(01:33:10) - All forces converge on Nathan Jr.(01:36:47) - Hi and Ed make things right, and a (potential) vision of the future.(01:44:05) - Final thoughts, and various other Cage musings.(01:53:42) - Our final Coens movie for this lineup: Burn After Reading!(01:55:47) - Outro.

In this episode, Your Two Favorite 90's Babies are in Salt Lake City to take on the Punk Rock movement head-on with SLC PUNK [1999]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

4:09 The Devil Wears Prada 2 14:04 Hokum 23:31 Animal Farm 31:21 Deep Water 39:45 Swapped 44:54 RZA's One Spoon of Chocolate 50:19 The Last One for the Road 58:02 Two Pianos It's an 8-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Seu cérebro sabe que Parasita é ficção. Mas por que ele cria novas sinapses e conexões neurais como se você tivesse vivido aquela experiência? A Universidade de Nova York tem a resposta, e ela envolve o córtex pré-frontal medial "acendendo" enquanto você assiste filmes humanizados sobre imigrantes.Roger Ebert chamava o cinema de "fábrica de empatia". Mas até onde vai esse poder? Bicho de Sete Cabeças mudou leis antimanicomiais. Pixote ajudou a criar o ECA. Ainda Estou Aqui está mobilizando o STF. Mas e Tropa de Elite? Por que o público se identificou com o Capitão Nascimento em vez das vítimas? Onde está a linha entre intenção do autor e interpretação do espectador?Rafael Arinelli, Anna Livia, Domenica Mendes e Rodrigo Basso debatem a "teoria da sopa de feijão" (sim, isso existe e explica por que ninguém mais sabe interpretar texto na internet), a atração psicológica por vilões como Coringa e Thanos, e por que saímos de Manic Pixie Dream Girl nos anos 2000 para a estética Sad Girl de hoje.Cinema registra história, catalisa leis e devolve esperança. Mas você está consumindo de forma consciente?• 06m13: Pauta Principal• 1h19m43: Plano Detalhe• 1h38m36: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • André Marinho Moreira• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Guilherme S. Arinelli• Thiago Custodio Coquelet• Wilmar Arinelli Jr• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Basso): Série: Slow Horses• (Basso): Série: Pluribus• (Anna): Filme: Terra Estrangeira• (Anna): Livro: Escudo de pardais• (Domenica): Podcast: A Última Bolacha• (Rafa): Texto: O Mundo Fala, Mas Ninguém Ouve• (Rafa): Podcast: Nerdcast: Artemis IIEdição: ISSOaí

In this episode, Your Two Favorite 90's Babies take a trip to Nottingham to steal from the rich and give to the poor with ROBIN HOOD MEN IN TIGHTS [1993]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

3:13 Michael 20:59 Apex 27:30 Mother Mary 34:14 Over Your Dead Body 41:06 Desert Warrior 45:36 Fuze 50:07 I Swear 54:46 Omaha It's an 8-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Matt Ebert didn't set out to build a billion-dollar business—he just wanted to fix cars the right way. Today, he's the CEO of Crash Champions, one of the fastest-growing collision repair companies in the country, valued in the billions and trusted to bring wrecked vehicles back to life. Mike sits down with Matt to unpack what really happens after a crash, why the skilled trades behind collision repair matter more than ever, and how a kid with no grand plan or college degree wound up leading a national powerhouse. Along the way, Matt tells how he got his start in the business, proving that sometimes the road to success begins with a single accident (or two) … and a desire to fix it. Many thanks to our excellent sponsors ZipRecruiter.com/Rowe to post a job for FREE. GoodRanchers.com Use code MIKE to get $25 off your first order and FREE meat for life. K12.com/Rowe See what's possible for your child with K12's Career and College Prep AuraFrames.com/Mike Use code Mike to get $25 off their best-selling Carver Mat frame.

Sam sits down at Royal Birkdale Golf Club with Mike Howard, Senior Design Associate at MacKenzie & Ebert, to discuss his long-standing relationship with the club.A lifelong member with an intimate knowledge of the North West coast, Mike has played a central role in the recent course changes, working alongside Tom MacKenzie to prepare Birkdale for The Open Championship this summer.A longstanding friend of the podcast, Mike brings both insight and perspective to the conversation. Widely respected for his work in golf course design, he is also a fine golfer and a highly regarded figure within the industry. Send us a message if you liked the showIf you've enjoyed this episode, please leave us a review on Apple Podcasts or Spotify!You can follow us along below @cookiejargolf Instagram / Facebook / Twitter / YouTube / Website

2:33 Lee Cronin's The Mummy 18:59 Normal 26:04 The Christophers 35:08 Balls Up 42:21 Erupcja 51:02 Blue Heron 58:01 Mile End Kicks 01:05:24 Wasteman 01:10:01 Ballistic 01:16:18 Mad Bills to Pay 01:20:56 Eagles of the Republic 01:25:04 Marama 01:29:22 Amrum 01:34:26 RECAP It's a 13-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

(SPOILER) Your Daily Roundup covers today's weekly episode with Mark Walberg, Survivor's twist last night, The Valley Ep 3 recap coming later today, Brianna Chickenfry joins the Alex vs Alix feud, and a random 80s teen movie Siskel & Ebert review making the rounds.   Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI) Ads: ⁠Ollie⁠⁠⁠ - Go to ⁠⁠⁠https://ollie.com/realitysteve⁠⁠⁠ Promo Code: REALITYSTEVE for 60% off your first box plus a Happiness Guarantee.  Not satisfied?  Get your money back. ⁠⁠Blissy⁠⁠⁠ - Wake up with clearer skin, smoother hair, and cooler sleep. Use code REALITYSTEVE for an extra 30% off at ⁠⁠⁠https://blissy.com/RealitySteve⁠⁠⁠ ⁠⁠Ro⁠⁠⁠ – ⁠⁠⁠https://ro.co/RealitySteve⁠⁠⁠ to see if you're eligible for the new GLP-1 pill on Ro Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(SPOILER) Your Daily Roundup covers today's weekly episode with Mark Walberg, Survivor's twist last night, The Valley Ep 3 recap coming later today, Brianna Chickenfry joins the Alex vs Alix feud, and a random 80s teen movie Siskel & Ebert review making the rounds.   Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI) Ads: ⁠Ollie⁠⁠⁠ - Go to ⁠⁠⁠https://ollie.com/realitysteve⁠⁠⁠ Promo Code: REALITYSTEVE for 60% off your first box plus a Happiness Guarantee.  Not satisfied?  Get your money back. ⁠⁠Blissy⁠⁠⁠ - Wake up with clearer skin, smoother hair, and cooler sleep. Use code REALITYSTEVE for an extra 30% off at ⁠⁠⁠https://blissy.com/RealitySteve⁠⁠⁠ ⁠⁠Ro⁠⁠⁠ – ⁠⁠⁠https://ro.co/RealitySteve⁠⁠⁠ to see if you're eligible for the new GLP-1 pill on Ro Learn more about your ad choices. Visit megaphone.fm/adchoices

Thus week, we have another one that has been under consideration for a long time. 52 PICKUP is a grimy epic directed by John Frankenheimer and stars veteran actors Roy Scheider and Ann Margret. Released in 1986, this film flew mostly under the radar and garnered a split opinion from Siskel and Ebert back in the day mostly over the purported brutality and sleaziness of the film. This one slots nicely into our Neo Noir project.   Intro:                   “Necromaniacs” – Mike Hill Outro:                “In My Dreams” – Dokken

Your Two Favorite 90's Babies need help trapping their inter-dimensional imaginary friend into their Blockbuster in a Box this week with DROP DEAD FRED [1991]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

In this conversation, we talk with Jared Ebert to discuss hermeneutics. Among the differing approaches to interpreting God's Word, Ebert critiques the quadriga, explains the meaning of words like allegory and typology, then provides a biblical hermeneutic. For more information, visit CBTSeminary.org

In this conversation, we talk with Jared Ebert to discuss hermeneutics. Among the differing approaches to interpreting God's Word, Ebert critiques the quadriga, explains the meaning of words like allegory and typology, then provides a biblical hermeneutic. For more information, visit CBTSeminary.org

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

1 minute weekly update for 4/13/26!Stories on #TheStrokes #BradyEbert #ArnelPineda #AnaCara #TobiasForge & more!This week's full video episode on YouTube: https://youtu.be/RI7nMysSaV0 Audio episode on Spotify: We're on Apple Podcasts too!  https://podcasts.apple.com/us/podcast/rock-news-weekly/id1361341817 Watch us live every Sunday 2pm PST @ Twitch.tv/rocknewsweekly Subscribe & watch our interviews, full episodes & updates on demand at youtube.com/@rocknewsweeklyFollow us:TikTok: https://www.tiktok.com/@rocknewsweekly Insta: https://www.instagram.com/rocknewsweekly  FB: https://www.facebook.com/rocknewsweekly X: https://x.com/RockNewsWeekly Everything always at www.rocknewsweekly.com #TheStrokes #BradyEbert #ArnelPineda #AnaCara #TobiasForge#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

1 minute weekly update for 4/13/26!Stories on #TheStrokes #BradyEbert #ArnelPineda #AnaCara #TobiasForge & more!This week's full video episode on YouTube: https://youtu.be/RI7nMysSaV0 Audio episode on Spotify: We're on Apple Podcasts too!  https://podcasts.apple.com/us/podcast/rock-news-weekly/id1361341817 Watch us live every Sunday 2pm PST @ Twitch.tv/rocknewsweekly Subscribe & watch our interviews, full episodes & updates on demand at youtube.com/@rocknewsweeklyFollow us:TikTok: https://www.tiktok.com/@rocknewsweekly Insta: https://www.instagram.com/rocknewsweekly  FB: https://www.facebook.com/rocknewsweekly X: https://x.com/RockNewsWeekly Everything always at www.rocknewsweekly.com #TheStrokes #BradyEbert #ArnelPineda #AnaCara #TobiasForge#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

6:46 You, Me and Tuscany 14:43 Faces of Death 25:35 Exit 8 33:38 Thrash 39:33 Outcome 48:23 Hunting Matthews Nichols It's a 6-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this week's episode of the galaxy's greatest Podcast Opera, Your Two Favorite 90's Babies take on the 90's greatest Space Opera in STAR WARS: EP I - THE PHANTOM MENACE [1999]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠⁠⁠⁠https://www.patreon.com/blockbusterwives⁠⁠⁠Show some love for Ebert: ⁠⁠⁠⁠⁠https://shorturl.at/vBFU5⁠⁠⁠Support this podcast: ⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

The Podcast That Rocked for 4/8/26. Turnstile ex-guitarist Brady Ebert attacks singer's father, R.I.P. Bo Lueders of Harm's Way, more.Discussion Topics: R.I.P. Bo Lueders of Harm's Way and Hard Lore Podcast Turnstile ex-guitarist Brady Ebert is in jail for good reason Ghost's Tobias Forge stalked intensely by deranged fan Taylor Momsen opens up about new The Pretty Reckless album Dear God GWAR get death threats for being GWARSpiritbox to open for Metallica Upcoming albums/tours/more.SONG OF THE WEEK: Nervosa “Slave Machine” https://www.youtube.com/watch?v=-bOpQD6eJnY“Ex-Turnstile guitarist Brady Ebert was arrested earlier this week and charged with attempted murder in the second degree and first degree assault, as confirmed by Maryland Judiciary Case Search and Record Portal. The 33-year-old musician, who was fired from Turnstile in 2022 and launched the new band Experience after The S.E.T. cut him loose earlier this year, made an initial appearance in court yesterday (April 1) and has a bond hearing set for today (April 2) at 1PM ET in front of Judge Sherri Debra Koch. A further preliminary hearing is set for May 1 at 9:30AM ET. An warrant for Ebert's arrest was issued by Judge Jacqueline Johnson on March 30 and served on March 31 in relation to a March 29 incident that led to the aforementioned charges. Ebert was apprehended by Montgomery County Police officer Kevin Moris and the musician is documented as having waived his attorney at the April 1 court appearance and is eligible to be represented by a public defender. Records indicate Andrew David Alpert will be representing Ebert in this case.” (Loudwire)Hosted by: Luke = https://www.youtube.com/@rockednet Alex = https://www.youtube.com/@voiceofalex

THIS WEEK ON TOILET RADIO: We talk about a fledgling TovH Guy really going above and beyond by attempting to murder the elderly father of his former Turnstile vocalist. See you in 15-20, Brady! We compare and contrast the journey of Brady Ebert with rapper Pooh Sheisty who also went above and beyond this week by attempting to kidnap Gucci Mane in front of a cop and a million cameras. In other news: Kiko Loureiro, former Megadeth guitarist, threatened to sue Arch Enemy over stealing a guitar riff, Arch Enemy responds and shatters Kiko into a pile of broken glass. Jordan makes me listen to a terrible Ladies & Gentlemen Core song from Dominum and I just kinda sigh into my microphone for 7 minutes. In much sadder news, Bo Leuders of Harms Way and James Lollar of Gost died way too young this week. Finally, we question whether the metrics behind fake band Dogma can be trusted at all. Music featured on this episode: Luddite – Perfect Organism This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

What if music could become the most powerful legacy you leave behind?In this emotional and inspiring episode, Rich sits down with Jim Ebert, a veteran music producer and 25-year brain cancer survivor who is changing lives through his nonprofit, Cancer Can Rock. Jim shares how his journey through cancer led him to help others create something deeply meaningful—final songs that become lasting gifts for their families.Jim isn't just producing music anymore. He's helping people tell their stories, say what matters most, and leave behind something that lasts forever.Guest: Jim Ebert – Music producer and founder of Cancer Can RockKey Takeaways: Why sincerity matters more than perfection in music  How facing mortality changes your perspective on life  The powerful role music plays in healing and legacy  What it's like to help someone record their final song  Why you should never take today for granted 

4:21 The Super Mario Galaxy Movie 17:01 The Drama (Zendaya, Robert Pattinson) 25:31 Pizza Movie 34:19 The Stranger 40:38 The Yeti It's a 5-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. Except today is a special early Wednesday drop, thanks to Mario's release date. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Your Political Apathy Sucks" on Bonfire - ⁠⁠https://www.bonfire.com/store/your-political-apathy-sucks/⁠⁠Your two favorite 90's babies are saving the city and stopping trains with everyone's favorite soapy superhero, David Gamble Jr. with HITCH [2005]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at ⁠⁠https://www.patreon.com/blockbusterwives⁠⁠Show some love for Ebert: ⁠⁠https://shorturl.at/vBFU5⁠⁠Support this podcast: ⁠⁠https://podcasters.spotify.com/pod/show/blockbuster-wives/support⁠

Selbstversuch Gooning: Sebastian und Kevin erzählen Auri und den Hosis von ihrem Selbstversuch für die PULS Reportage. Was macht stundenlanges Pornoschauen wirklich mit dem Kopf?

7:52 They Will Kill You 17:18 Forbidden Fruits 28:11 Mike & Nick & Nick & Alice 37:10 Pretty Lethal 44:57 Alpha 57:12 She Dances 01:04:41 Fantasy Life 01:09:20 Our Hero Balthazar 01:18:01 Kontinental '25 It's another 9-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We break out the old Siskel and Ebert encyclopaedia of movie knowledge as Stan welcomes Mary T. Wells and Holly Wood Crawford to the Solo Studios for a review of the Disney/Pixar film "Hoppers". In theatres now. Heads up! It gets spoiler-ific after the eleven minute mark.  ----------------------- Hello and welcome to this edition of The Solo Show. THANK YOU for your support by joining us and our fun little podcast where YOU can be the co-host. Simple reach out to me at thesoloshow01@gmail.com with your idea for a show and we will see about being my co-host for a day. All you need is a love for Disney, a show idea, and a decent internet connection. ~Stan Solo ----------------------- If you enjoy the show then show some love by sharing out that your listening, and be sure to subscribe. Plus, take a few minutes to write a review on Apple Podcast…only one rule, make it good.  ----------------------- If you ever dreamed about living next to the most Magical place on Earth by moving to the Orlando area be sure to visit our sponsor Victor Nawrocki, he to help you make your dream a reality. Visit CelebratingFlorida.com today and find your future near the magic. Remember to tell him The Solo Show sent you. -------------------- Ken the Voiceover Guy is available for hire. Maybe you need him to read an ad for you, or record your podcast intro, etc. Send him an email at tvfella67@gmail.com for more information and prices. ----------------------- LET'S CONNECT!  Facebook.com/TheSoloShow01 Facebook.com/groups/TheSoloShow •Instagram.com/the_solo_show_podcast •Twitter.com/@thesoloshow1 •YouTube.com/TheSoloShow TheSoloShow.com- Visit our website for quick access to past shows. ----------------------- © 2026 - The Solo Show is in no way part of, endorsed or authorized by, or affiliated with the Walt Disney Company or its affiliates. As to Disney artwork/properties: © Disney. Disclosure | Privacy Policy  

Jess Ebert received a flood of new clients a few years back—and soon realized that the abundance of work was doing the business more harm than good. As she pared down the pipeline, she brought the firm closer to its ideal clientele—and started to clear the path for her own transition within her firm's workflow. In this episode, she also shares how she communicates her entire team's value to clients, the many ways hiring a PR firm is helping her navigate the changing social media landscape and why taking Wednesdays off represents a pivotal moment in her entrepreneurial journey. LINKSJess EbertKaitlin PetersenBusiness of HomeThis episode was sponsored by Garrett Leather. 

3:54 Project Hail Mary 20:38 Ready or Not 2: Here I Come 31:32 Peaky Blinders: The Immortal Man 38:57 The Pout-Pout Fish 43:25 Tow 50:56 The Rise of the Red Hot Chili Peppers: Our Brother Hillel 57:08 Mirrors No. 3 01:02:50 Late Shift 01:07:45 Dead Lover It's a 9-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Your Political Apathy Sucks" on Bonfire - https://www.bonfire.com/store/your-political-apathy-sucks/Your two favorite 90's babies are dawning their magnetic collars and cowboy hats and are on the run with WILD WILD WEST [1999]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at https://www.patreon.com/blockbusterwivesShow some love for Ebert: https://shorturl.at/vBFU5Support this podcast: https://podcasters.spotify.com/pod/show/blockbuster-wives/support

"Your Political Apathy Sucks" on Bonfire - https://www.bonfire.com/store/your-political-apathy-sucks/Your two favorite 90's babies are looking for MORE SUGAR in MEN IN BLACK [1997]!Going forward, Blockbuster Wives will be posting episodes every Thursday to the main feed as well as the Patreon feed. After a few weeks, episodes will be archived and moved exclusively to the Patreon feed. But fear not! You can join for as little as $1/month and have unlimited access to over 100 hours of your two favorite 90's babies!Join today at https://www.patreon.com/blockbusterwives Show some love for Ebert: https://shorturl.at/vBFU5 Support this podcast: https://podcasters.spotify.com/pod/show/blockbuster-wives/support

In this episode, produced in partnership with RahrBSG, we're taking a close look at process aids in the brewhouse and cellar, from anti-foaming agents and finings to enzymes and more. Whether you're trying to keep more foam in your beer (rather than lose it while brewing and cellaring), fill tanks with more beer and less headspace (by limiting foam height within tanks), or clarify beer while reducing filtering time and expense (by using finings), there's a process aid that fits your goal. Here, we discuss the ins and outs of using these tools effectively in the brewery with Sam Pecoraro of Von Ebert in Portland, Oregon; Steve Theoharides of Zero Gravity in Burlington, Vermont; and Ashton Lewis, technical support manager at RahrBSG. We produced this episode in partnership with RahrBSG, your leading source for brewing ingredients and supplies. To learn more about the solutions RahrBSG offers, visit their site and contact your representative today.