Podcasts about Nomadland

"If your city told you to stop flushing your toilet… what would you do?"In this hilariously unfiltered episode of The Ben and Skin Show, the crew dives headfirst into the bizarre and very real sewage crisis rocking Rowlett, Texas. With Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray at the helm, no toilet pun is left unflushed as they unpack the absurdity of a citywide plumbing disaster that has residents asking the unthinkable: “Where do we go now?”From KT's deadpan delivery of the news—“Stop flushing toilets, showering, or doing laundry”—to Ben's satirical emergency plan involving flaming paper bags and neighborly sabotage, the team turns a civic nightmare into comedic gold.Memorable Moments Include:

Today we're threading together sewing, and fate with some of the extraordinary people behind one of the most innovative and visually striking films of the year—Sew Torn. It's a thriller. A dark comedy. And a stitched-together cinematic wonder that explores how every decision unravels a different destiny.In Sew Torn, Barbara Duggen—‘The Mobile Seamstress'—stumbles upon a drug deal gone wrong. Faced with a suitcase full of cash and two injured men, she must choose what's next Each decision plays out in a unique timeline, with wildly different and increasingly dangerous consequences. The result is a story of grief, survival, and redemption—where thread becomes both weapon and lifeline.Joining me are the father-and-son creative team behind the film: Freddy Macdonald, the 24-year-old - youngest-ever Directing Fellow at the American Film Institute. Freddy's debut feature Sew Torn premiered at SXSW and headlined the Locarno Film Festival's Piazza Grande. His thesis film, Shedding Angels, won a Student Academy Award and was shortlisted for a BAFTA. Sew Torn was acquired by Vertigo Releasing and Sunrise Films and opened theatrically nationwide Alongside him is his father and producing partner Fred Macdonald—a seasoned media executive and writer whose companies have collaborated with Disney, DreamWorks, Lionsgate, and more. As former CEO of Olive Jar Studios, Fred led creative for award-winning theme park media and advertising campaigns, including a CLIO Gold-winning Coca-Cola spot.Also joining us is the magnetic Irish actor, Eve Connolly. A graduate of Dublin's Gaiety School of Acting, Eve launched her screen career in Into the Badlands, and has since appeared in The Other Lamb, Vikings, and River Wild. In Sew Torn, she brings grit, emotion, and inventiveness to her role as Barbara—a woman who sews her way out of impossible circumstances.We'll talk about how sewing literally powers the film—from embroidered “Talking Portraits” to stitched title cards to intricate Rube Goldberg-style thread rigs. And we'll explore how the film's visual and emotional complexity reflects the choices we make—and the ones that make us.(3:27) Hear a clip from the movie that sets the scene for the whole movie. Fred and Freddy comment on it. Hear how the concept for this film was Freddy's entrée to the American Film Institute. No Country For Old Men had something to do with this!(6:33) What was it like to get a call from Joel Cohen? Fred explains. The three things Fred heard on the initial call from a friend Peter Spears, Joel Cohen wants to meet, Searchlight wants to buy the short film, Rich Klubeck from United Talent Agency (UTA) wants to represent Freddy as a director. This all happened while Freddy was still a high school senior.(10:17) How did the whole movie launch from the simple idea of a lost button? And by the way…there were NO computer-generated effects in the movie. (13:30) What's it like for Freddy and Fred to work together? Do they always agree? agree? Freddy learned stop motion animation at the age of nine…from his dad. At the same time Fred taught Freddy to write films! (17:11) Three altering decisions. Why this story structure? Freddy explains the difficulty in making the feature length film out of the short. (19:49)How long did it take from beginning to end to make the film? Well…Freddy was 18 when they started – and just turned 24 as it was released! (20:24)Freddy and Fred explain the Rube-Goldberg contraptions they built. No-tricks…everything was in camera…with a small budget too! And…what was their OMG moment?! (23:46) The embroidered talking portraits…Fred and Freddy talked about these innovative elements in the movie and how they were created. Learn how BERNINA was essential in creating these and how they all worked together. Hear about the Metler introduction and how this made such an impact in the movie (27:46) Location, location, location. How did the town where they shot the movie affect the feeling and cinematography of the movie? Learn about this town and the people who live there…and how some of them were extras in the movie. (31:03) Barbara's journey…what influenced her arc? Physical want + emotional need. (32:25) This deeply physical film leans surprisingly heavily on non-verbal. How did Freddy and Fred make this work? Also, hear about Eve's audition for her part and what she did to win the role.(35:06) Sound design and the music score were deeply important to this movie. Learn how Jacob Tardien the music composer created the sound that added so much to the film. And learn how that sound was made.(37:32) What was the toughest scene to film and how did they approach it? And how did no dialog carry this critical 6 minutes?(40:02) There are three very distinct stories in this movie…how were they filmed? Well, Freddy, as the script supervisor, explains how they put all of this together and maintained continuity.(41:24) Any special behind-the-scenes stories that can be revealed just for this podcast? Oh yes…listen to Fred's story about an actor that maintained character…all the time!(45:38) What's next for Freddy and Fred? Working together is at the top of this list. Do they have one in the works…yes, yes they do! And Fred would like a slightly bigger budget for the next film!(46:50) Anything we didn't ask that they wish we had?! Not a thing.(47:40) How can you reach Freddy and Fred? www.macdonaldentertainment partners.com. (48:13) Now…meet Eve Connolly(48:50) Eve talks about what drew her to the script. The short film had a lot to do with it!(49:45) Eve tells of the initial conversation she had with Freddy and Fred. Their explanation of wanting emotional depth for Barbara was a large draw.(51:33) How did Barbara prepare for this role? Years of working as an actor prepared her…but finding something to identify with was even more important. Once on set…she's ready to go and she's in the moment!(52:46) Hear Barbara's favorite clip form the movie…and the pivotal conversation that tells so much. Now Barbara shares what this meant to her and why.(55:28) This incredible physical role…How did Eve do this?(56:27) The rigs that were created in the film…Barbara tells all. How did she learn to build and manage these? Does Eve sew?!(58:41) The dance in the movie…Barbara tells of doing this dance and how she felt doing. How did she audition for this? Over ZOOM…and the dance…it was a natural for her…and very emotional.(1:01:39) Location–Location-Location. How did this affect her performance?(1:02:30) And that haunting stillness?(1:03:41) What part of Barbara's character stayed with Eve? That very strong connection with her mother…and the fact that she did this even though it was quite intimidating. Eve know the potential for this film and wanted to do justice to this creation. Overcoming her nerves was pretty big for her!(1:05:56) Did this experience change how Eve will play future roles?(1:07:07) What was her favorite of filming. The cast, the crew…all the people involved in the movie. Definite respect for Freddy as her director. Oh, and singing High School Musical every day before filming!(1:08:11) Her favorite part of the movie…refer back to the clip we played! And filming the scenes on the road.(1:09:19) Any behind the scenes stories? She talks about the car. And yes, it wasn't a prop…it's a real thing!(1:10:51) What's Eve's dream? Not what you might think. What's next…she's developing a series in Ireland.(1:11::51) Anything we didn't ask?(1:12:03) How can you reach out to Eve? @eveconnolly on Instagram. Our Thanks to Freddy and Fred Macdonald and Eve Connolly for their time and conversation.You can now order Sew Torn to be released on June 13th on Apple+TV. Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

Hei kamerater, og god første mai!Hvorfor feirer vi egentlig 1. mai? Og hva er egentlig en blu-ray? Det får du svaret på i dagens episode av Nova noir. Lotte, Pauline og Viktor deler historier fra sine relativt korte arbeidsliv, drømmer om å stikke av i en campervan, og går inn i 2025s siste vårmåned med kampånd og masse ny kunnskap.De har sett: Nomadland, Perfect days og Office space

This week's theme is Pain. Bob & Robb choose six movies that hurt like hell.  Bob:  A Real Pain (15:21), Hellraiser (2022) (33:31), Cries and Whispers (55:25) Robb:  The Princess Bride (3:57), I Love You, Man (23:14), Nomadland (46:16) Follow —> Rewind Video: https://rewindvideopod.substack.com/p/follow-rewind-video Bob: https://bsky.app/profile/rgdjr.bsky.social  Robb: http://robbwitmer.info

Back in the mists of time, Maggie O'Farrell was one of my very first guests on The Shift. So, as she celebrates the 25th anniversary of the publication of her very first novel, After You'd Gone and we wait with bated breath for the movie of her smash hit bestseller Hamnet (starring Jessie Buckley and Paul Mescal, directed by Oscar-winning director of Nomadland, Chloe Zhao, and co-written by Maggie and Chloe), I thought now was a good time to revisit our conversation from back in 2020. Since then Maggie has of course written the bestselling The Marriage Portrait and gone on to sell hundreds of thousands of copies of Hamnet. Here are the original show notes: This week's guest is the award-winning novelist, Maggie O'Farrell. The author of eight novels, most recently the stunning Women's Prize winner, Hamnet, and one of my favourite memoirs of all time, I Am, I Am, I am. And now she's written a children's book, the absolutely gorgeous Where Snow Angels Go, which is a banker for a Christmas Day teatime animation a la The Snowman if ever I saw one.  While Maggie noses through my bookcase and plays with Sausage the (tail-less) cat, we talk being a social media refusenik, giving voice to women's stories, saying good riddance to the male gaze, why she never thought she was the marrying kind. Oh, and why she still secretly fears someone might take her Women's Prize away! Frankly, if Maggie O'Farrell has imposter syndrome, what hope is there for the rest of us? * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including Hamnet and The Marriage Portrait by Maggie O'Farrell and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls at Pineapple Production. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker Learn more about your ad choices. Visit megaphone.fm/adchoices

Helen and Gavin chat about Severence, Adolescence, Novocaine, and Black Bag and it's Week 48 of the list of Oscar Best Picture Winners from 2021 and 2022; Nomadland, and CODA.

Podcast Delays, Everything Everywhere All at Once, Nomadland, Wallace and Gromit: Vengeance Most Fowl, Room on the Broom, Wolf Man, Companion, M3GAN, Creep Box, Timestalker, Invincible, Legion, Daredevil: Born Again, Mythic Quest, Andor, Doctor Who, The X-Files, Motorcycle Wrenching, Physical Media Conversion, Skype, CRRRRS on YouTube

A podcast about Paper Legacy. In this episode we talk weekly Paper play, including a co-host clash! Then we gather the Basic Land Connoisseur Panel to talk about Nadu! An archetype that we've just missed for some reason. Find all the art in the Discord: https://discord.gg/7CxpYZzzdh Hosted on Acast. See acast.com/privacy for more information.

As Fern, the protagonist of Nomadland (an incredible award-winning film), says: I'm not homeless, I'm houseless. There is a difference!

Send us a textWhat if your favorite Best Picture winner isn't all it's cracked up to be? Join us on a cinematic journey as we, Alex McCauley, Max Fosberg, and Erica Kraus, tackle the formidable task of ranking every Best Picture winner since 2000. With Erica's delightfully unpredictable selections leading the way, prepare for some surprises as we debate the hits and misses of the Oscar world. This episode promises a lively exchange of perspectives, touching on both beloved classics and those films that have seemingly slipped through the cracks of time.Engage with our spirited re-evaluation of contentious Oscar winners like "Crash" and "Green Book," as we question their lasting impact in a rapidly evolving cinematic landscape. We take a critical lens to "Nomadland" and "Birdman," highlighting the ways these films sparked differing emotional reactions and reflecting on the artistic risks that paid off—or didn't. Whether it's the excitement of "Argo" or the atmospheric intensity of "No Country for Old Men," our conversation dives deep into the elements that make these films both resonate and divide audiences.Finally, our exploration wouldn't be complete without an analysis of cultural milestones such as "Moonlight" and "Spotlight," shining a light on their enduring significance in film history. We speculate on the future of cinema, pondering over potential 2025 Best Picture contenders like "The Brutalist" and "The Substance." Join us in celebrating the diverse and ever-changing world of film, as we share our hopes for the underdogs and acknowledge the unpredictable nature of the Oscars.Support the show

Diese Woche reisen wir zurück zu den Oscars 2021 – die ersten, über die wir hier im Podcast gesprochen haben! Mit Filmen wie "Nomadland", "The Father", "Judas and the Black Messiah", "Sound of Metal" und "Promising Young Woman" war es ein Jahr voller großartiger Werke und katastrophaler Fehlentscheidungen. Doch welche davon haben die Zeit überdauert und welche wurden vielleicht überschätzt?Außerdem geht's um "Paddington in Peru". Unser Lieblingsbär ist wieder da und auch wenn er nicht ganz an seinen Vorgänger heranreicht, sorgen Olivia Colman und Antonio Banderas für jede Menge Charme. Ist der Film trotzdem ein würdiger Nachfolger?Dafür bahnt sich wohl einer der großen Flops des Jahres 2025 an: "Star Trek: Section 31". Ein Film, der bei Fans und Kritikern auf wenig Begeisterung stößt – warum? Wir nehmen das Sci-Fi-Desaster unter die Lupe.Mehr Hoffnung gibt es bei "Gladiator 2" mit Paul Mescal, Denzel Washington und Pedro Pascal. Kein Meisterwerk, aber eine beeindruckende Fortsetzung – lohnt sich das Ansehen?Und zum Schluss: Cameron Diaz ist zurück! Nach Jahren der Leinwandabstinenz feiert sie mit Jamie Foxx in "Back in Action" ihr großes Comeback. Kann die Actionkomödie überzeugen oder bleibt sie nur ein netter Nostalgie-Trip?Hausaufgabe für nächste Woche: "The Order" (Amazon Prime)#NapalmamMorgen

Welcome back to another episode where we are diving into the Oscars most recent best picture winner. Including Parasite, Coda, Nomadland, Everything Everywhere All At Once, and Oppenheimer.Table of Contents:00:00 (Intro)29:49 (Parasite)54:39 (Nomadland)01:21:21 (Coda)01:45:16 (Everything Everywhere All At Once)02:17:24 (Oppenheimer)

This week on the season premiere of And the Runner-Up Is, Kevin welcomes back AwardsWatch executive editor Ryan McQuade to discuss the 2020 Oscar race for Best Actress, where Frances McDormand won for her performance in "Nomadland," beating Viola Davis in "Ma Rainey's Black Bottom," Andra Day in "The United States vs. Billie Holiday," Vanessa Kirby in "Pieces of a Woman," and Carey Mulligan in "Promising Young Woman." We discuss all of these nominated performances and determine who we think was the runner-up to McDormand. 0:00 - 18:16 - Introduction 18:17 - 41:42 - Viola Davis 41:43 - 1:11:28 - Andra Day 1:11:29 - 1:35:05 - Vanessa Kirby 1:35:06 - 2:02:24 - Carey Mulligan 2:02:25 - 2:26:37 - Frances McDormand 2:26:38 - 3:31:07 - Why Frances McDormand won / listener questions 3:31:07 - 3:39:45 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow And the Runner-Up Is on Twitter, Instagram, and Bluesky Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Wonder how many things Disney owns and how many more characters or stories they have, the answers are endless. In Film & TV Studios Walt Disney Pictures – Includes films like Frozen, The Lion King, and Pirates of the Caribbean.Pixar Animation Studios – Known for Toy Story, Cars, Finding Nemo, Inside Out. |Marvel Studios – Rights to Marvel Cinematic Universe (Avengers, Guardians of the Galaxy, Black Panther), though some character rights are still partially shared with others (e.g., Spider-Man with Sony).   Lucasfilm – Rights to Star Wars and Indiana Jones franchises. 20th Century Studios (formerly 20th Century Fox) – Rights to Avatar, Alien, The Simpsons, The X-Men (now integrated with Marvel), Deadpool. | Searchlight Pictures – Known for award-winning films like The Shape of Water and Nomadland.  Disney Television Studios (including):  ABC Signature FX Productions TV Networks  ABC – A major broadcast network.  (Ever notice how many game shows or talk shows have to Disclose their parent company is ABC after a giveaway or location shoot  Disney Channel – Family-focused TV network.   FX Networks – Known for shows like American Horror Story and The Bear.National Geographic – Includes both TV and publishing operations.  ESPN (80% ownership) – One of the largest sports networks globally. Streaming Services Disney+ – Streaming platform for Disney's IPs, including Marvel, Star Wars, Pixar, and Disney films Hulu (majority ownership) – Streaming platform known for adult-focused TV shows and films. ESPN+ – Sports streaming service.Star+ (internationally, in some regions) – For mature Disney-owned content outside the U.S. Theme Parks & Resorts12 parks, 55 resorts and 7-13 ships Music & Theatrical Disney Music Group – Includes Walt Disney Records and Hollywood Records. | Disney Theatrical Productions – Known for Broadway adaptations like The Lion King, Aladdin, and Frozen.Acquired Franchises Star Wars (Lucasfilm acquisition in 2012)  Marvel Comics and Cinematic Universe (Marvel Entertainment acquisition in 2009)  |Avatar (20th Century Studios acquisition in 2019)  The Simpsons, Family Guy, and other Fox properties.  Intellectual Property & Brands Disney Princesses – Includes classic characters like Cinderella, Belle, and Mulan.  |Mickey Mouse & Friends – Iconic characters including Mickey Mouse, Minnie Mouse, Donald Duck, and Goofy.  Pixar Characters – Includes Woody, Buzz Lightyear, and other beloved characters.  Marvel Heroes – Iron Man, Thor, Captain America, Spider-Man (shared with Sony), and many more. Star Wars Universe – Characters like Luke Skywalker, Darth Vader, and The Mandalorian. Technology & Innovation  Industrial Light & Magic (ILM) – Visual effects company (under Lucasfilm

Nomadland, Skeleton Crew

George Thomas and Craig Shoup discuss the upcoming film "A Complete Unknown," directed by James Mangold, starring Timothée Chalamet as Bob Dylan. They praise Chalamet's performance, comparing it to Daniel Day-Lewis's nuanced roles. They also discuss other films, including "Carry On," a Netflix thriller with Jason Bateman, and "Dear Santa" with Jack Black, which they find predictable and exploitative. They reflect on the year in film, noting the impact of strikes and the potential of "Nomadland" for Oscars. They also touch on upcoming releases like "Sonic the Hedgehog 3" and James Gunn's Superman project, emphasizing the need for Superman to face real danger.

DESCRIPCIÓN DE CONTENIDOS: Min 4: Analizamos el éxito universal de “Del Revés 2”, que ya es la película más taquillera de 2024 y está suponiendo el dulce renacimiento de Pixar. Min 6: UN LUGAR TRANQUILO: DÍA 1 El terror también quiere aprovecharse del inicio de las vacaciones de verano y nos ofrece una precuela de la exitosa “Un lugar tranquilo”. Cambio de director y de protagonistas (salvo una sorpresa) para colocarnos en el corazón de Nueva York el día del inicio de la invasión de depredadores que aniquilan al ser humano siguiendo su rastro sonoro. Min 16: KINDS OF KINDNESS: EL LANTHIMOS INDESCIFRABLE Tras la lluvia de elogios, premios, nominaciones y críticas cosechadas por "Pobres Criaturas", el siempre extravagante Yorgos Lanthimos sorprende esta vez con una película grotesca y excesiva que ha dejado locos (y exasperados) a los expertos y puede provocar abandonos de sala mucho antes de llegar a su final. Raquel Hernández y Alberto Luchini no han escapado al efecto Lanthimos en "Kind of Kindness" e intentan hacer servicio público para evitar efectos secundarios en espectadores desinformados. Min 26: HORIZON. AN AMERICA SAGA: COSTNER HA VUELTO Una de las grandes noticias de la nueva cartelera tiene que ver con el aclamado regreso de Kevin Costner. El realizador de “Bailando con Lobos” vuelve por sus fueros y da una lección de clasicismo y amor al western en el primer capítulo de una larga saga que volverá en agosto con su segunda entrega. Luchini no le pone pegas y se entrega a la causa con argumentos. Min 32: CASA EN LLAMAS: buen cine español Y el cine español también quiere hacerse notar en este inicio vacacional con una propuesta intimista y coral que remueve de nuevo las relaciones familiares y la complejidad de los afectos y las herencias. Dani de la Orden construye uno de los mejores retratos que ha dado nuestro cine el último año. Nuestros expertos nos dicen porqué. Min 37: LA FINAL DE LA CHAMPIONS OSCAR Llegó el día. Llegó la gran final. “Parásitos” y “Nomadland” miden sus fuerzas para convertirse en la mejor película con Oscar de los últimos 16 años. Y esta vez, la sorpresa, es que la ganadora no saldrá del veredicto de Alberto, Raquel y Roberto Lancha. El jurado se hace más grande para afinar la decisión e incorporamos para ello a voces tan autorizadas como queridas del panorama cinéfilo castellano-manchegos. Expertos en bandas sonoras, realizadores, productores, directores de festival y de cine club se suman a nuestra selección para coronar a la justa vencedora. ¿Nómadas o Parásitos? Min 51: BSO 60 AÑOS DE LA TRILOGÍA DEL DÓLAR Y un programa especial como éste bien merece un postre musical a la altura de la ocasión. Ángel Luque ha tirado de almanaque para recordarnos que la exitosa y ya legendaria “Trilogía del Dólar” (“Por un puñado de dólares”, “La muerte tenía un precio” y “El bueno, el feo y el malo”) cumple 60 años. O lo que es lo mismo, nos toca celebrar un aniversario en el que un tal Sergio Leone, un tal Clint Eastwood y un tal Ennio Morricone dieron una lección de talento para demostrarnos que el spaghetti western se merecía el mismo trato que el gran western americano. Si de primeras no te viene ninguna melodía conocida, prueba a releer esos títulos, cierra los ojos, imagínate en Oeste y prueba a silbar.

Vaya cambio de temperatura ha vivido el mundo del cine en sólo una semana (min 5) Hemos pasado del peor fin de semana en la taquilla española en 20 años, al récord abrumador que tiene que ver con la película de la semana, del verano y quién sabe cuál será su límite. De momento, con solo unos días en pantalla, ya se ha convertido en la película animada más taquillera en España: 3 millones y medio y subiendo. Seguro que ya te imaginas que te hablo de INSIDE OUT 2, la esperadísima segunda parte de DEL REVÉS (min 7) ALEGRÍA, TRISTEZA, ASCO, IRA Y MIEDO sufren reforma en la sala de máquinas de la niña que nos emocionó en la primera parte y que ahora se nos hace adolescente. Y lo bueno de su estreno adelantado al miércoles es que cuando la analicemos en nuestro FILTRO LUCHINI muchos de vosotros tendréis ya vuestra propia opinión y puntuación y podréis contrastarla con la nuestra. Pero pese a que son miles y miles las familias y espectadores que se están dejando seducir por DEL REVÉS, la cartelera se nutre también de otros títulos que pueden ser alternativa. Entre ellos MEMORY (min 21) de Michel Franco, con una empática Jessica Chastaine o una peli noruega de terror de las que gustan ( o quizá no) a Raquel Hernández y a Roberto Lancha: DESCANSE EN PAZ (min 26) El Filtro Luchini repartirá como siempre estrellas y argumentos y acabará de perfilar la final de la Champions de los Óscar. Hoy nos queda el último cribado para saber qué dos películas se jugarán el título de la mejor peli de los Oscar de los últimos 16 años. En la final ya espera “Nomadland”...y en este capítulo elegimos entre dos titulazos no americanos: la francesa THE ARTIST y la coreana PARÁSITOS. Min 38. ESPECIAL BSO DEL REVÉS 2 Y atención a la renovada propuesta musical que trae la banda sonora de la peli del verano y que nos va a analizar Ángel Luque. Pixar ha apostado por el cambio en “Del revés 2” y la herencia de Michael Giacchino (ahora productor musical de la BSO) ha caído ahora en manos de su discípula Andrea Datzman, que también nos ha conseguido conmover con una composición a la altura del reto.

A la espera de la anhelada segunda parte de DEL REVÉS (“Inside Out” 2) la peli de PIXAR que marcará el inicio del verano, los del cine volvemos a la carga en la semana después del sorpresivo exitazo de “Bad Boys: Ride or Die”, los Policías Rebeldes que tanto tiempo después han dado la vuelta al calcetín, y en el fin de semana en el que ellas tomar el poder. Jessica Chastain y Anne Hathaway desempolvan la intensidad del Hollywood de Bette Davies y Joan Crawford y agitan su “Instinto Maternal” para ser el gran reclamo de una de los títulos con más gancho de la semana “Vidas perfectas” (min 6). Drama femenino de alta intensidad que se va a tener que batir el cobre con la segunda vida en pantalla de un resolutivo Russell Crowe, que esta vez nos sorprende en el thriller “Sombras del pasado” (min 13) y con el regreso de otro veterano que juega en casa y que ha convencido a nuestro FILTRO LUCHINI. Imanol Arias es el gran aval de “La bandera” (min 20) Y completamos el repaso a la nueva cartelera analizando y puntuando la peli comercial “mala” de la semana “Respira” (min 24) con una inocua Mila Jovovivh y el título más cinéfilo y premiado de la semana, la polaca “Green Border” (min 32) Desde el min 33 entramos en la primera semifinal de nuestra Champions de los Oscar. Atención que puede haber sorpresa entre el mano a mano entre “Oppenhemer” y “Nomadland”. La vencerá del cruce pasará ya a una final en la que le esperan como rival “Parásitos” o “The Artist”. Min 40: BSO BESTIAS DEL SUR SALVAJE Y qué gustazo poder avanzar en esta descripción de capítulo que la protagonista de nuestra sección de bandas sonoras es una joyita de 2012 que no habíamos tenido ocasión de disfrutar. BESTIAS DEL SUR SALVAJE, de Ben Zeitlin, no solo fue un regalazo para los amantes del cine auténtico, sino que se nutre de la maravillosa composición de Dan Romer, el tipo que una década después nos enamoraría con la banda sonora de “Luca”.

El nuevo capítulo de Estamos de Cine nos coloca a las puertas de una FIESTA DEL CINE (del 3 al 6 de junio) que viene con una cartelera envuelta en luces y sombras. No sabemos si es casual, si está o no medido, si es o no pura Ley de Murphy, pero es un hecho que después de una primavera en la que contábamos al menos un buen taquillazo por semana, nos llega una oferta pre-veraniega con más variedad que calidad liderada por la sombra alargada una cantante con trágico final que ya tiene su propio y desigual biopic. BACK TO BLACK (min 6) es la autopsia a un corazón tan grande como una voz ya universal, la de la mal parada cantante británica Amy Winehouse. San Taylor Johnson dirige una película que tendrá que resistir la comparación con otras biografías cinematográficas tan recientes y poderosas como los de Elvis, Elton John, Freddy Mercury o Marilyn Monroe. Alberto Luchini y Raquel Hernández están engrasando el Filtro de la Crítica para poner nota y explicar los porqués de una cartelera en la que también entra el terror de EL EXORCISMO DE GEORGETOWN (min 14) ARTHUR (min 17) una de deporte, aventura y perrete para toda la familia: la francesa UN AÑO DIFÍCIL (min 22) la canadiense LA PROMESA DE IRENE ( min 26) o una de las sorpresas de la semana, TATAMI (min 30) una propuesta muy de Cine Club, con producción georgiana, que es para Luchini la gran recomendación de la semana. Y a falta de calidad premium en las novedades de la semana, intentamos meterle quilates y títulos de peso a este capítulo de Estamos de Cine gracias a nuestra Champions de los Oscars y a la eliminatoria que va a medir a SPOTLIGHT y a NOMADLAND por un puesto en semifinales (min 34) Será justo antes de que el AMOR invada nuestra zona noble y atemporal dedicada a la Música de Cine (min 39). Después de ocho años de programa coqueteando con grandes temas románticos de la historia del cine, Cupido es el protagonista de este capítulo gracias a la meticulosa selección que ha hecho nuestro experto Ángel Luque. Seguro que ya estás pensando en títulos imprescindibles, pero aviso a navegantes: NOS HEMOS PROHIBIDO REPETIRNOS y caer en temas ya escuchados, así que prepárate para dejarte sorprender en esta nueva y amorosa entrega de Estamos de Cine.

The year 2020 was a very strange one ... for all of us.  The world for all intents and purposes, felt like it was put on pause. COVID-19 was really the only thing on our minds.  And because of it, even movie theatres and the film industry as a whole struggled.   Filmmakers began making films that were more personal, more meaningful, ones that represented how we felt as a society during these trying times.  Nomadland was one of those films that struck a chord with many, and definitely with the Academy.  A story of people, referred to as Nomads, trying to find themselves after suffering the post-2008 economic crisis.  The film is moving, provocative, and definitely visually stunning. However, in retrospect, deserving of the top award for 2020 at the Academy Awards.  If now, what was the best film of that year? Listen to film critic Jack Ferdman's take on 2020, and hear what film he would give the Rewatch Oscar of 2020 to.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHear RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, InstagramShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Tags: OscarsAcademy AwardsBest PicturewinnermoviesfilmreviewRewatching Oscarpodcast

Send us a Text Message.A very special episode just for YOU!Get ready for an exclusive preview of some of the bonus content behind our Patreon! Join Nicholas Ybarra as he takes you on an epic journey through the highlights of our bonus episodes, including:Nick and Bella's reactions to Barbenheimer in our MORE Favorites of 2023 episode.An enlightening interview featuring Nicholas Ybarra alongside Nomadland producer Mollye Asher.And a special snippet from our February Finds bonus episode where Nick and Bella enthusiastically pitch three must-see films they discovered last month - such as The Best Little Whorehouse in Texas and The Unknown Country.With a lineup this enticing, you won't want to miss a single moment. Tune in for a sneak peek, and if you're hungry for more, subscribe to our Patreon below to access the full episodes!Support the Show.Sign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Min 4: Sidney “Inmaculate” Sweeney El cine intenta estirar su momento dulce son una oferta en la que, esta vez, la variedad supera a la calidad. El plato fuerte llega en formato de terror y con el gran reclamo de otras actrices del momento, la joven Sidney Sweeney, cuyo protagonismo ha generado debate en el Filtro Luchini. ¿Morbo, miedo, provocación? ¿Cuál es el gran aval de la película dirigida por Michael Mohan? Min 17: Santiago “GARFIELD” Segura ¿Santiago Segura poniéndole la voz en español al mítico gato animado “Garfield”? Raquel Hernández nos explica el gran error de casting del que peca el doblaje de esta apuesta animada que saca al minino más aburguesado de su zona de confort. Si a Garfield le lanzas a una aventura “outdoor” y le despojas de su socarronería, puede quedar un producto demasiado infantil y descafeinado. Min 25: “LA CASA” o el legado de nuestros padres Después de triunfar en el Festival de Málaga y en otras muestras de calado, llega a los cines una propuesta española intimista cargada de buenos sentimientos y mejores interpretaciones. Álex Montoya dirige “La Casa”, en la que convierte a David Verdaguer, Óscar de la Fuente, Luis Callejo o Lorena López en los miembros de una familia marcada por la pérdida y por la incómoda herencia de una casa de campo. Min 32: MISIÓN HOSTIL Tras su exitoso y reciente paso por el cine de terror, el nuevo y maduro Russell Crowe vuelve a la carga con una peli de acción que nos plantea una situación que ya nos ha contado mil veces el cine americano, pero que da lo que promete. Misión de riesgo de las Fuerzas Armadas en Filipinas y un contratiempo que obliga a activar una agónica misión de rescate que tendrá que coordinar un “peso pesado” como Crowe. Min 36: EL MAL NO EXISTE: intimismo japonés Y para cerrar el círculo de una oferta variada y ecléctica, cine intimista con el sello y la mirada sabia y pausada de Ryusuke Hamaguchi. El aclamado realizador de “Drive my car” vuelve tras su parón creativo con una propuesta cuya cadencia y aparente sencillez ha dividido a nuestros críticos. Para Alberto Luchini, sus 15 minutos finales arruinan lo que habría sido una peli cinco estrellas. Min 42: LA CHAMPIONS DE LOS OSCARS: DE MONSTRUOS Y NÓMADAS Las oscarizadas “La Forma del Agua” (2017) y “Nomadland” (2020) se ven las caras en un nuevo cruce que nos permite seguir perfilando los cuartos de final de nuestra Champions de los Oscar. A la vencedora le espera un duro rival: “Spotlight” (2015) Min 48: ESPECIAL BSO: “RIVALES” Y en nuestra zona BSO queremos hacernos eco de la sorprendente, innovadora y arriesgada apuesta musical que eclosiona en la última película protagonizada por Zendaya. “Rivales” lleva la marca de agua de los oscarizados TRENT REZNOR y ATTICUS ROSS. Dos músicos que no son santo de la devoción de Ángel Luque, pero que aquí han virado hacia temas electrónicos y chocantes que merecen una pensada y un buen análisis.

Jaime returned to Mexico City from Vancouver and continued freelancing before moving into Foley after being referred to a Foley mixing job by a friend. Jaime's film work includes: Nomadland, Roma, Amores Perros, The Sky Is Everywhere, Emily The Criminal, and Bardo. Jaime's television work includes the series: Club de Cuervos, Run Coyote Run, Dark Desire, and High Heat.

In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Revisiting Nomadland with Adrian Wilfred

The Adamsons are back with the latest issue of Double Reel, the monthly magazine podcast for the discerning film nerd. Released in four parts through the month, we start with Double Reel Monthly, featuring news, new releases, reviews of new films including Dune Part 2, The Zone of Interest, Madame Web and The Kitchen, our Women Directors project feature Nomadland and the latest in our Year of the Nolan project which is Batman Begins.    In a few days we will release the next part: the latest Penalty Shootout Film Quiz

Miller's Crossing, Scarlet Johansen, and 2021 when Nomadland won Best Picture.

Subscriber-only episodeSend us a Text Message.Greetings to our Bonus Content subscribers! If you enjoyed our recent episode spotlighting Chloe Zhao, you'll love this interview with Academy Award-Winning producer Mollye Asher. Mollye produced Songs My Brothers Taught Me, The Rider, Nomadland, and several other incredible projects. In this 2021 interview, she chatted with our very own Nicholas Ybarra to discuss the making of Nomadland. Stick around through the end of the episode, and you can hear her do her own mini-Gimme Three also!Thank you for listening and subscribing to our bonus content. Sign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Send us a Text Message.We continue our weekly tribute to female filmmakers for Women's History Month. This week, we highlight the first three films of Academy Award-winning director Chloé Zhao. Songs My Brothers Taught Me, The Rider and Nomadland have each garnered several awards and have helped make Zhao one of the most well-respected filmmakers working today. Join us as we chat all things Zhao and let us know what you think about these immersive films. Support the Show.Sign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Conmemorando el 8M reseñamos 3 películas protagonizadas por mujeres. Notes on a escandal, Nomadland y Nyad, historias muy diferentes entre si con grandes actrices que no entregan personajes entrañables e historias que pueden conmover hasta las lágrimas y dejarnos una reflexión acerca de la vida.

It's pandy time! Mita and Nadeem watch the best picture winner from 2020 (also known as the Covid year), "Nomadland" for their next movie review. No masks were worn during the recording of this episode. 

In which Devin is joined by his brother to talk about the 2023-2024 Oscars, and to take a look back three years in an effort to determine whether or not the Academy got it right. Suport Film Literate on Patreon!Guest: Derrick Diazoni (Storybook Suites)

This week we cover the most recent Best Picture winner today, 2020's NOMADLAND Produced by and Starring Frances McDormand. In a decidedly weird year for Oscar, but the year that kicked off Best Picture Cast, Kieran B is Joined by old friends Artie B and Grant Z to discuss this picturesque road film. It's only been 3 years, but how has it aged since taking home the big prize? We get into all of it… buckets included. Check out our Best Picture Merch: https://best-picture-cast.creator-spring.com/ Follow us on Social Media, Twitter, Facebook, Instagram, Letterboxd: @bestpicturecast Email us bestpicturepodcast@yahoo.com Follow The Co Hosts on Twitter: Artie B: @heyyyitssme Chris G: @chrisgallant17 Joey R: @joey0314 Grant Z: @Grant_Zep Jay Dowski: @JayDowski Grant's Art on Instagram: @exit28studios Chris G's Art on Instagram: @popvultureart Some of our friends: Cinemusts: @cinemusts 1001 by 1: @1001by1 Below Freezing: @BelowFreezing32 Revisionist Almanac: @RevAlmanac Greatest Movie of All Time Podcast:@gmoatpodcast

This week we travel across the US as we review "Nomadland"!!! Twitter⁠⁠⁠⁠⁠⁠ : @oscarsgold @hidarknesspod @beatlesblonde @udanax19 ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠ : facebook.com/goldstandardoscars ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠ : patreon.com/goldstandardoscars

Jennifer Lawrence is a household name today, but in 2010 she was a fresh faced new comer who scored an Oscar nomination right out of the gate. Jennifer Lawrence's skills shone in this dark, tense film. Director Debra Granik created an immersive haunting tale that launched the career of a future Hunger Games Winner. Let us know on Twitter and Instagram and leave us a review where ever you listen to podcasts! Listen to our past episodes - Beasts of the Southern Wild, Nomadland, and The Help A playlist for the folky vibes Theme music by RomanBelov  #WintersBone #BestPicture #BestActress #JenniferLawrence #BestSupportingActor #JohnHawkes #BestAdaptedScreenplay #Oscars2011 #2011Oscars #AcademyAwards #Oscars

Why are the two similar sounding action Christmas movies a year after another? This week we talk about Luffy's straw hat deflating during the Thanksgiving parade, Aqua Teen Hunger Force coming back, the announcements during the Video Game Awards, the winners of The Video Game Awards 2023, movies coming to Gamestop, the trailer for Furiosa, the trailer for the Garfield movie, the trailer for Godzilla X Kong, the GTA 6 teaser breaking the internet, watching the 2nd best Doctor Who episode on IMDB, watching Silent Night, Good Burger 2, Silence of the Lambs, Rain Man, A Beautiful Mind, Nomadland, Capote, and In Cold Blood. Hello, Clarice. Site: https://podcasters.spotify.com/pod/show/deadpixelsoftheinternet Youtube: https://www.youtube.com/channel/UC6DRMrv0PIxafjvjWH9rT8g Spotify: https://open.spotify.com/show/6ROO69EAySRoc7Ag7SEtq7 Joe's Twitter: https://twitter.com/joerckpeko Lorne's Twitter: https://twitter.com/BrokenHexagram

Peter Spears is the Oscar-winning producer of NOMADLAND. Based on the book by Jessica Bruder, the film from Searchlight also won Academy Awards for director Chloé Zhao and star Frances McDormand, and won the Golden Globe, Critics Choice Award, BAFTA, PGA, Venice Golden Lion, and Independent Spirit Award for Best Picture. Spears produced Luca Guadagnino's film CALL ME BY YOUR NAME, based on the book by Andre Aciman, for which he was also nominated for the Oscar in 2017. The film won the Academy Award for Best Adapted Screenplay. Spears also produced the MGM feature BONES AND ALL, reuniting with Guadagnino and star Timothée Chalamet, which won the Silver Lion at the Venice Film Festival. Spears' film DRIFT, directed by Anthony Chen and starring Cynthia Erivo and Alia Shawkat, premiered at the 2023 Sundance Film Festival and will be released this fall. He is currently in post-production for the film adaptation of ON SWIFT HORSES with director Daniel Minahan, starring Daisy Edgar Jones and Jacob Elordi. The Storytellers hosted by Grace Sammon focuses on individuals who choose to leave their mark on the world through the art of story. Each episode engages guests and listeners in the story behind the story of authors, artists, reporters, and others who leave a legacy of storytelling. Applying her years of experience as an educator, entrepreneur, author, and storyteller herself, Grace brings to listeners an intimate one-on-one experience with her guests. Visit Grace at her website www.gracesammon.net. Contact Grace about being a guest on the show, email her at grace@gracesammon.net Follow Grace: On Facebook https://www.facebook.com/GraceSammonWrites/ On Instagram https://www.instagram.com/GraceSammonWrites/ On Twitter https://www.twitter.com/GSammonWrites On LinkedIn: https://www.linkedin.com/in/grace-sammon-84389153/ #TheStorytellers #Storyteller #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #BookishRoadTrip #AuthorTalkNetwork #AuthorsOnTheAirGlobalRadioNetwork #author #filmproducer #academyawardwinner #oscarwinner #oscarnominee #movies #nomadland #onswifthorses #sundancefilmfestival The Storytellers is a copyrighted work © of Grace Sammon and Authors on The Air Global Radio Network.

An honest look at the vandweller culture and the life events that bring this unique group of people  together as a community. Join me as I discuss the 2020 best picture Oscar winner: Nomadland

Welcome to our second series: The Matrixial Gaze, covering The Seven Women Nominated for Best Director at the Oscars!This week, your hosts Cameron Linly Robinson and Kemari Bryant discuss Nomadland, written & directed by Chloé Zhao. Strap into your van and join us on this journey.Support the showFilm Club 3000Film Now. Film Then. Film Always.filmclub3000.com@filmclub3000

JOIN US ON PATREON: patreon.com/ivebeenmeaningtowatch. Welcome to our compelling discussion with Lee, from 'Spro and Lee Take on the Academy'. Brace yourself as we traverse through the iconic movie 'Silence of the Lambs', pulling apart its complexities while extending our support to actors on strike with SAG-AFTRA. As we enter the superhero universe, we shed light on the intriguing movie, 'Blue Beetle', and the star-studded film 'The Bike Riders'. Together we navigate the tangled web of Will Smith and Jada Pinkett Smith's relationship, and the portrayal of the hair industry in Chris Rock's 'Good Hair'. Our conversation takes an exciting turn towards SNL's newest skit featuring Pete Davidson and the future of SNL itself. We then transition into a thought-provoking discussion about the significance of casting singers in lead roles, the merits of original movies versus their remakes, and the upcoming movie, 'The Color Purple'. We dig deep into the realm of Meryl Streep's impressive Oscar nominations and the exhaustive research that goes into creating a podcast. We round off this part of our discussion by touching on the cult classic TV show 'Hannibal', the production process of Marvel, and the profitability of horror movies.  We wrap up our invigorating conversation by discussing the importance of physical media, and how to go about digitizing our own libraries. We also explore the psychological depth of 'Silence of the Lambs', and how it stands out from other horror films. We compare the directing styles of Jonathan Demme and David Fincher, and uncover the use of silence as a powerful tool in the movie. Finally, we delve into the world of Marvel, exploring their production process and some of the criticisms it has faced. Get ready to immerse yourself in a riveting discussion that covers a wide spectrum of pop culture and beyond. (0:00:00) - Actor Strike and Movie Delays Discussion (0:13:42) - Discussing Jada and Will's Relationship (0:21:06) - Opinions on SNL and Snow White (0:33:36) - Disney Remakes and Meryl Streep's Films (0:40:04) - Broadway Musicals and Streaming Accessibility (0:45:44) - Value of Physical Media vs Streaming (0:48:42) - Discussion (1:00:20) - Discussion on "Silence of the Lambs" (1:11:38) - Comparing Demme and Fincher's Direction (1:14:47) - Thrilling Silence in "Sounds of Lambs" (1:20:06) - Sexism & Gender Identity in "The Silence of the Lambs" (1:32:02) - Discussion on Hannibal and Nomadland (1:46:23) - TV Shows, Movies, and Academy Awards (2:00:04) - Lambs & Film Analysis (2:06:49) - Marvel's TV Shift and Disappointing Releases (2:18:06) - Marvel Films and Modern Horror Discussion Don't forget to check out Spro and Lee Take on the Academy https://podcasts.apple.com/us/podcast/405-best-picture-of-1942/id1528064244?i=1000631420577 Podcast Socials Facebook: https://www.facebook.com/Ive-Been-Meaning-To-Watch-That-113280083760521/ Instagram: https://www.instagram.com/ivebeenmeaning2/ Thank you so much for listening to the podcast. We really appreciate it. If you would like to support the podcast, you can subscribe for 4.99 a month. https://anchor.fm/ivebeenmeaningtowatchthat/support Manika's Socials Youtube: https://www.youtube.com/channel/UC1CmokqeLIagz7nYQJfeRIw Instagram: https://www.instagram.com/mdulcio98/ Twitch: https://www.twitch.tv/manika3000 Tiktok: https://www.tiktok.com/@manika3000?is_copy_url=1&is_from_webapp=v1 --- Support this podcast: https://podcasters.spotify.com/pod/show/ivebeenmeaningtowatchthat/support

You and Me Both is between seasons right now, but with the Academy Awards right around the corner, Hillary could not wait to share her conversation with multiple award-winning actor Frances McDormand.  Frances is now up for another Oscar, this time as producer of the powerful new film “Women Talking” (in which she also appears). The film, directed by Sarah Polley and based on the novel by Miriam Towes, is about a group of Mennonite matriarchs who gather in a hayloft to decide, collectively, what they will do in the wake of a wave of sexual assaults committed against them by men in their community.  Hillary talks to Frances about the genesis of this project, and the challenging, universal questions posed by the film. They also look back at Frances' remarkable career—the brave choices she's made, and the iconic roles she's given us, from police chief Marge Gunderson in “Fargo” to a displaced, widowed worker seeking community in “Nomadland”— and forward, to what Frances sees for herself on the horizon. You can find a full transcript HERE.  See omnystudio.com/listener for privacy information.

While You and Me Both is between seasons, Hillary could not wait to share this conversation with one of her favorite actors, and people, Frances McDormand. Together, they talk about “Women Talking,” the powerful new film Frances produced and appears in, and about Frances's decades-long career of incredible performances on stage and screen, from police chief Marge Gunderson in “Fargo” to a displaced worker and widow in “Nomadland.” Please join us for this special episode of You and Me Both, available on Tuesday, March 7th, just in time for the Academy Awards!  See omnystudio.com/listener for privacy information.

Activists are mobilizing in preparation for the weakening or end of Roe v. Wade. That's the subject of Jessica Bruder's new cover story for The Atlantic. "There are lots of people who want to keep abortion accessible for everybody who might want access to abortion, regardless of what the Supreme Court does," she says. Bruder is also author of the book Nomadland, which was adapted into an Oscar-winning film. Also, Maureen Corrigan reviews Sea of Tranquility the new novel by Emily St. John Mandel.