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Thursday, November 13, 2025 Inside Sports with Al Eschbach -Disney and Youtube TV mess, FUBO TV, Rodney calls in, Al's Walk of Shame, fans are upset and more. Follow the Sports Animal on Facebook, Instagram and X Follow Tony Z on Instagram and Facebook Listen to past episodes HERE! Follow Inside Sports Podcasts on Apple, Google and SpotifySee omnystudio.com/listener for privacy information.
Tales of Terror (1962)AIP Production # 6202 Produced and Directed by Roger CormanExecutive Producers, James H. Nicholson and Samuel Z. ArkoffScreenplay by Richard MathesonBased on three Edgar Allan Poe Stories Morella:Vincent Price as Locke Maggie Pierce as LenoraLeona Gage as Morella The Back Cat:Vincent Price as FortunatoPeter Lorre as MontresorJoyce Jameson as Annabel The Case of M. Valdemar:Vincent Price as ValdemarBasil Rathbone as CarmichaelDebra Paget as HeleneDavid Frankaham as Dr. James An Alta Vista ProductionAn American International Picture View the Tales of Terror trailer here.You can stream Tales of Terror on Tubi, Philo, Fubo or MGM+ and rent it on Fandango at Home, Prime Video or Apple TV+. Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955)
AWadd takes us into The Richmond Commander on the show next talking all things Washington Football as the team looks to rebound from a brutal loss against the Lions Sunday afternoon. Who is to blame? How can they grow from this heading into next season? AWadd talks more Commanders on a misery Monday, what's going on with the team? Why don't the players seem to care? Can anything positive be taken from this weekend? AWadd takes us around the NFL on NFL Hits as we talk winners and losers from week 10 of the NFL season. Another entry in the YoutubeTV/Disney dispute continues with new updates. Fubo has joined the discussion as an alterative option to get ESPN, AWadd makes an ultimatum and more.
On this week's show we have an essay from one of our listeners on why he wants to stick with his DVR over streaming. We also take a deep dive into Automatic Content Recognition and how to turn it off on your smart TVs. As usual we also read your emails and take a look at the week's news. News: Disney pulls channels from YouTube TV as carriage deal expires DIRECTV now offering the Disney Bundle free to select customers TV Set-Top Box Losing Market Dominance Please support Movember and enter to win great prizes from Bright Side Home Theater Movember Raffle — Bright Side Home Theater Swimming against the Stream - An essay from Jorge Beltran I know I will sound old and swimming against current, but I would like to go back to my world where we had our cable subscriptions, DVR and Netflix. Simple, vs having to manage 5-7 subscriptions to watch what we want at a cost we can pay. The proliferation of streaming services is turning out to be a way for content owners to extract more value from customers and significantly increase the amount of work customers have to do to find and track the content we want to watch. Even sports. Furthermore, it has backfired to content producers, with less opportunity to monetize content, driving them to look for economies of scale again. I follow or used to follow La Liga, Premier League Soccer, ski, college football, and formula 1 racing. Back in the day I knew what channel carried all of these sports on my cable line up, would set it to record on my DVR and done. I could watch it when I wanted and where I wanted since I could access my DVR from anywhere but the plane. Netflix was just growing and buying "older" content from the major networks and allowed us to binge watch old series we had missed. Some new exclusive content was coming out and that made paying the 10 - 12 $/mo a good value. Fast forward to today: The best games of Premier League have been taken off the over the air or regular cable channels are now behind a Paramount or someone else's paywall. Why am I going to pay for access to content that is mostly CBS that I can get over the air?. Worst of all, you can not skip commercials when you stream this content nowadays. You can't DVR the content and skip the commercials. I have lost track of who is now airing La Liga, but last time I checked was behind some other streamer. Fubo has a lot of soccer but is now super expensive too. Conclusion: I have stopped following La Liga and Premier League. My enthusiasm for good Futbol has gone down tremendously. I turned my eyes to college football and Formula 1. The worst part is that now I fear the same is going to happen with College Football, moving from free over the air or in basic cable channels to some exclusive need-to-pay streaming service. You guys praised Formula 1 going to Apple. I dread it!!! I do not pay for Apple TV(plus or not plus) and I catch Formula 1 over ESPN. Does it mean I will have to drop ESPN, that gives me other content and add AppleTV? If I were an NFL fan I would have lost it. Some content is on Amazon, other in the different networks or streamers. I do not know how much you have to pay to be able to watch the NFL consistently. Call me old school. I still have a cable service that gives me the right to HBO, ESPN, Fox, and the likes. I can watch and record all the related content in Hulu from the major networks. I only keep paying for Netflix that I see as a premium channel (like paying for HBO back in the day). Rationale - we get a lot of exclusive content there. I only keep the Disney/Hulu bundle cause it comes free with my wireless bill. And Amazon Prime (now with commercials) free for the shipping. But I barely watch Primer or Hulu cause I can't stand the commercials! In a world with many streamers, the economies of scale enjoyed by bundling content in cable packages have been lost and thus it costs more per viewer for content owners to create and distribute given the less # of eyeballs. Yes, it sounds counter intuitive, but that translates into higher bills for consumers, through different bills but when you add it all up, it has to be more expensive, no way around it. The positive is more content and innovation for sure. You can definitely find more quality content. But I foresee more partnerships coming to allow the industry to benefit from economies of scale and be able to distribute the cost of expensive content through more subscribers / viewers. Or they will have to continue to increase our subscription bills. I listened to an interview recently with a Hollywood producer detailing how cost efficient they have to be nowadays to be able to turn a profit on content produced given the lower number of ultimate viewers. This is a good thing, do not get me wrong. But my point is we are coming full circle and a lot of inefficiencies have been introduced in the content value chain and made the experience more time consuming and difficult for viewers in the process. I think the industry has shot itself on the foot. Content that used to be free over the air is now behind a paywall and ALSO with commercials. Apologies from my broken record Long live my DVR! Jorge What is Automatic Content Recognition (ACR)? Automatic Content Recognition (ACR) is built into most smart TVs (Samsung, LG, Vizio, Roku, Fire TV) and silently identifies everything you watch via your smart TV or any attached device via HDMI. It monitors your streaming, cable, and physical media. It will even identify any ads you watch. It grabs screen samples, sends them online, and feeds data to manufacturers, streamers, and advertisers for recommendations, targeted ads, and ratings. Usually on by default, it needs the internet to work. Privacy groups like the EFF warn it tracks your habits without clear ongoing notice. How Does ACR Collect Data from Your TV Viewing? ACR operates passively and continuously (or at set intervals) while the TV is on and tuned to a channel or app. Here's a step-by-step breakdown of the process: Content Sampling: The TV's built-in software periodically "grabs" a short clip or snapshot of the audio, video, or both from what's currently displayed on the screen. This could be every few seconds or minutes, creating a digital "fingerprint" rather than storing full video. For example: Video fingerprinting: Analyzes pixels, colors, or scene changes (similar to how Shazam identifies songs). Audio fingerprinting: Listens for sound patterns in the broadcast. Watermarking: Detects invisible digital markers embedded in content by broadcasters or studios. This sampling works even for non-smart inputs, like cable or gaming consoles, because it captures whatever is output to the screen. Local Processing: The TV processes the sample on-device to generate a compact fingerprint. Raw clips aren't stored long-term on the TV itself—the data is anonymized to protect bandwidth and privacy (though critics argue these can still be re-identified when combined with other data like your location or device ID). Database Matching: The fingerprint is sent to the manufacturer's cloud servers where it's compared against a massive reference database. This database is built by: Monitoring live TV broadcasts in real-time via data centers. Cataloging known content like shows, movies, ads, and even timestamps for commercials. Matches reveal details such as the program title, channel, duration watched, and ad exposures. Data Aggregation and Transmission: Matched data is aggregated with metadata like your TV's IP address, viewing time, and household size. It's then used or shared: Internally for features like "fewer repetitive ads" or recommendations. With third parties like advertisers and Nielsen for ratings and for cross-device targeting which means you'll see the same ad on your phone after TV exposure. The entire process is designed to be invisible and efficient, running without impacting TV performance noticeably. Why Is This Data Collected? Personalization: To suggest shows/movies based on what you've watched. Advertising: Measures ad views for pricing, retargets viewers across devices, and optimizes campaigns. Measurement: Provides device-specific viewership stats, replacing outdated panel-based surveys. TV Manufacturers Using Automatic Content Recognition (ACR) for Data Collection Manufacturer ACR Usage Details How to Disable (General Steps) Samsung Uses built-in ACR on Tizen OS smart TVs to track viewing behavior, including programs, ads, OTT apps, and gaming. Data supports ad retargeting and is used internally for recommendations. Go to Settings > General > System Manager > Samsung Account > Privacy > Viewing Information Services > Toggle off. (10-37 clicks; also opt out via Samsung account online.) LG Integrates ACR on webOS TVs to fingerprint video/audio for viewing history and ad targeting. Captures screenshots every 10 milliseconds in some models. Settings > All Settings > General > System > Additional Settings > Live Plus > Toggle off. (Buried in menus; check privacy controls.) Vizio Owns Inscape, which licenses ACR data from its SmartCast TVs. Historically sold data to third parties; now requires opt-in after 2017 FTC settlement. Settings > Privacy & Security > Smart Home > Viewing Data > Limit Ad Track > Toggle off. (Opt out during setup or later.) Sony Employs ACR on Google TV/Android TV models to collect viewing data for personalization and ads, often via third-party integrations like Samba TV. Settings > Privacy > Automatic Content Recognition > Toggle off. (Varies by model; check Google account privacy if linked.) Roku (powers TVs from TCL, Hisense, Philips, Sharp) "Smart TV Experience" feature uses ACR on Roku OS to track content across linear TV, streaming, and devices. Data shared for ads and measurement. Settings > Privacy > Advertising > Smart TV Experience > Toggle off. (11-24 clicks; not on Roku sticks, only TVs.)
This week, we detail Netflix's plans to offer live, dynamic ad insertion (DAI) for NFL games on Christmas and why this is a significant development for the industry. We also debated their new ad viewing definition and the announcement that ads on Netflix now reach more than 190 million MAUs globally. We break down the latest developments on the YouTube TV and Disney Carriage Dispute and how both companies are being disingenuous with users. For Q3 earnings data, we highlight Fubo's improving balance sheet, with its net loss shrinking to $18.9 million, while also reducing churn by 50% compared to last year. We also detail how Disney will take over advertising sales across Fubo, with Fubo integrating its inventory into Disney's ecosystem and ad server. Additionally, Fubo announced plans to utilize Disney to grow internationally over the next 18 to 24 months. Finally, we dicuss how, in their latest earnings reports, Meta, Alphabet, Microsoft, and Amazon have announced plans to increase their AI spending in 2026 to a combined $ 400 billion, but with no details on what percentage of their AI spend is going toward internal projects, versus selling cloud AI services to other companies. Additionally, quick updates on earnings from Broadpeak, Harmonic, Qwilt's new CEO, as well as Bending Spoons' $710 million equity raise at a $11 billion pre-money valuation.Podcast produced by Security Halt Media
Fubo posted its Q3 results and integration plans with Disney, Netflix introduced a new ad metric called Monthly Active Viewers and Gracenote's data reveals streaming's value.
It's Die Hard in a police station!This week on DIE HARD ON A BLANK we're battening down the hatches with Ethan Hawke and Laurence Fishburne as we discuss the 2005 remake of ASSAULT ON PRECINCT 13!After a botched undercover drug bust results in the deaths of two of his fellow team members, traumatized Detroit cop Jake Roenick (Ethan Hawke) now works an unambitious desk job, where he oversees a quiet, remote precinct that's about to be decommissioned. However, when a busload of prisoners – including notorious gangster Marion Bishop (Laurence Fishburne) - are forced to take refuge at said precinct because of a brutal New Year's Eve snowstorm, Jake suddenly finds himself called back into action when mysterious masked gunmen assault the police station… After comparing and contrasting this film with John Carpenter's original 1976 classic (itself a loose remake of RIO BRAVO), the guys discuss the myriad DIE HARD (and DIE HARD 2) DNA on display in this pressure-cooker siege scenario, while musing on the possibility that the echoes of previous wars (Vietnam, the Iraq invasion) may be reverberating inside both versions of the story. They also discuss the idea of the “action-horror” subgenre in this surprisingly gory picture, as well as Ethan Hawke's post-TRAINING DAY action-hero run. Awards are handed out to the stellar ensemble cast in the DIE HARD OSCARS section, and as always the episode culminates with a cheeky edition of the DOUBLE JEOPARDY trivia quiz!TRAILER: https://www.youtube.com/watch?v=isoX0zcyG-4At the time of release, ASSAULT ON PRECINCT 13 is streaming on Starz and Philo in the US, and is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms! It is also available on physical media!The original 1976 version is also currently streaming on Amazon Prime Video, Fubo, Roki, Pluto TV, Kanopy, Shout TV, Plex and The Criterion Channel!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES, where we've discussed other John Carpenter classics such as BIG TROUBLE IN LITTLE CHINA and THEY LIVE!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.
Fubo Planning On International Expansion Through Disney+ https://whatsondisneyplus.com/fubo-planning-on-international-expansion-through-disney/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Fubo Planning On International Expansion Through Disney+ https://whatsondisneyplus.com/fubo-planning-on-international-expansion-through-disney/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Fubo Planning On International Expansion Through Disney+ https://whatsondisneyplus.com/fubo-planning-on-international-expansion-through-disney/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
After Walt Disney (DIS) closed a merger deal between Hulu + Live TV and FuboTV (FUBO), CEO David Gandler discusses what it means for the company's opportunities ahead. He believes exposure to Disney's streaming network won't just boost subscriber counts, but also expanding advertising opportunities for partners.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about
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Sports Geek - A look into the world of Sports Marketing, Sports Business and Digital Marketing
Sports Geek Rapid Rundown is a daily sports business podcast curated by Sports Geek Reads. We publish it on Sports Geek twice per week. In this episode: Disney closes Hulu Live TV and Fubo merger creating second-largest virtual pay-TV provider, Amazon announces 14,000 AI-driven layoffs signaling mega workforce changes, NASCAR's illegal cartel counterclaim against 23XI and Front Row dismissed, plus Paramount expands UFC streaming internationally and YouTube TV battles Disney over carriage terms - all curated by Sports Geek Reads. Subscribe at https://sportsgeekhq.com/rapidrundown
Disney Closes Deal To Combine Hulu+Live TV & Fubo Businesses https://whatsondisneyplus.com/disney-closes-deal-to-combine-hululive-tv-fubo-businesses/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Disney Closes Deal To Combine Hulu+Live TV & Fubo Businesses https://whatsondisneyplus.com/disney-closes-deal-to-combine-hululive-tv-fubo-businesses/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Disney Closes Deal To Combine Hulu+Live TV & Fubo Businesses https://whatsondisneyplus.com/disney-closes-deal-to-combine-hululive-tv-fubo-businesses/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Stories involving YouTube TV, Frndly TV, Fubo, and Hulu+Live show that vMVPDs are no longer the whipping boys of TV programmers. In some cases, the tables could even have turned!
As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm There is a trigger warning for discussion of rape in this episode. I have marked the beginning of that part of the discussion with a beep and the discussion lasts for four minutes and four seconds after the beep if you wanted to skip past it. Last week we told you “Don't Panic!” but this week we focus in on the panic. Panic in Year Zero was directed by and stars Ray Milland and is about a father taking his family on the road to do some camping. One the way there a nuclear bomb is dropped on Los Angeles and the world starts to fall into disarray. Not because of the bomb causing devastation or radiation but because of how human s are absolute nutters given the slightest chance. This film has a very 1950s sensibility but with a Jazz laden soundtrack that hints at the unruly decade ahead. The Federal Civil Defense Administration in the US in the early 50s was set up by President Truman to educate and prepare the public in case of an attack on US soil. The short film mentioned in the discussion The House in the Middle can be viewed on YouTube here. This episode we talk not just about the film but the human fascination with apocalypse. I have the perfect guests for the task. Steven Schlozman is a psychiatrist and a writer of books including the novel The Zombie Autopsies which was being adapted to film by George Romero before his death in 2017. John Wills is a Professor of American Media and Culture at the University of Kent. He has written lots about popular culture including 1950s American and Nuclear film. Chapters 00:00 Introduction 01:52 The non-nuclear nuclear film 07:10 Nuclear drills in schools 10:07 USA nuclear prep: Civilian education and CONELRAD 16:33 Jazz music and sociopaths 20:05 Daddy's gaze 26:39 The fun of Armageddon 32:02 The developmental stage of apocalypse fantasy 37:35 Ann is always wrong 39:21 Sexual violence 43:27 A pre-cursor to zombie apocalypse 48:25 Legacy 52:45 Recommendations for the listener Recommendations Steven: The Day After (1983) is a made for TV film. John: The book Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter by Thomas Bishop NEXT EPISODE! Next episode we will be discussing The Day of the Triffids! Although we will be using the 1963 film as a starting point there will be a lot of discussion about the original novel and the differences between the theme heavy book and the fun 50s style scifi of the film. The film can be found on Fubo, Roku, Pluto and Plex and a few other online streaming platforms in the US and UK. The Just Watch website is a good resource to find where the film may be available in your region.
Netflix looks poised to equalize average revenue per member between ad and ad-free viewers. The Trade Desk scored a win with DirecTV for its Ventura TV OS, as did Fubo with ESPN.
This week, we highlight the stocks of WBD, Disney, Roku, Paramount, Apple, Fubo, and others, which have all increased by at least 25% over the past six months, with WBD leading the way at 112%. We detail all the latest news related to Peacock, Max, FOX, Fubo, Disney, Versant, Prime Video, the NBA, and YouTube TV, as well as rumors that Yahoo is in advanced talks to sell AOL to Bending Spoons. Finally, we discuss some tips and tricks for increasing exposure on LinkedIn, including recent best practices from the company regarding content focus, length, reposts and new analytic metrics.Podcast produced by Security Halt Media
Senator Ted Cruz, a Republican from Texas, has blocked an effort to pass legislation that would have extended data privacy protections for federal lawmakers and public officials to everyone in the United States. On Monday night, Senator Ron Wyden, an Oregon Democrat, asked the U.S. Senate for unanimous consent from fellow senators to pass his legislation, Protecting Americans from Doxing and Political Violence Act. Fubo, the popular live sports TV streaming service, announced on Tuesday that its shareholders have approved its transaction with Disney, combining Fubo with Hulu Live TV. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Hey there Lovelies and welcome back for the 374th episode of Final Girls Horrorcast! Today we'll be discussing ‘Smile 2' from 2024 which is currently streaming on Prime Video, Fubo, Paramount+, MGM+, and Philo. Trailer Trashtalk: ‘Bone Lake' (October 3rd, 2025) Next Week - Join us next week as we chat about Noroi: The Curse, streaming on Shudder!
Hello classmates!Chris Nolan is the king of all Directors, Matt Reeves calls it quits, and Joseph returns with a new gameVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/RgiKwNEEgv4http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)Trip AffleckJoseph Navarro Pete Abeytaand Tyler NoeStreaming Picks: The Pledge - Hulu, Peacock, Roku, Kanopy, Hoopla, PlexKill - HuluJawbreaker - Shudder, PhiloMaria Antoinette - Brit BoxRashomon - HBO Max, Criterion, Plex, Kanopy Art School Confidential - Prime video, Fubo, Roku, MGM, Kanopy, HooplaCandyman (2021) - Fubo, PeacockRed Eye - Tubi, Fubo, Paramount, Starz 28 Years Later - NetflixThe Frighteners - Tubi
Hey there Lovelies, welcome back for the 373rd episode of Final Girls Horrorcast! This week the Girls take a break from their standard format to celebrate their 9th anniversary of podcasting! Next Time on Final Girls Horrorcast... the Girls are discussing 'Smile 2' now streaming on Prime Video, Fubo and Paramount+
Hello classmates!Joseph is still absent from class, Paramount finally stands for something, and Pete brings some rapid fire newsVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/u9BuqfnX4p4http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)Trip AffleckJoseph Navarro Pete Abeytaand Tyler NoeStreaming Picks: Friendship - HBO MaxSunshine Cleaning - Starz, Plex, Prime VideoCrackcoon - Prime Video, Fubo, Roku, Hoopla, Pluto, ArrowSuspiria - Prime VideoThe Bikeriders - Prime VideoThree Billboards outside Ebbing Missouri - $4 on VODYour Name. - HBO Max
Presented by FanDuel, in this episode the lads go over an INTENSE international break, including Italy's disastrous qualifying campaign, Lamine Yamal vs Arda Guler beef, if Messi is retiring, Ronaldo's mascot show & more!
Hello classmates!Briauna stops by the show, Pete challenges his queen, and apparently Spielberg is chopped liver!Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/SwjeosxhqeYhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)Trip AffleckJoseph Navarro Pete Abeytaand Tyler NoeStreaming Picks:Streaming Picks: Woyzeck - Kanopy, Philo, Shout, Plex. FandorWhere the Green Ants Dream - Fubo, Roku, Kanopy, Philo, Fandor, PlexBallad of the Little Soldier - Kanopy, Fandor, Shout, Plex, ShoutFitzcarraldo - Prime Video, Fubo, Roku, Kanopy, Philo, Shout, PlexThe Smallest Show on Earth - MometuThe Bad Guys 2 - $20 rental on VODThe Phoenician Scheme - PeacockBodied - Prime Video, Roku, Kanopy, YouTube TV
In this episode of the Ad TechGod Pod, host AdTechGod speaks with Sharon Taylor, Chief Revenue Officer at Triton Digital, about podcasting and audio advertising. They discuss Sharon's journey into the audio space, the growth and trends of podcasting in different regions, and the role of Triton in monetizing podcasts. The conversation also touches on the challenges of attribution and measurement in audio advertising, the importance of understanding podcast metrics, and the cultural shifts driving the appeal of podcasting among younger audiences. Sharon emphasizes the intimate nature of podcasting and its potential for advertisers to engage with a captive audience. Takeaways Podcasting is an intimate medium that engages listeners deeply. The growth of podcasting varies by region, with the US leading. Canada's podcasting market is growing but is more collaborative than competitive. The barrier to entry for podcasting is low, allowing diverse voices. Video is becoming increasingly important in the podcasting space. Triton Digital supports both large publishers and independent podcasters. Programmatic advertising in podcasting is still developing. Attribution and measurement in audio advertising are complex but improving. Podcasters should provide multiple metrics to advertisers for clarity. Podcasting offers a calming alternative to the noise of social media. Chapters 00:00 Introduction to the Audio Space 01:38 Sharon's Journey in Audio 03:39 Podcasting Trends in Different Regions 05:26 The Growth of Podcasting 08:15 Maturity and Future of Podcasting 10:05 Triton's Role in Podcast Monetization 12:03 Evolution of Programmatic Advertising in Podcasting 14:45 Attribution and Measurement in Audio Advertising 17:30 Understanding Podcast Metrics 21:02 Cultural Shifts and Podcasting's Appeal 23:59 The Therapeutic Nature of Podcasting Pause Ads, AI Browsers, and Programmatic Transparency: This Week in Advertising The Refresh News: September 2: Pause Ads, AI Browsers, and Programmatic Transparency: This Week in Advertising In this episode of The Refresh, Kait covers three big developments in advertising and adtech. Magnite is rolling out pause ads programmatically across major streaming providers, Anthropic has launched a cautious pilot of its AI-powered Chrome extension Claude, and the ANA has released its Q2 2025 Programmatic Transparency Benchmark report, highlighting both progress and persistent challenges in ad spend efficiency. 5 Key Highlights: Magnite is enabling programmatic buying of pause ads across platforms like DirecTV, Dish, and Fubo, with access through Clearline and DSPs such as Curve AI, Mountain, and Yahoo. Pause ads are proving popular with both advertisers and consumers, with studies showing over 50% of viewers take action after seeing one. Concerns remain that programmatic scale could dilute the contextual creativity that makes pause ads engaging. Anthropic is piloting a Chrome extension for its Claude AI, focused on browsing assistance while implementing strong safeguards against risks like prompt injection attacks. The ANA's Q2 2025 report shows programmatic waste rising to $26.8B, but also notes improvements: private marketplace deals now represent 88% of transactions, CTV programmatic spend has increased, and MFA spending has dropped sharply to 0.8%. Would you like me to also create a short LinkedIn post version of this recap, optimized for reach and engagement? Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello classmates!Pete makes AI his bitch, Ridley Scott shuns Jim Cameron, and Joseph gives us the best acting performances this century!!Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/Vi4HXPGHYXMhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)Trip AffleckJoseph Navarro Pete Abeytaand Tyler NoeStreaming Picks:Eenie Meenie - HuluFight Club - Hulu, DisneyAmerican History X - $4 rental on VODJuror #2 - HBO MaxMagic Spot - TubiGoon - Prime Video, Roku, Fubo, Hoopla, Philo, PlexReno 911: Miami - Prime Video, HuluLazy Susan - Prime Video, Fubo, Roku, Kanopy, Hoopla, Pluto, PlexAssassin's Creed - HBO MaxGodland - Kanopy, Criterion
This week, I cover the launch of Fox One and ESPN Unlimited, which appeared to go smoothly, with few user issues reported. I detailed the news of the week, including price increases for Apple TV+ and BritBox, the launch of a new $20 bundle from Sling TV, and news from Netflix, YouTube, MLB, Fubo and NBC Sports. Finally, I discuss the expected upcoming layoffs at Paramount and their implications for the industry.Podcast produced by Security Halt Media
Microsoft is expanding its AI footprint with the release of two new models that its teams trained completely in-house. MAI-Voice-1 is the tech major's first natural speech generation model, while MAI-1-preview is text-based and is the company's first foundation model trained end-to-end. MAI-Voice-1 is currently being used in the Copilot Daily and Podcast features. Microsoft has made MAI-1-preview available for public tests on LMArena, and will begin previewing it in select Copilot situations in the coming weeks. In other news, NVIDIA revealed that its revenue for the second quarter rose 56 percent compared to the same period last year, and that's without shipping any H20 chips to China. It reported a revenue of $46.7 billion and a net income of $26.4 billion. And Fubo is making a move to attract new subscribers ahead of the NFL season. The company's new Fubo Sports bundle includes content from ESPN, Fox and local affiliates. The football-friendly package costs $56 monthly. Learn more about your ad choices. Visit podcastchoices.com/adchoices
On this week's show, Dana, Julia, and Steve are joined by special fourth guest host: Wesley Morris of the New York Times. The foursome wield their sharpest critical tools for a discussion of the horror hit Weapons. Whether the twisty thrill ride hits its intended target— and what exactly is said target— is up for debate. Next, they take up the latest Spike Lee joint Highest 2 Lowest which reunites the legendary director with Denzel Washington and riffs on an Akira Kurosawa classic. Finally, they examine the “Performative Male” trend popping up in TikTok, style sections, and costume contests around the globe. Is it an embodiment of real gendered anxiety or internet nonsense? In an exclusive Slate Plus bonus episode, the panel gets into all the shocks and surprises of Weapons's finale in a spoiler-filled conversation. Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Steve: Music by the jazz pianist Bobo Stenson, specifically his album Serenity. Julia: Wesley Morris's stellar new culture podcast Cannonball, specifically the episode with Taffy Brodesser-Akner about And Just Like That. Wesley: Watching the great New York sporting event the US Open. If you can't make it to Flushing Meadows, you can watch on ESPN or stream on Fubo, and shop the enviable merch at the US Open Store. Dana: Akira Kurosawa's High and Low. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Dana, Julia, and Steve are joined by special fourth guest host: Wesley Morris of the New York Times. The foursome wield their sharpest critical tools for a discussion of the horror hit Weapons. Whether the twisty thrill ride hits its intended target— and what exactly is said target— is up for debate. Next, they take up the latest Spike Lee joint Highest 2 Lowest which reunites the legendary director with Denzel Washington and riffs on an Akira Kurosawa classic. Finally, they examine the “Performative Male” trend popping up in TikTok, style sections, and costume contests around the globe. Is it an embodiment of real gendered anxiety or internet nonsense? In an exclusive Slate Plus bonus episode, the panel gets into all the shocks and surprises of Weapons's finale in a spoiler-filled conversation. Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Steve: Music by the jazz pianist Bobo Stenson, specifically his album Serenity. Julia: Wesley Morris's stellar new culture podcast Cannonball, specifically the episode with Taffy Brodesser-Akner about And Just Like That. Wesley: Watching the great New York sporting event the US Open. If you can't make it to Flushing Meadows, you can watch on ESPN or stream on Fubo, and shop the enviable merch at the US Open Store. Dana: Akira Kurosawa's High and Low. Learn more about your ad choices. Visit megaphone.fm/adchoices
How to Watch AEWxNJPW Forbidden DoorDate: Sunday August 24, 2025Time: The main broadcast starts at 1 pm ET Watch in the U.S.: Amazon, Triller TV, PPV.com, YouTube, Fubo, and traditional cable and satellite providers. Selected locations of Dave and Busters, and Tom's Watch BarRest of the World: Amazon, Triller TV, PPV.com, YouTubeAEWxNJPW Forbidden Door – Announced CardAEW TBS Championship: Mercedes Mone © vs. Alex Windsor vs. Persephone vs BozillaAEW World Tag Team Championship: The Hurt Syndicate © vs. Brodido vs. FTRNick Wayne and Killswitch vs. Christian Cage and Adam CopelandIWGP World Heavyweight Championship: Zack Sabre Jr vs. Nigel McGuinness W/ Daniel GarciaLights Out Steel Cage Match: Will Ospreay, Darby Allin, Kenny Omega, Kota Ibushi, and Hiroshi Tanahashi. Vs. Jon Moxley, The Young Bucks, and Gabe KiddAEW TNT Championship: Kyle Fletcher © vs. Hiromu TakahashiAEW Women's World Championship: “Timeless” Toni Storm vs. Athena AEW Unified Championship: Kazuchika Okada (c). vs. Swerve StricklandAEW World Championship: Hangman Adam Page © Vs. MJF. The title can change hands on a DQ or countout.Source: https://lastwordonsports.com/prowrestling/2025/08/22/aewxnjpw-forbidden-door-2025-preview-8-24-25-match-card-time-how-to-watch/EPW Discord Server
News and Updates: Disney will fully integrate Hulu into Disney+ in 2026, creating a single streaming app while still offering standalone subscriptions. Internationally, Hulu will replace the Star brand in fall 2025. Disney expects the merger to cut costs, lower churn, and boost ad sales. Hulu + Live TV will merge with Fubo under a JV but remain separate until its own Disney+ integration in 2026. The move follows Disney's $9B buyout of Comcast's Hulu stake. ESPN and Fox will launch standalone live sports streaming services on Aug. 21, with a joint $39.99/month bundle available Oct. 2, saving subscribers about $10. ESPN's $29.99 plan includes its live channels and WWE coverage, while Fox One's $19.99 plan offers Fox News, Fox Sports, FS1, FS2, and more. Warner Bros. Discovery is also developing a direct-to-consumer TNT Sports streaming product. HHS Secretary Robert F. Kennedy Jr. wants every American wearing a health tracker within four years under his “Make America Healthy Again” plan. Critics argue it's a tech industry giveaway with minimal real health impact, costly for consumers, and a distraction from weakening public health infrastructure. CGMs and wearables can help specific patients but offer little benefit to most healthy users. OpenAI launched GPT-5, calling it its “best AI yet” with better reasoning, fewer hallucinations, and stronger coding skills. It's free for all ChatGPT tiers with tier-based usage limits. However, backlash erupted as GPT-4o and other models were removed, with users complaining GPT-5 gives shorter, less personal answers and makes basic mistakes. CEO Sam Altman promised fixes, restored GPT-4o for Plus users, and plans tweaks to model-switching and “thinking mode.”
In this episode of StreamTime Sports, co-hosts Nick Meacham and Chris Stone break down how UFC's evolving media strategy could signal the end of traditional pay-per-view.They break down Paramount's big-money move for UFC rights, why ESPN stepped aside, and what this shift means for niche sports, bundling, and the future of global broadcasting. They also look ahead to what's next for Fubo and Hulu partnerships in the U.S., and whether piracy could shape the future of bundling in Europe.Key Points:What does ESPN's sports-only bundle mean for UFC content?Could the UFC's deal with Paramount mark the end of pay-per-view?How are sports media dynamics shifting in the U.S.?Will piracy influence how bundling evolves in Europe?What's next for Fubo and Hulu partnerships in sports broadcasting?
On this week's show we take a look at the pros and cons of Low Earth Orbiting Satellites and ask if competition from them could lower your Internet bills. One of our listeners does a good analysis of what it would cost cordcutters to watch every NFL and most College football games. We also read your emails and take a look at the week's news. News: Hulu App to Be Phased Out as Disney Is ‘Fully Integrating' Service Into Disney+ Fubo drops 100,000 subscribers in Q2 HBO Max to enforce password-sharing crackdown in Sept. Fubo readying sports-only plan for 2025 season Amazon Launches 24 Satellites Aboard SpaceX Rocket to Build Its Home Internet Service Other: dbx 510 Subharmonic Synthesizer for Creating Amazing Deep Bass in Your Home Theater LEO (Low Earth Orbit) Satellite Internet On a recent show we talked about High Speed internet eliminating the need for over the air broadcasting. However we understand that not everyone has access to high speed internet. We mentioned Low Earth Obiting (LEO) satellites as an option. With the news that Amazon has begun putting it's network together, we decided to look at the pros and cons of this type of Internet delivery. LEO satellite internet, like Starlink and the upcoming Amazon Project Kuiper, offers several advantages over traditional satellite based internet. Here's a comparison of the benefits: Benefits of LEO-Based Internet Lower Latency: LEO satellites orbit at 200-2,000 km, much closer than geostationary satellites (35,786 km). This reduces round-trip data travel time, resulting in latency of 20-50 ms compared to 600+ ms for geostationary systems. Benefit: Faster response times for gaming, video calls, and real-time applications, closer to terrestrial fiber (10-30 ms). Global Coverage: LEO constellations, with thousands of satellites, provide internet to remote and rural areas where terrestrial infrastructure (fiber, DSL) is unavailable or costly to deploy. Benefit: Connects underserved regions, ships, planes, and isolated locations. Higher Speeds: LEO systems can deliver download speeds of 100-400 Mbps (with potential for more as technology improves) and upload speeds of 10-40 Mbps, rivaling or exceeding many terrestrial broadband connections. Benefit: Supports streaming, large downloads, and multiple users simultaneously. Scalability: LEO constellations can add more satellites to increase capacity and coverage, adapting to demand more flexibly than laying new cables or building cell towers. Benefit: Easier to expand and improve network performance over time. Resilience: Distributed satellite networks are less vulnerable to single points of failure (e.g., damaged cables or local outages) compared to terrestrial infrastructure. Benefit: More reliable in disaster-prone areas or during natural events. Portability: LEO user terminals (e.g., Starlink dishes) are compact and can be set up anywhere with a clear sky view, enabling mobile or temporary use. Benefit: Ideal for travelers, RVs, or temporary sites like construction zones. Limitations of LEO Internet Compared to Traditional Internet: Cost: LEO internet often requires expensive user equipment (e.g., $300-$600 for a Starlink dish) and monthly subscriptions ($50-$150, depending on region/plan). Traditional internet typically has lower upfront costs (e.g., modem/router) and competitive pricing in urban areas. Weather Sensitivity: LEO signals can be affected by heavy rain, snow, or dense cloud cover, though less severely than geostationary systems. Traditional fiber or cable is generally immune to weather-related disruptions. Network Congestion: In high-density areas, LEO systems may experience reduced speeds if too many users connect to the same satellite or ground station. Traditional broadband, especially fiber, often handles high user density better in urban settings. Line-of-Sight Requirement: LEO terminals need a clear view of the sky, which can be challenging in dense urban areas or locations with tall trees/buildings. Traditional internet (e.g., cable, fiber) doesn't require line-of-sight. Data Caps and Throttling: Some LEO providers impose data caps or throttle speeds during peak usage, whereas many traditional ISPs offer unlimited plans in urban areas. Benefit to traditional: More predictable performance for heavy users. Summary LEO-based internet excels in global reach, low latency, and flexibility, making it a game-changer for remote areas, mobility, and disaster resilience. However, traditional internet (fiber, cable, DSL) often provides lower costs, higher reliability, and better performance in urban areas with established infrastructure. The choice depends on location, use case, and budget, at least for now.
This week, we detail all the news from Disney's earnings, its proposed deal between ESPN and the NFL and the launch of ESPN's new DTC service this month. We also discuss the impact of Disney's decision to no longer report paid subscribers or ARPU numbers for Disney+ and Hulu, and will cease reporting ESPN+ numbers as of next month. We also discuss all the essential numbers from Q2 earnings for WBD, Paramount Global, Fubo, Altice, Akamai, Fastly, Vimeo, and highlight the upcoming launch of FOX One on August 21st, as well as recent news from Roku and MLS.Podcast produced by Security Halt Media
In this episode of Wrestling Soup, Anthony Thomas and Joseph E. Numbers dive deep into various hot topics in the wrestling world. They begin by discussing the shift of WWE's programming to ESPN and Disney platforms, the financial implications for fans, and the convoluted landscape of streaming services. Next, they explore WWE's recent changes under Triple H's leadership, talking about his management and booking style. The hosts also cover Bret Hart's criticism of Gunther's wrestling style, questioning the balance between real and performative pain in modern wrestling. They reflect on John Cena's open and heartfelt interview with Stephanie McMahon, touching upon his potential retirement, relationship with his father, and thoughts on wrestling crowds. Lastly, they address Joey Ryan's controversial return to wrestling and the subsequent backlash. Join them for an insightful conversation on the current state and future of professional wrestling!00:00 Introduction and Hosts00:32 WWE's New Deal with Disney and ESPN01:44 Subscription Costs and Cable Packages05:26 Hulu's Integration with Disney09:09 VPNs and Streaming Workarounds18:42 Future of WWE and Streaming Services37:51 Triple H's Booking Philosophy42:20 Triple H's Motivational Tactics44:02 CM Punk's Complex Issues46:00 Wrestlers' Mental Health47:10 Triple H's Approach to Talent Management47:50 WWE's Transparency and Anti-Vince Sentiment52:34 The Importance of Enjoyment in Wrestling54:16 Triple H's Role in WWE's Current State01:00:11 John Cena's Fan Interaction01:03:16 John Cena's Interview Insights01:13:45 Bret Hart's Critique of Gunther01:15:30 Gunther's Unique Style in Wrestling01:16:04 Brett Hart's Era of Wrestling01:25:55 Gunther's Perspective on Wrestling Culture01:30:35 Jake Hagar's Retirement Announcement01:34:14 Joey Ryan's Controversial Return01:49:29 Closing Remarks and AnnouncementsBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.
Hello classmates!Seth Rogan makes his mark, Ari Aster has Daddy issues, and Liam Neesons finds love again after all these years Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/mdpLYMTxNm0http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)Trip AffleckJoseph Navarro Pete Abeytaand Tyler NoeStreaming Picks:Barfly - $4 rental on Prime VideoPaul - Netflix The Fox and The Hound - Disney+Superman (2025) - Only the theatersEddington - Only in theaters Kate - NetflixNimona - NetflixWallace and Gromit: Vengeance Most Fowl - NetflixHappy Gilmore 2 - NetflixHenry: Portrait of a Serial Killer - Prime Video, Fandango, Pluto, PlexThe Decline of Wester Civilization - Prime Video, Fubo, Kanopy, Criterion, Fadnor, Philo, Pluito
This week, I outline the key numbers you should know regarding subscriber gains and losses, as well as the profitability of D2C businesses for Peacock, Roku, Paramount, Sling TV, and Fubo. I also cover the revenue growth from cloud providers Amazon and Microsoft, and break out the capex spend of Meta and the hyper-scalers, totaling more than $250 billion this year, driven by AI-related infrastructure. Finally, I highlight some news relating to Prime Video, Netflix, YouTube, Instagram and DAZN's deal with the NHL.Podcast produced by Security Halt Media
It's Die Hard in a brownstone!This week on DIE HARD ON A BLANK we're breaking into PANIC ROOM with the help of a specialist: Shahir Daud - filmmaker, Fincher fanatic and host of the long-running show THE ONLY PODCAST ABOUT MOVIES!On their first night after moving in to a luxurious New York ‘townstone', recently divorced single mother Meg Altman (Jodie Foster) and her 11 year-old daughter Sarah (Kristen Stewart) are terrorized by a trio of mysterious burglars. When Meg and Sarah become aware of the intruders, they seek refuge in the house's high-tech ‘panic room', only to discover that the thing the thieves want most is inside that very room. Despite being more of a Hitchcockian thriller than a traditional action movie, PANIC ROOM is nonetheless filled with DIE HARD DNA – right down to the bearer bonds (the economics of which we're still trying to understand). The guys place this film in context among the wider careers of both director David Fincher and writer David Koepp, and analyze if it explores any of the thematic obsession of both of these storied creators. They discuss the performances of the movie's eclectic cast and go deep on Fincher's groundbreaking filmmaking techniques. As always events culminate with the DIE HARD OSCARS and the delightfully devilish DOUBLE JEOPARDY TRIVIA QUIZ. Fincher-philes rise up! TRAILER: https://www.youtube.com/watch?v=sp2kKzrCm44At the time of release, PANIC ROOM is streaming on Fubo, and is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.
Debaser concludes our extended Pride coverage with a criminally underseen erotic lesbian crime thriller by the duo that gave us such films as The Matrix, V for Vendetta, and Speed Racer: Bound.How long does this erotic thriller take to get to the lauded sex scene? Did this film have an intimacy coordinator before that was even a thing? How realistic are the depictions of 90s lesbians in the film? What does this pre-transition film tell us about the Wachowskis? Is Joe Pantoliano hot? Listen to find out!Bound is available to watch on many streaming platforms, including Kanopy, Fubo, The Roku Channel, and Paramount +.You can find the cover art being made for Criterion's release of Bound at the artist's Instagram page here.You can find McKenzie Wark's essay on Bound entitled "Be Gay, Do Crime" here. Our outro track is "Gymnopedie No. 1" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/You can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY
Jess Eckerstorfer is a big fan of Grease and theater in general and we had to be the ones to break it to her that there was a TV show called Grease: Rise of the Pink Ladies. Then we had to break it to her that this episode was not about the Pink Ladies.
Hello classmates!Founder of Mometu streaming service and Film Fest- Bryan Louzil joins the gang, and does The Patman belong in James Gunn's Superman universe? Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/PqKlbdVchNQhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)Trip AffleckJoseph Navarro Pete Abeytaand Tyler NoeStreaming Picks:Chicago - Paramount, HooplaArena Wars - Paramount, Funo, HooplaThe Adventures of Priscilla, Queen of the Desert - Prime Video, Roku, HooplaSomewhere - $4 rental on VODSilent House - Roku, CW, Plex, Pluto, Shout, Fawesome Overlord - Kanopy, ParamountPicnic at Hanging Rock - Criterion, HBO Max, TCMNo Country for Old Men - Prime Video, KanopyPanic - Prime Video, Fubo, Roku, Hoopla, Fandango, AwesomeAfterglow - Prime Video, Hoopla, Criterion, Pluto, Plex, Peacock, Fawesome
Hey there Lovelies and welcome back for the 368th episode of Final Girls Horrorcast! Today we'll be discussing ‘Alligator' from 19080 which is streaming on Prime, Fubo, Peacock, Shudder, TubiTV, & RokuTV. Trailer Trashtalk: ‘The Long Walk' (September 12th, 2025) Next Week - Join us next week as we continue to tread water during Aquatic Horror month with ‘Cruel Jaws' streaming on Prime, Phil, Hoopla, TubiTV, & Pluto.
Our summer movie series continues as we discuss the 1989 hit comedy, WEEKEND AT BERNIE'S! We discuss the zaniness of the plot, how realistic the Bernie corpse looked during the stunts, the rooftop beach scene, lighthouses, the sequel's animated opening sequence, foot fondling, and much more! We also talk about: Séance on a Wet Afternoon (opera), Superman (2025), and our experience finally gaining access to the FuboTV streaming platform. ———————————————————— To see images of the stuff discussed, look at your device's screen while listening! Go here to get some LTAS Merch: http://tee.pub/lic/huI4z_dwRsI Email: LetsTalkAboutStuffPodcast AT gmail DOT com Follow LTAS on Instagram: https://www.instagram.com/ltaspod/?hl=en Subscribe to Steven's YouTube channel: https://youtube.com/@alittlelessprofoundfilms?si=exv2x7LZS2O1B65h Follow Steven on Letterboxd: https://letterboxd.com/stevenfisher22/ Brent is not on social media. A 5-Star rating on your podcast app is appreciated! And if you like our show, share it with your friends! FUBO? MORE LIKE FUBAR…
Hey there Lovelies, welcome back for the 367th episode of Final Girls Horrorcast! This week the Girls kick off their annual Blood in the Water series with, 'Into The Deep' from 2025, currently available to stream on Hulu. Trailer Trashtalk: 'Witchboard' due to be released on August 15th. Next Time on Final Girls Horrorcast... the Girls continue their Blood in the Water series with 'Alligator' now streaming on Prime, Fubo, Peacock and Shudder, TubiTV & RokuTV