Podcasts about oscars

The incredibly talented Carol Leifer joins us at the table! Everything Carol touches seems to turn to gold - Seinfeld, Curb Your Enthusiasm, and now Hacks. Carol shares behind the scenes stories of writing for each of these hit shows. She also discusses why kids can absolutely not be at her stand up shows. Enjoy!  Check out Carol's new book How to Write a Speech at Barnes and Noble.  For a limited time, Wildgrain is offering our listeners $30 off the first box - PLUS free Croissants in every box - when you go to Wildgrain.com/PAPA to start your subscription Get 50% Off Your One Month Trial with Trade, at drinktrade.com/PAPA Text PAPA to 64000 to get twenty percent off all IQBAR products, plus FREE shipping.  ------------- 0:00:00 Intro 0:00:39 Patreon shout out 0:01:09 Wild Grain Ad  0:01:54 TomPapa.com  0:02:58 Bread and bombing on stage 0:05:31 Comedians are good in emergency situations  0:09:13 The loudest snack is Pirate's Booty 0:11:00 Corporates  0:12:33 Stand up before writing and being funny 0:16:00 First open mics 0:20:08 Carol's new book and giving speeches 0:29:15 Best writing job - Seinfeld  0:33:05 Larry David  0:35:00 Mixture of Jerry & Larry and idea generation 0:40:45 Trade Coffee Ad  0:43:27 Wild Grain Ad  0:45:30 IQ Bar Ad 0:48:44 Italian  0:53:04 Carol thinks Tom can't dance 0:55:25 Ketchup and ranch  0:56:45 Working on the Oscars  1:00:50 Uncomfortable moment  1:02:50 Writing for Hacks and other projects  1:08:35 Being a woman in comedy ------------- Tom Papa is a celebrated stand-up comedian with over 20 years in the industry. Watch Tom's new special "Home Free" out NOW on Netflix! Radio, Podcasts and more: https://linktr.ee/tompapa/ Website - http://tompapa.com/ Instagram -  https://www.instagram.com/tompapa Tiktok - https://www.tiktok.com/@tompapa Facebook - https://www.facebook.com/comediantompapa Twitter - https://www.twitter.com/tompapa #tompapa #breakingbread #comedy #standup #standupcomedy #bread #seinfeld #curbyourenthusiasm Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellen and Mom discuss the old houses, Oscars, and "Oliver!" in Nora Goes Off Script by Annabel Monaghan.  Plus, end of the school year and tight banana windows.  Come hang out with us! Twitter/Instagram: @notyourmomsromFacebook Group: Not Your Mom's Facebook GroupEmail: notyourmomsromancebookclub@gmail.comNot Your Mom's Romance Book Club is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to at Frolic.media/podcast

Hayley and Kayli are covering Ryan Coogler's newest film, Sinners! Not only do we get twice as many Michael Bs, but this is a two-for-one podcast too! The girlies are also continuing their conversation from the Oscars about how Black trauma is portrayed in Oscar picks and in movies in general. https://youtu.be/cF15L7KyZJ8?si=u7rYbNyf0DUPzmai Visit our Instagram:ContinueContinue reading "S5, Ep4: Sinners (2025) | Michael B. Jordan at His Best!"

"No one buys a ticket to hear your problems." For Episode 361, Thomas and Brandon finish off CineNation's Jukebox Musical series with BETTER MAN. Listen as they discuss how Hugh Jackman impacted the film's creation, what major event affected the film's production, how the movie was independentaly financed, and why director Michael Gracey made Robbie Williams a monkey in the film.  Also, don't forget to join our Patreon for more exclusive content:  Opening - What's in Theaters and Tom Cruise -  (00:00:10) Recap to the Jukebox Musical Genre (00:06:14) Intro to Better Man (00:11:32) How Better Man Got to Production (00:21:11) Favorite Scenes (00:34:01) On Set Life - (01:05:41) Aftermath: Release and Legacy (01:12:26) What Worked and What Didn't (01:18:19) Film Facts (01:25:43) Awards (01:27:39) Final Questions on the Movie (01:33:48) Final Genre Questions (01:40:24) Wrapping Up the Episode (01:45:19) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Lettuce indulge on an episode all about vegetables. Back in 2019 four legendary rankers fought, argued, cried, but ultimately came together on a list of Top 5 Fruits. Well years have passed and wounds have healed and now we are finally ready to turn our attention to the food that your parents & doctors have been heckling you to eat all your life - vegetables! And you know what? Turns out that as you get older, vegetables are pretty dang good! Vegetables contain a variety of textures, flavours, versatility, and nutrition that it's finally due time for them to shine on this podcast. So join Tuong La and Veggie Virtuosos Colleen Wang, Victoria Luloff, and Leslie Cserepy as they rinse, spin, and toss up a Top 5 Vegetables list for ya!  The post 194 – Top 5 Vegetables appeared first on PodCavern.

Darren is drunk and looking for a lift to the Oscars, we're canvassing comedians about height related air travel, and we're subjecting everyone to some very dodgy Russian accents.We attempt to design the perfect blend of danger and comfort for Darren's dream life as a travel vlogger, from death defying football tourism to potentially lethal hikes.Meanwhile Joe takes us on a strange trip through the hills of Donegal on the hunt for a quite interesting ceremony.Send all of your comments and questions to stallit@goloudnow.com

Will our students remember us when they become famous?  Welcome back to Crying In My Car, a podcast for teachers! Our hosts Devin Siebold and James Yon are going to be sharing all the details of Devin's recent trip to the UK. It also feels so great to be recognized, so this week we were reveling in both students recognizing their former teachers, and teachers recognizing their former students.  First up Devin recently got back from the UK and oh boy does he have some stories. He was so surprised by how much healthier most of the food is over there, however we couldn't help but miss our classic American junk food. You also wouldn't believe how a simple fashion choice affected his visit. Tune in to hear the whole story.  In the news recently, Timothee Chalamet was honored at the Oscars by his former high school teacher, and with this we wonder if one of our students would go on to be honored like this. You never know so you should get your speech ready for when our students eventually become famous and of course thank us for being the reason they succeeded. Speaking of recognizing our students, let's talk about the other way around. Devin this week got an email from one of his former students after 9 years. These kinds of moments are the reason why we teach in the first place, so go ahead and share this beautiful moment with us.    Support the Podcast on Patreon: patreon.com/cryinginmycar    Follow Devin at http://DevinComedy.com  https://www.tiktok.com/@devincomedy?lang=en  https://www.instagram.com/devinsiebold/  https://x.com/teachercomic    Follow James at http://JamesYon.com  https://www.tiktok.com/@jamesyoncomedy  https://www.instagram.com/jamesyoncomedian/     So make sure to follow the unofficial dress code on this week's episode of Crying In My Car, a podcast for teachers.  _________________________________________________________ Crying In My Car Podcast with Devin Siebold & James Yon

This week, the boys pull up their dacks, lace up their blunnies, pull over their cardies, eat a bikkie, grab a tinny, and lob in for the Ridgy Didge himself, Baz Luhrmann's first feature film, “Strictly Ballroom”. This isn't any ear bashing- we loved it! It made us three happy little Vegemites. After Jeff gives a quick mini-review of “Mission: Impossible— The Final Reckoning”, our native Aussie and gutless wonder, Dave, knackered from a good hissy at his lappy, guides us through this absolute hooley dooley. Don't be a drongo- grab a coldie and listen- you'll be doing the bogo pogo in a jiff!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:27 Jeff's mini-review of Mission: Impossible — The Final Reckoning; 11:29 Gripes; 15:01 1992 Year in Review; 39:02 Films of 1992: Strictly Ballroom; 1:21:26 What You Been Watching?; 1:28:53 Next Episode Teaser Additional Cast/Crew: Paul Mercurio, Tara Morice, Craig Pearce, Bill Hunter, Pat Thompson, Gia Carides, Peter Whitford, Barry Otto, Sonia Kruger, Tom Cruise, Hayley Atwell, Simon Pegg, Ving Rhames, Pom Klementieff, Esai Morales, Holt McCalleny, Janet McTeer, Nick Offerman, Shea Whigham, Tramell Tillman, Angela Bassett, Mark Gatiss, Rolf Saxon, Greg Tarzan Davis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics)    

Send us a textLet's kick off the week together. We teach you things. Come and get it. "Did You Hear About This?" breaks down unusual pop culture topics and news stories that might be new to you. Enjoy learning useless stuff? Welcome home. Please subscribe, like, and review us — we always need support to grow in this algorithmic world. If you don't, we'll find you.Do you know someone who would like our show? Please share. It's the only way a show like ours grows. We aren't afraid to beg. Visit us at didyouhearaboutthis.show

Based upon the comic strip created in 1931 by Chester Gould, this eye-popping live-action adaptation was long planned by Oscar-winning director Warren Beatty (Reds, Heaven Can Wait) who also elected to star as the titular square-jawwed crime fighter sporting a bright yellow jacket.  Finally green-lit and released by Disney in the wake of the breakout success the prior year of Tim Burton's Batman, the studio was hoping that it could duplicate the mega-blockbuster success of that comic book adaptation, backing its release with loads of marketing hype AND three different soundtrack albums including an assortment of original songs written by Tony-winning songwriting stage legend Stephen Sondheim (West Side Story, Into the Woods) and performed one of its co-stars....that would be Madonna who played Breathtless Mahoney, who is also a key femme fatale for the story.  She is joined by completely STACKED cast by Paul Sorvino, Mandy Patinkin, Glenne Headley, Charlie Korsmo, Charles Durning, James Caan, Dustin Hoffman, AND Al Pacino who plays the film's main villain Big Boy Caprice. Alas the film did solid box office but did not live up to the Batman-level hype...though it DID set a record for most Oscars won by a comic book adaptation with three for Best Makeup, Best Original Song, and Best Art Direction.  This record of three Oscars would not be matched for another 28 years until it was eventually tied by another Disney comic book release, Black Panther. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Join the Movement: How Ocean 7 is Transforming Lives and Winning AwardsWelcome to another exciting episode of "Roots to Riches," where natural healing meets unstoppable success. I'm your host, Justin Benton, and today we have some thrilling updates and announcements that you won't want to miss.Documentary Nominations and Red Carpet EventsWe kicked off the episode by discussing the incredible journey of our documentary, which has already been nominated for several awards. Whether it's the Boise Film Festival, Cannes, Sundance, or even the Oscars, we're gearing up for some major red carpet moments. The excitement is palpable as we anticipate the recognition and celebration of our hard work.Live Streams and Behind-the-Scenes InsightsWe reminisced about our spontaneous live stream from Utah, which was a blast. Russell, Danny, and I, along with other team members, shared some behind-the-scenes moments, including a priceless Andrew Carnegie signed document. These live interactions bring a unique, unfiltered look into our journey and the making of the documentary.Ocean 7 Launch and Affiliate OpportunitiesToday marks the beginning of the Ocean 7 launch, a significant milestone for us. This is not just about promoting the documentary but also about engaging with our community through affiliate opportunities. By sharing the documentary, affiliates can earn cash and make a meaningful impact by spreading the message of personal development.Exclusive Prizes and ContestsWe announced an exciting affiliate contest with some fantastic prizes. From Voxer access to private coaching sessions, signed books, and even Amazon gift cards, there's a lot up for grabs. The grand prize is a VIP ticket to join us on the red carpet at one of the major film festivals. This is a once-in-a-lifetime opportunity to be part of a glamorous event and meet some incredible people.Legacy and Future VisionOur work is not just about the present; it's about creating a lasting legacy. The Atlas Library and Event Center will be a hub for personal development, featuring 4D images and AI avatars of speakers, including Tony Robbins and Napoleon Hill. This project ensures that our contributions will be remembered for generations to come.Call to ActionTo watch Ocean's 7 and share it before it disappears you simply register for free as an affiliate at jv.secretsofsuccess.com then click on Highlighted Links (three lines on top of your phone) to watch and share this ground-breaking film all over the Internet streets.ASK THIS EPISODE ANYTHINGTIMESTAMPS:00:00:07 - Documentary Awards and Red Carpet Dreams00:00:41 - Introduction to Roots to Riches Podcast00:01:02 - Live Broadcast Fun and Spontaneity00:01:35 - Behind the Scenes of a Live Stream00:02:26 - Launch of Ocean 700:03:11 - Documentary Nominations and Future Plans00:04:05 - PBS Greenlight and National Distribution00:05:27 - Community Support and Collaboration00:06:09 - Affiliate Opportunities and Personal Development00:08:07 - Impact of Personal Development Books00:09:02 - Promoting the Documentary and Affiliate Contest00:10:00 - Shoutout to Molly Morgan and Affiliate Contest Details00:11:39 - Contest Prizes and Incentives00:13:09 - Grand Prize Announcement: Red Carpet Experience00:17:07 - How to Participate in the Affiliate Contest00:18:26 - Encouragement and Support for Affiliates00:19:23 - Legacy and Future Vision of the Project00:20:54 - Closing Remarks and Call to Action Thank you for tuning in to the Miracle Plant Podcast. Remember, our mission is to heal the world with the power of this miracle plant. Join us next time for more inspiring stories and insights into the world of cannabis. Produced by PodConx 101cbd - https://101cbd.org/Email Justin Benton - jbenton@101cbd.orgGet a free consultation - askjanet.orgKaneh Bosm Connection - https://youtube.com/@kanehbosmconnection

On this week's episode Stephen & Tim are joined by the one and only Phil Jarman of The Spook House Podcast to discuss Horror Movies snubbed by The Oscars!Listen as we dive into which horror movies should have been nominated in which categories, Phil brings a few fun categories of his own, we talk about the origins of jaywalking, and much more on this week's episode!The Spook House Podcast : https://www.youtube.com/channel/UCqe1iMoZDLnzCHG9Nq510CwTo Support the Podcast : https://www.patreon.com/HorrorflicksguitarpicksToxic Coffin Website : https://www.toxiccoffin.com

"People are real down on the subway lately but I still like taking it!!" Kareem and Michael continue on the train and talk about Michael's directorial debut, Eric Larue, directing as a way of developing every character in a movie, Kareem and Michael's future buddy comedy where they open an indie Target (and also their buddy drama where they're roommates), male best friend breakup stories as a new genre, Michael's love of R.E.M., doing a cover band, being a loafer, having a fake Chicago accent, Windsor Terrace, how being from the midwest makes you endearing, GoFundMe to pay for a star on Hollywood's Walk of Fame, not being invited to the Oscars, there are too many screens on the subway, Michael's colonoscopy and other stuff. Host: Kareem Rahma Creators: Kareem Rahma and Andrew Kuo Camera: Maksim Axelrod and Tian Sippel Editor: Tyler Christie Mixer: Dale Eisinger Associate Producer: Ramy Shafi Artwork: Andrew Lawandus Theme Music: Tyler McCauley Subscribe to SubwayTakes. Watch this episode on YouTube or Spotify. Find more illuminating podcasts on the ⁠Talkhouse Podcast Network⁠. Visit ⁠talkhouse.com⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠Instagram⁠, ⁠Bluesky⁠, ⁠Twitter (X)⁠, ⁠Threads⁠, and ⁠Facebook⁠.

"If it means anything to you, I love you." For Episode 360, Brandon and Thomas continue their series on Jukebox Musicals with AN AMERICAN IN PARIS. Listen as they discuss the life of George Gershwin, how Arthur Freed got the rights to make the film, why the movie couldn't be filmed in Paris, and how the musical shocked Hollywood on Oscar night.  Also, don't forget to join our Patreon for more exclusive content: Opening - Thomas's Broadway Trip -  (00:00:10) Recap of the Jukebox Musical Genre (00:05:36) Intro to An American in Paris (00:10:12) How An American in Paris Got to Production (00:15:36) Favorite Scenes (00:35:03) On Set Life - (01:02:09) Aftermath: Release and Legacy (01:11:18) What Worked and What Didn't (01:16:41) Film Facts (01:21:44) Awards (01:22:25) Final Questions on the Movie (01:27:55) Wrapping Up the Episode (01:36:20) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."

On this week's show, we welcome back our good friend and Charlotte Magazine back page columnist Jen Tota-McGivney to talk about her new book, Finding Your Walden: How to Strive Less, Simplify More & Embrace What Matters Most. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

The boys head to Japan this week to discuss Akira Kurosawa's “Yojimbo”. Starring Toshiro Mifune, the film is considered one of the most influential movies of all time. It's so influential that an entire series of westerns ripped it off so good they couldn't be released in the US for years due to threats of lawsuits. Anyway, this film is awesome, but did the boys think it stands up to the other Kurosawa greats? Grab a beer and tune in!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:56 “Sinners” follow-up; 14:30 Gripes; 21:31 1961 Year in Review; 45:26 Films of 1961: “Yojimbo”; 1:30:53 What You Been Watching?; 1:38:58 Next Week's Movie Announcement Additional Cast/Crew: Toshiro Mifune, Tatsuya Nakadai, Fukuzo Koizumi, Takao Saito, Daisuke Katō, Masaru Sato, Kazuo Miyagawa, Akira Kurosawa.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.  

We've had a number of masterful movies this season and Women Talking is another one. Q: How do you tell a story when everything you've ever known is at stake? A: Consider the pros and cons using multiple protagonists. This is a great movie where the level of writing craft is high, and the core event provides more relief than you thought possible. If you can bear to watch this movie more than once, it will be worth it. -M. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Steven Gätjen ist einer der bekanntesten Moderatoren Deutschlands. Bei “Schlag den Raab” oder “Joko & Klaas gegen Pro7” sorgt er für Spannung - und dafür, dass die Regeln eingehalten werden. In der NDR Talk Show oder am Roten Teppich bei den Oscars interviewt er deutsche und internationale Stars – von Boris Becker und Jan Delay über Tom Cruise und Nicole Kidman bis hin zu Angelina Jolie. Ich wollte von ihm wissen, was er dabei übers „berühmt sein“ gelernt hat. Und die Beobachtung, die er da geteilt hat, hat mich echt überrascht. Was ich auch vorher nicht wusste: Steven ist in Arizona geboren und hat dadurch nicht nur die deutsche, sondern auch die amerikanische Staatsbürgerschaft. Wie dieses Land ihn geprägt hat und wie sehr ihn die aktuellen Entwicklungen dort bewegen, habe ich im Laufe unseres Gesprächs an mehreren Stellen gemerkt. Außerdem haben wir darüber geredet, wie man das meiste aus dem Leben herausholt, ohne dabei zu zerreißen; was gute Freunde ausmacht und warum Steven nicht immer einer ist – und wie er die weniger erfolgreichen Phasen seiner Karriere gemeistert hat, die wir als Publikum ja oft gar nicht mitbekommen. Eingestiegen sind wir aber mit Stevens großer Leidenschaft: dem Kino. Also holt euch Popcorn und macht's euch gemütlich - wenn ihr denn einen Platz zum Sitzen findet. Das ist nämlich keine Selbstverständlichkeit, habe ich gelernt. Aber hört selbst, hier kommt ‘ne gute Stunde mit Steven Gätjen. ►►► Deutschland3000 Instagram: @deutschland3000 https://www.instagram.com/deutschland3000 Steven Gätjen Instagram: @stevengaetjen https://www.instagram.com/stevengaetjen Eva Schulz Instagram: @evaschulz https://www.instagram.com/evaschulz/ ►►► Stevens Anfänge bei OK Radio könnt ihr euch hier anschauen (ab 13:40 Min): https://www.youtube.com/watch?v=if1MaVudDWg Der falsche Ryan Gosling: Prank bei der Goldenen Kamera 2017 findet ihr hier: https://www.youtube.com/watch?v=SHWPaF10gpM Und zu “too many tabs - der Podcast“ geht es hier entlang: https://www.ardaudiothek.de/sendung/too-many-tabs-der-podcast/10766603/ ►►► Redaktion: Sabine Lebek, Merle Hömberg und Ruby-Ann Schwiethal Gäste-Management: Axel Schöning Produktion: Merle Hömberg und Axel Schöning Social Media: Kim Vanessa Schang und das Sounddesign kommt von Soundquadrat. Deutschland3000 – ‘ne gute Stunde mit Eva Schulz" ist ein Podcast von N-JOY vom NDR.

“Give her the goddamn [microphone], Conrad!” Join your favorite TransAtlantic podcasting crew – Ian & Liam (Megs and B-Tech Kev have headed off to Houston) – as we dive deep into the murky waters of grief, guilt, and WASP repression for our 289th episode, covering Robert Redford's directorial debut Ordinary People (1980). We're joined by BFF of the BFE: Ariannah (Who Loves BFE the Most™), as we trade poisoned apples for therapy sessions and take a long, quiet look at the cracks beneath the perfect family portrait as we discuss: How Ordinary People took the 1980 Oscars by storm  Does the film's quiet intensity still hit home—or has its reserved style become a relic of another era? Is Conrad a deeply sympathetic protagonist—or a mirror too uncomfortable to look into? How Ordinary People explores mental health, emotional repression, and the cold war between appearance and authenticity. Would the film still work today or have we successfully de-stigmatized mental health, trauma, and therapy? Which character we most relate to – and does that change  Where Mary Tyler Moore lands in the pantheon of dramatic performances. And what's someone's major gripe with her character's arc? Speaking of gripes—can we talk about that family photo scene? We've got questions about golf sweaters, family breakfast tension, and how much pain can hide behind tickets to Michigan State We get personal about how Ordinary People affected us—and whether we saw ourselves in any of its emotional breakdowns. We talk quiet power, redemptive silence, and the importance of just… being there for someone. Whether Ordinary People is the Best Film Ever. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE.   We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/.

 BVCR #179 Out of the Blue (1980).mp3 Dennis Hopper's 1980 haunting portrait of juvenile delinquency, OUT OF THE BLUE, is our feature presentation this week. We talk Dennis Hopper taking over directing duties and exorcising his demons through the scrip re-write, Linda Manz knock out performance, the film's against-the-grain spiral into darkness, and much more! We also pick our TOP 7 DENNIS HOPPER MOVIES in this week's SILVER SCREEN 7! Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Well, Owls fans, the dust has settled, the final whistle's blown, and it's time for one of the highlights of the year – The Wednesday Week End of Season Awards!"That's right! Forget the Oscars, forget the Ballon d'Or – this is the one that really matters. The only awards chosen by the fans, for the fans, and definitely not influenced by how many pints were had before voting."We've laughed, we've cried, we've shouted at referees and at least five opposing goalkeepers... but tonight, we celebrate the best (and sometimes the worst) of Sheffield Wednesday's roller-coaster season." Hosted on Acast. See acast.com/privacy for more information.

The RP bois talk about their 5th Hitchcock movie on the pod. Where will this one rank amongst the others? Thanks to our monthly supporters akai Jordyn Nevarez

Tune in to this week's episode of the WINE TIME WITH A GAY AND A GAL PODCAST where we discuss:1) The Oscars: now you have to watch all the movies ?!2) Black Mirror3) Dying For Sex4) Netflix Studio in NJ5) Book Club BrunchCheers!!!!!!!!!

On this week's show, we wish a very happy 80th birthday to Bob Seger, spend quality time with new records from The Waterboys, Murray Attaway & Craig Finn and spin fresh tracks from Bruce Springsteen, The Feelies & The Beths. All this & much, much less. Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Welcome to the LIVING FOR THE BOYLE review series!  Daniel Francis Boyle originally hailed from Manchester, England and his filmmaking career took off thirty years ago in 1995 with the release of acclaimed cult thriller Shallow Grave.  And ever since then, Danny Boyle (as he's officially known) has carved out a uniquely successful career not only achieving box office success several times but also winning a few Oscars along the way.  During this time period, he has also become one of MY personal favorite directors, having helmed excellent ORIGINAL stories spanning several genres including children's fantasy, science fiction, crime drama, horror, and biopic.  Over the next few months, I will be reviewing some of my favorite entries from his filmography in the lead-up to the long-awaited sequel to one of his more successful films….28 Years Later which will be released in the U.S. on June 20!From the Oscar-winning writer (Aaron Sorkin) of The Social Network comes another "Based Upon a True Story" exploration of one of the titans of the digital revolution, this time the titular Steve Jobs played by Oscar-nominee Michael Fassbender (Shame, Black Bag).  This story takes behind the scenes in the lead-up to three VERY different product launches headlined by the eventual Apple CEO in 1984, 1988, and culminating in 1998 with the launch of the revoluationairy IMac computer for home and office use.  Along the way, we not only learn about the various ups-and-downs of the Apple/Mac brand as overseen by Jobs but much of his personal drama as well, especially his tumultuous relationship with his daughter Lisa.  This Oscar nominated drama was directed by Boyle and featured a stellar cast including Kate Winslet, Michael Stuhlbarg, Jeff Daniels, and Seth Rogen.Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

ScarJo gets honest about the Oscars, Bill Belichick talks about his book on Good Morning America and Chris Brown denied parole. Also Beyonce is back from Beyonce and tells us all about the show and Comedian David Harris Joins to talk about these upcoming shows. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

This episode includes discussions of depression, suicide, and conversion therapy. Please take care while listening. The content is not intended as providing individual counseling on a professional basis. If a listener is in need of psychological counseling they should seek help from a licensed therapist. The show is intended as information and entertainment and not as a substitute for professionally provided counseling or therapy, professional mental health advice, diagnosis, or treatment. If you're struggling, please seek help. In the U.S., you can call or text 988 for free, 24/7 support. Depression isn't a flaw to fix but a signal worth paying attention to, especially for performers who build their identity around applause.   John Corella welcomes Nathaniel Flatt, a licensed therapist, former professional dancer, and one-time boy band member, for a conversation that pulls back the curtain on mental health in the arts. What happens when the dream gig doesn't fulfill you? Or when rejection keeps showing up and starts to feel personal? Nathaniel shares how he went from dancing with Beyoncé at the Oscars to sitting on a therapist's couch, questioning what came next and why it didn't feel like enough.   They talk about the emotional weight performers carry, the difference between sadness and depression, and what it really means to celebrate depression instead of fearing it. Nathaniel explains how therapy became a creative and collaborative practice for him, and why our culture's obsession with winning often leaves people feeling more lost than ever.   This episode is for anyone who's ever felt like their worth depends on a callback, a competition result, or someone else's approval.   Episode Breakdown: 00:00 Meet Nathaniel Flatt: Therapist, Dancer, Boy Band Member 06:12 From Performing to Therapy: A Career Shift 14:04 Celebrating Depression and Redefining Sadness 25:04 Rejection, Perfectionism, and Identity 42:07 Finding Self-Worth Beyond Performance 44:43 Creativity, Play, and Pressure in Hollywood 50:24 How to Work Through Depression   Links Connect with Nathaniel Flatt: https://www.instagram.com/natflatt https://nathanielflatt.com/   Connect with John Corella: Dance Dad with John Corella on Instagram: https://www.instagram.com/dancedadwithjohncorella/ John on Instagram: https://www.instagram.com/john_corella/ Patreon: https://patreon.com/TheonlyDanceDadwithJohnCorella Website: johncorella.net Podcast production and show notes provided by HiveCast.fm

The gang plays the anti hero this week as they review the movie that changed the standard for Car Chase Scenes... The French Connection. Based on a book of the same name, TFC follows two NYPD drug unit detectives as they try to intercept a huge heroin shipment coming into the US through a corrupt French business man. This film won best picture, best actor, and best supporting actor at the Oscars, and has what is universally considered the grand daddy of all chase scene... but did the gang enjoy it?Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/VFahOcr8Dy0http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."

If AI enhanced a performance, would that make you feel they were less accomplished as an actor?  

Listen to this PREVIEW of the 22nd episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Steffi Acain about two performances of the 2020s that weren't nominated for Best Actress at the Oscars: Natalie Portman ("May December") and Marianne Jean-Baptiste ("Hard Truths"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $3 per month tier. Clips included in this episode: "May December" - Netflix

1 - NJ Republican Gubernatorial candidate Jack Cittarelli joins us. How's the tan coming along? Is it gravy or sauce? What is the biggest sticking point for Jack and his campaign that he would like to address today? Is Mikie Sherrill offending veterans by lying about her rank in the service? Will there be sanctuary cities in Jersey under his reign? What else would Jack implement on Day 1? How big of an issue is it to get the “handcuffs” off of our police so we can combat non-violent crimes? 110 - Why cancel a parade with no credible threats? Is Trump changing the rhetoric of the Republican Party? Trump's second assasination attempt suspect is in court today. 120 - Is Salma Hayek on the cover of Sports Illustrated a plus for women? 135 - How are Democrats' ideals making local Bucks towns less safe? Why don't you talk to Sheriff Fred Harran about safety? 145 - Famed Hollywood actress Helen Hunt joins us today. Which of her awards is she most proud of, the Oscars or the Emmys? Which would she say is tougher? What's her favorite role? What's her take on Paul Reiser? Are these rumors from the set of ‘Twister' true? Are love scenes difficult? What is the most popular things fans want to talk about with helen when they meet her? Helen personally witnessed 9/11? 155 - Recapping the Helen Hunt interview.

12 - What's with this guy's hair? 1205 - Returning to the 4th of July parade in Whitemarsh being canceled over security concerns. Why cancel all of this tradition? Sign the petition to reinstate the parade! What is the breakdown of Democrats vs Republicans on their local town council. 1210 - Pete Rose and Shoeless Joe Jackson are reinstated into baseball, posthumously. How did Trump play a factor in this? Why is a local pundit so upset about it? 1215 - Side - all time spin-off/sequel 1220 - Why must the government continuously get in our way, even at the local level? 1235 - Senate President Pro Tempore Kim Ward joins the program today. What does she think about the Democrats opposing the “Save Women's Sports Act” in the state house? As a western PA resident and leader, what does she think about SEPTA asking for more funding from the state? Why is the legalization of marijuana bill in the Commonwealth “fake”? Why would a "state store” approach not work? What will happen with Medicaid in the state? 1250 - Why is Jack Cittarelli such a large underdog for NJ governor? Your calls. 1 - NJ Republican Gubernatorial candidate Jack Cittarelli joins us. How's the tan coming along? Is it gravy or sauce? What is the biggest sticking point for Jack and his campaign that he would like to address today? Is Mikie Sherrill offending veterans by lying about her rank in the service? Will there be sanctuary cities in Jersey under his reign? What else would Jack implement on Day 1? How big of an issue is it to get the “handcuffs” off of our police so we can combat non-violent crimes? 110 - Why cancel a parade with no credible threats? Is Trump changing the rhetoric of the Republican Party? Trump's second assassination attempt suspect is in court today. 120 - Is Salma Hayek on the cover of Sports Illustrated a plus for women? 135 - How are Democrats' ideals making local Bucks towns less safe? Why don't you talk to Sheriff Fred Harran about safety? 145 - Famed Hollywood actress Helen Hunt joins us today. Which of her awards is she most proud of, the Oscars or the Emmys? Which would she say is tougher? What's her favorite role? What's her take on Paul Reiser? Are these rumors from the set of ‘Twister' true? Are love scenes difficult? What is the most popular things fans want to talk about with helen when they meet her? Helen personally witnessed 9/11? 155 - Recapping the Helen Hunt interview. 2 - What should be done about taxes in New Jersey? An in-depth discussion on taxes from Dom. Will Jack Cittarelli change all of that? Will the big beautiful bill change things? 215 - Dom's Money Melody! 225 - Revisiting the safety argument in Bucks and Montgomery counties. 235 - Sheriff Fred Harran joins us after a public official compares Fred's plan to that of Hitler's. Is his podcast out yet?Why is getting illegal immigrant criminals out of the county so controversial? Why is the local media exploiting longstanding relationships with the federal government as new when they have been in communication for years? Fred asks if someone can stop telling personal stories at public events! 250 - The Lightning Round!

This week, we chat about SXSW and the pros — and the very few cons — of attending a film festival with our friend and TikToker, Sonia Thosar!We also highlight our dear friend and up-and-coming artist, Jone, and her new music.Follow us on Instagram & TikTok @ ReelqueerpodcastHosts' Instagrams: Trevgeorge & Triniguy_jj

Now starring in the Netflix series The Four Seasons – based on Alan's 1981 movie – he's won an Emmy and has been nominated for two Oscars and two Tony awards. In 2024, Time magazine named him one of the 100 most influential people in the world. And you surely didn't miss him at this year's Met Gala!

After Dave treats us to a “Thunderbolts*” mini-review and John discusses “The Accountant 2”, the boys dive into the year 1934 to discuss “The Thin Man”, a film so successful and unique it spawned FIVE sequels and made a dog one of the most famous dogs in cinema history. Written by a husband-and-wife team, “The Thin Man” is a detective “pseudo-comedy” whodunit with tension, laughs, fun, mystery, and intrigue, all done by some stellar characters. Grab a beer and join us for a ride! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:50 Tariffs & Incenstives; 19:38 Dave's “Thunderbolts*” mini-review; 22:28 John's “The Accountant 2” mini-review; 27:27 Gripes; 32:12 1934 Year in Review; 54:33 Films of 1934: “The Thin Man”; 1:27:19 What You Been Watching?; 1:32:58 Next Week's Movie Announcement Additional Cast/Crew: William Powell, Myrna, Maureen O'Sullivan, Nat Pendleton, W.S. Van Dyke, Albert Hackett, Frances Goodrich, Dashiell Hammett, James Wong Howe, Florence Pugh, Sebastian Stan, Julia Louis-Dreyfus, Lewis Pullman, David Harbour, Wyatt Russell, Hannah John-Kamen, Jake Schreier, Stan Lee, Ben Affleck, Jon Bernthal, J.K. Simmons, Cynthia Addai-Robinson, Daniella Pineda, Gavin O'Connor, Bill Dubuque. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: The New Avengers, Iron Man, Marvel, MCU, The Suicide Squad, New Mutants, France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir.   

Last time we spoke about the second Okinawa Offensive. In the brutal Second Okinawa Counteroffensive, American forces confronted staunch Japanese defenses, with Captain Ryan leading a valiant charge for territory. Despite fierce resistance and heavy casualties, his troops managed to seize crucial ground, enduring intense hand-to-hand combat atop Ryan Ridge. The battle raged on, with American forces fighting through exhaustion and dwindling supplies, while the Japanese, though determined, faced declining morale as they lost ground. The relentless struggle exemplified extraordinary sacrifice on both sides, but it foreshadowed a turning point in the Pacific campaign. As American advances continued, the tide shifted, marking the beginning of the end for Japanese dominance in the region, ultimately paving the way for Allied victory. This episode is the Battle of the Malacca Strait Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  After the failure of their second offensive, the Japanese turned all their energies toward waging a prolonged battle of attrition. Their losses did not impair immediately their defensive capacities; thus the 24th Corps found no weak point in the Shuri defenses resulting from the ill-starred offensive. By throwing fresh troops into the attack of 4 May Ushijima had been able to maintain his strength all along the line. Nor was there any breakdown in his command and staff operation. Front-line units were reorganized without seeming loss of effectiveness; available reinforcements were carefully allotted to existing regiments; local counterattacks were timed for maximum effect. General Ushijima's chief task now was to keep sufficient combat troops at the front to man his Shuri defenses. It was apparent by 7 May that the strength of the remaining regular infantry was not great enough for this task. Consequently, Ushijima converted service units into infantry combat groups. By mixing service troops with the "regulars," he exacted from them their maximum combat effectiveness. "One man in ten will continue with his rear-echelon duties. The remaining nine men will devote themselves to antitank combat training," one order stated. The reorganization of the 32d Regiment, 24th Division, was typical of the resourcefulness of the Japanese. The regimental headquarters received 5 men from the 24th Transport Regiment. The 1st Battalion kept its own surviving members and was allotted all the survivors of the 2d Battalion, 20 men from the 7th Shipping Depot, 90 from the 24th Transport Regiment, and y from the 26th Sea Raiding Squadron. The 2d Battalion was totally reconstituted from the 29th Independent Infantry Battalion and other units. The 3d Battalion was reorganized in a manner similar to that used with the 1st. It was by this process of piecing units together that the 32d Army was able to stay intact long after the original combat units had been virtually destroyed, a capability which at the time American intelligence officers found "baffling." After his offensive failed, the enemy formed a line in which the relative position of the major units was to remain roughly the same until the end of the battle. On the east the 24th Division, reinforced by two independent battalions, held the line as far as Shuri, with its 89th Regiment on the east, its 22d in the center, and its 32d on the west. The remnants of the battered 62d Division were stretched from a point north of Shuri almost to the west coast, holding about one-third of the line. Along the Asa River estuary was a battalion of the 44th Independent Mixed Brigade. The Japanese husbanded their remaining heavy weapons, especially their artillery, as carefully as they meted out their manpower. On 6 May the Japanese 5th Artillery Command directed its units to "revert to the [defensive] situation which held prior to the attack situation of 3 May." Once again the protection of individual pieces was a cardinal feature of enemy operations. Artillery units were ordered to "use ammunition with the utmost economy" and to "wait and fire for effect against vital targets." Along the west coast, preliminary plans were underway for the deployment of General Shepherd's 6th Marine Division to the front lines, while General Del Valle's 1st Marine Division continued its assault on the Dakeshi-Awacha hill complex. Colonel Snedeker's 7th Marines secured the coastal flank after capturing the north bank of the Asa River. Meanwhile, Colonel Arthur Mason's 1st Marines focused their efforts on the western approaches to the Dakeshi hill defenses, but they were ultimately repulsed by the tenacious Japanese defenders around Hill 60. In the Awacha Pocket, Colonel Griebel's 5th Marines faced fierce opposition, resulting in only modest territorial gains. To the east, after successfully fending off multiple strong enemy counterattacks, General Bruce's 77th Division advanced 800 yards south toward Hill 187, establishing control over the southern slope of the Maeda Escarpment. Finally, operations in General Arnold's 7th Division area were confined to robust patrols aimed at securing the approaches to Conical Hill and eliminating the remaining fragments of the failed Japanese counteroffensive. Convinced that the Japanese had nearly exhausted their fresh reserves, General Buckner began planning a comprehensive assault on the Shuri defenses with his two corps. On May 7, General Geiger was assigned to command the 1st Marine Division within the 24th Corps front and oversee the southern movement of the 6th Marine Division, with General Buckner taking direct tactical control of the two-corps assault. Heavy rains on the morning of 7 May delayed the projected IIIAC advance until tanks were able to negotiate the muddy terrain. In the 1st Marines' zone, the new regimental commander, Colonel Arthur T. Mason, ordered 3/1 to support the attack of the 2d Battalion on Hill 60 with all available weapons (four battalions of artillery, a fire support ship, and 81-mm. and 60-mm. mortars) by firing into the enemy reverse slope defenses. All morning long the regiment's mortars concentrated on the enemy position, and at 1400 when tanks finally reached the front lines the battalion attacked with Company E in assault. Artillery fire covered the foot of the objective while mortars and assault guns blanketed the crest and reverse slopes. The company swept to the top of Hill 60 by 1422 in a vivid demonstration of "the effect of properly massed, supporting fires in front of assault troops." Once the company entered the impact zone, however, and supporting fires were shifted to other targets the enemy defenders emerged from their caves and engaged the Marines in hand grenade duels. The fighting was at such close range that it was impossible to keep enough grenades on the line, and the marines used rifle butts against Japanese who tried to storm their position. Gradually the volume of Japanese fire of all types "grew noticeably stronger and progressively more intense so that it was evident that the enemy was receiving large reinforcements." The troops lost their hold at one point, then fought their way to the top again, yet the continuing Japanese fire from the reverse slope of Nan Hill was the decisive factor. The threat of a strong counterattack measured against the dwindling strength of Company E forced Lieutenant Colonel Magee to adjudge the company's advanced position untenable and to order a withdrawal to the previous night's lines. To the west, the 5th Marines steadily advanced approximately 400 yards in the Awacha Pocket, while the 77th Division gained up to 500 yards of enemy territory despite increasingly fierce resistance. By the end of the day, Colonel Coolidge's 305th Regiment had relieved the weary 307th. On the east coast, Colonel Green's 184th Regiment resumed its southward push, quickly capturing Gaja Ridge and William Hill, but faced greater opposition as they approached the western flanks of Conical Hill. Meanwhile, Colonel Pachler's 17th Regiment continued its assault toward Zebra Hill but could only secure How Hill and make incremental gains on Kochi Ridge, depleting their strength. The following day, as General Bradley's replenished 96th Division prepared to relieve the 7th, the 184th Regiment managed to occupy the forward slope of Easy Hill near Kibara without armored support. Throughout the rest of the 10th Army front, relentless cold rain effectively canceled planned offensive operations, leading the 1st Marines to focus on dismantling enemy positions on Nan Hill. Colonel Schneider's 22nd Marines took over from the 7th Marines along the Asa River just as news of the victory in Europe reached the infantry units, prompting a somewhat indifferent reaction from the rain-soaked soldiers preoccupied with the ongoing fighting in Okinawa. Exactly at 1200 every available artillery piece and naval gun fired three volleys at vital enemy targets to apprise the Japanese of the defeat of their Axis partner. On May 9, Japanese kamikaze pilots launched a series of scattered attacks, damaging the carrier Formidable and two destroyers. In preparation for Buckner's general offensive, the 22nd Marines patrolled their front to identify suitable crossing sites over the Asa River. Meanwhile, with Nan Hill fully cleared, Mason's 2nd Battalion renewed its assault on Hill 60, while the 1st Battalion advanced into the high ground to the east, successfully capturing their objective this time. Reinforced by elements of the 7th Marines, the 5th Marines also launched another attack on the Awacha Pocket but continued to encounter fierce resistance. In response, Griebel was tasked with reducing the Awacha defenses using two battalions, while Snedeker's reinforced 7th Marines pressed the offensive southward. To the east, General Bruce focused his efforts on the 305th Regiment's sector, resulting in the 3rd Battalion securing a foothold on Hill 187. The 17th Regiment, which had fought tenaciously to capture Kochi Ridge and the high ground west of Conical Hill, was relieved by Colonel Dill's 382nd Regiment. Concurrently, Colonel May's 383rd Regiment moved into forward assembly areas behind the 184th and on May 10, took over the positions north of Conical Hill. Both fresh regiments of the 96th Division were then able to destroy enemy strongpoints that had impeded the progress of the weary 7th Division and capture key hills that protected the approaches to Conical. On the west coast, after stealthily constructing a footbridge across the Asa during the night, three companies of the 22nd Marines successfully crossed the river. However, two Japanese "human demolition charges" emerged from hiding and rushed the south end of the footbridge, destroying it. Despite the challenges, the attack south toward the town of Asa continued, successfully establishing a bridgehead that stretched 1,400 yards long and 350 yards deep by the end of the day. To the east, the 1st Marines launched an assault on the western end of Dakeshi but were pushed back by intense enfilading fire from the ridge. Similarly, although the 7th Marines initially advanced rapidly against scattered opposition, they were ultimately forced to withdraw under heavy Japanese fire. Behind them, after fending off two fierce night counterattacks, the 5th Marines failed to isolate the Awacha Pocket but made significant strides, penetrating deep into the heart of the Awacha defenses. Meanwhile, the 305th Regiment captured additional high ground leading toward the crucial road junction north of Shuri, where the reorganized and reinforced 32nd Regiment had established its primary defenses. The remnants of the 62nd Division were gradually being withdrawn toward Shuri, with General Suzuki's fresh 44th Independent Mixed Brigade taking over the western sector. On May 11, General Buckner initiated his general offensive against Shuri, planning to envelop the town from both the west and east. However, this offensive was preceded by Admiral Ugaki's sixth mass Kikisui strike, during which 150 kamikazes launched successful attacks on American shipping. That morning, the 721st Kokutai's Sub-Lieutenant Yasunori Seizo led six kamikazes out of Kanoya. By 10:02, Admiral Mitscher was informed of possible bogeys infiltrating the returning TF 58 strike to reach the US carriers. Two minutes later came an overhead Corsair's sudden frantic warning: “Alert! Alert! Two planes diving on the Bunker Hill!” Almost immediately, Yasunori's Zero dove out of low overcast toward Bunker Hill and released its payload. The 550lb bomb pierced the flight deck, exited the side of the hull, and exploded above water. Simultaneously, Yasunori's Zero caromed into the center of Bunker Hill's flight deck, its gas tank exploding among 34 manned, armed, and fully fueled US fighters, before careening blazing over the side. One minute later, Yasunori's wingman Ensign Ogawa Kiyoshi roared past Bunker Hill, climbed steeply into a roll, and then dove straight at the carrier. Ogawa released his 550lb bomb, which scored amidships and exploded in the gallery deck, slaughtering much of Mitscher's staff. Simultaneously, Ogawa deliberately slammed his Zero into Bunker Hill's island just 100ft from Mitscher. Mitscher's operations officer, Commander Jimmy Flatley, had just left the gallery deck when Ogawa's bomb struck, searing his back. Mitscher had observed the entire attack in silence, and just then emerged from the bridge to gaze at the blazing flight deck. The Flag Plot was choked with billowing smoke and Mitscher's chief-of-staff, a gasping, wheezing Commodore Arleigh Burke, ordered it evacuated. A third Zero then dove on Bunker Hill, but anti-aircraft fire sent it blazing into the sea close aboard. Aboard Bunker Hill, a cascade of gasoline explosions erupted from burning planes aft, while tracers sprayed haphazardly from detonating machine gun ammunition. Speed fell to 10kts and as the crew began intensive firefighting efforts, a slight list developed. Cruiser Wilkes-Barre and three destroyers came alongside to fight fires and rescue 300 men forced overboard, yet most of Bunker Hill's fighter pilots had been asphyxiated in their ready room. By 11:30, however, damage was largely stabilized. Nevertheless, Bunker Hill had lost 393 men killed and 264 wounded. Although horribly outnumbered, the Americans' Corsair CAP shot down 50 attackers before the Japanese got through at 0800hrs. Over the next 90 minutes the two violently maneuvering destroyers would claim a combined 42 kills before Evans was disabled by four kamikaze hits. Minutes later Hugh W. Hadley was knocked out by her third kamikaze hit. With his ship dead in the water and blazing uncontrollably, Hugh W. Hadley's Commander Mullaney ordered all available colors hoisted: “If this ship is going down, she's going down with all flags flying.” Escorting the destroyers were three LCS(L)s and one LSM(R), who themselves combined to splash 14 Japanese planes before the action mercifully ended. All six ships survived, but the destroyers were towed to Kerama Retto, having suffered a combined 60 killed and 94 wounded. East of Okinawa, a G4M Betty bomber and four Ki-43 Oscars attacked RPS-5 at 0800hrs. One plane crashed destroyer-minelayer Harry F. Bauer (DM-26)'s stern, the kamikaze miraculously “plowing through the rack of depth charges and shoving them into the sea with none of them exploding.” Escorting LCS(L)-88 splashed two Oscars, the second scoring a posthumous 220lb bomb hit on her which killed nine and wounded seven. Back on the west coast, supported by tanks and artillery, the 22nd Marines advanced toward Amike. Their 3rd Battalion established control of the high ground overlooking Naha after an 800-yard advance, while the 1st Battalion gained the coral ridge in front after a series of costly assaults. The 2nd Battalion further extended the line to connect with the 1st Marine Division. Del Valle's advance was spearheaded by Mason's 2nd Battalion, which successfully secured a foothold on the high ground west of Wana despite a heavy artillery bombardment. In constructing the Wana position the Japanese had "taken advantage of every feature of a terrain so difficult it could not have been better designed if the enemy himself had the power to do so." With this natural advantage, the enemy had so organized the area that in order to crack the main line of resistance it was necessary for the 1st Marine Division to wheel towards Shuri and attack directly into the heart of the city's powerful defenses. Any attempt to drive past Shuri and continue the attack to the south would mean unacceptable losses inflicted by artillery, mortar, automatic-weapons, and rifle fire coming from the heights that commanded the division's flank and rear areas. The southernmost branch of the Asa Kawa wandered across the gently rising floor of Wana Draw and through the northern part of Shuri. The low rolling ground bordering the insignificant stream was completely exposed to enemy fire from positions along the reverse slope of Wana Ridge and the military crest of the ridge to the south. At its mouth Wana Draw was approximately 400 yards wide, but it narrowed drastically as it approached the city and the ridge walls closed on the stream bed. Guarding the western end of the draw was Hill 55, rugged terminus of the southern ridge line. The hill bristled with enemy guns whose fields of fire included the whole of the open ground leading to the draw. Defending the Wana position was the 64th Brigade of the 62d Division with remnants of the 15th, 23d, and 273d Independent Infantry Battalions, the 14th Independent Machine Gun Battalion, and the 81st Field Antiaircraft Artillery Battalion under its command. The 7th Marines advanced approximately 800 yards, establishing a firm hold on Dakeshi Ridge, while the 5th Marines eliminated the last organized resistance in the Awacha Pocket. In the center of the front, Bruce's two regiments needed to coordinate more closely with neighboring divisions than with one another. As a result, the 305th Regiment advanced up to 500 yards against fierce resistance, while Colonel Smith's 306th Regiment struggled to make headway against the formidable defenses of Chocolate Drop Hill and Wart Hill. To the east, after repelling a series of night counterattacks, the 382nd Regiment consolidated its positions on Zebra Hill and continued probing toward the Dick Hills area and the ridges northwest of Kuhazu. The 383rd Regiment quickly secured Easy and Fox Hills, subsequently capturing the summit of Charlie Hill. However, over the next two days, efforts by the 1st Battalion to dislodge the defenders from the top would be thwarted by withering fire from King Hill, while the 2nd Battalion cleared Gaja Ridge and the twin villages of Tobaru and Amaru. On May 12, Dill's 3rd Battalion executed a successful assault, capturing Baker Hill, although the 1st Battalion's attack on Dick Baker was repelled by the defenders. To the west, the 306th Regiment only provided support for the advance of the 305th, which faced difficult terrain in the broken ground west of Route 5, managing to gain about 500 yards. Meanwhile, the 7th Marines solidified their hold on Dakeshi Ridge against sporadic opposition, but the 1st Marines found themselves pinned down while trying to improve their positions west of Wana. The vulnerability of the 6th Marine Division to direct fire from the western slopes of the Shuri massif resulted in significant losses for Schneider's 2nd Battalion as it fought to seize the high ground overlooking Naha, ultimately being repelled from Sugar Loaf Hill. Meanwhile, the 1st Battalion advanced steadily in the center, capturing the high ground north of Asato, while the 3rd Battalion secured commanding positions and conducted patrols through the suburbs of Naha. At sea, scattered kamikaze attacks damaged Admiral Spruance's flagship, the battleship New Mexico, and inflicted further damage on two additional destroyers the following day. In retaliation, Mitscher directed Task Force 58 to strike Kyushu once again. Back on Okinawa, as Schneider's 3rd Battalion reconnoitered the northern suburbs of Naha, the 2nd Battalion launched another unsuccessful attack on Sugar Loaf Hill. In light of this resistance and the heavy casualties suffered by the 22nd Marines, Shepherd ordered Colonel Whaling's 29th Marines to reinforce the effort, but they could only position themselves northwest of Makabe. To the east, while the 1st Marines faced heavy losses and were repelled at the mouth of Wana Draw, the 7th Marines finally secured Dakeshi Ridge. In the center, the 305th Regiment continued its determined advance into the extremely rugged terrain north and northeast of Shuri, whereas the 306th Regiment once again failed to capture Chocolate Drop Hill and Wart Hill. Coordinated with this, the 382nd Regiment attacked the Dick Hills, successfully securing Dick Baker and Dick Able against light opposition, but ultimately being pushed back from the latter. Further east, May's 2nd Battalion launched a frontal assault on Conical Hill, successfully reaching the northeast crest of the ridge, where it repelled several heavy Japanese counterattacks. Back at sea, Task Force 58 launched another strike on Kyushu during the early hours of May 14. In response, the Japanese dispatched 28 kamikazes alongside 40 escorts, inflicting heavy damage on Mitscher's new flagship, the carrier Enterprise, in what would become known as the last action of the Gray Ghost.  At 05:25, some 28 Zeros, armed with 1100lb bombs, sortied from Kanoya towards Mitscher's carriers cruising 130nm southeast of Kyushu. 40 fighters escorted them. Around 06:45 Enterprise detected 4 incoming bogies. 3 were shot down over TF 58, but the fourth, flown by Sub-Lieutenant Tomiyasu Shunsuke, continued closing. Using clouds for cover, Tomiyasu approached Enterprise from astern. Already struck by flak, at 06:57 Tomiyasu's blazing Zero suddenly appeared 200ft above Enterprise, which erupted with anti-aircraft fire. Although seeming to have overflown his target, Tomiyasu suddenly snap-rolled his burning Zero onto its back and dove almost vertically into Enterprise's flight deck. Observing from Enterprise's exposed bridge wing, Flatley rushed back inside and shouted to take cover just as Tomiyasu's kamikaze hit. The thunderous explosion blew Enterprise's forward elevator 400ft in the air, rattled the carrier's bridge, and flung shrapnel against her island. As Flatley emerged from cover he observed an unsmiling Mitscher, arms crossed, standing amid the smoking wreckage. “Jimmy,” Mitscher growled, “tell my Task Group commanders that if the Japs keep this up they're going to grow hair on my head yet.” Enterprise remained on station, but her flight deck was out of action. TF 58 splashed 3 more planes before Japanese attacks ended at 08:00. That evening TF 58 retired from Kyushu. The following morning, May 15, Mitscher transferred to carrier Randolph, his third flagship in 5 days. Enterprise would detach for repairs in the United States on May 16, having lost 14 dead and 68 wounded. Her war too was over. Honestly for those of you who might not know, the USS Enterprise is the most decorated ship of all time, an absolutely insane history. She was so impressive, my patreons voted for me to do an exclusive episode on her and it took two full episodes to do. If you are interested in the history of the USS Enterprise, please check out my exclusive podcast. At Okinawa, as positions on Conical Hill were being consolidated, May's 1st Battalion renewed its attack on Charlie Hill, successfully securing a foothold at its northern end, which was later extended down the southern slope. Simultaneously, Company L launched an assault on King Hill, managing to capture the entire crest. To the west, Dill's 1st Battalion attacked and captured Dick Able and Dick Right, although they had to relinquish Dick Right after a vigorous Japanese counterattack. The 3rd Battalion also advanced toward Dick Right, establishing a tenuous hold on the position. Further west, the 306th Regiment committed its last remaining strength, a composite battalion, to advance beyond Wart Hill, but it was quickly cut down by overwhelming flanking fire. Similarly, the battered 305th Regiment made little progress in the rugged terrain. Meanwhile, the 7th Marines advanced to within 100 yards of the ridge crest north of Wana, where they were ultimately pinned down by heavy fire. Concurrently, the depleted 1st Marines launched an assault that captured the western tip of Wana Ridge, aided by tanks and artillery, though a fierce night counterattack forced them to withdraw before being relieved by the fresh 5th Marines. Along the coast, the 22nd Marines successfully pushed toward the north bank of the Asato River, but the main action was poised to occur at Sugar Loaf Hill. Though Schneider's 2nd Battalion successfully seized the forward slopes of the protective hills north of Sugar Loaf, including Queen Hill, they faced intense enemy fire whenever they attempted to maneuver around or over these hills to launch an attack on Sugar Loaf itself. Nevertheless, the Marines pressed on, and by nightfall, a group of about 40 men under Major Henry Courtney managed to storm the hill, throwing grenades ahead of them and subsequently digging in at the summit to withstand a night of heavy mortar fire and constant counterattacks. This attack was further supported by the 29th Marines, which, after overcoming initial hardships, secured the forward slopes of the hill northeast of Sugar Loaf. During the early hours of May 15, the embattled group atop Sugar Loaf gratefully welcomed the arrival of reinforcements, though it was not before Major Courtney heroically fell while leading a grenade assault against the defenders on the reverse slope. Despite the reinforcements, enemy pressure on Sugar Loaf intensified, ultimately forcing the battered Marines off the hill. This triggered a fierce Japanese counterattack across a 900-yard front, compelling Schneider's 2nd Battalion to relinquish the ground immediately north of Sugar Loaf. Fearing a breakthrough, elements of his 1st Battalion seized the hill northwest of Sugar Loaf to help blunt the force of the enemy counterattacks, while the 3rd Battalion relieved the exhausted 2nd across the line. Additionally, the 29th Marines not only played a significant role in repulsing the enemy counterattack but also effectively strengthened its hold on the high ground north of Half Moon Hill.  To the east, while the 7th Marines reorganized and cleared out Dakeshi, the 5th Marines launched their first tank-infantry assault against Wana Draw. At 0630 on 15 May the 5th Marines completed the relief of the 1st, and Colonel Griebel assumed command of the zone of action west of Wana. The 2d Battalion was in assault with the 3d in close support and the 1st in reserve. On the recommendation of the regimental and battalion commanders of both the 1st and 5th Marines, the division decided to subject the high ground on both sides of Wana Draw to a thorough processing by tanks and self-propelled 105mm howitzers before 2/5 attempted to advance across the open ground at the mouth of the draw. With Company F of 2/5 providing fire teams for protection against suicide attackers, nine tanks from Company B, 1st Tank Battalion spent the morning working on the positions at the mouth of the draw. The tanks drew heavy small-arms, mortar, artillery, and AT fire, and accompanying infantry was dispersed to reduce casualties. Because of the open area of operation, the fire teams were still able to cover the tanks at relatively long-ranges. Both sides of the draw were honeycombed with caves and the tanks received intense and accurate fire from every sector at their front. During the morning one 47mm AT gun scored five hits on the attacking armor before NGF silenced it. About noon the tanks withdrew to allow an air strike to be placed in the draw and then return to the attack in reinforced strength. Naval gunfire again silenced a 47mm gun that took the tanks under fire, this time before any damage was done. With the approach of darkness the tanks pulled out of the draw pursued by a fury of enemy fire. The 5th Marines, convinced "that the position would have to be thoroughly pounded before it could be taken," scheduled another day of tank-infantry processing for Wana Draw before making its assault. In the center, the battered 305th Regiment continued its relentless advance through the irregular terrain west of the main Ginowan-Shuri highway. Simultaneously, Colonel Hamilton's 307th Regiment finally relieved the exhausted 306th and launched simultaneous attacks on Flattop and Chocolate Drop Hill. The 3rd Battalion slowly maneuvered toward the northern base of the Drop and the north slopes of Flattop, while the 2nd Battalion advanced toward Ishimmi Ridge through the open highway valley. Concurrently, the 382nd Regiment supported the assault on Flattop with its own attack against Dick Hill, successfully capturing its crest but failing to cross the skyline. Meanwhile, the 383rd Regiment struggled to make progress against intense enemy fire from the hill complex southwest of Conical's peak, although some elements managed to advance up the northwest spur from King Hill amid thick mortar fire.  Now, it's time to shift our focus from Okinawa to the sea, where we will cover the last destroyer actions of the Second World War. At the beginning of February, with the Southwest Area Fleet staff isolated in the Philippines, Vice-Admiral Fukudome Shigeru formed the 10th Area Fleet to defend the shores of Indonesia and Indochina. The 10th Area Fleet was comprised of the remnants of the 2nd Striking Force. This consisted of the two converted battleship/aircraft carriers Ise and Hyuga, forming the carrier squadron, and the two heavy cruisers Ashigara and Haguro, forming the 5th Cruiser Division. Two more heavy cruisers, Takao and Myoko, were at Singapore where both had reached sanctuary after being badly damaged in the Battle of Leyte Gulf. Myoko had made one attempt to escape back to Japan in December 1944, but had been torpedoed by the US submarine Bergol on the 13th, and had then returned to Singapore. The cruiser Oyodo joined the fleet from February 5 to 20 and a fourth cruiser, Isuzu, joined on March 25 but lasted barely a fortnight before being sunk, on April 7, in a coordinated attack by the US submarines Charr, Gabilan and Besugo, with peripheral assistance from the British submarine Spark. In February Ise and Hyuga were also recalled and sailed on the 10th from Singapore, bound for Japan, carrying aviation spirit and other war materials. With such valuable cargoes the Japanese took great care to safeguard their passage and, by a combination of good luck and bad weather, both evaded numerous attacks by air and by submarine and reached Moji on the 19th. Haguro and Ashigara, and one old destroyer, Kamikaze, were now the only sizable warships left in the 10th Area Fleet to protect the troop evacuations. At this stage, the Japanese aimed to hold Java, Borneo, and Sumatra for as long as possible while planning their main defensive efforts in Malaya and Indochina. Consequently, they began withdrawing their garrisons from the outlying islands of the Moluccas, Timor, the Lesser Sunda Islands, and the scattered islands of the Panda and Arafura Seas. Anticipating a similar evacuation of Japanese garrisons in the Andaman and Nicobar Islands, Admiral Arthur Power's East Indies Fleet had dispatched destroyers on a series of anti-shipping sweeps in the Andaman Sea, successfully destroying several relief convoys. On May 10, Fukudome decided to commence the evacuation of the Andaman Islands, dispatching Vice-Admiral Hashimoto Shintaro's heavy cruiser Haguro and destroyer Kamikaze to deliver supplies to the islands and return with troops back to Singapore. Additionally, a secondary convoy consisting of one auxiliary vessel and one subchaser was organized to perform the same mission for the Nicobar Islands. As Allied intelligence uncovered these plans, Vice-Admiral Harold Walker's Force 61, primarily composed of the battleships Queen Elizabeth and Richelieu and four escort carriers, sailed from Trincomalee to intercept the Japanese ships. However, the Japanese were unwilling to risk a battle, and upon receiving an air reconnaissance warning, they returned to Singapore. Nonetheless, Walker decided to remain in the area, awaiting reinforcements in case the enemy regained the confidence to launch another sortie. On May 14, Fukudome finally resolved to carry out the evacuation again, this time first sending forward his secondary convoy to the Nicobars. This force managed to reach the islands unmolested during the day and successfully embarked 450 troops before setting sail for Penang, although they were later spotted by a patrolling Liberator. In response, Walker dispatched the 21st Aircraft Carrier Squadron and the 26th Destroyer Flotilla to conduct an air and sea sweep off Diamond Point aimed at intercepting and destroying the enemy. On the morning of May 15, some Avengers encountered Haguro and Kamikaze as they returned to the Malacca Strait. As Captain Manley Power's destroyers rushed to the area, three Avengers launched by the escort carrier Shah attacked Haguro with bombs in the afternoon, causing minimal damage that only compelled Haguro to alter its course eastward. However, this diversion effectively allowed the destroyer force to intercept Hashimoto's convoy during the night. As the flotilla closed in on the enemy during the early hours of May 16, Hashimoto reacted desperately by fleeing at full speed to the north, thwarting Power's carefully laid ambush. Soon after, however, Haguro turned to port, crossing paths with the destroyer Venus, which was closing in at full speed from the west. Surprisingly, Venus failed to launch its torpedoes, prompting Hashimoto to turn south and back into Power's trap.  Haguro's violent turn away changed the situation dramatically. Saumarez now found the enemy racing down towards her port side at a relative speed of nearly 60 MPH. Kamikaze, following astern of Haguro, passed so close in front of Saumarez from starboard to port that Captain Power had to swing his ship hard to starboard and back to port again to avoid her. Kamikaze passed very close down Saumarez' port side and was taken under fire by both main and close range armament. Opening with star-shell, Saumarez shifted fire to Haguro herself at 0108, the enemy replying with main and secondary armament. The two enemy ships could now be clearly identified from Saumarez' bridge, Haguro at about 5,000 yards and Kamikaze about 2,200 yards range. ‘We had a glimpse of the cruiser by starshell, but now it was dark. She looked pretty big and her direction easy to see by her bow-wave and wash. Inclination vague but obviously broad. I thought she was going very fast. Her side was shining like a wet wall, with the reflection of her own starshell from behind us, I think.' To Lt. Reay Parkinson, also in Saumarez, Haguro ‘seemed to tower above us like a sky-scraper and her guns were depressed to their lowest angle'. Haguro's fire was accurate and splashes from near misses drenched the bridge personnel, binoculars and sound-powered telephones. But, as Captain Power philosophically remarked, ‘if you are only getting wet there is nothing to worry about'. However, Saumarez was unfortunately not merely getting wet. At about 0111, when Captain Power was just considering turning to fire, ‘one boiler got hit. There was a lot of steam and smoke amidships and a sort of queer silence. The ship was obviously slowing down and I thought she was going to stop.' Saumarez' torpedo tubes had been trained to starboard, ready for the bow attack, with torpedoes angled to run 70° left. There was no time to train the tubes to port. Captain Power swung his ship to port ‘like a shotgun' and at 0113, as Saumarez was slowing down but still swinging hard to port, a salvo of eight torpedoes was fired at Haguro's beam, at a range of 2,000 yards. Still under heavy fire, Saumarez continued her turn to port to open the range, telegraphs being put to ‘Full Ahead' to get the utmost speed from whatever engine power remained. A minute after Saumarez' attack, Verulam made an unmolested attack from 2,000 yards on Haguro's port bow, firing eight torpedoes. Saumarez and Verulam were rewarded by three hits, shared between them  ‘very distinct, three gold-coloured splashes like a Prince of Wales' feathers, more than twice as high as her bridge'. Now Haguro was under fire from the destroyers and everywhere she turned there was another destroyer waiting. At 0125 Venus fired six torpedoes and scored one hit. Two minutes later Virago, ordered by Captain (D) to ‘Finish her off', fired a salvo of eight torpedoes and obtained two hits. She reported that the cruiser's upper deck was now awash. Missed torpedoes were racing all over the battle scene; in Venus, at the height of the action, the Engineer Officer and the Chief ERA in the engine-room actually heard the whirring sound of two torpedoes passing very close along the ship's side. Saumarez had retired some five miles to the north-west to collect herself and examine damage. The engine telegraphs were still at ‘Full Ahead', and Saumarez withdrew further than Captain Power had intended. Vigilant had been rather ‘left in the cold' and squeezed out by the other destroyers and was not able to attack until 0151 when she fired eight torpedoes, with one probable hit. Haguro was lying motionless in the water, in her last throes. ‘The rest of the flotilla were snarling round the carcass like a lot of starving wolves round a dying bull. I was too far away to make out what was going on and told them all except Vigilant (who I knew had torpedoes) to come away and join me, with a view to getting formed up and the situation in hand. Of course they did nothing of the sort. I should not have done myself.' Venus was ordered to ‘Close and make a job of it' and at 0202 administered the coup de grace with her two remaining torpedoes. At 0206 Venus signalled that the cruiser had sunk. Haguro had gone, in a position about forty-five miles south-west of Penang. Fifty miles away, Cumberland and Richelieu had had tantalising glimpses of starshell and lights but were too late to take part. Saumarez transmitted Vs for Victory and Captain Power signalled: ‘Pick up survivors. Stay no more than ten minutes.' Kamikaze sustained slight damage from the gunfire but managed to escape, returning the following day to rescue approximately 320 survivors. Nevertheless, over 900 Japanese soldiers lost their lives in the battle, including Vice-Admiral Hashimoto and Rear-Admiral Sugiura Kaju. While the evacuation of the Nicobar Islands was successful, the evacuation of the Andaman Islands proved to be a resounding failure. By the end of the war, with the food situation in the islands becoming critical, the Japanese committed several atrocities against the civilian population. This included the transportation of 300 so-called “useless mouths” to the uninhabited Havelock Island, off South Andaman, where all but eleven of them perished. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. During the intense Battle of the Malacca Strait, Japanese forces attempted a desperate evacuation, facing relentless Allied attacks. Despite fierce resistance, the Allies advanced strategically, leading to significant Japanese losses. Caught in critical confrontations, the Japanese ultimately succumbed, marking a pivotal moment in the Pacific war and shifting the tide toward Allied victory.

Rick Alverson's 2015 anti-road trip dark comedy, ENTERTAINMENT, is our feature presentation this week. We discuss the 70s cinema influence on the film, Gregg Turkington, driving narrative with dialogue, Alverson's style, and much more! We also pick our TOP 7 MOVIES STARRING STAND-UP COMICS in this week's SILVER SCREEN 7! Join our Patreon ($2.99/month) here patreon.com/theturnbuckletavern to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR! 

Sean and Amanda open up the mailbag once again to answer all of your questions about underrated indie directors they'd like to see get the “Sean Baker treatment” at this year's Oscars, why Amanda majored in classics, recent films that are the most likely to inspire the next generation of filmmakers, and much more (3:05). Then, Alex Ross Perry returns to the show to discuss his new genre-bending music biopic, ‘Pavements.' They discuss what attracted Perry to making this stylized vision, the complicated and interesting process behind making the movie, and what types of projects he'd like to take on in the future (1:02:33). Hosts: Sean Fennessey and Amanda Dobbins Guests: Alex Ross Perry and Bobby Wagner Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Another main event and another belt in Australia! How good was JDM's performance. This one is a ripper, we discuss a couple events upcoming in our lives, what the best shapes flavour is increase of the mullet in schools. Tom has discovered a new natural disaster that occurs any time a main card starts in his house and Cam has been experimenting with some new ingredients in the cooking segement. We discuss the Podcast category in the Oscars next year, David Attenborough turning 99 and the new season of Clarkson's Farm to come soon too before bringing it home with some great motivational chat around the coaching in JDM's corner over the weekend. Enjoy your week legends, stay off your thumbs.Got a Yarn or Question for the show? Email it to carryon@alphablokes.com.auEver wanted to watch the Podcast? Check out full visual ad-free episodes and all of our vlogs on our Patreon for only 5 bucks a week, a vlog of the Podcast Royale BTS has just dropped: patreon.com/alphablokespodcastBetter Beer: Zero carb 10 packs are now officially stocked in Bottlemart, perfect for an afternoon session: www.betterbeer.com.auGood Day Multivitamin. All the good stuff in an easy once a day sachet. It's the least you can do: begoodhealth.com.auFarmer to Fridge: Linking aussies directly with the farms the beef is coming from, cutting out all the bullshit. Grab a limited edition Alpha Blokes BBQ box for $99 plus free shipping OR check out the other options and use the code "Alpha" to get 10% off all other Two Creeks Beef products. Head to farmertofridge.com.au and enter your postcode and search for "Two Creeks" or "Alpha Blokes" to see if you're eligible today.If you want to keep up to date with what we're up to, the best way is to follow us on the socials down below:PODCAST INSTAGRAM: www.instagram.com/alphablokespodcast/PODCAST TIKTOK: https://www.tiktok.com/@alphablokespodcastPODCAST FACEBOOK: https://www.facebook.com/alphablokespodcast/Tommy's Instagram: https://www.instagram.com/tomdahl_/Cam's Instagram: https://www.instagram.com/_camlowry/0:00 - Mothers Day3:20 - Alpha Blokes Stable4:30 - New Vlog Is Out / Winter Merch Drop6:45 - Weekends15:45 - Pub Of The Week19:00 - Cooking With Daddy26:00 - What Is The Best Shapes Flavour?32:40 - Alpha News & Sport1:02:32 - Motivation1:05:40 - Wrapup / Paytch Only Clip Hosted on Acast. See acast.com/privacy for more information.

I can tell you the exact date and place: October 16, 1986, at the Fine Arts Theater in downtown Chicago. I got to come of age as a moviegoer in the corporate dominated, era of the late 70's and early 80's. I was a child of "Jaws", "Star Wars", Indy and "Back to the Future". With occasional exceptions like "Stranger than Paradise" and "Blade Runner", American film in the early and mid 80's felt corporate and soulless. And then I saw "Blue Velvet", and my moviegoing life was saved. Skip now to nearly four years later, to those glorious two months in the spring of 1990 when "Twin Peaks" changed everything that television was and could be. For these moments, and so many more, we use Episode 60 to pay a last tribute to Hollywood's favorite Eagle Scout, the irreplaceable David Lynch. What separates Lynch from almost every other filmmaker, was that whereas most great directors were filmmakers who evolved into artists, Lynch was an artist (a celebrated painter, composer) who happened to choose filmmaking as his major means of expression. And when the filmmaking money dried up after "Inland Empire"'s failure, he simply turned to other art forms to express what he wanted to say. Lynch was most certainly a surrealist, every bit as much as Dali, Magritte or De Chirico were, but he was, as one critic termed him, a “populist surrealist”. In his films, the line between dream and reality (or between reality and film in his later works) is blurred. This makes sense, since surrealism is founded on dreams and dreamlike juxtapositions. Lynch, like those great painters he so admired and emulated, was an artist of the unconscious and the uncanny. But for all the serious artistic ambition, everything he created was leavened with that art-school sense of humor, off-center and dry as a bone. For all of his unsettling imagery and the deep questions his work raised about the nature of identity, he seemed, at least from the outside, to have led the happiest of lives. Raised mainly in Missoula, Montana, Lynch often paid tribute to the simple quotidian beauties of life in small-town America (think Twin Peaks, Lumberton, the Iowa and Wisconsin towns we see in "The Straight Story") while also, as in the opening of "Blue Velvet", reminding us of the darkness that often lies just beneath those finely-manicured lawns. For all of his artistic sophistication, he never even came close to an artsy sense of condescending irony; it's perfect that he spent the last years of his life sending in daily weather reports to the LA public radio station for broadcast. No winks, no air quotes—just the desire to share a genuine excitement about the miracles of nature. And for an artist who was such a unique stylist that he was one of the last to become an adjective (we all know “Lynchian” filmmaking when we see it), he was at the same time constantly paying tribute to film history; consider the endless "Wizard of Oz" references in "Wild at Heart", or casting just about all of the hot new movie stars of 1961 in the original "Twin Peaks" series. How perfectly fitting it was, then, to watch him, in his final and uncredited big screen appearance, playing a cranky John Ford in Spielberg's "The Fablemans". For our tribute to Lynch (which is more than they did for him at this year's Oscars), we eschewed our usual formula and chose not to do a chronological reckoning of Lynch's work and its impact from "Eraserhead" to "Inland Empire". This episode, like the director's work itself, is more associative and non-linear. In the end, we conclude that David Lynch, that Man from Another Place, is someone whose absence makes the world that much poorer a spot to live in. To quote the repeated incantation from "Blue Velvet", now it's dark.

She's the woman with more Oscars than any other woman in history—and the inspiration behind a fictional character in The Incredibles. This week, Stauney and Sadie are talking about Edith Head, the powerhouse designer who ruled Hollywood's wardrobe departments for decades with her signature bob, tinted glasses, and an iron fist. From dressing Grace Kelly and Audrey Hepburn to winning eight Academy Awards, Edith didn't just stitch clothes—she shaped characters, crafted icons, and changed the way people were seen on screen. Tune in as we dive into her legendary career, her unexpected rise from Spanish teacher to studio insider, and how she built a brand of creative control in a male-dominated industry—one costume at a time. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIn this Mother's Day episode, Joe sits down with Danny Ricker, Emmy-nominated comedy writer, producer, and author of Wow, You Look Terrible!: How to Parent Less and Live More, for a laugh-out-loud conversation on the highs and lows of parenting young kids. Drawing from both personal experience and sharp comedic insight, Danny unpacks the pressure modern parents face to do it all—and why doing less might actually be the key to doing it better.Together, they explore:Why parenting today often feels like a full-time personal assistant gig for unpredictable tiny humansThe trap of performative parenting and how social media fuels unrealistic expectationsThe genius of the “17-Minute Birthday Party” and why kids don't need extravagance to have funHow the “Purgatory Cabinet” can save your sanity (and your child's lucky nickel)Parenting as exercise: from claw-machine wakeups to carrying kids like a living weighted vestThe power of “garbage time” and why the little moments matter more than the big eventsLessons Danny learned writing for Jimmy Kimmel Live! and how to deal with rejection, failure, and ego in high-pressure creative environments (Read the blog post!!) Whether you're a parent knee-deep in toys and tantrums or just trying to hold on to a sense of humor amidst the chaos, this conversation offers a much-needed reminder that the most meaningful moments are often the messiest ones.Danny Ricker is a TV writer, producer, author, and nine-time Emmy nominee who currently serves as a Head Writer and Co-Executive Producer at “Jimmy Kimmel Live.”His other notable writing credits include The Oscars (2017, 2018, 2023, & 2024), The Primetime Emmys (2012, 2016, & 2020), the White House Correspondents' Dinner, and his debut book Wow, You Look Terrible!A Special Thanks to Our Sponsors!Veteran-founded Adyton. Step into the next generation of equipment management with Log-E by Adyton. Whether you are doing monthly inventories or preparing for deployment, Log-E is your pocket property book, giving real-time visibility into equipment status and mission readiness. Learn more about how Log-E can revolutionize your property tracking process here!Meet ROGER Bank—a modern, digital bank built for military members, by military members. With early payday, no fees, high-yield accounts, and real support, it's banking that gets you. Funds are FDIC insured through Citizens Bank of Edmond, so you can bank with confidence and peace of mind. Visit ROGER today! 

Few shows face the criticism from all sides that “The Oscars” do. Raj Kapoor and Katy Mullan know that better than most. They've produced the last two Academy Awards, facing the challenge head-on and boosting ratings along the way. The Academy and ABC have taken notice, quickly announcing Kapoor and Mullan as the producers of next year's Oscars, along with returning host Conan O'Brien. In an exclusive conversation with Daniel Howat from Next Best Picture, Raj Kapoor and Katy Mullan discuss their approach to producing “The Oscars,” honoring the crafts behind the films, and the challenge of the time crunch. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamie-Lynn Sigler feels giddy about being Conan O'Brien's friend. Christina Applegate feels awesome about being Conan O'Brien's friend. Jamie-Lynn and Christina sit down with Conan to discuss their respective MS diagnoses, exploring growth and self-reflection on their podcast MeSsy, and why it's so important to get specific about your vulnerability. Later, Matt Gourley reveals his family's eerily accurate Oscars fashion predictions. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Today we're bringing you an incredible episode from You Must Remember This about director Frank Capra. The director of It's a Wonderful Life, who won five Oscars in the 1930s for films that embodied the pre-World War II notion of American exceptionalism, was pushed into semi-retirement by the early 50s by changes in tastes and political priorities. Capra was brought back to the Hollywood director's chair by Frank Sinatra in the 1960s, but quickly became embittered by an industry that he felt had left him behind, and in 1971 published an autobiography airing grievances about an industry that he believed was “stooping to cheap salacious pornography in a crazy bastardization of a great art to compete for the 'patronage' of deviates and masturbators.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Adam sits down with Benny Johnson to break down Trump's surprising taste in White House décor, Adam's pitch for throwback uniforms and retro fast-food menus, and how his rants about California's slow-motion collapse turned out to be dead-on. They also take a look at Chuck Todd doing gymnastics to dodge blame for lying about Biden's brain fog, question whether Kamala's aiming for governor, and try to make sense of Meghan Markle's exhausting calendar.Later, Adam, Benny, and Jason “Mayhem” Miller discuss the day's headlines—including Trump's papal aspirations, the Oscars' latest woke checklist, a new mom booted from her running club over a trans controversy, and Katy Perry circling the drain. Plus, they fire up the “Spin the Wheel” game, and Benny gets put through the wringer. Get it on.FOR MORE WITH BENNY JOHNSON:INSTAGRAM & TWITTER: @bennyjohnsonFOR MORE WITH JASON “MAYHEM” MILLER:INSTAGRAM: @mayhemmillerTWITTER: @mayhemmillerThank you for supporting our sponsors:BetOnlineHims.com/ADAMHydrow.com Use code ADAM Pluto.TVbruntworkwear.com/ADAM#BruntpodGet $10 Off at BRUNT with code ADAM athttps://www.bruntworkwear.com/ADAM#BruntpodLIVE SHOWS: May 2 - Port Charlotte, FL (2 shows)May 3 - Port Charlotte, FL (2 shows)May 4 - Melbourne, FLMay 30 - Tacoma, WA (2 shows)May 31 - Tacoma, WA (2 shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.