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Julia and Barry get buzzed on tryptophan and discuss the Thanksgiving essential/John Hughes creative peak buddy comedy, "Planes, Trains and Automobiles" (1987). Your hosts marvel at the soulful, nuanced performances from Steve Martin and John Candy, wonder if there's something even darker about Doobie's Taxiola, and consider how a noteworthy cut scene could have made the ending even more astonishing. We're big fans of this one. If you love our podcast, please leave a 5 star review. You can also follow our show, get behind-the-scenes photos/commentary and see what else we're watching that doesn't end up on our show on Instagram @soimarriedafilmcritic_podcast or our Facebook Group.
This week, we here in the states are celebrating Thanksgiving! The time honored tradition of gluttenous eating among family and friends, football (if you're into that sort of thing), and avoiding the inevitable clash of politics that comes when you invite your boomer Uncle Larry to dinner. But aside from food, there are a few movies we've come to associate with the holiday. Planes, Trains, and Automobiles (see our back catalog) is one of the go to films to come from the mind of John Hughes. But did you know there is another Thanksgiving classic out there. Dutch, the 1991 family/dark comedy starring Ed O'Neil hot off the success of Married with Children and a super young Ethan Embry try to replicate the formula that Steve Martin and John Candy perfected but add a spin about the complexities of class and the struggle within a family dealing with divorce. Does this classic from yester-year hold up? We'll find out today! DISCORD!!! Take the conversation further! Come check out our Discord channel where we you can interact face to face (digitally) with us. Like our opinion or hate it, now you can tell us directly! https://discord.gg/QWPUCGCuVC SUPPORT THE PODCAST! Do you love the show and want to show your appreciation? Consider a one time or monthly tip in our virtual tip jar. Our show will ALWAYS be free, but unfortunately creating the podcast is not free. Your support will go directly to our production costs. https://glow.fm/thecinemapsychosshow/ JDUBS VIDEO NASTIES AND NEWSLETTER Our co-host, John Wooliscroft, has a brand new film channel on youtube. Check it out and Subscribe- https://www.youtube.com/@JDUBSVIDEONASTIES Sign up for the PSYCHOS NATION, our monthly newsletter - http://eepurl.com/dhGswf FEEDBACK AND CONTACT US Gotta a movie or question you want to throw our way? Or did we trash one of your favorite films and you want to know where to send a dead horse. Either way, drop us a line! We welcome your questions and dead horses. NEW !!! Leave us voicemail! - https://cinemapsychosshow.com/contact-us/ Email cinemapsychosshow@gmail.com Twitter - https://twitter.com/PsychosShow Facebook - https://www.facebook.com/psychosshow/ Discord -https://discord.gg/QWPUCGCuVC Tiktok-https://www.tiktok.com/@cinemapsychosshow Instagram - https://www.instagram.com/psychosshow/ Website - https://cinemapsychosshow.com/ Brian Cottington - https://twitter.com/BrianCottington John Wooliscroft - https://twitter.com/TheUnRealJWools Theme Music: TITLE: “Red Alert” AUTHOR: Jack Waldenmaier PUBLISHER: Music Bakery Publishing (BMI) WARNING: UNAUTHORIZED USE OF THE MUSIC CONTAINED IN THIS PRODUCTION IS SUBJECT TO CRIMINAL PROSECUTION. All copyrights, licensing, duplication and distribution rights are held exclusively by Music Bakery Publishing (BMI). 214-636-5887 musicbakery.com
Get your hands out from between your pillows and check out this new episode!!!Today, Corey and Mike get together to talk about one of their favorite films of all time...Planes, Trains and Automobiles. When it comes to Thanksgiving themed movies...it's a short list. But this one seems to reign supreme over all of them. Can the guys stay on track in this one? Do they even like any other Thanksgiving movies? Is Del secretly a notorious serial killer, yet to be caught? Find out all of that and more, right here!If you would please go follow us on all the socials? We would love you all forever...in a friend way...don't be weird!!!Please go rate and review us anywhere you get your podcastsTwitter/X: https://www.twitter.com/cspodcast21TikTok: https://www.tiktok.com/@cspodcast21?lang=enFacebook: https://www.facebook.com/cultureshockedpodInstagram: https://www.instagram.com/cultureshocked21YouTube: https://www.youtube.com/cultureshocked21Website: https://cultureshocked.buzzsprout.com/
Happy Thanksgiving eve! So it looks like we are getting a Wonder Woman game with the nemesis system which makes me instantly excited. Mario Kart falls out of the top selling for the first time in years, Cyberpunk's re release is going to be 3 disks!!!!, and I guess the KoToR remake isnt dead? Also Disney is banking on sequels, again.... Scream 7 loses its stars, and Good Burger 2! Plus a 90s rom com list!
Can you believe it's already time for C2R Seasonal Favorites?? Gobble gobble! I think you get it. Thanksgiving = Planes, Trains & Automobiles. Join Angie and Jeff as they wander around with Steve Martin and John Candy, traversing the Midwest in an attempt to get home for the holidays. We've got personal travel horror stories, anecdotes about how Jeff is bad at yelling, and the finest analysis of this John Hughes 1987 classic you've ever heard. Happy Thanksgiving, dear listeners. May all your rent-a-cars be in the space they're meant to be in. May all your trunks be hoisted in tandem with a friend you just met. And may all the pillows you touch be actual pillows.
#475 The Mike That Never Was - Richard is back in the witch-burning city of Exeter and this time his guest is Comic Strip Presents legend Peter Richardson. They talk about how Peter meet Nigel Planer and invented the character of Neil, the early days of the Comic Strip in Raymonds Revue Bar, why it was a good thing that he didn't end up playing Mike in the Young Ones (though he might well be wrong about that), how he shocked Steve Martin, getting bottles of piss thrown at him by Heavy Metal fans at Donnington, his instrumental part in Stella Street and why the Comic Strip Presents about Boris Johnson never saw the light of day. Plus the lackadaisical attitudes to Health and Safety that saw him confronted by the police outside Buckingham Palace. An incredible delve into an amazing time for comedy! AND the Keith Allen question is posed.See RHLSTP on tour. It's such fun. http://richardherring.com/rhlstpSUPPORT THE SHOW!Watch our TWITCH CHANNELSee extra content at our WEBSITE Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.
There isn't much to grab onto out there when you need a good Thanksgiving themed movie. Off the top of my head there's “Son in Law” with Pauly Shore. “Dutch” with Ed O'Neil. We got a new Eli Roth “Thanksgiving” slasher. The musical documentary “The Last Waltz” took place on Thanksgiving. “Hannah and Her Sisters” works but we're not gonna make Angela watch any Woody Allen just yet. There is one that has risen up over the limited pack and it has slowly become one of John Hughes most well regarded movies despite it not having any teenagers making dramatic speeches. We're breaking the Steve Martin threshold with what might be the most well regarded Thanksgiving themed movie, “Planes, Trains and Automobiles” from 1987. Uptight Neal Pierce and friendly salesman slob Dell Griffith (played by the late, great John Candy) wind up in each others company when a plane reroutes and lands them in Wichita causing them to scramble to get Neal home by Thanksgiving. I'll let you guess what kind of vehicles they use on their journey. We got some distinct complaints and some high compliments in this warm holiday fare where Steve Martin does plenty of “fucking”. Chug it down like warm gravy with us. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought
This bonus episode of our season on the awesome movie year of 1987 features a special Thanksgiving pick, John Hughes' Planes, Trains and Automobiles. Written and directed by John Hughes and starring Steve Martin, John Candy and Laila Robins, Planes, Trains and Automobiles marked Hughes' transition from teen movies to more adult fare.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/planes-trains-and-automobiles-1987), Richard Schickel in Time, and Janet Maslin in The New York Times (https://www.nytimes.com/1987/11/25/movies/film-planes-trains-and-automobiles.html).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1987 installment, featuring our audience choice winner, RoboCop.
This Thanksgiving week, join Nathan and his cousin Greg Ross for a trip down memory lane as they reminisce about their heartfelt and hilarious memories of growing up with the John Hughes masterpiece, Planes, Trains and Automobiles. From the iconic duo of Steve Martin and John Candy to the unforgettable misadventures of Neal Page and Del Griffith, our hosts dive deep into the charm and enduring appeal of a film that has stood the test of time. Whether you're a die-hard fan of Planes, Trains and Automobiles or discovering it for the first time, this episode promises laughter, warmth and a genuine appreciation for the magic of Thanksgiving through the lens of a beloved cinematic gem. #planestrainsandautomobiles #JohnHughes #SteveMartin #JohnCandy #Thanksgiving #ThanksgivingMovie(00:00) Intro(06:21) Review: “Planes, Trains and Automobiles” with Greg Ross(41:47) Movie Musings(49:19) Final Thoughts(54:40) OutroRead Nathan's thoughts on Planes, Trains and Automobiles and for more reviews, visit moviesarelife.com.Support the podcast: https://www.buymeacoffee.com/moviesarelife
Happy Turkey Day, Slackers!This episode is a little bit of a mish mosh - kind of like a Thanksgiving buffet! Mostly about the movies - or should I say lack of movies - dedicated to the MAJOR holiday between Halloween & Christmas!Sure there are the tried and true classics - Planes, Trains, and Automobiles. A Charlie Brown Thanksgiving. Home for the Holidays. There odd one offs like Pieces of April, and then a ton of movies that are only "kinda/sorta" Thanksgiving movies.My question is why is this such a neglected holiday? Is there any other holiday more meme worthy - particularly as it often has the stigma of producing the weirdest, most uncomfortable, and even antagonistic family gatherings of all the major holidays! Seems like fertile ground, there.Wishing you and yours are very Happy Thanksgiving!
Ever wondered about the behind-the-scenes details of your favorite Thanksgiving classic, "Planes, Trains, and Automobiles?" Well, you're in for a treat! This episode is all about that very movie. We'll be chatting about the film's budget, cast, and filming locations. Hear about the easily excitable Neil Page, portrayed by Steve Martin, and his unlikely travel companion, the talkative and annoying Dale Griffith, played by John Candy. It's a joyful journey down memory lane, and we guarantee you'll see this hilarious holiday classic in a whole new light.But we're not stopping there. Buckle up as we delve into something you might not know about this celebrated film - the luxury watch worn by Steve Martin's character. With its current value hovering around $8,000 for a used one, we speculate how much it might have been worth back in 1987! Did you know that the automatic movement of watches back then made them not just a luxury item, but also a valuable investment? Get ready to learn fascinating facts and trivia about "Planes, Trains, and Automobiles" that will make your next viewing even more enjoyable.Support the showSounds:https://freesound.org/people/frodeims/sounds/666222/ Door openinghttps://freesound.org/people/Sami_Hiltunen/sounds/527187/ Eerie intro music https://freesound.org/people/jack126guy/sounds/361346/ Slot machinehttps://freesound.org/people/Zott820/sounds/209578/ Cash registerhttps://freesound.org/people/Exchanger/sounds/415504/ Fun Facts Jingle Thanks to The Tsunami Experiment for the theme music!!Check them out hereSUPPORT US AT https://www.buzzsprout.com/1984311/supporters/newMERCH STORE https://ol-dirty-basement.creator-spring.comFind us at the following https://oldirtybasement.buzzsprout.com WEBSITE ...
DJ & Toppie discuss the trivia behind the 1987 Comedy, Drama "Planes, Trains & Automobiles" starring Steve Martin and John Candy. A John Hughes film. Join us again Live on YouTube Fri 12/1 at 9pm EST Write to DJ & Toppie at matineeminutiae@gmail.com Leave a comment on our page at matineeminutiae.com Follow the show on Twitter. View our our videos on YouTube. Friend DJ on Facebook This podcast is powered by Pinecast.
Businessman Neal Page is trying to get from New York to his home in Chicago to spend Thanksgiving with his wife and kids. When bad weather strikes and his flight is rerouted to Kansas, he is forced to use every mode of transportation possible to get home. Along the way, he reluctantly teams up with loudmouth Del Griffith. A shower-curtain-ring salesman who manages to get on his every last nerve. Together they must overcome the insanity of holiday travel and each other to reach their intended destination. Steve Martin and John Candy, Planes Trains and Automobiles Hosed By: Cameron Jones, Jordan Jones Music By: Cameron Jones --- Support this podcast: https://podcasters.spotify.com/pod/show/cultclassicspodcast/support
Businessman Neal Page is trying to get from New York to his home in Chicago to spend Thanksgiving with his wife and kids. When bad weather strikes and his flight is rerouted to Kansas, he is forced to use every mode of transportation possible to get home. Along the way, he reluctantly teams up with loudmouth Del Griffith. A shower-curtain-ring salesman who manages to get on his every last nerve. Together they must overcome the insanity of holiday travel and each other to reach their intended destination. Steve Martin and John Candy, Planes Trains and Automobiles Hosed By: Cameron Jones, Jordan Jones Music By: Cameron Jones --- Support this podcast: https://podcasters.spotify.com/pod/show/cultclassicspodcast/support
The SDR Show (Sex, Drugs, & Rock-n-Roll Show) w/Ralph Sutton & Big Jay Oakerson
Ken Marino and David Wain of The State join Ralph Sutton and Mike Cannon and discuss which member of The State cast is the most successful, when Ken Marino first met Joe Lo Truglio, David Wain being inspired by Steve Martin, how David Wain's sister contributed to The State getting on MTV, gauging how The State was being recieved in a time without social media, David Wain and his son's love of Rubix Cubes, whether there is a plan for a sequel to Wet Hot American Summer, the Middle Age Dad Jam Band, Ken Marino and David Wain answering trivia questions for Thomas Lennon and Kerri Kenney-Silver, Ken Marino and David Wain's first concert, first drug and first sexual experiences and so much more!(Air Date: November 11th, 2023)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!SaltySailorCoffee.com - Use promo code: SDR15 for the biggest discount they offer!Get your very own T-Shirt of Big Jay's sexy drawing right here! https://merchengine.com/products/jay-sex-sdr-showTo advertise your product or service on GaS Digital podcasts please go to TheADSide.comand click on "Advertisers" for more information!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Ken Marino Twitter: https://twitter.com/KenMarinoInstagram: https://instagram.com/KenMarinoDavid WainTwitter: https://twitter.com/DavidWainInstagram: https://instagram.com/DavidWainMike CannonTwitter: https://twitter.com/IamMikeCannonInstagram: https://www.instagram.com/iammikecannonYouTube: https://www.youtube.com/@MikeCannonComedyRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Executive Producer of “Only Murders in the Building,” John Hoffman, is this week's featured guest on Hollywood at Home with The Creative Coalition. In this episode, John Hoffman discusses working with Hollywood legends like Steve Martin, Martin Short, and Selena Gomez, as well as welcoming guest stars like Meryl Streep, Paul Rudd, Mel Brooks, Matthew Broderick, and more.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5520856/advertisement
Welcome back to the Somewhat Frank Podcast! It's the season of the sticks and of thanks, and amidst all the craziness and turmoil in the world, there's much to be grateful for. In this episode, Frank Gruber (@FrankGruber), John Guidos (@JohnGuidos), and Jen Consalvo (@Noreaster) delve into what we're looking forward to this Thanksgiving season while sharing some exciting stories and developments in the world of technology and entertainment. First, we chat about the Colombian government finding treasure off its coast. Read more here: https://news.yahoo.com/colombian-president-orders-recovery-20-013019478.html Second, we explore a sustainable and eco-friendly alternative to traditional batteries that involves shellfish. Yes, you heard it right! Researchers at the University of Maryland have discovered a way to repurpose shellfish waste to create biodegradable batteries that are highly efficient. Read more here: https://www.thecooldown.com/green-tech/shellfish-batteries-crab-lobster-science-biodegradable Next, we dive into the fascinating world of memory manipulation and how scientists are working on editing and even deleting memories. While it may sound like science fiction, recent research has made significant strides in understanding memory formation and manipulation. Read more here: https://www.thedailybeast.com/meet-the-scientists-who-want-to-edit-and-delete-your-memories Then, we introduce you to Mika, the world's first AI-powered human-like robot CEO. This unique collaboration between Hanson Robotics and Dictador, a rum company, has resulted in an AI CEO capable of making data-driven decisions, although with a notable processing delay. Read more here: https://www.foxbusiness.com/technology/mika-worlds-first-ai-human-like-robot-ceo We also take a look at the Humane AI Pin, a potential smartphone replacement. This innovative device attaches to your lapel and projects information onto your hand, allowing you to make calls, send texts, and access information through voice control and gestures. Read more here: https://hu.ma.ne/aipin In our friendly shoutouts, we highlight an AI fact-checking tool by Chris Saad (https://www.getwingman.ai/) and celebrate Atlantic Sea Farms' recognition in the food industry (https://www.wholefoodsmarket.com/trends/the-next-big-things-our-top-10-food-trends-for-2024). Plus, we share exciting news about the launch of Orange Bike Brewery, the first gluten-free brewery in Portland, Maine, founded by our friends Tom and Meg Ruff (http://orangebikebrewing.com). In our tech and gadgets segment, we discuss SpotMyPhotos, a software that grants photographers and photo booths control over event photo sharing (https://www.spotmyphotos.com). We also introduce the DJI Mini 3 drone with extended battery life and intelligent features (https://store.dji.com/product/dji-mini-3?vid=128001). Plus, we chatted about the Clevr Blends Starter Kit with frother (https://amzn.to/3Gh49KJ). Finally, in the entertainment section, we explore The Beatles' final song "Now And Then" (https://www.rollingstone.com/music/music-news/beatles-new-song-now-and-then-1234868643) and share our experience of watching Steve Martin and Martin Short live, offering a hilarious and memorable performance. As we wrap up, we wish you all a fantastic Thanksgiving season and encourage you to check out our podcast for more exciting updates and discussions. Thanks for tuning in! As always, thank you for listening and feel free to reach out and let us know what you think at: somewhatfrank@est.us Get updates like this in your inbox before they hit the web by subscribing to the newsletter here: https://frankgruber.me/newsletter/
The Sun is shining, the skies are clear, and Tom is feeling bliss in the studio today... but that could be credited to Brittany having the day off. In the first hour, SKOR North's Judd Zulgad talks about PJ Fleck's locker room antics and his tenure at the U of M so far plus Tom shares which former Twins players he butted heads with, and KSTP's Chris Egert gets informed by Tom about how his brother appeared in a local news package. Hour #2 has the crew breakdown the intricacies of gang affiliated ball caps and Tom tells a story about how he met Glenn Frey, but also at the same time didn't meet him. Plus Tom talks about Steve Martin's appearance at the St. Paul Civic Center which evolves into a discussion about the show "Only Murders In The Building". In hour #3 Kristyn Burtt discusses Sam Haskell IV. Pretty prestigious-sounding name, right? Makes you think of an aristocrat or a noble. Or a man who murdered his wife, dismembered her, and might have killed her parents. Hey, nobles did all kinds of messed up stuff in the past. The two aren't mutually exclusive. On the Family, we try to start a cult. Problem is, the market is already saturated. Every niche has already been taken. We even have a few in Minnesota, so we can't even try to capture the local angle. So instead, we'll just defy The Science and recommend that everybody get a dog. Dog ownership can often be a cult in and of itself, so it counts halfway. Stream the show LIVE on the Tom Barnard Show app M-F from 8-12PM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Sun is shining, the skies are clear, and Tom is feeling bliss in the studio today... but that could be credited to Brittany having the day off. In the first hour, SKOR North's Judd Zulgad talks about PJ Fleck's locker room antics and his tenure at the U of M so far plus Tom shares which former Twins players he butted heads with, and KSTP's Chris Egert gets informed by Tom about how his brother appeared in a local news package. Hour #2 has the crew breakdown the intricacies of gang affiliated ball caps and Tom tells a story about how he met Glenn Frey, but also at the same time didn't meet him. Plus Tom talks about Steve Martin's appearance at the St. Paul Civic Center which evolves into a discussion about the show "Only Murders In The Building". In hour #3 Kristyn Burtt discusses Sam Haskell IV. Pretty prestigious-sounding name, right? Makes you think of an aristocrat or a noble. Or a man who murdered his wife, dismembered her, and might have killed her parents. Hey, nobles did all kinds of messed up stuff in the past. The two aren't mutually exclusive. On the Family, we try to start a cult. Problem is, the market is already saturated. Every niche has already been taken. We even have a few in Minnesota, so we can't even try to capture the local angle. So instead, we'll just defy The Science and recommend that everybody get a dog. Dog ownership can often be a cult in and of itself, so it counts halfway. Stream the show LIVE on the Tom Barnard Show app M-F from 8-12PM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Sun is shining, the skies are clear, and Tom is feeling bliss in the studio today... but that could be credited to Brittany having the day off. In the first hour, SKOR North's Judd Zulgad talks about PJ Fleck's locker room antics and his tenure at the U of M so far plus Tom shares which former Twins players he butted heads with, and KSTP's Chris Egert gets informed by Tom about how his brother appeared in a local news package. Hour #2 has the crew breakdown the intricacies of gang affiliated ball caps and Tom tells a story about how he met Glenn Frey, but also at the same time didn't meet him. Plus Tom talks about Steve Martin's appearance at the St. Paul Civic Center which evolves into a discussion about the show "Only Murders In The Building". In hour #3 Kristyn Burtt discusses Sam Haskell IV. Pretty prestigious-sounding name, right? Makes you think of an aristocrat or a noble. Or a man who murdered his wife, dismembered her, and might have killed her parents. Hey, nobles did all kinds of messed up stuff in the past. The two aren't mutually exclusive. On the Family, we try to start a cult. Problem is, the market is already saturated. Every niche has already been taken. We even have a few in Minnesota, so we can't even try to capture the local angle. So instead, we'll just defy The Science and recommend that everybody get a dog. Dog ownership can often be a cult in and of itself, so it counts halfway. Stream the show LIVE on the Tom Barnard Show app M-F from 8-12PM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Sun is shining, the skies are clear, and Tom is feeling bliss in the studio today... but that could be credited to Brittany having the day off. In the first hour, SKOR North's Judd Zulgad talks about PJ Fleck's locker room antics and his tenure at the U of M so far plus Tom shares which former Twins players he butted heads with, and KSTP's Chris Egert gets informed by Tom about how his brother appeared in a local news package. Hour #2 has the crew breakdown the intricacies of gang affiliated ball caps and Tom tells a story about how he met Glenn Frey, but also at the same time didn't meet him. Plus Tom talks about Steve Martin's appearance at the St. Paul Civic Center which evolves into a discussion about the show "Only Murders In The Building". In hour #3 Kristyn Burtt discusses Sam Haskell IV. Pretty prestigious-sounding name, right? Makes you think of an aristocrat or a noble. Or a man who murdered his wife, dismembered her, and might have killed her parents. Hey, nobles did all kinds of messed up stuff in the past. The two aren't mutually exclusive. On the Family, we try to start a cult. Problem is, the market is already saturated. Every niche has already been taken. We even have a few in Minnesota, so we can't even try to capture the local angle. So instead, we'll just defy The Science and recommend that everybody get a dog. Dog ownership can often be a cult in and of itself, so it counts halfway. Stream the show LIVE on the Tom Barnard Show app M-F from 8-12PM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices
Three Amigos stars Steve Martin, Martin Short and Chevy Chase and is the story of three actors who find work in Mexico only to discover it wasn't for the job they signed up for. Their friendship is challenged by some real bandits. Timecodes: 00:00 - Dodge Media Productions Ad 0:30 - Introduction :046 - Film stats & Trivia 8:20 - The Pickup Line 15:56 - Film Analysis 24:21- Head Trauma 25:40 - Smoochie, Smoochie, Smoochie 26:27 - Driving Review 28:38 - To the Numbers References from the Episode Fran Drescher Clip Red Reed Review To guess the theme of this month's films you can email christi@dodgemediaproductions.com You can guess as many times as you would like. Guess the Monthly Theme for 2023 Contest - More Info Here Next week's film will be Something To Talk About (1995) Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Special thanks to Melissa Villagrana our social media posts. Don't forget to visit our website, connect with us on Instagram, Facebook, LinkedIn, and share your favorite episodes across social media. Email at christi@dodgemediaproductions.com To get 2 months free on Libsyn click here: https://signup.libsyn.com/?promo_code=SMOOCHIE
This Week's Topics:Special Session LegislationGOP Candidates Debate in MiamiFlorida Lawmakers Tussle over Israel and Gaza Steve Martin Book BannedWith Guests:Alex Sink, Former Florida CFO, DemocratDanny Kushmer, Real Estate Broker and Businessman, RepublicanMitch Perry, Political Reporter, Florida PhoenixKimberly Leonard, Florida Politics Reporter, Politico
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Who doesn't love a movie about making a movie? Who doesn't love Eddie Murphy? Who doesn't love Steve Martin? By the end of our "Bowfinger" podcast, you'll find out exactly who. Along the way, you'll hear Big D downplay the tragedy of Anne Heche's death. Gene will explain his fascination with Gogglebox. And you'll discover this 1999 comedy's connection to the Church of Scientology. As the Shat Crew considers a move to Michigan, your hosts also reveal what exactly they'd do for a shot at stardom (Big D would do a bit more than Gene would) and reflect back on the pop hit "Boogie in Your Butt." SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
With season 5 in the rearview mirror, it's time to shift gears into the Where to Stick It Holiday Movie Challenge. The boys kick off this Holiday season with the vaguely Thanksgiving movie Planes, Trains and Automobiles. Does this 80's comedy withstand the test of time, or has it dried up like 3 week old Thanksgiving leftovers?Catch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.
With the holidays rapidly approaching, films related to Thanksgiving and Christmas can an offer a touch of nostalgia while telling an emotional story. Think "Planes, Trains and Automobiles" and "A Christmas Story." This year, directory Alexander Payne ("Election," "Sideways," "Nebraska") brings us "The Holdovers" starring Paul Giamatti as teacher Paul Hunham, Dominic Sessa as student Angus Tully and Da'Vine Joy Randolph as school cook Mary Lamb. The story centers on students that can't go home for Christmas break and a teacher that is forced to chaperone the group. Co-host Bruce Miller gives his thoughts on the film, and we have interview clips with Payne, Randolph, Sessa, writer/producer David Hemingson and producer Mark Johnson. Miller also shares his thoughts on the Netflix film "Nyad," starring Annette Bening as endurance swimmer Diana Nyad and Jodie Foster as her coach, Bonnie Stoll. It tells the story of Nyad's swim through shark-infested waters between Havana, Cuba and Key West, Florida. The film is directed by Elizabeth Chai Vasarhelyi and Jimmy Chin. The pair co-directed the Oscar-winning documentary "Free Solo." Where to watch and more coverage "The Holdovers" in theaters Nov. 10 "Nyad" on Netflix Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Holiday Films for Families Streamed and Screamed podcast about movies and TV from Lee Enterprises Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce Miller: I'm a holdover. Terry Lipshetz: You're a holdover. You've been here forever. You are a holdover. Bruce Miller: I am. I remember when Alexander Payne wasn't making movies. How's that for a connection? But, yeah, we are getting into Thanksgiving season. So this means that you're going to get films that maybe the whole family would go to. Because, come on, what else is there to do over Thanksgiving holiday? Eat and go to the movies, right? Terry Lipshetz: Yeah. Bruce Miller: And so you're going to start seeing some of those ones that are a little more like Planes, Trains and Automobiles. Back in the day, that was a big kind of holiday. Let's go see it because it's entertaining, and that's what we'll be getting now. I think you'll be seeing some of those before the Christmas rush and then the Oscar run, so look for the fun ones. And one that I really loved was the Holdovers. That's the newest Alexander Payne film. It's set in 1970, and it's set at a private boys' school in the East Coast. And, apparently all kids didn't go home. Some had a reason. Their parents were off on a ski trip and they didn't want to take the kid home or they didn't have the ability to get them home or whatever. And so those kids were called the Holdovers. They stayed at school, and then as a result, they had to put up with whoever they threw in their face. There was usually a teacher who got punished to be with those kids because who wants to be at home during the holidays? Nobody. Terry Lipshetz: Nobody. Bruce Miller: So, the one who gets stuck, even though he did it the year before, is played by Paul Giamatti, and he plays an ancient history teacher that nobody likes. They just hate him. He gives them all F's. He thinks that they're lazy and they don't really live up to their expectations. And this is 1970. Remind you. And so the Kids that are left back think, oh, God, this is going to be just terrible. And he plans classes for them, exercise, situations for them. And then they have all the bad food that's left over, and the cook is there, and she is going to keep him occupied over the holidays when he isn't. So it's like the worst situation you could think of. And then a group of them gets the opportunity to go on a ski trip. Except one student, he's stuck at the school with the bad teacher and the cook. And so the three of them have what they call their holiday experience. Terry Lipshetz: Sounds almost like my college. I went to a smaller private university in New Jersey. so you couldn't stay over during the winter break. They closed the dorms. They basically kick you out unless you were basically stuck there because you were, let's say, a foreign exchange. Bruce Miller: Foreign students. Terry Lipshetz: Yeah, that was it. That was it. They were the holdovers, and they got to stay in the dorms through the holidays. But that was it. Bruce Miller: I never was a holdover. God, it was, like, icy as hell. And I would still force somebody to come and pick me up because I thought, the last thing I want to do is be stuck here. So I was good. I got out. But I can imagine it would be dreadful because you see this? And this was during my time. It's set during the. That's about my period. And you go, oh, my God. They have captured so many things that are so specific. They have a pinball machine. And, the young man who is stuck back wants to play the pinball machine. Now, what they did was they put their order, their dime, whatever it cost, on the top of the pinball machine. And then that meant they were next. And the kid gets in a big fight with this guy who says, no, you're not next. My friend is next. And you think, oh, that is. I remember that. Who would have thought that that would be a part of it? But they've done a great job of capturing all those little things, even down to the clothes. And Alexander Payne said that when he was casting, he was particularly looking for young actors who had the right haircuts because he didn't want them to look like they were contemporary. They needed those 70s haircuts. And they do have those 70s haircuts. Terry Lipshetz: Kind of the moppy. Bruce Miller: Yeah, it's not quite mullet yet, because that wasn't in style. Terry Lipshetz: That's more 80s. Bruce Miller: Yeah. This was just kind of a head of hair that's post-Vietnam, where you just wanted to grow your hair out in those days. Can I tell you? I had hair that was down to the back of my shoulders. I had long, long hair because I didn't want to cut it. And my dad would always make a huge stink about that hair. He says, when are you going to cut this hair? And so I pull my hair back and hide it in the collar of my shirt. And every night at dinner, he would pull the hair out and say, you got to cut this. That kind of sentiment. That hair was a big issue for people back in those days. Terry Lipshetz: It was, yeah. I've seen photos of my parents back in the. It was an interesting time with hairstyles. Now, in 1970, that would have made me, let's see, about negative five years old. So I wasn't present at that time. Bruce Miller: You were not breaking any of those rules? Terry Lipshetz: No, I was not. Bruce Miller: But I was edging into the college years. It was a different world, a much different world. And you notice that, too, how social media and the Internet and all that has changed so much here. The kids have to look things up. And do they want to look things up? No, they do not. I think that the attitudes are still the same. You still press up against authority. But it's fascinating to see how the friendships develop. And I don't know that I would ever have been friends with a teacher of mine, but when you're forced to do it, you become a little closer. Adversity breeds friendship. Maybe that's the moral of the story. Yeah. Terry Lipshetz: and it's diverse, too. You've got different people of different eras. Bruce Miller: Da'Vine Joy Randolph, she plays the head cook at the thing. And her son, you find out early on, her son went to school there. She agreed to be the cook at the school so that her son would be able to get a good education, which is what she was hoping for. And when the movie begins, you learn very quickly that her son has died. And so she's dealing with grief over the holidays. The young man is upset because his parents aren't taking him home. And the teacher is, not liked, as they openly. Nobody likes you, so why should we? So they all have a reason to fight for something. Terry Lipshetz: But ultimately, the odd couple comes together. I can only presume. Bruce Miller: I enjoyed it so much. It has been kind of testing the market throughout. Okay. And so it has had pre screenings or previews or whatever before it actually opens this week. So you can see the audience. It kind of had a little taste of what it was all about, how they react. And I think the reaction is good. It's heartfelt. And it reminded me a lot of Green book. Terry Lipshetz: Okay. Bruce Miller: Where kind of unlikely people are thrust together and how they build a friendship out of that. You remember that with, the driver and the musician. And the musician couldn't go in certain restaurants. He wasn't allowed in certain hotels. So there was definitely a different time. And you see that same reflection here in the holdovers. Terry Lipshetz: Interesting. So you mentioned at the top of this podcast, planes, trains, and automobiles, which is to me, one of my favorite movies of all time. And we did a whole episode on John Hughes movies to begin with quite a ways back. But that one in particular is one that it's almost like a tradition in the family. Got to throw planes, trains, and automobiles on. And it's in some ways because there's not a whole lot of Thanksgiving specific movies tend to get Christmas movies, not necessarily Thanksgiving, but it was that kind of story where Steve Martin's character, John Candy's character, are two very different people, but they're put in a very strange circumstance together, and they kind of come together. It almost feels like this movie takes some of that as well. Bruce Miller: Very much so. The other thing that's interesting is that those were people who wanted to get home, right. And here's ones who can't. There isn't a home, so they have to create a home, and they bring a tree, they do presents. It's very, touching how they kind of make a family, even though there isn't a family. All three of the actors are potential Oscar nominees. That's why. Terry Lipshetz: Wow. Do you see this becoming like a traditional holiday classic? The one that we pop on Christmas. Bruce Miller: Story, playing Dominic Sessa, who plays, the young man, has never acted in films before. Terry Lipshetz: Right. Bruce Miller: Found him at a school, and we're looking for somebody who kind of fit. Again, the hair was a big thing fit the identity that they were looking for. And they were blown away by how good he was at kind of capturing that attitude that's kind of there. And, you see it. He is easily the glue that holds this together and a really good young actor. I think someday we'll look back and we'll say that was his first film and look at how good he was. Terry Lipshetz: This film is directed by Alexander Payne, and he's, of course, known for doing a lot of kind of quirky movies like Nebraska. Bruce Miller: Yeah. Do you remember? Election was kind of the one that put him on the map, with Reese Witherspoon as that kind of dreadful girl who wanted to be student body know. She was determined. And the advisor to the student council, played by Matthew Roderick, did not want her to win and did whatever he could to try and derail her campaign by putting another student in her way. Chris Klein played that role. He shot it all in Omaha, which is where he's from. And it was very similar to this, where he went looking for real people to play these parts and look what happened to their careers. Reese Witherspoon, she won an Oscar. And Chris Klein had a long career. Look at American Pie. I mean, he has some pretty good credits behind. She wasn't necessarily, but the other ones that fill in the film. And if you go back and look at election, you'll see actor, young actors in that that have had lots of work. Terry Lipshetz: Right. Bruce Miller: It was supposed to be a two hander between Reese Witherspoon and, Matthew Broderick. And some of those other ones are making a real big splash in that first film. So I wouldn't doubt that we'll see the same thing happen with this one. Terry Lipshetz: Yeah. And even like a movie like Sideways, there's another one where. And he did it with Paul Giamatti, and that was Paul Giamatti. He's done so many movies and he's always so good in what he does, but it almost took until sideways to really get him out there. Bruce Miller: He was a great character actor who had bit parts or small parts in films and then suddenly blew up. And he was in John Adams and he was in, sideways. And. Yeah, now he's kind of your go to. If you want one of those kind of erudite people that are in your film, we'll call Paul. Terry Lipshetz: I know you weren't able to get any interviews with this film, but through the magic of you and the promotion, I happen to have know just out of the box right here. So we're going to go now to, Alexander Payne, the director of the film. Alexander Payne: Christmas break is upon us. And every year there's a number of boys with nowhere to know. The kids from foreign countries and the ones with divorced parents and stuff like that. And this year there's a boy, he's a junior and kind, of a troublemaker, kind of troubled. Damaged and troubled, but a smart kid underneath. And, his mother calls him last minute to say she's widowed, has been widowed. She has just remarried and they want to use this Christmas vacation as their honeymoon. You understand, don't you, darling? Stanley's been working so hard. The teacher selected this year to stay behind with the boys is a very disliked, curmudgeonly, ancient history teacher, Paul Giamatti. Through a kind of Deus ex machina, script, device, all the other boys find somewhere else to go at some point. And it's down to just this teacher played by Paul Giamatti and this boy and the head cook at the school. She's a single mom, and her, son attended this very same school on a charity scholarship. But did not have the wherewithal to go to college and has just been killed in Vietnam. So this movie is about the adventures of these three kind of shipwrecked people during a very snowy two weeks in Massachusetts in 1970. I've been an admirer of school, movies, loneliness of the long distance Runner and if and Peter Weir's movie. And I had seen a companion of those films, a somewhat underknown French film by a great director, but, from 1935 or 36 called Merloose by Marcel Panol. And it had that same basic premise. I saw that ten or twelve years ago and it never left me. I thought, you know, that's a pretty good premise for a film. But I personally didn't have the wherewithal to actually, I didn't have the life experience of a private school and so forth. I'm from Omaha. Nor did I have really the discipline to go research it. But a pilot came my way, set in a prep school, and it was a very fine pilot. And I called up the writer and said, thank you for sending me this wonderful script. I don't want to read it. Would you consider taking on an idea of mine? And so it was David Hemingson. That's how David Hemingson, the fine screenwriter, came into my life. So, typically I've written my own scripts and certainly I was involved in rewriting this one and conceiving it. But David Hemingson really, did an outstanding job writing it. That's what attracted me to it. It sounds hyperbolic and I'm sure it is, but I just think Paul Giamatti is the greatest actor. There's nothing he can't do. From the moment I first met him when he auditioned for sideways for me going on 20 years ago, I thought, this guy can make even bad dialogue work and he can, no matter what the dialogue. I had him in Omaha, for a public interview, and I said, you know, Paul Giamani, you can really make bad dialogue work. I'll bet you could even read the phone book. Like they say, read the phone book and make it compelling. And he laughed. And I leaned over and I pulled out the Omaha phone book and I handed it to him. I said, would you please just open up to a page? He started reading it and brought the house down. That's why I like Paul Giamatti. And he's just a lovely guy, brilliant guy, most well-read human I know and, a delight to work with. Terry Lipshetz: Up next, let's hear from Da'Vine Joy Randolph about her role. In this film. Da'Vine Joy Randolph: It's wonderful working with Paul Giamatti. He has such character as a human being, but also with what he brings to the table. And, he's so great because, know, when you work with actors, those who you really revere, for being so talented, can be very serious sometimes and stuffy. And, what is so amazing, and I think speaks even more to his talent is that he's able to snap in and out of the character. It's very seamless. But I love right before they say action, I'll peek a look, and you'll see him just, like, morph and fall into place into his character. Dominic is quite special, for having never done it before. I would say what's more impressive, even outside of his talent, which is quite natural and just very present, and non-stereotypical, I don't know if I could have done it to play this hurt, damaged teenager. Right. And it not just be this one dimensional screaming kid every 5 seconds. He's really found, the nuances, to all of it. But I would say what I'm the most impressed with is the human being that he is. He's so kind and gentle and, very intelligent. And there's an old soul about him where it feels as if he's been here before. You can tell there's a real desire to learn this industry and how things work, and he's very quick. I remember in the very beginning when we were just doing table reads, and we still had at least two, if not three weeks before filming, he was already off book. I was not off book, so I was very impressed. We're just seeing two, three individuals, which I wonder, if they weren't, under these circumstances, if they would have had the opportunity to really get to know one another and to be an unpredicted vessel of support for one another. And I think what's beautiful about that is, in this movie, in a way, it transcends ageism, racism, genDer, and that these three individuals, due to the loss and pain that they have, it's like sometimes when you've hit rock bottom, you're open to anything to seek relief wherever you can. Terry Lipshetz: We also have another star from the film, Dominic Cessa, talking about what turned into his first major film appearance. Dominic Sessa: I went in for my first audition, and, I was pretty relaxed because I wasn't expecting much out of it. And they called me back later that day, and I did some more reading. And, eventually Alexander came to my school to come meet me and audition, with him. And yeah, for the next two months it was a lot of just touch, and go email, Zoom calls and all that stuff. And by the time I had my last audition, I didn't know it was my last audition. I thought it was going to know do that two weeks later for the next one. But we sat there and it was me, Paul and Alexander on a Zoom call. And we just read the whole script through. And Paul would read the parts, know, in a scene where I was in, but he wasn't in. I would read parts for him in other scenes and by the end I got the role that day. So, yeah, it was really surreal and exciting and didn't really know what to think or what to expect. But, it was nice. The biggest challenge for me, working on a film for the first time would be, the turnaround on notes, personally, because I've done a lot of live theater before. It's all I've done before is the shows at my school. And we have after school, like two, three hour rehearsals. And you receive your notes at the end and you have your journal and you can go back to your room and internalize them and think about them for the next rehearsal or the show or whatever's coming. But in this, it's really a matter of coming in, knowing your lines and not really knowing. Maybe having an idea of how the scene may pan out, but not having the clarity that you might have in a theater setting. So, yeah, I mean, that was the hard, that's the hardest part for me, really doing this the first time doing something, receiving a note and then okay, rolling, go. So, yeah, for me, but I think I've adjusted pretty well to it. And obviously I have a lot of people around me who have been helping me prepare for that sort of thing. Being in a film with Alexander and working on one of his movies, it's incredible working with him personally. Having, the director who's sitting right there at the camera and sitting right next to you and comes up to you after every take and is in your ear. You can feel his presence and it's comforting in that sense. But I think. I don't know, outside of that, he just attracts a lot of professionalism to his movies and his work. I think, just him being a part of it. Everyone around him, sort of is extra professional and is extra hard at work and is really on top of it and more so excited about working on it because of the type of person he is. My character, Angus Tully, say, definitely very damaged kid. He's been through a lot. Yeah. Being at a boarding school, I can understand, how heartbreaking that would be to be ready for break and then have your own parents tell you that you can't come home for Christmas. I feel like, for him, he's got a lot of these, things in the past that have happened to him and, these experiences, obviously, with his father and his mother and his mother's boyfriend. And it's not explicitly said what goes on. But you can sort of understand that there's a broken family dynamic there that's going on behind the scenes for him. And yeah, I think that really comes out with his character and his daringness to say some of the things he says and to pull off some of the things he tries to pull off. But at the same time charming and innocent. And it's one of those people you love to hate because you love them. Terry Lipshetz: Up next, we have writer producer David Hemingson. David Hemingson: Alexander read a pilot that I wrote about four years ago that, was set in a prep school in 1980. And he kind of called me up out of the blue and having read it and was like, I love this pilot. And I was like, incredibly flattered because he's like a personal hero of mine, he's a brilliant director. So I was like, blown away. And then he said, but I don't really do TV. But I have this feature I want to do that's set in that world in 1970. I said, okay, sure. And I said, what is he? Well, basically I really want to do this sort of optically challenged, kind of odiferous professor, that gets stuck, at a prep school, over Christmas break, 1970 to 71, with a group of students, one of whom has sort of been stranded by his family, most definitely. And this relationship kind of evolves over the course of the movie. And so that was sort of. The genesis of the whole thing. He's a brilliant, brilliant director. And I kind of feel like I went to film school on Alexander's back in that he would make these references. He'd, want something kind of tonally or visually or he'd kind of want a narrative moment that as opposed to try to unpack it verbally, he'd just be like, John Garfield. All right, Michael Curtis pointed overturn 1950, midpoint. Forward click. Like what? Hello? And I'd have to figure out, oh, okay. He wants sort of tonally, this kind of thing. He wants to be able to, evoke certain moods, and I think for him, it's got to be the organic evolution of the characters over the course of the narrative. And so I think the reason he doesn't get specific in terms of distinct turns he wants is because he wants me to find it and then for him to reflect upon it, I mean, that's been our working relationship, and I hope to God it continues for many, many decades to come, because I would kill to work with him again. I think he's a brilliant guy. We're so blessed. I mean, Alexander can cast. I mean, he topped the bottom. The actors in this show are amazing. I love my holders. I love all those kids. Those kids are all amazing, and funny and genuine and real. I think reality is sort of one of the hallmarks of an. You know, it just feels real, and it's heightened. And he takes you on a journey, and there's a fun narrative. I mean, you have a good time. And I think that's one of his imperatives. Like, he wants people to be entertained, but he wants people to be entertained by the human comedy, by the reality of it, by the landscape of people's souls. Like, he wants you to take that journey. And that's kind of what we do. In this movie, I think. Terry Lipshetz: And now let's hear from producer Mark Johnson. Mark Johnson: I think it was very much a story about family. It's a very clever script. It's deceptive. It's deceptive. And then it's about much more than you would think at first. And it's also extremely funny. And for me, as a, time Alexander Payne Fan, I think it is arguably his most emotional movie to take what he does with his characters, sort of, the uniqueness of his characters and to put them in this situation, it was an undeniable script. Paul Giamatti is one of those wonderful actors, is really a chameleon. And he can play any number of people. So we've seen him a bunch of movies and television shows, but I don't know that I've ever seen Paul Giamatti play, the same character twice. And so he is somebody who can both put you off and yet bring you in at the same time. Dominic Cessa, who plays Angus. This is his first movie. He had been a drama student or in school, in boy school, but, didn't have an agent, didn't have a manager. We had this wonderful casting director, Susan Shopmaker, who decided to go out and find a discovery. And one of the smart places she went was the private boys school's drama department and say, all right, who do you have? Who do you offer up? And that's how Dominic came in. He didn't come in through any orthodox means. It was really from out of nowhere. And I don't know what the number is. She probably saw 600, 700 boys for this part. And Dominic, early on, we said, well, wait a minute. This is somebody to pay attention to. And Alexander put him through the paces. He had him, sort of try out and test a number of times. And finally he tested with Paul, Giamatti. And I think Alexander, Paul, all the rest of us said, no, this is the guy. I think Dominic's a good choice to play this part because he has no tricks. He's a very honest actor. He's playing it as honestly as he can. And consequently, he's completely believable. I never, in looking at the finished film and quite frankly, in all the dailies, I don't see any false moments. I don't see him at some point pretending to be something. He always seems to be that divine. Mark Johnson: Joy Randolph is an actress who's been around for a while. That makes it sound like she's been doing it for years. She's just somebody who is doing features and television right now at, quite a clip. And the interesting thing is she normally plays a comedic character. And not that she's very funny in the holdovers, but I wouldn't describe her character as Mary, lamb, as somebody who's comedic. She actually has quite a, quite amount of sorrow in her. And, is a mother who's gone through a real tragedy. We knew she had the acting chops not just because she'd gone to the Yale School of drama. But as soon as we tested her, it was clear that she knew how to play this character. And, it was great to watch her because as an actress, she discovered who Mary Lamb was. She started at one place and built the character. And you could see her do it. And she ended up with an accent that was quite original to divine, but also quite true to where her character came from. Terry Lipshetz: All right, Bruce. So we had an. Bruce Miller: You know, I got a chance to talk to Alexander Payne and David Hemingson and also some of the, behind the scenes people about this. It's based sort of, on the writer's life, sort of. It was not written by Alexander Payne, just directed by him. And he kind of understood the sensibility of this, but there is a tie. And if you look at this on a shelf, there is a statue that was also in sideways. And so it's one of those little spoiler things. If you look, it's on a shelf in, I believe it's Paul Giamatti's office. And you'll also remember that it was in sideways if you look very carefully. They had one hell of a time trying to find enough blazers that were from the 70s for all the boys in the film. Terry Lipshetz: Double knit only goes so far. Bruce Miller: A big challenge. Yeah, they have a big challenge. And so they look the right way. Yeah. So for them, a lot of them have worked with Alexander Payne for a number of films, and they kind of know his shorthand and what he's looking for, so they can anticipate what a potential problem might be or what might be looming. Wow. Terry Lipshetz: Good stuff. So, yeah, I'm looking forward to this. It wasn't really on my radar until I saw it was probably during the summer. One of the movies I saw at least had a trailer to it. It looked pretty interesting, but I wasn't sure. Is this going to be good? Isn't it? But now that you're singing its praises. Bruce Miller: Watch the ads for it, because the ads are done in 70s style. Terry Lipshetz: Okay. Bruce Miller: See them? It's like, is this an old film that they're just throwing up whenever you see those on TCM? Oh, look at the trailers they used to do for these things. Well, they want it to look like that so it looks like the 70s. So you get that whole vibey feeling. And there's one shot in the film that reminds me. Exactly. Of the graduate. Exactly. And you'll see that shorthand that he uses, and you'll think, yes, I get what you're. Gail. I see it. I understand what's happening here. There's another one I'd like to talk about is called Nyad. Okay. And this is going to be one of those ones that you'll hear the names bandied about for acting prizes. Annette Benning plays Diana Nyad. If you remember her, she was a long distance swimmer who wanted to swim from Cuba to Florida. And, everybody said, oh, you're crazy. You can't do it. You're in your 60s. You're not going to be able to do this. And she was determined that she needed to make her mark, so she got a crew together and tried it and failed. And she tried it again and failed. And she tried it again and failed. And you think after this many times, give up. It's not going to happen. But you see in the film, which will be on Netflix, the kind of drive and fortitude she had and determination, and a lot of that is fueled by her best friend, who serves as kind of the coach, so that she's in the boat while Diana is swimming by the side of the boat, and she's, like, feeding her, giving her any kind of, if she gets sick, if she needs medicine, hydrating her, and then when she starts to kind of wane, she's giving her those pep talks. And, Jodie Foster plays that role, and Jodie is. Where has she been all these years? It's like, let's get back to work. I want to give her that kind of a pep talk because she steals the film right out from underneath. Annette Benning. Fascinating, fascinating partnership. And the film was directed by the people behind Free Solo, if you remember free solo. it was about the mountain climber. Terry Lipshetz: Right. Bruce Miller: Won the Oscar for Best documentary. Yeah. Now, they're trying, the same kind of feel, but with a fictional film or dramatization. Yeah. With actors. And they do take, risks, and they also do take some liberties, with the reality of the Diana Nyad story, but they still are able to capture those beats that you're looking for. It's kind of fascinating to see how they can make swimming really interesting, because when you're just watching somebody swim laps near the side of a boat, are you interested? Do you care? You got to give it to Ned Benning for just being able to do the swimming that you need to do to pretend like you're falling. Diana, Nyad, is not a person that you could hug. I really do not think she's embraceable, even though she has that drive that you see in a lot of athletes. But, boy, Annette Benning captures that aspect really well. You think, why would I work with you? I don't want to do anything with you if you're going to be this kind of obnoxious and mean and kind of self-centered. Terry Lipshetz: Sure. Bruce Miller: And yet it works. And at the end of the film, they do show you actual footage, of her. And, man, she captures her. She's right there. Terry Lipshetz: Now, was this film mostly in the water, then? Bruce Miller: If there's a lot in the water, could it be in a pool? It could have been in a pool, because a lot of the scenes take place at night, and you realize that they had to worry about sharks because she did not want to be in a shark cage. She didn't feel that was bare. But there was a red light that apparently sharks know this for the future, if you need this. Terry Lipshetz: Okay. Bruce Miller: Sharks do not come near red light. They somehow see that as a warning to them. And so this red light kind of helped guide her along where they were going, but it also kept the, sharks away. Terry Lipshetz: Yeah. The most knowledge I have about avoiding sharks comes from the 1960s, Adam west classic Batman, the movie Shark, where he used Bad shark repellent. Bruce Miller: And Jaws. Terry Lipshetz: Yes. Bruce Miller: Jaws taught us so much about sharks. Were you really scared of sharks before Jaws? No, it was just another fish in the ocean. But now they can get a sharknado going like nobody's business. Right? Dominic Sessa: Yeah. Terry Lipshetz: Now, how does this film stack up to a film like Free Solo, which is a documentary? Because I always find it fascinating when you get, like, you take Peter Jackson, for instance, who's known for Lord of the Rings and all these big epics, and then he goes and directs a documentary about the Beatles. Bruce Miller: The thing that was so surprising about free solo was the cinematography. They were up on the mountains with him and the idea that they were able to get some of that stuff. Well, I got to rethink this. If I can't do it with the telephoto lens, I don't think I'm going up there. But I think that was what was so remarkable. Yes. his story, Alex Honnold, I think it is, his story is remarkable, but also remarkable is the idea that people would follow him, shoot his trek, and not get, you know, anytime. Terry Lipshetz: I see those mountain movies like that, whether it's mountain climbing or scaling Everest or going deep into the wilderness, I'm thinking to myself, you know, what if I'm the director of this film, my first hire is a really good second unit director. And you're going to go take care of these? I'm going to just handle. Bruce Miller: Yeah, I'll do from the ground. Terry Lipshetz: We'll be. Bruce Miller: Yeah, I think they do a great job of kind of making you feel that claustrophobia in the water. But because they're not dealing with huge visuals like they were before, that becomes, a different challenge. But you feel like you're in the water with her. So I guess that's the goal. But I don't know, do they want to do this? Is this the goal? Or maybe it was just one of those athlete films that they hadn't tried, and so that was the challenge for them. Terry Lipshetz: Well, it sounds good. It sounds like an interesting one. I'm not sure. I'm going to race out to the theaters to see it. But at the very least, it might be one where as soon as it hits streaming on. Yeah, yeah, absolutely. Anything else of note coming up is, Bruce Miller: Can I tell you what I'm going to tease? What? Maybe we'll talk about next week. Terry Lipshetz: Okay. Bruce Miller: And that's Fargo. Terry Lipshetz: Oh, yes. Bruce Miller: Fargo is coming. And Fargo, we are not holding off with anything, but I'm going to talk to people that you wouldn't necessarily talk to again. We're doing this because we don't have the access to the actors because of the actor strike, which, knock on wood, should be ending soon, we hope. Terry Lipshetz: Please. Bruce Miller: But I'm hoping to talk to the special effects and makeup people and also the costume people and how they are able to pull off, because this has a lot of those special effects that you're going to go, wow, I can't believe it. And it's very home alone, taken to extremes and scary. Okay, so that's next week. Fargo. Alexander Payne: Fargo. Terry Lipshetz: I can't wait. There's the two shows that I've been waiting for the most recently, Fargo. And then also true Detective, which is. Coming back soon on. Bruce Miller: Well, we'll be there, hopefully, and we'll get to talk to real people. Terry Lipshetz: Hopefully. That's all we can hope for. All right, Bruce, thanks again for another great episode. And we will be back again next week. Bruce Miller: Be a holdover next week.See omnystudio.com/listener for privacy information.
Who are the top 10 stars of the men's the game right now? We have pulled together a shortlist of 20 players who we think are the brightest names on and off the field right now. They wouldn't necessarily make a World XV but they back up their deeds on the field with a willingness to try things off it. Joining us at GBR GQ is Steve Martin, CEO of M&C Saatchi Sport & Entertainment, Steve has 30 plus industry experience and has worked extensively with the likes of Tiger Woods, Messi, Beckham, Ronaldo, Rooney, McIlroy, and Jonny Wilkinson to name a few.
TRASH ON THE TUBE: THE MARTIN SHORT SHOW This week, we check out a TV series featuring Martin Short and Steve Martin decades before Hulu made you pay extra for no commercials. All-star comedy legends, SCTV alums behind the scenes, and Elizabeth Taylor's dog come together for a show you've never heard of – The… Read More »Trash on the Tube: The Martin Short Show
TRASH ON THE TUBE: THE MARTIN SHORT SHOW This week, we check out a TV series featuring Martin Short and Steve Martin decades before Hulu made you pay extra for no commercials. All-star comedy legends, SCTV alums behind the scenes, and Elizabeth Taylor's dog come together for a show you've never heard of – The… Read More »Trash on the Tube: The Martin Short Show
HAPPY #NOIRVEMBER! This week we're talking about Carl Reiner & Steve Martin's love letter to classic film noir with DEAD MEN DON'T WEAR PLAID (1982)! Other topics include us seeing DICKS: THE MUSICAL together in person (!!!), Kev's View Askewniverse journey, and McKenzo finally watches Donnie Darko. - Connect with us on Twitter, Instagram, or our Letterboxd HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show! Follow Kev & McKenzie on Letterboxd. Listen to Kev's other podcast, Ammonite Movie Nite! Listen to McKenzie's other podcasts The Criterion Connection & ON LYNCH. NEXT WEEK: I guess we're watching some movie no one has ever heard of called NOBODY KNOWS ANYTHING! (2004)??? - Episode Chapters: (00:00:00) Intro (00:03:25) McKenzie & Kev Met + DICKS: THE MUSICAL (00:16:02) What Else Ya Been Watching? (00:29:55) Austin News (00:31:47) DEAD MEN DON'T WEAR PLAID Main Discussion (00:55:17) Popcorn Notes + Final Thoughts (01:04:36) I Love Goooooold (01:05:26) “The Allen Parsons Project” (01:06:32) There You Are, You're Over There! (01:07:48) The Wheel + Outro
Steve Martin and Tony Jenkins join host Ryan Harris to talk about their sled preseason tips, sled setups and more. Then we dive into another segment with two more guests and things go a little sideways.
This week we visit Amazing Stories wacky sibling with George Burns Comedy Week episode 4 The Couch directed by Steve Martin
"Everything he needed to know about life, she learned in prison."Join the gang this week while we try to catfish Steve Martin into introducing us to the Queen. Will Queen Latifah be able to help Mikey realize that in order for him to find love he will need to make space for love? Will Todd and Steve Martin dress like Malibu's Most Wanted? Will Paige get exasperated and just say "Anyway"? Find out now while we break down Bringing Down the House!Please Subscribe, Rate and Review Romancing the Pod to help more people discover our community.Follow us @RomancingThePodShow: on Facebook and Instagram Or RomancingPodSho on Twitter Up Next: Peggy Sue Got Married (1986)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A new fully improvised Halloween Special with Adam Ray, Jonathan Kite and Piotr Michael features celebrities like Tony Danza, Steve Buscemi, Jeff Goldblum, Robert De Niro, Morgan Freeman, Ian McKellen, Steve Martin, George Lucas, Charlie Sheen and more! This episode is brought to you by BetterHelp. Visit BetterHelp.com/AboutLastNight for 10% off your 1st month! Follow Adam @AdamRayComedy Jonathan @JonathanKite Michael @Piotr.Michael Learn more about your ad choices. Visit megaphone.fm/adchoices
HAPPY HALLOWEEN! We've been released by Jigsaw, we finally met in person (more on that next week), and we're covering one of the most iconic films ever made with John Carpenter's 1978 masterpiece HALLOWEEN! Finally, The Wheel has returned and all is well in the ADP-verse. - Connect with us on Twitter, Instagram, or our Letterboxd HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show! Follow Kev & McKenzie on Letterboxd. Listen to Kev's other podcast, Ammonite Movie Nite! Listen to McKenzie's other podcasts The Criterion Connection & ON LYNCH. NEXT WEEK: We're starting #Noirvember out right with Rob Reiner & Steve Martin's DEAD MEN DON'T WEAR PLAID (1982). - Episode Chapters: (00:00:00) Intro (00:04:00) Whatcha Been Watching? (00:22:25) Austin News (00:25:36) HALLOWEEN Main Discussion (00:57:58) Popcorn Notes + Final Thoughts (01:09:59) I Love Gooooooold (01:11:28) There You Are, You're Over There! (01:12:19) The Wheel + Outro
Today, Ali and Asif discuss the career of actor and comedian Martin Short in response to an article that recently appeared in Slate magazine (1:00). The guys start off by first discussing a bit of background on Martin Short's early life and they provide some interesting trivia tidbits they found while doing their research, including Martin Short's 9 categories for self evaluation. They then discuss the article from Slate magazine ‘Why We Keep Putting Up With Martin Short' and the celebrities who came to his defense after the article. Ali and Asf then discuss their favourite Martin short characters and performances. Ali then discusses how Martin Short, Steve Martin and Tom Hanks have ‘colonoscopy parties' to prepare for their procedures (27:50). The guys then segue into discussing colonoscopies. Asif talks about the indications for colonoscopies and what happens during the procedure. Asif discusses his experience with colonoscopies and the prep required. The guys discuss what can be found on colonoscopy and what the risks are for the procedure. Finally the guys discuss why the screening suggestions for colon cancer are different in the US vs Canada. The opinions expressed are those of the hosts, and do not reflect those of any other organizations. This podcast and website represents the opinions of the hosts. The content here should not be taken as medical advice. The content here is for entertainment and informational purposes only, and because each person is so unique, please consult your healthcare professional for any medical questions. Music courtesy of Wataboi and 8er41 from Pixabay Contact us at doctorvcomedian@gmail.com Follow us on Social media: Twitter: @doctorvcomedian Instagram: doctorvcomedian Show notes: Martin Short's Nine Categories for Self Evaluation: https://awealthofcommonsense.com/2018/10/martin-shorts-nine-categories-for-self-evaluation/ Martin Short Presents Canada: https://www.coinworld.com/news/world-coins/martin-short-presents-canada.html Kathie Lee Gifford Asks Martin Short About Wife, Unaware She's Dead: https://abcnews.go.com/blogs/entertainment/2012/05/kathie-lee-gifford-asks-martin-short-about-wife-unaware-shes-dead Why We Keep Putting Up With Martin Short: https://slate.com/culture/2023/09/martin-short-only-murders-in-the-building-season-3-snl.html Ben Stiller, Mark Hamill, and more celebs defend Martin Short after op-ed calls him 'desperately unfunny': https://ew.com/celebrity/celebrities-defend-martin-short-after-op-ed-calls-him-desperately-unfunny/ Martin Short Defended by Fans and Celebrities After Critic Calls Him ‘Desperately Unfunny': https://www.complex.com/pop-culture/a/alex-ocho/martin-short-defended-by-fans-and-celebrities-from-critic Tom Nichols: I said I couldn't stand Indian food. Then a Twitter friend took me to dinner: https://www.usatoday.com/story/opinion/2021/06/12/indian-food-fundraiser-tom-nichols-lamb-spicy/7659768002/?gnt-cfr=1 Steve Martin and Martin Short Have Colonoscopy Parties with Tom Hanks: 'It's Great Fun': https://people.com/health/steve-martin-martin-short-colonoscopy-parties-tom-hanks/ Colonoscopy: https://emedicine.medscape.com/article/1819350-overview?gclid=Cj0KCQjw7JOpBhCfARIsAL3bobc1ODdGgB4e4n6QUzEAOs89p6ATA-jtUK9wWSI8UwJ6n0_UENGGD5MaArW8EALw_wcB&form=fpf Commentary by CRC Screening Experts: Dr. Dennis Ahnen & Dr. Aasma Shaukat: https://gi.org/2016/02/25/canadian-task-force-recommends-against-colonoscopy/ FIT testing: a reality check for family physicians: http://www.oags.org/2019FITarticle_omr-2019-08-31-section.pdf
As All Hallows' Eve approaches with a creeping intensity, Spooktober Spooktacular continues with two iconic cinematic ghost stories that have left an indelible impact with audiences of every subsequent generation: Poltergeist and The Sixth Sense. But before we exercise these spirits, we unpack and sort through our thoughts on the latest Martin Scorsese's historical epic Killers of the Flower Moon, look for answers in the satisfying labyrinth of The Blair Witch Project, and muse over the highs and lows of Hulu's small screen comedy-mystery Only Murders in the Building. Join us as we enter a pair of old dark houses that is our double feature: listen as we try to suss out the Spielbergian elements within Tobe Hooper's 1982 supernatural horror before taking stock of the innumerable hallmarks that at once put Shyamalan on the map in 1999 and established a formula he's yet to ever succeed outside of. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://thebigwblog.wordpress.com/2023/10/21/our-blood-is-turning-white-killers-of-the-flower-moon-needed-more-and-less/
Steve Martin, Martin Short and Selena Gomez are back to liven up our screens as the podcasters we all want to be in the third season of the hit series, Only Murders in the Buildings. But does The Countdown did what John Hoffman, Steve Martin and cast are still putting out? Or is this one of those shows which has run its course? Find out as The Countdown continues ... Time Stamps: Only Murders S3 NON-SPOILER Review: 0:00 - 6:10 Only Murders S3 SPOILER-FILLED Discussion: 6:10 - 21:26 Final Thoughts Including Potential Spoilers: 21:26 - 21:50 Check out the show's first draft of a website for your one-stop shop for all things related to The Countdown. But if you want more specific directions, find so many more Countdowns - all the way back to Episode 40! - on our Podbean site. Join The Countdown Podcast Listener Community on Facebook so you can interact more directly with Paul and Wayne and vote in the weekly poll for who has the best list! Want to hear a whole bunch of additional content? Head on over to Patreon to fond out how and see what you're missing.
Episode 192: “Once a beanbag chair is punctured, you just have to move away and burn the house down to the ground.”For this episode the boys discuss spy characters (that are NOT James Bond) and best chairs. · Actor/comedian Steve Martin writes an intense terrorist/spy flick that's not a comedy.· Richard Chamberlain or Matt Damon? · Grace Slick gets stuck in a La-Z-Boy® chair · How did Benjamin Franklin make so many chairs?· Which podcast host dreams of moonlighting as a Cracker Barrel greeter?· King Tut's folding chair?· What happened on the Condor's other 3 days?· The secret to translating Russian by getting a close-up of the speaker's mouthCHALLENGE: Take the Crispy Coated Robots funeral tailgating challenge and win prizes
Alexis Hejna and Mark Radulich present their Only Murders In the Building Season 3 TV Show Review! Only Murders in the Building is an American comedy mystery television series created by Steve Martin and John Hoffman. The plot follows three strangers, played by Steve Martin, Martin Short, and Selena Gomez, with a shared interest in true crime podcasts who become friends while investigating suspicious deaths in their affluent Upper West Side apartment building and producing their own podcast about the cases. Its three 10-episode seasons premiered on Hulu in August 2021, June 2022, and August 2023.The series has received critical acclaim for its comedic approach to crime fiction, as well as the performances and chemistry of the lead cast. It has received nominations for the Primetime Emmy Award for Outstanding Comedy Series and Golden Globe Award for Best Television Series – Musical or Comedy. Martin and Short have gained comedy acting nominations at the Primetime Emmy Awards and Golden Globe Awards, and Gomez has also been nominated for a Golden Globe.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulich
The Doc invites Graham Sharp on the Steep Canyon Rangers on the show! The two talk about starting out in soccer at UNC, getting injured and finding the banjo, gigs starting out, moving to Asheville, playing with Steve Martin and Martin Short and of course the newest album! Listen now! Monologue: 0:00:21 Birthday Suit 1: 14:58 Ripped from the headlines: 18:41 Steep Canyon Rangers - Sunny Days: 37:23 Shoutouts: 45:29 Leftover Headline: 48:43 Graham Sharp Interview: 53:32 Steep Canyon Rangers - Hominy Valley: 1:23:06 Mike C Top 3: 1:30:41 Birthday Suit 2: 1:40:39 Birthday Suit 3: 1:42:21
Ben and Ione countdown to being reunited.Ione recalls an embarrassing car ride with Fischer Stevens.Ben recalls Prince's attempt to steal his girl. Hosted on Acast. See acast.com/privacy for more information.
ONLY MURDERS IN THE BUILDING SEASON 3 REVIEW Which of the Pickwick triplets did it, or any of the other members of this star-studded cast? Steve Martin, Martin Short, and Selena Gomez return as Charles, Oliver, and Mabel for the third season of their comedic mystery series Only Murders in the Building, and this time,… Read More »Screener Squad: Only Murders in the Building Season 3
ONLY MURDERS IN THE BUILDING SEASON 3 REVIEW Which of the Pickwick triplets did it, or any of the other members of this star-studded cast? Steve Martin, Martin Short, and Selena Gomez return as Charles, Oliver, and Mabel for the third season of their comedic mystery series Only Murders in the Building, and this time,… Read More »Screener Squad: Only Murders in the Building Season 3
Spoiler Warning! Chris and Taylor review season 3 of the comedy mystery television series, Only Murders in the Building is an American comedy mystery television series created by Steve Martin and John Hoffman. This season follows Ben Glenroy is a Hollywood action star whose Broadway debut is cut short by his untimely death. Aided by co-star Loretta Durkin, our trio embarks on their toughest case yet, all while director Oliver desperately attempts to put his show back together. The cast includes Steve Martin, Martin Short, Selena Gomez, Paul Rudd, Meryl Streep, Tina Fey, Jesse Williams, Jeremy Shamos, Ashley Park, Wesley Taylor, Andrea Martin, Linda Emond and Michael Cyril Creighton.Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcastTwitter: https://twitter.com/thepotentialpodSupport us on Patreon:patreon.com/thepotentialpodcastThanks to our sponsors: Let'sGetChecked: Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL25 ★ Support this podcast on Patreon ★
SEASON 2 EPISODE 49: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: Trump has already violated Judge Arthur Engoron's gag order and if Engoron actually WAS contemplating finding him in contempt and putting him in jail for 30 days he should damn well do it and do it NOW – and if he WASN'T, he ought to expand the gag order and specify that if Trump breaks it again, he WILL spend a month behind bars. Yesterday, he posted quote “the judge fraudulently reduced the value of Mar-a-Lago and other assets in order to make their fake case more viable.”During the lunch-break he said of Engoron “he's a Democrat judge, he has no choice, he's run by the Democrats” thus accusing the judge both of fraud and of political corruption. The gag order precludes Trump from public comments about “any members of my staff” and it is not twisting logic nor semantics too strongly to note that the judge COUNTS as a member of his own staff. So step five is the judge imposing the serious sanctions. By statute it would be contempt of court and under New York State Law article 19 section 751 contempt of court is punishable by – I regret to tell you CAPITAL PUNISHMENT does NOT apply under article 19 section 751 – it's punishable by fine not exceeding one thousand dollars or imprisonment for not more than thirty days, or both. At the discretion of the judge. And if Judge Engoron really wants to make the argument that he is not a member of his own staff he needs to broaden the gag order immediately. Because you, or I, or Hunter Biden, or Joe Biden, or Jesus Christ fresh off the court would have already amassed a thousand 30-day sentences for the kind of stuff Donald Trump has gotten away with, abusing and degrading and insulting and harassing and threatening and undermining and sabotaging and lying about the judicial system. Meanwhile, Rudy Giuliani's Georgia lawyers have bailed out on him. On the other hand he got the kind of publicity he craves. The New York Times has published 3,109 devastating words OVER Maggie Haberman's byline and UNDER the headline “Giuliani's Drinking, Long A Fraught Subject, Has Trump Prosecutors' Attention.” The Times writes they quote “have shown an interest in the drinking habits of Mr. Giuliani… (they've) questioned witnesses about Mr. Giuliani's alcohol consumption as he was advising Mr. Trump, including on election night… Mr. Smith's investigators have also asked about Mr. Trump's level of awareness of his lawyer's drinking as they worked to overturn the election… The answers to those prompts could complicate any efforts by Mr. Trump's team to lean on a so-called advice-of-counsel defense… if such guidance came from someone whom Mr. Trump knew to be compromised by alcohol, especially when many others told Mr. Trump definitively that he had lost, his argument could weaken… several people at the White House on election night (the evening when Mr. Giuliani urged Mr. Trump to declare victory despite the results) have said that the former mayor appeared to be drunk, slurring and carrying an odor of alcohol. ‘The Mayor was definitely intoxicated' Jason Miller”… said. The Trump/Smith angle is fascinating. Because apparently you can't use an advice-of-counsel defense if your counsel is so drunk he could be considered at risk for spontaneous combustion. B-Block (19:21) THE WORST PERSONS IN THE WORLD: The Institute of Economic Affairs has figured out "the future of journalism." It's four Matthews and no women, according to them. Jonathan Turley isn't just flubbing the big stuff; he got Steve Martin's name wrong. And the Trojan horse "news" site "The Messenger" has partnered with an AI company to rank the most reliable news organizations. And you're right: Glenn Beck's "The Blaze" can be trusted. "The New York Times" cannot. C-Block (25:35) THINGS I PROMISED NOT TO TELL: Saturday will be the 48th anniversary of the first broadcast I ever did that had both sponsors and an audience. It was preceded by the elders of the Cornell University radio station sports department playing a trick on me that would be repeated four years later when I made my network debut. I can laugh now. Then? I had two out-of-body experiences. Happily the 1975 WVBR-FM broadcast still exists, so I've tacked it on to the end of this segment. And yes: I mispronounced my own name.See omnystudio.com/listener for privacy information.
When last we saw our heroes, temperamental actor Ben Gilroy had died on stage at the premier of Oliver's new Broadway show. But a very-much alive Ben returns from the hospital, only to plummet to his death in the Arconia's elevator shaft. Who among the cast and crew would want Ben dead? Oliver fears the show will tank if it's a cast member - like the alluring Loretta Durkin whom he's crushing on. Charles is struggling with both his love life and the musical's patter song. Meanwhile Mabel is leaving the Arconia and feels disconnected from the guys. As she moves forward on the podcast without them, can this trio solve the latest murder in the building?Steve Martin, Martin Short, and Selena Gomez return in season three of Hulu's “Only Murders in the Building.” Meryl Streep and Paul Rudd round out the cast. The show turns its focus away from true crime podcasts to musical theater, while providing another group of odd-ball suspects to investigate. OUR SPOILER-FREE REVIEWS OF "ONLY MURDERS IN THE BUILDING" BEGIN IN THE FINAL 12 MINUTES OF THE EPISODE.
Join us in this episode of “The Excellence Project” as Eric Worre interviews John and Nadya Melton, two remarkable Network Marketing leaders and social media experts. Discover their inspiring journey from traditional methods to the dynamic world of online marketing, where they share invaluable insights on building a personal brand and finding prospects in the Network Marketing industry. John and Nadya discuss their early challenges, their shift to online marketing, and how video marketing became a game-changer during challenging times. They emphasize the lasting power of personal branding and networking in Network Marketing. In this fast-paced digital age, they also provide practical tips to stay current, engage with your audience, and take control of your online presence. Tune in and learn how to leverage the potential of social media effectively to create opportunities, financial stability, and a thriving Network Marketing career! About: John and Nadya Melton are experienced network marketers who have earned seven figures over 15 years. They're top leaders in their company, with a Facebook following of 75,000 and having recruited 1,500 people. They specialize in teaching social media strategies for attracting prospects and customers. They shifted to social media after realizing traditional methods impacted their personal lives. Their online success allowed them to enjoy life, travel, and help others succeed. They've learned from and coached industry leaders, making them experts in helping entrepreneurs succeed. HIGHLIGHTS: John and Nadya Melton journey from traditional to online Network Marketing The importance of personal branding online to attract prospects How video marketing transformed their business during tough times Understanding the enduring value of personal branding in Network Marketing Tips on using social media effectively for networking and growth Staying current in the digital business landscape Taking control of your online brand-building journey SOCIAL MEDIA: Website URL: https://mylifestyleacademy.com/ John & Nadya Melton IG