Podcasts about alsberg

In this episode, Naomi discusses growing up in a household with Baal Tshuva parents, Naomi paints a vivid picture of how overcompensation can lead to sheltering and the impact it had on her formative years. We explore the consequences of an inadequate secular education and challenge the false dichotomy between secular and religious studies. Naomi bravely shares her struggles with "being a lazy Jew" and her personal battles with spirituality. The question arises: Why are Haredim seemingly more successful at preserving the essence of religious Jews? Lastly, Naomi shares her unique perspective on aliens, their potential interactions with us, and how they might be intertwined with God's grand plan. Dive in for an episode that's an eclectic blend of spirituality, self-discovery, and a touch of the extraterrestrial!

Christine Riccio & Natasha Polis talk all things nerdy in the book, tv, movie, pop culture, fandoms, and how they integrate into their adult lives. Today they're deep-diving into what it was like to transition from Booktuber/Online Book-reveiwer to author with the help of special guest, author, and Booktuber, Sasha Alsberg. In Chapter Chat, they venture into chapters 13,14, & 15 of A Court of Mist and Fury by Sarah J. Maas.  Today in Fangirl Tea Time: we talk about our career aspirations and dreams, how they've evolved from childhood to now, and more! That's available on the Patreon for Team Jacob and up! Join those F%#KING FANGIRLS Patreon Community: https://www.patreon.com/thoseforkingfangirls   How to link your Patreon account to your Spotify, and get the exclusive Those Forking Fangirls XL Feed there: https://support.patreon.com/hc/en-us/articles/17201706786573-Listen-to-Patreon-exclusive-audios-on-Spotify Follow the visual show on our Youtube: http://youtube.com/@thoseforkingfangirls   Find Sasha Alsberg on instagram: https://www.instagram.com/sashaalsberg/ & on YouTube: http://youtube.com/abookutopia  Sasha's new novel, the second Fracturing Fate: https://a.co/d/2CxspPC Sasha's Sci-Fi series The Androma Saga: Zenith | https://a.co/d/6HQATSe Christine's first novel Again But Better: https://read.macmillan.com/lp/again-but-better-tp/  | Again But Better is currently free on Kindle Unlimited Christine's second novel Better Together: https://read.macmillan.com/lp/better-together-tp/ Website: https://thoseforkingfangirls.com/  Email us feedback: thoseforkingfangirls@gmail.com Email us your Twilight Hot Takes! =D Instagram: https://www.instagram.com/thoseforkingfangirls/ Twitter: https://twitter.com/forkfangirlspod  TikTok: https://www.tiktok.com/@thoseforkingfangirls

I was so intrigued by the cover and premise of Sasha Alsberg's Breaking Time that I bought it right when it came out. This YA novel is set in Scotland where the final Pillar of Time (i.e., time traveler) and her protector from the past battle evil and maybe fall in love. I lament the disappointment of not enjoying this book, take the great premise and rewrite the story to make it more interesting, and question Klara's anti-college views considering she wants to be an astronomer.

#035: Today we are talking with Terry Alsberg the CEO and inventor of the warmboard radiant heating system. Terry will discuss the benefits and features of warmboard and why it is superior to all other radiant heating systems. Forget everything you think you know about radiant heating. Warmboard is a fully engineered system that uses routed panels topped with conductive aluminum allowing the radiant heating to be a whole house heating system and not just something that warms up the floors. Warmbard is more effective and efficient than pipes embedded into a concrete slab and is a healthier way to heat your home than forced air. The system comes complete with boilers, pumps and controls that are pre-commissioned so that when they arrive on site it is simply a plug-and-play installation for your contractors. The warmboard panels also act as your structural subfloor and are installed and secured the same way a plywood subfloor would be. Visit the Warmboard website and follow Warmboard on Instagramvisit n3 architecture for more informationIf you are an architect or architecture student, you need to be part of the EntreArchitect Community - visit the resources for architects page of my website for more informationIntro music by Purple Planet Music

I detta avsnitt intervjuar Fredrik Pettersson Annika Sjölund-Alsberg om förlossningsrädsla. Annika har tillsammans med Eva Wiger skrivit boken Mod att föda: föda med mod. "Open Those Bright Eyes" Kevin MacLeod  (Incompetech.com) Licensed under creative commons: By attribution 3.0 License.

The Uprising of Socialism in the U.S.- MZ's guests are Terry and Sarah Alsberg. Sarah was born in mainland China in a military family. Her experience with true socialism inspired her to flee her country for the United States. With the poor results socialism has had throughout history, why is socialism on the rise in America? This question is the topic of this week's edition of "The Saturday Special with Michael Zwerling"!

We interview Sasha Alsberg, co-author of Nexus. Subscribe to the podcast here: https://podcasts.apple.com/us/podcast/harper-audio-presents/id806303320 Lindsay Cummings and Sasha Alsberg follow their bestselling sci-fi space adventure Zenith with the final entry to their Androma Saga, Nexus. Sasha chats with us about the journey of writing with a partner, what’s on her author bucket list, and much more! Stick around for an extended excerpt from the audiobook version of Nexus.

I del 2 träffar vi Annika Sjölund Alsberg som är legitimerad psykoterapeut och arbetar på Liljeholmens vårdcentral. Annika möter bland annat vuxna som blivit utsatta för mobbing som barn, och pratar om vilka men det kan ge i vuxen ålder. 

Solen skiner och våren är förhoppningsvis här för att stanna, men inte riktigt lika ljust ser det ut för de ca 60 000 barn runtom i landet som dagligen utsätts för kränkande behandlingar. Mobbning förekommer allt för ofta där vi vuxna lyser med vår frånvaro. Det här är del 1 av 2 där vi fokuserar på barnen. I del 2 kommer vi att gästas av Annika Sjölund Alsberg, legitimerad psykoterapeut som berättar hur mobbing kan påverka ett barn långt framåt, även i vuxen ålder...

Sasha Alsberg and Lindsay Cummings, co-authors of the New York Times bestselling sci-fi novel ZENITH, talk about battling dyslexia/ADD and chronic fatigue, why Lindsay dedicates every book she writes to her father, thinking that writers were cyborgs and/or holograms, deciding to co-write over text, and leaving the subject of their book up to a Twitter poll (but then ignoring it).   Sasha Alsburg and Lindsay Cummings SHIP IT by Britta Lundin The Percy Jackson series by Rick Riordan The Chronicles of Narnia by C.S. Lewis Harry Potter by J. K. Rowling The Hunger Games by Suzanne Collins The Mortal Instruments series by Cassandra Clare The Murder Complex by Lindsay Cummings City of Bones (movie) Lily Collins Firefly (TV show) Sasha’s book tube channel, ABookUtopia Lindsay’s book tube channel Guardians of the Galaxy (movie) Peter Knapp at Park Literary Jo Volpe at New Leaf literary The Wayside Inn Mean Girls (movie) The Hate U Give by Angie Thomas Love, Hate, and Other Filters by Samira Ahmed Veronica Roth (listen to her First Draft interview here and here)

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment but, as DeMasi demonstrates, with projects such as the multivolume American Guide and the compiling of the oral histories of former slaves he shepherded some of the most enduring cultural legacies of the era, ones which serve as monuments to his own blend of political values and artistic creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment but, as DeMasi demonstrates, with projects such as the multivolume American Guide and the compiling of the oral histories of former slaves he shepherded some of the most enduring cultural legacies of the era, ones which serve as monuments to his own blend of political values and artistic creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment but, as DeMasi demonstrates, with projects such as the multivolume American Guide and the compiling of the oral histories of former slaves he shepherded some of the most enduring cultural legacies of the era, ones which serve as monuments to his own blend of political values and artistic creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment but, as DeMasi demonstrates, with projects such as the multivolume American Guide and the compiling of the oral histories of former slaves he shepherded some of the most enduring cultural legacies of the era, ones which serve as monuments to his own blend of political values and artistic creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment but, as DeMasi demonstrates, with projects such as the multivolume American Guide and the compiling of the oral histories of former slaves he shepherded some of the most enduring cultural legacies of the era, ones which serve as monuments to his own blend of political values and artistic creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment but, as DeMasi demonstrates, with projects such as the multivolume American Guide and the compiling of the oral histories of former slaves he shepherded some of the most enduring cultural legacies of the era, ones which serve as monuments to his own blend of political values and artistic creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices