Podcasts about narnia

Gavin Ortlund shares his favorite moment from The Chronicles of Narnia, a scene that shows how even when life feels dark and confusing, Jesus is guiding our every step, just as Aslan guided Shasta.Truth Unites (https://truthunites.org) exists to promote gospel assurance through theological depth. Gavin Ortlund (PhD, Fuller Theological Seminary) is President of Truth Unites, Visiting Professor of Historical Theology at Phoenix Seminary, and Theologian-in-Residence at Immanuel Nashville.SUPPORT:Tax Deductible Support: https://truthunites.org/donate/Patreon: https://www.patreon.com/truthunitesFOLLOW:Website: https://truthunites.org/Instagram: https://www.instagram.com/truth.unites/X: https://x.com/gavinortlundFacebook: https://www.facebook.com/TruthUnitesPage/

Send us a textWe reflect on aligning the last 24 hours with God's will, then walk through Titus 2 and 2 Peter 2 to show how faith orders our homes and guards us from false teachers. We read the 1781 Congressional Thanksgiving proclamation to recover gratitude, repentance, and public dependence on God.• setting priorities that match God's will • accepting suffering now with hope of eternal glory • Titus 2 as a blueprint for multi‑generational discipleship • 2 Peter 2 warnings against false teachers and greed • Psalm 119 loyalty to God's word over divided hearts • Proverbs on steady work versus chasing fantasies • Medal of Honor spotlight on Wilmon W. Blackmar • 1781 Congress calling the nation to thanksgiving and prayer • faith shaping leaders, schools, courts, and public life • Christ alone as the only path to GodIf you're looking for a family-friendly middle grade read along the lines of Narnia, The Hobbit, Harry Potter, Percy Jackson, check out Countryside. If you enjoy it, leave a review. If you're getting something out of the podcast and can leave two or three or four or five dollars a month, visit the Buzzsprout page to set up a monthly donation.Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

It's an X-MEN reunion with James McAvoy & Elliot Page! Recorded at New York Comic Con, Elliot and James compare their superpowers, talk about the meaning of X-Men in their lives, and talk everything from INCEPTION and THE ODYSSEY to SPLIT and NARNIA. UPCOMING EVENTS Brendan Fraser 11/18 in NYC -- ⁠⁠⁠⁠⁠Tickets here⁠⁠⁠⁠⁠ Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Happy Sad Confused patreon here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! We've got discount codes to live events, merch, early access, exclusive episodes, video versions of the podcast, and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Taylor Thornburg, multi-media creator and fan talks about how to plug in to the local literary scene, his connection to physical media, and how he loves authors that are just entirely out of the box. We also talk about a lot of the great benefits of the Chicago reading life.    Agathe, 6:00 p.m. to 7:27   Books mentioned in this episode:    What Betsy's reading:  Katabasis by R.F. Kuang  Flashlight by Susan Choi    Books Highlighted by Taylor: Ubik by Philip K. Dick  In Praise of the Stepmother by Mario Vargas Llosa  White Cat, Black Dog by Kelly Link Lapovona by Ottessa Moshfegh My Brilliant Friend by Elena Ferrante  Gravity's Rainbow by Thomas Pynchon Pale Fire by Vladimir Nabokov   All books available on my Bookshop.org episode page.   Other books mentioned in this episode: Herscht 07769 by Lázló Krasznahorkai Schattenfroh by Michael Lentz  The Instructions by Adam Levin The Möbius Book by Catherine Lacey  Bluets by Maggie Nelson  The Chronicles of Narnia by C.S. Lewis  The Lord of the Rings by J.R.R. Tolkien  Frindle by Andrew Clements  Severance by Ling Ma  Bliss Montage by Ling Ma  Shadow Ticket by Thomas Pynchon  All Fours by Miranda July  My Year of Rest and Relaxation by Ottessa Moshfegh  Eileen by Ottessa Moshfegh  Infinite Jest by David Foster Wallace  Chain Gang All Stars by Nana Kwame Adjei-Brenyah  North Woods by Daniel Mason

Step through the wardrobe with us as we revisit C.S. Lewis's timeless classic The Lion, The Witch and the Wardrobe and its magical (and occasionally icy) movie adaptation! ❄️In this episode, we're talking childhood nostalgia, book-to-movie differences, character changes, and the enduring magic of Narnia. From Turkish delight to talking lions, we're asking the big question:Which told it better: the book or the movie?

To be continued in part 23, By FinalStand for Literotica. Christian College Sex Comedy: Part 23 Zane Spars with the minds of the Faculty In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels. "You are quite the James T. Kirk in this Undiscovered Country of Freedom Fellowship University," Doctor Scarlett eventually spoke up. I didn't know who that was but I had a feeling it wasn't a modern Christian author. "Who?" I asked. Doctor Scarlett blinked. "James T. Kirk, Captain of the Starship Enterprise, from Star Trek," she seemed confused that I didn't know who this guy was. "Wait, you mean that bald guy? I thought he was named something else," I wondered. "That's Jean Luc Picard, who was the captain in the second series called Star Trek: The Next Generation," she corrected me. It was somewhat amazing to me that the Vice Chancellor was a science fiction buff. Who knew? "Oh, wait, you mean that guy that Chris Pine plays?" I thought I figured it out. "Thank you; he is kind of hot." "No," she corrected, "that is the new series of movies, but it is the same character." I nodded as the pieces slowly came together. "Ah, the Green Orion Slave Girl," I finally clued in, "and that black babe who later showed up on Heroes." Sensing Doctor Scarlett's exasperation I added, "I remember ladies better than I do men." "Obviously," she noted. "I did not call you to my office to discuss trivia, Mr. Braxton, " "Please, call me Zane," I interrupted then, "and I apologize for interrupting. May I call you Victoria?" "Doctor Scarlett will do," she shook her head. "As I was saying, I asked you here to discuss your integration into this school so that we can avoid some of the problems experienced in the past." I looked at her; she looked back, expecting me to say something, but I didn't. "As the sole eligible male on campus, what do you see as your role here?" she pressed on. "Uhmm, Doctor Scarlett, I am a student here, that is my role. Are you implying that I'm looking for something special because I am a guy?" I questioned. "Mr. Braxton, Zane, you are a guy, you have remodeled your personal quarters into a bordello, and there is evidence of you having sexual relations with multiple female students," she responded. "How is that not 'something special'?" "The administration stuck me in the attic, then told me I could set up my room any way I saw fit," I clarified. "The vast majority of my room is set aside for my fellow freshmen to have a place to unwind and relax." "I've never violated any girl's Purity Pledge, though a few have reconsidered it after meeting me," I admitted. "I've been in a few fights, I'm not proud of that. I did as much as I could do to resist Chancellor Bazz, I am proud of that. What she was doing was ten shades of wrong and I don't run away from a righteous fight." "Zane, I am not condemning you for defending the women in your life, nor for having a healthy libido," Doctor Scarlett stunned me with a lack of blame being tossed my way. I worked that over in my mind until I figured out what was going on. "So, do you have any recommendations on what I could do differently to fit in?" I inquired. The problem was, this wasn't about me fitting in. She wasn't lauding my sexuality and she was trying to throw me off-center by the little annoying phone call game, followed by this sympathetic interpretation of my school life to date. I knew she wanted to manipulate me but I didn't know why. I had to get her to tip me her hand so I could figure out what the game was. "Are you familiar with the concept of Christian Female Tribalism?" Scarlett opened. "I get the feeling it has something to do with the six framed articles from non-Christian magazines hanging on your wall," I noted. "Also, you are clearly the darling of the Christian media," I added, as I tallied up the dozen other articles attesting to her fame. "I haven't dedicated my life's work for the sake of popularity," Doctor Scarlett smiled (sure, right). "I am looking into the relationship between Jesus Christ's teachings, men and women. My research has led me to believe that women exist in a more spiritually pure form when solely in the company of other women." "Where do men fit into this picture?" I questioned. "Men provide the ultimate guidance, of course, as well as their roles in procreation and raising male children past the age of eleven," Doctor Scarlett related. "Women are happiest and most effective when they form their own networks and hierarchies." "You don't date much, do you?" I had to ask. "Mr. Braxton, I have lived a chaste life in pursuit of my studies," she answered. "Outside of your father, Victoria, have you ever lived under a man's guidance?" I wondered. It was a calculated move to use her Christian name. "It is Ms. Scarlett, Zane, and I have relied on a variety of pastors for spiritual guidance over the years," she stated. "Okay," I stood up, "we have nothing to discuss then." She didn't yell at me as I headed for the door. "You've never been in love and I can tell you have a poor estimation of romance." "You would be incorrect, Zane; I have been in love but I chose purity over sinfulness," she countered. "My faith is based on God being love, without reservation, restriction, or guilt. I know exactly where you are coming from," I said with my hand on the doorknob as I looked over my shoulder. "You are seeking validation for the mistakes you've made over your lifespan and you are willing to sacrifice the young ladies at the school." I was getting angry. "I was hoping for something better but it seems like a different conductor but the same old music, Doc." "That is not so," Doctor Scarlett stayed calm. "I am not attempting to drive you or any other student off campus. I am not your enemy." "That is simple enough to resolve," I nodded. "What is your perfect women's society view and response to promiscuity?" "Lust is a sin; women should resist sin as vigorously as men," she countered. "The seven deadly sins are Catholic, not the words of Jesus," I grinned. "In fact, the first list wasn't even created until the 4th century after Christ." "That does not make them any less valid," Doctor Scarlett offered. "What is the cut-off date for Bible legitimacy?" I turned and faced her. "1000 Ace? Today, here, and now? Who is to say I can't create new scripture, then?" "I apologize, Zane," she mused, "but you hardly seem to be someone touched by the hand of God with a gift of prophecy." "Do I have to lay on hands to prove it?" I beamed. I had finally been able to interject sexual innuendo into the conversation. She didn't respond like a damn normal person, no. Doctor Scarlett stood up, walked around her desk and came to a stop barely a foot from me. I am not so easily deterred. I leaned into the doctor until my nose was at the crux of her neck and shoulder. I used my cheek to push her hair aside and sniff my way up to her ear. She was really ironclad in her control of her passions. I trailed my nose up to her eyebrow ridge, circled over the forehead, down past the other eye, and over to her lips. We didn't kiss but I did get what I wanted. "How about I call you Victoria when we are alone?" I tested her. "No; call me Ms./Dr./Vice-Chancellor Scarlett," she corrected. "You are my student." "Cool," I shrugged. "Is there anything more for us to discuss?" "I would like to discuss my plans for this school and the role I think you can take on," Scarlett persisted. "We've had that discussion, I chose a messy democracy over any sweet-smelling dictatorial existence," I declared. "Your belief system stands for the denial of self-determination." "It does not, Zane. If anything, it gives women more power over their lives," she explained. "But the basis for your system retains men in charge, with the added 'benefit' of women being more removed from the critical decision-making processes," I replied patiently. "Don't you enjoy being in charge of so many women here at FFU, Zane? You have certainly convinced dozens of women to do what you want, even to their own detriment," Doctor Scarlett drove her point home. I laughed; I couldn't help myself. "I might enjoy being in charge if any of the women would give me the opportunity, Victoria. Honestly, I allow the women here to safely experiment with their sexually," I explained. "Thing is, I really don't mind because I help these ladies become more comfortable in their skins, with their desires, and allow them to share things they have discovered about themselves. If I was with only one woman, what peer could she talk to? You've put your blinders on to the fact that women want to examine those urges they all have," I proposed. "They don't surrender to lust; they acknowledge it, explore those frontiers, and then decide how to use that knowledge," I continued. "Most of the women in my life here don't lose their virginity. I think by challenging their Purity Pledge, they become stronger in their convictions. I'm not taking any choice from them; they are exercising their own will concerning their bodies." "If you deny the male role in the Christian relationship, doesn't that emasculate you?" Victoria asked, and I noticed she didn't chastise me for using her first name this time. "I'm not going to fall into the trap of mistaking sexual activity for true masculine activity," I headed her off. "I would like to think I mediate disputes, help with our studies, and protect them physically if needed. I don't like to fight, but I will fight to defend my ladies. So no, I don't feel less of a man because I listen to, occasionally obey, and always try to respect women." "I see your point, Zane, and I will give it some consideration," Doctor Scarlett lied to me. "Oh, wow, that condescension was unwarranted, Doc," I shook my head. "You would never accept that I could be the man who would alter your lifelong path. You have an unrealistic expectation of what that man would be like but it allows you to pursue your goal without male guidance and still be a good Christian woman." "So now you think I am a hypocrite?" She gave a patient smile. "Nope. I think you believe the theory you are selling, Vic. You are clever, attractive, but somewhat annoyed that your looks give your ideas less credence though you still use your looks when needed. You are manipulative because you are sincere and you want to keep the argument based on rational discourse, not passion." "That would make you my opposite," she observed. "You embrace your gut instincts and allow your emotions to override what you think is the safe course of action. It is a pity you perceive me to be your enemy; I thought we could do great things together." "You are the enemy, but you are not the bad guy; I respect those who have faith, even if it is faith in something I don't agree with," I pointed out. "You believe women are better off without male interference in their lives. I believe there is nothing better in Creation than a man and woman in harmony with one another," I stated. "Don't you believe in safeguarding these young ladies' souls?" Victoria pressed on. "If the ladies were children I could understand your interference," I countered, "but they are adults, capable of making adult decisions, and you do them a disservice by stealing their destinies from them." "You see yourself as a better alternative?" she remained serenely calm, that's so hot. "Lady, my life is a mess," I grinned. "I have a hard time figuring out what I'm going to do much less what I should tell someone else to do." "But you are making the decision that my solution is the wrong one. How do you justify that?" she countered my grin with a smile of her own. "Just because I don't have the right answer doesn't mean I don't recognize the wrong one when I see it," I reposted. "As I said earlier, we have nothing to discuss." "Very well," she allowed, "but please tell me what the whole sniffing thing was about." "It was more than sniffing, Doctor Scarlett. I was looking for your pulse reaction, sweat, what kind of perfume and body soap you use, as well as facial tics and eye dilation." "That is certainly odd," she pointed out. "Well, it tells me you are a mid-thirties virgin who likes feminine things. Your skirt is finely woven wool, your shirt is silk, and your cross is 24 K, as is the necklace, with a real ruby inset. Your bra is a black half-cup, which is very nice if you are wearing a white shirt. Lastly, you are wearing stockings, not pantyhose." "Since neither you nor Ms. Reveal is a lesbian, you are wearing these clothes for your own enjoyment because you are not interested in any man right now," I told her. "You are still holding out for your Mystery Man which is oddly romantic for someone who denies romance." "Ms. Buchanan was right," Scarlett laughed softly. "You would be interesting to deal with." Right as I made ready to ask her what exactly Christina said, my stomach began rumbling. "I'm off to lunch unless you need me for anything right now," I sighed. Victoria turned me around and directed me out the door. Rio, Mercy and Vivian were waiting for me. It rapidly became clear that Rio was Doctor Scarlett's next appointment. "Ms. Reveal," I inquired of Doctor Scarlett's assistant who glared in response. "I'm heading off to the dining hall, and since I doubt you've been able to grab a bite to eat, do you want me to pick up something for you and the doctor?" I doubted that was what she expected. She typed away at her keyboard for a few second, checking out today's menu. "Mr. Braxton, could you get me the Caesar Salad and Doctor Scarlett the trout?" she said. "Zane," Rio snickered softly, "how far did you get? I'd hate to have to sex her up all over again when I can go straight for the main dish." "Smooth, Bro," I groaned while Marisol looked like she was going to staple Rio's ear to the desk. "The Doctor and I talked and that is all," I cautioned Rio. "I suggest you do the same and keep it simple." Rio snorted and followed Doctor Scarlett into her office. Before she dropped out of sight, Rio half-turned, pointed at Victoria's ass, and mouthed 'Wow' and made out the hourglass curves. She was really subtle; only Mercy, Vivian, Marisol and I saw it, which meant all of us. "Mercy, are you going to be okay?" I inquired once the door shut and Mercy had sat down on the bench outside the office. "I need to stay for Rio," Mercy sighed. "Vivian, can you wait for Rio while Mercy and I take a walk?" I asked my guardian. "Absolutely, Zane," Vivian nodded. She took a seat while Mercy followed me wordlessly out the door. "You don't have to do this, Zane," Mercy spoke up after a while. "Own up to all you do, Mercy," I replied, "and by that, I mean I brought you and Rio into a collision course so I am as responsible for your happiness as I am for Rio's." "I, umm, thank you," Mercy worked out the words. "Rio can be too much to handle at times." "Yes," I wrapped a very inappropriate arm around her shoulder, "she can be, but I feel she's worth putting up with the bull crap. Don't be discouraged by her fooling around with other women, or men; Rio is far more loyal than people give her credit for. She may do things to piss you off, that's a given, but she wants to be with you. In fact, who do you believe she was thinking of when she bought that ass plug?" "You?" she meekly mocked me. "Ha, ha, ha," I chuckled. "That is the reason I don't sleep on my stomach these days, Mercy. She plays rough. She loves rough too, so I feel it is an adequate trade-off. If you want to snuggle with someone else from time to time, you are welcome on my pillow any night." "Zane, do you think I'm a lesbian? What I am trying to say is, I think I may be a lesbian but I'm not sure," Mercy confided in me. "It doesn't matter what I think but in my experience, you are bi-sexual, not a dedicated lesbian. That could mean that you like relationships with girls but the occasional fling with a guy," I said. "You have had sex with me and I know you enjoyed it. You are not in an environment that allows many men so now that you are coming into your sexuality, you are confronted by women. Sexual orientation is one thing; sexual preference is another," I went on to say, "At Spring Break we should put your ideas to the test. Until then, don't worry too much about it." "Not being a virgin would be horrible enough," Mercy related. "If my parents thought I was homosexual, they would die, or kill me." "Mercy, do you think what you are doing is sinful?" I questioned. Mercy had to think about that for a while. We gathered up three trays and made our way back to the Vice Chancellor's office. "Yes, yes, I do, Zane," Mercy muttered. "I am afraid I'm going to Hell." "Mercy, you are not going to hell, at least not for what you've been doing the past few weeks," I comforted her. "Think about the good you've done for Rio." "I am still steeped in perversions," she moped. "Trust me on this; the battle between Heaven and Hell will not be decided by the playful use of a dildo, ass plug, or vibrator," I whispered into her ear. Mercy rewarded me with a wicked little smile. "What matters is the happiness you bring, the trust you earn, and the powerless you protect. Don't knock yourself out because you too are feeling pleasure." Mercy stopped walking which brought me up short. She worried her lower lip as she worked some things out in her head. "Do you think I'm really Rio's best hope at salvation?" she asked softly. "You more than anyone else," I responded. I could see a weight lifting off her shoulders. "Thank you, Zane," she smiled at me. We entered the Administration building and headed for the Vice-Chancellor's office. "I'm going to have to tell Rio about his conversation," I told her. Mercy looked uncertain. "Someone deserves a spanking, don't you think?" That wonderful little lusty smile crept onto her lips once more. More Monday Mornings   Doing the correct thing is good; doing right and confounding your enemies at the same time is golden. Blow & Arrow "You are getting better, Zane," Molly Travers told me after my rotation to the shooting line. "If you say so," I shrugged. "I've yet to hit the rings twice in a row." "But you are hitting the target every time," she pointed out. "Great," I chuckled, "if I ever get attacked by a rhino or a barn door, I'll do fine." "If it is a big barn door, a really big barn door," she snickered in sympathy. "So, uhmm, what do you think your chances against Hope are?" "Huh," I looked to her, "are you betting on me and Hope's sparring match?" "It's not really a bet, more like a wager," Molly grinned. "Betting and wagering is the same thing, Molly," I pointed out. "Okay, fine, we are betting on the outcome," Molly admitted. "So what do you think the odds of you winning are?" "Barring the intervention of large fighting robots, I'd bet on the cute Asian chick to win," I joked. "Arrows," Chastity called out. It was my job to retrieve all the expended arrows from the field, being the junior member of the team. After that we did one more round, then we cleaned up and made our way to either study period or our next club. Chastity held me back so that we could go to Karate class together. "Don't be too hard on Hope," Chastity abruptly told me. "I'm not all that sure I can beat her, Chastity," I confided. "Oh, there is no chance of that," Chastity assured me. "She's going to destroy you. I only want to make sure you are a good sport about it because she really likes you and she's worried you might take this beating the wrong way." I stopped and stared at her somewhat incredulously. "Oh, come on," I grumbled. "I have some sort of chance. She's not that good." "If thinking that makes you feel better," she patted me on the back. "Well, if you believe I can't win, you will be willing to make a wager on the outcome then," I challenged Chastity. "What would it be?" Chastity mused. "You in a little, itty-bitty French Maid's outfit for twelve hours of my choosing," I said. "What do I get if Hope wins?" Chastity countered. "What would you want?" I grinned. "Any one favor to be decided on later," was what she came back with. "Oh, please, my favor is relatively precise while you want the world," I pointed out. "Okay, I want one 'forgiveness' in advance," Chastity offered. I groaned. "You just have to keep busting my chops, don't you?" I sighed. "Fine, I'll make the bet." For a private sparring match, Hope and I drew a great deal of attention. Christina, Heaven, Chastity, and Faith were expected, as was Coach Gorman. I had kind of hoped Cappadocia would hang around so we could hook up when the fight was over. Everyone else was rather distracting. Both Hope and I went shirtless, me bare-chested and she with a black sports bra, as well as barefoot. We set up four meters apart with Hope doing something that mimicked warm-up exercises. It took a second of eye contact for the fight to begin. I kicked out viciously; she collapsed beneath the blow and swept my legs. My back slapped the mats and before I could move or mount much of a defense, Hope was all over me. It was arm bar and she had my head in a scissor lock and that was that. I tapped out before she could render me unconscious. No one said anything as I regained my feet. I was careful not to make eye contact until I'd backed up a bit. I had no clue to what kind of Monkey Kung-fu she had just worked on me but I knew that what little Thai Kickboxing I had wasn't cutting it, but I knew even less Karate and even less of what Gorman and Black had shown me. It boiled down to making use of what I did know to the best effect. This time I danced to the left using a little trick Gabrielle Black had taught me (with some pain added). At first Hope mirrored my movements so when I lashed out with my first kick it caught her off-guard since I'd also been slowly closing the distance between us. She tried to snake within my reach but I kept shifting and kicking to hold her at bay. When she finally did get inside, I hit her with every fist/arm/elbow strike I knew. I knocked her back, pursued her, and for a moment it looked like I had a chance. Hope kept maneuvering with the grace of a gymnast so I couldn't pin her to the mat. Once she got to her feet I sensed I was rapidly running out of options. I certainly didn't expect a chop to my temple and that was pretty much all she wrote. She jumped up, put her knee into my diaphragm and rode me to the ground. I managed to block twice against her strikes as she straddled my stomach. I almost knocked her aside, we wrestled, and that was the totally wrong thing to do. I knew crap about wrestling. My tapping out was a foregone conclusion once she got me on my stomach. For a second I lay there marveling how quickly I'd gone down, twice. I noticed that Hope was still standing astride my body so I rolled over in place and looked up. For a second she had this look that reminded me of staring into the pitiless depths of the ocean. "My head hurts," I emphasized with a deep breath. That set off a flash of light in her eyes. "The important one or the one on top of your neck?" she smiled from above. Hope crossed her arms and helped me stand. "Are we okay?" she suddenly seemed worried. "Oh, hell, no," I gasped. "I've got to learn me some of those moves. You were freaking awesome." That outburst gained me a snort of amusement on her part. "I am not a master so I would have to consult my master before taking on a student," Hope informed me. "Your Father?" I was curious. "No; my Father had to get permission to teach my sisters and me. My Master is back in Korea," she answered. Hope and I parted ways and various friends now felt free to join the party. "Damn, Bro, she kicked your ass. I'm ashamed to call you family," Rio mocked me. "Rio, now you know how he feels about you every day," Valarie shot back. "I think he did pretty good, all things considered," Coach Dana Gorman stated. "I don't believe Zane's ever fought against a 'soft' or passive style." "Fifteen or twenty more years and I would have had her," I chuckled. "You are right, Coach; I've never seen her precise style. I've tried some of the exercises monks use but those were primitive compared to what Hope showed me today. Now I think I'm going to take a shower." "Everyone will clear out now," Coach ordered as I made my way to the showers. ZETAS "Honestly, Zane," Sahara lectured me deliciously, "did you have to flush my phone down the toilet?" "Technically, I only dropped it in," I corrected. "I didn't hit the handle. Besides, you know your husband would only annoy us with his incessant phone calls." "I still feel a little guilty," Sahara sighed. "He knew when I would be over and where we would be going if he wasn't going to be kind enough to be there," I pointed out. "The only reason to call you would be to ruin the moment he could have pre-empted by showing a little consideration for your feelings." "That is not fair," Sahara countered. "My husband is a community leader with many responsibilities." "So would you be if people would wake up and see you as I do," I answered. "Zane, I don't want any misconceptions about me," Sahara stared at me intently. "I am loyal to my marital vows." "I don't doubt that for a second," I agreed. "Betrayal leaves its own scars and I don't see any on you." Sahara didn't immediately react to that, instead taking a long sip of her tea. "Certainly you have heard the rumors by now?" she said softly. "Yes, and I believe them," I responded gravely. I let that hang there for thirty seconds. "Aliens did land in Roswell, New Mexico in 1947, and they interred the bodies at Wright-Patterson Air Force Base before finally moving them to Area 51." Sahara didn't know what to make of that for a second but slowly began to smirk. "What? Was there another rumor that I should be giving a damn about?" I concluded. "Some people compromise for the easy way out, some people remain mostly steadfast and take the hard road, but you are the only man I know who gladly skips through a minefield because even the hard road is too much of a compromise for you," she commented. "I can only be me," I replied. "I couldn't be you; I doubt the clothes would fit." "Oh, you are such a strange individual," she tilted her head. Before she could explain our food arrived and she felt it prudent to wait until there were fewer prying ears. "Do you think it is appropriate for me to, ask about Ms. Vickers?" "No," I responded patiently. "If you ever feel like it is your business, she's in church every Sunday and she's nice, if a bit nervous considering the current circumstances." "It is only that I hear things about you when my husband talks to other people and, much of it doesn't make sense," she added. "For instance, I believe I'm the only one who sees it but I'm sure you are having an affair with Rochelle Wellington." "I'm neither confirming nor denying anything but how does that make you feel?" I countered. "Infidelity is a crime," she answered after a few seconds, "but Mayor Wellington is a horrible, horrible man." And this was coming from the woman married to that bastard, Pastor Bill. "I confess that I find the whole thing very amusing, to the point where I pray to Christ for forgiveness virtually every night. That includes using me as a distraction for Kendra's nosey little self." "That was not my intent if that's any consolation," I sighed. "I simply thought we had a lot in common." "Such as?" she smiled. "Well, before we moved here, we had no idea where Lancaster, Virginia was," I started. "We both know that waving a Bible around doesn't make someone holy; a custom may be fine for you but it isn't for everyone and we know what it is to be judged by people who have never gotten to know us," I completed. "I also wanted you to know that I know about Bill and we are not alone." "Know? What do 'we' know?" she asked confidently enough. "We know why he let them think you were the one who was unfaithful," I clarified somewhat. Sahara stared at me, her face torn by a plethora of warring emotions; loyalty, anger over being betrayed, and relief that she didn't bear this terrible burden alone anymore were all there. "Men handle such things differently than women," Sahara told me in a distant voice. "My father wanted boys." "I imagine your Father-in-Law wishes he had raised his boy to be a man too," I joked. "That's unfair," I corrected myself. "I have nothing against men of a different persuasion. It is bastards I have a problem with." "Please, Zane, he is still my husband," Sahara admonished me. "Well, he had better start treating you better or I may re-familiarize him with Deuteronomy 23:1 (ty-jw)," I responded. "Your loyalty to him should be met with respect. That is the deal we make when we get married." "What makes you think you know so much about marriage?" Sahara inquired after a bite, some savory chewing and a gulp. "I'm smarter than I look. Okay, that's not too difficult, but I'm usually smarter than people give me credit for." "Smart things like inviting Ms. Kennan to services yesterday?" she taunted me. "I actually didn't invite her but don't tell anyone; I revel in people's opinion that I'm irreverent," I grinned. Sahara tried and failed to fight down her own smile in response. "I've actually invited Belle, Ms. Kennan, to live with me and Jill as well as giving her a job." "I, I don't know what to make of that," Sahara worried. "She's very pretty, I imagine." "Sahara, you need to become a better judge of people," I said. "I wouldn't trust Belle with my car keys or my favorite cuff links, but I'd trust her with Jill's life or my own." "Sometimes it helps to remember we are still listening to the words of a poor carpenter's son who suffered through exile," I pointed out, "who wouldn't do what the authorities told him to do, died because he was betrayed by a close friend, and went to the grave abandoned by all those who said they understood him; not most people's first choice for founder of the world's largest religion." "When you put it that way, it sounds depressing," Sahara agreed. "It also sounds exactly as it played out. It often does not occur to most believers that the flame of Christianity almost fluttered out before it ever really came to life." She looked for me to say something but all I did was grin. A few seconds later I saw that flicker of understanding come alive in her eyes. "Here you are, the star of multiple on-line sexual misadventures, sitting with the preacher's disreputable wife in the most romantic restaurant in town and we are discussing morality and religion," she chuckled. "No one will believe us despite this being the truth. I find your perverse and bizarre sense of humor very enchanting, Zane." "The important thing is that you are having a good time, Sahara," I explained. She laughed out loud, drawing attention to our little candlelit alcove of the eatery. I doubted she cared and I certainly didn't. We finished our meal, I paid, and we headed straight back to her place. The game was, we left zero time for any possible hanky-panky to take place. We wanted the people who were going to accuse us of impropriety to make real asses of themselves when we revealed our timeline established by my filling up of gas right before picking her up, our valet ticket at the restaurant, and finally, our credit card receipt for the restaurant itself. I had outlined my plan to Sahara and she heartily approved. Unlike the time her husband had screwed her over, she could fight this scandal. I pulled into the Penny's driveway and I rushed around to get her door for her (thank you, Heaven, for that bit of etiquette). We walked through the front door only to see Pastor Bill a few steps away from the door. "Where have you been?" he growled. Sahara dutifully lowered her head. "We were at Zetas," I stated calmly, "right where I told you we would be." Bill ground his teeth and glared at Sahara. "What have you been doing?" he snapped. "Nothing," I now grinned. "I accidentally left the lube and the box of condoms on your kitchen counter." Pastor Bill was rendered speechless. "I was the one who dropped her phone into the toilet; don't blame Sahara," I told him. "Sahara, this was fun. I don't often get to have an adult conversation about the basis of Christianity. I do appreciate your insights. I gotta go now. You two have a good evening and I guess I'll see you on Wednesday night, Sahara. Bill, I'll see you on Sunday." "I doubt you will be seeing my wife again," Bill finally ground out. "Sahara, please give me and your husband a moment alone?" I asked her. "Of course, Zane, and thank you again for an intellectually stimulating night," was her own way at rebelling. I could tell ol' Bill didn't appreciate her pleasant tone to me one bit. When she had moved out of sight I leaned into my so-called religious leader. "Bill," I whispered to him, "between you, me and God, if something happens to Sahara, I'm giving you one year and a day, then they'll never find your body. You know the kind of low-lifes I hang out with. I'm not bluffing. The only other injustice will be that you won't suffer nearly enough. Am I absolutely fucking clear?" "I'm not afraid of you, you sleazy scumbag punk," he hissed. "Whatever, Bill, but you might want to know that the circuit board for your home security system is manufactured by a company I own," I lied. I had no idea if there was a circuit board for his system or who the hell manufactured it, but I was pretty sure he didn't know either. Bill and I were at an impasse. He was a bully and a liar who was used to manipulating people using both other people's faith and sins to get what he wanted. My advantage was that I was well known to be willing to inflict pain to get what I wanted (I just wanted to protect my ladies) and he was averse to actual physical confrontation. Belle brought a whole new definition to the conflict at First Anointed Free-willed Fellowship of Christ Church. There were a growing number of people willing to resist the order Bill had crafted for his own power. Now people defied him and the normal techniques of censor had little effect. His best hope was that Zane Braxton would get hung in another bizarre encounter and remove himself from the equation without Bill's interference. That was his hope, anyway. ON The CRUX OF CHANGE "Hey, Briana," I told my buddy from Colorado State. I was standing outside the door that led to my floor once more. "Hey, Future Slave to my Desires," she giggled back. She was a whole lot more playful than the last time we'd talked. "Gak!" I played with her. "I'm pleased to find you in higher spirits tonight. I hope that means you are doing better?" "Actually, I had a freaky weekend," she sighed. "I met my boyfriend's other girlfriend, it was a totally psycho-girlfriend moment too. She came at me when I was training with some sisters for a 5K run. She appeared in the parking lot and started screaming at me. It was scary. I had three sisters and she brought two wacked-out friends. A pair of off-duty firemen broke it up; sadly, one is married and the other is gay." "Briana, I have a confession: I'm a gay man in denial and I'm tired of hiding the real me," I stated sincerely. Briana's laughter rocketed through the connection, followed by some off-screen conversation, then the phone being handed around. "If you want that lie to be believable, tell us you are secretly a lesbian," Jarunee snickered at me in her native Thai tongue. "Give me a second and I'll come up with something more believable," I chuckled back in the same lingo. "How have you been?" "Pretty good; better than you since that little Korean girl wiped your ass all over the mats," she responded in English. "Okay, she's not so little, and I have it on good authority she was a champion on the Tijuana Midget Fighting Circuit while still in preschool," I covered my ass, then a fear began clawing its way inside me. "Is there any suggestion that she and I may have gone to bed together?" "Of course; this morning's upload," Jarunee informed me. "Oh, in that case, please tell the rest of the Kappa Sigmas that I won't be doing Spring Break after all," I groaned. "What, why?" Jarunee gulped, wondering what she'd done wrong. "Her dad is going to kill me," I related jokingly. "I won't make it to the end of this semester, much less to March. It was a nice dream, though." "Are you serious?" Jarunee worried. "Apparently Hope's, that's Hope Song who kicked my ass, father is some sort of a South Korean superman who eats two-bit punks like me for breakfast," I shrugged. "It can't be, and the phone was taken away. "Oh, my God! Was that one of Yeong Song's daughters you banged that can now be seen all over the internet?" a different girl babbled. "You really are a dead man." "Ooo-kayyy, who are you, by the way? I'm Zane," I started off. "Sorry. I'm Chrissy and my father is in the Navy and he does, stuff. I don't know how bad that man is but I've seen SEALs scramble to get out of that man's way faster than they would for any admiral." "What? That's absurd," I joked. "No one is that much of a bad-ass." Except for Gabrielle Black, I am so going to die at this man's hands, aren't I? "All I know is that the Navy decided it was safer to put him up at our house as opposed to a motel. Mom got upset because apparently the North Korean government put a huge bounty on his head since he killed so many of their Special Forces guys, no lie." I said nothing for the longest time. "Maybe he'll think I'm good son-in-law material," I tried to sound upbeat. "Yes," Chrissy tried to sound positive as well. I, of course, was desperately trying to remember how many times I had made Hope suck my cock, and our discussion of anal sex wasn't worth mentioning. Curling up into a fetal ball wouldn't do anyone any good either. "Very well, Chrissy. Can I talk to Briana one more time?" I asked. "Of course, Zane, and don't worry; the whole Kappa Sigma Sorority will start working on this problem. We will figure out something," she assured me. "Hey, guy," Briana sounded apprehensive, "are you going to be okay?" "Babe, it is just another day ending in 'y'. I've got this," I said confidently. "Good night, now." Briana said her good-byes and I took a moment to get my thoughts together before heading upstairs. It turned out I had over seventy ladies in my place, none more surprising than Coach Dana Gorman. She was paired with Valarie against Millicent and Raven in what looked like a close match up on the pool table. Another totally bizarre image was Vivian and Rio laying stomach first on the floor near one of the TV's, calves kicking in the air with Vivian helping Rio with something oddly akin to schoolwork. Mercy, Opal, Brandi, and Brigit were gathered around the closest table having formed some sort of study group as well. Magically enough, in the twilight of my life (no, I am not over-reacting!) it is good to see one of my plans actually work in almost the way I had intended. No one had noticed me arrive so I turned to go to the drink bar, and walked right into Paige. "Hi!" she squealed in excited delight. Her tight little albino body vibrated with orgasmic energy. "Hey, Babe," I kissed her on the lips lightly. She kept her hands tightly clasped behind her back. "You don't smell like sex," she grinned. "I went out to eat with the preacher's wife, Paige," I groaned. "Not every date is an inevitable sexual hook-up. We had a nice meal and talked about our church, morality, and religion, honest to God." "I believe you," Paige wouldn't stop grinning. "Cordelia is in your room, waiting for you, and thank you, thank you, thank you." Paige was undoubtedly ecstatic over the red marker on Cordelia's face that read 'Paige is smarter'. To see that was one of Paige's deepest desires. Cordelia was working away on her tablet as I slipped into my room. She was fully on my sleeping stage, lying on her back and tablet held up over her head as she worked on it. "Hello, Zane," Cordelia said. "I like your place; it is very you." "Cordelia," I managed to say back in a civil tongue. "Did you know who Yeong Song is?" "Of course I do," Cordelia answered without looking away from her work. I didn't say too much because I had little polite to say to the girl at the moment. After a minute she finished up working on her computer, put it down, propped herself up on her elbows, and smiled my way. Her pigtails swayed as she looked me over. "You are upset," she noted. "Why are you here?" I inquired curtly. "Oh, now we are in the 'you are angry with me but doing an admirable job controlling your violent impulses and going to reduce your interactions with me yet not going to let me alter your lifestyle in any way' phase," Cordelia sighed. "I am not fighting the fact that you are the smartest person on campus, maybe the smartest person I've ever met, but I think we are done playing around. When I drive out of these gates for the last time four years from now, I'm going to forget you and go on with my life," I told her. Cordelia smirked, then laughed. "Zane, I made you, you are my creation," she giggled. I was about to get pissed, then I got another boot to the head. "I was drawn to your family's tragic death years ago, saw your return to the United States as an excellent opportunity for us both, created several identities, talked to your aunt on-line about FFU, altered the admissions software so your application would be accepted, and made sure your medical records weren't examined until you were on campus." "You put me and Rio together," I pieced together; Cordelia nodded. "Iona?" "Ah, she's loyal to you, but it was easy enough to put her in your class. She is the type of girl who runs across traffic to save a turtle crossing the road," Cordelia smiled. "I knew she'd rally to your side, just like I knew that would be enough to keep you here until other events unfolded," she seemed terribly pleased. "Now the sorority and Christina are all you as well as the run-ins with the law, but you are my weapon to use on this campus, Zane. I could never beat Chancellor Bazz without creating a scandal that would break the school apart," she informed me. "Your rebellion was a possibility I explored but your ability to enlist Christina and the freshmen wasn't something I could facilitate; again, that was all your doing." "I have respected you and Heaven," Cordelia pointed out. "Because Christina and I would kill you," I countered. "No; I kept her secret because I am not needlessly cruel," she said. I almost believed it. "Wrong, Cordelia; you didn't betray Heaven because Christina and I would leave FFU," I stated. "Your game would fall apart; not because either one of us is special but because you don't like playing with dumb people, there is no challenge to it." Cordelia's smile only got wider. "You don't disappoint," she remarked, without a hint of shame or guilt. "Am I forgiven?" It occurred to me that no matter how absurd on the surface, Cordelia wanted someone to know and, in a way, understand her genius. "I think we may be past that," I murmured. "How about this; the Time Lord Mafia needs, I need your help," she confessed, but I was wary. "When Ms. Black came here I was suspicious that her record was too clean," Cordelia related, "so when you gave me that warning, I began digging very carefully. Well, this morning something happened." "Oh, crap," I muttered. "How bad and how likely is it that you will be tracked back to here?" "I set up a blind station in Lima, Peru," she said matter-of-factly, "all paid for in cash by people who don't know the real me. I had surveillance on the place as standard practice. Late last night, Lima time, three armed men broke into the small room and tore the place up." "Who were they?" I was now more intrigued. "They spoke perfect Spanish so I had no clue until one of them screwed up and a cheap shelf fell on him. He cursed in Hebrew." Cordelia exhibited real shock. "They were Mossad. I check up on some other stuff and I really think they are Israeli intelligence." What in the hell was Mossad doing hunting Gabrielle? What the hell was the only guy in an all-girls university doing getting involved with all this? Fuck it all, I'm a horny eighteen-year-old boy with more girlfriends than any two sane men would want. Wasn't talking to yourself one of the signs of mental instability? I was saved by the phone, sort of. "Zane, this is Doctor Scarlett," the Vice Chancellor said, "I am at your door and I need to come up and talk to you for a bit." "Of course, Doctor Scarlett," I responded as I caught Cordelia's eye. I hung up and the two of us headed into the main area. As soon as we exited the screens, Cordelia went toward the closest group of students to warn them and I travelled down the stairs. "Hey, Doctor," I greeted my latest guest. I screened the keypad from her view, asked the system for a new password, and read it off to her as it popped up. Doctor Scarlett reentered the code and had it scan her thumbprint without comment. "Thank you, Zane," Victoria greeted me politely. "I would like to see your domicile as well, if that is convenient." "Sure thing," I told her. "We have about forty-five minutes before curfew so it's pretty occupied." "It is your room," she nodded. "I have every reason to believe you are responsible with its use." I wouldn't say that, but then in the past five minutes my life had gone to hell anyway, and I had to put up a good face until bedtime. "Ah, the pictures I've seen do not do the view justice, Mr. Braxton," Doctor Scarlett exhaled. "Relax, take a walk around, and/or help yourself to some food, Doc," I offered. "After nine o'clock you may call me Victoria, Zane," she allowed in return. I was a little stunned. No one seemed overjoyed that Victoria was here but they weren't stampeding toward the door either. "You provide a great deal of stability," she told me softly. "Your presence provides your guests with a sense of peace and safety." "Perhaps you missed Coach Gorman giving two of your students pool lessons right over there?" I suggested. "Dana is your guest too, though I doubt her mood is swayed one way or another by your sense of calm," she grinned, then was brought up short. "Zane, there are two women in, bikinis in your, " "It is a hot tub," I provided the identification, "and I also provide the swim suits for those who need them." Victoria stared at me for a few seconds and I could sense her ready to finally explode on me with some righteous rage toward my overtly sexual ways. "Why would you have women's swimsuits?" she asked patiently. "I have one-pieces as well," I responded. "What would be the point of installing a hot tub, showers, and a sauna if I don't also supply the girls with swimsuits and towels?" Those words put her back on an even keel. Still -- "Doc, I have women coming in my second-story bedroom window back home in the middle of the night for the purposes of sexual intercourse," I sighed. "I hardly need to give students here revealing clothing to feed any vicarious thrill. Do you want a suit to take a dip?" "Let me think about that," she replied quickly. "How long does it take you to obtain a girl a suit?" "I have a suit for you already; you are virtually Vivian's size. And I even have one in red if that is your preference," I said. "Do you really want me to be in a red bikini?" she wondered. It was a trick question. "It is a one-piece, and all I want is for you to be as happy as you can be without trampling on the aspirations of others," I answered. "So you feel responsible for all the girls at this school," she stated. It took me a moment to realize this was a statement, not a question. "Good night, Zane," Victoria smiled. "Good night, ladies," she called out to the room. A chorus of 'good night's' were returned. She disappeared down the stairs and I felt a deep desire to be alone. Peace and quiet sounded good, yeah, I know. "Bro?" Rio snuck up on me. She gave me a quick once-over, then tenderly wove her arms around my waist and hugged me tightly. "I'm okay, Rio," I muttered. "Don't lie to me," she squeezed me tighter. "Trust me; I know that desperate, hopeless look well and I can see it creeping up behind your eyes. Zane, I don't know what's wrong and I'm not going to ask, but I want you to know that I'm here for you." I tilted my upper body back and met her gaze. "Who are you and what have you done to my Rio?" I grinned weakly. "Hey," she remained scarily compassionate, "you've soaked up my pain often enough. It is about time you let me carry some of yours." "What can I do?" Iona wiggled up to my side. A further miracle was delivered when Paige appeared within my field of vision at over five feet away. "Guys, do you think I can have the night to myself? I need to work out things in my head," I begged. "Consider it done," Rio and Iona stated together. Iona departed to spread the word. Rio departed as well, but doubled back to give me another hug. "Zane, don't leave me," she whispered into my chest. "Three seconds ago I was going to knock you out, roll you up in a blanket, and take you with me when I scaled the walls and ran home," I sighed. "To the bitter end," I gave Rio's and my own little motto. "To the bitter end," she mumbled back. After that, going to bed was surprisingly easy. "Zane," Gabrielle greeted me with a ghostly voice. I had called her and said we needed to talk. "Someone did some poking around on you," I told her, "and as a result, three Mossad agents broke into a false station they had in Peru. Is there anything we need to know about why Israeli Intelligence sent three armed men looking for you?" "Three," she mused. "The back-up squad was outside. Since you made no mention of a grenade, I assume they wanted me alive. What are the odds of them tracing the search back to Freedom Fellowship?" As she talked, she sat down on the bed next to me, next to my hip. "Since I have no clue as to what resources they can bring to bear, I would feel safe enough remaining here if they were after me," I answered. "What's your next move?" For a reason that went way beyond insane, I suddenly didn't want her to leave. "I wait. I do not have infinite exit plans or resources," she told me. "You are taking this awful well," I noted. "As opposed to wasting energy becoming pointlessly annoyed? You will keep me apprised of further developments," she commanded then rose to leave. "Gabrielle, do you know a guy named Yeong Song?" I blurted out. "I know of him but I've never met him," she stop

Does it dry up like A Game of Thrones in the sun?  Or fester like A Wise Man's Fear, and then run? Clare and Hannah talk about book series that authors have left unfinished, and the repercussions of that. Should authors be obligated to finish their stories? Should Patrick Rothfuss and George R.R. Martin be locked in a remote cabin together until they finish their series that have gone fifteen years without their concluding volumes? Would it be going too far to hire Kathy Bates to loom over the two authors while menacingly wielding a sledgehammer?We'd love to hear your thoughts! Click here to send us a text message!Support the showWe provide links and other resources to help you find and enjoy the things we talked about on this episode! Note that some of these may include “affiliate” links to books and other products. When you click through and purchase, the price of the item is the same for you. In fact, most of the time you'll get a discount! But the company gives us a little somethin' somethin' to say “thanks” for sending you their way! This helps you enjoy the website and the podcast EVEN MORE by eliminating intrusive advertisements. Thanks for clicking! Theme music: “Splanchnics Riff” composed and performed by Clare T. Walker Clare is an independent author who would love it if you checked out her books! If you like exciting thrillers featuring an “everyman” hero who rises to his or her full potential in the face of peril—-you might enjoy The Keys of Death. It's a veterinary medical thriller about a small-town animal doctor who gets tangled up in a whistle-blowing scheme against a big biotech company. Or, if you prefer shorter fiction, try Startling Figures, a collection of three paranormal urban fantasy stories.

In dieser weiteren Ausgabe der „Glaube und Fantasy“ schauen wir uns das Leben und Wirken von George MacDonald an. G. K. Chesterton, C. S. Lewis, J. R. R. Tolkien – ihr Werk würde heute ohne MacDonald, dem „Grossvater“ des Fantasy-Genres, ganz anders aussehen. Aber er war nicht nur Fantasy-Autor, sondern auch Theologe und Pfarrer. Genau diese Verbindung gibt seinen Werken eine ungeheure Kraft.

In this encouraging episode, host Janice Campbell talks with Kathy Kuhl, author of Homeschooling Your Struggling Learner, about how to help children who find learning harder than it should be. Kathy shares her personal journey homeschooling a child with learning challenges and offers practical insight for parents teaching kids who struggle with reading, writing, or attention. Together, Janice and Kathy discuss individualized learning, the importance of literature, balancing remediation with accommodation, and nurturing a child's strengths and confidence. Whether you're new to homeschooling or looking for ways to better support your student, this conversation is full of wisdom, compassion, and hope. About Kathy Kathy Kuhl helps parents teaching children and teens with learning challenges. She provides resources, tips, and encouragement. Whether your children struggle with reading, writing, math, or focusing, Kathy offers creative solutions to help you teach more effectively. After years helping her dyslexic, distractible son after school, Kathy began homeschooling him in fourth grade. Homeschooling let her customize education to his interests and strengths, while addressing his weaknesses. The results made his neuropsychologist declare that homeschooling was the best thing for him. Other parents began seeking Kathy's advice, and she began speaking. After her son's homeschool graduation, Kathy interviewed 64 parents who also homeschooled students with diagnosed learning disabilities. From those interviews, her experience and study, Kathy wrote Homeschooling Your Struggling Learner. This handbook helps parents or anyone helping children or teens with learning challenges, including attention issues, dyslexia, other learning disabilities, autism, and giftedness. Kathy also wrote Staying Sane as You Homeschool and Encouraging Your Child, as well as articles for many magazines. She blogs at LearnDifferently.com. Kathy speaks at homeschool and education conferences internationally. She also advises families individually, providing advice, encouragement, and insight. You may sign up for a free introductory session on her website, with no obligation. Kathy graduated from William and Mary, where she earned teaching certificates in English and mathematics. She has two children and four grandchildren. She lives with her husband in northern Virginia, and loves reading and hiking. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources The Toothpaste Millionaire by Jean Merrill Hugh Pine trilogy by Janwillem Van De Wetering Winnie the Pooh by A. A. Milne Mother Goose The Penderwicks series by Jeanne Birdsall Sophie's World by Jostein Gaarder Professor Carol's Hurrah and Hallelujah! Chronicles of Narnia, by C. S. Lewis; especially The Last Battle The Great Divorce by C. S. Lewis Janice Campbell's review of Homeschooling Your Struggling Learner Homeschooling Your Struggling Learner Staying Sane as You Homeschool Encouraging Your Child Connect Kathy Kuhl | Facebook | Instagram Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions? We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

In this encouraging episode, host Janice Campbell talks with Kathy Kuhl, author of Homeschooling Your Struggling Learner, about how to help children who find learning harder than it should be. Kathy shares her personal journey homeschooling a child with learning challenges and offers practical insight for parents teaching kids who struggle with reading, writing, or attention. Together, Janice and Kathy discuss individualized learning, the importance of literature, balancing remediation with accommodation, and nurturing a child's strengths and confidence. Whether you're new to homeschooling or looking for ways to better support your student, this conversation is full of wisdom, compassion, and hope. About Kathy Kathy Kuhl helps parents teaching children and teens with learning challenges. She provides resources, tips, and encouragement. Whether your children struggle with reading, writing, math, or focusing, Kathy offers creative solutions to help you teach more effectively. After years helping her dyslexic, distractible son after school, Kathy began homeschooling him in fourth grade. Homeschooling let her customize education to his interests and strengths, while addressing his weaknesses. The results made his neuropsychologist declare that homeschooling was the best thing for him. Other parents began seeking Kathy's advice, and she began speaking. After her son's homeschool graduation, Kathy interviewed 64 parents who also homeschooled students with diagnosed learning disabilities. From those interviews, her experience and study, Kathy wrote Homeschooling Your Struggling Learner. This handbook helps parents or anyone helping children or teens with learning challenges, including attention issues, dyslexia, other learning disabilities, autism, and giftedness. Kathy also wrote Staying Sane as You Homeschool and Encouraging Your Child, as well as articles for many magazines. She blogs at LearnDifferently.com. Kathy speaks at homeschool and education conferences internationally. She also advises families individually, providing advice, encouragement, and insight. You may sign up for a free introductory session on her website, with no obligation. Kathy graduated from William and Mary, where she earned teaching certificates in English and mathematics. She has two children and four grandchildren. She lives with her husband in northern Virginia, and loves reading and hiking. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources The Toothpaste Millionaire by Jean Merrill Hugh Pine trilogy by Janwillem Van De Wetering Winnie the Pooh by A. A. Milne Mother Goose The Penderwicks series by Jeanne Birdsall Sophie's World by Jostein Gaarder Professor Carol's Hurrah and Hallelujah! Chronicles of Narnia, by C. S. Lewis; especially The Last Battle The Great Divorce by C. S. Lewis Janice Campbell's review of Homeschooling Your Struggling Learner Homeschooling Your Struggling Learner Staying Sane as You Homeschool Encouraging Your Child Connect Kathy Kuhl | Facebook | Instagram Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions? We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Netflix is bringing The Chronicles of Narnia back to our screens with Greta Gerwig at the helm for the first two films in the series. Interestingly, the adaptation begins with The Magician’s Nephew, opting for chronological order rather than the order in which the books were written.In this episode of Mythmakers, Julia Golding and Jacob Rennaker dive into what we know so far about the creative direction of the films, and what Gerwig’s involvement might mean for this and future instalments, it’s a conversation every Narnia fan will want to hear! Be sure to listen in and let us know what YOU think of this bold new beginning.(00:05) Greta Gerwig's Narnia Adaptation Discussion(07:33) Adapting Narnia for Modern Audiences(14:27) Casting and Setting Challenges in Narnia(28:13) Controversies Surrounding Narnia Adaptation Hope(40:12) Fantasy Podcast For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cryptids in Narnia! Happy Halloween! A parody of the excellent Camp Monsters podcast. Apologies for posting this twice--people with Apple Podcasts didn't seem to be getting it, so I'm trying again with a new file! inklingsvarietyhour@gmail.com  

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWe examine how daily choices reveal what we worship, then turn to Ephesians 5 and 1 Peter to anchor marriage, holiness, and discernment in Scripture. We also reflect on a Medal of Honor story and founders' views on immigration, linking personal faithfulness to national strength.• checking our last 24 hours against God's priorities• marriage roles from Ephesians 5 as a sacrificial standard• testing all relationship advice against Scripture• holiness, identity, and obedience in 1 Peter• honoring courage: Francis A. Bishop, Medal of Honor• founders' cautions on assimilation and national unity• aligning private devotion with public characterIf you're looking for a family-friendly middle-grade fantasy, I would humbly recommend Countryside, kind of along the lines of Narnia, Harry Potter, The Hobbit, that kind of stuffIf you enjoy it, if you would leave a review online, I would greatly appreciate itIf you're enjoying the podcast, if you can spare three or four or five dollars a month, you can go to the Buzz Sprout website, and there's a donation page there on the podcast website, and I would greatly appreciate thatSupport the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

C.S. Lewis didn't plot out the entire Narnia saga. He didn't number the books. He wrote the second one first. And somehow, it all worked.This week's episode continues our celebration of the 75th anniversary of The Lion, the Witch and the Wardrobe. We dive into the final three “impossible reasons” The Lion, the Witch, and the Wardrobe works, including:-How Lewis survived brutal critique from his own writing group-Why the story became a series without a master plan-How the books remain readable out of orderNext week, we'll pivot to another story with actionable writing tips and encouragement — don't miss it.Free Resources & LinksSign up for my newsletter and get a free World Building Check-Up Guide + Social Media Cheat Sheet: Subscribe HereGrab World Building Made Easy series on Amazon: Get the SeriesGet Creative with Weird Writing Prompts: Weird Writing PromptsConnect with me:Instagram: @janeen_ippolitoSubstack: Author CultureFacebook: Janeen Ippolito AuthorYouTube: @JaneenIppolito___References for this episode:- https://www.mentalfloss.com/article/58698/16-facts-about-lion-witch-and-wardrobe- https://en.wikipedia.org/wiki/The_Chronicles_of_Narnia- https://www.crossway.org/articles/the-birth-of-narnia-and-why-tolkien-hated-it/- https://www.crossway.org/articles/c-s-lewiss-role-in-the-lord-of-the-rings/___Music by: https://bluefoxmusic.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit authorculture.substack.com/subscribe

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textKatie and Bridget get the hell out of Transylvania as they re-watch: Van Helsing! It's a movie all about vampires, werewolves, Frankensteins, and monster hunters - all of whom are KINDA HOT! WHY!? Come along as we meet our main character Van Helsing, a man who has weird ethics but truly wins the beauty pageant for hottest werewolf. When he is sent to Transylvania to kill Dracula he encounters a lot more bullshit and jam packed action than we could have imagined. So much so that we might actually get lost in the plot when talking about it, but we certainly didn't feel that way while watching it! This movie asks the deep questions, such as: Why did Dracula put his hidden castle in Narnia? Why does Anna have to wear a corset, leather pants, AND heels while fighting vampires and werewolves? WHY DID WE ABANDON FRANKENSTEIN IN A GRAVEYARD WITH NO SECURITY AND THEN ACT SURPRISED WHEN HE GETS KIDNAPPED!? All these and more in this fun, spoopy flick! Released in 2004, it was written and directed by Stephen Sommers and stars Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham, and Shuler Hensley.

Send us a textWe reflect on how we spend our time, then link daily choices to character, marriage, and the health of our nation. Scripture from Titus, James, and Psalms anchors a tough look at integrity, a brief honor for Daniel Bishop, and a strong case that education without virtue fails.• examining time and priorities against God's standards• roles and responsibilities in marriage and family• James 5 on wealth, patience, prayer, and plain speech• integrity as kept promises over grand claims• honoring Medal of Honor recipient Daniel Bishop• education's decline tied to loss of character formation• founders' view that virtue sustains liberty• practical steps to realign habits with purposeIf you're looking for a family-friendly middle grade read along the lines of uh Narnia, Hobbit, Harry Potter, if you give Countryside a try, I would appreciate itAnd if you're getting something out of the podcast each day and you think you have three or four or five dollars a month, uh there's a support slash donate page on the BuzzFrout website for the podcastIf you could do that, I would be extremely grateful for that as wellSupport the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

Sein Name ist C. S. Lewis. Er lebte von 1898 bis 1963 in Großbritannien und war Professor für englische Literatur an den renommierten Universitäten Oxford und Cambridge.Lewis war ein sehr scharfsinniger Mensch, der alles mit einem klaren Verstand zu erfassen versuchte. Er beschäftigte sich viel mit Philosophie und Literatur. Anfänglich stand er Menschen, die an Gott glaubten, sehr skeptisch gegenüber. Allerdings traf er in Oxford auch Menschen, die ebenso belesen und scharfsinnig waren wie er und doch ganz überzeugt an einen lebendigen Gott und die Aussagen der Bibel glaubten. Lewis bemühte sich redlich, nach den ethischen Maßstäben, die er durch seine philosophischen Überlegungen als richtig und vernünftig erkannt hatte, zu leben. Dabei stellte er allerdings enttäuscht fest, dass es ihm nicht gelang. Er erkannte sein Versagen seinen eigenen Idealen gegenüber und damit aber auch seine Schuld vor dem absoluten Gott. Er kapitulierte vor Gott und übergab ihm sein Leben. Später schrieb er einmal: »In der Ewigkeit gibt es nur zwei Arten von Menschen: die, die zu Gott sagen: ›Dein Wille geschehe.‹ Und die, zu denen Gott sagt: ›Dein Wille geschehe.‹ Alle, die in der Hölle sind, haben sich letztlich auch dafür entschieden.«In seinen Narnia-Romanen verarbeitet Lewis den Kampf zwischen Gut und Böse. Der Löwe Aslan trägt viele Züge von Jesus Christus, bis dahin, dass er bereit ist, für den rebellischen Edmund zu sterben, und dann auch wiederaufersteht. Genau das ist die biblische Botschaft, dass Jesus selbst für unsere Schuld und unser Versagen gestorben ist. Er hat die Strafe Gottes getragen und ist wiederauferstanden und bietet uns nun ein Leben in der Beziehung zu ihm an.Bernhard VolkmannDiese und viele weitere Andachten online lesenWeitere Informationen zu »Leben ist mehr« erhalten Sie unter www.lebenistmehr.deAudioaufnahmen: Radio Segenswelle

Medan Johan har försvunnit till Narnia i en månad så passar Marcelo på att ta förarsätet och styr tillsammans med Felix kosan genom Lazios kaotiska cirkus den här säsongen och tar ner hela 4 matcher, Men hur kommer det hela att sluta? Det återstår att se!

Halloween is upon us! Costumes, trick-or-treating, and plenty of controversy! In today's episode, Pastor Derek and Pastor Jackie look at whether or not witches and witchcraft are something Christians should be concerned with. Many costumes involve witches, but is it wrong to dress that way? We dig into the history of witches and witchcraft, dating all the way back to early biblical references. We then look at modern Wicca and even talk through some popular fantasy series that involve witchcraft, like Lord of the Rings, Harry Potter, and The Chronicles of Narnia to talk through how Christians should deal with these forms of entertainment. Take a listen and we hope this is helpful for you in your walk with the Lord this Halloween season!The 17:17 podcast is a ministry of Roseville Baptist Church (MN) that seeks to tackle cultural issues and societal questions from a biblical worldview so that listeners discover what the Bible has to say about the key issues they face on a daily basis. The 17:17 podcast seeks to teach the truth of God's Word in a way that is glorifying to God and easy to understand with the hope of furthering God's kingdom in Spirit and in Truth. Scriptures: Deut. 18:9-12; Lev. 19:31; Exo. 22:18; Lev. 20:27; 1 Chr. 10:13; 2 Chr. 33:1-9; Isa. 8:19; Acts 19:18-20; Rev. 9:20-21; Rev. 18:23; 1 Cor. 10:21; 1 John 4:1; Eph. 5:11; Acts 13.If you'd like access to our show notes and all the books Jackie read on sabbatical, please visit www.rosevillebaptist.com/1717podcast to see them in Google Drive!Please listen, subscribe, rate, and review the podcast so that we can reach to larger audiences and share the truth of God's Word with them!Write in your own questions to be answered on the show at 1717pod@gmail.com.  God bless!

Rebroadcast: Cryptids in Narnia! Parody of the excellent Camp Monsters podcast. Happy Halloween! inklingsvarietyhour@gmail.com  

Mia Goth is the latest actor shedding a bit of light on the long-shelved Blade movie from Marvel Studios. In an interview with Elle, promoting her upcoming appearance in Guillermo del Toro's Frankenstein, Goth shared only that she is still attached to the film and commented that “It's for the best that it's taken the time it has. They want to do it right.” This is in line with Kevin Feige's comments this summer that the film is still moving forward.In an interview with the AP this week, Adam Driver dropped some major information about the Ben Solo movie in Star Wars that never was. Driver explained that Lucasfilm was interested in continuing his character's story in a film that had a script written by Steven Soderbergh. Driver was supportive of the script and the creative team took it to Bob Iger and Alan Bergman at Disney who turned the project down as they “didn't see how Ben Solo was alive.” Fan favorites Amber Midthunder and Walton Goggins will star in a new action movie from the creator of the John Wick franchise. The film, called Painter, has a major executive producer credit - with Avatar and Titanic director James Cameron serving in that role. Stunt coordinator Garrett Warren, who worked with Cameron on the last two Avatars as well as Logan and the Road House reboot, is directing the movie; a debut effort. The movie's plot will focus on Midthunder's character, trained as a child who must save her father after he is kidnapped.Lightning RoundKate McKinnon has joined the cast of “Percy Jackson and the Olympians” Season 3 and will play Aphrodite.Jim Carrey is in talks to star in a live action film adaptation of The Jetsons from Warner Bros. Pictures that has Colin Trevorrow attached to direct and write the script. There have been attempts to reboot the animated series from the 1960s in some form at various times over the years, but this is the first project that seems to have some traction.Blumhouse's The Black Phone 2 took the number one spot at the box office this weekend with a worldwide box office opening of $42 million, with $26.5 million from North America and $15.5 million from international markets. Disney's Tron: Ares is at $103M global for ten-days and is currently bound to lose more than $132M off a $220 million net production cost.Colman Domingo has been cast as the voice of the Cowardly Lion in “Wicked: For Good.” The announcement was made on the “Wicked” Instagram account on Monday, with Domingo hiding behind a lion stuffed animal before revealing himself and saying: “See you in Oz!”Netflix has won the rights to adapt the popular Asmodee board game Settlers of Catan and is planning an array of projects — scripted and unscripted, live-action and animated based on the franchise.AppleTV has released some first look photos for Shrinking season 3 and has confirmed a release date. The series starring Jason Segel and Harrison Ford returns with a one-hour episode on Jan. 28, 2026 on Apple TV. The 11-episode season will then release new episodes weekly on Wednesdays, until the April 8 finale.Netflix has entered development on a series about the Kennedy family, described as the American version of ‘The Crown' and Michael Fassbender has been cast as Joseph Kennedy Sr.Andor actress Denise Gough has joined the cast of Greta Gerwig's Narnia adaptation.

The Kingdom for You: Hearing God's Voice and Partnering in the Battle In this episode of the Exploring More Podcast, Michael Thompson and SJ Jennings explore the profound reality that the Kingdom of God isn't just coming—it's for you. Picking up the thread from previous episodes on the map of darkness and light, they discuss how Jesus didn't just defeat the enemy—He invites us to join Him in bringing the Kingdom to earth. From stories like The Chronicles of Narnia and 50 First Dates, to biblical truths and personal experience, Michael and SJ unpack what it means to recognize God's voice, partner with the Holy Spirit, and live as image bearers of light in a world still shadowed by darkness. They emphasize that hearing from God isn't a spiritual elite experience—it's part of our design. With tools like the Pause app and YouVersion devotionals, they offer practical ways to slow down, be still, and listen deeply. This episode is a call to engage: to practice stillness, recognize the King's voice, and live as an agent of redemption in the Story we've been invited into. We hope you enjoy this episode and invite you to connect with us!

"Whatever Jen Agg says is worth listening to," said Anthony Bourdain. I fully agree! If you live in Toronto you probably know Jen Agg. If you don't, let me tell you she runs the best restaurants in town! Come visit and try them! Her most recent stunner is a two-story converted auto-body shop turned Toronto Life #1 ranked restaurant called "​General Public​" and it is a feast for the senses. Jen describes the place as "part Narnia, part fancy British pub, and part '80s cocaine dream" which gives you a sample of her incredible way with words on top of dishes on top of lighting on top of music on top of ... vibe. I was at General Public last week with my friend Agostino and we split Rainbow Trout Tartare, Hiramasa Crudo, Chicory Salad, and Popcorn Clams and Mussels. And those were just our appetizers! And precisely none of the items fully described the depth of surprising and fresh ingredients leading to the full-body sensory experiences we had when taking our first bites... Jen Agg has opened many other award-winning restaurants including ​Bar Vendetta​, ​Grey Gardens​, ​Le Swan​, ​Rhum Corner​, ​Hoof Cocktail Bar​ and, famously, The Black Hoof (RIP), where I still remember my friend Drew ordering a Spicy Raw Horse Sandwich with raw egg on top many years ago. His verdict? "Delicious!" Of course that place turned the restaurant scene in the city sharply sideways! And sharply sideways is such a great way to live... I admire Jen Agg's sharply sideways ways and also highly recommend her bestselling memoir “​I Hear She's A Real Bitch​” (perhaps the best memoir title of all time?) Now there is of course no where else to sit down with Jen than one of her restaurants so for this one we slip into the front booth at the delectable "french diner" that is ​Le Swan​. Btw, if you go you might find yourself making a new Spotify playlist like I did to remember the great music you're hearing—"Ooh la la" by Ronnie Lane followed by "My Sweet Lord" by George Harrison followed by "Everybody's Talkin'" by Harry Nilsson followed by "Tangled Up In Blue" by Bob Dylan! Of course it's hard to pay attention to the music when you're gobbling Smoked Trout Rillette, Steak Tartare, and the city's best Corn Dogs! Let's sit down and talk about fussiness as a virtue, the art of dining alone, having a healthy marriage with someone much older than you, the brilliant Jen Agg's 3 most formative books, and much, much, MUCH more... It was an honour and privilege to talk to Jen Agg in this classic chapter of 3 Books.

What if homeschooling could feel like discovering Narnia while everyone else is just playing hide and seek? In this inspiring episode of Everyday Educator, Lisa Bailey connects with Janine Bell, Country Coordinator for Classical Conversations in the United Kingdom, for a fascinating conversation about building classical Christian communities across the pond. Janine shares her family's pioneering journey as home educators in a country where most people still think homeschooling is illegal—and how God has used Classical Conversations to transform not just education, but entire family cultures. What You'll Discover: The surprising history of home education in the UK (and why most Brits thought it was against the law!) How Classical Conversations is helping rebuild community and authentic conversation in a culture known for its "stiff upper lip" The story of the UK's first CC graduate and the miraculous provision of classical Christian universities Real barriers facing home educators in Britain—including pending legislation that could restrict parental freedom Why British Christians struggle with the idea that homeschooling might be "hiding their light" (and Janine's powerful response) How God is using "the new dog to teach the old dog" as America shares classical education with its British roots Janine's transparency about her own doubts and discoveries—from making report cards at home to becoming the UK's country coordinator—offers hope to every parent who wonders if they're equipped for this calling. Her passion for seeing families discover the "Narnia" of classical community is absolutely contagious.   This episode of Everyday Educator is sponsored by: Judson College At Judson College, North Carolina's only four-year accredited confessional Christian institution, we equip passionate students with over 25 majors and exceptional faculty to pursue God's calling in ministry, missions, or the workplace. Experience vibrant community through our unique House System while receiving comprehensive scholarships and special SBC church member discounts to make your divine calling affordable. Ready to answer your calling? Apply to Judson College today and step into God's plan for your life. https://judsoncollege.com/distinctives/

Author Jack Borden joins us from the forests of East Texas to talk The Plant of Death — Book 5 in The Tixie Chronicles. We explore how faith, Providence, and free will shape his world, the nature and foraging threads in Tixie, and what young readers can take away from this adventure. Perfect for fans of The Wingfeather Saga, The Green Ember, and Narnia.Check out his upcoming book today! Release date is November 1, 2025 - https://www.amazon.com/gp/product/B0FV4P1T1S?ref_=dbs_m_mng_rwt_calw_tkin_4&storeType=ebooks

Welcome to another episode of the Bowie Book Club, where wild speculation and grasping for straws about Bowie's favorite books has reigned supreme since 2016. This time we read Diary of a Drug Fiend by Aleister Crowley, which (much to our surprise) is not Chronicles of Narnia fan-fic despite the appearance of a Big Lion who solves everything. Also features drugs that are fiended after throughout.

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

Half of working dads feel nervous asking for time off to care for their children, more than 20% have been asked ‘where's your wife/partner?' when requesting flexibility and 44% say employers treat mothers more favourably in terms of flexible working. These are the findings of a new study ‘Barriers to Equal Parenting' by the charity Working Families. Nuala McGovern is joined by Elliott Rae founder of Parenting Out Loud and Penny East, chief executive of the Fawcett Society.Tilda Swinton is one of the UK's most singular and celebrated performers. Over four decades she has delivered unforgettable and varied screen performances, notably Orlando, The Chronicles of Narnia, Michael Clayton and Asteroid City and collaborated with artists and filmmakers. She joins Anita Rani to talk about a new exhibition in Amsterdam celebrating her work and the enduring relationships that have inspired her.There is a new film out now in cinemas called I Swear. It is inspired by the life and experiences of John Davidson, and charts his journey from a misunderstood teenager in 1980s Britain to a present-day advocate for greater understanding of Tourette syndrome. John was also featured in a BBC documentary back in 1989 called John's Not Mad. There is more recognition of the syndrome now, singers Lewis Capaldi and Billie Eilish have both openly talked about living with Tourette's and it's estimated over 300,000 children and adults in the UK have it. The key features are tics which cause people to make sudden, involuntary sounds and movements. To hear more about the condition and how it impacts women and girls Nuala talks to Wilamena Dyer, musician and Tourette syndrome advocate and Dr Tara Murphy, Consultant psychologist in the NHS, and Trustee of the support and research charity Tourettes Action.Karen Carney is one of the most capped female footballers for England. The former Lioness joins Anita to talk about how she is using Strictly to help her 'rebuild confidence' after being 'crushed' by the sexist abuse she faced as a football pundit and her vision to improve women's sport.Bobbi Brown is a make-up artist turned entrepreneur who created her now famous eponymous line in 1990. Her fresh-faced approach went against 80s and 90s trends at the time for bright colour and contouring and instead aimed to celebrate and enhance women's natural beauty. She made millions selling her brand to Estée Lauder and has gone on to create a new multimillion brand. On the release of her memoir, she joins Nuala to talk about her life and work.Presenter: Anita Rani Producer: Simon Richardson

Join LaTangela as she chats with Christian Youth Theater on the #TanLine This amazing organization offers a space for youth and adults to nurture their love for the arts while spreading messages of love, hope and inspiration. They offer classes for youth between the ages of 5 - 17 years old. Christian Community Theater allows adults the opportunity to join productions as well. Make plans to experience a powerful production of NARNIA! C. S. Lewis's beloved story of Narnia comes to life in this musical production! Cast A & B Performance Dates: Thurs. Oct. 23 @ 7p.m. - Cast B Friday Oct. 24 @ 7p.m. - Cast A Sat. Oct. 25 @ 10a.m. - Cast B Sat. Oct. 25 @ 3p.m. - Cast A Abundant Life Church: 206 Edgewood Dr. Denham Springs, La. 70726 Get your tickets and learn more about this organization at www.CYTBatonRouge.org RADIO - WEMX- Baton Rouge, La. Mon-Fri 10a.m.-3p.m.CST KTCX - Beaumont, Tx. Mon-Fri 3-8 CST WEMX Sundays 10a.m. KSMB Sundays 10a.m. WWO - YouTube - #LaTangelaFay Podcast - ALL digital platforms - #iTunes #Spotify #WEMX #WAFB+ www.LaTangela.com www.TanTune.com Special Thank You - Gordon McKernan Injury Attorney - Official Partner #GordonGives #TanCares #225BulletinBoard #TanTune POOF POWER OVER OBSTACLES FOREVER GT Legacy AutoThe Fiery CrabHair Queen Beauty Super CenterSee omnystudio.com/listener for privacy information.

Is it imaginable that freedom of speech and freedom of religion could be suppressed where we live at some time in our future? History would indicate so. How do we prepare ourselves and our families for such a contingency? What curriculum might best prepare us for persecution, even martyrdom? How do we cultivate necessary virtues without sparking burdensome fears? Listen in as Janice Campbell and Andrew Pudewa explore this challenging subject. About Brian Brian Wasko's background is in English education. He taught high school English for many years in public and private Christian schools. In 2001, he founded WriteAtHome, an online service offering tutorial writing courses to homeschoolers. He also teaches online literature courses through Wasko Lit, where he can share with young people his love for the great books of Western Civilization. He has been a popular homeschool convention speaker since the early 2000s, entertaining and educating audiences as both keynote and convention speaker at dozens of conferences across the country.  Brian and his family live in Virginia Beach, Virginia. He and his wife, Melanie, homeschooled their four daughters from kindergarten to college. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Brian Wasko's writing classes and other resources Where the Sidewalk Ends by Shel Silverstein Chronicles of Narnia by C. S. Lewis The Hobbit and Lord of the Rings by J. R. R. Tolkien Poetry by Hilaire Belloc Booked: Literature in the Soul of Me by Karen Swallow Prior Evaluate Writing the Easy Way by Janice Campbell Miss Thistlebottom's Hobgoblins: The Careful Writer's Guide to the Taboos, Bugbears, and Outmoded Rules of English Usage by Theodone M. Bernstein Connect Brian Wasko of Write at Home | Website | Facebook | YouTube  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Take 20% off an annual Storm subscription through 10/22/2025 to receive 100% of the newsletter's content. Thank you for your support of independent ski journalism.WhoPhill Gross, owner, and Mike Solimano, CEO of Killington and Pico, VermontRecorded onJuly 10, 2025About KillingtonClick here for a mountain stats overviewOwned by: Phill Gross and teamLocated in: Killington, VermontYear founded: 1958Pass affiliations: Ikon Pass: 5 or 7 combined days with PicoReciprocal partners: Pico access is included on all Killington passesClosest neighboring ski areas: Pico (:12), Saskadena Six (:39), Okemo (:40), Quechee (:44), Ascutney (:55), Storrs (:59), Harrington Hill (:59), Magic (1:00), Whaleback (1:02), Sugarbush (1:04), Bromley (1:04), Middlebury Snowbowl (1:08), Arrowhead (1:10), Mad River Glen (1:11)Base elevation: 1,165 feet at Skyeship BaseSummit elevation: 4,142 feet at top of K-1 gondola (hike-to summit of Killington Peak at 4,241 feet)Vertical drop: 2,977 feet lift-served, 3,076 hike-toSkiable Acres: 1,509Average annual snowfall: 250 inchesTrail count: 155 (43% advanced/expert, 40% intermediate, 17% beginner)Lift count: 20 (2 gondolas, 2 six-packs, 4 high-speed quads, 5 fixed-grip quads, 2 triples, 1 double, 1 platter, 3 carpets - view Lift Blog's inventory of Killington's lift fleet; Killington plans to replace the Snowdon triple with a fixed-grip quad for the 2026-27 ski season)History: from New England Ski HistoryAbout PicoClick here for a mountain stats overviewOwned by: Phill Gross and teamLocated in: Mendon, VermontYear founded: 1934Pass affiliations: Ikon Pass: 5 or 7 combined days with KillingtonReciprocal partners: Pico access is included on all Killington passes; four days Killington access included on Pico K.A. PassClosest neighboring ski areas: Killington (:12), Saskadena Six (:38), Okemo (:38), Quechee (:42), Ascutney (:53), Storrs (:57), Harrington Hill (:55), Magic (:58), Whaleback (1:00), Sugarbush (1:01), Bromley (1:00), Middlebury Snowbowl (1:01), Mad River Glen (1:07), Arrowhead (1:09)Base elevation: 2,000 feetSummit elevation: 3,967 feetVertical drop: 1,967 feetSkiable Acres: 468Average annual snowfall: 250 inchesTrail count: 58 (36% advanced/expert, 46% intermediate, 18% beginner)Lift count: 7 (2 high-speed quads, 2 triples, 1 doubles, 2 carpets - view Lift Blog's inventory of Pico's lift fleet)History: from New England Ski HistoryWhy I interviewed themThe longest-tenured non-government ski area operator in America, as far as I know, is the Seeholzer family, owner-operators of Beaver Mountain, Utah since 1939. Third-generation owner Travis Seeholzer came on the pod a few years back to trace the eight-decade arc from this dude flexing 10-foot-long kamikaze boards to the present:Just about every ski area in America was hacked out of the wilderness by Some Guy Who Looked Like That. Dave McCoy at Mammoth or Ernie Blake at Taos or Everett Kircher at Boyne Mountain, swarthy, willful fellows who flew airplanes and erected rudimentary chairlifts in impossible places and hammered together their own baselodges. Over decades they chiseled these mountains into their personal Rushmores, a life's work, a human soul knotted to nature in a built place that would endure for generations.It's possible that they all imagined their family name governing those generations. In the remarkable case of Boyne, they still do. But the Kirchers and the Seeholzers are ski-world exceptions. Successive generations are often uninterested in the chore of legacy building. Or they try and say wow this is expensive. Or bad weather leads to bad financial choices by our cigar-smoking, backhoe-driving, machete-wielding founder and his sons and daughters never get their chance. The ski area's deed shuffles into the portfolio of a Colorado Skico and McCoy fades a little each year and at some point Mammoth is just another ski area owned by Alterra Mountain Company.It's tempting to sentimentalize the past, to lament skiing's macro-transition from gritty network of founder-kingpin fifes to set of corporate brands, to conclude that “this generation” just doesn't have the tenacity of a Blake or a McCoy. But the America where a fellow could turn up with a dump truck and a chainsaw and flatten raw forest into a for-profit business with minimal protest is gone. Every part of the ski ecosystem is more regulated, complicated, and expensive than it's ever been. The appeal of running such a machine - and the skillset necessary to do so - is entirely different from that of sculpting your own personal snow Narnia from scratch. We will always have family-owned ski areas (we still have hundreds), and an occasional modern founder-disruptor like Mount Bohemia's Lonie Glieberman will materialize like a new X-man. But ski conglomerates have probably always been inevitable, and are probably largely the industry's future. They are best suited, in most cases, to manage, finance, and maintain the vast machinery of our largest ski centers (and also to create a ski landscape in which not all ski area operators are Some Guy Who Looked Like That).Killington demonstrates this arc from rambunctious founder to corporate vassal as well as any mountain in the country. Founded in 1958 by the wily and wild Pres Smith, the ski area's parent company, Sherburne Corp., bought Sunday River, Maine in 1973 and Mount Snow, Vermont in 1977. The two Vermont mountains became S-K-I in 1984, bought five more ski areas, and merged with four-resort LBO in 1996 to become the titanic American Skiing Company. Unfortunately ASC turned out to be skiing's Titanic, and one of the company's last acts before dissolution was to sell Killington and Pico to Utah-based Powdr in 2007.The Beast had been tamed, at least on paper. Corporate ownership of some sort felt as stapled to the mountain as Killington's 3,000 snowguns. And mostly, well, it didn't matter. Other than Powdr's disastrous attempts to shorten the resort's famously long seasons, Killington never lost its feisty edge. Over the decades the ski area modernized, masterplanned, and shed skier volume while increasing its viability as a business. Modern Killington wasn't the kingdom of a charismatic and ever-present founder, but it was a pretty good ski area.And then, suddenly, shockingly, Powdr sold both Killington and Pico last August. And they didn't sell the ski areas to Vail or Alterra or Boyne or to anyone who owned any ski areas at all. Instead, a group of local investors - led by Phill Gross and Michael Ferri, longtime Killington homeowners who ran a variety of non-ski-related businesses - bought the mountains. After 51 years as part of a multi-mountain ownership group, Killington (its relationship to neighboring Pico notwithstanding), was once again independent.It was all so improbable. Out-of-state operators had purchased five of Vermont's large ski areas in recent years: Colorado-based Vail Resorts bought Stowe in 2017, Okemo in 2018, and Mount Snow in 2019; Denver-based Alterra claimed Sugarbush in 2019; and Utah-based Pacific Group Resorts added Jay Peak to their small portfolio in 2022. Very few ski areas have ever entered the corporate matrix and re-emerged as independents. Grand Targhee, Wyoming; Waterville Valley, New Hampshire; and Mountain Creek, New Jersey (technically owned by multimountain operator Snow Partners) are exceptions spun off from larger companies. But mostly, once a larger entity absorbed a ski area, it stays locked in the multimountain universe forever.So what would this mean? For the largest and busiest mountain in the eastern United States to be independent? Did this, along with Powdr's intentions to sell Mount Bachelor (since rescinded), Eldora (sale in process), and Silver Star (no update), mark a reversal in the consolidation trend that had gathered 30 percent of America's ski areas under the umbrella of a multi-mountain operator? Did Killington's group of wealthy-but-not-Bezos-wealthy investors set an alternate blueprint for large-mountain ownership, especially when considered alongside the sale of Jackson Hole to a similar group the year before? Had the Ikon Pass – that harbinger of mass-market pass domination that had forced the we-better-join-them sales of Crystal Mountain, Washington and Sugarbush – inadvertently become a reliable revenue pipeline that made independence more viable? And would Killington, well-managed and constantly improving, backslide under cowboy owners who want to Q-Burke the place in their image?We're a year in now, and we have some clarity on these questions, along with two new chairlifts (Superstar this year, Snowdon next), 1,000 new snowguns, a revitalized Skyeship Gondola, and progressing plans on the East's first true ski village. Locals seem happy, management seems happy, the owners seem happy. Easy enough, Gross points out in our interview, when winter hits deep like the last one did. But can we keep the party going indefinitely? It was time for a check-in.What we talked aboutA strong first winter under independent ownership; what spring skiing off Canyon lift told us about the importance of Superstar; “it's an incredibly complex operation”; letting the smart people do their jobs; Killington's surprise spin-off from a multi-mountain operator; “our job is to keep the honeymoon going”; Superstar's six-pack upgrade; why six-packs are probably Killington's lift-upgrade future; why Pico is demolishing the Bonanza lift for a covered carpet; why Superstar won't have bubbles; where bubbles might make sense in a future lift; why ski areas can no longer run snowmaking under newly constructed chairlifts; why Superstar is a Doppelmayr machine after Killington installed a brand-new Leitner-Poma six at Snowdon in 2018; long- and short-term Superstar impacts to Killington's long season; long-term thoughts around early-season walkway access to North Ridge; Skyeship Gondola upgrades, including $5 million in new cabins; what 1,000 new snowguns means in practice; why Killington sold the Wobbly Barn; considering Killington as a business and investment; how Killington is a different financial beast from other Vermont ski areas; how close Killington was to going unlimited on Ikon Pass; Phill's journey to buying Killington; Devil's Fiddle and why sometimes things that don't make sense financially make sense anyway; “we want to own this for generations to come”; a village layout and timeline update – “we want to make sure that this is something that's additive to the ski experience” even if you don't own within it; “Great Gulf wants this [village] to be competitive for the western resorts”; “we don't want to change what Pico is”; how piping water over from Killington has reinvigorated and stabilized Pico; why Killington and Pico remained on Ikon Pass post-sale and probably will for the foreseeable future; is Ikon helping big ski areas stay independent?; Killington's steady rise in lift ticket prices; future lift upgrades and why the Snowdon Triple is next up for a replacement.What I got wrong* File “opinionation” under LOL I'm Dumb Talking Is Hard* I said that former Killington owner Powdr had “just sold” Eldora, but that's not accurate: in July, the town of Nederland, Colorado, announced their intent to purchase the ski area. The sales process is ongoing.Podcast NotesOn previous Killington podsOn Gross' purchase of Killington and PicoOn ANSI chairlift standardsWe get a bit in the weeds with a reference to “ANSI standards” for chairlifts. ANSI is the American National Standards Institute, a nonprofit organization that sets voluntary but widely adopted standards for everything from office furniture to electrical systems to safety signage in the United States. The ANSI standard for lifts, according to a blog post describing the code's 2022 update, is “developed by the National Ski Areas Association (NSAA), [and] establishes standard requirements for the design, manufacture, construction, operation, and maintenance of passenger ropeways.” On Killington's long seasonsKillington often opens in October (though it has not done so since 2018), and closes in June (three straight years before a deliberately truncated 2024-25 season to begin demolition of the Superstar chair). List of Killington open and close dates since 1987-88.On Win Smith and Killington and SugarbushOn Killington's villageThe East needs more of this:On Killington's peak lift ticket pricesPer New England Ski History:The Storm explores the world of lift-served skiing year round. Join us. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Tilda Swinton is one of the UK's most singular and celebrated performers. Over four decades she has delivered unforgettable and varied screen performances, notably Orlando, The Chronicles of Narnia, Michael Clayton and Asteroid City and collaborated with artists and filmmakers. She joins Anita Rani to talk about a new exhibition in Amsterdam celebrating her work and the enduring relationships that have inspired her.According to the latest data, homelessness is rising. Over 130,000 households were in temporary accommodation in June, up 7.6% from last year. Charities warn that women are underrepresented in the data, as they often face different challenges to men. The Women's Rough Sleeping Census, now in its fourth year, aims to address this. Rebecca Goshawk, Director of Business Development at Solace Women's Aid, joins Anita to discuss it. Named after pioneering racing driver Gwenda Stewart, Gwenda's Garage was a real place: where three female mechanics defied the odds by setting up their own garage in Sheffield in the 1980s. Their inspiring story is now a musical on stage in Sheffield which is based on these true events, of women fighting everyday sexism, homophobia and Section 28. Anita is joined by Roz Wollen, one of the co-founders of the original Gwenda's Garage and Val Regan, the production's composer and musical director.The FCA has called on banks and payment firms to bring in stricter controls protecting customers from romance fraud after a study showed a number of missed “red flags” that led to people losing huge sums of money to people creating fake online profiles. They found that women tended to sustain these relationships for longer which could mean a bigger scam. Anita speaks to Beth Harris, Head of Financial Crime at the Financial Conduct Authority to ask how we can be aware of these scams and avoid them, and what banks should be doing to assist.Presenter: Anita Rani Producer: Corinna Jones

Many of you will already know that I am a huge fan of The Chronicles of Narnia. Today, I want to introduce my fellow Narnia lovers to a new book that jumped right off the shelf as soon as I saw it. Giant is a middle-grade novel by debut author Judith McQuoid where we meet Davy, a fictional working class boy from East Belfast, Ireland who is sent to work in the wealthy Lewis household in 1908. There, he forges a friendship with Jacks–as C.S. Lewis was known to his friends and family–over books, stories, and building worlds of imagination and adventure.Giant is a must-read for Narnia fans that adds a whole new depth of experience to C.S. Lewis's world and will help you read The Lion, the Witch, and the Wardrobe in a fresh way. And today, I'm chatting with the author about what inspired her to write the book, how much of the story is fictionalized, and how the process of writing the book shaped her identity. And you're going to love her Irish accent! In this episode, you'll hear: The way her dad's love of Narnia and Lewis's Belfast heritage inspired Judith to write this story How Judith started with a “skeleton” draft and added layers of detail and depth with revisionsThe faith that carried Judith through the ups and downs of creating GiantLearn more about Sarah Mackenzie:Read-Aloud RevivalWaxwing BooksSubscribe to the NewsletterFind the rest of the show notes at: readaloudrevival.com/judith-mcquoid Order Flora and the Jazzers by Astrid Sheckels!

On October 16, 1950 the beginning of the Narnia series was first published, and it affected many people's lives . . . incluing little 3rd grade Benjy Avery. Now, 75 years later Ben found a new facsimile edition of that first volume. In this episode, Ben: Reminisces about his early exposure to The Lion, the […]

Political scientist Adam Carrington helps us understand what happened last week before the US Supreme Court in the arguments around Chiles v. Salazar where the state of Colorado bans talk therapy for those seeking to help people who want help dealing with same-sex attraction and gender dysphoria.  As we remember the 75th anniversary this week of the publishing of the first of the Chronicles of Narnia stories, Pastor Robert Castro talks about the impact of C.S. Lewis still has today.   Faith Radio podcasts are made possible by your support. Give now: Click here  

What happens when you strip away opinion and nostalgia, and let the data decide which fantasy book series reign supreme? In this solo episode, Jim dives deep into sales numbers, critical acclaim, and average fan ratings across Goodreads, Storygraph, and Amazon to reveal the Top 20 Fantasy Series (4+ books) published since 1950, ranked purely by the numbers!From the sprawling armies of Malazan Book of the Fallen to the witty brilliance of Discworld, the emotional power of Realm of the Elderlings, and the titanic juggernauts like Harry Potter and The Wheel of Time, this countdown delivers facts, fun, and maybe a few surprises.Which series earned their place? Which ones fell short?And will your favorites make the cut?Watch to find out — and let the debate begin in the comments!

On Legal Docket, the justices consider Colorado's counseling law; on Moneybeat, the rare-earth showdown with China; and on History Book, Narnia turns 75. Plus, the Monday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Dordt University, where pre-med students gain knowledge through undergraduate research and hone skills through hands-on simulations. Dordt.eduFrom His Words Abiding in You, a Podcast where listeners memorize Bible verses in each episode. His Words Abiding in You, on all podcast apps.And from The Master's University, equipping students for lives of faithfulness to The Master, Jesus Christ. masters.edu

Bib-Lit Summary Oct 12,2025 Mark gives us a lot to think about in this lesson from Romans 6:11-13 Mark introduces us to a Novel by: C. E. Lewis, The Chronicles of NARNIA, The Silver Chair. In this mystical novel Lewis is asking a question through stories; Primarily What is Real? Mark addresses this through a detailed look at Romans 6: 11-13 1. Rom. 6:11, So you must consider yourself dead to sin and alive to God in Christ Jesus. Paul, in verse 9, says we know that Christ, having been raised from the dead, will never die again. He died to sin but the life he lives he lives to God. Some of the sins we struggle with are greed, envy, honesty and pleasures. a. Align yourself with reality b. Believe what God Says c. Count yourself dead to sin and alive to God in Christ d. Do this every moment Dead to Sin --- Alive to God in Christ. 2. Rom. 6:12, Let choice not sin, therefore reign in your mortal body to make you obey its passions. 3. Rom. 6:13, Do not present your members to sin as instruments or unrighteousness, but present yourselves to God as those who have been brought from death to life and your members to God as instruments or righteousness. Points for home: 1. Your thinking Determines your Living. a. Consider yourself dead to sin and alive to God b. When temptation comes pause and say, I am dead to this. This is not who I am anymore in Christ 2. You are always going to serve someone. a. The question isn't “will I serve ?” but “ Whom will I serve?” 3. Grace will empower what it demands. a. The same God that justifies you also sanctifies you b. You are not under law but under Grace

Bib-Lit Summary Oct 12,2025 Mark gives us a lot to think about in this lesson from Romans 6:11-13 Mark introduces us to a Novel by: C. E. Lewis, The Chronicles of NARNIA, The Silver Chair. In this mystical novel Lewis is asking a question through stories; Primarily What is Real? Mark addresses this through a detailed look at Romans 6: 11-13 1. Rom. 6:11, So you must consider yourself dead to sin and alive to God in Christ Jesus. Paul, in verse 9, says we know that Christ, having been raised from the dead, will never die again. He died to sin but the life he lives he lives to God. Some of the sins we struggle with are greed, envy, honesty and pleasures. a. Align yourself with reality b. Believe what God Says c. Count yourself dead to sin and alive to God in Christ d. Do this every moment Dead to Sin --- Alive to God in Christ. 2. Rom. 6:12, Let choice not sin, therefore reign in your mortal body to make you obey its passions. 3. Rom. 6:13, Do not present your members to sin as instruments or unrighteousness, but present yourselves to God as those who have been brought from death to life and your members to God as instruments or righteousness. Points for home: 1. Your thinking Determines your Living. a. Consider yourself dead to sin and alive to God b. When temptation comes pause and say, I am dead to this. This is not who I am anymore in Christ 2. You are always going to serve someone. a. The question isn't “will I serve ?” but “ Whom will I serve?” 3. Grace will empower what it demands. a. The same God that justifies you also sanctifies you b. You are not under law but under Grace

Send us a textWe pray through Scripture, confront the weight of folly, and argue that marriage should look unmistakably faithful—so faithful it seems “too clingy” to a watching world. From Song of Solomon and Melchizedek to boredom's hidden gift and early American sources, we tie devotion to daily habits that renew homes and civic life.• cleaving in marriage as a living witness of Christ and the Church• practical calls to pray, read Scripture, and be still• Song of Solomon's pursuit and protection of love• Melchizedek and Christ's enduring priesthood• Psalm 105 on provision leading to obedience• Proverbs on the heavy cost of foolishness• boredom as a path to reflection and renewal• Churchill's daily quiet as an example of mental rest• Medal of Honor courage as a model of faithfulness• founding-era texts tying faith to public virtue• closing prayer and blessings for families and nationsIf you are looking for a family-friendly, middle grade fantasy read, kind of along the lines of Narnia or The Hobbit, if you would check out Countryside, I would be gratefulAnd if you enjoyed, if you'd leave a review, I would be very gratefulAnd if you are getting something out of the podcast, uh, if you'd share it with other people, y'all help it to spreadAnd B, there's a donation page on the Buzz Sprout website associated with the podcastIf you can donate three bucks a month, five bucks a month, that would be wonderfulSupport the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

On this episode, Eirien, author of The Riven War, discusses her love of fantasy, including a classic series that I really believe is underrated. She also talks about her first moment understanding the power of a book, how she looks for books that speak to her more than popularity, and how being a slower reader can actually be a benefit.    Get The Riven War here!   Books mentioned in this episode:    What Betsy's reading:  The Secret History by Donna Tartt  The Buffalo Hunter Hunter by Stephen Graham Jones   Books Highlighted by Eirien: Black Beauty by Anna Sewell  The Power of Habit by Charles Duhigg The Witcher Blood of Elves by Andzrej Sapowski Dune by Frank Herbert  The Chronicles of Narnia by C.S. Lewis The Picture of Dorian Grey by Oscar Wilde    All books available on my Bookshop.org episode page.   Other books mentioned in this episode: Till We Have Faces by C.S. Lewis  The Priory of the Orange Tree by Samantha Shannon  The Lord of the Rings by J.R.R. Tolkien  Marley & Me by John Grogan  Throne of Glass by Sarah J. Maas  Frankenstein by Mary Shelly

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesIt appears as though Marvel Studios much speculated film that was slated to release between Avengers: Doomsday and Avengers: Secret Wars in July 2027, won't be happening after all; or at least not that July, as Disney has replaced the untitled project with a sequel to The Simpsons Movie dated for July 23, 2027. The move comes as a surprise to many Marvel fans who anticipated a possible Doctor Strange or Shang-Chi sequel to take place between the Avengers tentpoles but is in keeping with what Bob Iger and Kevin Feige have promised about a slowdown in production. Elsewhere, with Marvel Zombies premiering on Disney Plus last week, Marvel TV head Brad Winderbaum teased a possible season 2, but emphasized that would be contingent on viewership and new Disney Plus subscriptions. Meanwhile, Elizabeth Olsen took the opportunity to share that although she recorded lines for the series, she doesn't remember anything about the show or plot. It was a huge week for trailers from a bevy of our favorite franchises, so lets run them down with another good old fashioned Trailer Park:Insomniac and Sony released the first gameplay trailer for Marvel's Wolverine on the PS5, which will release in fall of 2026.Lucasfilm unveiled a new trailer for Star Wars; Visions Volume 3 which also announced the cast that includes Anna Sawai, Freddie Highmore, George Takei, Harvey Guillén, Jodie Turner-Smith, Judith Light, Simu Liu, Stephanie Hsu, and Steve Buscemi.The final trailer for Jon M. Chu's Wicked: For Good released last Wednesday morning to much acclaim.And finally, a new trailer for 20th Century's Avatar: Fire and Ash teased more of the villainous faction and stakes.Director Denis Villeneuve shed new light on his upcoming version of 007 for Amazon/MGM; sharing that the casting process will begin next year after he's completed production on Dune: Part Three for Warner Bros and that he is looking to cast a “relatively unknown” “fresh face” actor in their 20s or 30s. Additional criteria the filmmaker included is that the performer must hail from the British Isles and be male, as well as his desire to capture what Fleming called “a blunt instrument” — the lethal but “extremely dull, uninteresting man to whom things happened.” If Villeneuve and team stay true to these parameters, it potentially rules out many fan-casted favorites and seems to be in more alignment with the Broccoli family's traditions with the character than expected with new creatives in control.Mark Ronson is slated to reunite with Greta Gerwig to score her Chronicles of Narnia adaptation at Netflix. Ronson previously served as executive music producer for Gerwig's Barbie.Amazon MGM Studios‘ adaptation of Rebecca Yarros' bestselling novel Fourth Wing is closing in on a new showrunner. Wednesday Season 2 executive producer Meredith Averill is in final negotiations to board the project as writer and executive producer.Sony revealed that Spider-Man: Beyond the SpiderVerse will arrive a week earlier than expected, and land on June 18, 2027. Notably, that new date will cover the Juneteenth holiday as well as Father's Day. It previously was dated for June 25, 2027.Comedian Bill Burr is in talks to join the cast of Aaron Sorkin and Sony Pictures' sequel to The Social Network, after Jeremy Strong, Mikey Madison and Jeremy Allen White were officially cast. The film also has been retitled The Social Reckoning and will officially hit theaters on Oct. 9, 2026.A newly created AI “actress” named Tilly Norwood, designed by the studio Xicoia under Particle6, has reportedly drawn interest from Hollywood talent agencies. The announcement sparked major backlash from real actors, with critiques about replacing human talent, the ethics of compositing real faces, and calls to boycott agencies that represent AI personas.

The Thinklings Podcast — Episode 262 The Thinklings Podcast — Episode 262 Good Mornings, Harry Potter, and Hand-Raising Welcome to this week's episode of The Thinklings Podcast! We begin with our regular Books & Business discussion, then move into a lively set of listener questions and literary reflections—from Gandalf and Bilbo's “Good Morning” exchange in The Hobbit, to whether Harry Potter belongs in the same category as Tolkien and Lewis, to thoughtful questions about worship practices, laughter, and the Christian life. Thanks for tuning in to this week's conversation!

How often do you use your imagination? In our newest program, Socrates Dialogues, authors and professors Louis Markos and Holly Ordway discuss the enduring friendship between C.S. Lewis and J.R.R. Tolkien and their most famous works, The Chronicles of Narnia and The Lord of The Rings. They discuss how the two balanced their disagreements while maintaining respect and a close bond, the mythical worlds they created, the fight between good and evil, and ultimately, the importance of imagination through reasonSee omnystudio.com/listener for privacy information.

How often do you use your imagination? In our newest program, Socrates Dialogues, authors and professors Louis Markos and Holly Ordway discuss the enduring friendship between C.S. Lewis and J.R.R. Tolkien and their most famous works, The Chronicles of Narnia and The Lord of The Rings. They discuss how the two balanced their disagreements while maintaining respect and a close bond, the mythical worlds they created, the fight between good and evil, and ultimately, the importance of imagination through reason.See omnystudio.com/listener for privacy information.