Podcasts about narnia

It's an X-MEN reunion with James McAvoy & Elliot Page! Recorded at New York Comic Con, Elliot and James compare their superpowers, talk about the meaning of X-Men in their lives, and talk everything from INCEPTION and THE ODYSSEY to SPLIT and NARNIA. UPCOMING EVENTS Brendan Fraser 11/18 in NYC -- ⁠⁠⁠⁠⁠Tickets here⁠⁠⁠⁠⁠ Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Happy Sad Confused patreon here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! We've got discount codes to live events, merch, early access, exclusive episodes, video versions of the podcast, and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

In dieser weiteren Ausgabe der „Glaube und Fantasy“ schauen wir uns das Leben und Wirken von George MacDonald an. G. K. Chesterton, C. S. Lewis, J. R. R. Tolkien – ihr Werk würde heute ohne MacDonald, dem „Grossvater“ des Fantasy-Genres, ganz anders aussehen. Aber er war nicht nur Fantasy-Autor, sondern auch Theologe und Pfarrer. Genau diese Verbindung gibt seinen Werken eine ungeheure Kraft.

In this encouraging episode, host Janice Campbell talks with Kathy Kuhl, author of Homeschooling Your Struggling Learner, about how to help children who find learning harder than it should be. Kathy shares her personal journey homeschooling a child with learning challenges and offers practical insight for parents teaching kids who struggle with reading, writing, or attention. Together, Janice and Kathy discuss individualized learning, the importance of literature, balancing remediation with accommodation, and nurturing a child's strengths and confidence. Whether you're new to homeschooling or looking for ways to better support your student, this conversation is full of wisdom, compassion, and hope. About Kathy Kathy Kuhl helps parents teaching children and teens with learning challenges. She provides resources, tips, and encouragement. Whether your children struggle with reading, writing, math, or focusing, Kathy offers creative solutions to help you teach more effectively. After years helping her dyslexic, distractible son after school, Kathy began homeschooling him in fourth grade. Homeschooling let her customize education to his interests and strengths, while addressing his weaknesses. The results made his neuropsychologist declare that homeschooling was the best thing for him. Other parents began seeking Kathy's advice, and she began speaking. After her son's homeschool graduation, Kathy interviewed 64 parents who also homeschooled students with diagnosed learning disabilities. From those interviews, her experience and study, Kathy wrote Homeschooling Your Struggling Learner. This handbook helps parents or anyone helping children or teens with learning challenges, including attention issues, dyslexia, other learning disabilities, autism, and giftedness. Kathy also wrote Staying Sane as You Homeschool and Encouraging Your Child, as well as articles for many magazines. She blogs at LearnDifferently.com. Kathy speaks at homeschool and education conferences internationally. She also advises families individually, providing advice, encouragement, and insight. You may sign up for a free introductory session on her website, with no obligation. Kathy graduated from William and Mary, where she earned teaching certificates in English and mathematics. She has two children and four grandchildren. She lives with her husband in northern Virginia, and loves reading and hiking. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources The Toothpaste Millionaire by Jean Merrill Hugh Pine trilogy by Janwillem Van De Wetering Winnie the Pooh by A. A. Milne Mother Goose The Penderwicks series by Jeanne Birdsall Sophie's World by Jostein Gaarder Professor Carol's Hurrah and Hallelujah! Chronicles of Narnia, by C. S. Lewis; especially The Last Battle The Great Divorce by C. S. Lewis Janice Campbell's review of Homeschooling Your Struggling Learner Homeschooling Your Struggling Learner Staying Sane as You Homeschool Encouraging Your Child Connect Kathy Kuhl | Facebook | Instagram Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions? We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

In this encouraging episode, host Janice Campbell talks with Kathy Kuhl, author of Homeschooling Your Struggling Learner, about how to help children who find learning harder than it should be. Kathy shares her personal journey homeschooling a child with learning challenges and offers practical insight for parents teaching kids who struggle with reading, writing, or attention. Together, Janice and Kathy discuss individualized learning, the importance of literature, balancing remediation with accommodation, and nurturing a child's strengths and confidence. Whether you're new to homeschooling or looking for ways to better support your student, this conversation is full of wisdom, compassion, and hope. About Kathy Kathy Kuhl helps parents teaching children and teens with learning challenges. She provides resources, tips, and encouragement. Whether your children struggle with reading, writing, math, or focusing, Kathy offers creative solutions to help you teach more effectively. After years helping her dyslexic, distractible son after school, Kathy began homeschooling him in fourth grade. Homeschooling let her customize education to his interests and strengths, while addressing his weaknesses. The results made his neuropsychologist declare that homeschooling was the best thing for him. Other parents began seeking Kathy's advice, and she began speaking. After her son's homeschool graduation, Kathy interviewed 64 parents who also homeschooled students with diagnosed learning disabilities. From those interviews, her experience and study, Kathy wrote Homeschooling Your Struggling Learner. This handbook helps parents or anyone helping children or teens with learning challenges, including attention issues, dyslexia, other learning disabilities, autism, and giftedness. Kathy also wrote Staying Sane as You Homeschool and Encouraging Your Child, as well as articles for many magazines. She blogs at LearnDifferently.com. Kathy speaks at homeschool and education conferences internationally. She also advises families individually, providing advice, encouragement, and insight. You may sign up for a free introductory session on her website, with no obligation. Kathy graduated from William and Mary, where she earned teaching certificates in English and mathematics. She has two children and four grandchildren. She lives with her husband in northern Virginia, and loves reading and hiking. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources The Toothpaste Millionaire by Jean Merrill Hugh Pine trilogy by Janwillem Van De Wetering Winnie the Pooh by A. A. Milne Mother Goose The Penderwicks series by Jeanne Birdsall Sophie's World by Jostein Gaarder Professor Carol's Hurrah and Hallelujah! Chronicles of Narnia, by C. S. Lewis; especially The Last Battle The Great Divorce by C. S. Lewis Janice Campbell's review of Homeschooling Your Struggling Learner Homeschooling Your Struggling Learner Staying Sane as You Homeschool Encouraging Your Child Connect Kathy Kuhl | Facebook | Instagram Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions? We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Netflix is bringing The Chronicles of Narnia back to our screens with Greta Gerwig at the helm for the first two films in the series. Interestingly, the adaptation begins with The Magician’s Nephew, opting for chronological order rather than the order in which the books were written.In this episode of Mythmakers, Julia Golding and Jacob Rennaker dive into what we know so far about the creative direction of the films, and what Gerwig’s involvement might mean for this and future instalments, it’s a conversation every Narnia fan will want to hear! Be sure to listen in and let us know what YOU think of this bold new beginning.(00:05) Greta Gerwig's Narnia Adaptation Discussion(07:33) Adapting Narnia for Modern Audiences(14:27) Casting and Setting Challenges in Narnia(28:13) Controversies Surrounding Narnia Adaptation Hope(40:12) Fantasy Podcast For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textKatie and Bridget get the hell out of Transylvania as they re-watch: Van Helsing! It's a movie all about vampires, werewolves, Frankensteins, and monster hunters - all of whom are KINDA HOT! WHY!? Come along as we meet our main character Van Helsing, a man who has weird ethics but truly wins the beauty pageant for hottest werewolf. When he is sent to Transylvania to kill Dracula he encounters a lot more bullshit and jam packed action than we could have imagined. So much so that we might actually get lost in the plot when talking about it, but we certainly didn't feel that way while watching it! This movie asks the deep questions, such as: Why did Dracula put his hidden castle in Narnia? Why does Anna have to wear a corset, leather pants, AND heels while fighting vampires and werewolves? WHY DID WE ABANDON FRANKENSTEIN IN A GRAVEYARD WITH NO SECURITY AND THEN ACT SURPRISED WHEN HE GETS KIDNAPPED!? All these and more in this fun, spoopy flick! Released in 2004, it was written and directed by Stephen Sommers and stars Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham, and Shuler Hensley.

Sein Name ist C. S. Lewis. Er lebte von 1898 bis 1963 in Großbritannien und war Professor für englische Literatur an den renommierten Universitäten Oxford und Cambridge.Lewis war ein sehr scharfsinniger Mensch, der alles mit einem klaren Verstand zu erfassen versuchte. Er beschäftigte sich viel mit Philosophie und Literatur. Anfänglich stand er Menschen, die an Gott glaubten, sehr skeptisch gegenüber. Allerdings traf er in Oxford auch Menschen, die ebenso belesen und scharfsinnig waren wie er und doch ganz überzeugt an einen lebendigen Gott und die Aussagen der Bibel glaubten. Lewis bemühte sich redlich, nach den ethischen Maßstäben, die er durch seine philosophischen Überlegungen als richtig und vernünftig erkannt hatte, zu leben. Dabei stellte er allerdings enttäuscht fest, dass es ihm nicht gelang. Er erkannte sein Versagen seinen eigenen Idealen gegenüber und damit aber auch seine Schuld vor dem absoluten Gott. Er kapitulierte vor Gott und übergab ihm sein Leben. Später schrieb er einmal: »In der Ewigkeit gibt es nur zwei Arten von Menschen: die, die zu Gott sagen: ›Dein Wille geschehe.‹ Und die, zu denen Gott sagt: ›Dein Wille geschehe.‹ Alle, die in der Hölle sind, haben sich letztlich auch dafür entschieden.«In seinen Narnia-Romanen verarbeitet Lewis den Kampf zwischen Gut und Böse. Der Löwe Aslan trägt viele Züge von Jesus Christus, bis dahin, dass er bereit ist, für den rebellischen Edmund zu sterben, und dann auch wiederaufersteht. Genau das ist die biblische Botschaft, dass Jesus selbst für unsere Schuld und unser Versagen gestorben ist. Er hat die Strafe Gottes getragen und ist wiederauferstanden und bietet uns nun ein Leben in der Beziehung zu ihm an.Bernhard VolkmannDiese und viele weitere Andachten online lesenWeitere Informationen zu »Leben ist mehr« erhalten Sie unter www.lebenistmehr.deAudioaufnahmen: Radio Segenswelle

Halloween is upon us! Costumes, trick-or-treating, and plenty of controversy! In today's episode, Pastor Derek and Pastor Jackie look at whether or not witches and witchcraft are something Christians should be concerned with. Many costumes involve witches, but is it wrong to dress that way? We dig into the history of witches and witchcraft, dating all the way back to early biblical references. We then look at modern Wicca and even talk through some popular fantasy series that involve witchcraft, like Lord of the Rings, Harry Potter, and The Chronicles of Narnia to talk through how Christians should deal with these forms of entertainment. Take a listen and we hope this is helpful for you in your walk with the Lord this Halloween season!The 17:17 podcast is a ministry of Roseville Baptist Church (MN) that seeks to tackle cultural issues and societal questions from a biblical worldview so that listeners discover what the Bible has to say about the key issues they face on a daily basis. The 17:17 podcast seeks to teach the truth of God's Word in a way that is glorifying to God and easy to understand with the hope of furthering God's kingdom in Spirit and in Truth. Scriptures: Deut. 18:9-12; Lev. 19:31; Exo. 22:18; Lev. 20:27; 1 Chr. 10:13; 2 Chr. 33:1-9; Isa. 8:19; Acts 19:18-20; Rev. 9:20-21; Rev. 18:23; 1 Cor. 10:21; 1 John 4:1; Eph. 5:11; Acts 13.If you'd like access to our show notes and all the books Jackie read on sabbatical, please visit www.rosevillebaptist.com/1717podcast to see them in Google Drive!Please listen, subscribe, rate, and review the podcast so that we can reach to larger audiences and share the truth of God's Word with them!Write in your own questions to be answered on the show at 1717pod@gmail.com.  God bless!

Rebroadcast: Cryptids in Narnia! Parody of the excellent Camp Monsters podcast. Happy Halloween! inklingsvarietyhour@gmail.com  

¡Nos fuimos de festival! En este episodio especial grabado en Getafe Negro charlamos con Rocío de Isasa, editora ejecutiva de HarperKids. Lo hicimos sobre el universo mágico de Las Crónicas de Narnia y el poder de la literatura infantil y juvenil. Además, te regalamos una pequeña pieza de ficción sonora que te hará cruzar el armario y entrar en otro mundo. ¡Dale al play y acompáñanos en esta aventura literaria y sonora!

References 1. Audacity, Free Audio Recording Program 2. Pastor Deborah's Own Voice 3. Filmora, Video Editing and Free Music Clips 4. Movie, The Chronicles of Narnia, The Lion, The Witch and The Wardrobe 5. The Story called, Help Me Free Music Clips 1. The Ambient Ocean 2. Sad Blues Red Song Mother 3. Reborn Me 4. Elegy of War 5. Dreamland Pastor Deborah's global web site of Agape Love, Love Is Here is at www.agapeloveishere.org Pastor Deborah Schleich is on X and LinkedIn Pastor Deborah Schleich is on Instagram at pastordeborah4ever Pastor Deborah Schleich is on Spotify at Agape Love Ministries, Setting The Captives Free Pastor Deborah's many different Podcast Shows are available on many different Podcast Platforms. All can be found on the front page of the web site on the left hand side of the page as well as on YouTube Podcasts Transcript

References 1. Audacity, Free Audio Recording Program 2. Pastor Deborah's Own Voice 3. Filmora, Video Editing and Free Music Clips 4. Movie, The Chronicles of Narnia, The Lion, The Witch and The Wardrobe 5. The Story called, Help Me Free Music Clips 1. The Ambient Ocean 2. Sad Blues Red Song Mother 3. Reborn Me 4. Elegy of War 5. Dreamland Pastor Deborah's global web site of Agape Love, Love Is Here is at www.agapeloveishere.org Pastor Deborah Schleich is on X and LinkedIn Pastor Deborah Schleich is on Instagram at pastordeborah4ever Pastor Deborah Schleich is on Spotify at Agape Love Ministries, Setting The Captives Free Pastor Deborah's many different Podcast Shows are available on many different Podcast Platforms. All can be found on the front page of the web site on the left hand side of the page as well as on YouTube Podcasts Transcript

Mia Goth is the latest actor shedding a bit of light on the long-shelved Blade movie from Marvel Studios. In an interview with Elle, promoting her upcoming appearance in Guillermo del Toro's Frankenstein, Goth shared only that she is still attached to the film and commented that “It's for the best that it's taken the time it has. They want to do it right.” This is in line with Kevin Feige's comments this summer that the film is still moving forward.In an interview with the AP this week, Adam Driver dropped some major information about the Ben Solo movie in Star Wars that never was. Driver explained that Lucasfilm was interested in continuing his character's story in a film that had a script written by Steven Soderbergh. Driver was supportive of the script and the creative team took it to Bob Iger and Alan Bergman at Disney who turned the project down as they “didn't see how Ben Solo was alive.” Fan favorites Amber Midthunder and Walton Goggins will star in a new action movie from the creator of the John Wick franchise. The film, called Painter, has a major executive producer credit - with Avatar and Titanic director James Cameron serving in that role. Stunt coordinator Garrett Warren, who worked with Cameron on the last two Avatars as well as Logan and the Road House reboot, is directing the movie; a debut effort. The movie's plot will focus on Midthunder's character, trained as a child who must save her father after he is kidnapped.Lightning RoundKate McKinnon has joined the cast of “Percy Jackson and the Olympians” Season 3 and will play Aphrodite.Jim Carrey is in talks to star in a live action film adaptation of The Jetsons from Warner Bros. Pictures that has Colin Trevorrow attached to direct and write the script. There have been attempts to reboot the animated series from the 1960s in some form at various times over the years, but this is the first project that seems to have some traction.Blumhouse's The Black Phone 2 took the number one spot at the box office this weekend with a worldwide box office opening of $42 million, with $26.5 million from North America and $15.5 million from international markets. Disney's Tron: Ares is at $103M global for ten-days and is currently bound to lose more than $132M off a $220 million net production cost.Colman Domingo has been cast as the voice of the Cowardly Lion in “Wicked: For Good.” The announcement was made on the “Wicked” Instagram account on Monday, with Domingo hiding behind a lion stuffed animal before revealing himself and saying: “See you in Oz!”Netflix has won the rights to adapt the popular Asmodee board game Settlers of Catan and is planning an array of projects — scripted and unscripted, live-action and animated based on the franchise.AppleTV has released some first look photos for Shrinking season 3 and has confirmed a release date. The series starring Jason Segel and Harrison Ford returns with a one-hour episode on Jan. 28, 2026 on Apple TV. The 11-episode season will then release new episodes weekly on Wednesdays, until the April 8 finale.Netflix has entered development on a series about the Kennedy family, described as the American version of ‘The Crown' and Michael Fassbender has been cast as Joseph Kennedy Sr.Andor actress Denise Gough has joined the cast of Greta Gerwig's Narnia adaptation.

The Kingdom for You: Hearing God's Voice and Partnering in the Battle In this episode of the Exploring More Podcast, Michael Thompson and SJ Jennings explore the profound reality that the Kingdom of God isn't just coming—it's for you. Picking up the thread from previous episodes on the map of darkness and light, they discuss how Jesus didn't just defeat the enemy—He invites us to join Him in bringing the Kingdom to earth. From stories like The Chronicles of Narnia and 50 First Dates, to biblical truths and personal experience, Michael and SJ unpack what it means to recognize God's voice, partner with the Holy Spirit, and live as image bearers of light in a world still shadowed by darkness. They emphasize that hearing from God isn't a spiritual elite experience—it's part of our design. With tools like the Pause app and YouVersion devotionals, they offer practical ways to slow down, be still, and listen deeply. This episode is a call to engage: to practice stillness, recognize the King's voice, and live as an agent of redemption in the Story we've been invited into. We hope you enjoy this episode and invite you to connect with us!

"Whatever Jen Agg says is worth listening to," said Anthony Bourdain. I fully agree! If you live in Toronto you probably know Jen Agg. If you don't, let me tell you she runs the best restaurants in town! Come visit and try them! Her most recent stunner is a two-story converted auto-body shop turned Toronto Life #1 ranked restaurant called "​General Public​" and it is a feast for the senses. Jen describes the place as "part Narnia, part fancy British pub, and part '80s cocaine dream" which gives you a sample of her incredible way with words on top of dishes on top of lighting on top of music on top of ... vibe. I was at General Public last week with my friend Agostino and we split Rainbow Trout Tartare, Hiramasa Crudo, Chicory Salad, and Popcorn Clams and Mussels. And those were just our appetizers! And precisely none of the items fully described the depth of surprising and fresh ingredients leading to the full-body sensory experiences we had when taking our first bites... Jen Agg has opened many other award-winning restaurants including ​Bar Vendetta​, ​Grey Gardens​, ​Le Swan​, ​Rhum Corner​, ​Hoof Cocktail Bar​ and, famously, The Black Hoof (RIP), where I still remember my friend Drew ordering a Spicy Raw Horse Sandwich with raw egg on top many years ago. His verdict? "Delicious!" Of course that place turned the restaurant scene in the city sharply sideways! And sharply sideways is such a great way to live... I admire Jen Agg's sharply sideways ways and also highly recommend her bestselling memoir “​I Hear She's A Real Bitch​” (perhaps the best memoir title of all time?) Now there is of course no where else to sit down with Jen than one of her restaurants so for this one we slip into the front booth at the delectable "french diner" that is ​Le Swan​. Btw, if you go you might find yourself making a new Spotify playlist like I did to remember the great music you're hearing—"Ooh la la" by Ronnie Lane followed by "My Sweet Lord" by George Harrison followed by "Everybody's Talkin'" by Harry Nilsson followed by "Tangled Up In Blue" by Bob Dylan! Of course it's hard to pay attention to the music when you're gobbling Smoked Trout Rillette, Steak Tartare, and the city's best Corn Dogs! Let's sit down and talk about fussiness as a virtue, the art of dining alone, having a healthy marriage with someone much older than you, the brilliant Jen Agg's 3 most formative books, and much, much, MUCH more... It was an honour and privilege to talk to Jen Agg in this classic chapter of 3 Books.

What if homeschooling could feel like discovering Narnia while everyone else is just playing hide and seek? In this inspiring episode of Everyday Educator, Lisa Bailey connects with Janine Bell, Country Coordinator for Classical Conversations in the United Kingdom, for a fascinating conversation about building classical Christian communities across the pond. Janine shares her family's pioneering journey as home educators in a country where most people still think homeschooling is illegal—and how God has used Classical Conversations to transform not just education, but entire family cultures. What You'll Discover: The surprising history of home education in the UK (and why most Brits thought it was against the law!) How Classical Conversations is helping rebuild community and authentic conversation in a culture known for its "stiff upper lip" The story of the UK's first CC graduate and the miraculous provision of classical Christian universities Real barriers facing home educators in Britain—including pending legislation that could restrict parental freedom Why British Christians struggle with the idea that homeschooling might be "hiding their light" (and Janine's powerful response) How God is using "the new dog to teach the old dog" as America shares classical education with its British roots Janine's transparency about her own doubts and discoveries—from making report cards at home to becoming the UK's country coordinator—offers hope to every parent who wonders if they're equipped for this calling. Her passion for seeing families discover the "Narnia" of classical community is absolutely contagious.   This episode of Everyday Educator is sponsored by: Judson College At Judson College, North Carolina's only four-year accredited confessional Christian institution, we equip passionate students with over 25 majors and exceptional faculty to pursue God's calling in ministry, missions, or the workplace. Experience vibrant community through our unique House System while receiving comprehensive scholarships and special SBC church member discounts to make your divine calling affordable. Ready to answer your calling? Apply to Judson College today and step into God's plan for your life. https://judsoncollege.com/distinctives/

Author Jack Borden joins us from the forests of East Texas to talk The Plant of Death — Book 5 in The Tixie Chronicles. We explore how faith, Providence, and free will shape his world, the nature and foraging threads in Tixie, and what young readers can take away from this adventure. Perfect for fans of The Wingfeather Saga, The Green Ember, and Narnia.Check out his upcoming book today! Release date is November 1, 2025 - https://www.amazon.com/gp/product/B0FV4P1T1S?ref_=dbs_m_mng_rwt_calw_tkin_4&storeType=ebooks

We are exploring the rich and complex meaning of Jesus' death on the cross. Today, we look at two ways in which the church has historically tried to explain the Atonement, using C.S. Lewis' Chronicles of Narnia to help us. How do the biblical metaphors, church history and Narnia help and hinder our understanding?

Welcome to another episode of the Bowie Book Club, where wild speculation and grasping for straws about Bowie's favorite books has reigned supreme since 2016. This time we read Diary of a Drug Fiend by Aleister Crowley, which (much to our surprise) is not Chronicles of Narnia fan-fic despite the appearance of a Big Lion who solves everything. Also features drugs that are fiended after throughout.

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

Half of working dads feel nervous asking for time off to care for their children, more than 20% have been asked ‘where's your wife/partner?' when requesting flexibility and 44% say employers treat mothers more favourably in terms of flexible working. These are the findings of a new study ‘Barriers to Equal Parenting' by the charity Working Families. Nuala McGovern is joined by Elliott Rae founder of Parenting Out Loud and Penny East, chief executive of the Fawcett Society.Tilda Swinton is one of the UK's most singular and celebrated performers. Over four decades she has delivered unforgettable and varied screen performances, notably Orlando, The Chronicles of Narnia, Michael Clayton and Asteroid City and collaborated with artists and filmmakers. She joins Anita Rani to talk about a new exhibition in Amsterdam celebrating her work and the enduring relationships that have inspired her.There is a new film out now in cinemas called I Swear. It is inspired by the life and experiences of John Davidson, and charts his journey from a misunderstood teenager in 1980s Britain to a present-day advocate for greater understanding of Tourette syndrome. John was also featured in a BBC documentary back in 1989 called John's Not Mad. There is more recognition of the syndrome now, singers Lewis Capaldi and Billie Eilish have both openly talked about living with Tourette's and it's estimated over 300,000 children and adults in the UK have it. The key features are tics which cause people to make sudden, involuntary sounds and movements. To hear more about the condition and how it impacts women and girls Nuala talks to Wilamena Dyer, musician and Tourette syndrome advocate and Dr Tara Murphy, Consultant psychologist in the NHS, and Trustee of the support and research charity Tourettes Action.Karen Carney is one of the most capped female footballers for England. The former Lioness joins Anita to talk about how she is using Strictly to help her 'rebuild confidence' after being 'crushed' by the sexist abuse she faced as a football pundit and her vision to improve women's sport.Bobbi Brown is a make-up artist turned entrepreneur who created her now famous eponymous line in 1990. Her fresh-faced approach went against 80s and 90s trends at the time for bright colour and contouring and instead aimed to celebrate and enhance women's natural beauty. She made millions selling her brand to Estée Lauder and has gone on to create a new multimillion brand. On the release of her memoir, she joins Nuala to talk about her life and work.Presenter: Anita Rani Producer: Simon Richardson

Join LaTangela as she chats with Christian Youth Theater on the #TanLine This amazing organization offers a space for youth and adults to nurture their love for the arts while spreading messages of love, hope and inspiration. They offer classes for youth between the ages of 5 - 17 years old. Christian Community Theater allows adults the opportunity to join productions as well. Make plans to experience a powerful production of NARNIA! C. S. Lewis's beloved story of Narnia comes to life in this musical production! Cast A & B Performance Dates: Thurs. Oct. 23 @ 7p.m. - Cast B Friday Oct. 24 @ 7p.m. - Cast A Sat. Oct. 25 @ 10a.m. - Cast B Sat. Oct. 25 @ 3p.m. - Cast A Abundant Life Church: 206 Edgewood Dr. Denham Springs, La. 70726 Get your tickets and learn more about this organization at www.CYTBatonRouge.org RADIO - WEMX- Baton Rouge, La. Mon-Fri 10a.m.-3p.m.CST KTCX - Beaumont, Tx. Mon-Fri 3-8 CST WEMX Sundays 10a.m. KSMB Sundays 10a.m. WWO - YouTube - #LaTangelaFay Podcast - ALL digital platforms - #iTunes #Spotify #WEMX #WAFB+ www.LaTangela.com www.TanTune.com Special Thank You - Gordon McKernan Injury Attorney - Official Partner #GordonGives #TanCares #225BulletinBoard #TanTune POOF POWER OVER OBSTACLES FOREVER GT Legacy AutoThe Fiery CrabHair Queen Beauty Super CenterSee omnystudio.com/listener for privacy information.

Is it imaginable that freedom of speech and freedom of religion could be suppressed where we live at some time in our future? History would indicate so. How do we prepare ourselves and our families for such a contingency? What curriculum might best prepare us for persecution, even martyrdom? How do we cultivate necessary virtues without sparking burdensome fears? Listen in as Janice Campbell and Andrew Pudewa explore this challenging subject. About Brian Brian Wasko's background is in English education. He taught high school English for many years in public and private Christian schools. In 2001, he founded WriteAtHome, an online service offering tutorial writing courses to homeschoolers. He also teaches online literature courses through Wasko Lit, where he can share with young people his love for the great books of Western Civilization. He has been a popular homeschool convention speaker since the early 2000s, entertaining and educating audiences as both keynote and convention speaker at dozens of conferences across the country.  Brian and his family live in Virginia Beach, Virginia. He and his wife, Melanie, homeschooled their four daughters from kindergarten to college. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Brian Wasko's writing classes and other resources Where the Sidewalk Ends by Shel Silverstein Chronicles of Narnia by C. S. Lewis The Hobbit and Lord of the Rings by J. R. R. Tolkien Poetry by Hilaire Belloc Booked: Literature in the Soul of Me by Karen Swallow Prior Evaluate Writing the Easy Way by Janice Campbell Miss Thistlebottom's Hobgoblins: The Careful Writer's Guide to the Taboos, Bugbears, and Outmoded Rules of English Usage by Theodone M. Bernstein Connect Brian Wasko of Write at Home | Website | Facebook | YouTube  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Take 20% off an annual Storm subscription through 10/22/2025 to receive 100% of the newsletter's content. Thank you for your support of independent ski journalism.WhoPhill Gross, owner, and Mike Solimano, CEO of Killington and Pico, VermontRecorded onJuly 10, 2025About KillingtonClick here for a mountain stats overviewOwned by: Phill Gross and teamLocated in: Killington, VermontYear founded: 1958Pass affiliations: Ikon Pass: 5 or 7 combined days with PicoReciprocal partners: Pico access is included on all Killington passesClosest neighboring ski areas: Pico (:12), Saskadena Six (:39), Okemo (:40), Quechee (:44), Ascutney (:55), Storrs (:59), Harrington Hill (:59), Magic (1:00), Whaleback (1:02), Sugarbush (1:04), Bromley (1:04), Middlebury Snowbowl (1:08), Arrowhead (1:10), Mad River Glen (1:11)Base elevation: 1,165 feet at Skyeship BaseSummit elevation: 4,142 feet at top of K-1 gondola (hike-to summit of Killington Peak at 4,241 feet)Vertical drop: 2,977 feet lift-served, 3,076 hike-toSkiable Acres: 1,509Average annual snowfall: 250 inchesTrail count: 155 (43% advanced/expert, 40% intermediate, 17% beginner)Lift count: 20 (2 gondolas, 2 six-packs, 4 high-speed quads, 5 fixed-grip quads, 2 triples, 1 double, 1 platter, 3 carpets - view Lift Blog's inventory of Killington's lift fleet; Killington plans to replace the Snowdon triple with a fixed-grip quad for the 2026-27 ski season)History: from New England Ski HistoryAbout PicoClick here for a mountain stats overviewOwned by: Phill Gross and teamLocated in: Mendon, VermontYear founded: 1934Pass affiliations: Ikon Pass: 5 or 7 combined days with KillingtonReciprocal partners: Pico access is included on all Killington passes; four days Killington access included on Pico K.A. PassClosest neighboring ski areas: Killington (:12), Saskadena Six (:38), Okemo (:38), Quechee (:42), Ascutney (:53), Storrs (:57), Harrington Hill (:55), Magic (:58), Whaleback (1:00), Sugarbush (1:01), Bromley (1:00), Middlebury Snowbowl (1:01), Mad River Glen (1:07), Arrowhead (1:09)Base elevation: 2,000 feetSummit elevation: 3,967 feetVertical drop: 1,967 feetSkiable Acres: 468Average annual snowfall: 250 inchesTrail count: 58 (36% advanced/expert, 46% intermediate, 18% beginner)Lift count: 7 (2 high-speed quads, 2 triples, 1 doubles, 2 carpets - view Lift Blog's inventory of Pico's lift fleet)History: from New England Ski HistoryWhy I interviewed themThe longest-tenured non-government ski area operator in America, as far as I know, is the Seeholzer family, owner-operators of Beaver Mountain, Utah since 1939. Third-generation owner Travis Seeholzer came on the pod a few years back to trace the eight-decade arc from this dude flexing 10-foot-long kamikaze boards to the present:Just about every ski area in America was hacked out of the wilderness by Some Guy Who Looked Like That. Dave McCoy at Mammoth or Ernie Blake at Taos or Everett Kircher at Boyne Mountain, swarthy, willful fellows who flew airplanes and erected rudimentary chairlifts in impossible places and hammered together their own baselodges. Over decades they chiseled these mountains into their personal Rushmores, a life's work, a human soul knotted to nature in a built place that would endure for generations.It's possible that they all imagined their family name governing those generations. In the remarkable case of Boyne, they still do. But the Kirchers and the Seeholzers are ski-world exceptions. Successive generations are often uninterested in the chore of legacy building. Or they try and say wow this is expensive. Or bad weather leads to bad financial choices by our cigar-smoking, backhoe-driving, machete-wielding founder and his sons and daughters never get their chance. The ski area's deed shuffles into the portfolio of a Colorado Skico and McCoy fades a little each year and at some point Mammoth is just another ski area owned by Alterra Mountain Company.It's tempting to sentimentalize the past, to lament skiing's macro-transition from gritty network of founder-kingpin fifes to set of corporate brands, to conclude that “this generation” just doesn't have the tenacity of a Blake or a McCoy. But the America where a fellow could turn up with a dump truck and a chainsaw and flatten raw forest into a for-profit business with minimal protest is gone. Every part of the ski ecosystem is more regulated, complicated, and expensive than it's ever been. The appeal of running such a machine - and the skillset necessary to do so - is entirely different from that of sculpting your own personal snow Narnia from scratch. We will always have family-owned ski areas (we still have hundreds), and an occasional modern founder-disruptor like Mount Bohemia's Lonie Glieberman will materialize like a new X-man. But ski conglomerates have probably always been inevitable, and are probably largely the industry's future. They are best suited, in most cases, to manage, finance, and maintain the vast machinery of our largest ski centers (and also to create a ski landscape in which not all ski area operators are Some Guy Who Looked Like That).Killington demonstrates this arc from rambunctious founder to corporate vassal as well as any mountain in the country. Founded in 1958 by the wily and wild Pres Smith, the ski area's parent company, Sherburne Corp., bought Sunday River, Maine in 1973 and Mount Snow, Vermont in 1977. The two Vermont mountains became S-K-I in 1984, bought five more ski areas, and merged with four-resort LBO in 1996 to become the titanic American Skiing Company. Unfortunately ASC turned out to be skiing's Titanic, and one of the company's last acts before dissolution was to sell Killington and Pico to Utah-based Powdr in 2007.The Beast had been tamed, at least on paper. Corporate ownership of some sort felt as stapled to the mountain as Killington's 3,000 snowguns. And mostly, well, it didn't matter. Other than Powdr's disastrous attempts to shorten the resort's famously long seasons, Killington never lost its feisty edge. Over the decades the ski area modernized, masterplanned, and shed skier volume while increasing its viability as a business. Modern Killington wasn't the kingdom of a charismatic and ever-present founder, but it was a pretty good ski area.And then, suddenly, shockingly, Powdr sold both Killington and Pico last August. And they didn't sell the ski areas to Vail or Alterra or Boyne or to anyone who owned any ski areas at all. Instead, a group of local investors - led by Phill Gross and Michael Ferri, longtime Killington homeowners who ran a variety of non-ski-related businesses - bought the mountains. After 51 years as part of a multi-mountain ownership group, Killington (its relationship to neighboring Pico notwithstanding), was once again independent.It was all so improbable. Out-of-state operators had purchased five of Vermont's large ski areas in recent years: Colorado-based Vail Resorts bought Stowe in 2017, Okemo in 2018, and Mount Snow in 2019; Denver-based Alterra claimed Sugarbush in 2019; and Utah-based Pacific Group Resorts added Jay Peak to their small portfolio in 2022. Very few ski areas have ever entered the corporate matrix and re-emerged as independents. Grand Targhee, Wyoming; Waterville Valley, New Hampshire; and Mountain Creek, New Jersey (technically owned by multimountain operator Snow Partners) are exceptions spun off from larger companies. But mostly, once a larger entity absorbed a ski area, it stays locked in the multimountain universe forever.So what would this mean? For the largest and busiest mountain in the eastern United States to be independent? Did this, along with Powdr's intentions to sell Mount Bachelor (since rescinded), Eldora (sale in process), and Silver Star (no update), mark a reversal in the consolidation trend that had gathered 30 percent of America's ski areas under the umbrella of a multi-mountain operator? Did Killington's group of wealthy-but-not-Bezos-wealthy investors set an alternate blueprint for large-mountain ownership, especially when considered alongside the sale of Jackson Hole to a similar group the year before? Had the Ikon Pass – that harbinger of mass-market pass domination that had forced the we-better-join-them sales of Crystal Mountain, Washington and Sugarbush – inadvertently become a reliable revenue pipeline that made independence more viable? And would Killington, well-managed and constantly improving, backslide under cowboy owners who want to Q-Burke the place in their image?We're a year in now, and we have some clarity on these questions, along with two new chairlifts (Superstar this year, Snowdon next), 1,000 new snowguns, a revitalized Skyeship Gondola, and progressing plans on the East's first true ski village. Locals seem happy, management seems happy, the owners seem happy. Easy enough, Gross points out in our interview, when winter hits deep like the last one did. But can we keep the party going indefinitely? It was time for a check-in.What we talked aboutA strong first winter under independent ownership; what spring skiing off Canyon lift told us about the importance of Superstar; “it's an incredibly complex operation”; letting the smart people do their jobs; Killington's surprise spin-off from a multi-mountain operator; “our job is to keep the honeymoon going”; Superstar's six-pack upgrade; why six-packs are probably Killington's lift-upgrade future; why Pico is demolishing the Bonanza lift for a covered carpet; why Superstar won't have bubbles; where bubbles might make sense in a future lift; why ski areas can no longer run snowmaking under newly constructed chairlifts; why Superstar is a Doppelmayr machine after Killington installed a brand-new Leitner-Poma six at Snowdon in 2018; long- and short-term Superstar impacts to Killington's long season; long-term thoughts around early-season walkway access to North Ridge; Skyeship Gondola upgrades, including $5 million in new cabins; what 1,000 new snowguns means in practice; why Killington sold the Wobbly Barn; considering Killington as a business and investment; how Killington is a different financial beast from other Vermont ski areas; how close Killington was to going unlimited on Ikon Pass; Phill's journey to buying Killington; Devil's Fiddle and why sometimes things that don't make sense financially make sense anyway; “we want to own this for generations to come”; a village layout and timeline update – “we want to make sure that this is something that's additive to the ski experience” even if you don't own within it; “Great Gulf wants this [village] to be competitive for the western resorts”; “we don't want to change what Pico is”; how piping water over from Killington has reinvigorated and stabilized Pico; why Killington and Pico remained on Ikon Pass post-sale and probably will for the foreseeable future; is Ikon helping big ski areas stay independent?; Killington's steady rise in lift ticket prices; future lift upgrades and why the Snowdon Triple is next up for a replacement.What I got wrong* File “opinionation” under LOL I'm Dumb Talking Is Hard* I said that former Killington owner Powdr had “just sold” Eldora, but that's not accurate: in July, the town of Nederland, Colorado, announced their intent to purchase the ski area. The sales process is ongoing.Podcast NotesOn previous Killington podsOn Gross' purchase of Killington and PicoOn ANSI chairlift standardsWe get a bit in the weeds with a reference to “ANSI standards” for chairlifts. ANSI is the American National Standards Institute, a nonprofit organization that sets voluntary but widely adopted standards for everything from office furniture to electrical systems to safety signage in the United States. The ANSI standard for lifts, according to a blog post describing the code's 2022 update, is “developed by the National Ski Areas Association (NSAA), [and] establishes standard requirements for the design, manufacture, construction, operation, and maintenance of passenger ropeways.” On Killington's long seasonsKillington often opens in October (though it has not done so since 2018), and closes in June (three straight years before a deliberately truncated 2024-25 season to begin demolition of the Superstar chair). List of Killington open and close dates since 1987-88.On Win Smith and Killington and SugarbushOn Killington's villageThe East needs more of this:On Killington's peak lift ticket pricesPer New England Ski History:The Storm explores the world of lift-served skiing year round. Join us. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Tilda Swinton is one of the UK's most singular and celebrated performers. Over four decades she has delivered unforgettable and varied screen performances, notably Orlando, The Chronicles of Narnia, Michael Clayton and Asteroid City and collaborated with artists and filmmakers. She joins Anita Rani to talk about a new exhibition in Amsterdam celebrating her work and the enduring relationships that have inspired her.According to the latest data, homelessness is rising. Over 130,000 households were in temporary accommodation in June, up 7.6% from last year. Charities warn that women are underrepresented in the data, as they often face different challenges to men. The Women's Rough Sleeping Census, now in its fourth year, aims to address this. Rebecca Goshawk, Director of Business Development at Solace Women's Aid, joins Anita to discuss it. Named after pioneering racing driver Gwenda Stewart, Gwenda's Garage was a real place: where three female mechanics defied the odds by setting up their own garage in Sheffield in the 1980s. Their inspiring story is now a musical on stage in Sheffield which is based on these true events, of women fighting everyday sexism, homophobia and Section 28. Anita is joined by Roz Wollen, one of the co-founders of the original Gwenda's Garage and Val Regan, the production's composer and musical director.The FCA has called on banks and payment firms to bring in stricter controls protecting customers from romance fraud after a study showed a number of missed “red flags” that led to people losing huge sums of money to people creating fake online profiles. They found that women tended to sustain these relationships for longer which could mean a bigger scam. Anita speaks to Beth Harris, Head of Financial Crime at the Financial Conduct Authority to ask how we can be aware of these scams and avoid them, and what banks should be doing to assist.Presenter: Anita Rani Producer: Corinna Jones

Many of you will already know that I am a huge fan of The Chronicles of Narnia. Today, I want to introduce my fellow Narnia lovers to a new book that jumped right off the shelf as soon as I saw it. Giant is a middle-grade novel by debut author Judith McQuoid where we meet Davy, a fictional working class boy from East Belfast, Ireland who is sent to work in the wealthy Lewis household in 1908. There, he forges a friendship with Jacks–as C.S. Lewis was known to his friends and family–over books, stories, and building worlds of imagination and adventure.Giant is a must-read for Narnia fans that adds a whole new depth of experience to C.S. Lewis's world and will help you read The Lion, the Witch, and the Wardrobe in a fresh way. And today, I'm chatting with the author about what inspired her to write the book, how much of the story is fictionalized, and how the process of writing the book shaped her identity. And you're going to love her Irish accent! In this episode, you'll hear: The way her dad's love of Narnia and Lewis's Belfast heritage inspired Judith to write this story How Judith started with a “skeleton” draft and added layers of detail and depth with revisionsThe faith that carried Judith through the ups and downs of creating GiantLearn more about Sarah Mackenzie:Read-Aloud RevivalWaxwing BooksSubscribe to the NewsletterFind the rest of the show notes at: readaloudrevival.com/judith-mcquoid Order Flora and the Jazzers by Astrid Sheckels!

On October 16, 1950 the beginning of the Narnia series was first published, and it affected many people's lives . . . incluing little 3rd grade Benjy Avery. Now, 75 years later Ben found a new facsimile edition of that first volume. In this episode, Ben: Reminisces about his early exposure to The Lion, the […]

Political scientist Adam Carrington helps us understand what happened last week before the US Supreme Court in the arguments around Chiles v. Salazar where the state of Colorado bans talk therapy for those seeking to help people who want help dealing with same-sex attraction and gender dysphoria.  As we remember the 75th anniversary this week of the publishing of the first of the Chronicles of Narnia stories, Pastor Robert Castro talks about the impact of C.S. Lewis still has today.   Faith Radio podcasts are made possible by your support. Give now: Click here  

What happens when you strip away opinion and nostalgia, and let the data decide which fantasy book series reign supreme? In this solo episode, Jim dives deep into sales numbers, critical acclaim, and average fan ratings across Goodreads, Storygraph, and Amazon to reveal the Top 20 Fantasy Series (4+ books) published since 1950, ranked purely by the numbers!From the sprawling armies of Malazan Book of the Fallen to the witty brilliance of Discworld, the emotional power of Realm of the Elderlings, and the titanic juggernauts like Harry Potter and The Wheel of Time, this countdown delivers facts, fun, and maybe a few surprises.Which series earned their place? Which ones fell short?And will your favorites make the cut?Watch to find out — and let the debate begin in the comments!

On Legal Docket, the justices consider Colorado's counseling law; on Moneybeat, the rare-earth showdown with China; and on History Book, Narnia turns 75. Plus, the Monday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Dordt University, where pre-med students gain knowledge through undergraduate research and hone skills through hands-on simulations. Dordt.eduFrom His Words Abiding in You, a Podcast where listeners memorize Bible verses in each episode. His Words Abiding in You, on all podcast apps.And from The Master's University, equipping students for lives of faithfulness to The Master, Jesus Christ. masters.edu

Bib-Lit Summary Oct 12,2025 Mark gives us a lot to think about in this lesson from Romans 6:11-13 Mark introduces us to a Novel by: C. E. Lewis, The Chronicles of NARNIA, The Silver Chair. In this mystical novel Lewis is asking a question through stories; Primarily What is Real? Mark addresses this through a detailed look at Romans 6: 11-13 1. Rom. 6:11, So you must consider yourself dead to sin and alive to God in Christ Jesus. Paul, in verse 9, says we know that Christ, having been raised from the dead, will never die again. He died to sin but the life he lives he lives to God. Some of the sins we struggle with are greed, envy, honesty and pleasures. a. Align yourself with reality b. Believe what God Says c. Count yourself dead to sin and alive to God in Christ d. Do this every moment Dead to Sin --- Alive to God in Christ. 2. Rom. 6:12, Let choice not sin, therefore reign in your mortal body to make you obey its passions. 3. Rom. 6:13, Do not present your members to sin as instruments or unrighteousness, but present yourselves to God as those who have been brought from death to life and your members to God as instruments or righteousness. Points for home: 1. Your thinking Determines your Living. a. Consider yourself dead to sin and alive to God b. When temptation comes pause and say, I am dead to this. This is not who I am anymore in Christ 2. You are always going to serve someone. a. The question isn't “will I serve ?” but “ Whom will I serve?” 3. Grace will empower what it demands. a. The same God that justifies you also sanctifies you b. You are not under law but under Grace

Hoera! De leukste verkiezing van het jaar is weer begonnen. In deze vrolijke aflevering trappen we de vijfde editie van De Grote Vriendelijke 100 af. Samen met columniste Katinka Polderman bespreken kinderboekrecensenten Jaap Friso (JaapLeest.nl) en Bas Maliepaard (Trouw) hun eigen top 5'jes en zijn ze elk lijstduwer van een genre dat in de afgelopen vier jaar een ondergeschoven kindje was in de lijst: poëzie, prentenboeken en non-fictie. Ook komen luisteraars aan het woord over wat De Grote Vriendelijke 100 voor hen heeft betekend en brengen we je hopelijk op ideeën om tot een mooie top 5 te komen. Stemmen Volwassen liefhebbers van jeugdliteratuur kunnen vanaf vandaag t/m 2 november 2025 stemmen degrotevriendelijkepodcast.nl/stem. Deel je lijstje op de sociale media onder #deGV100 en tag @degvpodcast! Spelregels Alle jeugdliteratuur doet mee: van prentenboek tot YA-roman, fictie, non-fictie en poëzie, klassiekers of gloednieuwe boeken. Wil je op een serie (tweeluik/trilogie of meer) stemmen, kies dan je favoriete deel of ga na of er een omnibus in de database te vinden is Deze verkiezing richt zich primair op volwassen lezers van jeugdliteratuur We vragen makers en uitgevers om geen online of offline campagne te voeren voor eigen titels Mediakit Meehelpen om zoveel mogelijk volwassenen te wijzen op de verkiezing? Download al het beeldmateriaal uit de mediakit. Er staan posters in die je kunt uitprinten en ophangen en plaatjes die je voor sociale media kunt gebruiken. GV100 poster 2025 Natuurlijk komt ook de vijfde editie van De Grote Vriendelijke 100 op een mooie poster te staan. Die kun je nu al tegen druk- en verzendkosten bestellen via de webshop van Blossom Books. Bestel je vóór 1 december 2025, dan verzenden ze je posters voor 5 december 2025. Komt je bestelling daarna? Dan wordt die na de kerstvakantie verzonden. Heel fijn als je nu vast wilt bestellen, dan kunnen wij bepalen hoeveel posters we moeten laten drukken. Pakjesavond: uitverkocht De Grote Vriendelijke Pakjesavond, waar we de uiteindelijke top 100 van 2025 presenteren, is uitverkocht. Kans maken op een kaartje? Meld je dan aan bij TicketSwap. En heb je een ticket, maar ben je onverhoopt verhinderd: bied dan je kaartje aan via TicketSwap. De top 5 van Jaap (in willekeurige volgorde) 'We noemen hem Anna', Peter Pohl, Vertaling: Cora Polet, Querido 15+ 'Complot', Jan Paul Schutten, Tekeningen: Koen Aelterman, Blauw Gras 10+ 'De reis van Syntax Bosselman', Arend van Dam, Tekeningen: Alex de Wolf, Van Holkema & Warendorf 10+ 'De gelukvinder', Anoush Elman & Edward van de Vendel, Querido 14+ 'Koning van Katoren', Jan Terlouw, Lemniscaat 10+ De top 5 van Bas (in willekeurige volgorde) 'Hou van die hond', Sharon Creech, Vertaling: Michèle Bernard, Tekeningen: Rotraut Susanne Berner, Hoogland & Van Klaveren 9+ 'Wat ons nog rest', Aline Sax, Salto 16+ 'De kronieken van Narnia', C.S. Lewis, Vertaling: Imme Dros, KokBoekencentrum 10+ 'Bijna jarig', Imme Dros, Tekeningen: Harrie Geelen, Querido 4+ 'Jij bent de liefste', Hans & Monique Hagen, Tekeningen: Marit Törnqvist Querido 3+ De top 5 van Katinka (in willekeurige volgorde) 'Een zee van liefde', Pieter Gaudesaboos, Lannoo 5+ 'Een eiland in zee. De omnibus', Annika Thor, Vertaling: Emmy Weehuizen-Deelder, Lemniscaat 10+ 'De Heksenkind trilogie', Monica Furlong, Vertaling: Anneke Koning-Corveleijn Lemniscaat 10+ 'Mot en de metaalvissers', Sanne Rooseboom, Tekeningen: Sophie Pluim, Van Goor 10+ 'De koffer', Chris Naylor-Ballesteros, Vertaling: J.H. Gever, Gottmer 4+

Send us a textWe pray through Scripture, confront the weight of folly, and argue that marriage should look unmistakably faithful—so faithful it seems “too clingy” to a watching world. From Song of Solomon and Melchizedek to boredom's hidden gift and early American sources, we tie devotion to daily habits that renew homes and civic life.• cleaving in marriage as a living witness of Christ and the Church• practical calls to pray, read Scripture, and be still• Song of Solomon's pursuit and protection of love• Melchizedek and Christ's enduring priesthood• Psalm 105 on provision leading to obedience• Proverbs on the heavy cost of foolishness• boredom as a path to reflection and renewal• Churchill's daily quiet as an example of mental rest• Medal of Honor courage as a model of faithfulness• founding-era texts tying faith to public virtue• closing prayer and blessings for families and nationsIf you are looking for a family-friendly, middle grade fantasy read, kind of along the lines of Narnia or The Hobbit, if you would check out Countryside, I would be gratefulAnd if you enjoyed, if you'd leave a review, I would be very gratefulAnd if you are getting something out of the podcast, uh, if you'd share it with other people, y'all help it to spreadAnd B, there's a donation page on the Buzz Sprout website associated with the podcastIf you can donate three bucks a month, five bucks a month, that would be wonderfulSupport the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

On this episode, Eirien, author of The Riven War, discusses her love of fantasy, including a classic series that I really believe is underrated. She also talks about her first moment understanding the power of a book, how she looks for books that speak to her more than popularity, and how being a slower reader can actually be a benefit.    Get The Riven War here!   Books mentioned in this episode:    What Betsy's reading:  The Secret History by Donna Tartt  The Buffalo Hunter Hunter by Stephen Graham Jones   Books Highlighted by Eirien: Black Beauty by Anna Sewell  The Power of Habit by Charles Duhigg The Witcher Blood of Elves by Andzrej Sapowski Dune by Frank Herbert  The Chronicles of Narnia by C.S. Lewis The Picture of Dorian Grey by Oscar Wilde    All books available on my Bookshop.org episode page.   Other books mentioned in this episode: Till We Have Faces by C.S. Lewis  The Priory of the Orange Tree by Samantha Shannon  The Lord of the Rings by J.R.R. Tolkien  Marley & Me by John Grogan  Throne of Glass by Sarah J. Maas  Frankenstein by Mary Shelly

C.S. Lewis (1898-1963) was a British writer, literary scholar and theologian. He is best known for writing the Chronicles of Narnia. Baptized as an infant, Lewis became an atheist at 15 years old because he was angry at God both for not existing and for creating such a terrible world. He became a Christian “kicking, struggling, and resentful” at 33 years old, influenced by friends like J.R.R. Tolkien and various writings. Mere Christianity is Lewis' compelling apologetic for Christianity. For Lewis, Christianity is neither easy nor simple. Rather, it is demanding and risky. In this sermon series, we will explore his arguments for Christian faith as a radical reordering of our lives.Sunday service times are 9 a.m., 11 a.m., and 4 p.m. at the Mission Campus in Prairie Village, Kansas, and 10 a.m. at the Antioch Campus in Overland Park, Kansas. If you are unable to attend in person, you can worship online at https://villagepres.org/online. Support the showContact Village Presbyterian Churchvillagepres.orgcommunications@villagepres.org913-262-4200Have a prayer request? pastoral-care@villagepres.orgFacebook @villagepresInstagram @villagepreschurchYouTube @villagepresbyterianchurchTo join in the mission and ministry of Village Church, go to villagepres.org/giving

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesIt appears as though Marvel Studios much speculated film that was slated to release between Avengers: Doomsday and Avengers: Secret Wars in July 2027, won't be happening after all; or at least not that July, as Disney has replaced the untitled project with a sequel to The Simpsons Movie dated for July 23, 2027. The move comes as a surprise to many Marvel fans who anticipated a possible Doctor Strange or Shang-Chi sequel to take place between the Avengers tentpoles but is in keeping with what Bob Iger and Kevin Feige have promised about a slowdown in production. Elsewhere, with Marvel Zombies premiering on Disney Plus last week, Marvel TV head Brad Winderbaum teased a possible season 2, but emphasized that would be contingent on viewership and new Disney Plus subscriptions. Meanwhile, Elizabeth Olsen took the opportunity to share that although she recorded lines for the series, she doesn't remember anything about the show or plot. It was a huge week for trailers from a bevy of our favorite franchises, so lets run them down with another good old fashioned Trailer Park:Insomniac and Sony released the first gameplay trailer for Marvel's Wolverine on the PS5, which will release in fall of 2026.Lucasfilm unveiled a new trailer for Star Wars; Visions Volume 3 which also announced the cast that includes Anna Sawai, Freddie Highmore, George Takei, Harvey Guillén, Jodie Turner-Smith, Judith Light, Simu Liu, Stephanie Hsu, and Steve Buscemi.The final trailer for Jon M. Chu's Wicked: For Good released last Wednesday morning to much acclaim.And finally, a new trailer for 20th Century's Avatar: Fire and Ash teased more of the villainous faction and stakes.Director Denis Villeneuve shed new light on his upcoming version of 007 for Amazon/MGM; sharing that the casting process will begin next year after he's completed production on Dune: Part Three for Warner Bros and that he is looking to cast a “relatively unknown” “fresh face” actor in their 20s or 30s. Additional criteria the filmmaker included is that the performer must hail from the British Isles and be male, as well as his desire to capture what Fleming called “a blunt instrument” — the lethal but “extremely dull, uninteresting man to whom things happened.” If Villeneuve and team stay true to these parameters, it potentially rules out many fan-casted favorites and seems to be in more alignment with the Broccoli family's traditions with the character than expected with new creatives in control.Mark Ronson is slated to reunite with Greta Gerwig to score her Chronicles of Narnia adaptation at Netflix. Ronson previously served as executive music producer for Gerwig's Barbie.Amazon MGM Studios‘ adaptation of Rebecca Yarros' bestselling novel Fourth Wing is closing in on a new showrunner. Wednesday Season 2 executive producer Meredith Averill is in final negotiations to board the project as writer and executive producer.Sony revealed that Spider-Man: Beyond the SpiderVerse will arrive a week earlier than expected, and land on June 18, 2027. Notably, that new date will cover the Juneteenth holiday as well as Father's Day. It previously was dated for June 25, 2027.Comedian Bill Burr is in talks to join the cast of Aaron Sorkin and Sony Pictures' sequel to The Social Network, after Jeremy Strong, Mikey Madison and Jeremy Allen White were officially cast. The film also has been retitled The Social Reckoning and will officially hit theaters on Oct. 9, 2026.A newly created AI “actress” named Tilly Norwood, designed by the studio Xicoia under Particle6, has reportedly drawn interest from Hollywood talent agencies. The announcement sparked major backlash from real actors, with critiques about replacing human talent, the ethics of compositing real faces, and calls to boycott agencies that represent AI personas.

The Thinklings Podcast — Episode 262 The Thinklings Podcast — Episode 262 Good Mornings, Harry Potter, and Hand-Raising Welcome to this week's episode of The Thinklings Podcast! We begin with our regular Books & Business discussion, then move into a lively set of listener questions and literary reflections—from Gandalf and Bilbo's “Good Morning” exchange in The Hobbit, to whether Harry Potter belongs in the same category as Tolkien and Lewis, to thoughtful questions about worship practices, laughter, and the Christian life. Thanks for tuning in to this week's conversation!

Jesse Cope explores the importance of making God our top priority in times of uncertainty and discusses the challenges of authentic Christian discipleship in a changing world. The episode examines how to prepare our faith for difficult times while emphasizing scriptural wisdom on marriage, righteous living, and trusting God through persecution.• Making time for God daily as storm clouds gather on the horizon• Marriage wisdom from 1 Peter 3:1-7 on how husbands and wives should treat each other• Scripture from 2 Timothy describing moral decline in the "last days"• Following Christ genuinely will involve some form of suffering or persecution• The extraordinary Medal of Honor story of Vito R. Bertoldo's 48-hour stand against enemy forces• Reflections on Presidents Jefferson and Adams both dying on July 4th, 1826• The importance of turning back to God as our only true hope as individuals and as a nationIf you're looking for a family-friendly middle-grade fantasy book series similar to Narnia or The Hobbit, please check out Countryside and consider leaving a review if you enjoy it.Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

#1 New York Times bestselling author, Lev Grossman, spoke to me about his tenure at Time magazine, how The Magicians poked holes in Narnia and Potter, and reimagining a legend with THE BRIGHT SWORD: A Novel of King Arthur. Lev Grossman is the author of the #1 New York Times bestselling Magicians trilogy—The Magicians, The Magician King, and The Magician's Land—which has been published in 30 countries and adapted as a TV show that ran for five seasons on SYFY. His latest novel is THE BRIGHT SWORD: A Novel of King Arthur, named a Best Summer Read by The New York Times, Los Angeles Times, Time, Vulture, Esquire, Boston Globe, Elle, Town & Country, Seattle Times, New York Post, Lit Hub, and many others. George R. R. Martin, #1 New York Times bestselling author of A Game of Thrones said of the book, “If you love King Arthur as much as I do, you'll love Lev Grossman's The Bright Sword, a fresh and engrossing take on the Matter of Britain featuring a colorful cast of Round Table knights who don't often get as much story time as they deserve. The creator of The Magicians has woven another spell.” Lev has written two critically acclaimed novels for children, and the screenplay for the movie The Map of Tiny Perfect Things, a finalist for the Critic's Choice awards (based on his short story). He also worked as a staff writer at Time magazine, and has written essays and articles for Vanity Fair, the Believer, the Village Voice, the Wall Street Journal, the New York Times, Salon, Slate, Wired, Entertainment Weekly, Buzzfeed, NPR, and many others.  [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Lev Grossman and I discussed:  How he talked his way into writing for Time magazine The evolution of his career from journalist to novelist Breaking through with middle-grade fantasy and The Magicians How he “got into the weeds” with his latest Arthurian tome World-building for streaming vs. collaborating on the graphic novel And a lot more! Show Notes: ⁠levgrossman.com⁠ ⁠The Bright Sword: A Novel of King Arthur⁠ by Lev Grossman (Amazon) ⁠Lev Grossman Amazon Author Page⁠ ⁠Lev Grossman on Facebook⁠ ⁠Lev Grossman on Instagram⁠ ⁠Lev Grossman on Twitter⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

How often do you use your imagination? In our newest program, Socrates Dialogues, authors and professors Louis Markos and Holly Ordway discuss the enduring friendship between C.S. Lewis and J.R.R. Tolkien and their most famous works, The Chronicles of Narnia and The Lord of The Rings. They discuss how the two balanced their disagreements while maintaining respect and a close bond, the mythical worlds they created, the fight between good and evil, and ultimately, the importance of imagination through reasonSee omnystudio.com/listener for privacy information.

How often do you use your imagination? In our newest program, Socrates Dialogues, authors and professors Louis Markos and Holly Ordway discuss the enduring friendship between C.S. Lewis and J.R.R. Tolkien and their most famous works, The Chronicles of Narnia and The Lord of The Rings. They discuss how the two balanced their disagreements while maintaining respect and a close bond, the mythical worlds they created, the fight between good and evil, and ultimately, the importance of imagination through reason.See omnystudio.com/listener for privacy information.

In The Chronicles of Narnia, Aslan tells Lucy, “Every year you grow, you will find me bigger.” The same is true of every day we spend in God's Word. If you've ever felt intimidated about reading the Bible, this episode is for you. Amanda Bible Williams from She Reads Truth joins me to talk about the beauty of reading Scripture communally and the joy of discovering more of God through His Word. https://shereadstruth.com/ __________ The Strong Women Podcast is a product of the Colson Center, which equips Christians to live out their faith with clarity, confidence, and courage in this cultural moment. Through commentaries, podcasts, videos, and more, we help Christians better understand what's happening in the world, and champion what is true and good wherever God has called them. Learn more about the Colson Center here: https://www.colsoncenter.org/   Visit our website and sign up for our email list so that you can stay up to date on what we are doing here and also receive our monthly journal: https://www.colsoncenter.org/strong-women Join Strong Women on Social Media:   https://www.facebook.com/StrongWomenCC  https://www.facebook.com/groups/strongwomencommunitycc/  https://www.instagram.com/strongwomencc/  https://linktr.ee/strongwomencc 

Send us a text Julie Berry is the New York Times bestselling author and award-winning storyteller. Julie's works span across genres and age groups, from the NCTE Walden Award–winning Lovely War to the Printz Honor novel The Passion of Dolssa, to middle grade adventures like The Scandalous Sisterhood of Prickwillow Place and the Wishes and Wellingtons trilogy, to heartwarming picture books. Her brand-new YA novel, If Looks Could Kill, just released yesterday—congratulations, Julie! Julie also owns Author's Note, a charming independent bookstore in Medina, New York, where she fosters community, conversation, and a love of reading.In this rich conversation, we explore:How Julie chose the monster and villain at the heart of her latest novelWhy mythology, symbols, and metaphors are essential for making sense of the worldThe surprising and powerful benefits of book clubs—especially for middle grade readersWhy cultivating lifelong readers matters so deeplyThe joys and positive ripple effects Julie has noticed since opening her bookstoreJulie's insights remind us of the transformative power of stories, the importance of keeping curiosity alive, and the role books play in shaping thoughtful, imaginative communities.Connect with Julie:InstagramFacebookWebsiteBooks and authors mentioned in the episode:P.G. Wodehouse booksTerry Pratchett booksDave Barry booksErma Bombeck booksThe Lord of the Rings trilogy by J.R.R. TolkienThe Chronicles of Narnia by C.S. LewisAgatha Christie booksJane Austen booksThe Hero with a Thousand Faces by Joseph CampbellService Model by Adrian TchaikovskyBook FlightThe Raging Erie: Life and Labor Along the Erie Canal by Marc S. FerraraHeaven's Ditch: God, Gold, and Murder on the Erie Canal by Jack KellyNew York's Burned-over D

Achieving Success with Olivia Atkin Episode 151 "Achieving Success By Embracing Your Lone Wolf Era with Karen Miller"Olivia talks personal and professional achievements with Karen Miller.  Karen, who also writes under the name Lee K. Rogers, has had a lifelong love of fantasy, sparked by her early discovery of the Brothers Grimm. Over the years, she's explored everything from The Chronicles of Narnia and The Lord of the Rings to modern urban fantasy and romance, giving her a deep understanding of what captivates readers in these genres. In addition to her background as an accomplished nonfiction, memoir, and biography author under the name Karen Hodges Miller, she brings a wealth of writing experience and insight into crafting compelling narratives. Now, she is embracing her passion for paranormal romance with the launch of The Hunter's Moon, the first book in her Unleashed series. With two more books already slated for release in 2025, Karen is quickly establishing herself as a rising voice in the urban fantasy romance world, blending rich storytelling with magical elements and a touch of spice. Today, we'll explore her creative journey, her approach to building fantastical worlds, and what readers can look forward to next.Join Olivia every Tuesday as she brings on top notch guests to talk about how they are Achieving Success! Career Development Book and More at Achieving-success.comStay Connected With Us:Linkedin: https://www.linkedin.com/company/achieving-success-llcInstagram: @_achievingsuccessTwitter: @_achievesuccessFacebook: @Achieving SuccessYou can find Karen Miller:Website: LeeKRogers.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/achieving-success-with-olivia-atkin--5743662/support.