Podcasts about Barn

On this episode of Barn Talk, we cover a wide range of hot topics including the financial troubles of First Republic Bank and First Horizon Bank, Tucker Carlson's departure from Fox News, and the potential dangers of AI technology. We also visit various bars across the country and discuss the importance of supporting American-made products.  Barn Talk Merch!

Idag är det stora kill-tackar-dagen. Linnea Wikblad kommer åter en gång fram till att hon är Sveriges mest manstillvända kvinna. David Druid är en kille. Skådisen och debattören Ala Riani om sin nya bok "Krigets dotter". Journalisten Johar Bendjelloul berättar om allt vi behöver veta inför kvällens deltävling i Eurovision där Loreen är med. P3 Nyheters Babs Drougge om att småbarnsföräldrar löper mindre risk att dö än jämnåriga utan barn. Programledare: David Druid och Linnea Wikblad

We catch up with Carrie and talk about her heading to the North America West Semifinals.  We talk how she and Mitch became romantic, as Kenneth would call it a Churchmance. We talk about her love for Jesus, Horses, her Husband and animals.  What her goals are for this season and what the plans are for the 2023 CrossFit Games Semifinals.Get your supplements and energy drinks at c4energy.com and use code Clydesdale to get at least 20% off your order.  The code does not work with subscribe and save options; make sure you use the one time purchase.Join Wild Health and get 20% off your membership by clicking here: www.wildhealth.com/clydesdale or using code CLYDESDALE20 at wildhealth.com

Take a Network Break! This week we discuss a new Azure-native cloud firewall from Palo Alto Networks, why pharma giant Merck might be owed a big settlement from its cyber-insurers, and why HPE wants to simplify its branding. Lumen offers 400G IP transit ports, the US White House announces actions to promote safe, responsible AI; Versa Networks rolls out zero trust for remote and campus users, and Rogers teams up with SpaceX to allow SMS messaging via satellite. The post Network Break 429: Palo Alto Previews Azure Firewall; White House Chases AI Horse After It Escapes Barn appeared first on Packet Pushers.

(0:00) Zolak & Bertrand begin the final hour by reacting to Joe Mazzulla admitting he made a mistake with his timeout usage last night. (7:14) We continue to dive into Mazzulla's comments and Marcus Smart taking the final shot. (17:38) The guys continue their conversation on Game 4 between the Celtics and 76ers before touching on barn owls. (27:24) Today's Takeaway.

Take a Network Break! This week we discuss a new Azure-native cloud firewall from Palo Alto Networks, why pharma giant Merck might be owed a big settlement from its cyber-insurers, and why HPE wants to simplify its branding. Lumen offers 400G IP transit ports, the US White House announces actions to promote safe, responsible AI; Versa Networks rolls out zero trust for remote and campus users, and Rogers teams up with SpaceX to allow SMS messaging via satellite. The post Network Break 429: Palo Alto Previews Azure Firewall; White House Chases AI Horse After It Escapes Barn appeared first on Packet Pushers.

Take a Network Break! This week we discuss a new Azure-native cloud firewall from Palo Alto Networks, why pharma giant Merck might be owed a big settlement from its cyber-insurers, and why HPE wants to simplify its branding. Lumen offers 400G IP transit ports, the US White House announces actions to promote safe, responsible AI; Versa Networks rolls out zero trust for remote and campus users, and Rogers teams up with SpaceX to allow SMS messaging via satellite. The post Network Break 429: Palo Alto Previews Azure Firewall; White House Chases AI Horse After It Escapes Barn appeared first on Packet Pushers.

In today's episode, Sarge and Mark connect with a brother from another foxhole, Haines Maxwell.  After losing his dear friend and foxhole brother, Kevin Casner, to cancer last fall, Haines has continued to help mobilize men from the SC countryside every Tuesday night as part of a ministry called Barn Brothers, founded by Kevin more than 15 years ago.  Listen in and be encouraged and challenged as Haines shares his own journey and of course, the story of the Barn Brothers.Barn International Ministries is committed to creating redemptive communities of intimate and authentic friendships, both locally and internationally, which encourage men to embrace their true identity as God's sons, and to walk together with other men as allies, toward becoming stronger husbands, fathers and friends. They invite men on a journey toward the reorientation of their good heart, by creating a safe environment for that to be accomplished. Their intent is to foster an environment of intentionality, where a man can hear the call of Jesus to come up and out of his past wounds and hurts and into a healed and whole place, where he can in turn offer healing to others.Find us at:https://www.foxholesymphony.comhttps://www.facebook.com/foxholesymphonyhttps://www.instagram.com/foxholesymphony/https://www.youtube.com/channel/UCuvcXdDpE79S_D_hInblcDw

. يمكن الوصول الى خدمات الطب النفسي للأطفال والشباب في جميع أنحاء السويد، والطب النفسي هو جزء من نظام الرعاية الصحية السويدي.. وعلى الآباء الذين لديهم أطفال تقل أعمارهم عن 18 عاماً ويعانون من مشاكل نفسية طلب الدعم النفسي أو التشخيص والعلاج عن طريق خدمات الطب النفسي الصحية.في حلقة هذا الأسبوع من برنامج Arabisk talkshow تُحدثنا الدكتور نيرمين باسيليوس عن المشكلات النفسية التي يمكن أن تؤثر على الأطفال الذين لديهم يعيشون في بيوت غير آمنة او منظمة، او تسود فيها علاقة غير هادئة بين الوالدين.SVENSK TEXTDoktor Nermin ger dig som förälder värdefulla rådNermin Baselius, läkare på barn- och ungdomspsykatrin i Stockholm, ger tips till föräldrar som har barn med olika diagnoser.Barn- och ungdomspsykatrin finns i över hela Sverige och är en del av den svenska sjukvården. Det är dit man vänder sig med barn under 18 år som behöver psykatriskt stöd, utredning eller behandling. I veckans avsnitt av arabisk talkshow pratar doktor Nermin Baselius om psykologiska problem som kan påverka barn som har otrygga hem eller där det blivit fel i relationen mellan föräldrar och barn.

Get your hats and mint juleps ready, because tomorrow is Derby Day!

On this week's episode of Big, Tan & Rich we talk about the smell of noodles and the things we cooked when we were kids. Yes, it is as weird as you think. We also talk about the NFL Draft and Seth and Lindsey's fire wedding trailer and more! Check it out y'all. 

Disruptors for GOOD is presented by: One Tree PlantedPlant a Tree with One Tree Planted - Learn More---> Check out the Causeartist Partners here.---> Subscribe to the Causeartist Newsletter here.In episode 182 of the Disruptors for GOOD podcast, we speak with Azuraye Wycoff, Executive Manager of Yellow Barn Farm, on creating an entrepreneurial blueprint for the next generation of regenerative farmers around the world.Azuraye is a dynamic entrepreneur and consultant who specializes in designing nature-based organizational models to empower teams and create a mycelial network of organizations. Azuraye is the Director of Operations at Drylands Agroecology Research, where she supports systems design and implementation. She ensures that information, resources, and finances flow to the appropriate place and that human systems are designed to help each person thrive in their role.She is also the Managing Member of Stalk Market, a unique grocery store model in a shipping container, that offers produce, products, and local goods sourced within a 30-mile radius of their first hub, located at Yellow Barn Farm.She is also the Executive Manager of Yellow Barn Farm, where she manages the development of her family's 100-acre farm from an international equestrian center into a fully regenerative farming community.Azuraye is passionate about local economic development, circular economy, and sustainable practices in agriculture. She is a skilled communicator and leader with a natural talent for operations management, logistics management, and leadership.About Yellow Barn FarmYellow Barn Farm is a beautiful example of regenerative agriculture and sustainable community building. Established in 1865, the farm was originally used as an international equestrian center with over 50 horses and 100 riders.However, the owners of Yellow Barn Farm have since chosen to revitalize the land for low-scale, high-quality food production, community-supported agriculture, and sustainability education.Along with Drylands Agroecology Research (DAR), Yellow Barn Farm implements and cultivates practices of regenerative farming, animal management, carbon sequestration, soil health, and dynamic/adaptable organizational structures.The goal is to create a holistic and fully integrated farming and eco-community that builds local resilience by linking farms and communities to create sustainable food, education, and economic systems.Yellow Barn Farm believes in the philosophy of "give first" - you must first build, seed, and nurture a garden before it gives back.They offer services like composting, workshops, farm-to-tables, indigenous-led celebrations, and more. The farm gathers ideas from all fields to find novel and efficient solutions to create a sustainable and regenerative ecosystem.One of the most notable projects at Yellow Barn Farm is the planting of trees. In 2021, they planted 3,500 trees in their first silvopasture with the help of 175 volunteers. They also planted a row of 400 conifers for windbreak protection. In 2023, they will be planting an additional 6,000 trees in the back 60 acres of the property for soil restoration research through Drylands Agroecology Research (DAR). ---> Check out the Causeartist Partners here.---> Subscribe to the Causeartist Newsletter here.

We've featured many essays about saying goodbye to a beloved horse, but ... a favorite pair of chaps? Maybe a special piece of tack or riding apparel has become a "keeper of memories" for you, too. Tune in to hear more.

Take a break with Paul.    Follow the Podcast on Twitter or Instagram Follow the Paul on Instagram  Follow Alex on Twitter or Instagram Mystic Lasagna is a Member of the Missing Sock network. For other great shows like this one, check out https://www.missingsocknetwork.com/ or search Missing Sock in your favorite pod catcher.  Also we have Merch!! Follow the network on Instagram.  Lasagnaste´  

Kjenner du at det napper i reisefoten? Reiser du mye i jobben? Å reise fra barn kan kjennes godtvondt. Tårevåte avskjeder i gangen. Kald skulder når du kommer hjem. Hvor mye foreldrefravær tåler egentlig barn i ulike aldre? Hvor lenge kan du være borte? Og når kan tenåringen være alene hjemme en helg? Hedvig greier ut.

It's a Fairbanks Friday Edition of the Locked On FLORIDA Panthers Podcast, as Armando Velez(@Mandoman12) is joined by Nick Fairbanks(prudentia0) to discuss the fall out from Game 5. We discuss Paul Maurice's comments on how Sergei Bobrovsky does under a pressure situation and the need for big players to step up. We also discuss a comment from the Jeff Marek show where Jeff said "There are players who get you there vs. who help you get through" the guys discuss how it relates to the Cats core. Then the guys prepare for Game 6 as the Cats return to Sunrise with a chance to force a Game 7 back in Boston. The guys discuss what to expect from Game 6 and if the Panthers can afford a repeat performance of Game 5 in order to win on Friday Night on today's edition of the Locked On FLORIDA Panthers Podcast: Your Team, Every Day. Follow & Subscribe on all Podcast platforms…

We record among the animals at The Barn at James J. Sexton Park with Mary Kay Nielsen. Learn what "good poop" is and when you should visit with the kids. Full audio podcast episode (already posted) includes so much more!  Brought to you by The First National Bank of Evergreen Park!  Find the account that is right for you AND get your FREE EP Podcast Car Magnet there today! Get the latest news and information concerning everything going on in and around Evergreen Park and stay connected to your neighbors! New On-Demand Podcasts release on Mondays. Every week Evergreen Park residents join their neighbors Chris & Hannah at a 9-foot homemade basement bar. Listen, interact & get all of your free subscription options at theEPpodcast.com​!

My friend Alex the Barbarian haha. I call her that because she's really into hunting, fitness & the outdoors, but shes really into being a Catholic wife & Mom too. So, come on into "The Barn", pour yourself a BIGGIE and enjoy her testimony! --- Support this podcast: https://podcasters.spotify.com/pod/show/anchorfm22/support

Welcome to Barn Talk! What happens at the barn, stays in the barn, but not today! We're letting it all out. It's time for some Q&A. It's been a minute and the questions have piled up a bit so we will try to get through as many as we can. Barn Talk Merch!

In this episode, our special guest J.R. Smith talks about the benefits of equine therapy for veterans who may struggle to communicate their feelings through traditional therapy methods. He shares that one of the unique aspects of working with horses is the intuitive way that they can mirror a person's emotions, providing a non-verbal way of communicating that can be particularly helpful for those who have difficulty expressing themselves with words. J.R. discusses how it works, what it involves, and why it can be so effective in helping veterans overcome trauma and reconnect with their emotions.Join us as we discover horses' healing power and their vital role in supporting our veterans and ending veteran suicide.Who is J.R. Smith  J.R. is one of the founders of The Veterans Ranch, which was established in 2017 with a mission to end U.S. Military Veteran suicide by providing premier equine therapy. J.R. has a strong appreciation for our veterans' sacrifices to protect our freedoms. With a love for horses and a desire to support Veterans, J.R. co-founded The Veterans Ranch to provide a safe and supportive environment where veterans and their families can receive the assistance they need to overcome their challenges. J.R. believes that horses are God's majestic animals and can understand and connect with people. He aims to establish and sustain affiliate ranches in at least 20 U.S. states to increase public outreach and serve more Military Veterans in need. Check out J.R. and The Veterans Ranch:Website: https://theveteransranch.org/ LinkedIn: https://www.linkedin.com/in/j-r-smith-58578b30 Facebook: https://www.facebook.com/veteransranchorg Connect with Chad:Strategy Call: https://calendly.com/mrtenacity40/pgi-coaching-consultWebsite: https://mrtenacity.com/LinkedIn: https://www.linkedin.com/in/chad-osinga-b62a08b1/FB: https://www.facebook.com/108630534048340IG:https://www.instagram.com/mr._tenacity/TikTok: https://www.tiktok.com/@mrtenacity40 

It's a Saturday afternoon around 6 p.m. in early April. Ridgefield police department receive a call about a body, discovered on an abandoned property.  Police say not only were there signs that a homicide had occurred but "there are indications the body was moved." The body of Joanna Speaks, a mom of three, is identified. The medical examiner's office confirms that the cause of Speaks' death was "blunt head and neck injuries." So far there are no suspects.  Joining Nancy Grace today: Robyn Speaks- Victim's Sister- https://www.gofundme.com/f/joanna-kyrstin-may-speaks Ariel Hamby- Victim's Stepsister Jarrett Ferentino- Homicide Prosecutor in Pennsylvania; Facebook & Instagram: Jarrett Ferentino  Dr. John Delatorre -  Licensed Psychologist and Mediator (specializing in forensic psychology); Psychological Consultant to Project Absentis: a nonprofit organization that searches for missing persons; Twitter, IG, and TikTok - @drjohndelatorre  Irv Brandt - Senior Inspector, US Marshals Service International Investigations Branch; Chief Inspector, DOJ Office of International Affairs; Author: “SOLO SHOT: CURSE OF THE BLUE STONE AVAILABLE ON AMAZON; Twitter: @JackSoloAuthor Dr. Maneesha Pandey - Chief Forensic Pathologist for Forensic Pathologists LLC in Ohio, Board Certified Forensic Pathologist Annette Newel - KXL News, Host, "Speaking Freely with Annette Newell," Alpha Media USA (based in Portland, Oregon); Twitter: @AnnetteNewell16  See omnystudio.com/listener for privacy information.

I dagens avsnitt pratar vi om den svenska rasismen som gör att barn inte ens kan sälja majblommor utan att utsättas för påhopp. Men vi pratar också om våra politikers hyckleri, samarbete med SD och uppslutningen kring pojken som nu slagit alla försäljningsrekord.Sen snackar vi Netflix kommande ”Queen Cleopatra”, den första av två (och kanske fler) säsonger om svarta drottningar. Men varför har dom då valt att porträttera en (sannolikt) icke-svart drottning? Varför blir folk så upprörda nu, efter åratal av whitewashing? Kan vår moderna syn på ras och hudfärg ens appliceras på folk som levde för tusentals år sen? Och kommer vi nånsin att kunna slå fast vem som ”får” spela vem? Enjoy!  Stötta oss på Patreon för regelbundna bonusavsnitt + mer! Hosted on Acast. See acast.com/privacy for more information.

In this episode, we're joined by Jackie Zykan, Master Blender and co-owner of Hidden Barn Whiskey. Our conversation explores craft distilling, the techniques of barrel blending, and Jackie's unique ODUOAK perfume line. All of us also put our senses to the test in a sensory evaluation game. PS: hope you like Cold IPAs! Featured Beverages Catacombs (Mile Wide x LAT collab) Bobsled Cold IPA (Atrium) Hidden Barn Whiskey - Series 1 Hidden Barn Whiskey - Series 2 Support the podcast by giving us a rating and a review. Prefer YouTube? Subscribe to our channel: www.youtube.com/@louisvillealetrail If you like what you hear, you can tip us a few bucks over on our Patreon: www.patreon.com/kycommons

Nebraska Beef from Oak Barn Beef. Check them out below. oakbarnbeef.com https://www.facebook.com/oakbarnbeef https://www.instagram.com/oakbarnbeef/ https://www.instagram.com/hannahklitz_/ Subscribe to the Five Minute Friday Newsletter https://mailchi.mp/cf5fc99fc7e7/farmtraveler And be sure to follow us on social media! https://www.instagram.com/farm_traveler/ https://www.facebook.com/TheFarmTraveler https://www.youtube.com/farmtraveler https://twitter.com/TheFarmTraveler https://www.carbontv.com/podcasts/farm-traveler/ Subscribe here: https://podkite.link/FarmTraveler Farm Traveler is part of the Waypoint Outdoor Collective, the Podcast Network for the Outdoors-man. Check out all of the Waypoint Outdoor Collective Podcasts HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is part three of a three part series looking at finding and retaining barn staff. This episode of The Squeal aims to provide insight on managing employee motivation, finding the right person to handle your training program, and growing your management team. On The Squeal is Ashley Hengen (PIC Senior Human Resources Generalist, https://www.linkedin.com/in/ashley-hengen-328843146/), Stacey Voight (PIC Technical Service Manager-Swine Reproduction, https://www.linkedin.com/in/stacey-voight-8b0b7592/), and Valerie Duttlinger (Summit SmartFarms Chief Analytics Officer & Executive Coach). At PIC, our goal is to make our customers the most successful pig producers by providing them with the best genetics. We know our business success depends on yours. Thanks for listening to 'The Squeal', PIC's swine management podcast, featuring in-depth conversations on topics that matter to you. PIC is the global leader in swine genetics. Whether you're tuning in for the first time or youíre a long-time listener, take a second to subscribe to The Squeal. Itís the easiest way to stay up to date with the latest podcast episodes. Just find the subscribe or follow button wherever you listen to podcasts. Already a subscriber? Visit your phone settings and turn notifications on so you never miss an episode.

Co-host Katy Starr and guest co-host, Dr. Stephen Duren, PhD, MS, PAS, visit with guest veterinarian, Dr. Jerry Billquist about his time as a veterinarian in the military, including doctoring a surprising predator species in Turkey, working for a retired professional football athlete, being a go-to veterinarian for the Montana Race Circuit and the PRCA and so much more. This doesn't even scratch the surface of all his experiences, so tune in so you don't miss out on this fascinating equine veterinarian to help us celebrate World Veterinary Day!  >>> Connect with Dr. Jerry Billquist at jbbillquist@yahoo.com ____________________________________  Love the podcast? Leave a rating and review on Apple – https://podcasts.apple.com/.../beyond-the-barn/id1541221306Leave a rating on Spotify – https://open.spotify.com/show/3dmftQmwLKDQNueUcCJBZaHave a topic idea or feedback to share? We want to connect with you! Email podcast@standlee.comShare our podcast and learn more about our co-hosts at our Beyond the Barn podcast pageSUBSCRIBE to the Beyond the Barn podcast email to be an exclusive insider!Find us on Apple, Spotify or Google Podcasts and SUBSCRIBE, so you never miss an episode.____________________________________ Check out the Standlee Barn Bulletin BlogFind more nutritional resources from Dr. Stephen Duren and Dr. Tania Cubitt at https://www.standleeforage.com/nutrition/nutritional-resourcesConnect with Standlee on Facebook, Instagram, YouTube and TikTok ____________________________________*Views and opinions expressed by guests are their own and do not necessarily reflect the view of Standlee Premium Products, LLC.*

In this episode we cover:Julia and Laura are participating in their barn show for the first time in over decade; find out what they are competing in  We share what saddles we all use and the price pointsMolly share's an update on her pregnancy What happened to Laura's air vest in the show ring.Listener note:  We apologize for Laura's mic audio quality.  Just a little technical difficulty (we blame Engineer Andrew).  Thank you, JC for boosting the volume up! 

Hour 4: The NFL Draft is happening on Thursday in Kansas City and they should have good weather (it's an outside event). It also looks like we're getting great weather for the Five Borough Bike Tour. We also talked about the Knicks dominating their series against the Cavaliers. Boomer is pumped for Rangers/Devils tonight at the Garden. A caller talked about Phil Jackson's comments on how he stopped watching the NBA because it became too political with the messages. Jerry returns for an update and starts with the Knicks beating the Cavaliers twice over the weekend. RJ Barrett was outstanding and he gave credit to Jalen Brunson. Josh Hart talked about the bench play and how good it's been. Knicks fans were going crazy outside the Garden after their wins. The Mets lost their second straight to the Giants yesterday in San Francisco. Anthony Volpe had an error followed by a Vlad Guerrero Jr HR. Gerard Gallant talked about ‘cuteness' hurting the Rangers. In the final segment of the show, the Boardy Barn is making a comeback this Summer in Long Island.

The farmstead continues to be a battle ground as Shaft, Shikara and Horic fight their way out Like our Stuff? Let us know on social media! Connect with us: Twitter: @IncorrigiblePar Instagram: instagram.com/incorrigibleparty Facebook: facebook.com/groups/theincorrigiblepartypodcast/ Website: http://incorrigibleparty.com/ Youtube: The Incorrigible Party YT Twtich: https://www.twitch.tv/incorrigibleparty Support us and get exclusive mini campaign content! https://www.patreon.com/incorrigibleparty Intro Music provided by: Josh Jarvis Contact Josh for your music needs! All other music courtesy of Tabletopaudio.com The Incorrigible Party podcast is sponsored by the amazing and very generous Critical Hit Design!

We record among the animals at The Barn at James J. Sexton Park with Mary Kay Nielsen. Learn what "good poop" is and when you should visit with the kids. Hannah has a date take a sudden turn, leading her to ghost the guy afterwards. And we identify the worst drivers in America while keeping you up-to-date on this week's Evergreen Park happenings in "30 Minutes of Good!" Brought to you by The First National Bank of Evergreen Park!  Find the account that is right for you AND get your FREE EP Podcast Car Magnet there today! Get the latest news and information concerning everything going on in and around Evergreen Park and stay connected to your neighbors! New On-Demand Podcasts release on Mondays, with weekend specials on some Fridays. Every week Evergreen Park residents join their neighbors Chris & Hannah at a 9-foot homemade basement bar. Listen, interact & get all of your free subscription options at theEPpodcast.com​!

This is the newest Monday episode of the MrBallen Podcast. You can listen to all episodes of the MrBallen Podcast, available exclusively on Amazon Music with your Prime membership. If you're not a Prime member, you can still listen to the MrBallen Podcast by subscribing to Amazon Music Unlimited in the Amazon Music app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We have good news and bad news.... well, both are good and bad.... well, one is good and bad and the other is just good....

In this installment of Best Of The Gist, we rewind to January 2017 to revisit Mike's interview with Ralph Nader, who had just published his second work of fiction, Animal Envy, which imagines a world where animals can talk to people and start demanding rights. Nader says the fable is meant to prompt deeper thinking about our relationship with nature. “We need to talk about what-if, because if we don't, we can't kick in our idealism and imagine real possibilities,” says the 82-year-old author and advocate. And we follow that up with a recent Spiel about a colossal barn fired that got Mike thinking about animals.  Produced by Joel Patterson and Corey Wara  Email us at thegist@mikepesca.com  To advertise on the show: https://advertisecast.com/TheGist  Subscribe to our ad-free and/or PescaPlus versions of The Gist: https://subscribe.mikepesca.com/  Follow Mike's Substack: Pesca Profundities | Mike Pesca | Substack  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aloha friends,  it's Robert Stehlik. Welcome to another episode of the Blue Planet Show. Today's interview is with none other than Jimmy Lewis, who is a legendary shaper. He got started at a young age shaping surfboards and then moved to Maui where he got into making windsurf boards. And at one point he was making windsurf speed needles for some of the fastest world record breaking sailors in the world at speed sailing events. And then he got into kite surfing and kite boards, and then standup paddle boards, and now foil boards. So he's a very versatile shaper. Some great stories to tell, and really interesting interview and entertaining as well. So you'll learn more about his design philosophy, board construction, and lots of good stories. So it's a longer interview, so take your time, re kick back and relax. Watch it here on YouTube with some visuals, or you can also listen to it as a podcast on your favorite podcast app. So without it further ado, here is Jimmy.  Okay, Jimmy Lewis, it's a real honor to have you on the show. Thanks so much for making the time to talk to me and the guests. So I'm just stoked to be able to talk to you for extended period of time and ask you all the questions I have. And so yeah, thank you for coming to the show. Oh, I'm happy to be here finally. I've seen the other ones. I go, why doesn't he call me? I appreciate that. Thanks. So yeah, so we'll get into all this stuff that's currently going on, at eventually I want to talk about your board shapes and your foil boards and equipment and all that kind of stuff. But I, first of all, I wanna start with just going into some background, I know you have a long history in the sports of water sports Tell us a little bit about, start at the very beginning, like how you grew up, where, where were you born, how did you grow up and how did you get into water sports and how did you start shaping boards and all that stuff. Yeah. My dad was in the Air Force, so I was born in Canada, I think after World War ii. My mom and my dad moved around a lot. My dad met my mom after World War ii. My mom's brother was a Air Force buddy of his, and they he brought my dad over to their house after the war. And then he met my mom, and I guess we moved around. They moved around quite a few years. Eventually we moved to Redlands, California. I believe it was in 1956. So I was I was born in 51, so that would make me five years old. And went into kindergarten there, went to grade school and stuff. And then in I don't know if you're old enough to remember the sixties, but that's when the surfing craze really was going crazy in the early sixties and we lived inland. But my older brother, I have two older brothers, two years apart. So my older brother I think was, if I was like 11 or 12, he was 15 or 16. And he he had a transistor radio that my dad had brought back from Germany. And I remember listening to all the rock music and the surf music on the radio coming outta his room. And he started getting interested in surfing and so he bought a surfboard. And so naturally me and my other brother wanted to do what he did. So we all started surfing and I think I bought my first surfboard. It was a pop out vessy and it was like a pig board, that vessie pig shape. And started surfing, I think. In the summer of my sixth grade, and I remember my mom took us down, took me and a friend of mine, just us two, down to Cardiff, which was quite a ways from, we, like Newport Beach was 60 miles in away. Redlands was like 60 miles directly inland from Newport. And anyway, when we really started getting into surfing a lot, we would drive down to Cardiff, but I don't know why my mom brought us down to Cardiff that day. Me and a friend of mine, Hanson Surfboards, was across the street, not directly from Carter Reef, but just a little south of that. There was a restaurant on the beach there called Sea Barn. It was like a little old diner of those sixties type diners Okay. Where all the surfers would go in there and eat sometimes. And there was a, they called that beach break right across, right out from sea Barn, right across the street from there was Hanon Surfboards the shop. And me and my friend went and snooping around behind there. And there was this sha, this little shack, I think it was just a single standing shape room. But we went in there and this guy, John Price was in there. He was later on to own Surfboards Hawaii. He bought the franchise from Dick Brewer on in the Man On in California. But he was in there shaping. And I had forgotten. But this friend of mine from Redlands, who was at the beach with me that day, reminded me about a year or two ago that I had gotten a couple pieces of the rail cutoffs. And that's, I took 'em home and made two little surfboards. I think they were about a foot long. I shaped some longboards, glassed 'em, I can't remember where I even got the glass and resin, but I shaped them, glassed them, got some logos out of the magazine. I remember one was at Jacobs and one was at Dewey Weber. And I glassed them for boards. And I remember bringing 'em to school and showing people. And then this other friend of mine was so impressed. So just like small model shapes, model pieces threw away from, okay. Yeah. I remember this friend of mine was so impressed with one of 'em. I just gave it to 'em. I don't know why I did that. I wish I still had one of those, or both of 'em. But I think that's been a thing all my life. I like to give stuff away to people that like it, especially something I've made. Anyway, that's how I started surfing. And then we would, I remember my mom used to give us 50 cents a day for lunch to buy the lunch at school. And the guys that went surfing who had cars, I was still like 13, 14, and 15 years old in those junior high and high school years. Fortunately I was for some reason, guys that are 16 and 17 don't want to hang around with 13 and 14 year old kids, and but I was able to go with those guys surfing and we had to pay gas money to get down to the beach with these guys that had cars. So I'd save my 50 cents all week long to have $2 and 50 cents for the weekend to go surfing. And I'd starve at school for all week long, not having lunch. And then would go to the beach, pay a dollar 50 for gas, and then I'd have another dollar or a dollar 50 depending on who charged what for a bag of Dale Donuts from Speedy Mart, which was like a precursor to seven-eleven. Down in Cardiff and then whatever else food we'd get and would just, all I cared about was surfing. I didn't do very well in school. I didn't fail, but I got like seas, but I was naturally good at math, algebra, and geometry, so I didn't, that was, I hated reading. I hated reading history. I hated reading any of that stuff. Just couldn't concentrate. I'd read it, I'd re, when I'd be doing my homework, I'd be reading a paragraph over and over again thinking about surfing or something. And finally I just put the book away how I even passed. I can't, I don't remember how I could do that because I didn't really study. And like I said, na, the math stuff was semi-natural, so I got pretty good grades in algebra, geometry, math, stuff like that. And then my mom moved to Berkeley in 67. She wanted, she was working at the library in Redlands and then she wanted to become a librarian, so she needed to go to the university, moved up to Berkeley. And I remember my older brother was already in college and my other brother just graduated in 67, so it was just me and my mom and my sister. And I was thinking, shoot up in San Francisco area, there's icebergs in the water up there. I just had this impression. It's it's so cold. What a pi. I just hated moving up there because that was the end of my surfing career, and then once I got up there, after a little while, I think my oldest brother came and visited and we decided to drive down to Santa Cruz and Reali and found that it wasn't as cold as we thought and it was doable. And then I made a couple surfers there and we started going over to Belinas, which is north of the Golden Gate Bridge. And surfing over there. And then one day, it was probably in the late, it was like late 68 maybe. And we went to Belinas and I saw this homemade surfboard. And this is the time when short boards first started being made. And there were, there weren't, it wasn't longboard surfing anymore. Nat Young and Dick Brewer were making short boards, the first short boards in the late sixties there. And I saw this homemade surfboard there that this guy made on the beach. And I go, shoot, I could do that. And so I drove down to Santa Cruz to the O'Neill shop. They used to make surfboards, they, they had a surfboard brand as well as their wetsuit thing. And I bought a blank, a gallon of residence, some glass, and came back and turned one of the rooms in our apartment into the shaping room and shaped that board. And then out on the out on the, what do you call it? The roof of the house. I started glassing boards up there, and that's how I started making boards. And then we chopped down all our old classic long, long boards, stripped them, and I reshaped those and then started making boards. Okay. So that was like late sixties or early 1968 was the first full size board I made. Okay. I actually forgot to mention that when I got into seventh grade, I wanted to make a belly board, which is like a boogie board, but we used to call them belly boards and it was shaped like a surfboard, uhhuh, and a longboard. And so when I got into seventh grade wood shop, I told the teacher I wanted to, you could make, they give you assignments of what you have to make to teach you how to work with wood. But I had I wanted to make this belly board. It was four feet long, glued up, shaped with rocker and stuff, and. He said that's way too big of a project for a seventh grader. So for the, I had to wait till ninth grade. So the next two years, all I thought about was making that belly board. So when I got into ninth grade wood shop, I did it. I bought some balsa wood from the hot, we called 'em hobby shops back then with model airplanes and stuff. But they had these pieces of balsa wood that were three feet long. And I think I bought two of em and then glued on cuz they weren't long enough. I wanted it to be four feet long. So they were, I remember having to, to but 'em end on end to make it long enough. And I couldn't afford to buy all four pieces to make it wide enough. So the rails were solid pine. So the thing weighed a lot. But the, I remember the two pieces of wood that I bought were eight bucks, which was a fortune back then for me. And so that's why I couldn't make the whole thing balsa. And I shaped it and my plan was to take, and back then it was like we'd have wood shop Monday, Wednesday, and Friday, and the next week it was Tuesday and Wednesday. And so I made the board and I got it done shaped just before Christmas vacation. Back then we had two weeks off for Christmas vacation. My plan was to take it home, last it, and take it to the beach to ride over Christmas vacation. And the shop teacher said, oh, I want you to glass it. I want you to do it here and show the kids how you do that. And I go, this ain't a glass shop, it's a wood shop. And if I do it, if I had to wait till after Christmas, it would take two months to do it Monday, Wednesday and Friday, and then Tuesday and Thursday. And it's I was so pissed, and so what I did on the very last day before the Christmas vacation on Friday, I stuck it behind the shop door, leaning up behind the shop door. And then as I got outta school, I just went and grabbed it and took it home. The lead teacher was pissed. He failed me for that quarter. So I had an for the first quarter f for the next quarter. So my the semester grade was a c the average. And he was pissed, but that's what I did. So anyway, I glassed that and then it wasn't until I saw that board in Bess that I wanted to make real surfboards. Okay. And then other than your shop teacher which shop teacher, did you have any, anybody like showing you, like mentoring you or did you talk to any other shapers or watch anybody else? I didn't know what a shaper was. Yeah. Except that first experience when I was in summer of sixth grade looking at John Price and that shaping room. And then you just shaped it with like a surf form rasp or did you have a power cleaner or the blank? The first surfboard I made. Yeah. Yeah. It was they got, the surf forms are the 10 inch surf forms. Yeah. I don't know if they have a seven inch one, a small one, or six or seven inch one. Shaped the first 17 boards with that small surf form. Oh, wow. Big one existed. And I certainly didn't know what a planer was, I don't think, or had access to one. And have you ever tried to skin a blank with a Sure. Formm, the crust on the blank? I, yeah. I actually, the first board I shaped was the same way. I didn't have a planer or anything. I had to do it all by hand. But yeah it's very hard to get that the skin off right now. Yeah, it was, that was a nightmare. But for some reason though, I remember the boards. I've got one of my old board. One of the first surfboards I made down in my shop, this friend of mine from Berkeley Yeah. Told me he had it several years ago. And so I said send it to me and I'll send your son a new surfboard that I shaped him. But yeah, they're pretty clean, nice. Yeah. So that's how I started. I wasn't a very good Glasser until I saw somebody do it or shaping. I came to Hawaii in 69 right after high school. This friend, my brother had already moved to Maui in 68, I believe. So at, I graduated in 69 and a friend of mine got a job painting a friend of his family's house over the summer. So me and him painted that house to earn money to come to Hawaii. So we came to Maui in, in the fall of 69. And there was this sh guy that had a little shape and room in PA down here. And I was gonna shape a board and so he had a planer. And so I got the blank and I had no idea how to do, to walk around the board shaping it like you're mowing a lawn, right? I was making crazy s cuts down the middle of the blank and I did a few cuts and then I go, Jesus Christ, this is terrible. And then I asked him, Hey, can you come and show me how to, how you hold the plane or, so he did a few passes and I didn't really get it. And after I, I mean it used to take me like the 17 boards I had done with the Sure Form, it would take me a week to shape those cuz I would do a little bit every day after school or something. And you've shaped a board with the Sure. Form yourself so you know how long it takes. And doing it with this planner, I was done in a couple hours and I just felt. I'm never gonna learn this. This is terrible. I just was depressed and, what's it called? Dis disen, non en disenchanted, but what's the word? Yeah, discouraged. I just felt discouraged of ever learning to shape. But then I got a planner anyway I only stayed in Santa Cruz, sorry, Maui for three months cuz it was the first time I was away from home and it wasn't as easy living in Hawaii as I thought. I just imagine. Yeah, I'd find a house, a really cool house right near the beach or something for $50 a month and it wasn't like that, and so anyway, I moved back to Berkeley, stayed at my mom's house for a couple months, I think I shaped a surfboard there and then moved to Santa Cruz and I lived in Santa Cruz for a year. And in the house we lived in, there was this guy that had this back bedroom when he moved out, I turned that bedroom into a sh a shaping room, and then I was glassing up on the front porch. And I O'Neill, like I said, they had a shop where they made boards too, and they also had a showroom there. And so they had, they were gonna stop their making surfboards. They were gonna close down their shop. So I went over there and Mike O'Neill, who's Pat's brother, had this box with a planter in a bunch of pieces and he sold it to me for 10 bucks. So I hitchhiked up to San Francisco to the Skill factory and gave it to him and told 'em, put it together and fix it. So for 75 bucks, they put it all together and made it almost like brand new. And so now I had a planner for 85 bucks basically. And then I started shaping and learning how to use it, but my glassing wasn't very good. Every, the thing is I've gotten good at glassing because every board I shaped, I glance. So I'm just as good at glassing as I am at shaping still to this day. You glassed all the boards yourself? There's been long periods where I didn't glass 'em all right. But now I do everything. I glass 'em, sand 'em, everything. But yeah, so I wasn't a very good Glasser. I didn't know, I was okay. The finished product was okay sometimes, but sometimes the resident would go off on me because I didn't have a technique. And anyway, I went up to, to house surfboards and there was this guy Bob Kates, I think is his name. He was a super good Glasser, and I saw him, how he would squeegee nose detail. I was going middle out from the stringer out, and that just takes so much time. And I just saw how he did it. I go, man, that's so much different. And that's as soon as I just saw his technique, I could glass, I started glassing a lot better. And then but nobody ever sat with me and taught me anything. But I could definitely say watching Bob Kate's glass aboard was how I learned how to really, squeegee in the right directions and stuff. And then after it was just, sorry. Oh, I just wanted to ask you about using a, the planer cuz I mean I found that, yeah, going from the little hand tool to the planer, it's like easy to take off too much material and make, keeping it even and you can't hold it. You don't wanna hold it exactly square. You'll wanna hold it slightly diagonally. Can you give us, just give some pointers on like how, what your technique is with the planer when you're shaping? That's exactly, over the period of time you just, sometimes over the years I've showed people how to shape, a lot of people and when they get the planer, I mean it's I don't know how much shaping you've done, but to me it's just so natural. I can be walking down the board with the planter and I can trip, but it doesn't, the trip of my feet and the the movement of my body doesn't change my hands. I can trip almost fall down, but it doesn't my hands are still even, yeah, it's just something you get. It's like unbelievable surfers who never fall off. Whereas I'd fall off on a certain little soup hitting me or something, or kiting, windsurfing, whatever. It's just something from after shaping hundreds and hundreds of boards. But yeah, at first it wasn't easy, but watching people do it. And then a few people over my, mainly I would think Steve Licey showed me a couple things and I'm watching him in the early seventies when he came to Maui. Do you know who he ever heard of? Steve Scheyer? No, I don't think so. He was a super good surfer. He was, I think he rode for Bing back in the, in longboard days. And then he was still I think When short boards came out. He was a super good surfer, super good shaper, but he was always really open with me about techniques on shaping and stuff. He showed me some things to modify the front of my, where the depth adjuster is? He's got that slot. Do you have a scale? I don't have a anymore, but I used a planter before. Yeah. But anyway, the skill 100 planter is the best planter there is. It's got a depth adjuster in the front with a little lever that goes back and forth in this slot. When you're shaping boards, foam gets stuffed up into that shoe part. And then at the either end, the depth adjuster has a range of motion where it's a zero cut and it goes up to an eighth inch cut. Steve taught me to drill a big hole on the either end of that little slot so foam doesn't get packed in there. Cuz over the while, while you're shaping a board foam will get packed into either end and it won't allow the depth adjuster to come to zero. And it also doesn't allow it to get to an eighth inch because it's getting stuffed up. So he taught me, like on the open end where you wanna make it deeper, I drill a really big hole. So you can actually make the planer cut even deeper than a eighth inch, which was good. And then you put a cut, drill a hole in the other end so the foam doesn't get built up there, so you can actually close it onto a zero cut. And he also taught me one thing I don't know what the dynamics of this is. When you use, when you skin a blank, usually you skin it with a full cut on both sides. You go down one side. Working over to the stringer and then you plane the stringer down in a real clean cut and then you go to the other side with the exact same depth cut and work your way to the center again. And don't ask me why the cuts don't come out perfectly level. They're like this when you finally reach the center. And I used to always, and then I asked Steve, why is it like that? And he goes, I don't know, but all you do is back the planer off on your final cut instead of doing the full cut on the other side. And so ever since I learned that from Steve, the blank comes out perfectly flat after I've skinned it. Interesting. It's just little things like that Steve Licey showed me when I was, and I remember, you know how to, you, you change the depth of the cut as you're walking because like in the tail, when you're doing, when you're beveling your first cut on the rail, for example, you started a zero cut and then you increase the cut in the middle cuz the blank is usually thin in the tail, thicker in the middle and thinner in the nose. So you need to take more foam outta the middle. So you adjust the cut as you're walking. And so Steve, I saw how well he did that and I just copied it and then like shaping the v you don't start with an eighth inch cut and just start whacking away. You want a tapered cut. So you start with zero and then increase the cut as you go toward the tail that makes the V bottom cause you want more V in the back. Just little things like that. And then over and over you the shape it more and more. But anyway, like I, I was saying when I was showing other people, it's so natural for me to, and then also on the. You have the planter like this and the blades are right here. So you get a feel about where those blades are. So where you're gonna cut, it's not right in the middle, it's not in the front where it's like on a sure form you can go like that and shape what the front, the blades are here you have to learn where that cutting part is cuz you can't see it, it's underneath. And I would teach people how to shape and they would just like butcher the blank and I would get so frustrated thinking they should be able to do what I'm doing. But then I realized that it ain't easy to be able to learn that you gotta shape, you gotta take a long time to get the feel of the plant or where it cuts for sure. And yeah, I've just learned that from experience. It's nothing special about my skill. I think every shaper that's shaped a lot of boards. Matt Keena, he's a shaper here on Maui who does ka I've seen a lot of his videos on YouTube. He is unbelievable with his planer. Just really neat to watch him, his videos. And I've heard Timmy Patterson is good too. Unbelievable. With the planer. Yeah. That's so cool. All right you, so then you shaped your first surfboards and then what happened? People would see I was making surfboards, like for example, in Berkeley when I was making my first surfboards. And a couple of guys would get blanks and bring 'em over and I'd make their boards. And that was like in the late sixties when the backyard underground type shapers were coming into being and all the major manufacturers being Dewey Weber, Jacobs. Who else? Hansen. And back then, most of the boards used in the sixties were like kind of pop outs or whatever. Mo no, not pop outs, no vey. I was, the vey was the only one that I remember having a pop out board. Okay. It was a good board. It was just not cool to have a pop out. But I didn't know at the time and I didn't care, but all the other manufacturers were all custom handmade boards. Okay. And but anyway, in the sixties, I think it was partly the culture thing of, everybody was smoking pot every, and the music, the Stones, the Beatles and all that stuff. It was cool to be an underground shaper. And a lot of the bigger manufacturers I don't know if they struggled, but it wasn't quite the same as it was in the sixties, where in the mid sixties, during the golden era of surfboard making and long boarding where over the winter some of these manufacturers would produce 10, 10,000 boards, 5,000 boards for the summer rush to get ahead of it. They'd sell 'em all in the summertime. And in the sixties, I remember Dewey Weber had Nat Young on their team rider thing, and Nat was shaping a board. They called the ski and it had belly in the b in the nose, but with a down rail on the back like we do today. But nowadays the rails are down all the way front to back anyway, after a short period of time. Cuz things were evolving so quickly in the Shortboard era in the late sixties Dewey Weber produced a ton of those. Bei ski boards. And then a few months later, Nat realized that down rails were better. I think Mike Henson was the first guy to do a down rail board nose detail. And then Nat Young realized that was the best thing for its shaping. It was evolving. Dewey Weber wouldn't change cuz they already made a ton of them, it was economics. So by down, down rails, you mean the tucked under little edge, like below the, yeah. This is the shape of a longboard rail. Just rounded. Yeah. Yeah. Like they call it 50 50. So then when short boards came along, they tan, they turned like this shaping down and had more of a edge down here. I can't remember the they, it wasn't a total edge, but it was just down that's the expression we use by Unreal. Yeah. Down rail. Okay. And so what happened was, like in the rails, like even that board I got in my shop that I said I made a friend of mine in Berkeley that's in my shop, it's got a belly in the nose. And so we used to call it a high to low rail line low in the back. And then it got high in the front cuz of the belly in the nose. Then it got flatter and flatter in the back into a v in the ba in the back. And so then they changed to have the down rail all the way around. Mike Hanson was the first guy to do that. Okay. So when people saw that, how much better that was flat bottom nose with a down rail. Nat Young told Dewey, whoever, we gotta change 'em. And he goes, we can, we've already made thousands of these other ones and so he wasn't about to lose all that money, but that's just a little thing, yeah. That's here nor there as far as I'm concerned. Okay, so then people started asking you to make boards for them. You made underground boards for your friends or like how did you start? Yeah, just people that knew I made boards. It wasn't a lot. It was like three or four or five or six, I don't know, maybe it might have been 10 in Berkeley. And then and then Santa Cruz too when I moved to there. Anyway, I moved back to Maui in 71. I only lived in Santa Cruz for a year. And like I, I learned a lot in Santa Cruz cuz I'd go up to the house shop, watch guys use their planter, and and I'd learned that how to squeegee the glass and resin from Bob Kates watching him glass. And I also, there was a guy who did the gloss coats, I think, and mainly the pin lines at the out shop. I don't know, I, I can't remember his last name or even if I ever knew it, but his nickname was Nuclear Norman because his pin lines were so psychedelic. And that was right at that, it was in 1970 where, acid rock and all that stuff. He did the coolest pen lines I've ever seen and I've always tried to copy his style. Mainly it was how he tapered them. Everybody does a tapered pen line in the ends, but how he floated, he didn't do a narrow pin line and then a real quick taper at the very front. They were tapered really a long taper and do, he did all these little tape offs that were just so impressive. And I've always copied his style even to this day, pretty much Brian, I remember what the look of his pen lining was. And anyway, when I moved to, to back to Maui, 1971, I think it was early 71, I moved to Laina. And in the can Laina Cannery, there was a bunch of surf shops in there. There was a Maui Surfboards, which is where Les Pots shaped, and this guy Mike Carlson and Terry McCabe, I think they owned the shop. They were the Glasser. And then next door there was Jamie McLaughlin and Wally Bashard and Neil Norris had outer Island. I don't know if you remember the shop called Inner Island on Oahu. Anyway, that was just a take off of their name. Outer Island, right? So anyway, I went over to the Maui Surfboards shop where Les Work was shaping, and Mike Carlson and Terry McCabe had it, told them I could make boards and could I have a job. And so they hired me to sand cuz I could sand, I could do every step equally as well, cuz I did 'em all, every board I made up to that time, I did everything on it, shaped it, glassed it, I coated it, put the fin on, sanded it, glossed it. Never polished back then though. So anyway, I remember sanding a few boards, not very many, and then they just told me that they needed to work themselves and they couldn't have afford to pay me anymore. And it was something like five bucks a board back then, for sanding. Yeah. Anyway, so I just walked next door to Jamie's shop and told him yeah, I, they fired me or laid me off so I can make boards if you need anybody. And he goes, all right, we'll hire you to polish. Anyway, I never polished a board. I didn't know it at the time, but Jamie was doing a lot of coat and so I was in there one day and he was sitting there trying to do pen lines on a board. And I just loved hanging around surf shops, whether I was working or not. I loved the smell of resin and. He was jacked out of his brain. I had no idea what was happening, and what was, and he goes, Hey, can you do pin lines? And I go, yeah. He goes Here, he hands me the roll of tape. He goes, I gotta split anyway, he leaves and I do all the pin lines on a couple boards. And as I, like I said, I could do 'em really good. Even at that stage of my early career. And I, and obviously, copying Nuclear Norman's style, Jamie came back the next day and goes, Jesus Christ, these are unreal. You're hired. So now I was the pen liner at that shop. A couple days later he was jacked out of his mind again, trying to tape off a lamination to glass aboard. And he says hey, can you glass? I go, yeah, I can glass. He goes, here, do these boards. I gotta split. And I didn't know what, what was going on. All I know is shoot, I'm a glass. And so I glass those boards. He saw that I was a super good Glasser and now I was the Glasser there, the Glasser and the pin line. So back in the early seventies, I got known more as a Glasser because I was glasson not only those boards, but there was another shaper, Carl Hoke in LA more toward La Haina town who was making boards. But I was a better Glasser than most people. So I got to glass a lot of the boards around, and then even when Les Pots started shaping him in a different place, they'd send their glass jobs to me cuz I was a real good Glasser. I think Li Les gave me a nickname, Luigi Squeegee. And then some guys would call me Pin Line Louie. And I remember those two nicknames back in the seventies. Anyway there was a, we lived in this Filipino camp, which is just north of the cannery. There was four. Houses, there were U-shaped buildings with just seven rooms in each one. There was four of 'em down the street in the back. There was two kitchens and two showers and bathrooms out in the back, like old cane style houses, right? And in the back where I had her, I was renting a room in one of those places. I wanted to build a shaping room back there. So I did. And us howley guys, we were moving into those, that Filipino camp all, there was a lot of Filipino guys living there, older guys working in the, either the pineapple fields or the can fields. And they didn't like us cuz we were disrespectful, especially this one guy. And me and a couple of the guys. We weren't bad, but this one guy was a real dick to those guys and they hated us being there. They're, they work, they get up super early in the morning, they work all day and then they come home early. They want to sleep and work partying and stuff. And it was, thinking back on it, we were just those poor guys. But anyway, they were friends with this building inspector, some of those guys. So I built this shaping room and it was almost done. And so the building inspector come and told me, oh, you gotta have a permit for that. And so I applied for the permit, gave him $4 if I remember what it was. Super cheap, gave him the $4. And then he gave me the permit, but he said I had to cha fix the roof cuz it wasn't built sturdy enough. So I fixed that and then he came back again another week later, said I had to fix this. I fixed something else. And finally I told him, just tell me everything I need to fix one time. And and I'll. And then he came back a couple weeks later and said, Nope, you have to tear it down. You're too close to the property line and too close to the building, which I'm sure was true. But back then, nothing mattered. There was really no codes that anybody really needed to follow. And I just knew that some of the guys in the neighborhood told him to not to let me do that because that was just gonna be even more upsetting to their life. Their what was left of their peace and tranquility in their own house. So I had to take the thing down and I told gimme the goddamn $4 back. And he goes, Nope, you don't get your money back cuz you have to get a permit to tear it down too. And that cost $4. But anyway, that, but I still glass. I had a glassing rack I think up on the front porch or something, and a pin line room in the storage room. But I still did. Anyway, over in the cannery, I remember there was this the caretaker of the cannery was this old Hawaiian guy, and I think he was the father of the landlord of our house, and he was the caretaker of the cannery. And there was this single corrugated 10 building over there on the side over there. And I asked him, I was looking at it one day, I go, Hey, what is this? And he goes, just a room. I go, Hey, can I rent it? And he goes yeah. I go, how much? He goes, I'll tell you what, every once in a while, just gimme a case of beer. I goes, so I cleaned the place up and made a bitch and shaping room in there. And that was my shaping room for a long time. And then behind this building right next to mine, it was just a single building by itself. By itself, away from the main cannery part. Was this guy that we painted, I painted houses with this guy who owned, who had that workshop. He let me build a little lean to in the back of his shop that was next to my shaping room, the glass boards. I had a lock on the shaping room, but I remember the glass room was always open. Anybody could go back there and I would shape the boards and then leave 'em on the racks glass 'em, and never had any problems with theft or nothing. So anyway, yeah, I was, and then I started, I then I'd been making boards. I was getting pretty good at shaping and then really good at glassing. Cause I was glassing a lot more boards than I was shaping. And so I was, like I said, I was mainly more known as a Glasser. And so you basically went into business for yourself. You were basically just had your own glassing business. Other people would shape the blanks and give 'em to you and you would glass them, or you were also building. Yeah. Yeah. But also the thing is I'd also worked in hotels too. I was a busboy for a while and a waiter, and I also painted houses with this guy. That was my main thing, really. Painting houses and condos and working in the hotels. Surfboards were always, at least back then, a side thing. I never really thought of it as a main income, and partly was just because the irresponsibility, my, my life was so irresponsible back then it was all just surfing. And I tend to maybe put all surfers in that category, but I guess it's not necessarily true. But generally surfers aren't very reliable people and punctual, especially surfboard makers, surf good. You don't go to work. Yeah. Yeah. And our whole thing revolved around surfing. I remember one, me and this friend of mine, I was a little more what do you call it, responsible than him, but we were both bus boys up at the Royal Ohio. And there had been like a drought of surf in Laina that summer, like maybe a month or a month and a half with not even a ripple. And then one day it got two feet waist high or something like that at Laa Harbor. It was so small. Mala wasn't breaking or the, I don't need anything. The break wall was breaking. It was so small. And we go out and we have to be at thr at work at three o'clock to set up the restaurant cuz we're bus boys, right? And so we're out there surfing and then we go, okay, we better go in pretty soon to get to work at three. And they go, ah, let's get one more wave. And we kept doing it. He goes let's just go to work late. And so we'll get a couple more waves. And then finally we just said let's just not go today. Fuck it. Let's just quit. So we just stayed in the water till evening and quit and then a couple days later went and picked up our paychecks. That's how irresponsible I was. And my friend too. But that's, I never took surfboard making seriously as a job until windsurfing came along. Okay. So then, yeah. So what happened when windsurfing came along? It was like in the, actually in 1977, I think I moved to the mainland. I moved to Hermosa Beach and for a year, and Steve Licey was living back on the mainland at this time. And he was shaping in this one shaping room across the street from this glass shop called South Shore, I think. And this guy, Wayne Miata, was the Gloucester pin liner. And Mike, this guy, Mike Collins, owned the shop, I think. And I told, I asked Steve to introduce me to somebody so I can get a job in a glass shop or something, and he always was real hesitant about doing it and Steve was taking a lot of drugs back then, and he had a real bad reputation of, so he had told me later that was the reason he didn't want to introduce me to these guys because it would've looked bad for me if he walked, if I walked in with Steve. That's what a nice guy Steve was, even in his heavy drug use. He was considerate of what would happen with me. Finally, I bugged him enough that he finally went to that shop and, Hey Mike, you know this guy, he is a really good Glasser from Hawaii and he is a really good Glasser, the best. And then he walked out and then, so I don't know what that did, but I started going to that shop every day and just hanging around. And then finally one day I also was going to Santa Monica City College. I don't know why I was going there and I took weightlifting and I took PE or something, just, I dunno what I, why I even did that. But there was this guy in the weightlifting class, the teacher, in fact, I'm still in contact with that guy a little bit every few years when he comes to Maui, he emails me, but he wanted me to make, I told him I was a board maker and he, I had, he had me make him, I think a seven foot or a seven, six. Er, pintail, surfboard. So I, I got a blank shaped it for him. The place where Steve Licey was shaping, he introduced me to the guy and the guy was so nice to let me shape there too. So I shaped the board and then I told the guy in the glass shop, I got a board to glass. I can buy the materials from you. Let me glass it here and you can see what I do. And so I took that board in the sh in the glassing room. He let me do it really unbelievable now that I think about it for them to let me do that, and their shop where they're running a business. And so anyway, I pulled the, I taped the board off, pulled the glass out, and he sat there and he goes, okay, I'm gonna make you feel real nervous now, watching right over your shoulder. I didn't feel nervous cuz I was good, so I glassed the board. Perfect. He was stoked. I got hired the next day. Nice. So I was doing six boards a day. That no, maybe it was, yeah, only six, six or eight boards a day. They had five ranks. So they wanted you to They wanted me to do well, I was in the wintertime, I think so I think I was doing how many boards? Was it six or eight boards a day? I'd line up three or four, pull the glass out, laminate each one by the time they were done. And then we'd have lunch and then it was time to flip 'em over and do the decks. And I had to have 'em done for the evening for the guy to come and hot coat and put the fin boxes in. So I got so good at glassing, and doing all of those boards day after day where I'd mix up the. Right when I was finished glassing, and I don't know if you've ever seen anybody glass, you drip a drop a resin over the nose and tail to fill up the air holes. I had it down so well that right when I was finished glassing and dropping that drip a resin onto the nose, it was gelling every time I had it down, perfect. And to give you an example of how some people, how when I get, for example, how my, I feel like it's so natural and I, if I teach somebody, they should be able to do this too. This kid wanted to learn how to glass aboard. So I brought him in and like I said, there's five boards in a row, five boards on the rack. I'm masking taped off each one in a row. And I told him the exact same thing over and over again four times. So he'd get it in his head how to do it, and then I pulled out the fiberglass on all four boards, cut 'em, told him what I did four times in a row, and then I laminated all these boards four or five in a row with the resin. And then I said, okay, now you do your board. And he did it, set it up, took a while to set it up, and then when he mixed up the resin, he just froze. He didn't know what to do. And I just freaked. I go, sh the board, the resins gonna go off on him. If he doesn't move, I go move squeegee the resin. And he just started kinda doing it a little bit, but not much. And anyway, I just grabbed the squeegee out of his hand and finished it for him because he, his board would've been ruined. But Yeah. Yeah. The, it's so time sensitive, especially with the polyester rein. You only had so many minutes to get it done. So you had to have Exactly the timing down, yeah. Yeah. But I got real, real good at glassing. In those days, were you using respirators and all that kind of safety equipment? Yeah. Yeah. But not religiously, and yeah, I think I had a mask. My another thing I gotta mention about what Steve Slick Ameer taught me too, I used to wear my mask when I was planning. And when you plane the drum I have on my planter now is an abrasive drum. So it makes real fine dust. It doesn't make fits like so when you're planning with a regular blade, with a regular blades on your planter, it, it shoots off big chunks. Bigger chunks, right? And then when you're fine shaping with sandpaper, it makes real fine dust. I used to shape with my mask on with the planter, and after I was done with the planter, I'd take my mask off and shape with the sandpaper. And Steve said, Jesus, Jimmy, if you're gonna take your mask off at some stage, do it when you're abusing the planter. Those are big chunks. It's not gonna go on your nose and your lungs as easy as that fine shaping. So I've learned to, I'd learned to not take my mask off when I find shape, but still, it wasn't until like at least 20 or 25 years ago, but I started really paying attention to always wear my paper mask. And I always wear the ma respirator anytime I mix up any kind of resin. Mainly when I open up the acetone. Acetone is worse, I think, than resin on your nervous system than resin fumes. But I always am real, real vigilant about it now. Good. And I have been for years and years, specifically with the paper, You can't see it in the glassing room, but there's all these little diamond, you ever seen a reflection, sun reflection coming through a window and dust in the air. Glassing room. It's little sh shiny things. That's all the fiberglass dust in the glassing room that you don't see unless the a sun beam is coming through the window. So that's why I know I need to wear that paper mask every time I'm in that shop, in my shop. Okay. So you're in still 1977 Hermosa Beach. Like what made you go back to Maui in the first place, and then what made you go back to California? Like what motivated you to move back and forth? The first time I came to Maui was the first time I was away from home. Went back to, it was like right after high school. And then I moved back to Santa Cruz by the ti a year later. I was a year older, a year of living on my own already again in Santa Cruz, away from my mom's house. And then I wanted to be in Hawaii again. The same reason I wanted to be for the first time for surfing and for surfing. And my brother, he was the influence on that cuz he moved there first for surfing. Okay. So I moved back for surfing. I can't remember why I moved back to the mainland for a year, but did that. And then after a year I wanted to go back to Hawaii, but I think bef I was maybe in Hermosa for six months, then I moved back to Berkeley at my mom's house. And then I got a job this friend of my sisters was working with this rich guy, remodeling this big building. And so I got a job working there, construction, saved up a bunch of money, and then moved back to Maui. And where did I live? I think I moved to this side, the north side here, and got a job painting houses with a friend of mine. And then I was also shaping surfboards for this shop called Monte Surfboards. And I think it was in 1978 that Mike Walsh and this guy named Mark Robinson, who was a well known Florida windsurfer back when, windsurfer brand that was 12 foot plastic boards. That's, that was what the windsurfing sport was all about. Those boards. But Mike and a few other guys were starting to make shorter custom boards. And so when he came to Maui, Mike came by this shop cuz it was a surf shop. And where else would you go to get a custom board made? So I don't know why the owner of the shop, John Su let me shape the board cuz he was the owner and he was a shaper also. But somehow I, I shaped Mike's board and I think I had some pictures of that somewhere. But it was like a 12 foot race board. And then I made him maybe a nine foot, what they called a jump board back then, cuz they weren't really surfing on waves. They were going out and jumping over waves and then riding them straight off. They were, cause a lot of the boards back then, before they started making surfboard shape wind surfers were like boats or more like a boat than a surfboard. So I made those a couple boards there. And then at the house in KeHE, I that I lived at I thought windsurfing is gonna maybe be a big thing and maybe I can actually make a living making windsurfer. Shaping, right? So I was starting to build a a shaping room in the garage at my house, and the guy that was managing that house for a rental for us, told me, the landlord told me to take that down. I couldn't build a shaping room in the garage. So I had all this lumber. And then right at that time, Fred Haywood, Mike Walson, bill King started, had, were starting sail boards, Maui, I think in 1980. Fred had his old family house in Kalu there that they converted into a showroom. And there was an old garage in the back, a separate building. And Fred told me, why don't you bring all your lumber over here and build the shape and room in this garage here? So I did. And then right then was when the Windsurfer company, oil Schweitzer they wanted to make some short boards. And they made what the board, they called the Rocket 99, which was kinda like a pig shape, like the Vessy pig shape board, a narrower nose, a wide round, not round squi. It was a little squash tail with a real hippie back. And then another one, a nine one, and what was that called? The rocket? A Rocket 88. And I think it was a nine foot surfboard shape, round pin. Ainger Pintail, sorry, a Ainger Pintail. So the guy, this guy in California had the templates for those two boards. And so I, they had me shape them the plugs that Hoyle Schweitzer was gonna make the molds off of. And right at that time, there was this big windsurfing race on Oahu called the PanAm Cup. There was a big triangle race. I don't know if you know what the triangle race format is, where they have a buoy, straight up wind. So it's a lot of tacking to get up to that buoy. And then there's a broad reach and then a downwind leg. So it's a triangle course where all these guys on race boards, race around it. There was no wave surfing at that time, really Not much. And so Robbie Nash was pretty much starting to be the king at that time of racing. And so when the PanAm Cup was there one year, I think it was the same year we started making those two plugs at sail boards, Maui. And so people were coming to Maui because they were realizing that Maui was a much, much better spot for windsurfing than Oahu. Yeah, I guess at the time, like Diamond and Kailua were the epicenter of windsurfing in Hawaii, right? Bef Kailua was, I don't know so much about Diamond Head maybe, I can't remember cause I wasn't really even windsurfing. I was windsurf boards for a little bit before I even started windsurfing. But yeah, we made those boards and then I never stopped working. People would come and start ordering custom boards, so we made the glassing room and the shaping room was already there cuz I made the shaping room to, to shape those two boards for windsurfer surfer. And then we just started making boards and those were the, some of the first sinkers. And I think at that same time, Mike Walz had Jerry Lopez shape him a little, I think it was an eight foot board or something like that, 20 inches wide. Thin, thin for a windsurfer, but had three stringers in it. Jerry shaped it and then they brought it down and I glassed it. And that was one of the very first shortboard boards that they had to water start. And they were just learning to water start at that time. And then it just exploded for Maui because Maui was such a good spot. Sail boards, Maui was getting all the attention that it deserved, and we were in the epicenter of windsurfing in the world. And fortunately for me, I was there with Mike Wal and Fred Haywood, couple of the biggest stars in windsurfing at the time, and that was, that's the first time I ever made a living shaping, and I never did anything else. Actually, let's see. Yeah, I never did anything else after that. Shaped and glass boards and yeah, we made boards for three or two or three years before I went off on my own. All right. Yeah. So I remember those days when I was just trying to find some pictures here. I'm gonna screen share this real quick. Back then the the boards were like, yeah, he, you went to really small boards and then like the booms were longer than the board sometimes and stuff like that. Yeah. Yeah. Oh, there's that picture. See that picture on the right? Yeah. Top that's that first wind surfer I made for Mike Walz. Oh, okay. I guess it's not 12 feet. Maybe it was 10 feet. Because somebody, I posted that picture one time in that, on that Facebook page, I think it's old School Winds, surfers, it's called or something. Oh, windsurfing Hall of Fame is what I'm looking at here. Yeah. But I think there's a Facebook page called Old School Winds. Surfers. Okay. And I put that picture of that that one, that race board I made Mike. Yeah. Okay, cool. Some of these pictures are modern, more modern, you can see they got r a f sales, but there was one. See that one right where your mouse is right now? Yeah, that's, I know. Windsurfer logo. See how far the mass step is up there and stuff. Yeah. Really f close to the nose and stuff. Yeah. Yeah. Okay. So when, so sail boards, Maori became a well-known brand and people were ordering custom boards. I got known around the world because of windsurfing and anyway, how I got into speed was I was shaping this one wave board. It was an eight six, I don't know how wide they were back then. It was a three stringer board, and I was taking the stringer down with my block plane in the middle. And back at that time, and maybe a couple years before, Dick Brewer was making this little concave right under the wide point and the rocker part of the board of his surfboards. It was like a concave, I think it was about like five or four or five, six inches wide. And just a couple feet long, just a tear drop. And it was maybe a gimmick or whatever. I don't know what it really did. I don't know if I ever made him on a surfboard, but I gouged the foam when I was shaping this, taking the stringer down on this eight, six round pen board I was making. And so I go shoot, it had this big gouge in the foam and I go, oh, I'm just gonna do one of those little concaves, like Brewer did. So I taped it off and shaped a concave into it. That board was sitting on the shaper room I'm in, in the showroom floor. Pascal Market came and bought it off the showroom floor. And at the time, the only, there was, I think only two speed events in the world at the time. One in Weymouth and one in this town called Breast. In France. And so Pascal took that board to Weymouth and Wind Surfers were going to Weymouth and Breast for a few years already, and they were going like 22, 23 knots at the best. And at the time there was a boat called Crossbo, which was a big catamaran that these English guys made that had what we call the absolute world speed sailing record. That means the fastest sailing craft powered by a sale. Obviously powered by a sale regardless of sale size, board, boat size, anything. Whoever can sail the fastest has the world record. Now in these events, they had different classes of sale size, like they had a 10 square meter and then a, I don't know, on and up, depending on what size sale you had. But you could still have the absolute world speed sailing record regardless of what class you were in. It's whoever went the fastest. But then there were speed records for each class too. So anyway, Pascal took this board that had that little concave in it over to Weymouth, and I think in 1982, and he broke the windsurfing speed record. It wasn't a world record, it was like 27 point, I think eight two knots, and it was huge news. Yeah, I think that picture right there, Ellie Z, that might have been Weymouth. I don't know. Yeah, it says 1982, so it's probably, yeah, that was, that looks like Weymouth to me, but yeah. Interesting. Okay. But anyway, so Pascal made that record and so it was big news and I remember it was done on a Neil Pride. Maui sales. Barry Spanier and Jeff born were making Maui sales at the time. And it was just on a stock Neil Pride, Maui sales sale too. And so it was huge news in the windsurfing world and in the Windsurfing magazine, big articles on it. And so that put the focus on speed on my boards and on Neil Pride Sales, Maui sales specifically. And the next year Fred wanted to go to Weymouth and see about doing a speed trial seeing about going for the world record or whatever, or a speed record. Yeah. There's a picture of Fred on the board I made with a wing mask. That was 83. So I shaped Fred two boards. One was a nine footer, I think it could have been I don't know, 2021 inches wide. And then also that one that's in that picture you're showing, that was eight nine, I believe. And maybe it was 18 and a half or 18 inches wide. And I did that concave on the bottom, going into a double concave on the, on, in the back. But the concave was a lot wider. I think it was almost rail to rail and a lot more flowing all the way through the bottom of the board. Fred did 30 point something knots, which was even bigger news than what Pascal did cuz Fred broke the 30 knot barrier. And that was a front page picture of Windsurf Magazine. Yeah. See Fred Haywood Bus 30 knot. But that nine foot board, this is this is one of my claims to fame and claims. The geometry of my boards, Barry Span, span, you called it the imperceptible geometry of the shapes I was doing Fred had a nine foot board that he sold the nine I made him the eight, nine, and the nine footer. He wasn't going to use the nine footer cuz that eight nine was so good and it was smaller. So he sold the nine footer to Robert Terra to how I know you know who he was. Robert's a good surfer and he, back then, shoot, I think he was my 15 or 16 years old back at that Weymouth event. So on that world record, not the world record day, but that day Fred did 30 knots. Robert went from, I don't know what place he was in, but second place in the entire event when Fred sold him, my board, the board I shaped. So it was, it's pretty objective. It's pretty easily to say objectively that board helped Robert get that speed. Not his sale, nothing else because when he got that board I made, he went up to second place on it. But anyway, that really catapulted sail board's, Maui Neil Pride, Maui sales, and me into the big spotlight of windsurfing surfing. For the next several years, all I cared really, I was making wave boards too and but speed boards was our main thing. So the next year, 1984, I started traveling. I think that picture you showed of me holding that red board, might have been 84, maybe 85. But I started going to speed trials too, and I was okay, but I wasn. There was 60 people at each speed sailing event. They only allowed 60 people to enter. And I was always in all the events around 30, at the end of the event, I was right in the middle of the pack. I wasn't anything exceptional, but I had potential. But the the speed trials, the top people were only separated by tenths of a knot. Like 38.2 or 38.1, real minuscule amounts of speed. Would determine who was first, second, and third and fourth. So I was always in the middle of the pack. I wasn't like 10 knots slower than the first place people, but but anyway, each event I would go to mainly it was just Weymouth in France in those first few years. And I go to, people would order speed boards from me, from all over the world. And then the next event I would come, I'd bring four or five or six boards to people. Yeah. And then and then one year, this guy Julian Kendall had he had gone to the Canary Islands a lot and he said there was this one spot down there in Ford of Ventura that the average wind speed was like 25 or 30 knots a day during the summertime. And it was a killer place to have a speed trial. Like for speed sailing, you want offshore wind so you can sail right next to the beach and have it real smooth, cuz the farther out you get the choppier it gets. So ideally you want butter, smooth water. With a lot of wind. And this place in the Canaries, he said was just epic. So a lot of us went that in that June of 1986. And I remember Joey Cabbel was getting interested in speed sailing and unfortunately he did not go to that event. That was at the same time there was gonna have a slalom event in Hood River Gorge. And I remember talking to Joey and he goes, yeah, I'm not sure where I want to go, whether I want to go to the Gorge event or this Canary Islands event. And unfortunately for him, he didn't go, cuz I know he would've been good, at speed. And so anyway, we all went over there and then the, there was a week long the, at the time actually at one of the previous France speed events. Fred didn't want to go to that event for some reason. And this German guy named Michael Puer broke Fred's 30 knot record. He didn't break the world record, but he did 32 something. 32 knots. And so now there was a rivalry between Fred and this guy. Like they wanna, it was just for publicity, and they took some pictures of Fred and him looking at they wanted a fight, although they were friends, it was just a kind of a, what do you call, a publicity thing, right? And so anyway, we all go to the Canaries and the first week there was a trial period, there was a two week long event, a main event was a week long. And the first week was a trial event. So we were all there for the trial event. We could sail in the trial event. The trial event was to get other people qualified to be in the main event. And I think, I don't know how many people were already qualified. Me and most of the people that were on the speed circuit got seated. And then I don't know how many people there were gonna take from the qualifying rounds. New people that are on the speed sailing. So whoever got into that event that qualifying round and did a certain amount, the top, how many got to go in the man event? So during that first event the trial part, Reinhard Ishka, this friend of ours here on Maui, he was really a young guy too from Austria, who's been on the speed. He broke Michael's record. Meanwhile, Michael's on the north side of word of Venturas riding waves. He was seated in the main event. So now his record is broken by Reinhardt already, even though it's just the trial event. Anyway, the main event starts and we're all sailing and I'm as usual in the middle of the pack, like number 30 or 28 or 32, okay. Never up near the top. But all the top guys are writing your boards basically, right? A lot of people were. Yeah. There was a lot of people were. Yeah. Yeah. And I had a 13 inch wide board. In fact, it was interesting, Eric Beal is the first guy who started making narrow boards. I remember at one of those French events, he had me make him a 16 inch wide board, and we thought he was nuts. 16 inches wide, how are you gonna ride it? And Eric, I think won the event on that board. And anyway, when it came time to come to futa, we were all making, Eric was making 13, 12 inch wide boards. Eric was narrower than anybody all the time. Eric wasn't as, he was a little lighter than me, taller than me, but his technique. And was just incredible. And back then it was like, if you're not big, you're not gonna go fast. And Eric wasn't big. He was taller than me, but not thick and heavy. But it was just his technique. But, so anyway, when Pascal, at the last minute, he was riding other people's boards up until far of Ventura and not doing anything exceptional, and then he asked me, he says, okay, make me a board. And I said, okay, let's make it thir 13 and a half. I talked him into making it narrow and he didn't wanna make it narrow at the time, but anyway, I made him a 13 and a half inch wide. Eight, six. My board was an 8, 1 13. I forgot what Eric's were, but Fred was tired of carrying so much equipment with him to all these events. So he only brought one board, which was a nine foot, I believe, 19 inches wide board that I made him. And he only brought a Neil Pride, r a f sale. And we all had Canberra induced sales, right? And so one time on Maui before this event, Eric was riding asy sails and as he made this killer Canberra induced sail. And so I tried it one day down at the beach at SP freckles. And I couldn't believe the acceleration with that Canberra induced sale, right? And it was much better than the Neil Pride, r a f sales. And so I asked Barry if they were gonna make some Canberra induced sales, and Neil Pride didn't want to make 'em at that time because of the financial thing. They had already invested in the R a F. And I go, shoot, I wanna ride Canberra and do sales, So I contacted Jeff Magna from Gastra, who was Pascal. They were sponsoring Pascal and asked him if I could be get some sales. And they were stoked, even though they didn't, even though I wasn't one of the top riders, I just had the reputation of the board maker and they thought it'd be good if they gave me some sales. So they sent me a bunch of Canberra induced sales, and I was riding the five meter a lot on Maui. Then the day before the, we left on the plane to go to the Canaries. It was super windy and I had my 13 inch wide board down there and I rigged up the 4.3 gas sale for the first time. And I took off the beach and it's choppy there, but still you can feel your equipment. And I just was, couldn't believe the acceleration and the speed I was getting. And I came in and I go, Jesus Christ, if we have wind, I might have a chance. This is just night and day feeling that I've ever had of the acceleration of this sale. So anyway, we go to the Canaries and the whole event, everybody's sailing and doing what, and like I said, people are doing this and that. The record was already broken up to about 35 knots, I think already, but we hadn't broken cross ball's record of 36 knots. Not us, but anybody. But I think Reinhart and Pascal had already done 35 knots up till the second to the last day of the event. Anyway, the second to the last day of the event was ridiculously windy. Something like 40, 45 knots, just perfect direction. Butter smooth, not a ripple near the beach. And then it got super windy out, choppy outside, but it was just dead flat water, no surf, nothing. It was like those pictures you were just showing. But radical wind. And so we all knew something was gonna happen that day. So they also made a, they have a rescue boat. But anyway if you've ever b

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Welcome to Barn Talk! What happens at the barn, stays in the barn, but not today! We're letting it all out! If we had more time Hot Topics could be a daily show. So much hotness, so little time. We're going to cram as much in as possible today. Pay the fee!  Barn Talk Merch!

This is part two of a three part series looking at finding and retaining barn staff. In this episode The Squeal looks at approaches to recruiting barn staff and bringing people onboard. On The Squeal is Ashley Hengen (PIC Senior Human Resources Generalist, https://www.linkedin.com/in/ashley-hengen-328843146/), Stacey Voight (PIC Technical Service Manager-Swine Reproduction, https://www.linkedin.com/in/stacey-voight-8b0b7592/), and Valerie Duttlinger (Summit SmartFarms Chief Analytics Officer & Executive Coach). At PIC, our goal is to make our customers the most successful pig producers by providing them with the best genetics. We know our business success depends on yours. Thanks for listening to 'The Squeal', PIC's swine management podcast, featuring in-depth conversations on topics that matter to you. PIC is the global leader in swine genetics. Whether you're tuning in for the first time or you're a long-time listener, take a second to subscribe to The Squeal. It's the easiest way to stay up to date with the latest podcast episodes. Just find the “subscribe” or “follow” button wherever you listen to podcasts. Already a subscriber? Visit your phone settings and turn notifications on so you never miss an episode.

Farm Kitchen w/ Boiling Kettle, Fire Pit & Animals in The Barn, Thunderstorm Outside _____ Please subscribe for *DAILY* videos: https://bit.ly/31YtQPc Link to video: https://youtu.be/8ww5Htd4RYo ========= BEST 4 EARBUDS FOR LISTENING EXPERIENCE: ➤ Most affordable but still high-quality sound, noise-canceling Bluetooth earbuds - https://bit.ly/3AQohjH ➤ Premium 180Hr Playtime Bluetooth earbuds w/ overall best sound & quality construction - https://bit.ly/3KJIFqW ➤ Affordable in-ear style Bluetooth earbuds w/ great sound - https://bit.ly/3BbAalk ➤ Affordable over-ear style exercise Bluetooth earbuds w/ great sound - https://bit.ly/3CWrwc2 _________________ SOOTHING SOUNDzzz ON SOCAL MEDIA: TikTok https://www.tiktok.com/@soothingsounds000?lang=en Instagram https://www.instagram.com/soothingsoundzzz/ Facebook https://www.facebook.com/Soothing-Soundzzz-271614694688828/ Spotify (Podcast) https://open.spotify.com/show/6vHMEcA5DQdriv4SBNePwe ______________________ ABOUT: This channel is dedicated to making soothing audio, nature sounds, and relaxing ambiance to help people sleep better, fight insomnia, reduce stress, relieve anxiety, focus, study, read, ASMR, meditate, and more. #farmsounds #cookingsounds #thundersounds #sleepmeditation #cozyambience #fallasleepfast #relaxingambience #relaxingsounds #soothingsoundzzz

Kan sjefen forvente at du bidrar når du er hjemme med sykt barn? Hvordan balanserer du jobb og omsorg? Hvor mye skjermtid er greit når barna er syke? Hvor tilstedeværende må du være? Er «vondt i magen» gyldig grunn for å bli hjemme? Når er barna friske nok til å gå tilbake til skolen? Og hvorfor kan Daffy og druer være en magisk kombinasjon i sykdomstider?

Hvorfor er det bra å ha hund når du har små barn? Hvilke utfordringer møter vi, og hvordan skal vi løse dem? Og skal vi egentlig skaffe oss en hund? https://www.bookbeat.no/foreldreradet?utm_source=podkast&utm_medium=podcast&utm_campaign=NO-Foreldreradet-Action-22035&utm_content=Textlink-Offer-45d&utm_term=deal3 Hosted on Acast. See acast.com/privacy for more information.

Eruch Jessawalla - Aug 9, 1990

Ung man död efter skjutning i Stockholm Idrottsföreningar: Barn har inte råd att idrotta En skola får flera miljoner i ett arv Programledare Jenny Pejler. Reporter Jenny Toresson.

Den här gången besvarar Katarina Woxnerud, naprapat, personlig tränare, författare och kvinnan bakom konceptet Mammamage, en fråga om varför löparskorna man hade före graviditeten ofta inte passar efteråt. Maratonpoddens expertpanel besvarar dina frågor om träning, kost, idrottspsykologi, skador och annat. Har du en fråga du vill få svar på, skicka ett DM till Maratonpoddens Instakonto eller mejla till maratonpodden@gmail.com.Följ Maratonpodden i sociala medier:Instagram: https://www.instagram.com/maratonpoddenFacebook: https://www.facebook.com/maratonpoddenFölj Petra:Instagram: https://www.instagram.com/maratonpetraFacebook: https://www.facebook.com/petra.manstromLinkedIn: https://www.linkedin.com/in/petramanstrom Vill du lyssna reklamfritt? Då är du välkommen till Maratonpodden+. Det kostar 23 kronor i månaden plus moms (29 SEK ink moms) och du kan självklart avsluta din prenumeration när du vill. Läs mer här: https://plus.acast.com/s/maratonpodden. Hosted on Acast. See acast.com/privacy for more information.

A dramatic return, the perils of VR horror, frightening penetrations, accidental racists and The Barn!

Today's collection of true scary work stories features a Wildlife Control Officer who witnesses unimaginable terror! Follow and review Tales from the Break Room on Spotify and Apple Podcasts! https://pod.link/1621075170 Join EERIECAST PLUS to unlock ad-free episodes and support this show! (Will still contain some host-read sponsorships) https://www.eeriecast.com/plus Scary Stories Timestamps: 0:00 INTRO 1:05 Predator Control Officer from Mattoman 9:17 The Water Fountain from Anonymous 12:39 Intruder in the Barn from Em 19:27 Something in the Woods from Samwise Rice 23:13 Carts from Brain Dead 28:09 Unknown Darkness in the Sky from Henrik 31:19 Peter from Saturday Night Fright 34:17 My Grandpa's Work Stories from Cricletgirl20 CREDITS: Music for stories by Dark Music LINKS:  Join my DISCORD: https://discord.gg/5Wj9RqTR3w Follow us on Spotify! https://open.spotify.com/show/3mNZyXkaJPLwUwcjkz6Pv2 Follow and Review us on iTunes! https://podcasts.apple.com/us/podcast/darkness-prevails-podcast-true-horror-stories/id1152248491   Submit Your Story Here: https://www.darkstories.org/ Get Darkness Prevails Podcast Merchandise! https://teespring.com/stores/darknessprevails Subscribe on YouTube for More Stories! https://www.youtube.com/channel/UCh_VbMnoL4nuxX_3HYanJbA?sub_confirmation=1 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Links www.youtube.com/mrparka https://www.instagram.com/mrparka/ https://twitter.com/mrparka00 http://www.screamingtoilet.com/dvd--blu-ray https://www.facebook.com/mrparka https://www.facebook.com/screamingpotty/ ​https://letterboxd.com/mrparka/ ​https://www.patreon.com/mrparka https://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogK https://anchor.fm/mrparka https://www.stitcher.com/show/shut-up-brandon-podcast https://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571   Time Stamps 0:00 “Calamity of Snakes” Review – 0:48 “Gorgeous” Review – 10:33  “Lovers Lane” Review – 14:54 “Birdemic 3: Sea Eagle” Review – 20:44 1981 “Corpse Mania” Review– 26:37 1981 “The Imp” Review – 34:59 1981 “Dead & Buried” Review with Jeremy– 38:57 Patreon Pick “A Serious Man” Review – 1:00:16 Questions/ Answers– 1:04:01 Update– 1:09:45   22 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/ Podcast Under the Stairs – https://tputscast.com/podcast ​Video Version – https://youtu.be/_p_yZsHEq7Q   Links Unearthed Films – https://www.unearthedfilms.com/ “Calamity of Snakes” Blu-Ray – https://mvdshop.com/products/calamity-of-snakes-blu-ray 88 Films – https://88-films.myshopify.com/ “Gorgeous” Blu-Ray – https://mvdshop.com/products/gorgeous-blu-ray Arrow – https://www.arrowfilms.com/ “Lovers Lane” Blu-Ray – https://mvdshop.com/products/lovers-lane-blu-ray Severin Films – https://severinfilms.com/ “Wings of Disaster” Blu-Ray Collection – https://severinfilms.com/products/wings-of-disaster-box “Corpse Mania” DVD – https://www.amazon.com/Corpse-Mania-Ni-Tien/dp/B001CIOCMQ “The Imp” YouTube – https://youtu.be/Sm0tgGYGsz8  “Dead & Buried” 4K – https://mvdshop.com/products/dead-buried-4k-uhd-blu-ray-4k-ultra-hd “A Serious Man” Blu-Ray – https://www.amazon.com/Serious-Man-Blu-ray-Michael-Stuhlbarg/dp/B002E2M5IC/   Update 1.       My Grandpa is a Vampire 2.       Hey, Stop Stabbing Me 3.       The Changeling 4K 4.       The Barn 2   Film Notes Calamity of Snakes – 1982 – William Cheung Kei Gorgeous – 1999 – Vincent Kok Lovers Lane – 1999 – Jon Steven Ward Birdemic 3: Sea Eagle – 2022 – James Nguyen Corpse Mania – 1981 – Kuei Chih-Hung The Imp – 1981 – Dennis Yu Dead & Buried – 1981 – Gary Sherman A Serious Man – 2009 – Joel Coen/Ethan Coen --- Support this podcast: https://podcasters.spotify.com/pod/show/mrparka/support

Co-hosts Dr. Tania Cubitt and Katy Starr discuss laminitis in horses, including what is laminitis, what is the difference between laminitis and founder, causes of laminitis, how to feed a horse with laminitis, feed and management strategies to prevent laminitis and so much more. We're also joined by two special guest who also happen to be listeners of the Beyond the Barn podcast.____________________________________ Register NOW! For our Horse Nutrition Facebook Live Q & A Event “Getting Pastures and Horses Ready for Spring Grazing” - https://fb.me/e/3mXcs9rDy____________________________________Additional Resources - “Symptoms, Causes and Feed Management for Laminitis” – Blog post“How to Avoid High NSC Intake for Horses in the Spring” – Blog post“Teff Grass Pellets to the Rescue” – Nutritional White Paper“Spring Pasture Turnout – What We Need to Know” – Nutritional White Paper“Cresty Neck – A Precursor to Metabolic Disease in Horses” – Nutritional White Paper____________________________________Love the podcast? Leave a rating and review on Apple – https://podcasts.apple.com/.../beyond-the-barn/id1541221306Leave a rating on Spotify – https://open.spotify.com/show/3dmftQmwLKDQNueUcCJBZaHave a topic idea or feedback to share? We want to connect with you! Email podcast@standlee.comShare our podcast and learn more about our co-hosts at our Beyond the Barn podcast pageSUBSCRIBE to the Beyond the Barn podcast email to be an exclusive insider!Find us on Apple, Spotify or Google Podcasts and SUBSCRIBE, so you never miss an episode.____________________________________Check out the Standlee Barn Bulletin BlogFind more nutritional resources from Dr. Stephen Duren and Dr. Tania Cubitt at https://www.standleeforage.com/nutrition/nutritional-resourcesConnect with Standlee on Facebook, Instagram, YouTube and TikTok____________________________________*Views and opinions expressed by guests are their own and do not necessarily reflect the view of Standlee Premium Products, LLC.*

What's the most urgent social change movement right now? Perhaps ending poverty, gender equality, or inclusion comes to mind—what about the rights of sentient species? To raise a life for dispassionate mass consumption, waste, and greed is a delay in our evolution as a species. Until we recognize that we are no better than the animals we take for granted.Kathy Stevens is the founder and visionary of The Catskill Animal Sanctuary, a 150-acre farm refuge for animals rescued from cruel neglect and abandonment. Located two hours north of Manhattan, she combines her passion for teaching and animals to give these creatures a new chance at life while giving people the opportunity to experience their beauty and individuality.In this profound conversation, you'll learn:The moral and global implications of animal mass consumption.Why animal sanctuaries can help anyone start doing their part.How to experience a higher awareness by visiting an animal sanctuary.How film can be the catalyst that begins the change within you.Becoming a vegan starts with understanding an animal's individuality.Press play and start a better change for the planet and all its beautiful fauna.Sponsor: The Eden MagazineDonate To Save Animals:Catskill Animal Sanctuary Kitt CrusadersConnect with Kathy Stevens:Herd Around The Barn PodcastLet's Connect!Alexia Melocchi - WebsiteThe Heart of Show Business - WebsiteLittle Studio Films - WebsiteShop Our Merchandise!TwitterInstagramFacebookLinkedIn

Meet show jumper and licensed mental health counselor Casey Lorusso-Smith to talk about the importance of addressing mental health, and how horses can be used as facilitators. Then, get to know impressive eventer, mother and entrepreneur Frankie Thieriot Stutes, whose determination and grit led her to many event wins while pregnant. You may recognize Frankie from the Land Rover Kentucky Three Day Event's Behind the Barn series. Listen in...Hosted by: Jan Westmark and Britney Grover of Sidelines MagazineTitle Sponsor: AthletuxPresenting Sponsor: Sidelines MagazineGuest: Casey Lorusso-SmithGuest: Frankie Thieriot Stutes Coupon: Use Coupon Code HRN for 1/2 off a Sidelines Magazine subscription.There's an App for that! Check out the new Horse Radio Network app for iPhone and AndroidFollow Horse Radio Network on Twitter or follow Horses In The Morning on Facebook

Meet show jumper and licensed mental health counselor Casey Lorusso-Smith to talk about the importance of addressing mental health, and how horses can be used as facilitators. Then, get to know impressive eventer, mother and entrepreneur Frankie Thieriot Stutes, whose determination and grit led her to many event wins while pregnant. You may recognize Frankie from the Land Rover Kentucky Three Day Event's Behind the Barn series. Listen in...Hosted by: Jan Westmark and Britney Grover of Sidelines MagazineTitle Sponsor: AthletuxPresenting Sponsor: Sidelines MagazineGuest: Casey Lorusso-SmithGuest: Frankie Thieriot Stutes Coupon: Use Coupon Code HRN for 1/2 off a Sidelines Magazine subscription.There's an App for that! Check out the new Horse Radio Network app for iPhone and AndroidFollow Horse Radio Network on Twitter or follow Horses In The Morning on Facebook