Podcasts about arjana

De tweede aflevering van de HIJStakkies ALL CAPS specials gaat over de ontwikkeling dat er door de traditionele musea steeds vaker street artists en street art in huis worden gehaald. Presentator Max Ohlenschlager gaat in gesprek met Bo Naarden van Kunstlinie en Arjana de Bruin van het Mauritshuis. Eerstgenoemd museum vierde dit jaar maar liefst negen maanden lang de rauwe schoonheid van urban culture en street art, met onder meer de tentoonstelling Shapeshifters, waarin werk van bekende kunstenaars als Blek Le Rat, SHOE en Banksy te zien was. Het Mauritshuis startte een project genaamd Mauritshuis Murals, waarvoor de figuurlijk de muren van het museum openbraken en de kunst naar buiten brachten. De podcast werd opgenomen op de International Day van het ALL CAPS Insight-programma, en is zodanig in het Engels.

Jacqui and Molly are joined by Arjana and Kristina Makoci, co-owners of the dynamic life coaching business, Regulate Yours, where they help a full range of individuals identify their goals and reach their dreams. The four broads talk about their shared experience as young, female entrepreneurs, healthy relationships, society’s fixation on the ‘next phase’ and how important it is to find work that is about ‘who’ you are vs. ‘what’ you do. Also, jokes!

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation. Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Pilgrimage in Islam: Traditional and Modern Practices (Oneworld Publications, 2017), Sophia Rose Arjana explores the diverse array of pilgrimage practices in the Muslim world. Pilgrimage in Islam is often synonymous with the hajj, or the pilgrimage to Mecca, but Arjana’s study deconstructs this normatively held assumption by taking her readers on a journey across various sacred spaces throughout the contemporary global context. Her itineraries in this book beautifully illuminate the ways in which mobility around the sacred varies, challenging any easy categorizations scholars and students may apply in the study of Islamic pilgrimages and sacred spaces. Her book moves us beyond sectarian binaries, notions of mystical or Sufi rituals, and gendered norms, to help us deconstruct labels that have been conventionally used by Religious Studies scholars. Arjana’s text is a valuable resource for undergraduate students, but also for graduate students, as it provides provocative case studies and theorizations on pilgrimages, spatiality, and ritual performances in Religious Studies. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Pilgrimage in Islam: Traditional and Modern Practices (Oneworld Publications, 2017), Sophia Rose Arjana explores the diverse array of pilgrimage practices in the Muslim world. Pilgrimage in Islam is often synonymous with the hajj, or the pilgrimage to Mecca, but Arjana’s study deconstructs this normatively held assumption by taking her readers on a journey across various sacred spaces throughout the contemporary global context. Her itineraries in this book beautifully illuminate the ways in which mobility around the sacred varies, challenging any easy categorizations scholars and students may apply in the study of Islamic pilgrimages and sacred spaces. Her book moves us beyond sectarian binaries, notions of mystical or Sufi rituals, and gendered norms, to help us deconstruct labels that have been conventionally used by Religious Studies scholars. Arjana’s text is a valuable resource for undergraduate students, but also for graduate students, as it provides provocative case studies and theorizations on pilgrimages, spatiality, and ritual performances in Religious Studies. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Pilgrimage in Islam: Traditional and Modern Practices (Oneworld Publications, 2017), Sophia Rose Arjana explores the diverse array of pilgrimage practices in the Muslim world. Pilgrimage in Islam is often synonymous with the hajj, or the pilgrimage to Mecca, but Arjana’s study deconstructs this normatively held assumption by taking her readers on a journey across various sacred spaces throughout the contemporary global context. Her itineraries in this book beautifully illuminate the ways in which mobility around the sacred varies, challenging any easy categorizations scholars and students may apply in the study of Islamic pilgrimages and sacred spaces. Her book moves us beyond sectarian binaries, notions of mystical or Sufi rituals, and gendered norms, to help us deconstruct labels that have been conventionally used by Religious Studies scholars. Arjana’s text is a valuable resource for undergraduate students, but also for graduate students, as it provides provocative case studies and theorizations on pilgrimages, spatiality, and ritual performances in Religious Studies. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Pilgrimage in Islam: Traditional and Modern Practices (Oneworld Publications, 2017), Sophia Rose Arjana explores the diverse array of pilgrimage practices in the Muslim world. Pilgrimage in Islam is often synonymous with the hajj, or the pilgrimage to Mecca, but Arjana’s study deconstructs this normatively held assumption by taking her readers on a journey across various sacred spaces throughout the contemporary global context. Her itineraries in this book beautifully illuminate the ways in which mobility around the sacred varies, challenging any easy categorizations scholars and students may apply in the study of Islamic pilgrimages and sacred spaces. Her book moves us beyond sectarian binaries, notions of mystical or Sufi rituals, and gendered norms, to help us deconstruct labels that have been conventionally used by Religious Studies scholars. Arjana’s text is a valuable resource for undergraduate students, but also for graduate students, as it provides provocative case studies and theorizations on pilgrimages, spatiality, and ritual performances in Religious Studies. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one’s imagination to create things that are more telling than what is actually real? Arjana’s monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it’s not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one’s imagination to create things that are more telling than what is actually real? Arjana’s monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it’s not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one’s imagination to create things that are more telling than what is actually real? Arjana’s monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it’s not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one’s imagination to create things that are more telling than what is actually real? Arjana’s monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it’s not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one’s imagination to create things that are more telling than what is actually real? Arjana’s monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it’s not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one’s imagination to create things that are more telling than what is actually real? Arjana’s monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it’s not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one's imagination to create things that are more telling than what is actually real? Arjana's monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it's not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science.