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The war in Ukraine continues into its second year. In recent weeks President Volodymyr Zelenskyy has undertaken a European tour to drum up support ahead of a counter-offensive against Russia. In the background Ukraine continues as a candidate state subject to the Copenhagen criteria process. In this podcast, Oliver Garner speaks to Professor Roman Petrov on this subject of “accession through war”. Professor Petrov is the Jean Monney Chair in EU Law and Head of the Centre of Excellence in EU Studies at the National University of Kyiv-Mohyla Academy. He is currently a British Academy Research Fellow at the British Institute of International and Comparative Law.
The Kingdom of the Franks was the largest post-Roman barbarian kingdom in Western Europe, ruled by the Franks during Late Antiquity and the Early Middle Ages. But how did it fare against Viking attacks? From the changes in travel, early raids, exports, and trades, we look at this kingdom and its Viking activity through a different lens. In this episode, Cat is joined by Christian Cooijmans. Christian is a British Academy Research Fellow at the University of Liverpool, with his research focusing on the reach and repercussions of Viking endeavors across mainland Europe. We examine and challenge the widely accepted central interpretations of Viking activity in northern continental Europe.Christian Cooijmans, author of Monarchs and Hydrarchs: The Conceptual Development of Viking Activity across the Frankish Realm. Published by Routledge.For more Gone Medieval content, subscribe to our Medieval Monday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to the Android or Apple store See acast.com/privacy for privacy and opt-out information.
In this essay, Deaglán Ó Donghaile discusses Oscar Wilde's interest in and support for anarchism. Anarchism influenced Wilde's literary writings enormously, yet he is still regarded by many readers as an apolitical writer. Drawing on research carried out for his next book, Revolutionary Wilde, Deaglán contextualises these works by relating them to Wilde's openly professed radical beliefs, as expressed in his public lectures and now-forgotten newspaper writings. Deaglán Ó Donghaile is a British Academy Research Fellow based at Liverpool John Moores University. His latest book is Oscar Wilde and the Radical Politics of the Fin de Siècle. Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. For more information on the ARG, visit www.lboro.ac.uk/subjects/politics-international-studies/research/arg/ . You can follow us on Twitter @arglboro Our music comes from Them'uns (featuring Yous'uns). Hear more at https://soundcloud.com/user-178917365 Artwork by Sam G: https://www.instagram.com/passerinecreations
The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices
The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices
The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices
The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices
The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices