Podcasts about intellect books

excerpts from several scenes from the play AGUA DE LUNA (psalms for the rouge) by Caridad Svich. this play is published by Intellect Books, UK in the collection THE HOUR OF ALL THINGS AND OTHER PLAYS by Caridad Svich. There is also a single edition of the play published by Santa Catalina Editions, an imprint of NoPassport Press --- Support this podcast: https://podcasters.spotify.com/pod/show/caridad-svich/support

Anna Dako,'s book Dances with Sheep: On RePairing the HumanNature Condition in Felt Thinking and Moving towards Wellbeing (Intellect Books, 2023) presents the methodology of Felt Thinking in Movement as an eco-somatic practice inspired by re-thinking nature of being human, as well as contextualises it within wider frameworks of cultural, philosophical and therapeutic viewpoints on wellbeing. Felt Thinking is a self-inquiry practice grounded in somatic movement experience that originates in site-specific and embodied dialoguing between what is felt and what shapes as a responsive thought, as creative movement itself, and which paths ways for ecologically inclusive care for being well with self and other. The book elaborates on creative processes in and with the natural environment in relation to the movers' overall wellbeing and covers creative journeys of opening up to the living agency of Nature itself through the emergent three phases of experiential relatedness in embodied experience of the self. The book presents its original contribution to eco-phenomenology with its ontological principle of embodied relationality in towards and away from movement as a primal gateway to wellbeing and its creative inter-constitution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Anna Dako,'s book Dances with Sheep: On RePairing the HumanNature Condition in Felt Thinking and Moving towards Wellbeing (Intellect Books, 2023) presents the methodology of Felt Thinking in Movement as an eco-somatic practice inspired by re-thinking nature of being human, as well as contextualises it within wider frameworks of cultural, philosophical and therapeutic viewpoints on wellbeing. Felt Thinking is a self-inquiry practice grounded in somatic movement experience that originates in site-specific and embodied dialoguing between what is felt and what shapes as a responsive thought, as creative movement itself, and which paths ways for ecologically inclusive care for being well with self and other. The book elaborates on creative processes in and with the natural environment in relation to the movers' overall wellbeing and covers creative journeys of opening up to the living agency of Nature itself through the emergent three phases of experiential relatedness in embodied experience of the self. The book presents its original contribution to eco-phenomenology with its ontological principle of embodied relationality in towards and away from movement as a primal gateway to wellbeing and its creative inter-constitution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/spiritual-practice-and-mindfulness

Anna Dako,'s book Dances with Sheep: On RePairing the HumanNature Condition in Felt Thinking and Moving towards Wellbeing (Intellect Books, 2023) presents the methodology of Felt Thinking in Movement as an eco-somatic practice inspired by re-thinking nature of being human, as well as contextualises it within wider frameworks of cultural, philosophical and therapeutic viewpoints on wellbeing. Felt Thinking is a self-inquiry practice grounded in somatic movement experience that originates in site-specific and embodied dialoguing between what is felt and what shapes as a responsive thought, as creative movement itself, and which paths ways for ecologically inclusive care for being well with self and other. The book elaborates on creative processes in and with the natural environment in relation to the movers' overall wellbeing and covers creative journeys of opening up to the living agency of Nature itself through the emergent three phases of experiential relatedness in embodied experience of the self. The book presents its original contribution to eco-phenomenology with its ontological principle of embodied relationality in towards and away from movement as a primal gateway to wellbeing and its creative inter-constitution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anna Dako,'s book Dances with Sheep: On RePairing the HumanNature Condition in Felt Thinking and Moving towards Wellbeing (Intellect Books, 2023) presents the methodology of Felt Thinking in Movement as an eco-somatic practice inspired by re-thinking nature of being human, as well as contextualises it within wider frameworks of cultural, philosophical and therapeutic viewpoints on wellbeing. Felt Thinking is a self-inquiry practice grounded in somatic movement experience that originates in site-specific and embodied dialoguing between what is felt and what shapes as a responsive thought, as creative movement itself, and which paths ways for ecologically inclusive care for being well with self and other. The book elaborates on creative processes in and with the natural environment in relation to the movers' overall wellbeing and covers creative journeys of opening up to the living agency of Nature itself through the emergent three phases of experiential relatedness in embodied experience of the self. The book presents its original contribution to eco-phenomenology with its ontological principle of embodied relationality in towards and away from movement as a primal gateway to wellbeing and its creative inter-constitution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

L'Austria-Ungheria è riuscita a radunare una quantità di truppe sufficiente per invadere la Serbia e chiudere una volta per tutte la questione col re Pietro. Al comando delle forze imperial-regie nei Balcani c'è il generale Potiorek, che ha però sottovalutato la combattività dell'esercito serbo...Seguimi su Instagram: @laguerragrande_podcastScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoCon la partecipazione di Zeno Du BanFonti dell'episodio:A New War With Old Generals – Carnage on the Western Front, di Indy Neidell, 2014 August Blume, History of the Serbian Air Force, The Society of World War I Aero Historians, 1968 Misha Glenny, The Balkans: 1804–2012, Granta Books, 2012 J. Horne, A. Kramer, German Atrocities, 1914: A History of Denial, Yale University Press, 2001 Peter Hart, La grande storia della Prima Guerra Mondiale, Newton & Compton, 2013 Robert Hudson, Popular Music, Tradition and Serbian Nationalism, Music, National Identity and the Politics of Location: Between the Global and the Local. Ashgate Publishing, 2007 James Lyon, Serbia and the Balkan Front, 1914: The Outbreak of the Great War, Bloomsbury, 2015 David Jordan, The Balkans, Italy & Africa 1914–1918: From Sarajevo to the Piave and Lake Tanganyika, Amber Books, 2008 Biljana Milanović, Serbian Musical Theatre from the mid-19th Century Until World War II, Intellect Books, 2009 Andrej Mitrović, Serbia's Great War, 1914–1918, Purdue University Press, 2007 Montenegrin Army, Last stand on zombie island, 2017 Radoslav Raspopović, Montenegro, 1914-1918 Online G. Rothenburg, The Army of Francis Joseph. Purdue University Press, 1976 Jim Samson, Music in the Balkans. Brill, 2013 Nigel Thomas, Dušan Babac, Armies in the Balkans 1914-18, Osprey, 2001 Jozo Tomasevich, War and Revolution in Yugoslavia: 1941–1945, Stanford University Press, 2001 H. P. Willmott, La Prima Guerra Mondiale, DK, 2006 Jakob Zenzmaier, The war crimes of the Habsburg army. Between soldateska and court martial, Die Welt der HabsburgerIn copertina: Illustrazione raffigurante soldati serbi all'attacco, dal blog serbia.com

Professor Susanne Bødker is a professor of Human Computer Interaction at Aarhus University in Denmark. She reflects on 40 years at Aarhus University (AU) touching on issues including mobility, changes over time, hiring practices, creating collegial culture, being active in university politics, transitioning to retirement, being a single parent, among many others. You'll hear a strongly held set of values around participation and human connections. Susanne is one of the most respected and impactful HCI researchers yet you'll also hear her humility. Thank you Susanne for a career well served and that will hopefully continue in some ways as you explore your new opportunities. Apologies for missing music - trying to get that sorted!Overview0:05 Welcome to Changing Academic Life.[00:00:29] Episode introduction[00:02:21] Susanne introduces herself and her PhD times[00:14:36] Reflecting on 40 years in Aarhus[00:21:31] The collegial social culture at Aarhus[00:25:29] Hiring people for fit[00:30:18] The value of mobility[00:38:06] The big changes over time[00:40:49] Being involved in university politics[00:47:39] Transitioning to retirement[00:54:39] How she sees her legacy[01:00:05] Being a single parent[01:04:52] Wrapping up01:07:21 EndRelated links:Susanne Bødker, Google Scholar profile Her published thesis: Susanne Bødker, Through the Interface: A Human Activity Approach to User Interface Design, Routledge, 1990Austrian Academy of Sciences Lecture, 21 Sept 2023, “How do we understand tools, and why is that important for contemporary human-computer interaction?"Morten Kyng, Kristen Nygaard, Kim Halskov, Joan Greenbaum Winograd, Terry and Flores, Fernando, Understanding Computers and Cognition: A New Foundation for Design, Intellect Books, 1986. Dreyfus, Stuart E. and Dreyfus, Hubert L. (1986). Mind over Machine. New York, NY: Free Press.Utopia project & Participatory IT (PIT) Centre Keywords:Academia, Career paths, Research culture, Retirement, ValuesClick here to subscribe via the player of your choice. This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves. Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation. This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market. Nan also works to preserve WWII memories here. Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

A dream-like Blind Shovel, this one with writer and podcast-host, J.F. Martel. We discuss the French-Canadian identity, the value of reverie, exploring a variety of creative impulses, Weird Studies, and much more."​Jean-François Martel is a writer on art, culture, religion, and philosophy. His essays have appeared in online journals such as Canadian Notes & Queries, Reality Sandwich, The Finch, and Metapsychosis, as well as in print anthologies from Penguin-Tarcher, North Atlantic Books, and Intellect Books. He is the author of Reclaiming Art in the Age of Artifice, published in 2015 by Evolver Editions. Ediciones Atalanta released a Spanish translation of the work in 2017. His long-form essay, “Reality is Analog: Philosophizing with Stranger Things,” is available in e-book format from Untimely Books. With Prof. Phil Ford of Indiana University Bloomington, J.F. co-hosts the Weird Studies podcast, a series of conversations on the intersections of philosophy, the arts, and the weird."Header image: J.F. Martel

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Rafael Pérez y Pérez is a professor at the Universidad Autónoma Metropolitana, Cuajimalpa, where he studies computational creativity, in particular in relation to computer programs that can write stories. In this conversation, we talk about MEXICA, the story generator he has been working on for most of his career, his newly released book Story Machines (with Mike Sharples), the advantages and disadvantages of different approaches to creating stories with AI, what the future holds, whether large companies like Amazon are working on these topics, and much more.BJKS Podcast is a podcast about neuroscience, psychology, and anything vaguely related, hosted by Benjamin James Kuper-Smith. You can find the podcast on all podcasting platforms (e.g., Spotify, Apple/Google Podcasts, etc.). Support the show: https://www.patreon.com/bjks_podcastTimestamps00:05: How Rafael ended up doing his PhD on artificial creativity in Sussex07:00: Why did Rafael create MEXICA? / A more human system for generating stories24:45: Many approaches of generating stories30:46: Is a combination of symbolic and connectionist approaches  (neuro-symbolic AI)  the solution to creating machines that write stories?33:23: Why might GPT-3 not work for stories or The risk of singing a Mexican sereneade to a Norwegian43:38: Are there fundamental barries for AI writing convincing fiction without actually living in the real world?47:54: Is Amazon developing AI to write fiction?53:59: What will happen in the next 5-10 years of AI writing stories?Podcast linksWebsite: https://geni.us/bjks-podTwitter: https://geni.us/bjks-pod-twtRafael's linksWebsite: https://geni.us/perez-webGoogle Scholar: https://geni.us/perez-scholarTwitter: https://geni.us/perez-twtBen's linksWebsite: https://geni.us/bjks-webGoogle Scholar: https://geni.us/bjks-scholarTwitter: https://geni.us/bjks-twtReferences and linksChat GPT: https://openai.com/blog/chatgpt/ Mnih, Kavukcuoglu, Silver, ... & Hassabis (2015). Human-level control through deep reinforcement learning. Nature. Mueller (1990). Daydreaming in humans and machines: a computer model of the stream of thought. Intellect Books. Pérez y Pérez & Sharples (2004). Three computer-based models of storytelling: BRUTUS, MINSTREL and MEXICA. Knowledge-based systems.Propp (1968). Morphology of the Folktale. University of Texas Press.Sharples &  Pérez y Pérez (2022). Story Machines: How Computers Have Become Creative Writers. Routledge. Sharples &  Pérez y Pérez (2023). Introduction to narrative generators. Oxford University PressTurner (1993). MINSTREL: A computer model of creativity and storytelling, PhD Dissertation, University of California LA. 

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company's reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company's reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company's reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company's reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company's reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company's reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company's reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode, I speak with J.F. Martel. J.F. is a writer on art, culture, religion, and philosophy. We discuss James Hillman's book "A Terrible Love of War." His essays have appeared in online journals such as Canadian Notes & Queries, Reality Sandwich, The Finch, and Metapsychosis, as well as in print anthologies from Penguin-Tarcher, North Atlantic Books, and Intellect Books. He is the author of Reclaiming Art in the Age of Artifice, published in 2015 by Evolver Editions. Ediciones Atalanta released a Spanish translation of the work in 2017. His long-form essay, “Reality is Analog: Philosophizing with Stranger Things,” is available in e-book format from Untimely Books. http://www.reclaimingart.com With Prof. Phil Ford of Indiana University Bloomington, J.F. co-hosts the Weird Studies podcast, a series of conversations on the intersections of philosophy, the arts, and the weird. https://www.weirdstudies.com

Transcript: Host: When I’m trying to give people some tips on how they can maybe get their first article published and I often say to people that they should approach the book review editor and see if there’s anything that needs reviewing or of course go to the books review editor with like some really … Continue reading "11 Writing Book Reviews as Intro To Journals from In Conversation with Dr. Rosanne Welch and Intellect Books [Video]" Related posts: 02 How Do We Get Forgotten? from When Men Forget Women: The Many Ways Male Screenwriters Fail to Mention their Female Colleagues [Video] 01 Introduction from When Men Forget Women: The Many Ways Male Screenwriters Fail to Mention their Female Colleagues [Video] 15 Treva Silverman From Women in Early TV for the American Women Writers National Museum [Video]

Dr. Paul Geary's Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world's leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. Paul Geary's Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world's leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Dr. Paul Geary's Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world's leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Dr. Paul Geary's Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world's leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Dr. Paul Geary's Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world's leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Dr. Paul Geary's Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world's leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Dr. Paul Geary's Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world's leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants. The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work. The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode (#51) Piers and JF Martel (of Weird Science) discuss Eric Voegelin. Recorded on October 27, 2021.Eric Voegelin (1901-1985) was an Austrian political philosopher. Voegelin published scores of books, essays, and reviews in his lifetime. His work does not fit any standard classification, as it addresses issues ranging from politics to religion and ancient philosophy. Many believe he is the most significant political philosopher of the 20th century.​Jean-François Martel is a writer on art, culture, religion, and philosophy.His essays have appeared in online journals such as Canadian Notes & Queries, Reality Sandwich, The Finch, and Metapsychosis, as well as in print anthologies from Penguin-Tarcher, North Atlantic Books, and Intellect Books. He is the author of Reclaiming Art in the Age of Artifice, published in 2015 by Evolver Editions. Ediciones Atalanta released a Spanish translation of the work in 2017. His long-form essay, “Reality is Analog: Philosophizing with Stranger Things,” is available in e-book format from Untimely Books. You can learn more about his work by visiting http://reclaimingart.com.With Prof. Phil Ford of Indiana University Bloomington, J.F. co-hosts the Weird Studies podcast, a series of conversations on the intersections of philosophy, the arts, and the weird.Resistance Recovery (RR) is reimagining addiction, recovery, and community in the 21st century. Piers Kaniuka, MTS, MS has worked with thousands of addicts and alcoholics in his 25+ years in the field. Discover RR's new paradigm of addiction recovery by visiting http://resistancerecovery.com.Join the Resistance: https://www.facebook.com/groups/1236683136534727/ Visit the RR YouTube channel: https://www.youtube.com/c/RESISTANCERECOVERYSign-up for Long Threads and get Resistance Recovery news: https://mailchi.mp/ddc8023bec67/welcometoresistancerecoverySupport this podcast at — https://redcircle.com/resistance-recovery/donations

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form's rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”  With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance. For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sharon Louden is an artist, educator, advocate for artists, editor of the Living and Sustaining a Creative Life series of books, and the Artistic Director of the Chautauqua Visual Arts at Chautauqua Institution. She graduated with a BFA from the School of the Art Institute of Chicago and an MFA from Yale University School of Art. Louden's work is held in major public and private collections including the Whitney Museum of American Art, National Gallery of Art, Neuberger Museum of Art, Arkansas Arts Center, Yale University Art Gallery, Weatherspoon Art Museum, and the Museum of Fine Arts, Houston, among others. Published in 2013, Living and Sustaining a Creative Life is now in its 7th printing. With sales in over 24 countries, it has become Intellect Books #1 best selling publication two years in a row. The book has been translated into Korean, garnered over 45 reviews, the subject of 15 podcasts and radio appearances and received more individual feedback than can be counted. From 2013 until 2015, Louden went on a 62-stop book tour, where she met thousands of artists from all over the US. Louden has continued this momentum bringing her second book, The Artist as Culture Producer: Living and Sustaining a Creative Life, on an extensive 102-stop conversation/book tour which launched at the Strand BookStore on March 2, 2017 and concluded in Fairbanks, Alaska in April, 2018. Louden continues to travel widely to institutions and organizations about her work and the work of others. Apple Podcasts: https://buff.ly/2Vf8vv8⠀Spotify: https://buff.ly/2Vf8uHA⠀Google Podcasts:https://buff.ly/2Vds6LX⠀....-Original music credit: Rish Sharma.His music is available on Spotify, Apple Music, YouTube and other streaming platforms.  -Audio post production at HNM Studios New Delhi India.-October2019 voicesandmore Pte Ltd All rights reserved Get bonus content on PatreonSupport this show http://supporter.acast.com/melting-pot. See acast.com/privacy for privacy and opt-out information.

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form's rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”  With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance. For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form's rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”  With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance. For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form's rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”  With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance. For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form's rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”  With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance. For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Episode 24: excerpts from JARMAN (all this maddening beauty) by Caridad Svich. Published by Intellect Books (2016) and also as a single edition from NoPassport Press. --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 17: On the Act of Regarding Another by Caridad Svich. published in JARMAN (all this maddening beauty) and other plays. Intellect Books. --- Support this podcast: https://anchor.fm/caridad-svich/support

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Season 2, Episode 3: excerpt from UPON THE FRAGILE SHORE by Caridad Svich (Published by Intellect Books) and from Alistair McDowell's POMONA (published by Methuen Drama). Content Warning: Some Cursing. --- Support this podcast: https://anchor.fm/caridad-svich/support

There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison's hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland's first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don't know about. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison's hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland's first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don't know about. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 46: excerpt from the introduction to OUT OF SILENCE by Caridad Svich (published by Eyecorner Press, 2012) and prologue from the play AGUA DE LUNA by Caridad Svich (published in The Hour of All Things and other Plays, Intellect Books). * Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 45: excerpt from UPON THE FRAGILE SHORE by Caridad Svich (Published in THE HOUR OF ALL THINGS AND OTHER PLAYS by Caridad Svich, Intellect Books) and from USER NOT FOUND created by Dante or Die, written by Chris Goode (published by Oberon Modern Plays). * Listener support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 27: "On the Act of Regarding Another" by Caridad Svich (from the collection JARMAN (all this maddening beauty and other plays_ published by Intellect Books), and "In a Time of Peace" by Ilya Kaminsky (from Deaf Republic published by Graywolf Press). * Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 26: excerpt from Carthage/Cartagena by Caridad Svich (published by Intellect Books in JARMAN (all this maddening beauty and other plays) and excerpt from Martin Crimp's Attempts on Her Life (published by Faber and Faber). * Content warning: some violent imagery. * Listener support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 25: excerpt from The Orphan Sea by Caridad Svich (Published by Intellect Books in JARMAN (all this maddening beauty and other plays), and excerpt from Linda McLean's play Sex & God (Published by Nick Hern Books). * Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection of theatre & poetry in the edgelands. Episode 24: excerpt from JARMAN (all this maddening beauty) by Caridad Svich (published by Intellect Books) & excerpt from Sarah Kane's Crave (Published by Methuen Drama). Content warning: some swear words. * Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 23: monologue from The Hour of All Things by Caridad Svich (published by Intellect Books), and monologue from David Harrower's Knives in Hens (Published by Methuen Drama). * Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 22: monologue from Agua de Luna (psalms for the rouge) by Caridad Svich (Published by Intellect Books in The Hour of All Things and other plays) and monologue from Caryl Churchill's Far Away (published by Nick Hern Books). * Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 21: excerpt from The Breath of Stars by Caridad Svich (Published by Intellect Books in The Hour of All Things and Other Plays), and excerpt from Ian Rowlands' play Butterfly (published by Parthian Books). Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 20: excerpt from Upon the Fragile Shore by Caridad Svich (Published by Intellect Books in The Hour of All Things and Other Plays), and an excerpt from The Events by David Greig (published by Faber & Faber). Listener support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Presentación de libros de estudios ibéricos - programa 1 (25 de junio 2020). En este episodio hablamos con Elena Cordero Hoyo y Begoña Soto Vázquez, editoras del libro Women in Iberian Filmic Culture. A Feminist Approach to the Cinemas of Portugal and Spain (Intellect Books, 2020).

Cluny Brown by Margery Sharp/Cluny Brown (1946)In the first half of the episode, we discuss Margery Sharp's 1944 novel, Cluny Brown. In the second half of the episode, we discuss the 1946 film adaptation, directed by Ernst Lubitsch.The following sources were consulted for this episode:Eyman, Scott. Ernst Lubitsch: Laughter in Paradise. Simon & Schuster, 1993. Print.McBride, Joseph. How Did Lubitsch Do It? Columbia University Press, 2018. Print.Smedley, Nick. A Divided World: Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948. Intellect Books, 2011. Via Google Books.AFI CatalogIMDbCheck out our review on GoodReads.Follow us on Twitter at FadeoutBooksEmail us at fadeoutbooks@protonmail.comSound editing by Miranda. Our theme song is "I'll Build a Stairway to Paradise," composed by George Gershwin and performed by the Paul Whiteman Orchestra.

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emerging ecological consciousness of today. An essential monument to performance practices that often left behind few records and produced scant archives but radically reshaped performance in the last quarter of the twentieth century. Andy Boyd is a playwright and podcaster. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emerging ecological consciousness of today. An essential monument to performance practices that often left behind few records and produced scant archives but radically reshaped performance in the last quarter of the twentieth century. Andy Boyd is a playwright and podcaster. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emerging ecological consciousness of today. An essential monument to performance practices that often left behind few records and produced scant archives but radically reshaped performance in the last quarter of the twentieth century. Andy Boyd is a playwright and podcaster. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emerging ecological consciousness of today. An essential monument to performance practices that often left behind few records and produced scant archives but radically reshaped performance in the last quarter of the twentieth century. Andy Boyd is a playwright and podcaster. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emerging ecological consciousness of today. An essential monument to performance practices that often left behind few records and produced scant archives but radically reshaped performance in the last quarter of the twentieth century. Andy Boyd is a playwright and podcaster. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emerging ecological consciousness of today. An essential monument to performance practices that often left behind few records and produced scant archives but radically reshaped performance in the last quarter of the twentieth century. Andy Boyd is a playwright and podcaster. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ally is joined Moscow resident and YouTuber Jonny Tickle to discuss this meandering, mysterious walk through Russian history and St Petersberg's Hermitage Museum, filmed in a single continuous take. Expect SPOILERS from about 38 minutes in until the end.Russian Ark stars Sergei Dreiden.If you enjoyed this episode, please follow and rate us on Podchaser: www.podchaser.com/russophilesunitemoviepodcast Find Jonny Tickle on Twitter at: @jonnytickleOr visit Jonny's YouTube Channel: https://www.youtube.com/channel/UCKvzrcnSazCp5gYNbEaFHyg Aleksandr Sokurov, Russian Ark by Birgit Beumers: hwww.intellectbooks.com/aleksandr-sokurov  Publish with Intellect Books: www.intellectbooks.com/why-publish-with-usThe show's intro music is Cold by Sasha Ilyukevich and the Highly Skilled Migrants. You can find more of their music at: https://thehighlyskilledmigrants.bandcamp.com/ Or: https://open.spotify.com/artist/1cXWmfhuDWyfKfsYADk96F If you'd like to get in touch and tell us what you thought of the film and/or the podcast episode, it would be great to hear from you! Here are some ways you can do that: Twitter: @RussophilesU Email: russophilesunite@gmail.com Facebook: https://www.facebook.com/groups/russophilesunite Instagram: www.instagram.com/russophiles_unite/ Letterboxd: https://letterboxd.com/Ally_ Support the show/fund Ally's caffeine habit at: https://ko-fi.com/russophilesunite Find Ally's other podcast appearances at: https://www.podchaser.com/creators/alistair-pitts-107ZzmUqmI

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Corey is a Los Angeles-based writer, and has created and released MORIARTY and RED CITY with Image Comics. His work has been featured in USA Today, MTV.com, Intellect Books, The School Library Journal, The Wrap, and G4 TV, among other media outlets.You can see Daniel's work here: http://www.dangerkatt.com/Danger_Katt/Dangerkatt.html See acast.com/privacy for privacy and opt-out information.

Jenny Shelton, writer and period drama enthusiast, joins Ally Pitts to review Academy Award for Best Foreign Language Picture winner for 1980 Moscow does not Believe in Tears, directed by Vladimir Menshov. Apparently, Ronald Reagan watched it a whole bunch of times, but please don't hold that against it. Expect SPOILERS from about 13 minutes in until the end. CONTENT WARNING: Please be aware that the film depicts a character being rape (mostly off-screen), and that we discuss this incident during the course of the podcast.Moscow does not Believe in Tears stars Vera Alentova, Irina Muravyova, Raisa Ryazanova, and Aleksei Batalov. If you enjoyed this episode, please follow and rate us on Podchaser: www.podchaser.com/russophilesunitemoviepodcast Find Jenny on Twitter at: @JennySheltonCam World Film Locations Moscow, edited by Birgit Beumers: www.intellectbooks.com/world-film-locations-moscow World Film Locations series from Intellect Books: https://www.intellectbooks.com/world-film-locations The show's intro music is Cold by Sasha Ilyukevich and the Highly Skilled Migrants. You can find more of their music at: https://thehighlyskilledmigrants.bandcamp.com/ Or: https://open.spotify.com/artist/1cXWmfhuDWyfKfsYADk96F If you'd like to get in touch and tell us what you thought of the film and/or the podcast episode, it would be great to hear from you! Here are some ways you can do that: Twitter: @RussophilesU Email: russophilesunite@gmail.com Facebook: https://www.facebook.com/groups/russophilesunite Instagram: www.instagram.com/russophiles_unite/ Letterboxd: https://letterboxd.com/Ally_ Support the show/fund Ally's caffeine habit at: https://ko-fi.com/russophilesunite Find Ally's other podcast appearances at: https://www.podchaser.com/creators/alistair-pitts-107ZzmUqmI  

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Live from Miami, well it was broadcast live at the time, whatever, anyways, Sharon Louden!! Sharon M. Louden graduated with a BFA from the School of the Art Institute of Chicago and an MFA from Yale University, School of Art. Her work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Birmingham Museum of Art, Weatherspoon Art Museum and the Kemper Museum of Contemporary Art. Louden's work is held in major public and private collections including the Neuberger Museum of Art, Whitney Museum of American Art, National Gallery of Art, Arkansas Arts Center, Yale University Art Gallery, Weatherspoon Art Museum, and the Museum of Fine Arts, Houston, among others. Sharon Louden's work has also been written about in the New York Times, Art in America, Washington Post, Sculpture Magazine and the Philadelphia Inquirer, as well as other publications. She has received a grant from the Elizabeth Foundation for the Arts and has participated in residencies at Tamarind Institute, Urban Glass and Art Omi. Louden's animations continue to be screened and featured in many film festivals and museums all over the world. Her animation, Carrier, premiered in the East Wing Auditorium of the National Gallery of Art in Washington, DC in March, 2011 in a historical program of abstract animation since 1927. Sharon also premiered a new animation titled, Community, at the National Gallery of Art in the program, "Cine Concert: Abstract Film and Animation Since 1970" on September 8, 2013. Louden was commissioned by the Weisman Art Museum to make a site-specific work in dialogue with Frank Gehry's new additions to the museum. Entitled Merge, this solo exhibition consisted of over 350,000 units of aluminum extending over a 3,000 square foot space and was on view from October 2011 through May 2012. This piece was then reconfigured and permanently installed in Oak Hall at the University of Connecticut in Storrs, CT and completed in January, 2013. Also in 2013, Louden received a New York Foundation for the Arts Artist Fellowship in the category of Architecture/Environmental Structures/Design. Recent exhibitions include a solo exhibition of new work including Community (the animation that premiered at the National Gallery of Art), as well a site-specific installation, painting, drawing and sculpture at Morgan Lehman Gallery in New York in October through November, 2013. Currently on view is  a solo exhibition of Louden's paintings and drawings at Beta Pictoris/Maus Contemporary Art in Birmingham, Alabama, which will run through February 16, 2014. Sharon Louden has taught for more than 20 years since graduating from Yale in 1991. Her teaching experience includes studio and professional practice classes to students of all levels in colleges and universities throughout the United States. Colleges and universities at which she has lectured and taught include: Kansas City Art Institute, College of Saint Rose, Massachusetts College of Art, Vanderbilt University and Maryland Institute College of Art. Sharon currently teaches at the New York Academy of Art in New York City. Last summer, Sharon taught experimental drawing and collage in the School of Art at Chautuaqua Institution in Chautauqua, New York. In addition to teaching at the New York Academy of Art, Sharon also conducts a popular Lecture Series where she interviews luminaries and exceptional individuals in the art world and from afar. Louden is also the editor of Living and Sustaining a Creative Life: Essays by 40 Working Artists published by Intellect Books and distributed by the University of Chicago Press. The book is already on its fourth printing since the first run sold out before its official release on October 15th, and has been #1 on Amazon.com's Bestseller List of Business Art References. It was also on Hyperallergic's List of Top Art Books of 2013. Recent press includes an interview in Hyperallergic blogazine, "How do Artists Live?".  A book tour started on November 2, 2013 which includes Sharon Louden and other contributors visiting cities across the United States and in Europe through 2015.  Highlights include an event in the Salon at the Art Basel Miami Beach Art Fair this past December, 2013 as well as a discussion and book event at the 92nd St Y in New York and a panel discussion at the Hirshhorn Museum and Sculpture Garden in Washington, DC in January, 2014. For more information on the book tour, please click here.  In addition, she continues to conduct Glowtown workshops in schools and not-for-profit organizations across the country. Louden is also active on boards and committees of various not-for-profit art organizations and volunteers her time to artists to further their careers. Sharon is a full-time practicing, professional artist who lives and works in Brooklyn, NY.