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This almanac episode dives into the folklore of February through the lens of the Ancient Roman festival of Lupercalia on February 15th, tracing the themes of birth, milk, wolves, wildness, purification, death, twilight, and thunder through the month's other pagan holidays, including St. Brigid's day on February 1st, Candlemas / Gromnica / Perkunas Day on February 2nd, and Scandinavian St. Peter Hotstone on February 22nd. This month's episode asks what the notion of purification might mean in a pagan context, and suggests it may mean facing the shadow parts of ourselves that we tend to project onto animals (and women) so we can ritually integrate them, clarifying and owning our role as powerfully in-between creatures in a powerfully in-between world. Important dates: February 1: Brigid's Day / Bride (Ireland / Scotland) February 2: Candlemas (Christian) / Gromnica (Slavic) / Perkunas day (Lithuania) / Perun's Day (Belarus) February 14: St. Valentine's day February 15: Lupercalia February 21: Mardi Gras / end of Carnivale / Start of Lent February 22: St. Peter Hot-stone Listen to the February Almanac playlist on Tidal: https://tidal.com/browse/playlist/4c148b82-bfe5-46cf-ba26-63b7bc2a7acd Listen to the February Almanac playlist on Spotify: https://open.spotify.com/playlist/2QSKLQ8WeAq9v26NWfpTtX?si=33e31c5e2fe74971 Music in this episode: “Lupercalia” by Faun Buy Faun's music: https://shop.faun-music.com/ “Värgsangen” by Jonna Jinton More Jonna Jinton music: https://www.youtube.com/user/jonnajinton Buy Jonna Jinton's art: https://jonnajintonsweden.com/ “Ulvetimme” (The Hour of the Wolf) Maria Franz and Christopher Juul Buy Heilung's (Maria Franz and Christopher Juul) music: https://heilung.bandcamp.com/ “Mary's Keen” by Noirin Ni Riain Buy this track: https://music.apple.com/ca/album/marys-keen/992023961?i=992023970 Buy Noirin Ni Riain's music: https://music.apple.com/ca/album/stor-amhran/41446103 “Grá” by Wardruna Buy Wardruna music and merch: https://wardrunashop.com/collections/music Buy Wardruna digital tracks: https://wardruna.bandcamp.com/music Opening theme: "Forest March" by Sylvia Woods Buy Sylvia Woods' music: www.harpcenter.com/category/harp-cds Sources for this episode: Watch Ronja Robbersdaughter: https://fsharetv.io/watch/ronja-robbersdaughter-episode-1-tt0088015 Watch Wolf Walkers: https://www.youtube.com/watch?v=d_Z_tybgPgg Emperors of Rome Podcast, Lupercalia episode: https://podcasts.apple.com/ca/podcast/episode-cxxxv-lupercalia/id850148806?i=1000465237605 History and Folklore Podcast: Medieval Wolves episode: https://historyandfolklorepodcast.libsyn.com/medieval-wolves Medieval Folklore: A Guide to Myths, Legends, Tales, Beliefs, and Customs edited by Carl Lindahl, John McNamara, and John Lindow: entry: “Wolf [Canis Lupus] and Werewolf” The Nordic Animist Year (book) by Rune Rasmussen Candlelight Tales Podcast: Brigid episode: https://soundcloud.com/candlelittales/episode-7-brigid Transcript: Welcome to the podcast. This is the February Almanac episode of Fair Folk called Wolf Milk. In these Almanac episodes, I comb through European calendar custom. that is folklore relating to the cycle of the year, typically with a focus on Northern Europe. And I share what I find with you to help you orient the month ahead. Equipped with knowledge of nourishing traditions that can help reconnect you to the natural cycles of the year to land and the life in the plants, animals, our bodies, and ourselves. Seasonal folklore and festivals call us back into community with all beings on the earth in its regular spinning wheel of life and death. And they help us to tend through ritual, our ties to our kin of all species, both our ancestral kin and our future kin to come. The recovery of European traditional cultures, the ones that privilege relationality, interconnection and respect for all beings, which you might call indigenous cultures, is so early in its stages.
This episode does a deep dive into almost everything we know about Thor. What did he look like? Was he a good father? How did the ancient Norse people pray to Thor? How does his hammer work? Does he ever strike anyone with lightning? And, wait... was Thor actually god of the sea? Sources: “Bleikr, Gulr, and the Categorization of Color in Old Norse” by Jackson Crawford, 2016 “Gods and Myths of Northern Europe” by H. R. Ellis Davidson, 1964 “How Thor Lost His Thunder” by Declan Taggart, 2017 “Medieval Folklore: A Guide to Myths, Legends, Tales, Beliefs, and Customs” by Carl Lindahl, John McNamara, and John Lindow, 2002 “Teutonic Mythology” by Jacob Grimm, 1882, transl. by James Stallybrass “Þórr and wading” by Tarrin Wills, 2017 “The Poetic Edda”, transl. by Carolyne Larrington, 2014 “The Prose Edda”, transl. by Anthony Faulkes, 1995 Contact: Write in: waelhraefn (at) gmail (dot) com Join the Discord: https://discord.gg/Nvw5hmkRsW Music: Celebration by Alexander Nakarada (www.serpentsoundstudios.com). Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH). In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information). Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina. They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced. In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH). In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information). Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina. They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced. In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH). In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information). Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina. They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced. In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH). In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information). Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina. They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced. In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH). In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information). Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina. They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced. In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH). In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information). Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina. They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced. In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
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